1 00:00:00,720 --> 00:00:05,360 Speaker 1: Kaboom. If you thought four hours a day, dred minutes 2 00:00:05,400 --> 00:00:09,200 Speaker 1: a week was enough, think again. He's the last remnants 3 00:00:09,200 --> 00:00:12,480 Speaker 1: of the old republic, a sole fashion of fairness. He 4 00:00:12,600 --> 00:00:15,520 Speaker 1: treats crackheads in the ghetto cutter the same as the 5 00:00:15,640 --> 00:00:19,919 Speaker 1: rich pill poppers in the penthouse. The Clearinghouse of hot 6 00:00:19,960 --> 00:00:23,640 Speaker 1: takes break free for something special. The Fifth Hour with 7 00:00:23,840 --> 00:00:33,279 Speaker 1: Ben Maller starts right now in the air everywhere, and 8 00:00:33,640 --> 00:00:38,040 Speaker 1: another addition of the Fifth Hour with Ben Maller and 9 00:00:38,200 --> 00:00:42,960 Speaker 1: Danny g Radio back in the podcast Ojo on an 10 00:00:43,120 --> 00:00:50,680 Speaker 1: NFL Sunday with the Mailbag, the mail bag. Everyone loves 11 00:00:50,760 --> 00:00:54,800 Speaker 1: the man. How can you not like the mailbag. This 12 00:00:54,920 --> 00:00:58,040 Speaker 1: is like our tailgate party. Ah, this is great. I 13 00:00:58,080 --> 00:01:00,560 Speaker 1: like the mailbag because you never know what you're gonna get. 14 00:01:01,000 --> 00:01:04,080 Speaker 1: You never know, you never know until we open up 15 00:01:04,080 --> 00:01:07,240 Speaker 1: the mail bag. So without further Ado, let's strike up 16 00:01:07,240 --> 00:01:25,840 Speaker 1: the band our man. O. Hi, oh oh, it's all right, 17 00:01:26,319 --> 00:01:28,840 Speaker 1: very good. Are you buckled up? Danny? Are you prepared here? 18 00:01:28,920 --> 00:01:31,399 Speaker 1: Do you have you taken your medication, all your vaccines 19 00:01:31,400 --> 00:01:34,640 Speaker 1: and all that. I don't know about that, but I'm 20 00:01:34,720 --> 00:01:37,120 Speaker 1: drinking a lot of water. After your Halloween party that 21 00:01:37,280 --> 00:01:44,280 Speaker 1: Kirkland brand alcohol did the trick. The booze was a flowing, 22 00:01:44,360 --> 00:01:47,240 Speaker 1: so we've added some new mail sound effects to dress 23 00:01:47,280 --> 00:01:49,000 Speaker 1: it up a little bit. We figured why not keep 24 00:01:49,040 --> 00:01:51,720 Speaker 1: it fresh and let's go to the mailbag. These are 25 00:01:51,760 --> 00:01:54,200 Speaker 1: actual questions sent in by actual listeners. You do not 26 00:01:54,440 --> 00:01:56,840 Speaker 1: have to wait. You do not have to wait for 27 00:01:56,880 --> 00:02:00,200 Speaker 1: me to post something on Tuesday to send question is in. 28 00:02:00,320 --> 00:02:03,920 Speaker 1: You can send these questions in whenever you want via 29 00:02:04,080 --> 00:02:07,200 Speaker 1: Real fifth Hour at gmail dot com, letters not numbers, 30 00:02:07,240 --> 00:02:11,280 Speaker 1: Real fifth Hour at gmail dot com and ask away, 31 00:02:11,280 --> 00:02:13,639 Speaker 1: and we make sure to include your name and where 32 00:02:13,680 --> 00:02:17,680 Speaker 1: you're listing from, and we may end up using your 33 00:02:17,760 --> 00:02:22,399 Speaker 1: question on the next mail bag. Al right, first one 34 00:02:22,480 --> 00:02:27,680 Speaker 1: comes from our man Neil from the Real Miami says, 35 00:02:27,720 --> 00:02:33,480 Speaker 1: dear Big Ben and Danny g Radio. Good job by 36 00:02:33,520 --> 00:02:36,240 Speaker 1: Big Ben, He says, for voting for the Marines over 37 00:02:36,480 --> 00:02:39,360 Speaker 1: the other armed forces. There is a reason why the 38 00:02:39,480 --> 00:02:43,720 Speaker 1: Marines guard the POTUS and Air Force one and all 39 00:02:43,760 --> 