1 00:00:01,080 --> 00:00:08,000 Speaker 1: Realty for Real celebrity joined the Breakfast Morning. Everybody is 2 00:00:08,080 --> 00:00:10,920 Speaker 1: DJ M v Angela Ye Sholamine God. We are the 3 00:00:10,960 --> 00:00:14,240 Speaker 1: Breakfast Club special guests in the building this morning. We 4 00:00:14,360 --> 00:00:16,840 Speaker 1: got fifty cents and from Power. I don't want to 5 00:00:16,880 --> 00:00:19,960 Speaker 1: say your name wrong, rod Timmy, tim Timmy, Sir? Did 6 00:00:19,960 --> 00:00:22,240 Speaker 1: he about this? What did he say? You can come 7 00:00:22,280 --> 00:00:25,000 Speaker 1: to don't bring no he said, don't bring no bottles, 8 00:00:25,760 --> 00:00:29,120 Speaker 1: don't bring no shirts with no no no bottle information 9 00:00:29,200 --> 00:00:36,720 Speaker 1: on it. Oh you got okay, okay, fifty cents here 10 00:00:36,920 --> 00:00:38,880 Speaker 1: we got one. We don't write the check out. Well, 11 00:00:41,760 --> 00:00:44,479 Speaker 1: now what's going on? Fifth man? Everything's good man. I 12 00:00:44,520 --> 00:00:47,360 Speaker 1: got a chance to work with Roald Timmy and he 13 00:00:47,440 --> 00:00:50,920 Speaker 1: played my young boy on on on on the Power Show, 14 00:00:51,000 --> 00:00:52,960 Speaker 1: like I met him in jail and he got out 15 00:00:52,960 --> 00:00:57,040 Speaker 1: before me, like I had got knock off his young boy. 16 00:00:57,280 --> 00:00:59,840 Speaker 1: You know a lot of youth culture, the way things 17 00:00:59,880 --> 00:01:02,760 Speaker 1: are all on the street is they don't really have consequence. 18 00:01:02,760 --> 00:01:05,199 Speaker 1: You're thinking, there's a lot of wet pillows in prison. 19 00:01:05,640 --> 00:01:08,320 Speaker 1: The crime about it, after the fact, assess it, you 20 00:01:08,360 --> 00:01:11,039 Speaker 1: know what I'm saying. But when they out on the 21 00:01:11,040 --> 00:01:15,440 Speaker 1: street and active, they torpedoes all they needed coordinates. But congratulations. 22 00:01:15,440 --> 00:01:18,880 Speaker 1: We were talking about the second season premiere and how 23 00:01:18,880 --> 00:01:21,600 Speaker 1: it broke all kinds of records on stars for original series, right, 24 00:01:21,880 --> 00:01:26,360 Speaker 1: but Angela were expecting that, we were expecting success. I 25 00:01:26,480 --> 00:01:28,000 Speaker 1: was like this from the very beginning when I was 26 00:01:28,040 --> 00:01:31,600 Speaker 1: talking Courtney, I was like, this is going watch what happens. 27 00:01:31,920 --> 00:01:36,919 Speaker 1: Like I intentionally put us in at odge with because 28 00:01:36,920 --> 00:01:38,720 Speaker 1: of the marketing dollars. I knew Fox was going to 29 00:01:38,720 --> 00:01:41,960 Speaker 1: spa over the time period. You know, it's commercial network. 30 00:01:42,000 --> 00:01:45,080 Speaker 1: They could put you s. Look how many covers and 31 00:01:45,160 --> 00:01:47,200 Speaker 1: how many different things you've seen in their cast the 32 00:01:47,319 --> 00:01:50,520 Speaker 1: lawn after the fact. You know they spend good money 33 00:01:50,520 --> 00:01:55,080 Speaker 1: on it because it's in everyone's television programming without them 34 00:01:55,160 --> 00:01:57,960 Speaker 1: ordering cable, right. You know that's one of your strategies though, 35 00:01:58,000 --> 00:02:00,600 Speaker 1: Like whenever you got something coming, you picked the thing 36 00:02:00,720 --> 00:02:02,440 Speaker 1: that's the top, top thing and go at it. I 37 00:02:02,440 --> 00:02:06,320 Speaker 1: gotta go after Puff with the you know, because his 38 00:02:06,480 --> 00:02:09,440 Speaker 1: positions number two in the category, and I don't care 39 00:02:09,720 --> 00:02:12,559 Speaker 1: you know how anyone feels about it. It's my strategist 40 00:02:12,600 --> 00:02:15,760 Speaker 1: the way I was taught to do things like okay, 41 00:02:16,280 --> 00:02:18,640 Speaker 1: because you didn't notice and you missed the messaging points 42 00:02:18,680 --> 00:02:27,919 Speaker 1: over the last twelve years, I sold drugs, and when 43 00:02:27,919 --> 00:02:31,720 Speaker 1: you when you tell drugs, we could acquire your your company, 44 00:02:31,919 --> 00:02:36,200 Speaker 1: the corporate decisions made while in that lifestyle. You could 45 00:02:36,320 --> 00:02:39,920 Speaker 1: kill someone to acquire that position. So you take it 46 00:02:39,919 --> 00:02:42,720 Speaker 1: to the corporate I will kill you, just not literally, Yeah, 47 00:02:42,760 --> 00:02:44,880 Speaker 1: it's just you know, but I take it there, and 48 00:02:44,919 --> 00:02:48,000 Speaker 1: then it gives you additional energy and drive to go 49 00:02:48,080 --> 00:02:50,600 Speaker 1: in the direction you need to. Strategically speaking, would you 50 00:02:50,600 --> 00:02:52,720 Speaker 1: say that's why you and Floyd maybe had a little 51 00:02:52,720 --> 00:02:55,000 Speaker 1: bit of a tiff. I supposed to Floyd, you know 52 00:02:54,960 --> 00:02:57,600 Speaker 1: what I mean previously when you started your boxing promotions, 53 00:02:57,600 --> 00:03:00,200 Speaker 1: and maybe that's oh no, no, that wasn't you know 54 00:03:00,200 --> 00:03:02,120 Speaker 1: what happened with me in Florida. He just decided he 55 00:03:02,160 --> 00:03:05,720 Speaker 1: wanted to do something else. And he's conditioned because he 56 00:03:05,760 --> 00:03:08,919 Speaker 1: does what he wants when he wants. He just did 57 00:03:08,960 --> 00:03:12,400 Speaker 1: something else without warning, like gonna let me know what 58 00:03:12,760 --> 00:03:15,480 Speaker 1: he was doing. And I'm mad at that. And you know, 59 00:03:15,560 --> 00:03:19,600 Speaker 1: like when you're in a position where you can get 60 00:03:19,639 --> 00:03:22,480 Speaker 1: thirty million dollars a fight and spend thirty million getting 61 00:03:22,639 --> 00:03:25,480 Speaker 1: thirty million, and it don't matter in this because you 62 00:03:25,480 --> 00:03:29,760 Speaker 1: can consistently win, like that. Um, it's tough to give 63 00:03:29,800 --> 00:03:32,720 Speaker 1: a person any type of directions or tell him anything. 64 00:03:33,040 --> 00:03:34,960 Speaker 1: Let's let's let's talk more about power man. You know, 65 00:03:34,960 --> 00:03:36,800 Speaker 1: first of all, be half on behalf of men everywhere. 66 00:03:36,840 --> 00:03:38,880 Speaker 1: We want to thank you because I heard that is 67 00:03:38,920 --> 00:03:47,720 Speaker 1: gonna show her time. Wait ever, so fur we're gonna 68 00:03:47,760 --> 00:03:52,920 Speaker 1: loop that. Everiso four, We're gonna loop that and let 69 00:03:52,960 --> 00:03:56,440 Speaker 1: that play on stars and the loop. See what's going 70 00:03:56,480 --> 00:03:58,400 Speaker 1: on here? How did you make that happen? And did 71 00:03:58,400 --> 00:04:04,160 Speaker 1: you remember that happened? I? Yeah, man, I was like this, 72 00:04:04,440 --> 00:04:08,880 Speaker 1: this is artistic. This is the point where you take 73 00:04:08,920 --> 00:04:12,400 Speaker 1: it to the next level. But you know, I never 74 00:04:12,560 --> 00:04:14,600 Speaker 1: was waiting for I felt like we anticipating a sex take. 75 00:04:17,920 --> 00:04:20,000 Speaker 1: We might have to luke that. Let that be say 76 00:04:20,320 --> 00:04:21,640 Speaker 1: you have to talk to mellow about that, because you 77 00:04:21,680 --> 00:04:23,480 Speaker 1: were mellow cool. Yeah no, no, no, I didn't say 78 00:04:23,480 --> 00:04:25,160 Speaker 1: anything to him because I was like, man, this is something, 79 00:04:25,200 --> 00:04:26,640 Speaker 1: this is a different thing, like this is between you 80 00:04:26,720 --> 00:04:28,760 Speaker 1: and your wife. I shouldn't be any personal. I was 81 00:04:28,800 --> 00:04:30,720 Speaker 1: talking a lot, you know what the side like, yo, 82 00:04:30,800 --> 00:04:35,320 Speaker 1: look you should do creatively, you should really go already. Yeah, 83 00:04:35,320 --> 00:04:36,680 Speaker 1: it was there, it was there, It was written and 84 00:04:37,120 --> 00:04:39,680 Speaker 1: they had like like I got a scene with my 85 00:04:39,720 --> 00:04:41,719 Speaker 1: baby mother. Didin't meet her yet on the show, but 86 00:04:41,800 --> 00:04:44,359 Speaker 1: you see, like I come into it, and then my 87 00:04:44,440 --> 00:04:46,200 Speaker 1: character is a little different because I don't want to 88 00:04:46,240 --> 00:04:49,840 Speaker 1: have that. I didn't even want Sean when we had them, 89 00:04:50,240 --> 00:04:52,520 Speaker 1: my son, because I didn't want the vulnerability connected to 90 00:04:53,240 --> 00:04:56,080 Speaker 1: you know, having a word about someone else, those things 91 00:04:56,080 --> 00:04:58,440 Speaker 1: and just just came in so far into the lifestyle. 