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Speaker 3: Welcome to a very special Jenkins and Jones on the

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Speaker 3: Volume podcast Network. It is Monday, January fifteenth, and we

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Speaker 3: are going to celebrate MLK Day and the only way

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Speaker 3: we know how, which is that Tyler is going to

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Speaker 3: do some unspeakable things to the Dallas Cowboys in just

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Speaker 3: a second.

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Speaker 2: But before we get going, fuck you Jerry Hay Birthday bar.

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Speaker 3: Jagas and Jones Host Vila Jethro Jenkins aka John what's

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Speaker 3: that Bubba's Dragonfly?

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Speaker 2: Jones aka Tyler, Hey, everybody at the game.

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Speaker 3: I'm GUARDI b aka Mike Mother Mother. We're producing joined

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Speaker 3: today by the lovely and talented Jackson Staffron. Somebody said, uh,

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Speaker 3: I think it was the Seahawks. Fam said that she

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Speaker 3: always does the intros along with us. That made me like,

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Speaker 3: I don't can't explain why that made me so happy,

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Speaker 3: but that made me very happy.

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Speaker 2: Some people were like.

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Speaker 1: Some people were like, especially their motherfucking Mike got some

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Speaker 1: sauce on that. They enjoyed that part. So yeah, mother Mother.

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Speaker 3: With the voice all right, Tyler, why don't you go ahead,

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Speaker 3: do some stretches, do some vocal warm up. Now, Tyler,

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Speaker 3: you normally are the damis very prescient, usually correcting your predictions.

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Speaker 3: And you gave the Dallas Cowboys this week the benefit

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Speaker 3: of the doubt and thought that they would at home

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Speaker 3: beat the youngest playoff team in the modern era, in

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Speaker 3: the Green Bay Packers. After all, the Cowboys have a

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Speaker 3: franchise quarterback that they believe should be the MVP.

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Speaker 2: They have experienced, coach, best wide receiver in the world,

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Speaker 2: best why.

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Speaker 3: Receiving well talent up and down the sideline, Tyler per year,

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Speaker 3: Did the Dallas Cowboys beat the Green Bay Packers today?

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Speaker 2: They did not. I watched it, and the Dallas Cowboys

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Speaker 2: didn't win. They did not win. They did not win. Actually,

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Speaker 2: they got their ass beat very badly, actually, right, And

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Speaker 2: you know, I'm gonna get to clown in the Cowboys fans.

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Speaker 2: You know, that's something I love to do. That's my

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Speaker 2: passion right there. But first I think we need to

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Speaker 2: talk about this ass whopping because you know, like I said,

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Speaker 2: I think all of us pick Dallas on this, right.

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Speaker 2: I think a lot of us were blindsided by the

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Speaker 2: ass open that we saw here tonight, and I think

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Speaker 2: we need to kind of soak in how historic that

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Speaker 2: ass whopping was. It feels like one of the most

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Speaker 2: embarrassing losses the Cowboys have ever had. And you know,

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Speaker 2: they're franchise that and Bear's and losses, that's what they do, bro,

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Speaker 2: you know know, and this feels like it is up

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Speaker 2: there with the best or worst of them, however you

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Speaker 2: want to look at it. Right, it feels historic in

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Speaker 2: the sense that we've perhaps never seen as good of

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Speaker 2: a Cowboys team that just got spanked this badly in

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Speaker 2: the playoffs, right, And even further, it feels historic in

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Speaker 2: the sense that it feels like it was Jordan Love's

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Speaker 2: coming out party.

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Speaker 4: Right.

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Speaker 2: It feels like this is kind of the end of

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Speaker 2: an era, and it feels like it's the end of

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Speaker 2: the McCarthy Dak Prescott era in Dallas. And I think

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Speaker 2: we will look back on this game in years to

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Speaker 2: come and we're going to remember it as the moment

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Speaker 2: that Jordan Loved arrived and in his wake, he left

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Speaker 2: the Dallas Cowboy franchise in shambles, right, like he walked

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Speaker 2: out of Jerry World, like Joker in the dark Knight

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Speaker 2: when he blew up the motherfucking hospital shit, you know

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Speaker 2: what I'm saying. And I honestly do think that the

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Speaker 2: McCarthy and Dak era should be done. Those two are

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Speaker 2: just not it. Like with Mike McCarthy, I never understood

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Speaker 2: that higher from day one, you get rid of Jason

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Speaker 2: Garrett because you know the play calling was too conservative

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Speaker 2: and he was underachieving with your quarterback, and you replace

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Speaker 2: him with Mike McCarthy like another coach, you know what

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Speaker 2: I'm saying, who's known for conservative play calling and unachieving

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Speaker 2: with his quarterback, Aaron Rodgers. I just never understood that

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Speaker 2: you replaced Jason Garrett with the same dude. It's like

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Speaker 2: Jerry Jones was like, ah, man, you know Mountain dew

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Speaker 2: is gross. I'm only drinking mellow yellow now. Like it's

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Speaker 2: the same shit dog, right, And there was always gonna

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Speaker 2: be a ceiling that they had with with Mike McCarthy

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Speaker 2: as their coach, and I think they've hit it, and

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Speaker 2: I think it's not for them to move past that now.

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Speaker 2: I also think it's time for them to move on

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Speaker 2: from Dak. Like you know, they brought Trey Lance there

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Speaker 2: early in this season. For a reason. Bro. They let

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Speaker 2: it be known that you know, we all know Dak

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Speaker 2: is up for a new contract this summer. They brought

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Speaker 2: Trey Lance there, like, Okay, we're gonna evaluate you if

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Speaker 2: you're our guy, comes seasons in deck, and if you're not,

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Speaker 2: we are not paying you a gazillion dollars to not

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Speaker 2: take us anywhere like you've been doing. And we got

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Speaker 2: this kid on a rookie deal and we're gonna kick

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Speaker 2: the tires on him and the you know, that big

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Speaker 2: payday for Dak is not coming from the Cowboys. He'd

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Speaker 2: have to hit up the motherfucking police officers. He dropped

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Speaker 2: that million dollars off to see if they can kick

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Speaker 2: that back. You know what I'm saying, it's gonna be

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Speaker 2: It's gonna be hard times for Dack out there. Police

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Speaker 2: take they says. Niggas say yes. But I cannot imagine

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Speaker 2: how frustrating it is if you're a Cowboys fan, because

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Speaker 2: Dak is one of those dudes right who you know,

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Speaker 2: he lights it up in the regular season, he had

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Speaker 2: like forty five hundred yards, like thirty five tds and

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Speaker 2: like nine picks this season, right, just balled the fuck out.

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Speaker 2: But every postseason. It's just the same old thing, right,

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Speaker 2: It's just he does he just does not show up.

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Speaker 2: And worse than just not showing up, he often gives

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Speaker 2: these games away. And the thing about that is he's

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Speaker 2: not like like the Josh Allent type, right, Like he's

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Speaker 2: not the type where it's like, Okay, we're losing them

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Speaker 2: the same way we want him. You know, this comes

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Speaker 2: with the territory. That's not who he is. He's not

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Speaker 2: a high risk, hy reward guy. Like with Josh Alleny,

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Speaker 2: You're like, Okay, we lost that game on a pick

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Speaker 2: through double coverage, but you know we live by the TDS.

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Speaker 2: He throws him double coverage too, So this comes with

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Speaker 2: the territory, you know what I'm saying. Dak is not

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Speaker 2: like that. He's a very conservative decision maker, which he's

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Speaker 2: high risk, low reward. Yeah, right, he's a very conservative

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Speaker 2: decision maker, which works great for him in the regular season,

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Speaker 2: but you got to take some big shots if you

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Speaker 2: want to win in the playoffs, right. And the thing

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Speaker 2: is like it's not even outside of his character when

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Speaker 2: he's making all these turnovers, you know, during the postseason,

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Speaker 2: with like all these picks he's thrown because he's not

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Speaker 2: stepping outside of himself. If you look at the two

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Speaker 2: picks he had tonight, those two picks were like five

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Speaker 2: yards from scrimmage, bro on like a little cross and

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Speaker 2: like a little out. He's not throwing picks because he's

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Speaker 2: stepping outside of himself and trying to connect on like

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Speaker 2: a forty yard deep ball home run. He's throwing the

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Speaker 2: same little bullshit that he throws all season, but for

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Speaker 2: some reason in the playoffs, he just does not see

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Speaker 2: defenders there for whatever reason, and.

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Speaker 3: He's not tripping on himself trying to run a marathon.

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Speaker 3: He's just trying to go to the bathroom, falling.

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Speaker 2: Exactly, stumbling with the motherfucking chili bowl. Like and I've

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Speaker 2: seen some people, you know, trying to defend you know

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Speaker 2: Dak's terrible performance tonight, saying, well, you know, what do

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Speaker 2: you expect? The defense couldn't stop anyone. The playbook had

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Speaker 2: to go to strictly passing. When a defense knows that

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Speaker 2: there's nothing but the pass is coming, any quarterback is

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Speaker 2: gonna look bad. And my whole point with that is,

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Speaker 2: bro Dak threw a pick six and then he threw

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Speaker 2: another pick that got returned to the two yard line

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Speaker 2: and got punched in for a TV later, like y'all

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Speaker 2: talking about the Dallas defense couldn't stop the Green Bay office. Nigga,

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Speaker 2: Dak was the Green Bay office, you know what I'm saying.

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Speaker 2: And I think if you're Dallas, I think you've seen enough.

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Speaker 2: It's the same story every time they go to the playoffs.

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Speaker 2: Dak is just not gonna show up, and I think

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Speaker 2: it's time they part ways. He's just not that guy.

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Speaker 2: So Needless is saying, I am enjoying all of this.

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Speaker 2: You know, there's nothing I love more than seeing Cowboys

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Speaker 2: Nation and shambles. You know, it's just like it's like

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Speaker 2: so affirming and nostalgic to like just see the Cowboys

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Speaker 2: and their fan base scrambler, because you know, these are

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Speaker 2: like some tumultuous times we're living in where everything is

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Speaker 2: fucking changing for the worst, and it's like laughing at

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Speaker 2: the Cowboys has been, you know, a national tedition for

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Speaker 2: like the last twenty five plus years, you know what

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Speaker 2: I'm saying. So that's something that has remained stable. It's

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Speaker 2: like the Coca cola recipe, you know what I'm saying.

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Speaker 2: So so you know, see laughing at the Cowboys is

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Speaker 2: just something that always makes me feel warm and fuzzy inside.

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Speaker 2: It feels like home. So you know, I don't and

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Speaker 2: I'm at the point now where it's like I don't

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Speaker 2: even try to talk the Cowboy fans out of cheering

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Speaker 2: for their team anymore, because it's part of the bit now, right,

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Speaker 2: Like the delusion that Cowboy fans have, it's part of

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Speaker 2: the bit. It's like they are the Wally Coyote of

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Speaker 2: NFL fans. When you watch Wally Coyote cartoons, you don't

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Speaker 2: root for Wally to finally figure it out, right, You

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Speaker 2: roote to see how disastrous this plan that he has

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Speaker 2: is gonna blow up in his face this time. And

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Speaker 2: that's exactly where I'm at right now, and I swear

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Speaker 2: it's enjoyable every fucking time it happens. It never gets

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Speaker 2: old death taxes and laughing at the Cowboys. And the

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Speaker 2: best part is this shit is just getting started, bro,

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Speaker 2: Like Mike McCarthy's gonna be boxing this shit up that

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Speaker 2: is going to be getting left on reading the group

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Speaker 2: chat with They're gonna start coaching search where fucking I

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Speaker 2: would pay you could put Jim Harbo and Jerry Jones

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Speaker 2: interviewing each other on pay per view, and I would

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Speaker 2: buy that ship because that is just a lot of

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Speaker 2: crazy in one room, right, that is a fact. That

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Speaker 2: is a lot of crazy in one room. They're gonna

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Speaker 2: talk about football.

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Speaker 3: For about forty five seconds, and then it could be

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Speaker 3: literally any topic. It could be any industrial or railroad

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Speaker 3: policies of the eighteenth century. It could be the caloric

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Speaker 3: content of whole milk versus skim milk, and literally anything.

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Speaker 2: Yes, yes, so yeah, so you know. It might have

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Speaker 2: been the curtain call on the Clowns Show at Jerry's

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Speaker 2: Well tonight. But the show is going on the road

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Speaker 2: and we're gonna be here all fucking year knocking out.

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Speaker 3: Wait man, I h yeah, we said we're gonna title

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Speaker 3: this episode Chelse, don't listen to this episode.

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Speaker 1: I wonder if she already muted you. I wanted because

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Speaker 1: I'm like, the whole time I was sinking, Damn, she

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Speaker 1: had to already mute this nigga. You had nothing but heat.

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Speaker 1: They're all like, damn, cud.

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Speaker 2: That game was so fucking funny. It was so fucking hilarious.

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Speaker 2: They did a high performance art Bravo Bravo that comedy

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Speaker 2: is the hardest thing to pull on, but the Cowboys

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Speaker 2: always seem to do it.

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Speaker 1: Man, Yeah, that was a Dallas fans jumping in themselves,

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Speaker 1: you know what I'm saying, Like it was so bad

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Speaker 1: that they couldn't even like fight it, Like they chopped

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Speaker 1: in the jokes.

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Speaker 4: You feel what I'm saying.

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Speaker 3: Yeah, you have after one of those when I say

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Speaker 3: you're getting I mean, they give up more points than

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Speaker 3: they've ever given up in the playoffs. I mean it's

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Speaker 3: like at some point you have to either learn to

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Speaker 3: laugh with it or learn to log off. There's not

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Speaker 3: not really any in between. I have a couple other

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Speaker 3: questions for Tyler. Tyler, I feel like before the Dragonfly

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Speaker 3: Jones handle was created, you were sending text messages to

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Speaker 3: Cowboy fans after embarrassing losses. That was probably in the

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Speaker 3: language of an English literature major. The proto Dragonfly Jones.

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Speaker 3: Would you say, like, that's what that's the like the

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Speaker 3: primordial ooze from which your Twitter account emerged was making

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Speaker 3: fun of Cowboy fans one on one versus through mass communication.

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Speaker 3: What the text messages that went out today?

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Speaker 2: I legitimately remember, like the first time I went on

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Speaker 2: a text rank clown in the Cowboys. And it was

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Speaker 2: the two thousand and sixth season when Romo fucked up,

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Speaker 2: and I'm not holding that snap that motherfucking razor. My

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Speaker 2: Motorola raiser was on fire. I was hitting all my

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Speaker 2: cold cowboy hobies, up, my cowboy cousins and uthers and

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Speaker 2: shit up clowning. But but yeah, man, yeah, it's just

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Speaker 2: at the point where, Bro, I just send the y'all

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Speaker 2: funny as hell laughing about like nothing else needs to

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Speaker 2: be said, nothing else needs to be said, but just

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Speaker 2: to know that y'all are just a laughing stock. Bro

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Speaker 2: a year, any year, and the worst type of laughing stock,

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Speaker 2: because y'all are talented as hell. Y'all went twelve thirteen

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Speaker 2: games every fucking year and then you go out in

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Speaker 2: the playoffs in the most hilarious fashion. It's so entertaining.

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Speaker 3: I like that you said they have so many embarrassing

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Speaker 3: losses that it's like it's like looking for a haystack and.

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Speaker 2: A pilot haystacks.

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Speaker 3: You know, It's like, all right, we also had John

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Speaker 3: did you see Terrence Crawford.

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Speaker 2: Terrence Crawford's sweet.

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Speaker 4: I saw that ship, he said, he.

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Speaker 3: Said, they're getting their ass whooped so bad. It reminds

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Speaker 3: me of when me who what made him caught?

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Speaker 4: What made him go?

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Speaker 2: Th Arrow? I guess he's a Cowboys saying, you know,

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Speaker 2: Errol is from Dallas. Yeah, yeah, yeah, shout some homie Marcus,

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Speaker 2: you know, right outside of Dallas, and so, you know,

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Speaker 2: just wanted to get one last jab in. And I

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Speaker 2: can't get that motherfucker enough jabs. When they actually.

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Speaker 3: Fought laying out another one, somebody somebody dropped the video

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Speaker 3: that I think they said Arrow was hurt or injured prior.

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Speaker 4: Yeah, and Bud took a fish to it.

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Speaker 1: And so I feel like Arrow caught the you know,

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Speaker 1: astray from some from a fan dropping some ship or whatever.

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Speaker 1: But that ship was funny as hell though, Bud don't

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Speaker 1: give a fuck, right, that's crazy, man, that's crazy, all right?

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Speaker 3: Right before we hopped on, First of all, one last

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Speaker 3: note on the Packers, because obviously it's more fun to

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Speaker 3: make fun of the Cowboys because they're they were the

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Speaker 3: seven seed. They're the first seventh seed to ever win,

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Speaker 3: and again the youngest playoff team in the modern era.

