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Speaker 1: I don't know.

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Speaker 2: Every day a week ago.

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Speaker 1: Click your ass up the Breakfast Club, finish for y'all.

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Speaker 2: Done morning, Everybody's d j Envy just hilarious, Charlamagne the guy.

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Speaker 2: We are the Breakfast Club. You got a special guests

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Speaker 2: in the belting.

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Speaker 1: One of the most slept on comedians generations. One of

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Speaker 1: the most slept on comedians of our generation. Don l

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Speaker 1: Rowlins agree, Donelle.

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Speaker 3: How you feeling?

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Speaker 2: How you feeling?

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Speaker 3: I'm feeling good. I feel like I just got this

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Speaker 3: product and it works. Wonders. It's supposed to remove negative energy.

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Speaker 3: I don't know positive, but it's a polanto spray and

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Speaker 3: it works wonders for people that.

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Speaker 2: But how are you feeling?

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Speaker 4: Man?

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Speaker 2: How's your son? I've seen you on the river. I've

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Speaker 2: seen you really enjoying life. Man.

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Speaker 3: It's horrible. Really yeah, and it got even worse than you.

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Speaker 3: Uh recommended a therapist for me to go see.

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Speaker 1: Oh yeah, you started going to you started going to therapy.

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Speaker 3: And uh he gave me horrible advice.

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Speaker 1: What was the advice.

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Speaker 3: It was a situation with me dealing with like baby

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Speaker 3: mama drama, Okay, And I say, sometime I get to

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Speaker 3: a point where I'm just frustrated. I don't know what

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Speaker 3: to do. And then he said, what would you do,

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Speaker 3: and what would you do if you were doing a

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Speaker 3: comedy show right and you wasn't the audience wasn't engaged,

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Speaker 3: what would you do? I said, well, I've had that

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Speaker 3: situation where I had to fall back, regroup, speak a

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Speaker 3: little slower, you know what I'm saying, to start all over.

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Speaker 3: And he said, why don't you do that in your relationship?

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Speaker 3: And I tried that and it still didn't work. So

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Speaker 3: thank you for giving me the worst therapists in the world, tost.

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Speaker 4: I'm not saying what happened when you tried it? Why

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Speaker 4: didn't it work?

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Speaker 3: It just it just it just didn't work. I think

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Speaker 3: we I don't know, it just didn't work.

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Speaker 4: I saw you post your son's birthday though, and it

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Speaker 4: seemed like y'all are.

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Speaker 1: But that's the son that's not the mother of this

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Speaker 1: child with her.

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Speaker 4: So I figured all the co parents and stuff was

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Speaker 4: going well, it.

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Speaker 3: Is going well. It's a tough thing, I tell you,

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Speaker 3: for anybody to do co parents, it's tough, especially when

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Speaker 3: you you still may have some emotions of all whatever.

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Speaker 3: But I will say this, I dated this SMOs No,

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Speaker 3: can we can we have rules? Can we have rules

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Speaker 3: of engagement? What do you mean, like you're gonna have

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Speaker 3: to raise your hand, You're gonna do something different? All right?

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Speaker 3: The way you communicate, I don't really like it. And

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Speaker 3: I was trying to explain. I dated this girl some

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Speaker 3: years ago, right, and she got separate. She was separate

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Speaker 3: her parents' divorce when she was young. Right. And I

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Speaker 3: also I used to always see.

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Speaker 2: Well, he said, raise his hand when you had a question,

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Speaker 2: but still.

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Speaker 3: Gotta let me finish. You have to let me finish.

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Speaker 3: It's just about the mother of your child or another one.

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Speaker 3: It's about what I wanted to be about.

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Speaker 1: Okay, okay, yes, let just ask all.

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Speaker 2: Hairs together, guys.

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Speaker 3: So I used to see, uh, the women I used

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Speaker 3: to date, her parents were still together. They would do Thanksgiving,

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Speaker 3: they would do dinners and do all this type stuff.

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Speaker 3: And I used to say, they must be smashing, no

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Speaker 3: way that they're that connected to each other. But as

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Speaker 3: I got older or I had this situation in my life,

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Speaker 3: I was like, nah, they were just trying to give

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Speaker 3: or create the best family situation as a co parent

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Speaker 3: that could do. So that's what I do, and I

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Speaker 3: imply it in my life and we do do a

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Speaker 3: good job.

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Speaker 2: You know, So you don't have emotions, is what his

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Speaker 2: question was.

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Speaker 3: No, I don't. I mean I wouldn't like you. I

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Speaker 3: don't think she still likes me. But what has emotions?

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Speaker 2: Because you said this emotion is you said that, that's

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Speaker 2: what you said.

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Speaker 5: You said it can be he said, it can be

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Speaker 5: hard when emotion.

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Speaker 3: Thank you, thank you for the clarity.

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Speaker 1: You still have emotions. She still has emotions.

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Speaker 3: Nobody has emotions. We are raising a beautiful uh young man.

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Speaker 3: And I mean this one thing I say about my

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Speaker 3: co parents situation. A lot of times when mom and

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Speaker 3: dad are not together like that, it's it's separate. It's

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Speaker 3: like my mother, my father, you know what I'm saying.

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Speaker 3: But my son, whenever he talks, he speaks to speaks

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Speaker 3: on us as a family, still live as parents. It's

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Speaker 3: not like I'm going to my mother house or my

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Speaker 3: father house. So we're doing a good job with that.

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Speaker 3: And Austin's beautifulkid.

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Speaker 1: Do you regret at anything?

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Speaker 2: But do you regret anything in that situation relationship because

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Speaker 2: you said before that you were the one that messed up.

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Speaker 3: Correct, I didn't say, I was want to mess it up.

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Speaker 1: I can see that though, we can see you being

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Speaker 1: the one.

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Speaker 3: What were you saying?

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Speaker 6: So when you go on stage, do you talk about

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Speaker 6: you know, your past relationship or your co parents and

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Speaker 6: relationship with your son's mother on stage?

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Speaker 5: Oh yeah, has she ever heard about that?

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Speaker 1: Oh yeah, she like it.

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Speaker 3: No, no, it was I'm gonna tell you if she

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Speaker 3: knows me, my life is gonna go on stage, right,

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Speaker 3: she understands that. But sometimes when people get in your head,

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Speaker 3: you know what I'm saying, Like what she throw was

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Speaker 3: the funny jokes. One of her girls come, huh, I

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Speaker 3: don't believe he did that, and he gassedlight and all

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Speaker 3: that stuff. We had that situation. But you know, I mean,

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Speaker 3: you dated a comedian. That's what's gonna be. My life

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Speaker 3: is gonna be on stage. But I'm always I never

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Speaker 3: would do or say anything to put her in a

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Speaker 3: bad light or anything, because at the end of the day,

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Speaker 3: she gave me the biggest gift for my life. So

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Speaker 3: I'm forever grateful for that. And I even say, you know,

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Speaker 3: it's a certain it's a certain amount for someone to

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Speaker 3: have your kid, it's a certain amount of love. I

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Speaker 3: think you're gonna always have that. Does that mean getting

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Speaker 3: back together or rekilling anything? It doesn't, but it's a

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Speaker 3: certain amount of love and respect I always have. The

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Speaker 3: next question, did you.

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Speaker 2: Ever ask, like how it affects herm when you go

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Speaker 2: on stage and talk about it, because that could bring trauma?

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Speaker 3: Did you ever like, I don't know, No, I don't,

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Speaker 3: I don't. I can't. Man if I said you care,

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Speaker 3: so if I care, but I don't care because.

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Speaker 4: That didn't come out of therapy.

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Speaker 1: That was that was disgusting.

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Speaker 3: That was.

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Speaker 1: Do you think they're calling yourself?

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Speaker 3: And my brother said the games don't really like you

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Speaker 3: the way you think they do. When you said that,

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Speaker 3: you know that's what he said. When you said, he

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Speaker 3: said get over yourself.

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Speaker 1: When you said dating a narcissist, speaking of not being

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Speaker 1: able to get over yourself. When you talk about dating

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Speaker 1: a narciss do you think that's triggering for the mother

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Speaker 1: of your child.

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Speaker 3: I didn't say that you don't know who the narcissist is.

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Speaker 3: You clearly how you know that's.

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Speaker 1: Mean because of what you just said, because she didn't

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Speaker 1: sign up for.

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Speaker 2: That part of it.

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Speaker 3: All right, what we're gonna do is we're gonna have

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Speaker 3: to slow down, all right, there's just too much going

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Speaker 3: on right now. All right, we're gonna slow down.

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Speaker 1: So either way it's triggering because whether or not she

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Speaker 1: had to date you the narcissist, or you're calling her

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Speaker 1: a narciss that is gas like.

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Speaker 3: It's up to this, up to the interpretation of who thinks.

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Speaker 3: I don't know who to the narciss I don't know

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Speaker 3: what the narcisses really is. All I know every time

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Speaker 3: I use it, it come up in my algorithms. The

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Speaker 3: minute we argue about something, it's always and the narcissist

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Speaker 3: woman would do this. I don't know what the fucking

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Speaker 3: narcissist is. I just think it's it's a word that

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Speaker 3: you use to sell books and make my money. On

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Speaker 3: the side, I feel from her because you just talk

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Speaker 3: you are the narcissists.

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Speaker 1: Yes, I know you've always been raw and unfiltered as

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Speaker 1: being too real ever cost you opportunities in this industry

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Speaker 1: and in your personal life.

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Speaker 3: Great question has been no, because I am who I am.

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Speaker 3: I don't act like on anybody else. And then with me,

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Speaker 3: it's what you like version of you. I don't really

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Speaker 3: care about what people like. If I'm presenting myself the

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Speaker 3: best way I can, and I'm putting it out there

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Speaker 3: like I want to. I can't care about people like

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Speaker 3: I can't let to. I can't let uh. I can't

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Speaker 3: let people control what I'm doing on stage or off stage. Yes, yeah,

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Speaker 3: do you think you know? You so?

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Speaker 4: I'm just.

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Speaker 7: Yes, you know, I'm just in here observing. I just

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Speaker 7: you know, it's been a while observing observing?

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Speaker 1: What do you see?

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Speaker 3: What is observing or observe?

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Speaker 7: I think he's having a hard time tracking because you

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Speaker 7: know as he gets up there.

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Speaker 3: To what is wow?

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Speaker 2: Get up?

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Speaker 3: What does get up there mean?

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Speaker 4: Up on the chair where you sat down at?

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Speaker 3: Okay?

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Speaker 2: What question do you think that? You know you lost

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Speaker 2: your edge now that you change you play pickleballs?

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Speaker 3: Do white things gives you? Do white ship? Nigga? You

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Speaker 3: was riding bikes with biker shorts on. So you did

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Speaker 3: that for your shoes and going to the thing we

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Speaker 3: were doing that. You know, the shoes that you put

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Speaker 3: inside the pen, the bike shoes.

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Speaker 2: I lost a little bit, that's my asking.

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Speaker 3: And you put that ship in the garage. You got

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Speaker 3: your photo of you probably got a sponsorship for that.

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Speaker 3: He was like okay, on to the next. That's what

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Speaker 3: you did, sir. But I don't lose, no edge, I

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Speaker 3: don't lose No.

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Speaker 1: You did that.

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Speaker 5: I saw you did the Chris Brown challenge.

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Speaker 3: My friend Givanta Robbers right there. That's my TikTok. That's

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Speaker 3: my TikTok. That's my TikTok.

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Speaker 1: I did it.

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Speaker 5: You did better than I thought you. Man, you killed it.

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Speaker 1: You ain't losing no.

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Speaker 3: I uh, I was horrible.

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Speaker 2: I wasn't that bad.

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Speaker 3: I wasn't not bad, but I wasn't. I mean, I

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Speaker 3: thought it was fun and it was like it's a

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Speaker 3: lot to I mean, the only I did that part right,

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Speaker 3: I did this part right, Yeah, I did.

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Speaker 2: I did that.

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Speaker 3: The only part I had was I had that. I

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Speaker 3: did that. I did that, and then I did this

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Speaker 3: part right here, and then I did that, and then

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Speaker 3: I did that. Then I did that, and and that

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Speaker 3: was it. That was and then I came back. I

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Speaker 3: did a roll by that then mix it up.

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Speaker 2: We were thinking about you earlier, thinking about something that

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Speaker 2: Charlamagne and I were talking about that you know, since

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Speaker 2: we got to this age is very enjoyable. Have you

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Speaker 2: ever thought about getting a bedet?

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Speaker 3: No? Why I just don't. No, that's not my thing.

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Speaker 3: That's the gateway, the gateway to clean. That's a gateway

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Speaker 3: to that's a gateway to your lifestyle, clean what it is.

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Speaker 3: You wouldn't be who you are right now if you

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Speaker 3: didn't for your first blue day. First of all, I'm

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Speaker 3: not here for all you Have you.

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Speaker 1: Ever been gave? Have you ever been gave? For? Adet? Oh?

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Speaker 2: You have gifts?

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Speaker 3: No, I'm sorry. This unfortunate. It's not a thing for

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Speaker 3: it's not a just right here. It's because I've had

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Speaker 3: and there's nothing no slight on the ladies in here.

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Speaker 3: But I've had a history with these guys for so

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Speaker 3: many years, and you.

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Speaker 4: Came up here with gifts for them people.

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Speaker 5: We didn't earn our gifts yet.

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Speaker 1: That's your question for open this box. Ask your question, told, Well,

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Speaker 1: that's your question. As a black comedian, how do you

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Speaker 1: balance being funny with being a cultural truth How do what?

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Speaker 1: How do you balance being funny with being a cultural

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Speaker 1: truth teller?

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Speaker 3: As a black comedian, how do you balance I don't

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Speaker 3: understand that question.

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Speaker 1: What do you mean? How do you balance being funny

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Speaker 1: and also being a cultural truth teller?

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Speaker 3: I'm a truth teller. That happens to inject human with that.

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Speaker 3: So I'm always gonna tell the truth, and if that

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Speaker 3: truth happens to be funny, that's what it is. I

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Speaker 3: don't really go looking for a joke. I just try

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Speaker 3: to recreate life and situations that that I come in

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Speaker 3: contact with and I'm putting on the stage. So my

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Speaker 3: people always say, Donelle, that joke that you told, was

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Speaker 3: that the truth. I don't lie on stage anything. I say,

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Speaker 3: it's really what happened in my life. So that's that.

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Speaker 3: If that answers your question, what is this?

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Speaker 1: What is that?

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Speaker 3: It's a gift.

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Speaker 4: So we can see what I have a question.

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Speaker 2: Do you feel like you're a sensitive comedian?

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Speaker 3: Why is that?

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Speaker 2: Because usually comedians being able to take a joke and

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Speaker 2: give a joke, but sometimes I feel like, wow, oh.

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Speaker 3: Get a close up, get a close up, Yo, get

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Speaker 3: a close up look, get it close up.

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Speaker 1: You got.

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Speaker 3: My greatest moments.

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Speaker 7: That is sorry, I appreciate, now understand what me and

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Speaker 7: J just don't.

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Speaker 1: Have the time.

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Speaker 3: I do apologize.

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Speaker 1: Pink the pink.

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Speaker 3: Yeah, I got kill Evans out of Baltimore, guy side

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Speaker 3: of Baltimore.

