1 00:00:01,040 --> 00:00:04,000 Speaker 1: Welcome to Stuff You Missed in History Class from how 2 00:00:04,080 --> 00:00:13,080 Speaker 1: Stuff Works dot com. Hello, and welcome to the podcast. 3 00:00:13,240 --> 00:00:17,640 Speaker 1: I'm Tracy Wilson and i'm today we have a listener 4 00:00:17,720 --> 00:00:22,720 Speaker 1: request by everyone. It certainly seems that way, it feels 5 00:00:22,760 --> 00:00:25,000 Speaker 1: that way. It's something people have been asking us through 6 00:00:25,040 --> 00:00:27,880 Speaker 1: an episode on since we joined the podcast, and then 7 00:00:29,120 --> 00:00:32,080 Speaker 1: last week I asked on our Facebook page for events 8 00:00:32,280 --> 00:00:34,800 Speaker 1: specifically that people would like to hear about because our 9 00:00:34,840 --> 00:00:40,760 Speaker 1: listener ideas list is about people. Uh and Carmen, Carol 10 00:00:40,880 --> 00:00:44,360 Speaker 1: and Aisha all asked to hear about this. UM. I 11 00:00:44,400 --> 00:00:46,800 Speaker 1: also want to give a special shout out to Ayisha, 12 00:00:46,920 --> 00:00:50,120 Speaker 1: and I hope I'm saying your name correctly. Aisha went 13 00:00:50,120 --> 00:00:53,559 Speaker 1: through and answered so many people who asked about episodes 14 00:00:53,600 --> 00:00:56,800 Speaker 1: that we actually already have after I had like clocked 15 00:00:56,800 --> 00:01:00,440 Speaker 1: out for the weekend, came to work on my day morning, 16 00:01:00,440 --> 00:01:02,600 Speaker 1: and when I started plowing through that threat again, they 17 00:01:02,600 --> 00:01:04,880 Speaker 1: were all these answers that it was great and I 18 00:01:04,920 --> 00:01:07,200 Speaker 1: will thank her too because I was away on vacation 19 00:01:07,280 --> 00:01:10,200 Speaker 1: at the time, so she covers both of us very kindly. 20 00:01:10,959 --> 00:01:14,039 Speaker 1: That was awesome. So if you go to the movies 21 00:01:14,120 --> 00:01:17,880 Speaker 1: today anywhere in the developed world, there's going to be 22 00:01:17,880 --> 00:01:21,200 Speaker 1: an announcement before the feature reminding you to look for 23 00:01:21,280 --> 00:01:24,679 Speaker 1: your nearest exit. Uh. If you like movies at all, 24 00:01:24,760 --> 00:01:26,959 Speaker 1: you've probably heard it so many times that you don't 25 00:01:26,959 --> 00:01:30,560 Speaker 1: really even think about it anymore. You probably also don't 26 00:01:30,600 --> 00:01:33,040 Speaker 1: need to be reminded that it might be behind you. 27 00:01:33,720 --> 00:01:37,080 Speaker 1: And you probably also just take for granted that if 28 00:01:37,080 --> 00:01:39,840 Speaker 1: there's an emergency, you can push on the door and 29 00:01:39,920 --> 00:01:45,480 Speaker 1: it will open. That standard. Yeah, it's pretty movie theater 30 00:01:45,560 --> 00:01:50,400 Speaker 1: standard business now. Not so in h three, when Chicago's 31 00:01:50,440 --> 00:01:53,639 Speaker 1: Iroquois Theater, which had only been opened for five weeks, 32 00:01:54,080 --> 00:01:59,800 Speaker 1: caught fire and killed more than six hundred people, are alert. 33 00:02:00,000 --> 00:02:02,640 Speaker 1: This is not a peppy episode. No, And if you 34 00:02:02,720 --> 00:02:06,280 Speaker 1: already feel depressed, so many people have asked us to 35 00:02:06,320 --> 00:02:10,079 Speaker 1: talk about this, so so, so many so. Uh, if 36 00:02:10,080 --> 00:02:15,760 Speaker 1: you're angry at another Dead Women and Children's story, blame them. 37 00:02:15,840 --> 00:02:18,720 Speaker 1: I don't know. You can maybe come back to this 38 00:02:18,760 --> 00:02:21,720 Speaker 1: one later when you're in a lighter mood, and it 39 00:02:21,800 --> 00:02:25,200 Speaker 1: will be quite so impactful on your your well being. Yeah, 40 00:02:25,200 --> 00:02:27,040 Speaker 1: and I personally have been trying to stick with more 41 00:02:27,040 --> 00:02:29,960 Speaker 1: hopeful stories since we're heading into the holiday season, and 42 00:02:29,960 --> 00:02:33,720 Speaker 1: this is oddly even more appropriate because it happens darium 43 00:02:33,760 --> 00:02:39,600 Speaker 1: holiday season. Yeah. So, yeah, we'll make great efforts to 44 00:02:39,639 --> 00:02:42,640 Speaker 1: do peppier ones in the next the next several episodes 45 00:02:42,680 --> 00:02:46,800 Speaker 1: at least, uh so. The Iroquois Theater on Randolph Street 46 00:02:46,840 --> 00:02:49,400 Speaker 1: in Chicago was, as Tracy said, just a moment ago 47 00:02:49,919 --> 00:02:53,160 Speaker 1: nearly knew when it burned. It opened on November twenty three, 48 00:02:53,360 --> 00:02:56,720 Speaker 1: nine three, and it was six stories tall and described 49 00:02:56,760 --> 00:02:59,600 Speaker 1: by Eddie Foy, who was on stage for its last performance, 50 00:02:59,680 --> 00:03:02,400 Speaker 1: as quote one of the finest that had yet been 51 00:03:02,400 --> 00:03:06,040 Speaker 1: built in this country, a palace of marble and plate glass, 52 00:03:06,360 --> 00:03:11,400 Speaker 1: plush and mahogany and guilding. Its foyer was immense. It 53 00:03:11,520 --> 00:03:15,040 Speaker 1: had these sixty foot ceilings and a grand staircase on 54 00:03:15,080 --> 00:03:19,280 Speaker 1: either side, and then the backstage accommodations for the performers 55 00:03:19,280 --> 00:03:23,280 Speaker 1: and the orchestra were similarly very well appointed. It was 56 00:03:23,360 --> 00:03:27,760 Speaker 1: also supposed to be entirely fireproof, and, as we've talked 57 00:03:27,800 --> 00:03:30,320 Speaker 1: about in past episodes, including the one on the Grove 58 00:03:30,400 --> 00:03:33,880 Speaker 1: Park in Buyer, was a really huge threat to hotels 59 00:03:33,880 --> 00:03:38,560 Speaker 1: and other public buildings. Various architects, planners, and builders tried 