WEBVTT - Simon Read: Scotland Yard 

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<v Speaker 1>This story contains adult content and language. Listener discretion is advised.

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<v Speaker 2>One of the things that struck me when I was

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<v Speaker 2>writing this book, Boks Scott people really put a lot

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<v Speaker 2>of grim effort into mergency people. You didn't just shoot someone,

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<v Speaker 2>you did really destroyed. The level of violence was really

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<v Speaker 2>off the charts.

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<v Speaker 1>I'm Kate Winkler Dawson, a nonfiction author and journalism professor

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<v Speaker 1>in Austin, Texas. I'm also the co host of the

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<v Speaker 1>podcast Buried Bones on Exactly Right, and throughout my career,

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<v Speaker 1>research for my many audio and book projects has taken

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<v Speaker 1>me around the world. On Wicked Words, I sit down

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<v Speaker 1>with the people I've met along the way, amazing writers, journalists,

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<v Speaker 1>filmmakers and podcasters who have investigated and reported on notorious

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<v Speaker 1>true crime cases. This is about the choices writers make,

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<v Speaker 1>both good and bad, and it's a deep dive into

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<v Speaker 1>the unpublished details behind their stories. Some of my most

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<v Speaker 1>favorite true crime stories in history come from the UK,

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<v Speaker 1>specifically London, so I was very excited to talk to

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<v Speaker 1>author Simon Read about his book Scotland Yard, a History

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<v Speaker 1>of the London Police Force's most infamous murder cases. Read

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<v Speaker 1>investigated some of Scotland Yard's most interesting cases, and now

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<v Speaker 1>he'll tell us about some of them. So I erroneously

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<v Speaker 1>assumed that you were American or Canadian based on your accent,

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<v Speaker 1>and I was terribly mistaken. Tell me about your background before, briefly,

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<v Speaker 1>before we start talking about how you got involved with

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<v Speaker 1>a book about Scotland Yard and its history.

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<v Speaker 2>Sure, I am British by birth, born in London, North London.

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<v Speaker 2>Actually Hendon moved out to the States when I was seven.

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<v Speaker 2>My parents' job brought us out here. I am celebrated citizen.

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<v Speaker 2>I am very much English at heart, although having lived

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<v Speaker 2>in the United States for whatever is forty plus years,

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<v Speaker 2>so I've always been an angler phile. I'm always looking

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<v Speaker 2>for excuses to write about England or London in particular.

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<v Speaker 2>Most of my books. If you go back and you

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<v Speaker 2>look at the books that I've written, I think, with

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<v Speaker 2>the exception of two of them, they all have a

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<v Speaker 2>British theme. So any excuse i'd have to get back there,

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<v Speaker 2>do research, sit in a pub, I'll.

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<v Speaker 1>Go for it good well. As an American who has

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<v Speaker 1>written about a very well known British story, John Reginald Christy,

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<v Speaker 1>I wanted to really figure out what your bona fides were,

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<v Speaker 1>and it sounds like you're all set. You've grown up

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<v Speaker 1>with these stories.

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<v Speaker 2>I'm sure, Yeah, I have, am I And by the way,

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<v Speaker 2>Reginald Christy one of the most disturbing cases. Yeah, I've

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<v Speaker 2>ever I've stood. I wrote about him in another book

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<v Speaker 2>of mine. But my paternal grandfather was a detective with

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<v Speaker 2>Scotland Yard.

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<v Speaker 1>Wow. Well, okay, what do you think he would have

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<v Speaker 1>thought of your book? You've gotten some really great reviews,

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<v Speaker 1>and I mean, I bet he would be thrilled. I'm

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<v Speaker 1>assuming you know, I think he would have. Well, let's

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<v Speaker 1>talk about this book. We much of the time talk

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<v Speaker 1>to people who are digging into one big story for

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<v Speaker 1>their book or for their piece of the film or

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<v Speaker 1>whatever they're doing. So for you, because we're talking about

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<v Speaker 1>the history of Scotland Yard, which is storied and traumatizing

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<v Speaker 1>and wonderful all at the same time. You know, you

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<v Speaker 1>cover a wide array of crimes and I wanted to

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<v Speaker 1>dig into two or three or more or less, like

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<v Speaker 1>we're just going to see how it goes that I

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<v Speaker 1>think are pretty pivotal. And I want you to start

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<v Speaker 1>with Ratcliffe Highway murders because it's one of to me,

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<v Speaker 1>the most interesting and so important because you know, I

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<v Speaker 1>know that these murders were really what led to the

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<v Speaker 1>organization of the Metropolitan Police, which was the first organization

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<v Speaker 1>in the world, the first police, real police organization, right right.

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<v Speaker 1>And what's great about that story is you get to

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<v Speaker 1>talk about and tell everybody who doesn't know out the

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<v Speaker 1>Bow Street Runners and how they interacted with the tams

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<v Speaker 1>River Police. And you know, I will tell you full disclosure.

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<v Speaker 1>I took myself down a couple of years ago when

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<v Speaker 1>I was in London teaching. I took myself down to

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<v Speaker 1>the River Police Museum and got a personalized tour from

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<v Speaker 1>Rob Jefferies, who is a I think he's I don't

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<v Speaker 1>know if he's a constable there, but he's retired and

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<v Speaker 1>he loves talking about that case and why it was important.

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<v Speaker 1>And so I'm going to geek out pretty big time,

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<v Speaker 1>I think on this story.

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<v Speaker 2>And I'm jealous because when I researched this book, I

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<v Speaker 2>was working during the pandemic, during lockdowns, so I had

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<v Speaker 2>to rely on sort of online you know, newspapers and

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<v Speaker 2>so to go and like chop the ground as it were.

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<v Speaker 2>I wish I could have done more that. But you

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<v Speaker 2>have the Ratcliffe Liveway murders an extremely important case, and

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<v Speaker 2>you're right it does lead to eventually leads to the

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<v Speaker 2>establishment of Scotland Yard in eighteen twenty nine. But the

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<v Speaker 2>Raclife Liway murders actually happened in eighteen eleven. There's an

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<v Speaker 2>eighteen year stretch between the murders and the formation of

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<v Speaker 2>Scotland Yard. But the murders happened in December of eighteen

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<v Speaker 2>eleven on the Ratcliffe Highway, which is the main east

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<v Speaker 2>thoroughfare out of London, and it's a very it's a

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<v Speaker 2>dangerous place, doesn't have a great reputation. It's known for debauchery, drunkenness,

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<v Speaker 2>vice and violence. It's popular with sailors. In fact, it's

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<v Speaker 2>called the Regent Street for sailors of it. Today you

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<v Speaker 2>have a lot of men who work the Thames who

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<v Speaker 2>live off the highway. They frequent the bars, the taverns,

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<v Speaker 2>the shops there. The highway is the home of a

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<v Speaker 2>gentleman named Timothy Maher. He's a he's a former sailor

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<v Speaker 2>with the Easterndia Company and he sets up a shop

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<v Speaker 2>at twenty nine Ratcliffe Highway. He's twenty four years old,

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<v Speaker 2>and he establishes a lnen business on the highway in

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<v Speaker 2>April of eighteen eleven. It's him, it's his wife, it's

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<v Speaker 2>their three month old son, Timothy Junior, and he wants

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<v Speaker 2>to know become a businessman and the life at sea

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<v Speaker 2>behind him. So he sets up shot there and all

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<v Speaker 2>is going well. Business is doing good, and he has

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<v Speaker 2>a servant girl named Margaret Jewel. And on the night

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<v Speaker 2>of December seventh, eighteen eleven, he sends Margaret out to

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<v Speaker 2>fetch some oysters and pay the baker's bill. And it's

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<v Speaker 2>around midnight when she leaves Timothy Marris's shop. Timothy's wife,

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<v Speaker 2>Celia is down in the basement kitchen feeding the baby.

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<v Speaker 2>Timothy is preparing for the next day's business. And Margaret

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<v Speaker 2>leaves the shop, and like I say, it's around midnight.

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<v Speaker 2>Pretty much everything is closed up. She goes to pay

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<v Speaker 2>the baker's bill, she finds the baker's close. She goes

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<v Speaker 2>to get some oysters, she finds the oyster shop is closed.

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<v Speaker 2>She returns to Timothy morris shop and she's not gone

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<v Speaker 2>very long. But when she gets back, it's very strange.

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<v Speaker 2>The place is shuttered up. The chaser drawn across the windows.

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<v Speaker 2>The door is locked, all the lights are out, and

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<v Speaker 2>she knocks on the door and she doesn't get a response,

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<v Speaker 2>and she knocks again, no response. Her knocks on the

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<v Speaker 2>door become more panicked, and she hears a noise behind

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<v Speaker 2>the door. She hears what she describes as a footfall

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<v Speaker 2>on the stairs inside the shop, and then she hears

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<v Speaker 2>the muffled cry of the baby very month full of

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<v Speaker 2>Timothy Junior, and this sort of puts her into a panic,

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<v Speaker 2>and she starts really like patting on the door, and

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<v Speaker 2>this gets the attention of a night watchman who happens

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<v Speaker 2>to be walking by. Night watchmen were sort of an

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<v Speaker 2>early form of law enforcement in London at the time.

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<v Speaker 2>They patrolled the streets between sunset and sunrise, armed with

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<v Speaker 2>a rattle and a whistle, and they were meant to

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<v Speaker 2>sort of raise the alarm if they encountered any commotion.

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<v Speaker 2>And he comes across Margaret. He asks what the problem is,

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<v Speaker 2>She explains the situation. He starts banging on the door.

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<v Speaker 2>This attracts the attention of a neighbor who hops from

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<v Speaker 2>his house into Timothy Morris's backyard and he goes inside

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<v Speaker 2>the shop. He finds a lick candle on the stairs.

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<v Speaker 2>He picks it up. He goes into the shop and

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<v Speaker 2>he walks into a horrific, horrific crime scene. Timothy's Waxelia.

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<v Speaker 2>They've been butchered, now not just murdered, but butcherd horrendously,

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<v Speaker 2>throat slashed down to the bone. Their heads have been

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<v Speaker 2>carved in. They have a young servant boyd His brains

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<v Speaker 2>are actually spattered up onto the ceiling. I mean he's

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<v Speaker 2>been beaten with such vorocity. The neighbor opens the door.

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<v Speaker 2>A crowd that's been now gathered outside the marshop. They

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<v Speaker 2>rush in and see this awful scene, and someone says,

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<v Speaker 2>where's the baby, And they find the baby in its

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<v Speaker 2>crib down in the basement kitchen. The baby's throat's been splashed,

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<v Speaker 2>no mercy shown. This causes a huge shock. It's interesting,

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<v Speaker 2>you know, London in this time we tend to think

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<v Speaker 2>of it as this place where murder happened all the time.

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<v Speaker 2>I don't have specific numbers, but throughout the nineteenth century London,

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<v Speaker 2>seventy five percent of the crimes were theft and robbery,

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<v Speaker 2>and murder only accounted for ten percent of the crime.

