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Speaker 1: Warning.

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Speaker 2: Today's episode contained spoilers for episode eight of Daredevil Born

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Speaker 2: in on Disney plus The Isle of Joy.

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Speaker 1: Be warned.

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Speaker 3: Hello, it was Jesson's and I am Kissden.

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Speaker 4: No, I'm Rosy, I'm Rosey Nights, I'm Rothy And.

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Speaker 2: Welcome back to Extra Vision of the podcast where we

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Speaker 2: dive deep to your favorite shows, movies, comics and pop culture.

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Speaker 1: Coming from my Art podcast where we'll.

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Speaker 2: Bringing you three huge episodes week Tuesday, Wednesday, Thursday plus News.

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Speaker 3: And in today's episode, Matt Scott had a professionally concerned

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Speaker 3: which honestly she should have been earlier.

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Speaker 4: Bos I escapes by the skin of his tooth.

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Speaker 3: And and Vanessa and Wilson got some saucy splaining to do.

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Speaker 4: Wow, what an episode, Rosie.

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Speaker 2: This show continues to be very comic bookie and silly

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Speaker 2: in the way of comic bookie and soapy the way

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Speaker 2: a comic book story is. And this was a very

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Speaker 2: fun episode that continues with a lot of the themes

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Speaker 2: and kind of tone and feel of the previous episode.

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Speaker 2: And I can't wait to talk about it. So we

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Speaker 2: open in Rikers, where the secure wing of Rikers, where

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Speaker 2: Bullseye is pensively a lot of staring out of windows

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Speaker 2: from the bad guys, and this sho we.

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Speaker 3: Should do an X ray vision super cut where it's

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Speaker 3: just people staring out of windows, staring out at he

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Speaker 3: loves to look out of a window.

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Speaker 1: He can't even he can't.

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Speaker 4: I don't believe it.

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Speaker 2: So you know, Bullseye's out there, he's looking out the

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Speaker 2: window of his isolation cell at an inmate out there,

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Speaker 2: like smelling a blue flower. And then the guards arrive

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Speaker 2: and Bullseye is shackled and told you know when he's like,

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Speaker 2: where am I going? You're going to general population aka

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Speaker 2: gen pop or lots of inmates want to kill you.

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Speaker 3: Okay, but why this is why I want to know.

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Speaker 3: Why do they want to kill him?

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Speaker 1: Because like he because it's like a it's like a trophy.

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Speaker 3: It's like I don't know, I feel like because he's

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Speaker 3: not like an ex cop or something, he would be

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Speaker 3: much lower.

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Speaker 1: Down on the or like fed.

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Speaker 3: He okay, he was actually a fed back in the day. Yeah,

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Speaker 3: they want to kill him. I understanding, Pops bad.

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Speaker 2: We go to we go to Red Hook where the

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Speaker 2: Fisks are strolling through the through the Fisks upcoming project

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Speaker 2: Red Hook project construction site.

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Speaker 1: He loves the ports.

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Speaker 3: He's thinking, Nassawa, I never got the opportunity to thank

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Speaker 3: you for everything you did for the organization where I was.

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Speaker 1: Away, and all of this is because of you.

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Speaker 2: All the funding that I was able to get was

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Speaker 2: because of your ideas.

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Speaker 1: And your plans.

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Speaker 2: And she's like, well, you know, why'd you throw it

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Speaker 2: all away to become mayor And he's like, no, you

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Speaker 2: don't understand. I'm combining the office of mayor with what

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Speaker 2: we were doing before to make this whole new like legal, illegal,

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Speaker 2: organized crime government thing. Like it's gonna be great, and

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Speaker 2: the Red Hook Project is a part of that.

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Speaker 4: I also like the way that he's like, these are.

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Speaker 3: Two of the most top criminals in New York and

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Speaker 3: he has to explain to how, like, Babe, there's a

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Speaker 3: lot of corruption in the New York Mayor's office, Like

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Speaker 3: we can really be doing something. Yeah, like this is

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Speaker 3: an opportunity for us.

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Speaker 2: They then talk about Luca, and it is clear that

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Speaker 2: Vanessa did, in fact, not that Fisk knew that Luca

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Speaker 2: was coming to kill him, but she essentially seemed like

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Speaker 2: set Luca up to die by sending him to where

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Speaker 2: Fisk was knowing that there was no way that he

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Speaker 2: would ever vibe that, Luca, I mean.

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Speaker 1: And then Fiskus like, well, you know, thank you, I

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Speaker 1: have something to show you.

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Speaker 2: And so we wonder what that might. Then we go

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Speaker 2: to uh, Heather and Matt at the apartment. Heather is

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Speaker 2: obviously still struggling with the emotions from the attack and

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Speaker 2: from her having to gun down Muse, and she's also like,

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Speaker 2: and by the way, this is what we were right,

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Speaker 2: because here is that conversation that we knew it was

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Speaker 2: coming at some point where she's like, you know, the

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Speaker 2: thing with these masked guys, first of all, they don't

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Speaker 2: even do anything. Daredevil didn't even do it. I killed mus.

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Speaker 2: Daredevil was just there running about in his little onesie

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Speaker 2: pgs like a little boy. Him and Muse like a

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Speaker 2: little little little boys pretending to be the superheroes or

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Speaker 2: something grown men. But the acting like little boys. That's

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Speaker 2: all these masked figures are. And Matt is like, yeah,

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Speaker 2: but Daredevil's cool.

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Speaker 4: He came in, you didn't he And She's like, I

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Speaker 4: joll he.

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Speaker 1: Came in, I killeds.

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Speaker 4: What did he do?

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Speaker 2: Then Buck shows up at the door and is like,

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Speaker 2: speak to Heather please, and that gives her a letter

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Speaker 2: which is congratulates her on killing must get from there,

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Speaker 2: and then invites her, along with a guest plus one

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Speaker 2: the inaugural Yeah to to Wilson fiskes mayor Fisk's inaugural

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Speaker 2: Black and White Ball. And Matt is like, wait, how

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Speaker 2: do you know Fisk? And He's like, wait a second,

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Speaker 2: are you Fisk's therapist?

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Speaker 3: What?

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Speaker 4: Dude?

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Speaker 3: They used two I just have to say, they gotta

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Speaker 3: have a theyve got to have a more honest relationship

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Speaker 3: between the two of them.

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Speaker 4: This is she's keeping he's keeping secrets. It's bad time.

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Speaker 2: Yeah, but that's she has to do that, you know. Yeah, Ethically,

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Speaker 2: she can't just talk about who her clients.

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Speaker 4: If he had told her.

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Speaker 3: What Fisk really was and that he was their devil,

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Speaker 3: she would have been able to go into that with

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Speaker 3: more context. But he kept it from her. So now

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Speaker 3: she is Wilson Fist married therapist, which is incredible.

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Speaker 2: You ever run into your therapist in the wild, it's

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Speaker 2: the worst.

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Speaker 4: You don't want to see it.

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Speaker 1: You're like, it's the worst.

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Speaker 2: It's just like it's happened a couple of times, and

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Speaker 2: I literally just freeze up, like, oh my god. So

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Speaker 2: the thing that Wilson wants to show Vanessa is Adam.

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Speaker 2: Apparently Wilson at some point transported Adam to Red Hook.

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Speaker 4: Is that what happened the basement?

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Speaker 3: I claim back in the basement because he was, But

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Speaker 3: it does feel like he's like, I got something to

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Speaker 3: show you, and they're just strolling around.

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Speaker 4: So I think it's wherever the basement is.

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Speaker 3: I think Adam is in the basement and he's got

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Speaker 3: a bid. He's looking very cast away, very Tom Hanks's

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Speaker 3: looking very tough.

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Speaker 1: It's very sang well for him.

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Speaker 2: Yeah, it's uh, it's really really it's very count of

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Speaker 2: Monte Cristo.

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Speaker 4: But before the escape.

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Speaker 1: Ye, escape never happens.

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Speaker 4: The escape never happens for this man.

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Speaker 1: I'm sorry to tell you so.

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Speaker 2: Fiscus talking about how he's like, you know, every time

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Speaker 2: I look at at him, his hands, his artist's hands.

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Speaker 1: Oh, I becoming rang. He just starts going.

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Speaker 4: He's like like, She's like, I kept my promise, Vanessa.

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Speaker 4: I never killed him. I will never kill him.

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Speaker 3: It's like, okay, bro, but you did keep him as

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Speaker 3: a Let's roll back the tape. I think there's a

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Speaker 3: significant amount of space between what you promised and like.

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Speaker 2: The spirit of the promise regardless. Yes, He then says,

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Speaker 2: I mean this is Fisk channeling Shakespeare's Sonnets. He then says,

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Speaker 2: if I can't be with you, Vanessa, I cannot.

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Speaker 4: Be Wow Wow top ten MCU relationship.

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Speaker 1: Yes.

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Speaker 2: Meanwhile, Adam is like, of course, begging for his life.

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Speaker 2: You know, if you let me go, I'll never tell

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Speaker 2: anybody about this. Just let me out, YadA, YadA YadA.

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Speaker 2: Matt and Heather, meanwhile, are continuing to argue. Matt is like, listen,

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Speaker 2: I can't tell you how I know this, but Fisk

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Speaker 2: is using you to get to me, which must sound

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Speaker 2: insane at this point.

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Speaker 3: Heaven must be so sick of this man, like he

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Speaker 3: is so fuck he seems so self centered.

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Speaker 4: If you don't what kind.

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Speaker 1: Of main character bullshit is this? He wants me to

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Speaker 1: get to you why?

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Speaker 3: He's like, what do you mean the mayor? Who is

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Speaker 3: my marriage therapy client? He wants to get to you.

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Speaker 3: A random Moyer like what do you two have against

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Speaker 3: each other?

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Speaker 4: Oh? I feel like you should let her know, Matthew, yes.

