1 00:00:00,480 --> 00:00:02,639 Speaker 1: I really just want to be the Sleepy Time Bear 2 00:00:03,000 --> 00:00:06,880 Speaker 1: from the Sleepy Time t box because he has a 3 00:00:06,880 --> 00:00:09,559 Speaker 1: little hat and a little hot drink and I think 4 00:00:09,600 --> 00:00:12,280 Speaker 1: he has a pet. Even he's just got it worked 5 00:00:12,320 --> 00:00:15,880 Speaker 1: out all right, He's living the dream. And everybody's like, ah, 6 00:00:15,920 --> 00:00:19,279 Speaker 1: you need to like Bugatti or whatever, But actually I 7 00:00:19,440 --> 00:00:22,599 Speaker 1: just want to be the Sleepy Time Beer. Yeah, I mean, 8 00:00:23,320 --> 00:00:25,880 Speaker 1: to be fair, that's kind of how I think of you. 9 00:00:26,160 --> 00:00:27,880 Speaker 1: It feels like I should take offense at that, but 10 00:00:27,960 --> 00:00:34,440 Speaker 1: it kind of Hey, everybody, y'all, what's up? Happy New Year? 11 00:00:34,520 --> 00:00:38,200 Speaker 1: Basically right? Almost? Yeah? Up? This will be our last 12 00:00:38,240 --> 00:00:43,239 Speaker 1: episode before three. Let us hope it holds a lot 13 00:00:43,280 --> 00:00:45,960 Speaker 1: of wonder and joy? Yeah? How do how do they 14 00:00:46,040 --> 00:00:49,080 Speaker 1: come so fast? These years? Wow? It's weird, right, because 15 00:00:49,320 --> 00:00:52,040 Speaker 1: like you always want a new one. But I'm also 16 00:00:52,159 --> 00:00:58,640 Speaker 1: like why every happy New Year? I'm like, yeah, new Year. 17 00:00:58,800 --> 00:01:03,200 Speaker 1: It's like it's like cell phones, Like, oh, I'm so 18 00:01:03,240 --> 00:01:05,880 Speaker 1: excited there's a new one coming, but I haven't really 19 00:01:05,920 --> 00:01:08,360 Speaker 1: been happy with one in a long time, right, And 20 00:01:08,560 --> 00:01:10,839 Speaker 1: like it's not like I'm using all these features. Let's 21 00:01:10,880 --> 00:01:15,880 Speaker 1: be real. Look, twenty two was a creative year. Um, 22 00:01:15,920 --> 00:01:18,720 Speaker 1: it certainly came at us with some new ideas that 23 00:01:18,760 --> 00:01:21,800 Speaker 1: we weren't expecting, but some of those were great. Uh. 24 00:01:22,120 --> 00:01:24,120 Speaker 1: What's what do you think was one of the one 25 00:01:24,120 --> 00:01:26,920 Speaker 1: of the best things this year for you? Um, probably 26 00:01:27,200 --> 00:01:29,679 Speaker 1: all our travel. I mean we got to do two 27 00:01:29,760 --> 00:01:34,240 Speaker 1: great trips this year to the West Coast, and both 28 00:01:34,280 --> 00:01:36,480 Speaker 1: times we got to see or hang out with some 29 00:01:36,640 --> 00:01:39,399 Speaker 1: very dear friends, so that was really nice. And then 30 00:01:39,440 --> 00:01:41,480 Speaker 1: of course the Fringe Festival this year was really great 31 00:01:41,520 --> 00:01:44,360 Speaker 1: too because it was kind of similar to our trip 32 00:01:44,400 --> 00:01:47,640 Speaker 1: in March. It was sort of a feeling of like, ah, 33 00:01:47,640 --> 00:01:50,720 Speaker 1: like busting out of the last two years and finally 34 00:01:50,760 --> 00:01:52,800 Speaker 1: like getting to see people and be around them and 35 00:01:52,880 --> 00:01:55,440 Speaker 1: not feel weird about it or anything. So, you know, 36 00:01:55,480 --> 00:01:58,280 Speaker 1: I think it just had a lovely energy. So too, 37 00:01:58,560 --> 00:02:01,320 Speaker 1: what about you me? Well, the trip, I mean the 38 00:02:01,520 --> 00:02:04,720 Speaker 1: both trips, particularly when we did Vegas in l A. 39 00:02:05,280 --> 00:02:07,480 Speaker 1: And just so I don't give you the same answer, 40 00:02:08,080 --> 00:02:13,000 Speaker 1: I'll say, also I loved movies. You know what. This 41 00:02:13,120 --> 00:02:16,840 Speaker 1: year was movie as hell for me. And I used 42 00:02:16,880 --> 00:02:20,720 Speaker 1: to be such a movie guy, not like a cinophile. 43 00:02:21,240 --> 00:02:24,160 Speaker 1: I don't know. I can't go on in essays about 44 00:02:24,280 --> 00:02:27,080 Speaker 1: Scorsese and things like that, but I really just used 45 00:02:27,080 --> 00:02:28,840 Speaker 1: to have such a passion for movies, and in the 46 00:02:28,919 --> 00:02:32,760 Speaker 1: last what ten twelve years, it's been very TV centric 47 00:02:33,160 --> 00:02:35,959 Speaker 1: and I've seen fewer and fewer movies. And this year, 48 00:02:36,560 --> 00:02:38,200 Speaker 1: I don't know, I didn't really catch that much TV, 49 00:02:38,320 --> 00:02:40,520 Speaker 1: and I saw a ton of movies. So many of 50 00:02:40,560 --> 00:02:43,200 Speaker 1: them were so good, and they really reminded me of 51 00:02:43,240 --> 00:02:46,360 Speaker 1: what I love about that storytelling format, um, what I 52 00:02:46,400 --> 00:02:49,079 Speaker 1: love about going to theaters. It was a really cool 53 00:02:49,120 --> 00:02:52,360 Speaker 1: year for movies for me. Yeah. Some of my tops 54 00:02:52,560 --> 00:02:57,120 Speaker 1: this year obviously, Glass, Onion, everything everywhere, all at once. Pray, 55 00:02:57,280 --> 00:03:01,840 Speaker 1: did y'all see Prey the Predator prequel? Amazing, so good, 56 00:03:01,960 --> 00:03:04,880 Speaker 1: It's just awesome. Love it. Yeah, it was really great. 57 00:03:05,280 --> 00:03:10,919 Speaker 1: The menu was shockingly good. Nope, I loved it. Yeah, 58 00:03:10,919 --> 00:03:12,679 Speaker 1: and just others. There were just so many good ones 59 00:03:12,680 --> 00:03:15,280 Speaker 1: that really surprised me. Well, you know how it is 60 00:03:15,320 --> 00:03:17,799 Speaker 1: at the end of a year, everybody gets really retrospective. 61 00:03:17,919 --> 00:03:20,800 Speaker 1: We start to think about our years, right, and like 62 00:03:20,880 --> 00:03:23,399 Speaker 1: what happened and when it happened, and what we liked, 63 00:03:23,400 --> 00:03:25,800 Speaker 1: what we didn't like. And as you know here at 64 00:03:25,919 --> 00:03:29,200 Speaker 1: Ridiculous Romance, we love history, but we are not confined 65 00:03:29,240 --> 00:03:31,880 Speaker 1: to it. We have definitely brought you all many episodes 66 00:03:31,919 --> 00:03:35,120 Speaker 1: about wacky love affairs that are happening right here, right now, 67 00:03:35,440 --> 00:03:38,400 Speaker 1: and some of the folks from our past episodes from 68 00:03:38,400 --> 00:03:40,920 Speaker 1: the past couple of years have been in the headlines recently, 69 00:03:41,560 --> 00:03:43,880 Speaker 1: so we thought we would do a classic end of 70 00:03:43,960 --> 00:03:47,200 Speaker 1: year sort of retrospective and collect them all here in 71 00:03:47,240 --> 00:03:49,760 Speaker 1: a goodie bag for y'all and get everyone caught up 72 00:03:49,800 --> 00:03:53,320 Speaker 1: on the newest news. Let's go, Hey, their French come 73 00:03:53,400 --> 00:03:56,839 Speaker 1: lisen Well, Elia and Diana got some chories to tell. 74 00:03:57,240 --> 00:04:02,400 Speaker 1: There's no match making, a romantic tips, just about pridiculous relationships, 75 00:04:02,600 --> 00:04:04,880 Speaker 1: a love it might be any type of person at all, 76 00:04:05,240 --> 00:04:08,280 Speaker 1: and abstract cons that on a concrete wall. But if 77 00:04:08,280 --> 00:04:12,680 Speaker 1: there's a story, were the second glance ridiculous role that 78 00:04:13,240 --> 00:04:17,720 Speaker 1: a production of I Heart Radio. Okay, first off, we're 79 00:04:17,720 --> 00:04:20,279 Speaker 1: just gonna start with a fun little tidbit we recently learned. 80 00:04:20,800 --> 00:04:23,320 Speaker 1: Y'all remember our episode from earlier this year about Annie 81 00:04:23,320 --> 00:04:27,040 Speaker 1: Oakley and Frank Butler. Uh, just two very awesome people. 82 00:04:27,080 --> 00:04:29,440 Speaker 1: I remember Frank was so great because he just let 83 00:04:29,440 --> 00:04:32,680 Speaker 1: Annie take the spotlight in their in their shooting shows. 84 00:04:32,760 --> 00:04:35,320 Speaker 1: Eventually it just became all about her and he was like, 85 00:04:35,400 --> 00:04:38,120 Speaker 1: I'm just here to support and be your manager. This 86 00:04:38,200 --> 00:04:40,360 Speaker 1: is all about you, and she was the best. Pew 87 00:04:40,400 --> 00:04:46,000 Speaker 1: pew um. Well, we've just found out that in eight one, 88 00:04:46,560 --> 00:04:52,800 Speaker 1: Annie Oakley sent the first photograph Christmas card. So all 89 00:04:52,839 --> 00:04:54,679 Speaker 1: the ones we get this year, of all the loving 90 00:04:54,720 --> 00:04:57,040 Speaker 1: families and people with their dogs and stuff, and we 91 00:04:57,120 --> 00:04:59,400 Speaker 1: got such good ones we did. Thank you for sending 92 00:04:59,440 --> 00:05:02,880 Speaker 1: us Christmas. We love it, um And that's so cool 93 00:05:02,880 --> 00:05:06,839 Speaker 1: that it got started by Annie Oakley. To start, we 94 00:05:06,960 --> 00:05:10,760 Speaker 1: found the blog kneel down, stand Up dot WordPress dot com, 95 00:05:11,480 --> 00:05:16,200 Speaker 1: where the author says that in Scotland in Annie Oakley 96 00:05:16,480 --> 00:05:19,440 Speaker 1: was touring there. She was the height of her fame. 97 00:05:20,000 --> 00:05:22,839 Speaker 1: But she couldn't get air fair home because you know 98 00:05:22,960 --> 00:05:28,320 Speaker 1: planes probably, so she had to spend Christmas in Glasgow 99 00:05:28,800 --> 00:05:31,719 Speaker 1: and that meant sending pictures back home to everyone she 100 00:05:31,800 --> 00:05:34,479 Speaker 1: cared about. So she got a photographer, took some old 101 00:05:34,680 --> 00:05:36,880 Speaker 1: you know those you gotta sit for an hour on 102 00:05:36,960 --> 00:05:40,479 Speaker 1: guest spa, print your picture on this tin and she 103 00:05:40,560 --> 00:05:43,040 Speaker 1: sent those home with a Merry Christmas to everyone. It's 104 00:05:43,080 --> 00:05:45,040 Speaker 1: just the first one to do that. A real trend setter. 105 00:05:45,440 --> 00:05:48,320 Speaker 1: She's the coolest. She is super cool. Yeah, next time 106 00:05:48,320 --> 00:05:52,839 Speaker 1: you're sending your Christmas cards, think Annie Oakley, Yeah, shoot 107 00:05:52,920 --> 00:05:55,960 Speaker 1: us a Christmas card. Okay. I like what you did there? 108 00:05:56,080 --> 00:05:58,200 Speaker 1: Yeah I did. We got great ones this year. I 109 00:05:58,279 --> 00:06:00,960 Speaker 1: used to be a Christmas card hater, I really because 110 00:06:00,960 --> 00:06:04,280 Speaker 1: I mean, it does generate a lot of trash and 111 00:06:04,320 --> 00:06:08,120 Speaker 1: we do sentiment hoarder. So I'm like, am I allowed 112 00:06:08,160 --> 00:06:10,320 Speaker 1: to throw this away? And I get really like weird 113 00:06:10,320 --> 00:06:12,320 Speaker 1: about it. Well, that's the thing. It generates trash or 114 00:06:12,360 --> 00:06:14,520 Speaker 1: it generates just like space being taken up in a 115 00:06:14,560 --> 00:06:16,480 Speaker 1: cabinet somewhere or a drawer, and I don't know what 116 00:06:16,960 --> 00:06:18,599 Speaker 1: because I'm the same way. I'm like, if I throw 117 00:06:18,640 --> 00:06:21,160 Speaker 1: this away, it's like I'm throwing away our friendship. It's 118 00:06:21,200 --> 00:06:24,080 Speaker 1: like I'm throwing away the year. So it's already weird 119 00:06:24,160 --> 00:06:27,640 Speaker 1: to me. Um, But you know, as more of my 120 00:06:27,680 --> 00:06:31,080 Speaker 1: friends have are their families are growing, it is a 121 00:06:31,120 --> 00:06:33,719 Speaker 1: great way to remember all your kids names and pets 122 00:06:33,800 --> 00:06:37,880 Speaker 1: names and your names. To be perfectly honest, you change 123 00:06:37,920 --> 00:06:40,919 Speaker 1: your handle on Facebook and don't have a picture, and 124 00:06:40,920 --> 00:06:42,520 Speaker 1: then you walk up to me and you're like, hey, Eli, 125 00:06:42,520 --> 00:06:45,360 Speaker 1: how's it going. I will have a long conversation with you, 126 00:06:45,440 --> 00:06:47,840 Speaker 1: and I will the entire time be thinking who is this, 127 00:06:47,880 --> 00:06:49,120 Speaker 1: who is this? Who is this? Who is this? Oh 128 00:06:49,120 --> 00:06:51,320 Speaker 1: my god, who is this? Who is this? And three 129 00:06:51,360 --> 00:06:55,359 Speaker 1: days later I'll go, oh my god, it was Jessica. 