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Speaker 1: Welcome to Reality with the King. It's me Carlos Kings,

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Speaker 1: the King of Reality TV and one of the most

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Speaker 1: sought after executive producers in reality television with over ten

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Speaker 1: years a production experience. Twice a week on Reality with

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Speaker 1: the King, we'll sit down with my friends across the

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Speaker 1: entertainment industry, recap our favorite reality shows and revisit unforgettable

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Speaker 1: moments that we are still talking and tweeting about. Hey,

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Speaker 1: Ray drops On today's episode Reality with the King, We're

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Speaker 1: back to discuss the amazing show called The Valley and

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Speaker 1: the most recent episode. And I have a very special guest.

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Speaker 1: He's printed the show. His name is Ryan Bailey. But

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Speaker 1: today how about you say, Ryan, who are you today?

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Speaker 2: I'm Ryan Caperna, I'm Janet and Jason's third so very

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Speaker 2: excited to be here today as always, Oh.

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Speaker 3: Jan and missus Jackson, if you're nasty? What episode this? Listen?

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Speaker 1: This show is so freaking good. I love it so much.

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Speaker 1: I always tell people it's sort of like the best

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Speaker 1: show on Brava. Right now, I can't get enough of

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Speaker 1: these crazy kids and Ryan, I can't wait to recap

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Speaker 1: this episode with you, So let's get right into it.

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Speaker 1: The episode begins with Danny and Jason having a conversation

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Speaker 1: about this alleged drinking problem that Danny has. But by

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Speaker 1: the way, let's just start here, Ryan, do you think

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Speaker 1: Danny has a drinking problem?

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Speaker 4: Well, listen, if.

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Speaker 2: You, I mean, in all honesty, if you are grabbing

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Speaker 2: ass and you do not remember it, that is an issue.

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Speaker 4: That is a problem.

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Speaker 3: Right.

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Speaker 2: Do I think he is like a daily drinker, that

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Speaker 2: he's like drinking rubbing alcohol? Not a chance in hell.

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Speaker 2: But as Jason points out later in the episode, or

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Speaker 2: maybe it was the after show, is just like, hey,

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Speaker 2: if I did that, I would never drink again, Like

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Speaker 2: if somebody told me I did that.

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Speaker 4: So that's an issue.

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Speaker 2: But it is so interesting because this obviously happened close

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Speaker 2: to a year ago, and it's being pulled out for

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Speaker 2: the cameras, when, of course they could have had all

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Speaker 2: of these conversations if they were an actual friend group

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Speaker 2: away from the cameras. So I think you're getting this

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Speaker 2: like kind of double shock of my own behavior having

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Speaker 2: to face that, and then on top of it, like, well,

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Speaker 2: why didn't you tell me this when the cameras were off?

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Speaker 2: Why are why aren't we Why are we having these

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Speaker 2: conversations right now. So, I mean, I do think it's

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Speaker 2: a problem, but my god, we're in a cast with

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Speaker 2: Jax Taylor and Jesse Lally, which, by the way, you

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Speaker 2: should rename this to rehap with the King, because you

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Speaker 2: know your interview with Jesse Lally, anybody that had like

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Speaker 2: anybody that thinks negatively of a cast member, you should

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Speaker 2: they should come on this show.

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Speaker 4: You need to get Janet next and see what you

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Speaker 4: can do for Janet.

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Speaker 1: To my Lindy, let's put at the request or Janet,

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Speaker 1: because I really do want to get to talk to Art.

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Speaker 1: First of all, Beck, you Rye by exclusive, what Jesse

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Speaker 1: Lally was was very fun. I lacked the guy, icked

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Speaker 1: the guy, and I happen to agree with you with

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Speaker 1: terms of the conversations that they're happened with Danny boy.

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Speaker 1: His drinking problem did happen a year ago. But it's

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Speaker 1: so interesting is he appears to be very shocked that

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Speaker 1: it is even a topic of discussion. And I think

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Speaker 1: a large part of it has to do with the

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Speaker 1: fact that he's like, are.

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Speaker 3: You fucking kidding me?

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Speaker 1: This happened a year ago, and you're waiting to tell

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Speaker 1: a fucking cannon cameras, a round with the fucking diva

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Speaker 1: light and overhead lighting and a microphone pack in our

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Speaker 1: Levi jeans.

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Speaker 4: He's like, I'm trying to enjoy a hamburger.

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Speaker 2: We're having hamburgers and a beer, and like, I didn't

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Speaker 2: know this conversation with and this is what happens, Like

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Speaker 2: if Jax Taylor didn't enter a mental health facility, we

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Speaker 2: would not be having this conversation right now.

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Speaker 3: Potentially, No, totally, totally, totally.

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Speaker 1: So I had to admit I was sort of caught

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Speaker 1: off guard with Jason, who was pretty much trying to

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Speaker 1: tell his boy Danny that, you know, it is kind

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Speaker 1: of a problem because Danny's like, and I'll love a flashback.

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Speaker 1: Danny's like, but that's not the message you said to

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Speaker 1: me while it is happen. And I think that this

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Speaker 1: is my theory. I think Janet, miss Jackson, if You're nasty,

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Speaker 1: had pillow talk with Jason, has said, look, motherfucker, when

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Speaker 1: you going that scene, I can't look crazy as the

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Speaker 1: only person who thinks Danny has a problem. I said

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Speaker 1: in the last episode, right, it was obvious.

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Speaker 4: Wait, but I mean, like, there is not a doubt

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Speaker 4: in my mind.

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Speaker 2: And by the way, if you are in a relationship

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Speaker 2: like that, you that is that kind of filter is

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Speaker 2: going to happen. You are going to be affected by

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Speaker 2: your partner. And you know, Janet is running her mouth

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Speaker 2: NonStop about the potent, like she looks at this from

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Speaker 2: ten different angles. On top of being a vander Pump

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Speaker 2: Rule's reality show fan, which I'm not bashing, but she

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Speaker 2: knows how the system works.

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Speaker 4: So she even brings.

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Speaker 2: Up like, quote detective Doty, which is the name the

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Speaker 2: fans have given Dody over the.

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Speaker 4: Years, So she knows every which way.

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Speaker 2: And Jason, you know, he's just he's not a confident messenger.

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Speaker 2: Luke has this a little bit as well, where they're like,

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Speaker 2: in normal life, I wouldn't be doing this, but I

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Speaker 2: guess I to have this tough conversation now where Janet

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Speaker 2: runs towards a tough conversation, which is what reality stars

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Speaker 2: are supposed to do.

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Speaker 1: Yes, because one thing I like about miss Jackson is

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Speaker 1: the fact that Janet has never met a camera she

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Speaker 1: didn't like. You know, listen, I think it's all fair

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Speaker 1: in love and war in this case, in the Valley

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Speaker 1: and the rules of banda Pump she wants the gig.

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Speaker 3: She is making shit happen. One thing.

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Speaker 1: As the producer, I will say Janet is a producer's

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Speaker 1: dream because she stands on her own truth. She moves

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Speaker 1: story along, and she gives no fucks how she looks

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Speaker 1: as long as the camera's on her.

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Speaker 2: Okay, But Carlos, this is why you're perfect for This

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Speaker 2: is what my curiosity and I think this puts the

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Speaker 2: fans in this driver's seat where we're kind of swept

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Speaker 2: up in the story, but we are now in twenty

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Speaker 2: twenty five thinking about production and how you actually make

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Speaker 2: these things.

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Speaker 4: Is that Janet for the.

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Speaker 2: Most part, is universally disliked by the Brav fan base,

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Speaker 2: even me and you. I'm like, I can see what

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Speaker 2: she's doing. I can see some positive stuff. It is

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Speaker 2: moving story along. But what is that like when you're

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Speaker 2: dealing with a cast member that you know is universally

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Speaker 2: disliked and you're giving them the hot potato. How do

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Speaker 2: you encourage them or keep them in the game or

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Speaker 2: is it just their own ego that keeps themselves in

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Speaker 2: the game because they've always wanted this and they don't

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Speaker 2: care how they get it.

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Speaker 3: No, that's a really good question, you have to balance

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Speaker 3: them out.

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Speaker 1: It's sort of like my study as it is a

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Speaker 1: libra you know, it's all about the tipping scales of balance,

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Speaker 1: and us libras try our best to be a balance

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Speaker 1: human being and we fell miserably at that, but we

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Speaker 1: do shout out to my libra range drops. But what

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Speaker 1: I will say is you have to balance someone out.

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Speaker 1: So obviously, when I worked on Atlanta Housewives in Jersey,

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Speaker 1: Kenya Moore and Danielle stob right to two totally different women,

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Speaker 1: it's something. They're there their place on this on their

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Speaker 1: respective shows, but are called a villain by the Bravo audience.

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Speaker 1: So you always try to find your best to show

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Speaker 1: the softer side of them, like the Sharman tissue. Let's

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Speaker 1: see the softer side of you.

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Speaker 2: So like next episode, we're gonna get a scene with

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Speaker 2: Janet and her baby potentially.

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Speaker 1: Right, yes, yes, yes, you want to be The thing

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Speaker 1: is this Janet doesn't mind doing her job, and her

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Speaker 1: job is and this is when I say job, not

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Speaker 1: that she's being a character. We all have our different

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Speaker 1: personality traits. That's true to us, right, So when I

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Speaker 1: say her job, she knows that her personality is. She

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Speaker 1: likes to be nosy, she likes to say what it is,

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Speaker 1: and yes, she has the propensity to understand that.

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Speaker 3: I know how TV works.

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Speaker 1: I'm a fan of it, but when you're producing someone

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Speaker 1: like Janet, you do have to rull her back sometime to.

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Speaker 3: Say, look, be messy on you want to we love

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Speaker 3: it here.

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Speaker 1: However, let's balance you out because you don't want a

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Speaker 1: Janet to quit the show because then it's sort of

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Speaker 1: like Jackson rehaff So, who the fuck do we have

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Speaker 1: to start the pot?

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Speaker 2: Well, I mean that's like the big question even in

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Speaker 2: this episode, because we have the first appearance of Lala.

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Speaker 2: She know, we had an appearance of last week on

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Speaker 2: the hike with Michelle, but you know, Lala has her

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Speaker 2: scene with Jesse, and you know, my thought is is

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Speaker 2: this always planned or were they not scrambling? But like,

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Speaker 2: let's do plan B. Now that Jacks is gone for

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Speaker 2: seven episodes, let's try to protect this cast with additions,

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Speaker 2: even though it does in my personal opinion, it does

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Speaker 2: not need this like Lala.