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Speaker 1: He did thoughtful gift, but look at it but.

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Speaker 3: No, it's not. It wasn't supposed to be thoughtful, supposed

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Speaker 3: to I just wanted I want to try to see.

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Speaker 2: It's my birthday and I'm gonna I'm gonna wear them

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Speaker 2: this weekend.

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Speaker 1: These aren't even the same pictures on both of them.

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Speaker 1: That's crazy. This is amazing, this is very thought Thank

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Speaker 1: you for thinking.

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Speaker 4: I thought I saw Diddy on out side of it.

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Speaker 2: We would do.

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Speaker 1: D he would be on his because he sat between

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Speaker 1: Diddy's legs.

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Speaker 3: I didn't slip between. I slipped.

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Speaker 1: I slipped in the of what oil.

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Speaker 3: No I was. I'm not gonna I'm not gonna revisit that.

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Speaker 2: That's all. I'm not going to the juice. I thought

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Speaker 2: that was hilarious.

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Speaker 3: That was Yes, I'm gonna always be insulting to you guys.

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Speaker 2: I loved it, actually, mm hmmmm.

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Speaker 5: Don't know how frustrating is it?

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Speaker 6: Right when people are not taking you serious because you're

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Speaker 6: a comedian.

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Speaker 3: It's interesting because I really for what we do. I

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Speaker 3: don't really want people to take me serious. I want

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Speaker 3: them to find me to be funny. You know what

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Speaker 3: I'm saying. People take you to that that's not your question, that.

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Speaker 1: Your hand, no that's not true. You like to be

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Speaker 1: taken serious that you actually get very frustrated when people

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Speaker 1: don't take you serious. What makes you think I get

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Speaker 1: frustrated because you told me that, when you told me that,

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Speaker 1: when you yelled at me over the phone, and I

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Speaker 1: didn't realize that you were playing. I thought we were playing,

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Speaker 1: and then you were like, no, you don't ever take

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Speaker 1: me serious.

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Speaker 3: And that's that. That's a horrible impression interview.

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Speaker 2: Like every other.

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Speaker 3: No, it's a It's a gift and a curse if

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Speaker 3: you want to say, you know, because it's times you

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Speaker 3: want people to understand that you're serious. But at the

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Speaker 3: end of the day, it's a comedian. I don't want

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Speaker 3: people to take me that serious. I want people to,

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Speaker 3: you know, think I'm funny and laugh at laugh at

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Speaker 3: the jokes.

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Speaker 6: Yeah, but in times when you are really serious, you know,

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Speaker 6: like when you were talking about your dad, you know, and.

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Speaker 3: You're trying to you're trying to trigger something, I'm not.

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Speaker 3: I just want I just said the timing. Sometimes and

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Speaker 3: there's times that I have moments and I was having

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Speaker 3: a moment that went viral and you laughed and you laughed,

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Speaker 3: and I thought that was very insensitive what we laugh

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Speaker 3: at when I.

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Speaker 5: Know what I'm saying. When he had grew up?

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Speaker 2: He remember who's laughing at?

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Speaker 3: Not laughing? I said, I said, I remember when I

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Speaker 3: had I was trying to explain a part of my life.

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Speaker 3: And I think that was very insensitive.

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Speaker 1: But that's only because we laughed before you got to

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Speaker 1: the part about your uncle.

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Speaker 3: What about it was about it was about da dad uncle.

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Speaker 1: It was that was the part about you know. I

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Speaker 1: thought he laughed about your dad passing away another time.

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Speaker 1: But the other part, when you were talking about being

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Speaker 1: grown up.

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Speaker 3: I said, when I grew up, I was trying to

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Speaker 3: go back to a story of my childhood and it

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Speaker 3: was relating to the relationship that I had with my son.

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Speaker 3: And then when I was doing that, that's when y'all left.

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Speaker 3: But I you know that, Uh, I've gotten past that brother,

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Speaker 3: spend a lot.

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Speaker 1: Of time with more than you. Who's your uncle.

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Speaker 3: That First of all, my brother, who happened to be

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Speaker 3: a part of the letter community, said that the gays

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Speaker 3: don't like what is trade? Trade trade.

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Speaker 4: He comes off as like not but but he said, but.

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Speaker 3: He said, he said, you are not trade.

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Speaker 1: Well, yes you're not.

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Speaker 3: He said, you're not trade, and nobody is checking for you.

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Speaker 1: Trade is a masculine, potentially straight identifying man who engages

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Speaker 1: in same sex activity for various benefits like money, our companionship.

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Speaker 1: So what I've been told is that I'm not trade.

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Speaker 1: I'm actually a butch queen.

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Speaker 5: He sounds very trading.

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Speaker 3: Hello, whatever, So I have Charlamn here. He had a

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Speaker 3: question for you, Chuck.

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Speaker 1: Okay, good morning. No so you don't consider me trade? No? No,

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Speaker 1: what about what about a butcher queen?

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Speaker 2: Yeah?

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Speaker 6: Absolutely, Oh it's better, say absolutely.

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Speaker 3: But what is a what is a what is a

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Speaker 3: butcher queen? What the kids who called Charlamagne the y ends,

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Speaker 3: the y Ends would call them, not the old ones.

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Speaker 1: I don't know what down that would be a bear? Right?

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Speaker 3: What be? That's every if he said what is he?

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Speaker 1: I don't.

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Speaker 3: I don't really know what to put the light skinned people. Ah,

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Speaker 3: it's a whole different it's a whole different category because

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Speaker 3: of your complexion. Yeah, well, I guess what did you say?

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Speaker 1: This?

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Speaker 3: What are the rule through I'm given him to you? Okay,

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00:17:02,920 --> 00:17:06,280
Speaker 3: I'm here to listen. What else you wanted you to?

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Speaker 3: Just ask me what Charlamayn would not be trained? With

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Speaker 3: butcher queen.

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Speaker 2: Absolutely Charlamagne on the top of bottom.

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Speaker 1: I'm a PowerTOP. Clearly that would be me. I can

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Speaker 1: see that, I can see me being flexible. Could you

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Speaker 1: leave your brother, Alona, tell.

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Speaker 6: Last thing, last thing his brother, I mean, tell your

386
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Speaker 6: brother that he loves doing tricks on the budet.

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Speaker 5: What is that, oh.

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Speaker 3: Charter man loves doing tricks on the budet? What is

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Speaker 3: that being prepared? Being well prepared? And I told him,

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Speaker 3: I told him that. I told him that was getway

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Speaker 3: the gateway, but the getaway the gate way. But thank

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Speaker 3: you for giving me a little bit more acknowledge on

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Speaker 3: who this motherfucker really is.

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Speaker 1: Thank you any time?

395
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Speaker 5: All right, take it easy.

396
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Speaker 3: I tried to be nice to you. This is what

397
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Speaker 3: I want to say. Why don't know, why don't you

398
00:18:07,720 --> 00:18:12,040
Speaker 3: just shut the fuck up? How about that? Have you

399
00:18:12,040 --> 00:18:12,960
Speaker 3: ever tried that?

400
00:18:12,960 --> 00:18:13,520
Speaker 1: That's a question.

401
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Speaker 3: Can you have your head shut the fuck up? Shut

402
00:18:18,600 --> 00:18:19,359
Speaker 3: the fuck up to.

403
00:18:19,320 --> 00:18:20,480
Speaker 1: Ask you a question about your son?

404
00:18:21,960 --> 00:18:24,960
Speaker 3: That is not a good trans transition, That is not

405
00:18:25,000 --> 00:18:27,640
Speaker 3: a good That was not a question.

406
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Speaker 1: All right? What what if your son watches your career

407
00:18:30,440 --> 00:18:32,239
Speaker 1: years from that? What's the lesson you want him to take?

408
00:18:32,280 --> 00:18:35,399
Speaker 3: Away that his dad tried everything to make uh, to

409
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Speaker 3: make people feel good about themselves. It's so funny because

410
00:18:38,400 --> 00:18:42,080
Speaker 3: my son he knows what I do. This is so interesting.

411
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Speaker 3: One day, it was over the summer. We were talking

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Speaker 3: and I don't think he knows like some of the

413
00:18:46,200 --> 00:18:48,000
Speaker 3: things I did, movies and stuff like that. So I

414
00:18:48,080 --> 00:18:49,480
Speaker 3: was like, you know, I said, you know, daddy is

415
00:18:49,560 --> 00:18:52,200
Speaker 3: dadd is somewhat of accomplished act or whatever. He was

416
00:18:52,200 --> 00:18:54,679
Speaker 3: like yeah. So I just started showing him different things

417
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Speaker 3: that I've done.

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Speaker 2: What's the first thing you should accomplished?

419
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Speaker 3: I showed her. I showed him a scene with me

420
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Speaker 3: on as the wire. It was a saying when my

421
00:19:02,840 --> 00:19:05,320
Speaker 3: character just got introduced. It was me in the back

422
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Speaker 3: room with Lieutenant Daniels and I'm in there talking trash

423
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Speaker 3: like yo, I would still this, I will still this,

424
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Speaker 3: And I said, my name is Damien Price, but I

425
00:19:13,800 --> 00:19:16,640
Speaker 3: mostly go by day day. And then on the other

426
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Speaker 3: end he says, my name is Daniels, I mostly go

427
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Speaker 3: by lieutenant. Right. So now I find out that it's

428
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Speaker 3: a copy there, right. So I asked my son, I said,

429
00:19:23,560 --> 00:19:25,800
Speaker 3: what do you see in that scene? He said, I

430
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Speaker 3: see somebody that's about to get in trouble me, right,

431
00:19:29,680 --> 00:19:31,480
Speaker 3: He said, Daddy, did you get arrested in that scene?

432
00:19:31,560 --> 00:19:33,359
Speaker 3: I said, yeah, So I'm just thinking as an actor.

433
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Speaker 3: I said, I want to show him the other scene.

434
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Speaker 3: He said, I don't want to see that day. I said,

435
00:19:37,480 --> 00:19:38,960
Speaker 3: you know, I'm an actor. I said, it's not real,

436
00:19:38,960 --> 00:19:41,240
Speaker 3: it's make believe. He said, yeah, but I don't want

437
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Speaker 3: to see my father getting locked up. And I you know,

438
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Speaker 3: I never thought that he's separated. He's like, he knows

439
00:19:48,240 --> 00:19:50,720
Speaker 3: I'm an actor whatever, but he's in no situation. He

440
00:19:50,760 --> 00:19:52,040
Speaker 3: wanted to see me get locked up. And it made

441
00:19:52,040 --> 00:19:54,040
Speaker 3: me think about my father, Like I used to actually

442
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Speaker 3: go visit my father, you know, and where was he

443
00:19:57,920 --> 00:20:02,200
Speaker 3: in Pete Louisbourge Louis in present? Yeah, and I remember,

444
00:20:07,920 --> 00:20:10,120
Speaker 3: this is what you did to me. You see that.

445
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Speaker 3: I'm traumatized. As soon as I say that, I remember,

446
00:20:17,359 --> 00:20:19,359
Speaker 3: as soon as I said, this is what this nigga

447
00:20:19,400 --> 00:20:21,680
Speaker 3: did to me. As soon as I say I remember,

448
00:20:22,160 --> 00:20:23,959
Speaker 3: I felt something traumatized.

449
00:20:24,000 --> 00:20:28,480
Speaker 2: Yeah, what you remember going to see your dad in jail? Yeah?

450
00:20:28,480 --> 00:20:30,560
Speaker 3: And I streak behind the glass and everything, and I

451
00:20:31,440 --> 00:20:34,760
Speaker 3: thought that was normal. And that's why I don't understand

452
00:20:35,520 --> 00:20:39,239
Speaker 3: how some guys put themself in a position where that

453
00:20:39,320 --> 00:20:43,359
Speaker 3: would be how you fucking not raise your kids or

454
00:20:43,440 --> 00:20:44,280
Speaker 3: be in that situation.

455
00:20:44,440 --> 00:20:46,359
Speaker 1: That's why we gotta start shaming people that's in the street.

456
00:20:46,400 --> 00:20:49,280
Speaker 1: I don't judge people for what they did during survival,

457
00:20:49,800 --> 00:20:51,800
Speaker 1: but we do have to start climing people when they

458
00:20:51,960 --> 00:20:54,119
Speaker 1: doing street stuff that can take them away from their family.

459
00:20:54,840 --> 00:20:57,480
Speaker 3: My father was a perfect example that. My father was

460
00:20:57,480 --> 00:21:00,720
Speaker 3: a heroine Kingspinn in DC some years ago, right, and

461
00:21:00,760 --> 00:21:06,360
Speaker 3: he's been he was he passed away, sorry some time ago, right,

462
00:21:06,400 --> 00:21:08,960
Speaker 3: but but close to the end of his life. Come

463
00:21:09,000 --> 00:21:11,919
Speaker 3: to find out, he was still in the streets. He

464
00:21:12,040 --> 00:21:15,000
Speaker 3: was still selling drugs, and he was selling drugs like

465
00:21:15,040 --> 00:21:18,679
Speaker 3: he was in the seventies. The code words they was using, Yo,

466
00:21:19,000 --> 00:21:21,600
Speaker 3: I'm at the place, how many nuggets do you need?

467
00:21:23,160 --> 00:21:27,240
Speaker 3: Like thirty one hundred, I'm like, how the fund you

468
00:21:27,720 --> 00:21:31,240
Speaker 3: When he passed, my dad was seventy two. Yeah, but

469
00:21:31,280 --> 00:21:33,960
Speaker 3: he was Yeah, that's what I'm saying. But that's when

470
00:21:33,960 --> 00:21:37,600
Speaker 3: when somebody say somebody's a born hustler, it's like, what

471
00:21:37,720 --> 00:21:40,840
Speaker 3: would make you jeopardize your freedom? Relationship? Would you have

472
00:21:40,840 --> 00:21:43,879
Speaker 3: your kids? Some people just built for the streets, and

473
00:21:43,920 --> 00:21:46,200
Speaker 3: that was it was unfortunate. But I'm like, when do

474
00:21:46,280 --> 00:21:46,639
Speaker 3: you stop?

475
00:21:46,680 --> 00:21:49,280
Speaker 2: That relationship? Wasn't it wasn't a close relationship when.

476
00:21:49,119 --> 00:21:50,960
Speaker 3: He passed it was no, we was. We were as

477
00:21:51,000 --> 00:21:53,760
Speaker 3: close as you. I mean he most of my life.

478
00:21:53,800 --> 00:21:56,080
Speaker 3: He was in prison, you know what I'm saying. So

479
00:21:56,119 --> 00:21:57,840
Speaker 3: we didn't have I don't have anything bad to say

480
00:21:57,880 --> 00:22:00,280
Speaker 3: about it. We just didn't have that type connection. But

481
00:22:00,560 --> 00:22:03,120
Speaker 3: you know, I was a young boy growing up just

482
00:22:03,119 --> 00:22:05,200
Speaker 3: like one. A relationship with his father didn't exist.

483
00:22:05,400 --> 00:22:07,159
Speaker 2: I had to get him out because you are accomplished,

484
00:22:07,200 --> 00:22:08,800
Speaker 2: you are doing well, to say, Dad, you ain't got

485
00:22:08,800 --> 00:22:11,240
Speaker 2: to do this no more. You can just raise stay

486
00:22:11,240 --> 00:22:13,399
Speaker 2: with me, raise your grandson. You stay with me, or

487
00:22:13,920 --> 00:22:16,440
Speaker 2: push him out the streets or you was just my.

