WEBVTT - Darkness in The Valley: A Recap with Ryan Bailey

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<v Speaker 1>Welcome to Reality with the King. It's me Carlos Kings,

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<v Speaker 1>the King of Reality TV and one of the most

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<v Speaker 1>sought after executive producers in reality television with over ten

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<v Speaker 1>years a production experience. Twice a week on Reality with

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<v Speaker 1>the King, we'll sit down with my friends across the

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<v Speaker 1>entertainment industry, recap our favorite reality shows and revisit unforgettable

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<v Speaker 1>moments that we are still talking and tweeting about. Hey,

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<v Speaker 1>Ray drops On today's episode Reality with the King, We're

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<v Speaker 1>back to discuss the amazing show called The Valley and

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<v Speaker 1>the most recent episode. And I have a very special guest.

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<v Speaker 1>He's printed the show. His name is Ryan Bailey. But

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<v Speaker 1>today how about you say, Ryan, who are you today?

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<v Speaker 2>I'm Ryan Caperna, I'm Janet and Jason's third so very

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<v Speaker 2>excited to be here today as always, Oh.

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<v Speaker 3>Jan and missus Jackson, if you're nasty? What episode this? Listen?

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<v Speaker 1>This show is so freaking good. I love it so much.

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<v Speaker 1>I always tell people it's sort of like the best

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<v Speaker 1>show on Brava. Right now, I can't get enough of

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<v Speaker 1>these crazy kids and Ryan, I can't wait to recap

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<v Speaker 1>this episode with you, So let's get right into it.

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<v Speaker 1>The episode begins with Danny and Jason having a conversation

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<v Speaker 1>about this alleged drinking problem that Danny has. But by

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<v Speaker 1>the way, let's just start here, Ryan, do you think

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<v Speaker 1>Danny has a drinking problem?

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<v Speaker 4>Well, listen, if.

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<v Speaker 2>You, I mean, in all honesty, if you are grabbing

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<v Speaker 2>ass and you do not remember it, that is an issue.

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<v Speaker 4>That is a problem.

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<v Speaker 3>Right.

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<v Speaker 2>Do I think he is like a daily drinker, that

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<v Speaker 2>he's like drinking rubbing alcohol? Not a chance in hell.

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<v Speaker 2>But as Jason points out later in the episode, or

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<v Speaker 2>maybe it was the after show, is just like, hey,

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<v Speaker 2>if I did that, I would never drink again, Like

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<v Speaker 2>if somebody told me I did that.

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<v Speaker 4>So that's an issue.

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<v Speaker 2>But it is so interesting because this obviously happened close

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<v Speaker 2>to a year ago, and it's being pulled out for

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<v Speaker 2>the cameras, when, of course they could have had all

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<v Speaker 2>of these conversations if they were an actual friend group

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<v Speaker 2>away from the cameras. So I think you're getting this

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<v Speaker 2>like kind of double shock of my own behavior having

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<v Speaker 2>to face that, and then on top of it, like, well,

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<v Speaker 2>why didn't you tell me this when the cameras were off?

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<v Speaker 2>Why are why aren't we Why are we having these

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<v Speaker 2>conversations right now. So, I mean, I do think it's

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<v Speaker 2>a problem, but my god, we're in a cast with

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<v Speaker 2>Jax Taylor and Jesse Lally, which, by the way, you

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<v Speaker 2>should rename this to rehap with the King, because you

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<v Speaker 2>know your interview with Jesse Lally, anybody that had like

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<v Speaker 2>anybody that thinks negatively of a cast member, you should

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<v Speaker 2>they should come on this show.

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<v Speaker 4>You need to get Janet next and see what you

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<v Speaker 4>can do for Janet.

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<v Speaker 1>To my Lindy, let's put at the request or Janet,

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<v Speaker 1>because I really do want to get to talk to Art.

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<v Speaker 1>First of all, Beck, you Rye by exclusive, what Jesse

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<v Speaker 1>Lally was was very fun. I lacked the guy, icked

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<v Speaker 1>the guy, and I happen to agree with you with

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<v Speaker 1>terms of the conversations that they're happened with Danny boy.

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<v Speaker 1>His drinking problem did happen a year ago. But it's

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<v Speaker 1>so interesting is he appears to be very shocked that

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<v Speaker 1>it is even a topic of discussion. And I think

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<v Speaker 1>a large part of it has to do with the

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<v Speaker 1>fact that he's like, are.

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<v Speaker 3>You fucking kidding me?

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<v Speaker 1>This happened a year ago, and you're waiting to tell

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<v Speaker 1>a fucking cannon cameras, a round with the fucking diva

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<v Speaker 1>light and overhead lighting and a microphone pack in our

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<v Speaker 1>Levi jeans.

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<v Speaker 4>He's like, I'm trying to enjoy a hamburger.

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<v Speaker 2>We're having hamburgers and a beer, and like, I didn't

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<v Speaker 2>know this conversation with and this is what happens, Like

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<v Speaker 2>if Jax Taylor didn't enter a mental health facility, we

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<v Speaker 2>would not be having this conversation right now.

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<v Speaker 3>Potentially, No, totally, totally, totally.

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<v Speaker 1>So I had to admit I was sort of caught

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<v Speaker 1>off guard with Jason, who was pretty much trying to

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<v Speaker 1>tell his boy Danny that, you know, it is kind

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<v Speaker 1>of a problem because Danny's like, and I'll love a flashback.

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<v Speaker 1>Danny's like, but that's not the message you said to

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<v Speaker 1>me while it is happen. And I think that this

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<v Speaker 1>is my theory. I think Janet, miss Jackson, if You're nasty,

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<v Speaker 1>had pillow talk with Jason, has said, look, motherfucker, when

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<v Speaker 1>you going that scene, I can't look crazy as the

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<v Speaker 1>only person who thinks Danny has a problem. I said

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<v Speaker 1>in the last episode, right, it was obvious.

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<v Speaker 4>Wait, but I mean, like, there is not a doubt

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<v Speaker 4>in my mind.

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<v Speaker 2>And by the way, if you are in a relationship

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<v Speaker 2>like that, you that is that kind of filter is

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<v Speaker 2>going to happen. You are going to be affected by

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<v Speaker 2>your partner. And you know, Janet is running her mouth

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<v Speaker 2>NonStop about the potent, like she looks at this from

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<v Speaker 2>ten different angles. On top of being a vander Pump

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<v Speaker 2>Rule's reality show fan, which I'm not bashing, but she

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<v Speaker 2>knows how the system works.

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<v Speaker 4>So she even brings.

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<v Speaker 2>Up like, quote detective Doty, which is the name the

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<v Speaker 2>fans have given Dody over the.

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<v Speaker 4>Years, So she knows every which way.

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<v Speaker 2>And Jason, you know, he's just he's not a confident messenger.

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<v Speaker 2>Luke has this a little bit as well, where they're like,

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<v Speaker 2>in normal life, I wouldn't be doing this, but I

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<v Speaker 2>guess I to have this tough conversation now where Janet

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<v Speaker 2>runs towards a tough conversation, which is what reality stars

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<v Speaker 2>are supposed to do.

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<v Speaker 1>Yes, because one thing I like about miss Jackson is

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<v Speaker 1>the fact that Janet has never met a camera she

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<v Speaker 1>didn't like. You know, listen, I think it's all fair

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<v Speaker 1>in love and war in this case, in the Valley

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<v Speaker 1>and the rules of banda Pump she wants the gig.

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<v Speaker 3>She is making shit happen. One thing.

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<v Speaker 1>As the producer, I will say Janet is a producer's

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<v Speaker 1>dream because she stands on her own truth. She moves

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<v Speaker 1>story along, and she gives no fucks how she looks

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<v Speaker 1>as long as the camera's on her.

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<v Speaker 2>Okay, But Carlos, this is why you're perfect for This

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<v Speaker 2>is what my curiosity and I think this puts the

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<v Speaker 2>fans in this driver's seat where we're kind of swept

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<v Speaker 2>up in the story, but we are now in twenty

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<v Speaker 2>twenty five thinking about production and how you actually make

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<v Speaker 2>these things.

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<v Speaker 4>Is that Janet for the.

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<v Speaker 2>Most part, is universally disliked by the Brav fan base,

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<v Speaker 2>even me and you. I'm like, I can see what

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<v Speaker 2>she's doing. I can see some positive stuff. It is

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<v Speaker 2>moving story along. But what is that like when you're

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<v Speaker 2>dealing with a cast member that you know is universally

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<v Speaker 2>disliked and you're giving them the hot potato. How do

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<v Speaker 2>you encourage them or keep them in the game or

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<v Speaker 2>is it just their own ego that keeps themselves in

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<v Speaker 2>the game because they've always wanted this and they don't

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<v Speaker 2>care how they get it.

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<v Speaker 3>No, that's a really good question, you have to balance

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<v Speaker 3>them out.

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<v Speaker 1>It's sort of like my study as it is a

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<v Speaker 1>libra you know, it's all about the tipping scales of balance,

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<v Speaker 1>and us libras try our best to be a balance

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<v Speaker 1>human being and we fell miserably at that, but we

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<v Speaker 1>do shout out to my libra range drops. But what

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<v Speaker 1>I will say is you have to balance someone out.

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<v Speaker 1>So obviously, when I worked on Atlanta Housewives in Jersey,

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<v Speaker 1>Kenya Moore and Danielle stob right to two totally different women,

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<v Speaker 1>it's something. They're there their place on this on their

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<v Speaker 1>respective shows, but are called a villain by the Bravo audience.

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<v Speaker 1>So you always try to find your best to show

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<v Speaker 1>the softer side of them, like the Sharman tissue. Let's

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<v Speaker 1>see the softer side of you.

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<v Speaker 2>So like next episode, we're gonna get a scene with

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<v Speaker 2>Janet and her baby potentially.

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<v Speaker 1>Right, yes, yes, yes, you want to be The thing

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<v Speaker 1>is this Janet doesn't mind doing her job, and her

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<v Speaker 1>job is and this is when I say job, not

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<v Speaker 1>that she's being a character. We all have our different

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<v Speaker 1>personality traits. That's true to us, right, So when I

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<v Speaker 1>say her job, she knows that her personality is. She

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<v Speaker 1>likes to be nosy, she likes to say what it is,

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<v Speaker 1>and yes, she has the propensity to understand that.

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<v Speaker 3>I know how TV works.

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<v Speaker 1>I'm a fan of it, but when you're producing someone

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<v Speaker 1>like Janet, you do have to rull her back sometime to.

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<v Speaker 3>Say, look, be messy on you want to we love

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<v Speaker 3>it here.

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<v Speaker 1>However, let's balance you out because you don't want a

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<v Speaker 1>Janet to quit the show because then it's sort of

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<v Speaker 1>like Jackson rehaff So, who the fuck do we have

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<v Speaker 1>to start the pot?

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<v Speaker 2>Well, I mean that's like the big question even in

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<v Speaker 2>this episode, because we have the first appearance of Lala.

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<v Speaker 2>She know, we had an appearance of last week on

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<v Speaker 2>the hike with Michelle, but you know, Lala has her

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<v Speaker 2>scene with Jesse, and you know, my thought is is

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<v Speaker 2>this always planned or were they not scrambling? But like,

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<v Speaker 2>let's do plan B. Now that Jacks is gone for

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<v Speaker 2>seven episodes, let's try to protect this cast with additions,

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<v Speaker 2>even though it does in my personal opinion, it does

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<v Speaker 2>not need this like Lala.

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<v Speaker 4>I mean that's like a that's giving.

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<v Speaker 2>Like an easy hit to Lala, Like, oh, say something

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<v Speaker 2>crappy about Jesse. You can talk about narcissism and walk off,

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<v Speaker 2>and then Sheena, you know, jumps into the scene like

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<v Speaker 2>classic Sheena. But does it really need that? And and

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<v Speaker 2>why do they throw those things in? Was it because

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<v Speaker 2>of Jack's Was that always the plan?