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Speaker 4: I mean that's like a that's giving.

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Speaker 2: Like an easy hit to Lala, Like, oh, say something

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Speaker 2: crappy about Jesse. You can talk about narcissism and walk off,

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Speaker 2: and then Sheena, you know, jumps into the scene like

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Speaker 2: classic Sheena. But does it really need that? And and

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Speaker 2: why do they throw those things in? Was it because

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Speaker 2: of Jack's Was that always the plan?

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Speaker 3: Great question. I think it's a little bit of both. Right.

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Speaker 1: What I'm starting to see is is this number one.

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Speaker 1: We all know that at the end of the day,

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Speaker 1: rain Drops the Valley is the quiet spinoff of Vanda

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Speaker 1: Pump Rules. It's sort of the thing that no one

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Speaker 1: wants to really talk about. It's a marketing.

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Speaker 2: Yeah yeah, well, I mean why do you why do

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Speaker 2: you think it's quiet? I mean because for me, I

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Speaker 2: just call it like vander Pump Junior, you know.

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Speaker 3: Because people got fired for misbehaving.

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Speaker 2: Oh yeah, this is like vander Pump with knee problems,

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Speaker 2: like as you get older, this is what happens, you know.

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Speaker 4: But I totally I totally get that.

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Speaker 1: Yeah, yeah, yeah, So I think that's the reason why

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Speaker 1: it's like this quiet spinoff, although we kind of know

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Speaker 1: what it is. So to answer your question when it

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Speaker 1: comes to La La number one, I agree with you.

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Speaker 1: I don't think we need Laala, and I'm a fan

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Speaker 1: of Laala I think the reason why she was brought back. Yes,

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Speaker 1: when it comes to Jack's you sort of need that.

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Speaker 1: That's spitfire.

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Speaker 3: That's number one.

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Speaker 1: Number two, you want a test to kind of see

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Speaker 1: the chemistry that a notable face has with this new

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Speaker 1: crop of people. That's number two and number three, which

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Speaker 1: to me is the most important. The way Bravo sort

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Speaker 1: of sees Housewives as like a soap opera where a

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Speaker 1: character leaves and in the world of soap opera, dies

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Speaker 1: off and then comes back to Like we're seeing that

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Speaker 1: for Paja Parks on Atlanta Housewives. You last saw her

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Speaker 1: season nine. She's back for season sixteen. There was a

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Speaker 1: seven year gap of no Fadra. Now that she's back,

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Speaker 1: everyone presumably is happy. So with La La, it's sort

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Speaker 1: of like, let's bring back these characters that the audience

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Speaker 1: familiar with. But I think the reason why we all

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Speaker 1: love the valley so much is because it's its own specialness.

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Speaker 1: And when I see La La La La to me

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Speaker 1: will always be bound the plumb rules. Kristin to me,

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Speaker 1: And when I say this here met guys, Kristin to

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Speaker 1: me fits way more on this show than band the

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Speaker 1: pump rules because she fits this world and to me

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Speaker 1: on Banda Pump.

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Speaker 5: Rules La La Arianna Sheena, they fit that world of

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Speaker 5: like we were Bartender, we made a bigger Hollywood in

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Speaker 5: the entertainment industry, and here we are here us roar

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Speaker 5: where I think the Valley gives me very much suburban lifestyle.

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Speaker 2: Yeah, I mean don't like last episode they're moving into

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Speaker 2: their rental house, you know, in preparation of a family,

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Speaker 2: and that is very different than you know, a Jax

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Speaker 2: Taylor buying a home with Vander Pump money and then

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Speaker 2: you know, obviously you know, not paying the bills for

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Speaker 2: three months because he's living beyond its means. You know,

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Speaker 2: there's something so like earthy obviously about Dody where it's

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Speaker 2: very valley related and not star driven where Lala, you're right,

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Speaker 2: Like I watched that premiere of the new season of

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Speaker 2: Real Housewives in Miami which comes out in a couple

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Speaker 2: of weeks, and.

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Speaker 4: I loved it.

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Speaker 2: But they were like they're dressed up like superheroes the

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Speaker 2: whole time, Like they are so done up in every

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Speaker 2: scene and I loved it. But that's not the valley.

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Speaker 2: None of these people are done to the nines. I

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Speaker 2: love that, and I wouldn't even say it's aspirational, but

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Speaker 2: there is something recognizable about the valley that we.

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Speaker 4: Can relate to.

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Speaker 2: The only thing that I would say is the glaring

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Speaker 2: issue is that in no way can we call this

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Speaker 2: truly a friend group. Like, you know, if you are

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Speaker 2: constantly talking mad you know, sahi t to everybody about

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Speaker 2: the person you should be having in the conversation with,

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Speaker 2: you would not hang out with that person eventually. So

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Speaker 2: it's like this thin tether that keeps all of these

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Speaker 2: people together. And that thin tether is just TV. It's

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Speaker 2: just the fact of commerce and TV.

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Speaker 3: No, it really is, it really, it really is.

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Speaker 1: And what they're going to have to figure out is

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Speaker 1: sort of like how they can make sense for the

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Speaker 1: show to last multiple seasons with exacting.

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Speaker 3: That they're real friends.

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Speaker 1: Because again, that's the reason why I've had the pot

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Speaker 1: rules have to be recast, because it was it was

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Speaker 1: glaringly obvious that they just weren't friends. I want to

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Speaker 1: get into what you mentioned about Jackson not paying the

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Speaker 1: mortgage for three months.

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Speaker 2: Classic Jacks, by the way, classic Jacks. Well, Jackson is dangerous. Yes,

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Speaker 2: a month, three months, and Brittany was paying for the

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Speaker 2: airbnb rental on top of that, and then in this

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Speaker 2: episode he just slides it out there to Brittany that

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Speaker 2: he assigned a lease on a new place right next

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Speaker 2: to Tom Schwartz like and having not still paid the

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Speaker 2: rent on the actual property that they own.

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Speaker 1: Child, we are just getting started. This is reality with

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Speaker 1: the King, and I'm Carlos King. Let's get back into

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Speaker 1: the show. To my female listeners, if I didn't learn

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Speaker 1: one thing from Teresa Judais going to prison, if you

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Speaker 1: read every document your husband putting in front of you

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Speaker 1: to sign, that's number one, but number two, know what

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Speaker 1: the fuck your husband's doing. You need to listen. I

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Speaker 1: want to see the castle check. I want to be

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Speaker 1: able to log in if you're paying a mortgage in

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Speaker 1: twenty twenty five, there's a website that you log into.

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Speaker 4: Carlo by Carlos here.

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Speaker 2: I think at this point, if something happens, we know

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Speaker 2: that Brittany and Jackson will get a full pardon. I

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Speaker 2: think with recent events, so I think they're safe. I

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Speaker 2: think they're safe. I think that's a good third season

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Speaker 2: of the Valley. Jackson Brittany get a full pardon for

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Speaker 2: any financial misdeeds. But no, you're right, it is shocking

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Speaker 2: that they live such public lives and then you realize

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Speaker 2: that their private lives are disastrous in some ways, but

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Speaker 2: also just the financial aspect of it, which is somewhat

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Speaker 2: aspirational to all of us of like, oh wow, they

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Speaker 2: can buy cool things. Is that is just full of

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Speaker 2: smoke as well. It's all smoke and mirrors, and that

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Speaker 2: to me is fascinating to watch the dissolution of even

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Speaker 2: though it's really painful to think about their reality.

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Speaker 1: No, it's really painful, but it's such an asshole thing

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Speaker 1: of Jacks because at the end of the day, this

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Speaker 1: is the mother of your child.

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Speaker 3: So to risk your child being homeless.

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Speaker 1: Meanwhile, you have enough money to sign a lease to

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Speaker 1: live next door to Tom Schwartz, who isn't the babysitter,

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Speaker 1: do you know what I mean? So to need cops

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Speaker 1: decision is horrible.

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Speaker 2: We need to siphon off all of Jackson's Cameo money

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Speaker 2: right to Brittany. It should go well, we should contact Cameo,

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Speaker 2: but it like I don't.

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Speaker 4: That's the thing. And even Jesse brings.

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Speaker 2: Us up to a degree too of like the daughter

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Speaker 2: or the son and these things, and it makes for good.

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Speaker 4: Clips but I'm like, where is the action.

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Speaker 2: Jackson will talk till he's blue in the face of

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Speaker 2: like I do I'm doing this for my son. I'm

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Speaker 2: doing this for my kid, and then when it comes

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Speaker 2: down to it, he doesn't do any of the things

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Speaker 2: that he knows would be good for his family and

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Speaker 2: to put his son above himself, and that never happens.

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Speaker 2: I mean, we've lived since twenty thirteen with the character

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Speaker 2: of Jax Taylor. He has not really changed that much

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Speaker 2: except he has new like buzzwords to speak about, and

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Speaker 2: he's able to use therapy as a protection.

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Speaker 4: Now.

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Speaker 2: You know, even in the after show, which, by the way,

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Speaker 2: the Valley After Show, I so recommend on Peacock. It's

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Speaker 2: like thirty minutes each week, but they speak and give

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Speaker 2: it more context, and he's like, yeah, I picked a

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Speaker 2: park to have that hard conversation with Brittany, and I

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Speaker 2: brought my therapist along so you know, they could back

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Speaker 2: me up in what I was doing with moving out.

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Speaker 2: I want to know what facility this man has gone to,

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Speaker 2: because it sounds so lax. He's able to go back home,

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Speaker 2: fiddle with the cameras to watch Brittany, He's able to

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Speaker 2: be on his phone the entire time. I don't know

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Speaker 2: a lot about the mental health industry in terms of

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Speaker 2: like rehab, but like it sounds like it's really loose.

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Speaker 4: Well that's the thing.

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Speaker 1: So apparently it's not even a rehab because in real

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Speaker 1: rehab you can't leave the premises for a certain amount

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Speaker 1: of days minimumly thirty. So it's I agree with you,

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Speaker 1: it's it's I don't understand the facility he's in. I

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Speaker 1: don't understand why he's able to go to a park

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Speaker 1: and with his therapist and see his kids and they

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Speaker 1: have to go back to the to the rehab station,

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Speaker 1: but also am able to mess with the cameras he's

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Speaker 1: watching Brittany, telling her I know what you're wearing. It's

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Speaker 1: it's super gross and super controlling in how he's treating Brittany.