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Speaker 2: And then she's like, well, how is me treating the

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Speaker 2: mayor like anything but a great career? Move for me,

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Speaker 2: and then she's like, and if you're so worried about it,

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Speaker 2: why don't you come to the ball with me?

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Speaker 1: And he's like, fine, Okay, you know what, Fine, I'll go. Okay.

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Speaker 3: Like she's like, she's like, please, don't come just to

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Speaker 3: like fuck with the me though, and.

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Speaker 4: He's like, no, I'll just come. Don't worry will happen.

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Speaker 2: Back at the cage, gunshots ring out, Vanessa guns down Adam,

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Speaker 2: and then Wilson Fisk bricks up. Vanessa looks at him

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Speaker 2: like hearts pounding out of.

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Speaker 1: Her eyes and no.

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Speaker 2: For the next three hours they are engaged in the

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Speaker 2: most heated coitus in front of the cage containing Adam's corpse.

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Speaker 4: Dude, they were hot.

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Speaker 3: These were they freaks, but you know what, they match

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Speaker 3: each other's freak and I.

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Speaker 4: Love as the few are. I thought this was a

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Speaker 4: great twist.

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Speaker 3: I wasn't one hundred percent sure where they were going

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Speaker 3: to go with the reveal and whether it would break

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Speaker 3: things between Vanessa and Fisk or whether it would become

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Speaker 3: part of the kind of weird, flirtatious, grotesque dance.

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Speaker 4: That they play.

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Speaker 3: But I think it's really fun and I also love

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Speaker 3: the way that this episode, like so many of the

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Speaker 3: best episodes of the show, are about the reflections between

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Speaker 3: Fisk and yeah, Matt and now Matt's relationship with Heather

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Speaker 3: and Fisk's relationship with Vanessa, and I like that, Like

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Speaker 3: Matt and Heather are still in the withholding phase, but

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Speaker 3: there is like, yes this, you know we're gonna go

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Speaker 3: to this ball together. You can keep an eye on me,

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Speaker 3: like we can see what's going to happen. But Fisk

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Speaker 3: and Minessa is so far ahead that they're at They're

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Speaker 3: like murdering their enemies and fucking in the blood stage,

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Speaker 3: and you're just like, you know what, Matt and Heather,

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Speaker 3: you're doing okay? In the grand scheam of things, Like

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Speaker 3: in the Grand Schemer.

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Speaker 2: Matt is late to the office as usual. I mean,

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Speaker 2: just be happy this guy went to work today.

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Speaker 4: Has he ever gone to work? I bus said, how

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Speaker 4: much has he clocked in? I'm like, get Charlie Cox

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Speaker 4: on the phone.

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Speaker 2: We need to know he's gotta go. He's gotta be

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Speaker 2: there three hours a week max.

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Speaker 3: He is no work, like just like help one client, bro,

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Speaker 3: like one client please please?

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Speaker 1: He goes in.

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Speaker 2: Kirsten is like, where the fuck have you been. Why

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Speaker 2: are you all beat up? What's going on? She then

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Speaker 2: like updates him on a case that's going on there.

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Speaker 2: The other the law firm that they're arguing against is

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Speaker 2: withholding discovery evidence and financial statements. Doesn't want them to

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Speaker 2: look at them. Christen then is like, listen, I also

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Speaker 2: have some other news and I don't want you to

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Speaker 2: fucking flip out, but you're going to flip out. He's

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Speaker 2: like what Bullseye is moved to gen Pop. He's like, wait,

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Speaker 2: why would they do that? And then she drops the

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Speaker 2: hammer because Wilson Fisk apparently the mayor demanded that he

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Speaker 2: go to gen Pop.

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Speaker 1: Oh, no, one knows.

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Speaker 2: Let's go to a quick ad break and then we'll

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Speaker 2: be right back to can you Discovery?

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Speaker 1: And we're back.

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Speaker 2: So man Is Matt is upset about the fact that

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Speaker 2: Bulls has been moved to jen Pop, but what does

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Speaker 2: it mean? Meanwhile, Fisk is in his office, he meets

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Speaker 2: with his team. Sheila is like, Mayor Fisk, it's time

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Speaker 2: to start getting the money together. I need you at

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Speaker 2: some campaign events today. But Fisk is, this is a

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Speaker 2: crazy move from Fisk. He then goes down. He's not

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Speaker 2: cancel all by cancel all by campaign boy butts today

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Speaker 2: we celebrate our successes.

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Speaker 3: What he's just done that he's gotten the glow, the

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Speaker 3: off the glow. He's like feeling yeah right, He's like,

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Speaker 3: I want to have a party where I can dance

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Speaker 3: with my wife who killed her boyfriend just for me.

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Speaker 4: That's what we're doing today, guys.

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Speaker 1: Yeah, that's that is so true. That's got to be.

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Speaker 2: I mean, Daniel must be like, hey, boss, you're really

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Speaker 2: glowing today. Boss, you're looking good about you. You look good,

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Speaker 2: you look look you were fifteen pounds today.

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Speaker 4: He claims. He's like Vigili Lanty crime is down thirty percent.

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Speaker 4: What does that even mean?

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Speaker 3: I will say, look, if I have one critique show, yeah,

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Speaker 3: just like the out of the three fucking vigilantes they

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Speaker 3: have on this show, I will say I think that

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Speaker 3: is the only thing that I would say this show.

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Speaker 4: You can sense his missing from whatever the recuts. I

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Speaker 4: love most of this show.

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Speaker 3: I think for me, it has been just a step

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Speaker 3: above what I was expecting. And the writing is fantastic

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Speaker 3: that obviously the acting is incredible, but I do think

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Speaker 3: the vigilante crime but like we're barely seeing any vigilantes

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Speaker 3: is quite hilarious.

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Speaker 4: So I like that. Yeah, I like that.

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Speaker 3: Read He's like Vigilanti crimes down, muses dead White, Tiger's dead,

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Speaker 3: only like one more to.

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Speaker 1: Go, let's party. This is a successful quarter for us.

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Speaker 2: Then he shocks everyone by naming Daniel Deputy Mayor of Communications. Sheila,

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Speaker 2: who's been in politics like thirty years or whatever, is

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Speaker 2: like what this is and she does the move where

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Speaker 2: she's like, Daniel, no offense and turns to physically like

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Speaker 2: and it's like Daniel can't do.

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Speaker 4: This, eating alive.

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Speaker 3: But the city council burke like, come on, but this

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Speaker 3: is also again I think we were talking on our

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Speaker 3: Prestige TV episode and what is Prestige TV?

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Speaker 4: And what era are we in.

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Speaker 3: About how there is this kind of delayed response to

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Speaker 3: real life situations like the pit being a response to

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Speaker 3: COVID and it coming out now. But this show with

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Speaker 3: the Daniel character managed to presciently look at what it's

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Speaker 3: like when a high power politician just fills his ranks

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Speaker 3: with a bunch of people who have never done a

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Speaker 3: job before.

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Speaker 4: And guess what it actually is?

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Speaker 3: This easy, It is this easy to just put a

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Speaker 3: siven and be like, hey, this guy likes me.

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Speaker 4: He's in charge now.

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Speaker 2: He's the In fact, Daniel isn't just a young and

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Speaker 2: eager lieutenant, he.

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Speaker 1: Is he's the future of the city. What the fuck

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Speaker 1: does that means?

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Speaker 3: Like some creepy I guess his dream is like white

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Speaker 3: Mafiosa esque Maga kids are gonna be the next big thing, sure, bro.

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Speaker 2: Daniel then like drops to his knees and kissing the

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Speaker 2: boot ring and yeah, boot kissing the boot pledging everlasting

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Speaker 2: loyalty to Wilson, which we've heard that before.

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Speaker 1: We got it, Daniel, I'll burn festival.

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Speaker 3: Is that some kind of foreshadowing that he's gonna get

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Speaker 3: burnt alive?

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Speaker 4: I think his season comes to the end.

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Speaker 2: I feel like I like him getting killed or or

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Speaker 2: or you know, hideously burned.

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Speaker 3: Yeah.

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Speaker 1: We go back to Eminem and Matt hates his client.

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Speaker 1: He's Matt's.

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Speaker 2: This client that they have that paid them good money

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Speaker 2: is a piece of shit, apparently, and Matt just doesn't

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Speaker 2: take He's been sitting in on this deposition or meeting

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Speaker 2: or whatever it is for like ten minutes and he's already.

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Speaker 3: That Kirston's obviously done prepping this guy.

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Speaker 2: He's getting very frustrated at having to be at his

312
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Speaker 2: job for like close to thirty minutes, and he's starting

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Speaker 2: to like get really annoyed. He can tell the guy

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Speaker 2: is lying about like defrauding New York City teachers.

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Speaker 1: So matt flips.

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Speaker 2: Out and he's like, well, I'll have you know that,

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Speaker 2: according to Law Code two oh five dash A, lawyers

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Speaker 2: can't knowingly perjure themselves.

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Speaker 1: And he's like, what are you talking about? It's like

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Speaker 1: you're lying.

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Speaker 2: And if I know you're lying, how can I go

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Speaker 2: up there in court and argue what I know to

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Speaker 2: be lies?

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Speaker 1: And Christ is like, no, what are you talking about?

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Speaker 4: Not on law?

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Speaker 3: Like this weird idea that there's some kind of law

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Speaker 3: that a lawyer like can't represent ala. No, then all,

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Speaker 3: like all court cases would be stopped because one side

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Speaker 3: is not telling the truth, Matthew. And also, I don't

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Speaker 3: think it's like a MISSI ballink caught that. He's like, well,

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Speaker 3: I could hear with my super his heartbeat.

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Speaker 4: Maybe you just stressed him out because you look, I'm

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00:17:07,320 --> 00:17:09,840
Speaker 4: not gonna lie. This guy clearly did steal the money.

