1 00:00:00,520 --> 00:00:03,040 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:03,080 --> 00:00:05,440 Speaker 1: am your host Movie Mike, and today I want to 3 00:00:05,440 --> 00:00:07,760 Speaker 1: share with you a list of the top ten final 4 00:00:07,840 --> 00:00:10,879 Speaker 1: girls in horror movies. Even if you don't know exactly 5 00:00:10,960 --> 00:00:14,200 Speaker 1: what a final girl is, I'll explain that run through 6 00:00:14,200 --> 00:00:16,960 Speaker 1: the list. I'll give you my picks on who should 7 00:00:17,000 --> 00:00:18,599 Speaker 1: have made this list, because there are a couple on 8 00:00:18,680 --> 00:00:20,640 Speaker 1: there that I thought, how could they not include these 9 00:00:20,680 --> 00:00:23,520 Speaker 1: two people? In the movie review, we'll keep that theme 10 00:00:23,560 --> 00:00:28,120 Speaker 1: alive and talk about Smile too. Did it improve upon 11 00:00:28,200 --> 00:00:30,240 Speaker 1: the first one? Because I left that first one thing 12 00:00:30,360 --> 00:00:33,240 Speaker 1: and ah, that wasn't it. But the trailer for this one, 13 00:00:33,360 --> 00:00:36,200 Speaker 1: all the hype around this one was similar. Can they 14 00:00:36,240 --> 00:00:38,520 Speaker 1: cash in on that momentum? And in the trailer park 15 00:00:38,600 --> 00:00:41,600 Speaker 1: there's a new erotic thriller from Nicole Kidman. She loves 16 00:00:41,600 --> 00:00:45,440 Speaker 1: doing erotic thrillers. It's called Baby Girl. We'll talk about that. 17 00:00:45,560 --> 00:00:47,880 Speaker 1: Thank you for being here, Thank you for being subscribed. 18 00:00:47,960 --> 00:00:50,479 Speaker 1: Shout out to the Monday Morning Movie crew. And now 19 00:00:50,920 --> 00:00:51,839 Speaker 1: let's talk movies. 20 00:00:52,120 --> 00:00:55,360 Speaker 2: In a world where everyone and their mother has a podcast, 21 00:00:55,840 --> 00:01:00,520 Speaker 2: one man stands to infiltrate the ears of listeners before 22 00:01:00,600 --> 00:01:04,520 Speaker 2: in a movie podcast a man with so much movie 23 00:01:04,560 --> 00:01:09,920 Speaker 2: knowledge he's basically like a walking IMTB with glasses. From 24 00:01:09,959 --> 00:01:15,120 Speaker 2: the Nashville podcast Network. This is Movie Mike Movie Podcast. 25 00:01:16,000 --> 00:01:18,039 Speaker 1: If you're a fan of horror like I am, you 26 00:01:18,120 --> 00:01:20,559 Speaker 1: already know what the final girl is in a movie, 27 00:01:20,640 --> 00:01:23,480 Speaker 1: but if you're not too familiar with it, the final 28 00:01:23,520 --> 00:01:26,360 Speaker 1: girl is the woman at the very end who survives 29 00:01:26,360 --> 00:01:29,880 Speaker 1: with the killer. She kills him or her in some way. 30 00:01:30,000 --> 00:01:32,920 Speaker 1: Sometimes the killer is male, sometimes the killer is female. 31 00:01:33,360 --> 00:01:39,759 Speaker 1: The final girl is usually portrayed as somebody who is resourceful, resilient, morally, uptight, 32 00:01:40,080 --> 00:01:42,800 Speaker 1: smarter than Oliver appears in this movie because she knows 33 00:01:42,840 --> 00:01:46,080 Speaker 1: how to survive. Whenever I think about the final Girl, 34 00:01:46,520 --> 00:01:48,560 Speaker 1: it takes me back to the first screen movie in 35 00:01:48,640 --> 00:01:51,800 Speaker 1: nineteen ninety six, which obviously some characters from Scream are 36 00:01:51,800 --> 00:01:54,360 Speaker 1: going to make this list, But whenever Jamie Kennedy's character 37 00:01:54,520 --> 00:01:58,320 Speaker 1: is giving the rules of surviving a horror movie, this 38 00:01:58,400 --> 00:01:59,920 Speaker 1: is exactly what I think about. 39 00:02:00,280 --> 00:02:03,320 Speaker 3: There are certain rules that one must abide by in 40 00:02:03,440 --> 00:02:07,720 Speaker 3: order to successfully survive a horror movie. For instance, number one, 41 00:02:08,280 --> 00:02:12,560 Speaker 3: you can never have sex sex even seth okay. Number two, 42 00:02:12,840 --> 00:02:15,760 Speaker 3: you can never drink or do drug sin. It's an 43 00:02:15,800 --> 00:02:19,880 Speaker 3: extension of number one and number three. Never ever, ever, 44 00:02:20,000 --> 00:02:22,840 Speaker 3: under any circumstances say I'll be right back because you 45 00:02:22,880 --> 00:02:23,440 Speaker 3: won't be back. 46 00:02:23,480 --> 00:02:24,919 Speaker 2: I'm getting another beer. You want one? 47 00:02:25,320 --> 00:02:30,600 Speaker 1: Yeah, sure, I'll be right back. So the final girl 48 00:02:30,760 --> 00:02:34,040 Speaker 1: in any horror movie, I feel like those rules kind 49 00:02:34,040 --> 00:02:36,400 Speaker 1: of laid out the blueprint. Even though that movie came 50 00:02:36,400 --> 00:02:38,440 Speaker 1: out in nineteen ninety six and there have been final 51 00:02:38,480 --> 00:02:41,720 Speaker 1: girls way before that movie came out. I always reference 52 00:02:41,800 --> 00:02:43,880 Speaker 1: back that clip to think of what do you need 53 00:02:43,960 --> 00:02:46,640 Speaker 1: to do in order to survive a serial killer in 54 00:02:46,720 --> 00:02:49,520 Speaker 1: a horror movie. So let's get into this list again. 55 00:02:49,560 --> 00:02:51,360 Speaker 1: This is from rinker dot com, so a lot of 56 00:02:51,360 --> 00:02:54,160 Speaker 1: people on the internet voted on this list. At number ten, 57 00:02:54,639 --> 00:02:58,040 Speaker 1: they have Sally from The Texas Chainsaw Massacre played by 58 00:02:58,080 --> 00:03:01,000 Speaker 1: Marilyn Burns nineteen seven twenty four. If you want to 59 00:03:01,040 --> 00:03:04,640 Speaker 1: watch The Chainsaw Massacre now, the original one, it's on 60 00:03:04,720 --> 00:03:07,560 Speaker 1: Peacock or it's on tub. I have to say I 61 00:03:07,639 --> 00:03:11,200 Speaker 1: have become an adopter of tub. It is free. You 62 00:03:11,280 --> 00:03:14,400 Speaker 1: do have to watch a significant amount of commercials, but 63 00:03:14,440 --> 00:03:17,080 Speaker 1: it's really no different than if you were watching a 64 00:03:17,200 --> 00:03:20,079 Speaker 1: movie on TV on cable. Back in the day really 65 00:03:20,120 --> 00:03:23,120 Speaker 1: has that same kind of viewing experience. And the great 66 00:03:23,120 --> 00:03:26,160 Speaker 1: thing about to B now is before, if you didn't 67 00:03:26,200 --> 00:03:30,000 Speaker 1: have an account, you couldn't start a movie back where 68 00:03:30,000 --> 00:03:32,040 Speaker 1: you left off if it started from the very beginning, 69 00:03:32,080 --> 00:03:34,600 Speaker 1: so you'd have to find your place where you left 70 00:03:34,639 --> 00:03:36,520 Speaker 1: off and start the movie again. But now all you 71 00:03:36,560 --> 00:03:38,360 Speaker 1: have to do is sign in. The account is free. 72 00:03:38,440 --> 00:03:40,800 Speaker 1: I think somebody bought out to be so you can 73 00:03:40,840 --> 00:03:44,520 Speaker 1: go and watch all these movies that not all of 74 00:03:44,560 --> 00:03:46,080 Speaker 1: them are the best, but look, they have the text 75 00:03:46,080 --> 00:03:50,000 Speaker 1: a chainsaw massacre. To me, tob is the streaming equivalent 76 00:03:50,120 --> 00:03:53,320 Speaker 1: of the dollar bargain bin at Walmart, which had some 77 00:03:53,360 --> 00:03:55,400 Speaker 1: great fines. You had to dig in that thing to 78 00:03:55,480 --> 00:03:58,040 Speaker 1: find them. But I remember going to Walmart a lot 79 00:03:58,440 --> 00:04:01,000 Speaker 1: and finding some really good d and there are some 80 00:04:01,080 --> 00:04:04,240 Speaker 1: great movies. So I don't say that as a slight 81 00:04:04,280 --> 00:04:07,280 Speaker 1: to all the content on tub, but if you spend 82 00:04:07,360 --> 00:04:09,800 Speaker 1: enough time on it, you can find some gems in there, 83 00:04:10,000 --> 00:04:11,760 Speaker 1: and you can watch it for free. In the world 84 00:04:11,840 --> 00:04:14,680 Speaker 1: of today, where everything is so expensive, you take what 85 00:04:14,800 --> 00:04:17,880 Speaker 1: you can get for free. But this is a fantastic 86 00:04:18,040 --> 00:04:21,880 Speaker 1: example of a final girl in a movie. Sally ran 87 00:04:22,000 --> 00:04:25,080 Speaker 1: for her life. In this movie, she jumped through two windows. 88 00:04:25,160 --> 00:04:28,440 Speaker 1: She went through it in order to survive leather Face, 89 00:04:28,800 --> 00:04:31,320 Speaker 1: and what I'm about to say, I don't want to 90 00:04:31,360 --> 00:04:35,600 Speaker 1: discredit her journey. How important the Texas Chainsaw Massacre is 91 00:04:36,040 --> 00:04:39,480 Speaker 1: to horror, how important leather Face is. It is one 92 00:04:39,480 --> 00:04:42,679 Speaker 1: of my favorite movies. It combined all the great things 93 00:04:42,720 --> 00:04:45,200 Speaker 1: back in the seventies where it walked that line of 94 00:04:45,200 --> 00:04:48,719 Speaker 1: people believing did this actually happen? Is it all made up? 95 00:04:48,760 --> 00:04:51,680 Speaker 1: Because I grew up thinking that the Texas Chainsaw Massacre 96 00:04:51,880 --> 00:04:54,200 Speaker 1: actually happened in my home state. Even though it's just 97 00:04:54,680 --> 00:04:58,480 Speaker 1: loosely based on a serial killer. There's no real leather Face. 98 00:04:58,920 --> 00:05:02,600 Speaker 1: But if you have that mis that aura surrounding your film, 99 00:05:02,839 --> 00:05:05,240 Speaker 1: it's gonna have a bigger impact once people go see 100 00:05:05,240 --> 00:05:08,000 Speaker 1: that in theaters, much like the Blair Witch Project had 101 00:05:08,040 --> 00:05:11,080 Speaker 1: success in the nineties of people thinking was this or 102 00:05:11,240 --> 00:05:13,440 Speaker 1: was this not real? Even though that whole thing was 103 00:05:13,560 --> 00:05:16,520 Speaker 1: entirely fake. That is the beauty of horror. So it 104 00:05:16,600 --> 00:05:19,320 Speaker 1: is an important film has one of my favorite final 105 00:05:19,360 --> 00:05:24,960 Speaker 1: scenes ever of Leatherface in that sunset, wielding that chainsaw 106 00:05:25,080 --> 00:05:28,200 Speaker 1: around It is a beautiful movie. If I go back 107 00:05:28,240 --> 00:05:32,080 Speaker 1: and rewatch a Texas Chainsaw Massacre movie. It is the 108 00:05:32,080 --> 00:05:34,640 Speaker 1: one from two thousand and three with Jessica Biel. That 109 00:05:34,839 --> 00:05:38,080 Speaker 1: is my Texas Chainsaw Massacre that I grew up with. 110 00:05:38,480 --> 00:05:42,000 Speaker 1: Does it have those same qualities like the warmth of 111 00:05:42,040 --> 00:05:44,320 Speaker 1: the film. Is it as iconic? 112 00:05:44,440 --> 00:05:44,520 Speaker 4: No? 113 00:05:44,640 --> 00:05:47,200 Speaker 1: But to me, that is one of the first movies 114 00:05:47,320 --> 00:05:50,440 Speaker 1: in horror that solidified me as a horror fan as 115 00:05:50,440 --> 00:05:52,719 Speaker 1: I was growing up. Watched that movie, I was probably 116 00:05:52,760 --> 00:05:55,400 Speaker 1: twelve years old, and at that time I had already 117 00:05:55,400 --> 00:05:58,360 Speaker 1: been exposed to all the Halloween movies, all the Chucky movies. 