488
00:22:16,480 --> 00:22:19,760
Speaker 3: Dad had too much pride to probably ask anybody for anything.

489
00:22:19,800 --> 00:22:20,040
Speaker 3: You know.

490
00:22:20,280 --> 00:22:24,320
Speaker 4: You know what's crazy. We see you want to go

491
00:22:24,320 --> 00:22:24,879
Speaker 4: down down now.

492
00:22:25,359 --> 00:22:27,480
Speaker 1: But have you unpacked any of this in therapy because

493
00:22:27,480 --> 00:22:28,800
Speaker 1: she's about to move on and not even care.

494
00:22:28,760 --> 00:22:30,600
Speaker 7: About any No, no, no, it's in relation to what

495
00:22:30,600 --> 00:22:31,440
Speaker 7: he's talking about his dad.

496
00:22:31,440 --> 00:22:32,520
Speaker 1: Have you unpacked any of them? No?

497
00:22:32,720 --> 00:22:36,080
Speaker 3: I mean I haven't unpacked it in therapy. I don't

498
00:22:36,080 --> 00:22:38,360
Speaker 3: know if I need therapy for that. I just look

499
00:22:38,400 --> 00:22:40,919
Speaker 3: at I look at my father, and I use that

500
00:22:41,040 --> 00:22:43,360
Speaker 3: as an example of what I don't want to do

501
00:22:43,520 --> 00:22:45,600
Speaker 3: with my son. That's why one of the things with

502
00:22:45,880 --> 00:22:48,280
Speaker 3: my son, I always like, make memories, make memories. So

503
00:22:48,320 --> 00:22:50,680
Speaker 3: I've instelled that in him, and then I just remember

504
00:22:50,760 --> 00:22:52,199
Speaker 3: when I do things with him, when I take my

505
00:22:52,240 --> 00:22:54,080
Speaker 3: son on the river, when I do trips and everything,

506
00:22:54,480 --> 00:22:56,280
Speaker 3: it just reminds me of things I didn't do with

507
00:22:56,320 --> 00:22:58,680
Speaker 3: my dad, and it makes me want to be more

508
00:22:58,720 --> 00:23:01,119
Speaker 3: aggressively in my my I was like, even though me

509
00:23:01,119 --> 00:23:04,640
Speaker 3: and Stephanie out together, like I'm like actively, like I'm

510
00:23:04,720 --> 00:23:06,639
Speaker 3: involved with my son life. Anybody to follow me? They

511
00:23:06,680 --> 00:23:08,840
Speaker 3: know that. Anybody know that know me? Know you want

512
00:23:08,880 --> 00:23:10,440
Speaker 3: to hug right now, I don't want to hug.

513
00:23:10,840 --> 00:23:13,160
Speaker 1: Did you let your son see your greatest role? Since

514
00:23:13,160 --> 00:23:14,920
Speaker 1: you are an accomplished actor, did you let him see

515
00:23:14,920 --> 00:23:16,040
Speaker 1: your greatest role ever?

516
00:23:16,160 --> 00:23:17,840
Speaker 3: What you considered to be my greatest role ever?

517
00:23:18,440 --> 00:23:21,920
Speaker 1: When you played uh, the Pizza Heights Guy Spider Man

518
00:23:21,960 --> 00:23:23,000
Speaker 1: Part two, The Pizza Heights.

519
00:23:23,200 --> 00:23:27,919
Speaker 3: That wasn't my greatest role, but it was for for

520
00:23:27,920 --> 00:23:29,600
Speaker 3: for a kid to be a part of that.

521
00:23:31,640 --> 00:23:32,320
Speaker 2: Probably see it.

522
00:23:34,280 --> 00:23:44,480
Speaker 3: So it's, ah, what's the Spider Man nigga name man? Yeah, Toby,

523
00:23:44,600 --> 00:23:47,080
Speaker 3: Like he's working for this piece of company, right, and

524
00:23:47,240 --> 00:23:49,800
Speaker 3: every day he's delivering these pizzas. He's late. He's late,

525
00:23:50,240 --> 00:23:52,639
Speaker 3: and then they tell him, they said, yo, if you

526
00:23:52,680 --> 00:23:54,320
Speaker 3: if you, if you're late one more time, you're going

527
00:23:54,359 --> 00:23:56,320
Speaker 3: to get fired for your job. So he's driving down

528
00:23:56,359 --> 00:23:58,359
Speaker 3: the street, you know what I mean, he looked at

529
00:23:58,359 --> 00:24:00,560
Speaker 3: the clock. He's gonna be late. So he gets off

530
00:24:00,600 --> 00:24:03,399
Speaker 3: the bike, he goes in the alley and then he

531
00:24:03,560 --> 00:24:07,800
Speaker 3: comes back as Spider Man with a pizza box and

532
00:24:07,840 --> 00:24:16,399
Speaker 3: he's like, whoa, he stole that guy's pizzad I've always

533
00:24:19,040 --> 00:24:21,240
Speaker 3: let me tell you, no, let me tell you something

534
00:24:21,240 --> 00:24:24,199
Speaker 3: interesting story about that. When I got that role for

535
00:24:24,240 --> 00:24:27,320
Speaker 3: a Spider Man, they do what you call audition, it's

536
00:24:27,359 --> 00:24:29,840
Speaker 3: called reaction audition. Like they'll just give you a scenario.

537
00:24:30,160 --> 00:24:32,560
Speaker 3: They'll just be like this, you're in the elevator, Spider

538
00:24:32,600 --> 00:24:34,399
Speaker 3: Man comes in there. How are you gonna respond? You

539
00:24:34,480 --> 00:24:36,119
Speaker 3: walking down the street, how are you gonna respond? They

540
00:24:36,160 --> 00:24:38,520
Speaker 3: audition you and just see what your improv reaction is

541
00:24:38,560 --> 00:24:40,880
Speaker 3: going to be. So when I before I got that roll,

542
00:24:41,680 --> 00:24:43,840
Speaker 3: it was. That was some years ago. I was supposed

543
00:24:43,840 --> 00:24:45,719
Speaker 3: to do Man on the Street for BT Awards, right,

544
00:24:45,760 --> 00:24:48,800
Speaker 3: and at that time, from my generation of comments, it

545
00:24:48,800 --> 00:24:50,560
Speaker 3: wasn't a lot of opportunities, so being a part of

546
00:24:50,560 --> 00:24:52,600
Speaker 3: BT anything, it was a big deal. So I was

547
00:24:52,600 --> 00:24:54,159
Speaker 3: excited that I was going to be this Man on

548
00:24:54,160 --> 00:24:58,200
Speaker 3: the Street guy. The guy who was directing it, he

549
00:24:58,240 --> 00:25:00,760
Speaker 3: wanted me. But the producers were still got you about it.

550
00:25:01,240 --> 00:25:03,719
Speaker 3: So you know, we had talked, We had talked and

551
00:25:03,960 --> 00:25:07,040
Speaker 3: up until Friday. That Friday we did a wardrobe. I

552
00:25:07,040 --> 00:25:10,359
Speaker 3: had got a wardrobe fitting and all that, and I

553
00:25:10,359 --> 00:25:12,840
Speaker 3: was supposed to go to work that Saturday morning for BT.

554
00:25:13,400 --> 00:25:15,240
Speaker 3: I get a call at night and they said the

555
00:25:15,280 --> 00:25:18,040
Speaker 3: producers wanted to go in a different direction. They was

556
00:25:18,040 --> 00:25:19,600
Speaker 3: like the road that I thought I was gonna have

557
00:25:19,640 --> 00:25:21,600
Speaker 3: the Man on the Street it just disappeared. And this

558
00:25:21,720 --> 00:25:24,560
Speaker 3: was like not even I mean within twenty four hours.

559
00:25:24,880 --> 00:25:27,600
Speaker 3: So I wasn't fucking with BT. I was like they'd

560
00:25:27,600 --> 00:25:30,000
Speaker 3: be on some bullshit. I was upset about that. Then

561
00:25:30,040 --> 00:25:32,800
Speaker 3: the next morning I get a call from my manager

562
00:25:33,080 --> 00:25:35,040
Speaker 3: and he said, we got a call from the Spider

563
00:25:35,040 --> 00:25:38,080
Speaker 3: Man team. They want you to come to work, right,

564
00:25:38,600 --> 00:25:41,600
Speaker 3: and that was so crazy. And the crazy thing about

565
00:25:41,600 --> 00:25:44,600
Speaker 3: it was where the location where I was supposed to

566
00:25:44,640 --> 00:25:48,040
Speaker 3: do the BT situation. It was literally right around the

567
00:25:48,040 --> 00:25:50,639
Speaker 3: corner from the Spider Man set. So I had to

568
00:25:50,680 --> 00:25:53,359
Speaker 3: walk past the BT set and Niggas was looking at

569
00:25:53,359 --> 00:25:54,639
Speaker 3: me like, did anybody tell me?

570
00:25:56,359 --> 00:25:56,439
Speaker 8: Like?

571
00:25:56,760 --> 00:25:59,760
Speaker 3: I walked past, and Sam Rainy he came up to me.

572
00:25:59,760 --> 00:26:03,679
Speaker 3: He said, Downhill your you're my favorite actor in New York. Well,

573
00:26:03,680 --> 00:26:05,440
Speaker 3: you're the only actor I know in New York. And

574
00:26:05,560 --> 00:26:06,760
Speaker 3: what they do is I didn't know what I was

575
00:26:06,840 --> 00:26:08,920
Speaker 3: going to do. He's got a stick right here with

576
00:26:09,000 --> 00:26:11,280
Speaker 3: an X on it, he said, he tells you the situation.

577
00:26:11,359 --> 00:26:15,280
Speaker 3: He said, So, Donille, this is this is uh Toby right.

578
00:26:16,240 --> 00:26:17,920
Speaker 3: He goes through the alley that he does like this

579
00:26:18,040 --> 00:26:20,080
Speaker 3: to see your eyeline, he said, and he comes out

580
00:26:20,640 --> 00:26:22,640
Speaker 3: as Spider Man. He said, what are you going to say?

581
00:26:23,000 --> 00:26:25,800
Speaker 3: And I just said, whoa, He's told God's Pizza And

582
00:26:25,920 --> 00:26:27,600
Speaker 3: that was then improval line and he kept and the

583
00:26:27,640 --> 00:26:29,399
Speaker 3: rest of the day that's all he kept saying for

584
00:26:29,480 --> 00:26:30,639
Speaker 3: the rest of that So it just worked. It was

585
00:26:30,720 --> 00:26:33,639
Speaker 3: It's funny how one situation got shut down and it

586
00:26:33,840 --> 00:26:36,520
Speaker 3: opened up because nobody would have remembered me doing a

587
00:26:36,640 --> 00:26:38,960
Speaker 3: Man on the Street stuff for BT. But I go

588
00:26:39,040 --> 00:26:40,720
Speaker 3: down to history being a part of that brand, and

589
00:26:41,040 --> 00:26:42,119
Speaker 3: I had one line, but it.

590
00:26:42,160 --> 00:26:46,119
Speaker 1: Was because of that one appearance in Spider Man two.

591
00:26:46,680 --> 00:26:50,320
Speaker 3: I didn't get any cheeks from it, but I made

592
00:26:50,440 --> 00:26:55,399
Speaker 3: my friend's kids very happy. Like one of my friends,

593
00:26:55,640 --> 00:26:57,360
Speaker 3: it was a funny because you know, dad's always gonna

594
00:26:57,359 --> 00:27:00,280
Speaker 3: try to be proud. My friend, Brooklyn Mike right the time.

595
00:27:00,359 --> 00:27:02,760
Speaker 3: His daughter was young at the time, and he said,

596
00:27:02,880 --> 00:27:06,240
Speaker 3: you know, uh, my daughter said, can daddy, can you

597
00:27:06,640 --> 00:27:09,280
Speaker 3: introduce me to Spider Man? Can Donnelle introduced me to

598
00:27:09,320 --> 00:27:11,960
Speaker 3: Spider Man? And of course he been a dad, he said, well,

599
00:27:12,000 --> 00:27:14,560
Speaker 3: you know, I know Spider Man too, and his daughter

600
00:27:14,600 --> 00:27:17,000
Speaker 3: looked at him and said, I know. But Donelle worked

601
00:27:17,000 --> 00:27:20,200
Speaker 3: with Spider Man. So anytime I got to flex for

602
00:27:20,320 --> 00:27:21,720
Speaker 3: kids or whatever like that. But I never got no.

603
00:27:21,760 --> 00:27:23,880
Speaker 1: Absolutely any of these stories happen because there's one little

604
00:27:23,880 --> 00:27:24,760
Speaker 1: line of Spider Man too.

605
00:27:25,280 --> 00:27:29,000
Speaker 4: I believed adjacent you got.

606
00:27:29,000 --> 00:27:34,680
Speaker 3: Nega Spider Man that what you know over that was

607
00:27:35,119 --> 00:27:37,960
Speaker 3: I probably got about two three thousand dollars or even

608
00:27:38,000 --> 00:27:40,600
Speaker 3: with the royalties and a no. I mean it constantly comes.

609
00:27:40,680 --> 00:27:43,520
Speaker 3: But after a while. You know, it's not like crazy amount,

610
00:27:43,920 --> 00:27:45,120
Speaker 3: but you get paid a little.

611
00:27:45,160 --> 00:27:45,400
Speaker 2: Say.

612
00:27:47,359 --> 00:27:51,040
Speaker 3: I'm just said, do you feel.

613
00:27:50,800 --> 00:27:53,119
Speaker 1: That the industry rewards the comedians who take risk or

614
00:27:53,119 --> 00:27:53,960
Speaker 1: the ones who play in safe.

615
00:27:56,720 --> 00:28:00,560
Speaker 3: I don't think it's the industry that uh that that

616
00:28:00,920 --> 00:28:05,919
Speaker 3: is the connection. It's the audience, you know, it's the audience.

617
00:28:05,960 --> 00:28:07,440
Speaker 3: At the end of the day. All were trying to

618
00:28:07,480 --> 00:28:09,480
Speaker 3: do is build a fan. We could be in film

619
00:28:09,560 --> 00:28:13,720
Speaker 3: and TV all all we want, but real for real comedian.

620
00:28:13,800 --> 00:28:15,680
Speaker 3: That's a real comedian. At the end of the day.

621
00:28:16,040 --> 00:28:17,920
Speaker 3: Your biggest concern Can I put my name on the

622
00:28:17,960 --> 00:28:20,640
Speaker 3: market and can people come and check me out telling jokes?

623
00:28:20,680 --> 00:28:22,919
Speaker 3: So I don't get caught up in what the industry does.

624
00:28:22,960 --> 00:28:25,000
Speaker 3: I'm a part of the industry, but I make a

625
00:28:25,040 --> 00:28:27,360
Speaker 3: living without it. If I don't ever get another film

626
00:28:27,480 --> 00:28:29,639
Speaker 3: or TV gave for the rest of my life the

627
00:28:29,680 --> 00:28:31,320
Speaker 3: fact that I can make money telling the jokes, it's

628
00:28:31,359 --> 00:28:31,600
Speaker 3: a win.