60 00:03:38,600 --> 00:03:40,360 Speaker 1: their hand at coming up with a way to build 61 00:03:40,360 --> 00:03:44,680 Speaker 1: a fireproof building. Theater fires in particular had a huge 62 00:03:44,720 --> 00:03:48,920 Speaker 1: potential for catastrophe, so being fireproof was a really big deal. 63 00:03:50,040 --> 00:03:53,119 Speaker 1: And in addition to its construction, there was an asbestos 64 00:03:53,200 --> 00:03:56,160 Speaker 1: curtain that was supposed to protect the audience from any 65 00:03:56,240 --> 00:04:00,440 Speaker 1: kind of fire that started on the stage. Sho Tago's 66 00:04:00,480 --> 00:04:05,160 Speaker 1: building commissioner, George Williams and its fire inspector Ed Laughlin 67 00:04:05,320 --> 00:04:11,040 Speaker 1: called it quote fireproof beyond all doubts, but not everyone 68 00:04:11,320 --> 00:04:16,480 Speaker 1: was so convinced as that. William clendonan editor of Fireproof Magazine, 69 00:04:16,800 --> 00:04:19,919 Speaker 1: had inspected the Iroquois Theater that summer before it opened 70 00:04:20,160 --> 00:04:24,360 Speaker 1: and actually found it woefully lacking. Among his points, there 71 00:04:24,440 --> 00:04:26,960 Speaker 1: was no draft to draw fire up into the loft 72 00:04:27,000 --> 00:04:29,640 Speaker 1: instead of allowing it to spread out into the audience. 73 00:04:30,279 --> 00:04:34,400 Speaker 1: There were exposed reinforcements around the procenium arch, there was 74 00:04:34,480 --> 00:04:38,359 Speaker 1: too much wood trim everywhere. There was also no fire alarm, 75 00:04:38,600 --> 00:04:43,279 Speaker 1: no standpipe, and no sprinkler over the stage. So while 76 00:04:43,320 --> 00:04:48,279 Speaker 1: the building itself was widely touted as being fireproof, uh 77 00:04:48,360 --> 00:04:51,160 Speaker 1: if a fire did start, there was all kinds of 78 00:04:51,200 --> 00:04:54,479 Speaker 1: completely flammable stuff inside of it, and a fire was 79 00:04:54,640 --> 00:04:58,479 Speaker 1: very likely to spread unchecked without a way to either 80 00:04:58,560 --> 00:05:02,520 Speaker 1: summon the fire department from on the property or control 81 00:05:02,640 --> 00:05:07,200 Speaker 1: the fire until help arrived. At full capacity, the theater 82 00:05:07,279 --> 00:05:09,960 Speaker 1: was supposed to see one thousand, seven hundred and twenty 83 00:05:09,960 --> 00:05:13,640 Speaker 1: four people, but December thirty, nineteen o three was a 84 00:05:13,680 --> 00:05:17,359 Speaker 1: particularly busy day. School was still out for Christmas break 85 00:05:17,400 --> 00:05:20,080 Speaker 1: and the theater had been packed with nineteen hundred people 86 00:05:20,520 --> 00:05:24,200 Speaker 1: in a standing room only show, although some reports put 87 00:05:24,200 --> 00:05:27,599 Speaker 1: the number even higher than that, and unfortunately nearly all 88 00:05:27,640 --> 00:05:31,840 Speaker 1: of them were children and their mothers. The show that 89 00:05:31,920 --> 00:05:34,640 Speaker 1: day was a musical and it was called Mr. Blue Beard. 90 00:05:35,040 --> 00:05:38,800 Speaker 1: It started vaudeville comedian Eddie Foy in drag as the 91 00:05:38,920 --> 00:05:41,479 Speaker 1: role of Sister Anne, and he was backed up with 92 00:05:41,520 --> 00:05:44,599 Speaker 1: a troop of five hundred along with a full orchestra. 93 00:05:45,680 --> 00:05:48,760 Speaker 1: This play was an adaptation of Grimm's Fairy Tales that 94 00:05:48,800 --> 00:05:51,280 Speaker 1: had originally opened on Drewury Lane in London, and it 95 00:05:51,320 --> 00:05:54,320 Speaker 1: was touring with all the original props and scenery and 96 00:05:54,520 --> 00:05:57,640 Speaker 1: a lot of the original cast. And you may wonder 97 00:05:57,720 --> 00:05:59,680 Speaker 1: how a play about blue Beard would be okay for 98 00:05:59,760 --> 00:06:02,839 Speaker 1: child drim uh And in this version, all of blue 99 00:06:02,839 --> 00:06:06,320 Speaker 1: Beard's murdered wives are restored to life, and like many 100 00:06:06,400 --> 00:06:08,880 Speaker 1: musicals at the time, it was mostly a framing device 101 00:06:08,960 --> 00:06:11,120 Speaker 1: for a bunch of songs, so it focused less on 102 00:06:11,160 --> 00:06:14,720 Speaker 1: the actual story of blue Beard and his murderous freeze. 103 00:06:15,600 --> 00:06:17,440 Speaker 1: As you know if you've ever been in a play, 104 00:06:17,800 --> 00:06:21,680 Speaker 1: stage lights are really really hot, and in the second act, 105 00:06:21,920 --> 00:06:24,720 Speaker 1: eight couples took the stage for a number called In 106 00:06:24,760 --> 00:06:27,920 Speaker 1: the Pale Moonlight, and about three fifteen in the afternoon, 107 00:06:28,560 --> 00:06:32,840 Speaker 1: one of the painted canvas backdrops caught fire. It was 108 00:06:32,920 --> 00:06:36,840 Speaker 1: in the vicinity of a spotlight. There are various explanations 109 00:06:36,880 --> 00:06:41,479 Speaker 1: for exactly what happened. One is that the backdrop brushed 110 00:06:41,520 --> 00:06:45,120 Speaker 1: against a reflector of the spotlight, which was extremely hot. 111 00:06:45,680 --> 00:06:49,280 Speaker 1: Another is that it actually blew blue a fuse. Another 112 00:06:49,400 --> 00:06:53,560 Speaker 1: is that just something went wrong and a spark shot out. Uh. Regardless, 113 00:06:53,640 --> 00:06:58,800 Speaker 1: this oil paint covered canvas backdrop started to smolder, and 114 00:06:59,080 --> 00:07:02,720 Speaker 1: a stage hand named William McMullan saw it happen and 115 00:07:02,880 --> 00:07:06,040 Speaker 1: actually tried to put it out with his hands like 116 00:07:06,120 --> 00:07:09,720 Speaker 1: you would hit out something small that was smoldering, but 117 00:07:09,760 --> 00:07:12,840 Speaker 1: he couldn't reach it from the catwalk where he was standing. 