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Speaker 1: The volume.

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Speaker 2: Maul.

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Speaker 3: I am tired of seeing these ads where it looks

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Speaker 3: like it's a great price and then you get the

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Speaker 3: bill later and it is not what they advertise. But

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Speaker 3: that does not happen. With Boost Mobile, you pay twenty

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Speaker 3: five dollars a month for.

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Speaker 4: Ever did you say twenty five dollars a month?

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Speaker 3: Twenty five dollars?

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Speaker 4: I thought you said thirty fives.

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Speaker 3: Not with Boost it's twenty five every single time.

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Speaker 4: No hidden fees.

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Speaker 5: Five G speeds not available in all areas After thirty GB,

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Speaker 5: customers may experience slower speeds. Customers will pay twenty five

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Speaker 5: dollars a month as long as they remain active on

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Speaker 5: the Boost Unlimited Plan.

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Speaker 2: What if those pictures that we have seen of the

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Speaker 2: Earth are fake? What if they are because we don't

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Speaker 2: We're not satellite we have I haven't. I'm not Superman, right,

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Speaker 2: can fly and go? Ah? It is round? What if

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Speaker 2: they're lying to us because we're here on the planet.

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Speaker 2: We don't know what the fuck they're doing up there? Right,

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Speaker 2: they could be I'm saying they could be lying.

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Speaker 4: Yeah.

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Speaker 3: With the moon landing, I you know, the moon landing,

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Speaker 3: I'm side of them.

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Speaker 2: I'm doubting that shit, you know, especially after those space

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Speaker 2: cunts went up there. I'm sorry the cosmic cunts this yeah.

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Speaker 3: Calling by the proper names, the cosmic cunts.

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Speaker 4: The cosmic cunts went up, kid, they go up.

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Speaker 2: There was some air and there, first of all, where's

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Speaker 2: your helmet?

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Speaker 4: At minimum? Like, where's first of all, where's your pressure suit?

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Speaker 4: They didn't even have at least motorcycle helmets. I saw

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Speaker 4: again they this over. I'm just saying I don't mean

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Speaker 4: to insul them, but I was just like.

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Speaker 2: And you and then you have fucking Katie Perry describing

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Speaker 2: what the fuck happened, But why would you pick her?

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Speaker 2: Its like it was just love, love and conduction and

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Speaker 2: just love and we were just that and connect what

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Speaker 2: the fuck are you talking about? We're talking science, like, hey,

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Speaker 2: I felt the gravitational pull and then Bezos his wife

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Speaker 2: with that fucking you would think that she had all

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Speaker 2: that face ship done, that the gravity would have her

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Speaker 2: whole ship would have been like, oh my god, yeah, the.

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Speaker 4: Girl just fucked my whole operation.

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Speaker 2: Her ship would have been like she would have looked

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Speaker 2: like a fucking yeah it was. There was no effect

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Speaker 2: on that. So I was like, we're and they were

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Speaker 2: like this, we're we're in fast. If you're in space,

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Speaker 2: if you're on a high speed fucking train, you're like this,

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Speaker 2: oh ship right. If you're oh fucking you know, I

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Speaker 2: do you know that, you're like, oh ship, god damn.

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Speaker 4: But you're in space and you're just going.

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Speaker 3: Look at my daisy, Oh my god a death.

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Speaker 4: It meant canucksha.

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Speaker 2: And then they came out like yeah, if you come

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Speaker 2: from space, you're like fuck.

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Speaker 4: Yeah that was And then Bassos tried to open the door.

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Speaker 4: They already opened it over there.

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Speaker 2: It was like fucking too.

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Speaker 4: He was like, yeah, we saw it.

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Speaker 3: Yeah, no asks to make sure his wife is okay, yes,

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Speaker 3: and you know what, and then it's like you can't

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Speaker 3: we our bodies can't handle those kind of forces, you know.

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Speaker 2: And you're in an airplane thirty five thousand feet and

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Speaker 2: you're pressure and then come on, there's pilots that go

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Speaker 2: higher than that.

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Speaker 4: Fuck you talk. These pilots are up there with helmets on.

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Speaker 2: It, and you yeah, and you're higher than they are.

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Speaker 2: But you're like, yeah, Beth fal Frontier, Yeah, evens.

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Speaker 4: Like spuck, we have to go on turbo. He's like this, Captain,

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Speaker 4: I don't think we can make that.

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Speaker 3: He's like, damn it, TV, this makes no space trek

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Speaker 3: look like real space, Like, yeah, I don't think we

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Speaker 3: can make that.

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Speaker 4: I think that force will suck his spunk. We have

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Speaker 4: to get there to spunk.

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Speaker 2: Right, And these motherfuckers like, yeah, we were there.

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Speaker 4: It's love and it's Connock shining.

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Speaker 2: It was brunt time for feminism in that high altitude.

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Speaker 4: The fuck is wrong with you? Any gendering shot?

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Speaker 3: And what the fuck not that she found about love

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Speaker 3: of there. It was the fact that she decided two

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Speaker 3: days later that she needed to learn how to walk again.

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Speaker 2: Did you see that concert she was doing? That ship

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Speaker 2: was trash.

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Speaker 4: Her concert was gibbage straight.

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Speaker 2: That ship was so bad she was she was I said,

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Speaker 2: maybe she did go because she deliverately crickets.

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Speaker 3: They left her.

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Speaker 4: Gravitational forces done fucked her knees up.

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Speaker 2: When she was in that dressed as a fucking that

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Speaker 2: was at least she should have been dressed in that

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Speaker 2: to go to space.

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Speaker 4: But they were all these sexy suits.

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Speaker 2: And then there's Gail King, right, and there's Oprah's body double,

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Speaker 2: and then there I call her Oprah stunt double because

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Speaker 2: if Oprah's like in a car scene and she rolls out.

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Speaker 4: It's Gail.

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Speaker 2: Car and there's two scientists were real scientists. The girl

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Speaker 2: that's the Vietnamese girl who was actually you know, she

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Speaker 2: was like sexually assaulted when she was a scienceman. Yeah,

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Speaker 2: she's gone through a lot. She's actually a real astrophysicist

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Speaker 2: or whatever. And the black girl. It's the in the middle.

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Speaker 2: There's the Vietnamese, the Vietnamese shiit in the front that's

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Speaker 2: the lowest, and the black girls. They're too real astral site.

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Speaker 2: So I think they brought them in to just keep

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Speaker 2: the hopes going. But it was some bull They went

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Speaker 2: straight to Katie Perry first and I said, oh, this

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Speaker 2: is bullshit.

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Speaker 4: They fucked up. Yeah. Yeah, She's like, it was just

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Speaker 4: love and can shut We're just.

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Speaker 3: She was gonna look Gail like kind of had a

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Speaker 3: little sassy attitude like when she she was like.

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Speaker 2: This, She's like, have you been in the space, then

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Speaker 2: you tell me your friend is Jeff Besos. Space costs

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Speaker 2: a million dollars a take. I just did. I was

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Speaker 2: just on kayak to get my ticket to go to

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Speaker 2: North Carolina. You're talking about. I was using my flyer

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Speaker 2: miles and negotiate it just try to go to our

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Speaker 2: flight and you're talking about have you been to slate?

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Speaker 2: That's what I knew it was. Bush. I'm sorry, have

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Speaker 2: you been to state? So when you get to space,

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Speaker 2: let me know. Have you been to space?

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Speaker 4: No, we haven't. You're the only ones that have obviously

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Speaker 4: been there, because that's what you know, what you're talking about.

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Speaker 3: Flint doesn't have clean water and you went to space.

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Speaker 5: God, I totally forgot about that, that Flint didn't have

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Speaker 5: no water.

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Speaker 4: No, I went to Flint.

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Speaker 5: I'm talking about this space voyage that Gail Kingdom went in.

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Speaker 4: People don't believe it. You've been to space.

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Speaker 2: If I have a friend named Jeff Bay, a friend

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Speaker 2: of Jeff Basos, I'll go right and he'll pay for

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Speaker 2: my dam But you didn't go to su Have you

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Speaker 2: been in space? You obviously haven't either because you explaining

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Speaker 2: anything to us, you could have been like, well, the

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Speaker 2: gravitational forces.

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Speaker 4: It was really amazing.

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Speaker 2: We saw then we saw cosmic dust and just some

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Speaker 2: space talk like you could be at least like we

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Speaker 2: I think we saw like Haley's comic come by, and.

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Speaker 4: We saw there's asteroid.

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Speaker 2: We were able to see, you know, the news the craters,

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Speaker 2: and I mean, I know some science like tell us

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Speaker 2: something you were like this, have you been space? Well,

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Speaker 2: if you don't know space, shut your hands. And you

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Speaker 2: know how they use the word space now just in jail.

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Speaker 2: I just love this space that we're in. You know,

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Speaker 2: that's cap that we were in a space in space.

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Speaker 2: It was sort of a safe space in space, which

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Speaker 2: was sort of space like a safe craft.

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Speaker 4: So everything's about space.

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Speaker 2: That I'm space from the space, and in this space,

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Speaker 2: I was able to really be in a safe place

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Speaker 2: for space.

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Speaker 4: And this is a good working space. And you know,

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Speaker 4: and people don't know about this space. You know nothing

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Speaker 4: about the space.

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Speaker 3: So where are you on the side of still want

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Speaker 3: to take Lord Jamara?

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Speaker 1: Antarctica?

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Speaker 4: Do you remember when they did the experiment recently?

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Speaker 2: What thirty five thousand dollars apiece for these flat earthers

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Speaker 2: to go to because.

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Speaker 4: They say that Arctica.

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Speaker 2: There's an end in Antarctica or some other like big

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Speaker 2: fucking land.

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Speaker 4: Okay, there's a wall, yes, So this dude's on the

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Speaker 4: Roman Child's on the other side.

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Speaker 2: I'm right, I'm bringing to take care.

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Speaker 3: It's a rough Child island right there.

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Speaker 4: Go to Google maps.

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Speaker 3: Is there a Rothschild island in Antarctica.

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Speaker 4: Yeah, I believe that.

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Speaker 3: No, it's a fact, snow Castle. Listen, I'm saying that

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Speaker 3: the Earth is round. I'm also saying that the rough

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Speaker 3: Child's own an island and.

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Speaker 4: Antara like that.

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Speaker 3: Along with that, it could be.

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Speaker 2: The Rothschild the Rockefell.

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Speaker 4: Yeah, I believe all that now.

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Speaker 2: But as far as like he goes, okay, I'm gonna

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Speaker 2: take you guys to anahartic fly. You all out this guy.

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Speaker 2: Scientists paid thirty five thousand a piece. Yeah, I got

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Speaker 2: the money. And then we're gonna sit there and watch

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Speaker 2: the sun. If the sun stays in the air, stays

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Speaker 2: out for twenty four hours at the Earth's round, they

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Speaker 2: were like, okay, bet they camped out that fucking sun

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Speaker 2: stayed there because they were like, that's cgi, that's fucking are.

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Speaker 4: They all right?

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Speaker 3: So they were. They took like flat Earther influencers, like

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Speaker 3: they took the Kendall Jenner of flat Earth down there, right,

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Speaker 3: and then when they got there there was like, yo, no,

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Speaker 3: the twenty four hours don't exists, like we yeah, yeah,

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Speaker 3: it's it's real. Then they exiled them like some scientology shit,

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Speaker 3: like they kicked them out of the flat earther community

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Speaker 3: because they were like, guys, I was there.

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Speaker 2: I promise you that was not they were, and then

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Speaker 2: they're like, it's round, Earth is round, It's it's right.

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Speaker 4: And we were all Sinati kicked out of the fraturn.

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Speaker 4: It's the freak kicked out. You're out here. You think

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Speaker 4: it's fucking wrong, you think it's a spear. You're out

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Speaker 4: of her asshole.

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Speaker 3: And internet is just the worst place because when I

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Speaker 3: was they make their money though, whenn't even.

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Speaker 4: Looking at the flat air ship.

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Speaker 3: When I started on that rabbit hole, they were telling

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Speaker 3: me like, yo, there's no flights from Argentina to Australia

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Speaker 3: and I was like, damn, why is that the case?

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Speaker 3: Then I went on price line. I'm like, no, you

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Speaker 3: can fly. Put misinformation as a fact and if you

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Speaker 3: don't double he just doesn't.

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Speaker 4: Go to Trinidad. I just found that yesterday they don't.

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Speaker 4: So it's not a triangle.

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Speaker 1: You look at the.

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Speaker 4: Jet you can get there route they sow the lines.

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Speaker 4: Jet Blue has more lies. Now we're going to.

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Speaker 3: I feel like we have to give Maul some flowers here.

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Speaker 3: I mean, it's no secret that his brother and his

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Speaker 3: crew created the term pause, and then Maul took the

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Speaker 3: torch and very bravely in twenty twenty five, was one

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Speaker 3: of the only people that when you say something that

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Speaker 3: has nothing to do with sexuality, he says, that's because

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Speaker 3: you're gay. And then the torch was passed back to

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Speaker 3: Dame and the crew. You earned, like, this is a legacy.

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Speaker 3: This is a legacy of homophobia that I think is

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Speaker 3: just incredible that now they're taking your phrases.

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Speaker 4: Who's making them?

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Speaker 3: I'm a homophobic? Oh you know, I don't think you're HOMOPHOBA.

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Speaker 3: Did you watch this Dame Dash and Charloatagne. I watched

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Speaker 3: it three times. This is the greatest show on earth

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Speaker 3: right now. Let me say Breakfast Club as well, because

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Speaker 3: they were all there. This is probably the first interview

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Speaker 3: I've watched twice in maybe five years.

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Speaker 4: Yeah, I don't watch anything.

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Speaker 5: Other than like maybe a movie or a series when

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Speaker 5: you're talking about interviews and things like that.

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Speaker 4: I watch clips and things like that.

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Speaker 5: But this, this Dame Breakfast Club interview, it was just

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Speaker 5: another one to add because I think every time he's

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Speaker 5: done it this it's a classic. I don't think he's

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Speaker 5: ever done a Breakfast Club interview.

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Speaker 3: He has the greatest Breakfast Club bisography of all time.

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Speaker 3: When he put out the first one, it was like,

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Speaker 3: how could he ever top that?

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Speaker 4: Yeah, no, this one, we didn't know what we had coming.

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Speaker 1: So what exactly happened for the people that haven't watched

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Speaker 1: it because I only seen a clip, and the clip

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Speaker 1: I saw what Charlomagne saying, raise your hand if you

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Speaker 1: think Dame is broke, and I was screaming, I'm like, yo,

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Speaker 1: what the fuck is going on in this interview? But

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Speaker 1: I didn't watch the whole thing.

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Speaker 3: Well, that was after an hour and a half of

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Speaker 3: things being off the rails, and anytime Charlamagne said anything,

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Speaker 3: Dame would say, well, that's because you're gay. So then

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Speaker 3: Charlemagne at some point started to get not frustrated. He

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Speaker 3: played into it well and was like, RAI ja Anne,

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Speaker 3: if you think Dames broke? And then Dame said, raise

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Speaker 3: your hand if you think Charlamage is gay. This was

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Speaker 3: one of the crowd.

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Speaker 4: Oh, I thought you was telling the room. Yeah, before we.

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Speaker 3: Get into this, I would say, I apologize with some

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Speaker 3: of my Charlomagne hate of the Complex list. Yeah, this

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Speaker 3: could put you at number one after this fucking effet.

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Speaker 3: This is the greatest shit I've ever seen in my life. Yeah,

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Speaker 3: because even like before when Envy and Charlemagne trying to

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Speaker 3: talk or argue with Dane is one of the hardest

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Speaker 3: things on earth. So the way they handled it of

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Speaker 3: like really playing into it made it one of the

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Speaker 3: greatest interviews I've ever seen in my entire life. But

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Speaker 3: where do we even begin. Nothing was covered. I just

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Speaker 3: want to make that clear. We got no answers on anything,

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Speaker 3: No real questions were asked. Dame became a chairman in

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Speaker 3: the middle of calling somebody that has been on Revolt Gay.

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Speaker 3: Everything was insane. He was standing up, he was I

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Speaker 3: was like, how is the mic even still picking up?

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Speaker 3: He's running laps around the table. It was the crazy,

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Speaker 3: littlest thing I've ever seen.

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Speaker 5: It was cool because Dame he went up there, well,

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Speaker 5: he had announcements. We don't know how true those announcements are,

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Speaker 5: but he had announcements, and he wanted he wanted to

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Speaker 5: use that as an opportunity for you know, Charlemagne or

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Speaker 5: Envy to say things that they may have said about

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Speaker 5: Dame when he wasn't there, like Okay, let's let's talk

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Speaker 5: about it now and Dame, you know, he started it with,

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Speaker 5: you know, I'm not going to get upset. I'm not

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Speaker 5: going to yell, so like, you know, you're not going

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Speaker 5: to trigger me, Like, but just don't cut me off.

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Speaker 5: Let me answer so that you can understand what I'm saying.

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Speaker 5: So he went up there with the right energy. He

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Speaker 5: went up there with the energy to kind of like

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Speaker 5: answer any you know things that they may have been

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Speaker 5: saying about him, you know, saying he's broke and you

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Speaker 5: know whatever whatever you know they may have been saying,

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Speaker 5: it's like okay. So Dan was trying to explain, like

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Speaker 5: if I've been paying two hundred and fifty thousand a

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Speaker 5: year in child support for the last however many is

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Speaker 5: it's that person broke, Like these are the things that

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Speaker 5: you you know.

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Speaker 4: So he went up there trying to teach.

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Speaker 5: Them and say, you know, y'all don't know because y'all

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Speaker 5: are stuck in his box and it's coughing every day, so.

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Speaker 4: Y'all don't know what's really going on. Y'all don't know business.

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Speaker 5: So it started as trying to shed light on some

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Speaker 5: of the things that they may have been hearing about

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Speaker 5: Dame in so many ways. I think that you and

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Speaker 5: I both know some of the things that Dame is

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Speaker 5: doing legally to where it's like, okay, you know, we

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Speaker 5: get it.

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Speaker 3: We unders so he was giving away a little too

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Speaker 3: much on that down to the.

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Speaker 4: So you know, it's like we understand. But I think

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Speaker 4: he went up there just to have a come.

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Speaker 5: But then in Dame fashion, it has to be entertaining,

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Speaker 5: and it has to be you know him, you know,

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Speaker 5: talking shit about somebody in the room, like snapping on him.

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Speaker 4: It has to That's Dame, that's who he is.

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Speaker 5: And it made for a great another classic Dame Dash

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Speaker 5: Breakfast Club interview. Now, some of the things he was saying,

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Speaker 5: you know, his announcements with the chairman thing and all,

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Speaker 5: you know, a revolt you know, then I guess the

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Speaker 5: president of revolts like came out and said that that

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Speaker 5: wasn't true. We don't know if he's saying it's not

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Speaker 5: true meaning it's not happening, or it hasn't happened yet.

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Speaker 5: Maybe there are talks of it happening, but as of

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Speaker 5: I guess still today, I don't think that they've come

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Speaker 5: out of me really a statement saying that he is

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Speaker 5: the chairman.

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Speaker 3: So again because so much dancing and manipulation was happening

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Speaker 3: throughout the entire interview. He briefly said which I don't

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Speaker 3: know how to fully interpreted. He was saying that he

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Speaker 3: has a certain amount of time to.

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Speaker 4: To buy it.

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Speaker 3: I guess like he was the chairman, but there's only

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Speaker 3: a window where he has he has to make a

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Speaker 3: choice of whether he's acquiring this or not. So I

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Speaker 3: guess officially he wouldn't be, but the it was offered,

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Speaker 3: so if he wants to be, he could be. I'm

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Speaker 3: not going to sit here and try to explain it

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Speaker 3: because I didn't fully understand. But when they came out

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Speaker 3: and said that was all false, I was like, I

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Speaker 3: went back to that part, and that's where I think

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Speaker 3: he was explaining, like he has a window and if

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Speaker 3: he wants to take it, he can take it.

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Speaker 4: If he doesn't, then he's going to move on.

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Speaker 3: And I think he may have just taken like when

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Speaker 3: you put when your house is in escrow. I think

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Speaker 3: he may have took an escro role at Revolt as

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Speaker 3: the chairman, not officially, just so he could get back

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Speaker 3: at CAM publicly. And I don't think he will be

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Speaker 3: taking that Revolt chairman Joe. I think that was all

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Speaker 3: just a play to be able to go to breakfast

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Speaker 3: club and say, Cam, I'm your boss now.

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Speaker 4: Yeah.

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Speaker 3: I thought he was gonna have way more smoke for

358
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Speaker 3: envy outside of the first one. Envy was the one

359
00:17:07,200 --> 00:17:10,000
Speaker 3: on Instagram last week in front of all his cars, like.

360
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Speaker 4: This is what not being a boss gets you.

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Speaker 3: After Dame had had filed chapter eleven, I thought he

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00:17:15,160 --> 00:17:17,159
Speaker 3: was gonna come with envy smoke. I didn't know he

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Speaker 3: was going to be calling charlatm Mane gay For two

364
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Speaker 3: hours he fouled chapter eleven and chapter seven. Chapter seven,

365
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Speaker 3: I'm sorry, but classic, But how do you argue with

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Speaker 3: somebody when because even towards the end, Charlottinne tried to

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Speaker 3: get it back on on at least subject, how do

368
00:17:35,040 --> 00:17:37,000
Speaker 3: you argue with someone and when you ask a valid question?

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Speaker 4: The only response I have at that point is it's

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Speaker 4: because you're gay.

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Speaker 3: The Funny Show, in the beginning they were cutting Dame off,

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00:17:48,480 --> 00:17:50,439
Speaker 3: but then they stopped, and then Dame would ask him

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Speaker 3: a question and they try to answer me, like stop

374
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Speaker 3: cutting me off, Like you just asked me a question.

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Speaker 3: I'm answering your question.

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Speaker 4: That's a classic classic Breakfast Club one thousand, Like the

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Speaker 4: first I saw a clip first and I said, oh no,

378
00:18:07,920 --> 00:18:10,080
Speaker 4: I gotta watch, Like I can't. I can't just watch clips.

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00:18:10,119 --> 00:18:12,040
Speaker 5: I have to watch it because I knew just that

380
00:18:12,280 --> 00:18:14,399
Speaker 5: energy that Dame had in that clip that I was

381
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Speaker 5: watching him calling Charlemagne gay.

382
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Speaker 4: I was just like, oh yeah, this is another classic

383
00:18:17,760 --> 00:18:18,360
Speaker 4: about to have one.

384
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Speaker 3: And this is why you just can't argue with anybody

385
00:18:22,960 --> 00:18:25,840
Speaker 3: from uptown because they have this strategy and you do

386
00:18:25,960 --> 00:18:29,879
Speaker 3: it too, where you get other people involved in the

387
00:18:30,000 --> 00:18:33,439
Speaker 3: room that want nothing to do with it, and then

388
00:18:33,480 --> 00:18:36,800
Speaker 3: they sit there awkwardly. Like when he was arguing with Charlomagne,

389
00:18:37,040 --> 00:18:38,880
Speaker 3: he went over to Jess. Jess hadn't said a fucking

390
00:18:38,920 --> 00:18:43,760
Speaker 3: word yet, and I forgot exactly what it was. So

391
00:18:43,800 --> 00:18:46,400
Speaker 3: I use an example, Jess, is he gay?