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<v Speaker 2>So when a murder did happen, It garnered a lot

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<v Speaker 2>of a lot of headlines and so this murder obviously

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<v Speaker 2>sent shock waves. The city London doesn't have a police

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<v Speaker 2>force at this time, like we discussed, they have this

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<v Speaker 2>missmash patchwork of parish constables and night watchmen and then

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<v Speaker 2>the Bow Street Runners who are work out of the

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<v Speaker 2>Ball Street Magistrate's Court. They report to the Chief Magistrate

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<v Speaker 2>Henry Building. They have the power to investigate crime, but

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<v Speaker 2>they're they're they're a small force. And there's also the

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<v Speaker 2>Thames River Police and try to keep all on order

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<v Speaker 2>on the Thames. But there's no sort of there's no

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<v Speaker 2>coordination between any of these these entities. They don't they

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<v Speaker 2>don't talk to each other, they don't share information, so

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<v Speaker 2>there's there would be nothing what you consider sort of

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<v Speaker 2>coordinated investigation, certainly by today's standards, don't find really any

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<v Speaker 2>clues that the Marti crime team. What they do find

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<v Speaker 2>is a it's called a mall and it's a hamm

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<v Speaker 2>are used in shipbuilding. It has like a Wesdend use

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<v Speaker 2>for plying, hammering and spikes and playing out when when

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<v Speaker 2>building ships, and that's found upstairs. But the crime team

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<v Speaker 2>doesn't really yield anything else, and the city's kind of

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<v Speaker 2>reeling from all of this, and so trying to figure

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<v Speaker 2>out what happened. And then twelve days later, on December nineteenth,

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<v Speaker 2>the same thing happens again.

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<v Speaker 1>Let me ask you like a series of questions here. Yeah,

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<v Speaker 1>one thing that I wanted to make clear and correct

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<v Speaker 1>me if I'm wrong here. My understanding is that when

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<v Speaker 1>we say Ratcliff Highway, which was supposedly known as the

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<v Speaker 1>most dangerous road in the world, it's not a highway

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<v Speaker 1>the way we think, certainly at least Americans think of

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<v Speaker 1>a highway. What would you consider it like a large

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<v Speaker 1>road or.

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<v Speaker 2>It's a large road. It's a large road. It's a road.

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<v Speaker 2>It's a road aligne with shops on either side. It's

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<v Speaker 2>got little alleyways going off the side of it, you know,

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<v Speaker 2>cram with tenement housing and sailors cottages. It was called

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<v Speaker 2>a highway back in the day because it was one

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<v Speaker 2>of the main thorough bears in an out of the

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<v Speaker 2>city on the east end. But it's not our highway

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<v Speaker 2>like we think of it today, with four lanes of traffic,

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<v Speaker 2>and so it's more think of it more like a

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<v Speaker 2>high street. A busy main road.

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<v Speaker 1>Yeah, okay, so in that area when there is a crime,

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<v Speaker 1>a theft or whatever, how is the decision made between

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<v Speaker 1>to what You've got the boat street runners, the night

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<v Speaker 1>watchmen and the tims River Police. Did I miss anybody?

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<v Speaker 1>Is there any other law enforcement entity?

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<v Speaker 2>No, that's that's that's sort of yeah, that's a good question.

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<v Speaker 2>There wasn't really any sort of chain of command. This

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<v Speaker 2>is the problem. This is one of the problems with

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<v Speaker 2>London at that time. It doesn't have a centually organized

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<v Speaker 2>peace force. And by that we mean a force that

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<v Speaker 2>has the resources and command structure in place to ensure

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<v Speaker 2>uniformity and coordination across a large metropolitan area and across investigations.

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<v Speaker 2>So each sort of the constables, the nightwatchmen, bow street Runners,

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<v Speaker 2>the taserra police, they're all sort of doing their own thing.

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<v Speaker 2>And so this is one of the problems why nothing

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<v Speaker 2>sort of happens with this case in terms of white

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<v Speaker 2>cohesive investigation, because there's no cohesive law enforcement framework to

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<v Speaker 2>tackle a crime of this magnitude, and this crime it

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<v Speaker 2>generates a huge shockwave. It really generates a love look

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<v Speaker 2>shock that won't be seen until you know the jack

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<v Speaker 2>the Ripper killings in eighteen eighty eight. But the difference

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<v Speaker 2>is when Jack the Rippers doing his stuff in Whitechapel,

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<v Speaker 2>he's being hunted by a Metropolitan police force with more

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<v Speaker 2>than ten thousand officers. Yeah, now he's you know, the

0:12:19.320 --> 0:12:23.600
<v Speaker 2>Ratcliff Hyery murders being hunted by this ragtag, uncoordinated bunch

0:12:23.640 --> 0:12:25.680
<v Speaker 2>of unprofessional law enforcement officers.

0:12:25.720 --> 0:12:29.480
<v Speaker 1>Basically, I mean, I always got the impression that before

0:12:29.880 --> 0:12:33.920
<v Speaker 1>the Metropolitan Police were formed, these entities were always on defense.

0:12:33.960 --> 0:12:37.080
<v Speaker 1>They were never playing. There's no offense. Like it was like,

0:12:37.160 --> 0:12:39.440
<v Speaker 1>we're there if something bad happens, but we're not going

0:12:39.520 --> 0:12:42.400
<v Speaker 1>to like prevent you from you if we see something.

0:12:42.520 --> 0:12:45.920
<v Speaker 2>You know, that's absolutely correct, that's actually correct. They're always

0:12:45.960 --> 0:12:49.160
<v Speaker 2>responding to stuff. They're never sort of like out there

0:12:49.480 --> 0:12:52.400
<v Speaker 2>trying to suck stuff from happening. They you know, like

0:12:52.400 --> 0:12:54.760
<v Speaker 2>I said, you've got the night watchmen who are meant

0:12:54.760 --> 0:12:57.400
<v Speaker 2>to patrol the streets at night, and if they see something,

0:12:57.480 --> 0:12:59.680
<v Speaker 2>they make a noise with their rattle and they blow

0:12:59.679 --> 0:13:02.120
<v Speaker 2>their w That's how it's mental work. But if you

0:13:02.160 --> 0:13:04.240
<v Speaker 2>read the newspaper accounts of the day, you find out

0:13:04.280 --> 0:13:06.560
<v Speaker 2>most of them are sitting in their guardhouses getting drunk

0:13:06.559 --> 0:13:09.440
<v Speaker 2>on gin, you know, and aren't very effective. You have

0:13:09.480 --> 0:13:13.439
<v Speaker 2>the parish constables who serve a law enforcement officers for

0:13:13.480 --> 0:13:16.400
<v Speaker 2>the various districts and parishes throughout London. They have law

0:13:16.480 --> 0:13:19.040
<v Speaker 2>enforcement power and that they can sort of make arrests

0:13:19.040 --> 0:13:21.760
<v Speaker 2>and you know, if they see trouble they can haul

0:13:21.840 --> 0:13:24.280
<v Speaker 2>someone off to court. But you know it's either a

0:13:24.360 --> 0:13:26.800
<v Speaker 2>volunteer gig or a low paying wage. You know, these

0:13:26.840 --> 0:13:30.120
<v Speaker 2>aren't they're not very effective. And then you know the

0:13:30.160 --> 0:13:33.120
<v Speaker 2>Bow Street Runners. They are sort of the first for

0:13:33.320 --> 0:13:36.000
<v Speaker 2>runner to a proper police force, but they're very limited

0:13:36.040 --> 0:13:38.720
<v Speaker 2>in their scope. And other magistrate offices in London set

0:13:38.800 --> 0:13:42.120
<v Speaker 2>up something similar to what Bow Street is doing with

0:13:42.280 --> 0:13:46.120
<v Speaker 2>these constables, but again there's no coordination. And then you

0:13:46.120 --> 0:13:48.280
<v Speaker 2>have the River Police wore out on the water, so

0:13:48.320 --> 0:13:50.200
<v Speaker 2>they're kind of like a forward of the identity.

0:13:50.360 --> 0:13:53.640
<v Speaker 1>So let me summarize so far. So December eighteen eleven,

0:13:53.720 --> 0:13:56.000
<v Speaker 1>I have to assume it's just colder than hell in London.

0:13:56.520 --> 0:13:59.640
<v Speaker 1>In the most dangerous street in the world. You've got

0:13:59.679 --> 0:14:02.600
<v Speaker 1>the mar family, which is just an upstanding family with

0:14:02.679 --> 0:14:07.640
<v Speaker 1>their business. A young couple they are murdered brutally. I mean,

0:14:07.880 --> 0:14:11.440
<v Speaker 1>just horrifically murdered, as well as their baby and a

0:14:11.480 --> 0:14:14.559
<v Speaker 1>servant boy. How did we say the young boy was.

0:14:14.840 --> 0:14:17.680
<v Speaker 2>Twelve or fourteen? Can he's a young teen?

0:14:18.280 --> 0:14:22.080
<v Speaker 1>Yeah? Not enough to defend himself, I'm assuming. Okay, now

0:14:22.120 --> 0:14:24.760
<v Speaker 1>we just jump in immediately into the mystery before we

0:14:24.800 --> 0:14:27.520
<v Speaker 1>get to the second set of murders here. I have

0:14:27.680 --> 0:14:31.440
<v Speaker 1>always wondered, and I don't remember if I asked Rob Jeffries,

0:14:31.520 --> 0:14:33.920
<v Speaker 1>my wonderful tour guide on the river, about this, But

0:14:34.240 --> 0:14:36.560
<v Speaker 1>did they really expect this was at midnight? Is that

0:14:36.560 --> 0:14:37.240
<v Speaker 1>when she went out?

0:14:37.400 --> 0:14:39.920
<v Speaker 2>Yeah, she goes out. She goes out shortly before midnight.

0:14:40.000 --> 0:14:42.840
<v Speaker 2>And if I remember on the newspaper accounts, she's only

0:14:42.880 --> 0:14:45.320
<v Speaker 2>gone for about fifteen or twenty minutes or so.

0:14:45.320 --> 0:14:48.760
<v Speaker 1>So is that normal that a bakery and an oyster

0:14:48.840 --> 0:14:51.720
<v Speaker 1>shop would be open at midnight in this area? I mean,

0:14:51.760 --> 0:14:54.640
<v Speaker 1>why would she do that? Why would he do that? Understand?

0:14:54.840 --> 0:14:57.680
<v Speaker 2>I thought the same thing. So I'd heard of the

0:14:57.760 --> 0:15:01.080
<v Speaker 2>Ragnifiery murders prior to writing this book, but this was

0:15:01.080 --> 0:15:03.320
<v Speaker 2>the first time i'd ever sort of like researched the crimes,

0:15:03.440 --> 0:15:06.120
<v Speaker 2>and I didn't know the specifics necessarily about them, and

0:15:06.160 --> 0:15:10.280
<v Speaker 2>when I read that, I thought that was very very odd,

0:15:10.800 --> 0:15:13.160
<v Speaker 2>you know, like the righttically by the way, like you said,

0:15:13.680 --> 0:15:16.320
<v Speaker 2>very dangerous reputation back one of the newspapers said it

0:15:16.360 --> 0:15:19.720
<v Speaker 2>was representative all of all that was dirty, disorderly and debased.