629
00:28:31,760 --> 00:28:34,920
Speaker 1: So I look at like that you're telling jokes this weekend.

630
00:28:34,920 --> 00:28:38,280
Speaker 1: Actually yeah at the stress factor.

631
00:28:38,480 --> 00:28:44,480
Speaker 3: Yes, speak speaking of stress factory. I don't trust your face.

632
00:28:45,840 --> 00:28:49,440
Speaker 3: I'm just say, it's just like you holding back. It's

633
00:28:49,520 --> 00:28:52,000
Speaker 3: like your face is holding back some type of negativity.

634
00:28:52,800 --> 00:28:54,840
Speaker 3: And the funny thing about it is that let's get

635
00:28:55,120 --> 00:28:57,120
Speaker 3: let's get to the real Let's get to the real deal.

636
00:28:57,520 --> 00:28:59,920
Speaker 3: Let's get to the Let's get to the real deal.

637
00:29:00,240 --> 00:29:02,040
Speaker 3: This is not how you talk to me. Off off.

638
00:29:02,360 --> 00:29:06,320
Speaker 3: You called me for advice? Do you not? Do you not?

639
00:29:07,480 --> 00:29:10,040
Speaker 3: Do we have conversations? Do we have conversations? When you

640
00:29:10,160 --> 00:29:12,000
Speaker 3: told me, you said, Donnie, I want to invest with money,

641
00:29:12,080 --> 00:29:15,400
Speaker 3: you told me you you said you wanted to open

642
00:29:15,520 --> 00:29:17,440
Speaker 3: up a gate club in South Coloinia.

643
00:29:18,160 --> 00:29:18,640
Speaker 1: Comedy club.

644
00:29:18,840 --> 00:29:21,320
Speaker 3: You know, you said the gay comedy You said, because

645
00:29:21,320 --> 00:29:24,600
Speaker 3: the cocks. You said, the cocks are strong down you said,

646
00:29:24,640 --> 00:29:29,320
Speaker 3: the Cox is popping down there in South Carolina. Yeah,

647
00:29:29,320 --> 00:29:30,720
Speaker 3: to get whatever Cox is copped.

648
00:29:30,760 --> 00:29:33,160
Speaker 1: And you club funny would be dope for a gay

649
00:29:33,240 --> 00:29:33,840
Speaker 1: comedy club.

650
00:29:34,400 --> 00:29:38,880
Speaker 3: But I don't know how to say this. Man. I'm

651
00:29:38,960 --> 00:29:43,320
Speaker 3: sick of you. Man, I'm really sick of you.

652
00:29:43,600 --> 00:29:44,400
Speaker 1: Would you like a biscuit?

653
00:29:44,680 --> 00:29:49,000
Speaker 3: I don't want if what I'm telling you?

654
00:29:50,840 --> 00:29:50,880
Speaker 2: What?

655
00:29:51,320 --> 00:29:53,720
Speaker 3: No, I'm good. I'm good on that. You know know

656
00:29:53,880 --> 00:29:58,120
Speaker 3: that got some skeep magic what you're doing. Nah, I'm good,

657
00:29:58,840 --> 00:29:59,440
Speaker 3: I'm possible.

658
00:29:59,560 --> 00:30:01,400
Speaker 2: Look, hey, sir, now you've been in the game for

659
00:30:01,440 --> 00:30:03,840
Speaker 2: a long time. What keeps you motivated to still hit

660
00:30:03,880 --> 00:30:06,960
Speaker 2: the stage? What motivates Donelle and what makes Donell laugh

661
00:30:07,000 --> 00:30:07,400
Speaker 2: at this time?

662
00:30:07,520 --> 00:30:10,560
Speaker 3: Bill's motivate me to go on stage? Yeah, but it

663
00:30:10,720 --> 00:30:13,640
Speaker 3: just I really, after thirty plus years, I still enjoy

664
00:30:13,760 --> 00:30:15,640
Speaker 3: what I do. You know what I'm saying. You got

665
00:30:15,640 --> 00:30:16,880
Speaker 3: a couple of people to go to a show. It's

666
00:30:16,880 --> 00:30:18,520
Speaker 3: speakle that need to laugh and the people that want

667
00:30:18,520 --> 00:30:20,560
Speaker 3: to laugh. When I do a show and people come

668
00:30:20,600 --> 00:30:22,560
Speaker 3: up to me and they're like, you know what, I

669
00:30:22,760 --> 00:30:25,000
Speaker 3: was having a bad day, I lost my honor or

670
00:30:25,040 --> 00:30:27,719
Speaker 3: something I didn't expect to go out. Everybody said, come

671
00:30:27,800 --> 00:30:30,080
Speaker 3: out and enjoy yourself. And when I talk to those

672
00:30:30,160 --> 00:30:33,680
Speaker 3: people and the like, you remove me from the things

673
00:30:33,760 --> 00:30:36,000
Speaker 3: that I was dealing with, you know, for at least

674
00:30:36,040 --> 00:30:38,280
Speaker 3: forty five minutes. That's what kind of gives me motivated

675
00:30:38,600 --> 00:30:40,880
Speaker 3: to do it. And every year I try to evolve

676
00:30:41,320 --> 00:30:45,080
Speaker 3: and get better. I really, really genuinely enjoy what I'm doing.

677
00:30:45,240 --> 00:30:46,840
Speaker 1: Are you chasing legacy or chasing checks?

678
00:30:46,880 --> 00:30:51,720
Speaker 3: Don I'm not. I'm definitely always going to chase checks

679
00:30:51,920 --> 00:30:54,320
Speaker 3: because that's what I do. But I don't know what

680
00:30:54,600 --> 00:31:00,200
Speaker 3: my legacy will be. You never know you think people can, well,

681
00:31:00,200 --> 00:31:02,080
Speaker 3: you don't never know people like this wheld we live

682
00:31:02,120 --> 00:31:05,160
Speaker 3: in now, People gonna talk shit about anything. As much

683
00:31:05,200 --> 00:31:07,040
Speaker 3: as you try to do the right thing, it's always

684
00:31:07,120 --> 00:31:09,320
Speaker 3: going to be some negative energy. And as long as

685
00:31:09,360 --> 00:31:11,880
Speaker 3: we try to not focus on that, we've.

686
00:31:11,520 --> 00:31:14,960
Speaker 2: Been because you're quick to respond to negative energy, negative

687
00:31:15,000 --> 00:31:17,000
Speaker 2: things said to you, and it seems like you're the

688
00:31:17,040 --> 00:31:19,600
Speaker 2: person that continues to do it, which keeps the motion continuing.

689
00:31:19,880 --> 00:31:22,960
Speaker 3: It's hard for me. It's the hardest thing. And it's

690
00:31:23,040 --> 00:31:25,040
Speaker 3: easy for you to say you just don't give a fuck.

691
00:31:25,200 --> 00:31:27,920
Speaker 3: It's hard not to give a fuck. So it really is.

692
00:31:28,680 --> 00:31:31,320
Speaker 3: And to certain I'm getting a little stronger with that.

693
00:31:31,800 --> 00:31:34,040
Speaker 3: But at some point you like, you comments, I shouldn't

694
00:31:34,040 --> 00:31:36,360
Speaker 3: be in the comments, but you've reading the comments and everything.

695
00:31:36,400 --> 00:31:38,240
Speaker 3: You're like, oh, this ship is popping, this feels good.

696
00:31:38,320 --> 00:31:41,640
Speaker 3: Feel And then it's that one person that could throw

697
00:31:41,720 --> 00:31:44,480
Speaker 3: you off, You know, one person you like, how don't

698
00:31:44,640 --> 00:31:46,960
Speaker 3: why don't you feel like everybody else feel? But I

699
00:31:47,320 --> 00:31:51,000
Speaker 3: realized social media is just a it's just a playground

700
00:31:51,160 --> 00:31:53,920
Speaker 3: for people to be negative and nasty. You just realizing

701
00:31:53,960 --> 00:31:57,040
Speaker 3: that today no, not today, no, not today. I'm just

702
00:31:57,200 --> 00:31:58,080
Speaker 3: it's just it's a.

703
00:31:58,120 --> 00:32:02,240
Speaker 1: Constant thing your therapists about why these comments bother you? Like,

704
00:32:02,280 --> 00:32:06,600
Speaker 1: why everything gotta be about unpacking trigger triggering everything?

705
00:32:06,640 --> 00:32:08,520
Speaker 3: I don't want to unpack. Why the fun is that?

706
00:32:08,640 --> 00:32:09,480
Speaker 3: The new word? Is it?

707
00:32:09,520 --> 00:32:12,280
Speaker 1: Comedian people?

708
00:32:12,280 --> 00:32:13,880
Speaker 3: Do you get like when you do therapists? Do you

709
00:32:13,920 --> 00:32:15,720
Speaker 3: get words of the day, like you have to use

710
00:32:16,880 --> 00:32:18,520
Speaker 3: calm down? I'm not upset.

711
00:32:20,800 --> 00:32:22,880
Speaker 1: Do you want to hold down? Yo? You do?

712
00:32:23,080 --> 00:32:23,120
Speaker 2: Do?

713
00:32:24,640 --> 00:32:27,120
Speaker 3: I don't want to? You do know that, you do

714
00:32:27,320 --> 00:32:29,600
Speaker 3: know what you're doing, right, you do know what you're doing.

715
00:32:29,760 --> 00:32:31,520
Speaker 3: You're fucking breathe.

716
00:32:34,160 --> 00:32:36,280
Speaker 1: Regular people that do this to you. Other comedians.

717
00:32:36,800 --> 00:32:40,320
Speaker 3: No, comedians don't fuck with me. No, don't. They don't.

718
00:32:40,760 --> 00:32:41,360
Speaker 3: They don't like him.

719
00:32:41,360 --> 00:32:43,080
Speaker 2: He means they don't like him. Commedians don't like him,

720
00:32:43,120 --> 00:32:43,920
Speaker 2: He says, they won't.

721
00:32:43,720 --> 00:32:48,000
Speaker 3: Say it to me. Yes, well no, when tell me us?

722
00:32:48,000 --> 00:32:49,840
Speaker 1: I don't want to bring up old I don't want

723
00:32:49,840 --> 00:32:51,560
Speaker 1: to rehashow.

724
00:32:51,800 --> 00:32:56,160
Speaker 3: Yeah. But what I'm saying is anybody can be boisterous online,

725
00:32:56,960 --> 00:32:59,120
Speaker 3: but like face to face, it's a whole different story.

726
00:32:59,600 --> 00:33:01,959
Speaker 3: And you get me an example of anybody that had

727
00:33:02,000 --> 00:33:03,880
Speaker 3: an issue with me, had had brought it to my face.

728
00:33:04,720 --> 00:33:05,800
Speaker 1: I don't want to do it. I don't want to.

729
00:33:06,000 --> 00:33:07,800
Speaker 1: I would love you don't want to. I don't want

730
00:33:07,800 --> 00:33:09,360
Speaker 1: to talk about it. No, this is a good time

731
00:33:09,400 --> 00:33:10,120
Speaker 1: for you to unpack.

732
00:33:10,520 --> 00:33:17,120
Speaker 3: No, I won't believe it will well? Well, hold, you

733
00:33:17,240 --> 00:33:20,280
Speaker 3: try to start some ship with nas J when you

734
00:33:20,440 --> 00:33:22,360
Speaker 3: called me, you try to make it seem like I

735
00:33:22,480 --> 00:33:24,520
Speaker 3: called it something like that, and I got nothing but

736
00:33:24,680 --> 00:33:25,960
Speaker 3: respect for you.

737
00:33:26,040 --> 00:33:28,440
Speaker 5: Tried to you try to start, You start in beef?

738
00:33:28,480 --> 00:33:29,120
Speaker 5: What comedians?

739
00:33:29,160 --> 00:33:31,760
Speaker 3: Now, unpack it?

740
00:33:32,400 --> 00:33:33,320
Speaker 1: That's not what happened.

741
00:33:34,160 --> 00:33:36,520
Speaker 5: What is he talking about? You started something between him

742
00:33:36,520 --> 00:33:37,200
Speaker 5: and Jay?

743
00:33:37,280 --> 00:33:40,040
Speaker 1: What's something? What's something you learned about yourself recently that

744
00:33:40,120 --> 00:33:40,560
Speaker 1: surprised you?

745
00:33:42,280 --> 00:33:49,120
Speaker 3: Nothing? I don't be learning it about myself. Nothing, that's

746
00:33:49,160 --> 00:33:49,600
Speaker 3: the problem.

747
00:33:49,840 --> 00:33:52,760
Speaker 2: But if you weren't a comedian, what would you be

748
00:33:52,840 --> 00:33:53,360
Speaker 2: doing right now?

749
00:33:54,280 --> 00:33:56,600
Speaker 3: I will probably be I wanted to be a car first.

750
00:33:56,600 --> 00:33:58,720
Speaker 3: I wanted to be an architect, but I wasn't that

751
00:33:58,920 --> 00:34:00,720
Speaker 3: nice and math, so I'll like, that's not gonna be

752
00:34:00,720 --> 00:34:03,200
Speaker 3: a good thing. Then I would have probably been a carpenter.

753
00:34:03,240 --> 00:34:07,080
Speaker 3: You'd be a chef. I yeah, I would have been.

754
00:34:07,120 --> 00:34:12,239
Speaker 3: I would have been definitely something something blue collar, for sure.

755
00:34:12,880 --> 00:34:15,279
Speaker 3: You don't think you've been a chef. I would have

756
00:34:15,320 --> 00:34:17,000
Speaker 3: been a chef. I wouldn't have been a Sioux chef.

757
00:34:17,600 --> 00:34:19,480
Speaker 5: Does somebody give carpenter Lauren?

758
00:34:19,880 --> 00:34:22,680
Speaker 7: They just they got stories, They got a toolbox they

759
00:34:22,760 --> 00:34:26,000
Speaker 7: walk around with they they come in your house.

760
00:34:26,800 --> 00:34:31,400
Speaker 3: How blue collar get the most? You want to know

761
00:34:31,560 --> 00:34:35,520
Speaker 3: who fo daughters in the community. Uh, I'm gonna tell you.

762
00:34:36,000 --> 00:34:40,880
Speaker 3: Football coaches and handyman handy man. I know, Uh, football

763
00:34:40,960 --> 00:34:43,799
Speaker 3: coaches and handyman football coach, especially in the inner city

764
00:34:44,480 --> 00:34:49,320
Speaker 3: because there's so many fatherless kids out there. Coach Johnson

765
00:34:49,880 --> 00:34:52,759
Speaker 3: is fucking all of the mothers just because they spend

766
00:34:52,760 --> 00:34:53,399
Speaker 3: time to do kids.

767
00:34:53,440 --> 00:34:56,319
Speaker 1: Coach that amazing. Yeah, I mean that's not a real name,

768
00:34:56,960 --> 00:35:01,280
Speaker 1: but I just put it out there, Richard. What Johnson

769
00:35:01,960 --> 00:35:05,520
Speaker 1: out there just fucking everyone? The others children?

770
00:35:05,800 --> 00:35:08,719
Speaker 6: When you look at the state of comedy today, right,

771
00:35:08,800 --> 00:35:11,160
Speaker 6: the climate of comedy, right, what pisses you off?

772
00:35:11,239 --> 00:35:12,200
Speaker 5: And what makes you proud?