118 00:05:58,760 --> 00:06:01,800 Speaker 1: Those movies had already given me nightmares. But it wasn't 119 00:06:01,880 --> 00:06:05,240 Speaker 1: until this version of this movie that I had nightmares again. 120 00:06:05,560 --> 00:06:08,200 Speaker 1: And I think Jessica Bile is just great in horror. 121 00:06:08,240 --> 00:06:11,240 Speaker 1: She's dipped her toes into it in her acting career. 122 00:06:11,279 --> 00:06:13,359 Speaker 1: But I wish you would go back and do another 123 00:06:13,400 --> 00:06:16,520 Speaker 1: Texas Chainsaw Massacre movie. So again, the pick here on 124 00:06:16,560 --> 00:06:20,080 Speaker 1: the list is Sally from the original Texas Chainsaw Massacre 125 00:06:20,160 --> 00:06:23,400 Speaker 1: played by Marilyn Burns. But I'm gonna throw in Jessica 126 00:06:23,480 --> 00:06:26,280 Speaker 1: Biel as an honorable mention because I would have put 127 00:06:26,320 --> 00:06:29,120 Speaker 1: her in my top ten at number nine is Heather 128 00:06:29,200 --> 00:06:32,720 Speaker 1: lang in Camp as herself in Wes Craven's New Nightmare, 129 00:06:32,760 --> 00:06:35,240 Speaker 1: which came out in nineteen ninety four. If you want 130 00:06:35,279 --> 00:06:37,120 Speaker 1: to watch this movie, you have to have slang, which 131 00:06:37,279 --> 00:06:41,160 Speaker 1: I don't know anybody who has sling, so you probably 132 00:06:41,160 --> 00:06:43,560 Speaker 1: don't have sling, but maybe you do. If not, you 133 00:06:43,560 --> 00:06:46,040 Speaker 1: can rent it for three ninety nine wherever you rent 134 00:06:46,080 --> 00:06:49,080 Speaker 1: your movies. I feel like Wes Craven's A New Nightmare 135 00:06:49,640 --> 00:06:52,799 Speaker 1: was entirely ahead of its time coming out in nineteen 136 00:06:52,880 --> 00:06:57,239 Speaker 1: ninety four. It is a pretty meta Freddy Krueger movie 137 00:06:57,279 --> 00:07:00,360 Speaker 1: that I did not understand growing up. It is Freddy 138 00:07:00,440 --> 00:07:03,960 Speaker 1: Krueger coming into the real world and haunting the real 139 00:07:04,160 --> 00:07:07,480 Speaker 1: cast and crew of all the Nightmare on Elm Street movies, 140 00:07:07,520 --> 00:07:11,760 Speaker 1: so all of those actors play themselves. I remember watching 141 00:07:11,800 --> 00:07:14,640 Speaker 1: this movie as a kid and thinking it was a documentary. 142 00:07:14,720 --> 00:07:17,360 Speaker 1: I didn't really get it, and for that reason, I 143 00:07:17,400 --> 00:07:20,200 Speaker 1: didn't really enjoy this movie. This is one on the 144 00:07:20,240 --> 00:07:22,520 Speaker 1: list that I need to revisit and see if it 145 00:07:22,640 --> 00:07:26,560 Speaker 1: holds up. And I feel like now in the twenty twenties, 146 00:07:26,600 --> 00:07:29,840 Speaker 1: we are getting more into that meta horror era. With 147 00:07:29,920 --> 00:07:33,400 Speaker 1: the last two screen movies really digging into that. But 148 00:07:33,720 --> 00:07:35,640 Speaker 1: the first screen movie did that with the clip I 149 00:07:35,680 --> 00:07:38,760 Speaker 1: played earlier, they were inside a horror movie talking about 150 00:07:38,800 --> 00:07:42,040 Speaker 1: how to survive a horror movie. So I think Wes Craven, 151 00:07:42,120 --> 00:07:45,720 Speaker 1: who directed, of course, This New Nightmare in ninety four, 152 00:07:45,840 --> 00:07:49,000 Speaker 1: went on to direct Scream. I feel like this was 153 00:07:49,080 --> 00:07:52,720 Speaker 1: him kind of dipping his toes in can audiences handle 154 00:07:52,800 --> 00:07:55,960 Speaker 1: something this meta? So he drove it more into the 155 00:07:56,000 --> 00:07:59,520 Speaker 1: ideology of Scream really being at the forefront of that. 156 00:07:59,680 --> 00:08:02,720 Speaker 1: Fran and I think as a whole, the mind of 157 00:08:02,720 --> 00:08:06,040 Speaker 1: Wes Craven was so innovated. I love how a lot 158 00:08:06,040 --> 00:08:09,160 Speaker 1: of his movies were rooted in practical effects. So I 159 00:08:09,200 --> 00:08:11,239 Speaker 1: think that's why a lot of his movies have stood 160 00:08:11,240 --> 00:08:14,480 Speaker 1: the test of time over the years. Rip to Wes Craven. 161 00:08:14,920 --> 00:08:17,920 Speaker 1: I can respect this at number nine, but I don't 162 00:08:17,960 --> 00:08:21,520 Speaker 1: think this version of Nancy and it's not really Nancy 163 00:08:21,840 --> 00:08:24,120 Speaker 1: heather Lingencamp in this movie. I don't think I would 164 00:08:24,120 --> 00:08:26,600 Speaker 1: have put her in my top ten, but I respect 165 00:08:26,600 --> 00:08:29,840 Speaker 1: to pick here from ranker. At number eight is Aaron 166 00:08:29,920 --> 00:08:32,800 Speaker 1: Hansen from the movie Your Next played by Sharnie Vinson, 167 00:08:33,320 --> 00:08:35,280 Speaker 1: came out in twenty eleven. If you want to watch 168 00:08:35,320 --> 00:08:39,040 Speaker 1: Your Next now it is on Netflix. This is an 169 00:08:39,160 --> 00:08:41,880 Speaker 1: underrated horror film, so I love it coming in at 170 00:08:41,960 --> 00:08:45,840 Speaker 1: number eight. The reason I feel that most people didn't 171 00:08:45,880 --> 00:08:49,000 Speaker 1: give Your Next a chance, didn't really have great marketing 172 00:08:49,000 --> 00:08:51,840 Speaker 1: when it came out back in twenty eleven, and also 173 00:08:52,080 --> 00:08:55,319 Speaker 1: I feel like that's a bad title. Your Next feels 174 00:08:55,360 --> 00:08:59,120 Speaker 1: so generic and so empty and doesn't really say anything 175 00:08:59,679 --> 00:09:02,960 Speaker 1: about out what makes this movie awesome, what it's about. 176 00:09:03,280 --> 00:09:06,920 Speaker 1: It's kind of like The Strangers meets the Purge. Aaron 177 00:09:07,000 --> 00:09:09,719 Speaker 1: Hansen is the character here, and all she wants to 178 00:09:09,760 --> 00:09:12,680 Speaker 1: do is go out hang out with their boyfriend's family. 179 00:09:13,280 --> 00:09:16,600 Speaker 1: They're having a family reunion, and then this group of 180 00:09:16,679 --> 00:09:19,920 Speaker 1: mass murderers decide that they want to pick off each 181 00:09:19,960 --> 00:09:23,160 Speaker 1: of the family members one by one. I think it's 182 00:09:23,160 --> 00:09:25,520 Speaker 1: a great pick because overall of the movie is awesome. 183 00:09:25,559 --> 00:09:28,920 Speaker 1: The character Aaron has a fantastic backstory that you learn 184 00:09:28,920 --> 00:09:31,720 Speaker 1: about as all these crazy things unfold. If you are 185 00:09:31,800 --> 00:09:35,760 Speaker 1: somebody who likes horror movies where the action in it 186 00:09:35,800 --> 00:09:39,520 Speaker 1: can actually happen, because you're not really dealing with supernatural events, 187 00:09:39,559 --> 00:09:43,120 Speaker 1: You're just dealing with psychos, these crazy killers that have 188 00:09:43,200 --> 00:09:47,080 Speaker 1: this fascination with taking people in a very vulnerable state 189 00:09:47,160 --> 00:09:50,000 Speaker 1: and exposing them and trying to murder them so that 190 00:09:50,040 --> 00:09:52,480 Speaker 1: freaks you out. It will make you never want to 191 00:09:52,520 --> 00:09:56,120 Speaker 1: go to any remote house ever again. But the character 192 00:09:56,200 --> 00:09:59,200 Speaker 1: of Aaron is very triumphant in this movie, so I 193 00:09:59,200 --> 00:10:02,280 Speaker 1: love that. One Umber eight at number seven is the 194 00:10:02,360 --> 00:10:05,439 Speaker 1: character Mattie Young from a movie called Hush, played by 195 00:10:05,520 --> 00:10:08,800 Speaker 1: Kate Siegel. Came out in twenty sixteen. If you want 196 00:10:08,840 --> 00:10:12,440 Speaker 1: to watch Hush, it is on AMC Plus again, another 197 00:10:12,520 --> 00:10:15,240 Speaker 1: service that I don't know anybody who has AMC Plus 198 00:10:15,320 --> 00:10:18,079 Speaker 1: unless maybe you have cable. You have AMC and they 199 00:10:18,080 --> 00:10:21,880 Speaker 1: give you AMC Plus. I've never even seen the app 200 00:10:21,960 --> 00:10:24,520 Speaker 1: on my TV. But you can also rent the movie 201 00:10:24,559 --> 00:10:27,480 Speaker 1: wherever you rent movies. For the longest time after this 202 00:10:27,559 --> 00:10:30,280 Speaker 1: movie came out in twenty sixteen, this was my go 203 00:10:30,320 --> 00:10:33,480 Speaker 1: to horror recommendation to anybody looking for something that they 204 00:10:33,640 --> 00:10:37,720 Speaker 1: haven't seen before. What Hush is about is the character 205 00:10:37,840 --> 00:10:42,280 Speaker 1: Mattie is a deaf, mute woman who gets targeted by 206 00:10:42,280 --> 00:10:44,800 Speaker 1: this mass killer. Now, the mass killer in this movie 207 00:10:44,880 --> 00:10:47,400 Speaker 1: has a very generic look. It is just this blank, 208 00:10:47,440 --> 00:10:50,880 Speaker 1: hockey mass looking thing, kind of like Phantom of the Opera, 209 00:10:51,720 --> 00:10:54,840 Speaker 1: kind of like Jason, except it's not really a hockey mask. 210 00:10:54,880 --> 00:10:56,679 Speaker 1: There aren't any holes in it or anything. It's just 211 00:10:56,760 --> 00:10:59,960 Speaker 1: like this plain, glowy white mask and they wear a hoodie. 212 00:11:00,480 --> 00:11:03,679 Speaker 1: So it's creepy enough because there is an absence of 213 00:11:03,720 --> 00:11:07,000 Speaker 1: any kind of emotion, much like Michael Myers. But I 214 00:11:07,080 --> 00:11:10,680 Speaker 1: wouldn't really look at the character and instantly associate it 215 00:11:10,679 --> 00:11:13,280 Speaker 1: with the Hush movie. But she goes out to this 216 00:11:13,400 --> 00:11:16,840 Speaker 1: remote house in the woods. Again, why do all these 217 00:11:16,880 --> 00:11:19,720 Speaker 1: final girls go out into these houses where there aren't 218 00:11:19,760 --> 00:11:22,960 Speaker 1: anybody around? That alone sounds like a nightmare to me. 219 00:11:23,040 --> 00:11:25,040 Speaker 1: Also because I bet the Wi fi isn't really great 220 00:11:25,080 --> 00:11:27,600 Speaker 1: out in the woods. But you go outside, it's pitch black, 221 00:11:27,640 --> 00:11:30,320 Speaker 1: you can barely see your hand in front of your face, 222 00:11:30,760 --> 00:11:33,960 Speaker 1: you hear animals in the entire time I would be 223 00:11:34,000 --> 00:11:36,240 Speaker 1: out at a remote house like this, I was thinking, 224 00:11:36,640 --> 00:11:39,000 Speaker 1: there's somebody coming around the corner and they're gonna kill me. 225 00:11:39,040 --> 00:11:42,600 Speaker 1: Nothing ever good happens in a horror movie in a 226 00:11:42,720 --> 00:11:46,120 Speaker 1: remote wooded area. But I love this pick here because 227 00:11:46,679 --> 00:11:49,720 Speaker 1: Maddie is a final girl unlike any other, because she 228 00:11:49,920 --> 00:11:54,280 Speaker 1: is deaf and mute. She has to find really strategic 229 00:11:54,400 --> 00:11:57,439 Speaker 1: ways to fight off