00:02:47,160 Speaker 1: the US embassies around the world. S as I spent 40 00:02:47,280 --> 00:02:50,320 Speaker 1: four years. I spent four years at Camp Pendleton, an 41 00:02:50,360 --> 00:02:55,880 Speaker 1: hour south of your hometown back in the nineties. Fun times. Yeah, 42 00:02:55,919 --> 00:02:59,800 Speaker 1: I've driven past Camp Pendleton many times coming from l A, 43 00:03:00,000 --> 00:03:02,839 Speaker 1: Orange County to San Diego. He says, back to the show, 44 00:03:02,880 --> 00:03:06,320 Speaker 1: I just realized the Fifth Hour with Ben Maller is 45 00:03:06,480 --> 00:03:10,040 Speaker 1: three years old, So congratulations, I look forward to another 46 00:03:10,120 --> 00:03:13,760 Speaker 1: three years. Wish you three times the downloads well, thank you. 47 00:03:14,520 --> 00:03:17,079 Speaker 1: I had this thought as I recalled listening to the 48 00:03:17,440 --> 00:03:21,520 Speaker 1: show on a business trip to northern Italy exactly three 49 00:03:21,600 --> 00:03:24,680 Speaker 1: years ago, and I had some free time on the weekend, 50 00:03:24,800 --> 00:03:29,040 Speaker 1: so I hiked the mountain around Lake Como, listening to 51 00:03:29,560 --> 00:03:35,160 Speaker 1: the October en episode A Day with the Elites, when 52 00:03:35,200 --> 00:03:38,680 Speaker 1: you talked about your golf outing with the Fox Sports bosses, 53 00:03:38,720 --> 00:03:42,960 Speaker 1: happy Gilmore style, with your grandfather's old clubs. You are 54 00:03:43,040 --> 00:03:47,560 Speaker 1: forever in my memories with lake Como and and Gascon thinks. 55 00:03:47,880 --> 00:03:53,240 Speaker 1: Here's the question. He says, according to Apple Podcast, September six, 56 00:03:53,920 --> 00:04:00,280 Speaker 1: nineteen was the maiden voyage of The Fifth Hour with you, 57 00:04:00,400 --> 00:04:02,920 Speaker 1: Ben Mallor, what do you remember about that day and 58 00:04:03,000 --> 00:04:06,960 Speaker 1: what did you envision for the future of this show 59 00:04:07,200 --> 00:04:12,000 Speaker 1: at this time, says the real Neil from the real Miami. 60 00:04:12,120 --> 00:04:14,840 Speaker 1: So Neil, thank you for rememory. I did not even 61 00:04:14,880 --> 00:04:16,920 Speaker 1: remember how many I don't know how long we've been 62 00:04:16,920 --> 00:04:19,000 Speaker 1: doing this podcast. I know Danny has been with us 63 00:04:19,040 --> 00:04:22,440 Speaker 1: a while now. Gascon was at the start of the podcast, 64 00:04:23,200 --> 00:04:26,040 Speaker 1: and so the way this worked, I had been doing 65 00:04:26,240 --> 00:04:28,920 Speaker 1: some extra work. Can I give you the origins of 66 00:04:28,960 --> 00:04:33,600 Speaker 1: the podcast. I had been doing some moonlighting. I was 67 00:04:33,640 --> 00:04:38,080 Speaker 1: filling in at w e I in Boston remotely, and 68 00:04:38,120 --> 00:04:41,440 Speaker 1: I've been doing a couple of shows a week and 69 00:04:41,680 --> 00:04:44,800 Speaker 1: the overnight show that we do got picked up by 70 00:04:45,240 --> 00:04:49,159 Speaker 1: w e IES competitor, the Sports Hub in Boston. And 71 00:04:49,240 --> 00:04:51,760 Speaker 1: so the way this works, you cannot be on a 72 00:04:51,760 --> 00:04:57,120 Speaker 1: competing radio station. It's not allowed. It's taboo and it's 73 00:04:57,160 --> 00:04:59,880 Speaker 1: for boating. So I was not allowed to continue my 74 00:05:00,240 --> 00:05:02,400 Speaker 1: extra work on the side making the extra money at 75 00:05:02,400 --> 00:05:05,280 Speaker 1: e I would not allow me to do that. And 76 00:05:05,760 --> 00:05:07,880 Speaker 1: I was presented with the opportunity from the company