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Speaker 3: They're going to San Francisco. I'm a big Niners fan

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Speaker 3: for the divisional weekend, and I I don't I don't

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Speaker 3: want to play that Packers team. It just looked like

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Speaker 3: like we talked on them with the preview with the

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Speaker 3: Gritter and guy. Every year there's one lower seeded team

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Speaker 3: that just gets hot.

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Speaker 2: Yeah. I thought it might have been the Rams.

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Speaker 3: I thought it might have been all these other teams,

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Speaker 3: but it looks like it's the Packers and the like.

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Speaker 3: That was a scary looking team, bro. And they're playing

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Speaker 3: with house money.

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Speaker 2: Yeah, they don't give a fuck. They don't know they're

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Speaker 2: not supposed to be there. They're fucking they're all seventeen

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Speaker 2: years old, you know what I'm saying. So and Jordan

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Speaker 2: love that kid is Man Special Special Special. We're really

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Speaker 2: getting uh Green Bay, Dallas, Green Bay, San Francisco. It's

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Speaker 2: like the nineties all over again.

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Speaker 3: I love this shit, bro, Yes, right, yeah, same, except

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Speaker 3: I wish it was like I wanted to be playing

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Speaker 3: the Bucks or someone where if the Niners lost, I'd

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Speaker 3: be sad that they lost, but I wouldn't be hearing

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Speaker 3: from seventy fucking people that I know who are fans

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Speaker 3: of that team.

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Speaker 2: You know. Yeah, it's gonna be a miserable week for

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Speaker 2: me if.

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Speaker 3: The fucking Niners don't beat the Packers road Anyway, let's

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Speaker 3: talk about the sort of the flip side of the

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Speaker 3: of the comedic NFL coin. Right before we hopped on,

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Speaker 3: the Detroit Lions won their first playoff football game in

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Speaker 3: thirty two years since we were all children. This is

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Speaker 3: the stuff that makes me still, no matter how cynical

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Speaker 3: we could get about sports, I'll always come back for this.

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Speaker 3: They were showing grown men and women just here snot

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Speaker 3: just bubbles coming out of their nose, sobbing, hugging their

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Speaker 3: grandparents and shit in the stands. It was truly truly beautiful.

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Speaker 3: We joked during the Pistons losing streak like I'm sure

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Speaker 3: Detroit fans would trade ah to eighty two season for

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Speaker 3: one Lions playoff win. And they got it, and it

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Speaker 3: was a beautiful thing to see, and I was happy

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Speaker 3: for the people at Detroit that they got that incredible

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Speaker 3: moment with Barry Sanders and Lions legend eminem on the

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Speaker 3: sideline to.

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Speaker 2: Yeah, man, good to see, you know, Lions fans finally

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Speaker 2: have a moment because jeez, because they have been through it.

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Speaker 2: And I got love with Detroit. Right, Detroit is the

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Speaker 2: city that I really like. It's the city city I

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Speaker 2: need to fucking visit. You know what I'm saying, very

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Speaker 2: black city. It's like my favorite rap city right now.

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Speaker 2: You know what I'm saying. I got a lot of

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Speaker 2: love for Detroit and something funny. Shit, whenever I look

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Speaker 2: at Dan Campbell, the coach of the fucking Lions, I

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Speaker 2: always remember when I went on the Levatar Show during

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Speaker 2: my Beast bracket ship and Stu Gotts posed the question

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Speaker 2: one Dan Campbell versus three Mike McDaniels, who's winn So

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Speaker 2: you know, I was thinking about that whatever, and my

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Speaker 2: money's on Dan one. But yeah, happy, happy, so fucking

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Speaker 2: happy for the Lions. Man, they earned it for real.

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Speaker 1: You said thirty two years, thirty two years, so the

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Speaker 1: choice light workshit light work. That's why he's I wouldn't

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Speaker 1: even ask the question if I knew, if I knew

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Speaker 1: that shit. Of course they're sticking with the Pistols. Of

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Speaker 1: course he's still Pistons fans, because Jesus Christ.

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Speaker 3: We were younger than my son currently is the last

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Speaker 3: time the Lion one one playoff game, I.

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Speaker 2: Vividly remembered that summer Day in nineteen ninety eight, when

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Speaker 2: Barry Sanders said that that's it for me. I'm done,

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Speaker 2: Like I vividly remember it.

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Speaker 3: That was my favorite football player. I mean, yeah, bar

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Speaker 3: none bro. I I put this up on Twitter. I

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Speaker 3: had a book that came with the DVD in it.

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Speaker 3: Because this was before YouTube. You can put the DVD

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Speaker 3: in the computer and watch the Barry Sanders highlights like

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Speaker 3: that's that was the only way we had. Otherwise you

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Speaker 3: might see like a ten second clip on sports siding

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Speaker 3: that you would just need to remember the fuck out

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Speaker 3: of it.

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Speaker 2: Committed to memory. I had that, you know. Yeah, man,

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Speaker 2: he was he was special. I was glad he was

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Speaker 2: there too.

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Speaker 3: Megatron was there, Like I appreciate sports franchises that can

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Speaker 3: like get out of their own way, put your pride aside,

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Speaker 3: and admit even if you lose. After this, winning one

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Speaker 3: game is a huge Like people started crying before the

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Speaker 3: game was even over. They started crying right under the

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Speaker 3: two minute warning when they started kneeling the ball.

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Speaker 1: They didn't win a single playoff game with Megatron Bro

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Speaker 1: no nigh.

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Speaker 4: His whole career, he never won a playoff game won.

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Speaker 2: And respect on Megatron's name. I feel like he's one

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Speaker 2: of the legends who slipp through the cracks. I think

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Speaker 2: he might say the best wide receiver I've ever seen.

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Speaker 2: It's Jerry, Randy and Megatron For me, bro.

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Speaker 3: Crazy absolutely, And you can make an argument to me

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Speaker 3: like I'll never let anyone, uh except for Tyler. I

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00:18:28,800 --> 00:18:31,800
Speaker 3: am disrespect Jerry Rice because the stats are so crazy,

382
00:18:32,119 --> 00:18:34,439
Speaker 3: the speed and the route running was so crazy. But

383
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Speaker 3: like physical gifts, I think you can make the argument

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Speaker 3: for Megatron even over Randy. And it's it's hard for

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Speaker 3: me to put anyone in the same conversation as Randy

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Speaker 3: Moross athletically, but Megatron with the strength is you know,

387
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Speaker 3: couple with the athleticism.

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Speaker 2: He was like one garage, a one card garage. Bro. Yeah,

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00:18:56,520 --> 00:19:00,719
Speaker 2: I like I could throw football to anywhere.

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Speaker 4: You feel you feel insane, bro, and like that.

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Speaker 1: That's that's that is unfathomable that he didn't want a

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Speaker 1: playoff game, you know what I'm saying, Like, I'm like,

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Speaker 1: I didn't think about that to you brought up make

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Speaker 1: sure I'm like, yo, wait, he didn't want to playoff?

395
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Speaker 4: Get us crazy?

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Speaker 2: That does put it on I was gonna say, there's

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Speaker 2: something poetic about how Matt Stafford kind of win him

398
00:19:19,600 --> 00:19:21,640
Speaker 2: a game and then he gives them a game when

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Speaker 2: he goes there.

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Speaker 3: So yeah, I was happy because I think Matt Stafford

401
00:19:25,960 --> 00:19:28,040
Speaker 3: and Jared God for both good dudes. I was happy

402
00:19:28,119 --> 00:19:30,000
Speaker 3: that it's like it's sort of worked out for both

403
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Speaker 3: of them.

404
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Speaker 2: Like you know, Jared got lots of Lions fans were

405
00:19:32,840 --> 00:19:34,360
Speaker 2: happy for Stafford when he won a Super Bowl. There's

406
00:19:34,359 --> 00:19:34,919
Speaker 2: no bad blood there.

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00:19:35,000 --> 00:19:37,040
Speaker 3: Yeah, yeah, sure, Well, when you're a fan of a

408
00:19:37,040 --> 00:19:39,359
Speaker 3: franchise like that, right, Like that's part of I mean,

409
00:19:39,400 --> 00:19:41,480
Speaker 3: we've talked about this with you being a Washington fan, Tyler.

410
00:19:41,520 --> 00:19:43,520
Speaker 3: It's like you root for the people that you developed

411
00:19:43,560 --> 00:19:46,240
Speaker 3: a connection with to go be successful somewhere else. That's

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Speaker 3: sort of like we talked about that with the with

413
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Speaker 3: with Ian Carmel about Blaziers fans. Blaziers fans all want

414
00:19:51,640 --> 00:19:53,879
Speaker 3: Dame to get a ring that was their guy for like,

415
00:19:54,240 --> 00:19:56,120
Speaker 3: you know, an eighth of their lives if they lived

416
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Speaker 3: to eighty or whatever. Of course they wanted to be successful.

417
00:19:58,280 --> 00:20:00,760
Speaker 3: But not all fan bases are like that. But if

418
00:20:00,800 --> 00:20:03,520
Speaker 3: you're the fan of a long struggling fan base, that's

419
00:20:03,600 --> 00:20:06,320
Speaker 3: kind of like all you have is like, Okay, vicariously,

420
00:20:06,359 --> 00:20:08,280
Speaker 3: we're rooting on. Matt Stafford.

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00:20:10,119 --> 00:20:12,560
Speaker 1: Said that was a super Bowl too, you know what

422
00:20:12,600 --> 00:20:15,640
Speaker 1: I'm saying. They celebrated a sha Anyway.

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Speaker 2: I have one of some of my favorite Washington fans

424
00:20:17,640 --> 00:20:20,359
Speaker 2: to leave, you know, I have one of them to leave, Like,

425
00:20:20,400 --> 00:20:22,880
Speaker 2: please get out of here. You deserve so much better, Bro,

426
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Speaker 2: I promising you do, Bay, you sweet quarterback of a man.

427
00:20:27,200 --> 00:20:31,960
Speaker 2: Please go get a ring somewhere. You're so much better

428
00:20:32,000 --> 00:20:32,240
Speaker 2: than this.

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Speaker 3: Well, we were just talking about with with the with

430
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Speaker 3: Megatron and the Lion's history puts it into perspective what

431
00:20:39,040 --> 00:20:43,840
Speaker 3: a special thing uh Mufasa Demico, Ryans and CJ. Stroud

432
00:20:43,920 --> 00:20:47,399
Speaker 3: did with the Texans. That game was fun as hell

433
00:20:47,520 --> 00:20:50,480
Speaker 3: for about a quarter and then the Texans just beat

434
00:20:50,480 --> 00:20:52,760
Speaker 3: the ship out of the Browns. Bro, Like c J.

435
00:20:52,920 --> 00:20:56,159
Speaker 3: Stroud is the one man I am. I love that

436
00:20:56,240 --> 00:20:59,800
Speaker 3: kid so much. I really believe in his future. Like

437
00:20:59,880 --> 00:21:04,080
Speaker 3: I I was like, I undersold him obviously for how

438
00:21:04,119 --> 00:21:05,719
Speaker 3: good of a year he had, But I was like, no,

439
00:21:05,800 --> 00:21:07,840
Speaker 3: I think he's gonna be better than Bryce Young, which

440
00:21:08,040 --> 00:21:12,199
Speaker 3: like four months later is like a preposterous thing to

441
00:21:12,680 --> 00:21:15,600
Speaker 3: have ever called an opinion, obviously, but yeah, I'm sorry,

442
00:21:15,920 --> 00:21:18,840
Speaker 3: so happy for them and for our guy moved Fassa

443
00:21:18,880 --> 00:21:21,320
Speaker 3: the official coach of the Year from Jenkins and Jones.

444
00:21:21,560 --> 00:21:24,600
Speaker 2: Well, yeah, moufasa the motherfucking coach of the year. Yeah,

445
00:21:24,240 --> 00:21:26,960
Speaker 2: I mean him and c J Strout. They're doing something

446
00:21:26,960 --> 00:21:29,000
Speaker 2: really special there, like they had the success in their

447
00:21:29,000 --> 00:21:32,400
Speaker 2: first year, or you know, CJ is gonna win Offensive

448
00:21:32,480 --> 00:21:34,399
Speaker 2: Rookie of the Year, that Demiko's gonna win Coach of

449
00:21:34,440 --> 00:21:36,560
Speaker 2: the Year and for them to just you know, turn

450
00:21:36,640 --> 00:21:38,960
Speaker 2: that long stuffer frantoise because I remember when Demico got

451
00:21:39,040 --> 00:21:41,359
Speaker 2: hired and lots of us were like, here go the

452
00:21:41,359 --> 00:21:43,439
Speaker 2: Texans again on their bullshit giving a shitty job to

453
00:21:43,480 --> 00:21:45,280
Speaker 2: a black coach. Lots of us were like that, right,

454
00:21:45,560 --> 00:21:46,320
Speaker 2: it didn't look like.

455
00:21:46,440 --> 00:21:48,760
Speaker 3: You and bo both made that point. It's like this

456
00:21:48,840 --> 00:21:50,720
Speaker 3: is your time in a row that they're just kind

457
00:21:50,760 --> 00:21:53,359
Speaker 3: of having a black guy be super official lamb in

458
00:21:53,400 --> 00:21:56,920
Speaker 3: an you know, impossible situation, unwinnable Yeah right.

459
00:21:56,840 --> 00:21:58,439
Speaker 2: Right, because they had love there. They only gave him

460
00:21:58,480 --> 00:22:00,280
Speaker 2: a season, got him out of there. But looks like

461
00:22:00,320 --> 00:22:01,800
Speaker 2: they make the right choice because the Miko looks like

462
00:22:01,800 --> 00:22:05,760
Speaker 2: that guy. But yeah, I'm just just very much you know, rooting,

463
00:22:06,200 --> 00:22:09,399
Speaker 2: rooting for you know, Demico and CJ. Bro Like this

464
00:22:09,600 --> 00:22:12,600
Speaker 2: MLK weekend. We got c J. Stroud advancing. We got

465
00:22:12,600 --> 00:22:16,280
Speaker 2: fucking Pat Mahomes advancing. We got Jordan Love advancing. We

466
00:22:16,320 --> 00:22:19,760
Speaker 2: got Ryan Hurts hasn't played yet. Jalen Hurts hasn't played yet.

467
00:22:20,200 --> 00:22:24,720
Speaker 2: We got motherfucking Lamar. We got Miko, Yeah, Lamar's already do.

468
00:22:24,800 --> 00:22:27,440
Speaker 2: We got you know, we got Demico advancing. Mike Townler

469
00:22:27,480 --> 00:22:30,600
Speaker 2: got to pull it off, bro, you got you got to.

470
00:22:31,760 --> 00:22:33,359
Speaker 2: You got to compete this week. Bro, you got to.

471
00:22:34,000 --> 00:22:36,000
Speaker 3: I respect you're going home with Mike Tomlin and not

472
00:22:36,080 --> 00:22:38,560
Speaker 3: Mason Rudolph.

473
00:22:38,680 --> 00:22:41,600
Speaker 2: Yeah, he's either. We do not trust no motherfucking Mason.

474
00:22:43,200 --> 00:22:46,080
Speaker 3: Mason Rudolf. First, Josh Allen is not. That's there's not

475
00:22:46,119 --> 00:22:48,680
Speaker 3: a good MLK Day storyline in that matchup.

476
00:22:49,520 --> 00:22:52,160
Speaker 2: And had Gerard Mayo hired as the new England coach

477
00:22:52,200 --> 00:22:56,080
Speaker 2: as well too. A Virginia boy from Hampton fucking fifteen

478
00:22:56,119 --> 00:22:58,320
Speaker 2: minutes from Mike Tomland. That's crazy, right, just to the

479
00:22:58,359 --> 00:23:02,120
Speaker 2: Flacture franchises spots Virginia boys fifteen minutes afar from each other.

480
00:23:02,440 --> 00:23:05,119
Speaker 3: I love that, Okay, I need y'all to tell me

481
00:23:05,160 --> 00:23:07,080
Speaker 3: if I'm a good person or a bad person.

482
00:23:07,320 --> 00:23:08,840
Speaker 2: But U did y'all see this?

483
00:23:08,920 --> 00:23:12,240
Speaker 3: So they moved the Bills Steelers game to Monday because

484
00:23:12,240 --> 00:23:16,080
Speaker 3: it was like an unlivable blizzard in Buffalo. And my

485
00:23:16,160 --> 00:23:19,440
Speaker 3: immediate reaction to this was awe, like.

486
00:23:21,800 --> 00:23:25,120
Speaker 2: I hope it's stow. I hope it's still.

