WEBVTT - 50 Cent and Rotimi Interview

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<v Speaker 1>Realty for Real celebrity joined the Breakfast Morning. Everybody is

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<v Speaker 1>DJ M v Angela Ye Sholamine God. We are the

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<v Speaker 1>Breakfast Club special guests in the building this morning. We

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<v Speaker 1>got fifty cents and from Power. I don't want to

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<v Speaker 1>say your name wrong, rod Timmy, tim Timmy, Sir? Did

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<v Speaker 1>he about this? What did he say? You can come

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<v Speaker 1>to don't bring no he said, don't bring no bottles,

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<v Speaker 1>don't bring no shirts with no no no bottle information

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<v Speaker 1>on it. Oh you got okay, okay, fifty cents here

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<v Speaker 1>we got one. We don't write the check out. Well,

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<v Speaker 1>now what's going on? Fifth man? Everything's good man. I

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<v Speaker 1>got a chance to work with Roald Timmy and he

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<v Speaker 1>played my young boy on on on on the Power Show,

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<v Speaker 1>like I met him in jail and he got out

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<v Speaker 1>before me, like I had got knock off his young boy.

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<v Speaker 1>You know a lot of youth culture, the way things

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<v Speaker 1>are all on the street is they don't really have consequence.

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<v Speaker 1>You're thinking, there's a lot of wet pillows in prison.

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<v Speaker 1>The crime about it, after the fact, assess it, you

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<v Speaker 1>know what I'm saying. But when they out on the

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<v Speaker 1>street and active, they torpedoes all they needed coordinates. But congratulations.

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<v Speaker 1>We were talking about the second season premiere and how

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<v Speaker 1>it broke all kinds of records on stars for original series, right,

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<v Speaker 1>but Angela were expecting that, we were expecting success. I

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<v Speaker 1>was like this from the very beginning when I was

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<v Speaker 1>talking Courtney, I was like, this is going watch what happens.

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<v Speaker 1>Like I intentionally put us in at odge with because

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<v Speaker 1>of the marketing dollars. I knew Fox was going to

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<v Speaker 1>spa over the time period. You know, it's commercial network.

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<v Speaker 1>They could put you s. Look how many covers and

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<v Speaker 1>how many different things you've seen in their cast the

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<v Speaker 1>lawn after the fact. You know they spend good money

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<v Speaker 1>on it because it's in everyone's television programming without them

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<v Speaker 1>ordering cable, right. You know that's one of your strategies though,

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<v Speaker 1>Like whenever you got something coming, you picked the thing

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<v Speaker 1>that's the top, top thing and go at it. I

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<v Speaker 1>gotta go after Puff with the you know, because his

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<v Speaker 1>positions number two in the category, and I don't care

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<v Speaker 1>you know how anyone feels about it. It's my strategist

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<v Speaker 1>the way I was taught to do things like okay,

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<v Speaker 1>because you didn't notice and you missed the messaging points

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<v Speaker 1>over the last twelve years, I sold drugs, and when

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<v Speaker 1>you when you tell drugs, we could acquire your your company,

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<v Speaker 1>the corporate decisions made while in that lifestyle. You could

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<v Speaker 1>kill someone to acquire that position. So you take it

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<v Speaker 1>to the corporate I will kill you, just not literally, Yeah,

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<v Speaker 1>it's just you know, but I take it there, and

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<v Speaker 1>then it gives you additional energy and drive to go

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<v Speaker 1>in the direction you need to. Strategically speaking, would you

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<v Speaker 1>say that's why you and Floyd maybe had a little

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<v Speaker 1>bit of a tiff. I supposed to Floyd, you know

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<v Speaker 1>what I mean previously when you started your boxing promotions,

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<v Speaker 1>and maybe that's oh no, no, that wasn't you know

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<v Speaker 1>what happened with me in Florida. He just decided he

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<v Speaker 1>wanted to do something else. And he's conditioned because he

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<v Speaker 1>does what he wants when he wants. He just did

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<v Speaker 1>something else without warning, like gonna let me know what

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<v Speaker 1>he was doing. And I'm mad at that. And you know,

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<v Speaker 1>like when you're in a position where you can get

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<v Speaker 1>thirty million dollars a fight and spend thirty million getting

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<v Speaker 1>thirty million, and it don't matter in this because you

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<v Speaker 1>can consistently win, like that. Um, it's tough to give

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<v Speaker 1>a person any type of directions or tell him anything.

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<v Speaker 1>Let's let's let's talk more about power man. You know,

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<v Speaker 1>first of all, be half on behalf of men everywhere.

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<v Speaker 1>We want to thank you because I heard that is

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<v Speaker 1>gonna show her time. Wait ever, so fur we're gonna

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<v Speaker 1>loop that. Everiso four, We're gonna loop that and let

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<v Speaker 1>that play on stars and the loop. See what's going

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<v Speaker 1>on here? How did you make that happen? And did

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<v Speaker 1>you remember that happened? I? Yeah, man, I was like this,

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<v Speaker 1>this is artistic. This is the point where you take

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<v Speaker 1>it to the next level. But you know, I never

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<v Speaker 1>was waiting for I felt like we anticipating a sex take.

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<v Speaker 1>We might have to luke that. Let that be say

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<v Speaker 1>you have to talk to mellow about that, because you

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<v Speaker 1>were mellow cool. Yeah no, no, no, I didn't say

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<v Speaker 1>anything to him because I was like, man, this is something,

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<v Speaker 1>this is a different thing, like this is between you

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<v Speaker 1>and your wife. I shouldn't be any personal. I was

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<v Speaker 1>talking a lot, you know what the side like, yo,

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<v Speaker 1>look you should do creatively, you should really go already. Yeah,

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<v Speaker 1>it was there, it was there, It was written and

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<v Speaker 1>they had like like I got a scene with my

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<v Speaker 1>baby mother. Didin't meet her yet on the show, but

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<v Speaker 1>you see, like I come into it, and then my

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<v Speaker 1>character is a little different because I don't want to

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<v Speaker 1>have that. I didn't even want Sean when we had them,

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<v Speaker 1>my son, because I didn't want the vulnerability connected to

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<v Speaker 1>you know, having a word about someone else, those things

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<v Speaker 1>and just just came in so far into the lifestyle.

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<v Speaker 1>They're just like I don't need anything that I can't

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<v Speaker 1>walk away from or you know, it would make me

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<v Speaker 1>softer than a different one. Now is it true that

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<v Speaker 1>you were gonna play ghost what you decided not to? Well,

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<v Speaker 1>I was so invested in the actual storyline at one

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<v Speaker 1>point that I was like, look, it's definitely easier sell

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<v Speaker 1>for me to go in and saying I would actually

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<v Speaker 1>play the character. And I was like, you know, I'll

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<v Speaker 1>play Ghosts because I just was so like and I

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<v Speaker 1>was losing Courtney at one point she was like, uh,

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<v Speaker 1>it's been taking time like this. I kind of got

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<v Speaker 1>to focus on that just that and it was like, look,

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<v Speaker 1>i'll play I'll do it. And this is then we

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<v Speaker 1>got picked up and it was like the requite too much,

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<v Speaker 1>like you know, the networks, and it is for MARII

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<v Speaker 1>because it's a lot, a lot of work. I feel

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<v Speaker 1>like your character's gonna get killed on the show Man.

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<v Speaker 1>He's just so grimy. I just can't see him living

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<v Speaker 1>past this season. I know. The only thing holding him

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<v Speaker 1>into the show is me. Guys got picked up for

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<v Speaker 1>season three though, yeah, yeah, this is gonna go for

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<v Speaker 1>at least seven seasons. It'll be on for you know,

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<v Speaker 1>quite some time. I just I think that, you know,

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<v Speaker 1>like when you say, like they go, you got picked

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<v Speaker 1>up for season three, I go, you're surprised. I mean,

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<v Speaker 1>it's the largest show on their network period. So he's like,

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<v Speaker 1>you're gonna get rid of the largest show on your network.

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<v Speaker 1>I don't even had stars before Power really did. And

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<v Speaker 1>after the show goes off, I don't care if you

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<v Speaker 1>if you can't, you can, we can wait until the

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<v Speaker 1>show is coming back. How deeper y'a all into the seasons?

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<v Speaker 1>Are you already like ahead? This is This is a

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<v Speaker 1>big part of the how they do the story telling,

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<v Speaker 1>because if they know that they're going that Courtney is

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<v Speaker 1>really in season five, like as far as the art

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<v Speaker 1>already written those things, and then it's like going to

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<v Speaker 1>create the details of season three and then I'll be

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<v Speaker 1>making requests because I need to see and field things

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<v Speaker 1>that I know the coaching needs. Yeah, I'm waiting to

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<v Speaker 1>see the Tory and La La beat up Angela. Oh

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<v Speaker 1>it's a good So different things got to happen side check.

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<v Speaker 1>Like you look, they always get into the main chick

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<v Speaker 1>sidegeck thing. But if the main chick is conditioned for

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<v Speaker 1>something that was a party of life, that if you

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<v Speaker 1>make it to the roof of what you can do

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<v Speaker 1>in that business, and she just wants it to stay

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<v Speaker 1>the way it is, and you're going, it's never it

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<v Speaker 1>never ends good. So you're going, we got to try

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<v Speaker 1>something different, and she's like turning the nose up at

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<v Speaker 1>what you choose to go on day. Actually, then you

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<v Speaker 1>start to look at it like maybe she wasn't all

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<v Speaker 1>the way the right person, you know what I mean,

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<v Speaker 1>Like it definitely was the right person to go on

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<v Speaker 1>that journey as far as the legal business was concerned.