her killer because she can't hear 230 00:11:57,520 --> 00:12:00,400 Speaker 1: him coming inside the house. She can't even hear he's 231 00:12:00,520 --> 00:12:03,520 Speaker 1: right behind her. She can sense it, and of course 232 00:12:03,840 --> 00:12:07,160 Speaker 1: some of her other senses are probably heightened, but she 233 00:12:07,400 --> 00:12:11,120 Speaker 1: is so smart and so resourceful. And this movie really 234 00:12:11,120 --> 00:12:13,120 Speaker 1: doesn't have a lot of bells and whistles, but it 235 00:12:13,200 --> 00:12:16,439 Speaker 1: is a very solid horror movie that if you haven't 236 00:12:16,480 --> 00:12:19,480 Speaker 1: seen it, I do recommend it unless you have any 237 00:12:19,600 --> 00:12:23,440 Speaker 1: vacations or trips planned to a remote cabin somewhere. Otherwise, 238 00:12:23,520 --> 00:12:26,000 Speaker 1: don't watch this movie or maybe any other movie on 239 00:12:26,040 --> 00:12:29,800 Speaker 1: this list. At number six is Gail Weathers from Scream, 240 00:12:29,920 --> 00:12:32,480 Speaker 1: played by Courtney Cox. This movie came out in nineteen 241 00:12:32,559 --> 00:12:35,800 Speaker 1: ninety six. If you want to watch Scream the original, 242 00:12:36,000 --> 00:12:39,040 Speaker 1: it is available on Max. Max actually has a really 243 00:12:39,120 --> 00:12:43,520 Speaker 1: great selection of horror movies right now, the classics. If 244 00:12:43,520 --> 00:12:46,520 Speaker 1: I want a classic horror movie, I'm probably going over 245 00:12:46,600 --> 00:12:50,040 Speaker 1: to Max. First second, I would probably go over to Hulu. 246 00:12:50,080 --> 00:12:53,440 Speaker 1: They're doing Hulu. Weeen over there have some good more 247 00:12:53,520 --> 00:12:55,920 Speaker 1: recent movies, but I think if you want the classics 248 00:12:55,960 --> 00:12:58,760 Speaker 1: like Scream, the Nightmare on ELM Street movies, those are 249 00:12:58,800 --> 00:13:03,200 Speaker 1: all right there on Max. I don't really love Gail 250 00:13:03,240 --> 00:13:07,960 Speaker 1: Weathers at number six, at least not Gail Weathers in Scream. 251 00:13:08,120 --> 00:13:11,960 Speaker 1: Maybe in the later Scream movies. I feel like Courtney 252 00:13:12,040 --> 00:13:15,199 Speaker 1: Cox really came into her own later in the franchise, 253 00:13:15,240 --> 00:13:17,320 Speaker 1: But I would have to say I was probably more 254 00:13:17,320 --> 00:13:20,000 Speaker 1: of a fan of her parody character in Scary Movie 255 00:13:20,080 --> 00:13:23,440 Speaker 1: Gail Hailstorm. Can I put Gail Hailstorm in as an 256 00:13:23,480 --> 00:13:26,720 Speaker 1: honorable mention at number six? They're much better final girls 257 00:13:26,720 --> 00:13:28,360 Speaker 1: you could have put in that number six slot, but 258 00:13:28,600 --> 00:13:31,199 Speaker 1: that's what they have here. At number five is Nancy 259 00:13:31,280 --> 00:13:34,160 Speaker 1: from a Nightmare on Elm Street played by Heather Lincoln. 260 00:13:34,200 --> 00:13:36,920 Speaker 1: Camp came out in nineteen eighty four. If you want 261 00:13:36,960 --> 00:13:39,400 Speaker 1: to watch the original Nightmare on Elm Street, it is 262 00:13:40,120 --> 00:13:42,960 Speaker 1: available on Max. Like I've been talking about, I rewatched 263 00:13:42,960 --> 00:13:45,000 Speaker 1: it before the interview a couple of weeks ago. In 264 00:13:45,080 --> 00:13:48,600 Speaker 1: this movie still holds up. I think what gets overlooked 265 00:13:48,600 --> 00:13:50,959 Speaker 1: From a Nightmare on Elm Street is the fact that 266 00:13:51,640 --> 00:13:55,960 Speaker 1: Nancy was the original Kevin McAllister from Home Alone. The 267 00:13:56,000 --> 00:14:00,880 Speaker 1: way that she defeats Freddie is very innovative. She finds 268 00:14:00,920 --> 00:14:03,240 Speaker 1: a way to take him out of the dream world 269 00:14:03,280 --> 00:14:05,560 Speaker 1: and bring him into the real world where he can 270 00:14:05,640 --> 00:14:08,880 Speaker 1: be defeated, where he is vulnerable, and then she uses 271 00:14:08,960 --> 00:14:12,439 Speaker 1: booby traps around the house to take him out, very 272 00:14:12,600 --> 00:14:16,000 Speaker 1: much like Kevin McAllister did with the Wet Bandits and 273 00:14:16,080 --> 00:14:18,520 Speaker 1: Home Alone with the paint can coming and hitting them 274 00:14:18,559 --> 00:14:22,280 Speaker 1: in the head, the door knob and the flamethrower catching 275 00:14:22,320 --> 00:14:25,120 Speaker 1: his head on fire. A Nightmare on Elm Street could 276 00:14:25,120 --> 00:14:28,560 Speaker 1: have easily turned into the Three Stooges or Home Alone 277 00:14:28,640 --> 00:14:31,040 Speaker 1: Before It's Time again Wes Craven being ahead of his 278 00:14:31,160 --> 00:14:34,280 Speaker 1: time with the booby traps to take out the killer. 279 00:14:34,440 --> 00:14:39,640 Speaker 1: But Nancy is a very underappreciated female character. Really, when 280 00:14:39,680 --> 00:14:43,640 Speaker 1: I think about the strongest females in film, you have 281 00:14:43,720 --> 00:14:46,840 Speaker 1: to go to the horror genre. That is where the 282 00:14:46,880 --> 00:14:50,800 Speaker 1: best and strongest characters are written. It's the entire reason 283 00:14:50,840 --> 00:14:54,560 Speaker 1: that there is the term the final Girl, because they 284 00:14:54,640 --> 00:14:57,760 Speaker 1: have to do something that is smarter and proved. They 285 00:14:57,760 --> 00:15:01,120 Speaker 1: are more capable than anybody else in the movie as 286 00:15:01,200 --> 00:15:03,600 Speaker 1: long as they follow those three rules to survive a 287 00:15:03,640 --> 00:15:08,240 Speaker 1: horror movie. At number four is Grace from Ready or Not. 288 00:15:08,360 --> 00:15:10,760 Speaker 1: This movie came out in twenty nineteen. If you want 289 00:15:10,800 --> 00:15:14,440 Speaker 1: to watch it, it is available on Hulu. Grace is 290 00:15:14,480 --> 00:15:18,200 Speaker 1: played by Samara Weaving. Another one on this list that 291 00:15:18,240 --> 00:15:20,400 Speaker 1: I'm glad has made it at number four in the 292 00:15:20,440 --> 00:15:23,840 Speaker 1: top five because to me, this is a top five pick. 293 00:15:24,240 --> 00:15:27,920 Speaker 1: It's another case that I feel good movie, bad title, 294 00:15:28,320 --> 00:15:31,920 Speaker 1: not great marketing because it is a horror movie. Also 295 00:15:32,040 --> 00:15:35,320 Speaker 1: has a kind of campy style. But what this movie 296 00:15:35,360 --> 00:15:38,440 Speaker 1: is about. The character Grace gets married at the beginning 297 00:15:38,440 --> 00:15:40,240 Speaker 1: of the movie and then finds out she has to 298 00:15:40,280 --> 00:15:43,360 Speaker 1: play as part of a tradition to this rich family 299 00:15:43,400 --> 00:15:46,440 Speaker 1: that she's marrying into this game where they draw a 300 00:15:46,480 --> 00:15:48,760 Speaker 1: card and then as a family, you have to play 301 00:15:48,800 --> 00:15:51,280 Speaker 1: that game. And what is Grace pull the hide and 302 00:15:51,360 --> 00:15:53,760 Speaker 1: seek card and she thinks, oh, man, are we really 303 00:15:53,760 --> 00:15:55,560 Speaker 1: good to play hide and seek? Like a bunch of 304 00:15:55,560 --> 00:15:58,760 Speaker 1: five year olds. She wants to impress her new in laws, 305 00:15:58,880 --> 00:16:02,120 Speaker 1: plays along with the game, but then discovers that in 306 00:16:02,160 --> 00:16:04,800 Speaker 1: this game of hide and Seek, all the other members 307 00:16:04,840 --> 00:16:08,200 Speaker 1: of the family have weapons and it is their job 308 00:16:08,600 --> 00:16:11,800 Speaker 1: to murder her before the sun comes up. So her 309 00:16:11,880 --> 00:16:15,840 Speaker 1: character has to spend the entire movie hiding fighting with 310 00:16:15,920 --> 00:16:18,480 Speaker 1: these people, trying to make sure that they don't kill her. 311 00:16:18,720 --> 00:16:22,480 Speaker 1: It's a great mix of horror dark comedy, and just 312 00:16:22,680 --> 00:16:25,680 Speaker 1: overall a character that you really start to root for. 313 00:16:25,840 --> 00:16:28,800 Speaker 1: I love that she starts out very innocent, thinking what 314 00:16:28,880 --> 00:16:32,080 Speaker 1: exactly is happening here, and then turns into a total 315 00:16:32,640 --> 00:16:35,240 Speaker 1: badass by the end of this movie. It is such 316 00:16:35,280 --> 00:16:38,400 Speaker 1: a great character transformation. And they just announced that they 317 00:16:38,400 --> 00:16:41,840 Speaker 1: are making a Ready or Not too, with Samara returning 318 00:16:41,880 --> 00:16:44,480 Speaker 1: in the role, the original directors of the movie coming back. 319 00:16:44,920 --> 00:16:47,400 Speaker 1: I don't really know where the story is gonna go 320 00:16:47,480 --> 00:16:50,280 Speaker 1: from here, but I think with all the original people back, 321 00:16:50,600 --> 00:16:53,480 Speaker 1: it is going to be something awesome and I feel 322 00:16:53,520 --> 00:16:56,520 Speaker 1: like this should be an iconic movie. But again, I 323 00:16:56,520 --> 00:16:59,480 Speaker 1: think the marketing for this wasn't the best. The promotion 324 00:16:59,600 --> 00:17:01,480 Speaker 1: of the role out even the title of the movie 325 00:17:01,520 --> 00:17:05,480 Speaker 1: again just wasn't the best. But her character throughout the 326 00:17:05,640 --> 00:17:08,199 Speaker 1: entire movie is wearing this wedding dress. She has on 327 00:17:08,280 --> 00:17:12,639 Speaker 1: these Chuck Taylor's that should be a Halloween costume every 328 00:17:12,720 --> 00:17:15,880 Speaker 1: single year. So hopefully it can bank on the kind 329 00:17:15,880 --> 00:17:18,840 Speaker 1: of cult following it has now going into the sequel 330 00:17:19,080 --> 00:17:22,200 Speaker 1: and will become more successful. I can't wait to see 331 00:17:22,240 --> 00:17:24,560 Speaker 1: it again. They just announced it, so we probably won't 332 00:17:24,600 --> 00:17:27,080 Speaker 1: get it for another two or three years, but I'm 333 00:17:27,119 --> 00:17:29,399 Speaker 1: ready for Ready or not two, but that is in 334 00:17:29,480 --> 00:17:31,720 Speaker 1: at number four, getting into the top three now. And 335 00:17:31,840 --> 00:17:34,960 Speaker 1: number three is Ellen from Alien played by Sigourney Weaver, 336 00:17:35,359 --> 00:17:37,840 Speaker 1: came out back in nineteen seventy nine. If you want 337 00:17:37,840 --> 00:17:39,800 Speaker 1: to watch this Alien movie, and I think some of 338 00:17:39,800 --> 00:17:42,400 Speaker 1: the other ones are on there as well, it's available 339 00:17:42,480 --> 00:17:45,240 Speaker 1: on Hulu. I love that meme that was going around 340 00:17:45,240 --> 00:17:48,480 Speaker 1: on X whenever the last Alien Romulus movie came out 341 00:17:49,000 --> 00:17:51,400 Speaker 1: saying is it safe to say that nobody else has 342 00:17:51,440 --> 00:17:54,560 Speaker 1: the name Sigourney? I cannot think of another Sigourney besides 343 00:17:54,600 --> 00:17:58,560 Speaker 1: Sigourney Weaver. Alien was a movie that I didn't watch 344 00:17:58,760 --> 00:18:02,160 Speaker 1: until maybe like I was teenager. And the reason I 345 00:18:02,200 --> 00:18:04,360 Speaker 1: was exposed to Alien is because I used to play 346 00:18:04,359 --> 00:18:07,560 Speaker 1: a game called Conquer's Bad Fer Day, which was a 347 00:18:07,640 --> 00:18:10,480 Speaker 1: game on at the time N sixty four that was 348 00:18:10,600 --> 00:18:13,520 Speaker 1: rated M for mature, and I played it as a 349 00:18:13,600 --> 00:18:17,080 Speaker 1: kid because it was exposing me to very not so 350 00:18:17,240 --> 00:18:20,560 Speaker 1: kid friendly things. But in that video game, they parodied 351 00:18:20,640 --> 00:18:23,560 Speaker 1: a lot of famous movies, and the level on this 352 00:18:23,720 --> 00:18:26,400 Speaker 1: game where they parody Alien was one of my favorites. 