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Speaker 2: Yes? Or no?

393
00:18:47,359 --> 00:18:50,000
Speaker 4: Is he gay? And Jess is like, I'm not.

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Speaker 1: I don't.

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Speaker 3: Dudes from uptown, that's how they argue in rooms. They

396
00:18:54,880 --> 00:18:56,520
Speaker 3: just bring in other people and be like yo, yes

397
00:18:56,640 --> 00:18:58,440
Speaker 3: or no, like dude, I'm not in this, I have

398
00:18:58,560 --> 00:19:02,720
Speaker 3: no don't try to use me to prove your point,

399
00:19:02,760 --> 00:19:04,480
Speaker 3: and then when you do that, you're like see see

400
00:19:04,640 --> 00:19:05,920
Speaker 3: he thinks he thinks the same thing.

401
00:19:06,440 --> 00:19:09,280
Speaker 4: I mean, well, Envy said he thought Charlamagne was gay too,

402
00:19:09,280 --> 00:19:11,479
Speaker 4: though he just said I think he's kind of gay too.

403
00:19:12,359 --> 00:19:14,920
Speaker 1: So I think Envy was being like funny, like that's

404
00:19:14,960 --> 00:19:17,439
Speaker 1: his co host, Like that's like if about one of.

405
00:19:17,480 --> 00:19:21,520
Speaker 3: Us, Like, well, I mean you are and you are too, nigga,

406
00:19:21,640 --> 00:19:23,960
Speaker 3: Now what you can't steal that?

407
00:19:25,440 --> 00:19:27,159
Speaker 1: You sound like you want me to convince you that

408
00:19:27,200 --> 00:19:29,040
Speaker 1: he's not gay. You not like you want me to

409
00:19:29,080 --> 00:19:29,399
Speaker 1: convince it.

410
00:19:29,520 --> 00:19:31,800
Speaker 4: No, no, no, it's not that you can't. You can't

411
00:19:31,880 --> 00:19:35,119
Speaker 4: do that because you're actually gay, Like that's that's on record?

412
00:19:35,280 --> 00:19:36,840
Speaker 1: What gay?

413
00:19:37,080 --> 00:19:39,560
Speaker 4: Like are you trying to recruit me? Like I don't Rord'

414
00:19:39,560 --> 00:19:41,520
Speaker 4: is not on record doing gay ship, Like, don't do that.

415
00:19:41,640 --> 00:19:45,760
Speaker 4: Don't you start that. I'm not on record or offer because.

416
00:19:48,240 --> 00:19:49,960
Speaker 3: Because at one time I did get a lot of

417
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Speaker 3: pussy and I must have been gay at that time.

418
00:19:52,080 --> 00:19:56,119
Speaker 1: No, no, any type of like you really and I

419
00:19:56,200 --> 00:19:57,879
Speaker 1: wanted to say, I'm I had Rory. You wasn't getting

420
00:19:57,920 --> 00:19:59,480
Speaker 1: that type of pussy that we talking about.

421
00:19:59,480 --> 00:20:02,080
Speaker 5: Like you wasn't and you wasn't like in a see

422
00:20:02,080 --> 00:20:03,639
Speaker 5: we were saying like when you're in a relate, a

423
00:20:03,720 --> 00:20:05,600
Speaker 5: healthy relationship and you just can't stop.

424
00:20:05,720 --> 00:20:07,040
Speaker 4: Oh no, we got on the relationship PRT.

425
00:20:07,080 --> 00:20:09,359
Speaker 3: Then we were just going into just getting mad pussy,

426
00:20:09,600 --> 00:20:11,800
Speaker 3: like if you just fuck a lot and like run

427
00:20:11,840 --> 00:20:12,600
Speaker 3: through girls, you're gay.

428
00:20:12,680 --> 00:20:14,280
Speaker 1: That's we did not say that, but okay.

429
00:20:14,119 --> 00:20:16,080
Speaker 4: Yeah we left it. We were talking talking about relation.

430
00:20:16,200 --> 00:20:18,399
Speaker 4: You're just cheating on your girl, like serial cheater. You

431
00:20:18,400 --> 00:20:21,600
Speaker 4: know what I'm saying, Just like Hale Phase on tour. No, no, no,

432
00:20:22,040 --> 00:20:23,879
Speaker 4: that's not the same. Different city like we're saying, you

433
00:20:23,960 --> 00:20:28,479
Speaker 4: have you just savor as Tennessee. We've all been there.

434
00:20:28,680 --> 00:20:31,040
Speaker 4: I love Miss Tennessee, love her, miss I want to

435
00:20:31,040 --> 00:20:35,240
Speaker 4: say she's doing in life. But yeah, this.

436
00:20:35,320 --> 00:20:38,600
Speaker 5: Breakfast club interview though, was definitely a definitely want for

437
00:20:38,640 --> 00:20:41,600
Speaker 5: the Red. But Dame has I'm people say what they want.

438
00:20:41,800 --> 00:20:45,720
Speaker 5: Dame has the ability to like sit on a platform

439
00:20:46,000 --> 00:20:50,040
Speaker 5: and like you know, I guess, go viral whenever he wants.

440
00:20:50,520 --> 00:20:51,000
Speaker 4: He has that.

441
00:20:51,240 --> 00:20:55,399
Speaker 5: He's he's that type of personalities that he's you know,

442
00:20:55,520 --> 00:20:57,680
Speaker 5: he speaks about he says whatever the fuck he wants

443
00:20:57,720 --> 00:20:59,959
Speaker 5: to say. He's not apologetic about what he wants to say,

444
00:21:00,400 --> 00:21:01,760
Speaker 5: and then he says shit like I'm the chairman of

445
00:21:01,840 --> 00:21:02,879
Speaker 5: Revolt and people are just like.

446
00:21:03,600 --> 00:21:06,840
Speaker 4: The Revolts, says, you're not like and then he calls

447
00:21:06,920 --> 00:21:10,280
Speaker 4: them lives. He posted on his Instagram and says, this.

448
00:21:10,320 --> 00:21:10,640
Speaker 3: Is a lot.

449
00:21:11,320 --> 00:21:14,000
Speaker 5: So it's like, you know, anybody that has the ability

450
00:21:14,080 --> 00:21:16,560
Speaker 5: to do that, you know, then this is people are

451
00:21:16,560 --> 00:21:18,280
Speaker 5: gonna watch it. People love that type of ship where

452
00:21:18,280 --> 00:21:20,640
Speaker 5: it's just like, yo, this dude is crazy, but Dame

453
00:21:20,760 --> 00:21:21,399
Speaker 5: is not crazy.

454
00:21:21,920 --> 00:21:23,000
Speaker 4: Is definitely very intelligent.

455
00:21:24,359 --> 00:21:26,760
Speaker 5: His methods and you know, the way he goes about

456
00:21:26,840 --> 00:21:30,480
Speaker 5: things are a little unconventional, but he's had success in

457
00:21:30,640 --> 00:21:33,120
Speaker 5: being unconventional, so that doesn't matter.

458
00:21:33,480 --> 00:21:35,720
Speaker 4: Yeah. I just think the fact that he was up.

459
00:21:35,680 --> 00:21:37,320
Speaker 5: There and you know it kind of got a little

460
00:21:38,400 --> 00:21:40,840
Speaker 5: little tension between him and Charlomagne is what kind of

461
00:21:40,880 --> 00:21:42,680
Speaker 5: made that whole thing like, oh no, I got to

462
00:21:42,720 --> 00:21:43,040
Speaker 5: watch it.

463
00:21:44,000 --> 00:21:46,840
Speaker 3: But I mean they both handled it very well because

464
00:21:46,840 --> 00:21:48,479
Speaker 3: it could have went left. And I like to how

465
00:21:48,520 --> 00:21:51,760
Speaker 3: both of them had that understanding because even when Dames

466
00:21:51,800 --> 00:21:53,119
Speaker 3: like I could punch you in your face right now,

467
00:21:53,160 --> 00:21:53,760
Speaker 3: you would do nothing.

468
00:21:53,800 --> 00:21:54,639
Speaker 4: I would never do that.

469
00:21:55,119 --> 00:21:58,879
Speaker 3: But you're feminine, like you're you were proud of running,

470
00:21:59,400 --> 00:22:01,040
Speaker 3: I'm proud of of staying and get my ass for

471
00:22:01,640 --> 00:22:02,120
Speaker 3: you're gay.

472
00:22:04,040 --> 00:22:11,320
Speaker 4: Dang it did this gay? Math you ran? I wouldn't. Yeah,

473
00:22:11,320 --> 00:22:11,680
Speaker 4: you gay.

474
00:22:17,640 --> 00:22:19,720
Speaker 3: We do need to start by saying rest in peace

475
00:22:19,800 --> 00:22:23,280
Speaker 3: to one of the greatest musicians, singers, artists of.

476
00:22:23,440 --> 00:22:25,080
Speaker 4: Our time di'angelo.

477
00:22:26,640 --> 00:22:26,840
Speaker 2: Yeah.

478
00:22:26,840 --> 00:22:30,119
Speaker 3: This this was one of those this like when artists

479
00:22:30,119 --> 00:22:32,520
Speaker 3: die or celebrities die sometimes like oh that sucks with this,

480
00:22:32,680 --> 00:22:35,840
Speaker 3: this one like hurt, like you felt like I know

481
00:22:36,000 --> 00:22:37,480
Speaker 3: him and I've never met him.

482
00:22:39,520 --> 00:22:41,240
Speaker 4: Yeah, it's this. I don't even know where to begin

483
00:22:41,640 --> 00:22:42,200
Speaker 4: on this one.

484
00:22:44,320 --> 00:22:46,560
Speaker 3: How many times in the last ten years of podcasting,

485
00:22:46,640 --> 00:22:48,399
Speaker 3: if have we just discussed our dms that was one

486
00:22:48,440 --> 00:22:50,639
Speaker 3: of our favorite artists ever. Anytime we have an R

487
00:22:50,720 --> 00:22:53,440
Speaker 3: and B debate first name we bringing up like he

488
00:22:53,760 --> 00:22:55,720
Speaker 3: was one of them. Absolutely, Like you can't compare his

489
00:22:55,840 --> 00:22:59,600
Speaker 3: voice or style to any other artist period, whether it

490
00:22:59,600 --> 00:23:01,959
Speaker 3: be pop, R and B, Neils or whatever. He I mean,

491
00:23:02,040 --> 00:23:06,320
Speaker 3: he was a goat with you know, three albums that

492
00:23:06,440 --> 00:23:10,440
Speaker 3: he spread out in each generation an era that he

493
00:23:10,520 --> 00:23:11,240
Speaker 3: put an album out.

494
00:23:11,320 --> 00:23:13,440
Speaker 4: He changed the face of music during it.

495
00:23:13,640 --> 00:23:18,200
Speaker 3: Absolutely so yeah, I mean, uh, you know, condolences to

496
00:23:18,280 --> 00:23:21,800
Speaker 3: his family, definitely, to his his son. Definitely probably rough

497
00:23:22,000 --> 00:23:25,280
Speaker 3: rough year for him losing both parents, so so praise

498
00:23:25,320 --> 00:23:29,080
Speaker 3: and condolences to his son as well as his daughter too.

499
00:23:29,240 --> 00:23:33,920
Speaker 3: But did you ever have the privilege of meeting D'Angelo?

500
00:23:34,640 --> 00:23:38,399
Speaker 4: Uh, he was in the studio one night. I forgot

501
00:23:38,440 --> 00:23:39,639
Speaker 4: whose session it was.

502
00:23:40,080 --> 00:23:41,840
Speaker 5: He was in the studio, but we never I never

503
00:23:41,960 --> 00:23:46,600
Speaker 5: had the the privilege of having an actual one on

504
00:23:46,680 --> 00:23:48,960
Speaker 5: one conversation and kicking with kicking it with him and

505
00:23:49,400 --> 00:23:53,800
Speaker 5: giving him his flowers. But you know when you say di'angelo,

506
00:23:54,560 --> 00:23:56,560
Speaker 5: you know, for somebody growing up in the nineties, we

507
00:23:56,720 --> 00:23:58,680
Speaker 5: call it the Golden era of music R and B

508
00:23:59,240 --> 00:24:04,760
Speaker 5: especially Dangelo was was the guy that you know, absolutely

509
00:24:05,359 --> 00:24:10,520
Speaker 5: changed the style. You know, you used to seeing musicians

510
00:24:11,200 --> 00:24:13,280
Speaker 5: look a certain way. You're not used to seeing musicians

511
00:24:13,359 --> 00:24:16,159
Speaker 5: with the talent level of it. The Angelo would have

512
00:24:16,320 --> 00:24:20,440
Speaker 5: corn rolls and you know, leather jackets and no shirt

513
00:24:20,560 --> 00:24:21,960
Speaker 5: like it was like, you know, he just changed the

514
00:24:22,080 --> 00:24:27,080
Speaker 5: style of what musicians look like, especially in the nineties,

515
00:24:27,160 --> 00:24:28,760
Speaker 5: Like he just came in and was, you know, just

516
00:24:28,840 --> 00:24:34,320
Speaker 5: completely completely, just changed the sound and the energy in

517
00:24:34,560 --> 00:24:37,760
Speaker 5: R and B soul. So many people that are an

518
00:24:37,800 --> 00:24:43,439
Speaker 5: extension of his talent and his musical genius. So receiving

519
00:24:43,520 --> 00:24:45,960
Speaker 5: that news of his passion was definitely heavy, like you know,

520
00:24:46,680 --> 00:24:49,760
Speaker 5: because the Angelo was never somebody that was ever really

521
00:24:49,840 --> 00:24:52,200
Speaker 5: in the headlines, so it's easy to kind of like

522
00:24:52,600 --> 00:24:54,720
Speaker 5: not think about the Angelo unless you like hearing his

523
00:24:54,880 --> 00:24:57,240
Speaker 5: music or like you you know, he happens to be

524
00:24:57,680 --> 00:25:00,720
Speaker 5: working on a new project. So you know, I forgot

525
00:25:00,760 --> 00:25:02,560
Speaker 5: who hit the chat and it was like D'Angelo passed.

526
00:25:02,600 --> 00:25:05,320
Speaker 4: I was like, I read that. I was like, whoa

527
00:25:05,720 --> 00:25:06,000
Speaker 4: you let me?

528
00:25:06,119 --> 00:25:08,760
Speaker 5: Just reading that was just like, that's somebody he wasn't

529
00:25:08,800 --> 00:25:12,080
Speaker 5: expecting to just you know, read that had passed away.

530
00:25:12,840 --> 00:25:15,360
Speaker 5: But after privately, you know, battling the illness and things

531
00:25:15,440 --> 00:25:18,280
Speaker 5: like that, you know, the family decided to keep that,

532
00:25:18,480 --> 00:25:20,400
Speaker 5: you know, because he was again, he was not Dangelo,

533
00:25:20,480 --> 00:25:22,639
Speaker 5: wasn't somebody that was ever really in the headlines. It

534
00:25:22,720 --> 00:25:25,119
Speaker 5: wasn't nothing negative, you know. It was just like if

535
00:25:25,200 --> 00:25:28,679
Speaker 5: it wasn't about music, if he wasn't performing, you didn't know.

536
00:25:28,720 --> 00:25:30,679
Speaker 4: What D'Angelo was doing. And I think that's the way

537
00:25:30,720 --> 00:25:31,159
Speaker 4: he wanted it.

538
00:25:31,240 --> 00:25:33,320
Speaker 5: That's the way he you know, saw to his mystique

539
00:25:33,359 --> 00:25:35,840
Speaker 5: and his aura was was strictly about the music and

540
00:25:35,960 --> 00:25:39,920
Speaker 5: his talent. But so young, you know, to to pass

541
00:25:39,920 --> 00:25:44,040
Speaker 5: away at fifty one and his talent, man, you know,

542
00:25:44,200 --> 00:25:45,000
Speaker 5: obviously had to live on.

543
00:25:45,160 --> 00:25:49,000
Speaker 4: His music lives on. But yeah, D'Angelo was was one

544
00:25:49,040 --> 00:25:51,600
Speaker 4: of the greats. You know.

545
00:25:51,680 --> 00:25:53,480
Speaker 5: For him to no longer be with us, you know,

546
00:25:53,600 --> 00:25:56,440
Speaker 5: so soon, it's just like it's just kind of like,

547
00:25:56,600 --> 00:25:59,080
Speaker 5: you know, put you in a fall because you can't

548
00:25:59,080 --> 00:26:02,359
Speaker 5: really like damn like that fast so soon, like, but

549
00:26:02,760 --> 00:26:06,760
Speaker 5: you know, one of the greatest. Remember listening to you know,

550
00:26:07,560 --> 00:26:09,920
Speaker 5: Lady and Brown Sugar being in high school, Like he

551
00:26:10,119 --> 00:26:12,520
Speaker 5: was just a soundtrack. If you was, like had a

552
00:26:12,560 --> 00:26:15,399
Speaker 5: crush on a girl, you had to play di'angelo. You

553
00:26:15,480 --> 00:26:17,040
Speaker 5: had to, like, you know, if it was a talent show,

554
00:26:17,080 --> 00:26:18,760
Speaker 5: it was like, who's gonna see DeAngelo?

555
00:26:18,920 --> 00:26:23,240
Speaker 4: Like everybody can, who's gonna try to do that? Everybody DiAngelo?

556
00:26:23,440 --> 00:26:25,840
Speaker 4: Like he was just the coolest of the cool man.

557
00:26:25,920 --> 00:26:30,160
Speaker 5: So prayers and condolence is his family left an incredible legacy,

558
00:26:31,240 --> 00:26:34,200
Speaker 5: you know, just somebody just had so much musical integrity

559
00:26:35,000 --> 00:26:37,320
Speaker 5: and so much style and and and did it his way.

560
00:26:38,880 --> 00:26:41,600
Speaker 5: So yeah, man, it's it's a terrible loss for the

561
00:26:41,680 --> 00:26:44,679
Speaker 5: culture and for music. But you know, his work is here,

562
00:26:44,840 --> 00:26:48,080
Speaker 5: his his music is here, the people that he influences here,

563
00:26:48,160 --> 00:26:50,560
Speaker 5: the artists that he worked with a still here, so

564
00:26:50,760 --> 00:26:54,040
Speaker 5: you know, his music and his art lives off for sure.

565
00:26:54,480 --> 00:26:57,920
Speaker 3: Yeah, when I was working for Kevin Lyles, he was

566
00:26:58,080 --> 00:27:00,600
Speaker 3: working with D'Angelo I guess you could say man Dangelo

567
00:27:00,640 --> 00:27:03,679
Speaker 3: at that time for the Black Messiah album and Dangel,

568
00:27:03,760 --> 00:27:06,040
Speaker 3: and you know, obviously never came to the office, never.

569
00:27:06,119 --> 00:27:08,320
Speaker 4: Was like, you know, part of any meetings or anything.

570
00:27:08,480 --> 00:27:12,280
Speaker 3: But when I say, anytime keV would play like a

571
00:27:12,440 --> 00:27:14,760
Speaker 3: song from that album before it came out, like we

572
00:27:14,840 --> 00:27:18,280
Speaker 3: would all just gather around like the media room door

573
00:27:18,720 --> 00:27:21,040
Speaker 3: like children and just put our fucking ear to the

574
00:27:21,119 --> 00:27:23,920
Speaker 3: side to try to hear that shit. So like seeing

575
00:27:23,960 --> 00:27:27,879
Speaker 3: that project from an office standpoint completely come together was

576
00:27:28,040 --> 00:27:30,119
Speaker 3: like just an honor to be next to somebody that

577
00:27:30,240 --> 00:27:32,960
Speaker 3: was working with Dangelo. Like I had nothing whatsoever to do.

578
00:27:33,119 --> 00:27:35,399
Speaker 3: I was just in the office, But that was like

579
00:27:35,440 --> 00:27:37,919
Speaker 3: one of the coolest times ever of like damn listening

580
00:27:37,960 --> 00:27:43,080
Speaker 3: to a D'Angelo project right now, like nobody's heard. But yeah,

581
00:27:44,119 --> 00:27:46,760
Speaker 3: with me and Dixon were in Electric Lady, which is

582
00:27:46,920 --> 00:27:48,960
Speaker 3: a very famous studio in New York City where you

583
00:27:49,040 --> 00:27:52,320
Speaker 3: know Dangel recorded most of his work. So aquariums from

584
00:27:52,359 --> 00:27:54,840
Speaker 3: fuck Eric Bado everyone you know recorded out of there.

585
00:27:56,200 --> 00:27:58,159
Speaker 3: We like didn't work for like an hour and a

586
00:27:58,160 --> 00:28:00,080
Speaker 3: half because we were just sitting there talk like like

587
00:28:00,160 --> 00:28:04,240
Speaker 3: Dangelo sat right here. Yeah, like we shouldn't be allowed it.

588
00:28:04,320 --> 00:28:06,320
Speaker 3: It's fun, like why are we why are we working

589
00:28:06,359 --> 00:28:06,480
Speaker 3: in it?

590
00:28:06,840 --> 00:28:07,480
Speaker 4: This is nuts?

591
00:28:08,040 --> 00:28:12,000
Speaker 3: Like that's the same moos incredible talent man. So yeah,

592
00:28:12,200 --> 00:28:12,760
Speaker 3: rest in peace.

593
00:28:12,760 --> 00:28:14,840
Speaker 4: Again. I don't know if you have any Dangelo memories,

594
00:28:15,960 --> 00:28:16,960
Speaker 4: not like personal we'.

595
00:28:17,000 --> 00:28:19,440
Speaker 1: Just like you guys covered everything. He's a good job.

596
00:28:19,640 --> 00:28:21,879
Speaker 3: Yeah, I did see, And I'm not sure if this

597
00:28:22,000 --> 00:28:24,920
Speaker 3: was a rumor confirmed that prior to his death he

598
00:28:25,160 --> 00:28:29,360
Speaker 3: was working on did it say like six different projects

599
00:28:29,480 --> 00:28:31,359
Speaker 3: or something he was working on that wouldn't surprise me,

600
00:28:31,720 --> 00:28:34,840
Speaker 3: So I mean hopefully that means, you know, we're still

601
00:28:34,880 --> 00:28:37,960
Speaker 3: gonna get D'Angelo music that he would want out, not

602
00:28:38,080 --> 00:28:40,560
Speaker 3: just some ship that a label threw together with fucking

603
00:28:40,600 --> 00:28:44,959
Speaker 3: old dat tapes. But he was probably battling pancreatic cancer,

604
00:28:45,080 --> 00:28:49,280
Speaker 3: so it wouldn't surprise me if he was planning these

605
00:28:49,360 --> 00:28:51,960
Speaker 3: projects for after his death. So you know, I hope

606
00:28:52,040 --> 00:28:55,080
Speaker 3: we get to at least here though sometimes so absolutely,

607
00:28:55,480 --> 00:28:58,160
Speaker 3: but yeah, I don't really know how to turn turn

608
00:28:58,200 --> 00:29:03,920
Speaker 3: them round Ben's You know, this was just a perfect

609
00:29:03,960 --> 00:29:05,400
Speaker 3: example of sometimes.