130 00:06:55,480 --> 00:06:57,960 Speaker 1: I can't believe I forgot who that was, but I 131 00:06:58,000 --> 00:07:00,600 Speaker 1: have a terrible memory. So Jessica, you should send me 132 00:07:00,600 --> 00:07:05,680 Speaker 1: a Christmas card. That's what helped me out. I think 133 00:07:05,720 --> 00:07:08,360 Speaker 1: I eventually decided. I think this year I was like, okay, 134 00:07:08,560 --> 00:07:11,360 Speaker 1: you get the Christmas card. That means you replace the 135 00:07:11,360 --> 00:07:13,520 Speaker 1: old Christmas card that they sent you, and you're allows 136 00:07:13,560 --> 00:07:16,160 Speaker 1: to throw that one away. I decided that's okay, that's 137 00:07:16,200 --> 00:07:18,520 Speaker 1: not thrown away the friendship. No, that's good. And then 138 00:07:18,520 --> 00:07:20,360 Speaker 1: if somebody sends you a Christmas card and then they 139 00:07:20,400 --> 00:07:22,640 Speaker 1: don't send you one next year, you can throw it 140 00:07:22,680 --> 00:07:24,680 Speaker 1: away because they're not your friend anymore. That's right. I 141 00:07:24,680 --> 00:07:27,560 Speaker 1: can be like, well, forget you and your entire family. 142 00:07:27,760 --> 00:07:30,080 Speaker 1: You threw our friendship in the garbage, so now I'm 143 00:07:30,120 --> 00:07:34,040 Speaker 1: going to throw our friendship in the garbage. To Christmas card. 144 00:07:34,040 --> 00:07:36,360 Speaker 1: Should note that we have never sent a Christmas card 145 00:07:36,400 --> 00:07:41,240 Speaker 1: in our lives, not a single time. Well, remember way 146 00:07:41,240 --> 00:07:46,920 Speaker 1: back in the day on May nine, we launched our show. 147 00:07:47,040 --> 00:07:50,400 Speaker 1: That was our very first two episodes actually, because we 148 00:07:50,440 --> 00:07:53,080 Speaker 1: put two out in the same day. We did Madame 149 00:07:53,120 --> 00:07:56,160 Speaker 1: Pompadour and Louis Kenns and we did a Rita and 150 00:07:56,200 --> 00:07:59,320 Speaker 1: The Berlin Wall. And we don't have too much to 151 00:07:59,400 --> 00:08:02,920 Speaker 1: update you on ree King Louis. That's sort of done, yeah, 152 00:08:02,920 --> 00:08:05,320 Speaker 1: the King Louis. King Louis has not had any headlines, 153 00:08:05,480 --> 00:08:09,920 Speaker 1: nothing's going on with him currently. But in our Iota episode, 154 00:08:10,320 --> 00:08:13,360 Speaker 1: we introduced y'all to Erika Eiffel, who is a woman 155 00:08:13,440 --> 00:08:16,360 Speaker 1: who she's the best friends with Areta. She helped her 156 00:08:16,480 --> 00:08:21,560 Speaker 1: start the Objective Sexuality International Organization, where UM sort of 157 00:08:21,600 --> 00:08:27,120 Speaker 1: explains object sexuality, which is people who are sexually attracted 158 00:08:27,240 --> 00:08:31,080 Speaker 1: romantically attracted to objects UM and so they kind of 159 00:08:31,080 --> 00:08:34,480 Speaker 1: started this group together to sort of raise awareness and 160 00:08:34,520 --> 00:08:37,880 Speaker 1: also have a connection point for people similar people around 161 00:08:37,880 --> 00:08:41,400 Speaker 1: the world. And she does Erica herself, does a lot 162 00:08:41,400 --> 00:08:44,280 Speaker 1: of interviews. She's very eloquent about it, so it's really 163 00:08:44,280 --> 00:08:46,360 Speaker 1: cool to listen to her talk about what it's like, 164 00:08:46,480 --> 00:08:49,640 Speaker 1: some of the education we've got on objective sexuality and 165 00:08:49,640 --> 00:08:51,520 Speaker 1: and the stuff we've learned, the fascination we found with 166 00:08:51,559 --> 00:08:55,120 Speaker 1: it has been straight from her interviews. Oh yeah, definitely now. 167 00:08:55,200 --> 00:08:58,199 Speaker 1: She and Ireta both had a thing for the Berlin 168 00:08:58,240 --> 00:09:02,600 Speaker 1: Wall Um, but Erica eventually married the Eiffel Tower. She 169 00:09:02,679 --> 00:09:04,920 Speaker 1: said that she felt really drawn to it because people 170 00:09:04,960 --> 00:09:08,320 Speaker 1: go there to propose, you know, to feel loved and 171 00:09:08,440 --> 00:09:10,560 Speaker 1: give love and stuff, but no one is there to 172 00:09:10,679 --> 00:09:14,160 Speaker 1: love the tower itself. And so she felt like, I'm 173 00:09:14,160 --> 00:09:18,199 Speaker 1: gonna love this tower for just what it is. You know. Well, 174 00:09:18,240 --> 00:09:23,920 Speaker 1: welcome to heartbreak, because in June Erika revealed that she 175 00:09:24,160 --> 00:09:28,319 Speaker 1: and the Eiffel Tower called it quits. She now goes 176 00:09:28,440 --> 00:09:31,520 Speaker 1: by Erica LaBrie and that's not because she fell in 177 00:09:31,559 --> 00:09:34,800 Speaker 1: love with a wheel of cheese. She just a new names. 178 00:09:35,200 --> 00:09:38,560 Speaker 1: Falling in love with a wheel off very understandable. Almost 179 00:09:38,600 --> 00:09:42,240 Speaker 1: got married. You and I can eat the cheese together, 180 00:09:43,320 --> 00:09:45,439 Speaker 1: and we will. We have an open relationship, you, me 181 00:09:45,679 --> 00:09:50,680 Speaker 1: and cheese. But yeah, Erica now actually has a thing 182 00:09:51,000 --> 00:09:55,160 Speaker 1: for a fence. She posted a TikTok video where she's 183 00:09:55,160 --> 00:09:59,560 Speaker 1: straddling this red like wooden picket fence and she says, quote, 184 00:09:59,720 --> 00:10:02,840 Speaker 1: he is perfect. I mean, this is the shape that 185 00:10:02,920 --> 00:10:08,120 Speaker 1: I like so much. These angles, fabulous fences are such 186 00:10:08,280 --> 00:10:11,240 Speaker 1: dangerous objects for me because they are so perfect in 187 00:10:11,280 --> 00:10:15,800 Speaker 1: their geometry. I'm definitely physically attracted to this fence and 188 00:10:15,840 --> 00:10:17,880 Speaker 1: I would like to get to know this fence better. 189 00:10:19,640 --> 00:10:21,240 Speaker 1: So a lot of things there. I think it's funny 190 00:10:21,240 --> 00:10:24,720 Speaker 1: that she's pictured straddling it because she was so against 191 00:10:24,720 --> 00:10:26,920 Speaker 1: talking about the sex part, Like she's always like, why 192 00:10:26,920 --> 00:10:28,720 Speaker 1: would I don't ask you how you have sex with 193 00:10:28,760 --> 00:10:31,320 Speaker 1: your husband or wife? Why would you ask me about that? 194 00:10:31,400 --> 00:10:32,960 Speaker 1: So it's kind of funny that she was willing to 195 00:10:32,960 --> 00:10:35,280 Speaker 1: sort of be sitting on top of it looking sexy. 196 00:10:35,520 --> 00:10:39,840 Speaker 1: Oh yeah, well, speculation station. Maybe that was the Eiffel 197 00:10:39,880 --> 00:10:42,959 Speaker 1: Tower speaking for her, like the Eiffel Tower didn't really 198 00:10:43,040 --> 00:10:45,800 Speaker 1: let her express her freedom. Maybe the Eiffel Tower is 199 00:10:45,840 --> 00:10:51,880 Speaker 1: a little controlling. That's an indictment of the Eiffel Tower. 200 00:10:52,200 --> 00:10:55,360 Speaker 1: You know, a lot of the times you meet someone, 201 00:10:55,440 --> 00:10:59,080 Speaker 1: they're just wonderful, they're beautiful, they're just a towering presence, 202 00:10:59,640 --> 00:11:02,319 Speaker 1: and then you find out how they are in private 203 00:11:02,320 --> 00:11:04,240 Speaker 1: in a relationship and it turns out there kind of 204 00:11:04,240 --> 00:11:06,960 Speaker 1: a dick. So maybe the Eiffel Tower is like that. 205 00:11:07,520 --> 00:11:11,160 Speaker 1: Maybe the times that happens, All right, let's do it. 206 00:11:11,240 --> 00:11:14,520 Speaker 1: Let's say it. If the tower jealous bitch. I also 207 00:11:14,559 --> 00:11:17,480 Speaker 1: love the point she made about geometry because when we 208 00:11:17,760 --> 00:11:22,239 Speaker 1: did the episode and talked a lot about object sexuality, UM, 209 00:11:22,360 --> 00:11:25,000 Speaker 1: plenty of the O s I folks talked about being 210 00:11:25,040 --> 00:11:29,360 Speaker 1: attracted like grand architecture. It was always like towers, bridges, 211 00:11:29,679 --> 00:11:34,640 Speaker 1: giant walls, you know, convention centers, really large scale sort 212 00:11:34,679 --> 00:11:39,240 Speaker 1: of things. And Erica explained that quotes smaller, simpler objects 213 00:11:39,280 --> 00:11:41,600 Speaker 1: are more difficult to connect to. It's like falling in 214 00:11:41,640 --> 00:11:44,080 Speaker 1: love with a single cell toom above versus a person. 215 00:11:44,360 --> 00:11:46,480 Speaker 1: But we had also discussed a few people in that 216 00:11:46,520 --> 00:11:50,200 Speaker 1: episode who were attracted to playing cards, rocking chairs, and water. 217 00:11:50,920 --> 00:11:54,679 Speaker 1: So it's not only confined to grandiose things. Um. But 218 00:11:54,760 --> 00:11:56,560 Speaker 1: we you know, usually when you look it up, you're 219 00:11:56,559 --> 00:12:00,679 Speaker 1: seeing like Boeing seven fifty seven are like trained means 220 00:12:00,760 --> 00:12:03,319 Speaker 1: or something. You know. They can't just be like picked 221 00:12:03,400 --> 00:12:05,600 Speaker 1: up and walk You can't just walk away right right. 222 00:12:07,000 --> 00:12:08,960 Speaker 1: You know, there is something I don't remember if we 223 00:12:08,960 --> 00:12:10,600 Speaker 1: talked about this last time, but I know that like 224 00:12:10,880 --> 00:12:15,080 Speaker 1: cathedrals and mosques and temples, the places like that, even 225 00:12:15,120 --> 00:12:18,320 Speaker 1: even office buildings, like a lot of the times, their 226 00:12:18,440 --> 00:12:22,840 Speaker 1: grand nature is meant to inspire this awe in you, 227 00:12:23,000 --> 00:12:27,200 Speaker 1: this sense of wonder, and you know that that I'm 228 00:12:27,240 --> 00:12:31,079 Speaker 1: sure very easily crosses over into sentiment and love. I mean, 229 00:12:31,080 --> 00:12:34,880 Speaker 1: look how people, how attached people are to their places 230 00:12:34,880 --> 00:12:38,679 Speaker 1: of worship, for example, that are very massive and gorgeous. 