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<v Speaker 3>Great question. I think it's a little bit of both. Right.

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<v Speaker 1>What I'm starting to see is is this number one.

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<v Speaker 1>We all know that at the end of the day,

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<v Speaker 1>rain Drops the Valley is the quiet spinoff of Vanda

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<v Speaker 1>Pump Rules. It's sort of the thing that no one

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<v Speaker 1>wants to really talk about. It's a marketing.

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<v Speaker 2>Yeah yeah, well, I mean why do you why do

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<v Speaker 2>you think it's quiet? I mean because for me, I

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<v Speaker 2>just call it like vander Pump Junior, you know.

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<v Speaker 3>Because people got fired for misbehaving.

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<v Speaker 2>Oh yeah, this is like vander Pump with knee problems,

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<v Speaker 2>like as you get older, this is what happens, you know.

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<v Speaker 4>But I totally I totally get that.

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<v Speaker 1>Yeah, yeah, yeah, So I think that's the reason why

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<v Speaker 1>it's like this quiet spinoff, although we kind of know

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<v Speaker 1>what it is. So to answer your question when it

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<v Speaker 1>comes to La La number one, I agree with you.

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<v Speaker 1>I don't think we need Laala, and I'm a fan

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<v Speaker 1>of Laala I think the reason why she was brought back. Yes,

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<v Speaker 1>when it comes to Jack's you sort of need that.

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<v Speaker 1>That's spitfire.

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<v Speaker 3>That's number one.

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<v Speaker 1>Number two, you want a test to kind of see

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<v Speaker 1>the chemistry that a notable face has with this new

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<v Speaker 1>crop of people. That's number two and number three, which

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<v Speaker 1>to me is the most important. The way Bravo sort

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<v Speaker 1>of sees Housewives as like a soap opera where a

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<v Speaker 1>character leaves and in the world of soap opera, dies

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<v Speaker 1>off and then comes back to Like we're seeing that

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<v Speaker 1>for Paja Parks on Atlanta Housewives. You last saw her

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<v Speaker 1>season nine. She's back for season sixteen. There was a

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<v Speaker 1>seven year gap of no Fadra. Now that she's back,

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<v Speaker 1>everyone presumably is happy. So with La La, it's sort

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<v Speaker 1>of like, let's bring back these characters that the audience

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<v Speaker 1>familiar with. But I think the reason why we all

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<v Speaker 1>love the valley so much is because it's its own specialness.

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<v Speaker 1>And when I see La La La La to me

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<v Speaker 1>will always be bound the plumb rules. Kristin to me,

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<v Speaker 1>And when I say this here met guys, Kristin to

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<v Speaker 1>me fits way more on this show than band the

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<v Speaker 1>pump rules because she fits this world and to me

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<v Speaker 1>on Banda Pump.

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<v Speaker 5>Rules La La Arianna Sheena, they fit that world of

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<v Speaker 5>like we were Bartender, we made a bigger Hollywood in

0:11:28.440 --> 0:11:32.600
<v Speaker 5>the entertainment industry, and here we are here us roar

0:11:32.960 --> 0:11:36.880
<v Speaker 5>where I think the Valley gives me very much suburban lifestyle.

0:11:37.200 --> 0:11:39.640
<v Speaker 2>Yeah, I mean don't like last episode they're moving into

0:11:39.640 --> 0:11:42.240
<v Speaker 2>their rental house, you know, in preparation of a family,

0:11:42.679 --> 0:11:45.400
<v Speaker 2>and that is very different than you know, a Jax

0:11:45.440 --> 0:11:47.840
<v Speaker 2>Taylor buying a home with Vander Pump money and then

0:11:48.120 --> 0:11:50.360
<v Speaker 2>you know, obviously you know, not paying the bills for

0:11:50.400 --> 0:11:52.960
<v Speaker 2>three months because he's living beyond its means. You know,

0:11:53.000 --> 0:11:56.959
<v Speaker 2>there's something so like earthy obviously about Dody where it's

0:11:57.040 --> 0:12:00.960
<v Speaker 2>very valley related and not star driven where Lala, you're right,

0:12:01.040 --> 0:12:03.120
<v Speaker 2>Like I watched that premiere of the new season of

0:12:03.360 --> 0:12:05.240
<v Speaker 2>Real Housewives in Miami which comes out in a couple

0:12:05.240 --> 0:12:05.600
<v Speaker 2>of weeks, and.

0:12:05.600 --> 0:12:06.120
<v Speaker 4>I loved it.

0:12:06.320 --> 0:12:08.800
<v Speaker 2>But they were like they're dressed up like superheroes the

0:12:08.800 --> 0:12:11.160
<v Speaker 2>whole time, Like they are so done up in every

0:12:11.200 --> 0:12:13.680
<v Speaker 2>scene and I loved it. But that's not the valley.

0:12:14.040 --> 0:12:17.120
<v Speaker 2>None of these people are done to the nines. I

0:12:17.200 --> 0:12:20.200
<v Speaker 2>love that, and I wouldn't even say it's aspirational, but

0:12:20.280 --> 0:12:23.880
<v Speaker 2>there is something recognizable about the valley that we.

0:12:23.840 --> 0:12:24.559
<v Speaker 4>Can relate to.

0:12:24.880 --> 0:12:27.199
<v Speaker 2>The only thing that I would say is the glaring

0:12:27.240 --> 0:12:30.120
<v Speaker 2>issue is that in no way can we call this

0:12:30.200 --> 0:12:33.120
<v Speaker 2>truly a friend group. Like, you know, if you are

0:12:33.160 --> 0:12:38.240
<v Speaker 2>constantly talking mad you know, sahi t to everybody about

0:12:38.280 --> 0:12:40.280
<v Speaker 2>the person you should be having in the conversation with,

0:12:40.679 --> 0:12:43.160
<v Speaker 2>you would not hang out with that person eventually. So

0:12:43.480 --> 0:12:46.280
<v Speaker 2>it's like this thin tether that keeps all of these

0:12:46.320 --> 0:12:50.040
<v Speaker 2>people together. And that thin tether is just TV. It's

0:12:50.160 --> 0:12:52.280
<v Speaker 2>just the fact of commerce and TV.

0:12:53.320 --> 0:12:55.200
<v Speaker 3>No, it really is, it really, it really is.

0:12:55.320 --> 0:12:58.200
<v Speaker 1>And what they're going to have to figure out is

0:12:58.280 --> 0:13:01.839
<v Speaker 1>sort of like how they can make sense for the

0:13:01.920 --> 0:13:05.240
<v Speaker 1>show to last multiple seasons with exacting.

0:13:04.520 --> 0:13:05.560
<v Speaker 3>That they're real friends.

0:13:05.880 --> 0:13:07.640
<v Speaker 1>Because again, that's the reason why I've had the pot

0:13:07.679 --> 0:13:11.120
<v Speaker 1>rules have to be recast, because it was it was

0:13:11.160 --> 0:13:14.240
<v Speaker 1>glaringly obvious that they just weren't friends. I want to

0:13:14.240 --> 0:13:17.280
<v Speaker 1>get into what you mentioned about Jackson not paying the

0:13:17.320 --> 0:13:18.520
<v Speaker 1>mortgage for three months.

0:13:20.000 --> 0:13:26.120
<v Speaker 2>Classic Jacks, by the way, classic Jacks. Well, Jackson is dangerous. Yes,

0:13:27.080 --> 0:13:33.640
<v Speaker 2>a month, three months, and Brittany was paying for the

0:13:33.720 --> 0:13:36.600
<v Speaker 2>airbnb rental on top of that, and then in this

0:13:36.720 --> 0:13:40.360
<v Speaker 2>episode he just slides it out there to Brittany that

0:13:40.520 --> 0:13:42.720
<v Speaker 2>he assigned a lease on a new place right next

0:13:42.760 --> 0:13:45.800
<v Speaker 2>to Tom Schwartz like and having not still paid the

0:13:45.840 --> 0:13:48.000
<v Speaker 2>rent on the actual property that they own.

0:13:49.960 --> 0:14:04.280
<v Speaker 1>Child, we are just getting started. This is reality with

0:14:04.320 --> 0:14:07.760
<v Speaker 1>the King, and I'm Carlos King. Let's get back into

0:14:07.840 --> 0:14:14.079
<v Speaker 1>the show. To my female listeners, if I didn't learn

0:14:14.160 --> 0:14:18.960
<v Speaker 1>one thing from Teresa Judais going to prison, if you

0:14:19.040 --> 0:14:21.880
<v Speaker 1>read every document your husband putting in front of you

0:14:21.920 --> 0:14:24.920
<v Speaker 1>to sign, that's number one, but number two, know what

0:14:24.920 --> 0:14:27.440
<v Speaker 1>the fuck your husband's doing. You need to listen. I

0:14:27.440 --> 0:14:30.200
<v Speaker 1>want to see the castle check. I want to be

0:14:30.240 --> 0:14:33.000
<v Speaker 1>able to log in if you're paying a mortgage in

0:14:33.040 --> 0:14:38.040
<v Speaker 1>twenty twenty five, there's a website that you log into.

0:14:38.640 --> 0:14:41.360
<v Speaker 4>Carlo by Carlos here.

0:14:41.720 --> 0:14:43.640
<v Speaker 2>I think at this point, if something happens, we know

0:14:43.720 --> 0:14:46.440
<v Speaker 2>that Brittany and Jackson will get a full pardon. I

0:14:46.480 --> 0:14:49.840
<v Speaker 2>think with recent events, so I think they're safe. I

0:14:50.400 --> 0:14:52.320
<v Speaker 2>think they're safe. I think that's a good third season

0:14:52.320 --> 0:14:55.400
<v Speaker 2>of the Valley. Jackson Brittany get a full pardon for

0:14:55.440 --> 0:14:58.800
<v Speaker 2>any financial misdeeds. But no, you're right, it is shocking

0:14:59.240 --> 0:15:02.520
<v Speaker 2>that they live such public lives and then you realize

0:15:02.520 --> 0:15:05.360
<v Speaker 2>that their private lives are disastrous in some ways, but

0:15:05.440 --> 0:15:08.520
<v Speaker 2>also just the financial aspect of it, which is somewhat

0:15:08.560 --> 0:15:10.520
<v Speaker 2>aspirational to all of us of like, oh wow, they

0:15:10.520 --> 0:15:13.920
<v Speaker 2>can buy cool things. Is that is just full of

0:15:13.960 --> 0:15:16.400
<v Speaker 2>smoke as well. It's all smoke and mirrors, and that

0:15:16.440 --> 0:15:19.360
<v Speaker 2>to me is fascinating to watch the dissolution of even

0:15:19.400 --> 0:15:21.800
<v Speaker 2>though it's really painful to think about their reality.

0:15:21.920 --> 0:15:24.800
<v Speaker 1>No, it's really painful, but it's such an asshole thing

0:15:24.840 --> 0:15:27.440
<v Speaker 1>of Jacks because at the end of the day, this

0:15:27.600 --> 0:15:29.440
<v Speaker 1>is the mother of your child.

0:15:29.840 --> 0:15:34.280
<v Speaker 3>So to risk your child being homeless.

0:15:35.240 --> 0:15:39.160
<v Speaker 1>Meanwhile, you have enough money to sign a lease to

0:15:39.240 --> 0:15:43.920
<v Speaker 1>live next door to Tom Schwartz, who isn't the babysitter,

0:15:44.360 --> 0:15:47.640
<v Speaker 1>do you know what I mean? So to need cops

0:15:47.760 --> 0:15:48.760
<v Speaker 1>decision is horrible.