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Speaker 1: And I know Brittany isn't the favorite of the show,

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Speaker 1: but no woman deserves to be to succumb to that

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Speaker 1: sort of mental abuse that he's displaying with her by

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Speaker 1: telling her I'm watching you, I'm not paying the mortgage

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Speaker 1: and Beth bah blah.

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Speaker 4: Well that's I mean.

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Speaker 2: That's the other thing is that the audience then goes

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Speaker 2: into production mode of like, how does a producer determine

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Speaker 2: when it's too far? Like obviously they helped or forced

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Speaker 2: him into this facility in the first place, you know,

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Speaker 2: because they were filming with him.

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Speaker 4: It went too far.

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Speaker 2: But when somebody is doing this many things like where

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Speaker 2: is the point where it does cross this.

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Speaker 4: Line of like we can't work with you. These are threats, even.

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Speaker 2: Though you're saying they are not, it does get to

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Speaker 2: a scary place. Like last episode Lala and the after

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Speaker 2: show or no, maybe it was Lalla's podcast or something

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Speaker 2: was saying listen, I told Brittany to get out of

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Speaker 2: there because I thought she was gonna get hurt if

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Speaker 2: she didn't. And I was like, now we're talking or

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Speaker 2: insinuating physical violence.

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Speaker 1: You know.

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Speaker 2: In twenty twenty five, reality shows, as you know, have

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Speaker 2: changed so much in terms of like what behavior actually

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Speaker 2: is acceptable. And I think a lot of behavior obviously

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Speaker 2: is still acceptable. But where as a producer, I mean,

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Speaker 2: we've seen it with James Kennedy, We've seen it with

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Speaker 2: all of these people. Where do you draw that line

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Speaker 2: and still worry about the overall health of the show.

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Speaker 3: Well, that's the thing.

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Speaker 1: I think it's something where Brittany has to say out

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Speaker 1: loud to them she feels unsafe, right because at the

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Speaker 1: end of the day, they're not paying for the house

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Speaker 1: we need.

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Speaker 3: The production is Brittany's house. It's her situation.

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Speaker 1: So if she feels unsafe in her own home, the

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Speaker 1: only thing a production can do.

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Speaker 3: And I'm not a lawyer, but I just base his office.

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Speaker 1: Being a producer is sort of making sure the crew

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Speaker 1: is not in the house, making sure she has resources

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Speaker 1: to live other places, if you know what I mean.

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Speaker 3: But first thing first, she has.

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Speaker 1: To vocalize it, because you don't want to step into

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Speaker 1: someone's reality and alter it, because God forbid, if you

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Speaker 1: do that, something else could happen. And it's because you

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Speaker 1: remove somebody from their normal behavior and you're placing them

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Speaker 1: in the hands of something else where. They didn't ask

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Speaker 1: for you to do that, so it is very tricky.

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Speaker 1: But first thing first, Brittany has to first say this

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Speaker 1: and explain to them why apparently that hasn't happened yet. Now,

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Speaker 1: look in Jackson Fence, they're having verbo spats that we've

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Speaker 1: seen across all of these shows.

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Speaker 3: I want to make that very clear.

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Speaker 1: Nothing has gone physical, at least from what Brittany has said,

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Speaker 1: all of it just appears to be this asshole of

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Speaker 1: a husband she has who is doing asshole shit. And

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Speaker 1: at the end of the day, there's tons of assholes

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Speaker 1: who are on all across reality television for being that.

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Speaker 4: But and that's not criminal, and that's not criminal.

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Speaker 2: That is not criminal to be an asshole, whether you're

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Speaker 2: a male or female. Brittany safe word needs to be Bravo, Bravo,

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Speaker 2: effing bravo with production, like, if she feels safe, just

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Speaker 2: throw that out there and they've got Brittany.

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Speaker 4: But I will say also, like do we need Jax Taylor, Like,

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Speaker 4: you know.

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Speaker 2: Obviously he's not coming back. I think till episode ten,

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Speaker 2: the show is sailing along without him. And of course

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Speaker 2: we have these little like Blair Witch camera things you know,

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Speaker 2: of him checking in, but we don't necessarily.

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Speaker 4: Need that because we get it. I mean, it will

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Speaker 4: be necessary.

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Speaker 2: It will be definitely exciting when he comes back to

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Speaker 2: see how he tries to maneuver within the framework that's

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Speaker 2: been set up after he left. And you'll, you know

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Speaker 2: that if anything, it's like I thought this was Sandobal

428
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Speaker 2: as well, is that the only thing they truly love

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Speaker 2: is themselves and the show. Like Jackson's like big argument

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Speaker 2: with Britney leaving was that you took my dream for

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Speaker 2: me and his dream sadly enough, was to get back

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Speaker 2: on reality television.

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Speaker 3: He said that.

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Speaker 4: Yeah.

435
00:21:36,720 --> 00:21:38,800
Speaker 2: Yeah, they talked about it more on the after show too.

436
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Speaker 2: Was that he was like Brittany was like he.

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Speaker 4: Said, he I took his dream away from him and

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Speaker 4: how dare I do this? Because you know, she was

439
00:21:45,280 --> 00:21:45,600
Speaker 4: the one.

440
00:21:45,640 --> 00:21:48,399
Speaker 2: I think that maybe tipped off production, that it was

441
00:21:48,440 --> 00:21:50,240
Speaker 2: in a really bad place because remember he threw the

442
00:21:50,320 --> 00:21:52,239
Speaker 2: chair that we saw the broken chair of in that

443
00:21:52,640 --> 00:21:57,480
Speaker 2: first or second episode. Yeah, well the king, the King

444
00:21:57,520 --> 00:21:58,200
Speaker 2: has paused.

445
00:21:58,280 --> 00:21:59,600
Speaker 4: Wow, well Beth.

446
00:21:59,520 --> 00:22:00,680
Speaker 3: Well that's the thing.

447
00:22:00,840 --> 00:22:03,399
Speaker 1: So I mean, look, when it comes to Jack's, I

448
00:22:03,400 --> 00:22:06,800
Speaker 1: think what we have seen is the show must go on.

449
00:22:06,960 --> 00:22:10,719
Speaker 1: I tell everybody all the time, everyone is replaceable. No

450
00:22:10,720 --> 00:22:16,399
Speaker 1: matter how iconic you are, you are replaceable. When it

451
00:22:16,440 --> 00:22:19,520
Speaker 1: comes to Jack's, Look, the storyline is still alive without

452
00:22:19,600 --> 00:22:25,080
Speaker 1: him being there because he's misbehaving. Wherever he is child rehab.

453
00:22:24,880 --> 00:22:29,080
Speaker 4: Or he's a David Busters Janet loves.

454
00:22:28,880 --> 00:22:32,960
Speaker 1: It, Okay, Yeah, so wherever he's at, the stories alive.

455
00:22:33,040 --> 00:22:34,320
Speaker 1: And I think a lot of it has to do

456
00:22:34,400 --> 00:22:38,439
Speaker 1: with what his behavior is at this upcoming reunion that

457
00:22:38,480 --> 00:22:39,920
Speaker 1: they already shot weeks ago.

458
00:22:41,000 --> 00:22:43,800
Speaker 3: But as of now, as of now, the.

459
00:22:43,840 --> 00:22:47,360
Speaker 1: Season is great without him, and listen, as a reality star,

460
00:22:47,520 --> 00:22:48,399
Speaker 1: that's not what you want to hear.

461
00:22:48,480 --> 00:22:50,280
Speaker 2: Well, this show is like the Little Engine that could,

462
00:22:50,320 --> 00:22:52,120
Speaker 2: because when it came on, we were all like, who

463
00:22:52,160 --> 00:22:52,920
Speaker 2: needs this show?

464
00:22:53,000 --> 00:22:54,520
Speaker 4: I'm not going to watch this show, And then it

465
00:22:54,560 --> 00:22:55,440
Speaker 4: turned out to be great.

466
00:22:55,720 --> 00:22:58,240
Speaker 2: And then you lose cast members like Jacks and things

467
00:22:58,280 --> 00:23:01,000
Speaker 2: like that, and it still works, and it works in

468
00:23:01,040 --> 00:23:02,800
Speaker 2: this kind of mess of a way where I was noticing,

469
00:23:02,960 --> 00:23:04,840
Speaker 2: you know, I say this every week or every day

470
00:23:04,880 --> 00:23:07,160
Speaker 2: of like this show is so dark, but I don't

471
00:23:07,200 --> 00:23:08,240
Speaker 2: say it in a negative way.

472
00:23:08,320 --> 00:23:09,720
Speaker 4: That's what I've signed up to watch.

473
00:23:10,119 --> 00:23:12,640
Speaker 2: Like, if I want to go watch lighthearted drama, I'll

474
00:23:12,640 --> 00:23:15,359
Speaker 2: go to Summerhouse or another show. But if I want dark,

475
00:23:15,720 --> 00:23:18,200
Speaker 2: there are so there's such darkness, like.

476
00:23:18,160 --> 00:23:19,040
Speaker 4: It truly is.

477
00:23:19,119 --> 00:23:21,520
Speaker 2: Like I said at the very last episode of The Valley,

478
00:23:21,520 --> 00:23:23,280
Speaker 2: We're gonna find out that it was actually they were

479
00:23:23,320 --> 00:23:25,560
Speaker 2: in hell the whole time. It'll be like, oh, this

480
00:23:25,680 --> 00:23:27,840
Speaker 2: was actually hell. Oh that's why they kept saying it

481
00:23:27,880 --> 00:23:29,400
Speaker 2: was so hot in the Valley. It's in the hell

482
00:23:29,840 --> 00:23:32,800
Speaker 2: because it is any way you cut it. And then

483
00:23:32,840 --> 00:23:34,879
Speaker 2: on top of it, they have kids. So when they

484
00:23:34,880 --> 00:23:37,840
Speaker 2: show the kids like Isabella or something, it really like

485
00:23:37,960 --> 00:23:40,720
Speaker 2: floors you because you're like, oh my god, we never change.