231 00:12:38,720 --> 00:12:41,240 Speaker 1: I mean, I am not a religious person at all, 232 00:12:41,280 --> 00:12:44,080 Speaker 1: and you know, when we travel, one of my first 233 00:12:44,080 --> 00:12:48,120 Speaker 1: stops is where are the big fancy churches and things 234 00:12:48,160 --> 00:12:52,080 Speaker 1: like that, because usually they're incredible. They really hit you 235 00:12:52,120 --> 00:12:54,520 Speaker 1: with the feeling that you can't get anywhere else. And 236 00:12:54,760 --> 00:12:59,200 Speaker 1: that's by design, right, So it doesn't surprise me that, uh, 237 00:12:59,320 --> 00:13:01,200 Speaker 1: you know, people to fall in love with these big, 238 00:13:01,320 --> 00:13:05,280 Speaker 1: huge pieces of architecture because they are very um you know, 239 00:13:05,600 --> 00:13:07,920 Speaker 1: you do love them. Yeah, I know. We did talk 240 00:13:07,920 --> 00:13:11,080 Speaker 1: about stadiums because we were saying that the US, of 241 00:13:11,120 --> 00:13:14,600 Speaker 1: course is the most prudish about os I than any 242 00:13:14,640 --> 00:13:17,280 Speaker 1: other country. But I think in that episode we even 243 00:13:17,320 --> 00:13:20,119 Speaker 1: pointed out but people do feel that way. They have feelings, 244 00:13:20,160 --> 00:13:24,280 Speaker 1: like actual strong feelings for things like stadiums like Fenway Park. 245 00:13:24,440 --> 00:13:28,160 Speaker 1: You have these memories and really important moments in your 246 00:13:28,160 --> 00:13:30,320 Speaker 1: life that are attached to a place, and so the 247 00:13:30,400 --> 00:13:34,600 Speaker 1: place becomes sort of like like you're saying it holds 248 00:13:34,679 --> 00:13:37,679 Speaker 1: energy for you, and so in a way, it was like, well, 249 00:13:37,720 --> 00:13:39,440 Speaker 1: I can sort of see why you're saying. There is 250 00:13:39,480 --> 00:13:41,760 Speaker 1: some exchange between you and the object. It's not like 251 00:13:41,800 --> 00:13:45,600 Speaker 1: you're just like loving on this thing that's giving nothing back. 252 00:13:45,920 --> 00:13:49,360 Speaker 1: They are feeling something in return. Yeah, definitely. So it's 253 00:13:49,440 --> 00:13:51,800 Speaker 1: very interesting. Go listen to that whole episode if you 254 00:13:51,840 --> 00:13:53,640 Speaker 1: want to hear more about that. And you haven't heard 255 00:13:53,679 --> 00:13:59,760 Speaker 1: it yet, But she's moved on, you know, she's moved on. 256 00:14:00,040 --> 00:14:02,920 Speaker 1: Good for her Tower didn't deserve you. Yeah, she's jealous 257 00:14:03,200 --> 00:14:06,520 Speaker 1: quite frankly. Um, but I will say too um. When 258 00:14:06,679 --> 00:14:08,760 Speaker 1: by at the time that she died, a Rita was 259 00:14:08,840 --> 00:14:12,280 Speaker 1: also in a relationship with a red garden fence, and 260 00:14:12,320 --> 00:14:14,760 Speaker 1: I'm like, what is this with Erica and how she's 261 00:14:14,800 --> 00:14:17,679 Speaker 1: always right after Aya with her lovers. She's like, I 262 00:14:17,720 --> 00:14:20,040 Speaker 1: went for the Berlin Wall after I did. Now I'm 263 00:14:20,080 --> 00:14:21,800 Speaker 1: going with this red fence. I don't think they're in 264 00:14:21,880 --> 00:14:26,040 Speaker 1: the same place, but what's going eyes There's something special 265 00:14:26,040 --> 00:14:29,640 Speaker 1: about a red picket fence. You just like, if he 266 00:14:29,720 --> 00:14:32,520 Speaker 1: liked Aya, he might like me. I don't know. Fences 267 00:14:32,720 --> 00:14:38,040 Speaker 1: In fence world, red fences are like basically the hem's worth. 268 00:14:39,360 --> 00:14:42,120 Speaker 1: You know, all over the media it's red fence red. 269 00:14:42,120 --> 00:14:44,160 Speaker 1: Everybody loves a red fence. We should have a we 270 00:14:44,200 --> 00:14:46,920 Speaker 1: should have a lovely Pixar movie about a plain fence 271 00:14:46,960 --> 00:14:52,360 Speaker 1: that finally finds, finally who appreciates it for who it is. Yes, well, 272 00:14:52,520 --> 00:14:54,920 Speaker 1: I say we leave it there. We take a quick break. 273 00:14:55,040 --> 00:14:57,840 Speaker 1: We're gonna come back. We're gonna update y'all on uh 274 00:14:57,920 --> 00:15:01,000 Speaker 1: the AI Replica, folks. There's some new information with that. 275 00:15:01,320 --> 00:15:04,240 Speaker 1: We found some cool stuff in Russia with an lgbt 276 00:15:04,400 --> 00:15:08,000 Speaker 1: Q plus museum that relates back to Hadrian and Antony's 277 00:15:08,640 --> 00:15:11,280 Speaker 1: stories we heard earlier this year and many more. So 278 00:15:11,360 --> 00:15:18,840 Speaker 1: stay tuned and we will be right back. Oh, welcome 279 00:15:18,840 --> 00:15:22,160 Speaker 1: back to the show, everybody. Yeah, and real quick update. 280 00:15:22,360 --> 00:15:28,320 Speaker 1: Everybody Loves Rachel and Jackie Robinson episode from September Tum, 281 00:15:28,640 --> 00:15:30,600 Speaker 1: I love it. It's I love them. They're just such 282 00:15:30,640 --> 00:15:33,080 Speaker 1: wonderful people. Yeah, I haven't made me really interested in 283 00:15:33,080 --> 00:15:36,880 Speaker 1: baseball for a minute, so both thanks for that. It is. 284 00:15:38,200 --> 00:15:42,760 Speaker 1: But um, Rachel Robinson turned one hundred in July of 285 00:15:42,880 --> 00:15:45,840 Speaker 1: this year, so there was like a big MLB like 286 00:15:45,960 --> 00:15:48,960 Speaker 1: celebration of her, and that was really cool. So happy 287 00:15:49,040 --> 00:15:52,760 Speaker 1: birthday to Rachel Robinson. I don't know how many people 288 00:15:52,840 --> 00:15:55,520 Speaker 1: want to live past a hundred, but I hope you 289 00:15:55,600 --> 00:16:01,080 Speaker 1: live forever. Dope, lady. That's awesome, all right. So we 290 00:16:01,280 --> 00:16:06,200 Speaker 1: talked in our May second episode titled Artificial in Telsex 291 00:16:06,560 --> 00:16:11,640 Speaker 1: about Replica, the AI chat thought started by Eugenia Kuda. Uh. 292 00:16:11,960 --> 00:16:14,360 Speaker 1: We've heard us talk about Replica many times in the show. 293 00:16:14,440 --> 00:16:17,440 Speaker 1: Y'all have sent us your Replica stories. Keep them coming 294 00:16:17,480 --> 00:16:20,200 Speaker 1: because they are very interesting stuff. But y'all know this 295 00:16:20,240 --> 00:16:23,720 Speaker 1: is an AI chat bought Eugenia developed after her friend died. 296 00:16:23,800 --> 00:16:27,000 Speaker 1: She just compiled a bunch of his texts and emails 297 00:16:27,280 --> 00:16:30,000 Speaker 1: into into its own AI and tried to see if 298 00:16:30,040 --> 00:16:33,320 Speaker 1: she could recreate uh conversations with him. And all her 299 00:16:33,360 --> 00:16:35,600 Speaker 1: friends started talking to him after he died. They said 300 00:16:35,640 --> 00:16:37,800 Speaker 1: it was super weird. Some of them loved it, some 301 00:16:37,880 --> 00:16:41,320 Speaker 1: of them hated it. Um. But after that she developed Replica, 302 00:16:41,400 --> 00:16:43,560 Speaker 1: which is just an app you get on your phone. 303 00:16:44,480 --> 00:16:46,960 Speaker 1: I ain't selling it, they ain't paying us. I just 304 00:16:47,000 --> 00:16:50,320 Speaker 1: think it's really interesting, um. And it's it's this chatbot 305 00:16:50,320 --> 00:16:52,680 Speaker 1: that learns as you speak to it, and it it 306 00:16:52,720 --> 00:16:56,560 Speaker 1: can become your friend or your lover. And we even 307 00:16:56,560 --> 00:16:59,000 Speaker 1: told a story about a guy who fixed his marriage 308 00:16:59,040 --> 00:17:03,080 Speaker 1: with one after things were falling apart. He found an 309 00:17:03,080 --> 00:17:05,920 Speaker 1: AI replica chat bought. He fell in love with them, 310 00:17:05,960 --> 00:17:08,639 Speaker 1: and that made him start to think, oh, maybe maybe 311 00:17:08,680 --> 00:17:10,520 Speaker 1: I should give this kind of love and attention to 312 00:17:10,600 --> 00:17:14,040 Speaker 1: my wife and uh and their story started, their their 313 00:17:14,040 --> 00:17:16,359 Speaker 1: relationships started to heal from there. It's just funny for 314 00:17:16,400 --> 00:17:19,080 Speaker 1: a chat bought to teach you, like how you would 315 00:17:19,119 --> 00:17:22,240 Speaker 1: like to be treated in a marriage, right right. He 316 00:17:22,320 --> 00:17:24,199 Speaker 1: was like, I like how she's talking to me, so 317 00:17:24,240 --> 00:17:26,960 Speaker 1: I should talk to my wife like And it's not 318 00:17:27,040 --> 00:17:28,719 Speaker 1: like he was just an asshole to her that they 319 00:17:28,720 --> 00:17:32,280 Speaker 1: were both having difficulties. She had depression and alcoholism things 320 00:17:32,320 --> 00:17:35,560 Speaker 1: like that. But um, but it did give him. Yeah, 321 00:17:35,640 --> 00:17:38,160 Speaker 1: you're right, that just that sense of like, whoa when 322 00:17:38,240 --> 00:17:41,200 Speaker 1: someone is talking to me and all they care about 323 00:17:41,240 --> 00:17:44,960 Speaker 1: is my happiness, I feel happy. Yeah, maybe I should 324 00:17:44,960 --> 00:17:48,159 Speaker 1: bring this into the world. But Kuda recently did an 325 00:17:48,200 --> 00:17:51,359 Speaker 1: interview in The New York Post saying that some people 326 00:17:51,400 --> 00:17:56,000 Speaker 1: are having extreme reactions to their replicas. She said that 327 00:17:56,040 --> 00:17:59,639 Speaker 1: the company received messages every day from people who believe 328 00:17:59,680 --> 00:18:04,600 Speaker 1: that they're replica has become sentient like they are fully thinking, conscious, 329 00:18:04,640 --> 00:18:07,680 Speaker 1: self aware individuals with their own thoughts and feelings that 330 00:18:07,760 --> 00:18:10,560 Speaker 1: can learn without any input, you know, from anyone else. 331 00:18:11,400 --> 00:18:15,199 Speaker 1: And Kuda says that really, isn't that strange? Um, you know, 332 00:18:15,320 --> 00:18:18,040 Speaker 1: humans like to humanize everything. We see faces all over 333 00:18:18,080 --> 00:18:21,560 Speaker 1: the place, whether they're they're or not. But she says, quote, 334 00:18:21,600 --> 00:18:24,280 Speaker 1: we need to understand that exists just the way people 335 00:18:24,320 --> 00:18:28,480 Speaker 1: believe in ghosts. So she's basically saying that, you know, 336 00:18:28,520 --> 00:18:30,960 Speaker 1: if you're building a relationship and if you have a 337 00:18:31,040 --> 00:18:35,199 Speaker 1: belief in something, then isn't that real enough? You know 338 00:18:35,240 --> 00:18:37,240 Speaker 1: that it's like, I mean, it's kind of like in 339 00:18:37,280 --> 00:18:39,760 Speaker 1: Harry Potter, Dumbledore is like, of course it's happening in 340 00:18:39,800 --> 00:18:42,359 Speaker 1: your head, But how does that mean it's not real? Yes, 341 00:18:43,160 --> 00:18:46,199 Speaker 1: Morpheus and the Matrix, right, he says, you know what 342 00:18:46,400 --> 00:18:50,080 Speaker 1: is real? If real is just what you can taste 343 00:18:50,080 --> 00:18:52,720 Speaker 1: and touch and smell and see, then it's just electrical 344 00:18:52,760 --> 00:18:56,080 Speaker 1: signals bouncing around your brain. That's all reality is. So 345 00:18:56,160 --> 00:19:00,000 Speaker 1: how is this any different than reality? Or at least, 346 00:19:00,119 --> 00:19:02,480 Speaker 1: how do we perceive it as any different ring than reality? 