118 00:07:13,800 --> 00:07:17,040 Speaker 1: Also on hand was an on site firefighter who tried 119 00:07:17,080 --> 00:07:18,840 Speaker 1: to put the fire out with two tubes of a 120 00:07:18,880 --> 00:07:23,240 Speaker 1: product called kill Fires. This was, according to an advertisement 121 00:07:23,280 --> 00:07:26,240 Speaker 1: in the Los Angeles Herald the following year, quote, a 122 00:07:26,320 --> 00:07:29,320 Speaker 1: dry compound in a tin tube and weighs less than 123 00:07:29,360 --> 00:07:33,440 Speaker 1: three pounds. So it's primary component was by carbonate of soda, 124 00:07:33,600 --> 00:07:36,440 Speaker 1: baking soda. And it probably would have done fine for 125 00:07:36,440 --> 00:07:38,920 Speaker 1: the task of putting out a grease fire in a kitchen, 126 00:07:39,320 --> 00:07:41,760 Speaker 1: But on the vertical surface of a burning oil paint 127 00:07:41,840 --> 00:07:44,520 Speaker 1: covered canvas, it was not sufficient to do the job 128 00:07:44,560 --> 00:07:47,960 Speaker 1: at all, and the fire started to spread. Yeah, it's 129 00:07:48,080 --> 00:07:55,640 Speaker 1: it was basically meant to smother a fire out, and yeah, 130 00:07:55,680 --> 00:07:58,480 Speaker 1: there was literally no way to do that on a vertical, 131 00:07:59,000 --> 00:08:02,080 Speaker 1: hanging surface. This so at first the audience didn't know 132 00:08:02,160 --> 00:08:05,480 Speaker 1: anything was wrong because the fire, as fire generally does, 133 00:08:05,520 --> 00:08:09,160 Speaker 1: climbed upwards, and the first things that really caught were 134 00:08:09,320 --> 00:08:12,600 Speaker 1: everything in the fly space above the stage. This was 135 00:08:12,680 --> 00:08:17,520 Speaker 1: full of curtains and painted canvas backdrops and other scenery 136 00:08:17,560 --> 00:08:23,200 Speaker 1: that was suspended above the stage area. But the audience's 137 00:08:23,320 --> 00:08:26,960 Speaker 1: lack of awareness about the situation changed rather quickly as 138 00:08:27,000 --> 00:08:29,760 Speaker 1: the various flies and curtains caught fire and started to 139 00:08:29,840 --> 00:08:34,800 Speaker 1: fall still burning onto the stage. So things are going 140 00:08:34,840 --> 00:08:37,600 Speaker 1: to become pretty horrifying in a minute, and before they do, 141 00:08:37,920 --> 00:08:41,319 Speaker 1: let's take a brief word from a sponsor. As soon 142 00:08:41,440 --> 00:08:46,720 Speaker 1: as burning scenery started to fall onto the stage, the actors, 143 00:08:46,840 --> 00:08:49,440 Speaker 1: i mean some of them, continued on in their roles 144 00:08:49,520 --> 00:08:52,560 Speaker 1: and some of them really started to panic. People in 145 00:08:52,600 --> 00:08:56,160 Speaker 1: the audience also started to panic, and Eddie Foy, who 146 00:08:56,160 --> 00:08:58,520 Speaker 1: had been in his dressing room when the fire started, 147 00:08:58,679 --> 00:09:01,560 Speaker 1: ran out to find out what the emotion was. He 148 00:09:01,600 --> 00:09:04,240 Speaker 1: had actually brought one of his children, a little boy 149 00:09:04,320 --> 00:09:07,000 Speaker 1: named Brian, to the show, and since there weren't any 150 00:09:07,080 --> 00:09:09,640 Speaker 1: seat of seats available, he'd let Brian sit in one 151 00:09:09,640 --> 00:09:13,720 Speaker 1: of the wings. When Foy saw what was happening, the 152 00:09:13,800 --> 00:09:15,840 Speaker 1: first thing that he did was find his son and 153 00:09:15,880 --> 00:09:17,800 Speaker 1: give him to a stage hand to try to keep 154 00:09:17,880 --> 00:09:20,480 Speaker 1: him safe, and then he ran downstage to try to 155 00:09:20,520 --> 00:09:23,840 Speaker 1: calm the audience. He told them not to get too excited, 156 00:09:23,840 --> 00:09:28,000 Speaker 1: that everything was under control. It became pretty clear quickly 157 00:09:28,080 --> 00:09:31,959 Speaker 1: that it wasn't actually under control, because burning curtains started 158 00:09:31,960 --> 00:09:35,320 Speaker 1: following onto the stage at his feet. At this point, 159 00:09:35,360 --> 00:09:38,720 Speaker 1: he yelled at the stage manager to drop the asbestos curtain, 160 00:09:39,440 --> 00:09:42,000 Speaker 1: but that curtain got snagged on a light fixture and 161 00:09:42,040 --> 00:09:46,719 Speaker 1: it jammed part way down its track. Boy stayed on 162 00:09:46,760 --> 00:09:50,240 Speaker 1: the stage. He really did his best to calm the audience, 163 00:09:50,679 --> 00:09:52,839 Speaker 1: and while the people in front who could see and 164 00:09:52,920 --> 00:09:56,120 Speaker 1: hear him, did try or did at least seem to 165 00:09:56,160 --> 00:09:59,840 Speaker 1: try to take a more orderly, calm approach for the exit. 166 00:10:00,480 --> 00:10:03,199 Speaker 1: At this point, the people in the balconies were already 167 00:10:03,240 --> 00:10:08,360 Speaker 1: completely in a panic. The actors and dancers, completely terrified, 168 00:10:08,960 --> 00:10:11,960 Speaker 1: fled the theater through the stage door. When they did, 169 00:10:12,120 --> 00:10:14,520 Speaker 1: a huge blast of air came in through that door 170 00:10:14,559 --> 00:10:17,839 Speaker 1: and forced the flames under the asbestos curtain. So he 171 00:10:17,880 --> 00:10:19,400 Speaker 1: had come down part way, and now it was just 172 00:10:19,440 --> 00:10:22,160 Speaker 1: sort of being drafted out underneath it into the audience. 