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Speaker 3: And he also then mentions that his mom is a teacher,

335
00:17:12,880 --> 00:17:14,840
Speaker 3: his sister is a teacher. His wife's a teacher, so

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Speaker 3: he stole it because he knew how to steal it.

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00:17:18,000 --> 00:17:22,880
Speaker 3: He is a scumbag, But Matthew, just generally you can't

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Speaker 3: walk into a room and start yelling at someone and no,

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Speaker 3: I expect that you don't know what's going on.

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Speaker 4: Why was he Maybe he was defording it for a

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Speaker 4: good reason. Why don't you ask him?

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Speaker 2: All I know is, Matt, you don't come to work,

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Speaker 2: and when you come into work, you shit on our

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00:17:36,480 --> 00:17:40,919
Speaker 2: paying clients and then walk away. So Christian is like,

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Speaker 2: what are you talking about? I'm worried about your acting

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Speaker 2: fucking crazy, and then Matt says some overwrought shit like

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Speaker 2: this is also feudle, like fighting for law and.

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Speaker 1: Justice, and then he leaves and he's probably been at

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Speaker 1: work for forty.

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Speaker 3: Five mates Max Max before leaving. I look, I am

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00:18:01,520 --> 00:18:05,000
Speaker 3: a kissed in mcduffy fan. I like this character. I

352
00:18:05,040 --> 00:18:07,120
Speaker 3: want to see her in more. I don't think she's

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Speaker 3: just a Karen replacement. I think she's a or a

354
00:18:09,920 --> 00:18:12,880
Speaker 3: Foggy replacement. I think she's an interesting character I want

355
00:18:12,920 --> 00:18:15,480
Speaker 3: to know more about. But also guys like, let me

356
00:18:15,560 --> 00:18:17,760
Speaker 3: know more about her and also have her just tell

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00:18:17,800 --> 00:18:20,040
Speaker 3: Matt to go fuck himself, like she's running this law

358
00:18:20,040 --> 00:18:22,800
Speaker 3: firm by herself. She doesn't need him or Cherry. He

359
00:18:22,880 --> 00:18:26,000
Speaker 3: needs to just go on to I mean, with the

360
00:18:26,800 --> 00:18:29,639
Speaker 3: spoiler earmuffs if you don't like tear about leaks, but

361
00:18:29,760 --> 00:18:33,720
Speaker 3: with the suit leaks that we have seen coming up,

362
00:18:33,800 --> 00:18:35,879
Speaker 3: we can assume that this season is gonna end with

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00:18:35,920 --> 00:18:40,040
Speaker 3: Matt being out on the outs by himself, maybe faked

364
00:18:40,040 --> 00:18:42,440
Speaker 3: his own death, maybe something like that, or at least

365
00:18:42,480 --> 00:18:44,360
Speaker 3: that's where season two will find him because he's wearing

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Speaker 3: the black suit. So I would be interested to see

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00:18:46,600 --> 00:18:49,680
Speaker 3: if she interest does boot him out, but we'll see

368
00:18:49,720 --> 00:18:51,960
Speaker 3: she should because he is annoying as hell when it

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Speaker 3: comes to his job.

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Speaker 2: Matt then goes to a neighborhood favorite, Josie's Bar, which

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Speaker 2: has not reopened since Bull's Eye violent.

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00:19:00,400 --> 00:19:06,159
Speaker 1: Killed Foggy and yes inside the bar, but.

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Speaker 2: Josie is there just hanging out, just drinking, and so

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00:19:09,160 --> 00:19:11,760
Speaker 2: Matt is like day drinking with Josie.

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00:19:12,320 --> 00:19:13,359
Speaker 1: Cherry arrives.

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00:19:14,560 --> 00:19:16,720
Speaker 2: Kirsten sent him to keep track of Matt because she

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00:19:16,800 --> 00:19:19,880
Speaker 2: was probably like Cherry, Matt's acting like a wild man,

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Speaker 2: you gotta go.

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Speaker 4: And he's like he's probably day drinking instead of being.

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00:19:23,400 --> 00:19:25,920
Speaker 1: A US, which is true, and.

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00:19:27,640 --> 00:19:30,359
Speaker 2: Matt starts to think, you know, there's something else going

382
00:19:30,400 --> 00:19:34,000
Speaker 2: on because the you know, with Bullseye being moved and

383
00:19:34,080 --> 00:19:38,440
Speaker 2: Foggy's death not really making sense, it's all connected somehow.

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00:19:38,560 --> 00:19:40,800
Speaker 2: And then it all comes together when Josie comes out

385
00:19:41,200 --> 00:19:45,879
Speaker 2: with this specific bottle of Irish whiskey, Oh Melvinies and

386
00:19:45,960 --> 00:19:48,080
Speaker 2: says that Foggy, this is what Foggy was drinking on

387
00:19:48,119 --> 00:19:52,520
Speaker 2: the night he was killed, and this makes Matt realize

388
00:19:52,560 --> 00:19:55,679
Speaker 2: that Foggy was celebrating something, some kind of break in

389
00:19:55,760 --> 00:19:58,840
Speaker 2: his case that he had, and that must have been

390
00:19:58,880 --> 00:20:01,320
Speaker 2: why he was killed, because he was about to win

391
00:20:01,440 --> 00:20:06,040
Speaker 2: some huge case. Matt then goes to see Bullseye and

392
00:20:06,119 --> 00:20:11,440
Speaker 2: writers asks bullsey if did you kill Foggy because Fisk

393
00:20:11,520 --> 00:20:15,720
Speaker 2: hired you? Poindexter is just being super weird, making like

394
00:20:15,840 --> 00:20:20,360
Speaker 2: various philosophical statements and saying, you know, I have questions

395
00:20:20,400 --> 00:20:23,080
Speaker 2: too about like what happened, And then Matt again is like,

396
00:20:23,160 --> 00:20:26,600
Speaker 2: did you kill Foggy because Fitsk hired you to?

397
00:20:26,760 --> 00:20:29,520
Speaker 1: And Bullsay is like, I'll tell you, but I.

398
00:20:29,520 --> 00:20:32,399
Speaker 2: Need to get out first, and then Matt's like, okay, whatever,

399
00:20:32,520 --> 00:20:34,640
Speaker 2: it bashes his head into the table and leaves.

400
00:20:36,000 --> 00:20:41,000
Speaker 1: We go to the Black and White Ball. Daniel is riding.

401
00:20:40,760 --> 00:20:44,879
Speaker 2: High at the Black and White Ball. He sees Bebe,

402
00:20:45,640 --> 00:20:49,920
Speaker 2: which continues to be one of the craziest relationships in

403
00:20:49,960 --> 00:20:50,440
Speaker 2: this show.

404
00:20:50,480 --> 00:20:52,160
Speaker 1: He sees Bbe, who.

405
00:20:52,119 --> 00:20:55,920
Speaker 2: He clearly like, I think that there's on one level,

406
00:20:56,000 --> 00:20:59,320
Speaker 2: he sees Bebe as like, we're these two young New

407
00:20:59,400 --> 00:21:00,920
Speaker 2: Yorkers on the come up.

408
00:21:01,440 --> 00:21:04,880
Speaker 1: You know, we're we're ascendant right now, And isn't this awesome?

409
00:21:04,920 --> 00:21:06,760
Speaker 1: Isn't this cool? Like look at us?

410
00:21:06,840 --> 00:21:09,720
Speaker 3: And I think in his mind he definitely imagines like, oh,

411
00:21:09,720 --> 00:21:11,920
Speaker 3: she could be my Vanessa, Like look at us, We've

412
00:21:11,920 --> 00:21:14,080
Speaker 3: got this connector is also he likes her.

413
00:21:14,119 --> 00:21:19,320
Speaker 2: He likes you definitely, So he apologizes for pushing her

414
00:21:19,440 --> 00:21:25,360
Speaker 2: to like report lies in the BB report regarding the

415
00:21:25,480 --> 00:21:26,800
Speaker 2: muse in the task Force.

416
00:21:27,400 --> 00:21:29,280
Speaker 1: He then tells her and by the hey.

417
00:21:29,160 --> 00:21:32,400
Speaker 2: And but I'm now you're talking as a Deputy may

418
00:21:32,440 --> 00:21:35,280
Speaker 2: As the coms now, it's not crazy, baby, and the

419
00:21:35,520 --> 00:21:38,520
Speaker 2: kind of he's like flexing and he's like, look at

420
00:21:38,600 --> 00:21:42,080
Speaker 2: us well on the way to the top, BB Yerika

421
00:21:42,240 --> 00:21:44,360
Speaker 2: BB Report, I'm the Deputy may As.

422
00:21:44,440 --> 00:21:46,200
Speaker 1: The power couple, look at us.

423
00:21:46,840 --> 00:21:51,040
Speaker 2: Meanwhile, across the across the ballroom, Jack Duquane, the Swordsman,

424
00:21:51,200 --> 00:21:55,440
Speaker 2: he is talking to Artemis Sledge, the you know her

425
00:21:55,560 --> 00:21:59,080
Speaker 2: and Arthur Sledge or this socialite New York, very very

426
00:21:59,119 --> 00:22:04,600
Speaker 2: wealthy couple met previously, and they both supposedly hate Fisks.

427
00:22:04,640 --> 00:22:06,920
Speaker 2: So Jack is like, look at us here, two people

428
00:22:06,920 --> 00:22:09,359
Speaker 2: that hate fisk, Why are we here? But Artemis is

429
00:22:09,400 --> 00:22:12,680
Speaker 2: like weirdly preoccupied about something. She's like clearly has a

430
00:22:12,680 --> 00:22:14,640
Speaker 2: lot of stuff on her mind. She kind of wanders off,

431
00:22:14,640 --> 00:22:17,960
Speaker 2: and this raises Jack's suspicions a little bit.

432
00:22:18,280 --> 00:22:18,960
Speaker 1: Something's off.