487
00:23:24,920 --> 00:23:28,920
Speaker 3: Snowing, Like I love watching like football games on TV

488
00:23:29,119 --> 00:23:29,800
Speaker 3: with snow.

489
00:23:30,760 --> 00:23:33,080
Speaker 2: They put up a clip. I showed it to my wife.

490
00:23:33,200 --> 00:23:35,199
Speaker 2: She was like, oh, yeah, you're an asshole. It was

491
00:23:35,320 --> 00:23:37,000
Speaker 2: like it looked like hell out there.

492
00:23:37,280 --> 00:23:39,240
Speaker 4: Has that ever happened before? Never?

493
00:23:39,800 --> 00:23:42,280
Speaker 2: This is the first time. There's the difference between like

494
00:23:42,359 --> 00:23:44,399
Speaker 2: playing in flurries and playing in a blizzard, or you

495
00:23:44,440 --> 00:23:47,080
Speaker 2: cannot play in a blizzard. Man, you know, I love

496
00:23:47,400 --> 00:23:49,880
Speaker 2: I love how good snow football games look as well,

497
00:23:49,960 --> 00:23:51,080
Speaker 2: but that MI like, is it not?

498
00:23:52,200 --> 00:23:53,120
Speaker 4: Is it not football?

499
00:23:53,200 --> 00:23:59,560
Speaker 2: That was that was there me wondering why people even

500
00:23:59,600 --> 00:24:01,560
Speaker 2: live in Buffalo, Bro, When I saw that shit, like,

501
00:24:01,560 --> 00:24:04,760
Speaker 2: come on, man, yeah it should look like a John

502
00:24:04,800 --> 00:24:06,080
Speaker 2: Carboner movie. Bro. It was.

503
00:24:06,320 --> 00:24:10,240
Speaker 3: It did not look like Planet Earth at that stadium.

504
00:24:10,359 --> 00:24:13,000
Speaker 3: Did you said they're paying people twenty dollars an hour

505
00:24:13,160 --> 00:24:15,600
Speaker 3: just fans to come shovel snow out of the stadium.

506
00:24:15,760 --> 00:24:17,240
Speaker 3: It's just like, is that bad?

507
00:24:18,119 --> 00:24:20,040
Speaker 4: They can't pay somebody to come to night?

508
00:24:20,359 --> 00:24:23,720
Speaker 3: Well, they need manpower, John, because they said they only

509
00:24:23,760 --> 00:24:26,160
Speaker 3: have one. It's such an old stadium. There's only one

510
00:24:26,240 --> 00:24:28,159
Speaker 3: tunnel in and out of it, so all of the

511
00:24:28,320 --> 00:24:31,320
Speaker 3: snow has to go out one exit too.

512
00:24:31,400 --> 00:24:34,680
Speaker 1: And the scenery can't get in through that tunnel, I imagine,

513
00:24:35,040 --> 00:24:35,760
Speaker 1: not in that.

514
00:24:35,840 --> 00:24:37,040
Speaker 3: I mean because they got to get out of the

515
00:24:37,080 --> 00:24:39,879
Speaker 3: seats like in the stadium and everything it's piled up

516
00:24:39,920 --> 00:24:41,840
Speaker 3: over all of the John.

517
00:24:42,080 --> 00:24:46,400
Speaker 2: Yeah, John is also wondering why people in Buffalo bro

518
00:24:46,560 --> 00:24:47,480
Speaker 2: j'n't even hear about.

519
00:24:47,320 --> 00:24:50,639
Speaker 1: That stadium, knowing it snow's crazy in Buffalo, Like I

520
00:24:50,680 --> 00:24:53,520
Speaker 1: think I had a friend from Buffalo said that it

521
00:24:53,640 --> 00:24:56,639
Speaker 1: snows so much that this was like ten years ago.

522
00:24:56,920 --> 00:24:58,760
Speaker 1: This is before like global warming and shit got weird

523
00:24:58,800 --> 00:25:01,879
Speaker 1: or whatever. But anyway, that it snows so much that

524
00:25:02,400 --> 00:25:04,600
Speaker 1: at a certain point in the winter it's hard to

525
00:25:04,600 --> 00:25:07,760
Speaker 1: see the houses like on the from the street when

526
00:25:07,800 --> 00:25:10,160
Speaker 1: because they push us, they keep pushing the snow to decide,

527
00:25:10,160 --> 00:25:12,639
Speaker 1: and it piles up so high. You feel me like

528
00:25:12,800 --> 00:25:15,679
Speaker 1: why like, so, why would they build a stadium. Understanding

529
00:25:15,680 --> 00:25:18,840
Speaker 1: how Buffalo works in that way, it makes no sense.

530
00:25:18,880 --> 00:25:20,480
Speaker 4: But anyway football weather.

531
00:25:20,560 --> 00:25:23,119
Speaker 2: Yeah, because Buffalo is on Lake area. Motherfuckers were fishing

532
00:25:23,119 --> 00:25:28,280
Speaker 2: and catching beavers. That's why any any cold region we're

533
00:25:28,320 --> 00:25:29,400
Speaker 2: living And that's basically why.

534
00:25:29,520 --> 00:25:31,359
Speaker 1: No. I'm saying, why would they build a stadium in

535
00:25:31,400 --> 00:25:34,959
Speaker 1: the way that they did where, you know, to get

536
00:25:35,000 --> 00:25:35,360
Speaker 1: get out.

537
00:25:35,800 --> 00:25:37,720
Speaker 3: I think when it was built there weren't domes, but

538
00:25:37,800 --> 00:25:40,200
Speaker 3: it is something like there are. I know Kurt Warner

539
00:25:40,240 --> 00:25:42,520
Speaker 3: is one of the like NFL fuddy duddies, just like

540
00:25:43,200 --> 00:25:45,680
Speaker 3: everything should be in a dome, like you should play

541
00:25:45,840 --> 00:25:47,920
Speaker 3: like like weather shouldn't affect the game.

542
00:25:48,040 --> 00:25:49,080
Speaker 2: Blah blah blahlah blah.

543
00:25:49,119 --> 00:25:51,160
Speaker 3: You know, And I guess I'm on the other extreme

544
00:25:51,240 --> 00:25:54,160
Speaker 3: of like maybe they could wear long sleeves if it's

545
00:25:54,160 --> 00:25:55,399
Speaker 3: forty degrees below zero.

546
00:25:55,520 --> 00:25:59,760
Speaker 2: But I'm you know, I am for sure of the

547
00:26:00,040 --> 00:26:01,760
Speaker 2: thought they should have canceled that game, But I'm not

548
00:26:02,240 --> 00:26:06,040
Speaker 2: a proponent for canceling outdoor games eating cold conditions, because

549
00:26:06,080 --> 00:26:08,760
Speaker 2: I feel like that cole tells you exactly who a

550
00:26:08,800 --> 00:26:10,520
Speaker 2: team is. Like if we saw the way Miami got,

551
00:26:10,520 --> 00:26:13,600
Speaker 2: they asked who that wasn't an anomaly that was everything

552
00:26:13,640 --> 00:26:16,160
Speaker 2: that they were exasperated, right, you know what I'm saying

553
00:26:16,200 --> 00:26:18,680
Speaker 2: that that cold weather gonna show you who a football

554
00:26:18,680 --> 00:26:21,600
Speaker 2: team really really is. But did y'all hear about that

555
00:26:21,600 --> 00:26:25,480
Speaker 2: that one Eagles fan who shoveled out the link like voluntarily,

556
00:26:25,520 --> 00:26:28,040
Speaker 2: like he wasn't even getting paid and he lost eight

557
00:26:28,119 --> 00:26:30,480
Speaker 2: fucking fingers to frostby.

558
00:26:30,040 --> 00:26:32,840
Speaker 4: Like all that he went was this? What this was?

559
00:26:32,880 --> 00:26:32,960
Speaker 3: Like?

560
00:26:33,080 --> 00:26:36,200
Speaker 2: I feel like ten years ago, So baby, it wasn't.

561
00:26:36,480 --> 00:26:42,560
Speaker 2: Yeah he lost eight glove fingers, two thumbs, Bro, you

562
00:26:42,680 --> 00:26:47,480
Speaker 2: lost yeah out there like like, hey, who lost eight fingers?

563
00:26:47,480 --> 00:26:51,280
Speaker 2: Begets a lfetop season tickets to the Eagles games. Wait

564
00:26:51,320 --> 00:26:57,000
Speaker 2: this guy wait wait he did this shoveling snowing voluntarily

565
00:26:57,400 --> 00:27:00,960
Speaker 2: voluntarily I'm saying, like eight fingers. Although, but he it.

566
00:27:01,000 --> 00:27:04,840
Speaker 3: Was so cold that he de evolved like back to

567
00:27:04,920 --> 00:27:08,199
Speaker 3: before we were primates, right, like he loved like the

568
00:27:08,520 --> 00:27:11,560
Speaker 3: like the opposable thumb as all, that's our only advantage

569
00:27:11,600 --> 00:27:12,159
Speaker 3: in the wild.

570
00:27:12,240 --> 00:27:12,400
Speaker 2: Bro.

571
00:27:13,160 --> 00:27:16,760
Speaker 1: I mean, if you have ransys to accompany it, nigga,

572
00:27:16,840 --> 00:27:18,840
Speaker 1: you just got the thumb, you fuck nigga. But I'm

573
00:27:18,880 --> 00:27:22,840
Speaker 1: just saying, like it was at what point are you like, Okay,

574
00:27:22,880 --> 00:27:23,359
Speaker 1: it's cold.

575
00:27:23,480 --> 00:27:25,760
Speaker 4: Let me put my hands somewhere.

576
00:27:25,680 --> 00:27:27,120
Speaker 1: Like you know what I mean, you had to there

577
00:27:27,119 --> 00:27:28,879
Speaker 1: had to be some warning signs going off in his

578
00:27:28,960 --> 00:27:30,920
Speaker 1: brain before it was time to cut his all.

579
00:27:31,440 --> 00:27:32,879
Speaker 2: That's when off, Nigga.

580
00:27:33,119 --> 00:27:35,280
Speaker 3: That's one of the things about extreme cold though, bro,

581
00:27:35,440 --> 00:27:37,040
Speaker 3: is it overrides your brains.

582
00:27:37,160 --> 00:27:39,040
Speaker 2: Like like, so you your.

583
00:27:39,000 --> 00:27:42,520
Speaker 3: Malfunction, that's what they said, Like like like, uh, because

584
00:27:42,600 --> 00:27:45,639
Speaker 3: I read every year I read the year's best sports

585
00:27:45,680 --> 00:27:49,320
Speaker 3: writing anthology that comes out, there's always something about extreme

586
00:27:49,520 --> 00:27:52,040
Speaker 3: mountain climbers, and that's one of the things they talk about,

587
00:27:52,160 --> 00:27:54,760
Speaker 3: is like, because you're losing oxygen to your brain. All

588
00:27:54,800 --> 00:27:56,960
Speaker 3: the dead bodies that you go by on the way

589
00:27:57,000 --> 00:28:00,280
Speaker 3: of Everest or wherever, they're just sitting there.

590
00:28:00,160 --> 00:28:01,400
Speaker 4: Just the homies.

591
00:28:04,359 --> 00:28:06,320
Speaker 2: You on the way back jacket.

592
00:28:06,680 --> 00:28:06,920
Speaker 4: Yeah.

593
00:28:07,119 --> 00:28:09,200
Speaker 3: But but John, they said, like they just sat down

594
00:28:09,280 --> 00:28:10,879
Speaker 3: and they're just like a lot of them just looked

595
00:28:10,920 --> 00:28:13,320
Speaker 3: like they you know, they just were walking and their

596
00:28:13,359 --> 00:28:15,080
Speaker 3: brain was shutting down and was like it's time to

597
00:28:15,080 --> 00:28:17,320
Speaker 3: sit down and chill and then they died like it.

598
00:28:17,600 --> 00:28:19,639
Speaker 3: But it wasn't like a struggle or you know, it

599
00:28:19,760 --> 00:28:22,040
Speaker 3: was like so he might not really have been aware

600
00:28:22,080 --> 00:28:25,320
Speaker 3: of what was going on with his This headline that

601
00:28:25,400 --> 00:28:26,760
Speaker 3: Josh down.

602
00:28:26,680 --> 00:28:29,440
Speaker 1: With your homie, like with with the dude you climbing

603
00:28:29,480 --> 00:28:34,200
Speaker 1: with and he chilling, no panic, nothing, that's why. That's

604
00:28:34,240 --> 00:28:34,720
Speaker 1: just like.

605
00:28:34,800 --> 00:28:37,639
Speaker 2: Yeah, that's why you're not supposed to sit down. Oh wow,

606
00:28:37,920 --> 00:28:39,200
Speaker 2: this is the headline of this story.

607
00:28:39,280 --> 00:28:42,160
Speaker 3: Josh just sent us is who only has two thumbs

608
00:28:42,160 --> 00:28:43,880
Speaker 3: and is suing the Eagles.

609
00:28:44,000 --> 00:28:47,040
Speaker 2: This guy wait, so the only thing he had left

610
00:28:47,120 --> 00:28:47,960
Speaker 2: was it? Oh my good?

611
00:28:48,000 --> 00:28:52,520
Speaker 4: So he lost every Yes, what I'm saying he lost?

612
00:28:53,080 --> 00:28:58,520
Speaker 1: He got no he how old boxing gloves, got boxing

613
00:28:58,560 --> 00:29:00,920
Speaker 1: gloves without the glove because you can still do this.

614
00:29:00,960 --> 00:29:02,440
Speaker 4: He ain't got none of this no more. Bro, It's

615
00:29:02,440 --> 00:29:03,560
Speaker 4: over with you, feel me?

616
00:29:05,160 --> 00:29:09,280
Speaker 1: So journalism was a different Did he get money as

617
00:29:09,440 --> 00:29:13,040
Speaker 1: well as lifetime tickets or they just say give you

618
00:29:13,400 --> 00:29:13,760
Speaker 1: that ship?

619
00:29:13,920 --> 00:29:17,160
Speaker 2: So I doubt it. But but bro, I'm reading this article. Okay,

620
00:29:17,360 --> 00:29:19,280
Speaker 2: this should happened two thousand and five, twenty years ago.

621
00:29:19,400 --> 00:29:21,360
Speaker 2: The years, just the years just rolling to each other.

622
00:29:21,840 --> 00:29:25,640
Speaker 2: And the lead on this shit is remember that bow though,

623
00:29:26,640 --> 00:29:29,920
Speaker 2: who got so frostbitten while shoveling snow for the Eagles

624
00:29:30,000 --> 00:29:32,520
Speaker 2: NFC Championship game at the link. Well, today he's he's

625
00:29:32,520 --> 00:29:35,000
Speaker 2: supposedly losing all eight of his fingers, but we'll get

626
00:29:35,000 --> 00:29:37,040
Speaker 2: to keep his two thumbs. That's wow, this is an

627
00:29:37,120 --> 00:29:38,880
Speaker 2: NBC Sports article, Bro.

628
00:29:38,800 --> 00:29:40,920
Speaker 1: What would you rather do keep? Would you rather lose

629
00:29:40,920 --> 00:29:42,280
Speaker 1: your thumbs or lose your fingers?

630
00:29:43,680 --> 00:29:45,640
Speaker 2: I don't know, you need your thumbs and your fingers,

631
00:29:45,640 --> 00:29:48,200
Speaker 2: though I'm saying you can't. You can't do anything with question,

632
00:29:48,480 --> 00:29:49,200
Speaker 2: Like if you like.

633
00:29:49,320 --> 00:29:53,360
Speaker 3: If you just keep your eight non thumb fingers or

634
00:29:53,400 --> 00:29:56,120
Speaker 3: your two thumbs, yeah, I would keep my thumbs.

635
00:29:56,280 --> 00:29:56,960
Speaker 4: I think the thumbs.

636
00:29:56,960 --> 00:29:59,280
Speaker 1: I think he he could probably still open a door

637
00:29:59,320 --> 00:30:00,680
Speaker 1: with the thumb and a palm.

638
00:30:01,040 --> 00:30:03,520
Speaker 2: You can still use your phone. I feel like it

639
00:30:03,560 --> 00:30:06,360
Speaker 2: would be yeah, no, but but I mean, like, if

640
00:30:06,360 --> 00:30:06,920
Speaker 2: you're trying.

641
00:30:06,720 --> 00:30:09,320
Speaker 3: To exist on society, Yeah, but that's I know it

642
00:30:09,400 --> 00:30:10,640
Speaker 3: sounds dystopian, but.

643
00:30:11,160 --> 00:30:13,719
Speaker 4: Yeah, but that's so nasty, but it makes a thousand percent.

644
00:30:13,800 --> 00:30:16,440
Speaker 2: It would be a lot harder. Yeah, yeah, a lot

645
00:30:16,480 --> 00:30:17,960
Speaker 2: harder to wipe your ass though, I don't know.