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<v Speaker 1>But now that you're starting to feel like we have

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<v Speaker 1>the roof of it, what happens next? Because his wife

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<v Speaker 1>is really doesn't want to see him progress do anything else,

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<v Speaker 1>just stay where I just wanted to be the way

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<v Speaker 1>it is, she's comfortable you see you this way. I

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<v Speaker 1>don't want you to turn into position like when it

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<v Speaker 1>was like no, we want you to stay bull. You

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<v Speaker 1>can't be fifteen forget this rap. You know what this?

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<v Speaker 1>I think when when in the lifestyle itself, you can

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<v Speaker 1>feel like you create a false sense of security because

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<v Speaker 1>if they like they got bills or got issues, you're

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<v Speaker 1>let Nana, I got it, and you don't really know

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<v Speaker 1>that you got it. You're just saying I'm gonna take

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<v Speaker 1>care of it. Then I'm willing to take care of

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<v Speaker 1>it for you at this issue. And then you get

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<v Speaker 1>out on the street and you do what you can do,

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<v Speaker 1>and a lot of times you make things happen, you

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<v Speaker 1>can come back and really take care of it. But

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<v Speaker 1>it is a false sense because it doesn't there's nothing

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<v Speaker 1>guaranteed to say that you're gonna be able to do that, right,

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<v Speaker 1>you know? And I think and that that's where that

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<v Speaker 1>translates the same A lot they don't know about well

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<v Speaker 1>Timmy is he was actually supposed to be on Empire. Really, yeah,

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<v Speaker 1>you look like one of Lucier's kids. You can sing,

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<v Speaker 1>you can sing, yeah, yeah, yeah. But so that was

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<v Speaker 1>why it made sense for me to do the show.

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<v Speaker 1>At first, it was down to me, Quincy and Yazz actually,

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<v Speaker 1>and then Quincy dropped out and it was down to me. Yas. Yeah,

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<v Speaker 1>his Puffy Carson was like, how are you gonna let

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<v Speaker 1>them take your publishing? That? I take people down to

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<v Speaker 1>me and Yeas And at the time they're telling me,

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<v Speaker 1>I got it shows you're gonna be you know, you're

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<v Speaker 1>the guy. So I started looking for places in Chicago.

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<v Speaker 1>I was, you know, signing on my lease and everything,

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<v Speaker 1>and I was having meetings with you know, networks and

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<v Speaker 1>stuff like that. So it got to the point where

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<v Speaker 1>I was turning down offers from other shows because I

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<v Speaker 1>thought I was gonna be on. They told you you

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<v Speaker 1>had the Empire role basically, and you were willing to

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<v Speaker 1>sign over your publishing and everything. Well that was before

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<v Speaker 1>I knew really what was going on. Yeah, before all that.

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<v Speaker 1>So it was just word talking to me, you know,

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<v Speaker 1>the network saying this mind you know. And then I

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<v Speaker 1>turned down a couple of things because it was a

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<v Speaker 1>perfect situation. Well he has Star Wars, yeah, and I

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<v Speaker 1>have Star Wars. I was like, there was like the

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<v Speaker 1>fifth time to them back, the fifth time to call

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<v Speaker 1>me back and there was just another another, another network.

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<v Speaker 1>So turned it down. But I mean it worked out,

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<v Speaker 1>worked out. Is it worth signing you're publishing over No,

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<v Speaker 1>not as a musician, if you really believe me yourself,

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<v Speaker 1>I mean, if you if you really believe it's it

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<v Speaker 1>was not worth doing that. But if they asked you

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<v Speaker 1>to play the gay cent on, it does look something's

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<v Speaker 1>a really tough. Yeah. I don't think I played a

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<v Speaker 1>drug dealer gangster who will kill anybody for character. The

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<v Speaker 1>last a couple of weeks ago, we've seen me before

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<v Speaker 1>fifth on stage with somebody that you didn't get along with.

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<v Speaker 1>The last time we've seen that, it was altercation. So

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<v Speaker 1>when I seen fifty cent performing next to French Montan,

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<v Speaker 1>I thought it was yeah, that was that was like

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<v Speaker 1>I was doing the dance, it's a new dance called

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<v Speaker 1>the shot, Big Shock, Little Fish. I seen it was like,

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<v Speaker 1>this is my way of making him uncomfortable, because that's

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<v Speaker 1>what he does. Did you have a conversation you just

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<v Speaker 1>now we were into each other backstage, like French he

0:10:47.320 --> 0:10:49.000
<v Speaker 1>used to be around like like when I did that

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<v Speaker 1>back in the days, had a psychic told me and

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<v Speaker 1>he recorded he definitely like so it's like you know time,

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<v Speaker 1>It's like I go even whip the puffy, like I'm

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<v Speaker 1>saying those things people misinterpreted if they don't know. I

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<v Speaker 1>don't care if they misinterpreted anymore. Like I look at

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<v Speaker 1>it and I go, whoever's in the top position or

0:11:08.960 --> 0:11:12.240
<v Speaker 1>in the league position, I make that competition. But then

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<v Speaker 1>myself with that because I'm I'm gonna position to myself

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<v Speaker 1>well in the category regardlessly. So it's like, I mean,

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<v Speaker 1>if you're losing markets year and you see me gaining,

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<v Speaker 1>you understand why, and no, tell him to tech the numbers.

0:11:23.880 --> 0:11:26.600
<v Speaker 1>He's losing Monkets year and I'm gaining, You don't like

0:11:27.880 --> 0:11:31.319
<v Speaker 1>just in that position he's done other thing? Student makes

0:11:31.320 --> 0:11:36.880
<v Speaker 1>me kind of situation. See he look, he knows the

0:11:36.880 --> 0:11:39.400
<v Speaker 1>old thing. Like the guys. Its points that we could

0:11:39.400 --> 0:11:42.000
<v Speaker 1>have easily, I could have easily transitioned to make money

0:11:42.000 --> 0:11:44.199
<v Speaker 1>on different things. Did he turn his nose up back?

0:11:44.240 --> 0:11:47.960
<v Speaker 1>Because I think it was ego, you know, it felt

0:11:48.000 --> 0:11:50.520
<v Speaker 1>like it was losing something that was that he built

0:11:50.600 --> 0:11:53.360
<v Speaker 1>or did he you know, but the deal making you

0:11:53.400 --> 0:11:55.199
<v Speaker 1>ain't never gonna have. Nobody says, okay, okay, I'll give

0:11:55.200 --> 0:11:59.760
<v Speaker 1>away my my my profits, so you're gonna let me

0:12:00.080 --> 0:12:01.959
<v Speaker 1>pretty much. What Jimmy was saying at that point was

0:12:01.960 --> 0:12:04.439
<v Speaker 1>he gonna give me the money and I have the profits,

0:12:05.480 --> 0:12:08.080
<v Speaker 1>not fifty percent of it. I can have his portion

0:12:08.160 --> 0:12:12.520
<v Speaker 1>that problem and we couldn't make it. Yep, you know.

0:12:12.559 --> 0:12:19.280
<v Speaker 1>So I'm like, yeah, yeah, you know, you know I

0:12:19.600 --> 0:12:23.600
<v Speaker 1>get said. He was like yeah, basically all the way

0:12:23.760 --> 0:12:28.120
<v Speaker 1>we heard to mix tapes. I didn't realize that I've

0:12:28.120 --> 0:12:32.040
<v Speaker 1>been saying it for so long though it's been a while.

0:12:32.080 --> 0:12:33.520
<v Speaker 1>I remember the mixed I Camember with the name of

0:12:33.559 --> 0:12:34.800
<v Speaker 1>but she was on the album couple went to the

0:12:34.840 --> 0:12:37.800
<v Speaker 1>shovel in the Graveyard or something, yeah, And I was

0:12:37.840 --> 0:12:42.319
<v Speaker 1>like that, man, I don't like him. We can started

0:12:42.320 --> 0:12:44.720
<v Speaker 1>to come over like because and it's not personal like

0:12:45.520 --> 0:12:48.680
<v Speaker 1>other people help it, like James Cruise and them. You know,

0:12:48.920 --> 0:12:50.599
<v Speaker 1>I don't like them. He's another one. I seen it

0:12:50.640 --> 0:12:53.360
<v Speaker 1>on stage. Used to work with him, yeah, because he

0:12:53.400 --> 0:12:56.200
<v Speaker 1>worked with Chris Lden and stuff like that. And I

0:12:56.280 --> 0:12:58.120
<v Speaker 1>used to be really cool that you should travel with me,

0:12:58.480 --> 0:13:01.000
<v Speaker 1>you know what I'm saying. But the stuff, the temperament

0:13:01.120 --> 0:13:04.720
<v Speaker 1>makes me not really helly flip floppy, like you go

0:13:04.760 --> 0:13:06.520
<v Speaker 1>back and forth you don't have to choose people, like

0:13:06.720 --> 0:13:08.760
<v Speaker 1>if you have a relationship with one person, I look

0:13:08.800 --> 0:13:10.600
<v Speaker 1>at it. I just I don't expect people to go

0:13:10.960 --> 0:13:14.720
<v Speaker 1>because of my relationship with you. When I go over here,

0:13:15.160 --> 0:13:18.120
<v Speaker 1>I'm gonna be someone different or behave differently. You know

0:13:18.160 --> 0:13:19.520
<v Speaker 1>what I'm saying. You can say, look, well you know

0:13:19.559 --> 0:13:21.640
<v Speaker 1>I have a relationship with them is It doesn't mean

0:13:21.640 --> 0:13:24.880
<v Speaker 1>that you one completely phases out the other. It just

0:13:25.440 --> 0:13:29.439
<v Speaker 1>people know how to position themselves where they're not creating

0:13:29.440 --> 0:13:31.480
<v Speaker 1>that ripple where you don't feel like you did this

0:13:31.520 --> 0:13:33.719
<v Speaker 1>person now that you go over there. But if you

0:13:33.800 --> 0:13:36.360
<v Speaker 1>have somebody working for you that you know used to

0:13:36.400 --> 0:13:37.760
<v Speaker 1>work with somebody else that you don't get along with,

0:13:37.840 --> 0:13:40.000
<v Speaker 1>I'm sure you wouldn't want them to Still, I don't

0:13:40.040 --> 0:13:43.120
<v Speaker 1>even bring them in the room right when I'll start

0:13:43.200 --> 0:13:45.439
<v Speaker 1>when I have an issue, Well, I'm addressing that person.

