WEBVTT - The Fifth Hour: "Double Fisting Butterfinger" Mail Bag

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<v Speaker 1>Kaboom. If you thought four hours a day, dred minutes

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<v Speaker 1>a week was enough, think again. He's the last remnants

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<v Speaker 1>of the old republic, a sole fashion of fairness. He

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<v Speaker 1>treats crackheads in the ghetto cutter the same as the

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<v Speaker 1>rich pill poppers in the penthouse. The Clearinghouse of hot

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<v Speaker 1>takes break free for something special. The Fifth Hour with

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<v Speaker 1>Ben Maller starts right now in the air everywhere, and

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<v Speaker 1>another addition of the Fifth Hour with Ben Maller and

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<v Speaker 1>Danny g Radio back in the podcast Ojo on an

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<v Speaker 1>NFL Sunday with the Mailbag, the mail bag. Everyone loves

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<v Speaker 1>the man. How can you not like the mailbag. This

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<v Speaker 1>is like our tailgate party. Ah, this is great. I

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<v Speaker 1>like the mailbag because you never know what you're gonna get.

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<v Speaker 1>You never know, you never know until we open up

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<v Speaker 1>the mail bag. So without further Ado, let's strike up

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<v Speaker 1>the band our man. O. Hi, oh oh, it's all right,

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<v Speaker 1>very good. Are you buckled up? Danny? Are you prepared here?

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<v Speaker 1>Do you have you taken your medication, all your vaccines

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<v Speaker 1>and all that. I don't know about that, but I'm

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<v Speaker 1>drinking a lot of water. After your Halloween party that

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<v Speaker 1>Kirkland brand alcohol did the trick. The booze was a flowing,

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<v Speaker 1>so we've added some new mail sound effects to dress

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<v Speaker 1>it up a little bit. We figured why not keep

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<v Speaker 1>it fresh and let's go to the mailbag. These are

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<v Speaker 1>actual questions sent in by actual listeners. You do not

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<v Speaker 1>have to wait. You do not have to wait for

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<v Speaker 1>me to post something on Tuesday to send question is in.

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<v Speaker 1>You can send these questions in whenever you want via

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<v Speaker 1>Real fifth Hour at gmail dot com, letters not numbers,

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<v Speaker 1>Real fifth Hour at gmail dot com and ask away,

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<v Speaker 1>and we make sure to include your name and where

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<v Speaker 1>you're listing from, and we may end up using your

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<v Speaker 1>question on the next mail bag. Al right, first one

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<v Speaker 1>comes from our man Neil from the Real Miami says,

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<v Speaker 1>dear Big Ben and Danny g Radio. Good job by

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<v Speaker 1>Big Ben, He says, for voting for the Marines over

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<v Speaker 1>the other armed forces. There is a reason why the

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<v Speaker 1>Marines guard the POTUS and Air Force one and all

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<v Speaker 1>the US embassies around the world. S as I spent

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<v Speaker 1>four years. I spent four years at Camp Pendleton, an

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<v Speaker 1>hour south of your hometown back in the nineties. Fun times. Yeah,

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<v Speaker 1>I've driven past Camp Pendleton many times coming from l A,

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<v Speaker 1>Orange County to San Diego. He says, back to the show,

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<v Speaker 1>I just realized the Fifth Hour with Ben Maller is

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<v Speaker 1>three years old, So congratulations, I look forward to another

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<v Speaker 1>three years. Wish you three times the downloads well, thank you.

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<v Speaker 1>I had this thought as I recalled listening to the

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<v Speaker 1>show on a business trip to northern Italy exactly three

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<v Speaker 1>years ago, and I had some free time on the weekend,

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<v Speaker 1>so I hiked the mountain around Lake Como, listening to

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<v Speaker 1>the October en episode A Day with the Elites, when

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<v Speaker 1>you talked about your golf outing with the Fox Sports bosses,

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<v Speaker 1>happy Gilmore style, with your grandfather's old clubs. You are

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<v Speaker 1>forever in my memories with lake Como and and Gascon thinks.

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<v Speaker 1>Here's the question. He says, according to Apple Podcast, September six,

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<v Speaker 1>nineteen was the maiden voyage of The Fifth Hour with you,

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<v Speaker 1>Ben Mallor, what do you remember about that day and

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<v Speaker 1>what did you envision for the future of this show

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<v Speaker 1>at this time, says the real Neil from the real Miami.

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<v Speaker 1>So Neil, thank you for rememory. I did not even

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<v Speaker 1>remember how many I don't know how long we've been

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<v Speaker 1>doing this podcast. I know Danny has been with us

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<v Speaker 1>a while now. Gascon was at the start of the podcast,

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<v Speaker 1>and so the way this worked, I had been doing

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<v Speaker 1>some extra work. Can I give you the origins of

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<v Speaker 1>the podcast. I had been doing some moonlighting. I was

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<v Speaker 1>filling in at w e I in Boston remotely, and

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<v Speaker 1>I've been doing a couple of shows a week and

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<v Speaker 1>the overnight show that we do got picked up by

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<v Speaker 1>w e IES competitor, the Sports Hub in Boston. And

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<v Speaker 1>so the way this works, you cannot be on a

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<v Speaker 1>competing radio station. It's not allowed. It's taboo and it's

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<v Speaker 1>for boating. So I was not allowed to continue my

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<v Speaker 1>extra work on the side making the extra money at

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<v Speaker 1>e I would not allow me to do that. And

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<v Speaker 1>I was presented with the opportunity from the company to

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<v Speaker 1>make a little extra money on the side do the podcast,

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<v Speaker 1>and we didn't really know what it would entail. They

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<v Speaker 1>were looking for more content. I signed an agreement which

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<v Speaker 1>was different than my radio agreement because podcast don't pay

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<v Speaker 1>as much as radio, and so I agreed to it

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<v Speaker 1>and we we launched and I was like, wow, it'll

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<v Speaker 1>be a gambling thing at first, and then Originally it

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<v Speaker 1>was supposed to be only about sports betting, and then

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<v Speaker 1>it shifted. It's really morphed into what it is now

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<v Speaker 1>over time. But that's how these things worked in you, Right,

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<v Speaker 1>you start out with one idea and then you just

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<v Speaker 1>kind of see where the thing takes you. Yeah, things

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<v Speaker 1>settle on the best number on the board, and you

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<v Speaker 1>don't know what that number is gonna be when you

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<v Speaker 1>first started. Yeah, water seeks its own level. A podcast

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<v Speaker 1>or a radio show seeks its own level, and it's

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<v Speaker 1>gonna roll with the punches, all right. Next up, Kevin

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<v Speaker 1>in Kansas. Hold on a second, and I have to

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<v Speaker 1>give you the property. Oh and coming email Kevin in Kansas. Right,

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<v Speaker 1>since this, dear Benn and Danny, g this November marks

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<v Speaker 1>the final time we'll have to do the fallback, spring forward,

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<v Speaker 1>clock changing nonsense. How do you envision this changing your lives?

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<v Speaker 1>Moving forward? So, Kevin, I am excited. I'm a little

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<v Speaker 1>melancholy because this is one of those big things that

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<v Speaker 1>I talked to my dad about. My my we I

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<v Speaker 1>used to get so no, my dad would get annoyed.

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<v Speaker 1>He could plain every year about the time change, people

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<v Speaker 1>getting more accidents after time Jade him and Clay Travis.

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<v Speaker 1>Remember that was one of Clay's big gripes. Every Yes,

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<v Speaker 1>I remember Clay with you ranting about that, and I agree.

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<v Speaker 1>I think it's dumb. I think it's unnecessary. My dad

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<v Speaker 1>would actually send emails to politicians, right, And I wish

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<v Speaker 1>he had lived a little longer for many reasons, but

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<v Speaker 1>one of the reasons he would have a Cheshire cat

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<v Speaker 1>smile from ear to ear knowing that we can end

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<v Speaker 1>the the ridiculousness of the clock moving forward and back.

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<v Speaker 1>It's so arcake. It's amazing it took this long for

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<v Speaker 1>that to change, and I say hallelujah, And especially doing

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<v Speaker 1>the weekend over that show, which I did for years,

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<v Speaker 1>because one part of the year, when we spring forward,

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<v Speaker 1>I would lose an hour, and then when we fall back,

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<v Speaker 1>I had to do an extra hour. And at one

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<v Speaker 1>point I was doing five hours on the overnight, and

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<v Speaker 1>they gave me an extra hour, so I do six hours. Yeah,

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<v Speaker 1>so much, well much for me? You know, the show

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<v Speaker 1>would have been the seventh hour, exactly would have been

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<v Speaker 1>the seventh hour. But does anyone think this is a

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<v Speaker 1>bad idea, not changing the clock anymore? Is there anyone

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<v Speaker 1>in that camp Danny, have you ever met anyone it's like, oh, no,

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<v Speaker 1>there's a bad idea, we need to change the clock.