173 00:10:22,679 --> 00:10:24,680 Speaker 1: Events that should have allowed the n rushing ear to 174 00:10:24,800 --> 00:10:28,440 Speaker 1: escape through the roof were nailed shut. These were also 175 00:10:28,480 --> 00:10:30,920 Speaker 1: supposed to contain fans to draw the air out, but 176 00:10:31,000 --> 00:10:35,359 Speaker 1: those had never been finished. The result of this combination 177 00:10:35,400 --> 00:10:39,440 Speaker 1: of fire and air flow was an enormous fireball, and 178 00:10:39,520 --> 00:10:41,959 Speaker 1: it spread out over the heads of the people who 179 00:10:42,040 --> 00:10:44,800 Speaker 1: were on the first floor of the theater, and according 180 00:10:44,840 --> 00:10:48,920 Speaker 1: to reports, that actually brushed the balconies. Everything in the 181 00:10:48,960 --> 00:10:52,640 Speaker 1: house that was flammable caught fire and the audience started 182 00:10:52,679 --> 00:10:56,600 Speaker 1: to flee for the doors. As the stage literally started 183 00:10:56,640 --> 00:11:00,880 Speaker 1: to collapse, Foy looked up and saw that the asbestos 184 00:11:00,880 --> 00:11:04,160 Speaker 1: curtain itself was now burning. It was basically too thin 185 00:11:04,280 --> 00:11:07,200 Speaker 1: and it wasn't rein forced, so once the fire got 186 00:11:07,240 --> 00:11:10,680 Speaker 1: to it, it literally fell apart. Boys actions were really 187 00:11:10,720 --> 00:11:13,280 Speaker 1: pretty heroic during all of this. He stayed on stage 188 00:11:13,360 --> 00:11:16,480 Speaker 1: as long as he could, trying to encourage people to 189 00:11:16,640 --> 00:11:20,679 Speaker 1: calmly steak safety, and so finally the blinding smoke and 190 00:11:20,960 --> 00:11:23,679 Speaker 1: terror for the safety of his own son sent him 191 00:11:23,720 --> 00:11:26,360 Speaker 1: out the stage door as well, and he was reunited 192 00:11:26,360 --> 00:11:30,160 Speaker 1: with his little boy outside. As he left, the cables 193 00:11:30,160 --> 00:11:32,280 Speaker 1: holding the last of the flies and curtains and the 194 00:11:32,360 --> 00:11:36,560 Speaker 1: loft gave way and the whole burning mass of scenery 195 00:11:36,640 --> 00:11:40,320 Speaker 1: fell to the stage, causing a second fireball to erupt 196 00:11:40,360 --> 00:11:44,360 Speaker 1: through the house of the theater. The Iroquois Theater did 197 00:11:44,400 --> 00:11:47,240 Speaker 1: indeed have a lot of exits, twenty seven of them 198 00:11:47,240 --> 00:11:49,560 Speaker 1: in total, although there was one report that said there 199 00:11:49,559 --> 00:11:53,840 Speaker 1: were thirty, with twenty seven of them locked, but some 200 00:11:53,960 --> 00:11:58,480 Speaker 1: of them were actually obscured by drapes. Others have been 201 00:11:58,480 --> 00:12:00,680 Speaker 1: blocked in an effort to keep people from getting into 202 00:12:00,720 --> 00:12:03,360 Speaker 1: the show without buying a ticket, and those that could 203 00:12:03,400 --> 00:12:06,560 Speaker 1: be opened by the audience used an unfamiliar design and 204 00:12:06,640 --> 00:12:09,480 Speaker 1: people did not know how to get them open. They 205 00:12:09,520 --> 00:12:12,920 Speaker 1: had kind of a weird, fiddly lever thing that would 206 00:12:12,920 --> 00:12:17,200 Speaker 1: have been tricky and even under good circumstances, but by 207 00:12:17,440 --> 00:12:20,520 Speaker 1: terrified people in a building filling with smoke, they were 208 00:12:20,880 --> 00:12:24,240 Speaker 1: next to impossible. Um Also, just before we came in 209 00:12:24,280 --> 00:12:28,120 Speaker 1: here I found a report that the the actual doors 210 00:12:28,240 --> 00:12:32,079 Speaker 1: leading from the balcony to those grand staircases had also 211 00:12:32,160 --> 00:12:34,240 Speaker 1: been locked to try to keep the people in the 212 00:12:34,280 --> 00:12:38,240 Speaker 1: balconies from getting to the better seats in the lower 213 00:12:38,320 --> 00:12:42,400 Speaker 1: levels of the theater without paying for them. So as 214 00:12:42,440 --> 00:12:45,160 Speaker 1: people tried to push their way out, the situation only 215 00:12:45,200 --> 00:12:48,720 Speaker 1: got worse. Smoke filled the theater and no one could see, 216 00:12:48,800 --> 00:12:51,280 Speaker 1: and there were also no emergency lights that would have 217 00:12:51,320 --> 00:12:55,080 Speaker 1: helped guide people to the exits. Those who made it 218 00:12:55,080 --> 00:12:57,480 Speaker 1: to the doors first were actually crushed against them by 219 00:12:57,480 --> 00:13:00,720 Speaker 1: the people behind. People who fell while trying to reach 220 00:13:00,760 --> 00:13:06,120 Speaker 1: safety were trampled to death. Casualties even continued outside the 221 00:13:06,120 --> 00:13:08,760 Speaker 1: theater because the fires spread up the side of the 222 00:13:08,800 --> 00:13:12,280 Speaker 1: building under the fire escapes, so people who had been 223 00:13:12,280 --> 00:13:15,440 Speaker 1: in the balconies and actually managed to get out onto 224 00:13:15,440 --> 00:13:18,680 Speaker 1: the fire escape, saw that it was impassable, and they 225 00:13:18,679 --> 00:13:22,319 Speaker 1: tried to jump. A lot of them died when they landed, 226 00:13:22,480 --> 00:13:26,480 Speaker 1: and later waves of people who jumped survived only because 227 00:13:26,520 --> 00:13:28,559 Speaker 1: they landed on the bodies of the people who had 228 00:13:28,600 --> 00:13:32,040 Speaker 1: died in the jump previously. Then that got even worse 229 00:13:32,080 --> 00:13:34,840 Speaker 1: because the people jumped after them crushed the people who 230 00:13:34,840 --> 00:13:39,439 Speaker 1: had initially survived their descent. And I need a break 231 00:13:39,640 --> 00:13:43,080 Speaker 1: from the story. It's it's so awful. It's one of 232 00:13:43,120 --> 00:13:47,520 Speaker 1: those things that sounds almost ridiculous in just the levels 233 00:13:47,559 --> 00:13:50,360 Speaker 1: of horror that keep kind of layering on top of 234 00:13:50,360 --> 00:13:54,880 Speaker 1: one another. It gets worse and worse. Yeah, So we're 235 00:13:54,920 --> 00:13:58,360 Speaker 1: going to take another