0:15:49.120 --> 0:15:51.680
<v Speaker 2>We need to siphon off all of Jackson's Cameo money

0:15:51.760 --> 0:15:54.480
<v Speaker 2>right to Brittany. It should go well, we should contact Cameo,

0:15:54.880 --> 0:15:56.080
<v Speaker 2>but it like I don't.

0:15:57.200 --> 0:15:59.000
<v Speaker 4>That's the thing. And even Jesse brings.

0:15:58.840 --> 0:16:00.760
<v Speaker 2>Us up to a degree too of like the daughter

0:16:01.120 --> 0:16:04.600
<v Speaker 2>or the son and these things, and it makes for good.

0:16:04.360 --> 0:16:06.040
<v Speaker 4>Clips but I'm like, where is the action.

0:16:06.600 --> 0:16:08.440
<v Speaker 2>Jackson will talk till he's blue in the face of

0:16:08.520 --> 0:16:10.240
<v Speaker 2>like I do I'm doing this for my son. I'm

0:16:10.280 --> 0:16:12.240
<v Speaker 2>doing this for my kid, and then when it comes

0:16:12.280 --> 0:16:14.720
<v Speaker 2>down to it, he doesn't do any of the things

0:16:14.760 --> 0:16:17.720
<v Speaker 2>that he knows would be good for his family and

0:16:17.800 --> 0:16:21.280
<v Speaker 2>to put his son above himself, and that never happens.

0:16:21.280 --> 0:16:24.200
<v Speaker 2>I mean, we've lived since twenty thirteen with the character

0:16:24.240 --> 0:16:27.920
<v Speaker 2>of Jax Taylor. He has not really changed that much

0:16:28.000 --> 0:16:31.000
<v Speaker 2>except he has new like buzzwords to speak about, and

0:16:31.040 --> 0:16:33.120
<v Speaker 2>he's able to use therapy as a protection.

0:16:33.280 --> 0:16:33.520
<v Speaker 4>Now.

0:16:33.800 --> 0:16:35.480
<v Speaker 2>You know, even in the after show, which, by the way,

0:16:35.480 --> 0:16:38.280
<v Speaker 2>the Valley After Show, I so recommend on Peacock. It's

0:16:38.320 --> 0:16:40.920
<v Speaker 2>like thirty minutes each week, but they speak and give

0:16:40.920 --> 0:16:43.160
<v Speaker 2>it more context, and he's like, yeah, I picked a

0:16:43.200 --> 0:16:45.720
<v Speaker 2>park to have that hard conversation with Brittany, and I

0:16:45.760 --> 0:16:48.880
<v Speaker 2>brought my therapist along so you know, they could back

0:16:48.960 --> 0:16:51.040
<v Speaker 2>me up in what I was doing with moving out.

0:16:51.480 --> 0:16:53.960
<v Speaker 2>I want to know what facility this man has gone to,

0:16:54.120 --> 0:16:57.840
<v Speaker 2>because it sounds so lax. He's able to go back home,

0:16:58.000 --> 0:17:00.840
<v Speaker 2>fiddle with the cameras to watch Brittany, He's able to

0:17:00.840 --> 0:17:03.480
<v Speaker 2>be on his phone the entire time. I don't know

0:17:03.520 --> 0:17:05.439
<v Speaker 2>a lot about the mental health industry in terms of

0:17:05.480 --> 0:17:08.240
<v Speaker 2>like rehab, but like it sounds like it's really loose.

0:17:08.400 --> 0:17:09.120
<v Speaker 4>Well that's the thing.

0:17:09.240 --> 0:17:12.840
<v Speaker 1>So apparently it's not even a rehab because in real

0:17:12.920 --> 0:17:16.080
<v Speaker 1>rehab you can't leave the premises for a certain amount

0:17:16.080 --> 0:17:20.720
<v Speaker 1>of days minimumly thirty. So it's I agree with you,

0:17:21.000 --> 0:17:23.919
<v Speaker 1>it's it's I don't understand the facility he's in. I

0:17:23.960 --> 0:17:26.080
<v Speaker 1>don't understand why he's able to go to a park

0:17:26.080 --> 0:17:28.400
<v Speaker 1>and with his therapist and see his kids and they

0:17:28.440 --> 0:17:30.879
<v Speaker 1>have to go back to the to the rehab station,

0:17:31.040 --> 0:17:34.520
<v Speaker 1>but also am able to mess with the cameras he's

0:17:34.680 --> 0:17:39.120
<v Speaker 1>watching Brittany, telling her I know what you're wearing. It's

0:17:39.600 --> 0:17:44.120
<v Speaker 1>it's super gross and super controlling in how he's treating Brittany.

0:17:44.440 --> 0:17:46.800
<v Speaker 1>And I know Brittany isn't the favorite of the show,

0:17:47.160 --> 0:17:51.399
<v Speaker 1>but no woman deserves to be to succumb to that

0:17:51.640 --> 0:17:56.080
<v Speaker 1>sort of mental abuse that he's displaying with her by

0:17:56.240 --> 0:17:59.520
<v Speaker 1>telling her I'm watching you, I'm not paying the mortgage

0:18:00.080 --> 0:18:01.320
<v Speaker 1>and Beth bah blah.

0:18:01.440 --> 0:18:02.040
<v Speaker 4>Well that's I mean.

0:18:02.080 --> 0:18:03.800
<v Speaker 2>That's the other thing is that the audience then goes

0:18:03.800 --> 0:18:07.000
<v Speaker 2>into production mode of like, how does a producer determine

0:18:07.040 --> 0:18:10.439
<v Speaker 2>when it's too far? Like obviously they helped or forced

0:18:10.480 --> 0:18:12.840
<v Speaker 2>him into this facility in the first place, you know,

0:18:12.840 --> 0:18:14.080
<v Speaker 2>because they were filming with him.

0:18:14.320 --> 0:18:15.200
<v Speaker 4>It went too far.

0:18:15.520 --> 0:18:18.560
<v Speaker 2>But when somebody is doing this many things like where

0:18:18.680 --> 0:18:20.480
<v Speaker 2>is the point where it does cross this.

0:18:20.520 --> 0:18:24.520
<v Speaker 4>Line of like we can't work with you. These are threats, even.

0:18:24.400 --> 0:18:26.679
<v Speaker 2>Though you're saying they are not, it does get to

0:18:26.720 --> 0:18:30.879
<v Speaker 2>a scary place. Like last episode Lala and the after

0:18:30.960 --> 0:18:33.000
<v Speaker 2>show or no, maybe it was Lalla's podcast or something

0:18:33.080 --> 0:18:35.760
<v Speaker 2>was saying listen, I told Brittany to get out of

0:18:35.760 --> 0:18:38.000
<v Speaker 2>there because I thought she was gonna get hurt if

0:18:38.040 --> 0:18:39.960
<v Speaker 2>she didn't. And I was like, now we're talking or

0:18:39.960 --> 0:18:41.600
<v Speaker 2>insinuating physical violence.

0:18:42.359 --> 0:18:42.560
<v Speaker 1>You know.

0:18:43.240 --> 0:18:45.919
<v Speaker 2>In twenty twenty five, reality shows, as you know, have

0:18:46.040 --> 0:18:49.600
<v Speaker 2>changed so much in terms of like what behavior actually

0:18:49.760 --> 0:18:52.760
<v Speaker 2>is acceptable. And I think a lot of behavior obviously

0:18:52.840 --> 0:18:55.719
<v Speaker 2>is still acceptable. But where as a producer, I mean,

0:18:55.760 --> 0:18:57.399
<v Speaker 2>we've seen it with James Kennedy, We've seen it with

0:18:57.440 --> 0:18:59.960
<v Speaker 2>all of these people. Where do you draw that line

0:19:00.200 --> 0:19:02.280
<v Speaker 2>and still worry about the overall health of the show.

0:19:02.800 --> 0:19:03.560
<v Speaker 3>Well, that's the thing.

0:19:03.600 --> 0:19:05.960
<v Speaker 1>I think it's something where Brittany has to say out

0:19:06.040 --> 0:19:09.040
<v Speaker 1>loud to them she feels unsafe, right because at the

0:19:09.160 --> 0:19:11.600
<v Speaker 1>end of the day, they're not paying for the house

0:19:11.640 --> 0:19:11.880
<v Speaker 1>we need.

0:19:11.880 --> 0:19:16.880
<v Speaker 3>The production is Brittany's house. It's her situation.

0:19:17.720 --> 0:19:21.800
<v Speaker 1>So if she feels unsafe in her own home, the

0:19:21.840 --> 0:19:23.280
<v Speaker 1>only thing a production can do.

0:19:23.440 --> 0:19:26.200
<v Speaker 3>And I'm not a lawyer, but I just base his office.

0:19:26.240 --> 0:19:29.640
<v Speaker 1>Being a producer is sort of making sure the crew

0:19:30.040 --> 0:19:32.439
<v Speaker 1>is not in the house, making sure she has resources

0:19:32.480 --> 0:19:34.720
<v Speaker 1>to live other places, if you know what I mean.

0:19:35.160 --> 0:19:38.160
<v Speaker 3>But first thing first, she has.

0:19:38.000 --> 0:19:41.920
<v Speaker 1>To vocalize it, because you don't want to step into

0:19:42.000 --> 0:19:45.399
<v Speaker 1>someone's reality and alter it, because God forbid, if you

0:19:45.480 --> 0:19:49.440
<v Speaker 1>do that, something else could happen. And it's because you

0:19:49.960 --> 0:19:56.240
<v Speaker 1>remove somebody from their normal behavior and you're placing them

0:19:56.280 --> 0:19:58.480
<v Speaker 1>in the hands of something else where. They didn't ask

0:19:58.520 --> 0:20:00.680
<v Speaker 1>for you to do that, so it is very tricky.

0:20:00.800 --> 0:20:04.240
<v Speaker 1>But first thing first, Brittany has to first say this

0:20:04.880 --> 0:20:10.320
<v Speaker 1>and explain to them why apparently that hasn't happened yet. Now,

0:20:10.359 --> 0:20:14.520
<v Speaker 1>look in Jackson Fence, they're having verbo spats that we've

0:20:14.520 --> 0:20:16.840
<v Speaker 1>seen across all of these shows.

0:20:16.880 --> 0:20:18.040
<v Speaker 3>I want to make that very clear.

0:20:18.440 --> 0:20:21.760
<v Speaker 1>Nothing has gone physical, at least from what Brittany has said,

0:20:22.200 --> 0:20:25.399
<v Speaker 1>all of it just appears to be this asshole of

0:20:25.440 --> 0:20:29.639
<v Speaker 1>a husband she has who is doing asshole shit. And

0:20:29.880 --> 0:20:32.400
<v Speaker 1>at the end of the day, there's tons of assholes

0:20:32.440 --> 0:20:37.480
<v Speaker 1>who are on all across reality television for being that.

0:20:37.960 --> 0:20:40.480
<v Speaker 4>But and that's not criminal, and that's not criminal.

0:20:40.560 --> 0:20:43.000
<v Speaker 2>That is not criminal to be an asshole, whether you're

0:20:43.000 --> 0:20:46.879
<v Speaker 2>a male or female. Brittany safe word needs to be Bravo, Bravo,

0:20:46.920 --> 0:20:49.879
<v Speaker 2>effing bravo with production, like, if she feels safe, just

0:20:50.000 --> 0:20:52.120
<v Speaker 2>throw that out there and they've got Brittany.

0:20:52.119 --> 0:20:56.919
<v Speaker 4>But I will say also, like do we need Jax Taylor, Like,

0:20:57.040 --> 0:20:57.320
<v Speaker 4>you know.

0:20:57.400 --> 0:20:59.800
<v Speaker 2>Obviously he's not coming back. I think till episode ten,

0:21:00.320 --> 0:21:02.520
<v Speaker 2>the show is sailing along without him. And of course

0:21:02.520 --> 0:21:05.000
<v Speaker 2>we have these little like Blair Witch camera things you know,

0:21:05.040 --> 0:21:08.280
<v Speaker 2>of him checking in, but we don't necessarily.