646
00:30:19,520 --> 00:30:21,360
Speaker 4: Hey, get it a day, nigga, Get him a day,

647
00:30:21,480 --> 00:30:22,120
Speaker 4: Get him a day.

648
00:30:22,200 --> 00:30:24,440
Speaker 3: And you're trying to you're trying to pick a stray

649
00:30:24,480 --> 00:30:26,360
Speaker 3: booger out of your out of your nose. Just a

650
00:30:26,440 --> 00:30:28,840
Speaker 3: thumb unless you got a nose like me, nigga. That's

651
00:30:28,840 --> 00:30:34,560
Speaker 3: why I use my thumb and I got fingers. That's

652
00:30:34,560 --> 00:30:38,080
Speaker 3: why I picked my nose with my thumb. That's how

653
00:30:38,120 --> 00:30:43,160
Speaker 3: big my motherfucker nos is dog All.

654
00:30:43,440 --> 00:30:45,920
Speaker 2: That's your commentary on your No, it's not my commentary

655
00:30:45,920 --> 00:30:46,479
Speaker 2: on Noah No.

656
00:30:46,600 --> 00:30:48,800
Speaker 4: Yeah, but it's a fact. It's a fact, fucking you

657
00:30:48,840 --> 00:30:49,320
Speaker 4: know what I mean.

658
00:30:50,600 --> 00:30:53,040
Speaker 3: We have to talk about Beako sent this to us.

659
00:30:53,040 --> 00:30:54,680
Speaker 3: This is is great. Then we're going to get into

660
00:30:54,720 --> 00:30:59,040
Speaker 3: some awards. But most Death was interviewed last week and

661
00:30:59,120 --> 00:31:04,040
Speaker 3: on the subject of the rappers slash pop star Drake,

662
00:31:04,320 --> 00:31:06,440
Speaker 3: he said that he doesn't feel like his music is

663
00:31:06,520 --> 00:31:10,960
Speaker 3: hip hop, that it is in fact pop music that

664
00:31:11,080 --> 00:31:15,920
Speaker 3: makes you think of shopping at Target, which is unintentionally

665
00:31:16,040 --> 00:31:19,080
Speaker 3: extra hilarious because the videos everyone was making fun of

666
00:31:19,200 --> 00:31:22,080
Speaker 3: that dude that made the videos of himself shopping at Target.

667
00:31:23,440 --> 00:31:25,960
Speaker 2: All of those videos the soundtrack is Drake.

668
00:31:26,080 --> 00:31:30,320
Speaker 3: So what did you guys think of the point that

669
00:31:30,400 --> 00:31:33,280
Speaker 3: he was making and do you agree or disagree that

670
00:31:33,400 --> 00:31:36,080
Speaker 3: Drake is not a hip hop or rap music but

671
00:31:36,160 --> 00:31:36,560
Speaker 3: is pop.

672
00:31:38,080 --> 00:31:40,960
Speaker 2: I think there was a very good discussion that we

673
00:31:41,000 --> 00:31:42,520
Speaker 2: had about that I'm glad that we're going to have

674
00:31:42,560 --> 00:31:46,440
Speaker 2: because it's not happening on Twitter. Right. Of course, this

675
00:31:46,480 --> 00:31:49,680
Speaker 2: is just getting boiled down to most f being a hater.

676
00:31:50,000 --> 00:31:51,600
Speaker 2: And he might have been hating a little bit, but

677
00:31:51,640 --> 00:31:53,920
Speaker 2: you can still say some valid shit with sprinkled in

678
00:31:53,960 --> 00:31:54,680
Speaker 2: a little hate.

679
00:31:54,520 --> 00:31:57,560
Speaker 1: You know what I'm saying, Because it seemed like he

680
00:31:57,600 --> 00:31:59,160
Speaker 1: didn't even want to say it, you know what I'm saying.

681
00:31:59,240 --> 00:32:01,560
Speaker 2: Yeah, yeah, but but I just I just never was

682
00:32:01,560 --> 00:32:04,360
Speaker 2: was of the of the belief that if you spekling

683
00:32:04,400 --> 00:32:06,720
Speaker 2: a little hate, that invalidates what you say. But you know,

684
00:32:07,120 --> 00:32:09,560
Speaker 2: that's just that's just me someone who who happens to

685
00:32:09,560 --> 00:32:15,720
Speaker 2: be a hater, someone who's shooting for Hater of the Year, you.

686
00:32:15,680 --> 00:32:16,160
Speaker 1: Know, but.

687
00:32:17,760 --> 00:32:20,680
Speaker 3: You are, you are on the hate spectrum. You are

688
00:32:20,760 --> 00:32:23,520
Speaker 3: more pro hate than the average that replacement.

689
00:32:24,040 --> 00:32:27,200
Speaker 2: Yeah, absolutely absolutely, I believe that as long as your

690
00:32:27,200 --> 00:32:28,960
Speaker 2: hate is rooted in truth, right, as long as you

691
00:32:29,000 --> 00:32:30,880
Speaker 2: ain't funny or yeah or.

692
00:32:32,360 --> 00:32:33,000
Speaker 4: Yeah.

693
00:32:33,040 --> 00:32:36,320
Speaker 2: So of course, you know, the conversation has devolved on

694
00:32:36,360 --> 00:32:40,360
Speaker 2: Twitter into oh dude, just hating on the on the

695
00:32:40,600 --> 00:32:43,200
Speaker 2: the new guy who happens to be the top at

696
00:32:43,240 --> 00:32:45,320
Speaker 2: the top of his ship, he was never as big

697
00:32:45,360 --> 00:32:49,800
Speaker 2: as Drake, it's jealousy, you know. Yeah, it evolved into that, right, Like,

698
00:32:49,840 --> 00:32:52,320
Speaker 2: I just was so confused at how the people who

699
00:32:52,320 --> 00:32:55,360
Speaker 2: are defending Drake against the allegations of him being a

700
00:32:55,360 --> 00:32:57,959
Speaker 2: pop star, like they were leaning on look at all

701
00:32:57,960 --> 00:32:59,880
Speaker 2: the hits Drake has and how many most has broke.

702
00:33:00,040 --> 00:33:04,720
Speaker 2: That's the point that is, it is popular music, and

703
00:33:05,440 --> 00:33:09,120
Speaker 2: I think that, you know, if anyone has you know,

704
00:33:09,200 --> 00:33:11,760
Speaker 2: the grounds to say what he said, it's most deaf,

705
00:33:11,800 --> 00:33:14,000
Speaker 2: most deph you know, his music has always said something.

706
00:33:14,040 --> 00:33:16,640
Speaker 2: I remember him making a video about, you know, the

707
00:33:17,680 --> 00:33:20,440
Speaker 2: murder of Amadu Diallo back in like nineteen ninety nine

708
00:33:20,440 --> 00:33:24,320
Speaker 2: when he got you know, the African guy in New

709
00:33:24,400 --> 00:33:26,480
Speaker 2: York City got shot like forty one times by the police.

710
00:33:27,200 --> 00:33:30,760
Speaker 2: He's made songs like uh, you know New World Water

711
00:33:30,960 --> 00:33:34,360
Speaker 2: on his debut where he's talking about how you basically

712
00:33:34,440 --> 00:33:36,000
Speaker 2: you know, the same shit he kind of alluded to here,

713
00:33:36,000 --> 00:33:38,640
Speaker 2: how corporate greed is like stripping us off bare necessities

714
00:33:38,680 --> 00:33:44,560
Speaker 2: and shit. So, you know, I don't think that you

715
00:33:44,600 --> 00:33:46,400
Speaker 2: know it, Like I said, I think that he was

716
00:33:46,400 --> 00:33:48,560
Speaker 2: making a very point that he holds there to his

717
00:33:48,600 --> 00:33:51,920
Speaker 2: heart that Okay, you're making music, but you know the

718
00:33:51,960 --> 00:33:54,880
Speaker 2: world is burning around us right now, right like it's

719
00:33:54,880 --> 00:33:56,440
Speaker 2: all we're doing is dance and are we just not

720
00:33:56,520 --> 00:33:58,760
Speaker 2: speaking on the real shit that's happening to us? And

721
00:34:00,080 --> 00:34:03,719
Speaker 2: you know, the the and the comery buddle to people

722
00:34:03,800 --> 00:34:06,480
Speaker 2: who are defending Drake is Drake isn't obliged to speak

723
00:34:06,520 --> 00:34:08,400
Speaker 2: on that and so be it, right, Like if he

724
00:34:08,400 --> 00:34:11,040
Speaker 2: doesn't want to talk about it, he doesn't have to. Honestly,

725
00:34:11,280 --> 00:34:13,680
Speaker 2: I don't know how. I don't think i'd want social

726
00:34:13,719 --> 00:34:15,880
Speaker 2: commentary from Drake, you know what I'm saying. I just

727
00:34:15,880 --> 00:34:18,640
Speaker 2: do not think that he is going to say anything

728
00:34:18,800 --> 00:34:20,560
Speaker 2: enlightening or insightful on you.

729
00:34:20,560 --> 00:34:24,560
Speaker 3: You want to talk about an unnuanced conversation like Drake

730
00:34:24,680 --> 00:34:27,560
Speaker 3: on homelessness, and like yeah, for.

731
00:34:27,480 --> 00:34:30,680
Speaker 2: Sure, yeah yeah. But another thing that they lean on

732
00:34:30,800 --> 00:34:34,040
Speaker 2: that I think is very very much fictitious is they're

733
00:34:34,040 --> 00:34:37,080
Speaker 2: saying that the type of music that is saying something

734
00:34:37,120 --> 00:34:39,279
Speaker 2: isn't lucrative, it's not big, And that's bullshit because you

735
00:34:39,280 --> 00:34:41,839
Speaker 2: look at Drake, and you look at the big three

736
00:34:41,840 --> 00:34:45,200
Speaker 2: from his error, right, it's him, Kendrick, Jcob, Ja Cole

737
00:34:45,280 --> 00:34:48,560
Speaker 2: and Kendrick are those guys who do say shit that

738
00:34:48,800 --> 00:34:51,799
Speaker 2: you know, they hip hop like a motherfucker. Yeah, Yeah,

739
00:34:51,840 --> 00:34:54,400
Speaker 2: they're hip hop like a motherfucker. They're speaking on, you know,

740
00:34:54,480 --> 00:34:57,680
Speaker 2: the conditions of society today, they're speaking on personal issues

741
00:34:57,719 --> 00:34:59,320
Speaker 2: that they have, right, Like, they make the type of

742
00:34:59,400 --> 00:35:01,760
Speaker 2: music that you know, most Steps says that Drake is lacking,

743
00:35:01,800 --> 00:35:04,440
Speaker 2: and they're super fucking stars. Mister Morale was like the

744
00:35:04,520 --> 00:35:06,840
Speaker 2: highest stream fucking rap album of that year, and he

745
00:35:06,920 --> 00:35:09,719
Speaker 2: had the highest grossing concert and rap history up until

746
00:35:09,719 --> 00:35:12,160
Speaker 2: that point until Drake overshadowed him with his shit, right,

747
00:35:12,200 --> 00:35:14,040
Speaker 2: So you cannot say that it's not lucrative. You can

748
00:35:14,080 --> 00:35:15,399
Speaker 2: just say Drake doesn't want to do that, and that's

749
00:35:15,400 --> 00:35:17,160
Speaker 2: totally fine, and artist is not to do anything they

750
00:35:17,160 --> 00:35:22,160
Speaker 2: don't want to do. But you know, I think that

751
00:35:22,280 --> 00:35:25,399
Speaker 2: there is something to be said for what Most said,

752
00:35:25,440 --> 00:35:30,000
Speaker 2: because I think that it's more it's not necessarily an

753
00:35:30,040 --> 00:35:32,759
Speaker 2: indictment on Drake more than it is an indictment on

754
00:35:32,800 --> 00:35:35,319
Speaker 2: where we're at with rap now. Right, Like, you know,

755
00:35:35,400 --> 00:35:37,560
Speaker 2: we're of the age where we grew up when rap

756
00:35:37,640 --> 00:35:41,240
Speaker 2: was fucking dangerous, Rap was revolutionary, right, we had Public

757
00:35:41,440 --> 00:35:43,919
Speaker 2: Enemy and fucking end Way, and we had fucking two

758
00:35:43,960 --> 00:35:47,000
Speaker 2: Live Crew having the cases. You know, obscenity cases hurt

759
00:35:47,000 --> 00:35:48,280
Speaker 2: in the Supreme fucking Court.

760
00:35:48,400 --> 00:35:48,480
Speaker 5: Right.

761
00:35:48,600 --> 00:35:51,840
Speaker 2: It was disruptive, Yes, it was disruptive, it was dangerous,

762
00:35:51,880 --> 00:35:54,960
Speaker 2: it was something that people feared, and now it's something

763
00:35:54,960 --> 00:35:57,319
Speaker 2: that you hear when you're shopping at Target, right, Like,

764
00:35:57,480 --> 00:35:59,120
Speaker 2: you know, I completely see where most Deep was coming

765
00:35:59,160 --> 00:36:03,600
Speaker 2: from on that. But but yeah, you know, not taking

766
00:36:03,600 --> 00:36:05,920
Speaker 2: anything from Drake. I think Drake has a case as

767
00:36:05,960 --> 00:36:07,759
Speaker 2: the goal. We've never seen a guy be the top

768
00:36:07,840 --> 00:36:09,600
Speaker 2: rapper in the game for this fucking long. He's been

769
00:36:09,600 --> 00:36:11,680
Speaker 2: the top guy since fucking so far Gone Drop fifteen

770
00:36:11,760 --> 00:36:15,759
Speaker 2: years ago. Right, And with that said, I do think

771
00:36:15,800 --> 00:36:19,880
Speaker 2: that what most said had has credibility too, because you know,

772
00:36:19,960 --> 00:36:21,560
Speaker 2: it's not even a shot at Drake, like I said,

773
00:36:21,560 --> 00:36:23,040
Speaker 2: it's a shot at where rap is at right now,

774
00:36:23,040 --> 00:36:27,160
Speaker 2: where consumerism has just kind of occupied, you know, a

775
00:36:27,239 --> 00:36:29,080
Speaker 2: genre that used to be revolutionary. So that's just kind

776
00:36:29,080 --> 00:36:29,840
Speaker 2: of where I'm at with it.

777
00:36:30,680 --> 00:36:32,239
Speaker 1: I think Drake used to be hip hop, and I

778
00:36:32,239 --> 00:36:34,080
Speaker 1: don't think you necessarily have to speak.

779
00:36:34,160 --> 00:36:35,759
Speaker 2: I think he is still hip hop. I think he

780
00:36:35,760 --> 00:36:36,839
Speaker 2: can wrap his ass off.

781
00:36:36,800 --> 00:36:36,960
Speaker 5: You know.

782
00:36:37,160 --> 00:36:38,759
Speaker 1: I think he said we Okay, this is the thing

783
00:36:38,840 --> 00:36:41,360
Speaker 1: we're talking about Drake as a whole, right, you feel me?

784
00:36:41,360 --> 00:36:43,319
Speaker 1: It's Drake hip hop now as a whole. No, I

785
00:36:43,360 --> 00:36:45,640
Speaker 1: think he can be. We saw when he did the

786
00:36:45,840 --> 00:36:51,520
Speaker 1: Scary we did the Deluxe Joint. Yo, he was rapping,

787
00:36:51,640 --> 00:36:54,439
Speaker 1: but we don't really get that from Drake holds whole

788
00:36:54,560 --> 00:36:56,719
Speaker 1: Like at albums, you know what I'm saying, Like we

789
00:36:56,800 --> 00:36:59,759
Speaker 1: get like you said, artificial intelligence, right, he puts it

790
00:36:59,760 --> 00:37:02,600
Speaker 1: into algorithm, spits out particular type of music. He plays

791
00:37:02,680 --> 00:37:05,480
Speaker 1: music with the algorithm. He makes music with the algorithm

792
00:37:05,480 --> 00:37:08,560
Speaker 1: in mind, with the masses in mind, with urban outfitters

793
00:37:08,560 --> 00:37:10,560
Speaker 1: in mind. Nigga, you know what I'm saying. Like he's

794
00:37:10,560 --> 00:37:12,960
Speaker 1: making music to get play Placemith's nigga. He wanted to

795
00:37:12,960 --> 00:37:14,880
Speaker 1: be played in urban outfitters. He want to be in movies,

796
00:37:14,880 --> 00:37:16,719
Speaker 1: all that shit. That's a bigger way to make bread.