92 00:04:58,440 --> 00:05:01,480 Speaker 1: They're just like I don't need anything that I can't 93 00:05:01,520 --> 00:05:04,480 Speaker 1: walk away from or you know, it would make me 94 00:05:04,880 --> 00:05:07,120 Speaker 1: softer than a different one. Now is it true that 95 00:05:07,160 --> 00:05:10,000 Speaker 1: you were gonna play ghost what you decided not to? Well, 96 00:05:10,000 --> 00:05:12,560 Speaker 1: I was so invested in the actual storyline at one 97 00:05:12,560 --> 00:05:16,520 Speaker 1: point that I was like, look, it's definitely easier sell 98 00:05:16,680 --> 00:05:18,680 Speaker 1: for me to go in and saying I would actually 99 00:05:18,680 --> 00:05:21,440 Speaker 1: play the character. And I was like, you know, I'll 100 00:05:21,480 --> 00:05:24,000 Speaker 1: play Ghosts because I just was so like and I 101 00:05:24,040 --> 00:05:27,840 Speaker 1: was losing Courtney at one point she was like, uh, 102 00:05:28,240 --> 00:05:30,480 Speaker 1: it's been taking time like this. I kind of got 103 00:05:30,600 --> 00:05:33,720 Speaker 1: to focus on that just that and it was like, look, 104 00:05:33,720 --> 00:05:36,719 Speaker 1: i'll play I'll do it. And this is then we 105 00:05:36,760 --> 00:05:40,080 Speaker 1: got picked up and it was like the requite too much, 106 00:05:40,839 --> 00:05:43,120 Speaker 1: like you know, the networks, and it is for MARII 107 00:05:43,160 --> 00:05:46,640 Speaker 1: because it's a lot, a lot of work. I feel 108 00:05:46,640 --> 00:05:48,520 Speaker 1: like your character's gonna get killed on the show Man. 109 00:05:48,760 --> 00:05:50,960 Speaker 1: He's just so grimy. I just can't see him living 110 00:05:50,960 --> 00:05:52,720 Speaker 1: past this season. I know. The only thing holding him 111 00:05:52,760 --> 00:06:00,960 Speaker 1: into the show is me. Guys got picked up for 112 00:06:01,000 --> 00:06:03,640 Speaker 1: season three though, yeah, yeah, this is gonna go for 113 00:06:03,680 --> 00:06:06,560 Speaker 1: at least seven seasons. It'll be on for you know, 114 00:06:06,640 --> 00:06:09,000 Speaker 1: quite some time. I just I think that, you know, 115 00:06:09,040 --> 00:06:10,680 Speaker 1: like when you say, like they go, you got picked 116 00:06:10,720 --> 00:06:13,400 Speaker 1: up for season three, I go, you're surprised. I mean, 117 00:06:13,400 --> 00:06:16,680 Speaker 1: it's the largest show on their network period. So he's like, 118 00:06:16,839 --> 00:06:18,599 Speaker 1: you're gonna get rid of the largest show on your network. 119 00:06:19,040 --> 00:06:23,560 Speaker 1: I don't even had stars before Power really did. And 120 00:06:23,600 --> 00:06:25,440 Speaker 1: after the show goes off, I don't care if you 121 00:06:25,520 --> 00:06:30,080 Speaker 1: if you can't, you can, we can wait until the 122 00:06:30,120 --> 00:06:33,720 Speaker 1: show is coming back. How deeper y'a all into the seasons? 123 00:06:33,800 --> 00:06:35,960 Speaker 1: Are you already like ahead? This is This is a 124 00:06:35,960 --> 00:06:38,680 Speaker 1: big part of the how they do the story telling, 125 00:06:38,960 --> 00:06:42,640 Speaker 1: because if they know that they're going that Courtney is 126 00:06:42,680 --> 00:06:46,080 Speaker 1: really in season five, like as far as the art 127 00:06:46,600 --> 00:06:49,240 Speaker 1: already written those things, and then it's like going to 128 00:06:49,600 --> 00:06:52,240 Speaker 1: create the details of season three and then I'll be 129 00:06:52,320 --> 00:06:55,440 Speaker 1: making requests because I need to see and field things 130 00:06:56,480 --> 00:06:59,240 Speaker 1: that I know the coaching needs. Yeah, I'm waiting to 131 00:06:59,279 --> 00:07:01,960 Speaker 1: see the Tory and La La beat up Angela. Oh 132 00:07:02,040 --> 00:07:07,200 Speaker 1: it's a good So different things got to happen side check. 133 00:07:07,320 --> 00:07:09,840 Speaker 1: Like you look, they always get into the main chick 134 00:07:09,880 --> 00:07:12,720 Speaker 1: sidegeck thing. But if the main chick is conditioned for 135 00:07:12,800 --> 00:07:15,920 Speaker 1: something that was a party of life, that if you 136 00:07:15,960 --> 00:07:17,400 Speaker 1: make it to the roof of what you can do 137 00:07:17,880 --> 00:07:19,520 Speaker 1: in that business, and she just wants it to stay 138 00:07:19,560 --> 00:07:22,320 Speaker 1: the way it is, and you're going, it's never it 139 00:07:22,360 --> 00:07:25,560 Speaker 1: never ends good. So you're going, we got to try 140 00:07:25,640 --> 00:07:28,640 Speaker 1: something different, and she's like turning the nose up at 141 00:07:28,680 --> 00:07:31,160 Speaker 1: what you choose to go on day. Actually, then you 142 00:07:31,160 --> 00:07:34,960 Speaker 1: start to look at it like maybe she wasn't all 143 00:07:35,000 --> 00:07:37,440 Speaker 1: the way the right person, you know what I mean, 144 00:07:37,480 --> 00:07:39,160 Speaker 1: Like it definitely was the right person to go on 145 00:07:39,160 --> 00:07:41,239 Speaker 1: that journey as far as the legal business was concerned. 146 00:07:41,280 --> 00:07:43,160 Speaker 1: But now that you're starting to feel like we have 147 00:07:43,280 --> 00:07:45,880 Speaker 1: the roof of it, what happens next? Because his wife 148 00:07:45,920 --> 00:07:48,800 Speaker 1: is really doesn't want to see him progress do anything else, 149 00:07:48,880 --> 00:07:50,760 Speaker 1: just stay where I just wanted to be the way 150 00:07:50,760 --> 00:07:52,920 Speaker 1: it is, she's comfortable you see you this way. I 151 00:07:52,960 --> 00:07:56,400 Speaker 1: don't want you to turn into position like when it 152 00:07:56,520 --> 00:07:58,280 Speaker 1: was like no, we want you to stay bull. You 153 00:07:58,360 --> 00:08:00,920 Speaker 1: can't be fifteen forget this rap. You know what this? 154 00:08:01,120 --> 00:08:04,000 Speaker 1: I think when when in the lifestyle itself, you can 155 00:08:04,040 --> 00:08:08,119 Speaker 1: feel like you create a false sense of security because 156 00:08:08,120 --> 00:08:10,480 Speaker 1: if they like they got bills or got issues, you're 157 00:08:10,520 --> 00:08:12,720 Speaker 1: let Nana, I got it, and you don't really know 158 00:08:12,800 --> 00:08:15,400 Speaker 1: that you got it. You're just saying I'm gonna take 159 00:08:15,440 --> 00:08:16,920 Speaker 1: care of it. Then I'm willing to take care of 160 00:08:16,920 --> 00:08:18,560 Speaker 1: it for you at this issue. And then you get 161 00:08:18,600 --> 00:08:20,120 Speaker 1: out on the street and you do what you can do, 162 00:08:20,520 --> 00:08:22,840 Speaker 1: and a lot of times you make things happen, you 163 00:08:22,840 --> 00:08:24,800 Speaker 1: can come back and really take care of it. But 164 00:08:24,840 --> 00:08:26,800 Speaker 1: it is a false sense because it doesn't there's nothing 165 00:08:26,840 --> 00:08:29,520 Speaker 1: guaranteed to say that you're gonna be able to do that, right, 166 00:08:30,000 --> 00:08:33,720 Speaker 1: you know? And I think and that that's where that 167 00:08:33,800 --> 00:08:36,520 Speaker 1: translates the same A lot they don't know about well 168 00:08:36,520 --> 00:08:41,400 Speaker 1: Timmy is he was actually supposed to be on Empire. Really, yeah, 169 00:08:41,640 --> 00:08:45,880 Speaker 1: you look like one of Lucier's kids. You can sing, 170 00:08:46,040 --> 00:08:47,959 Speaker 1: you can sing, yeah, yeah, yeah. But so that was 171 00:08:48,120 --> 00:08:49,800 Speaker 1: why it made sense for me to do the show. 172 00:08:49,840 --> 00:08:52,959 Speaker 1: At first, it was down to me, Quincy and Yazz actually, 173 00:08:53,440 --> 00:08:57,200 Speaker 1: and then Quincy dropped out and it was down to me. Yas. Yeah, 174 00:08:57,200 --> 00:08:58,920 Speaker 1: his Puffy Carson was like, how are you gonna let 175 00:08:58,920 --> 00:09:03,760 Speaker 1: them take your publishing? That? I take people down to 176 00:09:03,840 --> 00:09:05,800 Speaker 1: me and Yeas And at the time they're telling me, 177 00:09:06,000 --> 00:09:07,880 Speaker 1: I got it shows you're gonna be you know, you're 178 00:09:07,880 --> 00:09:10,000 Speaker 1: the guy. So I started looking for places in Chicago. 179 00:09:10,200 --> 00:09:13,240 Speaker 1: I was, you know, signing on my lease and everything, 180 00:09:13,640 --> 00:09:15,960 Speaker 1: and I was having meetings with you know, networks and 181 00:09:16,000 --> 00:09:18,320 Speaker 1: stuff like that. So it got to the point where 182 00:09:18,360 --> 00:09:20,319 Speaker 1: I was turning down offers from other shows because I 183 00:09:20,360 --> 00:09:22,560 Speaker 1: thought I was gonna be on. They told you you 184 00:09:22,600 --> 00:09:24,839 Speaker 1: had the Empire role basically, and you were willing to 185 00:09:24,880 --> 00:09:27,559 Speaker 1: sign over your publishing and everything. Well that was before 186 00:09:27,600 --> 00:09:30,400 Speaker 1: I knew really what was going on. Yeah, before all that. 187 00:09:30,440 --> 00:09:32,920 Speaker 1: So it was just word talking to me, you know, 188 00:09:33,000 --> 00:09:35,400 Speaker 1: the network saying this mind you know. And then I 189 00:09:35,480 --> 00:09:37,280 Speaker 1: turned down a couple of things because it was a 190 00:09:37,280 --> 00:09:39,360 Speaker 1: perfect situation. Well he has Star Wars, yeah, and I 191 00:09:39,360 --> 00:09:42,840 Speaker 1: have Star Wars. I was like, there was like the 192 00:09:42,880 --> 00:09:44,880 Speaker 1: fifth time to them back, the fifth time to call 193 00:09:44,960 --> 00:09:47,600 Speaker 1: me back and there was just another another, another network. 