1 00:00:00,320 --> 00:00:02,960 Speaker 1: Brought to you by the reinvented two thousand twelve Camray. 2 00:00:03,240 --> 00:00:08,959 Speaker 1: It's ready. Are you get in touch with technology? With 3 00:00:09,039 --> 00:00:17,760 Speaker 1: tech Style from how stuff works dot com. Hello again, everyone, 4 00:00:17,800 --> 00:00:19,960 Speaker 1: and welcome to tech stuff. My name is Chris Poette, 5 00:00:19,960 --> 00:00:21,759 Speaker 1: and I am an editor here at how stuff works 6 00:00:21,800 --> 00:00:24,239 Speaker 1: dot Com, sitting across from me as he always does 7 00:00:24,280 --> 00:00:27,320 Speaker 1: on these occasions, as senior writer Jonathan Strickland. And today 8 00:00:27,440 --> 00:00:33,760 Speaker 1: we are Wibbly Wobbly Timey winmy stuff, and we also 9 00:00:33,800 --> 00:00:36,480 Speaker 1: have a special guest, Yes we do. Our special guest 10 00:00:36,600 --> 00:00:39,839 Speaker 1: is Tracy Wilson, who's also here at how Stuff Works. 11 00:00:39,880 --> 00:00:43,400 Speaker 1: She's a blogger for fan Stuff, among many other duties 12 00:00:43,400 --> 00:00:46,480 Speaker 1: that she performs here. And Tracy, the reason we brought 13 00:00:46,520 --> 00:00:49,479 Speaker 1: you in here was because we're going to be talking 14 00:00:49,600 --> 00:00:53,840 Speaker 1: about doctor Who, the tech Inductor Who, and what Doctor 15 00:00:53,880 --> 00:00:57,320 Speaker 1: Who's all about. And since you're the fans stuff aficionado 16 00:00:57,560 --> 00:00:59,800 Speaker 1: as well as a doctor who fan, it only made 17 00:01:00,200 --> 00:01:03,440 Speaker 1: to bring you in here. That's a very sensible decision 18 00:01:03,480 --> 00:01:06,240 Speaker 1: on your part. Right. We also felt very badly about 19 00:01:06,319 --> 00:01:08,800 Speaker 1: not bringing you in here when we did how Lightsabers Work, 20 00:01:09,240 --> 00:01:13,720 Speaker 1: and so we're correcting that. From all future fictional technology 21 00:01:13,760 --> 00:01:16,720 Speaker 1: will probably be bringing either either Tracy or Chanelle, who's 22 00:01:16,720 --> 00:01:20,040 Speaker 1: our other fan stuff blogger. Would it make you feel 23 00:01:20,120 --> 00:01:22,480 Speaker 1: less guilty if you knew that I haven't actually listened 24 00:01:22,560 --> 00:01:24,920 Speaker 1: to that podcast yet, even after I told you to, 25 00:01:25,240 --> 00:01:29,440 Speaker 1: even after time I have switched from guilt to anger. 26 00:01:29,680 --> 00:01:32,080 Speaker 1: I am a terrible person that your your listeners can 27 00:01:32,120 --> 00:01:34,679 Speaker 1: all know now that that your boss is a terrible person. 28 00:01:34,840 --> 00:01:38,920 Speaker 1: So let's talk about Doctor Who, shall we? Indeed, so 29 00:01:38,959 --> 00:01:42,919 Speaker 1: this is a series that began in across the Pond 30 00:01:43,440 --> 00:01:47,400 Speaker 1: over in jolly old England. Yes, and it's it's fairly 31 00:01:47,440 --> 00:01:51,880 Speaker 1: recent if you consider the mid twentieth century recent, right, 32 00:01:51,960 --> 00:01:55,720 Speaker 1: nineteen sixty three was when it debuted, and the original 33 00:01:55,760 --> 00:01:59,760 Speaker 1: series was really the sensibility of the series is a 34 00:02:00,000 --> 00:02:02,600 Speaker 1: mean more or less the same. I mean, the production 35 00:02:02,680 --> 00:02:07,000 Speaker 1: values have increased over time, and um just a little bit. Yeah, 36 00:02:07,160 --> 00:02:10,080 Speaker 1: we've gone from cardboard boxes and rubber suits to uh 37 00:02:10,240 --> 00:02:12,880 Speaker 1: to some actual special effects. But we'll get into that. 38 00:02:13,120 --> 00:02:17,680 Speaker 1: So the story follows the adventures of a an alien 39 00:02:17,919 --> 00:02:21,520 Speaker 1: known only as the Doctor. Now, now, Tracy, what can 40 00:02:21,560 --> 00:02:24,520 Speaker 1: you tell us about the Doctor? And well, the first 41 00:02:24,560 --> 00:02:27,680 Speaker 1: thing is that his name is indeed the Doctor. That's 42 00:02:27,720 --> 00:02:29,880 Speaker 1: what he's known as some people like to call him 43 00:02:29,919 --> 00:02:32,359 Speaker 1: doctor Who, and that's that's not really his name. No, 44 00:02:32,480 --> 00:02:34,440 Speaker 1: that's the title of the show. That's the planet of 45 00:02:34,480 --> 00:02:37,360 Speaker 1: the show. Yes, it's more of a running joke. People 46 00:02:37,360 --> 00:02:41,680 Speaker 1: will say I'm the doctor doctor Who. Hey. Yeah, then 47 00:02:41,919 --> 00:02:44,919 Speaker 1: then silent rim shot plays in your head. Yes, every 48 00:02:44,919 --> 00:02:47,840 Speaker 1: time they do that, which is kind of often you 49 00:02:47,840 --> 00:02:51,760 Speaker 1: would say, Um, so the doctor is not a human. 50 00:02:51,800 --> 00:02:54,640 Speaker 1: He looks like a human, but he's definitely an alien. 51 00:02:54,680 --> 00:02:58,000 Speaker 1: He's from the planet Gallifrey, and in his younger and 52 00:02:58,040 --> 00:03:03,000 Speaker 1: more impetuous days, he's old a time machine called the Tartists. Yes, 53 00:03:03,320 --> 00:03:07,520 Speaker 1: which stands for time and Relative Dimensions in space is true. 54 00:03:07,760 --> 00:03:10,480 Speaker 1: That turns out that the the the Gallifrey, the race 55 00:03:10,520 --> 00:03:13,360 Speaker 1: on Gallifrey, there was a particular group of them called 56 00:03:13,360 --> 00:03:16,839 Speaker 1: the time Lords, who are pretty much in charge of 57 00:03:17,000 --> 00:03:20,600 Speaker 1: looking at the universe throughout time and making certain no 58 00:03:20,639 --> 00:03:24,920 Speaker 1: one's being too naughty with it. There there are some 59 00:03:25,000 --> 00:03:28,000 Speaker 1: events in time that are they're fixed and you can't 60 00:03:28,080 --> 00:03:30,600 Speaker 1: change them. But then there are other events in the 61 00:03:30,639 --> 00:03:33,200 Speaker 1: course of time that you can change, and they want 62 00:03:33,200 --> 00:03:36,040 Speaker 1: to make sure that people aren't making mischief, right, and 63 00:03:36,120 --> 00:03:41,960 Speaker 1: so in the course of their planetary history. They learned 64 00:03:42,000 --> 00:03:44,920 Speaker 1: fairly early on, once they developed a technology to travel 65 00:03:44,960 --> 00:03:49,160 Speaker 1: through both time and space, that if they meddled with history, 66 00:03:49,440 --> 00:03:52,520 Speaker 1: bad things would happen. Like even when they had good 67 00:03:52,520 --> 00:03:55,520 Speaker 1: intentions and they would try to help people out, um, 68 00:03:55,560 --> 00:03:58,360 Speaker 1: sometimes it would all turn out for the worst. And 69 00:03:58,440 --> 00:04:01,640 Speaker 1: it kind of made the Time Lords develop a policy 70 00:04:01,680 --> 00:04:04,680 Speaker 1: that's very similar to another policy in a in a 71 00:04:05,640 --> 00:04:08,880 Speaker 1: different science fiction franchise, Star Trek, where you have the 72 00:04:08,920 --> 00:04:11,600 Speaker 1: prime directive right exactly, so the idea that that you 73 00:04:11,680 --> 00:04:16,480 Speaker 1: don't interfere in the affairs of these various cultures, except 74 00:04:16,480 --> 00:04:18,400 Speaker 1: in the case of the Time Lords, it's both through 75 00:04:18,440 --> 00:04:21,640 Speaker 1: time and space, um, and that to do so is 76 00:04:21,880 --> 00:04:26,720 Speaker 1: really really bad. And yet the Doctor doesn't quite see 77 00:04:26,760 --> 00:04:29,240 Speaker 1: eye to eye on that. I think the Doctor feels 78 00:04:29,279 --> 00:04:32,520 Speaker 1: that there's a little more leeway. Yes, he's been on 79 00:04:32,960 --> 00:04:36,280 Speaker 1: saving people. Yeah, it turns out that the adventures of 80 00:04:36,320 --> 00:04:39,279 Speaker 1: the Doctor are mostly about him traveling throughout the universe 81 00:04:39,480 --> 00:04:43,960 Speaker 1: and righting wrongs or protecting people from various horrible invasions. 