0:21:07.720 --> 0:21:09.920
<v Speaker 4>Need that because we get it. I mean, it will

0:21:09.960 --> 0:21:10.560
<v Speaker 4>be necessary.

0:21:10.600 --> 0:21:12.879
<v Speaker 2>It will be definitely exciting when he comes back to

0:21:12.920 --> 0:21:16.200
<v Speaker 2>see how he tries to maneuver within the framework that's

0:21:16.200 --> 0:21:18.720
<v Speaker 2>been set up after he left. And you'll, you know

0:21:19.359 --> 0:21:21.640
<v Speaker 2>that if anything, it's like I thought this was Sandobal

0:21:21.680 --> 0:21:23.640
<v Speaker 2>as well, is that the only thing they truly love

0:21:23.840 --> 0:21:27.479
<v Speaker 2>is themselves and the show. Like Jackson's like big argument

0:21:27.480 --> 0:21:29.840
<v Speaker 2>with Britney leaving was that you took my dream for

0:21:30.000 --> 0:21:32.480
<v Speaker 2>me and his dream sadly enough, was to get back

0:21:32.520 --> 0:21:33.639
<v Speaker 2>on reality television.

0:21:34.080 --> 0:21:34.760
<v Speaker 3>He said that.

0:21:35.600 --> 0:21:36.639
<v Speaker 4>Yeah.

0:21:36.720 --> 0:21:38.800
<v Speaker 2>Yeah, they talked about it more on the after show too.

0:21:38.960 --> 0:21:40.640
<v Speaker 2>Was that he was like Brittany was like he.

0:21:40.600 --> 0:21:42.960
<v Speaker 4>Said, he I took his dream away from him and

0:21:42.960 --> 0:21:45.240
<v Speaker 4>how dare I do this? Because you know, she was

0:21:45.280 --> 0:21:45.600
<v Speaker 4>the one.

0:21:45.640 --> 0:21:48.399
<v Speaker 2>I think that maybe tipped off production, that it was

0:21:48.440 --> 0:21:50.240
<v Speaker 2>in a really bad place because remember he threw the

0:21:50.320 --> 0:21:52.239
<v Speaker 2>chair that we saw the broken chair of in that

0:21:52.640 --> 0:21:57.480
<v Speaker 2>first or second episode. Yeah, well the king, the King

0:21:57.520 --> 0:21:58.200
<v Speaker 2>has paused.

0:21:58.280 --> 0:21:59.600
<v Speaker 4>Wow, well Beth.

0:21:59.520 --> 0:22:00.680
<v Speaker 3>Well that's the thing.

0:22:00.840 --> 0:22:03.399
<v Speaker 1>So I mean, look, when it comes to Jack's, I

0:22:03.400 --> 0:22:06.800
<v Speaker 1>think what we have seen is the show must go on.

0:22:06.960 --> 0:22:10.719
<v Speaker 1>I tell everybody all the time, everyone is replaceable. No

0:22:10.720 --> 0:22:16.399
<v Speaker 1>matter how iconic you are, you are replaceable. When it

0:22:16.440 --> 0:22:19.520
<v Speaker 1>comes to Jack's, Look, the storyline is still alive without

0:22:19.600 --> 0:22:25.080
<v Speaker 1>him being there because he's misbehaving. Wherever he is child rehab.

0:22:24.880 --> 0:22:29.080
<v Speaker 4>Or he's a David Busters Janet loves.

0:22:28.880 --> 0:22:32.960
<v Speaker 1>It, Okay, Yeah, so wherever he's at, the stories alive.

0:22:33.040 --> 0:22:34.320
<v Speaker 1>And I think a lot of it has to do

0:22:34.400 --> 0:22:38.439
<v Speaker 1>with what his behavior is at this upcoming reunion that

0:22:38.480 --> 0:22:39.920
<v Speaker 1>they already shot weeks ago.

0:22:41.000 --> 0:22:43.800
<v Speaker 3>But as of now, as of now, the.

0:22:43.840 --> 0:22:47.360
<v Speaker 1>Season is great without him, and listen, as a reality star,

0:22:47.520 --> 0:22:48.399
<v Speaker 1>that's not what you want to hear.

0:22:48.480 --> 0:22:50.280
<v Speaker 2>Well, this show is like the Little Engine that could,

0:22:50.320 --> 0:22:52.120
<v Speaker 2>because when it came on, we were all like, who

0:22:52.160 --> 0:22:52.920
<v Speaker 2>needs this show?

0:22:53.000 --> 0:22:54.520
<v Speaker 4>I'm not going to watch this show, And then it

0:22:54.560 --> 0:22:55.440
<v Speaker 4>turned out to be great.

0:22:55.720 --> 0:22:58.240
<v Speaker 2>And then you lose cast members like Jacks and things

0:22:58.280 --> 0:23:01.000
<v Speaker 2>like that, and it still works, and it works in

0:23:01.040 --> 0:23:02.800
<v Speaker 2>this kind of mess of a way where I was noticing,

0:23:02.960 --> 0:23:04.840
<v Speaker 2>you know, I say this every week or every day

0:23:04.880 --> 0:23:07.160
<v Speaker 2>of like this show is so dark, but I don't

0:23:07.200 --> 0:23:08.240
<v Speaker 2>say it in a negative way.

0:23:08.320 --> 0:23:09.720
<v Speaker 4>That's what I've signed up to watch.

0:23:10.119 --> 0:23:12.640
<v Speaker 2>Like, if I want to go watch lighthearted drama, I'll

0:23:12.640 --> 0:23:15.359
<v Speaker 2>go to Summerhouse or another show. But if I want dark,

0:23:15.720 --> 0:23:18.200
<v Speaker 2>there are so there's such darkness, like.

0:23:18.160 --> 0:23:19.040
<v Speaker 4>It truly is.

0:23:19.119 --> 0:23:21.520
<v Speaker 2>Like I said at the very last episode of The Valley,

0:23:21.520 --> 0:23:23.280
<v Speaker 2>We're gonna find out that it was actually they were

0:23:23.320 --> 0:23:25.560
<v Speaker 2>in hell the whole time. It'll be like, oh, this

0:23:25.680 --> 0:23:27.840
<v Speaker 2>was actually hell. Oh that's why they kept saying it

0:23:27.880 --> 0:23:29.400
<v Speaker 2>was so hot in the Valley. It's in the hell

0:23:29.840 --> 0:23:32.800
<v Speaker 2>because it is any way you cut it. And then

0:23:32.840 --> 0:23:34.879
<v Speaker 2>on top of it, they have kids. So when they

0:23:34.880 --> 0:23:37.840
<v Speaker 2>show the kids like Isabella or something, it really like

0:23:37.960 --> 0:23:40.720
<v Speaker 2>floors you because you're like, oh my god, we never change.

0:23:41.119 --> 0:23:44.480
<v Speaker 2>We never change. We only just make like small adjustments

0:23:44.520 --> 0:23:47.440
<v Speaker 2>to our lives. And I'm curious to see Jesse Lalley

0:23:47.520 --> 0:23:51.280
<v Speaker 2>next season, like because you can almost forgive certain aspects,

0:23:51.280 --> 0:23:53.879
<v Speaker 2>like he had that great talking head of like, Okay,

0:23:54.800 --> 0:23:57.240
<v Speaker 2>she is a liar and a cheater, but maybe I

0:23:57.280 --> 0:23:59.879
<v Speaker 2>shouldn't have said whore, you know, Like he's still with

0:24:00.080 --> 0:24:02.919
<v Speaker 2>those two things. So I'm curious what his behavior is

0:24:02.960 --> 0:24:05.280
<v Speaker 2>like a year from now, once the actual anger and

0:24:05.320 --> 0:24:08.480
<v Speaker 2>resentment dissipates, if it ever does, to see who Jesse

0:24:08.600 --> 0:24:11.560
<v Speaker 2>really is, Like is he a villain? Is he a

0:24:11.600 --> 0:24:15.760
<v Speaker 2>bad guy? Or is he somebody that like really misjudged

0:24:15.960 --> 0:24:19.320
<v Speaker 2>actions in a relationship and lost something that he never

0:24:19.359 --> 0:24:23.560
<v Speaker 2>thought he would lose. But he's not like vindictive in

0:24:23.640 --> 0:24:24.720
<v Speaker 2>the entirety of his life.

0:24:25.400 --> 0:24:26.359
<v Speaker 3>Yeah, I agree, I agree.

0:24:26.400 --> 0:24:28.919
<v Speaker 1>He gives me like this bad boy who really tries

0:24:28.960 --> 0:24:32.720
<v Speaker 1>to do right, but he's battled between both worlds.

0:24:33.760 --> 0:24:37.160
<v Speaker 4>So Charlae, wait, wait, Carlos, would you ever, wait, would

0:24:37.160 --> 0:24:39.680
<v Speaker 4>you ever send Jesse Lalley twenty five hundred dollars Venmo

0:24:39.760 --> 0:24:43.040
<v Speaker 4>for his birthday? Would you ever send him money.

0:24:43.840 --> 0:24:45.840
<v Speaker 3>If I was a girl? No?

0:24:46.000 --> 0:24:47.720
<v Speaker 2>I mean remember that was on the episode a couple

0:24:47.720 --> 0:24:49.879
<v Speaker 2>of weeks ago, is that we found out get a

0:24:49.960 --> 0:24:53.600
<v Speaker 2>gay man sent him money, and then they repealed it

0:24:53.640 --> 0:24:56.320
<v Speaker 2>was twenty five hundred dollars on his birthday, and I

0:24:56.400 --> 0:24:57.959
<v Speaker 2>was like, that's a great friend.

0:24:58.600 --> 0:25:01.440
<v Speaker 1>Yeah, as a gay man, I think another straight well,

0:25:01.480 --> 0:25:03.920
<v Speaker 1>as a gay man sending a straight man twenty five

0:25:03.960 --> 0:25:07.160
<v Speaker 1>hundred dollars, I'm not doing that under any circumstance.

0:25:07.440 --> 0:25:09.760
<v Speaker 3>If I'm a girl and I'm.

0:25:09.640 --> 0:25:12.200
<v Speaker 1>Sitting this hot guy, twenty five hundred dollars is because

0:25:12.240 --> 0:25:13.080
<v Speaker 1>I want them.

0:25:13.440 --> 0:25:19.040
<v Speaker 2>So, guys, everybody, Benmo requests Carlos today, twenty five hundred dollars.

0:25:19.080 --> 0:25:23.520
<v Speaker 2>Everybody everybody listening, ring drops. Benmo requests Carlos.

0:25:24.480 --> 0:25:26.760
<v Speaker 3>You can find me under my government name. I'm teasy.

0:25:28.200 --> 0:25:31.199
<v Speaker 1>I did think that was strange, but nothing to me

0:25:31.320 --> 0:25:35.560
<v Speaker 1>was more stranger than Kristen claiming that Jason doesn't wear

0:25:35.560 --> 0:25:40.919
<v Speaker 1>his bread his wedding ring because he's up to something

0:25:40.960 --> 0:25:43.640
<v Speaker 1>no good. And then we have messy as Zach, who

0:25:43.680 --> 0:25:46.159
<v Speaker 1>I love, by the way, who is telling Christ and

0:25:46.240 --> 0:25:50.080
<v Speaker 1>obviously Christ is in her villain era and she's owning it.

0:25:50.200 --> 0:25:52.560
<v Speaker 1>She's like, you fuck with Nia, I'm a fuck with you.

0:25:52.880 --> 0:25:54.359
<v Speaker 4>But she says she's ethereal.

0:25:54.840 --> 0:25:57.600
<v Speaker 2>She's an ethereal villain like she was, so she was

0:25:57.640 --> 0:25:59.879
<v Speaker 2>a different form of villain on vander Pump Rules, and

0:26:00.119 --> 0:26:03.760
<v Speaker 2>now she's like mother villain, like Mother Earth, mother villain.