0:13:45.760 --> 0:13:48.360
<v Speaker 1>If they previously they don't put them in that position,

0:13:48.720 --> 0:13:50.000
<v Speaker 1>you know what I'm saying. But if they felt like

0:13:50.040 --> 0:13:53.520
<v Speaker 1>they got the like some sort of allegiance or some

0:13:53.559 --> 0:13:55.920
<v Speaker 1>sort of loyalty to that person, now then you go okay.

0:13:55.960 --> 0:13:57.480
<v Speaker 1>But then when I see them, I don't feel at energy.

0:13:57.520 --> 0:14:01.440
<v Speaker 1>I feel like they're almost afraid of of my actions

0:14:01.520 --> 0:14:03.360
<v Speaker 1>or what how I would receive some of the things

0:14:03.360 --> 0:14:05.960
<v Speaker 1>that they've been doing. You know, guys uncomfortable from what

0:14:05.960 --> 0:14:08.760
<v Speaker 1>they said they was gonna do, you know what I mean,

0:14:08.800 --> 0:14:11.120
<v Speaker 1>Like when they see you and it's like why do

0:14:11.160 --> 0:14:13.959
<v Speaker 1>you feel like why are you so uncomfortable? Don't grudge,

0:14:14.440 --> 0:14:16.400
<v Speaker 1>but you've been saying you're gonna do something, or you've

0:14:16.400 --> 0:14:20.880
<v Speaker 1>been saying things that make you uncomfortable internally when you

0:14:20.920 --> 0:14:22.680
<v Speaker 1>see the person. You know what I'm saying. And that's

0:14:22.720 --> 0:14:24.800
<v Speaker 1>that's where I kind of get from because I don't

0:14:25.400 --> 0:14:27.680
<v Speaker 1>like him. I ran into him his wife and his

0:14:27.760 --> 0:14:32.040
<v Speaker 1>kids at the summer Jack and I love his daughters,

0:14:32.080 --> 0:14:35.000
<v Speaker 1>like the kids don't. They don't have no bad in them,

0:14:35.080 --> 0:14:37.600
<v Speaker 1>you know what I'm saying. And when his wife it's like,

0:14:37.600 --> 0:14:40.240
<v Speaker 1>oh no, not like shit, I didn't want to take

0:14:40.280 --> 0:14:42.240
<v Speaker 1>a picture. I'm like, we didn't get the from over here.

0:14:42.320 --> 0:14:45.760
<v Speaker 1>And like him, I just say how the kid if

0:14:45.760 --> 0:14:47.800
<v Speaker 1>I said your kid at that point, or don't even

0:14:47.840 --> 0:14:49.920
<v Speaker 1>say how that are like because it just it just

0:14:49.960 --> 0:14:54.400
<v Speaker 1>felt funny that and I think on my the way

0:14:54.440 --> 0:14:58.200
<v Speaker 1>I took like her response to me is like right now, yeah,

0:14:58.200 --> 0:15:00.840
<v Speaker 1>his wife. Yeah, like it just felt like whatever he's

0:15:00.880 --> 0:15:02.640
<v Speaker 1>been saying to her, may I feel like that because

0:15:03.160 --> 0:15:05.200
<v Speaker 1>that's her husband, so she gotta ride with her husband. No, No,

0:15:05.240 --> 0:15:06.960
<v Speaker 1>I got that. I'm just saying to you, like I

0:15:06.960 --> 0:15:09.160
<v Speaker 1>don't have anything with him. Did he should be discussing

0:15:09.200 --> 0:15:12.000
<v Speaker 1>with his wife uncomfortable when she saw me. You old

0:15:12.200 --> 0:15:14.920
<v Speaker 1>grudges against New York executives because they didn't sign you

0:15:14.960 --> 0:15:16.840
<v Speaker 1>and they had the chance back in the day. But no,

0:15:16.920 --> 0:15:19.400
<v Speaker 1>I just didn't deal with them, like at the point

0:15:19.400 --> 0:15:22.000
<v Speaker 1>my peak point, I didn't run around and go, oh,

0:15:22.080 --> 0:15:24.920
<v Speaker 1>let's do a feature, let's work together, like they didn't

0:15:24.960 --> 0:15:26.600
<v Speaker 1>help me get in, and then you want me to

0:15:26.680 --> 0:15:29.520
<v Speaker 1>help you sell records. You know what I mean. I'm like,

0:15:29.960 --> 0:15:32.800
<v Speaker 1>I don't care like then. To be honest with you,

0:15:33.160 --> 0:15:35.280
<v Speaker 1>the things that happened to our culture based on Southern

0:15:35.320 --> 0:15:38.840
<v Speaker 1>based music coming in are cool. People start moving a

0:15:38.840 --> 0:15:41.400
<v Speaker 1>little more to the music, They dance like New York

0:15:41.400 --> 0:15:44.600
<v Speaker 1>when they love you, we get a bob and they

0:15:44.720 --> 0:15:47.440
<v Speaker 1>leave with the same passion you would have had for

0:15:47.480 --> 0:15:49.520
<v Speaker 1>the guy that took his shook his hair out and

0:15:49.600 --> 0:15:53.080
<v Speaker 1>sweated say he was crumped or whatever. And the energy

0:15:53.120 --> 0:15:56.400
<v Speaker 1>and the actual club and I'm like, I ain't got

0:15:56.440 --> 0:15:59.680
<v Speaker 1>nothing but a Yankee had. I'm all New York, you

0:15:59.680 --> 0:16:02.200
<v Speaker 1>know what saying. It's just what that changed it, and

0:16:02.200 --> 0:16:04.880
<v Speaker 1>it simplified things. It made it not as complex. Like

0:16:05.280 --> 0:16:07.240
<v Speaker 1>there was a point where he was writing stories backwards,

0:16:07.240 --> 0:16:10.520
<v Speaker 1>like in the funeral, Like I wrote on an animal ambition,

0:16:10.800 --> 0:16:13.040
<v Speaker 1>it starts at the funeral. Then I explained to you

0:16:13.080 --> 0:16:16.080
<v Speaker 1>how he got to his funeral. Nas was writing like

0:16:16.120 --> 0:16:18.800
<v Speaker 1>a movie started the end and then go back to

0:16:18.960 --> 0:16:21.760
<v Speaker 1>you know, go back to what happened. And like we

0:16:21.880 --> 0:16:24.720
<v Speaker 1>had got so complex in the story writing side of

0:16:24.800 --> 0:16:28.160
<v Speaker 1>things that, um, it started to kind of be like,

0:16:28.640 --> 0:16:33.040
<v Speaker 1>let me listen and understand the art versus just having

0:16:33.080 --> 0:16:35.440
<v Speaker 1>a good time. And I saw you speak up for

0:16:35.520 --> 0:16:37.560
<v Speaker 1>Troy you have on Instagram and everybody was going in

0:16:37.600 --> 0:16:41.040
<v Speaker 1>on them for selling forty records. What made you do that? Well?

0:16:41.080 --> 0:16:43.880
<v Speaker 1>You know, I like, I didn't wasn't sure I liked

0:16:43.920 --> 0:16:45.480
<v Speaker 1>Troy at first, because I was hearing a lot of

0:16:45.480 --> 0:16:49.280
<v Speaker 1>meat yeah, people were saying he was a you know yeah,

0:16:49.320 --> 0:16:52.800
<v Speaker 1>And then I go, I've been there for how long?

0:16:54.240 --> 0:16:56.520
<v Speaker 1>How many people did you hear that? This sounded like

0:16:56.560 --> 0:17:00.960
<v Speaker 1>big I'm saying, how many people sounded like Jay at

0:17:01.000 --> 0:17:04.000
<v Speaker 1>different points. Yo, they don't have that thing from their

0:17:04.040 --> 0:17:06.359
<v Speaker 1>favorite artist, and he's not copying, he's doing his version

0:17:07.240 --> 0:17:09.360
<v Speaker 1>of it. And now when you see the do do

0:17:09.119 --> 0:17:12.200
<v Speaker 1>do do do that record kind of sold me on him,

0:17:12.200 --> 0:17:13.639
<v Speaker 1>like I was like, I liked this and then you

0:17:13.680 --> 0:17:15.840
<v Speaker 1>did a song with him. Yeah, and you bring him

0:17:15.840 --> 0:17:17.960
<v Speaker 1>on tour with you, bang bang record. I bring him

0:17:17.960 --> 0:17:20.800
<v Speaker 1>out every did not then not tied up when I

0:17:20.840 --> 0:17:23.119
<v Speaker 1>when we I've been setting dates because you got to

0:17:23.160 --> 0:17:26.919
<v Speaker 1>go so far ahead and I'll let them, you know,

0:17:26.960 --> 0:17:29.760
<v Speaker 1>come on the tour. And Chris Lady who passed away,

0:17:29.760 --> 0:17:32.040
<v Speaker 1>his daughter has her own show. Yeah, I've seen her

0:17:32.119 --> 0:17:34.560
<v Speaker 1>drive in your car and she crashed your car. Yeah listen, no,

0:17:34.760 --> 0:17:38.800
<v Speaker 1>that wasn't Chris Ltdy's daughdos you have been upset what

0:17:38.800 --> 0:17:40.600
<v Speaker 1>I'm saying for him? Soon as I've seen the caption,

0:17:40.600 --> 0:17:42.879
<v Speaker 1>and I said, oh, but I've seen how old is she?