194 00:09:47,679 --> 00:09:50,280 Speaker 1: So turned it down. But I mean it worked out, 195 00:09:50,440 --> 00:09:56,000 Speaker 1: worked out. Is it worth signing you're publishing over No, 196 00:09:56,200 --> 00:09:58,040 Speaker 1: not as a musician, if you really believe me yourself, 197 00:09:58,679 --> 00:10:00,040 Speaker 1: I mean, if you if you really believe it's it 198 00:10:00,080 --> 00:10:01,800 Speaker 1: was not worth doing that. But if they asked you 199 00:10:01,800 --> 00:10:08,280 Speaker 1: to play the gay cent on, it does look something's 200 00:10:08,280 --> 00:10:14,079 Speaker 1: a really tough. Yeah. I don't think I played a 201 00:10:14,160 --> 00:10:20,080 Speaker 1: drug dealer gangster who will kill anybody for character. The 202 00:10:20,160 --> 00:10:21,920 Speaker 1: last a couple of weeks ago, we've seen me before 203 00:10:22,080 --> 00:10:25,040 Speaker 1: fifth on stage with somebody that you didn't get along with. 204 00:10:25,080 --> 00:10:27,360 Speaker 1: The last time we've seen that, it was altercation. So 205 00:10:27,400 --> 00:10:30,440 Speaker 1: when I seen fifty cent performing next to French Montan, 206 00:10:30,559 --> 00:10:32,679 Speaker 1: I thought it was yeah, that was that was like 207 00:10:33,040 --> 00:10:34,839 Speaker 1: I was doing the dance, it's a new dance called 208 00:10:34,880 --> 00:10:39,640 Speaker 1: the shot, Big Shock, Little Fish. I seen it was like, 209 00:10:39,679 --> 00:10:41,920 Speaker 1: this is my way of making him uncomfortable, because that's 210 00:10:42,000 --> 00:10:44,400 Speaker 1: what he does. Did you have a conversation you just 211 00:10:44,559 --> 00:10:47,240 Speaker 1: now we were into each other backstage, like French he 212 00:10:47,320 --> 00:10:49,000 Speaker 1: used to be around like like when I did that 213 00:10:49,440 --> 00:10:52,720 Speaker 1: back in the days, had a psychic told me and 214 00:10:52,800 --> 00:10:57,040 Speaker 1: he recorded he definitely like so it's like you know time, 215 00:10:57,200 --> 00:11:00,439 Speaker 1: It's like I go even whip the puffy, like I'm 216 00:11:00,440 --> 00:11:03,000 Speaker 1: saying those things people misinterpreted if they don't know. I 217 00:11:03,000 --> 00:11:05,240 Speaker 1: don't care if they misinterpreted anymore. Like I look at 218 00:11:05,240 --> 00:11:08,959 Speaker 1: it and I go, whoever's in the top position or 219 00:11:08,960 --> 00:11:12,240 Speaker 1: in the league position, I make that competition. But then 220 00:11:12,280 --> 00:11:15,280 Speaker 1: myself with that because I'm I'm gonna position to myself 221 00:11:15,320 --> 00:11:18,439 Speaker 1: well in the category regardlessly. So it's like, I mean, 222 00:11:18,440 --> 00:11:20,640 Speaker 1: if you're losing markets year and you see me gaining, 223 00:11:20,679 --> 00:11:23,720 Speaker 1: you understand why, and no, tell him to tech the numbers. 224 00:11:23,880 --> 00:11:26,600 Speaker 1: He's losing Monkets year and I'm gaining, You don't like 225 00:11:27,880 --> 00:11:31,319 Speaker 1: just in that position he's done other thing? Student makes 226 00:11:31,320 --> 00:11:36,880 Speaker 1: me kind of situation. See he look, he knows the 227 00:11:36,880 --> 00:11:39,400 Speaker 1: old thing. Like the guys. Its points that we could 228 00:11:39,400 --> 00:11:42,000 Speaker 1: have easily, I could have easily transitioned to make money 229 00:11:42,000 --> 00:11:44,199 Speaker 1: on different things. Did he turn his nose up back? 230 00:11:44,240 --> 00:11:47,960 Speaker 1: Because I think it was ego, you know, it felt 231 00:11:48,000 --> 00:11:50,520 Speaker 1: like it was losing something that was that he built 232 00:11:50,600 --> 00:11:53,360 Speaker 1: or did he you know, but the deal making you 233 00:11:53,400 --> 00:11:55,199 Speaker 1: ain't never gonna have. Nobody says, okay, okay, I'll give 234 00:11:55,200 --> 00:11:59,760 Speaker 1: away my my my profits, so you're gonna let me 235 00:12:00,080 --> 00:12:01,959 Speaker 1: pretty much. What Jimmy was saying at that point was 236 00:12:01,960 --> 00:12:04,439 Speaker 1: he gonna give me the money and I have the profits, 237 00:12:05,480 --> 00:12:08,080 Speaker 1: not fifty percent of it. I can have his portion 238 00:12:08,160 --> 00:12:12,520 Speaker 1: that problem and we couldn't make it. Yep, you know. 239 00:12:12,559 --> 00:12:19,280 Speaker 1: So I'm like, yeah, yeah, you know, you know I 240 00:12:19,600 --> 00:12:23,600 Speaker 1: get said. He was like yeah, basically all the way 241 00:12:23,760 --> 00:12:28,120 Speaker 1: we heard to mix tapes. I didn't realize that I've 242 00:12:28,120 --> 00:12:32,040 Speaker 1: been saying it for so long though it's been a while. 243 00:12:32,080 --> 00:12:33,520 Speaker 1: I remember the mixed I Camember with the name of 244 00:12:33,559 --> 00:12:34,800 Speaker 1: but she was on the album couple went to the 245 00:12:34,840 --> 00:12:37,800 Speaker 1: shovel in the Graveyard or something, yeah, And I was 246 00:12:37,840 --> 00:12:42,319 Speaker 1: like that, man, I don't like him. We can started 247 00:12:42,320 --> 00:12:44,720 Speaker 1: to come over like because and it's not personal like 248 00:12:45,520 --> 00:12:48,680 Speaker 1: other people help it, like James Cruise and them. You know, 249 00:12:48,920 --> 00:12:50,599 Speaker 1: I don't like them. He's another one. I seen it 250 00:12:50,640 --> 00:12:53,360 Speaker 1: on stage. Used to work with him, yeah, because he 251 00:12:53,400 --> 00:12:56,200 Speaker 1: worked with Chris Lden and stuff like that. And I 252 00:12:56,280 --> 00:12:58,120 Speaker 1: used to be really cool that you should travel with me, 253 00:12:58,480 --> 00:13:01,000 Speaker 1: you know what I'm saying. But the stuff, the temperament 254 00:13:01,120 --> 00:13:04,720 Speaker 1: makes me not really helly flip floppy, like you go 255 00:13:04,760 --> 00:13:06,520 Speaker 1: back and forth you don't have to choose people, like 256 00:13:06,720 --> 00:13:08,760 Speaker 1: if you have a relationship with one person, I look 257 00:13:08,800 --> 00:13:10,600 Speaker 1: at it. I just I don't expect people to go 258 00:13:10,960 --> 00:13:14,720 Speaker 1: because of my relationship with you. When I go over here, 259 00:13:15,160 --> 00:13:18,120 Speaker 1: I'm gonna be someone different or behave differently. You know 260 00:13:18,160 --> 00:13:19,520 Speaker 1: what I'm saying. You can say, look, well you know 261 00:13:19,559 --> 00:13:21,640 Speaker 1: I have a relationship with them is It doesn't mean 262 00:13:21,640 --> 00:13:24,880 Speaker 1: that you one completely phases out the other. It just 263 00:13:25,440 --> 00:13:29,439 Speaker 1: people know how to position themselves where they're not creating 264 00:13:29,440 --> 00:13:31,480 Speaker 1: that ripple where you don't feel like you did this 265 00:13:31,520 --> 00:13:33,719 Speaker 1: person now that you go over there. But if you 266 00:13:33,800 --> 00:13:36,360 Speaker 1: have somebody working for you that you know used to 267 00:13:36,400 --> 00:13:37,760 Speaker 1: work with somebody else that you don't get along with, 268 00:13:37,840 --> 00:13:40,000 Speaker 1: I'm sure you wouldn't want them to Still, I don't 269 00:13:40,040 --> 00:13:43,120 Speaker 1: even bring them in the room right when I'll start 270 00:13:43,200 --> 00:13:45,439 Speaker 1: when I have an issue, Well, I'm addressing that person. 271 00:13:45,760 --> 00:13:48,360 Speaker 1: If they previously they don't put them in that position, 272 00:13:48,720 --> 00:13:50,000 Speaker 1: you know what I'm saying. But if they felt like 273 00:13:50,040 --> 00:13:53,520 Speaker 1: they got the like some sort of allegiance or some 274 00:13:53,559 --> 00:13:55,920 Speaker 1: sort of loyalty to that person, now then you go okay. 275 00:13:55,960 --> 00:13:57,480 Speaker 1: But then when I see them, I don't feel at energy. 276 00:13:57,520 --> 00:14:01,440 Speaker 1: I feel like they're almost afraid of of my actions 277 00:14:01,520 --> 00:14:03,360 Speaker 1: or what how I would receive some of the things 278 00:14:03,360 --> 00:14:05,960 Speaker 1: that they've been doing. You know, guys uncomfortable from what 279 00:14:05,960 --> 00:14:08,760 Speaker 1: they said they was gonna do, you know what I mean, 280 00:14:08,800 --> 00:14:11,120 Speaker 1: Like when they see you and it's like why do 281 00:14:11,160 --> 00:14:13,959 Speaker 1: you feel like why are you so uncomfortable? Don't grudge, 282 00:14:14,440 --> 00:14:16,400 Speaker 1: but you've been saying you're gonna do something, or you've 283 00:14:16,400 --> 00:14:20,880 Speaker 1: been saying things that make you uncomfortable internally when you 284 00:14:20,920 --> 00:14:22,680 Speaker 1: see the person. You know what I'm saying. And that's 285 00:14:22,720 --> 00:14:24,800 Speaker 1: that's where I kind of get from because I don't 286 00:14:25,400 --> 00:14:27,680 Speaker 1: like him. I ran into him his wife and his 287 00:14:27,760 --> 00:14:32,040 Speaker 1: kids at the summer Jack and I love his daughters, 288 00:14:32,080 --> 00:14:35,000 Speaker 1: like the kids don't. They don't have no bad in them, 289 00:14:35,080 --> 00:14:37,600 Speaker 1: you know what I'm saying. And when his wife it's like, 290 00:14:37,600 --> 00:14:40,240 Speaker 1: oh no, not like shit, I didn't want to take 291 00:14:40,280 --> 00:14:42,240 Speaker 1: a picture. I'm like, we didn't get the from over here. 292 00:14:42,320 --> 00:14:45,760 Speaker 1: And like him, I just say how the kid if 293 00:14:45,760 --> 00:14:47,800 Speaker 1: I said your kid at that point, or don't even 294 00:14:47,840 --> 00:14:49,920 Speaker 1: say how that are like because it just it just 295 00:14:49,960 --> 00:14:54,400 Speaker 1: felt funny that and I think on my the way 296 00:14:54,440 --> 00:14:58,200 Speaker 1: I took like her response to me is like right now, yeah, 297 00:14:58,200 --> 00:15:00,840 Speaker 1: his wife. Yeah, like it just felt like whatever he's 298 00:15:00,880 --> 00:15:02,640 Speaker 1: been saying to her, may I feel like that because 299 00:15:03,160 --> 00:15:05,200 Speaker 1: that's her husband, so she gotta ride with her husband. No, No, 300 00:15:05,240 --> 00:15:06,960 Speaker 1: I got that. I'm just saying to you, like I 301 00:15:06,960 --> 00:15:09,160 Speaker 1: don't