0:15:20.720 --> 0:15:25.160
<v Speaker 2>So it seems sending out a young servant girl after midnight,

0:15:25.640 --> 0:15:28.120
<v Speaker 2>at midnight to you know, track down oysters and pay

0:15:28.160 --> 0:15:31.440
<v Speaker 2>the baker, it's a weird it's a weird decision to make,

0:15:31.520 --> 0:15:33.560
<v Speaker 2>and that the fact that you know, a baker would

0:15:33.560 --> 0:15:35.240
<v Speaker 2>be open at midnight or an oyster shot would be

0:15:35.240 --> 0:15:37.840
<v Speaker 2>open at midnight, doesn't make much sense. One of the

0:15:37.880 --> 0:15:41.520
<v Speaker 2>newspaper counts I found where they Margaret Jewel is giving

0:15:41.520 --> 0:15:43.240
<v Speaker 2>tesscona during an inquest. She says, you know, when she

0:15:43.280 --> 0:15:45.040
<v Speaker 2>stepped out on the street, the street was you know,

0:15:45.080 --> 0:15:47.200
<v Speaker 2>the street was quiet. You know, stores were closed. So

0:15:47.920 --> 0:15:51.040
<v Speaker 2>it seems an odd decision to do. Honestly, it was

0:15:51.040 --> 0:15:53.840
<v Speaker 2>probably a lucky decision though, because if she'd been around

0:15:54.000 --> 0:15:56.280
<v Speaker 2>in the house, she would have ended up suffering the

0:15:56.320 --> 0:15:56.680
<v Speaker 2>same fight.

0:15:57.200 --> 0:15:59.520
<v Speaker 1>Okay, so we're we're at a point where now you've

0:15:59.520 --> 0:16:02.920
<v Speaker 1>got who was responding to this, Who are the investigators

0:16:02.960 --> 0:16:07.440
<v Speaker 1>who come to Timothy Maher's place and see this just

0:16:07.520 --> 0:16:10.800
<v Speaker 1>cornage and begin to interview Margaret Jewele and trying to

0:16:10.800 --> 0:16:13.080
<v Speaker 1>figure out, you know, what has happened that night.

0:16:13.360 --> 0:16:15.240
<v Speaker 2>I would say, I don't have the name, but it

0:16:15.320 --> 0:16:18.560
<v Speaker 2>was they were interviewed by us the night watchman who

0:16:18.560 --> 0:16:21.640
<v Speaker 2>showed up local constables, and then the local corner came

0:16:21.680 --> 0:16:24.760
<v Speaker 2>and there was an inquest held one or two days

0:16:24.760 --> 0:16:27.520
<v Speaker 2>after the murders at a pub right across the street

0:16:27.840 --> 0:16:31.560
<v Speaker 2>from the mar household. You know, Margaret Jewel gives testimony

0:16:32.160 --> 0:16:36.640
<v Speaker 2>in that inquest, and she's actually overcome with emotion recounting

0:16:36.840 --> 0:16:40.080
<v Speaker 2>what she saw. She breaks down on the witness stand,

0:16:40.320 --> 0:16:43.480
<v Speaker 2>you know, understandably, and she actually passes out. She's able

0:16:43.640 --> 0:16:46.720
<v Speaker 2>to sort of just recount the offense of that evening

0:16:46.760 --> 0:16:49.240
<v Speaker 2>and being sent out to get the oysters and pay

0:16:49.360 --> 0:16:53.800
<v Speaker 2>the Baker bill. And then when she starts recounting about

0:16:53.800 --> 0:16:56.040
<v Speaker 2>what she saw when she was led in to the

0:16:56.080 --> 0:16:58.520
<v Speaker 2>Mar home and she saw the baby in the crib,

0:16:58.840 --> 0:17:02.120
<v Speaker 2>she really loses it, rightfully, so she passes out, and

0:17:02.400 --> 0:17:04.320
<v Speaker 2>they do revive her, but they don't they don't make

0:17:04.359 --> 0:17:09.639
<v Speaker 2>her continue her testimony. The coroner's juryous brought across the

0:17:09.680 --> 0:17:12.960
<v Speaker 2>street to sort of view the crime scene. They view

0:17:13.000 --> 0:17:15.720
<v Speaker 2>the bodies, the nature of the wounds are discussed for

0:17:15.760 --> 0:17:19.040
<v Speaker 2>the first time. You know. The initial press reports just

0:17:19.080 --> 0:17:22.119
<v Speaker 2>say they were murdered brutally. Then during the corner's inquest,

0:17:22.160 --> 0:17:25.639
<v Speaker 2>they go into just how badly these people were. I mean,

0:17:25.680 --> 0:17:28.480
<v Speaker 2>they weren't just murdered, they were butchered, you know, throats

0:17:28.480 --> 0:17:30.720
<v Speaker 2>cut down to the bone almost at the point of decapitation,

0:17:30.880 --> 0:17:36.480
<v Speaker 2>facial bones smashed. It's really really horrendous. So the corner's

0:17:36.520 --> 0:17:40.480
<v Speaker 2>jury you know, returns a verdict of sort of you know,

0:17:40.720 --> 0:17:44.520
<v Speaker 2>murder against a person or person's unknown, and then the

0:17:44.560 --> 0:17:47.960
<v Speaker 2>family are are laid to rest in the local parish church,

0:17:48.000 --> 0:17:51.119
<v Speaker 2>Saint George's, I believe, and Timothy Maher is buried in

0:17:51.160 --> 0:17:55.800
<v Speaker 2>his own coffin, and then Cecilia is buried with her baby.

0:17:56.760 --> 0:18:00.520
<v Speaker 2>There's a huge turnout, huge turnout. People are you know,

0:18:00.680 --> 0:18:05.600
<v Speaker 2>ractive highway to bid their final respects. And during the

0:18:05.640 --> 0:18:09.000
<v Speaker 2>funeral service, the preacher who presides over the funeral service,

0:18:09.040 --> 0:18:11.880
<v Speaker 2>you know, he says, made God, you know, enact vengeance

0:18:11.920 --> 0:18:15.440
<v Speaker 2>against whoever did this awful deed. So this family's laid

0:18:15.440 --> 0:18:17.680
<v Speaker 2>to rest, but without any answers as to who did

0:18:17.680 --> 0:18:19.640
<v Speaker 2>this or even even why.

0:18:20.119 --> 0:18:23.040
<v Speaker 1>So what is the speculation. We don't have very much

0:18:23.080 --> 0:18:26.040
<v Speaker 1>time between what happens with Timothy Moore's family and then

0:18:26.080 --> 0:18:29.520
<v Speaker 1>what happens next. What is the speculation so far? Do

0:18:29.600 --> 0:18:30.800
<v Speaker 1>people have any idea?

0:18:31.040 --> 0:18:32.440
<v Speaker 2>They don't this And this is one of the things

0:18:32.440 --> 0:18:36.360
<v Speaker 2>when I was like reading the newspaper accounts from the day,

0:18:36.600 --> 0:18:38.480
<v Speaker 2>was that was one of the things that was so

0:18:38.600 --> 0:18:42.000
<v Speaker 2>puzzling about the case. This guy was, you know, it

0:18:42.119 --> 0:18:44.320
<v Speaker 2>was an inoffensive individual. He ran and he ran a

0:18:44.359 --> 0:18:46.680
<v Speaker 2>linen shop. He was a father, you know, young father,

0:18:46.720 --> 0:18:49.600
<v Speaker 2>he was twenty four years old. No one wished him

0:18:49.640 --> 0:18:52.199
<v Speaker 2>ill will, and so that's one of the things that

0:18:52.400 --> 0:18:55.840
<v Speaker 2>was so pleasant. There's there's nothing to point to a motive.

0:18:55.920 --> 0:18:57.760
<v Speaker 2>This was a guy who was folding linens for the

0:18:57.800 --> 0:19:00.480
<v Speaker 2>next day's business. His wife's beating the baby, and someone

0:19:00.560 --> 0:19:03.719
<v Speaker 2>barges in and butchers all of them. Because there was

0:19:04.560 --> 0:19:08.639
<v Speaker 2>no clear motive for why this happened, there is it

0:19:08.680 --> 0:19:11.080
<v Speaker 2>generates real fear in the area. If it can happen

0:19:11.080 --> 0:19:14.320
<v Speaker 2>to these people, it could happen again, and well and behold,

0:19:14.440 --> 0:19:16.160
<v Speaker 2>that's exactly what happens.

0:19:16.400 --> 0:19:18.040
<v Speaker 1>I don't know if you know this. I have another

0:19:18.119 --> 0:19:21.480
<v Speaker 1>show with a cold case investigator named Paul Holes. It's

0:19:21.520 --> 0:19:24.480
<v Speaker 1>called Buried Bones. And if I were telling Paul this story,

0:19:25.000 --> 0:19:27.320
<v Speaker 1>he would say probably, I would guess if I'm going

0:19:27.400 --> 0:19:31.080
<v Speaker 1>to channel Poul Holes, he would say, it is fantastical

0:19:31.160 --> 0:19:34.719
<v Speaker 1>to think that there is somebody lying in wait, waiting

0:19:34.760 --> 0:19:37.640
<v Speaker 1>for the servant girl at midnight to leave, not knowing

0:19:37.640 --> 0:19:39.840
<v Speaker 1>when she's going to come back, and this guy has

0:19:40.000 --> 0:19:43.200
<v Speaker 1>just enough time to slaughter this whole family before Margaret

0:19:43.280 --> 0:19:45.679
<v Speaker 1>Jewel comes back. The more I think about it, the

0:19:45.680 --> 0:19:47.879
<v Speaker 1>more I think this is bus I don't understand.

0:19:48.320 --> 0:19:52.400
<v Speaker 2>It's very strange. I don't understand it either. Honestly, would

0:19:52.400 --> 0:19:56.920
<v Speaker 2>your co hosts think maybe Margaret Jewel will somehow and involve.

0:19:56.600 --> 0:20:00.320
<v Speaker 1>Yes, I think he would. I think he would say

0:20:00.640 --> 0:20:04.040
<v Speaker 1>that seems odd. I mean, I guess, okay, was anything taken?

0:20:04.600 --> 0:20:07.280
<v Speaker 1>Is there robbery anywhere in this? Do you think nothing?

0:20:08.080 --> 0:20:10.000
<v Speaker 2>Was in the newspaper council and I didn't see anything of

0:20:10.040 --> 0:20:13.720
<v Speaker 2>anything taken. The only thing odd that they found out

0:20:13.760 --> 0:20:17.960
<v Speaker 2>was the shipping mallet the mall. But then what would

0:20:17.960 --> 0:20:21.879
<v Speaker 2>Margaret jules motive? Maybe her freaking out on the stand

0:20:21.920 --> 0:20:23.600
<v Speaker 2>and passing out. Maybe that was an act she didn't

0:20:23.600 --> 0:20:25.040
<v Speaker 2>want to have to answer too many questions.

0:20:28.400 --> 0:20:31.040
<v Speaker 1>So people are completely freaked out, even though this is

0:20:31.080 --> 0:20:33.960
<v Speaker 1>the most dangerous road in the world. Where do we

0:20:34.000 --> 0:20:34.680
<v Speaker 1>go next?