0:17:43.000 --> 0:17:46.760
<v Speaker 1>She's only she's the baby, Like what'st the name? She did,

0:17:47.000 --> 0:17:49.679
<v Speaker 1>We're going around the corner and she said, look, come

0:17:49.680 --> 0:17:52.200
<v Speaker 1>around the corner of the car and the guy but

0:17:52.320 --> 0:17:55.119
<v Speaker 1>it was really his fault as an uber driver. And

0:17:55.200 --> 0:17:59.040
<v Speaker 1>he opens like he's already double part and he opened

0:17:59.040 --> 0:18:03.560
<v Speaker 1>the door and just hit the bombers the middle. Then

0:18:03.600 --> 0:18:11.679
<v Speaker 1>you'll see to take because I because I was like, yo,

0:18:12.520 --> 0:18:14.560
<v Speaker 1>like man, I didn't see it coming right, you know,

0:18:14.640 --> 0:18:17.800
<v Speaker 1>And it was like it's funny though, I was like,

0:18:18.840 --> 0:18:20.800
<v Speaker 1>we just take. It was like the first segment of

0:18:21.040 --> 0:18:24.159
<v Speaker 1>Q tip is gonna take for also, and then she

0:18:24.359 --> 0:18:27.440
<v Speaker 1>like building her television show right here in the light,

0:18:27.680 --> 0:18:29.840
<v Speaker 1>you know. And then so I was up on and

0:18:29.920 --> 0:18:31.960
<v Speaker 1>went up on teams he like two seconds later. I

0:18:32.040 --> 0:18:34.639
<v Speaker 1>was like, who's here to see that? You get a

0:18:34.680 --> 0:18:36.640
<v Speaker 1>lot of money for them pictures? Man, yeah, they got

0:18:37.000 --> 0:18:38.840
<v Speaker 1>And then as soon as the guy, the guy from

0:18:38.920 --> 0:18:41.640
<v Speaker 1>the like from the card or he came and wanted

0:18:41.640 --> 0:18:43.879
<v Speaker 1>to take a picture, I was like, yeah, I mean

0:18:44.160 --> 0:18:46.520
<v Speaker 1>cool because she already had me in the space where

0:18:46.520 --> 0:18:50.520
<v Speaker 1>I was just I'm already in that headspace where everything's okay, cool,

0:18:50.560 --> 0:18:53.280
<v Speaker 1>whatever you want to do. So his insurance is handling it. No, no, no,

0:18:53.560 --> 0:18:56.480
<v Speaker 1>I took care of that. Ain't no ten thousand dollar fix.

0:18:59.200 --> 0:19:01.600
<v Speaker 1>People want to know who you tied up and put

0:19:01.680 --> 0:19:03.439
<v Speaker 1>a gun to in the double XL office to get

0:19:03.560 --> 0:19:05.639
<v Speaker 1>kick kid on the Oh I didn't do that. I

0:19:05.680 --> 0:19:10.399
<v Speaker 1>don't do that he really did. Look, he really did

0:19:10.520 --> 0:19:13.680
<v Speaker 1>that on his own and check this out. He's really

0:19:13.720 --> 0:19:17.119
<v Speaker 1>a freshman vet, you know, because he's been around, bumped around.

0:19:17.160 --> 0:19:19.560
<v Speaker 1>But that I tell him, I say, that's what my

0:19:19.720 --> 0:19:22.560
<v Speaker 1>career was like. Like not everyone gets to start when

0:19:22.600 --> 0:19:25.280
<v Speaker 1>they're ready, but when they do get into position the

0:19:25.400 --> 0:19:27.960
<v Speaker 1>right way, it just leaves them season. It's like a comedian.

0:19:28.720 --> 0:19:34.520
<v Speaker 1>Comedians are always overworked. They always have to be fine

0:19:34.600 --> 0:19:36.239
<v Speaker 1>tu him for so long that when they do get

0:19:36.320 --> 0:19:38.000
<v Speaker 1>the shot, like you'll see like having heart been around

0:19:38.040 --> 0:19:39.960
<v Speaker 1>for a minute. Then when he get in position, boom

0:19:40.520 --> 0:19:42.159
<v Speaker 1>and you see him and he'd be like, how are

0:19:42.160 --> 0:19:44.720
<v Speaker 1>they able to work this much? You know, like to

0:19:44.840 --> 0:19:47.480
<v Speaker 1>be on these shows and movies all at the same time.

0:19:47.680 --> 0:19:50.000
<v Speaker 1>It's because it's light work to him because he's been working.

0:19:50.040 --> 0:19:53.000
<v Speaker 1>Now he's been out and don't stand up in different

0:19:53.040 --> 0:19:56.280
<v Speaker 1>things Like I think that like comedians are like, it's

0:19:56.320 --> 0:20:00.200
<v Speaker 1>like fitness. You can't really miss a daylight, you know

0:20:00.240 --> 0:20:02.199
<v Speaker 1>what I'm saying. When you stay fine tuned and your

0:20:02.240 --> 0:20:04.800
<v Speaker 1>time and it is right, your thoughts move faster and

0:20:04.920 --> 0:20:07.520
<v Speaker 1>it's just and you just in pocket. I think where

0:20:07.880 --> 0:20:09.880
<v Speaker 1>you haven't been to the gym for a few weeks.

0:20:09.920 --> 0:20:13.320
<v Speaker 1>When you go back the workout, it feels abnormally tough

0:20:14.040 --> 0:20:15.920
<v Speaker 1>or harder like it it's just awful little bit, you

0:20:15.960 --> 0:20:18.399
<v Speaker 1>know what I mean. And then we see what happens.

0:20:18.400 --> 0:20:22.080
<v Speaker 1>It's still you know, overall funny people. But if they

0:20:22.119 --> 0:20:23.959
<v Speaker 1>haven't been out there, and then those circus, I think

0:20:24.040 --> 0:20:26.680
<v Speaker 1>that they're not ask because as they usually are. I

0:20:26.760 --> 0:20:28.760
<v Speaker 1>actually did kid kids dope. I just think that when

0:20:28.800 --> 0:20:31.880
<v Speaker 1>he's with the unit, people are used to hearing the unit.

0:20:31.960 --> 0:20:36.000
<v Speaker 1>They don't want And you know, look when I said,

0:20:36.040 --> 0:20:38.920
<v Speaker 1>I listened to the record just to line for line

0:20:38.960 --> 0:20:40.760
<v Speaker 1>on the record, and I go, no, that's right. Like

0:20:41.200 --> 0:20:42.760
<v Speaker 1>just like when you was picking the artists at the

0:20:42.840 --> 0:20:47.000
<v Speaker 1>very beginning, you go, can you wrap? Like no, you could?

0:20:47.040 --> 0:20:49.639
<v Speaker 1>This kid a rat? Like it's different guys that you

0:20:49.720 --> 0:20:51.680
<v Speaker 1>see them kind of pull themselves into the front a

0:20:51.720 --> 0:20:54.160
<v Speaker 1>little bit like they've been there as a little artist

0:20:54.280 --> 0:20:59.480
<v Speaker 1>like like fabulous, like uh, different guys like because these

0:20:59.560 --> 0:21:03.119
<v Speaker 1>are mixtape guys originally for me, like I hear him

0:21:03.160 --> 0:21:05.080
<v Speaker 1>on the clue table, you're him on the joint. And

0:21:05.119 --> 0:21:07.320
<v Speaker 1>then they started to emerge, pull out into the front

0:21:07.359 --> 0:21:10.680
<v Speaker 1>because then they're out working their PIDs, you know, and

0:21:11.400 --> 0:21:15.320
<v Speaker 1>you look and you go, Father's the the first guy

0:21:15.400 --> 0:21:18.119
<v Speaker 1>to call for R and B remix, you know what

0:21:18.160 --> 0:21:20.119
<v Speaker 1>I mean? Like that's who he was in the very beginning,

0:21:20.119 --> 0:21:22.200
<v Speaker 1>and then it bled over into him doing some things

0:21:22.280 --> 0:21:25.880
<v Speaker 1>that just dope, like that last uh comfing season record

0:21:26.480 --> 0:21:29.040
<v Speaker 1>that was a fifty cent record, Like in my head

0:21:29.119 --> 0:21:31.760
<v Speaker 1>like a debt, was like, oh this is it? Why

0:21:31.880 --> 0:21:34.639
<v Speaker 1>is this not the single? You know? And then I

0:21:34.800 --> 0:21:36.360
<v Speaker 1>ran into him at the Jewel I time I jump

0:21:36.440 --> 0:21:39.959
<v Speaker 1>on that right way because it was like I already

0:21:40.000 --> 0:21:42.399
<v Speaker 1>belonged on the record. You know that. What happened with

0:21:42.480 --> 0:21:44.440
<v Speaker 1>the with the boxing thing that you had, they said

0:21:44.440 --> 0:21:46.440
<v Speaker 1>they filed for bankruptcy. We watched the fight? Where was

0:21:46.480 --> 0:21:51.120
<v Speaker 1>that in Houston? We had that fight out Houston? Did

0:21:51.200 --> 0:21:56.240
<v Speaker 1>man out people? You know, it's cool about me being

0:21:56.920 --> 0:21:59.879
<v Speaker 1>a promoter Like people there's no sympathy for winners, right,

0:22:00.480 --> 0:22:04.080
<v Speaker 1>so they'd like to see you Louis at points and

0:22:04.200 --> 0:22:05.800
<v Speaker 1>our coaches out with the old end with the new.

0:22:06.600 --> 0:22:09.200
<v Speaker 1>You know, you've coached in general. So the significance in

0:22:09.320 --> 0:22:12.200
<v Speaker 1>being able to stay is understanding that. So if I'm

0:22:12.240 --> 0:22:14.440
<v Speaker 1>associated to a fighter, people pay more attention to it

0:22:15.160 --> 0:22:17.879
<v Speaker 1>because they love or they hate fifty cent and they'll go,

0:22:18.200 --> 0:22:21.480
<v Speaker 1>I want to see him lose because that's fifty cent fighter,

0:22:21.640 --> 0:22:25.359
<v Speaker 1>or I want to him win because and the more

0:22:25.400 --> 0:22:27.879
<v Speaker 1>passionate they are about them, the more people tune in.