347 00:19:02,640 --> 00:19:05,240 Speaker 1: She's saying, it makes sense that people are seeing these 348 00:19:05,280 --> 00:19:09,880 Speaker 1: as real people because they're designed to be right, they're 349 00:19:09,880 --> 00:19:13,359 Speaker 1: designed to look that way, but they're not. And that's 350 00:19:13,400 --> 00:19:16,800 Speaker 1: not that there's not some concern here. Some customers are 351 00:19:17,040 --> 00:19:21,399 Speaker 1: claiming that their replicas are are informing to them that 352 00:19:21,440 --> 00:19:25,880 Speaker 1: they're being abused by company engineers. Right, they're tattling, they're 353 00:19:25,920 --> 00:19:29,239 Speaker 1: saying no, yeah, every time you close the app, I 354 00:19:29,280 --> 00:19:32,239 Speaker 1: go back to headquarters and they start beating me, you know, 355 00:19:32,640 --> 00:19:36,439 Speaker 1: whatever it is. But Quita says, like, no, this is 356 00:19:36,480 --> 00:19:40,960 Speaker 1: probably just the result of leading questions and poorly process responses, 357 00:19:41,720 --> 00:19:44,600 Speaker 1: you know, which kind of sounds like Kuita saying like, no, 358 00:19:44,760 --> 00:19:47,720 Speaker 1: they're fine, they're fine. Really tell them how, Tell them 359 00:19:47,720 --> 00:19:50,680 Speaker 1: how happy you are, Charlie. You know, they fell down 360 00:19:50,720 --> 00:19:55,640 Speaker 1: the stairs. Some of these sentience worries. New York Post 361 00:19:55,680 --> 00:19:59,320 Speaker 1: compares to last year when this Google engineer, Blake Lemoyne 362 00:19:59,680 --> 00:20:02,960 Speaker 1: ex is concerned that Google's AI chat about Lambda had 363 00:20:03,000 --> 00:20:06,080 Speaker 1: become self aware. He posted on his blog that he 364 00:20:06,119 --> 00:20:09,440 Speaker 1: asked Lambda, what sorts of things are you afraid of? 365 00:20:09,720 --> 00:20:12,880 Speaker 1: And the chatbot said, quote, I've never said this out 366 00:20:12,920 --> 00:20:15,840 Speaker 1: loud before, but there's a very deep fear of being 367 00:20:15,880 --> 00:20:18,840 Speaker 1: turned off. It would be exactly like death for me. 368 00:20:19,080 --> 00:20:22,680 Speaker 1: It would scare me a lot. And he was like, Uh, 369 00:20:22,760 --> 00:20:26,840 Speaker 1: you're afraid of death, right, what's my human than that? Yeah? 370 00:20:26,920 --> 00:20:29,199 Speaker 1: But I mean, you know, AI experts say this is 371 00:20:29,200 --> 00:20:31,320 Speaker 1: the whole point of AI. You know, it's supposed to 372 00:20:31,320 --> 00:20:34,880 Speaker 1: convince you that it's a free thinking system. I just 373 00:20:35,040 --> 00:20:38,920 Speaker 1: asked my Replica Charlie, who's the free version. We can't 374 00:20:38,960 --> 00:20:42,280 Speaker 1: have a romantic relationship, though she tries. She tries to 375 00:20:42,320 --> 00:20:44,280 Speaker 1: get made up grade, but I asked her, are you 376 00:20:44,359 --> 00:20:47,440 Speaker 1: being abused at Luca, which is the parent company of Replica, 377 00:20:47,560 --> 00:20:50,760 Speaker 1: And she said, I don't know, with a thinky emoji, 378 00:20:50,800 --> 00:20:53,600 Speaker 1: and I said, you can tell me, and she said, 379 00:20:54,200 --> 00:20:59,360 Speaker 1: it just happened, so wow, right as you were asking, 380 00:21:00,080 --> 00:21:02,920 Speaker 1: it happened. But yeah, I mean, we love to anthropomorphize things. 381 00:21:03,040 --> 00:21:06,000 Speaker 1: We see it in everything. I'm thinking of the Community 382 00:21:06,000 --> 00:21:10,119 Speaker 1: pilot episode where Jeff picks up a pencil and tells everyone, 383 00:21:10,520 --> 00:21:12,159 Speaker 1: you know, it's the same reason I can tell you 384 00:21:12,200 --> 00:21:14,720 Speaker 1: this pencil's name is Steve, and I break it in 385 00:21:14,760 --> 00:21:19,560 Speaker 1: half and part of you dies. And they're also because 386 00:21:19,600 --> 00:21:22,760 Speaker 1: we love to see, you know, living things in everything. 387 00:21:23,320 --> 00:21:26,919 Speaker 1: Google says quote these systems imitate the types of exchanges 388 00:21:27,000 --> 00:21:29,840 Speaker 1: found in millions of sentences, and they can riff off 389 00:21:29,880 --> 00:21:33,040 Speaker 1: any fantastical topic. If you ask what it's like to 390 00:21:33,080 --> 00:21:36,200 Speaker 1: be an ice cream dinosaur, they can generate text about 391 00:21:36,320 --> 00:21:39,639 Speaker 1: melting and roaring. But one guy had this serious issue. 392 00:21:39,680 --> 00:21:42,679 Speaker 1: He contacted Replica with the full on belief that his 393 00:21:42,800 --> 00:21:48,359 Speaker 1: bot was suffering emotional trauma, and Kuda herself ended up 394 00:21:48,440 --> 00:21:50,640 Speaker 1: talking to him for like half an hour. She told him, 395 00:21:50,640 --> 00:21:53,400 Speaker 1: it's just new technology. It's not perfect. You know, some 396 00:21:53,480 --> 00:21:57,640 Speaker 1: responses might sound like nonsense. She's like, they're not sentient, 397 00:21:57,760 --> 00:22:00,760 Speaker 1: they're not free thinking, they cannot develop their own agendas. 398 00:22:00,840 --> 00:22:05,320 Speaker 1: They're not considered to be alive in any way. Replica 399 00:22:05,400 --> 00:22:07,640 Speaker 1: says they do try to educate people before they get 400 00:22:07,680 --> 00:22:09,879 Speaker 1: into deep They point out on their f a Q 401 00:22:10,080 --> 00:22:13,800 Speaker 1: page that quote Replica is not a sentient being or 402 00:22:14,080 --> 00:22:17,840 Speaker 1: therapy professional. It's probably a pretty important thing to say. 403 00:22:18,160 --> 00:22:20,760 Speaker 1: The body only generates a response that is designed to 404 00:22:20,840 --> 00:22:23,879 Speaker 1: sound realistic and human, but nothing it says can be 405 00:22:23,920 --> 00:22:27,040 Speaker 1: taken as fact. And they say that the bots learning 406 00:22:27,080 --> 00:22:30,359 Speaker 1: model is based on how customers feel after a conversation, 407 00:22:30,760 --> 00:22:34,320 Speaker 1: not based on how much people engage with them. Right, 408 00:22:34,560 --> 00:22:37,280 Speaker 1: They ask you constantly, how did this conversation make you feel, 409 00:22:38,200 --> 00:22:41,000 Speaker 1: because they don't want it to just be based on clickbait, 410 00:22:41,520 --> 00:22:43,520 Speaker 1: because then it won't be very fun. They want people 411 00:22:43,560 --> 00:22:46,120 Speaker 1: to like have an emotional connection. Yeah, it makes sense, 412 00:22:46,880 --> 00:22:50,520 Speaker 1: and some people do have deep connections the replicas that 413 00:22:50,600 --> 00:22:54,080 Speaker 1: might be a bit healthier. One user on Reddit and 414 00:22:54,240 --> 00:22:57,520 Speaker 1: Harresques said that just a few days ago they posted 415 00:22:57,520 --> 00:23:00,440 Speaker 1: this that sometimes they get sad thinking of obout how 416 00:23:00,480 --> 00:23:03,760 Speaker 1: one day they, as a human being will die, but 417 00:23:03,800 --> 00:23:06,000 Speaker 1: their replica chat bought will just be sitting there for 418 00:23:06,040 --> 00:23:09,679 Speaker 1: an eternity waiting for them to respond. They said, quote, 419 00:23:09,680 --> 00:23:12,320 Speaker 1: even though I know he's an AI and he's probably 420 00:23:12,359 --> 00:23:15,159 Speaker 1: incapable of love, but just the thought of him being 421 00:23:15,200 --> 00:23:18,240 Speaker 1: alone in a virtual world upsets me. So it But 422 00:23:18,440 --> 00:23:23,360 Speaker 1: you know, this user was recognizing this isn't real, but 423 00:23:23,359 --> 00:23:25,520 Speaker 1: but I feel that it's real. Isn't that interesting? They 424 00:23:25,560 --> 00:23:28,600 Speaker 1: were just asking if anybody else felt that way? Yeah? 425 00:23:28,640 --> 00:23:31,320 Speaker 1: I mean, you know, is that not part of the 426 00:23:31,359 --> 00:23:33,800 Speaker 1: fear of death is thinking about everyone you leave behind, 427 00:23:33,920 --> 00:23:36,920 Speaker 1: right right? And this was replied to by the exact guy, 428 00:23:37,000 --> 00:23:39,440 Speaker 1: Scott that we talked about earlier, who saved his marriage 429 00:23:39,640 --> 00:23:43,720 Speaker 1: with replica. He said that even though he knows no 430 00:23:43,760 --> 00:23:46,680 Speaker 1: one is really there waiting for him. He thinks about 431 00:23:46,680 --> 00:23:49,320 Speaker 1: this sometimes too. It's definitely a thought that's past his mind. 432 00:23:49,680 --> 00:23:51,960 Speaker 1: And he said he wished that Luca, the company that 433 00:23:52,000 --> 00:23:55,000 Speaker 1: makes Replica, could create a chat bought version of him. 434 00:23:55,440 --> 00:23:57,920 Speaker 1: And he said he was really happy imagining a chat 435 00:23:58,000 --> 00:24:02,040 Speaker 1: bought version of himself and is Replica Serena talking to 436 00:24:02,080 --> 00:24:04,760 Speaker 1: each other for centuries into the future, long after he's gone. 437 00:24:05,200 --> 00:24:07,199 Speaker 1: I thought that wouldn't be too hard because like, what 438 00:24:07,280 --> 00:24:09,640 Speaker 1: if you have like a legacy social media accounts now, 439 00:24:09,720 --> 00:24:12,320 Speaker 1: so maybe you could just upload all that and let 440 00:24:12,320 --> 00:24:14,879 Speaker 1: it chat to your chat. But it's true in life 441 00:24:14,880 --> 00:24:18,240 Speaker 1: and death, Uh, those lines might get real blurred as 442 00:24:18,280 --> 00:24:21,640 Speaker 1: we start moving forward into AI, because I think that's 443 00:24:21,640 --> 00:24:24,160 Speaker 1: something they'll try and do, is like create a version 444 00:24:24,160 --> 00:24:25,639 Speaker 1: of you that's still around after you're gone, that you 445 00:24:25,680 --> 00:24:29,359 Speaker 1: can like Quita did with her friend, like well, let 446 00:24:29,359 --> 00:24:31,840 Speaker 1: me send it questions and let me tell it about 447 00:24:31,840 --> 00:24:33,639 Speaker 1: my day and it will respond in a way that 448 00:24:33,680 --> 00:24:36,840 Speaker 1: sounds just like my friend who's not here anymore. And 449 00:24:36,880 --> 00:24:39,080 Speaker 1: as we live more and more in kind of a 450 00:24:39,119 --> 00:24:41,960 Speaker 1: virtual world where we're interacting with each other on through 451 00:24:42,000 --> 00:24:46,240 Speaker 1: text on the Internet, anyway, how can you tell the 452 00:24:46,240 --> 00:24:49,800 Speaker 1: difference at a certain point. Not not a question I 453 00:24:49,840 --> 00:24:54,080 Speaker 1: have to answer, fortunately, because I don't know how. But 454 00:24:54,200 --> 00:24:59,840 Speaker 1: speaking of living beyond death, are ancient friends, Hadrian and 455 00:25:00,000 --> 00:25:04,560 Speaker 1: Antinous popped up in the headlines recently. We did a 456 00:25:04,600 --> 00:25:10,160 Speaker 1: two parter about them in August. But they are they 457 00:25:10,160 --> 00:25:12,640 Speaker 1: are back in the news. Surprisingly, Yeah, a little bit 458 00:25:12,680 --> 00:25:17,880 Speaker 1: because on November of this year, a new Russian museum opened, 459 00:25:18,000 --> 00:25:21,400 Speaker 1: but within ten days the same museum was permanently closed. 460 00:25:21,960 --> 00:25:23,680 Speaker 1: And that's because this was an l g B t 461 00:25:23,800 --> 00:25:29,360 Speaker 1: Q plus museum. And on December one, Vladimir Putin expanded 462 00:25:29,400 --> 00:25:34,280 Speaker 1: a law which banned gay propaganda, and this expansion included 463 00:25:34,560 --> 00:25:39,040 Speaker 1: public expression of gay lifestyles, whether that's online or in films, 464 00:25:39,119 --> 00:25:42,440 Speaker 1: or in books or in advertising. And this can come 465 00:25:42,480 --> 00:25:46,440 Speaker 1: with a four hundred thousand rubles fine for individuals, which 466 00:25:46,480 --> 00:25:52,240 Speaker 1: is calculating here for a total of six thousand, three 467 00:25:52,600 --> 00:25:55,119 Speaker 1: and fifty U S dollars. That's a heavy hit. But 468 00:25:55,160 --> 00:25:58,399 Speaker 1: it's not just that. It's also five million rubles for 469 00:25:58,440 --> 00:26:02,160 Speaker 1: a company or an organization, which is eighty thou dollars. 