773
00:35:12,280 --> 00:35:12,759
Speaker 2: Great question?

774
00:35:12,920 --> 00:35:19,120
Speaker 3: Yes, nothing, nothing pisces me off. I used to not

775
00:35:19,440 --> 00:35:22,080
Speaker 3: understand certain things, and I would just say that, for example,

776
00:35:22,200 --> 00:35:24,120
Speaker 3: like I've been doing it for a very long time,

777
00:35:24,200 --> 00:35:29,279
Speaker 3: people that haven't been doing as long as I have,

778
00:35:29,520 --> 00:35:32,120
Speaker 3: like yourself, you came along, you had different tools to

779
00:35:32,800 --> 00:35:35,080
Speaker 3: advance yourself. You know, It's like a lot of the

780
00:35:35,239 --> 00:35:37,759
Speaker 3: older comments, well they're on social media whatever. But those

781
00:35:37,800 --> 00:35:42,200
Speaker 3: are tools that exist, Those are tools that they they

782
00:35:42,400 --> 00:35:45,839
Speaker 3: sharpen their toolbox to do that. But I do say

783
00:35:45,920 --> 00:35:49,680
Speaker 3: with that, with all the success like some young comedies get,

784
00:35:49,920 --> 00:35:54,239
Speaker 3: like like in the moment, I would really appreciate if

785
00:35:54,320 --> 00:35:57,120
Speaker 3: people took the art form of stand up to be

786
00:35:57,239 --> 00:35:59,600
Speaker 3: good at it and that just like, Okay, I got

787
00:35:59,680 --> 00:36:01,600
Speaker 3: this fire, is a fame, whatever, people come to see me,

788
00:36:01,680 --> 00:36:04,520
Speaker 3: but really give a fuck about being a dope stand up.

789
00:36:04,560 --> 00:36:06,600
Speaker 1: Do you think social media comedians are watering down the

790
00:36:06,680 --> 00:36:07,040
Speaker 1: art form.

791
00:36:07,880 --> 00:36:08,359
Speaker 3: I don't think.

792
00:36:08,480 --> 00:36:08,759
Speaker 2: I don't.

793
00:36:08,840 --> 00:36:14,040
Speaker 3: I don't say watering down. It's comedy. It's evolving the definition.

794
00:36:14,160 --> 00:36:16,400
Speaker 3: I remember some years ago I was talking to this

795
00:36:16,480 --> 00:36:18,480
Speaker 3: girl and she was like this, I'm a comedian. I said,

796
00:36:18,560 --> 00:36:19,759
Speaker 3: let me see some of the stuff. She said, I'm

797
00:36:19,800 --> 00:36:22,440
Speaker 3: on YouTube, and she said if she started showing me

798
00:36:22,520 --> 00:36:25,399
Speaker 3: some skills, I said, that's not a comedian. She said, yes,

799
00:36:25,440 --> 00:36:27,280
Speaker 3: it is. Because when I think of the idea of commedian,

800
00:36:27,280 --> 00:36:29,480
Speaker 3: I think of stand up and stand up. But if

801
00:36:29,520 --> 00:36:32,640
Speaker 3: you really look at the definition of comedian, it says

802
00:36:32,880 --> 00:36:36,600
Speaker 3: one who entertains an audience through humor. So what used

803
00:36:36,600 --> 00:36:39,560
Speaker 3: to be the definition of a comedian, it has changed

804
00:36:39,560 --> 00:36:40,440
Speaker 3: and it's evolved.

805
00:36:41,560 --> 00:36:45,080
Speaker 1: Wasn't a comedy? Why wasn't What wasn't a comedy? By

806
00:36:45,120 --> 00:36:46,600
Speaker 1: your logic, that makes no sense.

807
00:36:47,080 --> 00:36:48,239
Speaker 3: I don't understand what you're saying.

808
00:36:48,239 --> 00:36:50,040
Speaker 1: And you said, she showed you sketches, and you said,

809
00:36:50,080 --> 00:36:52,040
Speaker 1: this isn't comedy. No stand up?

810
00:36:52,120 --> 00:36:56,000
Speaker 3: No, no, no no, Because when she said comedian, I

811
00:36:56,200 --> 00:36:58,399
Speaker 3: was just thinking stand up comedian, you know what I'm saying,

812
00:36:58,440 --> 00:37:00,839
Speaker 3: not thinking that just somebody making media. Yeah, it could

813
00:37:00,880 --> 00:37:02,680
Speaker 3: be a sketch comedian, but that's say that.

814
00:37:02,800 --> 00:37:04,520
Speaker 5: She just said she was a comedian. In his mind

815
00:37:04,640 --> 00:37:06,160
Speaker 5: automatically reverted.

816
00:37:05,960 --> 00:37:08,359
Speaker 3: It went to like stand up, but she's a comedic actor.

817
00:37:08,440 --> 00:37:09,520
Speaker 3: Whatever you do.

818
00:37:09,600 --> 00:37:11,920
Speaker 7: Those comedians you talk about get their stripes, then, like,

819
00:37:12,120 --> 00:37:13,920
Speaker 7: what is it that they do, because not everybody that

820
00:37:14,200 --> 00:37:15,600
Speaker 7: is online does stand up?

821
00:37:16,280 --> 00:37:18,240
Speaker 3: Where do you get they stripe A lot of people.

822
00:37:18,320 --> 00:37:20,799
Speaker 3: They first off, they want to know how they can

823
00:37:20,840 --> 00:37:22,960
Speaker 3: get some more money. You know what I'm saying, It's

824
00:37:23,000 --> 00:37:25,040
Speaker 3: like this, Okay, I got this fan base. You know

825
00:37:25,080 --> 00:37:27,160
Speaker 3: what I'm saying. People follow me, they see me doing sketches,

826
00:37:27,200 --> 00:37:29,000
Speaker 3: but I want to turn that into something else. So

827
00:37:29,160 --> 00:37:32,439
Speaker 3: eventually it turns into you doing stand up because house

828
00:37:32,600 --> 00:37:34,160
Speaker 3: if are you going to get the other check if

829
00:37:34,160 --> 00:37:37,520
Speaker 3: you don't go go go perform? So it just it

830
00:37:37,719 --> 00:37:45,080
Speaker 3: just turns into that, I have my hand up. Can

831
00:37:45,160 --> 00:37:47,520
Speaker 3: I ask a question? I don't know what it is,

832
00:37:47,680 --> 00:37:49,560
Speaker 3: but I just don't trust you, man, Just a question.

833
00:37:49,840 --> 00:37:52,320
Speaker 2: I'm having a real commisation trusted you.

834
00:37:52,440 --> 00:37:53,520
Speaker 1: You need to really impact that.

835
00:37:53,760 --> 00:37:54,360
Speaker 2: I'm just asking.

836
00:37:54,440 --> 00:37:55,879
Speaker 1: In this little career that you had.

837
00:37:56,000 --> 00:37:58,359
Speaker 2: You know, you've done stand up, you've done skits, you've

838
00:37:58,440 --> 00:38:01,160
Speaker 2: done comedy, you've done TV, you've done more than radio.

839
00:38:02,200 --> 00:38:03,759
Speaker 2: Out of all the things that you did, what would

840
00:38:03,800 --> 00:38:06,080
Speaker 2: you say is your biggest mistake that you've ever made

841
00:38:06,120 --> 00:38:08,759
Speaker 2: that you think back and like that was wrong or

842
00:38:08,840 --> 00:38:09,560
Speaker 2: I apologize.

843
00:38:09,680 --> 00:38:12,319
Speaker 3: I'll tell you what my biggest mistake was the first

844
00:38:12,360 --> 00:38:13,439
Speaker 3: time I ever came on this show.

845
00:38:14,200 --> 00:38:15,120
Speaker 1: Why do you feel that way?

846
00:38:15,640 --> 00:38:17,880
Speaker 3: Because look at what this created, It's created monster. I

847
00:38:17,920 --> 00:38:21,120
Speaker 3: gotta come up here, I gotta look at you. I

848
00:38:21,200 --> 00:38:23,719
Speaker 3: gotta worry about unpacking ship with this nigga over here.

849
00:38:24,320 --> 00:38:26,279
Speaker 3: And then wherever I go, people like, well you let

850
00:38:26,760 --> 00:38:29,680
Speaker 3: would you like that? And I don't. That's probably the

851
00:38:29,680 --> 00:38:31,920
Speaker 3: biggest mistake in my career was actually coming up here.

852
00:38:32,400 --> 00:38:33,000
Speaker 4: Keep coming back.

853
00:38:33,640 --> 00:38:36,480
Speaker 1: I got, first of all, we don't funk with you

854
00:38:36,840 --> 00:38:39,600
Speaker 1: like that's that is such a false narrative.

855
00:38:39,600 --> 00:38:41,319
Speaker 5: So why wouldy'allt him come up heref y'all don't funk

856
00:38:41,320 --> 00:38:41,600
Speaker 5: with him?

857
00:38:41,920 --> 00:38:43,160
Speaker 1: No, no, no, no no, I mean like, we don't

858
00:38:43,200 --> 00:38:50,880
Speaker 1: funk with him. That nobody messages with donell Oh you think.

859
00:38:51,280 --> 00:38:56,040
Speaker 3: You love I don't even I used to like you.

860
00:38:59,080 --> 00:39:00,640
Speaker 3: I didn't notice, I wouldn't. I was, Yeah.

861
00:39:00,640 --> 00:39:01,200
Speaker 5: I think it's the thing.

862
00:39:01,160 --> 00:39:03,040
Speaker 3: When I come in here, I don't know what they expect.

863
00:39:04,360 --> 00:39:07,480
Speaker 4: Start well beyond measure chains.

864
00:39:07,640 --> 00:39:09,040
Speaker 3: Oh that's nice, thank you.

865
00:39:09,480 --> 00:39:11,040
Speaker 4: He knows true fashion. You don't get a sweater.

866
00:39:11,120 --> 00:39:13,040
Speaker 2: Another question, when you were in the Air Force, right

867
00:39:13,040 --> 00:39:16,360
Speaker 2: and you were stationed in South Korea, what.

868
00:39:16,440 --> 00:39:17,080
Speaker 3: Did you mean by that?

869
00:39:17,160 --> 00:39:18,960
Speaker 5: What did you I like your sweater?

870
00:39:19,000 --> 00:39:22,000
Speaker 4: It's what what did you What did you.

871
00:39:22,040 --> 00:39:24,360
Speaker 2: Learn in South Korea that you still use in today's Trust?

872
00:39:25,000 --> 00:39:29,520
Speaker 3: Trust nothing but button in this Chris. But what was

873
00:39:29,600 --> 00:39:30,000
Speaker 3: what you say?

874
00:39:30,080 --> 00:39:30,480
Speaker 1: What I said?

875
00:39:30,480 --> 00:39:32,640
Speaker 2: When you were stationed in South Korea in the military,

876
00:39:32,719 --> 00:39:34,320
Speaker 2: what did you learn there that you still use in

877
00:39:34,360 --> 00:39:36,000
Speaker 2: today's business or in comedy.

878
00:39:36,400 --> 00:39:40,160
Speaker 3: It was a phrase, and I'm saying in Korean, pog

879
00:39:40,400 --> 00:39:40,799
Speaker 3: o mayo?

880
00:39:41,840 --> 00:39:42,359
Speaker 5: What do that mean?

881
00:39:42,719 --> 00:39:43,640
Speaker 3: How much for the pussy?

882
00:39:44,360 --> 00:39:44,520
Speaker 6: Oh?

883
00:39:44,719 --> 00:39:45,520
Speaker 5: Pogi o mayo?

884
00:39:46,080 --> 00:39:46,879
Speaker 3: Pogi o mayo?

885
00:39:47,040 --> 00:39:49,560
Speaker 2: So you bought vagina in Korea South Koreba.

886
00:39:49,480 --> 00:39:51,239
Speaker 3: No, I didn't buy it, but I need Did you

887
00:39:51,320 --> 00:39:53,600
Speaker 3: know that because it was a phrase, pog o mayo?

888
00:39:53,719 --> 00:39:55,360
Speaker 3: You had to know that if you have to know

889
00:39:55,440 --> 00:39:57,160
Speaker 3: that if you weren't buying them, Okay, all right. I

890
00:39:57,320 --> 00:39:59,879
Speaker 3: was eighteen years old and I was over there station

891
00:40:00,080 --> 00:40:02,480
Speaker 3: in their career. I was eighteen years old. I was

892
00:40:02,520 --> 00:40:04,680
Speaker 3: on a remote base. A remote base means that for

893
00:40:04,840 --> 00:40:08,520
Speaker 3: every for every one female, she has fifteen or twenty

894
00:40:08,600 --> 00:40:11,879
Speaker 3: guys to choose from. And I wasn't in nobody top five,

895
00:40:12,400 --> 00:40:14,359
Speaker 3: So I had to learn how to say pogi.

896
00:40:14,120 --> 00:40:16,200
Speaker 7: On my other Your issues don't come from the breakfast club.

897
00:40:16,239 --> 00:40:17,920
Speaker 7: They started back when you were over there, and you were,

898
00:40:18,760 --> 00:40:19,120
Speaker 7: but I didn't.

899
00:40:19,120 --> 00:40:20,520
Speaker 3: But I had a girlfriend over there. But is it

900
00:40:20,680 --> 00:40:23,200
Speaker 3: true called yobo? It's called yo yobo? Is like a

901
00:40:23,239 --> 00:40:24,000
Speaker 3: girlfriend for a year?

902
00:40:24,400 --> 00:40:24,640
Speaker 8: Is it like?

903
00:40:24,840 --> 00:40:27,600
Speaker 3: Is didn't have like a reglar lady? Pretty much?

904
00:40:27,640 --> 00:40:27,960
Speaker 1: Boys?

905
00:40:28,160 --> 00:40:30,560
Speaker 3: Is that I didn't traffick her. I was in the country.

906
00:40:31,160 --> 00:40:32,879
Speaker 1: You leased the lady?

907
00:40:33,040 --> 00:40:34,360
Speaker 3: Yeah, you can lease some yobo.

908
00:40:34,520 --> 00:40:35,120
Speaker 2: Was she fool lady?

909
00:40:35,440 --> 00:40:36,600
Speaker 3: Yeah she was.

910
00:40:37,160 --> 00:40:38,239
Speaker 4: She had to think about it.

911
00:40:39,760 --> 00:40:42,800
Speaker 3: I have to think about everything on this show because

912
00:40:43,000 --> 00:40:45,759
Speaker 3: I don't know the energy and where it's coming from.

913
00:40:45,800 --> 00:40:46,920
Speaker 3: But yeah, I had a relation. I was in a

914
00:40:46,960 --> 00:40:49,000
Speaker 3: relationship over I thought so for a year?

915
00:40:49,920 --> 00:40:50,520
Speaker 4: You thought so?

916
00:40:51,040 --> 00:40:52,120
Speaker 1: How much did you pay the Lisa?

917
00:40:55,200 --> 00:40:56,000
Speaker 3: Did Miles matter?

918
00:40:57,320 --> 00:41:00,040
Speaker 1: It's a great question, did miles matter? Was she a

919
00:41:00,120 --> 00:41:00,960
Speaker 1: hole there and you didn't know?