486
00:23:41,119 --> 00:23:44,480
Speaker 2: We never change. We only just make like small adjustments

487
00:23:44,520 --> 00:23:47,440
Speaker 2: to our lives. And I'm curious to see Jesse Lalley

488
00:23:47,520 --> 00:23:51,280
Speaker 2: next season, like because you can almost forgive certain aspects,

489
00:23:51,280 --> 00:23:53,879
Speaker 2: like he had that great talking head of like, Okay,

490
00:23:54,800 --> 00:23:57,240
Speaker 2: she is a liar and a cheater, but maybe I

491
00:23:57,280 --> 00:23:59,879
Speaker 2: shouldn't have said whore, you know, Like he's still with

492
00:24:00,080 --> 00:24:02,919
Speaker 2: those two things. So I'm curious what his behavior is

493
00:24:02,960 --> 00:24:05,280
Speaker 2: like a year from now, once the actual anger and

494
00:24:05,320 --> 00:24:08,480
Speaker 2: resentment dissipates, if it ever does, to see who Jesse

495
00:24:08,600 --> 00:24:11,560
Speaker 2: really is, Like is he a villain? Is he a

496
00:24:11,600 --> 00:24:15,760
Speaker 2: bad guy? Or is he somebody that like really misjudged

497
00:24:15,960 --> 00:24:19,320
Speaker 2: actions in a relationship and lost something that he never

498
00:24:19,359 --> 00:24:23,560
Speaker 2: thought he would lose. But he's not like vindictive in

499
00:24:23,640 --> 00:24:24,720
Speaker 2: the entirety of his life.

500
00:24:25,400 --> 00:24:26,359
Speaker 3: Yeah, I agree, I agree.

501
00:24:26,400 --> 00:24:28,919
Speaker 1: He gives me like this bad boy who really tries

502
00:24:28,960 --> 00:24:32,720
Speaker 1: to do right, but he's battled between both worlds.

503
00:24:33,760 --> 00:24:37,160
Speaker 4: So Charlae, wait, wait, Carlos, would you ever, wait, would

504
00:24:37,160 --> 00:24:39,680
Speaker 4: you ever send Jesse Lalley twenty five hundred dollars Venmo

505
00:24:39,760 --> 00:24:43,040
Speaker 4: for his birthday? Would you ever send him money.

506
00:24:43,840 --> 00:24:45,840
Speaker 3: If I was a girl? No?

507
00:24:46,000 --> 00:24:47,720
Speaker 2: I mean remember that was on the episode a couple

508
00:24:47,720 --> 00:24:49,879
Speaker 2: of weeks ago, is that we found out get a

509
00:24:49,960 --> 00:24:53,600
Speaker 2: gay man sent him money, and then they repealed it

510
00:24:53,640 --> 00:24:56,320
Speaker 2: was twenty five hundred dollars on his birthday, and I

511
00:24:56,400 --> 00:24:57,959
Speaker 2: was like, that's a great friend.

512
00:24:58,600 --> 00:25:01,440
Speaker 1: Yeah, as a gay man, I think another straight well,

513
00:25:01,480 --> 00:25:03,920
Speaker 1: as a gay man sending a straight man twenty five

514
00:25:03,960 --> 00:25:07,160
Speaker 1: hundred dollars, I'm not doing that under any circumstance.

515
00:25:07,440 --> 00:25:09,760
Speaker 3: If I'm a girl and I'm.

516
00:25:09,640 --> 00:25:12,200
Speaker 1: Sitting this hot guy, twenty five hundred dollars is because

517
00:25:12,240 --> 00:25:13,080
Speaker 1: I want them.

518
00:25:13,440 --> 00:25:19,040
Speaker 2: So, guys, everybody, Benmo requests Carlos today, twenty five hundred dollars.

519
00:25:19,080 --> 00:25:23,520
Speaker 2: Everybody everybody listening, ring drops. Benmo requests Carlos.

520
00:25:24,480 --> 00:25:26,760
Speaker 3: You can find me under my government name. I'm teasy.

521
00:25:28,200 --> 00:25:31,199
Speaker 1: I did think that was strange, but nothing to me

522
00:25:31,320 --> 00:25:35,560
Speaker 1: was more stranger than Kristen claiming that Jason doesn't wear

523
00:25:35,560 --> 00:25:40,919
Speaker 1: his bread his wedding ring because he's up to something

524
00:25:40,960 --> 00:25:43,640
Speaker 1: no good. And then we have messy as Zach, who

525
00:25:43,680 --> 00:25:46,159
Speaker 1: I love, by the way, who is telling Christ and

526
00:25:46,240 --> 00:25:50,080
Speaker 1: obviously Christ is in her villain era and she's owning it.

527
00:25:50,200 --> 00:25:52,560
Speaker 1: She's like, you fuck with Nia, I'm a fuck with you.

528
00:25:52,880 --> 00:25:54,359
Speaker 4: But she says she's ethereal.

529
00:25:54,840 --> 00:25:57,600
Speaker 2: She's an ethereal villain like she was, so she was

530
00:25:57,640 --> 00:25:59,879
Speaker 2: a different form of villain on vander Pump Rules, and

531
00:26:00,119 --> 00:26:03,760
Speaker 2: now she's like mother villain, like Mother Earth, mother villain.

532
00:26:03,880 --> 00:26:07,000
Speaker 2: Like it's almost spiritual in the way that she's a

533
00:26:07,080 --> 00:26:09,720
Speaker 2: villain on the Valley, which is very different. But this

534
00:26:09,760 --> 00:26:11,760
Speaker 2: is what I'm talking about is that it is like

535
00:26:11,960 --> 00:26:14,440
Speaker 2: it's like a separate government agency where they're all keeping

536
00:26:14,480 --> 00:26:16,720
Speaker 2: files on each other and then they choose when to

537
00:26:17,359 --> 00:26:20,679
Speaker 2: reveal the information and show their cards. And so this

538
00:26:20,800 --> 00:26:23,480
Speaker 2: rumor about Jason Caperna about the wedding ring went back

539
00:26:23,560 --> 00:26:25,640
Speaker 2: like a year and a half or something, and she said,

540
00:26:26,000 --> 00:26:28,240
Speaker 2: I don't like what they're doing to Nia and Danny,

541
00:26:28,280 --> 00:26:31,840
Speaker 2: so I'm gonna put this card on the table, and Janet,

542
00:26:32,000 --> 00:26:34,960
Speaker 2: you know, really laughed that off immediately. Jason was like,

543
00:26:35,000 --> 00:26:37,160
Speaker 2: oh my god, thank god, it's just that I thought

544
00:26:37,200 --> 00:26:39,000
Speaker 2: it was going to be something different, But no, that's

545
00:26:39,040 --> 00:26:41,000
Speaker 2: not true at all, And I just thought it's one

546
00:26:41,000 --> 00:26:42,600
Speaker 2: of those other things if you really stop and think

547
00:26:42,600 --> 00:26:44,360
Speaker 2: about it, of like, why are we not having these

548
00:26:44,400 --> 00:26:47,600
Speaker 2: conversations when it's revealed? And by the way, shout out

549
00:26:47,640 --> 00:26:49,760
Speaker 2: to Jasmine as well. A lot of this stuff seems

550
00:26:49,800 --> 00:26:52,439
Speaker 2: to be coming from Jasmine, which I'm like, has anybody

551
00:26:52,520 --> 00:26:55,480
Speaker 2: talked with Jasmine about why she doesn't actually talk directly

552
00:26:55,520 --> 00:26:59,399
Speaker 2: to people and just really has the power behind people's backs,

553
00:26:59,400 --> 00:27:03,800
Speaker 2: which I find interesting to explore. But yeah, I mean,

554
00:27:03,840 --> 00:27:06,320
Speaker 2: I think this is typical Dody, but just in a

555
00:27:06,440 --> 00:27:10,080
Speaker 2: new a new age Dody, which I'm here for.

556
00:27:10,200 --> 00:27:11,240
Speaker 4: But then you have Janet.

557
00:27:11,480 --> 00:27:14,359
Speaker 2: You have two people, and Janet realizes the power of Dody,

558
00:27:14,760 --> 00:27:18,159
Speaker 2: and Janet almost aspires to be Doty like and Dody.

559
00:27:18,320 --> 00:27:20,480
Speaker 2: You know, Doty has had a new level of respect

560
00:27:20,560 --> 00:27:22,960
Speaker 2: the last three years, but I remember a time when

561
00:27:23,000 --> 00:27:25,960
Speaker 2: people were really against Doty, so it's interesting to see

562
00:27:25,960 --> 00:27:29,440
Speaker 2: her come into her power and Janet really wants want

563
00:27:29,480 --> 00:27:31,520
Speaker 2: that power. So if you watch this show of like

564
00:27:31,880 --> 00:27:35,080
Speaker 2: a Battle for Power, it's another additional way to enjoy

565
00:27:35,119 --> 00:27:38,000
Speaker 2: the show because they're all making these weird chess moves.

566
00:27:38,040 --> 00:27:41,240
Speaker 2: If you look into it and Janet has studied from

567
00:27:41,320 --> 00:27:44,240
Speaker 2: past seasons of Doty, so she's like I knew Dody

568
00:27:44,280 --> 00:27:46,960
Speaker 2: would make this move and I knew and you're like, god,

569
00:27:47,040 --> 00:27:50,280
Speaker 2: this is so calculated, Like you know, they all have binders,

570
00:27:50,400 --> 00:27:53,640
Speaker 2: Like that's what I want if anybody has Janet's binder

571
00:27:53,760 --> 00:27:56,920
Speaker 2: of information to use, I mean, that would be better

572
00:27:56,960 --> 00:27:59,000
Speaker 2: than Monique's receipts from Potomac.

573
00:27:59,119 --> 00:28:00,720
Speaker 4: Like we need find her.

574
00:28:01,680 --> 00:28:03,520
Speaker 3: Yes, what are your thoughts of Jasmine?

575
00:28:03,560 --> 00:28:07,919
Speaker 1: Because she is sort of under the radar, sort of

576
00:28:08,000 --> 00:28:12,040
Speaker 1: like you know, discussing things like Danny's you know, lack

577
00:28:12,040 --> 00:28:16,919
Speaker 1: of sobriety sort of moving things around, but she's still

578
00:28:17,160 --> 00:28:24,400
Speaker 1: very much isn't as she's not as in the forefront

579
00:28:24,640 --> 00:28:28,280
Speaker 1: of everything the way Kristen is. Why is that you

580
00:28:28,359 --> 00:28:32,560
Speaker 1: think is that purposeful of Jasmine being very smart in

581
00:28:32,680 --> 00:28:36,160
Speaker 1: terms of let me drop it and then hide my hands.

582
00:28:36,800 --> 00:28:37,280
Speaker 3: What do you feel?

583
00:28:37,320 --> 00:28:38,560
Speaker 4: I mean, what we have like this?