0:26:03.880 --> 0:26:07.000
<v Speaker 2>Like it's almost spiritual in the way that she's a

0:26:07.080 --> 0:26:09.720
<v Speaker 2>villain on the Valley, which is very different. But this

0:26:09.760 --> 0:26:11.760
<v Speaker 2>is what I'm talking about is that it is like

0:26:11.960 --> 0:26:14.440
<v Speaker 2>it's like a separate government agency where they're all keeping

0:26:14.480 --> 0:26:16.720
<v Speaker 2>files on each other and then they choose when to

0:26:17.359 --> 0:26:20.679
<v Speaker 2>reveal the information and show their cards. And so this

0:26:20.800 --> 0:26:23.480
<v Speaker 2>rumor about Jason Caperna about the wedding ring went back

0:26:23.560 --> 0:26:25.640
<v Speaker 2>like a year and a half or something, and she said,

0:26:26.000 --> 0:26:28.240
<v Speaker 2>I don't like what they're doing to Nia and Danny,

0:26:28.280 --> 0:26:31.840
<v Speaker 2>so I'm gonna put this card on the table, and Janet,

0:26:32.000 --> 0:26:34.960
<v Speaker 2>you know, really laughed that off immediately. Jason was like,

0:26:35.000 --> 0:26:37.160
<v Speaker 2>oh my god, thank god, it's just that I thought

0:26:37.200 --> 0:26:39.000
<v Speaker 2>it was going to be something different, But no, that's

0:26:39.040 --> 0:26:41.000
<v Speaker 2>not true at all, And I just thought it's one

0:26:41.000 --> 0:26:42.600
<v Speaker 2>of those other things if you really stop and think

0:26:42.600 --> 0:26:44.360
<v Speaker 2>about it, of like, why are we not having these

0:26:44.400 --> 0:26:47.600
<v Speaker 2>conversations when it's revealed? And by the way, shout out

0:26:47.640 --> 0:26:49.760
<v Speaker 2>to Jasmine as well. A lot of this stuff seems

0:26:49.800 --> 0:26:52.439
<v Speaker 2>to be coming from Jasmine, which I'm like, has anybody

0:26:52.520 --> 0:26:55.480
<v Speaker 2>talked with Jasmine about why she doesn't actually talk directly

0:26:55.520 --> 0:26:59.399
<v Speaker 2>to people and just really has the power behind people's backs,

0:26:59.400 --> 0:27:03.800
<v Speaker 2>which I find interesting to explore. But yeah, I mean,

0:27:03.840 --> 0:27:06.320
<v Speaker 2>I think this is typical Dody, but just in a

0:27:06.440 --> 0:27:10.080
<v Speaker 2>new a new age Dody, which I'm here for.

0:27:10.200 --> 0:27:11.240
<v Speaker 4>But then you have Janet.

0:27:11.480 --> 0:27:14.359
<v Speaker 2>You have two people, and Janet realizes the power of Dody,

0:27:14.760 --> 0:27:18.159
<v Speaker 2>and Janet almost aspires to be Doty like and Dody.

0:27:18.320 --> 0:27:20.480
<v Speaker 2>You know, Doty has had a new level of respect

0:27:20.560 --> 0:27:22.960
<v Speaker 2>the last three years, but I remember a time when

0:27:23.000 --> 0:27:25.960
<v Speaker 2>people were really against Doty, so it's interesting to see

0:27:25.960 --> 0:27:29.440
<v Speaker 2>her come into her power and Janet really wants want

0:27:29.480 --> 0:27:31.520
<v Speaker 2>that power. So if you watch this show of like

0:27:31.880 --> 0:27:35.080
<v Speaker 2>a Battle for Power, it's another additional way to enjoy

0:27:35.119 --> 0:27:38.000
<v Speaker 2>the show because they're all making these weird chess moves.

0:27:38.040 --> 0:27:41.240
<v Speaker 2>If you look into it and Janet has studied from

0:27:41.320 --> 0:27:44.240
<v Speaker 2>past seasons of Doty, so she's like I knew Dody

0:27:44.280 --> 0:27:46.960
<v Speaker 2>would make this move and I knew and you're like, god,

0:27:47.040 --> 0:27:50.280
<v Speaker 2>this is so calculated, Like you know, they all have binders,

0:27:50.400 --> 0:27:53.640
<v Speaker 2>Like that's what I want if anybody has Janet's binder

0:27:53.760 --> 0:27:56.920
<v Speaker 2>of information to use, I mean, that would be better

0:27:56.960 --> 0:27:59.000
<v Speaker 2>than Monique's receipts from Potomac.

0:27:59.119 --> 0:28:00.720
<v Speaker 4>Like we need find her.

0:28:01.680 --> 0:28:03.520
<v Speaker 3>Yes, what are your thoughts of Jasmine?

0:28:03.560 --> 0:28:07.919
<v Speaker 1>Because she is sort of under the radar, sort of

0:28:08.000 --> 0:28:12.040
<v Speaker 1>like you know, discussing things like Danny's you know, lack

0:28:12.040 --> 0:28:16.919
<v Speaker 1>of sobriety sort of moving things around, but she's still

0:28:17.160 --> 0:28:24.400
<v Speaker 1>very much isn't as she's not as in the forefront

0:28:24.640 --> 0:28:28.280
<v Speaker 1>of everything the way Kristen is. Why is that you

0:28:28.359 --> 0:28:32.560
<v Speaker 1>think is that purposeful of Jasmine being very smart in

0:28:32.680 --> 0:28:36.160
<v Speaker 1>terms of let me drop it and then hide my hands.

0:28:36.800 --> 0:28:37.280
<v Speaker 3>What do you feel?

0:28:37.320 --> 0:28:38.560
<v Speaker 4>I mean, what we have like this?

0:28:38.720 --> 0:28:41.120
<v Speaker 2>I mean we now know that Jasmine obviously is a

0:28:41.120 --> 0:28:43.640
<v Speaker 2>reality show veteran. She was on Nick Vile season of

0:28:43.680 --> 0:28:45.840
<v Speaker 2>The Bachelor. You know, she knows her way around the

0:28:45.840 --> 0:28:47.520
<v Speaker 2>credit camera. I think at one point she was about

0:28:47.520 --> 0:28:49.800
<v Speaker 2>to be on BANDR Pump Rules and it didn't happen.

0:28:50.280 --> 0:28:51.040
<v Speaker 4>Years and years ago.

0:28:51.160 --> 0:28:53.360
<v Speaker 2>I like that they have natural friendships with these people,

0:28:53.400 --> 0:28:56.640
<v Speaker 2>like I can attest that that is completely real. The

0:28:57.000 --> 0:28:58.800
<v Speaker 2>thing with her, I think maybe this is also a

0:28:58.800 --> 0:29:02.520
<v Speaker 2>production of using her at like key moments, like she's

0:29:02.600 --> 0:29:07.040
<v Speaker 2>key in the evidence portion of Danny, the persecution of Danny,

0:29:07.240 --> 0:29:09.920
<v Speaker 2>and you can't take away her experience with her girlfriend.

0:29:10.000 --> 0:29:10.960
<v Speaker 4>That has to be horrific.

0:29:10.960 --> 0:29:14.040
<v Speaker 2>And what I love about Jasmine was that concept that

0:29:14.160 --> 0:29:17.160
<v Speaker 2>I was unfamiliar with, of man, you don't understand a

0:29:17.240 --> 0:29:18.120
<v Speaker 2>lesbian relationship.

0:29:18.160 --> 0:29:20.560
<v Speaker 4>We are fetishized. We are you know, we come in.

0:29:20.600 --> 0:29:23.040
<v Speaker 2>People are not respecting us in the way you do

0:29:23.120 --> 0:29:26.040
<v Speaker 2>with the straight relationship. And that thought was so foreign

0:29:26.080 --> 0:29:27.960
<v Speaker 2>to me, and I was like, oh, wow, you're actually

0:29:27.960 --> 0:29:30.880
<v Speaker 2>I'm learning something from this. But she is just as

0:29:31.000 --> 0:29:34.000
<v Speaker 2>messy as the rest of them. And when the show

0:29:34.200 --> 0:29:37.800
<v Speaker 2>chooses to highlight that mess like we're seeing her talk

0:29:37.960 --> 0:29:41.200
<v Speaker 2>about you know, she started the Jason stuff like texting

0:29:41.400 --> 0:29:44.239
<v Speaker 2>Zach and Janet, like she seems to be in that

0:29:44.360 --> 0:29:48.200
<v Speaker 2>kind of Janet Kaperna lane where they really do disc

0:29:48.200 --> 0:29:52.200
<v Speaker 2>collect information and talk mad shit about everybody, even if

0:29:52.200 --> 0:29:54.920
<v Speaker 2>you're friends with them. And so I think Jasmine is

0:29:55.560 --> 0:29:58.120
<v Speaker 2>going to be a key player in Seasons to come.

0:29:58.400 --> 0:30:00.800
<v Speaker 2>You know, Zach does it in a comedia like there's

0:30:00.840 --> 0:30:04.600
<v Speaker 2>all a commune. But Jasmine also gets the angriest talking

0:30:04.600 --> 0:30:07.920
<v Speaker 2>about a situation after the person she's angry with has left,

0:30:08.240 --> 0:30:11.080
<v Speaker 2>like Nia last week. You know, they had this conversation

0:30:11.320 --> 0:30:13.200
<v Speaker 2>like and Nia's like, I just don't want you to

0:30:13.320 --> 0:30:15.200
<v Speaker 2>do it behind my back and da da da, and

0:30:15.240 --> 0:30:17.719
<v Speaker 2>she's like They're all like great, and then Nia leaves

0:30:17.880 --> 0:30:20.400
<v Speaker 2>and everybody's like She's like, what I don't like about

0:30:20.480 --> 0:30:23.400
<v Speaker 2>Nia is this? And Danny did this, and she got

0:30:23.440 --> 0:30:25.640
<v Speaker 2>all fiery, and I'm like, where was that fire when

0:30:25.720 --> 0:30:26.560
<v Speaker 2>Nia was there?

0:30:27.360 --> 0:30:27.840
<v Speaker 3>Yeah?

0:30:28.080 --> 0:30:32.200
<v Speaker 4>Sorry, I get wait too into this, Carlow. So I'm like, now, good.

0:30:32.120 --> 0:30:35.600
<v Speaker 1>Point, listen, Ryan, points are made.

0:30:36.000 --> 0:30:38.160
<v Speaker 3>So I'm with you there.

0:30:38.760 --> 0:30:43.080
<v Speaker 1>When you saw Jason come front Kristen about you know,

0:30:43.280 --> 0:30:46.640
<v Speaker 1>him not wearing his wedding ring, I'm kind of on

0:30:46.760 --> 0:30:49.640
<v Speaker 1>Jason's side. I don't think he's doing it maliciously. I

0:30:49.640 --> 0:30:51.400
<v Speaker 1>don't think he's trying to cheat on Janet.

0:30:51.720 --> 0:30:51.840
<v Speaker 3>No.

0:30:52.000 --> 0:30:55.360
<v Speaker 1>I just you know, I think Kristen is definitely just

0:30:55.400 --> 0:30:57.320
<v Speaker 1>trying to like something happen.

0:30:57.400 --> 0:30:58.280
<v Speaker 3>I think it fell flat.

0:30:59.000 --> 0:30:59.520
<v Speaker 4>Well, it's in.

0:30:59.600 --> 0:31:01.760
<v Speaker 2>It's in like that Jesse Lallely on the first first

0:31:01.800 --> 0:31:04.200
<v Speaker 2>episode of like, did you start that fight about Newport

0:31:04.200 --> 0:31:06.120
<v Speaker 2>Beach on purpose to bother her?