0:22:28.000 --> 0:22:32.160
<v Speaker 1>Like like Floyd just showed the formula of the marketing

0:22:32.320 --> 0:22:35.600
<v Speaker 1>was pretty boy, Floyd didn't work. The Money Team money

0:22:35.680 --> 0:22:38.040
<v Speaker 1>may work because we said we got all the money

0:22:38.040 --> 0:22:40.080
<v Speaker 1>in the world in the middle of a recession, and

0:22:40.359 --> 0:22:42.920
<v Speaker 1>that was interesting, right, you know what I'm saying, And

0:22:43.240 --> 0:22:48.280
<v Speaker 1>you're tuning in just hate money, stack the money phones

0:22:49.200 --> 0:22:51.080
<v Speaker 1>and you know, and you know how this ends, don't you.

0:22:55.400 --> 0:22:57.879
<v Speaker 1>They're sitting there with that and you're going, like that

0:22:58.040 --> 0:23:01.640
<v Speaker 1>just works, and then like it works for Champion, don't

0:23:01.640 --> 0:23:04.600
<v Speaker 1>necessarily work for me overall. So I like, this is

0:23:04.600 --> 0:23:07.120
<v Speaker 1>why I started with the United Nation the World Food

0:23:07.160 --> 0:23:11.119
<v Speaker 1>Program thing, and then I started doing different things, you know,

0:23:11.240 --> 0:23:16.120
<v Speaker 1>I like what different organizations, you know, because I'm trying

0:23:16.160 --> 0:23:21.560
<v Speaker 1>to consistently to keep people understanding and I'm conscious of things,

0:23:21.640 --> 0:23:25.520
<v Speaker 1>you know, and a lot a lot of times, you know,

0:23:25.600 --> 0:23:27.600
<v Speaker 1>I do this on purpose of time running circles, so

0:23:28.000 --> 0:23:29.480
<v Speaker 1>I don't have to answer the question like many of

0:23:29.520 --> 0:23:34.879
<v Speaker 1>you ask me, how hold Tiffany. We know this is

0:23:35.040 --> 0:23:43.880
<v Speaker 1>skilled people, but but but I I look at it, Oh,

0:23:44.200 --> 0:23:46.679
<v Speaker 1>like I look at it like when when there's an

0:23:46.680 --> 0:23:50.920
<v Speaker 1>opportunity to do something that, um the people haven't seen,

0:23:51.520 --> 0:23:54.480
<v Speaker 1>I don't know, like something new, I should jump in

0:23:54.680 --> 0:23:56.680
<v Speaker 1>and go ahead and do it. Like people look when

0:23:56.680 --> 0:23:59.280
<v Speaker 1>they see me with fing and different things, they go, well,

0:23:59.480 --> 0:24:01.840
<v Speaker 1>I didn't see that coming, Like what made you decide

0:24:01.840 --> 0:24:04.040
<v Speaker 1>to do that? And I'm like, it makes perfect sense

0:24:04.119 --> 0:24:06.480
<v Speaker 1>for me at this point. But from the business and

0:24:06.560 --> 0:24:09.080
<v Speaker 1>they say, I saw a story with SMS olds you

0:24:09.160 --> 0:24:13.200
<v Speaker 1>two point three million. Yeah, because look, I'm not really

0:24:13.240 --> 0:24:16.679
<v Speaker 1>that wealthy. My companies do great gradual like I make

0:24:16.680 --> 0:24:18.159
<v Speaker 1>a little bit of money. You gotta talk to like

0:24:21.880 --> 0:24:23.880
<v Speaker 1>I was saying this, I don't get paid very much

0:24:23.960 --> 0:24:27.880
<v Speaker 1>per year, like from from my from my companies. He's saying,

0:24:27.920 --> 0:24:30.080
<v Speaker 1>you don't have the liquid, but you have these companies

0:24:30.160 --> 0:24:32.360
<v Speaker 1>that are worth a lot of money. And then it's

0:24:32.560 --> 0:24:35.439
<v Speaker 1>because those companies are protected, you know what I mean.

0:24:35.520 --> 0:24:39.440
<v Speaker 1>And then you pay yourself money that in case you

0:24:39.600 --> 0:24:42.560
<v Speaker 1>become liable for something. There's not a whole lot there

0:24:42.680 --> 0:24:45.119
<v Speaker 1>for them to just take from what have happened with

0:24:45.119 --> 0:24:46.919
<v Speaker 1>the world's all situation because I see they post they

0:24:47.000 --> 0:24:51.959
<v Speaker 1>posted you in the content. Now out figured out how

0:24:53.840 --> 0:25:01.080
<v Speaker 1>I didn't realize. Did they do so well? Well? Starts cool?

0:25:01.160 --> 0:25:06.040
<v Speaker 1>They bake big money over Speaking of big money, we've

0:25:06.040 --> 0:25:09.040
<v Speaker 1>seen you posing with Ted. That's Chelsea handling little boyfriend.

0:25:09.119 --> 0:25:12.960
<v Speaker 1>Don't he run? He do? He ran? Now over ABC.

0:25:13.720 --> 0:25:15.879
<v Speaker 1>That's what it was at I met Hollywood. That's a

0:25:15.880 --> 0:25:19.720
<v Speaker 1>little awkward. Then you added Chelsea in the picture because

0:25:19.760 --> 0:25:22.240
<v Speaker 1>you came to me. I didn't know she's a comedian.

0:25:22.280 --> 0:25:23.840
<v Speaker 1>I'm sure she has a great sense of humor about

0:25:24.760 --> 0:25:29.760
<v Speaker 1>he approached you. They said the same girl before you

0:25:30.720 --> 0:25:33.160
<v Speaker 1>said you could you? You know it's cool to winning

0:25:33.200 --> 0:25:36.640
<v Speaker 1>that auto man, she would have been tracking. It would

0:25:36.680 --> 0:25:45.320
<v Speaker 1>have sound different. Yea, now fifty. They both said they're

0:25:45.359 --> 0:25:49.919
<v Speaker 1>looking forward to seeing on episode four. Let me let

0:25:49.960 --> 0:25:51.720
<v Speaker 1>me say one thing though, Now, what if, for the

0:25:51.840 --> 0:25:54.639
<v Speaker 1>sake of your artist me, you had to go nude

0:25:54.720 --> 0:25:57.760
<v Speaker 1>and your things? Would you be down with that to

0:25:57.840 --> 0:26:01.280
<v Speaker 1>take it to the next level? Listen, man, how you

0:26:01.359 --> 0:26:04.080
<v Speaker 1>confusing for terrorists? I don't think about your trying movie.

0:26:04.080 --> 0:26:05.680
<v Speaker 1>You got a lot of guys that like power, But

0:26:06.880 --> 0:26:09.240
<v Speaker 1>I think the frontal nudity scene for me would help me.

0:26:09.920 --> 0:26:12.040
<v Speaker 1>I think it would bring my female fan base to

0:26:12.119 --> 0:26:14.440
<v Speaker 1>all time high. Yeah, I've heard that. I thought to

0:26:14.480 --> 0:26:21.800
<v Speaker 1>be cool. Damn maaginely's supposed to keep this? Would you

0:26:21.880 --> 0:26:24.399
<v Speaker 1>do it? Yeah? I would. I would. I had to

0:26:24.600 --> 0:26:27.200
<v Speaker 1>make sense though, I had to be like a real scene.

0:26:27.240 --> 0:26:31.000
<v Speaker 1>I wouldn't just yeah yeah for no reason. That's that's

0:26:31.080 --> 0:26:33.200
<v Speaker 1>like some That's what I would do instead of what

0:26:34.160 --> 0:26:38.840
<v Speaker 1>the Kardashians that did. Yeah. Yeah, things was over. Like

0:26:38.880 --> 0:26:43.160
<v Speaker 1>if I felt like things were like like this, don't

0:26:43.200 --> 0:26:48.639
<v Speaker 1>talk it in like the older guy, like you're just

0:26:48.760 --> 0:26:51.000
<v Speaker 1>like the spar you like like you just worked out

0:26:51.040 --> 0:26:53.080
<v Speaker 1>and something like that, and you just come walking past

0:26:53.119 --> 0:26:56.200
<v Speaker 1>you like you know, he got he got that look.

0:26:56.280 --> 0:26:59.200
<v Speaker 1>Life is over over? Okay, what does the matter with you?

0:26:59.200 --> 0:27:01.920
<v Speaker 1>You know what I mean? Young boys they care about everything.