433
00:22:19,400 --> 00:22:22,639
Speaker 2: Heather is there looking around waiting for Matt, looking great,

434
00:22:22,680 --> 00:22:26,919
Speaker 2: her hair looking great, looking wonderfully done up for this

435
00:22:27,000 --> 00:22:30,560
Speaker 2: ball and she's clearly like frustrated and fuming because Matt

436
00:22:30,600 --> 00:22:32,479
Speaker 2: said he would be there and he's not there. And

437
00:22:32,520 --> 00:22:36,959
Speaker 2: then all of a sudden, like the lights drop and

438
00:22:37,000 --> 00:22:40,040
Speaker 2: you hear like the Chicago Bulls theme music, and the

439
00:22:40,240 --> 00:22:44,639
Speaker 2: voice gets on that na Mare and first lady, what's

440
00:22:44,680 --> 00:22:45,720
Speaker 2: that that Vanessa Fisk?

441
00:22:45,880 --> 00:22:47,600
Speaker 1: And they play this crazy like.

442
00:22:49,320 --> 00:22:52,639
Speaker 4: The most evil milling song of old.

443
00:22:52,480 --> 00:22:56,280
Speaker 2: Yeah, like sounds like it truly sounds like you're riding

444
00:22:56,320 --> 00:22:58,720
Speaker 2: into Mordor with this fucking music.

445
00:23:01,000 --> 00:23:02,480
Speaker 1: And let's take a quick break and come.

446
00:23:03,040 --> 00:23:04,200
Speaker 3: Back in second.

447
00:23:19,680 --> 00:23:20,240
Speaker 1: And we're back.

448
00:23:21,440 --> 00:23:24,240
Speaker 2: Meanwhile, of course, guess what Bullseye breaks out of prison?

449
00:23:24,240 --> 00:23:25,080
Speaker 4: How does he do it? Though?

450
00:23:25,160 --> 00:23:27,080
Speaker 3: Jay thinks this is straight from the coll mix and

451
00:23:27,119 --> 00:23:28,119
Speaker 3: I love it.

452
00:23:28,119 --> 00:23:28,960
Speaker 1: It is really great.

453
00:23:29,119 --> 00:23:33,359
Speaker 2: So apparently when Matt bashed his head, he loosened a tooth, yes,

454
00:23:33,960 --> 00:23:38,119
Speaker 2: which which Bullseye then goes to the dentist to like,

455
00:23:38,480 --> 00:23:41,080
Speaker 2: uh world, to the doctor to have like stitches done

456
00:23:41,119 --> 00:23:43,879
Speaker 2: in his head from when he's his head bashed, But

457
00:23:43,960 --> 00:23:46,440
Speaker 2: that tooth is loose, and so while he's sitting there

458
00:23:46,880 --> 00:23:50,800
Speaker 2: manacled to the chair, he sucks the tooth out of

459
00:23:50,880 --> 00:23:55,240
Speaker 2: his out of his h gum, I guess the gum

460
00:23:55,320 --> 00:24:00,960
Speaker 2: hole which crazy suction from Ben Point Dexter didn't know

461
00:24:01,040 --> 00:24:04,800
Speaker 2: he had that kind of talent as well. Then he

462
00:24:05,080 --> 00:24:10,639
Speaker 2: spits the tooth into the guard's eye, blinding him and

463
00:24:10,680 --> 00:24:13,879
Speaker 2: then immediately escapes, gets all like the little like scalpels

464
00:24:13,880 --> 00:24:15,479
Speaker 2: and shit and just starts killing everybody.

465
00:24:15,560 --> 00:24:17,399
Speaker 4: Yeah, he's done it, he's out. He's done it in

466
00:24:17,440 --> 00:24:18,440
Speaker 4: the comics.

467
00:24:18,080 --> 00:24:21,520
Speaker 3: Like in some really crazy times, like he did it

468
00:24:21,560 --> 00:24:22,760
Speaker 3: in a Captain America book.

469
00:24:22,800 --> 00:24:24,080
Speaker 4: He killed someone with his tooth.

470
00:24:24,119 --> 00:24:26,880
Speaker 3: He's done it obviously in dat evil like this man,

471
00:24:27,240 --> 00:24:29,840
Speaker 3: he loves to do a crazy killing. In fact, I

472
00:24:29,920 --> 00:24:32,840
Speaker 3: was thinking today about one of the wildest parts of

473
00:24:32,880 --> 00:24:34,280
Speaker 3: the law is that he.

474
00:24:36,000 --> 00:24:38,280
Speaker 4: In prison, like they would have to like.

475
00:24:38,520 --> 00:24:41,000
Speaker 3: Give him stool softeners so he didn't kill people with

476
00:24:41,080 --> 00:24:43,840
Speaker 3: his poop, so he didn't just be pooping out bullets.

477
00:24:43,920 --> 00:24:47,440
Speaker 4: Like come on, man, like this guy is a crazy guy.

478
00:24:47,680 --> 00:24:51,000
Speaker 3: This is he the most overpowered guy in the Marvel

479
00:24:51,080 --> 00:24:54,240
Speaker 3: universe with this tooth bullet that, by the way, killed

480
00:24:54,320 --> 00:24:56,239
Speaker 3: multiple people. Okay, I do have to bring this up,

481
00:24:56,280 --> 00:24:57,680
Speaker 3: big conversation in the discord.

482
00:24:57,800 --> 00:24:59,360
Speaker 1: Yeah, I think that.

483
00:24:59,359 --> 00:25:00,920
Speaker 4: I agree with you and Joel on this now.

484
00:25:00,960 --> 00:25:05,480
Speaker 3: But the disc or conversation was, did Matt Murdock know

485
00:25:05,920 --> 00:25:09,040
Speaker 3: that by smashing Bullseye's face on.

486
00:25:09,160 --> 00:25:11,679
Speaker 4: The table he was going to end up escaping and

487
00:25:11,720 --> 00:25:12,639
Speaker 4: trying to kill fist?

488
00:25:12,800 --> 00:25:15,360
Speaker 1: No way, no way he did that out of pure aim.

489
00:25:15,520 --> 00:25:20,359
Speaker 3: I don't think so, simply because of the nature of

490
00:25:20,400 --> 00:25:22,560
Speaker 3: how many people bulls I killed when he got out

491
00:25:22,600 --> 00:25:26,760
Speaker 3: of prison, and Matt could not make that good with himself.

492
00:25:26,840 --> 00:25:27,520
Speaker 4: I don't believe.

493
00:25:27,840 --> 00:25:32,199
Speaker 3: But I understand why it feels ambiguous when you know

494
00:25:32,400 --> 00:25:35,960
Speaker 3: bulls eye immediately says thank you, counselor, and doesn't make

495
00:25:36,040 --> 00:25:39,679
Speaker 3: any you know, argument that he didn't just randomly smash

496
00:25:39,760 --> 00:25:41,560
Speaker 3: his face against the table, which is what Matt.

497
00:25:41,720 --> 00:25:43,360
Speaker 1: And this is just Matt out of control.

498
00:25:43,440 --> 00:25:47,320
Speaker 3: Yeah, this is just classic like a violence against imprison people.

499
00:25:47,400 --> 00:25:49,840
Speaker 3: Matt is not new in doing this, but I do

500
00:25:50,000 --> 00:25:52,160
Speaker 3: like out. I do think you make a great statement.

501
00:25:52,440 --> 00:25:54,680
Speaker 3: I think Matt is out of control at this point.

502
00:25:54,720 --> 00:25:58,919
Speaker 3: His session with Wilson and the death of Foggy is

503
00:25:59,000 --> 00:26:02,720
Speaker 3: making him lose any kind of moral center that he had,

504
00:26:02,760 --> 00:26:04,760
Speaker 3: which has always been kind of blarry for him. And

505
00:26:04,840 --> 00:26:07,920
Speaker 3: I actually think it makes a very very interesting dad

506
00:26:07,920 --> 00:26:12,879
Speaker 3: devil kind of interpretation. Then what we often see with

507
00:26:12,960 --> 00:26:15,159
Speaker 3: the kind of guilt ridden Matt, like he will be

508
00:26:15,200 --> 00:26:17,600
Speaker 3: guilty about this at some point, but right now he's

509
00:26:17,640 --> 00:26:19,000
Speaker 3: just on that quest for revenge.

510
00:26:19,640 --> 00:26:20,640
Speaker 1: We go back to the ball.

511
00:26:20,760 --> 00:26:23,399
Speaker 2: Vanessa comes up to Heather and he's like, thank you

512
00:26:23,440 --> 00:26:25,560
Speaker 2: for all your help with me and Wilson, and that

513
00:26:25,680 --> 00:26:28,840
Speaker 2: was great, and they have some small talk and then

514
00:26:28,920 --> 00:26:32,119
Speaker 2: she goes off, and then we look over and the music,

515
00:26:32,200 --> 00:26:37,480
Speaker 2: the carmina burana like choral music starts up again, and

516
00:26:37,480 --> 00:26:41,720
Speaker 2: who is it? But Matt entering the black and white ball,

517
00:26:42,800 --> 00:26:48,000
Speaker 2: He's got his keen to complete the look, and he's like,

518
00:26:48,840 --> 00:26:52,960
Speaker 2: apparently can he's heading right for Wilson. I don't know

519
00:26:53,000 --> 00:26:57,200
Speaker 2: what Heather thinks is like is he going by smell

520
00:26:57,359 --> 00:26:58,639
Speaker 2: directly towards Wilson?

521
00:26:58,760 --> 00:26:59,680
Speaker 1: Like how is he doing?

522
00:27:00,000 --> 00:27:01,840
Speaker 4: I just think this guy's putting it on.