brief pause or a word from 236 00:13:58,360 --> 00:14:01,520 Speaker 1: a sponsor, so to get back to the Iroquois Theater fire. 237 00:14:02,720 --> 00:14:07,480 Speaker 1: It was all over in about fifteen minutes. Because there 238 00:14:07,559 --> 00:14:10,240 Speaker 1: was no fire alarm in the theater, a stage hand 239 00:14:10,400 --> 00:14:13,160 Speaker 1: had to run to the nearest fire station to someone help. 240 00:14:14,040 --> 00:14:17,440 Speaker 1: Firefighters had the blaze extinguished within about half an hour. 241 00:14:17,640 --> 00:14:19,840 Speaker 1: There wasn't really much left for them to do when 242 00:14:19,840 --> 00:14:22,080 Speaker 1: they got there because the fire had burned up just 243 00:14:22,160 --> 00:14:26,520 Speaker 1: about everything that was flammable by that point that people 244 00:14:26,560 --> 00:14:30,040 Speaker 1: who had survived the crushing rush for the exits had 245 00:14:30,120 --> 00:14:35,080 Speaker 1: all nearly died of smoke inhalation. Firefighters found piles of 246 00:14:35,160 --> 00:14:38,800 Speaker 1: bodies up to ten deep at the exits and clogging 247 00:14:38,880 --> 00:14:42,480 Speaker 1: all of the aisles. In total, five hundred and seventy 248 00:14:42,480 --> 00:14:45,080 Speaker 1: five people died that day out of the nineteen hundred 249 00:14:45,080 --> 00:14:48,720 Speaker 1: that were there, so that equates to about thirty of 250 00:14:48,720 --> 00:14:51,960 Speaker 1: the audience. Nearly all of the victims were women and children, 251 00:14:52,440 --> 00:14:54,560 Speaker 1: and thirty more people died of their injuries in the 252 00:14:54,600 --> 00:14:58,480 Speaker 1: following weeks, and hundreds more were injured by the whole event. 253 00:14:59,240 --> 00:15:01,960 Speaker 1: Most of those old had been in the balconies. A 254 00:15:02,080 --> 00:15:05,880 Speaker 1: very few people were almost miraculously pulled out from under 255 00:15:05,880 --> 00:15:08,240 Speaker 1: the bodies of others, which had protected them from the 256 00:15:08,280 --> 00:15:13,480 Speaker 1: smoke and the fire. The whole thing was obviously devastating 257 00:15:13,560 --> 00:15:19,000 Speaker 1: to Chicago's family families, with the overwhelming number of victims 258 00:15:19,120 --> 00:15:23,280 Speaker 1: being moms and their children. Was the deadliest fire in 259 00:15:23,400 --> 00:15:27,360 Speaker 1: Chicago history, far outpacing the Great Chicago Fire, which killed 260 00:15:27,400 --> 00:15:31,920 Speaker 1: about two hundred fifty was also the deadliest theater fire 261 00:15:32,080 --> 00:15:35,080 Speaker 1: in the United States history, and I think it's still 262 00:15:35,120 --> 00:15:43,960 Speaker 1: also the largest single building fire depth holl The cast, 263 00:15:44,480 --> 00:15:48,000 Speaker 1: having escaped through the stage door, was almost unscathed. The 264 00:15:48,040 --> 00:15:51,360 Speaker 1: only fatality among the performers was a tight rope artist 265 00:15:51,400 --> 00:15:53,480 Speaker 1: named Nellie Reid, who was supposed to be part of 266 00:15:53,480 --> 00:15:56,160 Speaker 1: a flying ballet and had been in the loft above 267 00:15:56,160 --> 00:15:58,880 Speaker 1: the stage when the fire started. She died of her 268 00:15:59,000 --> 00:16:01,960 Speaker 1: burns a few days to the incident. When all of 269 00:16:02,000 --> 00:16:06,160 Speaker 1: this happened, it was a huge scandal, even though having 270 00:16:06,240 --> 00:16:10,240 Speaker 1: twenty seven exits and an asbestos curtain and an onsite 271 00:16:10,240 --> 00:16:14,360 Speaker 1: on site firefighter sounds like it's good from a fire 272 00:16:14,440 --> 00:16:20,480 Speaker 1: safety standpoint. A whole series of inquests and investigations followed 273 00:16:20,480 --> 00:16:23,680 Speaker 1: the tragedy, and every single one of them unearthed all 274 00:16:23,920 --> 00:16:27,800 Speaker 1: kinds of problems in terms of safety and oversight. The 275 00:16:28,080 --> 00:16:32,520 Speaker 1: Chicago Daily Tribune actually sponsored its own investigation, and it 276 00:16:32,600 --> 00:16:37,680 Speaker 1: later published an enormous list of faults and wrongdoing. The 277 00:16:37,680 --> 00:16:40,760 Speaker 1: theater itself had actually been in violation of fire code 278 00:16:40,800 --> 00:16:45,040 Speaker 1: before its opening, but city officials got complimentary tickets and 279 00:16:45,080 --> 00:16:48,080 Speaker 1: they looked the other way. In addition to all the 280 00:16:48,120 --> 00:16:51,400 Speaker 1: problems we mentioned earlier, there were no hooks for taking 281 00:16:51,400 --> 00:16:54,760 Speaker 1: down burning scenery. There were no fire extinguishers, and there 282 00:16:54,800 --> 00:16:56,760 Speaker 1: was no training for the staff about what to do 283 00:16:56,840 --> 00:16:59,800 Speaker 1: in the event of an emergency. Had all the proper 284 00:16:59,840 --> 00:17:02,560 Speaker 1: cod it's been followed and had basic safety precautions been 285 00:17:02,560 --> 00:17:06,400 Speaker 1: in place, many lives would have been saved. Yeah, this 286 00:17:06,440 --> 00:17:09,440 Speaker 1: is a tragedy that a lot of times gets a 287 00:17:09,480 --> 00:17:14,760 Speaker 1: lot of credit for revolutionizing fire safety, which in some 288 00:17:14,920 --> 00:17:19,480 Speaker 1: aspects is true. But in other aspects there were actual 289 00:17:19,560 --> 00:17:22,119 Speaker 1: elements of the fire code that would have saved lives 290 00:17:22,160 --> 00:17:27,320 Speaker 1: and were not followed, and city inspectors did not do 291 00:17:27,440 --> 00:17:31,760 Speaker 1: anything to prevent the theater from opening up before those 292 00:17:31,880 --> 00:17:37,240 Speaker 1: faults were fixed. Although the theater manager and several Chicago 293 00:17:37,320 --> 00:17:40,960 Speaker 1: public officials were indicted, none of them were ever charged. 