797
00:37:16,760 --> 00:37:18,920
Speaker 1: You feel me. And that's he's a business. That's how

798
00:37:18,920 --> 00:37:20,560
Speaker 1: he approaches rap. But I think when you get to

799
00:37:20,560 --> 00:37:22,719
Speaker 1: that point, you know what I'm saying, there's very few

800
00:37:22,800 --> 00:37:25,799
Speaker 1: rappers that are not popular. Like the Migos, they pop

801
00:37:25,880 --> 00:37:29,200
Speaker 1: like a motherfucker. I think rap in general is pop music.

802
00:37:29,600 --> 00:37:31,960
Speaker 1: You know what I'm saying, It's the most popular you know, genre, right,

803
00:37:32,000 --> 00:37:33,799
Speaker 1: you know what I mean. So that's I think that's

804
00:37:33,840 --> 00:37:35,960
Speaker 1: where it went left. That's why it's not disruptive anymore.

805
00:37:36,120 --> 00:37:37,680
Speaker 1: That's why they don't because they're thinking about the bread

806
00:37:37,719 --> 00:37:41,040
Speaker 1: and that when they making when they making albums whatever.

807
00:37:41,080 --> 00:37:43,120
Speaker 1: But I think there's very few like like, there's not

808
00:37:43,160 --> 00:37:45,520
Speaker 1: many people that are the best rapper like Kendrick jay Z.

809
00:37:45,840 --> 00:37:48,120
Speaker 1: They're the best rapper in the world at the moment

810
00:37:48,520 --> 00:37:50,560
Speaker 1: and are still hip hop, you know what I mean.

811
00:37:50,560 --> 00:37:52,600
Speaker 1: You have to make a conservative effort. That is the

812
00:37:52,719 --> 00:37:57,320
Speaker 1: hard way to be popular and make really good music,

813
00:37:57,360 --> 00:37:59,439
Speaker 1: you know what I'm saying. So I feel like Drake,

814
00:37:59,600 --> 00:38:01,479
Speaker 1: you know, like you said, he's an old all that ship,

815
00:38:01,480 --> 00:38:03,120
Speaker 1: but he's not hip hop anymore. But at one point

816
00:38:03,160 --> 00:38:04,800
Speaker 1: he was, and I think he still has that ability.

817
00:38:05,080 --> 00:38:08,600
Speaker 1: But he moves like a corporation, not like a man.

818
00:38:08,719 --> 00:38:10,920
Speaker 1: That's you know, that's that you know, he's not, you know,

819
00:38:10,960 --> 00:38:13,239
Speaker 1: not a not a hip hop artist, you feel me?

820
00:38:14,000 --> 00:38:18,440
Speaker 2: And I do think that rap is extremely popular, right,

821
00:38:18,440 --> 00:38:20,880
Speaker 2: so the biggest rappers are going to be pop stars

822
00:38:20,920 --> 00:38:23,120
Speaker 2: in a sense, right, But I think that you know,

823
00:38:23,160 --> 00:38:26,000
Speaker 2: the connotation that most was making and that a lot

824
00:38:26,000 --> 00:38:27,719
Speaker 2: of us making. When we call a rapper pop is

825
00:38:27,719 --> 00:38:32,759
Speaker 2: that you are softening your music to make it more appealable,

826
00:38:33,200 --> 00:38:36,360
Speaker 2: right you you are, You're kind of you know, dulling

827
00:38:36,400 --> 00:38:40,279
Speaker 2: your music, you know, dumbing down you you know, for

828
00:38:40,400 --> 00:38:43,360
Speaker 2: the masses, right right. But but but you know, like

829
00:38:43,400 --> 00:38:45,160
Speaker 2: I said before, there are rappers out there not doing it.

830
00:38:45,239 --> 00:38:47,719
Speaker 2: Like Mister Morale was a hard listen the first few

831
00:38:47,719 --> 00:38:49,920
Speaker 2: times I ran through it, bro there was nothing you

832
00:38:49,960 --> 00:38:52,759
Speaker 2: know that that he Kendrick softened about that album and

833
00:38:52,800 --> 00:38:54,440
Speaker 2: it was still a huge fucking success.

834
00:38:54,600 --> 00:38:56,920
Speaker 1: I don't think Kendrick made that album for us to

835
00:38:56,960 --> 00:38:59,280
Speaker 1: really listen. I think he made that album in the

836
00:38:59,440 --> 00:39:02,480
Speaker 1: in the like thinking about the performance as well, you

837
00:39:02,560 --> 00:39:04,600
Speaker 1: know what I mean. He made We talked about this,

838
00:39:04,640 --> 00:39:06,880
Speaker 1: he made it. He made that like as an art piece,

839
00:39:06,960 --> 00:39:09,880
Speaker 1: you know what I mean. And it happened to be successful,

840
00:39:09,880 --> 00:39:10,880
Speaker 1: you know what I mean? And I think it was

841
00:39:10,920 --> 00:39:13,719
Speaker 1: a beautiful. But it's not the most repeatable album, you

842
00:39:13,760 --> 00:39:16,800
Speaker 1: feel me. But it looks it's been great, The videos

843
00:39:16,800 --> 00:39:19,160
Speaker 1: have been great, and the performances is just fucking incredible.

844
00:39:19,239 --> 00:39:20,879
Speaker 1: That's how the hit on Amazon. I'm like, I watch

845
00:39:20,880 --> 00:39:23,359
Speaker 1: it multiple times because it's just incredible. But I think, Yeah,

846
00:39:23,360 --> 00:39:25,640
Speaker 1: I think there's not many people like Kendrick. And also

847
00:39:25,680 --> 00:39:28,600
Speaker 1: like Kendrick drops the album every five years, bro j

848
00:39:28,760 --> 00:39:31,919
Speaker 1: Cole Texas time too. This nigga Drake popping it out

849
00:39:31,960 --> 00:39:33,960
Speaker 1: like you know what I mean, he popping it out

850
00:39:33,960 --> 00:39:37,279
Speaker 1: every Like how many albums did he dropped, like in

851
00:39:37,280 --> 00:39:39,799
Speaker 1: the last two or three years. It seemed like he

852
00:39:39,920 --> 00:39:42,080
Speaker 1: after the band, he dropped like two or three albums,

853
00:39:42,160 --> 00:39:45,359
Speaker 1: you feel me. So he's like he moves differently. You

854
00:39:45,400 --> 00:39:48,680
Speaker 1: can't make hip hop music, you know what I'm saying,

855
00:39:49,120 --> 00:39:52,839
Speaker 1: dropping albums like on the like fashion calendar type shit.

856
00:39:52,960 --> 00:39:53,400
Speaker 2: Nigga.

857
00:39:53,480 --> 00:39:56,720
Speaker 1: You know what I'm saying, You become forever twenty one nigga,

858
00:39:56,800 --> 00:39:58,640
Speaker 1: you know what I'm saying making music like that. So

859
00:39:58,719 --> 00:40:01,120
Speaker 1: I think, like Drake approached it's a game totally different.

860
00:40:01,239 --> 00:40:03,799
Speaker 1: And then the way he approached it, he it's gonna

861
00:40:03,800 --> 00:40:06,920
Speaker 1: be very difficult for him to have really like eye

862
00:40:06,920 --> 00:40:11,040
Speaker 1: opening you know what I'm saying, Like thoughtful music, creative music,

863
00:40:11,440 --> 00:40:14,680
Speaker 1: you know, and he's dropping his so you know, just

864
00:40:14,760 --> 00:40:17,799
Speaker 1: dropping it so consistently like that this shit.

865
00:40:18,600 --> 00:40:20,720
Speaker 2: Yeah, I agree with all that, But at the same time,

866
00:40:21,000 --> 00:40:22,520
Speaker 2: that might be the trade off that he had to

867
00:40:22,520 --> 00:40:25,600
Speaker 2: make for the longevity. Yeah right, And I'm.

868
00:40:25,400 --> 00:40:27,279
Speaker 4: Not mad at it, but I'm just saying that's why

869
00:40:27,440 --> 00:40:28,200
Speaker 4: he's not hip hop.

870
00:40:28,239 --> 00:40:30,839
Speaker 2: That's not you know what I mean because at the moment, yeah,

871
00:40:30,840 --> 00:40:32,279
Speaker 2: because you know, when he dropped for All the Dogs,

872
00:40:32,280 --> 00:40:34,840
Speaker 2: a lot of the criticism was, bro, you are thirty

873
00:40:34,840 --> 00:40:36,920
Speaker 2: eight years old still rapping about clubbing with twenty one

874
00:40:37,000 --> 00:40:39,160
Speaker 2: year old girls. You know what I'm saying, Like it's

875
00:40:39,520 --> 00:40:43,279
Speaker 2: as like work. Yeah, it's like, you know, there's no

876
00:40:43,480 --> 00:40:46,000
Speaker 2: growth here, and maybe he realized that growth isn't lucrative.

877
00:40:46,239 --> 00:40:48,520
Speaker 2: You know what I'm saying, that that growth that you know,

878
00:40:48,600 --> 00:40:50,680
Speaker 2: like you said, he cracked the algorithm. Okay, I know

879
00:40:50,719 --> 00:40:52,920
Speaker 2: how to make a chorus. I know who is who

880
00:40:52,960 --> 00:40:54,759
Speaker 2: are the viral stars? Let me throw sexy Red on

881
00:40:54,800 --> 00:40:57,919
Speaker 2: this motherfucker. Make a little TikTok craze you know song

882
00:40:58,040 --> 00:41:00,000
Speaker 2: that's gonna be a big fucking here. Get these streams up.

883
00:41:00,280 --> 00:41:02,160
Speaker 2: Like like you said, he knows the algorithm, you know,

884
00:41:02,160 --> 00:41:03,560
Speaker 2: I'm saying at the same time, he happens to be

885
00:41:03,560 --> 00:41:06,080
Speaker 2: an incredible songmaker too. I'm not looking that from him

886
00:41:06,160 --> 00:41:08,759
Speaker 2: as well, but but yeah, it's it's you know, like

887
00:41:08,800 --> 00:41:11,759
Speaker 2: I said, my My takeaway from from that was, you know,

888
00:41:12,120 --> 00:41:14,080
Speaker 2: I think it was more of an indictment on where

889
00:41:14,360 --> 00:41:17,400
Speaker 2: rap is now as opposed to where Drake is personally.

890
00:41:17,760 --> 00:41:20,480
Speaker 3: Yeah, and that that's the only thing I didn't like

891
00:41:20,560 --> 00:41:24,000
Speaker 3: about the comment. And I'm not obviously wouldn't claim to

892
00:41:24,120 --> 00:41:26,880
Speaker 3: you know, no more than most death or even you

893
00:41:26,880 --> 00:41:27,800
Speaker 3: guys like what's the difference?

894
00:41:27,920 --> 00:41:30,839
Speaker 4: None of us are more about up. Yeah.

895
00:41:30,960 --> 00:41:33,960
Speaker 3: But what I didn't like about the comment is I

896
00:41:34,040 --> 00:41:37,359
Speaker 3: think you your guy's nuanced take is exactly right.

897
00:41:37,600 --> 00:41:39,399
Speaker 2: I think he is taking.

898
00:41:39,080 --> 00:41:43,000
Speaker 3: Out his frustration with where the genre of music that

899
00:41:43,080 --> 00:41:46,600
Speaker 3: he loves and cares about is in its standings now

900
00:41:46,800 --> 00:41:52,680
Speaker 3: on one guy who has profited from that change. And

901
00:41:53,120 --> 00:41:55,920
Speaker 3: what I did not like about the comment is that

902
00:41:55,960 --> 00:42:00,320
Speaker 3: it reminds me a lot of people saying that punk

903
00:42:00,400 --> 00:42:04,640
Speaker 3: bands that I liked were sellouts or pop music because

904
00:42:04,840 --> 00:42:08,600
Speaker 3: they happened to get very popular with the music that

905
00:42:08,640 --> 00:42:13,160
Speaker 3: they recorded in garages or you know that was recorded independently.

906
00:42:13,640 --> 00:42:17,440
Speaker 3: And that is the history of music in America. Jazz

907
00:42:17,560 --> 00:42:20,120
Speaker 3: used to be dangerous as fuck, and.

908
00:42:20,160 --> 00:42:28,680
Speaker 4: Is I mean it was on Heroin the best, yes.

909
00:42:28,520 --> 00:42:31,319
Speaker 3: And and as as like it was, oh, it was

910
00:42:31,320 --> 00:42:33,600
Speaker 3: like it was going to cause in you know, intermixing

911
00:42:33,640 --> 00:42:37,760
Speaker 3: of the races, Like jazz was dangerous, rock music was dangerous,

912
00:42:37,840 --> 00:42:41,400
Speaker 3: Punk music was dangerous, hip hop music was dangerous. That

913
00:42:41,560 --> 00:42:44,759
Speaker 3: is the process of like, that is how and this

914
00:42:44,840 --> 00:42:48,080
Speaker 3: is what happens with all culture. Something starts out as

915
00:42:48,120 --> 00:42:52,120
Speaker 3: an authentic subculture, blows up, and then it becomes to

916
00:42:52,200 --> 00:42:55,320
Speaker 3: the masses. Now, because we're in America, money is involved

917
00:42:55,320 --> 00:42:57,360
Speaker 3: in that, But that is always what has happened. That

918
00:42:57,440 --> 00:43:01,160
Speaker 3: is always how artistic styles, whether it's painting or music

919
00:43:01,560 --> 00:43:04,600
Speaker 3: or anything, have become popular. It starts with one person

920
00:43:04,680 --> 00:43:06,360
Speaker 3: or a group of people, and that it expands and

921
00:43:06,440 --> 00:43:09,799
Speaker 3: takes over. What I don't like about it is if

922
00:43:09,880 --> 00:43:13,960
Speaker 3: Lupe Fiasco had happened to put out an album that

923
00:43:14,040 --> 00:43:17,200
Speaker 3: got put in the right movie or got you know,

924
00:43:17,280 --> 00:43:20,240
Speaker 3: they sampled it for a fucking Friends episode or something,

925
00:43:20,560 --> 00:43:24,520
Speaker 3: and that album sold one hundred million copies, that changes

926
00:43:24,640 --> 00:43:29,960
Speaker 3: something about loupe Fiasco because he was more profitable or successful.

927
00:43:30,400 --> 00:43:35,040
Speaker 3: Like it, it supposes a an intent in what Drake

928
00:43:35,200 --> 00:43:39,520
Speaker 3: is doing that like, and I hate to be ever

929
00:43:39,719 --> 00:43:42,200
Speaker 3: sounding like I'm defending a Drake in an argument, as

930
00:43:42,280 --> 00:43:44,879
Speaker 3: both of y'all know, but like is the music he's

931
00:43:44,920 --> 00:43:48,320
Speaker 3: making not authentic to him. I don't think that that's true.

932
00:43:48,360 --> 00:43:49,480
Speaker 2: I don't like Drake.

933
00:43:49,600 --> 00:43:52,600
Speaker 3: Seems like I'm making music for shopping. Like I think

934
00:43:52,680 --> 00:43:55,239
Speaker 3: Drake is watching the video of that dude shopping at

935
00:43:55,239 --> 00:43:58,640
Speaker 3: Target set to his music like vibing.

936
00:43:58,600 --> 00:43:59,040
Speaker 2: Like that's it.

937
00:43:59,200 --> 00:44:00,759
Speaker 3: Like I don't know, like that, it seems like that

938
00:44:00,880 --> 00:44:03,040
Speaker 3: music that could be what his soul sounds like.

939
00:44:03,160 --> 00:44:03,680
Speaker 4: You know what I mean.

940
00:44:04,320 --> 00:44:07,520
Speaker 1: I think we've I think it's gotten to a point

941
00:44:07,719 --> 00:44:10,400
Speaker 1: Drake's music where it doesn't feel like Drake, you.

942
00:44:10,440 --> 00:44:12,600
Speaker 4: Know what I mean. I don't think I hear that.

943
00:44:13,200 --> 00:44:16,240
Speaker 2: Does it not feel like Drake? Or should Drake be

944
00:44:16,280 --> 00:44:17,000
Speaker 2: a different.

945
00:44:16,760 --> 00:44:18,520
Speaker 1: Person than he was at thirty eight than he was

946
00:44:18,560 --> 00:44:20,719
Speaker 1: at maybe because it doesn't sound like a thirty seventh

947
00:44:20,760 --> 00:44:22,400
Speaker 1: drol Maybe that's where I'm met with it.

948
00:44:22,440 --> 00:44:23,719
Speaker 4: But it doesn't sound like Drake. But I think one

949
00:44:23,719 --> 00:44:25,160
Speaker 4: thing we got to realize too is rap is in

950
00:44:25,239 --> 00:44:25,840
Speaker 4: ours anymore?