0:20:34.960 --> 0:20:38.080
<v Speaker 2>The more murder is on December seventh, and then twelve

0:20:38.160 --> 0:20:40.840
<v Speaker 2>days later, on December nineteenth, just a two minute walk

0:20:41.200 --> 0:20:44.560
<v Speaker 2>from the Mars shop, there's a place called the King's

0:20:44.640 --> 0:20:47.879
<v Speaker 2>Arms Tavern. This is a place. It's owned by a

0:20:47.920 --> 0:20:52.440
<v Speaker 2>gentleman named John Williamson and his wife Elizabeth, and their servant,

0:20:53.240 --> 0:20:56.720
<v Speaker 2>a woman named Bridget. And they've owned the place. I

0:20:56.720 --> 0:20:58.880
<v Speaker 2>think it was fifteen years. They've run the place. They're

0:20:58.960 --> 0:21:02.520
<v Speaker 2>very well established in the area. They're very well h liked.

0:21:02.640 --> 0:21:05.879
<v Speaker 2>The press actually call out that the King's Tavern was

0:21:05.920 --> 0:21:09.520
<v Speaker 2>open to one and all foreigners of all kinds. There

0:21:09.560 --> 0:21:14.440
<v Speaker 2>was no discrimination. You know. Williams is a really friendly guy.

0:21:14.560 --> 0:21:16.080
<v Speaker 2>It's not as a place to go get a mail

0:21:16.080 --> 0:21:19.960
<v Speaker 2>and a drink and everyone's welcome. But on the night

0:21:20.000 --> 0:21:25.119
<v Speaker 2>of December and nineteenth, Williams and his wife and Serbra

0:21:25.160 --> 0:21:28.720
<v Speaker 2>went Bridget. They are also horribly murdered in much the

0:21:28.720 --> 0:21:32.800
<v Speaker 2>same fashion as the mar family. But what's different in

0:21:32.840 --> 0:21:35.679
<v Speaker 2>this case is there is a witness of sorts. So

0:21:35.760 --> 0:21:39.040
<v Speaker 2>the King's Tavern, it's u pub. It has rooms upstairs

0:21:39.040 --> 0:21:42.560
<v Speaker 2>that you can let. And there's a gentleman upstairs who's

0:21:42.600 --> 0:21:45.480
<v Speaker 2>been living living at the pub for quite a while.

0:21:45.520 --> 0:21:47.920
<v Speaker 2>He's and he's upstairs. He's he's getting ready for bed.

0:21:48.040 --> 0:21:50.760
<v Speaker 2>He came home from a night out on the town.

0:21:50.920 --> 0:21:53.840
<v Speaker 2>He sees John Willimson and his wife. He talks him

0:21:53.840 --> 0:21:56.720
<v Speaker 2>for a bit. They seem perfectly normal. He bets them

0:21:56.840 --> 0:21:59.840
<v Speaker 2>good night, and he goes upstairs and he's getting ready

0:21:59.840 --> 0:22:03.920
<v Speaker 2>for bed, and he's he's naked, and he suddenly hears

0:22:04.119 --> 0:22:07.879
<v Speaker 2>a commotion downstairs. He hears someone like barging into the place,

0:22:08.119 --> 0:22:11.840
<v Speaker 2>and he hears John Williamson cry out, we are murdered.

0:22:11.960 --> 0:22:14.600
<v Speaker 2>And there's a sound, there's there's screaming, there's sounds of

0:22:14.600 --> 0:22:18.960
<v Speaker 2>all this violence happening. He hears a number of really

0:22:19.000 --> 0:22:23.040
<v Speaker 2>heavy thumps, like something being bashed in and he's petrified,

0:22:23.480 --> 0:22:25.320
<v Speaker 2>and he's he's up there in his room, like he said,

0:22:25.320 --> 0:22:28.160
<v Speaker 2>he's naked. He doesn't, you know, because he's got ready

0:22:28.160 --> 0:22:30.960
<v Speaker 2>for bed. He opens his bedroom door and he sneaks

0:22:31.000 --> 0:22:32.879
<v Speaker 2>down the stairs and he gets to the bottom up

0:22:32.920 --> 0:22:35.040
<v Speaker 2>the stairs, and there's a door at the bottom up

0:22:35.080 --> 0:22:38.000
<v Speaker 2>the stairs, and the door is slightly ajar, and he

0:22:38.119 --> 0:22:42.240
<v Speaker 2>peers through it and he looks into the room and

0:22:42.240 --> 0:22:46.280
<v Speaker 2>the rooms lit by the fireplace, and he can see

0:22:46.320 --> 0:22:49.159
<v Speaker 2>a body lying on the ground, and he sees a

0:22:49.240 --> 0:22:53.719
<v Speaker 2>man kneeling over the body. And the man's back is

0:22:53.760 --> 0:22:55.919
<v Speaker 2>to him, so he doesn't see the face. But the

0:22:55.960 --> 0:22:59.680
<v Speaker 2>man appears to be wearing like a long leather trench coat,

0:22:59.880 --> 0:23:02.040
<v Speaker 2>and it seems to be going through the pockets of

0:23:02.200 --> 0:23:05.480
<v Speaker 2>the body. And he hears this man take change or

0:23:05.520 --> 0:23:07.919
<v Speaker 2>coins out of the body's pockets, sort of jangle him

0:23:07.920 --> 0:23:11.080
<v Speaker 2>in his hands and stick him in his pocket. He

0:23:11.320 --> 0:23:16.600
<v Speaker 2>is he's petrified, and he sneaks back upstairs as quietly

0:23:17.200 --> 0:23:19.960
<v Speaker 2>as he can, and he puts on a night shirt

0:23:20.080 --> 0:23:22.879
<v Speaker 2>and some pants, and he has to get out of here.

0:23:22.960 --> 0:23:25.240
<v Speaker 2>You know, he's terrified he's going to be slaughtered next

0:23:25.240 --> 0:23:26.920
<v Speaker 2>and so he takes a couple of sheets from his bed,

0:23:26.960 --> 0:23:29.160
<v Speaker 2>he ties them around his bed head, and he lures

0:23:29.200 --> 0:23:32.919
<v Speaker 2>them out the window of his room and he starts

0:23:33.000 --> 0:23:35.560
<v Speaker 2>crawling out. And as he's crawling out the window, a

0:23:35.680 --> 0:23:37.920
<v Speaker 2>night washman happens to come by and see a guy

0:23:38.000 --> 0:23:41.359
<v Speaker 2>crawling out the pulp window, you know, in his night shirt.

0:23:41.840 --> 0:23:46.240
<v Speaker 2>This raises the alarm, and the nightwashman sounds his rattle,

0:23:46.280 --> 0:23:49.920
<v Speaker 2>blows his whistle, and folks in the surrounding houses come

0:23:49.920 --> 0:23:52.600
<v Speaker 2>out and they break into the pub. They break down

0:23:52.640 --> 0:23:55.239
<v Speaker 2>the front door, and they smash a basement window. Call

0:23:55.320 --> 0:23:58.520
<v Speaker 2>and they enter in and they find again a horrible

0:23:58.520 --> 0:24:02.719
<v Speaker 2>seeing John Williamson. He's you know, his throat's been slipped

0:24:02.760 --> 0:24:05.280
<v Speaker 2>down to the bone. He's been beaten balley. He actually

0:24:05.280 --> 0:24:07.199
<v Speaker 2>has a broken leg. Looks like he took a tumble

0:24:07.920 --> 0:24:10.840
<v Speaker 2>down a flight of stairs into the basement level while

0:24:10.840 --> 0:24:14.000
<v Speaker 2>he was trying to defend himself. His wife, Elizabeth, she's

0:24:14.040 --> 0:24:17.240
<v Speaker 2>been stabs, throw slat, you know, head caved in. The

0:24:17.480 --> 0:24:21.639
<v Speaker 2>servant woman Bridget They said she had a huge, a

0:24:21.840 --> 0:24:24.159
<v Speaker 2>huge hole in the side of her neck where you know,

0:24:24.480 --> 0:24:29.000
<v Speaker 2>she'd been mutilated. And this time there's there's a clue

0:24:29.320 --> 0:24:31.320
<v Speaker 2>such as it was. It probably be a gold line

0:24:31.359 --> 0:24:34.080
<v Speaker 2>of the clue today back then, but there was a

0:24:34.760 --> 0:24:38.280
<v Speaker 2>like a bloody handprint on a window sill that led

0:24:38.320 --> 0:24:40.560
<v Speaker 2>out the back of let out the back of the pub.

0:24:41.080 --> 0:24:43.240
<v Speaker 2>The way it's described in the newspapers up the day

0:24:43.400 --> 0:24:45.080
<v Speaker 2>is the back of the pub fased out on. I

0:24:45.119 --> 0:24:47.439
<v Speaker 2>guess you could call it wasteland. It was wet clay,

0:24:47.960 --> 0:24:51.760
<v Speaker 2>and the killer climbed up this mountain of wet clay

0:24:51.960 --> 0:24:54.520
<v Speaker 2>and then ran away once he got to the top

0:24:54.560 --> 0:24:56.760
<v Speaker 2>of the hill. So the speculation is that this guy

0:24:56.840 --> 0:25:00.480
<v Speaker 2>would have probably been covered in clay when he when

0:25:00.480 --> 0:25:03.080
<v Speaker 2>he got to the top. But you know, except that

0:25:03.119 --> 0:25:05.120
<v Speaker 2>he left a handprint, well he handprint on the windowsill,

0:25:05.280 --> 0:25:07.440
<v Speaker 2>which today would have been a gold mine. Back then,

0:25:07.680 --> 0:25:11.560
<v Speaker 2>it didn't mean anything. And so you've got you know,

0:25:12.040 --> 0:25:13.880
<v Speaker 2>was it twelve days since the war murder and now

0:25:13.880 --> 0:25:17.600
<v Speaker 2>it's it's happened again. And one of the London newspapers,

0:25:17.720 --> 0:25:20.359
<v Speaker 2>which I caught in the book, they're almost like apologetic

0:25:20.440 --> 0:25:23.719
<v Speaker 2>that they have to report. Thence the following day they

0:25:23.760 --> 0:25:26.040
<v Speaker 2>actually start off with like, you know, we're sorry we

0:25:26.119 --> 0:25:28.879
<v Speaker 2>have to tell you this, but it's happened again. You

0:25:29.040 --> 0:25:32.560
<v Speaker 2>have you know, the Nightwatchman, the Constables. This sort of

0:25:32.560 --> 0:25:36.760
<v Speaker 2>mismashed investigation with no sort of like coordinated effort happening.

0:25:37.119 --> 0:25:40.760
<v Speaker 2>It kind of goes nowhere until a couple of people

0:25:40.800 --> 0:25:43.879
<v Speaker 2>stepped forward and you know, with some information that I

0:25:43.960 --> 0:25:45.760
<v Speaker 2>think is pivotal to the case.

0:25:46.280 --> 0:25:49.240
<v Speaker 1>Yeah, I mean I think this is this set of

0:25:49.320 --> 0:25:52.639
<v Speaker 1>murders too, is just so terrifying to think. Again, you know,

0:25:53.320 --> 0:25:57.040
<v Speaker 1>a well liked business owner, you know, at home late

0:25:57.080 --> 0:26:00.199
<v Speaker 1>at night into some birds cold outside the story of

0:26:00.240 --> 0:26:02.960
<v Speaker 1>the lodger. It's John Turner. I had remembered is the

0:26:03.000 --> 0:26:03.520
<v Speaker 1>guy's name?