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<v Speaker 1>I've never met anyone like no, which goes to the

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<v Speaker 1>point they should have changed this fifty years ago. Yeah, no,

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<v Speaker 1>of course, And you know, the wheels of politics turned slowly,

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<v Speaker 1>and it's it's so dumb. They had to have surveys

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<v Speaker 1>and committees and all this bullshit just to figure things out.

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<v Speaker 1>But I'm right there, Kevin. I love it. I think

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<v Speaker 1>it's great, and I cannot wait to not have to

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<v Speaker 1>worry about the clocks. It's a lot easier now. And

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<v Speaker 1>then we're we're old, Danny. Right, we were kids. There

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<v Speaker 1>were a lot of clocks that you had to manually adjust,

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<v Speaker 1>which was not a pleasant experience. It's not a pleasant experience.

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<v Speaker 1>All right, what is next year? Let's see? All right,

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<v Speaker 1>Blake in Arkansas? Right? Since this Ben, I am normally

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<v Speaker 1>a pretty positive guy and not much for bullying on people.

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<v Speaker 1>But that being said, what the fuck is going on

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<v Speaker 1>with your fill in producer's voice? Sounds like a dog

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<v Speaker 1>whistle came down with laryngitis. For Christ's sake, On what

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<v Speaker 1>planet blow? He goes on? He's ripping the guy. But

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<v Speaker 1>but here's the thing, Um, he's got a very unique voice,

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<v Speaker 1>this guy. And you know, I think that's either a

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<v Speaker 1>good thing or a bad It could annoy you. It

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<v Speaker 1>might you know, might not like it. Blah blah blah

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<v Speaker 1>blah blah. But he definitely is memorable. And a lot

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<v Speaker 1>of people sound the same on the radio. There's a

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<v Speaker 1>lot of talk shows that sound the same. Their voice

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<v Speaker 1>is similar to other people. You definitely know when he's

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<v Speaker 1>cracking the mic that he's he's on an island. I

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<v Speaker 1>definitely know when he's in the hallway charing for the

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<v Speaker 1>stupid Padres with his padre's hat and jersey and shorts

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<v Speaker 1>and padre socks and do do brown shoes? That's so

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<v Speaker 1>many issue I have with him. No, I like it.

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<v Speaker 1>I like it. He's a little Yeah. The thing I

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<v Speaker 1>would say about him is that some of the the

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<v Speaker 1>normal sies the decorum, he is not mastered, which I

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<v Speaker 1>actually am impressed by. Like, for example, there's a rule

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<v Speaker 1>in radio, Danny and you know this. You never Actually

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<v Speaker 1>one of my friends works at KBC in l A.

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<v Speaker 1>We were he he mentioned this to me and reminded

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<v Speaker 1>me of this is there's a ruling radio that the

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<v Speaker 1>producer should never leave before the host. There's also a

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<v Speaker 1>belief the producer should never get there after the host.

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<v Speaker 1>Now I am surrounded by people that get there after

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<v Speaker 1>me and also leave before me. But but this, this,

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<v Speaker 1>this friend will call the Padre guy. The other night

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<v Speaker 1>we did the show, and he sprints out of the

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<v Speaker 1>building right. He runs out of the building. He gets

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<v Speaker 1>to his car before me. By the time I get

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<v Speaker 1>to my car, he's already driving out of the parking

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<v Speaker 1>lot at the I Heart building there, the premier building.

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<v Speaker 1>How is that even possible? I guess I'm way too

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<v Speaker 1>much of a perfectionist band and spend too much time

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<v Speaker 1>on your Guys podcast. How is that even possible to

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<v Speaker 1>run out right at the end of the show. I

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<v Speaker 1>got no idea. All I know is he did it.

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<v Speaker 1>So he drives by me, which is uh taboo. And

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<v Speaker 1>he's got a New York Yankee license plate frame on

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<v Speaker 1>his carse wearing a Podre hat and like a Padre jersey,

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<v Speaker 1>and he's got a Yankee thing. What yeah? And he's like,

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<v Speaker 1>he explains that, well, my dad's a Yankee fan, my

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<v Speaker 1>mom's a Padre fans. So I'm a fan of both.

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<v Speaker 1>He said, he's a fan of both dating. I'm gonna

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<v Speaker 1>throw a sports flag on him for that. Yeah, that's

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<v Speaker 1>a that's a fifteen yard offside penalty right there. Yeah,

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<v Speaker 1>my dad, he grew up for most of his team

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<v Speaker 1>until he was a teen in Chicago. That doesn't make

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<v Speaker 1>me a Chicago Bears fan, no, exactly, exactly so. And

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<v Speaker 1>and the other thing he did is he walked right

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<v Speaker 1>through the on air studio to get to the other room.

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<v Speaker 1>You know, that's a hallway and then you gotta go

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<v Speaker 1>a little further. It's like ten more steps to go

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<v Speaker 1>down the hall or the shortcut is right through the

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<v Speaker 1>on air studio. That's funny. And he walked right through

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<v Speaker 1>like a short cut, like you weren't even there. He

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<v Speaker 1>reminded me of the great Canadian Mike who used to

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<v Speaker 1>work at Fox Sports Radio back and then he did

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<v Speaker 1>the same thing. Oh boy, And it was like, what

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<v Speaker 1>do you? What are you? What are you doing here?

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<v Speaker 1>And I have some great Canadian mic stories. We'll have

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<v Speaker 1>to share those someday. I'm all about I love Canadian.

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<v Speaker 1>We had some good times together and I hope he's

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<v Speaker 1>doing okay. I don't know what happened, though, But he's

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<v Speaker 1>doing drunk somewhere well, probably so. Blake in Arkansas writes

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<v Speaker 1>in uh with Moore, He says, uh, on your way

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<v Speaker 1>to being the king of the overnight, how much if any,

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<v Speaker 1>did you work on practice? Worry about the tone of

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<v Speaker 1>your radio voice? Ps? I get that guy a filter?

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<v Speaker 1>He says, all right, wow. Uh so my voice has

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<v Speaker 1>changed a lot since I started radio because I've gone

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<v Speaker 1>through puberty. I found much different now than I did.

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<v Speaker 1>Are on the road. Yeah, I know, royals are having

0:12:49.720 --> 0:12:53.600
<v Speaker 1>their problems on the road. Royals having their problems on

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<v Speaker 1>the road. I'm Ben Mallock. Yeah, so I signed a

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<v Speaker 1>lot different now than I did back then. But in

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<v Speaker 1>terms of my voice, no, I'm not smoking a pack

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<v Speaker 1>of Marlboroughs. When I first got into radio, a lot

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<v Speaker 1>of guys would smoke because it gives you a deeper voice,

0:13:12.320 --> 0:13:14.360
<v Speaker 1>the tobacco and all. I didn't. I never did that.

0:13:15.520 --> 0:13:19.920
<v Speaker 1>The main things I focus on are the technical aspects

0:13:19.960 --> 0:13:21.880
<v Speaker 1>of like how did this show better? Like how to?

0:13:21.960 --> 0:13:24.120
<v Speaker 1>How to how to phrase things better? How to mix

0:13:24.200 --> 0:13:28.000
<v Speaker 1>in more not no, not more words. I don't want

0:13:28.000 --> 0:13:30.240
<v Speaker 1>a word alphabet thing or a letter alphabet thing. I

0:13:30.520 --> 0:13:34.880
<v Speaker 1>just want I want to say something that is I'm

0:13:34.880 --> 0:13:36.480
<v Speaker 1>saying a lot of things are the same as other people,

0:13:36.480 --> 0:13:39.720
<v Speaker 1>but I want to use different different words to say

0:13:39.720 --> 0:13:42.720
<v Speaker 1>the same thing essentially. All right, So that's that's kind

0:13:42.720 --> 0:13:45.040
<v Speaker 1>of stuff I focus in on that Danny g over

0:13:45.080 --> 0:13:47.880
<v Speaker 1>there when you were born, when you came out of

0:13:47.880 --> 0:13:50.560
<v Speaker 1>the womb, Danny, did you say, hey, mom like that

0:13:50.679 --> 0:13:52.600
<v Speaker 1>you have the deep voice going? Or is that something

0:13:52.640 --> 0:13:56.000
<v Speaker 1>you acquired later? I was like, where's my tricycle? Mom?