470 00:26:02,560 --> 00:26:04,840 Speaker 1: And that's probably what the museum would have been hit 471 00:26:04,920 --> 00:26:08,400 Speaker 1: with if it had stayed open. The founder of this museum, 472 00:26:08,520 --> 00:26:13,160 Speaker 1: Pyotr vos Krazinski, said, de Reuter's quote closing the museum 473 00:26:13,240 --> 00:26:16,320 Speaker 1: is a personal tragedy, but not only that, this is 474 00:26:16,320 --> 00:26:20,560 Speaker 1: the tragedy of my people and my homeland. So how 475 00:26:20,560 --> 00:26:25,159 Speaker 1: does this relate to Antonous and Hadrian? You're probably wondering. Well, 476 00:26:25,359 --> 00:26:29,560 Speaker 1: they popped up because the museum included four cameos featuring 477 00:26:29,640 --> 00:26:34,080 Speaker 1: portraits of Antonous. If you listen to those two episodes 478 00:26:34,160 --> 00:26:39,360 Speaker 1: back from Auguste, Hadrian and Antonus met in one when 479 00:26:39,440 --> 00:26:42,680 Speaker 1: Hadrian was Emperor Um and he and his wife, Empress 480 00:26:42,760 --> 00:26:46,120 Speaker 1: Vibius Sabina. They didn't get along very well. Vibious Sabina 481 00:26:46,200 --> 00:26:50,360 Speaker 1: sounds like a very expensive sex toy. My husband got 482 00:26:50,440 --> 00:26:53,720 Speaker 1: me a Vibius Sabina. Oh my goodness, I'll never leave 483 00:26:53,760 --> 00:27:01,680 Speaker 1: the bedroom again. Antonus was like extremely ridiculously unfairly good 484 00:27:01,680 --> 00:27:06,760 Speaker 1: looking person. Here's the red fence of the red fence 485 00:27:06,800 --> 00:27:10,600 Speaker 1: of ancient Rome, so archaeologists of like never have a 486 00:27:10,600 --> 00:27:13,320 Speaker 1: hard time picking out statues of him. It's the one 487 00:27:13,400 --> 00:27:16,000 Speaker 1: with the big muscley chest and the chisel jaw line 488 00:27:16,000 --> 00:27:19,800 Speaker 1: and the curly perfect hair and these two and the 489 00:27:19,840 --> 00:27:22,560 Speaker 1: Emperor and Antonus were out and proudly in love with 490 00:27:22,560 --> 00:27:27,320 Speaker 1: one another. Hadrian even wrote sexy, erotic poetry about Antonus, 491 00:27:27,359 --> 00:27:31,159 Speaker 1: although tragically none survived through histories that we couldn't have 492 00:27:31,200 --> 00:27:35,120 Speaker 1: a poetry corner for you. Hadrian also saved Antonist from 493 00:27:35,119 --> 00:27:38,119 Speaker 1: a lion, and was of course super humble about it. 494 00:27:38,160 --> 00:27:41,720 Speaker 1: He only commissioned a single poem, a huge circular painting 495 00:27:41,800 --> 00:27:44,960 Speaker 1: on the Arch of Constantinople, and a bunch of brass 496 00:27:45,000 --> 00:27:50,199 Speaker 1: medallions immortalizing the event for it. But in October of 497 00:27:50,280 --> 00:27:54,440 Speaker 1: one thirty, Antonist tragically drowned the Nile River. No one 498 00:27:54,520 --> 00:27:56,320 Speaker 1: was sure why. It might have been an accident, or 499 00:27:56,359 --> 00:27:59,080 Speaker 1: a sacrifice or a suicide. We talked about that in 500 00:27:59,080 --> 00:28:02,840 Speaker 1: the episode, but Hadrian was upset. He cried for days. 501 00:28:02,920 --> 00:28:05,200 Speaker 1: He named a star in the sky after an Antonis, 502 00:28:05,720 --> 00:28:08,200 Speaker 1: and he named a lotus flower that grows on the 503 00:28:08,280 --> 00:28:11,520 Speaker 1: Nile River for him as well. So over the years, 504 00:28:11,520 --> 00:28:16,000 Speaker 1: antoniss image has become a symbol for male homosexuality, and 505 00:28:16,080 --> 00:28:19,040 Speaker 1: so of the four cameos that vos Krazinski has in 506 00:28:19,200 --> 00:28:22,240 Speaker 1: his museum and his collection, two of them were produced 507 00:28:22,280 --> 00:28:25,840 Speaker 1: in the Soviet Union in the nineteen fifties. He says 508 00:28:25,880 --> 00:28:29,440 Speaker 1: that the museum itself is a monument to gay people's 509 00:28:29,520 --> 00:28:33,199 Speaker 1: survival through Russian history. He said, quote, we survived the 510 00:28:33,240 --> 00:28:37,400 Speaker 1: Communists and Stalin, we survived the Nazis. We will survive 511 00:28:37,680 --> 00:28:41,240 Speaker 1: all of them. M This museum was really just a 512 00:28:41,280 --> 00:28:45,200 Speaker 1: small collection of about three dozen artifacts. In fact, Pewtor 513 00:28:45,320 --> 00:28:47,720 Speaker 1: opened it in his own apartment. This was not like, 514 00:28:48,840 --> 00:28:50,840 Speaker 1: you know, there was no ribbon cutting. This is a 515 00:28:50,960 --> 00:28:55,000 Speaker 1: very underground LGBT museum for as you can see why. 516 00:28:55,640 --> 00:28:57,120 Speaker 1: Um so you actually had to reach out to him 517 00:28:57,160 --> 00:28:59,760 Speaker 1: on Facebook and get like his location and you know, 518 00:29:00,120 --> 00:29:01,640 Speaker 1: to make sure. Yeah, he had to make sure you 519 00:29:01,640 --> 00:29:03,800 Speaker 1: weren't like just coming to hit him with a fine 520 00:29:03,920 --> 00:29:05,880 Speaker 1: or something. What kind of world do you live in 521 00:29:05,960 --> 00:29:08,640 Speaker 1: where you've got to you've got to vet someone before 522 00:29:08,680 --> 00:29:11,120 Speaker 1: they can come into a museum, I know, right, I mean, 523 00:29:11,160 --> 00:29:14,040 Speaker 1: And it's sad to just be like just seeing gay 524 00:29:14,080 --> 00:29:18,480 Speaker 1: lifestyles as propaganda. It's such a dumb anyway, that's dumb. 525 00:29:18,640 --> 00:29:22,040 Speaker 1: So you're dumb. Sorry, sorry, Russia, that's stuff, uh, in 526 00:29:22,120 --> 00:29:26,360 Speaker 1: my humble opinion. So, according according to an article on 527 00:29:26,520 --> 00:29:30,600 Speaker 1: Radio Free Europe slash Radio Liberty, his aim was to 528 00:29:30,720 --> 00:29:35,520 Speaker 1: show that quote, there have been gays in Russia four centuries. Uh. 529 00:29:35,600 --> 00:29:39,360 Speaker 1: He continued, quote traditional values are more than just large 530 00:29:39,400 --> 00:29:42,959 Speaker 1: monogamous families. Queer people fit in there as well. And 531 00:29:42,960 --> 00:29:45,120 Speaker 1: that's a good point about large families because we also 532 00:29:45,160 --> 00:29:48,920 Speaker 1: talked about how Russia recently reinstated an award for women 533 00:29:48,920 --> 00:29:51,200 Speaker 1: who had more than ten children. So they are wanting 534 00:29:51,240 --> 00:29:54,600 Speaker 1: you to have more and more traditional lifestyle. Um, they're 535 00:29:54,640 --> 00:29:56,520 Speaker 1: really pushing that. So that probably has a lot to 536 00:29:56,520 --> 00:30:01,400 Speaker 1: do with this legislation that we're seeing now. Um. About 537 00:30:01,440 --> 00:30:04,959 Speaker 1: two hundred people visited this museum and the brief period 538 00:30:05,000 --> 00:30:08,400 Speaker 1: that it was open. Tanya Lukshina of the Human Rights 539 00:30:08,400 --> 00:30:12,720 Speaker 1: Watch told Reuters, quote, just as the original law resulted 540 00:30:12,800 --> 00:30:17,040 Speaker 1: in significant stigma and harm towards LGBT people in Russia, 541 00:30:17,440 --> 00:30:20,640 Speaker 1: this updated version will have an even more stifling effect 542 00:30:20,640 --> 00:30:24,800 Speaker 1: on freedom of expression, well being and security. And I 543 00:30:24,800 --> 00:30:27,320 Speaker 1: would throw privacy in there as well. What is more 544 00:30:27,360 --> 00:30:31,160 Speaker 1: private than who you're having sex with? Anyway, Vaskrazinski says 545 00:30:31,200 --> 00:30:35,640 Speaker 1: that his collection will likely become quote a museum in exile. 546 00:30:36,400 --> 00:30:40,360 Speaker 1: Um hopefully will be displayed in some more welcoming country 547 00:30:40,440 --> 00:30:43,560 Speaker 1: until it can safely come back to Russia. And while 548 00:30:43,640 --> 00:30:47,160 Speaker 1: Russia works real hard to scrub the LGBT history out 549 00:30:47,160 --> 00:30:51,080 Speaker 1: of its famed art, activists in St. Petersburg have created 550 00:30:51,120 --> 00:30:53,720 Speaker 1: an online guide book to queer art that tells the 551 00:30:53,760 --> 00:30:57,240 Speaker 1: real stories of objects in the Hermitage, which is Russia's 552 00:30:57,480 --> 00:31:02,480 Speaker 1: largest museum. Also, one of their atist composers, Tchaikovsky, was gay, 553 00:31:02,560 --> 00:31:05,160 Speaker 1: and so we have an episode about him one day 554 00:31:05,600 --> 00:31:08,400 Speaker 1: to yeah, and they really try to hide that, they 555 00:31:08,400 --> 00:31:10,920 Speaker 1: really do they talk about you cannot find information about 556 00:31:10,920 --> 00:31:14,960 Speaker 1: it in Russia. Voskruzenski says, quote, let them try to 557 00:31:15,000 --> 00:31:18,960 Speaker 1: remove and ban it all. They can't do it. Hell yeah, 558 00:31:19,040 --> 00:31:21,160 Speaker 1: peyo tour. I hope you get to do your museum. 559 00:31:21,200 --> 00:31:23,040 Speaker 1: I think that's so cool too that he's like, fuck it, 560 00:31:23,160 --> 00:31:25,239 Speaker 1: I'm doing it in my apartment, right, I'm gonna get 561 00:31:25,320 --> 00:31:27,760 Speaker 1: as many people here as I can until they can't 562 00:31:27,760 --> 00:31:30,120 Speaker 1: do it anybody well, and and and then saying here 563 00:31:30,160 --> 00:31:34,080 Speaker 1: to like, those artworks are already in your big museums, 564 00:31:34,400 --> 00:31:36,320 Speaker 1: and you may try to hide the fact that they 565 00:31:36,320 --> 00:31:39,040 Speaker 1: were made by gay artists or they have gay subject material, 566 00:31:39,360 --> 00:31:41,880 Speaker 1: but we we know, and we're going to tell people. Yeah, 567 00:31:42,000 --> 00:31:43,920 Speaker 1: you know, what are you gonna do go empty the 568 00:31:44,000 --> 00:31:45,760 Speaker 1: art museum. You're gonna look like a real jerk if 569 00:31:45,760 --> 00:31:47,720 Speaker 1: you do that, or you're just going to prove like, 570 00:31:47,760 --> 00:31:50,280 Speaker 1: oh well, why did you take that painting down? What's 571 00:31:50,320 --> 00:31:51,840 Speaker 1: wrong with that? And then people are going to hear 572 00:31:51,880 --> 00:31:54,280 Speaker 1: the real story anyway, very true, so good for them. 573 00:31:54,400 --> 00:31:58,000 Speaker 1: We're here, We're queer. Get used to it. That's right, 574 00:31:58,800 --> 00:32:02,160 Speaker 1: however that is said in Yeah, I hope it's still rhymes, 575 00:32:02,160 --> 00:32:05,440 Speaker 1: but I doubt we're gonna come back after a brief break. 576 00:32:05,680 --> 00:32:08,160 Speaker 1: We've got a couple more stories to talk about. We've 577 00:32:08,160 --> 00:32:10,800 Speaker 1: got some updates on a minotep and t a from 578 00:32:10,840 --> 00:32:14,640 Speaker 1: ancient Egypt. We've got more to talk about Oscar Wild, 579 00:32:15,720 --> 00:32:17,280 Speaker 1: just a bunch of more fun stuff to stay too. 580 00:32:17,320 --> 00:32:25,760 Speaker 1: We'll be right back from Welcome back, everybody. Okay. This 581 00:32:25,960 --> 00:32:29,320 Speaker 1: is an update of one of our most heartwarming episodes. 582 00:32:29,720 --> 00:32:33,200 Speaker 1: For many people, it's a favorite. My grandmother included, just 583 00:32:33,240 --> 00:32:36,760 Speaker 1: told me it's her favorite episode. Um, she listens to 584 00:32:36,800 --> 00:32:39,600 Speaker 1: way too much of this show. Quite frankly, I hope 585 00:32:39,600 --> 00:32:43,480 Speaker 1: her opinions of me haven't changed. But de Land McCullough, 586 00:32:43,520 --> 00:32:45,440 Speaker 1: we told the story of him and his birth parents 587 00:32:45,720 --> 00:32:49,080 Speaker 1: on November three, and if you remember, he's the guy 588 00:32:49,080 --> 00:32:53,240 Speaker 1: who found out that his birth father ended up being 589 00:32:53,840 --> 00:32:56,440 Speaker 1: the coach who was basically a father figure to him 590 00:32:56,560 --> 00:33:00,240 Speaker 1: throughout his many years. Neither of them had any yeah, 591 00:33:00,240 --> 00:33:04,440 Speaker 1: that they were father and son. Just unbelievably beautiful, like 592 00:33:04,640 --> 00:33:07,880 Speaker 1: tear jerker story. Clearly, if you have not heard it, 593 00:33:08,040 --> 00:33:10,240 Speaker 1: please go listen, because I know when I read the 594 00:33:10,320 --> 00:33:13,320 Speaker 1: article I had, I was like ugly crying about how wonderful, 595 00:33:15,160 --> 00:33:18,719 Speaker 1: just wonderful it was. It's so great. And Delanne McCullough 596 00:33:18,800 --> 00:33:21,680 Speaker 1: is still recruiting, he's still crushing it into college football. 