have anything with him. Did he should be discussing 302 00:15:09,200 --> 00:15:12,000 Speaker 1: with his wife uncomfortable when she saw me. You old 303 00:15:12,200 --> 00:15:14,920 Speaker 1: grudges against New York executives because they didn't sign you 304 00:15:14,960 --> 00:15:16,840 Speaker 1: and they had the chance back in the day. But no, 305 00:15:16,920 --> 00:15:19,400 Speaker 1: I just didn't deal with them, like at the point 306 00:15:19,400 --> 00:15:22,000 Speaker 1: my peak point, I didn't run around and go, oh, 307 00:15:22,080 --> 00:15:24,920 Speaker 1: let's do a feature, let's work together, like they didn't 308 00:15:24,960 --> 00:15:26,600 Speaker 1: help me get in, and then you want me to 309 00:15:26,680 --> 00:15:29,520 Speaker 1: help you sell records. You know what I mean. I'm like, 310 00:15:29,960 --> 00:15:32,800 Speaker 1: I don't care like then. To be honest with you, 311 00:15:33,160 --> 00:15:35,280 Speaker 1: the things that happened to our culture based on Southern 312 00:15:35,320 --> 00:15:38,840 Speaker 1: based music coming in are cool. People start moving a 313 00:15:38,840 --> 00:15:41,400 Speaker 1: little more to the music, They dance like New York 314 00:15:41,400 --> 00:15:44,600 Speaker 1: when they love you, we get a bob and they 315 00:15:44,720 --> 00:15:47,440 Speaker 1: leave with the same passion you would have had for 316 00:15:47,480 --> 00:15:49,520 Speaker 1: the guy that took his shook his hair out and 317 00:15:49,600 --> 00:15:53,080 Speaker 1: sweated say he was crumped or whatever. And the energy 318 00:15:53,120 --> 00:15:56,400 Speaker 1: and the actual club and I'm like, I ain't got 319 00:15:56,440 --> 00:15:59,680 Speaker 1: nothing but a Yankee had. I'm all New York, you 320 00:15:59,680 --> 00:16:02,200 Speaker 1: know what saying. It's just what that changed it, and 321 00:16:02,200 --> 00:16:04,880 Speaker 1: it simplified things. It made it not as complex. Like 322 00:16:05,280 --> 00:16:07,240 Speaker 1: there was a point where he was writing stories backwards, 323 00:16:07,240 --> 00:16:10,520 Speaker 1: like in the funeral, Like I wrote on an animal ambition, 324 00:16:10,800 --> 00:16:13,040 Speaker 1: it starts at the funeral. Then I explained to you 325 00:16:13,080 --> 00:16:16,080 Speaker 1: how he got to his funeral. Nas was writing like 326 00:16:16,120 --> 00:16:18,800 Speaker 1: a movie started the end and then go back to 327 00:16:18,960 --> 00:16:21,760 Speaker 1: you know, go back to what happened. And like we 328 00:16:21,880 --> 00:16:24,720 Speaker 1: had got so complex in the story writing side of 329 00:16:24,800 --> 00:16:28,160 Speaker 1: things that, um, it started to kind of be like, 330 00:16:28,640 --> 00:16:33,040 Speaker 1: let me listen and understand the art versus just having 331 00:16:33,080 --> 00:16:35,440 Speaker 1: a good time. And I saw you speak up for 332 00:16:35,520 --> 00:16:37,560 Speaker 1: Troy you have on Instagram and everybody was going in 333 00:16:37,600 --> 00:16:41,040 Speaker 1: on them for selling forty records. What made you do that? Well? 334 00:16:41,080 --> 00:16:43,880 Speaker 1: You know, I like, I didn't wasn't sure I liked 335 00:16:43,920 --> 00:16:45,480 Speaker 1: Troy at first, because I was hearing a lot of 336 00:16:45,480 --> 00:16:49,280 Speaker 1: meat yeah, people were saying he was a you know yeah, 337 00:16:49,320 --> 00:16:52,800 Speaker 1: And then I go, I've been there for how long? 338 00:16:54,240 --> 00:16:56,520 Speaker 1: How many people did you hear that? This sounded like 339 00:16:56,560 --> 00:17:00,960 Speaker 1: big I'm saying, how many people sounded like Jay at 340 00:17:01,000 --> 00:17:04,000 Speaker 1: different points. Yo, they don't have that thing from their 341 00:17:04,040 --> 00:17:06,359 Speaker 1: favorite artist, and he's not copying, he's doing his version 342 00:17:07,240 --> 00:17:09,360 Speaker 1: of it. And now when you see the do do 343 00:17:09,119 --> 00:17:12,200 Speaker 1: do do do that record kind of sold me on him, 344 00:17:12,200 --> 00:17:13,639 Speaker 1: like I was like, I liked this and then you 345 00:17:13,680 --> 00:17:15,840 Speaker 1: did a song with him. Yeah, and you bring him 346 00:17:15,840 --> 00:17:17,960 Speaker 1: on tour with you, bang bang record. I bring him 347 00:17:17,960 --> 00:17:20,800 Speaker 1: out every did not then not tied up when I 348 00:17:20,840 --> 00:17:23,119 Speaker 1: when we I've been setting dates because you got to 349 00:17:23,160 --> 00:17:26,919 Speaker 1: go so far ahead and I'll let them, you know, 350 00:17:26,960 --> 00:17:29,760 Speaker 1: come on the tour. And Chris Lady who passed away, 351 00:17:29,760 --> 00:17:32,040 Speaker 1: his daughter has her own show. Yeah, I've seen her 352 00:17:32,119 --> 00:17:34,560 Speaker 1: drive in your car and she crashed your car. Yeah listen, no, 353 00:17:34,760 --> 00:17:38,800 Speaker 1: that wasn't Chris Ltdy's daughdos you have been upset what 354 00:17:38,800 --> 00:17:40,600 Speaker 1: I'm saying for him? Soon as I've seen the caption, 355 00:17:40,600 --> 00:17:42,879 Speaker 1: and I said, oh, but I've seen how old is she? 356 00:17:43,000 --> 00:17:46,760 Speaker 1: She's only she's the baby, Like what'st the name? She did, 357 00:17:47,000 --> 00:17:49,679 Speaker 1: We're going around the corner and she said, look, come 358 00:17:49,680 --> 00:17:52,200 Speaker 1: around the corner of the car and the guy but 359 00:17:52,320 --> 00:17:55,119 Speaker 1: it was really his fault as an uber driver. And 360 00:17:55,200 --> 00:17:59,040 Speaker 1: he opens like he's already double part and he opened 361 00:17:59,040 --> 00:18:03,560 Speaker 1: the door and just hit the bombers the middle. Then 362 00:18:03,600 --> 00:18:11,679 Speaker 1: you'll see to take because I because I was like, yo, 363 00:18:12,520 --> 00:18:14,560 Speaker 1: like man, I didn't see it coming right, you know, 364 00:18:14,640 --> 00:18:17,800 Speaker 1: And it was like it's funny though, I was like, 365 00:18:18,840 --> 00:18:20,800 Speaker 1: we just take. It was like the first segment of 366 00:18:21,040 --> 00:18:24,159 Speaker 1: Q tip is gonna take for also, and then she 367 00:18:24,359 --> 00:18:27,440 Speaker 1: like building her television show right here in the light, 368 00:18:27,680 --> 00:18:29,840 Speaker 1: you know. And then so I was up on and 369 00:18:29,920 --> 00:18:31,960 Speaker 1: went up on teams he like two seconds later. I 370 00:18:32,040 --> 00:18:34,639 Speaker 1: was like, who's here to see that? You get a 371 00:18:34,680 --> 00:18:36,640 Speaker 1: lot of money for them pictures? Man, yeah, they got 372 00:18:37,000 --> 00:18:38,840 Speaker 1: And then as soon as the guy, the guy from 373 00:18:38,920 --> 00:18:41,640 Speaker 1: the like from the card or he came and wanted 374 00:18:41,640 --> 00:18:43,879 Speaker 1: to take a picture, I was like, yeah, I mean 375 00:18:44,160 --> 00:18:46,520 Speaker 1: cool because she already had me in the space where 376 00:18:46,520 --> 00:18:50,520 Speaker 1: I was just I'm already in that headspace where everything's okay, cool, 377 00:18:50,560 --> 00:18:53,280 Speaker 1: whatever you want to do. So his insurance is handling it. No, no, no, 378 00:18:53,560 --> 00:18:56,480 Speaker 1: I took care of that. Ain't no ten thousand dollar fix. 379 00:18:59,200 --> 00:19:01,600 Speaker 1: People want to know who you tied up and put 380 00:19:01,680 --> 00:19:03,439 Speaker 1: a gun to in the double XL office to get 381 00:19:03,560 --> 00:19:05,639 Speaker 1: kick kid on the Oh I didn't do that. I 382 00:19:05,680 --> 00:19:10,399 Speaker 1: don't do that he really did. Look, he really did 383 00:19:10,520 --> 00:19:13,680 Speaker 1: that on his own and check this out. He's really 384 00:19:13,720 --> 00:19:17,119 Speaker 1: a freshman vet, you know, because he's been around, bumped around. 385 00:19:17,160 --> 00:19:19,560 Speaker 1: But that I tell him, I say, that's what my 386 00:19:19,720 --> 00:19:22,560 Speaker 1: career was like. Like not everyone gets to start when 387 00:19:22,600 --> 00:19:25,280 Speaker 1: they're ready, but when they do get into position the 388 00:19:25,400 --> 00:19:27,960 Speaker 1: right way, it just leaves them season. It's like a comedian. 389 00:19:28,720 --> 00:19:34,520 Speaker 1: Comedians are always overworked. They always have to be fine 390 00:19:34,600 --> 00:19:36,239 Speaker 1: tu him for so long that when they do get 391 00:19:36,320 --> 00:19:38,000 Speaker 1: the shot, like you'll see like having heart been around 392 00:19:38,040 --> 00:19:39,960 Speaker 1: for a minute. Then when he get in position, boom 393 00:19:40,520 --> 00:19:42,159 Speaker 1: and you see him and he'd be like, how are 394 00:19:42,160 --> 00:19:44,720 Speaker 1: they able to work this much? You know, like to 395 00:19:44,840 --> 00:19:47,480 Speaker 1: be on these shows and movies all at the same time. 396 00:19:47,680 --> 00:19:50,000 Speaker 1: It's because it's light work to him because he's been working. 397 00:19:50,040 --> 00:19:53,000 Speaker 1: Now he's been out and don't stand up in different 398 00:19:53,040 --> 00:19:56,280 Speaker 1: things Like I think that like comedians are like, it's 399 00:19:56,320 --> 00:20:00,200 Speaker 1: like fitness. You can't really miss a daylight, you know 400 00:20:00,240 --> 00:20:02,199 Speaker 1: what I'm saying. When you stay fine tuned and your 401 00:20:02,240 --> 00:20:04,800 Speaker 1: time and it is right, your thoughts move faster and 402 00:20:04,920 --> 00:20:07,520 Speaker 1: it's just and you just in pocket. I think where 403 00:20:07,880 --> 00:20:09,880 Speaker 1: you haven't been to the gym for a few weeks. 