610
00:29:05,040 --> 00:29:07,480
Speaker 5: The Angelo to Benzinos because I know, I know, that's

611
00:29:07,560 --> 00:29:08,520
Speaker 5: absolutely crazy.

612
00:29:09,480 --> 00:29:15,800
Speaker 3: It's a perfect example of of like sometimes honoring legends

613
00:29:15,840 --> 00:29:19,320
Speaker 3: that have passed, like you should just sit out. Sometimes

614
00:29:19,360 --> 00:29:21,920
Speaker 3: we don't need to know what, like what influences you

615
00:29:22,000 --> 00:29:25,640
Speaker 3: had from him after his death, because I do believe

616
00:29:25,720 --> 00:29:28,680
Speaker 3: that Benzino was influenced by Dangelo. All of us were,

617
00:29:28,760 --> 00:29:32,400
Speaker 3: but I didn't need to see like exactly how Benzino

618
00:29:33,520 --> 00:29:34,280
Speaker 3: was influenced.

619
00:29:36,720 --> 00:29:41,680
Speaker 1: Okay, I cannot, Okay, no, I don't think.

620
00:29:41,800 --> 00:29:45,800
Speaker 5: I don't think Benzino was influenced by D'Angelo about Benzino's music,

621
00:29:47,760 --> 00:29:48,160
Speaker 5: nothing that.

622
00:29:48,240 --> 00:29:49,720
Speaker 4: I think this is just what call it. This is

623
00:29:49,760 --> 00:29:52,760
Speaker 4: cloud chasing. I think that's exactly what this is.

624
00:29:52,920 --> 00:29:56,040
Speaker 3: No, he was doing this, Yeah, he was, come on,

625
00:29:56,160 --> 00:29:57,840
Speaker 3: he was giving Danseelo his flowers before.

626
00:29:58,480 --> 00:29:59,120
Speaker 4: Yeah, that's yeah.

627
00:29:59,120 --> 00:30:00,840
Speaker 1: He didn't just do that Angelau died.

628
00:30:00,920 --> 00:30:03,160
Speaker 4: That would be fucking nuice. But oh he didn't just

629
00:30:03,280 --> 00:30:05,760
Speaker 4: do this. No, it's still nuts. So he had this

630
00:30:05,840 --> 00:30:07,680
Speaker 4: in the vault. Matter of fact, I think.

631
00:30:07,600 --> 00:30:09,720
Speaker 3: It's more disrespectful of doing this when D'Angelo is alive

632
00:30:09,760 --> 00:30:14,000
Speaker 3: so he can see it. Why why he's just gonna

633
00:30:14,000 --> 00:30:16,400
Speaker 3: have to put that ship somewhere on the screen. It's

634
00:30:17,720 --> 00:30:21,000
Speaker 3: it's the untitled video when dangelo is is shirtless with

635
00:30:21,200 --> 00:30:23,520
Speaker 3: that shadow. But Benzino took that and put his own

636
00:30:23,560 --> 00:30:27,880
Speaker 3: spin on it. Oh this with him being shirtless, this

637
00:30:28,040 --> 00:30:28,520
Speaker 3: is how.

638
00:30:28,440 --> 00:30:29,280
Speaker 4: Does it feel? Yes?

639
00:30:29,880 --> 00:30:35,880
Speaker 5: Okay, okay, listen, man, I mean I stayed correctly. This

640
00:30:36,000 --> 00:30:40,440
Speaker 5: was before this video was out, before D'Angelo passed. Yes, okay,

641
00:30:40,560 --> 00:30:43,280
Speaker 5: and I stayed correct And when maybe Benzino was influenced

642
00:30:43,320 --> 00:30:45,520
Speaker 5: by No No, he was suggesting like you know, he

643
00:30:45,680 --> 00:30:49,040
Speaker 5: posted it when Benzino passed like, hey, I've been influenced

644
00:30:49,040 --> 00:30:49,840
Speaker 5: in my career by him.

645
00:30:49,840 --> 00:30:55,000
Speaker 4: Here's an example of how how it made him feel. Okay,

646
00:30:56,320 --> 00:30:56,840
Speaker 4: and I saw it.

647
00:30:57,720 --> 00:31:01,160
Speaker 3: I saw Dangelo's son post something of you know, it's

648
00:31:01,200 --> 00:31:03,560
Speaker 3: been a tough year. Thank you guys for having me

649
00:31:04,240 --> 00:31:06,280
Speaker 3: in your thoughts and prayers. I'll definitely need it, Like,

650
00:31:06,440 --> 00:31:10,000
Speaker 3: keep keep telling me that. Do you think this made

651
00:31:10,040 --> 00:31:12,960
Speaker 3: him feel any better? Like something Some tributes should just

652
00:31:13,040 --> 00:31:15,080
Speaker 3: be like kept in the touch. I'm sure he read

653
00:31:15,280 --> 00:31:17,520
Speaker 3: Beyonce's post and was like, oh man, that's that's really

654
00:31:17,600 --> 00:31:20,040
Speaker 3: cool to know that my pops. You know, influenced one

655
00:31:20,080 --> 00:31:22,160
Speaker 3: of the biggest pop stars ever. Like those types of

656
00:31:22,240 --> 00:31:23,840
Speaker 3: things I think help in grief and death.

657
00:31:24,160 --> 00:31:25,240
Speaker 4: If I saw this, like.

658
00:31:26,880 --> 00:31:29,600
Speaker 3: That's gonna that's gonna delay like funeral plans, I'm gonna

659
00:31:29,600 --> 00:31:30,080
Speaker 3: be so angry.

660
00:31:30,680 --> 00:31:32,800
Speaker 1: I honestly, it probably gave him a laugh.

661
00:31:33,520 --> 00:31:35,959
Speaker 3: It probably gave him, like or him and his dad

662
00:31:36,040 --> 00:31:38,240
Speaker 3: may have laughed at that together before. That could have

663
00:31:38,280 --> 00:31:38,960
Speaker 3: been a good memory.

664
00:31:39,000 --> 00:31:42,520
Speaker 5: Yeah, yeah, Like if that was out before his passion,

665
00:31:42,600 --> 00:31:45,720
Speaker 5: then yeah, I'm pretty sure D'Angelo laughed at that.

666
00:31:45,880 --> 00:31:47,040
Speaker 4: Absolutely. Yeah.

667
00:31:49,120 --> 00:31:53,560
Speaker 3: I also thought it's also crazy to think that James

668
00:31:53,600 --> 00:31:57,040
Speaker 3: got the last recorded d' angelo record that was put

669
00:31:57,080 --> 00:32:01,480
Speaker 3: out font James Samuel for the soundtrack for the Book

670
00:32:01,520 --> 00:32:04,760
Speaker 3: of Clarence. It was the jazon Angelo record I Want

671
00:32:04,800 --> 00:32:07,920
Speaker 3: You Forever. Yeah, yeah, so that's that was the last

672
00:32:08,600 --> 00:32:10,440
Speaker 3: one that was put out while he was alive, which

673
00:32:10,520 --> 00:32:11,920
Speaker 3: is crazy to think.

674
00:32:12,000 --> 00:32:15,320
Speaker 5: But now now that would make sense though, James working

675
00:32:15,360 --> 00:32:17,120
Speaker 5: with Dan, Oh, absolutely that makes it.

676
00:32:17,200 --> 00:32:17,400
Speaker 2: Yeah.

677
00:32:17,840 --> 00:32:19,920
Speaker 3: I'm sure they had been talking about that for quite

678
00:32:19,960 --> 00:32:23,600
Speaker 3: some time, even before that, because I think James even

679
00:32:23,640 --> 00:32:27,040
Speaker 3: went in interviews and like Hope didn't even know about it,

680
00:32:27,080 --> 00:32:29,040
Speaker 3: and he just was sending him snippets. And I think

681
00:32:29,080 --> 00:32:31,560
Speaker 3: he said Hove was on the treadmill sending him bars

682
00:32:31,560 --> 00:32:33,600
Speaker 3: while he was running on the treadmill because he had

683
00:32:33,640 --> 00:32:37,120
Speaker 3: this d' angelo record, Like, yeah, i'll write for Dan.

684
00:32:37,400 --> 00:32:39,400
Speaker 4: You got a d Angelo record, Yeah, I'll get on

685
00:32:39,480 --> 00:32:39,960
Speaker 4: that for sure.

686
00:32:40,240 --> 00:32:43,080
Speaker 3: That's such a that's such a cool way for hip

687
00:32:43,120 --> 00:32:46,520
Speaker 3: hop to age, like a guy in his fifties on

688
00:32:46,640 --> 00:32:50,760
Speaker 3: a treadmill writing raps to a D'Angelo record yea for

689
00:32:50,880 --> 00:32:52,719
Speaker 3: a movie called Book of Clarence and then sending them

690
00:32:52,720 --> 00:32:59,080
Speaker 3: his voice notes to like someone's iPhone. That absolutely, But yeah,

691
00:32:59,200 --> 00:33:00,880
Speaker 3: I wish you guys want to shame me so much.

692
00:33:00,920 --> 00:33:02,800
Speaker 3: When I thought D'Angelo was down the hall for me

693
00:33:04,000 --> 00:33:04,720
Speaker 3: those months ago.

694
00:33:04,840 --> 00:33:05,680
Speaker 4: Oh yeah, I remember that.

695
00:33:06,000 --> 00:33:08,240
Speaker 5: Yeah, when you kept when you kept conveniently having to

696
00:33:08,280 --> 00:33:11,440
Speaker 5: walk to the bathroom. Yeah yeah, in the dungeon that flux. Yeah,

697
00:33:12,800 --> 00:33:14,479
Speaker 5: but I talked to that. But then when you told

698
00:33:14,560 --> 00:33:16,640
Speaker 5: us that, I understood it, though, like I got it. Yeah,

699
00:33:16,760 --> 00:33:18,800
Speaker 5: I was like, no, listen, that's that's D'Angelo.

700
00:33:18,960 --> 00:33:19,400
Speaker 4: I get it.

701
00:33:19,800 --> 00:33:22,840
Speaker 5: But it's like, there's a way to go about that still,

702
00:33:22,920 --> 00:33:26,640
Speaker 5: But I understood it's D'Angelo. Bro as a musician as

703
00:33:26,760 --> 00:33:29,480
Speaker 5: anybody the producer. As an artist, if you have the

704
00:33:29,520 --> 00:33:33,120
Speaker 5: opportunity to be in the same rooms, especially a studio,

705
00:33:33,760 --> 00:33:36,640
Speaker 5: and just talk to D'Angelo and pick his brain about music,

706
00:33:37,000 --> 00:33:39,000
Speaker 5: I mean, you definitely have to take that opportunity whenever

707
00:33:39,040 --> 00:33:42,040
Speaker 5: you can, because you don't know when you'll have that opportunity.

708
00:33:41,600 --> 00:33:44,160
Speaker 3: Again, and because he had probably the most unique voice

709
00:33:44,360 --> 00:33:46,840
Speaker 3: in R and B history, and be outside of like

710
00:33:46,920 --> 00:33:50,840
Speaker 3: Marvin Gay, you know, when you're walking past a studio

711
00:33:51,120 --> 00:33:54,280
Speaker 3: and like, all right, that's Dangelo and I've never heard

712
00:33:54,320 --> 00:33:54,640
Speaker 3: that song?

713
00:33:55,560 --> 00:33:57,120
Speaker 4: What the fuck is going on in there? Yeah?

714
00:33:58,360 --> 00:34:03,600
Speaker 3: But yeah, Benzino, I guess we all we all grieve different.

715
00:34:03,840 --> 00:34:07,280
Speaker 4: We do, that is very true. Or we do grieve differently. Absolutely.

716
00:34:10,400 --> 00:34:12,920
Speaker 5: While I am happy that we get new music and

717
00:34:13,040 --> 00:34:15,600
Speaker 5: we get a lot of good new music, right, I

718
00:34:15,760 --> 00:34:16,319
Speaker 5: do think that.

719
00:34:17,840 --> 00:34:20,120
Speaker 4: It's bad that we get this much new music.

720
00:34:20,520 --> 00:34:25,400
Speaker 3: Why it was three albums as far as like bigger artists.

721
00:34:25,560 --> 00:34:25,880
Speaker 4: Yeah, but.

722
00:34:27,480 --> 00:34:31,040
Speaker 5: I feel like we just got the Clips album a

723
00:34:31,040 --> 00:34:33,960
Speaker 5: couple of weeks ago, and weeks ago Alfreido two. We

724
00:34:34,080 --> 00:34:38,759
Speaker 5: just got Alfraido two a few weeks ago, and now

725
00:34:38,840 --> 00:34:43,239
Speaker 5: we have Jid album, we have Gunner's album, we have

726
00:34:43,320 --> 00:34:47,000
Speaker 5: Bryson Tiller's album to name a few show some other

727
00:34:47,040 --> 00:34:50,439
Speaker 5: projects dropped, But like, when do we have the time

728
00:34:50,560 --> 00:34:53,880
Speaker 5: to really like listen to all of this because we

729
00:34:53,920 --> 00:34:56,960
Speaker 5: spent so much time having a conversation with my boy

730
00:34:57,280 --> 00:35:02,680
Speaker 5: the other day and we've lost We've in the conversation,

731
00:35:02,760 --> 00:35:05,000
Speaker 5: we were talking about how we've lost the connection.

732
00:35:06,040 --> 00:35:07,320
Speaker 4: To music like this.

733
00:35:07,640 --> 00:35:10,560
Speaker 5: There's times now where I could love somebody's album and

734
00:35:10,719 --> 00:35:16,360
Speaker 5: I don't even remember the lyrics to the raps before.

735
00:35:16,920 --> 00:35:19,200
Speaker 5: If I love the probably this album is crazy. I

736
00:35:19,280 --> 00:35:22,320
Speaker 5: could recite every song because I felt like there was

737
00:35:22,360 --> 00:35:24,959
Speaker 5: a different connection to it versus now we do everything

738
00:35:25,000 --> 00:35:26,759
Speaker 5: on our phone. If I'm listening to the music on

739
00:35:26,840 --> 00:35:28,840
Speaker 5: my phone and then I get a text message, or

740
00:35:28,840 --> 00:35:31,440
Speaker 5: I get a call, or somebody sends me a clip

741
00:35:31,560 --> 00:35:34,239
Speaker 5: and I gotta watch this clip, it's like you're being

742
00:35:34,360 --> 00:35:38,200
Speaker 5: pulled away from what I'm really like, I'm listening to

743
00:35:38,360 --> 00:35:40,400
Speaker 5: music on my phone. So now if I got all

744
00:35:40,400 --> 00:35:42,880
Speaker 5: these other things happening, this is like this connect Like

745
00:35:42,920 --> 00:35:45,240
Speaker 5: I hear the music, I hear it like I'm listening

746
00:35:45,280 --> 00:35:49,440
Speaker 5: to the album, but there's no like the connection order

747
00:35:49,640 --> 00:35:52,640
Speaker 5: or the like there's something. This is like a wall

748
00:35:52,719 --> 00:35:57,200
Speaker 5: in between us and really connecting to the music.

749
00:35:57,280 --> 00:35:57,719
Speaker 4: It feels like.

750
00:35:57,800 --> 00:35:59,880
Speaker 3: But I don't think it's a music thing per se.

751
00:36:00,160 --> 00:36:04,480
Speaker 3: I just think it's an entertainment thing. Well, music is

752
00:36:04,560 --> 00:36:07,000
Speaker 3: just folded into that because I mean even the way

753
00:36:07,040 --> 00:36:11,520
Speaker 3: we binge shows, Like imagine if a season of The

754
00:36:11,600 --> 00:36:17,200
Speaker 3: Sopranos was available one day, not spread out amongst fourteen weeks,

755
00:36:17,480 --> 00:36:20,040
Speaker 3: where you watched an episode, you talked about it with

756
00:36:20,120 --> 00:36:21,920
Speaker 3: your friends for the whole week, you made predictions, you

757
00:36:21,960 --> 00:36:25,239
Speaker 3: did all that, Like you can just binge things immediately,

758
00:36:25,480 --> 00:36:27,440
Speaker 3: and then on top of that, you have every bit

759
00:36:27,480 --> 00:36:29,640
Speaker 3: of content and your phone on social media, whether it

760
00:36:29,680 --> 00:36:33,200
Speaker 3: be TikTok ig, like music is going to fold to

761
00:36:33,320 --> 00:36:37,400
Speaker 3: the wayside and that regard, and it's so it's so

762
00:36:37,560 --> 00:36:39,799
Speaker 3: much easier to make music.

763
00:36:39,680 --> 00:36:42,040
Speaker 4: Now, it's easier to make it, it's easy to put

764
00:36:42,080 --> 00:36:43,960
Speaker 4: it out, So in.

765
00:36:44,040 --> 00:36:45,800
Speaker 3: That regard you have and you will get to the

766
00:36:45,840 --> 00:36:49,040
Speaker 3: Bryson thing. But you can put a double album out.

767
00:36:50,000 --> 00:36:51,880
Speaker 3: But the contradiction there is I feel like no one

768
00:36:51,920 --> 00:36:54,640
Speaker 3: has the attention span for it. So it's easier to

769
00:36:54,760 --> 00:36:57,400
Speaker 3: put it out, but you're putting it out to consumers

770
00:36:57,480 --> 00:36:59,879
Speaker 3: that don't have the time or attention span to listen

771
00:37:00,040 --> 00:37:02,800
Speaker 3: to that amount. So yeah, everyone's fucked.

772
00:37:02,640 --> 00:37:03,080
Speaker 4: In that regard.

773
00:37:03,320 --> 00:37:07,520
Speaker 3: Like imagine, imagine working on Netflix series for three years

774
00:37:07,680 --> 00:37:11,799
Speaker 3: and somebody binges it in one rainy Saturday and then says, yo,

775
00:37:12,880 --> 00:37:13,640
Speaker 3: know where season two?

776
00:37:14,160 --> 00:37:16,839
Speaker 4: That's from my life? Intoo this shit? Yeah, yeah, it's

777
00:37:16,920 --> 00:37:17,880
Speaker 4: access to everything.

778
00:37:18,280 --> 00:37:20,800
Speaker 3: And even when I'm watching something i'm engaged with, I

779
00:37:21,000 --> 00:37:23,319
Speaker 3: look at my phone and start scrolling through.

780
00:37:23,560 --> 00:37:29,200
Speaker 4: I'll see that right and get distracted. But the music

781
00:37:29,320 --> 00:37:29,480
Speaker 4: is the.

782
00:37:29,480 --> 00:37:32,399
Speaker 3: Same way, Like it's very low on the totem pole

783
00:37:32,719 --> 00:37:36,080
Speaker 3: if you're not like a real lover of music.

784
00:37:36,600 --> 00:37:39,160
Speaker 4: But even if the songs are too, I loved, I loved.

785
00:37:39,280 --> 00:37:42,120
Speaker 5: I love the technology now because again, literally I could

786
00:37:42,160 --> 00:37:44,360
Speaker 5: pull up any song. I could be thinking about a

787
00:37:44,400 --> 00:37:46,600
Speaker 5: record and type it in and pull it them and

788
00:37:46,680 --> 00:37:47,120
Speaker 5: listen to it.

789
00:37:47,640 --> 00:37:48,399
Speaker 4: So I love Seria.

790
00:37:48,440 --> 00:37:50,080
Speaker 3: You can start saying the lyrics to series.

791
00:37:50,200 --> 00:37:51,560
Speaker 4: I love that aspect of it.

792
00:37:51,680 --> 00:37:54,760
Speaker 5: But there is a difference in the way I connect

793
00:37:54,800 --> 00:37:58,320
Speaker 5: to music now then I used to. Like when I

794
00:37:58,400 --> 00:38:02,080
Speaker 5: had to literally buy physical music or you know, CDA album,

795
00:38:03,280 --> 00:38:05,239
Speaker 5: there was like a different even if I didn't.

796
00:38:05,040 --> 00:38:07,239
Speaker 3: Like it, because you could only carry so much with you,

797
00:38:07,480 --> 00:38:09,960
Speaker 3: like be able to carry the big CD booklet.

798
00:38:10,040 --> 00:38:12,680
Speaker 4: But but even then, like I would keep one CD.

799
00:38:12,800 --> 00:38:14,719
Speaker 5: And this is what I'm saying, because I think it's

800
00:38:14,760 --> 00:38:18,080
Speaker 5: too much now, like we just I'm still listening to

801
00:38:18,280 --> 00:38:22,440
Speaker 5: Alfredo two and now I got j Jid's album. Now

802
00:38:22,440 --> 00:38:24,960
Speaker 5: I got you know, Bryce's ab'm It's just like, bro,

803
00:38:25,120 --> 00:38:30,120
Speaker 5: I'm still I haven't really even you know, really digested.

804
00:38:29,640 --> 00:38:32,520
Speaker 4: All the bars in Alfredo two yet, and already now

805
00:38:33,160 --> 00:38:36,440
Speaker 4: j I d is on on my phone. Okay, all right,

806
00:38:36,560 --> 00:38:36,960
Speaker 4: I hear you.

807
00:38:37,120 --> 00:38:40,440
Speaker 3: And again I'm not trying to beat Devil's Advocate here. Ironically,

808
00:38:40,480 --> 00:38:46,359
Speaker 3: on September eleventh, when Blueprint and fabs first album came out,

809
00:38:46,440 --> 00:38:48,840
Speaker 3: like people used to drop on the same day graduation,

810
00:38:49,000 --> 00:38:51,879
Speaker 3: Curtis like that would happen often, where people would drop

811
00:38:52,000 --> 00:38:52,560
Speaker 3: on the same day.

812
00:38:53,480 --> 00:38:56,160
Speaker 4: Right, but tell me what came out three weeks before

813
00:38:56,200 --> 00:38:58,360
Speaker 4: those albums. Oh I see it. Yeah, I don't know.

814
00:38:58,480 --> 00:39:00,000
Speaker 4: You get what I'm saying, Like that's the different.

815
00:39:00,040 --> 00:39:01,960
Speaker 5: It's just like, okay, we get out Freido two two

816
00:39:02,000 --> 00:39:06,200
Speaker 5: weeks ago, well week ago, and then now this week Jed,

817
00:39:07,200 --> 00:39:08,560
Speaker 5: next week, Chance the Rapper.

818
00:39:09,360 --> 00:39:11,000
Speaker 4: It's like it's like if.

819
00:39:10,960 --> 00:39:12,919
Speaker 5: I'm on a phone call having a good conversation with somebody.

820
00:39:13,040 --> 00:39:16,719
Speaker 5: Somebody calls in, I'm like, hold on, how red? How

821
00:39:16,800 --> 00:39:19,239
Speaker 5: often do I go back to the other call? But

822
00:39:19,360 --> 00:39:21,360
Speaker 5: that's if it's another good complic. My Homie call was

823
00:39:21,400 --> 00:39:23,120
Speaker 5: I'm like, yo, I'm downtown.