82 00:04:44,920 --> 00:04:49,040 Speaker 1: I noticed in two different episodes. I mean, I clearly 83 00:04:49,080 --> 00:04:52,920 Speaker 1: I did my research. I watched as many as five shows. Um, 84 00:04:53,160 --> 00:04:55,360 Speaker 1: I out of the three people here. I'm talking to us, 85 00:04:55,400 --> 00:04:56,960 Speaker 1: and I'm not the Doctor Who fan, but I'll be 86 00:04:56,960 --> 00:05:01,320 Speaker 1: asking questions. Um the in my case, I saw an 87 00:05:01,320 --> 00:05:06,120 Speaker 1: invasion of mannekins and an invasion of submachine gun wielding 88 00:05:06,480 --> 00:05:09,880 Speaker 1: Santa Clauses. Yes, so clearly the universe is messed up 89 00:05:10,040 --> 00:05:13,760 Speaker 1: this well, you know, it hasn't always been that way 90 00:05:14,240 --> 00:05:16,240 Speaker 1: when I was growing up, and I used to watch 91 00:05:16,360 --> 00:05:18,680 Speaker 1: Doctor Who growing up when it would appear on my 92 00:05:18,760 --> 00:05:22,400 Speaker 1: local PBS station, um back when I lived in North Carolina. 93 00:05:22,520 --> 00:05:26,560 Speaker 1: And yeah, I remember a particular series with Tom Baker, 94 00:05:26,600 --> 00:05:30,119 Speaker 1: that fourth Doctor Who had to deal with Doctor Who 95 00:05:30,560 --> 00:05:33,360 Speaker 1: that was an accident, um. But there was a series 96 00:05:33,400 --> 00:05:35,880 Speaker 1: called The Stones of Blood when he was being chased 97 00:05:35,880 --> 00:05:41,680 Speaker 1: by rocks, and you know, they would suddenly be somewhere 98 00:05:41,680 --> 00:05:44,960 Speaker 1: else where they weren't before, which was when I was 99 00:05:45,600 --> 00:05:48,240 Speaker 1: seven years old. Really creepy. So it sounds a little 100 00:05:48,240 --> 00:05:50,800 Speaker 1: bit like the Weeping Angels that came along later, which 101 00:05:50,800 --> 00:05:54,760 Speaker 1: our statues, which suddenly are someplace they weren't before. Yes. See, 102 00:05:54,760 --> 00:05:59,479 Speaker 1: to me, it sounds like Ninja Cat. You're leaning around 103 00:05:59,480 --> 00:06:02,520 Speaker 1: the corner and then the cat is magically closer to you. 104 00:06:03,440 --> 00:06:06,760 Speaker 1: It's a lot like ninja cat. Now you're speaking on 105 00:06:06,920 --> 00:06:10,919 Speaker 1: terms that I can understand, except the rocks. Neither the 106 00:06:11,000 --> 00:06:14,960 Speaker 1: rocks nor the angels end up, you know, right there 107 00:06:14,960 --> 00:06:19,040 Speaker 1: in a bag. Right, okay, speaking of bags, does anybody 108 00:06:19,360 --> 00:06:22,719 Speaker 1: want a jelly baby? What the al right? Now, someone 109 00:06:22,760 --> 00:06:26,719 Speaker 1: tell me about the jelly babies thing. The doctor, actually, 110 00:06:27,160 --> 00:06:30,800 Speaker 1: Tom Baker again had a particular fondness for a British 111 00:06:30,839 --> 00:06:33,680 Speaker 1: candy known as jelly babies. They're very much like what 112 00:06:33,720 --> 00:06:36,159 Speaker 1: we think of here in the States as gummy bears, 113 00:06:36,160 --> 00:06:39,120 Speaker 1: although apparently they have a crustier outside in a softer 114 00:06:39,279 --> 00:06:42,080 Speaker 1: chewy or interior. Actually did in fact go to the 115 00:06:42,080 --> 00:06:44,799 Speaker 1: British candy section of my local grocery store this morning 116 00:06:44,839 --> 00:06:48,080 Speaker 1: looking for jelly babies so that we could be authentic. However, 117 00:06:48,160 --> 00:06:51,599 Speaker 1: I could not find any. That's why we're drinking gin instead. 118 00:06:53,440 --> 00:06:55,440 Speaker 1: So this podcast is going to get better as we 119 00:06:55,560 --> 00:06:57,320 Speaker 1: go along. But yeah, there are there are a lot 120 00:06:57,360 --> 00:07:01,240 Speaker 1: of of gags like that, or a little recurring themes 121 00:07:01,279 --> 00:07:03,640 Speaker 1: that that pop up from time to time, things that 122 00:07:03,720 --> 00:07:07,239 Speaker 1: get mentioned, like, you know, the doctor's fondness for jelly babies, 123 00:07:07,279 --> 00:07:13,200 Speaker 1: and other things costuming like Tom Baker's seventeen mile long scarf, 124 00:07:13,720 --> 00:07:15,960 Speaker 1: the greatest scarf. It was a wonderful scarf. You know, 125 00:07:16,040 --> 00:07:18,680 Speaker 1: I know someone whose life was saved by her Doctor 126 00:07:18,720 --> 00:07:21,720 Speaker 1: Hugh scarf. Really, yes, she was wearing a Doctor Who 127 00:07:21,800 --> 00:07:24,880 Speaker 1: scarf and slipped on I think an icy patch and 128 00:07:25,080 --> 00:07:27,720 Speaker 1: she was sliding toward an embankment and she was able 129 00:07:27,760 --> 00:07:30,720 Speaker 1: to use her Doctor Whose scarf like a lasso to 130 00:07:30,960 --> 00:07:34,720 Speaker 1: save herself. Wow. So it really though, Really, when you 131 00:07:34,720 --> 00:07:36,800 Speaker 1: think of a scarf, was a scarf but a skinny 132 00:07:36,840 --> 00:07:39,560 Speaker 1: towel it really So it's a Douglas Adams. If you 133 00:07:39,560 --> 00:07:41,360 Speaker 1: don't know where your towel is, at least know where 134 00:07:41,360 --> 00:07:42,960 Speaker 1: your Doctor Who scarf is. All right, I have a 135 00:07:43,040 --> 00:07:45,600 Speaker 1: question for you guys. So before I'm going to try 136 00:07:45,640 --> 00:07:47,200 Speaker 1: and direct this a little bit because otherwise we're just 137 00:07:47,200 --> 00:07:49,559 Speaker 1: gonna go all over the place. Uh. First of all, 138 00:07:50,120 --> 00:07:54,880 Speaker 1: please explain the justification that the show uses for the 139 00:07:54,920 --> 00:07:58,480 Speaker 1: fact that eleven different actors have played the role of 140 00:07:58,520 --> 00:08:03,360 Speaker 1: the doctor so far. Okay, Well, the justification that the 141 00:08:03,400 --> 00:08:06,720 Speaker 1: show uses within the universe, within the universe where we are, 142 00:08:06,800 --> 00:08:09,880 Speaker 1: we are in the universe of Doctor Who. Um time 143 00:08:09,960 --> 00:08:13,760 Speaker 1: lords have the ability to regenerate when they are near death. 144 00:08:14,440 --> 00:08:18,520 Speaker 1: This enables them to take on the different appearance um 145 00:08:18,560 --> 00:08:22,320 Speaker 1: and in some cases different behaviors. Um. And they are 146 00:08:22,440 --> 00:08:27,760 Speaker 1: able to do this only a limited number of times. So, um, 147 00:08:27,800 --> 00:08:31,960 Speaker 1: you know, if somebody gets a timelord gets severely hurt, 148 00:08:32,200 --> 00:08:34,880 Speaker 1: for example, you know, he or she might be able 149 00:08:34,920 --> 00:08:38,240 Speaker 1: to regenerate into a different body that would be intact, 150 00:08:38,720 --> 00:08:42,679 Speaker 1: but would be wearing necessarily different clothes or different skin, 151 00:08:42,880 --> 00:08:45,800 Speaker 1: different skin, different teeth. Head that's been playing out. It's 152 00:08:45,840 --> 00:08:49,160 Speaker 1: possible that you can switch genders during uh, you know, 153 00:08:49,400 --> 00:08:54,839 Speaker 1: a regeneration. I remember specifically um ears with tenant being 154 00:08:54,960 --> 00:08:59,080 Speaker 1: being being slightly relieved that he did not have Eccleston's ears. Yes, 155 00:08:59,200 --> 00:09:03,840 Speaker 1: but he was sad he was not a