294 00:17:41,640 --> 00:17:45,240 Speaker 1: The owner of the theater was charged and convicted, but 295 00:17:45,359 --> 00:17:48,720 Speaker 1: that charge was later reversed. The only person who ever 296 00:17:48,800 --> 00:17:52,080 Speaker 1: did jail time in conjunction with this fire was a 297 00:17:52,119 --> 00:17:56,199 Speaker 1: tavern keeper whose business had been used as a temporary morgue, 298 00:17:56,600 --> 00:18:00,680 Speaker 1: and he was convicted of stealing from the dead. None 299 00:18:00,760 --> 00:18:04,000 Speaker 1: of the victims families received any sort of restitution, apart 300 00:18:04,119 --> 00:18:07,720 Speaker 1: from one class action suit whose members each received seven 301 00:18:07,760 --> 00:18:11,200 Speaker 1: hundred and fifty dollars. The mayor of Chicago at the 302 00:18:11,240 --> 00:18:13,800 Speaker 1: time was Carter H. Harrison, and he was one of 303 00:18:13,840 --> 00:18:17,760 Speaker 1: the people who was indicted after the fire. Afterward, he's 304 00:18:17,800 --> 00:18:21,359 Speaker 1: shut down more than a hundred and seventy theaters, churches, 305 00:18:21,400 --> 00:18:25,720 Speaker 1: and other gathering places to have them reinspected. He also 306 00:18:25,800 --> 00:18:30,280 Speaker 1: passed ordinances requiring that all theater doors be clearly marked 307 00:18:30,400 --> 00:18:33,919 Speaker 1: and open outward in the direction that traffic would need 308 00:18:33,960 --> 00:18:37,879 Speaker 1: to go in an emergency. And as devastating as this 309 00:18:38,000 --> 00:18:42,800 Speaker 1: fire was, the building itself was actually mostly unharmed. It 310 00:18:42,920 --> 00:18:45,159 Speaker 1: closed down and it reopened a year later as the 311 00:18:45,200 --> 00:18:49,080 Speaker 1: Colonial Theater. It was then torn down in to make 312 00:18:49,160 --> 00:18:52,400 Speaker 1: room for the Oriental Theater. It is now the Gertrude 313 00:18:52,400 --> 00:18:56,359 Speaker 1: cy Ford Center for the Performing Arts. There's also a 314 00:18:56,400 --> 00:19:01,959 Speaker 1: memorial to the disaster in Montrose Cemetery in Chicago, and today, 315 00:19:02,000 --> 00:19:04,639 Speaker 1: as Tracy mentioned at the top of the episode, just 316 00:19:04,680 --> 00:19:07,080 Speaker 1: about everywhere has laws saying that exits have to be 317 00:19:07,119 --> 00:19:08,760 Speaker 1: clearly marked and that you have to be able to 318 00:19:08,800 --> 00:19:11,360 Speaker 1: see them from the inside, even if you can't get 319 00:19:11,400 --> 00:19:14,560 Speaker 1: in from the outside. Because I was working on the 320 00:19:14,600 --> 00:19:17,240 Speaker 1: outline for this, I was reminded of the S. S. 321 00:19:17,240 --> 00:19:22,160 Speaker 1: Sultana episode Yes and which people ignored safety to make 322 00:19:22,320 --> 00:19:25,440 Speaker 1: extra money. I feel like we have had other episodes 323 00:19:25,520 --> 00:19:29,480 Speaker 1: also about people ignoring safety to make extra money. I 324 00:19:29,560 --> 00:19:33,440 Speaker 1: know there are definitely definitely episodes and the archives about 325 00:19:33,480 --> 00:19:37,239 Speaker 1: people ignoring safety to make extra money. I would like 326 00:19:37,359 --> 00:19:40,879 Speaker 1: the world to learn a lesson from this history and 327 00:19:41,000 --> 00:19:45,480 Speaker 1: stop ignoring safety to make extra money. Yeah. I mean, 328 00:19:45,520 --> 00:19:48,720 Speaker 1: it's one of those sort of horrible indicators of you know, 329 00:19:49,440 --> 00:19:52,200 Speaker 1: that aspect of human nature that you will prioritize cash 330 00:19:52,240 --> 00:19:57,800 Speaker 1: flow over doing the right thing. It's not our finest 331 00:19:57,840 --> 00:20:01,720 Speaker 1: hour as people. No, do you have some listener mail 332 00:20:01,800 --> 00:20:06,120 Speaker 1: to shift us into a slightly peppier and less depressing gear. Yes. 333 00:20:06,480 --> 00:20:08,280 Speaker 1: Before I read it, I do like part of me 334 00:20:08,359 --> 00:20:10,679 Speaker 1: wondered as I was finishing this up if all of 335 00:20:10,720 --> 00:20:13,879 Speaker 1: the people who have asked us to talk about this 336 00:20:13,920 --> 00:20:20,879 Speaker 1: episode already knew how heartbreakingly tragic it was. I feel 337 00:20:20,880 --> 00:20:23,360 Speaker 1: like some of them must have, and some of them, 338 00:20:23,600 --> 00:20:27,080 Speaker 1: uh probably had sort of heard it in the same 339 00:20:27,119 --> 00:20:30,600 Speaker 1: context as like the Triangle shirt waste factory fire, and 340 00:20:30,640 --> 00:20:33,560 Speaker 1: it's sort of it was a big fire. I would 341 00:20:33,560 --> 00:20:37,000 Speaker 1: like to hear more about that. Hm. Sorry, it's such 342 00:20:37,000 --> 00:20:40,160 Speaker 1: a terrible story. Well, and it is important. I mean, 343 00:20:40,359 --> 00:20:43,119 Speaker 1: there were a lot of you know, ramifications that we 344 00:20:43,160 --> 00:20:45,600 Speaker 1: still feel today, whether or not we knew that this 345 00:20:45,640 --> 00:20:48,959 Speaker 1: was the source of some of them, but it is. 346 00:20:49,000 --> 00:20:51,840 Speaker 1: It's not not really an uplifting and delightful adventure to 347 00:20:51,880 --> 00:20:55,359 Speaker 1: go on. I have a much more uplifting and delightful 348 00:20:55,480 --> 00:20:58,800 Speaker 1: listener mail. I love it when it's out. Yes, So 349 00:20:59,000 --> 00:21:02,719 Speaker 1: this is from Vanessa sa and Vanessa says, Hi, Tracy 350 00:21:02,760 --> 00:21:05,399 Speaker 1: and Holly. I was so happy to stumble onto your 351 00:21:05,440 --> 00:21:08,600 Speaker 1: podcast about the Lady Julianna. I'm a regular listener, but 352 00:21:08,640 --> 00:21:11,119 Speaker 1: I had that one unplayed in my feed when I 353 00:21:11,160 --> 00:21:14,359 Speaker 1: heard you reading listener mail about it. My fourth grade 354 00:21:14,400 --> 00:21:18,320 Speaker 1: grandmother Anne arrived in Australia on the Lady Julianna. She 355 00:21:18,400 --> 00:21:22,640 Speaker 1: had been convicted for stealing clothes from her employer. I'd 356 00:21:22,680 --> 00:21:25,960 Speaker 1: say she was already pretty sassy as at that tender age. 357 00:21:26,000 --> 00:21:29,240 Speaker 1: She was already using an alias Hannah and stated in 358 00:21:29,359 --> 00:21:32,520 Speaker 1: court quote, I had no more intention of taking the 359 00:21:32,640 --> 00:21:35,440 Speaker 1: things than I have of going to Jamaica this minute. 