824
00:39:23,920 --> 00:39:25,800
Speaker 4: Was lit out out there? I just saw so I

825
00:39:25,880 --> 00:39:27,759
Speaker 4: forgot I got Homie on the on the on hold now.

826
00:39:27,840 --> 00:39:30,000
Speaker 5: So now it's like, when do you when do you

827
00:39:30,080 --> 00:39:35,040
Speaker 5: have an opportunity to really or it's a shorter window

828
00:39:35,160 --> 00:39:37,120
Speaker 5: to connect to the music now, I think, and I.

829
00:39:37,160 --> 00:39:39,600
Speaker 3: Mean I'm not saying this about you whatsoever. I'm just

830
00:39:39,600 --> 00:39:41,680
Speaker 3: saying the consumer. I feel like a lot of the

831
00:39:41,800 --> 00:39:46,480
Speaker 3: consumers listen to react as quick as they can, rather

832
00:39:46,640 --> 00:39:48,800
Speaker 3: than live with the music and then move on to

833
00:39:48,840 --> 00:39:50,000
Speaker 3: the next thing that they can react to.

834
00:39:50,239 --> 00:39:52,040
Speaker 4: So, as an artist, how do you how do you

835
00:39:52,120 --> 00:39:52,719
Speaker 4: navigate through that?

836
00:39:53,840 --> 00:39:56,120
Speaker 5: Did you take two years to create and then for

837
00:39:56,320 --> 00:39:58,279
Speaker 5: somebody in three hours and be like, Yo, this shit trash?

838
00:39:58,400 --> 00:40:00,759
Speaker 3: Yeah, that's out of at at that point, that's out

839
00:40:00,800 --> 00:40:03,360
Speaker 3: of your control. That's where finding the right consumer in

840
00:40:03,440 --> 00:40:05,960
Speaker 3: the right tribe and the right core fan base.

841
00:40:05,840 --> 00:40:08,919
Speaker 4: Matters the most, Which is which will get to jid shit.

842
00:40:09,719 --> 00:40:11,920
Speaker 3: I don't think he tried to chase anything at all

843
00:40:12,000 --> 00:40:15,080
Speaker 3: but his core fan base on this project, myself being one,

844
00:40:15,600 --> 00:40:17,120
Speaker 3: and I think that was the smartest thing ever.

845
00:40:17,280 --> 00:40:19,760
Speaker 4: Like you try to, I get it. You got to grow.

846
00:40:21,080 --> 00:40:24,239
Speaker 3: And get more fans the best way possible. Shit we

847
00:40:24,320 --> 00:40:26,480
Speaker 3: go through with podcasts and two down to how we

848
00:40:26,600 --> 00:40:28,839
Speaker 3: title certain YouTube shit. But at the end of the day,

849
00:40:28,960 --> 00:40:32,120
Speaker 3: it's still the core that's really gonna matter and return,

850
00:40:32,160 --> 00:40:35,160
Speaker 3: and that's the only people you really should feed. That's

851
00:40:35,440 --> 00:40:37,560
Speaker 3: the strategy. That's the only strategy that you could have

852
00:40:37,640 --> 00:40:43,120
Speaker 3: control of feeding your core and your tribe. Along the way,

853
00:40:43,160 --> 00:40:46,120
Speaker 3: maybe you'll get some more people. But do you think

854
00:40:46,200 --> 00:40:49,200
Speaker 3: Freddie and al was sitting there of like, yo, we

855
00:40:49,280 --> 00:40:51,200
Speaker 3: got to get it as many people as possible. To

856
00:40:51,280 --> 00:40:53,400
Speaker 3: go back to listen to Alfredo one after Thissten is no,

857
00:40:54,560 --> 00:40:57,080
Speaker 3: let's keep our formula and grow our formula. That's what's

858
00:40:57,120 --> 00:41:00,000
Speaker 3: gonna move. Any type of vinyls move actual real time

859
00:41:00,040 --> 00:41:04,239
Speaker 3: ticket sales. That's the only thing that matters at this point.

860
00:41:05,239 --> 00:41:07,840
Speaker 3: If you're in that space. And jid Is is a

861
00:41:07,960 --> 00:41:10,680
Speaker 3: big artist, like he is. An eminem feature that we

862
00:41:10,760 --> 00:41:13,440
Speaker 3: were completely wrong about. I feel like we deserve some

863
00:41:13,520 --> 00:41:14,880
Speaker 3: credit because I think he added it back to the

864
00:41:14,920 --> 00:41:15,600
Speaker 3: album because of us.

865
00:41:16,280 --> 00:41:18,080
Speaker 4: Well, no, you came in here with information that you

866
00:41:18,200 --> 00:41:20,719
Speaker 4: heard or you received from somewhere. It was on a EP.

867
00:41:20,840 --> 00:41:22,640
Speaker 4: I didn't know it was gonna be on my album. No,

868
00:41:22,800 --> 00:41:24,960
Speaker 4: that's an old Rick Ross move. No, but I ain't

869
00:41:25,000 --> 00:41:28,400
Speaker 4: gonna lie like that would have been insane if you

870
00:41:28,480 --> 00:41:29,040
Speaker 4: don't put us.

871
00:41:29,080 --> 00:41:31,040
Speaker 3: He said when all that shit came out, that this

872
00:41:31,200 --> 00:41:33,440
Speaker 3: was not on the album. Oh, he did say that

873
00:41:34,000 --> 00:41:36,520
Speaker 3: when he posted the EP. Shit if I'm correct me.

874
00:41:36,560 --> 00:41:38,879
Speaker 3: If I'm wrong, fans, you can kill me in the dam.

875
00:41:38,920 --> 00:41:40,200
Speaker 3: When he was tweeting, she was like, yo, I want

876
00:41:40,239 --> 00:41:42,239
Speaker 3: to put out some shit before my project, like this

877
00:41:42,440 --> 00:41:45,440
Speaker 3: is this is the EP before the album? Like this

878
00:41:45,920 --> 00:41:50,400
Speaker 3: didn't never play on my album? Okay, but again, I

879
00:41:50,480 --> 00:41:52,400
Speaker 3: mean it's an eminem feature so it should stay there.

880
00:41:53,000 --> 00:41:54,800
Speaker 3: And I wasn't too mad at it. In the sequencing.

881
00:41:54,840 --> 00:41:59,759
Speaker 3: It's not really a song for me, are you? The

882
00:42:00,040 --> 00:42:04,439
Speaker 3: relux is strictly to get people talking, intrigued, excited about

883
00:42:04,440 --> 00:42:09,040
Speaker 3: the album. That's well, yeah, how I interpreted it, which is,

884
00:42:10,480 --> 00:42:13,680
Speaker 3: you know, obviously I was wrong. I interpreted that along

885
00:42:14,000 --> 00:42:17,560
Speaker 3: with everyone else, that this was like your pre EP.

886
00:42:17,680 --> 00:42:17,879
Speaker 4: Shit.

887
00:42:17,960 --> 00:42:22,680
Speaker 5: The prelux is strictly to get people talking, intrigued, excited

888
00:42:22,719 --> 00:42:23,400
Speaker 5: about the album.

889
00:42:23,800 --> 00:42:26,319
Speaker 4: Great strategy, but would you not read that.

890
00:42:30,600 --> 00:42:34,200
Speaker 5: So there's another verse on the main album, Nope, I

891
00:42:34,280 --> 00:42:36,520
Speaker 5: got two of the best fast rappers of all time.

892
00:42:38,600 --> 00:42:40,759
Speaker 3: I think he was alluding to himself in there, But

893
00:42:41,480 --> 00:42:45,279
Speaker 3: I mean either way, yeah, to close your point in

894
00:42:45,320 --> 00:42:48,480
Speaker 3: that regard, I think just feeding your core is the

895
00:42:48,600 --> 00:42:52,560
Speaker 3: only way because the average consumer is just gonna move

896
00:42:52,600 --> 00:42:55,759
Speaker 3: on and swipe up to the next fucking fifteen second

897
00:42:55,800 --> 00:42:59,560
Speaker 3: reel like music, even when they've chopped it down to

898
00:42:59,760 --> 00:43:04,000
Speaker 3: to thirty as far as songs go, that's still hard

899
00:43:04,040 --> 00:43:07,880
Speaker 3: to keep people's attention. Like you have fucking movie studios

900
00:43:07,920 --> 00:43:09,520
Speaker 3: trying to figure out how can we capture somebody in

901
00:43:09,640 --> 00:43:13,000
Speaker 3: ten seconds and they're putting out films that are four hours. Right,

902
00:43:14,360 --> 00:43:16,520
Speaker 3: We're fucked with a microwave brain. Like, that's just how

903
00:43:17,080 --> 00:43:19,640
Speaker 3: things go. So it is kind of on you as

904
00:43:19,680 --> 00:43:22,440
Speaker 3: the consumer to get out of that way, because, yes,

905
00:43:22,560 --> 00:43:24,200
Speaker 3: I'm more attached to some of the music I grew

906
00:43:24,280 --> 00:43:27,040
Speaker 3: up on, but I also had a different mind state

907
00:43:27,080 --> 00:43:29,080
Speaker 3: and was in a different environment at that time and

908
00:43:29,120 --> 00:43:33,399
Speaker 3: how I even consume things, So as a music lover,

909
00:43:33,880 --> 00:43:37,160
Speaker 3: as a consumer. Sometimes I have to like discipline myself

910
00:43:37,239 --> 00:43:40,040
Speaker 3: and be like, yo, don't look at your phone, sit

911
00:43:40,320 --> 00:43:42,040
Speaker 3: and just live with this music, because I know that's

912
00:43:42,080 --> 00:43:44,279
Speaker 3: where your heart really is with this shit and like

913
00:43:44,400 --> 00:43:46,200
Speaker 3: how you feel better and everything.

914
00:43:46,719 --> 00:43:48,360
Speaker 5: I guess for me, it's just different though, because I

915
00:43:48,440 --> 00:43:51,680
Speaker 5: used to. I used to literally when the album come out,

916
00:43:51,960 --> 00:43:54,880
Speaker 5: you know, or artists I like drops a project. I

917
00:43:55,000 --> 00:43:57,040
Speaker 5: burned that project to the ground because I need to

918
00:43:57,120 --> 00:43:58,640
Speaker 5: I need to hear it, I need to live with it.

919
00:43:58,680 --> 00:44:00,400
Speaker 5: I need to move around with it see if I

920
00:44:00,520 --> 00:44:02,839
Speaker 5: like it, love it, hate it. Now it's like I'm

921
00:44:02,920 --> 00:44:05,000
Speaker 5: in the mix of still trying to figure out if

922
00:44:05,040 --> 00:44:07,520
Speaker 5: I love this project or not. And then now this

923
00:44:07,640 --> 00:44:10,000
Speaker 5: week I got another artist that I like, he's dropping

924
00:44:10,040 --> 00:44:12,520
Speaker 5: his album. I gotta listen to this, And now it's

925
00:44:12,600 --> 00:44:15,879
Speaker 5: just it's like it seems like you can't. I can't

926
00:44:16,000 --> 00:44:18,360
Speaker 5: listen to everything fairly, But.

927
00:44:18,440 --> 00:44:20,680
Speaker 3: We also got older, like you also have to add

928
00:44:20,760 --> 00:44:22,160
Speaker 3: that factors well, and that's another thing.

929
00:44:22,239 --> 00:44:22,800
Speaker 4: Life happens.

930
00:44:22,840 --> 00:44:24,719
Speaker 5: I got things to do now, I can't just be

931
00:44:24,800 --> 00:44:27,319
Speaker 5: listening to the music. Move So all of these things happen.

932
00:44:27,440 --> 00:44:30,880
Speaker 5: But like the cadence of the way we receive music,

933
00:44:30,920 --> 00:44:33,520
Speaker 5: though I think it's just like it just feels very

934
00:44:33,719 --> 00:44:39,120
Speaker 5: like it's almost like a conveyor belt and you know,

935
00:44:39,280 --> 00:44:41,480
Speaker 5: I'm seeing a product come down. Oh I like this,

936
00:44:41,560 --> 00:44:44,000
Speaker 5: and by the time I'm looking at this, three mores

937
00:44:44,080 --> 00:44:46,239
Speaker 5: going underneath it, and I'm like, oh shit, like, let

938
00:44:46,280 --> 00:44:48,000
Speaker 5: me listen to it. It just feel like you're always

939
00:44:48,040 --> 00:44:50,600
Speaker 5: playing ketch up when it comes to your favorite music.

940
00:44:51,520 --> 00:44:53,800
Speaker 3: But I mean, I'll even say, like, I have not

941
00:44:53,920 --> 00:44:57,520
Speaker 3: listened to the Gunner album yet, but I'm very not.

942
00:44:57,560 --> 00:45:00,200
Speaker 4: Because you don't like Gunner. No, you just had had

943
00:45:00,280 --> 00:45:01,480
Speaker 4: opportunity with that. Yeah.

944
00:45:01,520 --> 00:45:04,279
Speaker 3: With that said, outside of I mean, we have chance

945
00:45:04,360 --> 00:45:07,680
Speaker 3: on on the podcast this this coming week, and I

946
00:45:07,760 --> 00:45:10,880
Speaker 3: had to listen to that album plus g I D.

947
00:45:11,120 --> 00:45:14,800
Speaker 3: And Bryce and Tiller, three artists that I really like, Gonna.

948
00:45:14,880 --> 00:45:17,480
Speaker 3: I like Gunna, don't get me wrong, but I've admitted

949
00:45:17,600 --> 00:45:21,560
Speaker 3: like I'm not gonna move my life around for a

950
00:45:21,719 --> 00:45:26,520
Speaker 3: Gunner album. It would strictly be for the podcast, which

951
00:45:26,560 --> 00:45:28,480
Speaker 3: to me also feels a little gross because like, why

952
00:45:28,480 --> 00:45:30,640
Speaker 3: should I be the one even reviewing, Like I feel

953
00:45:30,680 --> 00:45:33,680
Speaker 3: like that's fucked up to Gunna, like with them, not

954
00:45:33,760 --> 00:45:35,920
Speaker 3: that we have the biggest media platform, but you know

955
00:45:36,040 --> 00:45:37,080
Speaker 3: people do listen to us.

956
00:45:37,800 --> 00:45:38,759
Speaker 4: I'm not the one for this.

957
00:45:38,960 --> 00:45:40,880
Speaker 3: Like I like a Gunner song every now and then,

958
00:45:41,000 --> 00:45:43,040
Speaker 3: I'm not gonna sit there and do a deep dive

959
00:45:43,080 --> 00:45:47,040
Speaker 3: on Gunn. And that's nothing negative about him, it's my taste.

960
00:45:47,560 --> 00:45:49,040
Speaker 3: I'm sure Gunn would look at some of the music

961
00:45:49,080 --> 00:45:50,959
Speaker 3: I listened to and be like, oh you that's whack.

962
00:45:51,800 --> 00:45:55,560
Speaker 3: That's just my brother, Like, that's just how life goes.

963
00:45:55,719 --> 00:46:00,879
Speaker 3: So you also have to take that into consideration. I'm

964
00:46:00,920 --> 00:46:03,480
Speaker 3: not never in my life. Even when I would be

965
00:46:03,560 --> 00:46:05,799
Speaker 3: completely free and have nothing to do, would I run

966
00:46:06,640 --> 00:46:11,000
Speaker 3: to go dissect a gun album. Yeah, So add that

967
00:46:11,080 --> 00:46:12,719
Speaker 3: into and I think a lot of people feel that

968
00:46:12,800 --> 00:46:15,040
Speaker 3: way with how much music is out there. I love

969
00:46:15,080 --> 00:46:17,239
Speaker 3: that streaming allows you to not have to sit with

970
00:46:17,320 --> 00:46:20,800
Speaker 3: the radio and the mainstream shit you're just forced to

971
00:46:20,840 --> 00:46:22,000
Speaker 3: listen to when I get in the car, I don't

972
00:46:22,080 --> 00:46:24,960
Speaker 3: have to listen to what the radio is programming. But

973
00:46:25,120 --> 00:46:27,560
Speaker 3: you're also going to not listen to other shit because

974
00:46:27,560 --> 00:46:30,000
Speaker 3: of that. Even if gun is the biggest shit moving,

975
00:46:30,120 --> 00:46:31,719
Speaker 3: I can't believe I'm not gonna sit there and listen

976
00:46:31,719 --> 00:46:33,960
Speaker 3: to with a Gunner album on the song like and

977
00:46:34,040 --> 00:46:36,640
Speaker 3: listen to lying I said, and listening to radio now,

978
00:46:36,719 --> 00:46:38,640
Speaker 3: I can't believe I actually used to listen to the radio.

979
00:46:38,960 --> 00:46:42,799
Speaker 4: Why I used to record the radio. It's the same

980
00:46:43,480 --> 00:46:46,640
Speaker 4: twelve songs from seven artists.

981
00:46:47,440 --> 00:46:48,320
Speaker 1: Oh and was it not? That?

982
00:46:48,440 --> 00:46:50,359
Speaker 4: And over? But that's what I'm saying.

983
00:46:50,400 --> 00:46:52,080
Speaker 5: And now that you realize that, now that I have

984
00:46:52,800 --> 00:46:55,960
Speaker 5: the ability to listen to whatever I want, whenever I want,

985
00:46:56,719 --> 00:46:59,160
Speaker 5: I can't really I cannot believe that radio was such

986
00:46:59,160 --> 00:47:01,560
Speaker 5: a big part of my life at one point because

987
00:47:01,600 --> 00:47:04,480
Speaker 5: when you listen to it now, like sometimes in commute

988
00:47:04,480 --> 00:47:05,560
Speaker 5: and I'll just listen to the radio.

989
00:47:06,920 --> 00:47:07,440
Speaker 2: And then like.

990
00:47:09,080 --> 00:47:12,200
Speaker 5: Example, the other day, I went out soa I caught

991
00:47:12,239 --> 00:47:14,080
Speaker 5: an uber went downtown.

992
00:47:14,560 --> 00:47:17,280
Speaker 4: Right when I got out the car, a song was playing.

993
00:47:18,960 --> 00:47:21,640
Speaker 5: Two hours later I got back in the uber, that

994
00:47:21,800 --> 00:47:25,040
Speaker 5: same song was playing again, and I was like, bro,

995
00:47:25,239 --> 00:47:28,040
Speaker 5: this is so now I'm listening because now I'm gonnay, okay,

996
00:47:28,120 --> 00:47:29,920
Speaker 5: let me hear what's next. It almost got to a

997
00:47:29,960 --> 00:47:32,160
Speaker 5: point where I know which song they get ready to

998
00:47:32,200 --> 00:47:35,799
Speaker 5: play next. So I'm just like we used to sit

999
00:47:35,960 --> 00:47:38,879
Speaker 5: down in the crib like around the radio and listen. Yeah,

1000
00:47:38,880 --> 00:47:41,960
Speaker 5: and it's like, bro, it's the same songs, the same artists.

1001
00:47:42,760 --> 00:47:46,520
Speaker 5: And then I'm thinking, like, we know how programming works.

1002
00:47:46,640 --> 00:47:48,080
Speaker 5: We know that they have play list at the radio

1003
00:47:48,120 --> 00:47:50,439
Speaker 5: and things like that, But my thing is that there's

1004
00:47:50,560 --> 00:47:53,719
Speaker 5: so many other songs and dope artists that you could

1005
00:47:53,760 --> 00:47:55,480
Speaker 5: easily be like, we don't have to listen to this

1006
00:47:55,680 --> 00:47:59,400
Speaker 5: song three times in the hour, like this is two

1007
00:47:59,480 --> 00:48:01,360
Speaker 5: other artists you could have put in that spot and

1008
00:48:01,440 --> 00:48:02,719
Speaker 5: played played dead new record.

1009
00:48:02,800 --> 00:48:05,160
Speaker 3: I mean, I hear you, but in yes, this was

1010
00:48:05,280 --> 00:48:10,200
Speaker 3: programming working. But like you know, I remember taking the

1011
00:48:10,239 --> 00:48:14,440
Speaker 3: boombox to go play ball and just waiting for Country

1012
00:48:14,480 --> 00:48:18,879
Speaker 3: Grammar to play, like just waiting for it. And yeah,

1013
00:48:18,920 --> 00:48:20,719
Speaker 3: it would play once in an hour, but that was

1014
00:48:20,800 --> 00:48:23,480
Speaker 3: like a moment at that time. That's why it resonated

1015
00:48:23,560 --> 00:48:27,719
Speaker 3: more because we only had access to that. Had I

1016
00:48:27,800 --> 00:48:29,960
Speaker 3: have the ability to just listen before the album came out,

1017
00:48:30,400 --> 00:48:31,960
Speaker 3: how did I have the ability to just listen to

1018
00:48:32,040 --> 00:48:35,480
Speaker 3: Country Grammar every five minutes? I probably would have moved

1019
00:48:35,480 --> 00:48:38,920
Speaker 3: the fuck on the fact that we sat around the

1020
00:48:39,080 --> 00:48:42,359
Speaker 3: radio waiting for that song, even if it played every

1021
00:48:42,400 --> 00:48:46,480
Speaker 3: hour like it made it resonate more, like even like

1022
00:48:46,520 --> 00:48:48,600
Speaker 3: when we would Tia one O six in part like

1023
00:48:49,560 --> 00:48:54,000
Speaker 3: Tara waiting for DMX party up video like run Home,

1024
00:48:54,560 --> 00:48:57,520
Speaker 3: so you could watch that again. If YouTube was really

1025
00:48:57,560 --> 00:49:00,800
Speaker 3: a thing, it wouldn't have a moment with me and

1026
00:49:00,880 --> 00:49:03,520
Speaker 3: my friends of like, yo, what nover you think? Yo?

1027
00:49:03,960 --> 00:49:04,279
Speaker 4: That part?

1028
00:49:04,320 --> 00:49:06,120
Speaker 3: And this year I caught another thing in the video

1029
00:49:06,280 --> 00:49:09,680
Speaker 3: because you could only maybe see it once a day.

1030
00:49:09,600 --> 00:49:11,719
Speaker 4: Can rewind it? This is TV? Yeah.

1031
00:49:12,040 --> 00:49:12,239
Speaker 2: Yeah.

1032
00:49:12,360 --> 00:49:14,160
Speaker 3: And even when we used to record the radio on

1033
00:49:14,320 --> 00:49:18,000
Speaker 3: tapes because I'm really not that young, we would do

1034
00:49:18,080 --> 00:49:20,080
Speaker 3: that as well, like all right, if we want to

1035
00:49:20,120 --> 00:49:22,560
Speaker 3: listen to this again, let's do a push shape, like

1036
00:49:22,600 --> 00:49:26,320
Speaker 3: literally record the radio. That was a thing that made it,

1037
00:49:26,400 --> 00:49:28,400
Speaker 3: made it a moment for a record outside of it

1038
00:49:28,520 --> 00:49:31,240
Speaker 3: just resonating sonically, that was like a moment with your friends,

1039
00:49:32,239 --> 00:49:33,200
Speaker 3: like who knows the lyrics?