ginger. Yes yes. Um. 156 00:09:03,880 --> 00:09:09,600 Speaker 1: So the doctor has so far had eleven incarnations, so 157 00:09:09,640 --> 00:09:13,400 Speaker 1: that means ten regenerations because the first doctor is the 158 00:09:13,400 --> 00:09:18,040 Speaker 1: original doctor. Um So I remember reading that at least 159 00:09:18,080 --> 00:09:20,560 Speaker 1: in one source they claim that the time lords have 160 00:09:20,720 --> 00:09:23,920 Speaker 1: twelve regenerations. So really we only have two left until 161 00:09:23,960 --> 00:09:26,160 Speaker 1: they find a way to cheat. My theory is rhet 162 00:09:26,240 --> 00:09:30,480 Speaker 1: conning will happen. Yeah, please explain what Rhett Conning is. 163 00:09:30,600 --> 00:09:33,559 Speaker 1: So rehet conning the context that I've heard it used 164 00:09:33,640 --> 00:09:36,560 Speaker 1: most in is comic books. You have things that have 165 00:09:36,679 --> 00:09:40,960 Speaker 1: been established as what happened, events that happened in the 166 00:09:41,000 --> 00:09:43,880 Speaker 1: context of the comic book, and then something happens in 167 00:09:43,880 --> 00:09:46,560 Speaker 1: the comic book that sort of rewrites history, and this 168 00:09:46,720 --> 00:09:48,960 Speaker 1: new history is the right one now, right, So rehet 169 00:09:49,000 --> 00:09:55,120 Speaker 1: con stands for retroactive continuity. You are retroactively changing the 170 00:09:55,160 --> 00:09:57,520 Speaker 1: continuity of your universe so that it fits what you're 171 00:09:57,520 --> 00:10:02,239 Speaker 1: writing now. And or who is not the only franchise 172 00:10:02,320 --> 00:10:04,320 Speaker 1: that has has seen this, So we've seen it all 173 00:10:04,360 --> 00:10:06,760 Speaker 1: the time and things ranging from Buffy the Vampire Slayer, 174 00:10:07,200 --> 00:10:10,040 Speaker 1: Star Trek has done it, Star Wars has done it. 175 00:10:10,360 --> 00:10:12,760 Speaker 1: Pretty much any franchise that's lasted a good long while 176 00:10:12,840 --> 00:10:15,800 Speaker 1: you're going to find instances of red conning. Stephen King 177 00:10:16,040 --> 00:10:19,600 Speaker 1: famously did it in the Dark Tower series. Um, it's 178 00:10:19,640 --> 00:10:23,840 Speaker 1: it's something that you encounter when when your your universe 179 00:10:23,880 --> 00:10:26,920 Speaker 1: has become so complex that it's almost impossible to write 180 00:10:26,960 --> 00:10:29,320 Speaker 1: something without contradicting something that came before it. And there's 181 00:10:29,360 --> 00:10:33,400 Speaker 1: even a specific nod to rett conning in the Doctor universe, 182 00:10:34,000 --> 00:10:36,560 Speaker 1: which is in Torchwood. There's a drug called retconning that 183 00:10:36,559 --> 00:10:38,800 Speaker 1: makes you forget what has happened to you? Ah, And 184 00:10:38,840 --> 00:10:41,400 Speaker 1: Torchwood is a spinoff of Doctor Who, and it's also 185 00:10:41,520 --> 00:10:46,360 Speaker 1: an uh complete and utter retcon. Yes, very much say this. 186 00:10:46,720 --> 00:10:49,360 Speaker 1: We could get into the whole Torchwood versus Unit thing, 187 00:10:49,520 --> 00:10:52,240 Speaker 1: but I was probably shouldn't know that's got the whole 188 00:10:52,320 --> 00:10:55,920 Speaker 1: other thing. I was gonna say it wasn't anagram, but hey, 189 00:10:56,080 --> 00:11:00,600 Speaker 1: you know retcon. Also, uh so, if you mess with Who, 190 00:11:00,679 --> 00:11:03,880 Speaker 1: you get Torchwood. Um, actually, technically, if you do miss 191 00:11:03,920 --> 00:11:06,760 Speaker 1: with Doctor Who, you get Torchwood. Let's talk about the Tartists, 192 00:11:06,800 --> 00:11:11,079 Speaker 1: the time machine that the Doctor uses. Now in the series, 193 00:11:11,120 --> 00:11:15,560 Speaker 1: the time machine takes a very specific appearance, which is 194 00:11:15,679 --> 00:11:19,120 Speaker 1: a police call box, which in nineteen sixty three, when 195 00:11:19,160 --> 00:11:23,120 Speaker 1: the show originally aired, there still were these police call 196 00:11:23,160 --> 00:11:27,280 Speaker 1: boxes in London. Um they were. They started popping up 197 00:11:27,280 --> 00:11:29,600 Speaker 1: in London, not just popping up. People built them. They 198 00:11:29,600 --> 00:11:34,360 Speaker 1: didn't just appear one of them. Let's let's be one does, 199 00:11:34,480 --> 00:11:38,080 Speaker 1: but that's the doctors. No, no, let's they were built 200 00:11:38,240 --> 00:11:40,240 Speaker 1: specifically for the purpose for the police to be able 201 00:11:40,280 --> 00:11:44,600 Speaker 1: to contact headquarters and and get other police out there, detectives. 202 00:11:44,600 --> 00:11:48,199 Speaker 1: I think they could detain suspects in their temporarily, Yes, 203 00:11:48,240 --> 00:11:51,920 Speaker 1: they could do that. So they were built in the 204 00:11:52,000 --> 00:11:54,920 Speaker 1: thirties and at one point there was over five d 205 00:11:55,040 --> 00:11:58,120 Speaker 1: and fifty of them in the Metropolitan Police area. Um. 206 00:11:58,160 --> 00:12:01,720 Speaker 1: But by the time so three, when the show aired 207 00:12:01,760 --> 00:12:04,640 Speaker 1: and the Tartists was, it was established at the tartest 208 00:12:04,679 --> 00:12:07,400 Speaker 1: look like a police call box. That wasn't out of 209 00:12:07,400 --> 00:12:11,880 Speaker 1: the ordinary. Um. But why would the Tartists look like 210 00:12:11,960 --> 00:12:14,320 Speaker 1: a police call box in the first place. So a 211 00:12:14,440 --> 00:12:17,520 Speaker 1: functioning Tartists, one that's actually working, has this thing called 212 00:12:17,520 --> 00:12:20,199 Speaker 1: a chameleon circuit that allows it to look like anything, 213 00:12:20,280 --> 00:12:22,800 Speaker 1: and that allows the time lords to travel around and 214 00:12:23,440 --> 00:12:28,040 Speaker 1: their craft can blend in to their surroundings. So you 215 00:12:28,080 --> 00:12:31,080 Speaker 1: know when the Doctor made a visit to London in 216 00:12:31,120 --> 00:12:33,760 Speaker 1: the sixties that he took the form of a police 217 00:12:33,920 --> 00:12:36,520 Speaker 1: call box with the Tartists to have it blend in 218 00:12:36,600 --> 00:12:39,760 Speaker 1: with what was around. But unfortunately the chameleon circuit is 219 00:12:39,800 --> 00:12:43,240 Speaker 1: broken and so the Tartess is stuck in that shape forever, 220 00:12:43,720 --> 00:12:46,559 Speaker 1: right and um And now it's become sort of almost 221 00:12:46,559 --> 00:12:50,600 Speaker 1: a joke because of course now currently you don't find 222 00:12:50,679 --> 00:12:54,120 Speaker 1: police call boxes in London. Those are those have gone away. 223 00:12:54,240 --> 00:12:58,760 Speaker 1: Once radio really became a standard tool for for the police. 224 00:12:58,840 --> 00:13:03,600 Speaker 1: The need for callboxes decreased rapidly and so um it's 225 00:13:03,600 --> 00:13:05,720 Speaker 1: actually become kind of a running gag as well in 226 00:13:05,760 --> 00:13:10,240 Speaker 1: the series. Uh so, now you now granted nothing stopping 227 00:13:10,240 --> 00:13:12,559 Speaker 1: the doctor from actually going back and visiting the sixties. 228 00:13:12,800 --> 00:13:15,320 Speaker 1: He could do that because the Tartesst is capable of 229 00:13:15,360 --> 00:13:19,400 Speaker 1: traveling to any point within time and space. Right. Um, 230 00:13:19,480 --> 00:13:22,960 Speaker 1: so let me ask you another question here. If you 231 00:13:23,000 --> 00:13:26,640 Speaker 1: watch the show, you notice almost immediately that the Tartesst 232 00:13:26,760 --> 00:13:29,640 Speaker 1: is bigger on the inside than it is on the outside. 