353 00:18:26,400 --> 00:18:28,240 Speaker 1: And then I realized later, oh, that's from a movie, 354 00:18:28,600 --> 00:18:31,639 Speaker 1: and maybe it's because of that being the reason and 355 00:18:31,720 --> 00:18:33,640 Speaker 1: how I was exposed to this movie that I never 356 00:18:33,720 --> 00:18:37,200 Speaker 1: really thought of Alien as a horror movie. Obviously has 357 00:18:37,280 --> 00:18:39,920 Speaker 1: a lot of iconic imagery, a lot that they also 358 00:18:40,000 --> 00:18:43,719 Speaker 1: pulled into Alien Romulus, and while I do think that 359 00:18:43,760 --> 00:18:47,679 Speaker 1: Sigourney Weaver's performance was the success of this story, I 360 00:18:47,680 --> 00:18:50,479 Speaker 1: don't really put it in the same category of having 361 00:18:50,520 --> 00:18:54,199 Speaker 1: that true final girl definition. To me, even with the 362 00:18:54,240 --> 00:18:56,800 Speaker 1: recent editions we've been talking about, I would take Samara 363 00:18:56,880 --> 00:19:00,480 Speaker 1: Weaving over Sigourney Weaver on this list. I think the 364 00:19:00,520 --> 00:19:04,480 Speaker 1: reason she is probably in at number three is because again, 365 00:19:05,000 --> 00:19:08,320 Speaker 1: all of these final Girls have to use some ingenuity 366 00:19:08,400 --> 00:19:11,280 Speaker 1: to take out the killer, in this case it being 367 00:19:11,320 --> 00:19:15,800 Speaker 1: an alien, and I think her character, Ellen Ripley, has 368 00:19:15,880 --> 00:19:18,960 Speaker 1: maybe one of the most memorable and thoughtful ways to 369 00:19:19,000 --> 00:19:21,800 Speaker 1: take out her killer, and through that she shows really 370 00:19:21,880 --> 00:19:24,520 Speaker 1: how fearless she is. But still I don't think that 371 00:19:24,600 --> 00:19:27,640 Speaker 1: his top three worthy. I did really like Kaylee Spainey 372 00:19:27,680 --> 00:19:31,160 Speaker 1: and Alien Romulus, who pooled a lot of inspiration from 373 00:19:31,240 --> 00:19:34,439 Speaker 1: Sigourney Weaver but also made that character her own. So 374 00:19:34,520 --> 00:19:37,320 Speaker 1: I do like the direction that the Alien franchise is 375 00:19:37,400 --> 00:19:40,600 Speaker 1: going in. So even though I respect Sigourney Weaver at 376 00:19:40,680 --> 00:19:43,639 Speaker 1: number three. I don't love it at number two. Getting 377 00:19:43,680 --> 00:19:47,560 Speaker 1: to the heavy hitters, now you have Sidney Prescott from 378 00:19:47,640 --> 00:19:51,280 Speaker 1: Scream played by Nev Campbell. Came out back in nineteen 379 00:19:51,359 --> 00:19:54,080 Speaker 1: ninety six again and it is available on Max, which 380 00:19:54,080 --> 00:19:58,159 Speaker 1: we mentioned earlier. Sidney Prescott is the best modern version 381 00:19:58,320 --> 00:20:01,320 Speaker 1: of a final Girl in mind. My opinion, I do 382 00:20:01,359 --> 00:20:04,119 Speaker 1: think the screen movies kind of lost their way even 383 00:20:04,280 --> 00:20:08,160 Speaker 1: when Wes Craven continued to direct them. Scream four became 384 00:20:08,200 --> 00:20:10,760 Speaker 1: the first one that he didn't direct because he passed away, 385 00:20:10,800 --> 00:20:13,040 Speaker 1: but that one came out in twenty eleven and he 386 00:20:13,119 --> 00:20:16,240 Speaker 1: died in twenty fifteen. But the formula did become a 387 00:20:16,280 --> 00:20:20,120 Speaker 1: little stale. That was until, in my opinion, Jenna Ortega 388 00:20:20,160 --> 00:20:23,840 Speaker 1: and Melissa Barrera were introduced into the cast. Those movies 389 00:20:24,080 --> 00:20:28,919 Speaker 1: rebooted the franchise and also got super meta with referencing 390 00:20:28,960 --> 00:20:32,119 Speaker 1: the screen movies and redoing things from that one and 391 00:20:32,160 --> 00:20:36,160 Speaker 1: including them here. So wasn't really a remake, wasn't really 392 00:20:36,200 --> 00:20:38,560 Speaker 1: a reboot. It was kind of just taking all the 393 00:20:38,640 --> 00:20:42,880 Speaker 1: elements of Scream and using gen Z actors to make 394 00:20:42,960 --> 00:20:45,080 Speaker 1: you feel that same way when you watch the first 395 00:20:45,080 --> 00:20:47,199 Speaker 1: screen movies. So I hate now that the fate of 396 00:20:47,240 --> 00:20:49,959 Speaker 1: these movies is really in the balance, that Jenna Ortega 397 00:20:49,960 --> 00:20:52,440 Speaker 1: and Melissa Barrera are no longer going to be attached 398 00:20:52,440 --> 00:20:54,960 Speaker 1: to them. I hate the way they exited these films, 399 00:20:55,320 --> 00:20:57,600 Speaker 1: but it looks like some of the original casts will 400 00:20:57,640 --> 00:20:59,720 Speaker 1: still be a part of them. I just don't really 401 00:20:59,720 --> 00:21:02,160 Speaker 1: think that there's much left there to really make these 402 00:21:02,200 --> 00:21:05,320 Speaker 1: movies interesting, and they lost what was making them work, 403 00:21:05,480 --> 00:21:07,760 Speaker 1: what was making the younger audience go to the theater 404 00:21:07,800 --> 00:21:10,280 Speaker 1: to watch these movies. Now you're just gonna be trying 405 00:21:10,320 --> 00:21:13,760 Speaker 1: to make these movies to people of my generation millennials, 406 00:21:13,880 --> 00:21:16,439 Speaker 1: to go and be nostalgia bate. But that really doesn't 407 00:21:16,440 --> 00:21:19,320 Speaker 1: work with horror franchises anymore. You gotta keep it new, 408 00:21:19,359 --> 00:21:21,240 Speaker 1: you gotta keep it fresh, You got to keep those 409 00:21:21,280 --> 00:21:24,760 Speaker 1: actors at the forefront. And Nev Campbell would have been 410 00:21:24,840 --> 00:21:28,000 Speaker 1: the best to do it as far as being the 411 00:21:28,119 --> 00:21:31,800 Speaker 1: it Final Girl if it wasn't for number one, the 412 00:21:32,000 --> 00:21:36,879 Speaker 1: og the original Final Girl. The best Final Girl of 413 00:21:37,040 --> 00:21:40,159 Speaker 1: all time according to this list, and according to me, 414 00:21:40,840 --> 00:21:44,560 Speaker 1: it is Lrie Strode from Halloween, played by Jamie Lee Curtiz. 415 00:21:44,680 --> 00:21:47,800 Speaker 1: Came out in nineteen seventy eight. It is available to 416 00:21:47,880 --> 00:21:52,679 Speaker 1: watch on Crackle of all services, Netflix, Hulu, Disney Plus. 417 00:21:52,760 --> 00:21:55,840 Speaker 1: Even you can watch Halloween on Crackle. I feel like 418 00:21:55,840 --> 00:21:59,080 Speaker 1: I've watched maybe two things on Crackle in my life. 419 00:21:59,240 --> 00:22:01,320 Speaker 1: Actually I take that. I think it was only one movie, 420 00:22:01,400 --> 00:22:04,760 Speaker 1: Joe Dirt I Beautiful Loser, the sequel that nobody asked for, 421 00:22:05,080 --> 00:22:08,240 Speaker 1: but it was available as a Crackle original, So you 422 00:22:08,240 --> 00:22:10,439 Speaker 1: can go watch Joe Dirt two, and you can go 423 00:22:10,480 --> 00:22:14,000 Speaker 1: watch Halloween again. Much like to B Crackle is also 424 00:22:14,080 --> 00:22:16,479 Speaker 1: the dollar bin, but maybe not even at Walmart, probably 425 00:22:16,560 --> 00:22:19,200 Speaker 1: a like family dollar dollar tree. I would never find 426 00:22:19,200 --> 00:22:21,800 Speaker 1: anything good in those bins. It'd always be like really 427 00:22:21,920 --> 00:22:25,080 Speaker 1: weird movies or like movie three packs of black and 428 00:22:25,080 --> 00:22:28,000 Speaker 1: white horror movies that were made back in the forties. 429 00:22:28,280 --> 00:22:30,639 Speaker 1: And the reason I agree with this list why Lourie 430 00:22:30,680 --> 00:22:34,800 Speaker 1: Strode is the best final Girl is that final scene 431 00:22:35,359 --> 00:22:39,400 Speaker 1: where she is making it her main objective to save 432 00:22:39,560 --> 00:22:42,560 Speaker 1: the kids but also save herself make sure they're out 433 00:22:42,560 --> 00:22:47,200 Speaker 1: of harm's way, and has the most iconic scene in 434 00:22:47,240 --> 00:22:50,960 Speaker 1: any horror movie. It is the blueprint of how to 435 00:22:51,119 --> 00:22:55,600 Speaker 1: make a great final act. Luri Strode in the closet 436 00:22:55,640 --> 00:22:59,440 Speaker 1: with Michael Myers breaking down the door is a scene 437 00:22:59,520 --> 00:23:02,520 Speaker 1: that all turd my brain's chemistry. If there's one scene 438 00:23:02,560 --> 00:23:05,000 Speaker 1: in Horror that I wish I could go back and 439 00:23:05,040 --> 00:23:08,199 Speaker 1: rewatch for the first time, have my memory erased, just 440 00:23:08,240 --> 00:23:11,159 Speaker 1: so I could experience it again, it would be this scene. 441 00:23:11,440 --> 00:23:13,960 Speaker 1: Jamie Lee Curtis did a fantastic job as she was 442 00:23:14,000 --> 00:23:18,080 Speaker 1: being introduced into the world. Halloween two takes place right 443 00:23:18,119 --> 00:23:20,720 Speaker 1: after the events of Halloween one, and growing up, I 444 00:23:20,760 --> 00:23:23,520 Speaker 1: would always just watch those back to back every Halloween, 445 00:23:24,080 --> 00:23:27,560 Speaker 1: and two isn't as iconic as one, but if you 446 00:23:27,600 --> 00:23:30,320 Speaker 1: watch them all together, it makes for a great movie night. 