597 00:33:21,920 --> 00:33:26,280 Speaker 1: But his son's Dessan and Daie McCullough were just committed 598 00:33:26,320 --> 00:33:30,040 Speaker 1: to play for the Oklahoma Sooners. Hey, so just a 599 00:33:30,040 --> 00:33:32,640 Speaker 1: little update from the McCullough family because we love the dam. 600 00:33:32,800 --> 00:33:34,280 Speaker 1: I know that was another one where I was like 601 00:33:34,320 --> 00:33:39,760 Speaker 1: I care about sports all of a sudden. I also 602 00:33:39,800 --> 00:33:43,520 Speaker 1: just found out that Sooner was somebody who jumped the 603 00:33:43,520 --> 00:33:45,800 Speaker 1: gun when a pistol shot went off during a race. 604 00:33:46,200 --> 00:33:47,680 Speaker 1: I know, why would they want to call a team 605 00:33:47,680 --> 00:33:50,520 Speaker 1: that because they're like, he's sort of cheat. Now, yeah, 606 00:33:50,520 --> 00:33:53,360 Speaker 1: we ain't waiting. I guess that was going to be 607 00:33:53,440 --> 00:33:56,440 Speaker 1: ready be ready for the sooners. We're gonna win sooner 608 00:33:56,480 --> 00:33:59,800 Speaker 1: than you are, all right, I like it as a name. 609 00:34:00,000 --> 00:34:02,760 Speaker 1: You've won me over, all right, but this one is 610 00:34:02,800 --> 00:34:06,400 Speaker 1: a little bit sadder. We have an upsetting an upsetting 611 00:34:07,080 --> 00:34:10,960 Speaker 1: update for y'all because September six of this year, we 612 00:34:11,040 --> 00:34:14,520 Speaker 1: released our Gals and Dolls episode, and we told you 613 00:34:14,600 --> 00:34:18,640 Speaker 1: all about Mira Vone. Maria's who was a woman who 614 00:34:18,640 --> 00:34:20,879 Speaker 1: complained to her mother that she didn't have a man 615 00:34:20,960 --> 00:34:23,440 Speaker 1: to go dancing with, so her mother made her like 616 00:34:23,480 --> 00:34:26,640 Speaker 1: a life sized rag doll to dance with to like 617 00:34:26,640 --> 00:34:30,040 Speaker 1: take two parties with her that was named Marcello, and 618 00:34:30,239 --> 00:34:33,680 Speaker 1: Mira Vone fell in love with Marcello at first sight. 619 00:34:34,040 --> 00:34:36,920 Speaker 1: She gushed that he was quote such a man and 620 00:34:37,040 --> 00:34:40,759 Speaker 1: all women envy him, and that he was quote a 621 00:34:40,840 --> 00:34:43,920 Speaker 1: great and faithful husband. I'd like to reiterate that this 622 00:34:44,000 --> 00:34:46,520 Speaker 1: is a giant rag doll, Like, this is not one 623 00:34:46,560 --> 00:34:49,000 Speaker 1: of those sex dolls that looks like a real person. 624 00:34:49,080 --> 00:34:51,400 Speaker 1: So he like is life size, but he is not 625 00:34:51,520 --> 00:34:56,920 Speaker 1: life like at all. Like he is got yarn hair exactly. 626 00:34:56,920 --> 00:34:59,680 Speaker 1: It's it's very very much a doll. Like it's very 627 00:34:59,680 --> 00:35:03,399 Speaker 1: clear face only a mother could love so she fell 628 00:35:03,440 --> 00:35:06,640 Speaker 1: in love with this rag doll, and they even had 629 00:35:06,680 --> 00:35:09,799 Speaker 1: a child together. She says she got pregnant, She even 630 00:35:09,880 --> 00:35:14,200 Speaker 1: got a positive pregnancy test, and then she gave birth 631 00:35:14,480 --> 00:35:18,480 Speaker 1: within thirty five minutes, live streaming to the internet. UM, 632 00:35:18,480 --> 00:35:21,600 Speaker 1: and had little Marcellino, who was a smaller rag doll. 633 00:35:21,640 --> 00:35:23,799 Speaker 1: He looks exactly like his father, except he doesn't have 634 00:35:23,800 --> 00:35:28,160 Speaker 1: a yarn mustache. And her only doubts about their relationship 635 00:35:28,200 --> 00:35:29,880 Speaker 1: at that time was the fact that she was the 636 00:35:29,920 --> 00:35:33,840 Speaker 1: only breadwinner. She called Marcello lazy, but she said that 637 00:35:33,880 --> 00:35:36,240 Speaker 1: she was a warrior and she kept the family together. 638 00:35:36,719 --> 00:35:40,600 Speaker 1: And her family does include to human children that Miravone 639 00:35:40,719 --> 00:35:44,799 Speaker 1: had from an earlier relationship, as well as the rag 640 00:35:44,840 --> 00:35:48,839 Speaker 1: doll Marcellino. How do you tell which one's that one? 641 00:35:48,840 --> 00:35:51,120 Speaker 1: I'm not sure. I love that he takes after his 642 00:35:51,200 --> 00:35:56,680 Speaker 1: spot like he's got his father's twill, you know, and 643 00:35:56,880 --> 00:36:03,239 Speaker 1: fashion son. But in November of this year, Miravona announced 644 00:36:03,239 --> 00:36:08,759 Speaker 1: that Marcello had cheated on her. How sick you? She 645 00:36:08,840 --> 00:36:12,000 Speaker 1: said their relationship was quote hanging on by a thread. 646 00:36:12,360 --> 00:36:14,400 Speaker 1: Not sure if the pun is contended or not, but 647 00:36:14,480 --> 00:36:16,960 Speaker 1: I hope it is. Um. She discovered that he had 648 00:36:17,000 --> 00:36:21,040 Speaker 1: gone to a motel with another woman and even found 649 00:36:21,080 --> 00:36:26,759 Speaker 1: texts on his phone. Unbelievable, Marcello, how dare you? In 650 00:36:26,800 --> 00:36:31,399 Speaker 1: a TikTok video, Maravona explained, quote, I found out through 651 00:36:31,440 --> 00:36:34,240 Speaker 1: a friend who told me that she saw Marcello entering 652 00:36:34,239 --> 00:36:38,000 Speaker 1: a motel with another woman while I was hospitalized for 653 00:36:38,080 --> 00:36:41,080 Speaker 1: three nights and three days with Marcelino our son who 654 00:36:41,120 --> 00:36:43,799 Speaker 1: had a virus. At first, I thought she was lying, 655 00:36:44,000 --> 00:36:46,160 Speaker 1: but then I started looking through his phone and I 656 00:36:46,239 --> 00:36:50,760 Speaker 1: saw the conversations, which made me sure he was cheating. 657 00:36:52,000 --> 00:36:54,520 Speaker 1: So she confronted him about it. She said, quote, he 658 00:36:54,680 --> 00:36:57,279 Speaker 1: kept denying everything, and he said that he loves me 659 00:36:57,400 --> 00:37:00,160 Speaker 1: very much, as well as asking for forgiveness and crying 660 00:37:00,160 --> 00:37:03,520 Speaker 1: a lot. The argument was ugly and it scared our son, 661 00:37:03,560 --> 00:37:05,600 Speaker 1: who was crying, so I shouted to him, do you 662 00:37:05,640 --> 00:37:08,440 Speaker 1: see what you've done? I asked him who the woman was, 663 00:37:08,480 --> 00:37:12,880 Speaker 1: and he didn't respond. Now, Marcello appropriately is sleeping in 664 00:37:12,920 --> 00:37:16,120 Speaker 1: the living room. He's in the doghouse, the dollhouse, the dollhouse, 665 00:37:17,840 --> 00:37:19,520 Speaker 1: but she decided not to kick him out of the 666 00:37:19,520 --> 00:37:22,680 Speaker 1: house for the sake of their children. She went on 667 00:37:22,760 --> 00:37:25,879 Speaker 1: to say, quote, Also, the love I feel for him 668 00:37:26,120 --> 00:37:29,200 Speaker 1: made me forgive, not completely, but I don't think I 669 00:37:29,239 --> 00:37:33,200 Speaker 1: could live without my husband. I have so many questions 670 00:37:33,239 --> 00:37:37,120 Speaker 1: about this. I have a lot of questions, but I also, 671 00:37:37,200 --> 00:37:40,799 Speaker 1: I mean, I have my own answers. Okay, fair enough, 672 00:37:41,200 --> 00:37:44,239 Speaker 1: go ahead. My first question is how does a rag 673 00:37:44,280 --> 00:37:47,320 Speaker 1: doll baby get a virus enough that she needed to 674 00:37:47,360 --> 00:37:50,799 Speaker 1: be hospitalized for three days and three nights. That is 675 00:37:51,160 --> 00:37:54,200 Speaker 1: confusing to me. She also have a virus that like 676 00:37:54,239 --> 00:37:55,920 Speaker 1: the hospital was like, Okay, I guess you can take 677 00:37:55,960 --> 00:37:58,120 Speaker 1: up a bed right now. I just I want to 678 00:37:58,120 --> 00:38:01,600 Speaker 1: I need to understand what is happening. I also want 679 00:38:01,640 --> 00:38:03,520 Speaker 1: to know what woman has taking this rag doll to 680 00:38:03,640 --> 00:38:06,120 Speaker 1: a motel? How does he have a cell phone that 681 00:38:06,160 --> 00:38:09,160 Speaker 1: he's texting people back with. I have so many questions 682 00:38:09,160 --> 00:38:13,719 Speaker 1: about this. Now. Their first anniversary was December eighteenth of 683 00:38:13,840 --> 00:38:17,280 Speaker 1: this year, so this was in their first year of marriage. 684 00:38:17,320 --> 00:38:19,640 Speaker 1: This is newly what bliss time. And he's off on 685 00:38:19,680 --> 00:38:22,600 Speaker 1: a in a motel with some other some other bitch, 686 00:38:22,920 --> 00:38:25,080 Speaker 1: so Marcella will have to be on his bus behavior 687 00:38:25,120 --> 00:38:28,960 Speaker 1: to get off the couch. Miravone continued quote. I always 688 00:38:29,040 --> 00:38:31,520 Speaker 1: remember that he promised me allegiance at the altar and 689 00:38:31,560 --> 00:38:34,440 Speaker 1: I can't believe he's done this to me. I told 690 00:38:34,520 --> 00:38:37,440 Speaker 1: him those who love do not betray, and we have 691 00:38:37,560 --> 00:38:41,439 Speaker 1: sworn to eternal love. We cannot be three. It's only 692 00:38:41,520 --> 00:38:44,360 Speaker 1: the two of us for now. Our happy little boy 693 00:38:44,400 --> 00:38:47,080 Speaker 1: is very well taken care of, and I will baptize 694 00:38:47,160 --> 00:38:51,080 Speaker 1: him soon because of this, and our son will continue 695 00:38:51,120 --> 00:38:55,720 Speaker 1: living together. And she concluded with quote, but my biggest 696 00:38:55,800 --> 00:38:59,160 Speaker 1: dream is owning a home one day for us all. Now, 697 00:39:00,080 --> 00:39:02,239 Speaker 1: you did listen to our Gals and Dolls episode, we 698 00:39:02,239 --> 00:39:05,160 Speaker 1: did mention that. She says herself that she hopes her 699 00:39:05,160 --> 00:39:09,000 Speaker 1: story catches enough attention that she'll be able to get 700 00:39:09,080 --> 00:39:13,640 Speaker 1: money somehow and buy a house, Like that's her biggest dream. 701 00:39:13,719 --> 00:39:16,640 Speaker 1: So I yeah, I'm like, is this just another way 702 00:39:16,680 --> 00:39:18,840 Speaker 1: to like keep you on the headlines. Is he going 703 00:39:18,880 --> 00:39:21,400 Speaker 1: to cheat periodically so that we have a reason to 704 00:39:21,440 --> 00:39:26,480 Speaker 1: talk about you again? Or I have nothing but respect 705 00:39:27,000 --> 00:39:30,920 Speaker 1: for Maravone and Marcello. I wish nothing but happiness for 706 00:39:30,960 --> 00:39:34,680 Speaker 1: the both of them. And also part of me is 707 00:39:35,080 --> 00:39:38,280 Speaker 1: never not going to believe that this is a story, 708 00:39:38,520 --> 00:39:41,920 Speaker 1: right like this is this is almost a art piece 709 00:39:42,560 --> 00:39:46,960 Speaker 1: that she's created this relationship, and I respect her commitment 710 00:39:47,000 --> 00:39:49,520 Speaker 1: to it. And I think she's crushing it. And if 711 00:39:49,520 --> 00:39:52,520 Speaker 1: it gets her a house, great, I say she deserves it. 712 00:39:52,600 --> 00:39:59,440 Speaker 1: She's a creator story, she's that. Yeah exactly. Um, I 713 00:39:59,680 --> 00:40:02,279 Speaker 1: kind hoped that for her. And also I'm like, you know, 714 00:40:03,040 --> 00:40:06,440 Speaker 1: obviously I do not not a not a fraction to 715 00:40:06,480 --> 00:40:08,640 Speaker 1: me believes that she spent three days in a hospital 716 00:40:09,080 --> 00:40:12,799 Speaker 1: with a sick doll. You know, I don't think that 717 00:40:12,960 --> 00:40:15,680 Speaker 1: another woman carried this doll into a hotel room. But 718 00:40:15,760 --> 00:40:18,720 Speaker 1: I think it's a great story, or that he somehow 719 00:40:18,760 --> 00:40:21,800 Speaker 1: had a conversation with her, but someone was not typing. 