233 00:13:29,960 --> 00:13:32,200 Speaker 1: The outside is a little police call box, but when 234 00:13:32,240 --> 00:13:35,560 Speaker 1: you go inside it's huge. Can anyone tell me why 235 00:13:35,600 --> 00:13:39,120 Speaker 1: that is? Well, because I can, if you guys, can't. 236 00:13:40,559 --> 00:13:43,120 Speaker 1: I cheated, I actually did research. See I was going 237 00:13:43,160 --> 00:13:46,840 Speaker 1: to tell you why even though it's completely incongruous for 238 00:13:46,880 --> 00:13:49,400 Speaker 1: a police call box to be pretty much anywhere except 239 00:13:49,600 --> 00:13:53,000 Speaker 1: the sixties. Yeah, people still don't notice it because there's 240 00:13:53,000 --> 00:13:55,400 Speaker 1: also kind of a perceptual filter and it reminds me 241 00:13:55,600 --> 00:13:59,480 Speaker 1: of the somebody Else's problem field and in the world 242 00:13:59,520 --> 00:14:04,840 Speaker 1: of Douglas atoms. Yes, so I can answer that question. Well, there, 243 00:14:05,160 --> 00:14:08,480 Speaker 1: I can tell you that they are dimensionally transcendental, so 244 00:14:08,559 --> 00:14:10,320 Speaker 1: they are bigger on the inside than they are on 245 00:14:10,360 --> 00:14:15,199 Speaker 1: the outside. And basically the reason for this is because 246 00:14:15,400 --> 00:14:19,520 Speaker 1: they are using um temporal physics. Yes, indeed, well I 247 00:14:19,560 --> 00:14:23,400 Speaker 1: mean altar excuse me. All tartists are made up of 248 00:14:23,440 --> 00:14:28,240 Speaker 1: block transfer mathematics. But at the core that's that solves everything, 249 00:14:28,720 --> 00:14:30,520 Speaker 1: like the stro math. Can we just stick with tuckles 250 00:14:30,560 --> 00:14:35,040 Speaker 1: atom I can simplify this. I'll simplify this. Uh. A 251 00:14:35,120 --> 00:14:38,800 Speaker 1: tartist is the exterior of the tartists exists within whatever 252 00:14:39,120 --> 00:14:42,880 Speaker 1: the world is that the Doctor is visiting. The exterior 253 00:14:43,000 --> 00:14:44,920 Speaker 1: is there, it's a physical presence. But once you walk 254 00:14:44,960 --> 00:14:47,640 Speaker 1: through the door, you're actually walking through a portal into 255 00:14:47,880 --> 00:14:52,200 Speaker 1: a different dimension. So you're not when you're inside the tartist, 256 00:14:52,240 --> 00:14:55,880 Speaker 1: you're not inside the physical construct that looks like the tartists. 257 00:14:55,960 --> 00:14:58,560 Speaker 1: You have just passed into an alternate dimension, so you 258 00:14:58,600 --> 00:15:03,760 Speaker 1: have limitless space. Now. According to the actual background that 259 00:15:03,840 --> 00:15:06,880 Speaker 1: I read, which was very fascinating, Chris sent me some 260 00:15:06,880 --> 00:15:09,800 Speaker 1: some links to some really cool books about the doctor 261 00:15:10,280 --> 00:15:14,240 Speaker 1: and the technology in it. Uh. The tartist is a 262 00:15:14,360 --> 00:15:17,800 Speaker 1: type forty tartists. It's a Mark one tartist, the one 263 00:15:17,800 --> 00:15:20,920 Speaker 1: that the Doctor uses, and it's a fairly primitive one 264 00:15:21,040 --> 00:15:24,240 Speaker 1: compared to later tartises like the one that the Master uses. 265 00:15:24,240 --> 00:15:27,640 Speaker 1: Will get into him in a little bit. So this uh, 266 00:15:27,880 --> 00:15:32,160 Speaker 1: this device has was originally used as a scientific research facility. 267 00:15:32,880 --> 00:15:35,120 Speaker 1: So it was the kind of the kind of tartists 268 00:15:35,240 --> 00:15:37,280 Speaker 1: that the Time Lords would use if they wanted to 269 00:15:37,280 --> 00:15:40,040 Speaker 1: go and visit a particular time and place and just 270 00:15:40,280 --> 00:15:42,560 Speaker 1: learn about it. Because that that's another thing that the 271 00:15:42,600 --> 00:15:45,520 Speaker 1: Time Lords are really famous for their scholars, right, They're 272 00:15:45,560 --> 00:15:48,920 Speaker 1: fascinated with learning about other cultures, other other races and 273 00:15:49,000 --> 00:15:53,520 Speaker 1: other times. So, um, the Doctors was really designed for that, 274 00:15:53,560 --> 00:15:56,480 Speaker 1: but later tartists models were meant for things like even 275 00:15:56,880 --> 00:16:01,800 Speaker 1: use in war. Yes, so those those were the much laters. 276 00:16:01,800 --> 00:16:04,800 Speaker 1: I mean, that's the Doctor has a Type forty, as 277 00:16:04,800 --> 00:16:08,440 Speaker 1: you mentioned before. But when we start getting into uh 278 00:16:08,800 --> 00:16:12,520 Speaker 1: type ninety four and on up through Type one oh five, 279 00:16:13,040 --> 00:16:17,200 Speaker 1: those are the more military use tartnesses and they have 280 00:16:17,320 --> 00:16:20,640 Speaker 1: some very very powerful weapons on them. And we should 281 00:16:20,680 --> 00:16:24,520 Speaker 1: point out that a lot of the information that we 282 00:16:24,600 --> 00:16:27,600 Speaker 1: have about the technology and Doctor Who really comes up 283 00:16:27,640 --> 00:16:30,280 Speaker 1: as a justification for what we saw in the show. 284 00:16:30,800 --> 00:16:33,520 Speaker 1: So in other words, people when they were building the show, 285 00:16:33,560 --> 00:16:35,960 Speaker 1: we're like thinking we need to make something that looks 286 00:16:35,960 --> 00:16:38,000 Speaker 1: like a time machine. Let's put some blinking lights here. 287 00:16:38,280 --> 00:16:40,600 Speaker 1: It doesn't matter what the blinking lights are supposed to be. 288 00:16:40,840 --> 00:16:42,400 Speaker 1: We just need, you know, let's have something that moves 289 00:16:42,440 --> 00:16:44,880 Speaker 1: up and down in the center. Let's let's have some 290 00:16:44,920 --> 00:16:47,760 Speaker 1: other stuff over here. And then it became the the 291 00:16:47,960 --> 00:16:51,640 Speaker 1: goal of various fans and writers to kind of construct 292 00:16:51,680 --> 00:16:53,760 Speaker 1: the reason for those things to be there, beyond just 293 00:16:53,840 --> 00:16:56,360 Speaker 1: the fact that they look cool. It's the same thing 294 00:16:56,400 --> 00:16:58,120 Speaker 1: with with Star Wars as well. You have all these 295 00:16:58,120 --> 00:17:00,480 Speaker 1: different switches on the Millennium Falcon. And then, uh, the 296 00:17:00,560 --> 00:17:03,800 Speaker 1: very first time Harrison Ford got into the Millenium falcons 297 00:17:03,840 --> 00:17:06,560 Speaker 1: set um that they were about to start shooting the 298 00:17:06,720 --> 00:17:09,439 Speaker 1: sequence of him in the falcon, he turned to Lucas 299 00:17:09,440 --> 00:17:12,080 Speaker 1: and said, all right, um, how do I fly this thing? 