447 00:23:30,840 --> 00:23:34,800 Speaker 1: The entire journey that Lorie Strode goes through all of 448 00:23:34,800 --> 00:23:38,439 Speaker 1: the movies doesn't really make sense. They kind of change 449 00:23:38,480 --> 00:23:42,119 Speaker 1: her character from movie to movie, create this backstory of 450 00:23:42,160 --> 00:23:44,919 Speaker 1: her and Michael being related. Are they related? Are they not? 451 00:23:45,440 --> 00:23:48,639 Speaker 1: I enjoyed it as they moved into Halloween h two O. 452 00:23:48,960 --> 00:23:50,840 Speaker 1: Even though I think people hate that movie, that is 453 00:23:50,840 --> 00:23:54,240 Speaker 1: one of my favorite Halloween movies. And then they reintroduced 454 00:23:54,240 --> 00:23:56,920 Speaker 1: her again in the twenty eighteen version, which I thought 455 00:23:56,960 --> 00:24:00,520 Speaker 1: was fantastic, but I hate how that run ended. Twenty 456 00:24:00,560 --> 00:24:03,600 Speaker 1: eighteen was a great reboot Halloween Kills in twenty twenty 457 00:24:03,600 --> 00:24:07,400 Speaker 1: one was pretty mid and I completely hated Halloween Ends. 458 00:24:07,720 --> 00:24:09,760 Speaker 1: But I can look past all that to go back 459 00:24:09,760 --> 00:24:13,120 Speaker 1: to the original Lourie Strode at number one as the 460 00:24:13,160 --> 00:24:17,360 Speaker 1: best final girl in all of horror. Come back, I'll 461 00:24:17,359 --> 00:24:20,119 Speaker 1: give you my review spoiler free of Smile Too, and 462 00:24:20,119 --> 00:24:22,760 Speaker 1: then in the trailer park we'll talk about Nicole Kidman's 463 00:24:22,800 --> 00:24:27,560 Speaker 1: new A Rick thriller. Why I say that so weird? 464 00:24:28,640 --> 00:24:31,800 Speaker 1: Let's put a smile on that face and get into 465 00:24:31,800 --> 00:24:34,880 Speaker 1: it now. A spoiler free movie review of Smile Too. 466 00:24:35,280 --> 00:24:37,919 Speaker 1: I had a few questions going into this movie. Is 467 00:24:37,960 --> 00:24:40,760 Speaker 1: it going to improve upon the first one? I wasn't 468 00:24:40,760 --> 00:24:42,600 Speaker 1: the biggest fan of the first one. I rated that 469 00:24:42,640 --> 00:24:45,439 Speaker 1: one a two point five out of five because I 470 00:24:45,480 --> 00:24:48,679 Speaker 1: felt that movie came to a screeching halt in the 471 00:24:48,760 --> 00:24:52,040 Speaker 1: second and beginning of third act where it got so boring. 472 00:24:52,080 --> 00:24:54,199 Speaker 1: It spent so much time focused on the curse and 473 00:24:54,440 --> 00:24:57,360 Speaker 1: unraveling the mystery of the curse. If you're not familiar 474 00:24:57,400 --> 00:25:01,600 Speaker 1: with Smile it's basically somebody commit suicide in front of 475 00:25:01,600 --> 00:25:04,320 Speaker 1: you with the smile on their face, passing along this 476 00:25:04,400 --> 00:25:06,919 Speaker 1: curse to you, much like the ring from back in 477 00:25:06,960 --> 00:25:10,760 Speaker 1: the day. You have seven days until this curse takes 478 00:25:10,800 --> 00:25:12,959 Speaker 1: you out, and it keeps moving from person to person. 479 00:25:13,240 --> 00:25:16,320 Speaker 1: I believed in the idea of the first one. If 480 00:25:16,359 --> 00:25:18,840 Speaker 1: I were an investor, I would have taken my money 481 00:25:18,880 --> 00:25:21,560 Speaker 1: and invested in Smile Too. Knowing that director Parker Finn 482 00:25:22,240 --> 00:25:26,199 Speaker 1: had something there had people talking about this movie just 483 00:25:26,240 --> 00:25:28,720 Speaker 1: didn't really have the movie down quite yet for me 484 00:25:29,240 --> 00:25:31,840 Speaker 1: as a horror movie fan. So is this one going 485 00:25:31,880 --> 00:25:35,159 Speaker 1: to improve upon Smile one and really cash in on 486 00:25:35,200 --> 00:25:38,560 Speaker 1: that hype? The second question I had is it going 487 00:25:38,600 --> 00:25:42,439 Speaker 1: to rely again on jump scares. I find jump scares 488 00:25:42,440 --> 00:25:44,680 Speaker 1: to be pretty cheap. When I think about my favorite 489 00:25:44,680 --> 00:25:47,639 Speaker 1: moments in horror, it's never around a jump scare, and 490 00:25:47,680 --> 00:25:49,439 Speaker 1: they do get me from time to time. You're in 491 00:25:49,440 --> 00:25:53,240 Speaker 1: a theater, it's dark, big loud sound has an impact 492 00:25:53,280 --> 00:25:56,040 Speaker 1: on you. Watching this movie. I did jump out of 493 00:25:56,040 --> 00:25:57,760 Speaker 1: my I mean not fully out of my seat, but 494 00:25:57,760 --> 00:25:59,560 Speaker 1: it got me a little bit. My heart rate going 495 00:26:00,200 --> 00:26:02,840 Speaker 1: it'll get you. But when I think about my favorite 496 00:26:02,880 --> 00:26:05,320 Speaker 1: moments in horror movies, it is never a jump scare. 497 00:26:06,080 --> 00:26:09,040 Speaker 1: It's fun, but I feel like it's almost cheat because 498 00:26:09,040 --> 00:26:12,160 Speaker 1: you're just taking the audience kind of for granted there, 499 00:26:12,200 --> 00:26:15,240 Speaker 1: because yes, they are in this vulnerable state, and if 500 00:26:15,280 --> 00:26:17,960 Speaker 1: you played anything really loud and comes out of nowhere, 501 00:26:18,200 --> 00:26:20,600 Speaker 1: you're going to scare people. But that's not gonna be 502 00:26:20,680 --> 00:26:22,760 Speaker 1: the most memorable thing about your film. You have to 503 00:26:22,800 --> 00:26:27,000 Speaker 1: really create an energy and create memorable experiences by building 504 00:26:27,000 --> 00:26:29,520 Speaker 1: that tension, not just relying on big loud sound effects 505 00:26:29,560 --> 00:26:32,159 Speaker 1: to scare your audience, unless that's all you want and 506 00:26:32,240 --> 00:26:34,040 Speaker 1: unless that's really how you get your kicks when going 507 00:26:34,040 --> 00:26:36,360 Speaker 1: to a horror movie, but for me, I don't love them. 508 00:26:36,400 --> 00:26:38,920 Speaker 1: And the third question is was it going to be 509 00:26:39,200 --> 00:26:41,840 Speaker 1: so predictable? And I know this is an annoying thing 510 00:26:41,840 --> 00:26:45,240 Speaker 1: about me, but I always like to predict movies after 511 00:26:45,280 --> 00:26:47,480 Speaker 1: watching the trailer. That's why on this podcast I do 512 00:26:47,520 --> 00:26:49,920 Speaker 1: the trailer bark, and it might be annoying to you 513 00:26:50,000 --> 00:26:52,600 Speaker 1: when I'm like, Okay, I see this in this trailer. 514 00:26:52,680 --> 00:26:55,240 Speaker 1: They are focusing on these parts. This is what I 515 00:26:55,240 --> 00:26:58,280 Speaker 1: think is going to happen in the final act, and 516 00:26:58,359 --> 00:27:01,320 Speaker 1: I don't like that because I feel, well, especially in horror, 517 00:27:01,359 --> 00:27:03,600 Speaker 1: I want things to come out of nowhere and when 518 00:27:03,640 --> 00:27:06,119 Speaker 1: I can pick apart everything that is going to happen 519 00:27:06,720 --> 00:27:08,680 Speaker 1: it's just not that enjoyable to me. I feel like 520 00:27:08,720 --> 00:27:11,159 Speaker 1: you could be a little bit more imaginative. But I 521 00:27:11,240 --> 00:27:13,159 Speaker 1: get why they do it. They're trying to appeal to 522 00:27:13,200 --> 00:27:15,440 Speaker 1: a mass audience. So those are my three questions going 523 00:27:15,480 --> 00:27:18,200 Speaker 1: into this film. Let's get into what actually Smile two 524 00:27:18,240 --> 00:27:21,360 Speaker 1: is about. It takes place six days after the original, 525 00:27:21,400 --> 00:27:23,800 Speaker 1: which I like that these movies are tying into each other, 526 00:27:24,119 --> 00:27:27,120 Speaker 1: and after watching Smile Too, I really feel like these 527 00:27:27,160 --> 00:27:32,680 Speaker 1: are both definitive chapters. They are still inside the same world, 528 00:27:32,800 --> 00:27:35,280 Speaker 1: but they have an entirely different feeling, and I think 529 00:27:35,280 --> 00:27:38,040 Speaker 1: that is something Smile to really benefited from, because the 530 00:27:38,200 --> 00:27:40,840 Speaker 1: entire tone of this movie changed. This one centers around 531 00:27:40,840 --> 00:27:43,840 Speaker 1: a pop star named Sky Riley played by Naomi Scott, 532 00:27:43,880 --> 00:27:47,159 Speaker 1: who did a fantastic job. She is about to embark 533 00:27:47,200 --> 00:27:50,720 Speaker 1: on this big world tour after just going through something 534 00:27:50,720 --> 00:27:53,280 Speaker 1: pretty dramatic. It starts out with her going on to 535 00:27:53,440 --> 00:27:57,480 Speaker 1: Drew Barrymore's talk show talking about how she appreciates her 536 00:27:57,520 --> 00:27:59,639 Speaker 1: fans sticking with her through a really tough time in 537 00:27:59,680 --> 00:28:02,560 Speaker 1: her life. Talks about doing drugs, gives a little glimpse 538 00:28:02,640 --> 00:28:05,080 Speaker 1: into her dark past, and you learn more about that 539 00:28:05,200 --> 00:28:08,080 Speaker 1: as the movie and story develops. This movie is a 540 00:28:08,080 --> 00:28:13,040 Speaker 1: big commentary on the pressures of fame, trauma, and overall 541 00:28:13,160 --> 00:28:15,960 Speaker 1: what it feels like to go completely crazy and have 542 00:28:16,119 --> 00:28:19,840 Speaker 1: nobody believe you. Because everything is writing on this tour 543 00:28:19,880 --> 00:28:22,600 Speaker 1: that she's about to go on, because it is going 544 00:28:22,640 --> 00:28:25,680 Speaker 1: to be the definitive moment in her career now, because 545 00:28:25,720 --> 00:28:28,119 Speaker 1: this tour to her is going to make or break 546 00:28:28,160 --> 00:28:30,959 Speaker 1: her career. But she has a lot of things to 547 00:28:31,040 --> 00:28:33,680 Speaker 1: get through in order to make it happen. One of 548 00:28:33,720 --> 00:28:36,359 Speaker 1: those being a big injury that she is dealing with 549 00:28:36,480 --> 00:28:39,320 Speaker 1: that is causing her a lot of pain and not 550 00:28:39,560 --> 00:28:42,239 Speaker 1: being able to perform the way she wants to. So 551 00:28:42,320 --> 00:28:44,360 Speaker 1: she goes to a drug dealer's house to get some 552 00:28:44,400 --> 00:28:47,880 Speaker 1: pain medication, and that is where if you've seen the trailer, 553 00:28:48,120 --> 00:28:51,600 Speaker 1: you see Lucas Gage's character there unlive himself, and that 554 00:28:51,720 --> 00:28:53,880 Speaker 1: is where the fun begins, because it starts to blend 555 00:28:53,880 --> 00:28:56,920 Speaker 1: the line of what is actually happening in the real 556 00:28:56,960 --> 00:29:00,200 Speaker 1: world and what is just happening inside her mind and 557 00:29:00,240 --> 00:29:03,959 Speaker 1: all these illusions that are being created because of this curse. 