0:26:03.640 --> 0:26:05.560
<v Speaker 2>Thank you? Yes, thank you, yes.

0:26:05.400 --> 0:26:08.280
<v Speaker 1>John Turner. And when he says that he sees a

0:26:08.320 --> 0:26:11.320
<v Speaker 1>tall man in a long coat standing over Missus Williamson's

0:26:11.320 --> 0:26:13.680
<v Speaker 1>body right at the bottom of the stairs and jingling

0:26:13.720 --> 0:26:16.440
<v Speaker 1>money and stuff like that. Yet again you've got another

0:26:16.680 --> 0:26:20.159
<v Speaker 1>character who's there who kind of a little bit like

0:26:20.280 --> 0:26:22.040
<v Speaker 1>Margaret Jewel. It's sort of like to me in a

0:26:22.040 --> 0:26:24.080
<v Speaker 1>little bit of a mysterious character. I mean, there's all

0:26:24.119 --> 0:26:27.000
<v Speaker 1>sorts of weird things happening. You always look at people

0:26:27.000 --> 0:26:29.159
<v Speaker 1>who are the survivors and think, how did that happen?

0:26:29.359 --> 0:26:31.199
<v Speaker 1>You know, when you have all of these victims. So

0:26:31.240 --> 0:26:34.359
<v Speaker 1>I find that interesting. And also, you know, I had thought, well,

0:26:34.400 --> 0:26:37.280
<v Speaker 1>there's you know, if maybe he's mistaken or I don't know,

0:26:37.359 --> 0:26:39.280
<v Speaker 1>we don't know if he's been drinking, and we you know,

0:26:39.280 --> 0:26:40.520
<v Speaker 1>we don't know if he's the one who did it.

0:26:40.600 --> 0:26:43.679
<v Speaker 1>There's just so many weird inconsistencies, I think, but this

0:26:43.720 --> 0:26:44.760
<v Speaker 1>had to have been terrifying.

0:26:45.080 --> 0:26:47.720
<v Speaker 2>Yeah, it is word and when I was researching this,

0:26:47.880 --> 0:26:50.359
<v Speaker 2>I thought, God, this guy had a lucky break, you

0:26:50.400 --> 0:26:51.879
<v Speaker 2>know the fancas he said with a tipsoe back up

0:26:51.920 --> 0:26:54.480
<v Speaker 2>the stairs without sort of sounding the a arm. And

0:26:54.520 --> 0:26:57.920
<v Speaker 2>then you're thinking, you know, these old pubger maybing around upstairs,

0:26:57.960 --> 0:27:01.040
<v Speaker 2>you know, aren't floor boards creaking and a massort? One

0:27:01.040 --> 0:27:02.840
<v Speaker 2>thing I didn't include it in the book, but one

0:27:02.840 --> 0:27:05.040
<v Speaker 2>thing also, The other person who was in the house

0:27:05.040 --> 0:27:09.120
<v Speaker 2>and slept the whole thing was John Wallinson's young granddaughter. Yeah,

0:27:09.200 --> 0:27:11.800
<v Speaker 2>she sleeps through the whole thing. She scares. But John

0:27:11.840 --> 0:27:15.159
<v Speaker 2>Turner us seem a bit of crief for, like, you know,

0:27:15.200 --> 0:27:19.440
<v Speaker 2>fleeing the place when there was a child sleeping sleeping upstairs.

0:27:19.680 --> 0:27:21.800
<v Speaker 2>On the flip side of that, you can't blame something

0:27:21.800 --> 0:27:23.720
<v Speaker 2>for trying to scarey out a window to escape. But

0:27:23.760 --> 0:27:27.400
<v Speaker 2>it is strange both the murders, you have the survivors. Hey,

0:27:27.400 --> 0:27:30.119
<v Speaker 2>who knows, maybe Margaret Jewel and John Turner were working

0:27:30.160 --> 0:27:30.720
<v Speaker 2>in cahoots.

0:27:31.000 --> 0:27:34.200
<v Speaker 1>I think that's just as probable as what it sounds like.

0:27:34.520 --> 0:27:36.840
<v Speaker 1>We're going to learn about the main suspect here. Pretty

0:27:36.840 --> 0:27:39.600
<v Speaker 1>soon it gets a little confusing when we start talking

0:27:39.600 --> 0:27:42.360
<v Speaker 1>about the main suspect, because we have the victim, John Williamson,

0:27:42.600 --> 0:27:44.919
<v Speaker 1>and then we've got a suspect that has a very

0:27:44.920 --> 0:27:48.439
<v Speaker 1>similar last name. Well, before we get into that, is

0:27:48.480 --> 0:27:51.960
<v Speaker 1>there anyone who could say definitively that anything was taken

0:27:52.040 --> 0:27:56.480
<v Speaker 1>from the Williamson household, considering everybody is dead or too

0:27:56.520 --> 0:27:59.680
<v Speaker 1>young to know, or you know, is a lodger who

0:28:00.200 --> 0:28:01.400
<v Speaker 1>has bigger concerns.

0:28:01.480 --> 0:28:03.320
<v Speaker 2>Yeah, based on the newspaper accounts of the day that

0:28:03.359 --> 0:28:05.920
<v Speaker 2>I read, no one definitely said anything was taken from

0:28:05.920 --> 0:28:09.200
<v Speaker 2>the pub, except for John Turner, who witnessed the pillar

0:28:09.280 --> 0:28:11.960
<v Speaker 2>bending over the body of one of the victims and

0:28:12.160 --> 0:28:15.119
<v Speaker 2>taking you know, coins from the pocket and jangling in

0:28:15.160 --> 0:28:17.879
<v Speaker 2>his hands. And so from that point of view, the

0:28:18.400 --> 0:28:22.800
<v Speaker 2>murder is again it's a motiveless crime. You had another family,

0:28:22.960 --> 0:28:25.640
<v Speaker 2>a business owner, well respected in the area, well liked,

0:28:26.119 --> 0:28:29.560
<v Speaker 2>but sure for no apparent reason, which really adds to

0:28:29.600 --> 0:28:31.600
<v Speaker 2>the sort of terrifying nature of the crimes. You know.

0:28:31.640 --> 0:28:34.840
<v Speaker 2>The barbarity obviously is one aspect that makes it solf frightening,

0:28:34.880 --> 0:28:36.359
<v Speaker 2>but the fact that these people should be killed for

0:28:36.440 --> 0:28:39.800
<v Speaker 2>all apparent reason sort of makes it even more disturbing.

0:28:40.440 --> 0:28:42.440
<v Speaker 1>No, I know, you said that they have a handprint,

0:28:43.240 --> 0:28:45.840
<v Speaker 1>and I was trying to remember or even sort of

0:28:45.880 --> 0:28:48.560
<v Speaker 1>process whether or not that was going to be helpful,

0:28:48.600 --> 0:28:52.800
<v Speaker 1>because I don't know if in eighteen eleven they realized

0:28:52.840 --> 0:28:56.760
<v Speaker 1>there was a distinctiveness, like an actual you can identify somebody.

0:28:56.800 --> 0:28:59.560
<v Speaker 1>We all have distinct handprint, fingerprint. I don't think that

0:28:59.600 --> 0:29:01.680
<v Speaker 1>came into a little bit later they did it.

0:29:02.160 --> 0:29:04.840
<v Speaker 2>Scullnyard does actually start using fingerprints until nineteen oh one.

0:29:05.240 --> 0:29:07.680
<v Speaker 2>But I'm just gonna jump ahead very quickly here. There

0:29:07.720 --> 0:29:10.520
<v Speaker 2>was actually a pretty infamous murder in eighteen forty where

0:29:10.520 --> 0:29:12.720
<v Speaker 2>a guy named Lord William Russell's murdered in his bed.

0:29:12.800 --> 0:29:15.479
<v Speaker 2>The butler ends up doing it. The press reports at

0:29:15.480 --> 0:29:17.720
<v Speaker 2>the time report that there's a bloody pomp print found

0:29:17.720 --> 0:29:21.360
<v Speaker 2>on Lord William Russell's pillow. At the time of this murder.

0:29:21.400 --> 0:29:24.480
<v Speaker 2>There is a country doctor up in Norfolk named Richard

0:29:24.520 --> 0:29:28.800
<v Speaker 2>Overton who has just out of his own interest, studied

0:29:29.000 --> 0:29:33.000
<v Speaker 2>the weird marks that human skin leaves on surfaces, and

0:29:33.080 --> 0:29:36.080
<v Speaker 2>he reads about this eighteen forty murder. You know, shortly

0:29:36.120 --> 0:29:37.840
<v Speaker 2>after it happens, and he sends a letter to Scotland

0:29:37.920 --> 0:29:39.600
<v Speaker 2>Yard and he says, you know, he's not very well known,

0:29:40.080 --> 0:29:44.200
<v Speaker 2>but human skin has ridges which is particular that each

0:29:44.200 --> 0:29:47.480
<v Speaker 2>individual and can be left on the surface. And so

0:29:47.520 --> 0:29:50.320
<v Speaker 2>if you arrest the suspect and you take their pondpernt,

0:29:50.360 --> 0:29:51.600
<v Speaker 2>he might be able to compare it with the pomp

0:29:51.640 --> 0:29:54.080
<v Speaker 2>print found on the pillow. And as a demonstration he

0:29:54.120 --> 0:29:56.440
<v Speaker 2>includes his own fingerprints on the layer and he sends

0:29:56.440 --> 0:29:58.960
<v Speaker 2>off to Scotland Yard. It gets stuck in the slush

0:29:58.960 --> 0:30:01.920
<v Speaker 2>file and is saying for fifty years. It's not found

0:30:02.000 --> 0:30:05.360
<v Speaker 2>until eighteen ninety and that is one of the great

0:30:05.640 --> 0:30:08.640
<v Speaker 2>what if What if scott Yard had opened that letter

0:30:08.640 --> 0:30:11.240
<v Speaker 2>when it arrived in eighteen forty well sort of followed

0:30:11.280 --> 0:30:13.920
<v Speaker 2>up in this Victorian crime fighting might have been completely

0:30:14.080 --> 0:30:17.080
<v Speaker 2>completely different. So in eighteen eleven go back to the

0:30:17.080 --> 0:30:20.240
<v Speaker 2>Poor Williamson's and yeah, they're pump They can't do anything

0:30:20.240 --> 0:30:21.720
<v Speaker 2>with it. All they meant was that they knew the

0:30:21.800 --> 0:30:23.120
<v Speaker 2>killer to escape through the back window.

0:30:23.480 --> 0:30:27.440
<v Speaker 1>So they have no suspects. We don't think anything really

0:30:27.640 --> 0:30:29.960
<v Speaker 1>that we can actually confirm has been taken from either

0:30:30.000 --> 0:30:33.640
<v Speaker 1>of these households. They're brutal murders, including a baby in

0:30:33.680 --> 0:30:36.960
<v Speaker 1>the first household. Young people that just seemed to be,

0:30:37.120 --> 0:30:41.480
<v Speaker 1>you know, left with wreckage. You've got survivors, neither of

0:30:41.480 --> 0:30:43.720
<v Speaker 1>whom I'm sure I believe, I don't know. We'll see.