404 00:20:09,920 --> 00:20:13,320 Speaker 1: When you go back the workout, it feels abnormally tough 405 00:20:14,040 --> 00:20:15,920 Speaker 1: or harder like it it's just awful little bit, you 406 00:20:15,960 --> 00:20:18,399 Speaker 1: know what I mean. And then we see what happens. 407 00:20:18,400 --> 00:20:22,080 Speaker 1: It's still you know, overall funny people. But if they 408 00:20:22,119 --> 00:20:23,959 Speaker 1: haven't been out there, and then those circus, I think 409 00:20:24,040 --> 00:20:26,680 Speaker 1: that they're not ask because as they usually are. I 410 00:20:26,760 --> 00:20:28,760 Speaker 1: actually did kid kids dope. I just think that when 411 00:20:28,800 --> 00:20:31,880 Speaker 1: he's with the unit, people are used to hearing the unit. 412 00:20:31,960 --> 00:20:36,000 Speaker 1: They don't want And you know, look when I said, 413 00:20:36,040 --> 00:20:38,920 Speaker 1: I listened to the record just to line for line 414 00:20:38,960 --> 00:20:40,760 Speaker 1: on the record, and I go, no, that's right. Like 415 00:20:41,200 --> 00:20:42,760 Speaker 1: just like when you was picking the artists at the 416 00:20:42,840 --> 00:20:47,000 Speaker 1: very beginning, you go, can you wrap? Like no, you could? 417 00:20:47,040 --> 00:20:49,639 Speaker 1: This kid a rat? Like it's different guys that you 418 00:20:49,720 --> 00:20:51,680 Speaker 1: see them kind of pull themselves into the front a 419 00:20:51,720 --> 00:20:54,160 Speaker 1: little bit like they've been there as a little artist 420 00:20:54,280 --> 00:20:59,480 Speaker 1: like like fabulous, like uh, different guys like because these 421 00:20:59,560 --> 00:21:03,119 Speaker 1: are mixtape guys originally for me, like I hear him 422 00:21:03,160 --> 00:21:05,080 Speaker 1: on the clue table, you're him on the joint. And 423 00:21:05,119 --> 00:21:07,320 Speaker 1: then they started to emerge, pull out into the front 424 00:21:07,359 --> 00:21:10,680 Speaker 1: because then they're out working their PIDs, you know, and 425 00:21:11,400 --> 00:21:15,320 Speaker 1: you look and you go, Father's the the first guy 426 00:21:15,400 --> 00:21:18,119 Speaker 1: to call for R and B remix, you know what 427 00:21:18,160 --> 00:21:20,119 Speaker 1: I mean? Like that's who he was in the very beginning, 428 00:21:20,119 --> 00:21:22,200 Speaker 1: and then it bled over into him doing some things 429 00:21:22,280 --> 00:21:25,880 Speaker 1: that just dope, like that last uh comfing season record 430 00:21:26,480 --> 00:21:29,040 Speaker 1: that was a fifty cent record, Like in my head 431 00:21:29,119 --> 00:21:31,760 Speaker 1: like a debt, was like, oh this is it? Why 432 00:21:31,880 --> 00:21:34,639 Speaker 1: is this not the single? You know? And then I 433 00:21:34,800 --> 00:21:36,360 Speaker 1: ran into him at the Jewel I time I jump 434 00:21:36,440 --> 00:21:39,959 Speaker 1: on that right way because it was like I already 435 00:21:40,000 --> 00:21:42,399 Speaker 1: belonged on the record. You know that. What happened with 436 00:21:42,480 --> 00:21:44,440 Speaker 1: the with the boxing thing that you had, they said 437 00:21:44,440 --> 00:21:46,440 Speaker 1: they filed for bankruptcy. We watched the fight? Where was 438 00:21:46,480 --> 00:21:51,120 Speaker 1: that in Houston? We had that fight out Houston? Did 439 00:21:51,200 --> 00:21:56,240 Speaker 1: man out people? You know, it's cool about me being 440 00:21:56,920 --> 00:21:59,879 Speaker 1: a promoter Like people there's no sympathy for winners, right, 441 00:22:00,480 --> 00:22:04,080 Speaker 1: so they'd like to see you Louis at points and 442 00:22:04,200 --> 00:22:05,800 Speaker 1: our coaches out with the old end with the new. 443 00:22:06,600 --> 00:22:09,200 Speaker 1: You know, you've coached in general. So the significance in 444 00:22:09,320 --> 00:22:12,200 Speaker 1: being able to stay is understanding that. So if I'm 445 00:22:12,240 --> 00:22:14,440 Speaker 1: associated to a fighter, people pay more attention to it 446 00:22:15,160 --> 00:22:17,879 Speaker 1: because they love or they hate fifty cent and they'll go, 447 00:22:18,200 --> 00:22:21,480 Speaker 1: I want to see him lose because that's fifty cent fighter, 448 00:22:21,640 --> 00:22:25,359 Speaker 1: or I want to him win because and the more 449 00:22:25,400 --> 00:22:27,879 Speaker 1: passionate they are about them, the more people tune in. 450 00:22:28,000 --> 00:22:32,160 Speaker 1: Like like Floyd just showed the formula of the marketing 451 00:22:32,320 --> 00:22:35,600 Speaker 1: was pretty boy, Floyd didn't work. The Money Team money 452 00:22:35,680 --> 00:22:38,040 Speaker 1: may work because we said we got all the money 453 00:22:38,040 --> 00:22:40,080 Speaker 1: in the world in the middle of a recession, and 454 00:22:40,359 --> 00:22:42,920 Speaker 1: that was interesting, right, you know what I'm saying, And 455 00:22:43,240 --> 00:22:48,280 Speaker 1: you're tuning in just hate money, stack the money phones 456 00:22:49,200 --> 00:22:51,080 Speaker 1: and you know, and you know how this ends, don't you. 457 00:22:55,400 --> 00:22:57,879 Speaker 1: They're sitting there with that and you're going, like that 458 00:22:58,040 --> 00:23:01,640 Speaker 1: just works, and then like it works for Champion, don't 459 00:23:01,640 --> 00:23:04,600 Speaker 1: necessarily work for me overall. So I like, this is 460 00:23:04,600 --> 00:23:07,120 Speaker 1: why I started with the United Nation the World Food 461 00:23:07,160 --> 00:23:11,119 Speaker 1: Program thing, and then I started doing different things, you know, 462 00:23:11,240 --> 00:23:16,120 Speaker 1: I like what different organizations, you know, because I'm trying 463 00:23:16,160 --> 00:23:21,560 Speaker 1: to consistently to keep people understanding and I'm conscious of things, 464 00:23:21,640 --> 00:23:25,520 Speaker 1: you know, and a lot a lot of times, you know, 465 00:23:25,600 --> 00:23:27,600 Speaker 1: I do this on purpose of time running circles, so 466 00:23:28,000 --> 00:23:29,480 Speaker 1: I don't have to answer the question like many of 467 00:23:29,520 --> 00:23:34,879 Speaker 1: you ask me, how hold Tiffany. We know this is 468 00:23:35,040 --> 00:23:43,880 Speaker 1: skilled people, but but but I I look at it, Oh, 469 00:23:44,200 --> 00:23:46,679 Speaker 1: like I look at it like when when there's an 470 00:23:46,680 --> 00:23:50,920 Speaker 1: opportunity to do something that, um the people haven't seen, 471 00:23:51,520 --> 00:23:54,480 Speaker 1: I don't know, like something new, I should jump in 472 00:23:54,680 --> 00:23:56,680 Speaker 1: and go ahead and do it. Like people look when 473 00:23:56,680 --> 00:23:59,280 Speaker 1: they see me with fing and different things, they go, well, 474 00:23:59,480 --> 00:24:01,840 Speaker 1: I didn't see that coming, Like what made you decide 475 00:24:01,840 --> 00:24:04,040 Speaker 1: to do that? And I'm like, it makes perfect sense 476 00:24:04,119 --> 00:24:06,480 Speaker 1: for me at this point. But from the business and 477 00:24:06,560 --> 00:24:09,080 Speaker 1: they say, I saw a story with SMS olds you 478 00:24:09,160 --> 00:24:13,200 Speaker 1: two point three million. Yeah, because look, I'm not really 479 00:24:13,240 --> 00:24:16,679 Speaker 1: that wealthy. My companies do great gradual like I make 480 00:24:16,680 --> 00:24:18,159 Speaker 1: a little bit of money. You gotta talk to like 481 00:24:21,880 --> 00:24:23,880 Speaker 1: I was saying this, I don't get paid very much 482 00:24:23,960 --> 00:24:27,880 Speaker 1: per year, like from from my from my companies. He's saying, 483 00:24:27,920 --> 00:24:30,080 Speaker 1: you don't have the liquid, but you have these companies 484 00:24:30,160 --> 00:24:32,360 Speaker 1: that are worth a lot of money. And then it's 485 00:24:32,560 --> 00:24:35,439 Speaker 1: because those companies are protected, you know what I mean. 486 00:24:35,520 --> 00:24:39,440 Speaker 1: And then you pay yourself money that in case you 487 00:24:39,600 --> 00:24:42,560 Speaker 1: become liable for something. There's not a whole lot there 488 00:24:42,680 --> 00:24:45,119 Speaker 1: for them to just take from what have happened with 489 00:24:45,119 --> 00:24:46,919 Speaker 1: the world's all situation because I see they post they 490 00:24:47,000 --> 00:24:51,959 Speaker 1: posted you in the content. Now out figured out how 491 00:24:53,840 --> 00:25:01,080 Speaker 1: I didn't realize. Did they do so well? Well? Starts cool? 492 00:25:01,160 --> 00:25:06,040 Speaker 1: They bake big money over Speaking of big money, we've 493 00:25:06,040 --> 00:25:09,040 Speaker 1: seen you posing with Ted. That's Chelsea handling little boyfriend. 494 00:25:09,119 --> 00:25:12,960 Speaker 1: Don't he run? He do? He ran? Now over ABC. 495 00:25:13,720 --> 00:25:15,879 Speaker 1: That's what it was at I met Hollywood. That's a 496 00:25:15,880 --> 00:25:19,720 Speaker 1: little awkward. Then you added Chelsea in the picture because 497 00:25:19,760 --> 00:25:22,240 Speaker 1: you came to me. I didn't know she's a comedian. 