360 00:21:35,920 --> 00:21:39,119 Speaker 1: She was tried at the Old Bailey in February sight 361 00:21:39,480 --> 00:21:42,000 Speaker 1: and the court transcript still exists, which I think is 362 00:21:42,040 --> 00:21:45,240 Speaker 1: just the most amazing thing. She tried to bluff it out, 363 00:21:45,280 --> 00:21:47,359 Speaker 1: but it's pretty clear she was guilty of her crime. 364 00:21:47,880 --> 00:21:50,840 Speaker 1: She gave her ages nineteen, but she was probably only 365 00:21:50,880 --> 00:21:54,080 Speaker 1: fourteen or fifteen. On board the ship, she quickly took 366 00:21:54,160 --> 00:21:57,120 Speaker 1: up with a sailor James. I don't know whether they 367 00:21:57,119 --> 00:21:59,879 Speaker 1: had strong feelings for each other, if it was exploitation 368 00:22:00,000 --> 00:22:03,680 Speaker 1: on his part or pragmatism on hers. I just hope 369 00:22:03,680 --> 00:22:06,639 Speaker 1: it made her voyage more comfortable. I have heard the 370 00:22:06,640 --> 00:22:09,280 Speaker 1: trip to the colony of New South Wales described as 371 00:22:09,320 --> 00:22:12,840 Speaker 1: akin to traveling to the Moon, a prospect which must 372 00:22:12,880 --> 00:22:15,520 Speaker 1: have been terrifying at times to a girl so young 373 00:22:16,200 --> 00:22:18,840 Speaker 1: when she arrived in New South Wales in June and 374 00:22:19,000 --> 00:22:22,440 Speaker 1: was about five months pregnant on the sixth of October 375 00:22:22,520 --> 00:22:26,680 Speaker 1: seventeen ninety four months after landing, and married Thomas, who 376 00:22:26,680 --> 00:22:29,320 Speaker 1: had arrived in the second fleet on the twenty eighth 377 00:22:29,400 --> 00:22:33,480 Speaker 1: of June. See On Board the Neptune. The treatment of 378 00:22:33,520 --> 00:22:36,320 Speaker 1: convicts aboard the Neptune has been described as the most 379 00:22:36,359 --> 00:22:40,120 Speaker 1: horrific in the history of transportation to Australia. They had 380 00:22:40,240 --> 00:22:43,840 Speaker 1: four children over the next six years. Baby James was 381 00:22:43,920 --> 00:22:48,280 Speaker 1: baptized in late November se but died the following January. 382 00:22:48,680 --> 00:22:51,240 Speaker 1: One of Anne's other children, William, died of a snake 383 00:22:51,280 --> 00:22:54,879 Speaker 1: bite when he was eleven. I can't imagine what a 384 00:22:54,960 --> 00:22:58,640 Speaker 1: strange and dangerous place Australia must have seen no snakes 385 00:22:58,680 --> 00:23:01,960 Speaker 1: in London. I'm gonna pause here and say, I know 386 00:23:02,080 --> 00:23:05,479 Speaker 1: I said that this, uh, this letter was uplifting, and 387 00:23:05,520 --> 00:23:08,480 Speaker 1: now we have just talked about the transportation of prisoners 388 00:23:08,480 --> 00:23:12,840 Speaker 1: and dead children. Just bear with me. I don't I 389 00:23:12,840 --> 00:23:14,760 Speaker 1: don't need to laugh at it. I'm laughing at Tracy's 390 00:23:14,800 --> 00:23:16,879 Speaker 1: joke that we have to hang in there because I am, 391 00:23:16,920 --> 00:23:20,120 Speaker 1: you know, choked up. I have the wet eyes over here. Well, 392 00:23:20,400 --> 00:23:22,960 Speaker 1: I'm hanging in there. I'll confess. We had to stop 393 00:23:23,000 --> 00:23:27,040 Speaker 1: recording a second ago so because I had to compose myself. 394 00:23:27,080 --> 00:23:30,840 Speaker 1: So I have quite a few other convict ancestors too, 395 00:23:31,040 --> 00:23:33,800 Speaker 1: and they all did really well in the colony. Two 396 00:23:33,840 --> 00:23:36,720 Speaker 1: brothers convicted of highway robbery were later to become the 397 00:23:36,760 --> 00:23:40,520 Speaker 1: first sheriff's in a remote area patrolling against bush rangers. 398 00:23:40,880 --> 00:23:43,840 Speaker 1: Thomas and husband became a soldier in the New South 399 00:23:43,840 --> 00:23:46,600 Speaker 1: Wales Corps and tried his hand at farming on several 400 00:23:46,680 --> 00:23:50,159 Speaker 1: different land grants he received. He even ended up putting 401 00:23:50,160 --> 00:23:53,840 Speaker 1: notices in the newspaper warning against trespassers onto his land. 402 00:23:54,119 --> 00:23:56,520 Speaker 1: I find it really ironic that a former highway robber 403 00:23:56,600 --> 00:23:59,639 Speaker 1: would be so precious about his property. But I've always 404 00:23:59,720 --> 00:24:02,520 Speaker 1: believe that opportunity and hard work can lift a person 405 00:24:02,560 --> 00:24:05,480 Speaker 1: out of the circumstances into which they were born. This 406 00:24:05,600 --> 00:24:07,520 Speaker 1: was true for a great many of the colonists who 407 00:24:07,520 --> 00:24:11,200 Speaker 1: came to Australia, considered the worst of the worst in England. 