523
00:27:01,840 --> 00:27:06,480
Speaker 3: Like he's like navigating a dance floor with a question,

524
00:27:06,720 --> 00:27:09,200
Speaker 3: is Matt Madow blind? Like does the through the powers

525
00:27:09,240 --> 00:27:13,200
Speaker 3: you have mean that he isn't blind? Like it's very controversial,

526
00:27:13,880 --> 00:27:18,440
Speaker 3: and yeah, I am intrigued to see what happens next.

527
00:27:18,520 --> 00:27:21,280
Speaker 3: But come on, Matthew, you are not doing a good

528
00:27:21,400 --> 00:27:23,160
Speaker 3: job a pretending anymore.

529
00:27:23,240 --> 00:27:25,760
Speaker 2: Then this is the guy who said, yeah, I just

530
00:27:25,800 --> 00:27:28,359
Speaker 2: bump into stuff all the time to the point that

531
00:27:28,400 --> 00:27:31,320
Speaker 2: I'm like bleeding and bruised. And then you watch him

532
00:27:31,359 --> 00:27:36,200
Speaker 2: like navigate a dance floor at a at a party. Anyway,

533
00:27:37,640 --> 00:27:42,600
Speaker 2: Heather like intercepts him and she's steamed.

534
00:27:42,119 --> 00:27:44,040
Speaker 1: Where were you? Why didn't you tell I thought you

535
00:27:44,040 --> 00:27:44,440
Speaker 1: were coming?

536
00:27:44,480 --> 00:27:47,040
Speaker 2: And then you don't show up And then he's like,

537
00:27:47,320 --> 00:27:49,760
Speaker 2: well I was I was just yeah, I'm here now.

538
00:27:49,800 --> 00:27:52,800
Speaker 2: And by the way, I was just randomly visiting Bullseye

539
00:27:52,800 --> 00:27:53,400
Speaker 2: at Rikers.

540
00:27:53,560 --> 00:27:58,639
Speaker 1: She's like, what what? What's what? Why do you you

541
00:27:58,680 --> 00:27:59,399
Speaker 1: don't call?

542
00:27:59,840 --> 00:28:01,800
Speaker 2: You show up whenever you want, and then when you

543
00:28:01,800 --> 00:28:04,600
Speaker 2: show up you have the craziest stories about what's been

544
00:28:04,640 --> 00:28:05,000
Speaker 2: going on.

545
00:28:06,200 --> 00:28:06,520
Speaker 1: Matt.

546
00:28:06,640 --> 00:28:12,479
Speaker 2: Then hears Dukane chatting with Fisk, and as he's supposed

547
00:28:12,480 --> 00:28:15,800
Speaker 2: to be having this like very serious, really serious conversation

548
00:28:15,880 --> 00:28:19,240
Speaker 2: with Heather about their relationship, he starts listening into that conversation.

549
00:28:19,760 --> 00:28:21,480
Speaker 1: So she's like, you're not even listening to me.

550
00:28:21,560 --> 00:28:24,760
Speaker 2: This infuriates her, which, by the way, she's gonna be

551
00:28:24,880 --> 00:28:26,399
Speaker 2: used to it at this point because this man is

552
00:28:26,440 --> 00:28:29,680
Speaker 2: always snooping on someone with his superhering like you know, yes,

553
00:28:29,800 --> 00:28:32,080
Speaker 2: that'll be He's like eating her out in the New

554
00:28:32,119 --> 00:28:34,119
Speaker 2: York offist and then he's hearing like an old lady

555
00:28:34,119 --> 00:28:35,160
Speaker 2: get mugged and he's like.

556
00:28:35,119 --> 00:28:38,120
Speaker 4: Oh, I gotta go outside. I got through this, like ah.

557
00:28:38,480 --> 00:28:41,320
Speaker 2: Fisk and Ducane then go off and they discuss Red

558
00:28:41,320 --> 00:28:44,000
Speaker 2: Hook and Fisk basically shakes Ducane down for money.

559
00:28:44,000 --> 00:28:47,600
Speaker 1: It was like, you know, uh need money for that project,

560
00:28:47,680 --> 00:28:51,840
Speaker 1: and it'd be a shame if it was to come out.

561
00:28:51,920 --> 00:28:54,040
Speaker 1: The doctor Kaine was.

562
00:28:53,960 --> 00:28:56,320
Speaker 2: The swordsman like he basically says, like, I know you're

563
00:28:56,360 --> 00:28:59,560
Speaker 2: the swordsman, and the task force will come after you

564
00:28:59,640 --> 00:29:01,480
Speaker 2: unless you like write a chat.

565
00:29:01,600 --> 00:29:03,880
Speaker 3: I love this, but like in the context of what

566
00:29:03,920 --> 00:29:06,280
Speaker 3: we've seen of the swordsman, like he's just like a

567
00:29:06,320 --> 00:29:09,800
Speaker 3: good step dad who's also like helping out with some swordwright.

568
00:29:10,040 --> 00:29:12,200
Speaker 4: This man is not like a well known vigilante wilst

569
00:29:12,200 --> 00:29:12,480
Speaker 4: the face.

570
00:29:12,720 --> 00:29:15,440
Speaker 3: But I love that in the context of you know,

571
00:29:15,680 --> 00:29:19,960
Speaker 3: his wife being arrested as like mirror mask or whatever,

572
00:29:20,080 --> 00:29:24,000
Speaker 3: like now he is like he would be worried about that,

573
00:29:24,040 --> 00:29:27,200
Speaker 3: So I like this. I also like this is a

574
00:29:27,240 --> 00:29:29,800
Speaker 3: great example of what I think this show does well.

575
00:29:29,880 --> 00:29:32,920
Speaker 3: Even in the silliest kind of big swing moments or

576
00:29:32,960 --> 00:29:35,560
Speaker 3: the wild kind of set pieces like the Black and

577
00:29:35,600 --> 00:29:39,160
Speaker 3: White Ball, it shows that Wilson is not a moral person,

578
00:29:39,320 --> 00:29:41,320
Speaker 3: which a lot of times he claims that there is

579
00:29:41,320 --> 00:29:45,680
Speaker 3: this moral quest against vigilantes, but really that's just the

580
00:29:45,760 --> 00:29:49,080
Speaker 3: oppressed class that he is choosing to oppress to make

581
00:29:49,120 --> 00:29:53,360
Speaker 3: it seem like he's doing something. And it's funny because

582
00:29:53,400 --> 00:29:57,280
Speaker 3: here we see that actually, if you're a rich vigilante,

583
00:29:57,320 --> 00:29:59,360
Speaker 3: he'll just ask you for money. He's not gonna put

584
00:29:59,360 --> 00:30:01,880
Speaker 3: you in prison. And you're gonna try to kill He'll

585
00:30:01,920 --> 00:30:02,800
Speaker 3: just extaught you.

586
00:30:02,840 --> 00:30:04,960
Speaker 4: So that's different. Last to it, like he doesn't.

587
00:30:04,720 --> 00:30:07,480
Speaker 3: Really care if Swordsman isn't a bit gilante. He just

588
00:30:07,520 --> 00:30:09,320
Speaker 3: has if he's getting money from Swordsman.

589
00:30:09,600 --> 00:30:10,760
Speaker 1: Yeah.

590
00:30:10,800 --> 00:30:13,959
Speaker 2: Meanwhile, Task Force guys are all over the place, all

591
00:30:14,000 --> 00:30:17,520
Speaker 2: over this ball. They are like basically Wilson's pretorian guard.

592
00:30:17,560 --> 00:30:20,120
Speaker 3: At this point, they are acting up too, like really

593
00:30:20,240 --> 00:30:20,880
Speaker 3: crazy shit.

594
00:30:21,760 --> 00:30:26,280
Speaker 2: Dirty Cop Powell sees a waiter take a phone pick

595
00:30:26,800 --> 00:30:30,280
Speaker 2: of the ball and so they snatch him off the

596
00:30:30,400 --> 00:30:35,520
Speaker 2: floor and they're getting ready to maybe kill this guy.

597
00:30:35,320 --> 00:30:37,200
Speaker 4: Like yeah, he's just having fun.

598
00:30:37,240 --> 00:30:40,160
Speaker 2: At this point, when Chief Gallow comes down, it is

599
00:30:40,200 --> 00:30:40,880
Speaker 2: like you stop that.

600
00:30:41,000 --> 00:30:44,160
Speaker 1: I'm gonna have you prosecuted for assault.

601
00:30:44,160 --> 00:30:46,600
Speaker 2: And Pal's like, wait, that's we didn't even do anything

602
00:30:46,600 --> 00:30:48,479
Speaker 2: this you want to see assault and then puts this

603
00:30:48,520 --> 00:30:51,320
Speaker 2: guy's hand in the fry like what the fuck?

604
00:30:51,600 --> 00:30:56,160
Speaker 1: Like no, and Gallo is like holy shit, like did

605
00:30:56,200 --> 00:30:57,760
Speaker 1: you just do that in front of me?

606
00:30:58,160 --> 00:31:00,040
Speaker 2: And then next thing you know, there's like a the

607
00:31:00,160 --> 00:31:05,120
Speaker 2: other Task Force guys in the hall and Gallo realizes

608
00:31:05,200 --> 00:31:07,360
Speaker 2: like he has to back down, like this is they're

609
00:31:07,360 --> 00:31:09,160
Speaker 2: out of control and this is actually unsafe for me

610
00:31:09,240 --> 00:31:09,680
Speaker 2: right now.

611
00:31:09,560 --> 00:31:12,760
Speaker 4: They say Tim as well, like we don't work for you,

612
00:31:13,200 --> 00:31:14,280
Speaker 4: like it's done, like in.

613
00:31:14,160 --> 00:31:18,360
Speaker 3: Case you are we are not like cops under the

614
00:31:18,400 --> 00:31:20,040
Speaker 3: guys of the NYPD anymore.

615
00:31:20,080 --> 00:31:22,920
Speaker 4: We are you know, Wilson fisks m YPD.

616
00:31:23,560 --> 00:31:24,000
Speaker 1: That's right.