0:30:44.200 --> 0:30:46.920
<v Speaker 1>So where do we go next when we are not

0:30:47.080 --> 0:30:50.920
<v Speaker 1>living in an era of CCTV credit cards. What do

0:30:51.000 --> 0:30:52.080
<v Speaker 1>they end up doing next?

0:30:52.400 --> 0:30:56.040
<v Speaker 2>Well, well, what happens as the investigation, if you can

0:30:56.080 --> 0:31:00.600
<v Speaker 2>call it that. And three days after the Williams some murder,

0:31:00.960 --> 0:31:04.240
<v Speaker 2>some people come forward and they name a guy named

0:31:04.320 --> 0:31:06.920
<v Speaker 2>John Williams. So back trigger Loving, there's no man named

0:31:06.960 --> 0:31:09.720
<v Speaker 2>John Williams. He's living at a pub called the Pear Tree,

0:31:09.920 --> 0:31:13.640
<v Speaker 2>and he has he has two roommates he's been bunking with.

0:31:13.840 --> 0:31:19.120
<v Speaker 2>John Williams is a sailor. He actually knew Timothy Maher.

0:31:19.280 --> 0:31:23.080
<v Speaker 2>The two had celts together at some point in their career.

0:31:23.280 --> 0:31:27.720
<v Speaker 2>And he sort of piques the suspicions of his two

0:31:27.800 --> 0:31:31.240
<v Speaker 2>roommates because in the wake of these murders, he suddenly

0:31:31.280 --> 0:31:33.560
<v Speaker 2>seems to have come into a little bit of money.

0:31:33.600 --> 0:31:35.720
<v Speaker 2>You know, he usually doesn't have a lot, but now

0:31:35.720 --> 0:31:38.200
<v Speaker 2>he's got a little bit to spend. And he's also

0:31:38.360 --> 0:31:41.880
<v Speaker 2>changed his appearance. He has shaved his beard. The women

0:31:41.920 --> 0:31:45.200
<v Speaker 2>who are doing his laundry at the pub, they report

0:31:45.280 --> 0:31:50.120
<v Speaker 2>having found what they believed to have been blood on

0:31:50.120 --> 0:31:52.920
<v Speaker 2>one of his shirts in the wake of the murders.

0:31:53.080 --> 0:31:55.400
<v Speaker 2>And he was also known to have possessed a knife

0:31:55.400 --> 0:31:58.440
<v Speaker 2>that had a quoe unquote peculiar blade that theory I

0:31:58.480 --> 0:32:01.840
<v Speaker 2>think could have inflicted the women's fans at the crime scene.

0:32:02.000 --> 0:32:05.240
<v Speaker 2>But what really sort of peaks the curiosity of the

0:32:05.280 --> 0:32:07.160
<v Speaker 2>constables I want to work in the case is that

0:32:07.280 --> 0:32:11.280
<v Speaker 2>the Pear Tree, the pub where John Williams is staying,

0:32:11.600 --> 0:32:16.040
<v Speaker 2>had a mall one of these shipbuilding hammers that went missing,

0:32:16.880 --> 0:32:21.719
<v Speaker 2>and the mall found at the Timothy Mahra residence is

0:32:22.560 --> 0:32:28.040
<v Speaker 2>identified supposedly as the mall that went missing from the

0:32:28.080 --> 0:32:31.720
<v Speaker 2>Pear Tree. Based on this eference, which is circumstantial. John

0:32:31.760 --> 0:32:35.560
<v Speaker 2>Williams is arrested and he is put through what one

0:32:35.600 --> 0:32:39.560
<v Speaker 2>newspaper calls a very thorough interrogation, and we can only.

0:32:39.680 --> 0:32:42.880
<v Speaker 1>In America we'd call the third degree. Probably yes, exactly.

0:32:43.360 --> 0:32:46.160
<v Speaker 2>He's put through this really brutal interrogation where we can

0:32:46.200 --> 0:32:49.680
<v Speaker 2>only assume is brutal. He's taken back to his cell

0:32:50.600 --> 0:32:54.719
<v Speaker 2>and he hangs himself with a handkerchief on a pipe

0:32:54.920 --> 0:32:59.240
<v Speaker 2>that is used to hang clothing, and his body's found

0:32:59.280 --> 0:33:02.280
<v Speaker 2>not long after he he hangs himself, So no one

0:33:02.360 --> 0:33:05.160
<v Speaker 2>really knows if John Williams did it or not. In

0:33:05.240 --> 0:33:07.360
<v Speaker 2>the eyes of the public, he certainly did.

0:33:07.840 --> 0:33:10.640
<v Speaker 1>So let's talk about the evidence before we talk about

0:33:10.800 --> 0:33:12.760
<v Speaker 1>his death. I mean, again, this is one of the

0:33:12.760 --> 0:33:16.800
<v Speaker 1>most befuddling cases. I've always thought about why the Ratcliff

0:33:16.840 --> 0:33:19.400
<v Speaker 1>Highway murders were not as infamous as Jack the Ripper,

0:33:19.440 --> 0:33:21.640
<v Speaker 1>And I think it's the taunting part of it. The

0:33:21.800 --> 0:33:24.600
<v Speaker 1>murders that at least are a provable connected to this

0:33:24.680 --> 0:33:28.520
<v Speaker 1>have stopped after John Williams is dead. But if we

0:33:28.520 --> 0:33:30.640
<v Speaker 1>go back and look at the evidence, so the evidence

0:33:30.680 --> 0:33:34.640
<v Speaker 1>really was that he knew. I know that Tom de Quincy,

0:33:34.720 --> 0:33:37.479
<v Speaker 1>who was a very famous essayist, wrote and did kind

0:33:37.520 --> 0:33:39.840
<v Speaker 1>of an investigation also and wrote an essay right and

0:33:39.880 --> 0:33:42.800
<v Speaker 1>he said there was this definitive connection between Timothy Marr

0:33:42.960 --> 0:33:46.880
<v Speaker 1>and John Williams. What was the connection between John Williams

0:33:46.920 --> 0:33:50.240
<v Speaker 1>and John Williamson the victim? I feel like I read

0:33:50.280 --> 0:33:52.720
<v Speaker 1>that maybe he had stayed there at some point, but

0:33:52.800 --> 0:33:54.960
<v Speaker 1>I don't remember that could have been in a PD

0:33:55.080 --> 0:33:56.000
<v Speaker 1>James book, the P. D.

0:33:56.120 --> 0:33:58.600
<v Speaker 2>James book. I mean colors like everything that does with

0:33:58.720 --> 0:34:02.320
<v Speaker 2>Williams and mar that there was a definitive connection and

0:34:02.320 --> 0:34:05.239
<v Speaker 2>that they and that they sell together. I don't know

0:34:05.280 --> 0:34:08.640
<v Speaker 2>how close they were, if they were friends or or

0:34:08.680 --> 0:34:11.200
<v Speaker 2>what not, but I mean that was definitely a damning

0:34:11.239 --> 0:34:14.759
<v Speaker 2>piece of evidence against him. The other stuff, Yeah, the

0:34:14.840 --> 0:34:16.759
<v Speaker 2>shaving of the beard.

0:34:16.719 --> 0:34:18.680
<v Speaker 1>I just don't think there's no evidence.

0:34:18.880 --> 0:34:19.800
<v Speaker 2>There's no evidence.

0:34:19.880 --> 0:34:22.320
<v Speaker 1>And people steal tools all the time.

0:34:22.560 --> 0:34:24.840
<v Speaker 2>Yeah, yeah, exactly, And the blood found on his clothes,

0:34:24.840 --> 0:34:28.319
<v Speaker 2>it's not even sure it was blood. These two laundrywomen, Yeah,

0:34:28.400 --> 0:34:29.920
<v Speaker 2>two ways he did the laundry. He saw it and

0:34:29.960 --> 0:34:31.760
<v Speaker 2>just assumed it was blood.

0:34:31.880 --> 0:34:34.200
<v Speaker 1>Yeah. My thought had been, of course, there's no way

0:34:34.200 --> 0:34:38.280
<v Speaker 1>that to definitively match the mall from the crime scene

0:34:38.600 --> 0:34:41.960
<v Speaker 1>unless there's fingerprints or something, and even then they wouldn't

0:34:41.960 --> 0:34:44.520
<v Speaker 1>have been able to use that. And people stole stuff

0:34:44.560 --> 0:34:47.040
<v Speaker 1>all the time. Weren't a terrible area of London. I

0:34:47.080 --> 0:34:49.719
<v Speaker 1>just don't none of this is compelling in any way

0:34:49.880 --> 0:34:52.120
<v Speaker 1>at all, especially his suicide.

0:34:52.400 --> 0:34:55.239
<v Speaker 2>Yeah, ef theft was an incredibly common crime. I think

0:34:55.239 --> 0:34:57.520
<v Speaker 2>I said the beginning of very I think seventy five

0:34:57.560 --> 0:35:00.560
<v Speaker 2>percent of all crimes. Yeah, in London at the time

0:35:00.800 --> 0:35:03.960
<v Speaker 2>our left and Roberty. So the evidence is purely circumstantial.

0:35:04.040 --> 0:35:06.239
<v Speaker 2>I think this is one of those things where authorities

0:35:06.280 --> 0:35:08.400
<v Speaker 2>just want this case to go away, so let's put

0:35:08.440 --> 0:35:10.120
<v Speaker 2>on this guy and be done with it.

0:35:10.160 --> 0:35:12.920
<v Speaker 1>Is there an insinuation that someone murdered him, that this

0:35:13.120 --> 0:35:15.360
<v Speaker 1>was not, you know, an act of suicide.

0:35:15.880 --> 0:35:17.520
<v Speaker 2>I didn't se any insinuation in the you know, in

0:35:17.560 --> 0:35:20.560
<v Speaker 2>the newspaper coverage of the day. The newspapers were either

0:35:20.680 --> 0:35:23.400
<v Speaker 2>like happy this guy was gone or angry that he

0:35:23.440 --> 0:35:26.760
<v Speaker 2>didn't get justice in court. But I certainly wondered that

0:35:27.239 --> 0:35:30.000
<v Speaker 2>when I was when I was researching it. Now it

0:35:30.080 --> 0:35:34.360
<v Speaker 2>seems pretty convenient. So who who knows? You know, nothing's

0:35:34.400 --> 0:35:37.239
<v Speaker 2>beyond the remay. Hey, look, we've identified Margaret Joel as

0:35:37.280 --> 0:35:39.640
<v Speaker 2>a possible suspect now, so nothing's beyond the realm up

0:35:39.800 --> 0:35:41.560
<v Speaker 2>right possibility.

0:35:42.160 --> 0:35:45.040
<v Speaker 1>Yeah, I mean, you know, you have two able bodied

0:35:45.040 --> 0:35:48.040
<v Speaker 1>people who are survivors, you know, John Turner on one

0:35:48.120 --> 0:35:50.279
<v Speaker 1>household and Margaret Jewel and another. And I'm not saying

0:35:50.280 --> 0:35:52.279
<v Speaker 1>they did it, but I'm just saying that there could

0:35:52.280 --> 0:35:55.680
<v Speaker 1>be a coordinated effort I have never thought that John

0:35:55.719 --> 0:36:00.440
<v Speaker 1>Williams was a decent suspect at all. But you know,

0:36:00.480 --> 0:36:02.879
<v Speaker 1>I'm missing some information. I would like you to talk

0:36:02.880 --> 0:36:07.799
<v Speaker 1>about the next level amount of just discussed and what

0:36:07.880 --> 0:36:11.400
<v Speaker 1>they did with John Williams after it was discovered that

0:36:11.480 --> 0:36:14.120
<v Speaker 1>he had died and they were not able to take

0:36:14.200 --> 0:36:16.440
<v Speaker 1>him to trial. What happens next.