498 00:25:22,280 --> 00:25:23,840 Speaker 1: I'm sure she has a great sense of humor about 499 00:25:24,760 --> 00:25:29,760 Speaker 1: he approached you. They said the same girl before you 500 00:25:30,720 --> 00:25:33,160 Speaker 1: said you could you? You know it's cool to winning 501 00:25:33,200 --> 00:25:36,640 Speaker 1: that auto man, she would have been tracking. It would 502 00:25:36,680 --> 00:25:45,320 Speaker 1: have sound different. Yea, now fifty. They both said they're 503 00:25:45,359 --> 00:25:49,919 Speaker 1: looking forward to seeing on episode four. Let me let 504 00:25:49,960 --> 00:25:51,720 Speaker 1: me say one thing though, Now, what if, for the 505 00:25:51,840 --> 00:25:54,639 Speaker 1: sake of your artist me, you had to go nude 506 00:25:54,720 --> 00:25:57,760 Speaker 1: and your things? Would you be down with that to 507 00:25:57,840 --> 00:26:01,280 Speaker 1: take it to the next level? Listen, man, how you 508 00:26:01,359 --> 00:26:04,080 Speaker 1: confusing for terrorists? I don't think about your trying movie. 509 00:26:04,080 --> 00:26:05,680 Speaker 1: You got a lot of guys that like power, But 510 00:26:06,880 --> 00:26:09,240 Speaker 1: I think the frontal nudity scene for me would help me. 511 00:26:09,920 --> 00:26:12,040 Speaker 1: I think it would bring my female fan base to 512 00:26:12,119 --> 00:26:14,440 Speaker 1: all time high. Yeah, I've heard that. I thought to 513 00:26:14,480 --> 00:26:21,800 Speaker 1: be cool. Damn maaginely's supposed to keep this? Would you 514 00:26:21,880 --> 00:26:24,399 Speaker 1: do it? Yeah? I would. I would. I had to 515 00:26:24,600 --> 00:26:27,200 Speaker 1: make sense though, I had to be like a real scene. 516 00:26:27,240 --> 00:26:31,000 Speaker 1: I wouldn't just yeah yeah for no reason. That's that's 517 00:26:31,080 --> 00:26:33,200 Speaker 1: like some That's what I would do instead of what 518 00:26:34,160 --> 00:26:38,840 Speaker 1: the Kardashians that did. Yeah. Yeah, things was over. Like 519 00:26:38,880 --> 00:26:43,160 Speaker 1: if I felt like things were like like this, don't 520 00:26:43,200 --> 00:26:48,639 Speaker 1: talk it in like the older guy, like you're just 521 00:26:48,760 --> 00:26:51,000 Speaker 1: like the spar you like like you just worked out 522 00:26:51,040 --> 00:26:53,080 Speaker 1: and something like that, and you just come walking past 523 00:26:53,119 --> 00:26:56,200 Speaker 1: you like you know, he got he got that look. 524 00:26:56,280 --> 00:26:59,200 Speaker 1: Life is over over? Okay, what does the matter with you? 525 00:26:59,200 --> 00:27:01,920 Speaker 1: You know what I mean? Young boys they care about everything. 526 00:27:01,960 --> 00:27:04,640 Speaker 1: The child was wrapped up like this, Yo, what's going 527 00:27:04,720 --> 00:27:07,160 Speaker 1: on if you walk around like this? Look? I got 528 00:27:07,240 --> 00:27:10,600 Speaker 1: over that like last year, like ten years ago, things 529 00:27:10,600 --> 00:27:13,159 Speaker 1: slowed down. I got the little blue pill working this 530 00:27:13,280 --> 00:27:17,240 Speaker 1: thing out now when you think a little Wayne situation, man, 531 00:27:17,640 --> 00:27:19,480 Speaker 1: that was interesting. I didn't. I didn't. Like I just 532 00:27:19,640 --> 00:27:24,680 Speaker 1: heard that this morning. Yeah that now I would get 533 00:27:24,760 --> 00:27:28,800 Speaker 1: title really it's something exclusive. You know. I didn't understand 534 00:27:28,840 --> 00:27:32,520 Speaker 1: why why they thought you would buy into Title without 535 00:27:33,359 --> 00:27:35,680 Speaker 1: when everyone that was up there was signed to a major, 536 00:27:36,600 --> 00:27:40,000 Speaker 1: so there was nothing exclusive that I would pay the 537 00:27:40,040 --> 00:27:42,800 Speaker 1: twenty hours for. You know what I mean? If this 538 00:27:42,920 --> 00:27:45,720 Speaker 1: content coming like in the future, they're gonna stop pulling 539 00:27:45,760 --> 00:27:49,440 Speaker 1: content over that that would allow them to have things 540 00:27:49,520 --> 00:27:52,720 Speaker 1: that the rest of the commercial music world doesn't doesn't happen, 541 00:27:52,880 --> 00:27:56,680 Speaker 1: I pay down to be partnered up with Title also, No, 542 00:27:58,080 --> 00:28:00,920 Speaker 1: why not? No? I mean, I just I don't know 543 00:28:00,960 --> 00:28:02,919 Speaker 1: if it's partner of a title of if it's creating 544 00:28:02,960 --> 00:28:06,679 Speaker 1: a competitor. M Yeah. I saw the interview you did 545 00:28:06,760 --> 00:28:08,760 Speaker 1: with a Letti and Damage in in LA and you 546 00:28:08,840 --> 00:28:10,440 Speaker 1: said that none of them, none of those guys owned 547 00:28:10,480 --> 00:28:12,000 Speaker 1: their music anyway, So how are you gonna get their 548 00:28:12,000 --> 00:28:14,119 Speaker 1: food to content? Right? That's yeah, that's what I was saying, Like, 549 00:28:14,160 --> 00:28:17,520 Speaker 1: I just if you have if everyone there is contracted 550 00:28:17,680 --> 00:28:19,720 Speaker 1: and they have to be on every platform they can 551 00:28:19,840 --> 00:28:22,760 Speaker 1: to move as many units as possible. They can't just 552 00:28:22,880 --> 00:28:28,560 Speaker 1: say like we want like they're saying by titles as 553 00:28:28,920 --> 00:28:33,320 Speaker 1: artists for artists, that's the right, and I know that's 554 00:28:33,359 --> 00:28:36,600 Speaker 1: the intention of the marketing, But the general public could 555 00:28:36,640 --> 00:28:40,680 Speaker 1: look at it and say, look, we're really rich people, 556 00:28:41,440 --> 00:28:45,400 Speaker 1: we're cool, so give us twenty dollars per you know, 557 00:28:45,520 --> 00:28:48,720 Speaker 1: the buy title for twenty dollars that because they'll look 558 00:28:48,760 --> 00:28:51,320 Speaker 1: the person. It's the interpretation of it. Like when the 559 00:28:51,360 --> 00:28:53,320 Speaker 1: people look at it the average person. Some of them 560 00:28:53,360 --> 00:28:55,240 Speaker 1: will look and say, I just see a bunch of 561 00:28:55,480 --> 00:28:57,760 Speaker 1: rich people asking me to give my money my money 562 00:28:57,920 --> 00:29:01,800 Speaker 1: for yeah, for nothing exclusive right now? What's your relationship 563 00:29:01,840 --> 00:29:04,080 Speaker 1: with Taragi? Have you seen him? I did? I ran 564 00:29:04,160 --> 00:29:06,200 Speaker 1: into the billboard one. Did you get her to do 565 00:29:06,240 --> 00:29:08,640 Speaker 1: the front to a new DD scene too? That would 566 00:29:08,640 --> 00:29:10,280 Speaker 1: be better, right if we could do the front New 567 00:29:10,360 --> 00:29:16,400 Speaker 1: Dudy scenes together on a separate movie. What did she 568 00:29:16,440 --> 00:29:18,680 Speaker 1: say when you when you see him? She was cool, 569 00:29:18,800 --> 00:29:21,440 Speaker 1: like you know, you know it's ill is uh. I 570 00:29:21,560 --> 00:29:24,440 Speaker 1: had ran into her when she was we was talking 571 00:29:24,480 --> 00:29:29,640 Speaker 1: a shock. I was there the Luds camp and him 572 00:29:29,640 --> 00:29:31,600 Speaker 1: we got a crazy like our relationship go back for 573 00:29:31,680 --> 00:29:34,640 Speaker 1: so far that he was in the radio department at 574 00:29:34,640 --> 00:29:37,960 Speaker 1: Columbia when I was in ninety eight, you know what 575 00:29:38,000 --> 00:29:40,920 Speaker 1: I mean? Luda was working on radio and he played 576 00:29:40,960 --> 00:29:44,200 Speaker 1: me ludicrous music then and then he went off took 577 00:29:44,200 --> 00:29:48,000 Speaker 1: off Luda Blue. Then I got away from you know, 578 00:29:48,080 --> 00:29:51,080 Speaker 1: Columbia Records, and the Mines came around after, so it 579 00:29:51,240 --> 00:29:55,000 Speaker 1: was cool like then talking to him, like we like 580 00:29:55,120 --> 00:29:57,840 Speaker 1: ran into each other at the same time, so it 581 00:29:58,000 --> 00:30:00,640 Speaker 1: was real cool because they got a good friendship too, 582 00:30:01,320 --> 00:30:02,680 Speaker 1: you know, so you've got a chance to kick it. 583 00:30:03,280 --> 00:30:06,320 Speaker 1: But she was like, that's just cool stuff and saying 584 00:30:06,360 --> 00:30:12,200 Speaker 1: that she um the babies is grown, no problem, no 585 00:30:12,360 --> 00:30:14,920 Speaker 1: shots about the Empire power back and forth, I think, 586 00:30:15,000 --> 00:30:17,120 Speaker 1: and I think she understands too. It brought attention to 587 00:30:17,240 --> 00:30:19,840 Speaker 1: both shows. Really it doesn't. I mean it doesn't. It 588 00:30:19,920 --> 00:30:22,440 Speaker 1: didn't hurt anything. I think the competitive iantage is just there, 589 00:30:22,520 --> 00:30:26,239 Speaker 1: like when people people are conscious of competition and they 590 00:30:26,280 --> 00:30:28,440 Speaker 1: look at it and they go which one is better? 591 00:30:29,360 --> 00:30:31,760 Speaker 1: Why you don't know which one you think is better 592 00:30:31,800 --> 00:30:34,080 Speaker 1: if you don't watch both, you know what I mean. 593 00:30:34,200 --> 00:30:36,760 Speaker 1: And that's like if you got one on premium cable 594 00:30:36,880 --> 00:30:41,600 Speaker 1: versus one, you can see more aggressive content and Power 595 00:30:41,720 --> 00:30:46,200 Speaker 1: versus what's happening on Empire. I do wish Power was 596 00:30:46,240 --> 00:30:47,880 Speaker 1: on Netflix though, because I'd be like, after the end 597 00:30:47,880 --> 00:30:50,040 Speaker 1: of the episodes, I'd be like, I gotta wait till 598 00:30:50,080 --> 00:30:52,320 Speaker 1: next week. I like waiting till next week. I enjoy 599 00:30:52,480 --> 00:30:57,600 Speaker 1: that the anticipation and people really really that Courtney did 600 00:30:57,640 --> 00:31:01,760 Speaker 1: a really good job at pacing herself. She's so now 601 00:31:01,880 --> 00:31:04,760 Speaker 1: that that that people being so invested in the characters. 