0:13:56.480 --> 0:14:00.640
<v Speaker 1>I needed a lollipop. I mean, that's one thing that

0:14:00.720 --> 0:14:04.240
<v Speaker 1>has changed over time in radio. When I was a kid,

0:14:04.720 --> 0:14:09.120
<v Speaker 1>I had programmers tell me, oh, man, you're naturally blessed

0:14:09.160 --> 0:14:11.800
<v Speaker 1>with those pipes. You gotta lean into that. You gotta

0:14:11.880 --> 0:14:14.240
<v Speaker 1>lean into that deep voice. So when you get on

0:14:14.280 --> 0:14:19.320
<v Speaker 1>the air, talk slow and used the role and so

0:14:19.560 --> 0:14:22.640
<v Speaker 1>like an idiot. As a teenager, I listened to bad

0:14:22.680 --> 0:14:26.920
<v Speaker 1>advice and I sat there on my microphone and leaned

0:14:26.960 --> 0:14:30.280
<v Speaker 1>into it. You know what that changed because it doesn't

0:14:30.280 --> 0:14:37.960
<v Speaker 1>matter necessarily about voice anymore. It's more about content. There

0:14:38.040 --> 0:14:40.800
<v Speaker 1>used to be boss jocks where it was all about

0:14:40.960 --> 0:14:45.640
<v Speaker 1>voice and delivery and Wolfman Jack and all that. And yeah,

0:14:45.680 --> 0:14:47.560
<v Speaker 1>he was funny, and he had like his bits and

0:14:47.600 --> 0:14:50.240
<v Speaker 1>stuff like that, but a lot of it was about

0:14:50.320 --> 0:14:54.200
<v Speaker 1>the voice and the tone and the delivery. That has

0:14:54.320 --> 0:14:58.200
<v Speaker 1>changed now to to content and the programmers across the

0:14:58.240 --> 0:15:02.160
<v Speaker 1>country they all cared about wit and humor and timing

0:15:02.880 --> 0:15:06.400
<v Speaker 1>and um, you know, the different segments and features, and

0:15:06.480 --> 0:15:10.960
<v Speaker 1>not so much about what guy's voices sounded like. Unless

0:15:11.000 --> 0:15:14.560
<v Speaker 1>they had like, really really annoying voices, then that might

0:15:14.600 --> 0:15:17.240
<v Speaker 1>be a problem. But other than that, you could just

0:15:17.280 --> 0:15:20.760
<v Speaker 1>be a normal dude as long as you're funny and entertaining.

0:15:21.080 --> 0:15:22.800
<v Speaker 1>I'll tell you a funny story that I got told

0:15:22.800 --> 0:15:25.000
<v Speaker 1>by a program director when I first started out in

0:15:25.240 --> 0:15:27.000
<v Speaker 1>as We're going in San Diego at the mighty six,

0:15:27.960 --> 0:15:30.600
<v Speaker 1>and I was sending air checks out different radio stations

0:15:30.640 --> 0:15:33.360
<v Speaker 1>trying to get my big break, and I got told

0:15:33.400 --> 0:15:37.360
<v Speaker 1>by a program director that I was to f emy.

0:15:37.400 --> 0:15:40.080
<v Speaker 1>I didn't sound like an AM sports guy. I sounded

0:15:40.120 --> 0:15:45.440
<v Speaker 1>too much like an FM guy and it wouldn't work. Yeah. Now,

0:15:45.520 --> 0:15:47.760
<v Speaker 1>how outdated is that take? By the way, I know

0:15:47.840 --> 0:15:51.360
<v Speaker 1>times changed and all that, but super outdated. Yeah, because

0:15:51.360 --> 0:15:54.920
<v Speaker 1>basically he was saying you should be on Kiss FM

0:15:54.960 --> 0:15:59.560
<v Speaker 1>introducing banana rama back then or whatever. The group was

0:15:59.640 --> 0:16:06.960
<v Speaker 1>in the Anson Brothers are exactly exactly on for the

0:16:07.000 --> 0:16:11.320
<v Speaker 1>second time this hour. Oombo I was like, Okay, we're

0:16:11.400 --> 0:16:13.560
<v Speaker 1>good on that. I think I think we're all right

0:16:13.600 --> 0:16:16.600
<v Speaker 1>on that. I just want to point that out. I

0:16:16.760 --> 0:16:22.240
<v Speaker 1>got mail, yea, I got mail yea. Our friend Jennifer

0:16:22.280 --> 0:16:26.880
<v Speaker 1>in Richmond, Virginia. She's a six percenter. Ninety four percent

0:16:26.920 --> 0:16:29.120
<v Speaker 1>of the audience is male, six percenter women. Jennifer is

0:16:29.160 --> 0:16:31.600
<v Speaker 1>part of the six percent. You bumped up because you

0:16:31.680 --> 0:16:33.920
<v Speaker 1>said you called her a four percenter. Oh that's right,

0:16:33.920 --> 0:16:36.000
<v Speaker 1>you know, I got that mixed up for excuse me,

0:16:36.200 --> 0:16:42.040
<v Speaker 1>four percenter nineties, six and four. That's right. Anyway, she

0:16:42.160 --> 0:16:46.240
<v Speaker 1>got a promotion. No, no, no, Benn and Danny ge guys,

0:16:46.480 --> 0:16:49.280
<v Speaker 1>thanks for doing these podcasts. It's fun hearing about your

0:16:49.280 --> 0:16:53.040
<v Speaker 1>lives off air, and the mail bag is always entertaining.

0:16:53.720 --> 0:16:56.520
<v Speaker 1>She says, Ben, It's amazing to me how you never

0:16:56.600 --> 0:17:00.400
<v Speaker 1>let yourself become complacent with the content on your daily show,

0:17:00.520 --> 0:17:04.640
<v Speaker 1>and everything you do on air is done with gusto. Well,

0:17:04.640 --> 0:17:07.800
<v Speaker 1>thank you, Jennifers, so she she loves that. Well, the

0:17:07.840 --> 0:17:09.480
<v Speaker 1>main reason I'm doing that, Jennifers have a lot of

0:17:09.520 --> 0:17:11.800
<v Speaker 1>bills to pay, and I feel like if I do

0:17:11.920 --> 0:17:14.919
<v Speaker 1>one bad show, it's all gonna come crashing down and

0:17:14.960 --> 0:17:17.919
<v Speaker 1>I'll be living with weed man hippie eating roches. So

0:17:18.040 --> 0:17:21.720
<v Speaker 1>I try to avoid that at all costs. I love

0:17:21.880 --> 0:17:25.960
<v Speaker 1>you exactly. My philosophy has always been, they will get

0:17:26.040 --> 0:17:27.960
<v Speaker 1>rid of me someday. They've already gotten rid of me once.

0:17:27.960 --> 0:17:29.359
<v Speaker 1>But they're not going to get rid of me because

0:17:29.359 --> 0:17:31.399
<v Speaker 1>of the content of the show. They'll get rid of

0:17:31.400 --> 0:17:33.320
<v Speaker 1>me because I've been there too long, or they want

0:17:33.320 --> 0:17:35.600
<v Speaker 1>somebody else or whatever. It's not big because the show

0:17:35.640 --> 0:17:37.760
<v Speaker 1>is bad. And I've been around people, and you've been

0:17:37.800 --> 0:17:39.800
<v Speaker 1>around people, Danny, that have lost their job because they

0:17:39.840 --> 0:17:43.000
<v Speaker 1>got lazy. They just didn't do the prep. They read

0:17:43.040 --> 0:17:45.760
<v Speaker 1>off ESPN dot com. They showed up five minutes before

0:17:45.800 --> 0:17:48.320
<v Speaker 1>the show. And I don't want to be that guy.

0:17:48.800 --> 0:17:50.919
<v Speaker 1>So I'm not gonna be that guy. I've made a

0:17:50.960 --> 0:17:53.679
<v Speaker 1>pact with myself and that's just the way it is.