300 00:17:13,200 --> 00:17:18,280 Speaker 1: Because nothing is labeled. They're all just switches, right. Lucas said, uh, 301 00:17:18,440 --> 00:17:20,840 Speaker 1: you just do yeah, And well that's sort of what 302 00:17:20,840 --> 00:17:23,160 Speaker 1: the doctor does. He doesn't really know how to fly 303 00:17:23,400 --> 00:17:25,720 Speaker 1: his tartest. He's not good at it. He hasn't read 304 00:17:25,760 --> 00:17:28,439 Speaker 1: the instruction manual and I think he failed his flying 305 00:17:28,440 --> 00:17:31,720 Speaker 1: class um. And it's also the tartesst was designed to 306 00:17:31,720 --> 00:17:34,080 Speaker 1: be piloted by multiple people, which is why he does 307 00:17:34,119 --> 00:17:37,520 Speaker 1: thislke frantic running around and flailing and flipping of switches 308 00:17:37,600 --> 00:17:40,400 Speaker 1: because ideally there would be multiple people there to man 309 00:17:40,400 --> 00:17:44,760 Speaker 1: all that stuff. Right. Yeah, the uh, probably the most 310 00:17:44,800 --> 00:17:48,080 Speaker 1: identifiable part of the consoles the time rotor, which is 311 00:17:48,119 --> 00:17:50,200 Speaker 1: the part that goes up and down in the middle 312 00:17:50,280 --> 00:17:53,399 Speaker 1: of the consconsole. And as a matter of fact, the 313 00:17:53,400 --> 00:17:56,159 Speaker 1: inside of the Tartist has changed with some of the 314 00:17:56,240 --> 00:17:59,240 Speaker 1: Doctor's regenerations as well. Um. And part of that is 315 00:17:59,280 --> 00:18:02,000 Speaker 1: because the Tartars is a living thing and they are grown, 316 00:18:02,080 --> 00:18:05,199 Speaker 1: not built for the most part anyway, and they do 317 00:18:05,280 --> 00:18:09,120 Speaker 1: develop a psychic bond with the time Lord or time 318 00:18:09,160 --> 00:18:12,080 Speaker 1: lords that are part of the crew. Um. So therefore 319 00:18:12,160 --> 00:18:14,720 Speaker 1: they are aware of what's going on and can communicate 320 00:18:15,440 --> 00:18:18,040 Speaker 1: with the time lords that are away from it at 321 00:18:18,040 --> 00:18:21,199 Speaker 1: the time. They can make decisions to an extent, and 322 00:18:21,240 --> 00:18:24,560 Speaker 1: they can actually choose people when when the time lords 323 00:18:24,640 --> 00:18:28,679 Speaker 1: are in training and the Tartises, you know, they have 324 00:18:28,720 --> 00:18:31,720 Speaker 1: the opportunity to take a tartist for themselves, the tartists 325 00:18:31,720 --> 00:18:36,679 Speaker 1: actually chooses them. To spark many Soviet Russia jokes on 326 00:18:36,760 --> 00:18:43,399 Speaker 1: gallipherate tartists. Uh. But but it apparently is true that 327 00:18:43,440 --> 00:18:47,040 Speaker 1: they are They do have some biological component, although it 328 00:18:47,080 --> 00:18:49,280 Speaker 1: does not appear so to those of us who are 329 00:18:49,320 --> 00:18:51,840 Speaker 1: not time lords, because they are seemed to be made 330 00:18:51,840 --> 00:18:57,399 Speaker 1: of metal and plastic and rudy growing things. So I 331 00:18:57,520 --> 00:19:00,560 Speaker 1: read that the tartists usually one of the the components 332 00:19:00,600 --> 00:19:03,720 Speaker 1: that you normally find a n tartis is a tool kit. 333 00:19:03,880 --> 00:19:06,639 Speaker 1: And one of the tools in particular, has become so 334 00:19:06,720 --> 00:19:10,239 Speaker 1: useful to the doctor that he is usually carrying it 335 00:19:10,280 --> 00:19:14,000 Speaker 1: on his person. And um, actually Mr Palette happens to 336 00:19:14,080 --> 00:19:19,240 Speaker 1: have a reproduction of said tool in his hands. Yes, 337 00:19:19,440 --> 00:19:26,680 Speaker 1: the sonic screwdriver. Now, the sonic screwdriver supposedly works by 338 00:19:26,760 --> 00:19:31,000 Speaker 1: sending ultrasonic signals into various components to fix them or 339 00:19:31,040 --> 00:19:34,520 Speaker 1: break them, or break them or or or really really 340 00:19:34,560 --> 00:19:38,240 Speaker 1: break them and sometimes break people. You can knock folks 341 00:19:38,280 --> 00:19:41,439 Speaker 1: out the the The joke that Chris and I came 342 00:19:41,520 --> 00:19:44,120 Speaker 1: up with is that the sonic screwdriver can do whatever 343 00:19:44,240 --> 00:19:48,119 Speaker 1: it is the plot requires the sonic screwdriver to do, yes, unless, 344 00:19:48,200 --> 00:19:50,560 Speaker 1: of course, there is a deadlock seal involved. That's exactly 345 00:19:50,560 --> 00:19:54,000 Speaker 1: what I was going to say. You stole my line. Sorry, 346 00:19:54,200 --> 00:19:56,800 Speaker 1: I have no idea what I haven't seen this episode, 347 00:19:57,400 --> 00:20:00,879 Speaker 1: those episodes, those episodes, there are many episodes, so that 348 00:20:01,040 --> 00:20:04,959 Speaker 1: that's that's the that's the the writer's use of Well, 349 00:20:05,200 --> 00:20:07,400 Speaker 1: why wouldn't the doctor just use a sonic screw driver 350 00:20:07,520 --> 00:20:09,639 Speaker 1: to get out of this? Like, oh, well, because there's 351 00:20:09,680 --> 00:20:13,679 Speaker 1: a a deadlock. I think that the definition of that 352 00:20:13,760 --> 00:20:16,359 Speaker 1: might be a type of lock that a sonic screwdriver 353 00:20:16,440 --> 00:20:19,000 Speaker 1: cannot open. Nice, although if you have a sonic pen 354 00:20:19,119 --> 00:20:21,520 Speaker 1: like the one Miss Foster used, yes you can open 355 00:20:21,520 --> 00:20:23,760 Speaker 1: a deadlock. School, or if you're Sarah Jane Smith, you 356 00:20:23,840 --> 00:20:29,879 Speaker 1: have a sonic lipstick. Yes. Okay, So moving on, we 357 00:20:29,920 --> 00:20:32,640 Speaker 1: reached the point where Jonathan cannot comment on these things. 358 00:20:32,280 --> 00:20:34,760 Speaker 1: His experience is too limited. I think his pupil is 359 00:20:34,800 --> 00:20:37,879 Speaker 1: just dilated. So we mentioned the Master briefly. Now. The 360 00:20:37,920 --> 00:20:41,760 Speaker 1: Master is another time lord and is another renegade time 361 00:20:41,800 --> 00:20:44,920 Speaker 1: lord in the center, like the Doctor in that sense, 362 00:20:44,960 --> 00:20:47,760 Speaker 1: but unlike the Doctor, the Master is not really so 363 00:20:47,840 --> 00:20:52,920 Speaker 1: concerned with um helping people as he is in gathering 364 00:20:52,960 --> 00:20:56,600 Speaker 1: as much power as possible. He's very much about advancing 365 00:20:56,640 --> 00:20:59,040 Speaker 1: his own agenda. So he's he's he's a bad guy. 366 00:20:59,520 --> 00:21:02,680 Speaker 1: You could call him the moriardy to the doctor's homes 367 00:21:02,840 --> 00:21:06,159 Speaker 1: very apt comparison. So, uh, it wasn't mine. It was 368 00:21:06,200 --> 00:21:08,760 Speaker 1: in the book that Chris to me, I can't really 369 00:21:09,080 --> 00:21:12,320 Speaker 1: can't really claim to that. Um. But the he also 370 00:21:12,400 --> 00:21:15,080 Speaker 1: has uh in the he's had a couple of different 371 00:21:15,080 --> 00:21:18,240 Speaker 1: weapons that he's used. Now in the old series, what 372 00:21:18,280 --> 00:21:21,439 Speaker 1: was it called? It was a tissue compression hold on 373 00:21:21,440 --> 00:21:27,000 Speaker 1: the device, the tissue compression eliminator eliminator. That's where the TC. Oh, yes, 374 00:21:27,000 --> 00:21:29,240 Speaker 1: the TC and what and what you did with that 375 00:21:29,400 --> 00:21:31,520 Speaker 1: was that if you zapp somebody, it would compress all 376 00:21:31,520 --> 00:21:34,560 Speaker 1: their atoms. It squishes you. Yeah, you die, You die 377 00:21:34,560 --> 00:21:36,840 Speaker 1: into you turn into a little bit doll corps. It 378 00:21:36,920 --> 00:21:39,280 Speaker 1: kills you until you're dead. It kills you. In did 379 00:21:39,680 --> 00:21:42,160 Speaker 1: But now he's carrying around, or at least in now 380 00:21:43,240 --> 00:21:45,440 Speaker 1: more recently, in the more recent episodes, he was carrying 381 00:21:45,480 --> 00:21:48,639 Speaker 1: around a laser screwdriver. Yes, and as far as I 382 00:21:48,640 --> 00:21:51,040 Speaker 1: could tell, the only purpose for the laser screwdriver was 383 00:21:51,080 --> 00:21:54,439 Speaker 1: to shoot people. Did not much of a screwdriver, as 384 00:21:54,480 --> 00:21:57,960 Speaker 1: it is a laser gun that's shaped like a rod. Yes, 385 00:21:59,080 --> 00:22:02,760 Speaker 1: can it actually can? Can you you know, screwed things? 