to 77 00:05:07,960 --> 00:05:10,240 Speaker 1: make a little extra money on the side do the podcast, 78 00:05:10,920 --> 00:05:13,640 Speaker 1: and we didn't really know what it would entail. They 79 00:05:13,680 --> 00:05:18,240 Speaker 1: were looking for more content. I signed an agreement which 80 00:05:18,320 --> 00:05:21,280 Speaker 1: was different than my radio agreement because podcast don't pay 81 00:05:21,320 --> 00:05:24,520 Speaker 1: as much as radio, and so I agreed to it 82 00:05:25,040 --> 00:05:27,640 Speaker 1: and we we launched and I was like, wow, it'll 83 00:05:27,640 --> 00:05:30,880 Speaker 1: be a gambling thing at first, and then Originally it 84 00:05:30,920 --> 00:05:33,360 Speaker 1: was supposed to be only about sports betting, and then 85 00:05:33,400 --> 00:05:37,000 Speaker 1: it shifted. It's really morphed into what it is now 86 00:05:37,160 --> 00:05:40,280 Speaker 1: over time. But that's how these things worked in you, Right, 87 00:05:40,320 --> 00:05:41,880 Speaker 1: you start out with one idea and then you just 88 00:05:41,960 --> 00:05:45,560 Speaker 1: kind of see where the thing takes you. Yeah, things 89 00:05:46,080 --> 00:05:49,080 Speaker 1: settle on the best number on the board, and you 90 00:05:49,080 --> 00:05:50,800 Speaker 1: don't know what that number is gonna be when you 91 00:05:50,839 --> 00:05:54,400 Speaker 1: first started. Yeah, water seeks its own level. A podcast 92 00:05:54,560 --> 00:05:57,600 Speaker 1: or a radio show seeks its own level, and it's 93 00:05:57,600 --> 00:05:59,960 Speaker 1: gonna roll with the punches, all right. Next up, Kevin 94 00:06:00,760 --> 00:06:02,640 Speaker 1: in Kansas. Hold on a second, and I have to 95 00:06:02,640 --> 00:06:06,320 Speaker 1: give you the property. Oh and coming email Kevin in Kansas. Right, 96 00:06:06,360 --> 00:06:09,760 Speaker 1: since this, dear Benn and Danny, g this November marks 97 00:06:09,800 --> 00:06:13,920 Speaker 1: the final time we'll have to do the fallback, spring forward, 98 00:06:13,960 --> 00:06:18,760 Speaker 1: clock changing nonsense. How do you envision this changing your lives? 99 00:06:18,839 --> 00:06:23,520 Speaker 1: Moving forward? So, Kevin, I am excited. I'm a little 100 00:06:23,600 --> 00:06:25,960 Speaker 1: melancholy because this is one of those big things that 101 00:06:26,040 --> 00:06:28,080 Speaker 1: I talked to my dad about. My my we I 102 00:06:28,160 --> 00:06:29,920 Speaker 1: used to get so no, my dad would get annoyed. 103 00:06:29,960 --> 00:06:33,599 Speaker 1: He could plain every year about the time change, people 104 00:06:33,680 --> 00:06:38,480 Speaker 1: getting more accidents after time Jade him and Clay Travis. 105 00:06:38,560 --> 00:06:41,160 Speaker 1: Remember that was one of Clay's big gripes. Every Yes, 106 00:06:41,240 --> 00:06:45,000 Speaker 1: I remember Clay with you ranting about that, and I agree. 107 00:06:45,040 --> 00:06:48,200 Speaker 1: I think it's dumb. I think it's unnecessary. My dad 108 00:06:48,240 --> 00:06:51,120 Speaker 1: would actually send emails to politicians, right, And I wish 109 00:06:51,120 --> 00:06:53,039 Speaker 1: he had lived a little longer for many reasons, but 110 00:06:53,120 --> 00:06:55,839 Speaker 1: one of the reasons he would have a Cheshire cat 111 00:06:55,880 --> 00:06:59,039 Speaker 1: smile from ear to ear knowing that we can end 112 00:06:59,279 --> 00:07:04,679 Speaker 1: the the ridiculousness of the clock moving forward and back. 113 00:07:04,760 --> 00:07:08,480 Speaker 1: It's so arcake. It's amazing it took this long for 114 00:07:08,560 --> 00:07:13,200 Speaker 1: that