0:17:54.119 --> 0:17:56.760
<v Speaker 1>She says, you and your crew even make baseball talk

0:17:56.800 --> 0:17:59.680
<v Speaker 1>interesting less a shot, uh, in any way that no

0:17:59.760 --> 0:18:03.719
<v Speaker 1>other shows do. Thanks, that's from Jennifer. Now, my quick question,

0:18:03.800 --> 0:18:06.880
<v Speaker 1>did you see you and Danny see Snoop Dogg's new

0:18:06.960 --> 0:18:10.679
<v Speaker 1>four D video in the vein of Larry David and

0:18:10.760 --> 0:18:15.000
<v Speaker 1>Curb theme music and characteristics. I stumbled across it recently,

0:18:15.680 --> 0:18:18.879
<v Speaker 1>but I don't understand the point. It was somewhat entertaining,

0:18:18.920 --> 0:18:21.800
<v Speaker 1>but not really. She says, well, you look it up,

0:18:21.880 --> 0:18:25.560
<v Speaker 1>watch it and tell us what you think. And she

0:18:25.600 --> 0:18:27.600
<v Speaker 1>wants to know, Danny, are you a fan of Curb

0:18:27.640 --> 0:18:33.359
<v Speaker 1>your enthusiasm? Yeah? I love Curb. My favorite episode was

0:18:33.480 --> 0:18:37.239
<v Speaker 1>back in the day when Larry got the prostitute so

0:18:37.280 --> 0:18:42.640
<v Speaker 1>that he could go on to Carpool Carpool Lane. Um oh.

0:18:42.680 --> 0:18:47.800
<v Speaker 1>And also the shock episode where he tripped Shaquille O'Neil. Yeah,

0:18:47.840 --> 0:18:51.159
<v Speaker 1>that was a good one too. Was at Staples Center

0:18:51.240 --> 0:18:53.800
<v Speaker 1>that night when he's called Staple Center. Then when they

0:18:53.840 --> 0:18:57.440
<v Speaker 1>filmed that and everyone was all exciting, like Larry David

0:18:57.520 --> 0:19:00.080
<v Speaker 1>there and they did several takes over and over in

0:19:00.160 --> 0:19:02.920
<v Speaker 1>and all that stuff. So yeah, and then flash forward

0:19:03.000 --> 0:19:07.240
<v Speaker 1>to the more recent episodes. I loved his spiked cafe

0:19:07.560 --> 0:19:10.000
<v Speaker 1>that he opened in the toilet he did with the

0:19:10.040 --> 0:19:14.720
<v Speaker 1>bathroom Joe's or whatever. Yeah, yeah, that was pretty good. Yeah.

0:19:15.160 --> 0:19:17.280
<v Speaker 1>Have you seen this Snoop Dogg video? I've not seen

0:19:17.320 --> 0:19:20.119
<v Speaker 1>this video. We'll have to do some investigative reporting on

0:19:20.160 --> 0:19:24.320
<v Speaker 1>that video. Yeah, how much do they spend on these

0:19:24.400 --> 0:19:26.520
<v Speaker 1>videos if they're not getting watched that much? But then

0:19:26.560 --> 0:19:29.840
<v Speaker 1>on YouTube, I'm not sure how it works, but there's

0:19:29.920 --> 0:19:33.960
<v Speaker 1>some of those songs on YouTube. They get so many

0:19:34.119 --> 0:19:38.600
<v Speaker 1>views and downloads and then man, yeah, that's how the

0:19:38.800 --> 0:19:43.240
<v Speaker 1>artists do their marketing nowadays, and so really the videos

0:19:43.240 --> 0:19:46.679
<v Speaker 1>are made straight to YouTube and straight to you know,

0:19:47.000 --> 0:19:50.080
<v Speaker 1>there's a couple of outlets that just do videos. But

0:19:50.160 --> 0:19:53.040
<v Speaker 1>other than that, Yeah, I mean, you don't even have

0:19:53.119 --> 0:19:56.040
<v Speaker 1>to have a video nowadays to have a hit song

0:19:56.119 --> 0:19:58.320
<v Speaker 1>on the radio. And you know, when we were kids,

0:19:58.440 --> 0:20:02.040
<v Speaker 1>that's not the case. Yeah, the video was the key

0:20:02.080 --> 0:20:04.960
<v Speaker 1>element to get people buzzing about your you're dealing all that,

0:20:05.119 --> 0:20:08.120
<v Speaker 1>All right, let's see what's right. Let's go to Pierre

0:20:08.920 --> 0:20:14.160
<v Speaker 1>from the leaf Peeping traffic Capital of the Northeast. He says,

0:20:14.200 --> 0:20:17.880
<v Speaker 1>for both of you, do you buy your favorite Halloween

0:20:17.920 --> 0:20:20.879
<v Speaker 1>candy to hand out in hopes of leftovers or do

0:20:21.000 --> 0:20:24.760
<v Speaker 1>you purposely buy kinds that you don't like so you

0:20:24.840 --> 0:20:28.760
<v Speaker 1>won't over indulge after the holidays. It's a good question.

0:20:29.520 --> 0:20:32.560
<v Speaker 1>So normally what happens is me and the wife will

0:20:32.560 --> 0:20:37.440
<v Speaker 1>be at Costco, and we'll get like two giant bags

0:20:37.680 --> 0:20:40.920
<v Speaker 1>of whatever candy they have at Costco, and then usually

0:20:41.000 --> 0:20:43.640
<v Speaker 1>there's a few things we like in there. We get

0:20:43.760 --> 0:20:47.000
<v Speaker 1>one bag which is chocolate, and then we get one

0:20:47.040 --> 0:20:50.440
<v Speaker 1>giant bag which is more like Mike and Ikes and

0:20:50.680 --> 0:20:53.879
<v Speaker 1>gummy worms and that kind of crap. And so we

0:20:53.960 --> 0:20:57.040
<v Speaker 1>got a little bit of each. And normally there's always

0:20:57.119 --> 0:21:00.160
<v Speaker 1>leftover candy because there's never that many kids that come

0:21:00.160 --> 0:21:03.040
<v Speaker 1>to your house. So that's that's my move back in

0:21:03.080 --> 0:21:04.879
<v Speaker 1>the older is my mom. She she knew I love

0:21:04.960 --> 0:21:08.720
<v Speaker 1>butterfinger in Baby Ruth. She'd buy me those. It was great,

0:21:08.760 --> 0:21:13.720
<v Speaker 1>but I'd eat them all. Yeah, especially those many. But yeah,

0:21:13.800 --> 0:21:18.560
<v Speaker 1>you're double fisting those Hartist Hartists. I was more concerned

0:21:18.560 --> 0:21:22.879
<v Speaker 1>about him giving me a double fish put those in

0:21:22.920 --> 0:21:26.440
<v Speaker 1>the freezer band. Oh that is wonderful. What is your

0:21:26.440 --> 0:21:30.320
<v Speaker 1>all time favorite Halloween candy? Yeah, so I've evolved over

0:21:30.359 --> 0:21:34.760
<v Speaker 1>the years. The Reese's butter Peanut butter cups great, but

0:21:34.760 --> 0:21:37.679
<v Speaker 1>butterfinger Baby Ruth, that was my go to for a

0:21:37.720 --> 0:21:42.240
<v Speaker 1>long time. Uh so some some combination of that. What

0:21:42.520 --> 0:21:47.080
<v Speaker 1>about you butter fingers right up there, sour candy? I

0:21:47.119 --> 0:21:50.480
<v Speaker 1>love sour candy, and I love skittles too, hit and

0:21:50.520 --> 0:21:52.200
<v Speaker 1>miss Right, if they've been around too long, they get

0:21:52.200 --> 0:21:54.840
<v Speaker 1>really difficult to eat. But if they're soft and kind

0:21:54.840 --> 0:21:56.600
<v Speaker 1>of you know what I mean, if they've sitting around

0:21:56.640 --> 0:21:58.840
<v Speaker 1>for a long time, they turned into like little pebbles.

0:21:58.840 --> 0:22:02.520
<v Speaker 1>A fresh packet of the little skittles, those are wonderful, man.