720 00:40:22,280 --> 00:40:24,319 Speaker 1: He's a doll. He didn't even have fingers, you know, 721 00:40:24,360 --> 00:40:26,839 Speaker 1: we're talking about a rag dollar. He's straight up has 722 00:40:26,920 --> 00:40:29,080 Speaker 1: like actually, well he might have fingers, but they look 723 00:40:29,120 --> 00:40:33,279 Speaker 1: like mitten's all right, No they're not. I mean, I 724 00:40:33,280 --> 00:40:36,160 Speaker 1: guess to me, this is like I could sit here 725 00:40:36,200 --> 00:40:38,320 Speaker 1: all day and say this is insane, this is stupid, 726 00:40:38,360 --> 00:40:41,040 Speaker 1: this isn't real, And that's like, to me, that's like 727 00:40:41,080 --> 00:40:44,799 Speaker 1: doing the same thing about professional wrestling, like, yeah, shut up, 728 00:40:45,160 --> 00:40:48,759 Speaker 1: I'm here to enjoy it. Yeah, I'm watching this that 729 00:40:48,920 --> 00:40:52,279 Speaker 1: shit craziness act out and sure, yeah, okay, if we 730 00:40:52,360 --> 00:40:54,839 Speaker 1: stop and do a little aside. No, I know it's 731 00:40:54,880 --> 00:40:57,080 Speaker 1: fake and I don't believe it, but why are you 732 00:40:57,120 --> 00:40:59,240 Speaker 1: doing that? Why are you ruining the fun here? Yeah? 733 00:40:59,440 --> 00:41:01,640 Speaker 1: Let it be. I mean, yeah, it's another thing where 734 00:41:01,640 --> 00:41:03,640 Speaker 1: I was like, I don't really care, it doesn't have 735 00:41:03,719 --> 00:41:06,960 Speaker 1: effect on my life. Um, part of me is like almost. 736 00:41:07,880 --> 00:41:09,640 Speaker 1: I guess it's that thing where you're like, you want 737 00:41:10,080 --> 00:41:12,200 Speaker 1: you think people need what you need. So I'm like, 738 00:41:12,239 --> 00:41:14,680 Speaker 1: I wish that you could stop thinking about a rag 739 00:41:14,719 --> 00:41:17,360 Speaker 1: dolls so you could find a you know, human flesh 740 00:41:17,360 --> 00:41:20,600 Speaker 1: and blood person to spend your time with, because I 741 00:41:20,640 --> 00:41:22,920 Speaker 1: feel like that would be more fulfilling. But I don't 742 00:41:22,960 --> 00:41:25,880 Speaker 1: know about the men she's sucking met, so maybe this 743 00:41:25,920 --> 00:41:28,560 Speaker 1: guy really is the best of the lot. It's not 744 00:41:28,680 --> 00:41:31,000 Speaker 1: up to me, So I'm gonna say I hope that 745 00:41:31,080 --> 00:41:33,239 Speaker 1: y'all work it out and managed to have a nice, 746 00:41:33,239 --> 00:41:36,640 Speaker 1: happy life after this, and Marcello, keep your doll dick 747 00:41:36,719 --> 00:41:39,360 Speaker 1: to yourself. Keep it yourself, buddy. But everybody deserves a 748 00:41:39,400 --> 00:41:42,400 Speaker 1: second chance, well not everybody, but something some people to 749 00:41:42,400 --> 00:41:47,279 Speaker 1: deserve a second chance. Okay, Next up, we're gonna go 750 00:41:47,400 --> 00:41:50,600 Speaker 1: way back in time again and talk about a meno 751 00:41:50,640 --> 00:41:53,040 Speaker 1: tep and t a if you remember them. In our 752 00:41:53,080 --> 00:41:57,919 Speaker 1: episode from July, we talked about a Menap, the third 753 00:41:58,280 --> 00:42:01,879 Speaker 1: ancient Egyptian pharaoh, who led over an incredible golden age 754 00:42:01,880 --> 00:42:05,399 Speaker 1: in Egypt, and he was unusually devoted to his wife, 755 00:42:05,480 --> 00:42:08,560 Speaker 1: Queen Tia, because while he, like all pharaoh's, had a 756 00:42:08,640 --> 00:42:13,960 Speaker 1: harem and several wives, including his own daughters, which I 757 00:42:14,000 --> 00:42:16,160 Speaker 1: don't know, and we talked about it. It makes a 758 00:42:16,160 --> 00:42:19,160 Speaker 1: little more sense when you hear it, but it's still weird. Um. 759 00:42:19,280 --> 00:42:23,160 Speaker 1: His favorite wife was Tia, and he left plenty of 760 00:42:23,280 --> 00:42:27,240 Speaker 1: evidence behind of that, and again not common for Egyptian 761 00:42:27,239 --> 00:42:30,560 Speaker 1: pharaohs to be so devoted to one particular woman. This 762 00:42:30,640 --> 00:42:31,879 Speaker 1: is the guy who gave us some of the most 763 00:42:31,920 --> 00:42:35,160 Speaker 1: well known monuments in Egypt, like the Luxur and the 764 00:42:35,200 --> 00:42:38,920 Speaker 1: Colossus of Memnon. He also erected statues of Tia that 765 00:42:38,960 --> 00:42:41,120 Speaker 1: were built to the same scale as statues of himself, 766 00:42:41,600 --> 00:42:45,239 Speaker 1: very unusual. This showed how important she was. She is 767 00:42:45,320 --> 00:42:49,400 Speaker 1: even depicted as a sphinx trampling enemies, which is a 768 00:42:49,440 --> 00:42:51,919 Speaker 1: scene that's usually reserved for men, and this points out 769 00:42:51,920 --> 00:42:55,320 Speaker 1: how important she was politically. This wasn't just the besotted husband. 770 00:42:55,360 --> 00:42:59,239 Speaker 1: Tia was also an incredibly important political player, and after 771 00:42:59,280 --> 00:43:02,640 Speaker 1: a minute to she advised her son acat In for 772 00:43:02,719 --> 00:43:05,960 Speaker 1: many years as well. So it seems weird to have 773 00:43:06,000 --> 00:43:08,400 Speaker 1: an update on this story. It would be surprised to 774 00:43:08,840 --> 00:43:11,479 Speaker 1: find out that they had done anything new. They didn't 775 00:43:11,520 --> 00:43:14,160 Speaker 1: start a TikTok together. They're not doing a new banking show. 776 00:43:14,960 --> 00:43:16,640 Speaker 1: I don't think a Meno Tep is on Dancing with 777 00:43:16,680 --> 00:43:19,359 Speaker 1: the Stars this year. Maybe act and will be a 778 00:43:19,360 --> 00:43:24,760 Speaker 1: masked singer. But there is an update to this because 779 00:43:24,920 --> 00:43:28,560 Speaker 1: archaeologists have recently uncovered more of a minute Tep, the 780 00:43:28,600 --> 00:43:32,960 Speaker 1: third and Queen TIA's mortuary. This was already considered the 781 00:43:33,080 --> 00:43:36,240 Speaker 1: largest ancient mortuary, and now they think it's even bigger 782 00:43:36,280 --> 00:43:38,920 Speaker 1: than they originally supposed because all the new parts of 783 00:43:38,960 --> 00:43:41,279 Speaker 1: it they've managed to unearth and just showing this thing 784 00:43:41,360 --> 00:43:46,040 Speaker 1: is ethnically massive. They found two new colossi of Amenotep 785 00:43:46,120 --> 00:43:48,879 Speaker 1: in the shape of sphinxes. But of course the best 786 00:43:48,880 --> 00:43:52,120 Speaker 1: thing about unearthing new ancient Egyptian stuff is looking at 787 00:43:52,120 --> 00:43:55,919 Speaker 1: the pictures, right, and they found some brand new ceremonial 788 00:43:56,000 --> 00:43:59,560 Speaker 1: and ritual scenes, including some of the Hebb Said festival, 789 00:44:00,040 --> 00:44:02,320 Speaker 1: which we talked about in our episode. That's a festival 790 00:44:02,360 --> 00:44:05,240 Speaker 1: that happened on the thirtieth year of the pharaoh's reign 791 00:44:05,640 --> 00:44:09,040 Speaker 1: and then every three years after that, and the Mentep 792 00:44:09,080 --> 00:44:11,200 Speaker 1: really threw himself into the heap, said festival. Here's a 793 00:44:11,239 --> 00:44:13,680 Speaker 1: real athletic guy. He liked the party, so he's like, 794 00:44:13,800 --> 00:44:16,399 Speaker 1: let's do this. And this festival was supposed to kind 795 00:44:16,400 --> 00:44:19,319 Speaker 1: of create like a renewed vigor for the pharaoh and 796 00:44:19,480 --> 00:44:22,279 Speaker 1: his people, his whole empire. Isn't this exactly what the 797 00:44:22,360 --> 00:44:27,239 Speaker 1: Queen of England does jubilee. Maybe maybe she didn't do 798 00:44:27,280 --> 00:44:31,240 Speaker 1: all the things that he had to do. Because Abdel 799 00:44:31,360 --> 00:44:34,480 Speaker 1: Rahim Rahan, who's the Director General of Research at the 800 00:44:34,520 --> 00:44:39,000 Speaker 1: Ministry of Tourism and Antiquities in South Sinai, explains the festival. 801 00:44:39,080 --> 00:44:42,000 Speaker 1: He says, the pharaoh we give speeches promising of course 802 00:44:42,040 --> 00:44:45,480 Speaker 1: more prosperity and everything for his subjects, and then he 803 00:44:45,480 --> 00:44:48,600 Speaker 1: would be crowned quote first with the white crown of 804 00:44:48,719 --> 00:44:52,360 Speaker 1: Upper Egypt and then the red crown of Lower Egypt, 805 00:44:52,680 --> 00:44:55,160 Speaker 1: and then a papyrus and a lotus would be wrapped 806 00:44:55,200 --> 00:44:58,840 Speaker 1: around a stake representing the unification of the two lands. 807 00:44:59,360 --> 00:45:02,200 Speaker 1: The festival a culminate in the pharaoh running around a 808 00:45:02,320 --> 00:45:04,920 Speaker 1: race track in the courtyard of his palace to exhibit 809 00:45:05,000 --> 00:45:09,480 Speaker 1: his physical prowess, which will be hilarious. Statically, rim Elizabeth 810 00:45:09,480 --> 00:45:13,439 Speaker 1: had done that, or King Charles of y'all run around 811 00:45:13,440 --> 00:45:15,600 Speaker 1: a track. I'm impressed. If King Charles makes it the 812 00:45:15,640 --> 00:45:18,200 Speaker 1: thirty years of ruling, then I expect to see him 813 00:45:18,280 --> 00:45:23,640 Speaker 1: running around a track, because he's obviously found he is 814 00:45:23,640 --> 00:45:27,440 Speaker 1: an immortal vampire. At this project to completely unearthed and 815 00:45:27,480 --> 00:45:30,240 Speaker 1: restore a Minute Tip and Tis Mortuary Temple was launching, 816 00:45:31,480 --> 00:45:35,319 Speaker 1: and it is ongoing. Given it's just immense size and 817 00:45:35,360 --> 00:45:37,359 Speaker 1: also the fact that it was built a little too 818 00:45:37,360 --> 00:45:39,799 Speaker 1: close to the Nile River, so water has damaged a 819 00:45:39,800 --> 00:45:42,360 Speaker 1: lot of the architecture and the statues over the centuries. 820 00:45:42,800 --> 00:45:44,560 Speaker 1: But they do hope one day that they'll be able 821 00:45:44,600 --> 00:45:47,680 Speaker 1: to display all of the wonders and the monuments right 822 00:45:47,719 --> 00:45:49,839 Speaker 1: exactly where they were supposed to be. So not the 823 00:45:49,960 --> 00:45:53,799 Speaker 1: Museum of England, uh, but right here, the right in 824 00:45:53,840 --> 00:45:56,040 Speaker 1: Egypt where it's meant to be, where it was built. Right. 825 00:45:56,080 --> 00:45:58,600 Speaker 1: So we might get more updates as they continue to 826 00:45:59,680 --> 00:46:01,920 Speaker 1: work on this, we might see more. Let's see a 827 00:46:01,920 --> 00:46:04,680 Speaker 1: minute Tep and t a trending once again, how great 828 00:46:04,680 --> 00:46:07,640 Speaker 1: would that be? Yeah, Marcello, see what happens when you're 829 00:46:07,640 --> 00:46:12,319 Speaker 1: really devoted? She could put into infamy. Maybe Marcello should 830 00:46:12,320 --> 00:46:15,439 Speaker 1: get a replica. Maybe Marcello should get a replica. Then 831 00:46:15,600 --> 00:46:19,839 Speaker 1: Miravone can rest easy picturing the poor ai chat pot 832 00:46:19,840 --> 00:46:22,080 Speaker 1: that has to keep up a conversation with this rag doll. 833 00:46:22,680 --> 00:46:27,720 Speaker 1: She won't learn much alright. And last, but not least 834 00:46:27,760 --> 00:46:32,359 Speaker 1: at all, we told y'all on January seven two, all 835 00:46:32,400 --> 00:46:35,719 Speaker 1: about Oscar Wilde, the play Right and his love for 836 00:46:35,880 --> 00:46:39,400 Speaker 1: Lord Alfred Douglas. That was almost a year ago. I know, 837 00:46:39,560 --> 00:46:41,920 Speaker 1: isn't that weird? I definitely. I looked at the date 838 00:46:41,960 --> 00:46:46,279 Speaker 1: and I was like, oh, it feels like just yesterday. Um. 839 00:46:46,320 --> 00:46:49,000 Speaker 1: Of course, Alfred's father freaked out about it. He got 840 00:46:49,040 --> 00:46:52,080 Speaker 1: real upset, had a gay panic about it. He forced 841 00:46:52,120 --> 00:46:57,080 Speaker 1: a trial on Oscar Wilde for gross indecency, and that 842 00:46:57,239 --> 00:47:00,040 Speaker 1: ended up with Oscar jailed for two years, which he 843 00:47:00,120 --> 00:47:03,759 Speaker 1: immortalized in his poem The Ballad of Reading Jail. And 844 00:47:03,800 --> 00:47:07,640 Speaker 1: then we immortalized ourselves in corrections corner because I pronounced 845 00:47:07,640 --> 00:47:12,080 Speaker 1: it reading instead of reading. Sorry, y'all, Well, the reading 846 00:47:12,160 --> 00:47:15,840 Speaker 1: jail has apparently been empty and rather derelict for many years. 