602 00:31:05,080 --> 00:31:06,640 Speaker 1: It is because of the pace of the story, Like 603 00:31:06,720 --> 00:31:09,240 Speaker 1: you got a chance to learn, like to know these people. 604 00:31:09,640 --> 00:31:11,640 Speaker 1: That's very true, because you even want to know more, 605 00:31:11,720 --> 00:31:14,120 Speaker 1: Like I don't want to know more about Thetory's character. 606 00:31:14,160 --> 00:31:15,880 Speaker 1: I want to know more about lives character, Like I 607 00:31:15,880 --> 00:31:18,880 Speaker 1: want to see where they where they go, like, because 608 00:31:19,000 --> 00:31:22,800 Speaker 1: lives character, everything that she wanted in her life is intashes, 609 00:31:24,760 --> 00:31:27,880 Speaker 1: you know what I mean. It's like so it's like 610 00:31:27,960 --> 00:31:33,000 Speaker 1: whenever things come around, it's like she's like, I got 611 00:31:33,080 --> 00:31:36,920 Speaker 1: a lot of cool stuff. And it's an ill storyline. 612 00:31:36,920 --> 00:31:38,960 Speaker 1: I could come because you like, maybe she'll get jealous 613 00:31:39,000 --> 00:31:41,240 Speaker 1: of Tasha one day and set her up or something 614 00:31:41,680 --> 00:31:44,280 Speaker 1: eventually if somebody offers it the opportunity and she's the 615 00:31:44,320 --> 00:31:46,960 Speaker 1: close friends, so she's like the first place that she 616 00:31:47,120 --> 00:31:50,440 Speaker 1: starts to send the money she needs, you know, she's mad, 617 00:31:50,600 --> 00:31:53,160 Speaker 1: she's putting it sending it to her house. Did you 618 00:31:53,200 --> 00:31:58,680 Speaker 1: just give us a spoiler? No? No, but damn maybe 619 00:31:58,760 --> 00:32:02,720 Speaker 1: setting me up. I like, how like how she tell goes, 620 00:32:02,880 --> 00:32:04,440 Speaker 1: oh and do me one favorite. I need you to 621 00:32:04,760 --> 00:32:06,720 Speaker 1: stop talking to Angela. Yeah, I'm like, why are you 622 00:32:06,760 --> 00:32:10,800 Speaker 1: going on my telephone? I'm immediately going the way did 623 00:32:10,840 --> 00:32:12,600 Speaker 1: you go through my phone? She said, you should have 624 00:32:12,640 --> 00:32:17,120 Speaker 1: watched the phone signed to fifty as an artist. Now 625 00:32:17,320 --> 00:32:19,560 Speaker 1: you know, we were doing something. He got a record 626 00:32:19,600 --> 00:32:21,800 Speaker 1: coming out, A lot of me and him featured on 627 00:32:21,840 --> 00:32:24,520 Speaker 1: the record. You know, I just I really liked the song, 628 00:32:24,920 --> 00:32:26,200 Speaker 1: so I wanted to be a part of it, and 629 00:32:26,240 --> 00:32:29,400 Speaker 1: I got on it. And I mean when people around 630 00:32:29,440 --> 00:32:31,280 Speaker 1: you talented, like for me, I would look and say, 631 00:32:32,680 --> 00:32:35,200 Speaker 1: y'all do it like Jeremond down on me and the 632 00:32:35,280 --> 00:32:38,920 Speaker 1: number one record, And you know, I said fifty jeremid 633 00:32:39,080 --> 00:32:41,600 Speaker 1: number one because I felt like it was number one. 634 00:32:41,640 --> 00:32:43,640 Speaker 1: And I worked to get that record in the position 635 00:32:43,680 --> 00:32:47,200 Speaker 1: it was saying because def Jam didn't understand it. And 636 00:32:47,320 --> 00:32:51,320 Speaker 1: then I had to. After we did the song, I 637 00:32:51,440 --> 00:32:54,560 Speaker 1: went we shot a video in the recording studio, we 638 00:32:54,680 --> 00:32:59,200 Speaker 1: put it out. Then that didn't do it as much 639 00:32:59,240 --> 00:33:00,760 Speaker 1: as I felt like it was supposed to do. So 640 00:33:00,880 --> 00:33:04,040 Speaker 1: I went back and I did a video with Canaan, 641 00:33:04,160 --> 00:33:05,640 Speaker 1: but Kennon k Hill was a little kid to do 642 00:33:05,680 --> 00:33:08,280 Speaker 1: the voiceover. Yes, I picture that every time I hear it, 643 00:33:08,640 --> 00:33:10,360 Speaker 1: and then I had Chelsea put it on the show 644 00:33:11,040 --> 00:33:13,440 Speaker 1: and it was like, got like thirty million view Wow, 645 00:33:13,640 --> 00:33:16,440 Speaker 1: and it jumped the song the singular number ten on iTunes, 646 00:33:16,480 --> 00:33:18,240 Speaker 1: and then def Jam found the money to shoot the 647 00:33:18,320 --> 00:33:20,640 Speaker 1: video and the record went on to be the head. 648 00:33:20,800 --> 00:33:22,880 Speaker 1: You just did that because you're a fan of the record. Yeah, 649 00:33:22,880 --> 00:33:25,280 Speaker 1: because at the time it was the song that we 650 00:33:25,400 --> 00:33:28,040 Speaker 1: had out, like that's my song, two of my voices 651 00:33:28,080 --> 00:33:31,520 Speaker 1: on it. You're gonna get involved in more TV man, Yeah, yeah, 652 00:33:31,520 --> 00:33:33,440 Speaker 1: I got you got to Broy got a few other 653 00:33:33,480 --> 00:33:36,840 Speaker 1: shows come up. We're gonna see him. I started marketing 654 00:33:36,920 --> 00:33:41,280 Speaker 1: for him, my own one. I told him about it. 655 00:33:41,480 --> 00:33:46,960 Speaker 1: I got some pieces in action. Yeah, south Pool, July 656 00:33:47,080 --> 00:33:49,760 Speaker 1: twenty fourth. I just spoke to Jake, but he text 657 00:33:49,800 --> 00:33:53,040 Speaker 1: me yesterday because Dan paris promoting it. It's there. It's 658 00:33:53,040 --> 00:33:57,000 Speaker 1: cool and okay, so good. It's a good, good show. 659 00:33:57,120 --> 00:33:59,720 Speaker 1: It's not what you would think expect from a boxing 660 00:33:59,720 --> 00:34:03,440 Speaker 1: film because of like the Rockies and things, because the 661 00:34:03,640 --> 00:34:06,720 Speaker 1: sport itself has been enough action for you to show 662 00:34:08,360 --> 00:34:11,920 Speaker 1: the theatrics of boxing. But when you when you get 663 00:34:11,920 --> 00:34:14,400 Speaker 1: outside the ring, it's it's a real intense story, like 664 00:34:14,480 --> 00:34:17,800 Speaker 1: it's dope. This is a new improved fifty though fifty 665 00:34:17,840 --> 00:34:20,560 Speaker 1: Like he's shutting, he's stopping his centensis are you saying 666 00:34:20,600 --> 00:34:26,439 Speaker 1: just enough? No run on stuff, no matter, stop figuring 667 00:34:26,520 --> 00:34:30,400 Speaker 1: that out. You know, if I had the proper etiquette classes, 668 00:34:31,400 --> 00:34:34,319 Speaker 1: things would be crazy. But you know, I don't want 669 00:34:34,320 --> 00:34:35,960 Speaker 1: to go into public speak. I'm not trying to, you know, 670 00:34:36,080 --> 00:34:39,360 Speaker 1: chase Obama down, but that you know, I'm leaving it 671 00:34:39,520 --> 00:34:42,160 Speaker 1: like keep it hip hop. Sometimes I talking slang on 672 00:34:42,360 --> 00:34:47,000 Speaker 1: right and slang on the Instagram and stuff like that. 673 00:34:47,440 --> 00:34:50,120 Speaker 1: And you watch these people correct me and be like, oh, 674 00:34:50,440 --> 00:34:54,160 Speaker 1: now do you feel better about your life? You feel 675 00:34:54,239 --> 00:34:58,759 Speaker 1: better about your life? You unhappy? Mother. I want to 676 00:34:58,760 --> 00:35:00,759 Speaker 1: ask you to what you thought of the Apple Screaming deal, 677 00:35:00,880 --> 00:35:03,000 Speaker 1: because you know, you know, of course you did great 678 00:35:03,000 --> 00:35:05,480 Speaker 1: business with Jimmy and Drake that that that's what the 679 00:35:06,080 --> 00:35:10,400 Speaker 1: Beasts deal was about. They really wanted the rights the 680 00:35:10,560 --> 00:35:12,960 Speaker 1: stream shot. Apple has always been interested in music. Think 681 00:35:13,000 --> 00:35:14,920 Speaker 1: about it. The first place we started talking about going 682 00:35:14,960 --> 00:35:18,960 Speaker 1: to buy music be iTunes. It be Apple, you know, like, 683 00:35:19,080 --> 00:35:22,479 Speaker 1: so now they they're like from their relationship Steve Jobs 684 00:35:22,560 --> 00:35:25,640 Speaker 1: Jimmy relationship from way back, like the first time they 685 00:35:25,640 --> 00:35:28,440 Speaker 1: did probably placement in the music video was the ipart 686 00:35:28,560 --> 00:35:31,720 Speaker 1: and P and P. And it's because I immediately jumped 687 00:35:31,719 --> 00:35:33,440 Speaker 1: out there as soon as he said something about the 688 00:35:33,480 --> 00:35:36,520 Speaker 1: I pod said, you think you can sell us and 689 00:35:36,640 --> 00:35:38,960 Speaker 1: Jimmy's is strange enough. Whatever you say, they're gonna do it, 690 00:35:40,239 --> 00:35:42,279 Speaker 1: you know. And then they gave me a one hundred 691 00:35:42,320 --> 00:35:44,719 Speaker 1: fifty thousand dollars to do it, and we put it 692 00:35:44,760 --> 00:35:46,879 Speaker 1: against the course of the music video. At that point 693 00:35:46,920 --> 00:35:49,719 Speaker 1: we had the huge budgets, so it didn't do nothing. 694 00:35:50,040 --> 00:35:53,040 Speaker 1: Was a drop in the bucket, you know. And now 695 00:35:53,120 --> 00:35:55,759 Speaker 1: it's like, I mean, I think it's cool like that 696 00:35:56,840 --> 00:35:59,080 Speaker 1: music is just gonna be consumed differently. It's no lack 697 00:35:59,120 --> 00:36:01,200 Speaker 1: of interest in it because we're gonna still want to 698 00:36:01,200 --> 00:36:04,000 Speaker 1: go out and enjoy the festivities the way we've been. 699 00:36:04,800 --> 00:36:06,600 Speaker 1: Now you post a lot of pictures of your son, 700 00:36:07,120 --> 00:36:10,759 Speaker 1: so sire, and you also have him working now too, right, well, no, 701 00:36:10,840 --> 00:36:13,840 Speaker 1: it's just the kids, special kids for their own coverage 702 00:36:15,120 --> 00:36:19,640 Speaker 1: for college. He come in like you just did this 703 00:36:19,800 --> 00:36:23,560 Speaker 1: one thing. Like the people approach me about him, like 704 00:36:23,840 --> 00:36:27,120 Speaker 1: put me in the face of kick corner like, um, 705 00:36:27,480 --> 00:36:31,640 Speaker 1: not kids safe products because they got like audio products 706 00:36:31,719 --> 00:36:35,040 Speaker 1: that won't go over seven seven m. So it doesn't 707 00:36:35,080 --> 00:36:38,760 Speaker 1: damage your ear drums when kids are still developing, because 708 00:36:38,880 --> 00:36:41,279 Speaker 1: we'll let let the kid use the headsets that we're using. 