951
00:44:25,880 --> 00:44:29,400
Speaker 1: Man, Rap is not ours, bro when it became for

952
00:44:29,239 --> 00:44:33,200
Speaker 1: the most popular shit, you know, dude, like no, no, okay, Kendrick,

953
00:44:33,200 --> 00:44:35,080
Speaker 1: Remember Kendrick put an old girl up on stage and

954
00:44:35,120 --> 00:44:36,759
Speaker 1: she said nigga while rapping. She had to kick him

955
00:44:36,800 --> 00:44:39,520
Speaker 1: on stage. Bro, you know no name like y'all know

956
00:44:39,520 --> 00:44:42,359
Speaker 1: no name is Chicago rapper? Who is I'm talking about

957
00:44:42,560 --> 00:44:45,480
Speaker 1: rappity rap hip hop? Like a motherfucker.

958
00:44:46,000 --> 00:44:46,680
Speaker 2: She stopped.

959
00:44:47,040 --> 00:44:50,120
Speaker 1: She stopped performing because it was white dudes in the

960
00:44:50,120 --> 00:44:52,520
Speaker 1: crowd saying nigga listen heer shit, you know what I mean?

961
00:44:52,960 --> 00:44:56,000
Speaker 1: As hip hop as she is, it's still like the

962
00:44:56,320 --> 00:44:59,480
Speaker 1: demographic who's listener. Shit, it's not the people that she's

963
00:44:59,480 --> 00:45:02,560
Speaker 1: making music like, rap is not ours anymore to be

964
00:45:02,960 --> 00:45:05,879
Speaker 1: like you know what I'm saying, profitable, you know, it's

965
00:45:05,920 --> 00:45:06,680
Speaker 1: it's it's.

966
00:45:06,560 --> 00:45:09,600
Speaker 3: It's difficult to just like neither of you would say

967
00:45:09,680 --> 00:45:11,880
Speaker 3: Vince Staples is a is a pop artist not around.

968
00:45:11,920 --> 00:45:13,759
Speaker 1: I was going to bring up to Vince Staples point

969
00:45:13,760 --> 00:45:16,360
Speaker 1: where not an album, he made an album with it

970
00:45:16,400 --> 00:45:18,000
Speaker 1: with placements in mind.

971
00:45:17,880 --> 00:45:20,319
Speaker 3: And I but I've been to a half dozen Vent

972
00:45:20,440 --> 00:45:25,880
Speaker 3: Staples shows and the audience. But like, also then I know,

973
00:45:25,960 --> 00:45:27,880
Speaker 3: and I know for a fact that's not what he

974
00:45:28,040 --> 00:45:30,880
Speaker 3: is seeking out to do when he's sitting down and recording,

975
00:45:30,920 --> 00:45:32,360
Speaker 3: you know what I mean. So so that's what I

976
00:45:32,360 --> 00:45:35,640
Speaker 3: don't like is like, once you've made something and the

977
00:45:35,680 --> 00:45:37,640
Speaker 3: world does what the world is gonna do with it.

978
00:45:38,680 --> 00:45:40,440
Speaker 3: I don't think judging artists on that.

979
00:45:41,040 --> 00:45:42,960
Speaker 4: What the world does? That makes sense.

980
00:45:43,000 --> 00:45:46,439
Speaker 1: I get your point, that makes sense, and I don't

981
00:45:46,440 --> 00:45:48,000
Speaker 1: think it's I don't think he was just judging.

982
00:45:50,160 --> 00:45:51,799
Speaker 3: The last point I would make on like the pop

983
00:45:51,840 --> 00:45:54,319
Speaker 3: punk thing is that it reminds me very much of

984
00:45:54,400 --> 00:45:57,960
Speaker 3: like classism and money is tied up in this. And

985
00:45:58,000 --> 00:46:01,239
Speaker 3: I'm not suggesting this is mos Death's point. It's just

986
00:46:01,360 --> 00:46:03,279
Speaker 3: it's the note that it struck with me that I

987
00:46:03,320 --> 00:46:06,040
Speaker 3: don't like. Is like I remember reading about Green Day

988
00:46:06,440 --> 00:46:08,360
Speaker 3: once they signed with a major label, and these were

989
00:46:08,440 --> 00:46:12,439
Speaker 3: all dudes who grew up very poor, Like they got

990
00:46:12,560 --> 00:46:15,319
Speaker 3: kicked out of the club that they came up in

991
00:46:15,320 --> 00:46:17,239
Speaker 3: in the East Bay because they had a policy that

992
00:46:17,320 --> 00:46:19,080
Speaker 3: if you signed with a label, you weren't allowed to

993
00:46:19,120 --> 00:46:19,840
Speaker 3: play there anymore.

994
00:46:20,120 --> 00:46:21,000
Speaker 1: Yeah, but all of that.

995
00:46:21,160 --> 00:46:23,399
Speaker 3: But like they said, it's like all the people who

996
00:46:23,400 --> 00:46:26,920
Speaker 3: were like judging us and calling us sellouts or pop musicians.

997
00:46:27,360 --> 00:46:30,400
Speaker 3: He's like, they're all upper middle class white kids. He's like,

998
00:46:30,560 --> 00:46:32,640
Speaker 3: we actually grew up poor, and we're like someone's gonna

999
00:46:32,680 --> 00:46:34,919
Speaker 3: pay us to do the fucking shit we love to do.

1000
00:46:35,000 --> 00:46:38,200
Speaker 4: That sounds amazing, changing my whole like you know.

1001
00:46:38,560 --> 00:46:42,920
Speaker 3: Yeah, so obviously Drake's not the putting music out now

1002
00:46:43,040 --> 00:46:45,279
Speaker 3: is like a starving artist or something like that. I

1003
00:46:45,360 --> 00:46:50,760
Speaker 3: just think it's it's hard for me to judge people

1004
00:46:50,880 --> 00:46:51,479
Speaker 3: based on.

1005
00:46:51,440 --> 00:46:53,320
Speaker 2: Like the way, like I said, their stuff is received.

1006
00:46:53,360 --> 00:46:55,560
Speaker 3: And again, like I agree with you guys that he

1007
00:46:55,640 --> 00:46:59,520
Speaker 3: seems more frustrated with where hip hop is in society now,

1008
00:46:59,520 --> 00:47:02,800
Speaker 3: which I don't even disagree with that frustration, you know what,

1009
00:47:02,840 --> 00:47:03,960
Speaker 3: I mean, what.

1010
00:47:04,200 --> 00:47:07,160
Speaker 2: But go ahead, go ahead, I was gonna say, going

1011
00:47:07,160 --> 00:47:09,960
Speaker 2: back to the Vince Staples conversation, he had a line

1012
00:47:10,040 --> 00:47:13,839
Speaker 2: that was always gonna stick with me where he said,

1013
00:47:14,440 --> 00:47:17,960
Speaker 2: you know, seeing white boys answer where I'm asking where

1014
00:47:18,000 --> 00:47:20,120
Speaker 2: my niggas at? No, they want to kick it at

1015
00:47:20,160 --> 00:47:22,640
Speaker 2: the places where we kick it at right right right

1016
00:47:22,719 --> 00:47:25,279
Speaker 2: about that ship, Like yeah, that's that. That's kind of

1017
00:47:25,320 --> 00:47:27,960
Speaker 2: what what rap is. It's it's it's a bit of voyeurism.

1018
00:47:27,960 --> 00:47:29,640
Speaker 2: It feels like, right, it's a bit of voyeurism from

1019
00:47:29,680 --> 00:47:33,120
Speaker 2: white America into Black America. And and to your point,

1020
00:47:33,160 --> 00:47:34,799
Speaker 2: Mike about you know the same shit with punk rock,

1021
00:47:34,880 --> 00:47:37,200
Speaker 2: like motherfuckers will be mad because a song that's like

1022
00:47:37,239 --> 00:47:40,399
Speaker 2: fuck the President blew up. You know what, I'm saying, like, like, bro,

1023
00:47:40,480 --> 00:47:42,719
Speaker 2: there's still very much in the spirit of the punk

1024
00:47:42,760 --> 00:47:44,480
Speaker 2: shit you know that that that they're saying. It just

1025
00:47:44,480 --> 00:47:47,120
Speaker 2: happened to be popular and get embraced a lot. But

1026
00:47:47,120 --> 00:47:51,200
Speaker 2: but yeah, it's it's you know, it's just you know,

1027
00:47:51,320 --> 00:47:53,400
Speaker 2: rap has and and the thing is music has always

1028
00:47:53,400 --> 00:47:55,799
Speaker 2: been about consumerism, right, Music has always been about how

1029
00:47:55,800 --> 00:47:57,160
Speaker 2: can we sell the most fricors, how can we sell

1030
00:47:57,160 --> 00:47:59,600
Speaker 2: the most records. But the thing about rap is rap

1031
00:48:00,160 --> 00:48:03,600
Speaker 2: kind of fought a battle where they weren't embraced by consumerism.

1032
00:48:03,640 --> 00:48:05,879
Speaker 2: They were like fuck consumerism. They were like, like, who

1033
00:48:05,920 --> 00:48:07,680
Speaker 2: gives a fuck if we don't sell records? This ain't

1034
00:48:07,680 --> 00:48:10,160
Speaker 2: for them, right, Like, there was a moment in that where,

1035
00:48:10,400 --> 00:48:11,960
Speaker 2: you know, being called to sell out if you appeal

1036
00:48:12,040 --> 00:48:13,319
Speaker 2: to a lot of people and were selling a lot

1037
00:48:13,320 --> 00:48:15,200
Speaker 2: of records, They're like, Okay, what part of your soul

1038
00:48:15,239 --> 00:48:17,319
Speaker 2: did you sell to be this? Because you know, white

1039
00:48:17,320 --> 00:48:20,200
Speaker 2: America was not embracing early rap, you know what I mean.

1040
00:48:20,280 --> 00:48:23,400
Speaker 2: So yeah, it's just a very interesting conversation that you know,

1041
00:48:23,480 --> 00:48:24,920
Speaker 2: like I said, not only addresses to the state of

1042
00:48:25,000 --> 00:48:27,319
Speaker 2: rap now, but address is kind of like just the

1043
00:48:27,360 --> 00:48:29,040
Speaker 2: history of consumerism and music.

1044
00:48:29,320 --> 00:48:32,000
Speaker 1: And also who's people making decisions at these tables? What

1045
00:48:32,120 --> 00:48:34,000
Speaker 1: do they look like? Do they look like us? You

1046
00:48:34,080 --> 00:48:35,000
Speaker 1: know what I'm saying, Like.

1047
00:48:37,120 --> 00:48:39,359
Speaker 2: You remember Bobby Schmurder dancing on that table front, Oh yeah,

1048
00:48:39,400 --> 00:48:41,520
Speaker 2: yeah yeah, And they couldn't even catch the beat.

1049
00:48:41,560 --> 00:48:44,879
Speaker 4: They look like the white people's Beyonce trying to do.

1050
00:48:44,800 --> 00:48:49,160
Speaker 1: The swag surf nigga reaching grasping for the beat, you

1051
00:48:49,200 --> 00:48:51,239
Speaker 1: know what I mean, can't catch the motherfucker. But I mean,

1052
00:48:51,280 --> 00:48:53,560
Speaker 1: like as far like another point about Vince Tables as

1053
00:48:53,640 --> 00:48:55,960
Speaker 1: hip hop asy is he even says he made an

1054
00:48:56,000 --> 00:48:57,800
Speaker 1: album I think it was big fish, you know what

1055
00:48:57,840 --> 00:48:59,879
Speaker 1: I mean, He made an album with placements in mind.

1056
00:49:00,160 --> 00:49:02,520
Speaker 2: He said that album as a motherfucker.

1057
00:49:02,800 --> 00:49:04,560
Speaker 1: Yeah but oh yeah yeah but he I mean, but

1058
00:49:04,600 --> 00:49:06,359
Speaker 1: he said this is this is the so like I mean,

1059
00:49:06,520 --> 00:49:10,600
Speaker 1: you have to it's it's the one placement was worth

1060
00:49:10,960 --> 00:49:12,920
Speaker 1: was was was worth more than his whole budget.

1061
00:49:13,440 --> 00:49:14,799
Speaker 4: He had one of this places was.

1062
00:49:14,760 --> 00:49:17,520
Speaker 1: Worth more than his whole budget bro album budget. So

1063
00:49:17,640 --> 00:49:19,799
Speaker 1: like dog, that's I mean to be hip hop like

1064
00:49:19,840 --> 00:49:23,040
Speaker 1: events like this is how you gotta move, you know

1065
00:49:23,040 --> 00:49:23,520
Speaker 1: what I'm saying.

1066
00:49:23,520 --> 00:49:25,040
Speaker 4: To make the type of breads you need to make

1067
00:49:25,080 --> 00:49:25,439
Speaker 4: and like.

1068
00:49:25,320 --> 00:49:28,239
Speaker 1: You, like Mike was talking about, like like motherfucks come

1069
00:49:28,280 --> 00:49:29,920
Speaker 1: up particular places with this money to change, say, a

1070
00:49:29,920 --> 00:49:31,759
Speaker 1: lot of people are counting on them, you feel me.

1071
00:49:31,800 --> 00:49:34,319
Speaker 1: So a lot of people can't really move like a

1072
00:49:34,560 --> 00:49:37,080
Speaker 1: like a kindri quarter popular enough, got the enough bread

1073
00:49:37,080 --> 00:49:39,160
Speaker 1: where they can sit for five years and then make

1074
00:49:39,360 --> 00:49:41,040
Speaker 1: a very thoughtful beauty, you know what I mean.

1075
00:49:41,200 --> 00:49:44,440
Speaker 4: So like, yeah, it's space.

1076
00:49:44,600 --> 00:49:47,399
Speaker 3: Because it's it's it's really only a conversation you hear

1077
00:49:47,440 --> 00:49:51,120
Speaker 3: about music. No one would ever say for the most part,

1078
00:49:51,320 --> 00:49:52,800
Speaker 3: I mean, I guess this conversation sort.

1079
00:49:52,640 --> 00:49:53,960
Speaker 2: Of happened with Marvel Studios, w whatever.

1080
00:49:54,040 --> 00:49:55,520
Speaker 3: Like if you make a hit movie, it's like congrash,

1081
00:49:55,560 --> 00:49:57,640
Speaker 3: she made a hit movie, hit TV show.

1082
00:49:57,640 --> 00:49:58,959
Speaker 2: Congrats, she made a hit TV show.

1083
00:49:59,239 --> 00:50:02,000
Speaker 3: No profession football player is trying to be an avant

1084
00:50:02,040 --> 00:50:05,000
Speaker 3: garde wide receiver. You're trying to go to the NFL

1085
00:50:05,280 --> 00:50:07,160
Speaker 3: like you're trying to play for the fucking cowboy, right,

1086
00:50:07,200 --> 00:50:10,160
Speaker 3: you know. Like, but with music, it's like, oh, he's

1087
00:50:10,200 --> 00:50:13,960
Speaker 3: like he's popular in this specific type of way. And

1088
00:50:14,000 --> 00:50:16,399
Speaker 3: again I'm not I am not even a fan of Drake.

1089
00:50:16,800 --> 00:50:18,719
Speaker 3: I do not like that, man. I do not think

1090
00:50:18,719 --> 00:50:22,080
Speaker 3: he should be taking nineteen year olds to the club, but.

1091
00:50:23,719 --> 00:50:25,839
Speaker 4: That Asian bo I think he said twenty five year old.

1092
00:50:25,880 --> 00:50:27,960
Speaker 2: Let's say say no, he said twenty one. He says

1093
00:50:28,000 --> 00:50:29,680
Speaker 2: that she was in the club twenty one like a

1094
00:50:29,680 --> 00:50:31,279
Speaker 2: savage or some shit. He said twenty one.

1095
00:50:31,280 --> 00:50:33,680
Speaker 1: I remember somebody said so he did say she was

1096
00:50:33,719 --> 00:50:35,040
Speaker 1: twenty five, like a savage.

1097
00:50:37,200 --> 00:50:40,200
Speaker 3: Anyway, we got a couple of awards to give out.

1098
00:50:40,239 --> 00:50:44,000
Speaker 3: First of all, someone suggested that we someone on Twitter

1099
00:50:44,040 --> 00:50:46,440
Speaker 3: suggested we give out a wife guy of the Week award,

1100
00:50:46,840 --> 00:50:50,560
Speaker 3: And we certainly have this week a very good candidate,

1101
00:50:50,600 --> 00:50:53,759
Speaker 3: which is he fallback for the San Francisco forty nine ers,

1102
00:50:53,840 --> 00:50:58,040
Speaker 3: Kyle Juice Chick his wife or girlfriend. I believe his

1103
00:50:58,120 --> 00:51:04,560
Speaker 3: wife makes cuss them jackets with like players, players, jerseys,

1104
00:51:04,600 --> 00:51:08,040
Speaker 3: a universe. His wife, Oh, that's right, that's right. She

1105
00:51:08,120 --> 00:51:10,480
Speaker 3: was explaining how she how she learned to spell the

1106
00:51:10,520 --> 00:51:13,759
Speaker 3: last name, which was funny. But Taylor Swift wore one

1107
00:51:13,800 --> 00:51:16,279
Speaker 3: of her custom jackets to the chiefs.