0:31:06.160 --> 0:31:08.640
<v Speaker 4>And he's like, yeah, of course, Like Dody is like.

0:31:08.600 --> 0:31:11.240
<v Speaker 2>That, and Dody says that admittedly, if you f with somebody,

0:31:11.280 --> 0:31:13.720
<v Speaker 2>I like, I'm going to come for you. And so

0:31:14.280 --> 0:31:16.560
<v Speaker 2>this information has been in their back pocket for a minute.

0:31:16.600 --> 0:31:19.440
<v Speaker 2>Even Luke was like, I don't know if you should

0:31:19.480 --> 0:31:21.800
<v Speaker 2>be doing. I always love like people like Luke and

0:31:21.920 --> 0:31:26.320
<v Speaker 2>Jason that are like, yo, this isn't like the reality showed.

0:31:26.720 --> 0:31:29.080
<v Speaker 2>This isn't good for our souls in a like a way,

0:31:29.160 --> 0:31:31.080
<v Speaker 2>like you can just tell there's like trouble, you know.

0:31:31.120 --> 0:31:34.240
<v Speaker 2>So they're always really tentative. Even in the confrontations or

0:31:34.360 --> 0:31:36.720
<v Speaker 2>Jason having to talk to Danny, you can tell they

0:31:36.760 --> 0:31:41.920
<v Speaker 2>probably really stress. It natural for Dody and it just

0:31:42.040 --> 0:31:44.960
<v Speaker 2>rolls off the tongue. But I don't think I think

0:31:45.040 --> 0:31:48.200
<v Speaker 2>Jason obvious. I don't think Jason did anything. I truly

0:31:48.240 --> 0:31:50.720
<v Speaker 2>think this was a rumor. But also the show will

0:31:50.760 --> 0:31:54.120
<v Speaker 2>suss this out. Like the show, the show will uncover

0:31:54.280 --> 0:31:55.800
<v Speaker 2>any sort of criminal activity.

0:31:55.840 --> 0:31:56.880
<v Speaker 4>You just have to give it time.

0:31:57.600 --> 0:31:58.600
<v Speaker 3>Yeah, yeah, I'm with you.

0:31:58.800 --> 0:32:01.600
<v Speaker 1>I don't think Jason's doing any What I did like

0:32:01.640 --> 0:32:04.160
<v Speaker 1>towards the end of the episode was obviously not only

0:32:04.200 --> 0:32:07.680
<v Speaker 1>Britney sharing with the group what her and jacksonre going through.

0:32:08.160 --> 0:32:10.080
<v Speaker 1>I did like the fact that we had Tom Schortz

0:32:10.080 --> 0:32:13.320
<v Speaker 1>making appearance at the end of the episode.

0:32:13.360 --> 0:32:17.280
<v Speaker 2>It was like, his whole career is listening to people

0:32:17.360 --> 0:32:18.760
<v Speaker 2>complain about his best friends.

0:32:18.800 --> 0:32:20.520
<v Speaker 4>Like, that's his whole career at this point.

0:32:20.680 --> 0:32:23.960
<v Speaker 1>Yeah, that upon is all about Sandoval, and on this show,

0:32:24.040 --> 0:32:28.719
<v Speaker 1>it's all about Jack's. Brittany is confiding at him about

0:32:28.720 --> 0:32:33.000
<v Speaker 1>what has been going on, and Shorts just seems to

0:32:33.040 --> 0:32:35.960
<v Speaker 1>be like, look, I don't know what this has to

0:32:36.000 --> 0:32:36.440
<v Speaker 1>do with me.

0:32:36.680 --> 0:32:39.480
<v Speaker 3>That's your husband. I feel bad this is happening to you.

0:32:40.120 --> 0:32:43.960
<v Speaker 1>But the since I got from Schwartz is that's not

0:32:44.080 --> 0:32:46.600
<v Speaker 1>going to prevent me from being this guy's friend.

0:32:46.960 --> 0:32:49.600
<v Speaker 3>Oh yeah, so what are we doing here? Yeah?

0:32:49.680 --> 0:32:52.440
<v Speaker 2>I mean there is a boy's code, there's a boy's chat,

0:32:52.480 --> 0:32:54.440
<v Speaker 2>there's all of these you know, you talk about girls code,

0:32:54.440 --> 0:32:56.920
<v Speaker 2>there is guys code. And at this point, if Schwartz

0:32:56.960 --> 0:32:59.840
<v Speaker 2>has not left Jack's, and Schwartz is not left sand

0:33:00.520 --> 0:33:01.920
<v Speaker 2>he's never going to leave.

0:33:02.000 --> 0:33:02.880
<v Speaker 4>And I'm not saying.

0:33:02.680 --> 0:33:05.840
<v Speaker 2>He's like, you know, he's an abused friend, but he

0:33:06.120 --> 0:33:10.200
<v Speaker 2>is so used to Jack's behavior that I think they're

0:33:10.200 --> 0:33:14.120
<v Speaker 2>all desensitized to it. Like Brittany, like everything's coming out

0:33:14.200 --> 0:33:17.600
<v Speaker 2>about Jacks from like the previous ten years of their relationship,

0:33:18.000 --> 0:33:21.120
<v Speaker 2>and everybody's super aware of all of the things he's done.

0:33:21.160 --> 0:33:23.040
<v Speaker 2>But Jack's has some sort of I don't know if

0:33:23.040 --> 0:33:26.480
<v Speaker 2>it's star quality or charisma where everybody's like yeah, because

0:33:26.520 --> 0:33:28.600
<v Speaker 2>I was like you in person, he must just be

0:33:28.720 --> 0:33:32.400
<v Speaker 2>so sincere that you can't help but like almost feel

0:33:32.440 --> 0:33:35.200
<v Speaker 2>bad for him or just go, well.

0:33:35.280 --> 0:33:37.120
<v Speaker 4>He's been good to me. He's been good to me,

0:33:37.280 --> 0:33:39.800
<v Speaker 4>and that seems to be that lane that Jax lives in.

0:33:40.200 --> 0:33:43.600
<v Speaker 4>But yeah, I would love Even on the after show,

0:33:43.640 --> 0:33:46.240
<v Speaker 4>Schwartz has paired up with Jesse and Jacks and Schwartz

0:33:46.280 --> 0:33:49.760
<v Speaker 4>even this week's episode was just like I hate to play,

0:33:50.920 --> 0:33:53.800
<v Speaker 4>you know, like I hate to be like negative about this,

0:33:53.960 --> 0:33:56.480
<v Speaker 4>but like, you know, if you took care of Brittany,

0:33:56.480 --> 0:33:58.800
<v Speaker 4>that would kind of be taking care of your son, right,

0:33:59.360 --> 0:34:01.480
<v Speaker 4>And it's just like, dude, you have to talk to

0:34:01.600 --> 0:34:04.440
<v Speaker 4>Jack's like he's a child because you're scared that he's

0:34:04.440 --> 0:34:06.480
<v Speaker 4>gonna be angry at you, so you have to present

0:34:06.560 --> 0:34:09.440
<v Speaker 4>your argument, which is the right argument of taking care

0:34:09.480 --> 0:34:12.959
<v Speaker 4>of your son in such a delicate way. And I don't,

0:34:13.280 --> 0:34:13.600
<v Speaker 4>I don't.

0:34:13.719 --> 0:34:15.920
<v Speaker 2>There's a mystery to Jacks that I don't think is

0:34:15.960 --> 0:34:19.120
<v Speaker 2>worth uncovering. But it's just in mystery how he's gotten

0:34:19.280 --> 0:34:23.880
<v Speaker 2>this far doing the same behavior again and again and again.

0:34:24.000 --> 0:34:25.799
<v Speaker 2>He's putting out the same album every year.

0:34:26.640 --> 0:34:29.200
<v Speaker 1>Yeah, yeah, which is why it was interesting to see

0:34:29.239 --> 0:34:32.399
<v Speaker 1>the highlight of bringing a Jack sort of montage at

0:34:32.400 --> 0:34:32.719
<v Speaker 1>the end.

0:34:33.600 --> 0:34:35.360
<v Speaker 2>You know, sometimes I'm like, why don't they just do

0:34:35.440 --> 0:34:38.319
<v Speaker 2>a full hour of montage, Like there are so many

0:34:38.400 --> 0:34:41.760
<v Speaker 2>clips that you could pull from Jack's on vander Pump Rules,

0:34:41.760 --> 0:34:44.200
<v Speaker 2>which they have all the footage of, and like even

0:34:44.200 --> 0:34:46.400
<v Speaker 2>the never before seen stuff, like you would just do

0:34:46.440 --> 0:34:49.000
<v Speaker 2>a super cut or do like a power hour for

0:34:49.080 --> 0:34:51.239
<v Speaker 2>frat people to drink to of Like every minute you

0:34:51.280 --> 0:34:54.680
<v Speaker 2>see a new Jack's angry, Jack's are arguing Jack's upset

0:34:54.960 --> 0:34:58.200
<v Speaker 2>and you have like this entire history, Like that's why

0:34:58.200 --> 0:35:00.759
<v Speaker 2>it's like open the schools. We have these ink of

0:35:00.840 --> 0:35:04.320
<v Speaker 2>past Bravo shows to study and it's the same behavior

0:35:04.560 --> 0:35:06.920
<v Speaker 2>and it's the same thing. You know, he'll call it

0:35:06.960 --> 0:35:09.040
<v Speaker 2>work in progress or he'll call it something new.

0:35:09.360 --> 0:35:11.000
<v Speaker 4>And at the end of the day, I do want

0:35:11.080 --> 0:35:11.960
<v Speaker 4>Jacks to be okay.

0:35:12.080 --> 0:35:15.000
<v Speaker 2>I just don't know if reality shows are like overall

0:35:15.080 --> 0:35:18.359
<v Speaker 2>good mentally. I know financially they're good, but I get

0:35:18.640 --> 0:35:21.239
<v Speaker 2>That's why I'm like, the Valley could get darker. You know,

0:35:21.280 --> 0:35:23.160
<v Speaker 2>we think it's dark now, it could get way darker.

0:35:23.920 --> 0:35:26.120
<v Speaker 1>Yeah, And I'm hoping it doesn't because listen, it was

0:35:26.160 --> 0:35:28.960
<v Speaker 1>another great episode. I really do enjoy this show because

0:35:29.600 --> 0:35:35.640
<v Speaker 1>it's not about the fluff and the pompous circumstance, the money,

0:35:35.760 --> 0:35:38.680
<v Speaker 1>the riches and all of that. It really is about

0:35:39.000 --> 0:35:42.279
<v Speaker 1>this group of people who live in this certain part

0:35:42.320 --> 0:35:46.560
<v Speaker 1>of California and they're trying to figure things out.

0:35:46.560 --> 0:35:47.880
<v Speaker 3>And I like the fact that.

0:35:48.280 --> 0:35:51.920
<v Speaker 1>It just feels way more normal than, like you said,

0:35:52.000 --> 0:35:54.919
<v Speaker 1>on Miami Housewives or any Housewives by that matter, which

0:35:54.960 --> 0:35:58.280
<v Speaker 1>is about the riches and everything else that I described earlier.

0:35:58.800 --> 0:35:59.880
<v Speaker 3>So I'm with you.

0:36:00.040 --> 0:36:02.920
<v Speaker 1>I hope it doesn't get dark, And I think I

0:36:03.000 --> 0:36:07.520
<v Speaker 1>just hope that each of these cast members take a

0:36:07.560 --> 0:36:11.200
<v Speaker 1>page out of what did not work towards the end

0:36:11.400 --> 0:36:14.520
<v Speaker 1>of Vanda Pump Rules and they don't allow to happen

0:36:14.560 --> 0:36:15.359
<v Speaker 1>to them.