0:22:02.920 --> 0:22:04.840
<v Speaker 1>So if you gave me a whole bunch of mini

0:22:04.920 --> 0:22:07.760
<v Speaker 1>butter fingers and a whole bunch of mini Skittles, I'd

0:22:07.800 --> 0:22:12.040
<v Speaker 1>be set to get fat. I gotta be careful because

0:22:12.359 --> 0:22:16.240
<v Speaker 1>was it two halloweens ago? Maybe it was three. I've

0:22:16.240 --> 0:22:18.879
<v Speaker 1>told the sorry I had so much Halloween candy. I

0:22:18.920 --> 0:22:22.359
<v Speaker 1>thought I had diabetes because I was having headaches. I

0:22:22.400 --> 0:22:24.000
<v Speaker 1>had eaten so much candy. And I went to the

0:22:24.040 --> 0:22:26.400
<v Speaker 1>doctor and all these blood tests, all this blood work done,

0:22:26.400 --> 0:22:29.160
<v Speaker 1>and the doctors like, well, we think what you did

0:22:29.280 --> 0:22:31.119
<v Speaker 1>is you just your body wasn't used to eating that

0:22:31.200 --> 0:22:33.639
<v Speaker 1>much sugar anymore, and you just overdosed on sugar and

0:22:33.680 --> 0:22:35.720
<v Speaker 1>your body had this reaction. They didn't know, but I

0:22:35.720 --> 0:22:38.720
<v Speaker 1>didn't know how to handle it. Wow. Wow, I didn't

0:22:38.760 --> 0:22:40.520
<v Speaker 1>know that was a thing. I had no idea. But

0:22:40.720 --> 0:22:44.160
<v Speaker 1>we gotta watch you over the next few days here closely. Yeah,

0:22:44.160 --> 0:22:47.040
<v Speaker 1>I gotta be careful on that. Also, he says, who

0:22:47.080 --> 0:22:49.600
<v Speaker 1>is your least favorite update person now that Wreckett Ralph

0:22:49.760 --> 0:22:52.680
<v Speaker 1>is gone? And why is it Goldilocks? How I didn't

0:22:52.680 --> 0:22:55.280
<v Speaker 1>say it was Goldilocks. He did pick up the nickname, though.

0:22:55.280 --> 0:22:57.600
<v Speaker 1>Brian Finley's new nickname is Goldilocks. Did you hear about

0:22:57.600 --> 0:22:59.960
<v Speaker 1>that name? You know you said his new nickname was

0:23:00.119 --> 0:23:02.840
<v Speaker 1>love you. Well, yeah, that was his last new nickname, Lovey.

0:23:02.920 --> 0:23:05.760
<v Speaker 1>Now he's known as Goldilocks. Jesus, his list is gonna

0:23:05.800 --> 0:23:08.560
<v Speaker 1>get as long as yours. Well, here's why you got

0:23:08.560 --> 0:23:10.840
<v Speaker 1>the nickname Goldilocks. So I come in there. I I

0:23:10.880 --> 0:23:12.960
<v Speaker 1>get ready for the show. The other night Eddie was

0:23:13.000 --> 0:23:16.200
<v Speaker 1>away doing a hockey game or whatever. So I come

0:23:16.240 --> 0:23:18.719
<v Speaker 1>into the studio. I walked down the hall and make

0:23:18.760 --> 0:23:21.760
<v Speaker 1>my turn. I go to the old Casey case in studio.

0:23:21.800 --> 0:23:24.840
<v Speaker 1>I normally get ready for the show, and I've been

0:23:24.840 --> 0:23:26.679
<v Speaker 1>doing this for years, and I go I turned the

0:23:26.720 --> 0:23:30.199
<v Speaker 1>corner and then I see Ricky, producer Ricky standing in

0:23:30.240 --> 0:23:32.280
<v Speaker 1>the hall. I'm like, what's that? What is Ricky doing here?

0:23:33.200 --> 0:23:38.200
<v Speaker 1>And he's chatting with Brian Finley, who's sitting in my

0:23:38.320 --> 0:23:41.159
<v Speaker 1>chair that I normally sit in to get ready for

0:23:41.200 --> 0:23:45.000
<v Speaker 1>the show. He had moved in there and he had

0:23:45.080 --> 0:23:49.879
<v Speaker 1>this this canister of it looked like peanut butter. I

0:23:49.920 --> 0:23:51.320
<v Speaker 1>was like, what are you doing, what are you eating?

0:23:51.359 --> 0:23:54.359
<v Speaker 1>He said, well, no, I've got some almond butter. He

0:23:54.400 --> 0:23:56.560
<v Speaker 1>had like a spoon and he was eating almond butter.

0:23:57.840 --> 0:24:00.959
<v Speaker 1>So then he got out of there, and I went

0:24:01.040 --> 0:24:03.520
<v Speaker 1>to put my stuff down and the table was covered

0:24:03.520 --> 0:24:07.400
<v Speaker 1>with gobs of almond butter. Oh man, yeah, so he's

0:24:07.440 --> 0:24:11.320
<v Speaker 1>like Goldilocks. He had moved into my my territory there,

0:24:11.359 --> 0:24:14.320
<v Speaker 1>and he he poured almond butter all over the damn table.

0:24:14.480 --> 0:24:18.560
<v Speaker 1>It was terrible. Daddy that's his new nickname. Be a

0:24:18.640 --> 0:24:21.640
<v Speaker 1>real man and eat some peanut butter. Go out a limb,

0:24:21.680 --> 0:24:24.439
<v Speaker 1>come on. And Alf also sent some great photos of

0:24:24.520 --> 0:24:29.800
<v Speaker 1>his humble abode in Massachusetts. There's beautiful, man, it's we

0:24:29.880 --> 0:24:33.240
<v Speaker 1>don't get that. Danny's got pictures of the leaves turning

0:24:33.359 --> 0:24:36.400
<v Speaker 1>and all of that. We don't We don't have that here.

0:24:36.560 --> 0:24:39.280
<v Speaker 1>And there's also a lot of wild turkeys. Not the

0:24:39.359 --> 0:24:41.240
<v Speaker 1>kind of wild turkey a lot of our listeners like,

0:24:41.320 --> 0:24:44.240
<v Speaker 1>but the real wild turkeys that are running around. We

0:24:44.320 --> 0:24:47.720
<v Speaker 1>have homeless people who changed color and turnover. That is true.

0:24:47.760 --> 0:24:48.959
<v Speaker 1>We have a lot of that. If you want that,

0:24:49.040 --> 0:24:50.520
<v Speaker 1>you want us to take some photos of that, alf

0:24:50.640 --> 0:24:53.000
<v Speaker 1>we can, We'd be more than happy to send some

0:24:53.040 --> 0:24:54.760
<v Speaker 1>photos of that. And boy, would you be happy. Man,

0:24:54.800 --> 0:24:56.800
<v Speaker 1>You'd be like, oh, I can't but that's so impressive.

0:24:57.680 --> 0:25:00.840
<v Speaker 1>Unless unless you don't do that, Unless you're like, no, no,

0:25:00.880 --> 0:25:03.679
<v Speaker 1>that's not You've got mail Mike from Fullerton rights in.

0:25:04.240 --> 0:25:07.000
<v Speaker 1>He says, also living in Pierre's head rent free. While

0:25:07.840 --> 0:25:10.240
<v Speaker 1>this will be my first and only warning to Pierre

0:25:10.480 --> 0:25:14.760
<v Speaker 1>quit messing with the Fenley fanatics. We can make life

0:25:14.920 --> 0:25:17.920
<v Speaker 1>very very difficult for you. Those are threatening words. And Ben,

0:25:17.960 --> 0:25:21.080
<v Speaker 1>I hope your Halloween bash did go well. If it

0:25:21.720 --> 0:25:24.119
<v Speaker 1>didn't go well, you'll only have yourself to blame for

0:25:24.160 --> 0:25:29.440
<v Speaker 1>not inviting the party. King Goldilocks Brian Finland, He says,

0:25:29.440 --> 0:25:32.399
<v Speaker 1>here's my question, which one of you has the most

0:25:32.560 --> 0:25:36.480
<v Speaker 1>famous Twitter followers? I'd also like to know which one

0:25:36.600 --> 0:25:40.800
<v Speaker 1>of you has the least famous followers. Yeah, so I

0:25:40.800 --> 0:25:44.000
<v Speaker 1>haven't done inventory on that. There's a few big verified

0:25:44.040 --> 0:25:46.639
<v Speaker 1>accounts to follow me on Twitter. So that's cool and

0:25:46.720 --> 0:25:50.000
<v Speaker 1>all that, but I don't I've really obsessed on it

0:25:50.000 --> 0:25:53.200
<v Speaker 1>too much. Any any when you want to drop here, Danny,

0:25:53.200 --> 0:25:55.080
<v Speaker 1>any big names you want to drop on the Twitter.