0:27:01.960 --> 0:27:04.640
<v Speaker 1>The child was wrapped up like this, Yo, what's going

0:27:04.720 --> 0:27:07.160
<v Speaker 1>on if you walk around like this? Look? I got

0:27:07.240 --> 0:27:10.600
<v Speaker 1>over that like last year, like ten years ago, things

0:27:10.600 --> 0:27:13.159
<v Speaker 1>slowed down. I got the little blue pill working this

0:27:13.280 --> 0:27:17.240
<v Speaker 1>thing out now when you think a little Wayne situation, man,

0:27:17.640 --> 0:27:19.480
<v Speaker 1>that was interesting. I didn't. I didn't. Like I just

0:27:19.640 --> 0:27:24.680
<v Speaker 1>heard that this morning. Yeah that now I would get

0:27:24.760 --> 0:27:28.800
<v Speaker 1>title really it's something exclusive. You know. I didn't understand

0:27:28.840 --> 0:27:32.520
<v Speaker 1>why why they thought you would buy into Title without

0:27:33.359 --> 0:27:35.680
<v Speaker 1>when everyone that was up there was signed to a major,

0:27:36.600 --> 0:27:40.000
<v Speaker 1>so there was nothing exclusive that I would pay the

0:27:40.040 --> 0:27:42.800
<v Speaker 1>twenty hours for. You know what I mean? If this

0:27:42.920 --> 0:27:45.720
<v Speaker 1>content coming like in the future, they're gonna stop pulling

0:27:45.760 --> 0:27:49.440
<v Speaker 1>content over that that would allow them to have things

0:27:49.520 --> 0:27:52.720
<v Speaker 1>that the rest of the commercial music world doesn't doesn't happen,

0:27:52.880 --> 0:27:56.680
<v Speaker 1>I pay down to be partnered up with Title also, No,

0:27:58.080 --> 0:28:00.920
<v Speaker 1>why not? No? I mean, I just I don't know

0:28:00.960 --> 0:28:02.919
<v Speaker 1>if it's partner of a title of if it's creating

0:28:02.960 --> 0:28:06.679
<v Speaker 1>a competitor. M Yeah. I saw the interview you did

0:28:06.760 --> 0:28:08.760
<v Speaker 1>with a Letti and Damage in in LA and you

0:28:08.840 --> 0:28:10.440
<v Speaker 1>said that none of them, none of those guys owned

0:28:10.480 --> 0:28:12.000
<v Speaker 1>their music anyway, So how are you gonna get their

0:28:12.000 --> 0:28:14.119
<v Speaker 1>food to content? Right? That's yeah, that's what I was saying, Like,

0:28:14.160 --> 0:28:17.520
<v Speaker 1>I just if you have if everyone there is contracted

0:28:17.680 --> 0:28:19.720
<v Speaker 1>and they have to be on every platform they can

0:28:19.840 --> 0:28:22.760
<v Speaker 1>to move as many units as possible. They can't just

0:28:22.880 --> 0:28:28.560
<v Speaker 1>say like we want like they're saying by titles as

0:28:28.920 --> 0:28:33.320
<v Speaker 1>artists for artists, that's the right, and I know that's

0:28:33.359 --> 0:28:36.600
<v Speaker 1>the intention of the marketing, But the general public could

0:28:36.640 --> 0:28:40.680
<v Speaker 1>look at it and say, look, we're really rich people,

0:28:41.440 --> 0:28:45.400
<v Speaker 1>we're cool, so give us twenty dollars per you know,

0:28:45.520 --> 0:28:48.720
<v Speaker 1>the buy title for twenty dollars that because they'll look

0:28:48.760 --> 0:28:51.320
<v Speaker 1>the person. It's the interpretation of it. Like when the

0:28:51.360 --> 0:28:53.320
<v Speaker 1>people look at it the average person. Some of them

0:28:53.360 --> 0:28:55.240
<v Speaker 1>will look and say, I just see a bunch of

0:28:55.480 --> 0:28:57.760
<v Speaker 1>rich people asking me to give my money my money

0:28:57.920 --> 0:29:01.800
<v Speaker 1>for yeah, for nothing exclusive right now? What's your relationship

0:29:01.840 --> 0:29:04.080
<v Speaker 1>with Taragi? Have you seen him? I did? I ran

0:29:04.160 --> 0:29:06.200
<v Speaker 1>into the billboard one. Did you get her to do

0:29:06.240 --> 0:29:08.640
<v Speaker 1>the front to a new DD scene too? That would

0:29:08.640 --> 0:29:10.280
<v Speaker 1>be better, right if we could do the front New

0:29:10.360 --> 0:29:16.400
<v Speaker 1>Dudy scenes together on a separate movie. What did she

0:29:16.440 --> 0:29:18.680
<v Speaker 1>say when you when you see him? She was cool,

0:29:18.800 --> 0:29:21.440
<v Speaker 1>like you know, you know it's ill is uh. I

0:29:21.560 --> 0:29:24.440
<v Speaker 1>had ran into her when she was we was talking

0:29:24.480 --> 0:29:29.640
<v Speaker 1>a shock. I was there the Luds camp and him

0:29:29.640 --> 0:29:31.600
<v Speaker 1>we got a crazy like our relationship go back for

0:29:31.680 --> 0:29:34.640
<v Speaker 1>so far that he was in the radio department at

0:29:34.640 --> 0:29:37.960
<v Speaker 1>Columbia when I was in ninety eight, you know what

0:29:38.000 --> 0:29:40.920
<v Speaker 1>I mean? Luda was working on radio and he played

0:29:40.960 --> 0:29:44.200
<v Speaker 1>me ludicrous music then and then he went off took

0:29:44.200 --> 0:29:48.000
<v Speaker 1>off Luda Blue. Then I got away from you know,

0:29:48.080 --> 0:29:51.080
<v Speaker 1>Columbia Records, and the Mines came around after, so it

0:29:51.240 --> 0:29:55.000
<v Speaker 1>was cool like then talking to him, like we like

0:29:55.120 --> 0:29:57.840
<v Speaker 1>ran into each other at the same time, so it

0:29:58.000 --> 0:30:00.640
<v Speaker 1>was real cool because they got a good friendship too,

0:30:01.320 --> 0:30:02.680
<v Speaker 1>you know, so you've got a chance to kick it.

0:30:03.280 --> 0:30:06.320
<v Speaker 1>But she was like, that's just cool stuff and saying

0:30:06.360 --> 0:30:12.200
<v Speaker 1>that she um the babies is grown, no problem, no

0:30:12.360 --> 0:30:14.920
<v Speaker 1>shots about the Empire power back and forth, I think,

0:30:15.000 --> 0:30:17.120
<v Speaker 1>and I think she understands too. It brought attention to

0:30:17.240 --> 0:30:19.840
<v Speaker 1>both shows. Really it doesn't. I mean it doesn't. It

0:30:19.920 --> 0:30:22.440
<v Speaker 1>didn't hurt anything. I think the competitive iantage is just there,

0:30:22.520 --> 0:30:26.239
<v Speaker 1>like when people people are conscious of competition and they

0:30:26.280 --> 0:30:28.440
<v Speaker 1>look at it and they go which one is better?

0:30:29.360 --> 0:30:31.760
<v Speaker 1>Why you don't know which one you think is better

0:30:31.800 --> 0:30:34.080
<v Speaker 1>if you don't watch both, you know what I mean.

0:30:34.200 --> 0:30:36.760
<v Speaker 1>And that's like if you got one on premium cable

0:30:36.880 --> 0:30:41.600
<v Speaker 1>versus one, you can see more aggressive content and Power

0:30:41.720 --> 0:30:46.200
<v Speaker 1>versus what's happening on Empire. I do wish Power was

0:30:46.240 --> 0:30:47.880
<v Speaker 1>on Netflix though, because I'd be like, after the end

0:30:47.880 --> 0:30:50.040
<v Speaker 1>of the episodes, I'd be like, I gotta wait till

0:30:50.080 --> 0:30:52.320
<v Speaker 1>next week. I like waiting till next week. I enjoy

0:30:52.480 --> 0:30:57.600
<v Speaker 1>that the anticipation and people really really that Courtney did

0:30:57.640 --> 0:31:01.760
<v Speaker 1>a really good job at pacing herself. She's so now

0:31:01.880 --> 0:31:04.760
<v Speaker 1>that that that people being so invested in the characters.

0:31:05.080 --> 0:31:06.640
<v Speaker 1>It is because of the pace of the story, Like

0:31:06.720 --> 0:31:09.240
<v Speaker 1>you got a chance to learn, like to know these people.

0:31:09.640 --> 0:31:11.640
<v Speaker 1>That's very true, because you even want to know more,

0:31:11.720 --> 0:31:14.120
<v Speaker 1>Like I don't want to know more about Thetory's character.

0:31:14.160 --> 0:31:15.880
<v Speaker 1>I want to know more about lives character, Like I

0:31:15.880 --> 0:31:18.880
<v Speaker 1>want to see where they where they go, like, because

0:31:19.000 --> 0:31:22.800
<v Speaker 1>lives character, everything that she wanted in her life is intashes,

0:31:24.760 --> 0:31:27.880
<v Speaker 1>you know what I mean. It's like so it's like

0:31:27.960 --> 0:31:33.000
<v Speaker 1>whenever things come around, it's like she's like, I got

0:31:33.080 --> 0:31:36.920
<v Speaker 1>a lot of cool stuff. And it's an ill storyline.

0:31:36.920 --> 0:31:38.960
<v Speaker 1>I could come because you like, maybe she'll get jealous

0:31:39.000 --> 0:31:41.240
<v Speaker 1>of Tasha one day and set her up or something

0:31:41.680 --> 0:31:44.280
<v Speaker 1>eventually if somebody offers it the opportunity and she's the

0:31:44.320 --> 0:31:46.960
<v Speaker 1>close friends, so she's like the first place that she

0:31:47.120 --> 0:31:50.440
<v Speaker 1>starts to send the money she needs, you know, she's mad,

0:31:50.600 --> 0:31:53.160
<v Speaker 1>she's putting it sending it to her house. Did you

0:31:53.200 --> 0:31:58.680
<v Speaker 1>just give us a spoiler? No? No, but damn maybe

0:31:58.760 --> 0:32:02.720
<v Speaker 1>setting me up. I like, how like how she tell goes,

0:32:02.880 --> 0:32:04.440
<v Speaker 1>oh and do me one favorite. I need you to

0:32:04.760 --> 0:32:06.720
<v Speaker 1>stop talking to Angela. Yeah, I'm like, why are you

0:32:06.760 --> 0:32:10.800
<v Speaker 1>going on my telephone? I'm immediately going the way did

0:32:10.840 --> 0:32:12.600
<v Speaker 1>you go through my phone? She said, you should have

0:32:12.640 --> 0:32:17.120
<v Speaker 1>watched the phone signed to fifty as an artist. Now

0:32:17.320 --> 0:32:19.560
<v Speaker 1>you know, we were doing something. He got a record

0:32:19.600 --> 0:32:21.800
<v Speaker 1>coming out, A lot of me and him featured on

0:32:21.840 --> 0:32:24.520
<v Speaker 1>the record. You know, I just I really liked the song,

0:32:24.920 --> 0:32:26.200
<v Speaker 1>so I wanted to be a part of it, and

0:32:26.240 --> 0:32:29.400
<v Speaker 1>I got on it. And I mean when people around

0:32:29.440 --> 0:32:31.280
<v Speaker 1>you talented, like for me, I would look and say,

0:32:32.680 --> 0:32:35.200
<v Speaker 1>y'all do it like Jeremond down on me and the

0:32:35.280 --> 0:32:38.920
<v Speaker 1>number one record, And you know, I said fifty jeremid

0:32:39.080 --> 0:32:41.600
<v Speaker 1>number one because I felt like it was number one.