920
00:41:01,680 --> 00:41:04,160
Speaker 3: No, she was a whole. She was a yobo. What's that?

921
00:41:04,480 --> 00:41:07,319
Speaker 3: That just your partner for a years, somebody to take

922
00:41:07,440 --> 00:41:09,719
Speaker 3: care of you and make sure you're all right and

923
00:41:09,800 --> 00:41:11,800
Speaker 3: make sure you get all the all all your needs

924
00:41:11,840 --> 00:41:14,719
Speaker 3: taken care of. But she wasn't a lady boy, No,

925
00:41:14,880 --> 00:41:16,120
Speaker 3: she wasn't a label. That's what I was asking.

926
00:41:16,160 --> 00:41:18,799
Speaker 6: Do you have any favorite comedians these days? Like any

927
00:41:19,000 --> 00:41:23,440
Speaker 6: any newcomers and you got any favorites the internet that

928
00:41:23,560 --> 00:41:24,239
Speaker 6: you'd like to look at.

929
00:41:24,440 --> 00:41:27,080
Speaker 3: One of my guys is here right now, Adrian Washington.

930
00:41:27,160 --> 00:41:29,239
Speaker 3: He just had uh he did the bucket pull on

931
00:41:29,560 --> 00:41:31,840
Speaker 3: kill Tony Show. I've been working with him for like

932
00:41:31,880 --> 00:41:37,160
Speaker 3: a year. I think he was voted in Minneapolistes one

933
00:41:37,200 --> 00:41:37,880
Speaker 3: time because we.

934
00:41:38,080 --> 00:41:41,800
Speaker 1: We we we we loted out your podcast host, Yeah.

935
00:41:44,640 --> 00:41:49,439
Speaker 2: Roberts one time. And he's been sitting here for forty

936
00:41:49,480 --> 00:41:50,839
Speaker 2: minutes because.

937
00:41:50,560 --> 00:41:54,440
Speaker 1: We know what we do. Ignore each other.

938
00:41:54,680 --> 00:41:56,120
Speaker 3: No, it'll be the right time for it.

939
00:41:56,239 --> 00:41:56,880
Speaker 1: Ignore each other.

940
00:41:57,000 --> 00:41:59,400
Speaker 3: It's the collective. I started this new thing. I realized

941
00:41:59,440 --> 00:42:01,840
Speaker 3: that I've been I've had a lot of influence in

942
00:42:01,880 --> 00:42:04,279
Speaker 3: this business. I know a lot of people, and I said,

943
00:42:04,320 --> 00:42:07,120
Speaker 3: you know, uh, I wanted to do something where I

944
00:42:07,280 --> 00:42:10,960
Speaker 3: got a group of creatives that we come together, we

945
00:42:11,160 --> 00:42:15,360
Speaker 3: have like creative retreats. Uh, we create content and we

946
00:42:16,360 --> 00:42:19,240
Speaker 3: pretty much hit all types of areas in this business.

947
00:42:19,280 --> 00:42:21,600
Speaker 3: And I was like, instead of it's not like I

948
00:42:21,760 --> 00:42:23,880
Speaker 3: represent anybody, but you have a group of people and

949
00:42:23,880 --> 00:42:25,839
Speaker 3: it's going to I'm going to start this thing. It's

950
00:42:25,880 --> 00:42:28,680
Speaker 3: a raw edge collective where we come together as a crew.

951
00:42:28,840 --> 00:42:31,480
Speaker 3: And if somebody's like, oh, we need somebody to chore

952
00:42:31,800 --> 00:42:34,480
Speaker 3: choreograph this dance routine. But the first thing I'm thinking

953
00:42:34,480 --> 00:42:38,000
Speaker 3: about is Javanta. You know, huh, why do you need

954
00:42:38,120 --> 00:42:41,560
Speaker 3: choreographed dance routines? Yeah, I'm not saying for myself. I'm

955
00:42:41,600 --> 00:42:45,359
Speaker 3: saying if somebody had a situation like that, I'm going

956
00:42:45,400 --> 00:42:46,560
Speaker 3: to be a TikTok sensation.

957
00:42:46,680 --> 00:42:48,560
Speaker 1: You'll see, you'll see.

958
00:42:50,200 --> 00:42:50,719
Speaker 3: That's right.

959
00:42:50,880 --> 00:42:53,319
Speaker 2: You said you influenced people. What have you influenced people

960
00:42:53,360 --> 00:42:54,520
Speaker 2: stealing your stuff? If that's me?

961
00:42:55,120 --> 00:42:58,239
Speaker 3: No, Like I've helped a lot of comics. I've helped

962
00:42:58,239 --> 00:42:59,959
Speaker 3: a lot of comics get to certain levels.

963
00:43:00,160 --> 00:43:01,520
Speaker 1: Why don't they give you credit?

964
00:43:02,600 --> 00:43:06,080
Speaker 3: That's just part of the business. Well, I mean they don't.

965
00:43:05,880 --> 00:43:07,880
Speaker 1: Get their credit. Like Dave gets his credit all the time,

966
00:43:08,160 --> 00:43:10,279
Speaker 1: rockets credit all the time. People you know, like those

967
00:43:10,320 --> 00:43:12,200
Speaker 1: guys get their credit. Why don't did Donnelle rolland get

968
00:43:12,239 --> 00:43:13,840
Speaker 1: his credit? If you're helping people.

969
00:43:13,800 --> 00:43:16,759
Speaker 3: Like this, it happens sometimes sometimes people say thank you,

970
00:43:17,560 --> 00:43:19,719
Speaker 3: Uh times they don't.

971
00:43:20,239 --> 00:43:22,120
Speaker 1: Yeah, I've never heard that Kevin Harg gets his credit.

972
00:43:22,640 --> 00:43:23,359
Speaker 4: Who have you helped?

973
00:43:24,120 --> 00:43:24,600
Speaker 1: Good question?

974
00:43:24,800 --> 00:43:28,600
Speaker 3: A lot of people know who who? Right? I do

975
00:43:28,680 --> 00:43:30,160
Speaker 3: want to talk about it because then I don't want

976
00:43:30,160 --> 00:43:30,319
Speaker 3: to talk.

977
00:43:30,480 --> 00:43:32,640
Speaker 5: He helps me all the time. It gives me great advice.

978
00:43:32,719 --> 00:43:33,279
Speaker 1: I call him.

979
00:43:33,760 --> 00:43:39,640
Speaker 3: I had a group of years ago. I'm sorry, it's

980
00:43:39,680 --> 00:43:40,800
Speaker 3: hard for me to stay focused.

981
00:43:40,920 --> 00:43:44,480
Speaker 1: Just I'm sorry that raised their hands and saying help.

982
00:43:47,320 --> 00:43:49,239
Speaker 6: That's all I'm saying, you just helped me, you know,

983
00:43:49,520 --> 00:43:52,440
Speaker 6: just giving me inspiration and you know, mentoring me and

984
00:43:52,520 --> 00:43:53,040
Speaker 6: things like that.

985
00:43:53,280 --> 00:43:53,960
Speaker 5: Just great advice.

986
00:43:54,320 --> 00:43:54,920
Speaker 3: I appreciate.

987
00:43:55,239 --> 00:43:57,120
Speaker 1: Forget you're one of the best. You're one of the

988
00:43:57,160 --> 00:43:59,560
Speaker 1: best stand up comedians that I really, I.

989
00:43:59,600 --> 00:44:03,040
Speaker 3: Really, I really I appreciate you. And I said all

990
00:44:03,120 --> 00:44:08,719
Speaker 3: the time, and I probably repeat myself. I remember years

991
00:44:08,760 --> 00:44:10,200
Speaker 3: ago you had reached out to me in a DM

992
00:44:10,280 --> 00:44:11,960
Speaker 3: and this was when you was first starting. The only

993
00:44:12,040 --> 00:44:13,560
Speaker 3: thing you want to know is like what I need

994
00:44:13,640 --> 00:44:15,680
Speaker 3: to do? And I didn't. I didn't give you. I

995
00:44:15,680 --> 00:44:17,440
Speaker 3: don't think I gave you any advice I.

996
00:44:17,520 --> 00:44:17,960
Speaker 1: Might have said.

997
00:44:18,520 --> 00:44:20,160
Speaker 3: I think I might have said get on stage. I

998
00:44:20,160 --> 00:44:21,880
Speaker 3: think I might say get on stage. Everything you're going

999
00:44:21,920 --> 00:44:24,000
Speaker 3: to learn is going to be from them, from what

1000
00:44:24,200 --> 00:44:26,960
Speaker 3: you do as a performer. And it's interesting because I

1001
00:44:27,080 --> 00:44:28,560
Speaker 3: know people go at you or whatever, right, And the

1002
00:44:28,640 --> 00:44:30,640
Speaker 3: thing that fucks me up the most, like if you

1003
00:44:30,680 --> 00:44:34,080
Speaker 3: don't respect anything about you, respect your hustle. You know

1004
00:44:34,120 --> 00:44:36,719
Speaker 3: what I'm saying, Like people think it's easier. I know

1005
00:44:36,880 --> 00:44:38,560
Speaker 3: you get it all the time. Oh, because she got

1006
00:44:38,600 --> 00:44:41,000
Speaker 3: these followers, But those followers just don't come out of nowhere.

1007
00:44:41,000 --> 00:44:43,759
Speaker 3: They come from putting the work in. I've seen you.

1008
00:44:44,080 --> 00:44:46,719
Speaker 3: I seen you grow as a stand up when we

1009
00:44:46,880 --> 00:44:48,120
Speaker 3: just did that show where were we.

1010
00:44:48,360 --> 00:44:50,520
Speaker 5: Were when Californ Sacramento.

1011
00:44:50,680 --> 00:44:52,120
Speaker 3: Yeah, and I was like, I was like, why don't

1012
00:44:52,120 --> 00:44:53,560
Speaker 3: they talk about this? You know what I'm saying. I've

1013
00:44:53,560 --> 00:44:57,000
Speaker 3: seen you captivate the audience, did the way you acted.

1014
00:44:57,239 --> 00:44:59,600
Speaker 3: You just had that orders in the palm you had,

1015
00:44:59,600 --> 00:45:02,279
Speaker 3: And I'm like, I know you get a lot of

1016
00:45:02,600 --> 00:45:04,880
Speaker 3: dumb ship, but I look at you like this is

1017
00:45:04,960 --> 00:45:07,800
Speaker 3: an example of somebody when you work hard as something

1018
00:45:08,160 --> 00:45:09,920
Speaker 3: and you put the work and you'll get the results.

1019
00:45:10,080 --> 00:45:12,480
Speaker 3: You know. So I always shout y'all, even not even

1020
00:45:12,480 --> 00:45:16,640
Speaker 3: when ship is happening, you know, I just call you like, yeah,

1021
00:45:18,400 --> 00:45:21,960
Speaker 3: I don't have any more questions. I don't think this

1022
00:45:22,040 --> 00:45:25,560
Speaker 3: went the way I wanted why.

1023
00:45:26,360 --> 00:45:29,279
Speaker 1: I was just just walked my attention of comment that

1024
00:45:29,400 --> 00:45:32,320
Speaker 1: somebody posted you were on kill Tony. I was yesterday

1025
00:45:32,360 --> 00:45:35,600
Speaker 1: with Rob Snyder, nice and me and.

1026
00:45:35,640 --> 00:45:36,280
Speaker 3: I went back.

1027
00:45:37,840 --> 00:45:39,719
Speaker 5: Made up everything made up.

1028
00:45:40,920 --> 00:45:42,719
Speaker 3: We know, I never had an issue with kill Tony.

1029
00:45:42,760 --> 00:45:43,880
Speaker 1: It was really bad for you on there.

1030
00:45:43,880 --> 00:45:46,799
Speaker 3: At one point it wasn't bad. It was you got

1031
00:45:46,880 --> 00:45:51,120
Speaker 3: booed and nigga, what are you talking about. I didn't

1032
00:45:51,160 --> 00:45:58,040
Speaker 3: get booed on kill Tony. I got on roads battlest get.

1033
00:45:57,920 --> 00:45:59,879
Speaker 1: You walked off and kill Tony.

1034
00:46:00,239 --> 00:46:05,000
Speaker 3: I removed my negative motherfucker situation that guy was. I

1035
00:46:05,080 --> 00:46:07,399
Speaker 3: didn't say I had a gout the walk the job,

1036
00:46:07,480 --> 00:46:08,240
Speaker 3: please stop.

1037
00:46:08,400 --> 00:46:10,600
Speaker 1: You walked off because the guy was killing you so bad.

1038
00:46:10,760 --> 00:46:14,160
Speaker 1: I did not want what happened? You read move that time.

1039
00:46:14,640 --> 00:46:17,799
Speaker 1: I'm sorry, Gavanta, what happened? I didn't come here, gavan

1040
00:46:17,880 --> 00:46:18,440
Speaker 1: to come to the mic.

1041
00:46:18,880 --> 00:46:19,600
Speaker 4: He crashed out?

1042
00:46:20,120 --> 00:46:32,120
Speaker 1: What what happened? Okay? So why did you want? If

1043
00:46:32,120 --> 00:46:34,719
Speaker 1: you need I just don't.

1044
00:46:34,920 --> 00:46:36,399
Speaker 8: I just don't want to come on here and act

1045
00:46:36,480 --> 00:46:38,160
Speaker 8: like I love you so much.

1046
00:46:38,560 --> 00:46:42,799
Speaker 3: You helped me as well. He's a great representation if

1047
00:46:42,800 --> 00:46:43,439
Speaker 3: you need help.

1048
00:46:43,600 --> 00:46:47,040
Speaker 1: And not last night, but the time before when he

1049
00:46:47,080 --> 00:46:47,600
Speaker 1: walked off.

1050
00:46:48,239 --> 00:46:50,319
Speaker 8: Well, he has a tendency to crash out.

1051
00:46:51,320 --> 00:46:55,880
Speaker 5: And so at that point was at the point he

1052
00:46:56,000 --> 00:46:57,640
Speaker 5: was already gone. He was already gone.

1053
00:46:58,080 --> 00:47:00,480
Speaker 2: Look at me and jests okay, he was they gone

1054
00:47:00,560 --> 00:47:01,520
Speaker 2: and he walked up.

1055
00:47:02,160 --> 00:47:03,960
Speaker 1: Happened at the last one, the last tape, because there's

1056
00:47:04,239 --> 00:47:06,120
Speaker 1: really negative comments that I'm about to read.

1057
00:47:06,960 --> 00:47:08,080
Speaker 8: Killed this last night.

1058
00:47:09,000 --> 00:47:11,439
Speaker 5: Yeah, he killed it, killed it was, there was nothing

1059
00:47:11,480 --> 00:47:11,759
Speaker 5: wrong with it.

1060
00:47:11,800 --> 00:47:14,920
Speaker 1: There's a comment that says, Donnelle Rawlings branded comedy is

1061
00:47:15,000 --> 00:47:17,520
Speaker 1: so bad to me, like watching a train wreck. Charlomagne

1062
00:47:17,520 --> 00:47:18,720
Speaker 1: is gonna have a field day tomorrow.

1063
00:47:18,880 --> 00:47:21,280
Speaker 5: D Esus, wow, jesus.

1064
00:47:21,560 --> 00:47:25,880
Speaker 3: But see, those are your type of people. They're negative.