1040
00:49:33,239 --> 00:49:33,440
Speaker 4: Like who?

1041
00:49:33,560 --> 00:49:35,719
Speaker 5: Like that was to the point, too much access kind

1042
00:49:35,760 --> 00:49:39,960
Speaker 5: of killed that, like having the ability the ability to

1043
00:49:40,320 --> 00:49:43,000
Speaker 5: you shouldn't have that much access to art at any time.

1044
00:49:43,160 --> 00:49:45,640
Speaker 3: It's a catch twenty two, Like I really see both

1045
00:49:45,719 --> 00:49:48,279
Speaker 3: sides of how great that is because I love the

1046
00:49:48,320 --> 00:49:50,800
Speaker 3: ability to do that. Especially when I got an iPod,

1047
00:49:50,880 --> 00:49:52,360
Speaker 3: I thought it was the greatest thing ever. Yeah, and

1048
00:49:52,600 --> 00:49:57,239
Speaker 3: it definitely changed, uh, my music discovery and my music

1049
00:49:57,360 --> 00:50:02,200
Speaker 3: taste but it did definitely take away from the moments

1050
00:50:02,280 --> 00:50:06,120
Speaker 3: you have with music, like the jid in offset record

1051
00:50:06,400 --> 00:50:09,000
Speaker 3: which is fired Audace is for shit. Like if that

1052
00:50:09,239 --> 00:50:12,160
Speaker 3: was in radio time, that would probably be a joint

1053
00:50:12,200 --> 00:50:13,440
Speaker 3: that would live with me forever.

1054
00:50:14,200 --> 00:50:17,080
Speaker 4: But now I don't know.

1055
00:50:17,280 --> 00:50:20,719
Speaker 3: I mean, I like it, yeah, but too much as Yeah,

1056
00:50:20,760 --> 00:50:22,959
Speaker 3: I'm not waiting for that record to come on because

1057
00:50:22,960 --> 00:50:24,239
Speaker 3: I can just play it.

1058
00:50:24,440 --> 00:50:24,640
Speaker 4: Yeah.

1059
00:50:25,000 --> 00:50:27,839
Speaker 3: So, Maul, have you ever been walking up Third av

1060
00:50:28,120 --> 00:50:30,319
Speaker 3: and then you saw a phone plan and was like, wow,

1061
00:50:30,400 --> 00:50:32,319
Speaker 3: that's a great price. No. I saw some bloods though,

1062
00:50:34,680 --> 00:50:36,880
Speaker 3: and then a few months later, after you purchased that,

1063
00:50:37,000 --> 00:50:39,279
Speaker 3: in front of the Damuz you say, you know, my

1064
00:50:39,360 --> 00:50:40,719
Speaker 3: bill is way higher than what I thought.

1065
00:50:40,840 --> 00:50:41,320
Speaker 4: Absolutely.

1066
00:50:41,400 --> 00:50:44,760
Speaker 3: With boost Mobile you pay twenty five dollars a month forever.

1067
00:50:44,920 --> 00:50:47,960
Speaker 3: That's unlimited talk, text data starting just at twenty five

1068
00:50:48,040 --> 00:50:53,080
Speaker 3: dollars a month, no price hikes, no contract for ever. Plus,

1069
00:50:53,120 --> 00:50:57,600
Speaker 3: boost Mobile is now a legit nation wide five G network.

1070
00:50:57,920 --> 00:51:02,800
Speaker 3: They've invested billions, yes, into five g's and satellites and

1071
00:51:02,800 --> 00:51:05,520
Speaker 3: all those things that the flat earthers don't think exists.

1072
00:51:05,840 --> 00:51:06,960
Speaker 4: The Boost did it right.

1073
00:51:07,280 --> 00:51:09,840
Speaker 5: Visit boostmobile dot com or head to your local boots

1074
00:51:09,840 --> 00:51:12,600
Speaker 5: store today and get unlimited talk, text and data for

1075
00:51:12,760 --> 00:51:16,239
Speaker 5: twenty five dollars a month forever. Five G speed's not

1076
00:51:16,320 --> 00:51:19,800
Speaker 5: available in all areas After thirty GB customers may experience

1077
00:51:19,840 --> 00:51:22,480
Speaker 5: slower speed. Customers will pay twenty five dollars a month

1078
00:51:22,680 --> 00:51:25,439
Speaker 5: as long as they remain active on the Boost Unlimited plan.

1079
00:51:30,400 --> 00:51:32,960
Speaker 1: Young boy blowing up? Man young, Well, he been blew up,

1080
00:51:33,000 --> 00:51:34,040
Speaker 1: but like he's.

1081
00:51:33,880 --> 00:51:35,759
Speaker 4: Starting to saying, young boy was blowing up.

1082
00:51:35,920 --> 00:51:39,960
Speaker 1: I know, I'm sorry, that's myself. That's why I corrected myself.

1083
00:51:40,080 --> 00:51:44,200
Speaker 1: He's entering into my old ass stratosphere of old people.

1084
00:51:44,280 --> 00:51:47,439
Speaker 1: Shit right, who's still playing eclips all over and over again,

1085
00:51:47,840 --> 00:51:48,600
Speaker 1: like he's starting to.

1086
00:51:48,600 --> 00:51:49,799
Speaker 4: Go viral over here. I'm like, damn.

1087
00:51:49,840 --> 00:51:51,520
Speaker 1: Like MBA Young Boys shows.

1088
00:51:51,239 --> 00:51:54,399
Speaker 4: Look lit like, oh no, it's it shows. It looks

1089
00:51:54,400 --> 00:51:56,359
Speaker 4: like a real ROLD fan base.

1090
00:51:56,400 --> 00:52:00,239
Speaker 3: But I do like seeing this because a lot of people,

1091
00:52:00,239 --> 00:52:03,360
Speaker 3: including myself, saying, all right, you stream crazier than everyone,

1092
00:52:03,440 --> 00:52:06,640
Speaker 3: can you sell a ticket? Not only is he selling crazy,

1093
00:52:06,880 --> 00:52:09,799
Speaker 3: everyone knows every fucking word. They're losing their mind. Kai

1094
00:52:10,000 --> 00:52:13,279
Speaker 3: is crying like my bad. Yeah.

1095
00:52:13,320 --> 00:52:16,320
Speaker 5: Seeing NBA Young Boys show is definitely like confirmation that

1096
00:52:16,400 --> 00:52:19,839
Speaker 5: I'm just old. I don't know one NBA young boy

1097
00:52:20,000 --> 00:52:23,040
Speaker 5: like no song and like I'm watching the clips and

1098
00:52:23,480 --> 00:52:27,440
Speaker 5: like I love the like seeing the entire like stadium arena,

1099
00:52:27,840 --> 00:52:30,080
Speaker 5: everybody into it, everybody knowing. But it's kind of like

1100
00:52:30,440 --> 00:52:31,800
Speaker 5: I'm looking at this, You're like, oh, this is a

1101
00:52:31,880 --> 00:52:34,200
Speaker 5: whole part of the culture that I have no idea.

1102
00:52:34,320 --> 00:52:36,480
Speaker 5: You like, did jay Z mean when he was like yeah,

1103
00:52:36,560 --> 00:52:38,880
Speaker 5: Like I'm because like he getting this shit off, like

1104
00:52:38,960 --> 00:52:40,799
Speaker 5: he flowing, and I'm just like and I'm looking at

1105
00:52:40,840 --> 00:52:43,640
Speaker 5: you know, just the audience and everybody knows all the

1106
00:52:43,719 --> 00:52:45,759
Speaker 5: lyrics and things like that, and I'm just like the

1107
00:52:46,040 --> 00:52:48,879
Speaker 5: energy is what is a trick? I'm like, oh shit,

1108
00:52:49,080 --> 00:52:52,360
Speaker 5: like this is a show. If you go out on

1109
00:52:52,440 --> 00:52:54,800
Speaker 5: stage as an artist, it is your own. It's just

1110
00:52:55,000 --> 00:52:58,840
Speaker 5: like there's nothing probably greater than looking out into a

1111
00:52:58,880 --> 00:53:03,400
Speaker 5: fucking arena and everybody knows every word You're saying, Like

1112
00:53:04,560 --> 00:53:06,400
Speaker 5: that's an artist's dream, you know what I'm saying. So

1113
00:53:06,840 --> 00:53:09,480
Speaker 5: to see that and to see everybody soul like just

1114
00:53:09,600 --> 00:53:11,960
Speaker 5: turned up and you know what I'm saying that somebody

1115
00:53:12,040 --> 00:53:14,960
Speaker 5: from the it's like, okay, like this is this is

1116
00:53:15,000 --> 00:53:17,759
Speaker 5: a show. This is these are like his fans like

1117
00:53:18,160 --> 00:53:20,440
Speaker 5: people that have been waiting to see him live. They

1118
00:53:20,480 --> 00:53:22,200
Speaker 5: couldn't wait for this moment. They couldn't wait for this

1119
00:53:22,280 --> 00:53:24,640
Speaker 5: tour to come to the city. Like this is what

1120
00:53:25,120 --> 00:53:29,480
Speaker 5: hip hop is about. Like rapper comes on stage, everybody

1121
00:53:29,560 --> 00:53:33,360
Speaker 5: goes crazy. Nobody's trying to be you know, cool, everybody's

1122
00:53:33,360 --> 00:53:35,720
Speaker 5: standing on their seats, shirts.

1123
00:53:35,360 --> 00:53:36,680
Speaker 4: Off, rapping.

1124
00:53:37,080 --> 00:53:39,759
Speaker 5: The girls know all the lyrics, the guys know all

1125
00:53:39,800 --> 00:53:43,200
Speaker 5: the lyrics. Like that, to me is just some incredible

1126
00:53:43,280 --> 00:53:44,160
Speaker 5: shit to witness.

1127
00:53:44,239 --> 00:53:45,120
Speaker 4: But so going.

1128
00:53:46,600 --> 00:53:48,640
Speaker 1: I don't like we should go as a social experiment.

1129
00:53:49,440 --> 00:53:52,000
Speaker 5: I don't know if that's the social experiment though. I

1130
00:53:52,000 --> 00:53:54,040
Speaker 5: don't know if you want a socially experiment with an

1131
00:53:54,120 --> 00:53:56,000
Speaker 5: NBA Young Boy live show.

1132
00:53:56,560 --> 00:53:57,960
Speaker 4: I am like, you'll get.

1133
00:53:57,920 --> 00:54:00,200
Speaker 5: Chased out because they I feel like his fans know

1134
00:54:00,320 --> 00:54:02,719
Speaker 5: that you ain't supposed to be here.

1135
00:54:03,640 --> 00:54:04,279
Speaker 4: This ain't for you.

1136
00:54:04,440 --> 00:54:07,279
Speaker 5: Like we don't try to jump on now like we've been.

1137
00:54:07,400 --> 00:54:10,359
Speaker 5: This's been a whole way. Obviously, I'm familiar with NBA

1138
00:54:10,480 --> 00:54:12,840
Speaker 5: Young Boy. I don't know his music the way his

1139
00:54:13,040 --> 00:54:16,319
Speaker 5: fans you know it, but I'm familiar with the fan

1140
00:54:16,400 --> 00:54:18,360
Speaker 5: base that he has. I'm familiar with the following that

1141
00:54:18,440 --> 00:54:20,640
Speaker 5: he has and the streaming numbers that he does, like

1142
00:54:20,719 --> 00:54:24,680
Speaker 5: we all know that, but to now see it, like night.

1143
00:54:24,640 --> 00:54:26,960
Speaker 4: After night, he just did LA last night. Kyle was there,

1144
00:54:27,080 --> 00:54:30,080
Speaker 4: Kay is crying. I'm just seeing this shit. I'm just like, Yo,

1145
00:54:30,320 --> 00:54:31,839
Speaker 4: what is happening right now?

1146
00:54:32,320 --> 00:54:36,440
Speaker 3: I'm curious based off the sound of stuff, Like, for example,

1147
00:54:36,680 --> 00:54:40,560
Speaker 3: when we saw Gucci versus Gezi, and we saw the

1148
00:54:40,640 --> 00:54:42,799
Speaker 3: difference Gucci being a legend that he is, a lot

1149
00:54:42,840 --> 00:54:45,760
Speaker 3: of his legendary records were never mixed. They was thrown

1150
00:54:45,800 --> 00:54:49,279
Speaker 3: out like Jeez had deaf Jam behind him with the

1151
00:54:49,320 --> 00:54:52,640
Speaker 3: biggest budget. His records just feel expensive. They sound expensive.

1152
00:54:53,520 --> 00:54:55,600
Speaker 3: The Gucci shit didn't hit the same Next to that,

1153
00:54:56,440 --> 00:54:58,600
Speaker 3: I've never seen an arena to her. Young Boy's volume,

1154
00:54:58,760 --> 00:55:01,239
Speaker 3: like how much he puts out. Some of his most

1155
00:55:01,239 --> 00:55:05,480
Speaker 3: classic records are like two track shit that I don't

1156
00:55:05,480 --> 00:55:07,399
Speaker 3: even know how it could sound in an arena. Yet

1157
00:55:07,440 --> 00:55:10,719
Speaker 3: when I see the footage, it looks like fucking J

1158
00:55:10,920 --> 00:55:14,080
Speaker 3: Cole's performing. That's what I want to see, Like, how

1159
00:55:14,160 --> 00:55:17,719
Speaker 3: are these records transferring in a arena? I've never seen

1160
00:55:17,719 --> 00:55:18,279
Speaker 3: anyone do that.

1161
00:55:18,840 --> 00:55:19,640
Speaker 4: Do you want? Young Boy?

1162
00:55:20,440 --> 00:55:22,200
Speaker 3: The type of music he makes and even some of

1163
00:55:22,239 --> 00:55:25,840
Speaker 3: the classic core fan based records he has are so

1164
00:55:26,120 --> 00:55:28,920
Speaker 3: low quality. I'm not talking about him, but they're low

1165
00:55:29,000 --> 00:55:31,320
Speaker 3: quality records. You can tell you two tracked, it was like, Yo, upload.

1166
00:55:31,080 --> 00:55:31,600
Speaker 4: That to the internet.

1167
00:55:31,719 --> 00:55:34,399
Speaker 3: Now, I would love, Like, I want to know how

1168
00:55:34,480 --> 00:55:38,000
Speaker 3: that rings off in an arena, because even Gucci, Gucci

1169
00:55:38,080 --> 00:55:40,400
Speaker 3: has classic shit, but even though just on a stream

1170
00:55:40,480 --> 00:55:43,000
Speaker 3: next to Jez with an expensive sound, it's like, damn,

1171
00:55:43,080 --> 00:55:44,880
Speaker 3: this is a classic GZ record, but it don't hit

1172
00:55:44,920 --> 00:55:47,719
Speaker 3: because it's just don't sound the same next to this,

1173
00:55:47,960 --> 00:55:50,040
Speaker 3: and then in the state in an arena, Yeah, like,

1174
00:55:50,120 --> 00:55:52,200
Speaker 3: I gotta know how that sounds.

1175
00:55:52,320 --> 00:55:54,359
Speaker 4: All that shit from Young Boy sound looks like it's

1176
00:55:54,400 --> 00:55:54,839
Speaker 4: going off.

1177
00:55:55,440 --> 00:55:57,600
Speaker 5: I love seeing people online saying, Yo, if he don't

1178
00:55:57,640 --> 00:56:00,719
Speaker 5: perform this one, I'm gonna be upset. Like all of

1179
00:56:00,800 --> 00:56:02,920
Speaker 5: that to me is just dope to see people so

1180
00:56:03,120 --> 00:56:05,839
Speaker 5: engaged with an artist like that. And then for NBA

1181
00:56:05,920 --> 00:56:08,560
Speaker 5: Young Boy to go out there and you know it

1182
00:56:08,680 --> 00:56:12,359
Speaker 5: seems like he's you know, he's fulfilling the request. Yeah,

1183
00:56:12,440 --> 00:56:14,640
Speaker 5: he's doing all the joints that you know his fans

1184
00:56:14,680 --> 00:56:17,080
Speaker 5: want to hear. I just think this is some really

1185
00:56:17,160 --> 00:56:17,880
Speaker 5: really dope.

1186
00:56:17,719 --> 00:56:18,719
Speaker 4: Shit to watch. Josh.

1187
00:56:18,760 --> 00:56:21,160
Speaker 1: I'm sending you to viral TikTok. That's like going on

1188
00:56:21,440 --> 00:56:24,040
Speaker 1: right now with this girl that has like everybody like,

1189
00:56:24,080 --> 00:56:25,440
Speaker 1: well damn, I want to go to the NBA show.

1190
00:56:25,440 --> 00:56:26,480
Speaker 1: And that's the one that made me want to go

1191
00:56:26,520 --> 00:56:28,040
Speaker 1: to the NBA show. I'm like, yo, I want to

1192
00:56:28,080 --> 00:56:30,919
Speaker 1: feel this passionately about music like they screaming that shit

1193
00:56:31,040 --> 00:56:34,040
Speaker 1: like when the first month that like Dreams of Nightmares

1194
00:56:34,120 --> 00:56:36,200
Speaker 1: came out. I'm like, I want to feel that feeling again.

1195
00:56:36,200 --> 00:56:38,359
Speaker 1: I want to feel that bitch I'm a boss feeling again.

1196
00:56:38,480 --> 00:56:40,920
Speaker 1: The niggas in Paris feeling like I haven't had that feeling,

1197
00:56:40,960 --> 00:56:41,520
Speaker 1: a wow.

1198
00:56:41,640 --> 00:56:43,799
Speaker 4: A connection to it because they live through the time

1199
00:56:43,880 --> 00:56:44,640
Speaker 4: of Yes.

1200
00:56:44,960 --> 00:56:46,640
Speaker 5: That's what I'm saying. We can't go because it's like

1201
00:56:46,719 --> 00:56:49,640
Speaker 5: we would just be trying to get on board now

1202
00:56:49,760 --> 00:56:51,560
Speaker 5: and it's kind of like we're not going to understand it.

1203
00:56:52,040 --> 00:57:05,400
Speaker 5: We need some time to really like, I mean, it sounds.

1204
00:57:05,200 --> 00:57:11,080
Speaker 6: Far looks that sounds let out of this too, all right,

1205
00:57:11,160 --> 00:57:15,359
Speaker 6: positive before we get call Demond side, But come on, man,

1206
00:57:15,520 --> 00:57:17,840
Speaker 6: how do you know that ship sounds fire to me?

1207
00:57:17,920 --> 00:57:19,960
Speaker 3: I can't like I want to go with her, Yeah,

1208
00:57:20,320 --> 00:57:22,120
Speaker 3: Like I want to go with somebody that's gonna like

1209
00:57:22,240 --> 00:57:24,040
Speaker 3: wrap those lyrics in my face, so I start to

1210
00:57:24,080 --> 00:57:24,440
Speaker 3: feel like.

1211
00:57:24,960 --> 00:57:25,919
Speaker 4: This is this is See.

1212
00:57:25,920 --> 00:57:27,600
Speaker 5: That's why I know I'm saying close to your chest

1213
00:57:27,640 --> 00:57:30,120
Speaker 5: because you know how I'm at shows. I'm just standing there,

1214
00:57:30,160 --> 00:57:33,800
Speaker 5: literally just watching the artists perform. I'm not you've been

1215
00:57:33,840 --> 00:57:36,160
Speaker 5: to meeting to me with with Drake shows, you like,

1216
00:57:36,280 --> 00:57:38,120
Speaker 5: you're just standing there and I know all these records.

1217
00:57:38,560 --> 00:57:39,760
Speaker 4: I don't know all of these records.

1218
00:57:39,840 --> 00:57:44,000
Speaker 5: I'm really gonna be listening, standing there watching Young Boy perform,

1219
00:57:44,600 --> 00:57:47,120
Speaker 5: and I can't go with somebody that knows, and they

1220
00:57:47,240 --> 00:57:49,120
Speaker 5: hyped and they trying to get me out, like I

1221
00:57:49,160 --> 00:57:49,680
Speaker 5: don't even.

1222
00:57:49,520 --> 00:57:50,200
Speaker 4: Know what he's saying.

1223
00:57:52,040 --> 00:57:53,640
Speaker 5: Yeah, so it's fake if I go because I don't

1224
00:57:53,680 --> 00:57:56,280
Speaker 5: even know these these songs like that. So some of them,

1225
00:57:56,280 --> 00:57:58,280
Speaker 5: I'm like, I might know a couple of the balls,

1226
00:57:58,360 --> 00:58:00,280
Speaker 5: like okay, yeah, I remember that ball right there. But

1227
00:58:00,960 --> 00:58:03,960
Speaker 5: these people are, like you said, Rory, they grew up

1228
00:58:04,040 --> 00:58:06,720
Speaker 5: with this shit, they lived with this music. They couldn't

1229
00:58:06,840 --> 00:58:08,600
Speaker 5: wait for Young Boy to come to their city, like

1230
00:58:08,640 --> 00:58:11,960
Speaker 5: they've been waiting for this moment for years. So now

1231
00:58:11,960 --> 00:58:14,040
Speaker 5: that is here, I just think it's dope to see

1232
00:58:14,160 --> 00:58:16,440
Speaker 5: it and shout out the young boy man because you know,

1233
00:58:16,560 --> 00:58:19,440
Speaker 5: being able to develop a fan base like this in

1234
00:58:19,600 --> 00:58:22,520
Speaker 5: all these years of curating this this, this sound for

1235
00:58:22,600 --> 00:58:24,520
Speaker 5: your for your audience, and now being able to go

1236
00:58:24,600 --> 00:58:27,440
Speaker 5: to these cities and set out these arenas is it's

1237
00:58:27,480 --> 00:58:28,000
Speaker 5: some dope shit.

1238
00:58:28,080 --> 00:58:29,480
Speaker 4: So saluting be a young boy man.

1239
00:58:29,600 --> 00:58:31,160
Speaker 1: I'm gonna check it out. I feel like I've always

1240
00:58:31,360 --> 00:58:32,920
Speaker 1: judged him by the way he looked.

1241
00:58:33,360 --> 00:58:36,640
Speaker 4: Mm hmm, like I mean, he looked like every other Yeah.

1242
00:58:36,440 --> 00:58:36,560
Speaker 3: I know.

1243
00:58:36,600 --> 00:58:38,160
Speaker 1: That's why I don't listen to him if I if

1244
00:58:38,240 --> 00:58:40,440
Speaker 1: I don't listen if I met you, he looked like

1245
00:58:40,480 --> 00:58:40,880
Speaker 1: who else?

1246
00:58:41,400 --> 00:58:43,520
Speaker 4: A bunch of artists you listen to it's the same,

1247
00:58:43,560 --> 00:58:46,160
Speaker 4: look who who the matter?

1248
00:58:46,200 --> 00:58:46,600
Speaker 2: You listen to?

1249
00:58:46,720 --> 00:58:50,880
Speaker 1: Ratchett shit, not men that I listen to women, ratiss shit.