386 00:22:03,000 --> 00:22:05,960 Speaker 1: I don't think so that's that's what I'm saying. It's 387 00:22:06,000 --> 00:22:08,640 Speaker 1: really just a laser gun, not in the physical sense. Now, 388 00:22:08,800 --> 00:22:11,000 Speaker 1: I think it's only couple easier screwdriver because the Master 389 00:22:11,119 --> 00:22:13,159 Speaker 1: is kind of the bad guy version of the Doctor, 390 00:22:13,200 --> 00:22:14,960 Speaker 1: and so he has to have the bad guy version 391 00:22:14,960 --> 00:22:17,360 Speaker 1: of the Doctor's tool. So it's kind of like the 392 00:22:17,400 --> 00:22:20,480 Speaker 1: red lightsaber versus the blue lightsaber. Judging from his quote 393 00:22:20,480 --> 00:22:24,000 Speaker 1: at the time, it was essentially his version of spinal taps. 394 00:22:24,040 --> 00:22:27,439 Speaker 1: This one goes to eleven. Right, Well, we're already up 395 00:22:27,480 --> 00:22:29,600 Speaker 1: to uh over twenty minutes. So what I'm gonna do 396 00:22:29,680 --> 00:22:32,080 Speaker 1: now is that we've talked about the Tartist, and we 397 00:22:32,119 --> 00:22:34,200 Speaker 1: talked about the Sonic screwdriver. There's only so and we 398 00:22:34,240 --> 00:22:35,960 Speaker 1: talked about the Master. I knew we had to get those, 399 00:22:35,960 --> 00:22:37,879 Speaker 1: but there's one other thing we have to hit. And 400 00:22:37,880 --> 00:22:40,320 Speaker 1: there's so many other elements to this show. Because the show, 401 00:22:40,400 --> 00:22:42,440 Speaker 1: of course has been on and off the air since 402 00:22:42,520 --> 00:22:45,520 Speaker 1: nine lots of history there, and plus they're all the 403 00:22:45,520 --> 00:22:47,879 Speaker 1: books and comic books and audio plays and things of 404 00:22:47,880 --> 00:22:50,200 Speaker 1: that nature. We could have had probably three podcasts on 405 00:22:50,240 --> 00:22:54,960 Speaker 1: a Tartist period. Let's talk about daleks though. Okay, they're 406 00:22:54,960 --> 00:22:58,320 Speaker 1: fine because Daleks are one of those really recognizable villains 407 00:22:58,400 --> 00:23:00,399 Speaker 1: that are in the Doctor Who universe. Are y'all going 408 00:23:00,440 --> 00:23:01,800 Speaker 1: to throw me out of the studio? As I tell 409 00:23:01,880 --> 00:23:05,960 Speaker 1: Dialec Jukes, Uh, well, it couldn't be any worse than 410 00:23:05,960 --> 00:23:11,240 Speaker 1: anything that I've ever told ever, if it's all things 411 00:23:11,320 --> 00:23:16,800 Speaker 1: that end up ending in innate so like. Because Galeks 412 00:23:16,800 --> 00:23:18,440 Speaker 1: are known, the thing they were known for to say, 413 00:23:18,560 --> 00:23:22,080 Speaker 1: especially in the early series was ex germinate, ex germinate. 414 00:23:22,880 --> 00:23:25,080 Speaker 1: That was what they would yell as they would close 415 00:23:25,160 --> 00:23:28,600 Speaker 1: in on the heroes, close in very slowly because they're 416 00:23:28,720 --> 00:23:32,200 Speaker 1: these big cone shaped and not upstairs and not upstairs 417 00:23:32,200 --> 00:23:35,720 Speaker 1: in the original series either the flight of stairs could 418 00:23:36,160 --> 00:23:40,159 Speaker 1: could foil the most cunning dollek Um dolls have two 419 00:23:40,240 --> 00:23:44,639 Speaker 1: different origins according to Doctor Who's mythology, but really the 420 00:23:44,640 --> 00:23:48,120 Speaker 1: one that's been established and has been followed most recently 421 00:23:48,600 --> 00:23:51,679 Speaker 1: is that they are or they started out as a 422 00:23:51,760 --> 00:23:55,959 Speaker 1: race of organic creatures um. They had a war with 423 00:23:56,160 --> 00:24:00,879 Speaker 1: a neighboring race of aliens um. They were called the 424 00:24:02,200 --> 00:24:05,040 Speaker 1: race of that became the Dollegs were known as the 425 00:24:05,119 --> 00:24:09,480 Speaker 1: Colleges because of course another anagram there um there the 426 00:24:09,520 --> 00:24:13,280 Speaker 1: college began to mutate as a as a result of 427 00:24:13,320 --> 00:24:15,120 Speaker 1: some of the nuclear war that was going on as 428 00:24:15,119 --> 00:24:17,879 Speaker 1: well as they were just undergoing some genetic mutations, and 429 00:24:18,040 --> 00:24:21,199 Speaker 1: a uh by the name of dav Ross decided, Hey, 430 00:24:21,240 --> 00:24:23,959 Speaker 1: I wonder what these things are gonna end up turning into. 431 00:24:24,320 --> 00:24:27,080 Speaker 1: He also, by the way, was very much injured in 432 00:24:27,160 --> 00:24:31,480 Speaker 1: the war between his his people, the College, and the 433 00:24:31,680 --> 00:24:35,760 Speaker 1: fall the their opponent race, and as a result, he 434 00:24:35,840 --> 00:24:40,600 Speaker 1: had to create a chair that kept him alive and 435 00:24:40,640 --> 00:24:43,280 Speaker 1: would allow him to sense his environment because all of 436 00:24:43,359 --> 00:24:46,919 Speaker 1: his faculties were pretty much destroyed as a result of 437 00:24:47,160 --> 00:24:51,000 Speaker 1: the war. I was gonna say rubber, but that'll work, Okay, Yeah, 438 00:24:51,000 --> 00:24:53,119 Speaker 1: I'm trying to be I'm trying to work within the 439 00:24:53,200 --> 00:24:55,640 Speaker 1: universe here. But the colleges are much smaller. They're they're 440 00:24:55,640 --> 00:24:59,000 Speaker 1: pretty tiny creatures. So they have mutated into tiny and 441 00:24:59,040 --> 00:25:04,200 Speaker 1: tinier creatures, and they don't have very good survival rates either. 442 00:25:04,720 --> 00:25:08,960 Speaker 1: So Davros started to build these um these suits that 443 00:25:09,000 --> 00:25:13,159 Speaker 1: would keep them alive, keep the college alive. But the 444 00:25:13,200 --> 00:25:16,159 Speaker 1: suits ended up not just becoming life support but became 445 00:25:16,520 --> 00:25:22,120 Speaker 1: soldier suits, and this is what turned into the Daleks. Yeah. Yeah, 446 00:25:22,119 --> 00:25:24,879 Speaker 1: so they look like they're these cone shaped robots, but 447 00:25:24,960 --> 00:25:27,920 Speaker 1: really it's a giant mechanical suit for a little bitty 448 00:25:28,000 --> 00:25:32,640 Speaker 1: organism that's living inside it. And as a result, Davros 449 00:25:32,680 --> 00:25:36,520 Speaker 1: also decided to uh to fiddle with the genetics of 450 00:25:36,560 --> 00:25:40,480 Speaker 1: the College and eventually messed with them enough so that 451 00:25:40,840 --> 00:25:45,280 Speaker 1: they did not experience emotions like love or sympathy or 452 00:25:45,280 --> 00:25:48,080 Speaker 1: anything like that, and also came to believe that they 453 00:25:48,080 --> 00:25:52,840 Speaker 1: were the superior race in the universe. And that ended 454 00:25:52,920 --> 00:25:55,520 Speaker 1: up turning up badly for Davros, because eventually they turned 455 00:25:55,560 --> 00:25:57,080 Speaker 1: to him and said, well, why the heck are we 456 00:25:57,119 --> 00:26:02,480 Speaker 1: following you? We're superior and zapped him. Um, but he, 457 00:26:03,359 --> 00:26:07,800 Speaker 1: like any great villain, he comes back. Of course. It's 458 00:26:07,840 --> 00:26:10,240 Speaker 1: like you know, the Joker or any other villain in 459 00:26:10,280 --> 00:26:13,320 Speaker 1: any other franchise. You can't really kill them off permanently, right, Well, 460 00:26:13,359 --> 00:26:16,280 Speaker 1: in the Daleks themselves have been exterminated at a couple 461 00:26:16,280 --> 00:26:18,920 Speaker 1: of times as an entire race, but they've come back well, 462 00:26:18,960 --> 00:26:21,080 Speaker 1: and and if nothing else, you have the excuse of 463 00:26:21,160 --> 00:26:25,480 Speaker 1: time travel, which means that really they could they could 464 00:26:25,520 --> 00:26:28,040 Speaker 1: be in the future but die in the past. Well, 465 00:26:28,040 --> 00:26:31,119 Speaker 1: and that's sort of the premise of the the newer 466 00:26:31,280 --> 00:26:33,399 Speaker 1: version of Dr who is that there was a time lower, 467 00:26:33,440 --> 00:26:36,160 Speaker 1: a time war, and the time Lords and the Daleks 468 00:26:36,160 --> 00:26:40,679 Speaker 1: were both involved, and that the event exterminated both the 469 00:26:40,760 --> 00:26:43,480 Speaker 1: time Lords and the Daleks from the entirety of spacetime. 