0:36:16.680 --> 0:36:20.600
<v Speaker 2>They yeah, they he's not let off the hook, even

0:36:20.600 --> 0:36:23.200
<v Speaker 2>in death. They take his body down, they strip him,

0:36:23.200 --> 0:36:25.680
<v Speaker 2>they stick him on a cart. They wheel him on

0:36:25.719 --> 0:36:28.399
<v Speaker 2>a cart through the East End of London. Crowds are

0:36:28.440 --> 0:36:32.120
<v Speaker 2>turning out to sort of jeer him, and you know,

0:36:32.160 --> 0:36:34.239
<v Speaker 2>they're throwing fruit and rocks at the guy, and it's

0:36:34.600 --> 0:36:37.000
<v Speaker 2>you know, at this corpse. And they take him to

0:36:38.200 --> 0:36:41.120
<v Speaker 2>an intersection, a main intersection in the East end of London.

0:36:41.200 --> 0:36:43.920
<v Speaker 2>They actually they drive a stake through him and then

0:36:44.000 --> 0:36:46.600
<v Speaker 2>they bury him in a hole in the road and

0:36:46.719 --> 0:36:49.759
<v Speaker 2>they cover him up there and that's where they leave him.

0:36:49.800 --> 0:36:52.479
<v Speaker 2>And then you're right, the case sort of after all,

0:36:52.560 --> 0:36:56.399
<v Speaker 2>it's sort of disappears. I'm surprised it's not as well

0:36:56.440 --> 0:36:59.000
<v Speaker 2>known as the Ripper case. But like he said, there's

0:36:59.000 --> 0:37:00.799
<v Speaker 2>an other sort of reper case is kind of the

0:37:00.840 --> 0:37:03.400
<v Speaker 2>first modern day serial killer case where you have the

0:37:03.480 --> 0:37:06.279
<v Speaker 2>killer taunting the press. Yeah, and kind of setting the

0:37:06.320 --> 0:37:08.960
<v Speaker 2>temb left for that, and the ractifying murders didn't sort

0:37:08.960 --> 0:37:12.440
<v Speaker 2>of have that element to it, so it's kind of

0:37:12.480 --> 0:37:13.080
<v Speaker 2>been forgotten.

0:37:13.920 --> 0:37:17.120
<v Speaker 1>Well, you know a couple of points. One was when

0:37:17.280 --> 0:37:20.239
<v Speaker 1>I know when John Williams was buried, he's buried at

0:37:20.239 --> 0:37:23.120
<v Speaker 1>this intersection. They did it because, you know, they wanted

0:37:23.120 --> 0:37:24.759
<v Speaker 1>to bury him at a crossroad so that when his

0:37:24.840 --> 0:37:27.439
<v Speaker 1>spirit rose, it wouldn't know where to go, it would

0:37:27.440 --> 0:37:30.879
<v Speaker 1>be perpetually confused, it wouldn't and I think they buried

0:37:30.920 --> 0:37:33.960
<v Speaker 1>him face down too. It's pretty awful. Rob Jeffrey said,

0:37:33.960 --> 0:37:35.799
<v Speaker 1>you should really go visit this place. The pub's out

0:37:35.800 --> 0:37:37.680
<v Speaker 1>there anymore. And I thought, Okay, well, I don't know

0:37:37.680 --> 0:37:40.800
<v Speaker 1>if I want to go to this intersection. That's really creepy.

0:37:41.080 --> 0:37:43.520
<v Speaker 1>But you know, that idea of sort of convicting somebody,

0:37:43.600 --> 0:37:46.880
<v Speaker 1>not letting it go until it was done. I'm sure

0:37:46.920 --> 0:37:50.280
<v Speaker 1>people in the mid eighteen hundreds to later eighteen hundreds

0:37:50.320 --> 0:37:53.240
<v Speaker 1>before Jack the Ripper knew a lot about Ratcliffe Highway.

0:37:53.320 --> 0:37:56.520
<v Speaker 1>And then you've got the Jack the Ripper with its

0:37:56.560 --> 0:37:59.480
<v Speaker 1>criminal profiling kind of the first well known case of

0:37:59.520 --> 0:38:03.919
<v Speaker 1>criminal profiling, which surprises me because you know, I think

0:38:03.960 --> 0:38:06.920
<v Speaker 1>that the Ratcliffe Highway murders is ripe for criminal profiling.

0:38:06.960 --> 0:38:09.239
<v Speaker 1>I think you could really have somebody now look at

0:38:09.239 --> 0:38:11.120
<v Speaker 1>that case and go, God, this doesn't make any sense,

0:38:11.200 --> 0:38:12.960
<v Speaker 1>this guy doesn't fit in at all, or oh yeah,

0:38:13.040 --> 0:38:15.680
<v Speaker 1>this is exactly what you would see. I just don't

0:38:15.719 --> 0:38:17.600
<v Speaker 1>think you have enough information to know. But it's an

0:38:17.640 --> 0:38:18.480
<v Speaker 1>enduring mystery.

0:38:18.680 --> 0:38:21.439
<v Speaker 2>It is fascinating. You're right, it would absolutely be great

0:38:21.480 --> 0:38:24.520
<v Speaker 2>for a criminal profiler. And yes, Scott, you know that

0:38:24.640 --> 0:38:27.080
<v Speaker 2>Jack the Ripper case is the first attempt made at

0:38:27.200 --> 0:38:29.480
<v Speaker 2>criminal profiling. And I'm kind of bouncing around here, But

0:38:30.320 --> 0:38:32.560
<v Speaker 2>when I was thinking about writing this book, I know

0:38:32.600 --> 0:38:34.440
<v Speaker 2>it's going to have to write about the Jack the

0:38:34.520 --> 0:38:37.080
<v Speaker 2>Ripper case, obviously, because you can't write about Scotlan year

0:38:37.080 --> 0:38:38.440
<v Speaker 2>and uncluded the Ripper. But I was trying to think

0:38:38.480 --> 0:38:41.080
<v Speaker 2>of a different approach to the Ripper case, and that

0:38:41.280 --> 0:38:44.160
<v Speaker 2>was one of the things when I was researching. I

0:38:44.200 --> 0:38:46.520
<v Speaker 2>discovered that the Jack theap case, it's the first attempt

0:38:46.520 --> 0:38:49.719
<v Speaker 2>made a criminal profiling. It's also a first attempt made

0:38:49.760 --> 0:38:53.120
<v Speaker 2>at using sniffer dogs returned the scot returned Stellton Yard

0:38:53.080 --> 0:38:55.680
<v Speaker 2>a merciless amount of ridicule in the press, but that

0:38:55.760 --> 0:38:57.480
<v Speaker 2>sort of ties back into kind of the point of

0:38:57.480 --> 0:39:00.399
<v Speaker 2>the book and sort of showing how Scotton Yard really

0:39:00.480 --> 0:39:03.200
<v Speaker 2>sort of laid the foundation for a lot of modern

0:39:03.280 --> 0:39:05.600
<v Speaker 2>day investigative work and the things we see today and

0:39:05.840 --> 0:39:08.399
<v Speaker 2>sort of true crime documentaries and you know we read

0:39:08.400 --> 0:39:09.520
<v Speaker 2>about detective thrillers.

0:39:09.800 --> 0:39:13.440
<v Speaker 1>Yeah, absolutely, I mean developing some really innovative techniques and

0:39:14.080 --> 0:39:16.319
<v Speaker 1>you know, I just think the history of Scotland Yard

0:39:16.400 --> 0:39:20.520
<v Speaker 1>is so fascinating. In the old building, finding Torso's you know.

0:39:20.680 --> 0:39:23.000
<v Speaker 2>That's it's one of when I actually wrote the book

0:39:23.040 --> 0:39:26.600
<v Speaker 2>proposal for h for Scotland Yard. Yeah, when they were

0:39:26.600 --> 0:39:29.920
<v Speaker 2>building what became known as New Scotland Yard, their new headquarters,

0:39:30.520 --> 0:39:33.799
<v Speaker 2>they found a victim up the Thames Torso murder in

0:39:33.880 --> 0:39:37.080
<v Speaker 2>the in the basement who was actually killing at the

0:39:37.120 --> 0:39:38.640
<v Speaker 2>same time as Jack the Riper. A lot of people

0:39:38.640 --> 0:39:40.840
<v Speaker 2>don't realize the Yard was like pursuing two serial killers

0:39:40.880 --> 0:39:43.160
<v Speaker 2>at the same time, the Ripper in the tenth Social Order.

0:39:43.440 --> 0:39:46.360
<v Speaker 2>But because they found a victiamall the Tennis Sourzew murder

0:39:46.400 --> 0:39:48.480
<v Speaker 2>in the basement of Scotlan Yard's headquarters, the first. One

0:39:48.520 --> 0:39:50.480
<v Speaker 2>of my book proposal was Scotland Yard is built on

0:39:50.520 --> 0:39:56.080
<v Speaker 2>an nonsoul mystery because they never actually solved the Torso murders.

0:39:56.160 --> 0:39:58.040
<v Speaker 1>I don't know if I've mentioned this on the show

0:39:58.120 --> 0:40:00.320
<v Speaker 1>before or not. I had heard of the Ratcliff Highway

0:40:00.360 --> 0:40:02.600
<v Speaker 1>murders for years because I had read through you know, P. D.

0:40:02.760 --> 0:40:05.880
<v Speaker 1>James book. My mom's a huge PD James fan, and

0:40:05.960 --> 0:40:08.279
<v Speaker 1>so I knew about the book. But one of my

0:40:08.280 --> 0:40:11.279
<v Speaker 1>favorite TV series is Whitechapel. Did you ever watch Whitechapel?

0:40:11.480 --> 0:40:13.800
<v Speaker 2>No? I never. I never did, and I should.

0:40:14.040 --> 0:40:15.839
<v Speaker 1>You got to watch it. I think it's on Prime now.