1065
00:47:25,920 --> 00:47:29,000
Speaker 3: Nothing negative, You're they're negative. Those are your type.

1066
00:47:29,040 --> 00:47:30,080
Speaker 1: You love that nothing to do.

1067
00:47:30,239 --> 00:47:33,760
Speaker 3: You went through everything, you went through, every showed.

1068
00:47:33,600 --> 00:47:36,080
Speaker 4: Me this, and then all I did was your name

1069
00:47:36,080 --> 00:47:38,200
Speaker 4: and it was top of the I didn't even.

1070
00:47:42,640 --> 00:47:42,840
Speaker 1: I was.

1071
00:47:43,000 --> 00:47:44,920
Speaker 4: I was type your name it on X and and

1072
00:47:45,200 --> 00:47:47,520
Speaker 4: it just was like probably like top three tweets.

1073
00:47:47,520 --> 00:47:49,200
Speaker 2: At least he didn't get booed. He didn't get booed. Again,

1074
00:47:49,239 --> 00:47:52,800
Speaker 2: that's the that's the moment stage. Okay, I don't like

1075
00:47:52,880 --> 00:47:53,719
Speaker 2: him them, Okay.

1076
00:47:55,239 --> 00:47:59,040
Speaker 3: The thing is I did kill Tony some years ago,

1077
00:47:59,320 --> 00:48:02,200
Speaker 3: yes five years ago actually, and I was on that

1078
00:48:02,400 --> 00:48:04,880
Speaker 3: stage for two and a half hours and I had

1079
00:48:04,960 --> 00:48:07,239
Speaker 3: something to do, and I told Tony, I'm not going

1080
00:48:07,320 --> 00:48:10,279
Speaker 3: to be here forever long time. It's a very very

1081
00:48:10,360 --> 00:48:10,719
Speaker 3: long time.

1082
00:48:10,800 --> 00:48:10,960
Speaker 1: Yeah.

1083
00:48:10,960 --> 00:48:11,520
Speaker 2: A sushi date.

1084
00:48:12,080 --> 00:48:14,759
Speaker 3: I just didn't have a sushi date. It was one

1085
00:48:14,800 --> 00:48:17,279
Speaker 3: of those sushi spots where it takes a year to

1086
00:48:17,320 --> 00:48:19,719
Speaker 3: get a reservation. They sit six or eight people. It's

1087
00:48:19,760 --> 00:48:23,279
Speaker 3: not like going to sushi Sombo Sushi stopped like to go.

1088
00:48:23,480 --> 00:48:25,400
Speaker 3: It was one of it. I don't even know the

1089
00:48:25,480 --> 00:48:27,239
Speaker 3: name of it. It's a speakeasy joint. I wish I

1090
00:48:27,239 --> 00:48:29,879
Speaker 3: would feel bad that it's It's one of the best

1091
00:48:30,160 --> 00:48:32,440
Speaker 3: places in Austin, Texas. I had to go. And what

1092
00:48:32,680 --> 00:48:36,080
Speaker 3: happened was they did a video where they showed me

1093
00:48:37,040 --> 00:48:39,960
Speaker 3: having going at with this comic. If you look at

1094
00:48:40,000 --> 00:48:43,080
Speaker 3: the video, you'll see it's one shot one comedian, it's

1095
00:48:43,080 --> 00:48:44,200
Speaker 3: another shot. So they edit.

1096
00:48:44,480 --> 00:48:45,520
Speaker 2: I know you explained the last time.

1097
00:48:45,520 --> 00:48:47,920
Speaker 1: You know. If you're explaining, you're losing. I just want

1098
00:48:47,920 --> 00:48:53,240
Speaker 1: you to know that. No, no, it does this comment

1099
00:48:53,360 --> 00:48:56,360
Speaker 1: right here says what do you say? It says somebody

1100
00:48:56,440 --> 00:48:58,080
Speaker 1: named allegedly Drew. I don't know who that is. You

1101
00:48:58,160 --> 00:49:00,360
Speaker 1: have to check. Mark said you were hilarious, but Donnelle

1102
00:49:00,400 --> 00:49:02,719
Speaker 1: Rawlings is the worst guest I've ever seen. Stereotypes are

1103
00:49:02,760 --> 00:49:03,600
Speaker 1: so real. That's what you said.

1104
00:49:04,560 --> 00:49:06,400
Speaker 3: But that But the thing is that base and I

1105
00:49:06,440 --> 00:49:08,480
Speaker 3: will say Tony has created a platform for people to

1106
00:49:08,520 --> 00:49:10,719
Speaker 3: get on. That's one of the biggest YouTube shows. Whatever

1107
00:49:11,160 --> 00:49:13,520
Speaker 3: but the people that watch that, they just like they

1108
00:49:13,760 --> 00:49:15,680
Speaker 3: just they are a lot of them. I say seventy

1109
00:49:15,719 --> 00:49:18,000
Speaker 3: five percent of people. They are trolls. They live for

1110
00:49:18,120 --> 00:49:19,600
Speaker 3: moments like that. They live to try to get on

1111
00:49:19,680 --> 00:49:21,440
Speaker 3: your skin, and they do every time.

1112
00:49:21,960 --> 00:49:23,400
Speaker 4: Does the troll will never get on your nurse. So

1113
00:49:23,760 --> 00:49:24,799
Speaker 4: it does. You said they do.

1114
00:49:25,080 --> 00:49:27,759
Speaker 3: Sometimes, but I'm getting better. Do you want to ignore it?

1115
00:49:28,040 --> 00:49:28,080
Speaker 6: No?

1116
00:49:28,120 --> 00:49:28,960
Speaker 3: I don't want to hug.

1117
00:49:34,360 --> 00:49:35,440
Speaker 5: Well, I love you.

1118
00:49:35,719 --> 00:49:36,799
Speaker 3: I don't know what I want.

1119
00:49:37,440 --> 00:49:41,920
Speaker 6: You have shows a distress factory Friday, Saturday and Sunday.

1120
00:49:43,920 --> 00:49:44,440
Speaker 5: Six shows.

1121
00:49:44,960 --> 00:49:46,960
Speaker 3: It's two shows Friday, two shows Saturday, and one show

1122
00:49:47,000 --> 00:49:49,120
Speaker 3: on something I do well in that club. I'm pretty

1123
00:49:49,120 --> 00:49:50,239
Speaker 3: sure it will sell out out.

1124
00:49:51,280 --> 00:49:53,120
Speaker 2: Before you became a BA talk about this.

1125
00:49:53,280 --> 00:49:55,560
Speaker 3: Okay, Well that's Gary always fuck is y'all. I don't

1126
00:49:55,560 --> 00:49:56,080
Speaker 3: give a fuck.

1127
00:49:57,920 --> 00:49:59,359
Speaker 4: Rapper came out, y'all.

1128
00:50:02,160 --> 00:50:07,080
Speaker 3: Yeah somewhere I'll give the so what fuck them all's?

1129
00:50:08,520 --> 00:50:10,960
Speaker 3: You sell your tickets away, You sell your tickets, and

1130
00:50:11,080 --> 00:50:13,360
Speaker 3: I will sell my tickets away. I sell my tickets

1131
00:50:13,440 --> 00:50:14,160
Speaker 3: like the next.

1132
00:50:14,120 --> 00:50:15,520
Speaker 1: Question, like the new fashion forward?

1133
00:50:16,480 --> 00:50:19,040
Speaker 3: My fashion never been backwards. Niggas, You don't want to

1134
00:50:19,080 --> 00:50:20,680
Speaker 3: need a stylist, nigga, do you ever look at the

1135
00:50:20,719 --> 00:50:21,200
Speaker 3: pictures at you?

1136
00:50:22,080 --> 00:50:23,160
Speaker 4: Do you ever look at youlas?

1137
00:50:23,560 --> 00:50:25,000
Speaker 1: I like the fashion forward done that.

1138
00:50:26,239 --> 00:50:27,160
Speaker 2: We appreciate you doing.

1139
00:50:28,040 --> 00:50:32,160
Speaker 1: Yes, you dress like August I feed a boyfriend at

1140
00:50:32,200 --> 00:50:34,160
Speaker 1: the bottom, cool teacher.

1141
00:50:34,560 --> 00:50:37,640
Speaker 3: The fact that you have all these gay references just

1142
00:50:37,800 --> 00:50:41,480
Speaker 3: ready anything gay. You got a whole speech about that

1143
00:50:41,560 --> 00:50:45,239
Speaker 3: ship top bottom. You don't even say pause and pause situations, sir.

1144
00:50:45,800 --> 00:50:48,440
Speaker 3: That's how free you are with yourself. You would just

1145
00:50:48,560 --> 00:50:50,400
Speaker 3: let it go, and you are you were only they

1146
00:50:50,400 --> 00:50:51,920
Speaker 3: gotta know what un pause or pause.

1147
00:50:52,040 --> 00:50:54,280
Speaker 1: Do you think comedians are afraid to joke about sexuality

1148
00:50:54,320 --> 00:50:55,880
Speaker 1: because they're scared of how people will label them.

1149
00:50:55,920 --> 00:50:58,279
Speaker 3: I'm pretty yeah. One thousand. They are scared to talk

1150
00:50:58,320 --> 00:51:00,640
Speaker 3: about That's why you in touch with yourself. That's why

1151
00:51:00,680 --> 00:51:04,200
Speaker 3: when people call you and it's me it's fruity tooty

1152
00:51:04,640 --> 00:51:06,680
Speaker 3: or booty bandits, which I'll do, it don't affect you

1153
00:51:06,719 --> 00:51:10,840
Speaker 3: because you in touch with your sexuality, booty tot rudio,

1154
00:51:11,760 --> 00:51:12,360
Speaker 3: whatever it is.

1155
00:51:12,480 --> 00:51:14,799
Speaker 1: Do you think black men in comedy get boxed into

1156
00:51:14,800 --> 00:51:17,719
Speaker 1: certain stereotypes about masculinity and sexuality more than others?

1157
00:51:17,960 --> 00:51:22,759
Speaker 3: One hundred. I believe, But I also believe that you

1158
00:51:22,840 --> 00:51:28,120
Speaker 3: know that people's way of thinking have evolved. You know

1159
00:51:28,160 --> 00:51:31,680
Speaker 3: what I'm saying, Like, you know, black men period are

1160
00:51:31,960 --> 00:51:35,359
Speaker 3: just for the most part, naturally homophobic, but now.

1161
00:51:35,320 --> 00:51:37,560
Speaker 1: We live not true. Don't generalize all black men like that.

1162
00:51:37,840 --> 00:51:40,320
Speaker 1: You just gave me props for being in touch with

1163
00:51:40,440 --> 00:51:44,360
Speaker 1: my sexuality, so don't label all black men as being homophobic.

1164
00:51:44,760 --> 00:51:49,799
Speaker 3: You're not a regular niggatos. So he does his eyebrows.

1165
00:51:50,239 --> 00:51:53,640
Speaker 1: No, I don't, Yes, you definitely do. You know what.

1166
00:51:53,760 --> 00:51:57,120
Speaker 4: I don't believe that you just naturally wake up, which

1167
00:51:57,160 --> 00:51:57,879
Speaker 4: I don't get mad.

1168
00:51:57,840 --> 00:51:59,280
Speaker 1: At me because you gotta feel your other than everyoneing.

1169
00:51:59,719 --> 00:52:04,160
Speaker 3: Wow, But I just think I just think the way

1170
00:52:04,239 --> 00:52:07,840
Speaker 3: people think it's totally different. Now at some point you

1171
00:52:07,920 --> 00:52:10,120
Speaker 3: gotta be like, who gives a fuck? You just keep

1172
00:52:10,160 --> 00:52:10,480
Speaker 3: it moving.

1173
00:52:10,600 --> 00:52:12,359
Speaker 1: What's the wid is assumption people have ever made about

1174
00:52:12,360 --> 00:52:14,279
Speaker 1: you and your sexuality and how did you handle it?

1175
00:52:15,600 --> 00:52:19,319
Speaker 3: I've never had no wild situations by my sex reality.

1176
00:52:19,360 --> 00:52:27,839
Speaker 2: That's a lie. Pictures somebody throld you, uh, somebody thought

1177
00:52:27,840 --> 00:52:28,439
Speaker 2: you a game before.

1178
00:52:28,960 --> 00:52:29,960
Speaker 3: I don't know who that could be.

1179
00:52:30,600 --> 00:52:31,240
Speaker 1: Where'd you find.

1180
00:52:32,600 --> 00:52:40,040
Speaker 3: I've been doing? I'm sorry, I've been knowing her for

1181
00:52:40,239 --> 00:52:44,640
Speaker 3: how long we've been doing? Your twenty something. Yeah, she was.

1182
00:52:46,120 --> 00:52:48,520
Speaker 3: She was working for this internet what's popp and what

1183
00:52:48,600 --> 00:52:51,400
Speaker 3: was the name of that show? Yeah, she was a

1184
00:52:51,520 --> 00:52:56,080
Speaker 3: host of it. She was very young. And how did

1185
00:52:56,160 --> 00:52:57,160
Speaker 3: we reconnect that to that?

1186
00:53:00,120 --> 00:53:01,400
Speaker 4: I got.

1187
00:53:05,960 --> 00:53:11,400
Speaker 6: At a comedy show and John Rawlins heckled your date figure.

1188
00:53:11,320 --> 00:53:15,439
Speaker 1: How you got Oh? So he was with an ugly

1189
00:53:15,600 --> 00:53:18,360
Speaker 1: dude with the comedy on the hollow when somebody did that?

1190
00:53:19,600 --> 00:53:19,800
Speaker 1: Did you?

1191
00:53:19,920 --> 00:53:21,239
Speaker 5: And then Javansa got to.

1192
00:53:21,200 --> 00:53:27,239
Speaker 3: Talk to her. I hope so career, no, no, let

1193
00:53:27,280 --> 00:53:28,120
Speaker 3: me explain something.

1194
00:53:28,480 --> 00:53:43,400
Speaker 5: She was a s no effort. Key, can you sit the.

1195
00:53:47,719 --> 00:53:49,160
Speaker 3: Just sit on the couch for a second.

1196
00:53:52,520 --> 00:53:54,000
Speaker 1: Do you remember you remember some of your moves?

1197
00:53:54,000 --> 00:53:57,080
Speaker 2: Hold on, let's let's give her own Mike, show.

1198
00:53:56,920 --> 00:54:01,120
Speaker 1: Me one move that move over a missy move withra move.

1199
00:54:01,520 --> 00:54:07,360
Speaker 1: You got to sit over there, yes, Javana Roberts right, okay.

1200
00:54:08,560 --> 00:54:10,480
Speaker 2: Okay, so yeah, back that's down there for joining us.

1201
00:54:10,520 --> 00:54:13,680
Speaker 3: Okay, this is this is what I'm saying, this is

1202
00:54:13,719 --> 00:54:16,640
Speaker 3: the legend. I'm not patrick to back then, I'm not

1203
00:54:17,560 --> 00:54:19,520
Speaker 3: this can I just want to be clear. This is

1204
00:54:19,600 --> 00:54:25,440
Speaker 3: part of the collective giving people opportunities and microphone I.

1205
00:54:25,480 --> 00:54:27,319
Speaker 1: Know you called it about her.

1206
00:54:32,160 --> 00:54:33,719
Speaker 8: Tackling me at the at the.