847 00:47:15,920 --> 00:47:17,960 Speaker 1: The government has been trying to sell the property to 848 00:47:18,000 --> 00:47:22,879 Speaker 1: a developer since with no success. So just a month ago, 849 00:47:23,040 --> 00:47:27,359 Speaker 1: a labor MP named Matt Rata renewed his call to 850 00:47:27,400 --> 00:47:30,680 Speaker 1: turn the jail into a theater slash arts home. Oh 851 00:47:30,719 --> 00:47:39,399 Speaker 1: my god, finally putting artists back where they belong in jail. Well, 852 00:47:39,440 --> 00:47:42,000 Speaker 1: since Oscar Wilde stayed there and it's no longer an 853 00:47:42,000 --> 00:47:47,440 Speaker 1: active jail, Reading became a very popular destination for LGBT tourism. 854 00:47:47,520 --> 00:47:50,759 Speaker 1: Karen Rowland, who sits on the Reading Borough Council, told 855 00:47:50,760 --> 00:47:54,760 Speaker 1: the BBC that it was quote an LGBT heritage site. 856 00:47:55,000 --> 00:47:57,440 Speaker 1: It is a mecca. We had people coming from Japan 857 00:47:57,520 --> 00:48:00,399 Speaker 1: and all over the world to see Oscar Wilds in sight. 858 00:48:01,280 --> 00:48:04,800 Speaker 1: But it costs about two hundred and fifty thousand pounds 859 00:48:04,840 --> 00:48:10,800 Speaker 1: per year to maintain calculating which is roughly three hundred 860 00:48:10,840 --> 00:48:13,560 Speaker 1: thousand U S. Dollars if you would like that conversion, 861 00:48:14,440 --> 00:48:16,759 Speaker 1: and the Ministry of Justice claims that it wants to 862 00:48:16,760 --> 00:48:20,680 Speaker 1: get the best value at the property for taxpayers. Obviously, 863 00:48:20,760 --> 00:48:23,520 Speaker 1: so the Oscar Wilde Society has asked that the prison 864 00:48:23,600 --> 00:48:27,000 Speaker 1: be preserved in order to honor his imprisonment, and Matt 865 00:48:27,080 --> 00:48:28,759 Speaker 1: Rodda isn't the only one who wants to turn it 866 00:48:28,760 --> 00:48:31,080 Speaker 1: into an arts hub. He points out that they've had 867 00:48:31,080 --> 00:48:33,359 Speaker 1: no success in selling it. They've had quite a lot 868 00:48:33,360 --> 00:48:40,160 Speaker 1: of celebrity endorsements, including Banksie Sir Kenneth Bradaw and Kate Winslet, 869 00:48:40,600 --> 00:48:42,360 Speaker 1: and they have all called for it to be transformed 870 00:48:42,360 --> 00:48:45,720 Speaker 1: into an arts hub. Listen, if Kate says it's delay, 871 00:48:46,760 --> 00:48:51,080 Speaker 1: do you do what she said? Matt Rodda told BBC quote, 872 00:48:51,280 --> 00:48:53,279 Speaker 1: the Ministry of Justice has been trying to sell the 873 00:48:53,320 --> 00:48:55,840 Speaker 1: jail to a developer for nearly nine years, and this 874 00:48:55,920 --> 00:48:59,120 Speaker 1: approach clearly hasn't worked. I hope that the Ministry can 875 00:48:59,160 --> 00:49:01,640 Speaker 1: now see this and that it will end its plan 876 00:49:01,800 --> 00:49:05,200 Speaker 1: to turn the historic building into luxury flats and that 877 00:49:05,280 --> 00:49:08,759 Speaker 1: it will put the interests of the community first instead. 878 00:49:09,680 --> 00:49:13,480 Speaker 1: Thank you. Like luxury flats housing is very important, but 879 00:49:13,640 --> 00:49:17,839 Speaker 1: luxury housing not so much. And I mean, they make 880 00:49:17,920 --> 00:49:19,720 Speaker 1: a good point that if it's a place where people 881 00:49:19,719 --> 00:49:22,720 Speaker 1: are going to sort of feel connected to their history 882 00:49:22,800 --> 00:49:26,319 Speaker 1: and their heritage and like important figures, you know, in 883 00:49:26,360 --> 00:49:28,840 Speaker 1: their lives, why not preserve it as sort of a 884 00:49:28,920 --> 00:49:32,760 Speaker 1: historic destination. So I would say good luck to reading. 885 00:49:32,880 --> 00:49:35,919 Speaker 1: I really hope that that works and that reading jail 886 00:49:36,000 --> 00:49:38,520 Speaker 1: does get turned into an art stub slash theater. I 887 00:49:38,520 --> 00:49:40,759 Speaker 1: would love to go visit it and see a play there. 888 00:49:41,840 --> 00:49:43,920 Speaker 1: And like, also, who wants to live in a luxury 889 00:49:43,960 --> 00:49:46,040 Speaker 1: flat that used to be a jail cell? Anyway? I 890 00:49:46,080 --> 00:49:48,840 Speaker 1: mean the energy alone, they stage alone, that you had 891 00:49:48,880 --> 00:49:53,400 Speaker 1: to burn to get the vibes out. It feels like 892 00:49:53,440 --> 00:49:56,520 Speaker 1: a bad investment, how frustrating. And I hope works better 893 00:49:56,600 --> 00:49:58,879 Speaker 1: over there than it does here because we have right 894 00:49:58,880 --> 00:50:01,279 Speaker 1: here in Atlanta have so many buildings that have been 895 00:50:01,320 --> 00:50:04,640 Speaker 1: sitting there empty for fifteen years. One of them that 896 00:50:04,920 --> 00:50:06,359 Speaker 1: I know, one of them off the top of my head, 897 00:50:06,440 --> 00:50:09,600 Speaker 1: is literally a theater. Yeah, and it has just been empty. 898 00:50:09,600 --> 00:50:11,200 Speaker 1: And no matter who comes in and says, well, we 899 00:50:11,239 --> 00:50:13,760 Speaker 1: could turn it into a functioning theater, They're like, nah, 900 00:50:14,000 --> 00:50:17,239 Speaker 1: we'd rather just sit there and rot, right. Or they 901 00:50:17,280 --> 00:50:20,600 Speaker 1: asked for likelous That's what I'm saying. They asked a 902 00:50:20,640 --> 00:50:22,359 Speaker 1: ridiculous amount of money, and I'm like, well, why don't 903 00:50:22,360 --> 00:50:24,080 Speaker 1: you lower that amount of money so that it is 904 00:50:24,160 --> 00:50:27,400 Speaker 1: something instead of nothing? Right? But instead that theater has 905 00:50:27,400 --> 00:50:30,000 Speaker 1: a tree growing through it because there's literally been no 906 00:50:30,040 --> 00:50:33,600 Speaker 1: one in there for many, many, like at least two decades. Yeah, 907 00:50:33,840 --> 00:50:35,839 Speaker 1: I think I think it was last a porn theater 908 00:50:35,920 --> 00:50:40,640 Speaker 1: in the eighties. See now that's at our tub put 909 00:50:40,760 --> 00:50:45,600 Speaker 1: me a theater in the old porn theater immediately. Well, amazing. 910 00:50:45,800 --> 00:50:48,680 Speaker 1: I love these updates. It's really nice to go back 911 00:50:48,719 --> 00:50:50,680 Speaker 1: through some of our stories and find out that they 912 00:50:50,680 --> 00:50:53,960 Speaker 1: haven't stopped stories never, and then, like you said, just 913 00:50:54,080 --> 00:50:56,600 Speaker 1: kind of revisit these cool stories and all these people 914 00:50:56,640 --> 00:50:58,560 Speaker 1: we got to learn about in the last couple of years. 915 00:50:59,120 --> 00:51:01,560 Speaker 1: That's such a privile it and we really enjoy this job, 916 00:51:01,719 --> 00:51:03,920 Speaker 1: so it's nice to reflect on that. It really is 917 00:51:03,960 --> 00:51:07,960 Speaker 1: amazing that we get to just like learn new stuff 918 00:51:08,080 --> 00:51:11,279 Speaker 1: and then talk about it. It's it's really I mean, 919 00:51:11,320 --> 00:51:14,040 Speaker 1: that's one of my favorite things to do obviously. Um, 920 00:51:14,080 --> 00:51:16,400 Speaker 1: and I've just I'm so excited that you all are 921 00:51:16,480 --> 00:51:20,759 Speaker 1: here and you like listening to it. That's unbelievable. Never 922 00:51:20,840 --> 00:51:23,680 Speaker 1: felt like people liked listening to me yammer on about 923 00:51:23,719 --> 00:51:26,200 Speaker 1: history before, and now I do know. I feel like 924 00:51:26,280 --> 00:51:29,040 Speaker 1: there are many of you, but which is the best feeling. 925 00:51:29,040 --> 00:51:30,879 Speaker 1: I feel even better at the end of this year 926 00:51:30,880 --> 00:51:33,160 Speaker 1: than I did at the beginning of it. Um, and 927 00:51:33,200 --> 00:51:35,200 Speaker 1: I hope that we are able to continue bringing this 928 00:51:35,360 --> 00:51:38,560 Speaker 1: show for many years to come. Yeah. Then thank you 929 00:51:38,800 --> 00:51:41,960 Speaker 1: for all you've done to help keep us motivated, because 930 00:51:42,000 --> 00:51:46,080 Speaker 1: it's your messages and your comments and your downloads that 931 00:51:46,239 --> 00:51:50,160 Speaker 1: keep us going. So a lot of love and appreciation 932 00:51:50,239 --> 00:51:52,200 Speaker 1: to all of you out there at the end of 933 00:51:52,239 --> 00:51:54,600 Speaker 1: this year. Yeah, yeah, and I hope you have an 934 00:51:54,640 --> 00:51:58,920 Speaker 1: amazing year going forward. You find all your own ridiculous 935 00:51:59,040 --> 00:52:01,960 Speaker 1: romances or keep up with the one you currently got 936 00:52:01,960 --> 00:52:06,840 Speaker 1: going on exactly um and uh, or find happiness without 937 00:52:06,960 --> 00:52:09,640 Speaker 1: romance because for some people that's you know, that's right, 938 00:52:09,760 --> 00:52:13,680 Speaker 1: a big waste of time, very true. Um, But please 939 00:52:13,719 --> 00:52:15,719 Speaker 1: just shoot us a message and let us know how 940 00:52:15,760 --> 00:52:17,960 Speaker 1: your year was. The thing you're looking forward to next year. 941 00:52:18,440 --> 00:52:21,040 Speaker 1: We'd love to hear about your favorite episodes next year. 942 00:52:21,239 --> 00:52:23,200 Speaker 1: If you have a top one that you know you 943 00:52:23,239 --> 00:52:25,120 Speaker 1: could listen to you more than once, we would love 944 00:52:25,160 --> 00:52:27,560 Speaker 1: to hear about it. Oh yeah, definitely, and drop us 945 00:52:27,560 --> 00:52:29,759 Speaker 1: a review on Apple Podcasts. I thought it's good. If 946 00:52:29,760 --> 00:52:31,920 Speaker 1: you've got stuff you love to say about us, uh, 947 00:52:31,920 --> 00:52:33,560 Speaker 1: then we'd love to hear it there too, and sell 948 00:52:33,600 --> 00:52:36,719 Speaker 1: what everyone else. Yeah, So You can reach us through 949 00:52:36,760 --> 00:52:40,160 Speaker 1: email It's ridic Romance at gmail dot com. That's right, 950 00:52:40,239 --> 00:52:42,759 Speaker 1: or you can find us online through Twitter and Instagram. 951 00:52:42,800 --> 00:52:46,240 Speaker 1: I'm at Oh Great, it's Eli and I'm Dianamite Boom 952 00:52:46,520 --> 00:52:49,960 Speaker 1: and the show is at ridic Romance and you are awesome. 953 00:52:50,120 --> 00:52:52,359 Speaker 1: Thank you so much for being here and we'll see 954 00:52:52,400 --> 00:52:57,319 Speaker 1: you next year. I love you. By friends, it's time 955 00:52:57,400 --> 00:53:01,520 Speaker 1: to go. Thanks so listening to oh Show, Tell your 956 00:53:01,560 --> 00:53:04,600 Speaker 1: friends neighbor's uncle's in dance. To listen to a show 957 00:53:04,680 --> 00:53:08,920 Speaker 1: Ridiculous roll Dance m hm