584
00:28:38,720 --> 00:28:41,120
Speaker 2: I mean we now know that Jasmine obviously is a

585
00:28:41,120 --> 00:28:43,640
Speaker 2: reality show veteran. She was on Nick Vile season of

586
00:28:43,680 --> 00:28:45,840
Speaker 2: The Bachelor. You know, she knows her way around the

587
00:28:45,840 --> 00:28:47,520
Speaker 2: credit camera. I think at one point she was about

588
00:28:47,520 --> 00:28:49,800
Speaker 2: to be on BANDR Pump Rules and it didn't happen.

589
00:28:50,280 --> 00:28:51,040
Speaker 4: Years and years ago.

590
00:28:51,160 --> 00:28:53,360
Speaker 2: I like that they have natural friendships with these people,

591
00:28:53,400 --> 00:28:56,640
Speaker 2: like I can attest that that is completely real. The

592
00:28:57,000 --> 00:28:58,800
Speaker 2: thing with her, I think maybe this is also a

593
00:28:58,800 --> 00:29:02,520
Speaker 2: production of using her at like key moments, like she's

594
00:29:02,600 --> 00:29:07,040
Speaker 2: key in the evidence portion of Danny, the persecution of Danny,

595
00:29:07,240 --> 00:29:09,920
Speaker 2: and you can't take away her experience with her girlfriend.

596
00:29:10,000 --> 00:29:10,960
Speaker 4: That has to be horrific.

597
00:29:10,960 --> 00:29:14,040
Speaker 2: And what I love about Jasmine was that concept that

598
00:29:14,160 --> 00:29:17,160
Speaker 2: I was unfamiliar with, of man, you don't understand a

599
00:29:17,240 --> 00:29:18,120
Speaker 2: lesbian relationship.

600
00:29:18,160 --> 00:29:20,560
Speaker 4: We are fetishized. We are you know, we come in.

601
00:29:20,600 --> 00:29:23,040
Speaker 2: People are not respecting us in the way you do

602
00:29:23,120 --> 00:29:26,040
Speaker 2: with the straight relationship. And that thought was so foreign

603
00:29:26,080 --> 00:29:27,960
Speaker 2: to me, and I was like, oh, wow, you're actually

604
00:29:27,960 --> 00:29:30,880
Speaker 2: I'm learning something from this. But she is just as

605
00:29:31,000 --> 00:29:34,000
Speaker 2: messy as the rest of them. And when the show

606
00:29:34,200 --> 00:29:37,800
Speaker 2: chooses to highlight that mess like we're seeing her talk

607
00:29:37,960 --> 00:29:41,200
Speaker 2: about you know, she started the Jason stuff like texting

608
00:29:41,400 --> 00:29:44,239
Speaker 2: Zach and Janet, like she seems to be in that

609
00:29:44,360 --> 00:29:48,200
Speaker 2: kind of Janet Kaperna lane where they really do disc

610
00:29:48,200 --> 00:29:52,200
Speaker 2: collect information and talk mad shit about everybody, even if

611
00:29:52,200 --> 00:29:54,920
Speaker 2: you're friends with them. And so I think Jasmine is

612
00:29:55,560 --> 00:29:58,120
Speaker 2: going to be a key player in Seasons to come.

613
00:29:58,400 --> 00:30:00,800
Speaker 2: You know, Zach does it in a comedia like there's

614
00:30:00,840 --> 00:30:04,600
Speaker 2: all a commune. But Jasmine also gets the angriest talking

615
00:30:04,600 --> 00:30:07,920
Speaker 2: about a situation after the person she's angry with has left,

616
00:30:08,240 --> 00:30:11,080
Speaker 2: like Nia last week. You know, they had this conversation

617
00:30:11,320 --> 00:30:13,200
Speaker 2: like and Nia's like, I just don't want you to

618
00:30:13,320 --> 00:30:15,200
Speaker 2: do it behind my back and da da da, and

619
00:30:15,240 --> 00:30:17,719
Speaker 2: she's like They're all like great, and then Nia leaves

620
00:30:17,880 --> 00:30:20,400
Speaker 2: and everybody's like She's like, what I don't like about

621
00:30:20,480 --> 00:30:23,400
Speaker 2: Nia is this? And Danny did this, and she got

622
00:30:23,440 --> 00:30:25,640
Speaker 2: all fiery, and I'm like, where was that fire when

623
00:30:25,720 --> 00:30:26,560
Speaker 2: Nia was there?

624
00:30:27,360 --> 00:30:27,840
Speaker 3: Yeah?

625
00:30:28,080 --> 00:30:32,200
Speaker 4: Sorry, I get wait too into this, Carlow. So I'm like, now, good.

626
00:30:32,120 --> 00:30:35,600
Speaker 1: Point, listen, Ryan, points are made.

627
00:30:36,000 --> 00:30:38,160
Speaker 3: So I'm with you there.

628
00:30:38,760 --> 00:30:43,080
Speaker 1: When you saw Jason come front Kristen about you know,

629
00:30:43,280 --> 00:30:46,640
Speaker 1: him not wearing his wedding ring, I'm kind of on

630
00:30:46,760 --> 00:30:49,640
Speaker 1: Jason's side. I don't think he's doing it maliciously. I

631
00:30:49,640 --> 00:30:51,400
Speaker 1: don't think he's trying to cheat on Janet.

632
00:30:51,720 --> 00:30:51,840
Speaker 3: No.

633
00:30:52,000 --> 00:30:55,360
Speaker 1: I just you know, I think Kristen is definitely just

634
00:30:55,400 --> 00:30:57,320
Speaker 1: trying to like something happen.

635
00:30:57,400 --> 00:30:58,280
Speaker 3: I think it fell flat.

636
00:30:59,000 --> 00:30:59,520
Speaker 4: Well, it's in.

637
00:30:59,600 --> 00:31:01,760
Speaker 2: It's in like that Jesse Lallely on the first first

638
00:31:01,800 --> 00:31:04,200
Speaker 2: episode of like, did you start that fight about Newport

639
00:31:04,200 --> 00:31:06,120
Speaker 2: Beach on purpose to bother her?

640
00:31:06,160 --> 00:31:08,640
Speaker 4: And he's like, yeah, of course, Like Dody is like.

641
00:31:08,600 --> 00:31:11,240
Speaker 2: That, and Dody says that admittedly, if you f with somebody,

642
00:31:11,280 --> 00:31:13,720
Speaker 2: I like, I'm going to come for you. And so

643
00:31:14,280 --> 00:31:16,560
Speaker 2: this information has been in their back pocket for a minute.

644
00:31:16,600 --> 00:31:19,440
Speaker 2: Even Luke was like, I don't know if you should

645
00:31:19,480 --> 00:31:21,800
Speaker 2: be doing. I always love like people like Luke and

646
00:31:21,920 --> 00:31:26,320
Speaker 2: Jason that are like, yo, this isn't like the reality showed.

647
00:31:26,720 --> 00:31:29,080
Speaker 2: This isn't good for our souls in a like a way,

648
00:31:29,160 --> 00:31:31,080
Speaker 2: like you can just tell there's like trouble, you know.

649
00:31:31,120 --> 00:31:34,240
Speaker 2: So they're always really tentative. Even in the confrontations or

650
00:31:34,360 --> 00:31:36,720
Speaker 2: Jason having to talk to Danny, you can tell they

651
00:31:36,760 --> 00:31:41,920
Speaker 2: probably really stress. It natural for Dody and it just

652
00:31:42,040 --> 00:31:44,960
Speaker 2: rolls off the tongue. But I don't think I think

653
00:31:45,040 --> 00:31:48,200
Speaker 2: Jason obvious. I don't think Jason did anything. I truly

654
00:31:48,240 --> 00:31:50,720
Speaker 2: think this was a rumor. But also the show will

655
00:31:50,760 --> 00:31:54,120
Speaker 2: suss this out. Like the show, the show will uncover

656
00:31:54,280 --> 00:31:55,800
Speaker 2: any sort of criminal activity.

657
00:31:55,840 --> 00:31:56,880
Speaker 4: You just have to give it time.

658
00:31:57,600 --> 00:31:58,600
Speaker 3: Yeah, yeah, I'm with you.

659
00:31:58,800 --> 00:32:01,600
Speaker 1: I don't think Jason's doing any What I did like

660
00:32:01,640 --> 00:32:04,160
Speaker 1: towards the end of the episode was obviously not only

661
00:32:04,200 --> 00:32:07,680
Speaker 1: Britney sharing with the group what her and jacksonre going through.

662
00:32:08,160 --> 00:32:10,080
Speaker 1: I did like the fact that we had Tom Schortz

663
00:32:10,080 --> 00:32:13,320
Speaker 1: making appearance at the end of the episode.

664
00:32:13,360 --> 00:32:17,280
Speaker 2: It was like, his whole career is listening to people

665
00:32:17,360 --> 00:32:18,760
Speaker 2: complain about his best friends.

666
00:32:18,800 --> 00:32:20,520
Speaker 4: Like, that's his whole career at this point.

667
00:32:20,680 --> 00:32:23,960
Speaker 1: Yeah, that upon is all about Sandoval, and on this show,

668
00:32:24,040 --> 00:32:28,719
Speaker 1: it's all about Jack's. Brittany is confiding at him about

669
00:32:28,720 --> 00:32:33,000
Speaker 1: what has been going on, and Shorts just seems to

670
00:32:33,040 --> 00:32:35,960
Speaker 1: be like, look, I don't know what this has to

671
00:32:36,000 --> 00:32:36,440
Speaker 1: do with me.

672
00:32:36,680 --> 00:32:39,480
Speaker 3: That's your husband. I feel bad this is happening to you.

673
00:32:40,120 --> 00:32:43,960
Speaker 1: But the since I got from Schwartz is that's not

674
00:32:44,080 --> 00:32:46,600
Speaker 1: going to prevent me from being this guy's friend.

675
00:32:46,960 --> 00:32:49,600
Speaker 3: Oh yeah, so what are we doing here? Yeah?

676
00:32:49,680 --> 00:32:52,440
Speaker 2: I mean there is a boy's code, there's a boy's chat,

677
00:32:52,480 --> 00:32:54,440
Speaker 2: there's all of these you know, you talk about girls code,

678
00:32:54,440 --> 00:32:56,920
Speaker 2: there is guys code. And at this point, if Schwartz

679
00:32:56,960 --> 00:32:59,840
Speaker 2: has not left Jack's, and Schwartz is not left sand

680
00:33:00,520 --> 00:33:01,920
Speaker 2: he's never going to leave.

681
00:33:02,000 --> 00:33:02,880
Speaker 4: And I'm not saying.