to change, and I say hallelujah, And especially doing 115 00:07:13,360 --> 00:07:15,440 Speaker 1: the weekend over that show, which I did for years, 116 00:07:15,520 --> 00:07:19,480 Speaker 1: because one part of the year, when we spring forward, 117 00:07:19,480 --> 00:07:21,480 Speaker 1: I would lose an hour, and then when we fall back, 118 00:07:21,520 --> 00:07:24,120 Speaker 1: I had to do an extra hour. And at one 119 00:07:24,240 --> 00:07:27,200 Speaker 1: point I was doing five hours on the overnight, and 120 00:07:27,240 --> 00:07:30,440 Speaker 1: they gave me an extra hour, so I do six hours. Yeah, 121 00:07:30,640 --> 00:07:33,080 Speaker 1: so much, well much for me? You know, the show 122 00:07:33,080 --> 00:07:35,760 Speaker 1: would have been the seventh hour, exactly would have been 123 00:07:35,760 --> 00:07:38,960 Speaker 1: the seventh hour. But does anyone think this is a 124 00:07:39,000 --> 00:07:41,960 Speaker 1: bad idea, not changing the clock anymore? Is there anyone 125 00:07:42,040 --> 00:07:44,720 Speaker 1: in that camp Danny, have you ever met anyone it's like, oh, no, 126 00:07:44,920 --> 00:07:46,760 Speaker 1: there's a bad idea, we need to change the clock. 127 00:07:46,800 --> 00:07:49,720 Speaker 1: I've never met anyone like no, which goes to the 128 00:07:49,760 --> 00:07:53,400 Speaker 1: point they should have changed this fifty years ago. Yeah, no, 129 00:07:53,520 --> 00:07:57,120 Speaker 1: of course, And you know, the wheels of politics turned slowly, 130 00:07:58,000 --> 00:08:00,640 Speaker 1: and it's it's so dumb. They had to have surveys 131 00:08:00,720 --> 00:08:04,600 Speaker 1: and committees and all this bullshit just to figure things out. 132 00:08:04,600 --> 00:08:06,760 Speaker 1: But I'm right there, Kevin. I love it. I think 133 00:08:06,760 --> 00:08:10,520 Speaker 1: it's great, and I cannot wait to not have to 134 00:08:10,560 --> 00:08:12,520 Speaker 1: worry about the clocks. It's a lot easier now. And 135 00:08:12,520 --> 00:08:14,840 Speaker 1: then we're we're old, Danny. Right, we were kids. There 136 00:08:14,840 --> 00:08:18,480 Speaker 1: were a lot of clocks that you had to manually adjust, 137 00:08:18,920 --> 00:08:23,720 Speaker 1: which was not a pleasant experience. It's not a pleasant experience. 138 00:08:23,720 --> 00:08:27,080 Speaker 1: All right, what is next year? Let's see? All right, 139 00:08:27,160 --> 00:08:29,560 Speaker 1: Blake in Arkansas? Right? Since this Ben, I am normally 140 00:08:29,680 --> 00:08:33,160 Speaker 1: a pretty positive guy and not much for bullying on people. 141 00:08:33,720 --> 00:08:36,400 Speaker 1: But that being said, what the fuck is going on 142 00:08:36,520 --> 00:08:41,040 Speaker 1: with your fill in producer's voice? Sounds like a dog 143 00:08:41,080 --> 00:08:45,680 Speaker 1: whistle came down with laryngitis. For Christ's sake, On what 144 00:08:45,840 --> 00:08:48,600 Speaker 1: planet blow? He goes on? He's ripping the guy. But 145 00:08:48,600 --> 00:08:54,160 Speaker 1: but here's the thing, Um, he's got a very unique voice, 146 00:08:54,280 --> 00:08:58,920 Speaker 1: this guy. And you know, I think that's either a 147 00:08:58,960 --> 00:09:01,640 Speaker 1: good thing or a bad It could annoy you. It 148 00:09:01,760 --> 00:09:03,760 Speaker 1: might you know, might not like it. Blah blah blah 149 00:09:03,760 --> 00:09:08,560 Speaker 1: blah blah. But he definitely is memorable. And a lot 150 00:09:08,600 --> 00:09:10,640 Speaker 1: of people sound the same on the radio. There's a 151 00:09:10,640 --> 00:09:12,959 Speaker 1: lot of talk shows that sound the same. Their voice 