558 00:29:04,280 --> 00:29:07,040 Speaker 1: My biggest problem with the first one is it spent 559 00:29:07,240 --> 00:29:10,760 Speaker 1: so much time talking about this curse and trying to 560 00:29:10,880 --> 00:29:15,479 Speaker 1: unravel the secrets, and Smile really try to be a 561 00:29:15,600 --> 00:29:19,720 Speaker 1: much more sinister movie than it was, really diving into 562 00:29:19,760 --> 00:29:22,600 Speaker 1: the past and had one of my worst tropes in 563 00:29:22,680 --> 00:29:25,800 Speaker 1: horror movies of all time is whenever you go on 564 00:29:25,880 --> 00:29:28,200 Speaker 1: a big mission to try to figure out what is 565 00:29:28,240 --> 00:29:31,120 Speaker 1: happening here, you unravel this secret and you try to 566 00:29:31,160 --> 00:29:33,160 Speaker 1: figure it all out before it's too late, then you 567 00:29:33,200 --> 00:29:35,960 Speaker 1: have a big lame battle at the end. I hate 568 00:29:35,960 --> 00:29:39,800 Speaker 1: that whole driving to another town, another city to talk 569 00:29:39,840 --> 00:29:42,960 Speaker 1: to somebody who may have some information on this. And 570 00:29:43,000 --> 00:29:45,640 Speaker 1: what Smile Too did was take all that out of 571 00:29:45,680 --> 00:29:48,360 Speaker 1: the movie, out of the plot line, and focus more 572 00:29:48,400 --> 00:29:52,360 Speaker 1: on sky Riley and how the curse is affecting her, 573 00:29:52,920 --> 00:29:56,520 Speaker 1: and you really see her fall into this just manic 574 00:29:56,680 --> 00:30:01,080 Speaker 1: state happen and unravel. Piece by p that was just 575 00:30:01,200 --> 00:30:03,320 Speaker 1: really fun for me to watch. I do like it. 576 00:30:03,360 --> 00:30:05,640 Speaker 1: At the beginning of the movies where the actor comes 577 00:30:05,640 --> 00:30:08,440 Speaker 1: on says a little something about the movie thanking you 578 00:30:08,480 --> 00:30:10,200 Speaker 1: for coming to the theater, and sometimes I think that 579 00:30:10,200 --> 00:30:12,760 Speaker 1: has no effect on me, but Naomi Scott said something 580 00:30:12,840 --> 00:30:16,240 Speaker 1: in that that kind of set up my expectations of, Hey, 581 00:30:16,280 --> 00:30:18,720 Speaker 1: go on this ride with me join me in the 582 00:30:18,760 --> 00:30:20,880 Speaker 1: story of Riley, and I thought about this movie a 583 00:30:20,880 --> 00:30:23,800 Speaker 1: little bit different of Okay, I'm gonna take this journey 584 00:30:23,800 --> 00:30:26,120 Speaker 1: with this character and experience it the way that they 585 00:30:26,120 --> 00:30:28,880 Speaker 1: are experiencing it. And I feel like as the viewer, 586 00:30:28,960 --> 00:30:32,680 Speaker 1: if you really let yourself dial into this movie, you 587 00:30:32,760 --> 00:30:35,200 Speaker 1: start to feel it too. I will say it does 588 00:30:35,240 --> 00:30:37,360 Speaker 1: it kind of like the first one, in a very 589 00:30:37,400 --> 00:30:41,240 Speaker 1: slow approach, where you start out just little by little, 590 00:30:41,280 --> 00:30:44,440 Speaker 1: and it's really not that scary in the beginning, because 591 00:30:44,480 --> 00:30:47,120 Speaker 1: when watching it on the big screen, just having somebody 592 00:30:47,160 --> 00:30:51,080 Speaker 1: standing there smiling really isn't that scary. And what do 593 00:30:51,120 --> 00:30:53,840 Speaker 1: they do? They still rely on that jump scare. The 594 00:30:53,840 --> 00:30:56,760 Speaker 1: biggest moments that came, I would say, in the first 595 00:30:56,840 --> 00:30:59,840 Speaker 1: and part of the second act very much rely on 596 00:31:00,080 --> 00:31:03,000 Speaker 1: catching you off guard with a big sound effect, and 597 00:31:03,080 --> 00:31:06,840 Speaker 1: some of the visuals are pretty bloody and mildly disturbing. 598 00:31:07,320 --> 00:31:09,840 Speaker 1: But I would say it doesn't really become to me 599 00:31:10,320 --> 00:31:13,640 Speaker 1: a full on horror movie until that second and third act. 600 00:31:14,040 --> 00:31:18,000 Speaker 1: In those last forty minutes, it becomes an entirely different 601 00:31:18,080 --> 00:31:22,040 Speaker 1: movie when all the chaos starts unfolding, when all of 602 00:31:22,080 --> 00:31:25,280 Speaker 1: the big actions starts happening in the sky. That is 603 00:31:25,320 --> 00:31:27,560 Speaker 1: when it really gets good. And that is such an 604 00:31:27,640 --> 00:31:31,640 Speaker 1: improvement from the first one, because in those last forty 605 00:31:31,680 --> 00:31:33,600 Speaker 1: minutes of the first one, all the action was in 606 00:31:33,640 --> 00:31:35,840 Speaker 1: those last ten And there was a point in that 607 00:31:35,880 --> 00:31:38,960 Speaker 1: movie where I almost fell asleep because there was nothing happening. 608 00:31:39,000 --> 00:31:41,720 Speaker 1: It was a lot of dialogue. The entire plot line 609 00:31:41,760 --> 00:31:45,040 Speaker 1: of that main character was kind of a snoozefest. But 610 00:31:45,200 --> 00:31:48,560 Speaker 1: here you had multiple layers going on with sky Riley, 611 00:31:48,600 --> 00:31:51,560 Speaker 1: not only the pressures of needing this tour to work 612 00:31:51,960 --> 00:31:55,880 Speaker 1: and having her mom slash manager control all the aspects 613 00:31:55,920 --> 00:31:59,040 Speaker 1: of her life, trying to do all these appearances, trying 614 00:31:59,040 --> 00:32:01,800 Speaker 1: to just be a human at the same time, where 615 00:32:01,800 --> 00:32:04,880 Speaker 1: you have fans trying to approach you, you're trying to 616 00:32:04,920 --> 00:32:07,560 Speaker 1: do a meet and greets. That in itself was a 617 00:32:07,600 --> 00:32:11,240 Speaker 1: story that I was interested in. And then you have 618 00:32:11,400 --> 00:32:13,800 Speaker 1: all these horror elements happening on top of it, of 619 00:32:13,840 --> 00:32:15,960 Speaker 1: her going crazy and not being able to know what 620 00:32:16,040 --> 00:32:18,920 Speaker 1: is actually happening in real life, really not even knowing 621 00:32:18,960 --> 00:32:20,680 Speaker 1: that she has a curse on her because she has 622 00:32:20,720 --> 00:32:24,040 Speaker 1: no idea what is happening. That is an entirely different 623 00:32:24,040 --> 00:32:26,760 Speaker 1: thing going on at the same time. So combining those 624 00:32:26,760 --> 00:32:30,240 Speaker 1: things together really made me invest in her character and 625 00:32:30,280 --> 00:32:34,240 Speaker 1: made this movie really entertaining for me. But was it predictable? Yeah, 626 00:32:34,320 --> 00:32:37,000 Speaker 1: it was predictable. Hate to say, but I probably predicted 627 00:32:37,080 --> 00:32:39,320 Speaker 1: everything that was going to happen in this movie. But 628 00:32:39,880 --> 00:32:42,920 Speaker 1: even though it was predictable, it was still enjoyable. I 629 00:32:42,960 --> 00:32:45,200 Speaker 1: knew what was coming, I felt it, I could see 630 00:32:45,200 --> 00:32:48,880 Speaker 1: it in the writing, just because I feel like this 631 00:32:49,040 --> 00:32:52,040 Speaker 1: movie didn't really take a whole lot of risk, but 632 00:32:52,120 --> 00:32:54,479 Speaker 1: what it did it did well. So even though it 633 00:32:54,560 --> 00:32:58,800 Speaker 1: was predictable, I didn't find myself being unsatisfied with the results. 634 00:32:58,960 --> 00:33:01,920 Speaker 1: I actually enjoy living in this world. That felt a 635 00:33:01,920 --> 00:33:04,760 Speaker 1: little bit more grounded than the first one. Like I said, 636 00:33:04,760 --> 00:33:06,320 Speaker 1: the first one felt like it was trying to be 637 00:33:06,400 --> 00:33:10,280 Speaker 1: much more sinister, felt more like a nightmare tale. This 638 00:33:10,320 --> 00:33:13,600 Speaker 1: one really felt more like how you and I would 639 00:33:13,680 --> 00:33:17,400 Speaker 1: experience this happening to us. So this one just had 640 00:33:17,640 --> 00:33:20,360 Speaker 1: much more of an effect on me, so much so 641 00:33:20,600 --> 00:33:23,640 Speaker 1: that I had a nightmare after watching this movie that 642 00:33:24,560 --> 00:33:27,880 Speaker 1: I too saw certain things happening in my dream where 643 00:33:27,920 --> 00:33:30,360 Speaker 1: I was walking by a poster and it was like 644 00:33:30,400 --> 00:33:33,720 Speaker 1: a picture of somebody and then suddenly their smile got 645 00:33:33,760 --> 00:33:35,600 Speaker 1: really big and I started to freak out thinking that 646 00:33:35,640 --> 00:33:38,080 Speaker 1: this was happening to me too. So it definitely had 647 00:33:38,200 --> 00:33:40,520 Speaker 1: much more of an effect on me. But what really 648 00:33:40,600 --> 00:33:43,240 Speaker 1: made me enjoy this movie was Naomi Scott's performance as 649 00:33:43,280 --> 00:33:48,000 Speaker 1: Sky Riley, who is the character that you don't entirely 650 00:33:48,160 --> 00:33:52,000 Speaker 1: root for the entire time because she has some good 651 00:33:52,080 --> 00:33:55,800 Speaker 1: qualities about her, actually very few when you think about it, 652 00:33:56,160 --> 00:33:59,160 Speaker 1: and a lot of bad qualities about her. So I 653 00:33:59,280 --> 00:34:01,720 Speaker 1: like movies where you don't present the person going through 654 00:34:01,720 --> 00:34:04,880 Speaker 1: all this as somebody who you entirely root for because 655 00:34:04,920 --> 00:34:07,200 Speaker 1: she has done some things in her past. I think 656 00:34:07,240 --> 00:34:09,480 Speaker 1: for me, I just hate when they have somebody who 657 00:34:09,520 --> 00:34:11,839 Speaker 1: is like a global pop star, but they make sure 658 00:34:11,880 --> 00:34:14,000 Speaker 1: to say it in every interview. If you think about 659 00:34:14,040 --> 00:34:16,920 Speaker 1: the most famous people in music right now, they don't 660 00:34:16,960 --> 00:34:21,040 Speaker 1: go on TV shows and everybody's like, welcome global pop sensation. 661 00:34:21,200 --> 00:34:23,479 Speaker 1: You just know if Harry Styles goes on a talk show, 662 00:34:24,040 --> 00:34:27,359 Speaker 1: if Selena Gomez goes on a talk show, which is 663 00:34:27,880 --> 00:34:31,000 Speaker 1: about the level of fame that Sky is in this movie, 664 00:34:31,160 --> 00:34:33,720 Speaker 1: they don't need to give any qualifiers of how famous 665 00:34:33,760 --> 00:34:36,040 Speaker 1: this person is. And I don't know why that bothers me, 666 00:34:36,239 --> 00:34:40,319 Speaker 1: but it does. And how they put so much emphasis 667 00:34:40,360 --> 00:34:43,319 Speaker 1: on this world tour like everybody is talking about it. 668 00:34:43,600 --> 00:34:46,439 Speaker 1: That really doesn't happen now unless you're Taylor Swift going 669 00:34:46,440 --> 00:34:50,640 Speaker 1: on the Era's tour. Nobody is talking about a world 670 00:34:50,680 --> 00:34:54,160 Speaker 1: tour like there's so much pressure. But as an artist, 671 00:34:54,200 --> 00:34:57,320 Speaker 1: I think they feel this pressure when they put tickets 672 00:34:57,360 --> 00:34:59,680 Speaker 1: on sale, when they go out in these cities, this 673 00:34:59,840 --> 00:35:02,200 Speaker 1: is their entire world. They do feel that, I think, 674 00:35:02,520 --> 00:35:05,239 Speaker 1: so I think it did portray that of how to 675 00:35:05,280 --> 00:35:07,160 Speaker 1: you and I, we see a concert go on sale, 676 00:35:07,239 --> 00:35:08,920 Speaker 1: we think do we want to go see that? Do 677 00:35:08,960 --> 00:35:11,000 Speaker 1: we want to pay that amount of money? And that 678 00:35:11,080 --> 00:35:13,239 Speaker 1: is just something we think about in our week. But 679 00:35:13,320 --> 00:35:16,600 Speaker 1: to this artist going on this tour, they can feel that, 680 00:35:16,640 --> 00:35:18,839 Speaker 1: they feel if this is going to make or break them. 681 00:35:19,120 --> 00:35:21,120 Speaker 1: But I just think that the way they portrayed this 682 00:35:21,239 --> 00:35:24,680 Speaker 1: character isn't entirely true to how somebody at this level 683 00:35:24,719 --> 00:35:26,680 Speaker 1: would be. But I do think it showed some of 684 00:35:26,680 --> 00:35:29,680 Speaker 1: the things they have to deal with, like super obsessed fans, 685 00:35:29,960 --> 00:35:32,120 Speaker 1: if you get bad press and how hard it is 686 00:35:32,160 --> 00:35:35,799 Speaker 1: to recover from that, and just overall the pressures that 687 00:35:35,880 --> 00:35:38,719 Speaker 1: not everybody sees when you just see people on Instagram 688 00:35:39,000 --> 00:35:41,560 Speaker 1: or on TV shows. Naomi Scott went all in on 689 00:35:41,600 --> 00:35:44,000 Speaker 1: this performance and the movie left nothing on the table, 690 00:35:44,040 --> 00:35:46,239 Speaker 1: which is usually my biggest criticism when it comes to 691 00:35:46,280 --> 00:35:49,000 Speaker 1: a horror movie that is trying to build a franchise, 692 00:35:49,400 --> 00:35:53,200 Speaker 1: leave some things in mystery. But this movie gave you everything. 