0:25:56.000 --> 0:25:59.080
<v Speaker 1>I don't have that many famous people interacting with me

0:25:59.119 --> 0:26:01.760
<v Speaker 1>on Twitter. The one that comes to mind though, Chuck

0:26:01.840 --> 0:26:04.640
<v Speaker 1>d of Public Enemy. If you were a rap fan

0:26:04.760 --> 0:26:07.600
<v Speaker 1>in the eighties and nineties, that's a big deal. And

0:26:07.640 --> 0:26:11.200
<v Speaker 1>he actually comments on some of my tweets from time

0:26:11.240 --> 0:26:14.119
<v Speaker 1>to time, which is really cool. As a kid, I

0:26:14.160 --> 0:26:17.040
<v Speaker 1>listened to every song he ever recorded. So if you

0:26:17.040 --> 0:26:19.200
<v Speaker 1>would have told me later in life, as an adult,

0:26:19.520 --> 0:26:21.960
<v Speaker 1>he'd be interacting with me on the Internet, I wouldn't

0:26:21.960 --> 0:26:25.080
<v Speaker 1>have believed you. Yeah, that's pretty cool. A lot of

0:26:25.080 --> 0:26:28.520
<v Speaker 1>the people that follow me I've known since before they

0:26:28.560 --> 0:26:32.520
<v Speaker 1>were a big deal. Uh you know, so I don't know.

0:26:32.720 --> 0:26:35.840
<v Speaker 1>Like I knew Adam Schefter when he was just a

0:26:35.880 --> 0:26:39.320
<v Speaker 1>beat writer in Denver before he got the ESPN and

0:26:39.359 --> 0:26:41.120
<v Speaker 1>all that. So, and I used to help him out

0:26:41.160 --> 0:26:44.600
<v Speaker 1>on my website. He follows me on there. Adam has

0:26:44.600 --> 0:26:48.800
<v Speaker 1>always been good to me. Uh try I think who else?

0:26:49.040 --> 0:26:54.280
<v Speaker 1>William Shatner does not follow me? It's not unfortunately he did.

0:26:54.320 --> 0:26:57.520
<v Speaker 1>He still have you blocked? No he unblocked me because

0:26:57.520 --> 0:27:00.399
<v Speaker 1>somebody spent thousands of dollars to have him locked me.

0:27:00.880 --> 0:27:03.680
<v Speaker 1>Somebody actually gave him money for his charity. Yeah, and

0:27:03.720 --> 0:27:06.280
<v Speaker 1>unfortunately it was not one of my listeners, one of

0:27:06.320 --> 0:27:09.959
<v Speaker 1>our fans here. It was this horse charity and it

0:27:10.000 --> 0:27:12.560
<v Speaker 1>was actually a star trek guy who was annoyed at

0:27:12.600 --> 0:27:16.600
<v Speaker 1>Trekky was annoyed because our our fans were harassing Shatner

0:27:16.680 --> 0:27:19.199
<v Speaker 1>on Twitter, and so he's like, I just want peace.

0:27:19.680 --> 0:27:22.359
<v Speaker 1>I'm gonna pay for this. I don't I want everyone

0:27:22.400 --> 0:27:24.800
<v Speaker 1>to get along. And so I didn't know about that,

0:27:24.840 --> 0:27:27.560
<v Speaker 1>shouts out to the horse guy. Yeah, well it was

0:27:27.680 --> 0:27:30.560
<v Speaker 1>Chattner has a he's got like a bunch of horses

0:27:30.640 --> 0:27:33.359
<v Speaker 1>in uh in Burbank, right, and so he's got a

0:27:33.400 --> 0:27:35.720
<v Speaker 1>horse charity, and so he was raising money for that.

0:27:35.920 --> 0:27:42.760
<v Speaker 1>And that's how all that went down back in the day.

0:27:41.840 --> 0:27:46.480
<v Speaker 1>You don't help, Yeah, I'm sure Nick and was give

0:27:46.520 --> 0:27:49.160
<v Speaker 1>him all the horse and let him right out of town.

0:27:50.200 --> 0:27:52.720
<v Speaker 1>Nick in Wisconsin has Ben and Danny. Would you rather

0:27:53.560 --> 0:27:56.280
<v Speaker 1>would you rather? Is back He says, would you rather

0:27:56.359 --> 0:28:01.000
<v Speaker 1>have a car that can also fly? Or a car

0:28:01.040 --> 0:28:04.840
<v Speaker 1>that can also drive under the water? Yeah, So the

0:28:04.920 --> 0:28:09.760
<v Speaker 1>idea of a flying car is wonderful, assuming it's somewhat

0:28:09.800 --> 0:28:13.680
<v Speaker 1>safe obviously, so they're positives to both these things. But

0:28:13.720 --> 0:28:15.919
<v Speaker 1>I'd much rather have a flying car because it is

0:28:15.960 --> 0:28:19.000
<v Speaker 1>a pain in the ask to fly domestically the way

0:28:19.040 --> 0:28:21.080
<v Speaker 1>airports are and airlines and all that. And if I

0:28:21.080 --> 0:28:22.760
<v Speaker 1>gets to be like, all right, let's program the mallon

0:28:22.760 --> 0:28:24.360
<v Speaker 1>will be all I'm gonna go to Vegas, I'm gonna

0:28:24.359 --> 0:28:26.120
<v Speaker 1>go to Phoenix, I'm gonna go to Dallas, I'm gonna

0:28:26.119 --> 0:28:30.080
<v Speaker 1>go to Chicago, whatever, boom, and you just fly the car.

0:28:30.160 --> 0:28:33.000
<v Speaker 1>That'd be awesome. It would also be kind of cool,

0:28:33.080 --> 0:28:35.879
<v Speaker 1>Danny to be on a car that goes underwater and

0:28:35.880 --> 0:28:38.000
<v Speaker 1>see what's at the bottom of the Pacific and driving

0:28:38.040 --> 0:28:42.920
<v Speaker 1>around right. Also, I would take my car international and

0:28:42.960 --> 0:28:47.040
<v Speaker 1>finally unlock the mysteries of the lock Neest monster. Oh yeah,

0:28:47.080 --> 0:28:49.480
<v Speaker 1>you can do that. Imagine what kind of critters are

0:28:49.520 --> 0:28:52.080
<v Speaker 1>down at the bottom of the oceans that we don't

0:28:52.080 --> 0:28:54.960
<v Speaker 1>even know about. These oceans are so vast and so deep,

0:28:54.960 --> 0:28:58.200
<v Speaker 1>there's places that they can't go. Think about what you

0:28:58.240 --> 0:29:01.200
<v Speaker 1>would see there. And also you were underwater, you could

0:29:01.200 --> 0:29:03.960
<v Speaker 1>get some old gold booty on, some old gold coins

0:29:04.040 --> 0:29:08.360
<v Speaker 1>from pirate ships. That's what I'm talking about. Yeah, that's

0:29:08.400 --> 0:29:12.200
<v Speaker 1>the the way to do it for sure. Let's see

0:29:12.200 --> 0:29:18.440
<v Speaker 1>who is next year booty pirates, Booty pirates, booty Is

0:29:18.440 --> 0:29:21.440
<v Speaker 1>that the Yeah, that's some real pirate's booty back back there,

0:29:21.520 --> 0:29:25.800
<v Speaker 1>all right, I got mail, yea, I got mail, yea.

0:29:26.840 --> 0:29:30.240
<v Speaker 1>You got some quick ones here, Rich says, Ken Roberto

0:29:30.320 --> 0:29:36.120
<v Speaker 1>make an omelet with platypus eggs? Sure, why not? Uh?

0:29:36.280 --> 0:29:38.160
<v Speaker 1>Guy named Ben Wrights, and he says, how did the

0:29:38.600 --> 0:29:43.000
<v Speaker 1>Astro fans cheer and root for a team that needed

0:29:43.000 --> 0:29:46.040
<v Speaker 1>trash cans to win a World Series without remorse? It's

0:29:46.040 --> 0:29:48.560
<v Speaker 1>a great question, but it happens a lot bend. But

0:29:48.680 --> 0:29:50.760
<v Speaker 1>that had a funny call this this week, Danny that

0:29:50.800 --> 0:29:54.600
<v Speaker 1>we only get on terrestrial radio. So my affiliate in

0:29:54.640 --> 0:29:58.280
<v Speaker 1>Houston is seven ninety, which is the Astros station. Yeah,

0:29:58.760 --> 0:30:02.400
<v Speaker 1>and we we're on after Astro Talk ended after the

0:30:02.440 --> 0:30:06.040
<v Speaker 1>Yankees and the Astros game one. So some guy from

0:30:06.120 --> 0:30:08.520
<v Speaker 1>Houston calls up. He's at He's at the game guy,

0:30:09.120 --> 0:30:12.280
<v Speaker 1>you know, at the game. Guy at the game. Guy

0:30:12.400 --> 0:30:14.680
<v Speaker 1>just wants to talk about the game. He doesn't know

0:30:14.720 --> 0:30:16.520
<v Speaker 1>who the hell is on the radio. He just happened

0:30:16.520 --> 0:30:19.280
<v Speaker 1>to know. The Astros were on seven ninety in Houston.