1250
00:58:50,920 --> 00:58:52,520
Speaker 1: I don't listen to men ration shit. I don't know

1251
00:58:52,600 --> 00:58:55,480
Speaker 1: none of this ship now these people. If I will

1252
00:58:55,520 --> 00:58:57,400
Speaker 1: meet you in a dark alley and you look like

1253
00:58:57,440 --> 00:58:58,880
Speaker 1: I should be afraid of you, like I should cross

1254
00:58:58,880 --> 00:59:00,680
Speaker 1: the street, I don't really check your music out. I

1255
00:59:00,720 --> 00:59:02,560
Speaker 1: don't know, and I shouldn't do that. I should be better,

1256
00:59:02,800 --> 00:59:04,480
Speaker 1: which is why I'm going to check out some of

1257
00:59:04,680 --> 00:59:07,440
Speaker 1: NBA's music. I don't be listening to these these rappers

1258
00:59:07,520 --> 00:59:10,000
Speaker 1: with the be the tattoos and shit on they face

1259
00:59:10,040 --> 00:59:10,840
Speaker 1: like that. I don't listen to that.

1260
00:59:12,000 --> 00:59:12,760
Speaker 4: You listen to Wayne?

1261
00:59:12,800 --> 00:59:16,400
Speaker 1: I was just about okay, Wayne the original, the creator, right,

1262
00:59:16,480 --> 00:59:17,320
Speaker 1: But these new ones.

1263
00:59:17,480 --> 00:59:20,680
Speaker 4: Know, Hey, y'all don't either.

1264
00:59:20,720 --> 00:59:22,240
Speaker 1: Why am I looking at me like I'm crazy?

1265
00:59:22,400 --> 00:59:23,680
Speaker 4: Oh no, I've tried.

1266
00:59:24,160 --> 00:59:27,800
Speaker 3: You aware that he has been a superstar in his

1267
00:59:27,880 --> 00:59:30,000
Speaker 3: own right with his fan base for a long time.

1268
00:59:30,040 --> 00:59:31,400
Speaker 4: I've seen the numbers. I've tried.

1269
00:59:31,560 --> 00:59:34,760
Speaker 3: I've done the jay Z headbop like pretending like I

1270
00:59:34,800 --> 00:59:36,320
Speaker 3: think this is all right, but I'm never gonna listen

1271
00:59:36,360 --> 00:59:39,080
Speaker 3: to again. But I need somebody like that girl to

1272
00:59:39,160 --> 00:59:42,320
Speaker 3: sell it to me with the green hair. What's what's

1273
00:59:43,160 --> 00:59:45,480
Speaker 3: what's worse with the concert going with somebody that's way

1274
00:59:45,560 --> 00:59:47,680
Speaker 3: too cool, like Maul bringing up the Drake Show when

1275
00:59:47,720 --> 00:59:51,800
Speaker 3: he was there, or for example, Deannie Scotti Beam love

1276
00:59:51,840 --> 00:59:54,840
Speaker 3: you to death. Every Cold Show I go to with her,

1277
00:59:55,400 --> 00:59:59,040
Speaker 3: she's wrapping every fucking word in my face the entire.

1278
00:59:59,800 --> 01:00:02,040
Speaker 1: I was insane at the Cold Show. I was infer.

1279
01:00:03,400 --> 01:00:06,680
Speaker 3: Because I feed off. It makes it feel a little

1280
01:00:06,720 --> 01:00:08,800
Speaker 3: bit better. Like sometimes I'll wrap back with her.

1281
01:00:09,600 --> 01:00:11,160
Speaker 5: I get mad if I'm in the car when somebody's

1282
01:00:11,200 --> 01:00:14,480
Speaker 5: rapping the whole song car that's too much, so now

1283
01:00:15,360 --> 01:00:17,960
Speaker 5: loud enough for you to show. If we have to

1284
01:00:18,000 --> 01:00:19,800
Speaker 5: show and you're keep you keep jumping in my ear

1285
01:00:19,840 --> 01:00:23,120
Speaker 5: and my face trying to get balls, it's it's like, yo,

1286
01:00:23,200 --> 01:00:26,000
Speaker 5: shut the fund that is right here in front of us,

1287
01:00:26,080 --> 01:00:26,840
Speaker 5: Like let them do that.

1288
01:00:26,920 --> 01:00:28,320
Speaker 4: You shut you shut up.

1289
01:00:28,680 --> 01:00:31,320
Speaker 3: That was me at Cole I was talking, but you

1290
01:00:31,440 --> 01:00:34,200
Speaker 3: wrapped along at a concert before. No, I'm not saying

1291
01:00:34,280 --> 01:00:35,440
Speaker 3: streaming in someone's face, but.

1292
01:00:35,880 --> 01:00:38,120
Speaker 5: But I'm not grabbing you trying to like get you like,

1293
01:00:38,240 --> 01:00:40,000
Speaker 5: but to that type of show, that's what you gotta

1294
01:00:40,040 --> 01:00:42,560
Speaker 5: do at this show. You gotta punch somebody in their face. Yeah,

1295
01:00:42,800 --> 01:00:45,000
Speaker 5: like you got you gotta punch somebody in their face

1296
01:00:45,480 --> 01:00:47,240
Speaker 5: for an interest. It's like a jello Yeah, this is

1297
01:00:47,320 --> 01:00:49,320
Speaker 5: this is That's just what this is. But it's it's

1298
01:00:49,600 --> 01:00:51,600
Speaker 5: it's dope to see it, man, it's definitely dope to

1299
01:00:51,640 --> 01:00:51,840
Speaker 5: see it.

1300
01:00:51,840 --> 01:00:53,640
Speaker 4: And I know he did l a last night. I

1301
01:00:53,720 --> 01:00:56,920
Speaker 4: think I'm not sure what Elch is going, but yo,

1302
01:00:57,120 --> 01:00:59,000
Speaker 4: I gotta, I gotta, I gotta, I gotta, I got

1303
01:00:59,120 --> 01:00:59,880
Speaker 4: it down a little more.

1304
01:01:00,080 --> 01:01:02,240
Speaker 5: Be a young boy music and learns and learn the

1305
01:01:02,360 --> 01:01:04,640
Speaker 5: music more so I can before I can go to

1306
01:01:04,760 --> 01:01:07,080
Speaker 5: a live show, I can't just go out there not knowing.

1307
01:01:07,920 --> 01:01:09,680
Speaker 4: I got to know the music. I have to know me.

1308
01:01:09,800 --> 01:01:14,720
Speaker 1: He coming to Newark on September twenty ninth, Almos's birthday.

1309
01:01:15,760 --> 01:01:17,480
Speaker 1: We're not your actual birthday, but your birthday weekend.

1310
01:01:18,080 --> 01:01:22,600
Speaker 4: Yeah. Nah, No, I would have considered the Garden or Barclays.

1311
01:01:22,640 --> 01:01:25,040
Speaker 1: Oh, Barclays seven.

1312
01:01:24,240 --> 01:01:27,280
Speaker 4: Closer to the Prudential Center. We have the seventh.

1313
01:01:27,360 --> 01:01:30,560
Speaker 3: Yeah, the Yo, the Jersey crowd, the Jersey young boy crowd.

1314
01:01:30,720 --> 01:01:30,880
Speaker 2: Good.

1315
01:01:30,960 --> 01:01:33,040
Speaker 4: I is getting be the most terrifying year.

1316
01:01:33,120 --> 01:01:36,040
Speaker 3: Yeah, the New York show compared to the Garden show,

1317
01:01:36,080 --> 01:01:38,200
Speaker 3: which by the way, is twenty minutes away from each other.

1318
01:01:38,720 --> 01:01:39,480
Speaker 4: It's going to be.

1319
01:01:39,760 --> 01:01:42,160
Speaker 1: Two different worlds. Oh, I'm cool, two different worlds. I'm

1320
01:01:42,200 --> 01:01:44,120
Speaker 1: going to the Morning in Brooklyn. I promise you, I'm

1321
01:01:44,160 --> 01:01:45,160
Speaker 1: not going to the one in Newark.

1322
01:01:46,120 --> 01:01:47,200
Speaker 4: You bug the fuck out.

1323
01:01:47,560 --> 01:01:50,600
Speaker 1: It was not like in Newark. I'm cool.

1324
01:01:50,800 --> 01:01:52,920
Speaker 3: If you're going to experience it, maybe the Newark one

1325
01:01:53,000 --> 01:01:56,160
Speaker 3: is the one. Yeah, but I gotta get the real film.

1326
01:01:56,200 --> 01:01:57,840
Speaker 3: But they gonna shoot outside that ship.

1327
01:01:58,640 --> 01:02:00,960
Speaker 4: Yeah, Newark. I feel like I got to wear a

1328
01:02:00,960 --> 01:02:03,960
Speaker 4: shisty if I go though, I got Noah, but then

1329
01:02:03,960 --> 01:02:07,240
Speaker 4: you're gonna beat like everybody else. Gotta stand out, Nah, nah,

1330
01:02:07,320 --> 01:02:09,240
Speaker 4: you gotta you gotta blend. I have to blend in.

1331
01:02:09,680 --> 01:02:12,160
Speaker 5: Where's wearing a suit at the NBA Young Boys Show?

1332
01:02:12,400 --> 01:02:13,560
Speaker 5: They will beat the shit.

1333
01:02:13,400 --> 01:02:14,080
Speaker 4: Out in the omicad.

1334
01:02:14,160 --> 01:02:15,680
Speaker 5: First of all, they're gonna think I'm a nark and

1335
01:02:16,280 --> 01:02:19,040
Speaker 5: is police a suit at the NBA Young Boys Show?

1336
01:02:19,120 --> 01:02:20,920
Speaker 3: Though, Now you can't dress like we're going to the

1337
01:02:21,000 --> 01:02:21,919
Speaker 3: g Z Orchestra show.

1338
01:02:22,160 --> 01:02:25,480
Speaker 4: No, absolutely, that's fine. No, it's not. I promise you

1339
01:02:25,520 --> 01:02:26,200
Speaker 4: it was not. Nah.

1340
01:02:26,840 --> 01:02:29,560
Speaker 3: I feel like your NBA Young Boy Show should change

1341
01:02:29,560 --> 01:02:31,160
Speaker 3: the rules for arenas. I should be able to walk

1342
01:02:31,200 --> 01:02:33,280
Speaker 3: in with no shirt. The people in there with no

1343
01:02:33,360 --> 01:02:35,000
Speaker 3: shirts on, well, they walked in with a shirt on,

1344
01:02:35,040 --> 01:02:36,720
Speaker 3: they took it off after. Oh I'm saying I should

1345
01:02:36,720 --> 01:02:38,560
Speaker 3: be able to show up with no shirt at all.

1346
01:02:39,480 --> 01:02:41,680
Speaker 3: I mean, you know, as young boy ever like once

1347
01:02:41,760 --> 01:02:42,320
Speaker 3: a little high.

1348
01:02:44,200 --> 01:02:45,440
Speaker 4: Oh, I thought that was the whole aesthetic.

1349
01:02:45,600 --> 01:02:48,960
Speaker 5: It's your shirtless no hear he wearing some shit on stage.

1350
01:02:49,400 --> 01:02:50,720
Speaker 5: I mean, I'm sure at some point you might take

1351
01:02:50,720 --> 01:02:52,160
Speaker 5: a shirt off and really get into the you know,

1352
01:02:52,720 --> 01:02:54,800
Speaker 5: the night. But it's just dope.

1353
01:02:54,800 --> 01:02:56,439
Speaker 4: To see it. Man, all all the clips I'm saying

1354
01:02:56,520 --> 01:02:58,920
Speaker 4: is the energy is I haven't seen.

1355
01:03:01,480 --> 01:03:01,600
Speaker 3: Bro.

1356
01:03:01,680 --> 01:03:03,600
Speaker 4: I'm not gonna lie. That type of energy is crazy

1357
01:03:03,680 --> 01:03:05,480
Speaker 4: for the entire arena to be You know how hard

1358
01:03:05,560 --> 01:03:07,960
Speaker 4: is to sell tickets period right now, let alone in arena.

1359
01:03:09,400 --> 01:03:11,840
Speaker 4: But you know that type of clip. Yeah yeah.

1360
01:03:11,920 --> 01:03:13,680
Speaker 5: And then, like I said, his fan base is very

1361
01:03:14,000 --> 01:03:17,000
Speaker 5: They've been waiting for this ship. They've been way couldn't

1362
01:03:17,120 --> 01:03:18,640
Speaker 5: wait for this tour.

1363
01:03:19,960 --> 01:03:21,800
Speaker 3: And you know they're dedicated fans because then, I'm not

1364
01:03:21,840 --> 01:03:24,040
Speaker 3: going to get into Everyone makes mistakes, but I feel

1365
01:03:24,080 --> 01:03:25,960
Speaker 3: like every other month I'm seeing some wild shit the

1366
01:03:26,040 --> 01:03:27,959
Speaker 3: young boy is doing like those are.

1367
01:03:29,040 --> 01:03:30,000
Speaker 4: He could do anything.

1368
01:03:31,240 --> 01:03:33,560
Speaker 3: The fact how he's moved on certain things, or how

1369
01:03:33,600 --> 01:03:35,680
Speaker 3: the Internet has painted him and you can still sell

1370
01:03:35,720 --> 01:03:36,600
Speaker 3: out arenas this way.

1371
01:03:37,480 --> 01:03:38,439
Speaker 4: Yeah, they love your.

1372
01:03:38,400 --> 01:03:44,000
Speaker 1: Music, Philly, I'd rather die.

1373
01:03:44,840 --> 01:03:46,080
Speaker 4: Yeah, Philly would be kind of nuts.

1374
01:03:46,120 --> 01:03:47,360
Speaker 1: He signed a Motown.

1375
01:03:47,800 --> 01:03:49,640
Speaker 4: Well, I mean it merged. They all merged.

1376
01:03:49,640 --> 01:03:52,720
Speaker 3: It's musical chairs mm hm, Like he didn't he didn't

1377
01:03:52,760 --> 01:03:54,360
Speaker 3: sign to the same motown.

1378
01:03:54,760 --> 01:03:58,600
Speaker 4: No ship. Oh he was in Oakland. That wasn't even La,

1379
01:03:58,720 --> 01:04:02,920
Speaker 4: that was Oakland. Last what dates is that?

1380
01:04:03,520 --> 01:04:08,880
Speaker 5: That's No, He's in Oakland tonight, well tomorrow, Okay, he

1381
01:04:09,000 --> 01:04:13,880
Speaker 5: was in LA last night though, Okay, on.

1382
01:04:14,000 --> 01:04:15,800
Speaker 3: The low, I think the Phoenix show might be the

1383
01:04:15,880 --> 01:04:19,560
Speaker 3: scariest because I know the Mexicans love Young Boy.

1384
01:04:19,680 --> 01:04:22,640
Speaker 4: Mm hmm, that might be. It would rivele between Nork

1385
01:04:22,680 --> 01:04:24,360
Speaker 4: and Phoenix of the scariest shows on the store.

1386
01:04:25,160 --> 01:04:29,160
Speaker 3: Oh no, Lewis and Chicago might wait hold Saint Louis

1387
01:04:29,280 --> 01:04:29,720
Speaker 3: for sure.

1388
01:04:30,760 --> 01:04:31,800
Speaker 4: Baltimore, I don't know.

1389
01:04:32,200 --> 01:04:35,680
Speaker 1: I'm not going to no NBA Young Boys show in Baltimore.

1390
01:04:35,760 --> 01:04:37,560
Speaker 1: I'm cool, I'm cool.

1391
01:04:37,960 --> 01:04:41,360
Speaker 4: Oh No, that's Chicago. One's scary because he had B

1392
01:04:41,520 --> 01:04:45,040
Speaker 4: for Chicago like he had BEE for Dirky. Oh yeah, yeah, yeah.

1393
01:04:45,720 --> 01:04:50,440
Speaker 5: So yeah man, Hopefully you know, I mean hopefully nothing happens.

1394
01:04:50,440 --> 01:04:53,360
Speaker 5: We don't want to get no news about anything negative

1395
01:04:53,440 --> 01:04:55,920
Speaker 5: or crazy happening because seeing this type of energy is

1396
01:04:55,960 --> 01:04:58,240
Speaker 5: just dope to see people go out and support their artists.

1397
01:04:58,240 --> 01:05:02,040
Speaker 5: But we know the history of him in serch Chicago artists.

1398
01:05:02,040 --> 01:05:05,160
Speaker 1: So yeah, I don't know nobody from that side, from

1399
01:05:05,200 --> 01:05:07,640
Speaker 1: what side and be a young boys side?

1400
01:05:07,880 --> 01:05:08,160
Speaker 4: Listen.

1401
01:05:08,200 --> 01:05:09,680
Speaker 3: I told you when I went to bat and Rouge

1402
01:05:10,200 --> 01:05:12,760
Speaker 3: a couple of months ago and she told me this

1403
01:05:13,520 --> 01:05:15,400
Speaker 3: young boyshood I said, could we just not be hear them?

1404
01:05:17,080 --> 01:05:18,720
Speaker 3: We was drivers, sayah, where you're from? I was like, well,

1405
01:05:18,800 --> 01:05:20,320
Speaker 3: let's then let's take a left and the left and

1406
01:05:20,360 --> 01:05:21,000
Speaker 3: get the fuck out of here.

1407
01:05:22,040 --> 01:05:27,320
Speaker 4: You scared? Yeah, you thought I was say, no, nigga actually.

1408
01:05:28,680 --> 01:05:31,880
Speaker 3: Walk around with the assault rifles just out like they

1409
01:05:31,920 --> 01:05:32,640
Speaker 3: ain't even illegal.

1410
01:05:33,440 --> 01:05:37,680
Speaker 4: Yeah, years and I could. I want to learn.

1411
01:05:37,880 --> 01:05:39,760
Speaker 1: I want to go now now the prime. I want

1412
01:05:39,760 --> 01:05:41,320
Speaker 1: to go now music.

1413
01:05:41,400 --> 01:05:42,320
Speaker 4: It's fake if I go now.

1414
01:05:42,360 --> 01:05:42,600
Speaker 2: I don't know.

1415
01:05:42,640 --> 01:05:43,680
Speaker 4: I don't know the music enough.

1416
01:05:43,760 --> 01:05:45,400
Speaker 1: But that's okay, do you actually people A lot of

1417
01:05:45,400 --> 01:05:47,760
Speaker 1: people tend to go to shows to learn new music.

1418
01:05:48,040 --> 01:05:49,280
Speaker 1: You don't got to go to the show and know

1419
01:05:49,360 --> 01:05:49,720
Speaker 1: every song.

1420
01:05:50,000 --> 01:05:51,000
Speaker 4: You got to know the music.

1421
01:05:51,120 --> 01:05:51,280
Speaker 3: Man.

1422
01:05:51,840 --> 01:05:53,960
Speaker 4: That's like going to the game and not knowing who playing.

1423
01:05:54,840 --> 01:05:55,160
Speaker 4: I don't know.

1424
01:05:55,360 --> 01:05:58,040
Speaker 1: You discover, You discover songs because a lot of songs

1425
01:05:58,080 --> 01:06:00,160
Speaker 1: you might put on like in your headphone to be

1426
01:06:00,240 --> 01:06:02,880
Speaker 1: like turn this ship off, right. But you go to

1427
01:06:03,000 --> 01:06:04,920
Speaker 1: the show and you see Shorty with degree here doing

1428
01:06:04,960 --> 01:06:06,880
Speaker 1: all I just like, wait, hold on, what's this song?

1429
01:06:07,000 --> 01:06:09,200
Speaker 1: Let me That's why you're supposed to go check out

1430
01:06:09,240 --> 01:06:11,360
Speaker 1: new shows, local artists, all of that stuff.

1431
01:06:11,920 --> 01:06:14,520
Speaker 3: They're sitting at the Young Boys show in the mash pit,

1432
01:06:14,560 --> 01:06:17,040
Speaker 3: trying to hold your phone up for Shazam. Yeah, they're

1433
01:06:17,040 --> 01:06:17,720
Speaker 3: gonna knock you out.

1434
01:06:18,840 --> 01:06:19,680
Speaker 4: Who's no.

1435
01:06:19,760 --> 01:06:21,400
Speaker 5: I would beat in the figure out this. I would

1436
01:06:21,400 --> 01:06:23,160
Speaker 5: be in the skybox. One put me in a suite.

1437
01:06:23,720 --> 01:06:25,640
Speaker 5: Let me just chill up here, look down at you know,

1438
01:06:25,760 --> 01:06:28,120
Speaker 5: the real fan. I just want to hear the music

1439
01:06:28,200 --> 01:06:29,440
Speaker 5: and see the performance, like, let me.

1440
01:06:29,720 --> 01:06:31,680
Speaker 4: I can't beat in that. I need to touch the face. Nah,

1441
01:06:31,720 --> 01:06:34,760
Speaker 4: I can't be in that. What's the most dangerous show

1442
01:06:34,760 --> 01:06:38,480
Speaker 4: You've ever been to? The most dangerous show I've ever

1443
01:06:38,560 --> 01:06:42,600
Speaker 4: been to, even if it turned out that way and

1444
01:06:42,640 --> 01:06:47,560
Speaker 4: you didn't anticipate it, the most dangerous show.

1445
01:06:48,120 --> 01:06:49,560
Speaker 1: I've never been to a dangerous show.

1446
01:06:50,040 --> 01:06:53,880
Speaker 4: I feel like it may have been somebody at Irvin Plaza.

1447
01:06:54,480 --> 01:06:58,080
Speaker 1: But not that oh the Nipsey Ussle one Walter Crips

1448
01:06:58,120 --> 01:06:58,640
Speaker 1: in the building.

1449
01:06:59,080 --> 01:07:03,919
Speaker 4: But I felt safe. This was in New York, Irvin Plaza, Okay, Yeah,

1450
01:07:03,920 --> 01:07:05,960
Speaker 4: I feel like it was. I can't remember who it was,

1451
01:07:06,120 --> 01:07:08,800
Speaker 4: though I felt safe. Though. I feel like it was

1452
01:07:08,840 --> 01:07:11,800
Speaker 4: Irvin Plaza, Okay, might have been I was in there.

1453
01:07:11,840 --> 01:07:14,880
Speaker 5: I remember having a feeling like, Yeah, the energy in

1454
01:07:14,920 --> 01:07:18,560
Speaker 5: heir is a little it's a little tense, but never

1455
01:07:18,680 --> 01:07:20,000
Speaker 5: in like never at the Garden.

1456
01:07:20,080 --> 01:07:21,640
Speaker 4: I never been to that show with the Garden where.

1457
01:07:21,480 --> 01:07:24,360
Speaker 3: I felt that well, I mean, you did say you

1458
01:07:24,400 --> 01:07:25,960
Speaker 3: were in the hallway when R. Kelly walked down and

1459
01:07:26,600 --> 01:07:27,400
Speaker 3: violence ensued.