617
00:31:24,640 --> 00:31:29,120
Speaker 2: Daniel and BB are still having their conversation. BIB is wondering,

618
00:31:30,280 --> 00:31:34,120
Speaker 2: you know, which I think is like an important thing

619
00:31:34,200 --> 00:31:37,760
Speaker 2: to think about for BB if she's lost her journalistic

620
00:31:37,800 --> 00:31:41,240
Speaker 2: perspective because of the proximity to power that Daniel provides, Like,

621
00:31:41,280 --> 00:31:43,000
Speaker 2: am I getting too close to them?

622
00:31:43,720 --> 00:31:43,840
Speaker 4: We?

623
00:31:44,160 --> 00:31:49,320
Speaker 2: You know, it's it's certainly good to think about, considering

624
00:31:49,360 --> 00:31:51,800
Speaker 2: what the conversation she's about to have with Gallo. She

625
00:31:51,840 --> 00:31:54,520
Speaker 2: sees Gallo and she starts grilling him about the Task Force.

626
00:31:54,960 --> 00:31:58,440
Speaker 2: He calls her out for going with Dan's version of

627
00:31:58,440 --> 00:31:59,000
Speaker 2: the MEWS story.

628
00:31:59,040 --> 00:32:00,000
Speaker 1: Apparently she went.

629
00:31:59,880 --> 00:32:03,880
Speaker 2: To print she published that the task Force took out

630
00:32:03,960 --> 00:32:07,720
Speaker 2: news and he's like, everybody knows that was dared, Well,

631
00:32:07,760 --> 00:32:13,320
Speaker 2: it was actually Heathery. Yeah, but it's but it's interesting

632
00:32:13,360 --> 00:32:17,040
Speaker 2: that Biebe actually did succumb to the pressure from Daniel,

633
00:32:17,080 --> 00:32:21,160
Speaker 2: and then Gallo calls her basically Fisk's propaganda, Like when

634
00:32:21,200 --> 00:32:24,440
Speaker 2: did you become fisk propaganda minister? And she's like, oh, yeah,

635
00:32:24,480 --> 00:32:26,160
Speaker 2: when did you become the chief of the s S,

636
00:32:26,320 --> 00:32:29,760
Speaker 2: comparing Gallo to Himmler, which I think is a little Bobe,

637
00:32:29,840 --> 00:32:31,880
Speaker 2: that's a little fucking.

638
00:32:30,600 --> 00:32:33,320
Speaker 3: St But he did come out uncle a minister of

639
00:32:33,360 --> 00:32:36,400
Speaker 3: propaganda off the one book post, so I think that

640
00:32:36,480 --> 00:32:40,320
Speaker 3: kind of that trading, that trading Bob's And.

641
00:32:40,320 --> 00:32:42,560
Speaker 4: Also she she does know.

642
00:32:42,560 --> 00:32:45,200
Speaker 3: That he agreed to be the head of this vigilanti

643
00:32:45,280 --> 00:32:47,520
Speaker 3: task force for most even though he didn't know.

644
00:32:47,680 --> 00:32:51,240
Speaker 2: He's only yeah, he's the nominal heat. Certainly they don't

645
00:32:51,320 --> 00:32:54,680
Speaker 2: listen to him. But I think it's an important conversation

646
00:32:54,720 --> 00:32:58,040
Speaker 2: about like, can you if you were working for a

647
00:32:58,080 --> 00:33:02,600
Speaker 2: corrupt leader, is or any benefit to society as a

648
00:33:02,640 --> 00:33:07,680
Speaker 2: moral person to work for them and change trying them

649
00:33:07,760 --> 00:33:11,320
Speaker 2: in order to try and keep them from going too far.

650
00:33:11,480 --> 00:33:14,080
Speaker 2: And I think that's how Gallo probably sees himself, like

651
00:33:14,120 --> 00:33:16,760
Speaker 2: I'm a check on Wilson just being crazy.

652
00:33:16,760 --> 00:33:19,760
Speaker 3: But he's also the other hand realized after seeing someone

653
00:33:19,840 --> 00:33:22,840
Speaker 3: get their hand French Fried, he doesn't have that control anymore.

654
00:33:22,880 --> 00:33:25,400
Speaker 2: He doesn't have the juice that's not working, and certainly

655
00:33:25,440 --> 00:33:28,560
Speaker 2: Bebe is coming to that realization now with Daniel's ascendency

656
00:33:29,000 --> 00:33:32,120
Speaker 2: and the fact that she's already crossed the journalistic line

657
00:33:32,320 --> 00:33:35,880
Speaker 2: in printing that mute stuff. Then uh, you know, they

658
00:33:35,920 --> 00:33:38,840
Speaker 2: start talking a little bit and Gallo's like, do you

659
00:33:38,880 --> 00:33:42,560
Speaker 2: know that Wilson Fisk killed your uncle? Shockingly, BB is

660
00:33:42,600 --> 00:33:44,280
Speaker 2: like yeah, I know that, which.

661
00:33:44,240 --> 00:33:46,600
Speaker 3: I'm like, what no, no, no, no, no, I think this

662
00:33:46,720 --> 00:33:49,800
Speaker 3: Actually I love this twist because she's like, yeah, that's

663
00:33:49,800 --> 00:33:52,320
Speaker 3: why I'm here. And you see this difference between how

664
00:33:52,520 --> 00:33:55,000
Speaker 3: talking to Gallo and she's like, not everything I print

665
00:33:55,000 --> 00:33:57,240
Speaker 3: as under my real name. She's like, sure, I printed

666
00:33:57,320 --> 00:33:59,480
Speaker 3: that one story to make Daniel think I was on

667
00:33:59,520 --> 00:34:01,880
Speaker 3: his side, but like, if you ever want to print

668
00:34:01,920 --> 00:34:05,720
Speaker 3: something real like this is the you know, probably encryptied

669
00:34:05,760 --> 00:34:07,560
Speaker 3: email that is not straight to BB.

670
00:34:07,880 --> 00:34:08,480
Speaker 4: And we see that.

671
00:34:08,560 --> 00:34:12,520
Speaker 3: Then I think BB is using Daniel to get closer

672
00:34:12,560 --> 00:34:14,480
Speaker 3: to Fisk to find out what happened to her uncle.

673
00:34:15,000 --> 00:34:17,680
Speaker 4: And we get this great moment where after they.

674
00:34:17,920 --> 00:34:21,000
Speaker 3: Agree to kind of team up in some vague way

675
00:34:21,040 --> 00:34:23,759
Speaker 3: that I'm sure we will find out, she puts on

676
00:34:23,840 --> 00:34:27,480
Speaker 3: this like huge smile and kind of bounces back to Daniel,

677
00:34:27,560 --> 00:34:29,960
Speaker 3: and I think that version of BB we've been seeing

678
00:34:30,160 --> 00:34:34,640
Speaker 3: is a mask to follow this revenge quest for her uncle.

679
00:34:35,480 --> 00:34:40,560
Speaker 2: So they're teaming up. Meanwhile, Matt and Heather are still arguing.

680
00:34:40,640 --> 00:34:44,280
Speaker 2: He tells Heather that Fisk again. He's like, he hired

681
00:34:44,320 --> 00:34:46,360
Speaker 2: you to get to me, and she's like what.

682
00:34:46,800 --> 00:34:49,000
Speaker 4: She's like, me, what you're talking about?

683
00:34:49,520 --> 00:34:50,759
Speaker 1: They are? You know?

684
00:34:50,840 --> 00:34:53,120
Speaker 2: The argument is getting more heated. Matt's like, I'm gonna

685
00:34:53,120 --> 00:34:55,319
Speaker 2: go talk to them. I'm not gonna confront him, and

686
00:34:55,480 --> 00:34:58,560
Speaker 2: Heather's like, I'm coming with you. But before they can

687
00:34:58,560 --> 00:35:01,879
Speaker 2: get there, the spotlight hits the Fisks and it's time

688
00:35:01,920 --> 00:35:02,880
Speaker 2: for the couples dance.

689
00:35:04,840 --> 00:35:08,000
Speaker 1: This is an incredible moment. So Heather, who has been.

690
00:35:09,520 --> 00:35:16,800
Speaker 2: Like furious rightfully with Matt, arguing heatedly with him, watches

691
00:35:16,880 --> 00:35:19,600
Speaker 2: as Matt goes, Okay, here goes the dance.

692
00:35:19,680 --> 00:35:20,200
Speaker 1: We're gonna have.

693
00:35:20,239 --> 00:35:21,600
Speaker 2: This is how we have to get close to them.

694
00:35:21,600 --> 00:35:23,879
Speaker 2: As we're gonna have to hit the dance floor, She's

695
00:35:23,960 --> 00:35:24,279
Speaker 2: like what.

696
00:35:24,640 --> 00:35:29,840
Speaker 1: He folds up in a very like cool guy like way.

697
00:35:29,800 --> 00:35:34,600
Speaker 2: Folds up his cane, drops it on a waiter's tray,

698
00:35:34,680 --> 00:35:38,040
Speaker 2: crazy as the waiter is like what, and then goes,

699
00:35:38,160 --> 00:35:40,960
Speaker 2: you're gonna have to lead And then proceeds to lead

700
00:35:41,560 --> 00:35:46,600
Speaker 2: her in a ballroom dance. And it's crazy because and

701
00:35:46,640 --> 00:35:50,680
Speaker 2: this is again comic accurate Matt, because Heather, who was

702
00:35:51,120 --> 00:35:53,480
Speaker 2: just a second ago really furious at Matt, is all

703
00:35:53,520 --> 00:35:56,960
Speaker 2: of a sudden like the flush is coming back her vase.

704
00:35:57,080 --> 00:35:59,400
Speaker 2: She's just like, oh, yeah, I remember why I'm attracted

705
00:35:59,400 --> 00:36:03,200
Speaker 2: to you. Why does this work? Like why wnnoying?