682
00:33:02,680 --> 00:33:05,840
Speaker 2: He's like, you know, he's an abused friend, but he

683
00:33:06,120 --> 00:33:10,200
Speaker 2: is so used to Jack's behavior that I think they're

684
00:33:10,200 --> 00:33:14,120
Speaker 2: all desensitized to it. Like Brittany, like everything's coming out

685
00:33:14,200 --> 00:33:17,600
Speaker 2: about Jacks from like the previous ten years of their relationship,

686
00:33:18,000 --> 00:33:21,120
Speaker 2: and everybody's super aware of all of the things he's done.

687
00:33:21,160 --> 00:33:23,040
Speaker 2: But Jack's has some sort of I don't know if

688
00:33:23,040 --> 00:33:26,480
Speaker 2: it's star quality or charisma where everybody's like yeah, because

689
00:33:26,520 --> 00:33:28,600
Speaker 2: I was like you in person, he must just be

690
00:33:28,720 --> 00:33:32,400
Speaker 2: so sincere that you can't help but like almost feel

691
00:33:32,440 --> 00:33:35,200
Speaker 2: bad for him or just go, well.

692
00:33:35,280 --> 00:33:37,120
Speaker 4: He's been good to me. He's been good to me,

693
00:33:37,280 --> 00:33:39,800
Speaker 4: and that seems to be that lane that Jax lives in.

694
00:33:40,200 --> 00:33:43,600
Speaker 4: But yeah, I would love Even on the after show,

695
00:33:43,640 --> 00:33:46,240
Speaker 4: Schwartz has paired up with Jesse and Jacks and Schwartz

696
00:33:46,280 --> 00:33:49,760
Speaker 4: even this week's episode was just like I hate to play,

697
00:33:50,920 --> 00:33:53,800
Speaker 4: you know, like I hate to be like negative about this,

698
00:33:53,960 --> 00:33:56,480
Speaker 4: but like, you know, if you took care of Brittany,

699
00:33:56,480 --> 00:33:58,800
Speaker 4: that would kind of be taking care of your son, right,

700
00:33:59,360 --> 00:34:01,480
Speaker 4: And it's just like, dude, you have to talk to

701
00:34:01,600 --> 00:34:04,440
Speaker 4: Jack's like he's a child because you're scared that he's

702
00:34:04,440 --> 00:34:06,480
Speaker 4: gonna be angry at you, so you have to present

703
00:34:06,560 --> 00:34:09,440
Speaker 4: your argument, which is the right argument of taking care

704
00:34:09,480 --> 00:34:12,959
Speaker 4: of your son in such a delicate way. And I don't,

705
00:34:13,280 --> 00:34:13,600
Speaker 4: I don't.

706
00:34:13,719 --> 00:34:15,920
Speaker 2: There's a mystery to Jacks that I don't think is

707
00:34:15,960 --> 00:34:19,120
Speaker 2: worth uncovering. But it's just in mystery how he's gotten

708
00:34:19,280 --> 00:34:23,880
Speaker 2: this far doing the same behavior again and again and again.

709
00:34:24,000 --> 00:34:25,799
Speaker 2: He's putting out the same album every year.

710
00:34:26,640 --> 00:34:29,200
Speaker 1: Yeah, yeah, which is why it was interesting to see

711
00:34:29,239 --> 00:34:32,399
Speaker 1: the highlight of bringing a Jack sort of montage at

712
00:34:32,400 --> 00:34:32,719
Speaker 1: the end.

713
00:34:33,600 --> 00:34:35,360
Speaker 2: You know, sometimes I'm like, why don't they just do

714
00:34:35,440 --> 00:34:38,319
Speaker 2: a full hour of montage, Like there are so many

715
00:34:38,400 --> 00:34:41,760
Speaker 2: clips that you could pull from Jack's on vander Pump Rules,

716
00:34:41,760 --> 00:34:44,200
Speaker 2: which they have all the footage of, and like even

717
00:34:44,200 --> 00:34:46,400
Speaker 2: the never before seen stuff, like you would just do

718
00:34:46,440 --> 00:34:49,000
Speaker 2: a super cut or do like a power hour for

719
00:34:49,080 --> 00:34:51,239
Speaker 2: frat people to drink to of Like every minute you

720
00:34:51,280 --> 00:34:54,680
Speaker 2: see a new Jack's angry, Jack's are arguing Jack's upset

721
00:34:54,960 --> 00:34:58,200
Speaker 2: and you have like this entire history, Like that's why

722
00:34:58,200 --> 00:35:00,759
Speaker 2: it's like open the schools. We have these ink of

723
00:35:00,840 --> 00:35:04,320
Speaker 2: past Bravo shows to study and it's the same behavior

724
00:35:04,560 --> 00:35:06,920
Speaker 2: and it's the same thing. You know, he'll call it

725
00:35:06,960 --> 00:35:09,040
Speaker 2: work in progress or he'll call it something new.

726
00:35:09,360 --> 00:35:11,000
Speaker 4: And at the end of the day, I do want

727
00:35:11,080 --> 00:35:11,960
Speaker 4: Jacks to be okay.

728
00:35:12,080 --> 00:35:15,000
Speaker 2: I just don't know if reality shows are like overall

729
00:35:15,080 --> 00:35:18,359
Speaker 2: good mentally. I know financially they're good, but I get

730
00:35:18,640 --> 00:35:21,239
Speaker 2: That's why I'm like, the Valley could get darker. You know,

731
00:35:21,280 --> 00:35:23,160
Speaker 2: we think it's dark now, it could get way darker.

732
00:35:23,920 --> 00:35:26,120
Speaker 1: Yeah, And I'm hoping it doesn't because listen, it was

733
00:35:26,160 --> 00:35:28,960
Speaker 1: another great episode. I really do enjoy this show because

734
00:35:29,600 --> 00:35:35,640
Speaker 1: it's not about the fluff and the pompous circumstance, the money,

735
00:35:35,760 --> 00:35:38,680
Speaker 1: the riches and all of that. It really is about

736
00:35:39,000 --> 00:35:42,279
Speaker 1: this group of people who live in this certain part

737
00:35:42,320 --> 00:35:46,560
Speaker 1: of California and they're trying to figure things out.

738
00:35:46,560 --> 00:35:47,880
Speaker 3: And I like the fact that.

739
00:35:48,280 --> 00:35:51,920
Speaker 1: It just feels way more normal than, like you said,

740
00:35:52,000 --> 00:35:54,919
Speaker 1: on Miami Housewives or any Housewives by that matter, which

741
00:35:54,960 --> 00:35:58,280
Speaker 1: is about the riches and everything else that I described earlier.

742
00:35:58,800 --> 00:35:59,880
Speaker 3: So I'm with you.

743
00:36:00,040 --> 00:36:02,920
Speaker 1: I hope it doesn't get dark, And I think I

744
00:36:03,000 --> 00:36:07,520
Speaker 1: just hope that each of these cast members take a

745
00:36:07,560 --> 00:36:11,200
Speaker 1: page out of what did not work towards the end

746
00:36:11,400 --> 00:36:14,520
Speaker 1: of Vanda Pump Rules and they don't allow to happen

747
00:36:14,560 --> 00:36:15,359
Speaker 1: to them.

748
00:36:15,960 --> 00:36:18,800
Speaker 4: And what would you in your opinion, what happened to

749
00:36:18,880 --> 00:36:20,400
Speaker 4: vander pump Rules. Was it just the.

750
00:36:21,880 --> 00:36:24,919
Speaker 1: They Oh, for sure, they drank the kool aid and

751
00:36:25,080 --> 00:36:28,640
Speaker 1: everybody thought they were the Beyonce of the show. Everybody

752
00:36:28,760 --> 00:36:32,439
Speaker 1: thought that they did not have to give as much

753
00:36:32,480 --> 00:36:37,360
Speaker 1: reality as they normally would. They got comfortable just becoming

754
00:36:37,480 --> 00:36:41,240
Speaker 1: people that we didn't recognize anymore because they became guarded

755
00:36:41,239 --> 00:36:45,239
Speaker 1: because listen and listen, no blank to them, right, there's

756
00:36:45,280 --> 00:36:49,160
Speaker 1: no instruction manual that one has. The moment you come

757
00:36:49,200 --> 00:36:53,279
Speaker 1: from obscurity to being on a hit show. You know,

758
00:36:53,360 --> 00:36:57,279
Speaker 1: they were once waiters and waitresses and hosts and hostesses,

759
00:36:57,680 --> 00:37:00,680
Speaker 1: and all of a sudden they're out of their apartment

760
00:37:00,760 --> 00:37:04,799
Speaker 1: and they're living in multi million dollar homes in West

761
00:37:04,800 --> 00:37:08,960
Speaker 1: Hollywood at the time. So it does something to your psyche.

762
00:37:09,760 --> 00:37:12,160
Speaker 1: But you always got to keep your eyes on the prize,

763
00:37:12,239 --> 00:37:15,879
Speaker 1: and that's why you don't look. Kyle isn't having the

764
00:37:15,920 --> 00:37:19,680
Speaker 1: best seasons for the past couple of seas. Julie Hills

765
00:37:19,840 --> 00:37:25,759
Speaker 1: Kyle Richard's, but she's the only standing o g on

766
00:37:25,800 --> 00:37:29,880
Speaker 1: that show because she understands the importance of the show

767
00:37:30,400 --> 00:37:34,040
Speaker 1: and her role, and I want everybody else to be

768
00:37:34,400 --> 00:37:37,040
Speaker 1: that way. The same thing with Giselle Bryant, the same

769
00:37:37,120 --> 00:37:40,840
Speaker 1: thing with or I'll even give you another example of

770
00:37:40,880 --> 00:37:43,759
Speaker 1: what not to do. Don't do what Jersey did. Don't

771
00:37:44,440 --> 00:37:49,319
Speaker 1: don't divide the cast, and don't develop an ego like

772
00:37:50,000 --> 00:37:54,680
Speaker 1: stick it strictly to this is working and let's not

773
00:37:55,160 --> 00:37:56,600
Speaker 1: mess up with the formula.

774
00:37:57,040 --> 00:37:57,919
Speaker 4: Well, I mean to your point.

775
00:37:57,920 --> 00:38:00,760
Speaker 2: I just rewatched season two of Real Housewives Beverly Hills

776
00:38:01,000 --> 00:38:02,920
Speaker 2: because I was talking about the valley being so dark.