0:40:16.160 --> 0:40:20.160
<v Speaker 1>So the reason that I am fascinated by that show

0:40:20.480 --> 0:40:24.840
<v Speaker 1>is they do an excellent episode that mimics the Ratcliffe

0:40:24.880 --> 0:40:29.080
<v Speaker 1>Highway murders, where you have a tailor's shop where everybody's

0:40:29.160 --> 0:40:32.280
<v Speaker 1>murdered when the seamstress goes out to go get bagels

0:40:32.520 --> 0:40:35.680
<v Speaker 1>late at night and comes back and you know she's suspected,

0:40:35.760 --> 0:40:38.000
<v Speaker 1>and then there's like a series of other murders that

0:40:38.040 --> 0:40:41.920
<v Speaker 1>are very very similar, and they use a historian, a

0:40:41.960 --> 0:40:44.359
<v Speaker 1>crime history like me, a crime historian who knows all

0:40:44.400 --> 0:40:47.040
<v Speaker 1>about these stories and can say this is what you

0:40:47.080 --> 0:40:50.520
<v Speaker 1>can learn from the Ratcliff Highway murders to solve this

0:40:50.680 --> 0:40:52.719
<v Speaker 1>case now. And so that might seem like a really

0:40:52.800 --> 0:40:56.960
<v Speaker 1>silly premise, but it's an excellent way to talk about

0:40:56.960 --> 0:40:58.680
<v Speaker 1>what you and I both talk about, which is that

0:40:58.760 --> 0:41:02.400
<v Speaker 1>we can learn so much about current crime, current criminals,

0:41:02.520 --> 0:41:05.520
<v Speaker 1>why people kill, how to stop them by looking into

0:41:05.520 --> 0:41:08.160
<v Speaker 1>the past, you know. And I think that it's taken

0:41:08.200 --> 0:41:10.200
<v Speaker 1>a while for some of my listeners to kind of go, oh,

0:41:10.280 --> 0:41:12.480
<v Speaker 1>I get it. I see, these are real people from

0:41:12.480 --> 0:41:15.920
<v Speaker 1>the eighteen hundreds, and they are no different. They're no

0:41:16.040 --> 0:41:18.279
<v Speaker 1>different than us. I mean, you know, they had different money,

0:41:18.280 --> 0:41:22.200
<v Speaker 1>different jobs, different language, but the human emotions all the same.

0:41:22.320 --> 0:41:25.880
<v Speaker 1>Everything's the same, you know, everything's.

0:41:25.160 --> 0:41:26.920
<v Speaker 2>You know, human beings do not change. Anything that changes

0:41:26.920 --> 0:41:29.319
<v Speaker 2>is that sort of the technology and the methods to

0:41:29.400 --> 0:41:31.759
<v Speaker 2>catch them. And that's one of the things with this

0:41:31.840 --> 0:41:33.759
<v Speaker 2>book is that, you know, it doesn't appeal just to

0:41:33.800 --> 0:41:36.200
<v Speaker 2>people who are fascinated by true crime, but it appeals

0:41:36.239 --> 0:41:38.920
<v Speaker 2>to sort of people who enjoy a detective thrillers now

0:41:39.000 --> 0:41:41.040
<v Speaker 2>Spelpi or sort of made it up as they went along,

0:41:41.120 --> 0:41:42.920
<v Speaker 2>case by bloody case. And so you do see the

0:41:42.920 --> 0:41:47.040
<v Speaker 2>evolution of you know, sort of no role book for detectives,

0:41:47.080 --> 0:41:49.319
<v Speaker 2>and then you see them sort of gradually developing the

0:41:49.360 --> 0:41:52.719
<v Speaker 2>trade craft of detective work, and it's fascinating. You know,

0:41:52.920 --> 0:41:54.560
<v Speaker 2>one of the early cases, one of the things that

0:41:54.760 --> 0:41:57.680
<v Speaker 2>I found fascinating was one of their early cases in

0:41:57.719 --> 0:42:01.080
<v Speaker 2>eighteen thirty seven. You know, we find this poor woman's

0:42:01.080 --> 0:42:05.120
<v Speaker 2>found this membered on blong edgeware road. Her head's missing,

0:42:05.200 --> 0:42:07.880
<v Speaker 2>her legs are missing. Her head eventually shows up in

0:42:07.880 --> 0:42:10.520
<v Speaker 2>a canal just north of central London. Scouting the artplusts

0:42:10.520 --> 0:42:12.279
<v Speaker 2>they had on display, they put it in a jar

0:42:12.360 --> 0:42:14.320
<v Speaker 2>of spirits. They put it on display in the Pattinson

0:42:14.400 --> 0:42:17.319
<v Speaker 2>workhouse to try and identify her, and it works. You know,

0:42:17.560 --> 0:42:19.600
<v Speaker 2>a guy comes through sees and goes, oh my god,

0:42:19.640 --> 0:42:22.440
<v Speaker 2>that's my sister. And then that leads to the rest

0:42:22.480 --> 0:42:24.640
<v Speaker 2>of the killers. So you see these sort of like innovative,

0:42:25.080 --> 0:42:27.880
<v Speaker 2>very sort of thinking out of the box approaches to

0:42:27.960 --> 0:42:31.120
<v Speaker 2>solving these conflicts times. The other thing too, you know,

0:42:31.120 --> 0:42:34.040
<v Speaker 2>when we're talking about murderers today, this is kind of

0:42:34.040 --> 0:42:36.279
<v Speaker 2>sound where it's relatively easy to kill someone. You just

0:42:36.360 --> 0:42:38.560
<v Speaker 2>have to pull a trigger, you can shoot them. One

0:42:38.600 --> 0:42:40.040
<v Speaker 2>of the things that struck me when I was writing

0:42:40.120 --> 0:42:42.920
<v Speaker 2>this book was Gott. People really put a lot of

0:42:43.000 --> 0:42:46.439
<v Speaker 2>grim effort into murdering people. He didn't just shoot someone. Yeah,

0:42:46.560 --> 0:42:48.960
<v Speaker 2>the level of violence was really off the charts.

0:42:49.160 --> 0:42:51.680
<v Speaker 1>I talked on my show a lot about axe murders,

0:42:51.719 --> 0:42:54.279
<v Speaker 1>which I said, you know, Paul was sort of surprised,

0:42:54.280 --> 0:42:56.560
<v Speaker 1>and I said, people used wood to burn for heat,

0:42:56.600 --> 0:42:58.880
<v Speaker 1>and so there was an axe in every household and

0:42:58.920 --> 0:43:01.120
<v Speaker 1>if you wanted to kill someone, you could probably find

0:43:01.160 --> 0:43:02.920
<v Speaker 1>an axe in their house if you need it to.

0:43:03.000 --> 0:43:06.200
<v Speaker 1>And that happened a lot. It doesn't happen as much anymore.

0:43:06.280 --> 0:43:08.040
<v Speaker 2>You've got to make use of the tools you have available.

0:43:08.600 --> 0:43:10.680
<v Speaker 1>Well, I mean, I guess if you're determined to kill

0:43:10.680 --> 0:43:13.640
<v Speaker 1>somebody and find the weapon there, I've never understood. We

0:43:13.680 --> 0:43:15.560
<v Speaker 1>could get into a whole other episode of people who

0:43:15.600 --> 0:43:18.040
<v Speaker 1>do that. I still don't get it. But well, this

0:43:18.120 --> 0:43:20.920
<v Speaker 1>has been really great, Simon, because I know that every

0:43:21.040 --> 0:43:25.160
<v Speaker 1>policing agency has their flaws, big flaws, and I know

0:43:25.200 --> 0:43:28.960
<v Speaker 1>that Scotland Yard is no exception. But between the history

0:43:29.040 --> 0:43:32.920
<v Speaker 1>and as we've said them, innovativeness and the determination for

0:43:33.000 --> 0:43:35.720
<v Speaker 1>a lot of the detectives who have worked for Scotland

0:43:35.760 --> 0:43:38.640
<v Speaker 1>Yard and Metropolitan Police to crack some of the cases

0:43:38.640 --> 0:43:41.840
<v Speaker 1>and to stop things terrorism, stop the things that they've stopped,

0:43:42.200 --> 0:43:45.239
<v Speaker 1>has been really incredible to just see develop over the

0:43:45.320 --> 0:43:47.640
<v Speaker 1>last you know, one hundred and fifty to two hundred years.

0:43:47.680 --> 0:43:49.880
<v Speaker 1>When you read all those old documents, I'm glad you

0:43:49.920 --> 0:43:51.719
<v Speaker 1>pulled them all together into a book.

0:43:51.480 --> 0:43:53.759
<v Speaker 2>Thank you very much. Gain No, it was great. One

0:43:53.760 --> 0:43:55.160
<v Speaker 2>of the things I wanted to do with this book

0:43:55.360 --> 0:43:57.759
<v Speaker 2>is Scotlan Yard has a certain mistique to it from

0:43:57.880 --> 0:43:59.960
<v Speaker 2>its very curious name. You know, why is it closer

0:44:00.440 --> 0:44:02.440
<v Speaker 2>to the fact that it has sold some of the

0:44:02.440 --> 0:44:06.120
<v Speaker 2>most infamous crimes in the history. And when I started researching,

0:44:06.200 --> 0:44:09.040
<v Speaker 2>five killings quickly turned into ten, turned into fifteen, turned

0:44:09.080 --> 0:44:10.560
<v Speaker 2>in I mean, it was just like a lot of

0:44:10.719 --> 0:44:12.680
<v Speaker 2>murders about. One of the things that came out during

0:44:12.719 --> 0:44:15.040
<v Speaker 2>the research was that the Yard did and I did.

0:44:15.120 --> 0:44:16.880
<v Speaker 2>I was sort of unaware of it, but the Yard

0:44:16.960 --> 0:44:20.000
<v Speaker 2>did play a pivotal part in sort of establishing the

0:44:20.040 --> 0:44:22.880
<v Speaker 2>foundation for modern day detective work. And so you know,

0:44:22.920 --> 0:44:24.680
<v Speaker 2>a lot of the crimes that are in this book

0:44:24.719 --> 0:44:27.080
<v Speaker 2>are in there for that very reason. They show the

0:44:27.120 --> 0:44:30.520
<v Speaker 2>advancement of police work and sort of investigative technique. So,

0:44:30.680 --> 0:44:32.759
<v Speaker 2>you know, I hope people come away thinking, Wow, I

0:44:32.760 --> 0:44:34.400
<v Speaker 2>didn't realize Scotlandyard did all this stuff.

0:44:45.600 --> 0:44:48.480
<v Speaker 1>If you love historical true crime stories, check out the

0:44:48.520 --> 0:44:51.400
<v Speaker 1>audio versions of my books The Ghost Club, All That

0:44:51.520 --> 0:44:54.759
<v Speaker 1>Is Wicked, and American Sherlock and Don't Forget. There are

0:44:54.840 --> 0:44:58.600
<v Speaker 1>twelve seasons of my historical true crime podcast, Tenfold More

0:44:58.640 --> 0:45:02.279
<v Speaker 1>Wicked right here in this podcast feed, scroll back and

0:45:02.320 --> 0:45:05.080
<v Speaker 1>give them a listen if you haven't already. This has

0:45:05.120 --> 0:45:08.920
<v Speaker 1>been an exactly right production. Our senior producer is Alexis

0:45:08.960 --> 0:45:13.800
<v Speaker 1>a Morosi. Our associate producer is Christina Chamberlain. This episode

0:45:13.920 --> 0:45:17.400
<v Speaker 1>was mixed by John Bradley. Curtis heath is our composer.

0:45:17.680 --> 0:45:22.120
<v Speaker 1>Artwork by Nick Toga. Executive produced by Georgia Hardstark, Karen

0:45:22.200 --> 0:45:26.600
<v Speaker 1>Kilgarriff and Danielle Kramer. Follow Wicked Words on Instagram at

0:45:26.680 --> 0:45:30.720
<v Speaker 1>tenfold More Wicked and on Facebook at Wicked Words Pod