470 00:26:44,280 --> 00:26:46,640 Speaker 1: But they came back from that, of course they did. 471 00:26:47,000 --> 00:26:50,040 Speaker 1: And the Daleks have their suits have some interesting abilities 472 00:26:50,080 --> 00:26:52,120 Speaker 1: as well. They're made out by the way, I looked 473 00:26:52,119 --> 00:26:56,360 Speaker 1: this up out of della kinium, Yes, which is ten 474 00:26:56,400 --> 00:26:58,400 Speaker 1: times stronger than steel and a quarter of the weight 475 00:26:58,640 --> 00:27:01,720 Speaker 1: of aluminium. We'll have to see. We'll have to take 476 00:27:01,720 --> 00:27:03,680 Speaker 1: that into the lab with some adam antium and see 477 00:27:03,720 --> 00:27:08,320 Speaker 1: which one comes out on top. And vibratium and unobtainium, unobtainium. 478 00:27:08,440 --> 00:27:10,760 Speaker 1: Let's just go ahead and throw all the fictional elements 479 00:27:10,760 --> 00:27:14,520 Speaker 1: out there, shall we. Um. But they have an ice talk, 480 00:27:14,880 --> 00:27:17,679 Speaker 1: which is their most probably recognizable feature, because they have 481 00:27:17,680 --> 00:27:20,159 Speaker 1: a turret on top of their heads. Oh, I don't know. 482 00:27:20,280 --> 00:27:23,040 Speaker 1: I think the plunger. There's the plunger, and then another 483 00:27:23,080 --> 00:27:26,080 Speaker 1: thing that looks a little like an egg whisk. Right, 484 00:27:26,160 --> 00:27:29,639 Speaker 1: that's the gun stick. Yeah. I like the plunger that 485 00:27:30,000 --> 00:27:33,159 Speaker 1: has the powerful suction cup at the end of it, 486 00:27:33,200 --> 00:27:36,919 Speaker 1: But it's a plunger. You definitely, Yeah, you can definitely 487 00:27:36,920 --> 00:27:40,280 Speaker 1: tell that that when this series was launched, they were 488 00:27:40,640 --> 00:27:44,159 Speaker 1: creating these these creatures, these monsters, these devices out of 489 00:27:44,200 --> 00:27:48,000 Speaker 1: whatever hardware they could get their hands on. Um and 490 00:27:48,000 --> 00:27:50,800 Speaker 1: and the Cybermen are good examples of that. Yes, the 491 00:27:50,800 --> 00:27:55,320 Speaker 1: Cybermen another another race that started out organic and then 492 00:27:55,359 --> 00:27:58,840 Speaker 1: gradually the race began to replace their own parts with 493 00:27:59,000 --> 00:28:02,359 Speaker 1: synthetic parts and then determined that by becoming synthetic they 494 00:28:02,400 --> 00:28:06,560 Speaker 1: could become perfect uh, and managed to do get all 495 00:28:06,560 --> 00:28:07,840 Speaker 1: the way up to the point where the only thing 496 00:28:07,920 --> 00:28:10,320 Speaker 1: organic left were their brains. And even in their brains 497 00:28:10,320 --> 00:28:12,920 Speaker 1: they decided to eliminate emotion because they thought emotion was 498 00:28:12,960 --> 00:28:17,840 Speaker 1: another sign of weakness, therefore was not perfection. So yeah, 499 00:28:17,840 --> 00:28:21,240 Speaker 1: the Cybermen are another villain that another race of villains 500 00:28:21,240 --> 00:28:25,240 Speaker 1: that pop up in several Doctor Whose stories. Uh, yeah, 501 00:28:25,320 --> 00:28:29,280 Speaker 1: they It's an interesting series of themes. Actually a lot 502 00:28:29,280 --> 00:28:32,920 Speaker 1: of the biggest theme I sense in the Doctor Who 503 00:28:33,000 --> 00:28:37,920 Speaker 1: series is the idea of the Doctor values humans for 504 00:28:38,000 --> 00:28:41,080 Speaker 1: the same qualities that all the villains think of as 505 00:28:41,120 --> 00:28:45,040 Speaker 1: being weakness. Is that fair to say? Things like love 506 00:28:45,160 --> 00:28:48,960 Speaker 1: of compassion and curiosity, that kind of stuff where the 507 00:28:49,000 --> 00:28:52,200 Speaker 1: Doctor thinks those are valuable traits, and the villains all 508 00:28:52,240 --> 00:28:54,400 Speaker 1: think those are things that you should eliminate in order 509 00:28:54,440 --> 00:28:57,520 Speaker 1: to become perfect. And even the time lords, to some extent, 510 00:28:57,760 --> 00:29:00,239 Speaker 1: seem to have a little bit of that. The time 511 00:29:00,280 --> 00:29:04,120 Speaker 1: words don't. They're not warm and fuzzy. No, no, they're not. 512 00:29:04,440 --> 00:29:09,080 Speaker 1: They're really not. But I shouldn't point out that at 513 00:29:09,160 --> 00:29:11,920 Speaker 1: least one of them has a fondness for dogs. Are 514 00:29:12,000 --> 00:29:13,760 Speaker 1: we about to get to Canine? Yes, I wanted to 515 00:29:13,800 --> 00:29:18,400 Speaker 1: mention Canine if I may. Sure. Canine was was actually 516 00:29:18,400 --> 00:29:21,360 Speaker 1: not originally the doctor's dog. He was. He belonged to 517 00:29:21,400 --> 00:29:26,719 Speaker 1: Professor Marius new Heidelberg University. Well, unfortunately he was not 518 00:29:27,400 --> 00:29:29,800 Speaker 1: able to bring his real dog with him in space, 519 00:29:29,880 --> 00:29:32,960 Speaker 1: and so the doctor ended up sort of inheriting Canine, 520 00:29:33,000 --> 00:29:37,560 Speaker 1: who was a mechanical dog. It was a portable computer 521 00:29:37,800 --> 00:29:40,400 Speaker 1: was really what what Canine was supposed to be. But 522 00:29:40,520 --> 00:29:44,040 Speaker 1: because Marius had such fondness for his dog that he 523 00:29:44,080 --> 00:29:46,880 Speaker 1: had to leave behind because it was weight restrictions actually 524 00:29:47,240 --> 00:29:49,240 Speaker 1: submit that he couldn't bring his dog with him. He 525 00:29:49,360 --> 00:29:53,520 Speaker 1: built this computer in the shape of a dog. Once 526 00:29:53,520 --> 00:29:56,040 Speaker 1: he reached the outpost that he was working on, and 527 00:29:56,240 --> 00:29:59,320 Speaker 1: he works with rollers rather than legs, so he where 528 00:29:59,320 --> 00:30:02,960 Speaker 1: we're not talking like eyebow. Here also stairs problem for 529 00:30:03,000 --> 00:30:07,600 Speaker 1: problematic turns outstairs in England are if you ever being 530 00:30:07,680 --> 00:30:09,680 Speaker 1: chased by a bad guy, look for some stairs, because 531 00:30:09,680 --> 00:30:11,680 Speaker 1: there's at least a fifty fifty chance that you're gonna 532 00:30:11,680 --> 00:30:15,920 Speaker 1: be able to get away. But Canine is moving on. 533 00:30:16,000 --> 00:30:19,760 Speaker 1: Canin is equipped with uh some some sensors which you know, 534 00:30:19,800 --> 00:30:21,880 Speaker 1: you could see his ears, they turned back and forth. 