408 00:24:11,359 --> 00:24:13,639 Speaker 1: They were able to serve their time and then be 409 00:24:13,680 --> 00:24:16,760 Speaker 1: given land in civic responsibilities in their new country that 410 00:24:16,840 --> 00:24:19,639 Speaker 1: they could never have imagined in England. I like to 411 00:24:19,680 --> 00:24:22,880 Speaker 1: hope that as Anne matured, became a wife, had children, 412 00:24:22,960 --> 00:24:25,760 Speaker 1: and farmed the land that she and Thomas acquired, that 413 00:24:25,840 --> 00:24:29,120 Speaker 1: she was grateful for the circumstances that brought her so far, 414 00:24:29,400 --> 00:24:33,240 Speaker 1: no matter how inauspicious they had initially seemed. And died 415 00:24:33,280 --> 00:24:36,080 Speaker 1: in eighteen twenty one, and Thomas in eighteen twenty four. 416 00:24:36,400 --> 00:24:39,159 Speaker 1: He was murdered by intruders who were not convicted due 417 00:24:39,200 --> 00:24:43,040 Speaker 1: to insufficient evidence. Their son and my ancestor, Henry, was 418 00:24:43,119 --> 00:24:46,040 Speaker 1: one of the ten men chosen to settle Australia's first 419 00:24:46,080 --> 00:24:50,080 Speaker 1: inland city, in eighteen fifteen. The bicentenary celebrations will be 420 00:24:50,119 --> 00:24:53,840 Speaker 1: held this year. Convict heritage is considered something to be 421 00:24:53,960 --> 00:24:57,080 Speaker 1: very proud of in Australia. I'm fascinated by all of 422 00:24:57,119 --> 00:25:00,280 Speaker 1: my ancestors and genealogy is a great passion, but I've 423 00:25:00,280 --> 00:25:02,960 Speaker 1: always had a soft spot for Anne and her story. 424 00:25:03,160 --> 00:25:05,880 Speaker 1: She was the first of my European ancestors to arrive 425 00:25:05,880 --> 00:25:08,960 Speaker 1: in Australia. Thank you for a wonderful episode with such 426 00:25:08,960 --> 00:25:15,639 Speaker 1: a special connection high regards Vanessa. So maybe not uplifting 427 00:25:15,680 --> 00:25:19,080 Speaker 1: all the way through, but I wanted to read it 428 00:25:19,119 --> 00:25:24,520 Speaker 1: because I love the tone of Yes, these circumstances were horrible, 429 00:25:25,240 --> 00:25:28,160 Speaker 1: but this led to being a family, and it leads 430 00:25:28,160 --> 00:25:33,040 Speaker 1: to being my family. There there are so many nuances 431 00:25:33,119 --> 00:25:37,800 Speaker 1: to that story, and so many aspects of uh the 432 00:25:37,840 --> 00:25:42,719 Speaker 1: colonization of Australia on the part of of Great Britain 433 00:25:42,720 --> 00:25:45,879 Speaker 1: that are are problematic and upsetting in a lot of 434 00:25:45,920 --> 00:25:48,600 Speaker 1: ways that when you get to the part of this 435 00:25:48,680 --> 00:25:50,439 Speaker 1: is a person in her family and this is her 436 00:25:50,480 --> 00:25:52,959 Speaker 1: family's story, like that is the part that is really 437 00:25:53,040 --> 00:25:56,720 Speaker 1: really touching to me. And that's the positive part and 438 00:25:56,760 --> 00:25:58,520 Speaker 1: why I wanted to read it. Not all the snake 439 00:25:58,560 --> 00:26:03,240 Speaker 1: bites and the murders and the being sentenced to be 440 00:26:03,359 --> 00:26:07,159 Speaker 1: transported at the age of probably fourteen. Yeah, when I 441 00:26:07,200 --> 00:26:09,360 Speaker 1: when we first got that email, the part that got 442 00:26:09,400 --> 00:26:11,760 Speaker 1: me choked up, And it's because of Vanessa's she has 443 00:26:11,760 --> 00:26:15,359 Speaker 1: a really nice um writing tone. When she mentions that 444 00:26:15,440 --> 00:26:18,680 Speaker 1: she hopes that the relationship that her her relatives struck 445 00:26:18,760 --> 00:26:21,919 Speaker 1: up with the sailor on the ship made her voyage 446 00:26:21,960 --> 00:26:26,119 Speaker 1: more comfortable. I so got a lump in my throat. Yeah, 447 00:26:26,280 --> 00:26:30,399 Speaker 1: that's like. We we have had a fair amount of 448 00:26:30,400 --> 00:26:33,480 Speaker 1: listener mail talking about the relationships that women had on 449 00:26:33,520 --> 00:26:38,280 Speaker 1: the the ship and and how we should talk about them, 450 00:26:38,400 --> 00:26:42,160 Speaker 1: and uh, which ones were consensual and which ones definitely 451 00:26:42,200 --> 00:26:45,239 Speaker 1: we're not consensual, and this, like this letter is one 452 00:26:45,240 --> 00:26:47,600 Speaker 1: of the reasons. But I feel like it's important to 453 00:26:47,600 --> 00:26:50,240 Speaker 1: talk about all those things, but also important not to 454 00:26:50,280 --> 00:26:56,080 Speaker 1: paint all of them with the same brush. So you 455 00:26:56,080 --> 00:26:59,120 Speaker 1: would like to write to us you are angry that 456 00:26:59,200 --> 00:27:04,119 Speaker 1: we have this sad, sad episode and then also some 457 00:27:04,240 --> 00:27:07,320 Speaker 1: sadness in our listener mail. You can We're at History 458 00:27:07,359 --> 00:27:10,000 Speaker 1: Podcast at how Stuff Works dot com. We're also on 459 00:27:10,119 --> 00:27:12,600 Speaker 1: Facebook at Facebook dot com. Slash mt in History and 460 00:27:12,640 --> 00:27:15,440 Speaker 1: on Twitter at miss in history, are tumbler is missed 461 00:27:15,440 --> 00:27:17,640 Speaker 1: in history dot tumbler dot com, and are on Pinterest 462 00:27:17,720 --> 00:27:20,600 Speaker 1: at pinterest dot com slash miss in history. We have 463 00:27:20,640 --> 00:27:23,960 Speaker 1: a spreadshirt store if you're looking for some holiday gifts 464 00:27:24,000 --> 00:27:26,600 Speaker 1: for some history fans. It is at miss in history 465 00:27:26,600 --> 00:27:31,119 Speaker 1: dot spreadshirt dot com. UH. 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So you can do all that and a 473 00:27:52,480 --> 00:27:55,080 Speaker 1: whole lot more at how stuff works dot com or 474 00:27:55,119 --> 00:28:02,560 Speaker 1: miss in history dot com for more on this thousands 475 00:28:02,560 --> 00:28:04,880 Speaker 1: of other topics because it has to have workstack home 476 00:28:05,600 --> 00:28:05,840 Speaker 1: e