777
00:38:02,960 --> 00:38:04,520
Speaker 2: And then I went back and watched season two of

778
00:38:04,520 --> 00:38:06,080
Speaker 2: realized I was a Beverly Hills and I was like, oh

779
00:38:06,080 --> 00:38:08,360
Speaker 2: my god, forget what I say about the valley.

780
00:38:08,400 --> 00:38:11,520
Speaker 4: That season of Beverly Hills was insanely dark.

781
00:38:11,760 --> 00:38:14,439
Speaker 2: You had the coming off of Kyle, you know, calling

782
00:38:14,520 --> 00:38:17,360
Speaker 2: Kim an alcoholic. You had the tailor Armstrong stuff. And

783
00:38:17,400 --> 00:38:19,479
Speaker 2: by the way, I was drinking, don't watch these shows

784
00:38:19,480 --> 00:38:20,239
Speaker 2: while you drink wine.

785
00:38:20,239 --> 00:38:21,560
Speaker 4: Because then I.

786
00:38:21,120 --> 00:38:24,360
Speaker 2: Bought a used edition of Kyle Richard's Life is Not

787
00:38:24,440 --> 00:38:27,360
Speaker 2: a Reality Show. I was like, I gotta, I gotta,

788
00:38:27,520 --> 00:38:30,799
Speaker 2: I gotta dig into this, I gotta, I gotta check out.

789
00:38:31,160 --> 00:38:33,360
Speaker 2: And you got a little Porsche there on the cover,

790
00:38:33,760 --> 00:38:36,920
Speaker 2: and I like, I bought a US copy, that's how

791
00:38:36,960 --> 00:38:40,120
Speaker 2: desperate I was. But there is something too, like watching

792
00:38:40,200 --> 00:38:43,120
Speaker 2: Old Kyle at how they used to produce that show

793
00:38:43,239 --> 00:38:46,400
Speaker 2: and New Beverly Hills. It's so different than that second season,

794
00:38:46,600 --> 00:38:48,279
Speaker 2: and so that's why I think The Valley works. It's

795
00:38:48,320 --> 00:38:50,920
Speaker 2: like the second season of Beverly Hills, where it is

796
00:38:51,640 --> 00:38:54,960
Speaker 2: you sense a reality there, you sense a struggle that

797
00:38:55,080 --> 00:38:58,680
Speaker 2: sometimes with other Housewives iterations, you don't sense a struggle

798
00:38:58,719 --> 00:39:00,719
Speaker 2: at a certain point, even though you know it's there,

799
00:39:01,080 --> 00:39:02,279
Speaker 2: we're just not seeing it.

800
00:39:02,320 --> 00:39:03,799
Speaker 4: And the Valley you see it.

801
00:39:03,800 --> 00:39:08,319
Speaker 2: And I also hope they don't podcasts because they all

802
00:39:08,320 --> 00:39:10,719
Speaker 2: have podcasts and they all have you know. But I

803
00:39:11,160 --> 00:39:14,600
Speaker 2: think it's one of those shows that I really look

804
00:39:14,640 --> 00:39:17,120
Speaker 2: forward to each week, and even though it shouldn't work,

805
00:39:17,160 --> 00:39:20,120
Speaker 2: it completely works. I just don't know how you keep

806
00:39:20,120 --> 00:39:22,319
Speaker 2: that momentum going. And that's why I'm like always so

807
00:39:22,360 --> 00:39:24,680
Speaker 2: fascinated to talk to you, because I'm like, you know

808
00:39:25,080 --> 00:39:28,040
Speaker 2: the inner workings of how this stuff is made, and

809
00:39:28,640 --> 00:39:30,080
Speaker 2: you know, it's like you can blame it at it,

810
00:39:30,160 --> 00:39:32,200
Speaker 2: you can blame this, but at the same time we

811
00:39:32,360 --> 00:39:35,640
Speaker 2: are seeing a version of actual reality of their lives.

812
00:39:36,520 --> 00:39:38,400
Speaker 3: Yeah, yeah, yeah, No, we are, we are, we are,

813
00:39:38,480 --> 00:39:40,400
Speaker 3: and that's why for me, I just want them to

814
00:39:40,440 --> 00:39:41,880
Speaker 3: stick to what it works.

815
00:39:42,320 --> 00:39:46,280
Speaker 1: And I think based on how Jason I'm not Jason,

816
00:39:46,360 --> 00:39:51,960
Speaker 1: how Jesse Lally came across a likable in my interview.

817
00:39:53,360 --> 00:39:56,279
Speaker 2: Somebody's got a cross on Jesse. You guys, somebody's a.

818
00:39:56,239 --> 00:39:56,919
Speaker 3: Question on Jesse.

819
00:39:57,560 --> 00:40:04,600
Speaker 4: Do not tell Jesse check check yes or no. Jesse.

820
00:40:04,719 --> 00:40:09,800
Speaker 2: There's a certain producer slash podcaster, slash entrepreneur that wants

821
00:40:10,000 --> 00:40:13,160
Speaker 2: to that likes you. Are you interested to hand back

822
00:40:13,200 --> 00:40:17,440
Speaker 2: this note to Bravo HQ by five o'clock on Friday.

823
00:40:18,480 --> 00:40:20,840
Speaker 1: Regardless if I have a crush or Jesse or not,

824
00:40:20,960 --> 00:40:22,960
Speaker 1: I'm not giving him twenty five hundred dollars.

825
00:40:24,719 --> 00:40:27,000
Speaker 4: Can we get it down to twelve hundred? Jesse? Jesse,

826
00:40:27,080 --> 00:40:29,160
Speaker 4: if you're listening, can we can we get it down?

827
00:40:29,920 --> 00:40:32,120
Speaker 2: We do want to support, like I'll even pitch it

828
00:40:32,160 --> 00:40:33,759
Speaker 2: a couple bucks, But like a.

829
00:40:36,840 --> 00:40:41,560
Speaker 3: Ryan, am I blushing anyway?

830
00:40:42,760 --> 00:40:49,439
Speaker 1: All I'm saying Ryan is Jesse showed me that he's

831
00:40:49,480 --> 00:40:50,719
Speaker 1: a work in progress.

832
00:40:51,080 --> 00:40:53,560
Speaker 3: And what I want for all of the cast is

833
00:40:53,600 --> 00:40:55,080
Speaker 3: to be a work in progress.

834
00:40:55,160 --> 00:40:57,560
Speaker 2: Yeah, but Carlos have we just like taken all the

835
00:40:57,600 --> 00:41:00,120
Speaker 2: power out of the phrase work in progress because we've

836
00:41:00,160 --> 00:41:02,920
Speaker 2: seen Jacks try for thirteen years, so it's like you're

837
00:41:02,920 --> 00:41:06,759
Speaker 2: all in no saying, but like when you say you're

838
00:41:06,760 --> 00:41:09,279
Speaker 2: a work in progress on a Bravo reality show, it's

839
00:41:09,320 --> 00:41:12,319
Speaker 2: attributed to Jack's and then like it almost kind of

840
00:41:12,400 --> 00:41:15,440
Speaker 2: like cuts you at the knees of like, oh right, yeah, okay,

841
00:41:15,480 --> 00:41:17,520
Speaker 2: well I'll know it when I see.

842
00:41:17,360 --> 00:41:17,840
Speaker 4: It, you know.

843
00:41:18,440 --> 00:41:20,719
Speaker 2: I mean, Laala was able to brush Jesse off like

844
00:41:20,719 --> 00:41:24,200
Speaker 2: like you know, they gave Lala that easy layup with which,

845
00:41:24,239 --> 00:41:26,560
Speaker 2: by the way, kind of a dumb move overall with

846
00:41:26,680 --> 00:41:28,520
Speaker 2: La La because it's like, yeah, you want that moment,

847
00:41:28,600 --> 00:41:30,840
Speaker 2: but if you are trying to audition for a space

848
00:41:30,920 --> 00:41:33,799
Speaker 2: on the valley, you can't just cut people off like that.

849
00:41:33,920 --> 00:41:35,920
Speaker 2: It's good for the moment, but that's all it is

850
00:41:35,920 --> 00:41:38,760
Speaker 2: is a moment, and then it makes it reminds people

851
00:41:38,760 --> 00:41:40,719
Speaker 2: of what they didn't like about her on the last

852
00:41:40,760 --> 00:41:44,040
Speaker 2: season of vander Pump Rules instead of maybe a different

853
00:41:44,200 --> 00:41:46,440
Speaker 2: side of La La that we haven't seen, if there

854
00:41:46,520 --> 00:41:48,680
Speaker 2: is one, because you know, what is like the feeder

855
00:41:48,719 --> 00:41:51,200
Speaker 2: system is house of villains traders like you know what,

856
00:41:51,280 --> 00:41:55,680
Speaker 2: other whatever, other reality shows that there's a feeder system

857
00:41:55,680 --> 00:41:59,680
Speaker 2: from this one. So I do wonder sometimes about these

858
00:41:59,719 --> 00:42:02,359
Speaker 2: people if they feel pressure to try to get more

859
00:42:02,400 --> 00:42:03,000
Speaker 2: on the valley.

860
00:42:03,560 --> 00:42:04,480
Speaker 3: Yeah, no, awkward.

861
00:42:04,760 --> 00:42:08,920
Speaker 1: I think La LA's choice should have been to not

862
00:42:09,080 --> 00:42:12,040
Speaker 1: give what's expected, and it would have been a nice

863
00:42:12,080 --> 00:42:15,839
Speaker 1: surprise for us to see her still be La La

864
00:42:16,040 --> 00:42:20,040
Speaker 1: and spicy. But I think that she was very aggressive

865
00:42:20,480 --> 00:42:22,480
Speaker 1: and that's why Jesse gave her nothing.

866
00:42:22,239 --> 00:42:23,560
Speaker 3: Because he knew she was auditioning.

867
00:42:23,680 --> 00:42:24,359
Speaker 4: Yeah, so you.

868
00:42:24,320 --> 00:42:26,799
Speaker 2: Want to get popped, let's go. Also, I mean, if

869
00:42:26,840 --> 00:42:28,440
Speaker 2: she was smart, she would have tried to make out

870
00:42:28,440 --> 00:42:32,520
Speaker 2: with Jesse. Don't get jealous, Carla, don't get jealous. Don't

871
00:42:32,680 --> 00:42:37,359
Speaker 2: don't get upset. Carlos God, it's okay, he loves you,

872
00:42:37,480 --> 00:42:39,879
Speaker 2: but like you gotta let him. You gotta let him cook.