706
00:36:03,440 --> 00:36:06,759
Speaker 3: But it works on me, baby, And he's that dancing

707
00:36:06,960 --> 00:36:10,080
Speaker 3: and that kind of like it's very silly, kind of

708
00:36:10,120 --> 00:36:12,880
Speaker 3: I don't know about dancing all music guys like in

709
00:36:12,920 --> 00:36:15,319
Speaker 3: this sense, so apologies if it's wrong, but it's very

710
00:36:15,400 --> 00:36:19,320
Speaker 3: like passionate kind of salsa, like they're doing a classical

711
00:36:19,400 --> 00:36:21,239
Speaker 3: dance but there's a little flat to it, and they're

712
00:36:21,280 --> 00:36:21,960
Speaker 3: getting close.

713
00:36:22,160 --> 00:36:23,600
Speaker 1: Yes and yeah, and.

714
00:36:23,560 --> 00:36:28,400
Speaker 3: Then and then something something happens that will change the

715
00:36:28,400 --> 00:36:29,800
Speaker 3: way that Matt.

716
00:36:29,760 --> 00:36:30,840
Speaker 4: Sees this situation.

717
00:36:31,560 --> 00:36:34,719
Speaker 1: Meanwhile, Kingpin is like talking trash from the other side

718
00:36:34,760 --> 00:36:36,600
Speaker 1: of the room. It's like, fuck you man, and.

719
00:36:36,560 --> 00:36:37,440
Speaker 4: He knows he can hear him.

720
00:36:37,480 --> 00:36:39,920
Speaker 1: He's like, you fucking you could hear me. I know

721
00:36:40,000 --> 00:36:40,840
Speaker 1: you could hear me.

722
00:36:41,440 --> 00:36:45,719
Speaker 2: I've your girlfriend is my therapist, Like I know you're

723
00:36:45,800 --> 00:36:49,960
Speaker 2: dressing up his Darnevil again, like, look at you chasing

724
00:36:50,000 --> 00:36:54,800
Speaker 2: me here. Just then, Buck Cashman gets a call telling

725
00:36:54,880 --> 00:36:58,160
Speaker 2: him that Bulls I escaped. He immediately informs Fisk. Matt

726
00:36:58,200 --> 00:37:01,080
Speaker 2: hears Vanessa tell Wilson that she is tell him something,

727
00:37:01,640 --> 00:37:06,560
Speaker 2: and he realizes in that moment that it was Vanessa

728
00:37:07,080 --> 00:37:10,000
Speaker 2: who ordered to hit on Foggy.

729
00:37:10,360 --> 00:37:11,000
Speaker 1: What a twist.

730
00:37:11,120 --> 00:37:11,720
Speaker 4: What twist.

731
00:37:11,840 --> 00:37:16,640
Speaker 3: But if you are of the mindset that Foggy's death

732
00:37:16,719 --> 00:37:19,160
Speaker 3: is not real, which I know many of you are hoping.

733
00:37:18,920 --> 00:37:21,040
Speaker 1: I think it might not I do actually think it

734
00:37:21,160 --> 00:37:22,040
Speaker 1: might not be real.

735
00:37:22,239 --> 00:37:28,920
Speaker 3: It is Vanessa fakes Foggy's death so that Matt cal Wilson.

736
00:37:29,400 --> 00:37:30,800
Speaker 4: That's like her scheme.

737
00:37:31,239 --> 00:37:34,359
Speaker 3: And I'm saying now that Vanessa is the one that

738
00:37:34,440 --> 00:37:37,440
Speaker 3: little easter egg that you call of the number of

739
00:37:37,480 --> 00:37:40,200
Speaker 3: the office being the same number of the episode where

740
00:37:40,360 --> 00:37:43,960
Speaker 3: you know, the issue where Matt kind of does where

741
00:37:44,000 --> 00:37:47,200
Speaker 3: this is revealed, And yeah, it's gonna be interesting because that.

742
00:37:47,360 --> 00:37:50,799
Speaker 2: I truly cannot believe that we really might be going there,

743
00:37:50,840 --> 00:37:55,239
Speaker 2: and I was firmly against it until this and now

744
00:37:55,280 --> 00:37:56,879
Speaker 2: I'm like, you know what I might.

745
00:37:58,600 --> 00:37:59,520
Speaker 1: See?

746
00:38:00,200 --> 00:38:03,160
Speaker 3: This is a very this is comics. Uh yeah, Dead

747
00:38:03,200 --> 00:38:05,879
Speaker 3: of a Volume two ninety two. That's when you're kind

748
00:38:05,880 --> 00:38:09,680
Speaker 3: of seeing that Wilson, that Vanessa stees and uh yeah,

749
00:38:10,000 --> 00:38:13,520
Speaker 3: crazy crazy situation here that they revealed that.

750
00:38:13,719 --> 00:38:15,279
Speaker 4: But I'm not surprised.

751
00:38:15,760 --> 00:38:18,440
Speaker 3: She was the big boss at the time. It makes

752
00:38:18,480 --> 00:38:20,480
Speaker 3: sense she But why did she do it?

753
00:38:20,520 --> 00:38:22,480
Speaker 2: That's what That's what I want to That's the question

754
00:38:22,560 --> 00:38:26,160
Speaker 2: we don't know. So Matt cuts in with Vanessa. He

755
00:38:26,200 --> 00:38:28,359
Speaker 2: asks hers straight out, why did you order Foggy's death?

756
00:38:28,920 --> 00:38:31,600
Speaker 2: And but before she can really answer, he hears like

757
00:38:31,640 --> 00:38:34,160
Speaker 2: the clacking of like the bolt of a sniper rifle.

758
00:38:34,200 --> 00:38:37,600
Speaker 2: He realizes someone's taking aim, and then Matt does the

759
00:38:37,640 --> 00:38:39,319
Speaker 2: most Matt fucking thing ever.

760
00:38:39,600 --> 00:38:41,520
Speaker 1: This guy jumps in front.

761
00:38:41,239 --> 00:38:44,959
Speaker 2: Of Wilson Fisk, takes the bullet in the shoulder, sets

762
00:38:45,080 --> 00:38:48,239
Speaker 2: the floor and is bleeding out as the weather like

763
00:38:49,080 --> 00:38:51,120
Speaker 2: you know, kneels over him, and then we go to

764
00:38:51,160 --> 00:38:51,959
Speaker 2: the credit.

765
00:38:51,719 --> 00:38:54,120
Speaker 4: You know what. She is like so hot for him

766
00:38:54,120 --> 00:38:54,720
Speaker 4: in that moment.

767
00:38:54,760 --> 00:38:57,080
Speaker 3: She's like, oh he did even though he's obsessed with

768
00:38:57,120 --> 00:38:58,600
Speaker 3: this guy, he saved his life.

769
00:38:58,800 --> 00:39:01,279
Speaker 4: Like why is Matt like this?

770
00:39:01,480 --> 00:39:03,839
Speaker 3: Like I think the true reason for me is like

771
00:39:04,160 --> 00:39:06,800
Speaker 3: this is a story just like Batman and the Joker

772
00:39:07,040 --> 00:39:11,920
Speaker 3: and every great villain and their you know, heroic counterpart.

773
00:39:12,280 --> 00:39:15,120
Speaker 3: This is really about the relationship between Wilson, Fisk and

774
00:39:15,160 --> 00:39:18,120
Speaker 3: Matt and I understand that also Matt is supposed to

775
00:39:18,160 --> 00:39:21,479
Speaker 3: not want to kill people and save people's lives because

776
00:39:21,480 --> 00:39:24,480
Speaker 3: he's a Catholic. But this man has absolutely just like

777
00:39:24,640 --> 00:39:28,040
Speaker 3: beat the shit out of multiple people this season and

778
00:39:28,160 --> 00:39:32,200
Speaker 3: definitely giving people like severit CTE or like head traumas.

779
00:39:32,640 --> 00:39:34,120
Speaker 4: So I don't know if I'm buying that.

780
00:39:34,200 --> 00:39:36,880
Speaker 3: I think this is like in the moment he just

781
00:39:37,080 --> 00:39:42,600
Speaker 3: he would have potentially let Wilson get shot if he

782
00:39:42,680 --> 00:39:44,640
Speaker 3: hadn't just found out that Vanessa was the one who

783
00:39:44,719 --> 00:39:47,520
Speaker 3: killed Foggy, right, But also then he has this complex

784
00:39:47,600 --> 00:39:52,360
Speaker 3: moment where he's thinking, like, shit, I can stop the

785
00:39:52,400 --> 00:39:55,480
Speaker 3: man who killed my best friend from killing another person,

786
00:39:55,520 --> 00:39:57,799
Speaker 3: so I want to stop him, and he just, dude,

787
00:39:57,800 --> 00:39:59,959
Speaker 3: when he took that bullet, I was screaming at the TV,

788
00:40:00,400 --> 00:40:02,200
Speaker 3: like on multiple rewatches too.

789
00:40:02,239 --> 00:40:04,480
Speaker 4: It just gets me every time. Such a good moment.

790
00:40:05,239 --> 00:40:08,680
Speaker 2: I also love that Matt. Here's the thing about Matthew

791
00:40:08,760 --> 00:40:12,640
Speaker 2: Murdoch Daredevil. This guy never misses a game. He's not

792
00:40:12,719 --> 00:40:15,239
Speaker 2: like Joel Embiid or some of these other guys. He's

793
00:40:15,280 --> 00:40:18,640
Speaker 2: getting concussed, he's falling off of buildings, he's getting shot,

794
00:40:18,760 --> 00:40:23,360
Speaker 2: he's getting stabbed. He's like fighting Bullseye with eight knives

795
00:40:23,400 --> 00:40:24,720
Speaker 2: sticking out of his body.

796
00:40:25,360 --> 00:40:27,759
Speaker 1: And I guarantee you.