693 00:35:53,440 --> 00:35:55,480 Speaker 1: It went all out, It cranked it up to eleven 694 00:35:55,520 --> 00:35:58,200 Speaker 1: and said we're gonna give you the best performance we 695 00:35:58,280 --> 00:36:02,399 Speaker 1: can in this movie. So they really capitalize going into 696 00:36:02,480 --> 00:36:05,600 Speaker 1: this movie with more momentum, having more people talking. They 697 00:36:05,640 --> 00:36:07,600 Speaker 1: still did all the promotion like they did for the 698 00:36:07,600 --> 00:36:11,160 Speaker 1: first one, which I think is something that really sets 699 00:36:11,160 --> 00:36:14,479 Speaker 1: a movie like this apart. Because there are other good 700 00:36:14,520 --> 00:36:16,480 Speaker 1: horror movies that have come out this year. I don't 701 00:36:16,480 --> 00:36:19,280 Speaker 1: think this one is the best one, but it's probably 702 00:36:19,320 --> 00:36:22,800 Speaker 1: the one that is stuck in more people's minds because 703 00:36:22,800 --> 00:36:24,560 Speaker 1: of that promotion. And that's what you have to do 704 00:36:25,320 --> 00:36:28,439 Speaker 1: really when it comes down to having a successful horror movie. 705 00:36:28,480 --> 00:36:31,040 Speaker 1: Right now, it's all in the promotion. How can you 706 00:36:31,040 --> 00:36:34,319 Speaker 1: get people talking? Look at what Terrifier three did? They 707 00:36:34,360 --> 00:36:36,719 Speaker 1: put all that press out themselves of saying people were 708 00:36:36,719 --> 00:36:39,799 Speaker 1: walking out of the theater vomiting there was nobody vomiting. 709 00:36:40,239 --> 00:36:43,800 Speaker 1: That's all marketing, and it went on to beat Joker Too. 710 00:36:43,920 --> 00:36:46,760 Speaker 1: I think in order to succeed and set yourself apart, 711 00:36:46,800 --> 00:36:49,480 Speaker 1: you have to do things like Smile is doing. Create 712 00:36:49,480 --> 00:36:53,400 Speaker 1: that aura not just around the stars of this movie 713 00:36:53,480 --> 00:36:56,600 Speaker 1: or even the characters, it's just around the idea of it. 714 00:36:56,640 --> 00:36:59,840 Speaker 1: Because you have that image in your mind as somebody smiling, 715 00:37:00,360 --> 00:37:04,560 Speaker 1: that poster can terrify you alone. So I found myself 716 00:37:04,680 --> 00:37:08,120 Speaker 1: enjoying all two hours of this movie. Definitely a major 717 00:37:08,200 --> 00:37:10,640 Speaker 1: improvement on the first one, which that one I give 718 00:37:10,680 --> 00:37:13,319 Speaker 1: a two point five out of five. But for Smile Too, 719 00:37:14,040 --> 00:37:15,800 Speaker 1: I give it four out of five. 720 00:37:16,200 --> 00:37:23,239 Speaker 2: Pop Stars, It's time to head down to movie Mike. 721 00:37:23,320 --> 00:37:29,320 Speaker 1: Traylor Paul Christmas movies are my least favorite genre of movie, 722 00:37:30,200 --> 00:37:33,680 Speaker 1: New Christmas movies in particular. It is so hard to 723 00:37:33,840 --> 00:37:35,960 Speaker 1: create a new classic. And the reason that we all 724 00:37:36,000 --> 00:37:39,680 Speaker 1: love Christmas movies is because they were something that we 725 00:37:39,760 --> 00:37:43,279 Speaker 1: grew up with and we have this memory attached to 726 00:37:43,320 --> 00:37:46,160 Speaker 1: them that we love. So it's all the movies we 727 00:37:46,239 --> 00:37:50,200 Speaker 1: rewatch every single year that give us that feeling again, 728 00:37:50,320 --> 00:37:54,080 Speaker 1: that feeling of being a kid. But if you break 729 00:37:54,120 --> 00:37:57,759 Speaker 1: down exactly what a Christmas movie is the fiber of 730 00:37:57,760 --> 00:38:01,600 Speaker 1: a Christmas movie is not good. It's predictable, it's the 731 00:38:01,640 --> 00:38:05,680 Speaker 1: same thing over and over. The acting isn't anything that's 732 00:38:05,719 --> 00:38:09,280 Speaker 1: going to move you. So as a movie on its own, 733 00:38:09,960 --> 00:38:13,920 Speaker 1: they're not great movies. Doesn't mean they're not fun. They 734 00:38:13,920 --> 00:38:17,439 Speaker 1: don't bring you back to having good memories. If I'm 735 00:38:17,480 --> 00:38:20,720 Speaker 1: just sitting down to watch a movie, I'm only watching 736 00:38:20,719 --> 00:38:23,920 Speaker 1: a Christmas movie around Christmas time. I'm not watching them 737 00:38:24,480 --> 00:38:28,120 Speaker 1: in March in July. There's a reason they only come 738 00:38:28,160 --> 00:38:31,840 Speaker 1: out around the holidays. It is so much a reflection 739 00:38:32,440 --> 00:38:36,000 Speaker 1: of the Christmas season, and it's so hard to make 740 00:38:36,040 --> 00:38:39,000 Speaker 1: a new classic, and they keep trying. Only movie I 741 00:38:39,040 --> 00:38:40,879 Speaker 1: can think of that has come out in the last 742 00:38:40,960 --> 00:38:44,840 Speaker 1: twenty five years that has cemented itself as a Christmas 743 00:38:44,920 --> 00:38:47,879 Speaker 1: classic that you can watch every single year is Elf. 744 00:38:48,320 --> 00:38:50,520 Speaker 1: That is the only one. And a movie that is 745 00:38:50,640 --> 00:38:53,880 Speaker 1: twenty plus years old, almost thirty years old at this point, 746 00:38:54,320 --> 00:38:57,160 Speaker 1: is still considered a modern classic because it's so hard 747 00:38:57,160 --> 00:38:58,960 Speaker 1: to do, and maybe it just takes that amount of 748 00:38:58,960 --> 00:39:00,440 Speaker 1: time for a movie to be out out for us 749 00:39:00,480 --> 00:39:03,640 Speaker 1: to watch again and again and again every single Christmas 750 00:39:03,640 --> 00:39:05,920 Speaker 1: to really cement it as a classic. Much like classic 751 00:39:05,920 --> 00:39:07,840 Speaker 1: cars need like twenty twenty five years to be a 752 00:39:07,840 --> 00:39:11,279 Speaker 1: classic car. Same thing here applies to movies. So to 753 00:39:11,320 --> 00:39:14,040 Speaker 1: really set yourself apart as a new Christmas movie, you 754 00:39:14,120 --> 00:39:16,799 Speaker 1: have to do something innovative. And I think that is 755 00:39:16,840 --> 00:39:19,960 Speaker 1: what Baby Girl is doing with Nicole Kidman because it 756 00:39:20,040 --> 00:39:24,160 Speaker 1: is an erotic thriller centered around Christmas time. So does 757 00:39:24,200 --> 00:39:26,920 Speaker 1: it embody the Christmas spirit? No, because it's all about 758 00:39:26,920 --> 00:39:30,239 Speaker 1: her playing this character, who is a business executive, has 759 00:39:30,280 --> 00:39:32,920 Speaker 1: an affair with a young intern played by Harrison Dickinson, 760 00:39:32,960 --> 00:39:35,240 Speaker 1: who was really great in The Iron Claw. I also 761 00:39:35,280 --> 00:39:39,040 Speaker 1: liked him a triangle of sadness. This movie happens to 762 00:39:39,160 --> 00:39:42,040 Speaker 1: take place around Christmas, and it wasn't until I saw 763 00:39:42,080 --> 00:39:44,600 Speaker 1: the trailer and heard the music and saw all the 764 00:39:44,680 --> 00:39:48,040 Speaker 1: imagery that I was like, oh man, they might actually 765 00:39:48,080 --> 00:39:50,640 Speaker 1: be onto something. So before I get into more about 766 00:39:50,680 --> 00:39:53,040 Speaker 1: Baby Girl, here's just a little bit of the trailer. 767 00:39:56,160 --> 00:39:58,840 Speaker 4: We're gonna do this. We need to set some rules 768 00:39:58,840 --> 00:40:01,879 Speaker 4: that you and I post agree on. Did you order 769 00:40:01,920 --> 00:40:06,440 Speaker 4: this starting with I tell you what to do when 770 00:40:06,480 --> 00:40:06,879 Speaker 4: you do it? 771 00:40:10,560 --> 00:40:12,600 Speaker 1: Funny fect out guys? 772 00:40:12,960 --> 00:40:15,200 Speaker 4: No, what get on your knees now? 773 00:40:17,880 --> 00:40:22,719 Speaker 1: Is that what you want. You're very young. I don't 774 00:40:22,719 --> 00:40:24,759 Speaker 1: want to argue. Oh my gosh, I feel like I 775 00:40:24,760 --> 00:40:26,960 Speaker 1: should get out of the room and leave them two together. 776 00:40:27,440 --> 00:40:31,320 Speaker 1: I wonder what Nicole Kidman looks for in a script. 777 00:40:31,360 --> 00:40:34,480 Speaker 1: Are these movies being pitched to her because they have 778 00:40:34,680 --> 00:40:37,719 Speaker 1: her in mind for these parts, or is she actively 779 00:40:37,800 --> 00:40:40,319 Speaker 1: seeking out these types of roles. You look back on 780 00:40:40,360 --> 00:40:45,240 Speaker 1: the movies and probably more in particular the limited series 781 00:40:45,280 --> 00:40:47,319 Speaker 1: that she's done, which I think she in the last 782 00:40:47,360 --> 00:40:50,160 Speaker 1: five years has done much better work in limited series 783 00:40:50,200 --> 00:40:53,360 Speaker 1: than she has in movies. I feel like the movies 784 00:40:53,360 --> 00:40:55,080 Speaker 1: she has done have been a little bit more of 785 00:40:55,120 --> 00:40:58,200 Speaker 1: a paycheck because she is at that status. She could 786 00:40:58,200 --> 00:41:00,760 Speaker 1: go in make fifteen twenty million dollars on a movie 787 00:41:01,120 --> 00:41:03,920 Speaker 1: because you bank on the Nicole Kidman name. And I 788 00:41:03,920 --> 00:41:07,400 Speaker 1: think where she's really shown how great of an actor 789 00:41:07,440 --> 00:41:10,279 Speaker 1: she is is on all these limited series, everything from 790 00:41:10,360 --> 00:41:14,640 Speaker 1: Nine Perfect Strangers, Lioness ex Pats, The Perfect Couple earlier 791 00:41:14,680 --> 00:41:16,879 Speaker 1: this year. Because if you look on the movie side, 792 00:41:16,920 --> 00:41:20,239 Speaker 1: in the last five years, she's done movies like The Goldfinch, Bombshell, 793 00:41:20,840 --> 00:41:24,160 Speaker 1: The Northman Being the Ricardos All Command in The Lost Kingdom. 