0:36:15.960 --> 0:36:18.800
<v Speaker 4>And what would you in your opinion, what happened to

0:36:18.880 --> 0:36:20.400
<v Speaker 4>vander pump Rules. Was it just the.

0:36:21.880 --> 0:36:24.919
<v Speaker 1>They Oh, for sure, they drank the kool aid and

0:36:25.080 --> 0:36:28.640
<v Speaker 1>everybody thought they were the Beyonce of the show. Everybody

0:36:28.760 --> 0:36:32.439
<v Speaker 1>thought that they did not have to give as much

0:36:32.480 --> 0:36:37.360
<v Speaker 1>reality as they normally would. They got comfortable just becoming

0:36:37.480 --> 0:36:41.240
<v Speaker 1>people that we didn't recognize anymore because they became guarded

0:36:41.239 --> 0:36:45.239
<v Speaker 1>because listen and listen, no blank to them, right, there's

0:36:45.280 --> 0:36:49.160
<v Speaker 1>no instruction manual that one has. The moment you come

0:36:49.200 --> 0:36:53.279
<v Speaker 1>from obscurity to being on a hit show. You know,

0:36:53.360 --> 0:36:57.279
<v Speaker 1>they were once waiters and waitresses and hosts and hostesses,

0:36:57.680 --> 0:37:00.680
<v Speaker 1>and all of a sudden they're out of their apartment

0:37:00.760 --> 0:37:04.799
<v Speaker 1>and they're living in multi million dollar homes in West

0:37:04.800 --> 0:37:08.960
<v Speaker 1>Hollywood at the time. So it does something to your psyche.

0:37:09.760 --> 0:37:12.160
<v Speaker 1>But you always got to keep your eyes on the prize,

0:37:12.239 --> 0:37:15.879
<v Speaker 1>and that's why you don't look. Kyle isn't having the

0:37:15.920 --> 0:37:19.680
<v Speaker 1>best seasons for the past couple of seas. Julie Hills

0:37:19.840 --> 0:37:25.759
<v Speaker 1>Kyle Richard's, but she's the only standing o g on

0:37:25.800 --> 0:37:29.880
<v Speaker 1>that show because she understands the importance of the show

0:37:30.400 --> 0:37:34.040
<v Speaker 1>and her role, and I want everybody else to be

0:37:34.400 --> 0:37:37.040
<v Speaker 1>that way. The same thing with Giselle Bryant, the same

0:37:37.120 --> 0:37:40.840
<v Speaker 1>thing with or I'll even give you another example of

0:37:40.880 --> 0:37:43.759
<v Speaker 1>what not to do. Don't do what Jersey did. Don't

0:37:44.440 --> 0:37:49.319
<v Speaker 1>don't divide the cast, and don't develop an ego like

0:37:50.000 --> 0:37:54.680
<v Speaker 1>stick it strictly to this is working and let's not

0:37:55.160 --> 0:37:56.600
<v Speaker 1>mess up with the formula.

0:37:57.040 --> 0:37:57.919
<v Speaker 4>Well, I mean to your point.

0:37:57.920 --> 0:38:00.760
<v Speaker 2>I just rewatched season two of Real Housewives Beverly Hills

0:38:01.000 --> 0:38:02.920
<v Speaker 2>because I was talking about the valley being so dark.

0:38:02.960 --> 0:38:04.520
<v Speaker 2>And then I went back and watched season two of

0:38:04.520 --> 0:38:06.080
<v Speaker 2>realized I was a Beverly Hills and I was like, oh

0:38:06.080 --> 0:38:08.360
<v Speaker 2>my god, forget what I say about the valley.

0:38:08.400 --> 0:38:11.520
<v Speaker 4>That season of Beverly Hills was insanely dark.

0:38:11.760 --> 0:38:14.439
<v Speaker 2>You had the coming off of Kyle, you know, calling

0:38:14.520 --> 0:38:17.360
<v Speaker 2>Kim an alcoholic. You had the tailor Armstrong stuff. And

0:38:17.400 --> 0:38:19.479
<v Speaker 2>by the way, I was drinking, don't watch these shows

0:38:19.480 --> 0:38:20.239
<v Speaker 2>while you drink wine.

0:38:20.239 --> 0:38:21.560
<v Speaker 4>Because then I.

0:38:21.120 --> 0:38:24.360
<v Speaker 2>Bought a used edition of Kyle Richard's Life is Not

0:38:24.440 --> 0:38:27.360
<v Speaker 2>a Reality Show. I was like, I gotta, I gotta,

0:38:27.520 --> 0:38:30.799
<v Speaker 2>I gotta dig into this, I gotta, I gotta check out.

0:38:31.160 --> 0:38:33.360
<v Speaker 2>And you got a little Porsche there on the cover,

0:38:33.760 --> 0:38:36.920
<v Speaker 2>and I like, I bought a US copy, that's how

0:38:36.960 --> 0:38:40.120
<v Speaker 2>desperate I was. But there is something too, like watching

0:38:40.200 --> 0:38:43.120
<v Speaker 2>Old Kyle at how they used to produce that show

0:38:43.239 --> 0:38:46.400
<v Speaker 2>and New Beverly Hills. It's so different than that second season,

0:38:46.600 --> 0:38:48.279
<v Speaker 2>and so that's why I think The Valley works. It's

0:38:48.320 --> 0:38:50.920
<v Speaker 2>like the second season of Beverly Hills, where it is

0:38:51.640 --> 0:38:54.960
<v Speaker 2>you sense a reality there, you sense a struggle that

0:38:55.080 --> 0:38:58.680
<v Speaker 2>sometimes with other Housewives iterations, you don't sense a struggle

0:38:58.719 --> 0:39:00.719
<v Speaker 2>at a certain point, even though you know it's there,

0:39:01.080 --> 0:39:02.279
<v Speaker 2>we're just not seeing it.

0:39:02.320 --> 0:39:03.799
<v Speaker 4>And the Valley you see it.

0:39:03.800 --> 0:39:08.319
<v Speaker 2>And I also hope they don't podcasts because they all

0:39:08.320 --> 0:39:10.719
<v Speaker 2>have podcasts and they all have you know. But I

0:39:11.160 --> 0:39:14.600
<v Speaker 2>think it's one of those shows that I really look

0:39:14.640 --> 0:39:17.120
<v Speaker 2>forward to each week, and even though it shouldn't work,

0:39:17.160 --> 0:39:20.120
<v Speaker 2>it completely works. I just don't know how you keep

0:39:20.120 --> 0:39:22.319
<v Speaker 2>that momentum going. And that's why I'm like always so

0:39:22.360 --> 0:39:24.680
<v Speaker 2>fascinated to talk to you, because I'm like, you know

0:39:25.080 --> 0:39:28.040
<v Speaker 2>the inner workings of how this stuff is made, and

0:39:28.640 --> 0:39:30.080
<v Speaker 2>you know, it's like you can blame it at it,

0:39:30.160 --> 0:39:32.200
<v Speaker 2>you can blame this, but at the same time we

0:39:32.360 --> 0:39:35.640
<v Speaker 2>are seeing a version of actual reality of their lives.

0:39:36.520 --> 0:39:38.400
<v Speaker 3>Yeah, yeah, yeah, No, we are, we are, we are,

0:39:38.480 --> 0:39:40.400
<v Speaker 3>and that's why for me, I just want them to

0:39:40.440 --> 0:39:41.880
<v Speaker 3>stick to what it works.

0:39:42.320 --> 0:39:46.280
<v Speaker 1>And I think based on how Jason I'm not Jason,

0:39:46.360 --> 0:39:51.960
<v Speaker 1>how Jesse Lally came across a likable in my interview.

0:39:53.360 --> 0:39:56.279
<v Speaker 2>Somebody's got a cross on Jesse. You guys, somebody's a.

0:39:56.239 --> 0:39:56.919
<v Speaker 3>Question on Jesse.

0:39:57.560 --> 0:40:04.600
<v Speaker 4>Do not tell Jesse check check yes or no. Jesse.

0:40:04.719 --> 0:40:09.800
<v Speaker 2>There's a certain producer slash podcaster, slash entrepreneur that wants

0:40:10.000 --> 0:40:13.160
<v Speaker 2>to that likes you. Are you interested to hand back

0:40:13.200 --> 0:40:17.440
<v Speaker 2>this note to Bravo HQ by five o'clock on Friday.

0:40:18.480 --> 0:40:20.840
<v Speaker 1>Regardless if I have a crush or Jesse or not,

0:40:20.960 --> 0:40:22.960
<v Speaker 1>I'm not giving him twenty five hundred dollars.

0:40:24.719 --> 0:40:27.000
<v Speaker 4>Can we get it down to twelve hundred? Jesse? Jesse,

0:40:27.080 --> 0:40:29.160
<v Speaker 4>if you're listening, can we can we get it down?

0:40:29.920 --> 0:40:32.120
<v Speaker 2>We do want to support, like I'll even pitch it

0:40:32.160 --> 0:40:33.759
<v Speaker 2>a couple bucks, But like a.

0:40:36.840 --> 0:40:41.560
<v Speaker 3>Ryan, am I blushing anyway?

0:40:42.760 --> 0:40:49.439
<v Speaker 1>All I'm saying Ryan is Jesse showed me that he's

0:40:49.480 --> 0:40:50.719
<v Speaker 1>a work in progress.

0:40:51.080 --> 0:40:53.560
<v Speaker 3>And what I want for all of the cast is

0:40:53.600 --> 0:40:55.080
<v Speaker 3>to be a work in progress.

0:40:55.160 --> 0:40:57.560
<v Speaker 2>Yeah, but Carlos have we just like taken all the

0:40:57.600 --> 0:41:00.120
<v Speaker 2>power out of the phrase work in progress because we've

0:41:00.160 --> 0:41:02.920
<v Speaker 2>seen Jacks try for thirteen years, so it's like you're

0:41:02.920 --> 0:41:06.759
<v Speaker 2>all in no saying, but like when you say you're

0:41:06.760 --> 0:41:09.279
<v Speaker 2>a work in progress on a Bravo reality show, it's

0:41:09.320 --> 0:41:12.319
<v Speaker 2>attributed to Jack's and then like it almost kind of

0:41:12.400 --> 0:41:15.440
<v Speaker 2>like cuts you at the knees of like, oh right, yeah, okay,

0:41:15.480 --> 0:41:17.520
<v Speaker 2>well I'll know it when I see.

0:41:17.360 --> 0:41:17.840
<v Speaker 4>It, you know.

0:41:18.440 --> 0:41:20.719
<v Speaker 2>I mean, Laala was able to brush Jesse off like

0:41:20.719 --> 0:41:24.200
<v Speaker 2>like you know, they gave Lala that easy layup with which,

0:41:24.239 --> 0:41:26.560
<v Speaker 2>by the way, kind of a dumb move overall with

0:41:26.680 --> 0:41:28.520
<v Speaker 2>La La because it's like, yeah, you want that moment,

0:41:28.600 --> 0:41:30.840
<v Speaker 2>but if you are trying to audition for a space

0:41:30.920 --> 0:41:33.799
<v Speaker 2>on the valley, you can't just cut people off like that.

0:41:33.920 --> 0:41:35.920
<v Speaker 2>It's good for the moment, but that's all it is

0:41:35.920 --> 0:41:38.760
<v Speaker 2>is a moment, and then it makes it reminds people

0:41:38.760 --> 0:41:40.719
<v Speaker 2>of what they didn't like about her on the last

0:41:40.760 --> 0:41:44.040
<v Speaker 2>season of vander Pump Rules instead of maybe a different

0:41:44.200 --> 0:41:46.440
<v Speaker 2>side of La La that we haven't seen, if there

0:41:46.520 --> 0:41:48.680
<v Speaker 2>is one, because you know, what is like the feeder

0:41:48.719 --> 0:41:51.200
<v Speaker 2>system is house of villains traders like you know what,

0:41:51.280 --> 0:41:55.680
<v Speaker 2>other whatever, other reality shows that there's a feeder system

0:41:55.680 --> 0:41:59.680
<v Speaker 2>from this one. So I do wonder sometimes about these

0:41:59.719 --> 0:42:02.359
<v Speaker 2>people if they feel pressure to try to get more

0:42:02.400 --> 0:42:03.000
<v Speaker 2>on the valley.