1460
01:07:29,000 --> 01:07:31,080
Speaker 4: You say, I was kind of dangerous. There was a

1461
01:07:31,120 --> 01:07:32,840
Speaker 4: gun there, said he didn't want nobody looking at him

1462
01:07:32,840 --> 01:07:36,760
Speaker 4: in his eyes, and then somebody allegedly put pepper spray

1463
01:07:36,800 --> 01:07:40,840
Speaker 4: in his eyes. Yeah, but that wasn't dangerous. That was

1464
01:07:40,960 --> 01:07:42,880
Speaker 4: R and B like, that wasn't like dangerous.

1465
01:07:43,280 --> 01:07:47,200
Speaker 3: I mean, speaking of Newark and Jersey in general, Hot

1466
01:07:47,280 --> 01:07:50,200
Speaker 3: ninety seven once did remember when they used to do

1467
01:07:50,280 --> 01:07:53,280
Speaker 3: those like Next Up or Whose Next? Shows, which I

1468
01:07:53,360 --> 01:07:55,480
Speaker 3: appreciate they was trying to get like local talent, and

1469
01:07:56,480 --> 01:07:59,520
Speaker 3: they did one that was just specific to Jersey with

1470
01:07:59,640 --> 01:08:01,960
Speaker 3: a bunch of Jersey acts. I want to say Trench

1471
01:08:02,040 --> 01:08:06,040
Speaker 3: hosted it as well. That was the most violent show

1472
01:08:06,240 --> 01:08:09,720
Speaker 3: I think I've ever been that. Like, they rivaled what

1473
01:08:10,400 --> 01:08:13,960
Speaker 3: when Saigon Prodigy and all the Queensbridge fought at Sobs

1474
01:08:14,000 --> 01:08:15,120
Speaker 3: with that legendary footage.

1475
01:08:15,960 --> 01:08:19,200
Speaker 4: There was so much tension in that small, small fucking venue.

1476
01:08:19,520 --> 01:08:21,920
Speaker 3: Yeah, that was probably the one time be in a

1477
01:08:21,960 --> 01:08:24,439
Speaker 3: show where I'm like, I don't know if this is

1478
01:08:24,479 --> 01:08:29,040
Speaker 3: worth worth staying here, Like yeah, I'll be a bystander

1479
01:08:29,240 --> 01:08:30,600
Speaker 3: somehow in this entire show, I.

1480
01:08:30,600 --> 01:08:33,840
Speaker 5: Can't remember who was at Irvin Plaza, like who was

1481
01:08:34,640 --> 01:08:39,160
Speaker 5: It may have been Meeking somebody else. And I was like, yeah,

1482
01:08:39,200 --> 01:08:41,880
Speaker 5: this energy and here it was just a little you know,

1483
01:08:42,040 --> 01:08:45,200
Speaker 5: you know that energy which was like the faces ain't friendly,

1484
01:08:45,360 --> 01:08:49,160
Speaker 5: nobody smiling. It's not a lot of women you know

1485
01:08:49,280 --> 01:08:51,240
Speaker 5: those shows of course, you know. It was just like

1486
01:08:51,280 --> 01:08:52,960
Speaker 5: all right, man, I'm about to well, let me stay

1487
01:08:53,040 --> 01:08:54,760
Speaker 5: close to the exit because it might go down there.

1488
01:08:55,000 --> 01:08:57,920
Speaker 3: But I've told you guys the story of when I

1489
01:08:58,040 --> 01:09:00,400
Speaker 3: was DJing at the New Yerekend with my Man and

1490
01:09:00,560 --> 01:09:02,840
Speaker 3: we got into it and I thought I was gonna

1491
01:09:02,880 --> 01:09:05,519
Speaker 3: die with the guys from Connecticut. So there was another

1492
01:09:05,640 --> 01:09:08,600
Speaker 3: time I was DJing from Man's that was opening up

1493
01:09:08,640 --> 01:09:10,160
Speaker 3: for I won't say his name. He was signed to

1494
01:09:10,240 --> 01:09:12,519
Speaker 3: the Lock, not the Locks, to d Block at the time,

1495
01:09:13,160 --> 01:09:15,280
Speaker 3: and we were opening up for him based off his

1496
01:09:15,600 --> 01:09:18,920
Speaker 3: manager's relationship with d Block. But my Man's was on

1497
01:09:19,080 --> 01:09:22,040
Speaker 3: some singing and rapping shit. It wasn't that type of crowd.

1498
01:09:25,680 --> 01:09:27,200
Speaker 3: This is like when you really got to cut your

1499
01:09:27,240 --> 01:09:30,160
Speaker 3: teeth and earn your keep, Like what it's like to

1500
01:09:30,240 --> 01:09:33,839
Speaker 3: feel like you're dying on stage of just going records

1501
01:09:33,920 --> 01:09:39,599
Speaker 3: record somebody that was affiliated with that artist twice my size.

1502
01:09:39,840 --> 01:09:41,640
Speaker 3: In the middle of my man performing and we had

1503
01:09:41,680 --> 01:09:44,160
Speaker 3: like an intricate DJ set, I was trying to mix

1504
01:09:44,240 --> 01:09:47,120
Speaker 3: certain stuff, like we had a set we rehearsed, it's

1505
01:09:49,320 --> 01:09:55,680
Speaker 3: all this entire thing for fucker over me hits the

1506
01:09:56,040 --> 01:09:58,360
Speaker 3: fader and puts it to the side and said, it's

1507
01:09:58,400 --> 01:09:59,080
Speaker 3: time fiata lee.

1508
01:10:00,720 --> 01:10:01,799
Speaker 4: In the middle of the performance.

1509
01:10:02,160 --> 01:10:04,080
Speaker 3: Yeah, but I had I had well, I was on vinyl,

1510
01:10:04,120 --> 01:10:06,639
Speaker 3: so I had two things playing, so it didn't affect.

1511
01:10:06,800 --> 01:10:10,439
Speaker 3: Like my man kept rapping, And it was the first

1512
01:10:10,520 --> 01:10:13,000
Speaker 3: time in my life where I was like, I'm about

1513
01:10:13,080 --> 01:10:16,360
Speaker 3: to say something that I know I'm gonna die, but I.

1514
01:10:16,439 --> 01:10:18,840
Speaker 4: Have no other option. Got to be a man, I

1515
01:10:19,479 --> 01:10:20,599
Speaker 4: had no other option.

1516
01:10:21,120 --> 01:10:23,960
Speaker 3: I know this is not going to end well, I said,

1517
01:10:24,080 --> 01:10:26,439
Speaker 3: ain't no fucking way. We got three more fucking songs, get.

1518
01:10:26,360 --> 01:10:26,760
Speaker 4: Away from me.

1519
01:10:28,000 --> 01:10:30,559
Speaker 3: Let's just say we were handled outside of the building.

1520
01:10:30,680 --> 01:10:31,760
Speaker 4: But my man finished the set.

1521
01:10:31,960 --> 01:10:35,360
Speaker 5: No handled finished the set, though finished the set handled.

1522
01:10:35,400 --> 01:10:37,479
Speaker 5: We get beat up outside. But we finished the set though,

1523
01:10:37,520 --> 01:10:38,360
Speaker 5: That's all that matters.

1524
01:10:38,479 --> 01:10:41,759
Speaker 3: And my man, who I love, did what every opening

1525
01:10:41,880 --> 01:10:45,080
Speaker 3: act does because the Locks are supposed to be special guests.

1526
01:10:45,120 --> 01:10:47,960
Speaker 3: With this guy as well. It was like on the flyer.

1527
01:10:49,000 --> 01:10:51,599
Speaker 3: So when you're just drowning in a set and it's

1528
01:10:51,680 --> 01:10:52,719
Speaker 3: dead choir and saying.

1529
01:10:52,600 --> 01:10:55,519
Speaker 4: Like that, Yo, what y'all get the fuck off the stage? Yo,

1530
01:10:55,520 --> 01:11:01,240
Speaker 4: who's ready to see the Locks? Whole crowded run he said.

1531
01:11:01,280 --> 01:11:03,200
Speaker 3: For the last song, he went, yeah, not cut it,

1532
01:11:03,280 --> 01:11:06,840
Speaker 3: let's get We was in there because this was nine

1533
01:11:06,960 --> 01:11:10,080
Speaker 3: like when we were on the Blog era type of rap,

1534
01:11:10,200 --> 01:11:12,040
Speaker 3: and that crowd was not trying to hear none of

1535
01:11:12,080 --> 01:11:12,400
Speaker 3: that ship.

1536
01:11:12,720 --> 01:11:13,639
Speaker 4: He was really singing.

1537
01:11:14,280 --> 01:11:16,519
Speaker 3: He was like had an R and B part. It

1538
01:11:16,640 --> 01:11:19,320
Speaker 3: was a bunch of dudes and Champion hoodies waiting to

1539
01:11:19,400 --> 01:11:21,600
Speaker 3: see if Style was going to show up. It was.

1540
01:11:21,760 --> 01:11:23,760
Speaker 3: It was one of the crazy experiences. But no, we

1541
01:11:23,840 --> 01:11:25,760
Speaker 3: were physically handled as that old place.

1542
01:11:26,720 --> 01:11:28,800
Speaker 4: No, no, no, this was it was. It was in

1543
01:11:28,840 --> 01:11:29,120
Speaker 4: the city.

1544
01:11:31,640 --> 01:11:33,479
Speaker 1: I want to ask you a question, actually, because I

1545
01:11:33,600 --> 01:11:39,240
Speaker 1: value your opinion. I value your opinion some things. So

1546
01:11:39,479 --> 01:11:41,880
Speaker 1: I was reading my devotional today and the message was

1547
01:11:41,880 --> 01:11:45,439
Speaker 1: about forgiveness right, being able to forgive people that have

1548
01:11:45,520 --> 01:11:48,439
Speaker 1: hurt you because as God has forgiven us for our sins,

1549
01:11:48,479 --> 01:11:49,639
Speaker 1: and I've sent many of times.

1550
01:11:49,720 --> 01:11:50,040
Speaker 4: Amen.

1551
01:11:51,479 --> 01:11:54,759
Speaker 1: How do you feel about being able to forgive somebody

1552
01:11:54,800 --> 01:11:56,439
Speaker 1: even if you don't want them in your life anymore?

1553
01:11:57,600 --> 01:11:59,400
Speaker 1: Somebody had did some fucked up shit to you and

1554
01:11:59,439 --> 01:12:01,120
Speaker 1: you don't want them in your life anymore, are you

1555
01:12:01,240 --> 01:12:02,840
Speaker 1: still able to forgive them?

1556
01:12:04,000 --> 01:12:07,320
Speaker 5: I think it depends on where you're at mentally emotionally.

1557
01:12:09,360 --> 01:12:12,320
Speaker 5: If you're at that, if you're that mature, yeah, I've

1558
01:12:12,360 --> 01:12:14,880
Speaker 5: done it. I forgive people that have done some crazy

1559
01:12:14,920 --> 01:12:20,479
Speaker 5: shit to me that most people probably wouldn't forgive, but

1560
01:12:20,760 --> 01:12:22,880
Speaker 5: me not forgiving them does what you know what I'm saying.

1561
01:12:23,960 --> 01:12:25,640
Speaker 5: I think that energy is just on you. But when

1562
01:12:25,680 --> 01:12:27,080
Speaker 5: you forgive, you like listen, it's all good and you

1563
01:12:27,240 --> 01:12:30,320
Speaker 5: kind of just move forward. I think I think that's

1564
01:12:30,320 --> 01:12:33,040
Speaker 5: a little easier sometimes because it's not on you. It's

1565
01:12:33,120 --> 01:12:37,280
Speaker 5: not like a constant thought or you know, something that

1566
01:12:37,320 --> 01:12:40,200
Speaker 5: you're constantly thinking of. It is like I'm over that.

1567
01:12:41,120 --> 01:12:44,720
Speaker 5: I've grown since that, I've matured since that. But you

1568
01:12:44,840 --> 01:12:46,840
Speaker 5: have to be at that point though, you have to

1569
01:12:46,880 --> 01:12:48,479
Speaker 5: be at that point in your life where you just

1570
01:12:48,600 --> 01:12:51,120
Speaker 5: like because when I was younger, like you know what,

1571
01:12:51,200 --> 01:12:54,599
Speaker 5: I battled with that a lot, with finding out who

1572
01:12:54,680 --> 01:12:57,360
Speaker 5: killed my brother. And I think about that a lot,

1573
01:12:57,560 --> 01:13:00,760
Speaker 5: like if I was to find out now out, what

1574
01:13:00,800 --> 01:13:04,559
Speaker 5: will my reaction be, what I want revenge or would

1575
01:13:04,560 --> 01:13:07,679
Speaker 5: I just be like, you know, kind of like forgive,

1576
01:13:08,120 --> 01:13:11,200
Speaker 5: move forward, because that's what the Koran says, right, forgive,

1577
01:13:11,280 --> 01:13:12,639
Speaker 5: And you know what I'm saying, you move. But it's

1578
01:13:12,760 --> 01:13:15,720
Speaker 5: like it depends on what day you ask me that

1579
01:13:17,160 --> 01:13:18,760
Speaker 5: just being honest, you know what I'm saying. Some days,

1580
01:13:18,800 --> 01:13:21,760
Speaker 5: I'm like, fuck no, nigga, gladly go sit down in

1581
01:13:21,840 --> 01:13:25,679
Speaker 5: prison to revenge my brother's death. You know what I'm saying.

1582
01:13:26,600 --> 01:13:28,320
Speaker 5: But then in some days where I'm like, I can't

1583
01:13:28,360 --> 01:13:30,120
Speaker 5: put my mom's do that, I can't put my nieces

1584
01:13:30,120 --> 01:13:31,600
Speaker 5: and nephews do that. I can't put my brothers and

1585
01:13:31,640 --> 01:13:33,720
Speaker 5: sisters do that, like them having to come visit me

1586
01:13:33,760 --> 01:13:35,639
Speaker 5: in prison and all, Like you know what I'm saying,

1587
01:13:35,680 --> 01:13:38,360
Speaker 5: So you battle, and that's like, you know, that's like

1588
01:13:38,720 --> 01:13:40,840
Speaker 5: the biggest thing they try to forgive somebody for us

1589
01:13:41,040 --> 01:13:42,599
Speaker 5: is taking the life of one of your loved ones.

1590
01:13:43,600 --> 01:13:45,880
Speaker 5: But it's like you have to get to that point

1591
01:13:45,920 --> 01:13:48,200
Speaker 5: where it's like, nah, I forgive and I move forward

1592
01:13:48,240 --> 01:13:51,519
Speaker 5: with my life. Family is blessed, family is healthy. You

1593
01:13:51,600 --> 01:13:54,519
Speaker 5: look at those things and you kind of compare it

1594
01:13:54,560 --> 01:13:56,320
Speaker 5: to what would be the point of me not forgiving

1595
01:13:56,360 --> 01:13:56,679
Speaker 5: this person?

1596
01:13:56,760 --> 01:13:58,280
Speaker 4: Like what is that? What does that do?

1597
01:13:58,439 --> 01:13:58,519
Speaker 3: Now?

1598
01:13:58,560 --> 01:14:03,040
Speaker 5: Again, depends on which that you ask. Some days I'm strong.

1599
01:14:03,160 --> 01:14:05,240
Speaker 5: It's some days I'm weak as a motherfucker. If you

1600
01:14:05,320 --> 01:14:07,360
Speaker 5: ask me the weekday wear that nigga at, I'm ready

1601
01:14:07,400 --> 01:14:10,479
Speaker 5: to go. After we did three episodes, I'm ready to

1602
01:14:10,680 --> 01:14:14,439
Speaker 5: I'm ready. I'm ready to raise Hell. I'm ready to

1603
01:14:14,640 --> 01:14:19,600
Speaker 5: raise Hell. I'm ready to raise Hell like kill everybody,

1604
01:14:19,680 --> 01:14:21,160
Speaker 5: you know what I'm saying. But then it's some days

1605
01:14:21,720 --> 01:14:25,120
Speaker 5: where you know, I get videos of my nephew playing

1606
01:14:25,120 --> 01:14:28,040
Speaker 5: golf and I'm just like, damn, my nephew like golf.

1607
01:14:28,120 --> 01:14:31,040
Speaker 5: That's fire like, And I want to see him grow

1608
01:14:31,200 --> 01:14:33,479
Speaker 5: and see him become a man and do things like.

1609
01:14:33,720 --> 01:14:34,400
Speaker 4: Do I want to do that?

1610
01:14:34,479 --> 01:14:38,000
Speaker 5: From a prison, you get me like you start thinking

1611
01:14:38,040 --> 01:14:40,519
Speaker 5: about the things that you won't be here for and

1612
01:14:40,560 --> 01:14:42,639
Speaker 5: the things that you're missed. Me talking to my homeboys

1613
01:14:42,680 --> 01:14:45,080
Speaker 5: that's locked up and hearing how they talk about not

1614
01:14:45,200 --> 01:14:48,000
Speaker 5: being around for their kids and not being around for

1615
01:14:48,080 --> 01:14:50,479
Speaker 5: their family, Like you weigh a lot of those things,

1616
01:14:50,560 --> 01:14:55,439
Speaker 5: and forgiveness sometimes is the best, is the best.

1617
01:14:55,320 --> 01:14:57,360
Speaker 1: Choice, and just to move on even if you never

1618
01:14:57,400 --> 01:14:58,640
Speaker 1: get an apology.

1619
01:14:58,560 --> 01:15:00,080
Speaker 5: Even if you never get in them, because sometimes you

1620
01:15:00,120 --> 01:15:02,439
Speaker 5: don't need it. There's plenty of things that I moved

1621
01:15:02,479 --> 01:15:05,720
Speaker 5: on from that I don't want an apology from.

1622
01:15:05,760 --> 01:15:07,160
Speaker 4: I don't care to get an apology from.

1623
01:15:07,240 --> 01:15:09,800
Speaker 5: Like it's like for what, like I don't I don't

1624
01:15:09,840 --> 01:15:12,160
Speaker 5: even this person to me is not even I don't

1625
01:15:12,240 --> 01:15:14,240
Speaker 5: care to have an apology for you, Like it's just

1626
01:15:14,800 --> 01:15:16,320
Speaker 5: just stay out my way though, you know what.

1627
01:15:16,280 --> 01:15:18,160
Speaker 4: I'm saying, Like that, we ain't gonna be hanging out

1628
01:15:18,280 --> 01:15:20,160
Speaker 4: kicking it. It ain't none of that.

1629
01:15:20,439 --> 01:15:21,920
Speaker 5: I ain't that strong, you know what I'm saying. But

1630
01:15:22,000 --> 01:15:24,519
Speaker 5: it's just like you know, I'm not tripping either though,

1631
01:15:24,600 --> 01:15:26,760
Speaker 5: Like I'm not bent out of shape. I'm not looking

1632
01:15:26,800 --> 01:15:30,000
Speaker 5: for no apology. I'm not looking for life goes on

1633
01:15:30,160 --> 01:15:32,320
Speaker 5: man as tough as it's, as tough as that is,

1634
01:15:32,439 --> 01:15:35,960
Speaker 5: sometimes to just accept life does go on, you know

1635
01:15:35,960 --> 01:15:37,719
Speaker 5: what I'm saying, And you have to go with life

1636
01:15:37,840 --> 01:15:38,360
Speaker 5: like all.

1637
01:15:38,640 --> 01:15:41,519
Speaker 4: It is what it is never forget. You don't forget

1638
01:15:41,560 --> 01:15:43,120
Speaker 4: what you've been through. You don't forget what you went through.

1639
01:15:43,120 --> 01:15:45,760
Speaker 5: You don't forget those feelings and those emotions, but you

1640
01:15:45,920 --> 01:15:47,760
Speaker 5: learn from them, you grow from them, and you you know,

1641
01:15:47,880 --> 01:15:48,679
Speaker 5: you kind of say.

1642
01:15:48,520 --> 01:15:52,080
Speaker 4: All right, well, I have to move with life. Life,

1643
01:15:52,240 --> 01:15:54,559
Speaker 4: life goes on to me. I mean, I'm just speaking

1644
01:15:54,600 --> 01:15:54,960
Speaker 4: for myself.

1645
01:15:55,000 --> 01:15:57,080
Speaker 5: I can't speak to everybody, but I think it's easier

1646
01:15:57,160 --> 01:16:00,759
Speaker 5: sometimes it just kind of just forgive and move forward.

1647
01:16:01,600 --> 01:16:04,040
Speaker 1: I agree. My My biggest thing is I have a

1648
01:16:04,200 --> 01:16:07,479
Speaker 1: hard time when not getting the apology I need because

1649
01:16:08,400 --> 01:16:09,800
Speaker 1: now you're giving too much.

1650
01:16:09,760 --> 01:16:12,400
Speaker 5: Power, too much, You're giving them too much. You know

1651
01:16:12,439 --> 01:16:14,160
Speaker 5: what I'm saying, Like you don't what you need, what

1652
01:16:14,320 --> 01:16:16,400
Speaker 5: you need, what you need that person, because that's ego.

1653
01:16:16,960 --> 01:16:19,000
Speaker 5: A lot of that is ego that you're talking about,

1654
01:16:19,080 --> 01:16:19,280
Speaker 5: like what.

1655
01:16:19,400 --> 01:16:20,320
Speaker 4: You need that person?

1656
01:16:20,479 --> 01:16:24,240
Speaker 1: Because I hate when a motherfucker like when I know

1657
01:16:24,439 --> 01:16:27,280
Speaker 1: I'm right, like I know I'm right, like in this scenario,

1658
01:16:27,439 --> 01:16:30,080
Speaker 1: I know I didn't do anything wrong. I know I'm right,

1659
01:16:30,479 --> 01:16:32,280
Speaker 1: and you just won't give that to me. And I

1660
01:16:32,360 --> 01:16:34,360
Speaker 1: know that that is ego, right, I know that that's

1661
01:16:34,400 --> 01:16:36,439
Speaker 1: ego and that I need to let that go. But

1662
01:16:36,520 --> 01:16:39,000
Speaker 1: it's like, nah, you need to fucking apologize. But you know,

1663
01:16:39,160 --> 01:16:41,519
Speaker 1: because you're not even you're not even sorry. You ain't

1664
01:16:41,520 --> 01:16:43,200
Speaker 1: even gonna even going to pretend to be sorry.

1665
01:16:44,160 --> 01:16:44,320
Speaker 4: Nah.