709 00:36:41,400 --> 00:36:44,200 Speaker 1: But if they turned the value all the way up. Yeah, 710 00:36:46,080 --> 00:36:48,279 Speaker 1: so you're ready for a daughter next door? I do 711 00:36:48,440 --> 00:36:50,839 Speaker 1: want to have a daughter. I don't know where I'm 712 00:36:50,880 --> 00:36:54,360 Speaker 1: ready to. Did you play in the last one? The 713 00:36:54,440 --> 00:36:58,400 Speaker 1: last one you said it was a little that's why 714 00:36:58,480 --> 00:37:00,560 Speaker 1: he was already here for a year before news. Yea, 715 00:37:01,040 --> 00:37:02,800 Speaker 1: you will do the celebrity thing this time, let me 716 00:37:02,840 --> 00:37:06,239 Speaker 1: go get a celebrity check. I don't know, man, see 717 00:37:06,280 --> 00:37:11,000 Speaker 1: when you saying like you got but this way, you 718 00:37:11,080 --> 00:37:13,080 Speaker 1: see what you said that the celebrity thing like that? 719 00:37:13,239 --> 00:37:16,160 Speaker 1: That scares me. That's the point where you're not in 720 00:37:16,239 --> 00:37:20,759 Speaker 1: control anymore. Someone else is there who can completely change 721 00:37:20,800 --> 00:37:23,600 Speaker 1: the perception of right the things they're saying or doing. 722 00:37:23,760 --> 00:37:27,359 Speaker 1: Following that, when that doesn't work, well, oh, I've been 723 00:37:27,440 --> 00:37:29,319 Speaker 1: saying so you like like how like people started calling 724 00:37:29,360 --> 00:37:37,920 Speaker 1: Kanye Kanye Kardashian got you. I don't know, it's just marketing. 725 00:37:37,960 --> 00:37:40,000 Speaker 1: You don't know what they're gonna do is crazy. Afterwards, 726 00:37:40,760 --> 00:37:42,520 Speaker 1: they would have thought. They would have never thought that 727 00:37:42,640 --> 00:37:46,040 Speaker 1: the dad is a star when you take give me 728 00:37:46,160 --> 00:37:50,640 Speaker 1: some boobs. Look, Amy, I'm gonna be honest. My sexualogy 729 00:37:50,680 --> 00:37:53,360 Speaker 1: for the last five years, I come to the anoledgement. 730 00:37:53,760 --> 00:37:57,480 Speaker 1: I'm look, I'm a lesbian. I'm a lesbian right now, 731 00:37:57,480 --> 00:37:59,960 Speaker 1: I'm not cutting nothing about changing nothing, but I'm a lesbian. 732 00:38:00,000 --> 00:38:03,160 Speaker 1: And look, girl, if you ever think about going that way, 733 00:38:03,200 --> 00:38:06,920 Speaker 1: I'm here for you. You know, like, you didn't change nothing. 734 00:38:07,040 --> 00:38:10,040 Speaker 1: You just what boots on some crazy dress up joint. 735 00:38:10,120 --> 00:38:11,719 Speaker 1: You haven't even committed you want to commit? Cut you 736 00:38:11,960 --> 00:38:14,399 Speaker 1: cut it, kind of just kind of cut it off. See, 737 00:38:14,440 --> 00:38:16,960 Speaker 1: then we're gonna know it's real. We know it's real. Yeah, 738 00:38:17,200 --> 00:38:20,200 Speaker 1: I would never right now, you're cross dressing, right you 739 00:38:20,280 --> 00:38:23,200 Speaker 1: cause dressing extreme cross stressing. You wouldn't did boobs and 740 00:38:23,640 --> 00:38:25,800 Speaker 1: and came back. That's that's what an extreme cross stressing. 741 00:38:25,840 --> 00:38:27,440 Speaker 1: And you're still saying I do want that girl that 742 00:38:27,520 --> 00:38:30,200 Speaker 1: I still want the girls. Nah, you gotta commit, broa, 743 00:38:30,320 --> 00:38:32,520 Speaker 1: how are you gonna do that? How do you go 744 00:38:32,640 --> 00:38:35,160 Speaker 1: that far for that? Whatever? Man? I think this is 745 00:38:35,600 --> 00:38:38,240 Speaker 1: I openmotional stun on some levels. Think about it absolutely 746 00:38:38,239 --> 00:38:40,520 Speaker 1: because you're not changing any positions. You're just saying, well, 747 00:38:40,560 --> 00:38:43,480 Speaker 1: you're just physically changing something. Absolutely, Now you now your 748 00:38:43,920 --> 00:38:49,279 Speaker 1: parents one you know, went up one hundred minimum at 749 00:38:49,320 --> 00:38:51,279 Speaker 1: sixty five. This is something you have to consider that 750 00:38:52,200 --> 00:38:54,840 Speaker 1: sixty five. Man, Listen, everything is not as hard as 751 00:38:54,880 --> 00:38:56,880 Speaker 1: the status it used to be. So you're sitting there 752 00:38:56,960 --> 00:39:00,719 Speaker 1: looking like this weight, I think I can pull it off. Man. 753 00:39:01,800 --> 00:39:04,040 Speaker 1: If I was a transgender that actually committed all the 754 00:39:04,080 --> 00:39:06,400 Speaker 1: way because you peter us off, i'd be upset, like, 755 00:39:06,480 --> 00:39:07,960 Speaker 1: how is he to post the boy for us? Some 756 00:39:08,040 --> 00:39:11,319 Speaker 1: people are upset, Yeah, because you're not going all the way. 757 00:39:12,719 --> 00:39:16,600 Speaker 1: That's just it's interesting. I Um. All I can think 758 00:39:16,600 --> 00:39:19,200 Speaker 1: about when I first saw was how it affects the kids. 759 00:39:19,840 --> 00:39:22,640 Speaker 1: How it affect the kids because going to school and 760 00:39:22,719 --> 00:39:28,439 Speaker 1: they're going yo, pops is your mom like you know kids? 761 00:39:28,480 --> 00:39:35,960 Speaker 1: Because brutal the truth? Yeah it ain't. It's just flat 762 00:39:36,000 --> 00:39:38,320 Speaker 1: out truth. You can't even But that one felt like 763 00:39:38,360 --> 00:39:43,120 Speaker 1: a punch, didn't it. Like you'd be like, oh yeah, yeah, 764 00:39:43,160 --> 00:39:45,239 Speaker 1: you know, I got some interesting things going on back 765 00:39:45,239 --> 00:39:47,760 Speaker 1: at the crib. What's the difference you think between Caitlin 766 00:39:47,800 --> 00:39:54,600 Speaker 1: and young thuck what you said, whoa, that's a huge Yeah. 767 00:39:54,640 --> 00:39:58,239 Speaker 1: I think playing with lines and for shock value and 768 00:39:58,280 --> 00:40:00,719 Speaker 1: stuff with these I don't know, like because he said 769 00:40:00,760 --> 00:40:06,440 Speaker 1: he was smoking a penis. Yeah, and he's engaged getting 770 00:40:06,480 --> 00:40:09,719 Speaker 1: married to a woman. Man. We live in the non 771 00:40:09,760 --> 00:40:18,320 Speaker 1: traditional time. That's a good way to say, Rod Timmy, 772 00:40:18,440 --> 00:40:20,319 Speaker 1: we appreciate you and fifty for joining us. We look 773 00:40:20,360 --> 00:40:22,680 Speaker 1: at this new music gonna beat this week. Renee is 774 00:40:22,680 --> 00:40:24,960 Speaker 1: telling me. He said it was tomorrow, he said later 775 00:40:25,040 --> 00:40:27,120 Speaker 1: on in the week now, oh yeah, and we need 776 00:40:27,160 --> 00:40:32,000 Speaker 1: a power calendar with Nottrii Angela and lives on three 777 00:40:32,080 --> 00:40:34,279 Speaker 1: months we got. We're gonna put that on the loop. 778 00:40:35,040 --> 00:40:39,560 Speaker 1: We gonna have that on Instagram popping. She's aware, she's 779 00:40:39,600 --> 00:40:43,560 Speaker 1: ready for her She worked hard, like I told with Courtney. 780 00:40:43,640 --> 00:40:47,080 Speaker 1: Courtney one of the people that I put her in front, 781 00:40:47,520 --> 00:40:49,680 Speaker 1: in front of her, I want to jobs because we 782 00:40:49,800 --> 00:40:52,720 Speaker 1: have a relationship before that, we've been cool from MTV 783 00:40:52,880 --> 00:40:55,279 Speaker 1: anything else. So it's like she was ready. She had 784 00:40:55,360 --> 00:40:57,920 Speaker 1: been working on acting stuff for a long time. So 785 00:40:58,000 --> 00:41:00,920 Speaker 1: I was like, yo, I want you to meet with 786 00:41:01,000 --> 00:41:02,920 Speaker 1: her so you can you know, she can read, you know, 787 00:41:02,960 --> 00:41:06,000 Speaker 1: I talk about that roll and stuff Courtney. Yeah. They 788 00:41:06,080 --> 00:41:09,560 Speaker 1: sat and she was like, listen, I'm really really happy 789 00:41:09,640 --> 00:41:11,960 Speaker 1: you did that. You know what I'm saying, because she 790 00:41:12,120 --> 00:41:14,600 Speaker 1: was ready. Like I'm not gonna put people. I never 791 00:41:14,680 --> 00:41:17,800 Speaker 1: played somebody that I don't feel like it's ready for 792 00:41:17,920 --> 00:41:20,600 Speaker 1: that position right there, Like as a favor no, I 793 00:41:20,719 --> 00:41:22,960 Speaker 1: go no. When I know he got that thing already, 794 00:41:23,239 --> 00:41:26,160 Speaker 1: then I'm like, yeah, put that there because it belonged there. 795 00:41:26,160 --> 00:41:29,080 Speaker 1: And then people will go They're usually happy that I 796 00:41:29,200 --> 00:41:34,520 Speaker 1: made the suggestion like yours. Yeah, and they really wanted 797 00:41:34,520 --> 00:41:35,800 Speaker 1: to be on this season because I know he was 798 00:41:35,840 --> 00:41:43,600 Speaker 1: featured one. There you go, I'll be back, but we 799 00:41:43,680 --> 00:41:46,840 Speaker 1: appreciate you joining us. Fifty cent role Timmy sir, And 800 00:41:46,920 --> 00:41:48,200 Speaker 1: it's the Breakfast Club. Good mine