1108
00:51:16,040 --> 00:51:18,040
Speaker 4: That it was hard too, that it was hard.

1109
00:51:18,080 --> 00:51:20,680
Speaker 3: Shit looked good. Well, and we talked about this with

1110
00:51:20,680 --> 00:51:23,200
Speaker 3: the Gridiron gals. I think two times ago that they

1111
00:51:23,239 --> 00:51:25,120
Speaker 3: were on like my wife is one of those football fans.

1112
00:51:25,120 --> 00:51:27,480
Speaker 3: She loves football, but she does not wear pink shit ever,

1113
00:51:27,640 --> 00:51:30,040
Speaker 3: or sequence shit ever. And for the whole time I

1114
00:51:30,080 --> 00:51:32,319
Speaker 3: was getting her into football when were in college, we

1115
00:51:32,360 --> 00:51:34,520
Speaker 3: would go look at the NFL catalog, and it's like,

1116
00:51:35,360 --> 00:51:38,440
Speaker 3: you could wear this pink jersey or this purple jersey

1117
00:51:38,480 --> 00:51:40,880
Speaker 3: with sequence on it, right, And so she's making stuff

1118
00:51:40,880 --> 00:51:43,320
Speaker 3: that like Juice Chick's wifes, making shit that looks like

1119
00:51:43,400 --> 00:51:46,440
Speaker 3: actual fashion man who don't want to be drowning in

1120
00:51:46,520 --> 00:51:49,840
Speaker 3: pink might want to wear. And obviously it's Taylor Swift.

1121
00:51:49,880 --> 00:51:52,040
Speaker 3: So there's all these videos and photos of her arriving

1122
00:51:52,040 --> 00:51:56,360
Speaker 3: in the jacket, and Kyle Juice Chick literally replied or

1123
00:51:56,440 --> 00:52:01,760
Speaker 3: coycted on every single video rate custom jacket by at

1124
00:52:01,880 --> 00:52:04,440
Speaker 3: Chris Juice Chick, look at the incredible jacket.

1125
00:52:06,560 --> 00:52:09,080
Speaker 4: Ten she went up.

1126
00:52:09,080 --> 00:52:11,760
Speaker 3: She had obviously Taylor Swift certainly more of a boost

1127
00:52:11,800 --> 00:52:13,520
Speaker 3: than than her husband was. But she I think they

1128
00:52:13,520 --> 00:52:15,840
Speaker 3: said she picked up one hundred and sixty thousand followers

1129
00:52:15,880 --> 00:52:19,279
Speaker 3: on Instagram on that one day. All this other shit,

1130
00:52:19,320 --> 00:52:20,759
Speaker 3: but I just love to see that you got an

1131
00:52:20,840 --> 00:52:23,600
Speaker 3: NFL player whose wife has got her side business that

1132
00:52:23,680 --> 00:52:26,680
Speaker 3: obviously she's putting a lot of her energy into and

1133
00:52:26,719 --> 00:52:28,600
Speaker 3: he was like, well, I gotta buy this week. Let

1134
00:52:28,680 --> 00:52:30,920
Speaker 3: me just sit on social media and just link everyone

1135
00:52:30,960 --> 00:52:33,160
Speaker 3: to her account. I really respect the fuck that love

1136
00:52:33,239 --> 00:52:34,120
Speaker 3: that for both of them.

1137
00:52:34,400 --> 00:52:36,759
Speaker 2: Yeah, I'm just hoping the NFL does the right thing

1138
00:52:36,760 --> 00:52:38,640
Speaker 2: and if they decide to run with this, they let

1139
00:52:38,680 --> 00:52:40,840
Speaker 2: her kind of spearhead the shit and kick her in

1140
00:52:40,920 --> 00:52:44,160
Speaker 2: some bread. But they probably won't if they do decide,

1141
00:52:44,160 --> 00:52:47,440
Speaker 2: But great story regardless. And on Saraha, I don't even

1142
00:52:47,480 --> 00:52:50,200
Speaker 2: think those those jacks are just appealing a woman like

1143
00:52:50,440 --> 00:52:52,719
Speaker 2: I could for sure see a Baltimore nigga wearing a

1144
00:52:52,800 --> 00:52:56,600
Speaker 2: knee length lamar fucking jacket. Bro back, you know what

1145
00:52:56,640 --> 00:52:58,719
Speaker 2: I'm saying, All black jointy.

1146
00:52:58,800 --> 00:53:02,080
Speaker 4: Hell, you're some big ass tail. Was on Balance show.

1147
00:53:04,280 --> 00:53:04,640
Speaker 3: Made a.

1148
00:53:06,200 --> 00:53:11,320
Speaker 5: Zip up best for Deebo Samuel, yeah, other stuff.

1149
00:53:11,760 --> 00:53:13,560
Speaker 2: It was my best.

1150
00:53:14,840 --> 00:53:16,680
Speaker 3: It was not good because you had the rock pretty

1151
00:53:16,760 --> 00:53:18,040
Speaker 3: m v P on there, and I think it was

1152
00:53:18,040 --> 00:53:20,640
Speaker 3: like the week before he got full.

1153
00:53:21,400 --> 00:53:26,000
Speaker 2: My first made up it was that skinned my show.

1154
00:53:26,840 --> 00:53:30,200
Speaker 2: My kids love that song for everything. Yeah, my kids

1155
00:53:30,200 --> 00:53:33,799
Speaker 2: love that song. Bro. They're just out of nowhere. Best

1156
00:53:34,120 --> 00:53:39,440
Speaker 2: my best made pure gorilla chest. What a song.

1157
00:53:39,520 --> 00:53:46,320
Speaker 1: What good old silly billyes nigga top tier silly billy

1158
00:53:46,320 --> 00:53:47,080
Speaker 1: ship right here.

1159
00:53:47,320 --> 00:53:49,760
Speaker 3: All right, we got to wrap up with the dookie

1160
00:53:49,760 --> 00:53:53,719
Speaker 3: butt of the week, Tyler, who is your dookie butt

1161
00:53:53,800 --> 00:53:54,240
Speaker 3: of the week.

1162
00:53:55,000 --> 00:53:57,439
Speaker 2: I'm gonna go with the easy pickure and say Cowboys fans,

1163
00:53:57,480 --> 00:53:59,399
Speaker 2: of course. I just want to rub some more salt

1164
00:53:59,440 --> 00:54:02,359
Speaker 2: in the one saying fucking Eagles fans and Giants fans

1165
00:54:02,360 --> 00:54:08,840
Speaker 2: while we're here too, and fuck a lot of Washington

1166
00:54:08,920 --> 00:54:12,719
Speaker 2: fans to let's keep it up, Bucky, Okay, fuck a

1167
00:54:12,719 --> 00:54:13,959
Speaker 2: lot of those guys too.

1168
00:54:15,120 --> 00:54:19,320
Speaker 3: God, I respect that, Tyler said the entire NFC, except

1169
00:54:19,360 --> 00:54:20,160
Speaker 3: for the cool homies.

1170
00:54:21,239 --> 00:54:22,480
Speaker 2: Jackson, your dookie butt of the.

1171
00:54:22,400 --> 00:54:25,280
Speaker 5: Week, My dukie one of the week is Aaron Rodgers,

1172
00:54:25,280 --> 00:54:28,759
Speaker 5: and I know it's because he gets mad when people

1173
00:54:28,800 --> 00:54:30,839
Speaker 5: come at him about his off the field stuff, even

1174
00:54:30,880 --> 00:54:32,960
Speaker 5: though he's the one starting at all. But this is

1175
00:54:33,000 --> 00:54:36,920
Speaker 5: purely football. Last season, remade Packers eight and nine did

1176
00:54:36,960 --> 00:54:37,880
Speaker 5: not make the playoffs.

1177
00:54:38,080 --> 00:54:38,400
Speaker 2: Damn.

1178
00:54:38,440 --> 00:54:42,040
Speaker 5: This seasons first season as a starter, nine and eight

1179
00:54:42,280 --> 00:54:43,840
Speaker 5: beat the Cowboys on the road.

1180
00:54:44,120 --> 00:54:49,759
Speaker 2: That is, she don't let the door hits you, and.

1181
00:54:53,000 --> 00:54:55,120
Speaker 3: Their head coach does an interview where he says, it's

1182
00:54:55,160 --> 00:54:56,879
Speaker 3: just been so much more fun this year.

1183
00:54:57,200 --> 00:54:59,719
Speaker 2: The energy is so much better in the locker room.

1184
00:55:00,560 --> 00:55:02,879
Speaker 2: I wonder why. I wonder fucking why.

1185
00:55:04,320 --> 00:55:06,120
Speaker 3: I have a two part Dookie b Out of the Week,

1186
00:55:06,160 --> 00:55:08,600
Speaker 3: so I would do one and then let John do one.

1187
00:55:08,600 --> 00:55:11,320
Speaker 3: But I'm just joined in on the football side and

1188
00:55:11,360 --> 00:55:14,680
Speaker 3: say Dak Prescott, who said in the interview after the game,

1189
00:55:15,160 --> 00:55:18,479
Speaker 3: if Mike McCarthy's on the hot seat, I should be too.

1190
00:55:19,520 --> 00:55:22,160
Speaker 2: Yes, surface ass, make a dog. I'm telling you, she.

1191
00:55:22,120 --> 00:55:23,160
Speaker 4: Ain't gonna save you.

1192
00:55:23,200 --> 00:55:23,439
Speaker 3: Bro.

1193
00:55:23,840 --> 00:55:29,759
Speaker 2: They're not paying you, You're gone. It's over for you. Dog.

1194
00:55:29,960 --> 00:55:32,080
Speaker 2: You have played your last game as the Dallas Cowboy

1195
00:55:32,120 --> 00:55:34,000
Speaker 2: unless you want to play for pennies. What your grambling

1196
00:55:34,080 --> 00:55:36,759
Speaker 2: ass might do knowing your goddamn boot looking at you

1197
00:55:36,960 --> 00:55:44,799
Speaker 2: know what? Let me no, Yeah, did not like that motherfucker.

1198
00:55:44,880 --> 00:55:47,319
Speaker 2: After that first station during Someone twenty twenty, I was like,

1199
00:55:47,320 --> 00:55:50,920
Speaker 2: fuck this dude, forever dog. But yeah, man, it's just bro,

1200
00:55:51,040 --> 00:55:52,560
Speaker 2: that company man, shit is not going to save you.

1201
00:55:52,600 --> 00:55:56,080
Speaker 2: Did you not just see how they did Russell Wilson like, listen, man,

1202
00:55:56,880 --> 00:55:59,279
Speaker 2: But but motherfuckers, I learned the hard way and I

1203
00:55:59,320 --> 00:56:02,200
Speaker 2: have and if if that's going the hard way. I'm

1204
00:56:02,200 --> 00:56:04,480
Speaker 2: going to enjoy every second of that ride, so fuck it.

1205
00:56:04,680 --> 00:56:07,759
Speaker 3: And I want to add he's not playing for the

1206
00:56:07,800 --> 00:56:10,200
Speaker 3: Denver Broncos. He's playing for the Cowboys. Now.

1207
00:56:10,239 --> 00:56:12,760
Speaker 2: I don't like Jerry Jones as a human being.

1208
00:56:13,120 --> 00:56:16,680
Speaker 3: Uh, but Jerry Jones when he was building his new

1209
00:56:16,760 --> 00:56:20,600
Speaker 3: when he was building Jerry World, bought a huge steak

1210
00:56:21,239 --> 00:56:25,200
Speaker 3: in steel futures so that if the cost of steel

1211
00:56:25,280 --> 00:56:29,400
Speaker 3: went up, thus increasing the cost of building the new stadium,

1212
00:56:29,880 --> 00:56:33,000
Speaker 3: he would profit from the rise in price of steel

1213
00:56:33,640 --> 00:56:37,319
Speaker 3: to offset that increased construction cost of the stadium. You're

1214
00:56:37,320 --> 00:56:40,160
Speaker 3: not gonna trick that dude into paying you by being

1215
00:56:40,200 --> 00:56:42,799
Speaker 3: a boot liquor. And that's not the fucking dude to

1216
00:56:42,880 --> 00:56:43,279
Speaker 3: do that.

1217
00:56:43,239 --> 00:56:47,400
Speaker 2: With, right, You better just fucking broke. Get on Instagram,

1218
00:56:47,440 --> 00:56:52,600
Speaker 2: follow the Arizona Cardinals. Just let him know that you're

1219
00:56:52,640 --> 00:56:55,560
Speaker 2: open for business. Dog, like it's over you were. I'm

1220
00:56:55,600 --> 00:56:57,239
Speaker 2: pretty sure this is your last game you ever played.

1221
00:56:57,280 --> 00:56:59,600
Speaker 2: This Cowboy and licking boots on the way out. Ain't

1222
00:56:59,600 --> 00:57:03,399
Speaker 2: gonna say TV dog was going to John Dookie Better

1223
00:57:03,400 --> 00:57:03,759
Speaker 2: of the Week.

1224
00:57:04,160 --> 00:57:07,640
Speaker 4: I wasn't gonna say more. Roy McElroy Golfer.

1225
00:57:07,760 --> 00:57:10,279
Speaker 1: I knew some ship I knew that was, but I'm

1226
00:57:10,320 --> 00:57:12,120
Speaker 1: not gonna say I was gonna say it because I mean,

1227
00:57:12,160 --> 00:57:14,719
Speaker 1: he fucked off a lead this weekend with like a

1228
00:57:15,640 --> 00:57:17,680
Speaker 1: like hitting the ball on the eighteenth holl seventy second

1229
00:57:17,720 --> 00:57:19,800
Speaker 1: hold of the fucking weekend, hit the ball into the

1230
00:57:19,840 --> 00:57:21,160
Speaker 1: water and then three putt.

1231
00:57:21,280 --> 00:57:23,840
Speaker 4: Nigga, Like that's some for a professor.

1232
00:57:24,240 --> 00:57:26,200
Speaker 1: It's all bad, bro that It was like the nigga

1233
00:57:26,280 --> 00:57:28,760
Speaker 1: was stumbling down, tripping over his feet, trying to get

1234
00:57:28,800 --> 00:57:30,400
Speaker 1: to the trying to finish the fucking you.

1235
00:57:30,360 --> 00:57:34,560
Speaker 2: Like Roy McElroy, the only other.

1236
00:57:36,080 --> 00:57:38,320
Speaker 1: He hella, like you know what I'm saying for diversity,

1237
00:57:38,360 --> 00:57:40,840
Speaker 1: and he was like this motherfucker that caused the cause

1238
00:57:40,840 --> 00:57:42,760
Speaker 1: all the issues wearing a hoodie on the course. But

1239
00:57:42,840 --> 00:57:44,480
Speaker 1: they got rules you can't wear a hoodie. He wore

1240
00:57:44,480 --> 00:57:46,640
Speaker 1: a hoodie. Like, fuck y'all, nigga, I'm Roy, what're you

1241
00:57:46,680 --> 00:57:47,120
Speaker 1: gonna do to me?

1242
00:57:47,160 --> 00:57:49,160
Speaker 2: I remember he went on I remember he went on

1243
00:57:49,280 --> 00:57:51,760
Speaker 2: Jay Leno after winning the Masters and he implied that

1244
00:57:51,880 --> 00:57:54,520
Speaker 2: he you know, boned his wife after that in the

1245
00:57:54,520 --> 00:57:56,200
Speaker 2: Master's jack and I was like, Okay, this guy might

1246
00:57:56,240 --> 00:57:59,040
Speaker 2: be kind of cool, was that Roy? Yeah?

1247
00:57:59,560 --> 00:58:03,840
Speaker 4: Yeah, that was Yeah, that feels very what's that tall

1248
00:58:03,840 --> 00:58:05,880
Speaker 4: white man's name? I forget his name? It was really good.

1249
00:58:06,200 --> 00:58:08,200
Speaker 2: You are the person to ask that question too.

1250
00:58:08,280 --> 00:58:10,040
Speaker 1: Yeah, but I mean I don't be knowing, you know,

1251
00:58:10,280 --> 00:58:12,240
Speaker 1: you know how I am with white people's names.

1252
00:58:13,640 --> 00:58:18,400
Speaker 3: It was it was Margot Rob, Yeah, it was it

1253
00:58:18,440 --> 00:58:19,480
Speaker 3: was it was ever Watching.

1254
00:58:19,640 --> 00:58:24,080
Speaker 1: Yeah, no, you know who it is, bro, the tallest

1255
00:58:24,080 --> 00:58:25,040
Speaker 1: fuck athletic he was.