873
00:42:39,920 --> 00:42:43,719
Speaker 3: You know, ah rot I to talk to you on

874
00:42:43,880 --> 00:42:44,640
Speaker 3: that you are so.

875
00:42:45,400 --> 00:42:46,160
Speaker 4: I know you guys.

876
00:42:46,200 --> 00:42:48,000
Speaker 2: I know I overtalk, but I get so sad because

877
00:42:48,000 --> 00:42:49,400
Speaker 2: I know we're like probably at the end of this,

878
00:42:49,440 --> 00:42:51,600
Speaker 2: and I'm like, oh, I just love I love talking to.

879
00:42:51,560 --> 00:42:55,080
Speaker 3: Carlos so much, soy please, I love our banter. I really,

880
00:42:55,080 --> 00:42:55,400
Speaker 3: really do.

881
00:42:55,560 --> 00:42:57,759
Speaker 1: Thank you so much for coming into roality with the King,

882
00:42:58,080 --> 00:43:02,480
Speaker 1: but you have your own very hugely, wildly successful podcast.

883
00:43:02,600 --> 00:43:05,320
Speaker 1: And I, first of all not sure if I mentioned

884
00:43:05,320 --> 00:43:07,360
Speaker 1: this to you. Maybe I did, but I'll do it

885
00:43:07,360 --> 00:43:12,640
Speaker 1: again if I did. I really enjoyed your integration with

886
00:43:12,960 --> 00:43:16,120
Speaker 1: The Valley by the way, oh thank you yea from

887
00:43:16,120 --> 00:43:16,680
Speaker 1: only getting in.

888
00:43:16,680 --> 00:43:18,799
Speaker 2: The car and oh yeah, I did the Valley Van,

889
00:43:18,840 --> 00:43:21,439
Speaker 2: which I mean, talk about being scared out of my mind.

890
00:43:21,480 --> 00:43:23,840
Speaker 2: I was in a car with Jax, Jesse and Schwartz

891
00:43:24,320 --> 00:43:26,840
Speaker 2: and you know, I've talked mad shit about Jack's for

892
00:43:27,040 --> 00:43:28,600
Speaker 2: years and like, at the end of the day, I

893
00:43:28,640 --> 00:43:30,239
Speaker 2: do want him to be okay, but it's like we

894
00:43:30,280 --> 00:43:33,080
Speaker 2: talk about these reality shows and you do, like I

895
00:43:33,120 --> 00:43:35,239
Speaker 2: make jokes about it, like I'm critical about it. But

896
00:43:35,320 --> 00:43:37,239
Speaker 2: he was like, do you talk shit about me? And

897
00:43:37,280 --> 00:43:39,319
Speaker 2: I was like, I've had some opinions over the years,

898
00:43:39,400 --> 00:43:41,600
Speaker 2: like I thought I was gonna and the dudes put

899
00:43:41,600 --> 00:43:44,200
Speaker 2: on like fifteen pounds of muscle. But he was actually

900
00:43:44,239 --> 00:43:47,200
Speaker 2: a super fun experience and in that way, they were

901
00:43:47,200 --> 00:43:49,120
Speaker 2: all like nice guys, you know when you're dealing with

902
00:43:49,120 --> 00:43:51,440
Speaker 2: them in that kind of situation. But it was like

903
00:43:51,520 --> 00:43:53,960
Speaker 2: Jack's just kept saying, it's the it's the worst year

904
00:43:54,000 --> 00:43:55,640
Speaker 2: of my life. This has been the worst year of

905
00:43:55,640 --> 00:43:57,680
Speaker 2: my life. And Schwartz was kind of making fun of

906
00:43:57,719 --> 00:44:00,399
Speaker 2: him in the backseat of like, oh, you're working PRIs.

907
00:44:00,480 --> 00:44:04,040
Speaker 2: Oh you know, it's like it's it was. I felt

908
00:44:04,040 --> 00:44:05,480
Speaker 2: like I was on an acid trip. I was like,

909
00:44:05,520 --> 00:44:07,279
Speaker 2: there is no way I'm in this car with these

910
00:44:07,280 --> 00:44:08,239
Speaker 2: three men right now.

911
00:44:11,600 --> 00:44:13,239
Speaker 3: Well I've joined it. I joined it.

912
00:44:13,440 --> 00:44:16,440
Speaker 1: But let my Raindoss know where the kids support subscribe.

913
00:44:16,480 --> 00:44:18,920
Speaker 1: Oh yeah, and like your podcasts, Yeah, it's called so

914
00:44:18,960 --> 00:44:20,920
Speaker 1: Bad It's good. We do shows pretty much like every day.

915
00:44:20,960 --> 00:44:22,960
Speaker 2: There's a Patreon as well, but we cover like Valley

916
00:44:22,960 --> 00:44:25,120
Speaker 2: in Summerhouse and I'll do huge recaps of that.

917
00:44:25,320 --> 00:44:26,600
Speaker 4: We do a pop culture round up.

918
00:44:26,640 --> 00:44:29,399
Speaker 2: I had the director of that new Sherry Peppini, uh

919
00:44:29,680 --> 00:44:33,359
Speaker 2: four part docu series that was insane. We just had

920
00:44:33,640 --> 00:44:36,080
Speaker 2: Philip Solomon from Dealer No Deal Island. Who's actually you

921
00:44:36,120 --> 00:44:38,439
Speaker 2: would love Philip Solomon. He was He was so good

922
00:44:38,440 --> 00:44:41,560
Speaker 2: on today's episode. But yeah, there's different guests every week,

923
00:44:41,600 --> 00:44:44,719
Speaker 2: so it's interview, pop culture and recap. So if you

924
00:44:44,760 --> 00:44:47,440
Speaker 2: ever want something, it's always there, but no pressure at

925
00:44:47,480 --> 00:44:48,880
Speaker 2: all to check it.

926
00:44:48,920 --> 00:44:51,160
Speaker 3: Out rain Drops. Check it out if you have it,

927
00:44:51,320 --> 00:44:53,120
Speaker 3: I know you have, but just check it out.

928
00:44:53,000 --> 00:44:53,520
Speaker 4: If you haven't.

929
00:44:53,640 --> 00:44:56,760
Speaker 1: For those who did it, subscribe to like it. It's

930
00:44:56,880 --> 00:44:59,319
Speaker 1: very diverse in terms of what he's talking about with

931
00:44:59,360 --> 00:45:01,920
Speaker 1: these shows, and he gives. As you all can tell

932
00:45:02,080 --> 00:45:05,239
Speaker 1: based on this episode. He has such passion when it

933
00:45:05,239 --> 00:45:08,080
Speaker 1: comes to these episodes, so it's always good to know

934
00:45:08,120 --> 00:45:11,279
Speaker 1: that the person you're listening to loves it just just

935
00:45:11,320 --> 00:45:13,719
Speaker 1: as much as we love listening to it.

936
00:45:13,800 --> 00:45:16,000
Speaker 4: So yeah, that's it. I mean, it really is about love.

937
00:45:16,080 --> 00:45:16,759
Speaker 4: Like at the end of the day.

938
00:45:16,800 --> 00:45:19,040
Speaker 2: I we know that sounds so cheesy, but it's like, God,

939
00:45:19,080 --> 00:45:21,279
Speaker 2: I just feel so lucky to be able to talk

940
00:45:21,280 --> 00:45:23,319
Speaker 2: about this stuff and whatever I can do to like

941
00:45:23,719 --> 00:45:24,600
Speaker 2: keep doing this.

942
00:45:25,320 --> 00:45:26,160
Speaker 4: I'm just thrilled.

943
00:45:26,200 --> 00:45:27,680
Speaker 2: Like I never thought I would talk to you one day,

944
00:45:27,719 --> 00:45:29,839
Speaker 2: Like I remember five years ago knowing who you were

945
00:45:29,880 --> 00:45:33,160
Speaker 2: and going, oh man, I'll never so like stuff like this.

946
00:45:33,239 --> 00:45:35,320
Speaker 2: I always feel like it's like this make a wish foundation.

947
00:45:35,480 --> 00:45:37,440
Speaker 2: So it's awesome. I just really appreciated.

948
00:45:37,480 --> 00:45:39,400
Speaker 3: I love that. No, this is great. This is great.

949
00:45:39,800 --> 00:45:40,120
Speaker 1: Ryan.

950
00:45:40,239 --> 00:45:41,480
Speaker 3: We'll love to have you back.

951
00:45:41,280 --> 00:45:44,360
Speaker 1: On and rain Drops.

952
00:45:44,440 --> 00:45:45,480
Speaker 3: Check out his podcast.

953
00:45:45,640 --> 00:45:49,239
Speaker 1: Please good luck with Jesse, dude, let me get let

954
00:45:49,239 --> 00:45:50,880
Speaker 1: me get my cash appen zel together.

955
00:45:53,160 --> 00:45:57,480
Speaker 4: Ryan, Bye, dude.

956
00:45:59,400 --> 00:46:01,680
Speaker 3: Thank you for listening to Reality with the Kings.

957
00:46:02,080 --> 00:46:07,760
Speaker 1: New episodes drop on Tuesdays and Thursdays. Share, comment, follow,

958
00:46:07,960 --> 00:46:10,439
Speaker 1: and subscribe to Reality with the King.

959
00:46:10,760 --> 00:46:12,960
Speaker 3: Wherever you get your podcast.

960
00:46:13,000 --> 00:46:16,440
Speaker 1: Visit Reality withthe King dot com and be sure to

961
00:46:16,520 --> 00:46:21,200
Speaker 1: follow me at the Carlos King Underscore on Instagram, Twitter,

962
00:46:21,440 --> 00:46:24,880
Speaker 1: TikTok and Yes Baby, my YouTube channel where you can

963
00:46:24,920 --> 00:46:28,920
Speaker 1: get all of my visuals, baby, my expressions, Yes, and

964
00:46:29,080 --> 00:46:32,480
Speaker 1: don't forget. Tweet me your thoughts and hot takes about

965
00:46:32,480 --> 00:46:34,320
Speaker 1: this episode using.

966
00:46:34,080 --> 00:46:36,960
Speaker 3: The hashtag Reality with the King.

967
00:46:37,719 --> 00:46:41,800
Speaker 1: Reality with the King is a production of Kingdom Rain Entertainment,

968
00:46:42,520 --> 00:46:58,640
Speaker 1: an executive produced by Me Carlos King, Kingdom Rain Entertainment,

969
00:46:58,920 --> 00:47:03,239
Speaker 1: Baby m