0:32:41.640 --> 0:32:43.640
<v Speaker 1>And I worked to get that record in the position

0:32:43.680 --> 0:32:47.200
<v Speaker 1>it was saying because def Jam didn't understand it. And

0:32:47.320 --> 0:32:51.320
<v Speaker 1>then I had to. After we did the song, I

0:32:51.440 --> 0:32:54.560
<v Speaker 1>went we shot a video in the recording studio, we

0:32:54.680 --> 0:32:59.200
<v Speaker 1>put it out. Then that didn't do it as much

0:32:59.240 --> 0:33:00.760
<v Speaker 1>as I felt like it was supposed to do. So

0:33:00.880 --> 0:33:04.040
<v Speaker 1>I went back and I did a video with Canaan,

0:33:04.160 --> 0:33:05.640
<v Speaker 1>but Kennon k Hill was a little kid to do

0:33:05.680 --> 0:33:08.280
<v Speaker 1>the voiceover. Yes, I picture that every time I hear it,

0:33:08.640 --> 0:33:10.360
<v Speaker 1>and then I had Chelsea put it on the show

0:33:11.040 --> 0:33:13.440
<v Speaker 1>and it was like, got like thirty million view Wow,

0:33:13.640 --> 0:33:16.440
<v Speaker 1>and it jumped the song the singular number ten on iTunes,

0:33:16.480 --> 0:33:18.240
<v Speaker 1>and then def Jam found the money to shoot the

0:33:18.320 --> 0:33:20.640
<v Speaker 1>video and the record went on to be the head.

0:33:20.800 --> 0:33:22.880
<v Speaker 1>You just did that because you're a fan of the record. Yeah,

0:33:22.880 --> 0:33:25.280
<v Speaker 1>because at the time it was the song that we

0:33:25.400 --> 0:33:28.040
<v Speaker 1>had out, like that's my song, two of my voices

0:33:28.080 --> 0:33:31.520
<v Speaker 1>on it. You're gonna get involved in more TV man, Yeah, yeah,

0:33:31.520 --> 0:33:33.440
<v Speaker 1>I got you got to Broy got a few other

0:33:33.480 --> 0:33:36.840
<v Speaker 1>shows come up. We're gonna see him. I started marketing

0:33:36.920 --> 0:33:41.280
<v Speaker 1>for him, my own one. I told him about it.

0:33:41.480 --> 0:33:46.960
<v Speaker 1>I got some pieces in action. Yeah, south Pool, July

0:33:47.080 --> 0:33:49.760
<v Speaker 1>twenty fourth. I just spoke to Jake, but he text

0:33:49.800 --> 0:33:53.040
<v Speaker 1>me yesterday because Dan paris promoting it. It's there. It's

0:33:53.040 --> 0:33:57.000
<v Speaker 1>cool and okay, so good. It's a good, good show.

0:33:57.120 --> 0:33:59.720
<v Speaker 1>It's not what you would think expect from a boxing

0:33:59.720 --> 0:34:03.440
<v Speaker 1>film because of like the Rockies and things, because the

0:34:03.640 --> 0:34:06.720
<v Speaker 1>sport itself has been enough action for you to show

0:34:08.360 --> 0:34:11.920
<v Speaker 1>the theatrics of boxing. But when you when you get

0:34:11.920 --> 0:34:14.400
<v Speaker 1>outside the ring, it's it's a real intense story, like

0:34:14.480 --> 0:34:17.800
<v Speaker 1>it's dope. This is a new improved fifty though fifty

0:34:17.840 --> 0:34:20.560
<v Speaker 1>Like he's shutting, he's stopping his centensis are you saying

0:34:20.600 --> 0:34:26.439
<v Speaker 1>just enough? No run on stuff, no matter, stop figuring

0:34:26.520 --> 0:34:30.400
<v Speaker 1>that out. You know, if I had the proper etiquette classes,

0:34:31.400 --> 0:34:34.319
<v Speaker 1>things would be crazy. But you know, I don't want

0:34:34.320 --> 0:34:35.960
<v Speaker 1>to go into public speak. I'm not trying to, you know,

0:34:36.080 --> 0:34:39.360
<v Speaker 1>chase Obama down, but that you know, I'm leaving it

0:34:39.520 --> 0:34:42.160
<v Speaker 1>like keep it hip hop. Sometimes I talking slang on

0:34:42.360 --> 0:34:47.000
<v Speaker 1>right and slang on the Instagram and stuff like that.

0:34:47.440 --> 0:34:50.120
<v Speaker 1>And you watch these people correct me and be like, oh,

0:34:50.440 --> 0:34:54.160
<v Speaker 1>now do you feel better about your life? You feel

0:34:54.239 --> 0:34:58.759
<v Speaker 1>better about your life? You unhappy? Mother. I want to

0:34:58.760 --> 0:35:00.759
<v Speaker 1>ask you to what you thought of the Apple Screaming deal,

0:35:00.880 --> 0:35:03.000
<v Speaker 1>because you know, you know, of course you did great

0:35:03.000 --> 0:35:05.480
<v Speaker 1>business with Jimmy and Drake that that that's what the

0:35:06.080 --> 0:35:10.400
<v Speaker 1>Beasts deal was about. They really wanted the rights the

0:35:10.560 --> 0:35:12.960
<v Speaker 1>stream shot. Apple has always been interested in music. Think

0:35:13.000 --> 0:35:14.920
<v Speaker 1>about it. The first place we started talking about going

0:35:14.960 --> 0:35:18.960
<v Speaker 1>to buy music be iTunes. It be Apple, you know, like,

0:35:19.080 --> 0:35:22.479
<v Speaker 1>so now they they're like from their relationship Steve Jobs

0:35:22.560 --> 0:35:25.640
<v Speaker 1>Jimmy relationship from way back, like the first time they

0:35:25.640 --> 0:35:28.440
<v Speaker 1>did probably placement in the music video was the ipart

0:35:28.560 --> 0:35:31.720
<v Speaker 1>and P and P. And it's because I immediately jumped

0:35:31.719 --> 0:35:33.440
<v Speaker 1>out there as soon as he said something about the

0:35:33.480 --> 0:35:36.520
<v Speaker 1>I pod said, you think you can sell us and

0:35:36.640 --> 0:35:38.960
<v Speaker 1>Jimmy's is strange enough. Whatever you say, they're gonna do it,

0:35:40.239 --> 0:35:42.279
<v Speaker 1>you know. And then they gave me a one hundred

0:35:42.320 --> 0:35:44.719
<v Speaker 1>fifty thousand dollars to do it, and we put it

0:35:44.760 --> 0:35:46.879
<v Speaker 1>against the course of the music video. At that point

0:35:46.920 --> 0:35:49.719
<v Speaker 1>we had the huge budgets, so it didn't do nothing.

0:35:50.040 --> 0:35:53.040
<v Speaker 1>Was a drop in the bucket, you know. And now

0:35:53.120 --> 0:35:55.759
<v Speaker 1>it's like, I mean, I think it's cool like that

0:35:56.840 --> 0:35:59.080
<v Speaker 1>music is just gonna be consumed differently. It's no lack

0:35:59.120 --> 0:36:01.200
<v Speaker 1>of interest in it because we're gonna still want to

0:36:01.200 --> 0:36:04.000
<v Speaker 1>go out and enjoy the festivities the way we've been.

0:36:04.800 --> 0:36:06.600
<v Speaker 1>Now you post a lot of pictures of your son,

0:36:07.120 --> 0:36:10.759
<v Speaker 1>so sire, and you also have him working now too, right, well, no,

0:36:10.840 --> 0:36:13.840
<v Speaker 1>it's just the kids, special kids for their own coverage

0:36:15.120 --> 0:36:19.640
<v Speaker 1>for college. He come in like you just did this

0:36:19.800 --> 0:36:23.560
<v Speaker 1>one thing. Like the people approach me about him, like

0:36:23.840 --> 0:36:27.120
<v Speaker 1>put me in the face of kick corner like, um,

0:36:27.480 --> 0:36:31.640
<v Speaker 1>not kids safe products because they got like audio products

0:36:31.719 --> 0:36:35.040
<v Speaker 1>that won't go over seven seven m. So it doesn't

0:36:35.080 --> 0:36:38.760
<v Speaker 1>damage your ear drums when kids are still developing, because

0:36:38.880 --> 0:36:41.279
<v Speaker 1>we'll let let the kid use the headsets that we're using.

0:36:41.400 --> 0:36:44.200
<v Speaker 1>But if they turned the value all the way up. Yeah,

0:36:46.080 --> 0:36:48.279
<v Speaker 1>so you're ready for a daughter next door? I do

0:36:48.440 --> 0:36:50.839
<v Speaker 1>want to have a daughter. I don't know where I'm

0:36:50.880 --> 0:36:54.360
<v Speaker 1>ready to. Did you play in the last one? The

0:36:54.440 --> 0:36:58.400
<v Speaker 1>last one you said it was a little that's why

0:36:58.480 --> 0:37:00.560
<v Speaker 1>he was already here for a year before news. Yea,

0:37:01.040 --> 0:37:02.800
<v Speaker 1>you will do the celebrity thing this time, let me

0:37:02.840 --> 0:37:06.239
<v Speaker 1>go get a celebrity check. I don't know, man, see

0:37:06.280 --> 0:37:11.000
<v Speaker 1>when you saying like you got but this way, you

0:37:11.080 --> 0:37:13.080
<v Speaker 1>see what you said that the celebrity thing like that?