1256
00:58:25,080 --> 00:58:27,840
Speaker 4: He's dating Gretzky's.

1257
00:58:27,440 --> 00:58:29,840
Speaker 2: Uh daughter, Dustin Johnson.

1258
00:58:30,040 --> 00:58:32,080
Speaker 4: Dustin Johnson, that's Dustin Johnson ship.

1259
00:58:32,400 --> 00:58:34,919
Speaker 2: That's how he sounds like twenty he's twenty five, twenty

1260
00:58:34,920 --> 00:58:36,600
Speaker 2: six of you thinking Gretzky's daughter.

1261
00:58:36,600 --> 00:58:38,320
Speaker 4: Is that? No, he's in this he's in his mid

1262
00:58:39,000 --> 00:58:40,800
Speaker 4: mid thirties, mid to late thirties.

1263
00:58:40,880 --> 00:58:43,040
Speaker 2: Yeah, no, no, because this is like early two thousands.

1264
00:58:43,080 --> 00:58:43,919
Speaker 2: I remember seeing that ship.

1265
00:58:44,240 --> 00:58:46,320
Speaker 1: Okay, so Roy, I don't know Roy was around that time.

1266
00:58:46,360 --> 00:58:48,400
Speaker 1: I think that was Rory, my boy. I don't know anyway,

1267
00:58:48,400 --> 00:58:49,920
Speaker 1: Oh that it might be.

1268
00:58:49,960 --> 00:58:53,840
Speaker 2: So let me let me go to Rory sex masters Jackson.

1269
00:58:55,320 --> 00:58:57,880
Speaker 2: But the real, the real dookie.

1270
00:58:57,920 --> 00:59:01,880
Speaker 1: But that what's gonna say is Brent Fires, y'all know

1271
00:59:01,920 --> 00:59:02,360
Speaker 1: you know what I'm saying.

1272
00:59:02,400 --> 00:59:06,720
Speaker 2: Yeah, that motherfucker look like Spike Lee, nigga bro. He

1273
00:59:06,920 --> 00:59:07,720
Speaker 2: like got bitter beer.

1274
00:59:07,800 --> 00:59:10,919
Speaker 4: Fact that chance Chan is strong as hell and week

1275
00:59:10,920 --> 00:59:11,240
Speaker 4: at the.

1276
00:59:11,160 --> 00:59:13,280
Speaker 1: Same time nigga God, damn.

1277
00:59:13,080 --> 00:59:14,959
Speaker 2: Its prominent and weak as fun.

1278
00:59:15,160 --> 00:59:15,320
Speaker 1: Bro.

1279
00:59:15,440 --> 00:59:17,520
Speaker 4: He looked like he looked like a perfect.

1280
00:59:21,840 --> 00:59:22,000
Speaker 3: Bro.

1281
00:59:23,880 --> 00:59:26,000
Speaker 4: Hey he looked, Hey man, we go.

1282
00:59:26,280 --> 00:59:27,680
Speaker 2: Yeah, they like damn bro.

1283
00:59:28,760 --> 00:59:31,040
Speaker 1: They sit a picture and I swear to god, they

1284
00:59:31,120 --> 00:59:33,760
Speaker 1: was talking about this. There was clowning the person. I'm like, what,

1285
00:59:33,880 --> 00:59:36,280
Speaker 1: why is Spike Lee on stage? Why y'all clown this man?

1286
00:59:36,360 --> 00:59:36,880
Speaker 1: You feel me?

1287
00:59:37,080 --> 00:59:39,400
Speaker 4: And I scrolled down the group chat and it was

1288
00:59:39,400 --> 00:59:40,040
Speaker 4: Britt Fires.

1289
00:59:40,080 --> 00:59:47,040
Speaker 2: I'm like, yo, crazy and then bent my second me

1290
00:59:47,080 --> 00:59:49,240
Speaker 2: and me and me and wife. He sat at the

1291
00:59:49,240 --> 00:59:52,800
Speaker 2: same roulette table with Brent Fires and at the MGM

1292
00:59:52,880 --> 00:59:56,640
Speaker 2: National Harvard in in in Maryland and ship And when

1293
00:59:56,640 --> 00:59:57,760
Speaker 2: he got up, you know, I wasn't gonna be no

1294
00:59:57,800 --> 01:00:00,240
Speaker 2: groopy ass motherfucker. I was out that dude. But when

1295
01:00:00,240 --> 01:00:02,360
Speaker 2: he got up, I looked at someone and I was like, Hey,

1296
01:00:02,400 --> 01:00:05,320
Speaker 2: that was Brent. She's like, oh, I'm like you know

1297
01:00:05,440 --> 01:00:08,440
Speaker 2: what that is? Like, No, what's craziest.

1298
01:00:08,520 --> 01:00:11,400
Speaker 1: He's not popular, popular, but he does crazy numbers because

1299
01:00:11,440 --> 01:00:14,080
Speaker 1: his fans based is rappit as fuck. But like Eastern

1300
01:00:14,160 --> 01:00:16,320
Speaker 1: Ray said, that's my favorite artist, like type of ship,

1301
01:00:16,360 --> 01:00:16,919
Speaker 1: you know what I mean.

1302
01:00:17,160 --> 01:00:20,320
Speaker 2: But but then, but then, yeah, I said, he's the

1303
01:00:20,400 --> 01:00:26,200
Speaker 2: dude who was singing the chorus on Crew. I said, money, Yeah, I.

1304
01:00:26,120 --> 01:00:29,400
Speaker 1: See, bro, I see like I saw Brent Faire like

1305
01:00:29,440 --> 01:00:31,160
Speaker 1: the chick the squad about this is.

1306
01:00:31,160 --> 01:00:34,200
Speaker 4: The chicks loved this man like I was out and

1307
01:00:34,200 --> 01:00:34,600
Speaker 4: saw him.

1308
01:00:34,760 --> 01:00:35,880
Speaker 2: He's terrible in his music.

1309
01:00:37,000 --> 01:00:41,440
Speaker 1: Oh he's so bro toxic as fuck, bro, but they

1310
01:00:41,480 --> 01:00:43,000
Speaker 1: love that ship saw him.

1311
01:00:43,280 --> 01:00:43,800
Speaker 4: I was out.

1312
01:00:43,960 --> 01:00:45,840
Speaker 1: I forget exactly where I was at on some l

1313
01:00:45,920 --> 01:00:47,880
Speaker 1: A ship. You know, this is before I was married

1314
01:00:47,920 --> 01:00:49,960
Speaker 1: and ship, but we were at we was at.

1315
01:00:49,840 --> 01:00:50,240
Speaker 2: Like some.

1316
01:00:53,080 --> 01:00:57,800
Speaker 1: The bo too is not l A. Yeah, but uh

1317
01:00:58,000 --> 01:01:02,080
Speaker 1: it's just nice. But anyway, no, they he was, I

1318
01:01:02,120 --> 01:01:05,240
Speaker 1: don't know. He was with the the baddest fucking Somali

1319
01:01:05,320 --> 01:01:07,640
Speaker 1: chick I've ever seen in my life, just tongueing the

1320
01:01:07,720 --> 01:01:12,920
Speaker 1: motherfucking down like they chicks love him, bro, And now

1321
01:01:12,960 --> 01:01:15,240
Speaker 1: he out here with the bare face and Bro, I

1322
01:01:15,240 --> 01:01:17,000
Speaker 1: would look the exact same way.

1323
01:01:17,400 --> 01:01:17,640
Speaker 4: That's what.

1324
01:01:18,600 --> 01:01:21,800
Speaker 2: Yeah, the decisions you're making same, you feel me, I would.

1325
01:01:21,640 --> 01:01:22,720
Speaker 4: Look the exact same way.

1326
01:01:22,760 --> 01:01:25,520
Speaker 1: So I'm talking ship, but you know, I I told

1327
01:01:25,520 --> 01:01:27,680
Speaker 1: the story a long time ago on the podcast, but

1328
01:01:27,720 --> 01:01:30,720
Speaker 1: the last time I I've only shaved my face once.

1329
01:01:30,760 --> 01:01:33,080
Speaker 3: I had a go tea in high school and I

1330
01:01:33,160 --> 01:01:35,280
Speaker 3: just graduated to a beard in college. I only shaved

1331
01:01:35,320 --> 01:01:39,280
Speaker 3: it one time. My wife, you know, said I don't

1332
01:01:39,280 --> 01:01:41,880
Speaker 3: think we're gonna probably do that one again, you know.

1333
01:01:42,480 --> 01:01:44,960
Speaker 3: And then if I told you all the next time,

1334
01:01:45,000 --> 01:01:47,080
Speaker 3: I brought it up, yeah, I said, I said, he

1335
01:01:47,280 --> 01:01:49,640
Speaker 3: what if I shaved my face again? And she said,

1336
01:01:50,920 --> 01:01:53,080
Speaker 3: I don't want you to do that because people are

1337
01:01:53,080 --> 01:01:54,680
Speaker 3: gonna look at the two of us together and go,

1338
01:01:54,760 --> 01:01:56,080
Speaker 3: he must be rich, Like.

1339
01:01:56,280 --> 01:02:01,640
Speaker 1: Bro, I remember he was. I remember reading a story

1340
01:02:01,680 --> 01:02:03,880
Speaker 1: and like, this is this is how much beards? This

1341
01:02:03,920 --> 01:02:05,440
Speaker 1: is beards a makeup for niggas?

1342
01:02:05,440 --> 01:02:05,880
Speaker 4: You feel me?

1343
01:02:06,200 --> 01:02:08,920
Speaker 1: Like, I remember reading a story where like it's some

1344
01:02:08,960 --> 01:02:11,800
Speaker 1: reddis ship where this this woman was asking he was

1345
01:02:11,800 --> 01:02:14,880
Speaker 1: a question aswered ship, Hey, my husband had to cut

1346
01:02:14,920 --> 01:02:18,000
Speaker 1: his beard for a job. You feel me, like some

1347
01:02:18,000 --> 01:02:22,400
Speaker 1: government job whatever, And I don't like his face anymore,

1348
01:02:23,120 --> 01:02:25,720
Speaker 1: you feel me. But she only knew him with the beard,

1349
01:02:25,840 --> 01:02:29,200
Speaker 1: so it's a holy totally a person. So she was like,

1350
01:02:29,760 --> 01:02:32,640
Speaker 1: I just am not. I'm like they just got some

1351
01:02:32,720 --> 01:02:36,480
Speaker 1: real ship. Man. I'm like, yo, so yeah, man, I'm

1352
01:02:36,480 --> 01:02:38,760
Speaker 1: not cutting this ship. Rather, I actually remember I would

1353
01:02:38,960 --> 01:02:41,960
Speaker 1: cut my ship one time. Brother was like, no, sir, brother,

1354
01:02:43,120 --> 01:02:45,760
Speaker 1: for did I didn't marry a milk done?

1355
01:02:45,880 --> 01:02:52,600
Speaker 2: I married a man? You mean ship? And I was

1356
01:02:52,640 --> 01:02:54,240
Speaker 2: I was wrong. It was film medicine who.

1357
01:02:54,080 --> 01:02:55,800
Speaker 4: Was Yeah, that's a filmmakers and ship. I think I

1358
01:02:55,840 --> 01:02:56,280
Speaker 4: said it was.

1359
01:02:58,560 --> 01:02:59,920
Speaker 2: A top shows generate.

1360
01:03:00,080 --> 01:03:03,400
Speaker 1: So I believe it's a horrible yeah, yeah, yeah.

1361
01:03:03,840 --> 01:03:04,240
Speaker 2: All right.

1362
01:03:04,600 --> 01:03:06,200
Speaker 3: Last part of my dukie out of the week was

1363
01:03:06,240 --> 01:03:11,560
Speaker 3: whoever created the Darvin ham muse Twitter account? You ruined

1364
01:03:11,560 --> 01:03:14,440
Speaker 3: my weekend by making me aware that you are on

1365
01:03:14,480 --> 01:03:15,400
Speaker 3: the planet.

1366
01:03:15,360 --> 01:03:16,680
Speaker 2: Like are.

1367
01:03:17,880 --> 01:03:22,880
Speaker 3: Yes, it's a Twitter account that exists to just defend

1368
01:03:22,960 --> 01:03:25,880
Speaker 3: Darving Ham. And it's so outlandish and disgusting that I

1369
01:03:25,880 --> 01:03:28,200
Speaker 3: wouldn't even believe it was a burner account for someone

1370
01:03:28,200 --> 01:03:30,120
Speaker 3: in his family, Like when when?

1371
01:03:30,440 --> 01:03:32,640
Speaker 4: Uh they even He's not that ridiculous.

1372
01:03:33,400 --> 01:03:35,840
Speaker 3: They just were quote tweeting it, like I wonder what

1373
01:03:36,000 --> 01:03:40,120
Speaker 3: the you know? Uh, all the Darvin haters are going

1374
01:03:40,160 --> 01:03:42,760
Speaker 3: to load up the arguments on how this is Darvin's

1375
01:03:42,800 --> 01:03:47,680
Speaker 3: fault and not brought an ad like I promise you

1376
01:03:48,320 --> 01:03:51,000
Speaker 3: on this earth whether we were put here by God

1377
01:03:51,320 --> 01:03:53,520
Speaker 3: or just you know, a fluke of the universe. There

1378
01:03:53,520 --> 01:03:55,880
Speaker 3: are better things to do with your life. I promise

1379
01:03:55,960 --> 01:04:00,120
Speaker 3: you going on the internet to log onto darv and

1380
01:04:00,200 --> 01:04:03,000
Speaker 3: a muse and to argue with strangers.

1381
01:04:03,000 --> 01:04:03,400
Speaker 2: Please.

1382
01:04:03,960 --> 01:04:07,600
Speaker 3: You almost made me quit Twitter, like spontaneously after fourteen

1383
01:04:07,720 --> 01:04:10,320
Speaker 3: years of all the dumb shit on Twitter. I literally

1384
01:04:10,400 --> 01:04:12,560
Speaker 3: was like, I need a blue sky code right now.

1385
01:04:12,960 --> 01:04:15,840
Speaker 4: I gotta get the fuck out of here, Jesus Christ.

1386
01:04:17,120 --> 01:04:23,560
Speaker 2: A burner account to defend rotations? Like, bro, really, really.

1387
01:04:23,360 --> 01:04:26,600
Speaker 3: You learn to paint, like go try a new drug,

1388
01:04:27,000 --> 01:04:29,320
Speaker 3: like like go for walks.

1389
01:04:29,240 --> 01:04:31,040
Speaker 2: Tap into a WINEU shit, mudjie.

1390
01:04:31,080 --> 01:04:32,040
Speaker 4: You know what I mean?

1391
01:04:32,240 --> 01:04:34,600
Speaker 2: You want to be on the internet and that motherfucker

1392
01:04:34,680 --> 01:04:36,440
Speaker 2: told to be tarvit hand dude.

1393
01:04:36,560 --> 01:04:40,120
Speaker 4: Yeah, lie, lie, lie about it? Bro, make up a person.

1394
01:04:40,200 --> 01:04:42,720
Speaker 2: Bro, you know what I mean? I don't know. Anyway,

1395
01:04:42,760 --> 01:04:43,720
Speaker 2: that's all the time we got.

1396
01:04:43,960 --> 01:04:44,080
Speaker 1: Uh.

1397
01:04:44,280 --> 01:04:46,160
Speaker 3: If you're listening to this and you want more Jenkins

1398
01:04:46,200 --> 01:04:48,560
Speaker 3: and Jones before our next episode, we are now doing

1399
01:04:48,720 --> 01:04:52,200
Speaker 3: exclusive YouTube segments that are not in the regular pod.

1400
01:04:52,280 --> 01:04:55,080
Speaker 2: The pods will stay the same. You can go to YouTube.

1401
01:04:54,720 --> 01:04:58,080
Speaker 3: Dot com slash at Jenkins and Jones. We're gonna answer

1402
01:04:58,120 --> 01:05:01,560
Speaker 3: a mailback question in each secon. We might do some recommendations,

1403
01:05:01,840 --> 01:05:04,400
Speaker 3: and we're talking about doing some behind the scenes of

1404
01:05:04,720 --> 01:05:08,840
Speaker 3: some oral history with Tyler on some of his most

1405
01:05:08,840 --> 01:05:10,200
Speaker 3: classic moments on Twitter.

1406
01:05:10,240 --> 01:05:12,520
Speaker 2: So I'm excited for that. But go check out.

1407
01:05:12,360 --> 01:05:15,360
Speaker 3: YouTube dot com slash at, Jenkins and Jones for some

1408
01:05:15,400 --> 01:05:19,360
Speaker 3: more good shit, and we will see y'all on Thursday.

1409
01:05:19,360 --> 01:05:26,720
Speaker 2: Bye bye the Volume