1207
00:54:34,400 --> 00:54:36,120
Speaker 3: First of all, Wait, no, no, no, let me no, no,

1208
00:54:36,400 --> 00:54:44,040
Speaker 3: let me say. A lot of people I wanted to say,

1209
00:54:46,000 --> 00:54:49,440
Speaker 3: I'm saying part of the collective, like you said, of

1210
00:54:49,560 --> 00:54:52,560
Speaker 3: course you invited her to the mic. I invited her

1211
00:54:52,640 --> 00:54:54,600
Speaker 3: to the show. That's how the collect.

1212
00:54:55,600 --> 00:54:58,239
Speaker 1: Didn't even introduce her when you walked because the reason

1213
00:54:58,280 --> 00:54:59,360
Speaker 1: why I didn't go.

1214
00:54:59,320 --> 00:55:00,360
Speaker 2: Ahead, good mantas.

1215
00:55:01,760 --> 00:55:04,200
Speaker 8: You know what a part of a part of what

1216
00:55:04,280 --> 00:55:07,120
Speaker 8: people don't see about Donnell. He's so altruistic.

1217
00:55:07,600 --> 00:55:08,720
Speaker 2: He's so giving.

1218
00:55:09,760 --> 00:55:11,800
Speaker 3: No, he's giving.

1219
00:55:11,960 --> 00:55:14,520
Speaker 8: He's done so much behind the scenes, and we don't

1220
00:55:14,560 --> 00:55:16,040
Speaker 8: really get to see that part of him.

1221
00:55:16,160 --> 00:55:18,200
Speaker 3: So I appreciate so much.

1222
00:55:18,280 --> 00:55:22,200
Speaker 8: Over the last fifteen years or so, I've learned so

1223
00:55:22,400 --> 00:55:25,320
Speaker 8: much about work ethic. He's like one of the hardest,

1224
00:55:25,880 --> 00:55:27,480
Speaker 8: hardest working comedians I know.

1225
00:55:28,719 --> 00:55:32,800
Speaker 1: And said, he said, he said.

1226
00:55:32,600 --> 00:55:33,920
Speaker 2: He was what altruistic?

1227
00:55:34,160 --> 00:55:36,759
Speaker 1: That means showing a disinterest and selfless concern for the

1228
00:55:36,840 --> 00:55:37,680
Speaker 1: well being of others.

1229
00:55:38,160 --> 00:55:42,840
Speaker 3: No, no, no, no, no, no, he's selfish.

1230
00:55:44,000 --> 00:55:44,839
Speaker 1: I'm selfish. Okay.

1231
00:55:44,840 --> 00:55:48,680
Speaker 8: Ok he's giving like he'll give he selfless, he'll give

1232
00:55:48,760 --> 00:55:54,560
Speaker 8: the last like the last thread of the last thing. Okay,

1233
00:55:54,600 --> 00:55:56,440
Speaker 8: So I was yeah, I was on a date, and

1234
00:55:56,960 --> 00:55:59,319
Speaker 8: the day got nervous because after he was heckling the day,

1235
00:56:00,480 --> 00:56:02,360
Speaker 8: I had mentioned that I wanted to do stand up

1236
00:56:02,440 --> 00:56:04,000
Speaker 8: to what do you say to the date? He was like,

1237
00:56:04,160 --> 00:56:05,799
Speaker 8: you know, how did you how did you get her?

1238
00:56:05,960 --> 00:56:08,560
Speaker 8: Like how did you end up with her? And he's like, oh,

1239
00:56:08,640 --> 00:56:10,719
Speaker 8: she wanted to stand up. So then Donald brought me

1240
00:56:10,760 --> 00:56:12,560
Speaker 8: on the stage, but he didn't remember that I'd already

1241
00:56:12,600 --> 00:56:15,960
Speaker 8: interviewed him. So cut to I got on a stage.

1242
00:56:16,040 --> 00:56:20,600
Speaker 8: I killed it, Remember I killed it? And then and

1243
00:56:20,680 --> 00:56:22,800
Speaker 8: then I would go I was about eighteen, and I

1244
00:56:22,840 --> 00:56:24,759
Speaker 8: would go to Dona's house and I take notes and

1245
00:56:24,840 --> 00:56:27,440
Speaker 8: I was just like legitimately trying to be a stand up,

1246
00:56:27,760 --> 00:56:30,000
Speaker 8: but I was also dancing with missy Ella and Shakira

1247
00:56:30,120 --> 00:56:33,200
Speaker 8: and that was not very demanding. So I couldn't balance

1248
00:56:33,280 --> 00:56:36,440
Speaker 8: the stand up life and my career.

1249
00:56:36,280 --> 00:56:37,920
Speaker 3: As as a as a dancer.

1250
00:56:38,960 --> 00:56:43,800
Speaker 2: Here's stage on stage And then I did yeah, and

1251
00:56:43,880 --> 00:56:44,560
Speaker 2: he was actually there.

1252
00:56:44,600 --> 00:56:46,160
Speaker 4: I was dancing with the dream too, and he was

1253
00:56:46,239 --> 00:56:46,759
Speaker 4: the warm up.

1254
00:56:47,120 --> 00:56:49,239
Speaker 3: She was stand up. She did this is she says,

1255
00:56:49,920 --> 00:56:53,000
Speaker 3: this is this is a story. She did stand up right,

1256
00:56:53,640 --> 00:56:56,800
Speaker 3: And I told her, I said, whatever you do don't

1257
00:56:56,920 --> 00:57:00,520
Speaker 3: go up there talk about being pretty beautiful or any

1258
00:57:00,560 --> 00:57:03,000
Speaker 3: of that. I said. The reason why, I said, you

1259
00:57:03,360 --> 00:57:05,640
Speaker 3: look better at most of people that come to the show,

1260
00:57:06,000 --> 00:57:08,360
Speaker 3: and women are so fucked up they will hate you

1261
00:57:08,560 --> 00:57:11,239
Speaker 3: for cut to She did exactly what I told her

1262
00:57:11,320 --> 00:57:11,759
Speaker 3: not to do it.

1263
00:57:11,920 --> 00:57:14,680
Speaker 2: Oh God, let me tell you.

1264
00:57:15,920 --> 00:57:19,400
Speaker 3: She said something. I was like this, right, and then

1265
00:57:19,480 --> 00:57:21,600
Speaker 3: she came up to me at the end of the show.

1266
00:57:22,000 --> 00:57:24,800
Speaker 3: She was like this, she said. She said, this was

1267
00:57:24,880 --> 00:57:27,160
Speaker 3: only second time. I say. She said, what do you

1268
00:57:27,320 --> 00:57:31,960
Speaker 3: do when they're not lasting? I said, if you are

1269
00:57:32,080 --> 00:57:35,640
Speaker 3: going to cry about this situation, I advised you to

1270
00:57:35,840 --> 00:57:38,880
Speaker 3: quit stand up right now. And that was the last show.

1271
00:57:38,920 --> 00:57:41,640
Speaker 5: She okay, but that was great advice though.

1272
00:57:42,880 --> 00:57:45,040
Speaker 3: But I mean, I liked the fact that she was

1273
00:57:45,120 --> 00:57:47,439
Speaker 3: curious about it and she did it, and she tried.

1274
00:57:47,480 --> 00:57:49,320
Speaker 3: She had the little notepad and she was doing the thing.

1275
00:57:49,360 --> 00:57:52,680
Speaker 3: But you know, it's a certain like to for to

1276
00:57:53,680 --> 00:57:56,200
Speaker 3: have if you want to say some success and then

1277
00:57:56,200 --> 00:57:58,400
Speaker 3: all of a sudden it's different. Some people can't handle it,

1278
00:57:58,480 --> 00:58:00,240
Speaker 3: and that's when you get stronger when you go act

1279
00:58:00,520 --> 00:58:02,320
Speaker 3: and you challenge yourself with this person.

1280
00:58:03,680 --> 00:58:04,760
Speaker 1: Stress factory this week.

1281
00:58:04,920 --> 00:58:06,440
Speaker 3: No, she she'll probably be hanging out.

1282
00:58:06,840 --> 00:58:12,280
Speaker 8: But now I'm on Beating Black on Netflix and then

1283
00:58:13,240 --> 00:58:16,040
Speaker 8: that's my show. I just booked a series regular, so

1284
00:58:16,120 --> 00:58:16,600
Speaker 8: that'll be coming.

1285
00:58:20,520 --> 00:58:22,360
Speaker 3: But I'm gonna tell you, like I've been knowing her

1286
00:58:22,600 --> 00:58:24,440
Speaker 3: for the longest time, one of my closest friend. I

1287
00:58:24,480 --> 00:58:26,520
Speaker 3: consider her to bring my daughter.

1288
00:58:28,440 --> 00:58:31,960
Speaker 1: Around. Yeah, anything, when did this happen? You look at it,

1289
00:58:32,000 --> 00:58:32,200
Speaker 1: if you.

1290
00:58:32,200 --> 00:58:34,000
Speaker 3: Look back at the history of my podcast whatever, she

1291
00:58:34,120 --> 00:58:36,680
Speaker 3: was one of my first cot we've had relationship with.

1292
00:58:36,720 --> 00:58:39,920
Speaker 3: The thing that I really appreciate about her and everybody

1293
00:58:40,000 --> 00:58:42,080
Speaker 3: has ups and downs in their career, right She's been

1294
00:58:42,120 --> 00:58:43,840
Speaker 3: through it. She has some highs and some lows. But

1295
00:58:43,960 --> 00:58:46,720
Speaker 3: the thing I respect the most she never she never stops,

1296
00:58:46,800 --> 00:58:48,920
Speaker 3: you know what I'm saying. Even when life is fucked up,

1297
00:58:49,320 --> 00:58:51,600
Speaker 3: and life can be fucked up, she never stopped. That's

1298
00:58:51,640 --> 00:58:53,880
Speaker 3: why I said. I told her, I said, I'm going

1299
00:58:53,960 --> 00:58:55,880
Speaker 3: to be as supportive as possible. You know. We went

1300
00:58:55,920 --> 00:58:59,560
Speaker 3: to the Caribbean of Caribbean Music Musical Wards the other

1301
00:58:59,640 --> 00:59:01,600
Speaker 3: day and it was something she really wanted to go.

1302
00:59:01,800 --> 00:59:04,520
Speaker 3: We went, we went, We had a good time. But

1303
00:59:04,960 --> 00:59:08,040
Speaker 3: that is like my whole idea of what the collective is.

1304
00:59:08,640 --> 00:59:10,600
Speaker 3: Just if you're in a position where you could look

1305
00:59:10,640 --> 00:59:13,200
Speaker 3: out for somebody or throw somebody a bone, or give

1306
00:59:13,200 --> 00:59:15,000
Speaker 3: them a platform and the shine. I think you're supposed to.

1307
00:59:14,960 --> 00:59:16,840
Speaker 5: Do it, and I think and you have a life

1308
00:59:16,880 --> 00:59:17,560
Speaker 5: outside of here.

1309
00:59:17,640 --> 00:59:20,520
Speaker 6: So although you never said anything, we didn't know about her,

1310
00:59:20,600 --> 00:59:22,400
Speaker 6: we know about her now because she's with them.

1311
00:59:22,720 --> 00:59:24,280
Speaker 1: Yeah, no, not a long time, never seen.

1312
00:59:28,520 --> 00:59:30,040
Speaker 2: And we appreciate you for joining.

1313
00:59:30,160 --> 00:59:31,400
Speaker 3: Thank you so much, so much.

1314
00:59:33,000 --> 00:59:35,120
Speaker 2: Appreciate was great.

1315
00:59:38,840 --> 00:59:40,840
Speaker 3: Thank you because is.

1316
00:59:40,920 --> 00:59:41,600
Speaker 5: The show right now.

1317
00:59:42,600 --> 00:59:45,040
Speaker 1: I do have one more question from mister Wrongins. At

1318
00:59:45,080 --> 00:59:46,880
Speaker 1: this stage in your career, do you feel like you've

1319
00:59:46,920 --> 00:59:49,240
Speaker 1: gotten everything you deserve or are you still fighting for

1320
00:59:49,320 --> 00:59:49,840
Speaker 1: your flowers.

1321
00:59:50,160 --> 00:59:52,600
Speaker 3: I'm not fighting for my flowers, because whatever flowers is

1322
00:59:52,640 --> 00:59:56,200
Speaker 3: going to happen, it's already it's already laid it's already

1323
00:59:56,280 --> 00:59:59,400
Speaker 3: laid out. I'm not fighting for anything. I'm not I'm

1324
00:59:59,440 --> 01:00:02,600
Speaker 3: not fighting for for any more fame or any of that.

1325
01:00:02,720 --> 01:00:05,200
Speaker 3: I just like the path that I'm on. I like

1326
01:00:05,280 --> 01:00:08,040
Speaker 3: the fact that I've been doing it over thirty some years.

1327
01:00:08,640 --> 01:00:11,440
Speaker 3: I still can pull an audience. I'm still funny. You

1328
01:00:11,560 --> 01:00:13,240
Speaker 3: got some people that come in and go, I'm still

1329
01:00:13,680 --> 01:00:16,760
Speaker 3: still standing. I'm still one of the you know dopest

1330
01:00:16,800 --> 01:00:18,680
Speaker 3: comics out there that you are.

1331
01:00:19,000 --> 01:00:21,240
Speaker 1: Yeah, nobody really gave it somebody.

1332
01:00:21,520 --> 01:00:23,800
Speaker 2: Well, we appreciate you to donw thank you for us

1333
01:00:23,800 --> 01:00:24,200
Speaker 2: this morning.

1334
01:00:26,560 --> 01:00:27,200
Speaker 1: Give you a flower.

1335
01:00:28,880 --> 01:00:30,960
Speaker 2: That's my guy and I don't even mentioned them one

1336
01:00:31,040 --> 01:00:32,800
Speaker 2: time because because we.

1337
01:00:32,840 --> 01:00:33,200
Speaker 1: Didn't, we.

1338
01:00:38,280 --> 01:00:39,160
Speaker 3: Said, we know what we did.

1339
01:00:42,520 --> 01:00:43,920
Speaker 2: These beautiful sneakers that you gave us.

1340
01:00:47,920 --> 01:00:48,800
Speaker 5: This is crazy.

1341
01:00:49,840 --> 01:00:50,800
Speaker 3: Look that's that's.

1342
01:00:53,360 --> 01:00:55,280
Speaker 2: Look at this one crazy.

1343
01:00:55,560 --> 01:00:58,000
Speaker 4: Oh my, you got your daughters on there. That's cute.

1344
01:00:58,600 --> 01:01:00,120
Speaker 2: That's not my daughters. That's me and Sean me.

1345
01:01:00,320 --> 01:01:00,640
Speaker 1: Oh s.

1346
01:01:02,760 --> 01:01:04,280
Speaker 3: Bust the breakfast club.

1347
01:01:04,360 --> 01:01:05,160
Speaker 1: It's down own rollings.

1348
01:01:05,200 --> 01:01:08,400
Speaker 2: Ladies, gentlemen, hold up every day.

1349
01:01:08,280 --> 01:01:11,600
Speaker 1: A wake, wake your glass up the breakfast club. You're

1350
01:01:11,640 --> 01:01:12,600
Speaker 1: finish for y'all done