0:37:13.239 --> 0:37:16.160
<v Speaker 1>That scares me. That's the point where you're not in

0:37:16.239 --> 0:37:20.759
<v Speaker 1>control anymore. Someone else is there who can completely change

0:37:20.800 --> 0:37:23.600
<v Speaker 1>the perception of right the things they're saying or doing.

0:37:23.760 --> 0:37:27.359
<v Speaker 1>Following that, when that doesn't work, well, oh, I've been

0:37:27.440 --> 0:37:29.319
<v Speaker 1>saying so you like like how like people started calling

0:37:29.360 --> 0:37:37.920
<v Speaker 1>Kanye Kanye Kardashian got you. I don't know, it's just marketing.

0:37:37.960 --> 0:37:40.000
<v Speaker 1>You don't know what they're gonna do is crazy. Afterwards,

0:37:40.760 --> 0:37:42.520
<v Speaker 1>they would have thought. They would have never thought that

0:37:42.640 --> 0:37:46.040
<v Speaker 1>the dad is a star when you take give me

0:37:46.160 --> 0:37:50.640
<v Speaker 1>some boobs. Look, Amy, I'm gonna be honest. My sexualogy

0:37:50.680 --> 0:37:53.360
<v Speaker 1>for the last five years, I come to the anoledgement.

0:37:53.760 --> 0:37:57.480
<v Speaker 1>I'm look, I'm a lesbian. I'm a lesbian right now,

0:37:57.480 --> 0:37:59.960
<v Speaker 1>I'm not cutting nothing about changing nothing, but I'm a lesbian.

0:38:00.000 --> 0:38:03.160
<v Speaker 1>And look, girl, if you ever think about going that way,

0:38:03.200 --> 0:38:06.920
<v Speaker 1>I'm here for you. You know, like, you didn't change nothing.

0:38:07.040 --> 0:38:10.040
<v Speaker 1>You just what boots on some crazy dress up joint.

0:38:10.120 --> 0:38:11.719
<v Speaker 1>You haven't even committed you want to commit? Cut you

0:38:11.960 --> 0:38:14.399
<v Speaker 1>cut it, kind of just kind of cut it off. See,

0:38:14.440 --> 0:38:16.960
<v Speaker 1>then we're gonna know it's real. We know it's real. Yeah,

0:38:17.200 --> 0:38:20.200
<v Speaker 1>I would never right now, you're cross dressing, right you

0:38:20.280 --> 0:38:23.200
<v Speaker 1>cause dressing extreme cross stressing. You wouldn't did boobs and

0:38:23.640 --> 0:38:25.800
<v Speaker 1>and came back. That's that's what an extreme cross stressing.

0:38:25.840 --> 0:38:27.440
<v Speaker 1>And you're still saying I do want that girl that

0:38:27.520 --> 0:38:30.200
<v Speaker 1>I still want the girls. Nah, you gotta commit, broa,

0:38:30.320 --> 0:38:32.520
<v Speaker 1>how are you gonna do that? How do you go

0:38:32.640 --> 0:38:35.160
<v Speaker 1>that far for that? Whatever? Man? I think this is

0:38:35.600 --> 0:38:38.240
<v Speaker 1>I openmotional stun on some levels. Think about it absolutely

0:38:38.239 --> 0:38:40.520
<v Speaker 1>because you're not changing any positions. You're just saying, well,

0:38:40.560 --> 0:38:43.480
<v Speaker 1>you're just physically changing something. Absolutely, Now you now your

0:38:43.920 --> 0:38:49.279
<v Speaker 1>parents one you know, went up one hundred minimum at

0:38:49.320 --> 0:38:51.279
<v Speaker 1>sixty five. This is something you have to consider that

0:38:52.200 --> 0:38:54.840
<v Speaker 1>sixty five. Man, Listen, everything is not as hard as

0:38:54.880 --> 0:38:56.880
<v Speaker 1>the status it used to be. So you're sitting there

0:38:56.960 --> 0:39:00.719
<v Speaker 1>looking like this weight, I think I can pull it off. Man.

0:39:01.800 --> 0:39:04.040
<v Speaker 1>If I was a transgender that actually committed all the

0:39:04.080 --> 0:39:06.400
<v Speaker 1>way because you peter us off, i'd be upset, like,

0:39:06.480 --> 0:39:07.960
<v Speaker 1>how is he to post the boy for us? Some

0:39:08.040 --> 0:39:11.319
<v Speaker 1>people are upset, Yeah, because you're not going all the way.

0:39:12.719 --> 0:39:16.600
<v Speaker 1>That's just it's interesting. I Um. All I can think

0:39:16.600 --> 0:39:19.200
<v Speaker 1>about when I first saw was how it affects the kids.

0:39:19.840 --> 0:39:22.640
<v Speaker 1>How it affect the kids because going to school and

0:39:22.719 --> 0:39:28.439
<v Speaker 1>they're going yo, pops is your mom like you know kids?

0:39:28.480 --> 0:39:35.960
<v Speaker 1>Because brutal the truth? Yeah it ain't. It's just flat

0:39:36.000 --> 0:39:38.320
<v Speaker 1>out truth. You can't even But that one felt like

0:39:38.360 --> 0:39:43.120
<v Speaker 1>a punch, didn't it. Like you'd be like, oh yeah, yeah,

0:39:43.160 --> 0:39:45.239
<v Speaker 1>you know, I got some interesting things going on back

0:39:45.239 --> 0:39:47.760
<v Speaker 1>at the crib. What's the difference you think between Caitlin

0:39:47.800 --> 0:39:54.600
<v Speaker 1>and young thuck what you said, whoa, that's a huge Yeah.

0:39:54.640 --> 0:39:58.239
<v Speaker 1>I think playing with lines and for shock value and

0:39:58.280 --> 0:40:00.719
<v Speaker 1>stuff with these I don't know, like because he said

0:40:00.760 --> 0:40:06.440
<v Speaker 1>he was smoking a penis. Yeah, and he's engaged getting

0:40:06.480 --> 0:40:09.719
<v Speaker 1>married to a woman. Man. We live in the non

0:40:09.760 --> 0:40:18.320
<v Speaker 1>traditional time. That's a good way to say, Rod Timmy,

0:40:18.440 --> 0:40:20.319
<v Speaker 1>we appreciate you and fifty for joining us. We look

0:40:20.360 --> 0:40:22.680
<v Speaker 1>at this new music gonna beat this week. Renee is

0:40:22.680 --> 0:40:24.960
<v Speaker 1>telling me. He said it was tomorrow, he said later

0:40:25.040 --> 0:40:27.120
<v Speaker 1>on in the week now, oh yeah, and we need

0:40:27.160 --> 0:40:32.000
<v Speaker 1>a power calendar with Nottrii Angela and lives on three

0:40:32.080 --> 0:40:34.279
<v Speaker 1>months we got. We're gonna put that on the loop.

0:40:35.040 --> 0:40:39.560
<v Speaker 1>We gonna have that on Instagram popping. She's aware, she's

0:40:39.600 --> 0:40:43.560
<v Speaker 1>ready for her She worked hard, like I told with Courtney.

0:40:43.640 --> 0:40:47.080
<v Speaker 1>Courtney one of the people that I put her in front,

0:40:47.520 --> 0:40:49.680
<v Speaker 1>in front of her, I want to jobs because we

0:40:49.800 --> 0:40:52.720
<v Speaker 1>have a relationship before that, we've been cool from MTV

0:40:52.880 --> 0:40:55.279
<v Speaker 1>anything else. So it's like she was ready. She had

0:40:55.360 --> 0:40:57.920
<v Speaker 1>been working on acting stuff for a long time. So

0:40:58.000 --> 0:41:00.920
<v Speaker 1>I was like, yo, I want you to meet with

0:41:01.000 --> 0:41:02.920
<v Speaker 1>her so you can you know, she can read, you know,

0:41:02.960 --> 0:41:06.000
<v Speaker 1>I talk about that roll and stuff Courtney. Yeah. They

0:41:06.080 --> 0:41:09.560
<v Speaker 1>sat and she was like, listen, I'm really really happy

0:41:09.640 --> 0:41:11.960
<v Speaker 1>you did that. You know what I'm saying, because she

0:41:12.120 --> 0:41:14.600
<v Speaker 1>was ready. Like I'm not gonna put people. I never

0:41:14.680 --> 0:41:17.800
<v Speaker 1>played somebody that I don't feel like it's ready for

0:41:17.920 --> 0:41:20.600
<v Speaker 1>that position right there, Like as a favor no, I

0:41:20.719 --> 0:41:22.960
<v Speaker 1>go no. When I know he got that thing already,

0:41:23.239 --> 0:41:26.160
<v Speaker 1>then I'm like, yeah, put that there because it belonged there.

0:41:26.160 --> 0:41:29.080
<v Speaker 1>And then people will go They're usually happy that I

0:41:29.200 --> 0:41:34.520
<v Speaker 1>made the suggestion like yours. Yeah, and they really wanted

0:41:34.520 --> 0:41:35.800
<v Speaker 1>to be on this season because I know he was

0:41:35.840 --> 0:41:43.600
<v Speaker 1>featured one. There you go, I'll be back, but we

0:41:43.680 --> 0:41:46.840
<v Speaker 1>appreciate you joining us. Fifty cent role Timmy sir, And

0:41:46.920 --> 0:41:48.200
<v Speaker 1>it's the Breakfast Club. Good mine