797
00:40:27,520 --> 00:40:33,680
Speaker 2: Tomorrow night he will be out there again somehow with

798
00:40:33,800 --> 00:40:37,520
Speaker 2: a bullet in his chest. Bett Murdock will be suiting

799
00:40:37,600 --> 00:40:40,919
Speaker 2: up as Daredbil. This guy just plays when it's game time.

800
00:40:40,960 --> 00:40:43,880
Speaker 2: He's yeah, he's getting up, he's doing it. We got

801
00:40:44,000 --> 00:40:48,480
Speaker 2: to find out about why how these.

802
00:40:48,520 --> 00:40:51,840
Speaker 1: Why did she? Why is she? Why did Vanessa do this?

803
00:40:51,920 --> 00:40:55,960
Speaker 3: Okayeah, biggest question because I either I think Bullseye is

804
00:40:56,520 --> 00:40:59,240
Speaker 3: I think Bullseye it took the shot at Wilson because

805
00:40:59,280 --> 00:41:02,040
Speaker 3: he feels like Wilson set him up.

806
00:41:02,160 --> 00:41:03,560
Speaker 4: Yeah, exactly.

807
00:41:03,600 --> 00:41:07,120
Speaker 3: So like biggest questions going into the finale, why did

808
00:41:07,239 --> 00:41:13,280
Speaker 3: Vanessa do this? Is I am distinctly getting the flavor

809
00:41:13,320 --> 00:41:16,319
Speaker 3: that Matt is going to like team up with Gallo

810
00:41:16,560 --> 00:41:19,719
Speaker 3: and maybe bebe in some kind of like good I

811
00:41:19,719 --> 00:41:22,320
Speaker 3: don't like good cops, like at the end of The

812
00:41:22,360 --> 00:41:24,680
Speaker 3: Batman where it's like there are good cops too, So

813
00:41:24,760 --> 00:41:27,840
Speaker 3: I feel like that could definitely happen because that hinting

814
00:41:27,880 --> 00:41:31,240
Speaker 3: that Gallo is going to be this kind of better

815
00:41:31,320 --> 00:41:34,959
Speaker 3: reflection of the police than the anti Vigilanti task Force.

816
00:41:35,560 --> 00:41:39,239
Speaker 3: Will Wilson feel like he owes Matt and the thing

817
00:41:39,280 --> 00:41:42,080
Speaker 3: for saving his life? Will that change their relationship?

818
00:41:43,000 --> 00:41:49,080
Speaker 1: No way, I think of anything, he'll have less respect

819
00:41:49,080 --> 00:41:49,399
Speaker 1: for Matt.

820
00:41:49,520 --> 00:41:51,040
Speaker 4: Yeah, like why didn't you just let him kill me?

821
00:41:51,560 --> 00:41:53,400
Speaker 1: Like, why didn't you want to have had the chance?

822
00:41:53,480 --> 00:41:53,920
Speaker 1: That was it?

823
00:41:53,960 --> 00:41:56,359
Speaker 2: You could have been got rid of me, And here

824
00:41:56,400 --> 00:42:01,240
Speaker 2: you are because you're absolutely stupid moral code. You saved

825
00:42:01,320 --> 00:42:07,799
Speaker 2: my life after everything that I've done, Like you are weak?

826
00:42:07,960 --> 00:42:09,719
Speaker 1: Yeah, I think he loses complete respectful.

827
00:42:09,840 --> 00:42:17,120
Speaker 5: Also, does Wilson and the season still as Maya or

828
00:42:17,120 --> 00:42:20,359
Speaker 5: do we see him make that transition to set up

829
00:42:20,400 --> 00:42:21,000
Speaker 5: season two.

830
00:42:22,400 --> 00:42:25,080
Speaker 2: I don't know what it would take right now for

831
00:42:25,239 --> 00:42:30,360
Speaker 2: him to get torn down as Mayor. He's he's almost

832
00:42:30,360 --> 00:42:31,880
Speaker 2: doing everything out in the open.

833
00:42:32,000 --> 00:42:33,759
Speaker 4: Yeah you know what I mean. Would he want to

834
00:42:33,760 --> 00:42:35,920
Speaker 4: step away from it and just be the kingpin?

835
00:42:36,239 --> 00:42:41,680
Speaker 3: Or maybe the finale is him saying I am both,

836
00:42:42,120 --> 00:42:45,120
Speaker 3: like both exist, like I'm Kingpin Mayor of New York

837
00:42:45,239 --> 00:42:45,760
Speaker 3: or whatever.

838
00:42:46,200 --> 00:42:46,360
Speaker 1: You know.

839
00:42:46,360 --> 00:42:48,960
Speaker 2: I've been thinking about a lot about the born again element,

840
00:42:49,080 --> 00:42:54,680
Speaker 2: and I do think that this season is it's it

841
00:42:54,800 --> 00:42:59,839
Speaker 2: matches the overall kind of shape of the first two

842
00:43:00,120 --> 00:43:02,359
Speaker 2: acts of Born Again in that I think what it's

843
00:43:02,400 --> 00:43:06,680
Speaker 2: about is driving Matt over the edge, making him cross lines,

844
00:43:06,800 --> 00:43:09,600
Speaker 2: making him think that it's all for nothing. Daredevil doesn't

845
00:43:09,640 --> 00:43:12,400
Speaker 2: do anything, you know, arguing the law doesn't do anything.

846
00:43:13,080 --> 00:43:17,839
Speaker 2: So that I think that next season as I think

847
00:43:18,040 --> 00:43:20,240
Speaker 2: Fisk will continue to be Mayor and be more powerful

848
00:43:20,280 --> 00:43:24,240
Speaker 2: than ever, and I think Matt will. Next season's Matt

849
00:43:24,320 --> 00:43:30,640
Speaker 2: is going to be the Daredevil kingpin of crime, where

850
00:43:30,680 --> 00:43:33,839
Speaker 2: Matt is like, you know what, I'm gonna go and

851
00:43:33,920 --> 00:43:36,200
Speaker 2: take over the gangs. I'm going to bring them to

852
00:43:36,280 --> 00:43:39,600
Speaker 2: heal and then I'm gonna I'm gonna be like the

853
00:43:39,680 --> 00:43:43,479
Speaker 2: hyper violent Daredevil that I need to be to really

854
00:43:43,480 --> 00:43:45,799
Speaker 2: make a difference. I'm gonna cross lines, I'm gonna go

855
00:43:45,880 --> 00:43:49,920
Speaker 2: completely underground. And I think that's maybe what is going

856
00:43:50,000 --> 00:43:52,239
Speaker 2: to happen. I think maybe Matt he might fake his

857
00:43:52,320 --> 00:43:53,160
Speaker 2: death after.

858
00:43:52,920 --> 00:43:56,680
Speaker 3: This, yeah exactly, because we got to see Yeah, I'm

859
00:43:56,680 --> 00:43:59,239
Speaker 3: interested to see where it goes next. It feels like

860
00:43:59,280 --> 00:44:01,200
Speaker 3: it's going to be oddo wrap it up in one episode,

861
00:44:01,280 --> 00:44:02,720
Speaker 3: but I will be very excused.

862
00:44:03,000 --> 00:44:05,400
Speaker 2: A punisher must come back right, So how does he

863
00:44:05,440 --> 00:44:06,080
Speaker 2: get involved?

864
00:44:06,080 --> 00:44:09,040
Speaker 3: I think that Matt is going to have to call

865
00:44:09,120 --> 00:44:13,920
Speaker 3: in some kind of crew to stop to help stop

866
00:44:14,000 --> 00:44:17,520
Speaker 3: Bullseye now he's out and about that's my guess. But

867
00:44:17,680 --> 00:44:19,480
Speaker 3: I don't think he's going to team up with Wilson.

868
00:44:19,560 --> 00:44:22,000
Speaker 3: That's not that's not really in the cards for them.

869
00:44:22,320 --> 00:44:25,879
Speaker 3: But I do think that maybe maybe Frank comes back

870
00:44:25,920 --> 00:44:30,000
Speaker 3: because he hears Matt got shot. Yeah, which could also

871
00:44:30,040 --> 00:44:32,920
Speaker 3: mean we could get a Karen return as well, because

872
00:44:32,920 --> 00:44:35,120
Speaker 3: she might be worried about him for.

873
00:44:35,239 --> 00:44:39,440
Speaker 1: A Foggy return. They didn't do that.

874
00:44:39,440 --> 00:44:41,120
Speaker 4: That would be so crazy.

875
00:44:41,520 --> 00:44:44,600
Speaker 1: If he do that, I will lose it.

876
00:44:47,080 --> 00:44:49,920
Speaker 2: Tomorrow and Extra Vision, we're recapping season one of the

877
00:44:50,000 --> 00:44:51,920
Speaker 2: Last of Us and then Monday we're getting ready for

878
00:44:52,000 --> 00:44:55,520
Speaker 2: and Or, as we debate is Rogue one a good film?

879
00:44:55,680 --> 00:44:58,360
Speaker 2: Our Last of Us season to coverage will begin Tuesday

880
00:44:58,360 --> 00:45:01,200
Speaker 2: and on Thursday, recovering the inclusion of Dared Devil Born

881
00:45:01,200 --> 00:45:03,440
Speaker 2: Again season one. That's it for this episode. Thanks for listening,

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Speaker 2: Bye x ray Vision is hosted by Jason Concepcion and

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Speaker 2: Rosie Knight and is a production of iHeart Podcasts.

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Speaker 3: Our executive producers are Joel Monique and Aaron Kaufman.

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Speaker 1: Our supervising producer is Abuza par.

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Speaker 3: Our producers are Common, Laurent Dean, Jonathan and Bay wag.

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Speaker 2: Our theme song is by Brian Vasquez, with alternate theme

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Speaker 2: songs by Aaron Kaufman.

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Speaker 3: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and Heidi.

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Speaker 4: Our discord moderate, though