794 00:41:24,400 --> 00:41:27,200 Speaker 1: She did a Family Affair on Netflix earlier this year. 795 00:41:27,640 --> 00:41:29,800 Speaker 1: So if I had to take Nicole Kidman in a 796 00:41:29,840 --> 00:41:33,000 Speaker 1: limited series versus Nicole Kidman in film, I would take 797 00:41:33,000 --> 00:41:35,400 Speaker 1: the limited series. But if you look at her characters 798 00:41:35,440 --> 00:41:38,560 Speaker 1: in those limited series, she always kind of goes for 799 00:41:38,680 --> 00:41:41,640 Speaker 1: roles like this, and she does them so well of 800 00:41:41,640 --> 00:41:45,880 Speaker 1: being this person who is so dominant, a true driving force, 801 00:41:45,960 --> 00:41:48,880 Speaker 1: but then also having relationships like this that are toxic 802 00:41:49,120 --> 00:41:52,040 Speaker 1: but are so intriguing. And I have to imagine that 803 00:41:52,080 --> 00:41:54,160 Speaker 1: a lot of these roles take a bit of a 804 00:41:54,200 --> 00:41:56,319 Speaker 1: toll on you as an actor to put yourself through 805 00:41:56,360 --> 00:41:59,799 Speaker 1: that mental anguish, And I just wonder where in her 806 00:42:00,400 --> 00:42:03,160 Speaker 1: does she go to to get these amazing performances that 807 00:42:03,239 --> 00:42:05,840 Speaker 1: she does. And I don't know if she's actively seeking 808 00:42:05,920 --> 00:42:08,080 Speaker 1: roles like this because she finds these to be the 809 00:42:08,120 --> 00:42:11,480 Speaker 1: most enjoyable, or directors know in order to have these 810 00:42:11,520 --> 00:42:14,440 Speaker 1: stories really come to life, they need Nicole Kidman to 811 00:42:14,480 --> 00:42:17,880 Speaker 1: portray this character. Living in Nashville, I've actually seen Nicole 812 00:42:17,960 --> 00:42:21,160 Speaker 1: Kidman around town in the most random places. I think 813 00:42:21,200 --> 00:42:23,200 Speaker 1: both of them have been at the Mall in different 814 00:42:23,280 --> 00:42:25,640 Speaker 1: locations of the mall. But the thing about her is 815 00:42:25,640 --> 00:42:28,640 Speaker 1: she is so nonchalant. When you run into her, you 816 00:42:28,680 --> 00:42:31,120 Speaker 1: wouldn't even know. Because sometimes you see people out in 817 00:42:31,120 --> 00:42:33,880 Speaker 1: public and they look famous. They're dressed a certain way, 818 00:42:34,080 --> 00:42:37,160 Speaker 1: they have people around them, and you can just tell. 819 00:42:37,280 --> 00:42:39,560 Speaker 1: Maybe I don't know exactly what I know them from, 820 00:42:39,719 --> 00:42:41,960 Speaker 1: but I can tell that that person is famous. When 821 00:42:41,960 --> 00:42:45,080 Speaker 1: I've seen Nicole Kidman out, she looks just like everybody else. 822 00:42:45,120 --> 00:42:47,239 Speaker 1: She sticks to her own lane. She doesn't make a 823 00:42:47,239 --> 00:42:49,560 Speaker 1: big fuss out of anything, and it looks like just 824 00:42:49,680 --> 00:42:53,120 Speaker 1: running into anybody, maybe your friend, your neighbor out at 825 00:42:53,120 --> 00:42:57,320 Speaker 1: the mall, but it's Nicole Kidman, Academy Award winning Nicole Kidman, 826 00:42:57,600 --> 00:42:59,600 Speaker 1: just doing some shopping at the mall. Now, she has 827 00:42:59,640 --> 00:43:01,959 Speaker 1: a much larger bank account to work with than any 828 00:43:02,000 --> 00:43:04,120 Speaker 1: of us. While shopping at the mall, I don't really 829 00:43:04,160 --> 00:43:05,920 Speaker 1: think she needs to look at price tags, even though 830 00:43:05,920 --> 00:43:08,120 Speaker 1: that story came out that she prefers to drive her 831 00:43:08,160 --> 00:43:11,520 Speaker 1: SuPAR Rue over the Lamborghini that her husband, Keith Urban 832 00:43:11,560 --> 00:43:13,799 Speaker 1: bought her, which is another wild thing because I've seen 833 00:43:13,800 --> 00:43:16,400 Speaker 1: them both out together, and you have one a list 834 00:43:16,520 --> 00:43:19,759 Speaker 1: movie star on the right, flash TV star, and one 835 00:43:19,800 --> 00:43:22,359 Speaker 1: a list country star on the left, And really, when 836 00:43:22,400 --> 00:43:25,080 Speaker 1: you see them together. The only defying factor that you 837 00:43:25,080 --> 00:43:27,719 Speaker 1: can tell that they are famous is Keith Urban's tattoos 838 00:43:28,000 --> 00:43:30,400 Speaker 1: make them look famous. So I just find it crazy 839 00:43:30,680 --> 00:43:33,760 Speaker 1: that their level of famous so high and they seem 840 00:43:33,800 --> 00:43:36,600 Speaker 1: to be so low maintenance when just hanging out in public. 841 00:43:36,800 --> 00:43:38,600 Speaker 1: So back to the movie Baby Girl, which is coming 842 00:43:38,640 --> 00:43:41,839 Speaker 1: out on Christmas Day, an erotic thriller on Christmas Day. 843 00:43:41,880 --> 00:43:45,280 Speaker 1: Who would have thought, especially with this holiday season being 844 00:43:45,640 --> 00:43:49,279 Speaker 1: so so competitive with Sonic and The Lion King. This 845 00:43:49,320 --> 00:43:52,160 Speaker 1: is almost the counter programming to that. Because I have 846 00:43:52,280 --> 00:43:55,759 Speaker 1: great memories of going to the movie theater around Christmas time. 847 00:43:56,200 --> 00:43:57,880 Speaker 1: There is a warmth to it. I think when you're 848 00:43:57,920 --> 00:44:00,480 Speaker 1: hanging around your family for more time than you're probably 849 00:44:00,600 --> 00:44:03,640 Speaker 1: used to around the holidays, the movies are a good escape, 850 00:44:03,640 --> 00:44:05,760 Speaker 1: and there's just the feeling of going to the movie 851 00:44:05,760 --> 00:44:09,160 Speaker 1: and watching something where the world has kind of slowed down. 852 00:44:09,560 --> 00:44:12,160 Speaker 1: Hopefully you're enjoying some time off and you can go 853 00:44:12,200 --> 00:44:14,840 Speaker 1: and relax and watch a movie. And this is not 854 00:44:14,960 --> 00:44:17,160 Speaker 1: something I'm used to going to see around that time 855 00:44:17,200 --> 00:44:19,640 Speaker 1: of year, something that's probably gonna get my blood boiling 856 00:44:19,680 --> 00:44:22,000 Speaker 1: a little bit, because by the looks of this trailer 857 00:44:22,000 --> 00:44:24,480 Speaker 1: of Nicole Kinman's character going behind the back of her 858 00:44:24,560 --> 00:44:28,040 Speaker 1: husband this dude showing up at her house. I feel 859 00:44:28,080 --> 00:44:30,640 Speaker 1: like there's going to be a lot of good cringe 860 00:44:30,960 --> 00:44:33,200 Speaker 1: those moments where you're like, oh, man, I can't believe 861 00:44:33,239 --> 00:44:35,840 Speaker 1: this is happening, but I cannot look away. And Nicole 862 00:44:35,920 --> 00:44:39,080 Speaker 1: Kidman does not shy away from taking very steamy roles, 863 00:44:39,200 --> 00:44:41,200 Speaker 1: and just by the looks of this trailer, it looks 864 00:44:41,239 --> 00:44:44,279 Speaker 1: like her and Harris Dickison have some very great chemistry, 865 00:44:44,520 --> 00:44:47,799 Speaker 1: which is really how you sell this movie anything where 866 00:44:47,800 --> 00:44:50,880 Speaker 1: you're really needing as the audience to buy into the romance, 867 00:44:50,920 --> 00:44:54,000 Speaker 1: you have to buy into that chemistry. Last holiday season, 868 00:44:54,080 --> 00:44:57,400 Speaker 1: it was Sunny Sweeney and Glenn Powell completely keeping everybody 869 00:44:57,480 --> 00:44:59,720 Speaker 1: on their toest thinking are they together? Are they not together? 870 00:45:00,000 --> 00:45:03,400 Speaker 1: Completely selling that movie and giving that movie a big 871 00:45:03,440 --> 00:45:05,440 Speaker 1: life in theaters and even more so once it went 872 00:45:05,440 --> 00:45:07,600 Speaker 1: to streaming. I don't know that Baby Girl is going 873 00:45:07,680 --> 00:45:09,640 Speaker 1: to be one that everybody's going to be rushing to 874 00:45:09,680 --> 00:45:11,960 Speaker 1: watch around the holiday season. But if there is a 875 00:45:12,040 --> 00:45:14,440 Speaker 1: name that could do that in a role like this 876 00:45:14,640 --> 00:45:17,560 Speaker 1: that I think people are now starting to associate her 877 00:45:17,560 --> 00:45:20,240 Speaker 1: with more, I think it could be Nicole Kidman. Again. 878 00:45:20,239 --> 00:45:23,760 Speaker 1: Baby Girl is coming out this Christmas on December twenty fifth. 879 00:45:24,400 --> 00:45:28,279 Speaker 2: At that was this week's edition of Movie by Tram or. 880 00:45:28,360 --> 00:45:31,200 Speaker 1: Bar and that is gonna do it for another episode 881 00:45:31,280 --> 00:45:33,800 Speaker 1: here of the podcast. But before I go, I gotta 882 00:45:33,800 --> 00:45:36,640 Speaker 1: give my listeners shout out of the week, and this 883 00:45:36,719 --> 00:45:39,680 Speaker 1: week it is a collective shout out to the movie crew. 884 00:45:40,360 --> 00:45:43,200 Speaker 1: Thank you all for voting in the awards for the 885 00:45:43,239 --> 00:45:47,080 Speaker 1: best Podcast in Nashville. We came in three guys. That's 886 00:45:47,120 --> 00:45:49,160 Speaker 1: pretty good. I'll take it. We did win a couple 887 00:45:49,160 --> 00:45:51,640 Speaker 1: of years ago in twenty twenty two, taking home first 888 00:45:51,840 --> 00:45:54,879 Speaker 1: place for best Podcast, but twenty twenty four, I'll take 889 00:45:54,920 --> 00:45:57,000 Speaker 1: third place. I'm kind of in that place of I'm 890 00:45:57,080 --> 00:46:00,279 Speaker 1: just happy to be on the podium because I would 891 00:46:00,320 --> 00:46:03,239 Speaker 1: have loved to been up there at number one. But 892 00:46:03,320 --> 00:46:05,520 Speaker 1: if we would have landed in number two, I would 893 00:46:05,560 --> 00:46:07,719 Speaker 1: have felt like, man, we were so close to number one? 894 00:46:07,800 --> 00:46:09,560 Speaker 1: How many more votes do we need? Could I have 895 00:46:09,560 --> 00:46:11,359 Speaker 1: talked about it more, promoted it more, and got us 896 00:46:11,360 --> 00:46:13,520 Speaker 1: the number one? But coming in at number three, I'm like, 897 00:46:13,520 --> 00:46:15,960 Speaker 1: you know what, I'm just glad we're here because if 898 00:46:16,000 --> 00:46:18,800 Speaker 1: I would have looked at the list and it wouldn't 899 00:46:18,800 --> 00:46:20,640 Speaker 1: have been listed. I would have felt like, oh man, 900 00:46:21,239 --> 00:46:23,600 Speaker 1: this sucks. Maybe it's time to close up shops. So 901 00:46:23,960 --> 00:46:26,440 Speaker 1: happy to be on the podium. You're listening to and 902 00:46:26,520 --> 00:46:29,200 Speaker 1: are a part of the third best podcast in Nashville. 903 00:46:29,320 --> 00:46:32,600 Speaker 1: So thank you everybody for voting, everybody for listening, for 904 00:46:32,680 --> 00:46:36,320 Speaker 1: telling a friend, for being subscribed, coming here on release 905 00:46:36,400 --> 00:46:39,640 Speaker 1: day which is Mondays or maybe Tuesday, Wednesday, Thursday, whenever 906 00:46:39,680 --> 00:46:42,120 Speaker 1: you have time. It means the world to me, So 907 00:46:42,160 --> 00:46:44,480 Speaker 1: thank you from the bottom and the depths of my 908 00:46:44,560 --> 00:46:47,680 Speaker 1: heart and bowels. And until next time, go out and 909 00:46:47,760 --> 00:46:50,520 Speaker 1: watch good movies and I will talk to you later.