152 00:09:13,000 --> 00:09:16,000 Speaker 1: is similar to other people. You definitely know when he's 153 00:09:16,040 --> 00:09:18,880 Speaker 1: cracking the mic that he's he's on an island. I 154 00:09:19,040 --> 00:09:22,400 Speaker 1: definitely know when he's in the hallway charing for the 155 00:09:22,640 --> 00:09:28,360 Speaker 1: stupid Padres with his padre's hat and jersey and shorts 156 00:09:28,480 --> 00:09:33,559 Speaker 1: and padre socks and do do brown shoes? That's so 157 00:09:33,679 --> 00:09:36,320 Speaker 1: many issue I have with him. No, I like it. 158 00:09:36,360 --> 00:09:39,240 Speaker 1: I like it. He's a little Yeah. The thing I 159 00:09:39,280 --> 00:09:45,440 Speaker 1: would say about him is that some of the the 160 00:09:45,480 --> 00:09:48,640 Speaker 1: normal sies the decorum, he is not mastered, which I 161 00:09:48,679 --> 00:09:52,080 Speaker 1: actually am impressed by. Like, for example, there's a rule 162 00:09:52,120 --> 00:09:55,800 Speaker 1: in radio, Danny and you know this. You never Actually 163 00:09:55,800 --> 00:09:58,280 Speaker 1: one of my friends works at KBC in l A. 164 00:09:58,400 --> 00:10:00,480 Speaker 1: We were he he mentioned this to me and reminded 165 00:10:00,520 --> 00:10:02,640 Speaker 1: me of this is there's a ruling radio that the 166 00:10:02,720 --> 00:10:06,960 Speaker 1: producer should never leave before the host. There's also a 167 00:10:07,000 --> 00:10:10,480 Speaker 1: belief the producer should never get there after the host. 168 00:10:11,480 --> 00:10:14,920 Speaker 1: Now I am surrounded by people that get there after 169 00:10:15,040 --> 00:10:19,839 Speaker 1: me and also leave before me. But but this, this, 170 00:10:20,040 --> 00:10:23,280 Speaker 1: this friend will call the Padre guy. The other night 171 00:10:23,920 --> 00:10:27,440 Speaker 1: we did the show, and he sprints out of the 172 00:10:27,480 --> 00:10:30,199 Speaker 1: building right. He runs out of the building. He gets 173 00:10:30,200 --> 00:10:32,160 Speaker 1: to his car before me. By the time I get 174 00:10:32,160 --> 00:10:34,679 Speaker 1: to my car, he's already driving out of the parking 175 00:10:34,679 --> 00:10:37,760 Speaker 1: lot at the I Heart building there, the premier building. 176 00:10:38,559 --> 00:10:41,559 Speaker 1: How is that even possible? I guess I'm way too 177 00:10:41,600 --> 00:10:44,880 Speaker 1: much of a perfectionist band and spend too much time 178 00:10:44,880 --> 00:10:48,240 Speaker 1: on your Guys podcast. How is that even possible to 179 00:10:48,320 --> 00:10:51,000 Speaker 1: run out right at the end of the show. I 180 00:10:51,080 --> 00:10:52,839 Speaker 1: got no idea. All I know is he did it. 181 00:10:52,960 --> 00:10:57,280 Speaker 1: So he drives by me, which is uh taboo. And 182 00:10:57,320 --> 00:11:00,440 Speaker 1: he's got a New York Yankee license plate frame on 183 00:11:00,480 --> 00:11:03,480 Speaker 1: his carse wearing a Podre hat and like a Padre jersey, 184 00:11:03,520 --> 00:11:07,520 Speaker 1: and he's got a Yankee thing. What yeah? And he's like, 185 00:11:07,840 --> 00:11:10,440 Speaker 1: he explains that, well, my dad's a Yankee fan, my 186 00:11:10,480 --> 00:11:12,800 Speaker 1: mom's a Padre fans. So I'm a fan of both. 187 00:11:13,840 --> 00:11:16,040 Speaker 1: He said, he's a fan of both dating. I'm gonna 188 00:11:16,080 --> 00:11:19,200 Speaker 1: throw a sports flag on him for that. Yeah, that's 189 00:11:19,200 --> 00:11:22,920 Speaker 1: a that's a fifteen yard offside penalty right there. Yeah, 190 00:11:23,000 --> 00:11:25,800 Speaker 1: my dad, he grew up for most