1666
01:16:44,479 --> 01:16:46,519
Speaker 5: But you know what it is, though, demarags like when

1667
01:16:46,600 --> 01:16:49,960
Speaker 5: you know you right, the truth speaks for you. You

1668
01:16:50,040 --> 01:16:53,000
Speaker 5: ain't got to say a motherfucking thing. Sometimes you just

1669
01:16:53,080 --> 01:16:55,400
Speaker 5: watch the truth speak and you just sit there just

1670
01:16:55,439 --> 01:16:58,920
Speaker 5: looking at everybody, like I tried to tell you all

1671
01:16:59,000 --> 01:17:01,920
Speaker 5: niggas this however long ago, so something you don't you

1672
01:17:02,000 --> 01:17:05,880
Speaker 5: don't need no apology from nobody for what. Nah, you

1673
01:17:05,960 --> 01:17:08,400
Speaker 5: don't you don't need. That's we tell ourselves that that's

1674
01:17:08,479 --> 01:17:11,080
Speaker 5: ego talking to us. And now he gotta say sorry,

1675
01:17:11,160 --> 01:17:13,479
Speaker 5: she got Nah, she fucked that. She gotta apologize for

1676
01:17:13,520 --> 01:17:17,800
Speaker 5: that shit for what she know she know or he know,

1677
01:17:18,560 --> 01:17:21,000
Speaker 5: he know the truth, he know the real like that

1678
01:17:21,120 --> 01:17:23,360
Speaker 5: she's gonna eat them up every You know, sometimes when

1679
01:17:23,400 --> 01:17:26,680
Speaker 5: you just remove yourself from people, like your presence and

1680
01:17:26,760 --> 01:17:29,639
Speaker 5: your energy, that's all you don't need. No, I don't

1681
01:17:29,680 --> 01:17:31,920
Speaker 5: need no apology from nobody. You ain't got to say,

1682
01:17:32,280 --> 01:17:33,760
Speaker 5: I'm sorry, I was fucked up.

1683
01:17:33,800 --> 01:17:34,479
Speaker 4: It was my foot.

1684
01:17:34,520 --> 01:17:38,680
Speaker 5: I don't need that because you ain't stop nothing. It's

1685
01:17:38,800 --> 01:17:41,320
Speaker 5: been lit since that, like very shit been you know

1686
01:17:41,360 --> 01:17:44,000
Speaker 5: what I mean. So you you look at that, all

1687
01:17:44,080 --> 01:17:45,840
Speaker 5: that other shit is just your ego talking to you,

1688
01:17:46,000 --> 01:17:48,680
Speaker 5: like you don't need that shit. Man, we put too

1689
01:17:48,760 --> 01:17:50,960
Speaker 5: much on our ear. But again, I know because I've

1690
01:17:50,960 --> 01:17:53,240
Speaker 5: been in those situations too where I'm like, I didn't

1691
01:17:53,240 --> 01:17:53,679
Speaker 5: even need.

1692
01:17:53,680 --> 01:17:56,000
Speaker 4: That, Like that was stupid, but that was your ego.

1693
01:17:56,360 --> 01:17:58,640
Speaker 5: But as you get a little older, you start understanding

1694
01:17:58,760 --> 01:18:03,360
Speaker 5: like it's gonna like the day going in and hopefully

1695
01:18:03,439 --> 01:18:05,320
Speaker 5: you see the next day and that's it.

1696
01:18:05,600 --> 01:18:07,160
Speaker 4: Just move forward. You don't need people to tell you

1697
01:18:07,240 --> 01:18:08,760
Speaker 4: that they fucked up, y'all was wrong.

1698
01:18:09,240 --> 01:18:12,160
Speaker 5: They know that already and if they get to a

1699
01:18:12,240 --> 01:18:14,599
Speaker 5: place where they are ready to say that and admit

1700
01:18:14,680 --> 01:18:15,360
Speaker 5: that and then cool.

1701
01:18:15,640 --> 01:18:18,040
Speaker 4: But you don't need that though, Like, so we gotta

1702
01:18:18,040 --> 01:18:20,960
Speaker 4: stop saying I need not. They gotta sick for what?

1703
01:18:21,880 --> 01:18:24,200
Speaker 1: How do you get better at not operating out of

1704
01:18:24,280 --> 01:18:28,040
Speaker 1: your ego as as an adult? I've been struggling more

1705
01:18:28,120 --> 01:18:31,080
Speaker 1: with that with my relationship, Like I peep it now

1706
01:18:31,320 --> 01:18:34,280
Speaker 1: right because I peep it because I'm in a healthier relationship.

1707
01:18:34,320 --> 01:18:37,280
Speaker 1: When I was a very bad space in a different relationship,

1708
01:18:37,520 --> 01:18:39,000
Speaker 1: it was okay for the eagle to fly because we

1709
01:18:39,120 --> 01:18:40,799
Speaker 1: was just doing a whole bunch of toxic shit anyway.

1710
01:18:41,200 --> 01:18:43,360
Speaker 1: But now that I'm trying to be in a healthy relationship,

1711
01:18:43,400 --> 01:18:44,960
Speaker 1: I see my ego creeping up. I'm like, oh, that

1712
01:18:45,160 --> 01:18:48,519
Speaker 1: was that was ego. That wasn't necessary, or that wasn't

1713
01:18:48,760 --> 01:18:51,880
Speaker 1: or so I'm trying to get better at recognizing it

1714
01:18:52,000 --> 01:18:54,640
Speaker 1: and not speaking from it. But it's like in the

1715
01:18:54,720 --> 01:18:56,639
Speaker 1: back of my mind, I'm like, if something goes wrong

1716
01:18:56,800 --> 01:18:58,920
Speaker 1: and I didn't flex my ego, I'm gonna regret it.

1717
01:19:00,080 --> 01:19:01,639
Speaker 1: Trying to get out of that mind state.

1718
01:19:02,160 --> 01:19:03,720
Speaker 5: But the fact that you're trying to get out of

1719
01:19:03,720 --> 01:19:06,240
Speaker 5: it is great. That means because you recognize it, like, yo,

1720
01:19:06,320 --> 01:19:10,400
Speaker 5: that's unnecessary, so that right there is enough. Eventually you'll

1721
01:19:10,439 --> 01:19:12,160
Speaker 5: just see that you're just doing it, like you just

1722
01:19:12,240 --> 01:19:15,479
Speaker 5: completely remove yourself from having that ego where it's just

1723
01:19:15,600 --> 01:19:19,960
Speaker 5: like because that again, it's everybody got their shit, everybody

1724
01:19:20,000 --> 01:19:24,120
Speaker 5: got their faults, everybody. Nobody's perfect life is tough for everybody.

1725
01:19:24,600 --> 01:19:27,680
Speaker 5: Some people's lives are tougher than yours. So when you

1726
01:19:27,840 --> 01:19:30,280
Speaker 5: just look at shit like that, like from that perspective,

1727
01:19:30,400 --> 01:19:33,120
Speaker 5: like let me remove myself and my emotions from this

1728
01:19:33,600 --> 01:19:35,720
Speaker 5: and let me just assess the situation, what happened, what's

1729
01:19:35,760 --> 01:19:38,120
Speaker 5: going on. Once you do that, or you realize first,

1730
01:19:38,160 --> 01:19:39,760
Speaker 5: a lot of times the energy you be trying to

1731
01:19:39,760 --> 01:19:42,719
Speaker 5: put into shit ain't even worth it. The situation ain't

1732
01:19:42,760 --> 01:19:45,240
Speaker 5: that serious, the moment ain't that serious. It's just like,

1733
01:19:46,040 --> 01:19:48,720
Speaker 5: remove that ego. Cool, as long as nobody put their

1734
01:19:48,760 --> 01:19:51,360
Speaker 5: hands on you. Nobody ain't physically because.

1735
01:19:51,160 --> 01:19:52,680
Speaker 4: I need my lock back. You hit me, nigga, I'm

1736
01:19:52,760 --> 01:19:54,280
Speaker 4: hitting back. That's what we're doing.

1737
01:19:54,320 --> 01:19:57,680
Speaker 5: But if it's just actions and some somebody said, I

1738
01:19:57,720 --> 01:20:01,080
Speaker 5: don't care about that man, that shit is ego talking

1739
01:20:01,120 --> 01:20:02,559
Speaker 5: to you. And you get to a point in life

1740
01:20:02,560 --> 01:20:06,160
Speaker 5: where you just like, no matter what happens, I'm gonna

1741
01:20:06,160 --> 01:20:08,120
Speaker 5: do what I want to do. I'm gonna enjoy myself,

1742
01:20:08,240 --> 01:20:10,479
Speaker 5: Like whether people are alone for the ride or not,

1743
01:20:11,600 --> 01:20:14,880
Speaker 5: we're gonna have fun. Ego will stop you from experiencing

1744
01:20:14,960 --> 01:20:17,560
Speaker 5: and really enjoying a lot of shit because you so

1745
01:20:17,880 --> 01:20:20,519
Speaker 5: caught up in your own thoughts, in your own mind

1746
01:20:20,600 --> 01:20:22,920
Speaker 5: of how you feel like it's supposed to go, and

1747
01:20:22,960 --> 01:20:25,760
Speaker 5: now you feel like it's no, it's not. Sometimes it's

1748
01:20:25,840 --> 01:20:29,439
Speaker 5: just it's not what you you overthinking a lot of shit.

1749
01:20:29,479 --> 01:20:31,360
Speaker 5: You're overanalyzing a lot of that shit. A lot of

1750
01:20:31,400 --> 01:20:34,000
Speaker 5: times we make up situations that's not even a real thing,

1751
01:20:34,080 --> 01:20:35,960
Speaker 5: Like that's not even I hear people like, yo, I

1752
01:20:36,000 --> 01:20:36,439
Speaker 5: don't fuck with that.

1753
01:20:36,880 --> 01:20:38,880
Speaker 4: What happened? And the niggas tell you what happened?

1754
01:20:38,880 --> 01:20:41,040
Speaker 5: You be like, that's what happened, Like that's what all

1755
01:20:41,080 --> 01:20:43,600
Speaker 5: of this y'all back and forth for that, like it

1756
01:20:43,880 --> 01:20:46,519
Speaker 5: means it's like, yo, y'all just it's ego talking.

1757
01:20:47,280 --> 01:20:49,320
Speaker 4: Yeah, and that's just But that's again, that's human nature.

1758
01:20:49,400 --> 01:20:51,640
Speaker 4: We all have it. We all have been through it.

1759
01:20:51,720 --> 01:20:53,200
Speaker 5: But then you get to a point where you understand

1760
01:20:53,200 --> 01:20:55,680
Speaker 5: how to control it. You understand when and where to

1761
01:20:55,800 --> 01:20:57,880
Speaker 5: use your e because ego is good. It's good to

1762
01:20:57,960 --> 01:20:59,840
Speaker 5: have an ego, but you got to understand whinning with

1763
01:21:00,080 --> 01:21:02,000
Speaker 5: to use it though, and how to use it. Like

1764
01:21:02,120 --> 01:21:05,160
Speaker 5: sometimes you need ego for competitive things and things like that,

1765
01:21:05,400 --> 01:21:07,960
Speaker 5: like to kind of talk to yourself and get yourself going.

1766
01:21:08,040 --> 01:21:11,200
Speaker 5: But like pushing it on situations that's not even like

1767
01:21:11,520 --> 01:21:15,080
Speaker 5: serious or worth it. That's that's just immaturity.

1768
01:21:15,120 --> 01:21:15,599
Speaker 4: That's stupid.

1769
01:21:16,439 --> 01:21:19,479
Speaker 1: Damn. That's some real ass wisdom. Coming from the birthday boy.

1770
01:21:19,360 --> 01:21:19,560
Speaker 3: Thank you.

1771
01:21:19,800 --> 01:21:24,120
Speaker 5: I mean, I'm just you know, I'm just try just

1772
01:21:24,200 --> 01:21:25,840
Speaker 5: trying to tell you, know, mean how it is. Man,

1773
01:21:26,040 --> 01:21:27,800
Speaker 5: when you live long enough, you start looking at shit

1774
01:21:27,920 --> 01:21:29,360
Speaker 5: like that was stupid.

1775
01:21:29,920 --> 01:21:31,639
Speaker 4: I should have never said that. I should have never

1776
01:21:31,720 --> 01:21:32,000
Speaker 4: did that.

1777
01:21:32,160 --> 01:21:34,360
Speaker 5: And I mean, I live, I'm in front of a

1778
01:21:34,479 --> 01:21:36,240
Speaker 5: mic and on camera, like, you know, how much should

1779
01:21:36,240 --> 01:21:38,360
Speaker 5: I say any things years ago and down here, and

1780
01:21:38,400 --> 01:21:39,880
Speaker 5: I'm like, damn, I don't even I'm not even that

1781
01:21:39,960 --> 01:21:43,200
Speaker 5: personal more, but it's real and the moment is how

1782
01:21:43,240 --> 01:21:45,519
Speaker 5: I felt. If I'm old and more mature now, of

1783
01:21:45,600 --> 01:21:47,560
Speaker 5: course I don't feel those ways and think like that.

1784
01:21:48,200 --> 01:21:51,240
Speaker 5: I would hope that I've grown and matured since ten

1785
01:21:51,360 --> 01:21:52,640
Speaker 5: years ago, you know what I'm saying, Like shit, I

1786
01:21:52,680 --> 01:21:53,840
Speaker 5: said ten to eleven years ago.

1787
01:21:53,960 --> 01:21:55,760
Speaker 4: No, I don't feel the way about a lot of

1788
01:21:55,760 --> 01:21:56,559
Speaker 4: those things anymore.

1789
01:21:56,640 --> 01:21:58,519
Speaker 5: But in the moment, yeah, I may have felt like that,

1790
01:21:58,600 --> 01:22:00,200
Speaker 5: but that's where I was at in my life from

1791
01:22:00,200 --> 01:22:02,320
Speaker 5: that moment, and that's just you got to accept that

1792
01:22:02,400 --> 01:22:05,479
Speaker 5: from anybody like that's just who they are. But again,

1793
01:22:05,520 --> 01:22:08,960
Speaker 5: when you start analyzing ship, just remove your ego from

1794
01:22:09,000 --> 01:22:10,880
Speaker 5: it a lot of times and just kind of look

1795
01:22:10,920 --> 01:22:14,639
Speaker 5: at the whole situation and you'll land on the right side.

1796
01:22:14,680 --> 01:22:16,640
Speaker 5: Once your ego is going, it's easier to kind of

1797
01:22:17,400 --> 01:22:19,800
Speaker 5: kind of hit the mark at least that's what I think.

1798
01:22:19,880 --> 01:22:21,640
Speaker 4: You know, I'm just giving you what I think.

1799
01:22:21,680 --> 01:22:24,360
Speaker 5: So in relationships, just remove your ego a little bit.

1800
01:22:26,080 --> 01:22:28,960
Speaker 5: Why he ain't called me, why he ain't mine is born?

1801
01:22:29,400 --> 01:22:29,880
Speaker 4: Might be melting.

1802
01:22:29,920 --> 01:22:31,840
Speaker 5: This nigga might be going through a fucking depressed state.

1803
01:22:31,880 --> 01:22:35,479
Speaker 5: He ain't verbalize it, he ain't talked about it. It'd

1804
01:22:35,520 --> 01:22:36,720
Speaker 5: be a lot of that too. You'll be like, yo,

1805
01:22:36,800 --> 01:22:40,400
Speaker 5: why he ain't why he is depressed or she's depressed?

1806
01:22:40,439 --> 01:22:42,760
Speaker 5: As that's what I'm saying. It ain't got nothing to

1807
01:22:42,840 --> 01:22:43,040
Speaker 5: do with.

1808
01:22:44,560 --> 01:22:47,200
Speaker 1: My problem is that I need everything to be like.

1809
01:22:47,600 --> 01:22:49,160
Speaker 1: I can be very tip for tat, I can be

1810
01:22:49,280 --> 01:22:50,920
Speaker 1: very like, are you doing this? I gotta double it.

1811
01:22:51,200 --> 01:22:54,080
Speaker 1: That's like I gotta start. I know, I know, I know,

1812
01:22:54,240 --> 01:22:56,439
Speaker 1: I'm aware, and I try to I try to get

1813
01:22:56,520 --> 01:22:59,360
Speaker 1: better at it. But it's like you wain't too long

1814
01:22:59,439 --> 01:23:01,519
Speaker 1: to text me, not in my current relationship, but I

1815
01:23:01,520 --> 01:23:02,920
Speaker 1: would be all you ways going to text me back?

1816
01:23:02,920 --> 01:23:03,280
Speaker 1: I'm away.

1817
01:23:03,280 --> 01:23:03,679
Speaker 4: I'm a double.

1818
01:23:03,720 --> 01:23:06,080
Speaker 1: I'm a double. The time you take twenty two hours

1819
01:23:06,120 --> 01:23:06,639
Speaker 1: to text me back.

1820
01:23:06,640 --> 01:23:08,920
Speaker 4: I'm gonna take the three tex stem from though where

1821
01:23:08,920 --> 01:23:09,840
Speaker 4: you think that's stemma from.

1822
01:23:11,240 --> 01:23:13,679
Speaker 1: If I was to be real honest with myself, like real,

1823
01:23:13,840 --> 01:23:16,760
Speaker 1: real deep, what I think a therapist would say is

1824
01:23:16,840 --> 01:23:21,439
Speaker 1: that there's an insecurity in making sure nobody plays with me.

1825
01:23:22,040 --> 01:23:24,679
Speaker 1: I don't I don't ever want I don't want anybody

1826
01:23:24,720 --> 01:23:26,320
Speaker 1: to play with me. I never want to look stupid.

1827
01:23:26,680 --> 01:23:28,680
Speaker 1: And if I was to dig real world deep into that,

1828
01:23:28,800 --> 01:23:32,120
Speaker 1: it's probably because of shit that I endured in childhood

1829
01:23:32,200 --> 01:23:35,840
Speaker 1: where I was embarrassed a lot as a kid, just

1830
01:23:35,960 --> 01:23:38,160
Speaker 1: because of like family shit or things like that. And

1831
01:23:38,240 --> 01:23:40,559
Speaker 1: it's just like I never want to be embarrassed again.

1832
01:23:40,600 --> 01:23:45,680
Speaker 1: I take embarrassment really, really hard. So I think that

1833
01:23:45,880 --> 01:23:47,720
Speaker 1: it's it's that it's like I'm never going to give

1834
01:23:47,760 --> 01:23:49,800
Speaker 1: you the chance to say that you had like one

1835
01:23:49,920 --> 01:23:52,120
Speaker 1: up on me, Like I don't like that feeling. I

1836
01:23:52,160 --> 01:23:55,160
Speaker 1: don't like that feeling of like not being in control

1837
01:23:55,360 --> 01:23:57,400
Speaker 1: or somebody knowing something that I don't know, Like I'm

1838
01:23:57,479 --> 01:23:59,320
Speaker 1: very nosy. That's why I used to have that phone problem,

1839
01:23:59,560 --> 01:24:01,439
Speaker 1: not even because I would feel like I always feel

1840
01:24:01,439 --> 01:24:02,920
Speaker 1: like somebody was cheating. It was just like I never

1841
01:24:02,920 --> 01:24:04,600
Speaker 1: I used to go through my friend's phones when I

1842
01:24:04,640 --> 01:24:06,400
Speaker 1: was in middle school. In high school, I would go

1843
01:24:06,720 --> 01:24:09,320
Speaker 1: and search my name like because it was like or

1844
01:24:09,600 --> 01:24:11,439
Speaker 1: like in college, because I would feel like, Yo, are

1845
01:24:11,479 --> 01:24:13,080
Speaker 1: you talking about me behind my back? Like is there

1846
01:24:13,160 --> 01:24:15,000
Speaker 1: something that you know that I don't know? Is there

1847
01:24:15,080 --> 01:24:16,600
Speaker 1: something you're saying about me that I don't know? I

1848
01:24:16,640 --> 01:24:18,880
Speaker 1: don't like that feeling, and I'm trying to let go

1849
01:24:19,080 --> 01:24:22,160
Speaker 1: of that because at one point I can see, oh,

1850
01:24:22,240 --> 01:24:25,000
Speaker 1: this has the potential to rule my relationship with somebody

1851
01:24:25,080 --> 01:24:27,559
Speaker 1: that I love and I care about, because I don't

1852
01:24:27,880 --> 01:24:30,680
Speaker 1: trust that what they what they say they feel about me,

1853
01:24:30,760 --> 01:24:32,640
Speaker 1: they actually feel about me. And that has more to

1854
01:24:32,760 --> 01:24:35,479
Speaker 1: do with i'm sure my own self worth or shit

1855
01:24:35,520 --> 01:24:37,680
Speaker 1: that I've gone through than anything that they've shown me.

1856
01:24:38,120 --> 01:24:39,720
Speaker 1: So I'm aware of that.

1857
01:24:39,880 --> 01:24:43,360
Speaker 5: So what we all have in insecurity securities ego, Yeah,

1858
01:24:43,600 --> 01:24:44,920
Speaker 5: human nature, human nature.

1859
01:24:45,000 --> 01:24:46,160
Speaker 1: But I'm getting better.

1860
01:24:46,200 --> 01:24:48,800
Speaker 5: Getting old and mature in and realizing your flaws and

1861
01:24:49,520 --> 01:24:51,679
Speaker 5: making those, you know, your strengths and kind of working

1862
01:24:51,760 --> 01:24:54,240
Speaker 5: on that. That's that's it, It'll happened. But I'm glad

1863
01:24:54,240 --> 01:24:56,439
Speaker 5: that you understand that that's exactly what that is. In security,

1864
01:24:56,520 --> 01:24:58,760
Speaker 5: ego and shit like that, because that's all it is

1865
01:24:58,920 --> 01:25:02,560
Speaker 5: once you remove that, because either way, if you do

1866
01:25:03,000 --> 01:25:05,840
Speaker 5: searching man's phone or he's cheating them, what then what then?

1867
01:25:05,920 --> 01:25:06,519
Speaker 1: What then?

1868
01:25:06,600 --> 01:25:06,640
Speaker 2: What?

1869
01:25:07,439 --> 01:25:09,599
Speaker 1: So it's just like, either way it goes, your heart

1870
01:25:09,680 --> 01:25:10,240
Speaker 1: gonna be broken.

1871
01:25:10,280 --> 01:25:13,840
Speaker 4: Either way, that's what you're gonna be. All right, Hello,

1872
01:25:14,280 --> 01:25:15,560
Speaker 4: you're gonna move on. Life goes on.

1873
01:25:15,760 --> 01:25:15,880
Speaker 2: Right.

1874
01:25:16,760 --> 01:25:19,640
Speaker 1: If that nigga don't work, get another one. If that

1875
01:25:19,840 --> 01:25:22,720
Speaker 1: one don't work, get another one. If you don't see me,

1876
01:25:22,760 --> 01:25:25,360
Speaker 1: come on this podcast and be madly heartbroken and then

1877
01:25:25,520 --> 01:25:27,599
Speaker 1: come in what A month later, it was like, oh

1878
01:25:27,640 --> 01:25:29,360
Speaker 1: my god, I'm the happiest I've ever been in my time.

1879
01:25:29,640 --> 01:25:30,400
Speaker 4: It's like clockwork.

1880
01:25:31,280 --> 01:25:37,559
Speaker 5: As the seasons changed, SODA's baby d. As the seasons changed,

1881
01:25:37,600 --> 01:25:38,560
Speaker 5: Soda this baby D.

1882
01:25:39,200 --> 01:25:42,080
Speaker 4: I get it. It's all good. But you know, remove

1883
01:25:42,160 --> 01:25:45,400
Speaker 4: that ego, in securities, and you know we're.

1884
01:25:45,240 --> 01:25:46,280
Speaker 1: Gonna be good. We're gonna be good.