535 00:30:21,880 --> 00:30:23,680 Speaker 1: They look like little right art dishes. And he did 536 00:30:23,800 --> 00:30:26,360 Speaker 1: have a I don't know that they ever identified what 537 00:30:26,400 --> 00:30:28,160 Speaker 1: it is, some kind of ray in his nose that 538 00:30:28,200 --> 00:30:30,720 Speaker 1: he could use to incapacitate villains from time to time. 539 00:30:30,720 --> 00:30:32,960 Speaker 1: And he could talk, and he could talk, which was 540 00:30:33,040 --> 00:30:35,080 Speaker 1: very useful when communicating with the doctor in any of 541 00:30:35,120 --> 00:30:37,440 Speaker 1: the companions who happened to be traveling with them. Yes, 542 00:30:37,480 --> 00:30:41,479 Speaker 1: there's been multiple canines as well. Yes, because what's up 543 00:30:41,480 --> 00:30:44,520 Speaker 1: with Sarah Jane Smith. One ended up with Leela back 544 00:30:44,560 --> 00:30:50,160 Speaker 1: on Gallifrey Um. So the doctor essentially would travel with 545 00:30:50,160 --> 00:30:53,760 Speaker 1: with a companion and with Canine until uh, until he 546 00:30:53,760 --> 00:30:56,520 Speaker 1: would essentially leave. The companion would choose to leave, or 547 00:30:56,600 --> 00:30:59,440 Speaker 1: there'd be some circumstances that would force the companion to leave, 548 00:31:00,040 --> 00:31:02,640 Speaker 1: and sometimes canine would want to stay with the companion 549 00:31:02,760 --> 00:31:04,960 Speaker 1: or stay on some other planet, and so the doctor 550 00:31:04,960 --> 00:31:07,840 Speaker 1: would do the you know, the reasonable thing, go and 551 00:31:07,920 --> 00:31:10,080 Speaker 1: kidnap some other person to be his companion and build 552 00:31:10,120 --> 00:31:14,720 Speaker 1: another canine. Yeah, not so much. I think in a 553 00:31:14,760 --> 00:31:17,440 Speaker 1: lot of cases the canine was intended to be a 554 00:31:17,480 --> 00:31:20,040 Speaker 1: helper and guardian, especially in the case of Sarah Jane 555 00:31:20,760 --> 00:31:23,640 Speaker 1: um Well and he yes and which helped out with 556 00:31:23,920 --> 00:31:27,200 Speaker 1: Mr Smith. Right. Yes, it's a good there's a whole 557 00:31:27,440 --> 00:31:29,080 Speaker 1: One of the reasons that Sarah Jane is one of 558 00:31:29,080 --> 00:31:31,600 Speaker 1: my favorite companions is that she has a whole show 559 00:31:31,800 --> 00:31:35,440 Speaker 1: all of her own in which Canine features. But there 560 00:31:35,440 --> 00:31:38,560 Speaker 1: are rights issues with Canine, which is why Canine is 561 00:31:38,560 --> 00:31:41,040 Speaker 1: not everywhere. See I did not know that there are. 562 00:31:41,240 --> 00:31:43,840 Speaker 1: That's why he only made a couple of appearances in 563 00:31:43,840 --> 00:31:47,120 Speaker 1: the Sarah Jane Adventures. And there's a whole Canine show 564 00:31:47,240 --> 00:31:49,840 Speaker 1: that's not actually affiliated with Dr Who and it all 565 00:31:49,880 --> 00:31:52,560 Speaker 1: has to do with rights. It's another one of those 566 00:31:52,560 --> 00:31:55,960 Speaker 1: complicated issues where you've got uh, you know, especially when 567 00:31:55,960 --> 00:31:58,080 Speaker 1: you have things like a series of novels and comic 568 00:31:58,120 --> 00:32:01,680 Speaker 1: books and cartoons as well as television shows and UH 569 00:32:01,720 --> 00:32:06,920 Speaker 1: and television specials. Um not not every company. These aren't 570 00:32:06,960 --> 00:32:09,880 Speaker 1: all the work of a single group. Like, it's not 571 00:32:09,960 --> 00:32:12,240 Speaker 1: just one company that's putting out all of this stuff. 572 00:32:12,880 --> 00:32:16,800 Speaker 1: So UH. That does bring into some issues with rights 573 00:32:16,840 --> 00:32:20,120 Speaker 1: and UH and not certain writers can claim rights to 574 00:32:20,960 --> 00:32:23,719 Speaker 1: various characters. It. It does get pretty complex, especially when 575 00:32:23,720 --> 00:32:26,080 Speaker 1: you're talking about the series. It's been around on and 576 00:32:26,120 --> 00:32:30,240 Speaker 1: off since sixty three, off more than on in some cases. 577 00:32:30,280 --> 00:32:33,880 Speaker 1: But it's back now and very popular. So we're curious 578 00:32:33,880 --> 00:32:37,840 Speaker 1: to see what happens over the next couple of regenerations. 579 00:32:38,960 --> 00:32:40,600 Speaker 1: I really want to see how they're going to get 580 00:32:40,640 --> 00:32:43,320 Speaker 1: out of that UM and UH. And it is interesting. 581 00:32:43,520 --> 00:32:47,760 Speaker 1: I think it's an interesting idea to get emotionally invested 582 00:32:47,760 --> 00:32:50,040 Speaker 1: in a show and that in which you know the 583 00:32:50,040 --> 00:32:53,040 Speaker 1: main character at some point is going to quote unquote 584 00:32:53,160 --> 00:32:57,280 Speaker 1: die and come back. But you know, when you start 585 00:32:57,320 --> 00:32:59,280 Speaker 1: watching it, like, it's not just that the show is 586 00:32:59,280 --> 00:33:02,040 Speaker 1: gonna end, it's the character that you've become attached to 587 00:33:02,240 --> 00:33:04,680 Speaker 1: is not going to be the same in another season 588 00:33:04,760 --> 00:33:07,640 Speaker 1: or two seasons or three seasons or however long. That's 589 00:33:08,120 --> 00:33:10,320 Speaker 1: so yeah, but it's the only show I can think 590 00:33:10,360 --> 00:33:12,960 Speaker 1: of that actually built that in. It's like, eventually this 591 00:33:13,000 --> 00:33:14,720 Speaker 1: actor is going to want to leave and this is 592 00:33:14,760 --> 00:33:17,680 Speaker 1: a really successful show. Yeah, there's also there's the theory 593 00:33:17,880 --> 00:33:21,400 Speaker 1: that James Bond is the Time Lord for that reason 594 00:33:21,680 --> 00:33:25,360 Speaker 1: because all these different actors who all have British accents 595 00:33:25,360 --> 00:33:30,280 Speaker 1: have all played James Bond and but the same James 596 00:33:30,320 --> 00:33:33,840 Speaker 1: Bond different. I have a similar theory about Santa Claus. 597 00:33:34,320 --> 00:33:36,840 Speaker 1: I think he's a time Lord. Well we already know that. 598 00:33:36,880 --> 00:33:39,200 Speaker 1: I think Wesley Crusher is a Timelord. Oh that's true. 599 00:33:39,200 --> 00:33:42,320 Speaker 1: Wesley Krusher is also a Timelord. Yeah, it turns out 600 00:33:42,360 --> 00:33:44,920 Speaker 1: there's a lot of them. So anyway, if you guys 601 00:33:44,960 --> 00:33:49,280 Speaker 1: have any any questions, suggestions, or if you have another 602 00:33:49,360 --> 00:33:52,800 Speaker 1: specific universe you want us to explore, We've got a 603 00:33:52,800 --> 00:33:55,640 Speaker 1: lot of email about explaining the tech of things from 604 00:33:55,680 --> 00:33:58,080 Speaker 1: Back to the Future to a lot or Star Trek. 605 00:33:58,640 --> 00:34:00,280 Speaker 1: But if you are the Matrix, if you have a 606 00:34:00,360 --> 00:34:03,000 Speaker 1: request to specific requests and it in and we'll try 607 00:34:03,040 --> 00:34:04,360 Speaker 1: and do some more of these. Because this was a 608 00:34:04,360 --> 00:34:06,200 Speaker 1: lot of fun. It's nice to change it up and 609 00:34:06,320 --> 00:34:09,600 Speaker 1: uh and get some other people in here. And let's know, 610 00:34:09,760 --> 00:34:12,160 Speaker 1: you can write us our email address is tech Stuff 611 00:34:12,280 --> 00:34:14,680 Speaker 1: at how stuff works dot com and Chris and I 612 00:34:14,840 --> 00:34:17,960 Speaker 1: maybe even Tracy. We'll talk to you again really soon 613 00:34:22,040 --> 00:34:23,839 Speaker 1: if you're a tech stuff and be sure to check 614 00:34:23,960 --> 00:34:27,640 Speaker 1: us out on Twitter tex Stuff hs ws R handle, 615 00:34:27,719 --> 00:34:30,160 Speaker 1: and you can also find us on Facebook at Facebook 616 00:34:30,239 --> 00:34:34,640 Speaker 1: dot com slash tech Stuff h s W For more 617 00:34:34,680 --> 00:34:36,960 Speaker 1: on this and thousands of other topics. 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