0:42:03.560 --> 0:42:04.480
<v Speaker 3>Yeah, no, awkward.

0:42:04.760 --> 0:42:08.920
<v Speaker 1>I think La LA's choice should have been to not

0:42:09.080 --> 0:42:12.040
<v Speaker 1>give what's expected, and it would have been a nice

0:42:12.080 --> 0:42:15.839
<v Speaker 1>surprise for us to see her still be La La

0:42:16.040 --> 0:42:20.040
<v Speaker 1>and spicy. But I think that she was very aggressive

0:42:20.480 --> 0:42:22.480
<v Speaker 1>and that's why Jesse gave her nothing.

0:42:22.239 --> 0:42:23.560
<v Speaker 3>Because he knew she was auditioning.

0:42:23.680 --> 0:42:24.359
<v Speaker 4>Yeah, so you.

0:42:24.320 --> 0:42:26.799
<v Speaker 2>Want to get popped, let's go. Also, I mean, if

0:42:26.840 --> 0:42:28.440
<v Speaker 2>she was smart, she would have tried to make out

0:42:28.440 --> 0:42:32.520
<v Speaker 2>with Jesse. Don't get jealous, Carla, don't get jealous. Don't

0:42:32.680 --> 0:42:37.359
<v Speaker 2>don't get upset. Carlos God, it's okay, he loves you,

0:42:37.480 --> 0:42:39.879
<v Speaker 2>but like you gotta let him. You gotta let him cook.

0:42:39.920 --> 0:42:43.719
<v Speaker 3>You know, ah rot I to talk to you on

0:42:43.880 --> 0:42:44.640
<v Speaker 3>that you are so.

0:42:45.400 --> 0:42:46.160
<v Speaker 4>I know you guys.

0:42:46.200 --> 0:42:48.000
<v Speaker 2>I know I overtalk, but I get so sad because

0:42:48.000 --> 0:42:49.400
<v Speaker 2>I know we're like probably at the end of this,

0:42:49.440 --> 0:42:51.600
<v Speaker 2>and I'm like, oh, I just love I love talking to.

0:42:51.560 --> 0:42:55.080
<v Speaker 3>Carlos so much, soy please, I love our banter. I really,

0:42:55.080 --> 0:42:55.400
<v Speaker 3>really do.

0:42:55.560 --> 0:42:57.759
<v Speaker 1>Thank you so much for coming into roality with the King,

0:42:58.080 --> 0:43:02.480
<v Speaker 1>but you have your own very hugely, wildly successful podcast.

0:43:02.600 --> 0:43:05.320
<v Speaker 1>And I, first of all not sure if I mentioned

0:43:05.320 --> 0:43:07.360
<v Speaker 1>this to you. Maybe I did, but I'll do it

0:43:07.360 --> 0:43:12.640
<v Speaker 1>again if I did. I really enjoyed your integration with

0:43:12.960 --> 0:43:16.120
<v Speaker 1>The Valley by the way, oh thank you yea from

0:43:16.120 --> 0:43:16.680
<v Speaker 1>only getting in.

0:43:16.680 --> 0:43:18.799
<v Speaker 2>The car and oh yeah, I did the Valley Van,

0:43:18.840 --> 0:43:21.439
<v Speaker 2>which I mean, talk about being scared out of my mind.

0:43:21.480 --> 0:43:23.840
<v Speaker 2>I was in a car with Jax, Jesse and Schwartz

0:43:24.320 --> 0:43:26.840
<v Speaker 2>and you know, I've talked mad shit about Jack's for

0:43:27.040 --> 0:43:28.600
<v Speaker 2>years and like, at the end of the day, I

0:43:28.640 --> 0:43:30.239
<v Speaker 2>do want him to be okay, but it's like we

0:43:30.280 --> 0:43:33.080
<v Speaker 2>talk about these reality shows and you do, like I

0:43:33.120 --> 0:43:35.239
<v Speaker 2>make jokes about it, like I'm critical about it. But

0:43:35.320 --> 0:43:37.239
<v Speaker 2>he was like, do you talk shit about me? And

0:43:37.280 --> 0:43:39.319
<v Speaker 2>I was like, I've had some opinions over the years,

0:43:39.400 --> 0:43:41.600
<v Speaker 2>like I thought I was gonna and the dudes put

0:43:41.600 --> 0:43:44.200
<v Speaker 2>on like fifteen pounds of muscle. But he was actually

0:43:44.239 --> 0:43:47.200
<v Speaker 2>a super fun experience and in that way, they were

0:43:47.200 --> 0:43:49.120
<v Speaker 2>all like nice guys, you know when you're dealing with

0:43:49.120 --> 0:43:51.440
<v Speaker 2>them in that kind of situation. But it was like

0:43:51.520 --> 0:43:53.960
<v Speaker 2>Jack's just kept saying, it's the it's the worst year

0:43:54.000 --> 0:43:55.640
<v Speaker 2>of my life. This has been the worst year of

0:43:55.640 --> 0:43:57.680
<v Speaker 2>my life. And Schwartz was kind of making fun of

0:43:57.719 --> 0:44:00.399
<v Speaker 2>him in the backseat of like, oh, you're working PRIs.

0:44:00.480 --> 0:44:04.040
<v Speaker 2>Oh you know, it's like it's it was. I felt

0:44:04.040 --> 0:44:05.480
<v Speaker 2>like I was on an acid trip. I was like,

0:44:05.520 --> 0:44:07.279
<v Speaker 2>there is no way I'm in this car with these

0:44:07.280 --> 0:44:08.239
<v Speaker 2>three men right now.

0:44:11.600 --> 0:44:13.239
<v Speaker 3>Well I've joined it. I joined it.

0:44:13.440 --> 0:44:16.440
<v Speaker 1>But let my Raindoss know where the kids support subscribe.

0:44:16.480 --> 0:44:18.920
<v Speaker 1>Oh yeah, and like your podcasts, Yeah, it's called so

0:44:18.960 --> 0:44:20.920
<v Speaker 1>Bad It's good. We do shows pretty much like every day.

0:44:20.960 --> 0:44:22.960
<v Speaker 2>There's a Patreon as well, but we cover like Valley

0:44:22.960 --> 0:44:25.120
<v Speaker 2>in Summerhouse and I'll do huge recaps of that.

0:44:25.320 --> 0:44:26.600
<v Speaker 4>We do a pop culture round up.

0:44:26.640 --> 0:44:29.399
<v Speaker 2>I had the director of that new Sherry Peppini, uh

0:44:29.680 --> 0:44:33.359
<v Speaker 2>four part docu series that was insane. We just had

0:44:33.640 --> 0:44:36.080
<v Speaker 2>Philip Solomon from Dealer No Deal Island. Who's actually you

0:44:36.120 --> 0:44:38.439
<v Speaker 2>would love Philip Solomon. He was He was so good

0:44:38.440 --> 0:44:41.560
<v Speaker 2>on today's episode. But yeah, there's different guests every week,

0:44:41.600 --> 0:44:44.719
<v Speaker 2>so it's interview, pop culture and recap. So if you

0:44:44.760 --> 0:44:47.440
<v Speaker 2>ever want something, it's always there, but no pressure at

0:44:47.480 --> 0:44:48.880
<v Speaker 2>all to check it.

0:44:48.920 --> 0:44:51.160
<v Speaker 3>Out rain Drops. Check it out if you have it,

0:44:51.320 --> 0:44:53.120
<v Speaker 3>I know you have, but just check it out.

0:44:53.000 --> 0:44:53.520
<v Speaker 4>If you haven't.

0:44:53.640 --> 0:44:56.760
<v Speaker 1>For those who did it, subscribe to like it. It's

0:44:56.880 --> 0:44:59.319
<v Speaker 1>very diverse in terms of what he's talking about with

0:44:59.360 --> 0:45:01.920
<v Speaker 1>these shows, and he gives. As you all can tell

0:45:02.080 --> 0:45:05.239
<v Speaker 1>based on this episode. He has such passion when it

0:45:05.239 --> 0:45:08.080
<v Speaker 1>comes to these episodes, so it's always good to know

0:45:08.120 --> 0:45:11.279
<v Speaker 1>that the person you're listening to loves it just just

0:45:11.320 --> 0:45:13.719
<v Speaker 1>as much as we love listening to it.

0:45:13.800 --> 0:45:16.000
<v Speaker 4>So yeah, that's it. I mean, it really is about love.

0:45:16.080 --> 0:45:16.759
<v Speaker 4>Like at the end of the day.

0:45:16.800 --> 0:45:19.040
<v Speaker 2>I we know that sounds so cheesy, but it's like, God,

0:45:19.080 --> 0:45:21.279
<v Speaker 2>I just feel so lucky to be able to talk

0:45:21.280 --> 0:45:23.319
<v Speaker 2>about this stuff and whatever I can do to like

0:45:23.719 --> 0:45:24.600
<v Speaker 2>keep doing this.

0:45:25.320 --> 0:45:26.160
<v Speaker 4>I'm just thrilled.

0:45:26.200 --> 0:45:27.680
<v Speaker 2>Like I never thought I would talk to you one day,

0:45:27.719 --> 0:45:29.839
<v Speaker 2>Like I remember five years ago knowing who you were

0:45:29.880 --> 0:45:33.160
<v Speaker 2>and going, oh man, I'll never so like stuff like this.

0:45:33.239 --> 0:45:35.320
<v Speaker 2>I always feel like it's like this make a wish foundation.

0:45:35.480 --> 0:45:37.440
<v Speaker 2>So it's awesome. I just really appreciated.

0:45:37.480 --> 0:45:39.400
<v Speaker 3>I love that. No, this is great. This is great.

0:45:39.800 --> 0:45:40.120
<v Speaker 1>Ryan.

0:45:40.239 --> 0:45:41.480
<v Speaker 3>We'll love to have you back.

0:45:41.280 --> 0:45:44.360
<v Speaker 1>On and rain Drops.

0:45:44.440 --> 0:45:45.480
<v Speaker 3>Check out his podcast.

0:45:45.640 --> 0:45:49.239
<v Speaker 1>Please good luck with Jesse, dude, let me get let

0:45:49.239 --> 0:45:50.880
<v Speaker 1>me get my cash appen zel together.

0:45:53.160 --> 0:45:57.480
<v Speaker 4>Ryan, Bye, dude.

0:45:59.400 --> 0:46:01.680
<v Speaker 3>Thank you for listening to Reality with the Kings.

0:46:02.080 --> 0:46:07.760
<v Speaker 1>New episodes drop on Tuesdays and Thursdays. Share, comment, follow,

0:46:07.960 --> 0:46:10.439
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0:46:10.760 --> 0:46:12.960
<v Speaker 3>Wherever you get your podcast.

0:46:13.000 --> 0:46:16.440
<v Speaker 1>Visit Reality withthe King dot com and be sure to

0:46:16.520 --> 0:46:21.200
<v Speaker 1>follow me at the Carlos King Underscore on Instagram, Twitter,

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0:46:24.920 --> 0:46:28.920
<v Speaker 1>get all of my visuals, baby, my expressions, Yes, and

0:46:29.080 --> 0:46:32.480
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0:46:37.719 --> 0:46:41.800
<v Speaker 1>Reality with the King is a production of Kingdom Rain Entertainment,

0:46:42.520 --> 0:46:58.640
<v Speaker 1>an executive produced by Me Carlos King, Kingdom Rain Entertainment,

0:46:58.920 --> 0:47:03.239
<v Speaker 1>Baby m