0:30:19.800 --> 0:30:22.360
<v Speaker 1>So he turned on the station in his car and

0:30:22.360 --> 0:30:24.200
<v Speaker 1>it's like, hey, I hear somebody giving out a number.

0:30:24.240 --> 0:30:26.520
<v Speaker 1>I'm gonna call up. I'm at the game guy. And

0:30:26.560 --> 0:30:28.600
<v Speaker 1>he wanted to tell stories about being at the game,

0:30:29.400 --> 0:30:32.240
<v Speaker 1>and so I put him on. After just destroying the Astros,

0:30:32.240 --> 0:30:34.640
<v Speaker 1>they did a monologue ripping the ship out of the Astros,

0:30:35.200 --> 0:30:37.600
<v Speaker 1>and this guy calls up, like, I didn't say any

0:30:37.640 --> 0:30:39.560
<v Speaker 1>of that stuff, and he just starts talking about, well,

0:30:39.600 --> 0:30:41.600
<v Speaker 1>I was at the game tonight and he's going through

0:30:41.600 --> 0:30:44.600
<v Speaker 1>this whole thing. It was wild. He's at the game guy.

0:30:45.520 --> 0:30:47.560
<v Speaker 1>That's the guy. He's at the game guy. Gave you

0:30:47.600 --> 0:30:50.520
<v Speaker 1>flashbacks of Dodger Talk. Oh yeah, I had a lot

0:30:50.520 --> 0:30:53.640
<v Speaker 1>of that Dodger Talk. Yeah, I was at the game tonight.

0:30:53.880 --> 0:30:56.160
<v Speaker 1>I hate when callers start off with that. I don't

0:30:56.160 --> 0:30:57.800
<v Speaker 1>give a ship if you were at the game or

0:30:57.840 --> 0:31:00.800
<v Speaker 1>you watched on TV. Get to your point, please get

0:31:00.840 --> 0:31:03.200
<v Speaker 1>to the point. Please. Well. Also on Dodger Talk, it

0:31:03.280 --> 0:31:06.720
<v Speaker 1>was always the the experts that knew more than the

0:31:06.760 --> 0:31:09.240
<v Speaker 1>team did and more than you did about the minor

0:31:09.320 --> 0:31:10.920
<v Speaker 1>league guys. We used to have a guy Jeane and

0:31:10.920 --> 0:31:14.840
<v Speaker 1>Redondo Beach, who would call up and he knew everyone

0:31:14.880 --> 0:31:18.240
<v Speaker 1>in Triple A and Double A, and he'd he'd hear

0:31:18.400 --> 0:31:20.800
<v Speaker 1>some or he'd see some stats on a relief pictures,

0:31:20.840 --> 0:31:22.960
<v Speaker 1>like the Dodgers have to call this guy out. He's

0:31:22.960 --> 0:31:25.040
<v Speaker 1>got a great all right at Albuquerque, you know, which

0:31:25.040 --> 0:31:28.160
<v Speaker 1>was the Triple A affiliate the time, And it was like,

0:31:28.360 --> 0:31:30.280
<v Speaker 1>you know, the guy's a career minor league here. Okay,

0:31:30.280 --> 0:31:32.160
<v Speaker 1>they're not. They're not calling him up. He's not even

0:31:32.200 --> 0:31:36.040
<v Speaker 1>on the the big forty man roster. There's no more

0:31:36.080 --> 0:31:40.920
<v Speaker 1>transistor radios inside the ballpark. Listening to Vince Scully, you

0:31:40.960 --> 0:31:43.320
<v Speaker 1>could make the argument that the at the game guy

0:31:43.400 --> 0:31:47.120
<v Speaker 1>knows less about the person that was watching and listening

0:31:47.440 --> 0:31:50.320
<v Speaker 1>to the TV crew. It's a fair point. That is

0:31:50.360 --> 0:31:53.960
<v Speaker 1>a fair point. Next up, as we continue the mail Bag,

0:31:54.040 --> 0:31:57.120
<v Speaker 1>the extended dance remix of the mail Bag, These are

0:31:57.120 --> 0:32:01.920
<v Speaker 1>actual questions from actual listeners, and we say a load too.

0:32:02.240 --> 0:32:04.600
<v Speaker 1>What was that effect? Oh, that was a new one.

0:32:04.680 --> 0:32:07.920
<v Speaker 1>That was that's mail blasting off? I see you send mail,

0:32:08.000 --> 0:32:11.480
<v Speaker 1>you know any like that? Maybe you don't like that,

0:32:11.520 --> 0:32:14.080
<v Speaker 1>maybe like I don't even know what that is. I

0:32:14.120 --> 0:32:16.640
<v Speaker 1>don't have no idea. What that is? Uh? John and

0:32:16.680 --> 0:32:19.760
<v Speaker 1>Colorado says, Hey, hey, guys, at what age do you

0:32:19.880 --> 0:32:25.160
<v Speaker 1>stop saying gone too soon when someone croaks? Yeah, that's

0:32:25.200 --> 0:32:29.560
<v Speaker 1>a good question. Uh, And that age has gotten higher

0:32:29.600 --> 0:32:31.800
<v Speaker 1>as I've gotten older, So I want you to know

0:32:31.880 --> 0:32:35.040
<v Speaker 1>that age is gone higher and higher as I've aged.

0:32:35.880 --> 0:32:39.320
<v Speaker 1>What is it? Well? I thought when the queen passed away,

0:32:39.320 --> 0:32:41.320
<v Speaker 1>I thought she was You know, I don't think you

0:32:41.320 --> 0:32:44.600
<v Speaker 1>can say gone too soon? What do you replace that with?

0:32:45.000 --> 0:32:48.840
<v Speaker 1>Do you say appropriate time to die? Life well lived?

0:32:48.960 --> 0:32:52.480
<v Speaker 1>I don't I'm not sure what would mean. Anytime you

0:32:52.560 --> 0:32:56.160
<v Speaker 1>see that when celebrities or musicians die, you'll see a

0:32:56.160 --> 0:32:59.680
<v Speaker 1>lot of gone too soon. We lost that person way

0:32:59.720 --> 0:33:04.840
<v Speaker 1>too soon. They could have given us so much more memories. Yeah,

0:33:04.960 --> 0:33:07.600
<v Speaker 1>what do you think life would be like if everyone

0:33:07.720 --> 0:33:10.640
<v Speaker 1>just lived for three years? What do you think that

0:33:10.640 --> 0:33:14.520
<v Speaker 1>would be like? You think it would be better or worse? Uh,

0:33:14.560 --> 0:33:17.200
<v Speaker 1>that's a good question. I guess it would depend on

0:33:17.960 --> 0:33:20.680
<v Speaker 1>the government and how things were going for us in

0:33:20.720 --> 0:33:24.000
<v Speaker 1>our lives, because you think about our adult life been

0:33:24.120 --> 0:33:26.720
<v Speaker 1>not to get political or anything like that, because we

0:33:26.760 --> 0:33:29.040
<v Speaker 1>don't want our overall rating to go down to a

0:33:29.080 --> 0:33:34.280
<v Speaker 1>four point seven. But what year. Do you recall where

0:33:34.320 --> 0:33:37.880
<v Speaker 1>you and I were celebrating in the streets because of

0:33:37.880 --> 0:33:41.160
<v Speaker 1>our paychecks and the state of the economy and the

0:33:41.240 --> 0:33:44.440
<v Speaker 1>government and how everything was going. Have we ever really

0:33:44.480 --> 0:33:47.560
<v Speaker 1>had a stretch in our adult lives where things were

0:33:47.600 --> 0:33:51.680
<v Speaker 1>stacked in our favor? Absolutely not. I I make less

0:33:51.760 --> 0:33:54.360
<v Speaker 1>now than I made when I started. Well, the first

0:33:54.400 --> 0:33:56.960
<v Speaker 1>real job I got in radio because it was a

0:33:57.080 --> 0:34:03.520
<v Speaker 1>union shop and I was making amazing money. And it's yeah,

0:34:03.600 --> 0:34:07.240
<v Speaker 1>so I'm right there with you on that same late

0:34:07.320 --> 0:34:11.719
<v Speaker 1>nineties was real money for us. Yeah, big time. Be

0:34:12.480 --> 0:34:15.000
<v Speaker 1>still living off that money right now, and I think

0:34:15.000 --> 0:34:19.759
<v Speaker 1>it's all gone on my and unfortunately al right. Next up,

0:34:19.800 --> 0:34:22.640
<v Speaker 1>Scott writes, and he says the comment regarding woke caller

0:34:22.719 --> 0:34:26.439
<v Speaker 1>salsa salsa called up referred to as this. He says

0:34:26.440 --> 0:34:29.200
<v Speaker 1>a century ago, black travelers were told to stay woke

0:34:29.840 --> 0:34:32.399
<v Speaker 1>as a warning of clan activity in the area they

0:34:32.400 --> 0:34:35.520
<v Speaker 1>were staying in. For that reason, Scott says, I will

0:34:35.560 --> 0:34:39.680
<v Speaker 1>no longer use the term to describe hypersensitive folks, but

0:34:39.880 --> 0:34:42.600
<v Speaker 1>go back to calling them what I always have, the

0:34:43.840 --> 0:34:49.719
<v Speaker 1>perpetually professionally offended. Yeah, so I used the term woke. Uh,

0:34:49.920 --> 0:34:53.520
<v Speaker 1>I feel like it's a the modern definition of it, Danny,

0:34:53.560 --> 0:34:56.640
<v Speaker 1>I don't think is is that I I was asked

0:34:56.680 --> 0:34:59.960
<v Speaker 1>by Salsa about this. My interpretation of term woke is

0:35:00.920 --> 0:35:04.640
<v Speaker 1>is people that are overly politically correct and it also

0:35:04.680 --> 0:35:07.480
<v Speaker 1>are offended by everything and are trying to change everything.

0:35:08.080 --> 0:35:11.520
<v Speaker 1>I want to take down statues, want to cancel words,

0:35:11.600 --> 0:35:14.880
<v Speaker 1>want to cancel entertainers like, to me, that's woke, like

0:35:15.239 --> 0:35:20.680
<v Speaker 1>or or you preach like the NBA was preaching on

0:35:20.680 --> 0:35:23.320
<v Speaker 1>on how people should act. The NFL has done a

0:35:23.360 --> 0:35:25.480
<v Speaker 1>lot of that. Baseball all the leagues have done that.

0:35:25.480 --> 0:35:27.279
<v Speaker 1>That's like, that's to me, that's woke. So I think

0:35:27.320 --> 0:35:30.520
<v Speaker 1>that's the modern definition. Am I a bad person? Danny?

0:35:30.560 --> 0:35:33.759
<v Speaker 1>For you modern interpretation of the world woke? I mean

0:35:34.000 --> 0:35:37.440
<v Speaker 1>some people use that like lit or other words that

0:35:37.480 --> 0:35:41.239
<v Speaker 1>are just overused because they think that they're being you know,

0:35:41.680 --> 0:35:45.520
<v Speaker 1>with it or trendy, or that they're hip. But the

0:35:45.560 --> 0:35:47.800
<v Speaker 1>one thing that caught my attention this past week, and

0:35:47.880 --> 0:35:52.200
<v Speaker 1>actually uh Covino and Rich covered a couple of afternoons ago,

0:35:52.600 --> 0:35:55.920
<v Speaker 1>there was a recent article about how gen z ears

0:35:56.440 --> 0:36:00.719
<v Speaker 1>are rallying to get the thumbs up emoji can sold

0:36:01.920 --> 0:36:05.960
<v Speaker 1>on the yes because they're triggered by the thumbs up.

0:36:06.000 --> 0:36:10.000
<v Speaker 1>They think it's condescending. So, in other words, if you

0:36:10.120 --> 0:36:12.040
<v Speaker 1>sent me a text message and I gave it a

0:36:12.080 --> 0:36:15.600
<v Speaker 1>thumbs up, that's me kind of being a dick. That's

0:36:15.600 --> 0:36:18.520
<v Speaker 1>how they feel. So their feelings are now getting hurt

0:36:18.800 --> 0:36:22.400
<v Speaker 1>by certain emojis. Well, that's actually not I remember the

0:36:22.480 --> 0:36:25.080
<v Speaker 1>big controversy at Wrigley Field a couple of years ago

0:36:25.160 --> 0:36:29.200
<v Speaker 1>because somebody did the Okay song. That's right. Yeah, we're

0:36:29.200 --> 0:36:33.000
<v Speaker 1>now told that that is racist, that that's been hijacked

0:36:33.000 --> 0:36:35.040
<v Speaker 1>by some group or something like that, so we're not

0:36:35.040 --> 0:36:37.160
<v Speaker 1>allowed to do the okay sign. It was so stupid.

0:36:37.680 --> 0:36:41.560
<v Speaker 1>If the thumbs up thing is insulting, then people do

0:36:41.640 --> 0:36:44.640
<v Speaker 1>that every day on Facebook when they like somebody's post.

0:36:45.160 --> 0:36:48.040
<v Speaker 1>So if I like something, is that insulting you? It

0:36:48.200 --> 0:36:50.799
<v Speaker 1>is dumb. Anyway, we we'll get out of here on that.

0:36:50.880 --> 0:36:54.600
<v Speaker 1>Thanks to Anthony, Johnny and San Antonio, Mike and Wisconsin,

0:36:55.160 --> 0:36:58.680
<v Speaker 1>Joe in in New York and all the other people

0:36:58.719 --> 0:37:00.600
<v Speaker 1>here that we did not have time to get to

0:37:00.600 --> 0:37:03.480
<v Speaker 1>the questions. But Danny anything to promote here, anything at all.

0:37:03.920 --> 0:37:05.880
<v Speaker 1>I guess tonight, right, you told me you'll be in

0:37:05.880 --> 0:37:08.880
<v Speaker 1>tonight that's right, two days in a row. I see

0:37:08.920 --> 0:37:13.560
<v Speaker 1>your mug, yeah, Danny G. I saw you at at

0:37:13.600 --> 0:37:18.680
<v Speaker 1>your Halloween party. Yeah. And then we're recovering today tonight.

0:37:18.800 --> 0:37:21.120
<v Speaker 1>I'm gonna be in there to kick off Sunday night

0:37:21.120 --> 0:37:23.719
<v Speaker 1>into Monday morning with you and for Coop. All right,

0:37:23.880 --> 0:37:26.359
<v Speaker 1>and remember, Danny, you're not that guy. I'll trust me

0:37:26.520 --> 0:37:28.839
<v Speaker 1>You're not that guy. Don't be that guy. Don't don't

0:37:28.840 --> 0:37:30.640
<v Speaker 1>be that That means I can't race to my car

0:37:30.760 --> 0:37:33.120
<v Speaker 1>before you get to yours after the show. If if

0:37:33.160 --> 0:37:35.320
<v Speaker 1>I see you burning rubber before I get out of

0:37:35.360 --> 0:37:39.920
<v Speaker 1>the garage, we got heads are gonna roll. Danny, have

0:37:39.960 --> 0:37:41.399
<v Speaker 1>a great rest of your day. I will be back

0:37:41.400 --> 0:37:44.319
<v Speaker 1>with Danny G tonight on the radio show. I'll talk

0:37:44.360 --> 0:37:47.080
<v Speaker 1>about all these big NFL games, the good, the bad,

0:37:47.120 --> 0:37:50.680
<v Speaker 1>and the including that Pittsburgh Miami Sunday night game, see

0:37:50.719 --> 0:37:53.360
<v Speaker 1>how I did against the Penny. And have a have

0:37:53.400 --> 0:37:55.640
<v Speaker 1>a great rest of your weekend, and we'll talk to

0:37:55.640 --> 0:37:59.800
<v Speaker 1>you on the radio next time. Go Raiders later Skater

0:38:00.080 --> 0:38:04.839
<v Speaker 1>the Raiders. Hey, Hey, hey, I'm let you go check

0:38:04.920 --> 0:38:05.520
<v Speaker 1>put by me.