of his team 191 00:11:25,880 --> 00:11:28,920 Speaker 1: until he was a teen in Chicago. That doesn't make 192 00:11:28,960 --> 00:11:33,360 Speaker 1: me a Chicago Bears fan, no, exactly, exactly so. And 193 00:11:33,360 --> 00:11:37,280 Speaker 1: and the other thing he did is he walked right 194 00:11:37,320 --> 00:11:40,280 Speaker 1: through the on air studio to get to the other room. 195 00:11:40,280 --> 00:11:46,800 Speaker 1: You know, that's a hallway and then you gotta go 196 00:11:46,840 --> 00:11:48,880 Speaker 1: a little further. It's like ten more steps to go 197 00:11:48,920 --> 00:11:52,200 Speaker 1: down the hall or the shortcut is right through the 198 00:11:52,240 --> 00:11:55,480 Speaker 1: on air studio. That's funny. And he walked right through 199 00:11:56,320 --> 00:11:59,000 Speaker 1: like a short cut, like you weren't even there. He 200 00:11:59,080 --> 00:12:01,640 Speaker 1: reminded me of the great Canadian Mike who used to 201 00:12:01,640 --> 00:12:03,360 Speaker 1: work at Fox Sports Radio back and then he did 202 00:12:03,360 --> 00:12:05,960 Speaker 1: the same thing. Oh boy, And it was like, what 203 00:12:06,000 --> 00:12:07,280 Speaker 1: do you? What are you? What are you doing here? 204 00:12:07,320 --> 00:12:09,840 Speaker 1: And I have some great Canadian mic stories. We'll have 205 00:12:09,880 --> 00:12:13,520 Speaker 1: to share those someday. I'm all about I love Canadian. 206 00:12:13,679 --> 00:12:16,040 Speaker 1: We had some good times together and I hope he's 207 00:12:16,040 --> 00:12:17,840 Speaker 1: doing okay. I don't know what happened, though, But he's 208 00:12:17,840 --> 00:12:22,320 Speaker 1: doing drunk somewhere well, probably so. Blake in Arkansas writes 209 00:12:22,400 --> 00:12:25,880 Speaker 1: in uh with Moore, He says, uh, on your way 210 00:12:25,880 --> 00:12:27,920 Speaker 1: to being the king of the overnight, how much if any, 211 00:12:28,040 --> 00:12:31,760 Speaker 1: did you work on practice? Worry about the tone of 212 00:12:31,880 --> 00:12:36,680 Speaker 1: your radio voice? Ps? I get that guy a filter? 213 00:12:36,880 --> 00:12:40,559 Speaker 1: He says, all right, wow. Uh so my voice has 214 00:12:40,640 --> 00:12:43,040 Speaker 1: changed a lot since I started radio because I've gone 215 00:12:43,040 --> 00:12:45,880 Speaker 1: through puberty. I found much different now than I did. 216 00:12:46,280 --> 00:12:49,720 Speaker 1: Are on the road. Yeah, I know, royals are having 217 00:12:49,720 --> 00:12:53,600 Speaker 1: their problems on the road. Royals having their problems on 218 00:12:53,640 --> 00:12:58,480 Speaker 1: the road. I'm Ben Mallock. Yeah, so I signed a 219 00:12:58,520 --> 00:13:02,200 Speaker 1: lot different now than I did back then. But in 220 00:13:02,320 --> 00:13:07,640 Speaker 1: terms of my voice, no, I'm not smoking a pack 221 00:13:07,679 --> 00:13:09,840 Speaker 1: of Marlboroughs. When I first got into radio, a lot 222 00:13:09,880 --> 00:13:12,280 Speaker 1: of guys would smoke because it gives you a deeper voice, 223 00:13:12,320 --> 00:13:14,360 Speaker 1: the tobacco and all. I didn't. I never did that. 224 00:13:15,520 --> 00:13:19,920 Speaker 1: The main things I focus on are the technical aspects 225 00:13:19,960 --> 00:13:21,880 Speaker 1: of like how did this show better? Like how to? 226 00:13:21,960 --> 00:13:24,120 Speaker 1: How to how to phrase things better? How to mix 227 00:13:24,200 --> 00:13:28,000 Speaker 1: in more not no, not more words. I don't want 228 00:13:28,000 --> 00:13:30,240 Speaker 1: a word alphabet thing or a letter alphabet thing. I 229 00:13:30,520 --> 00:13:34,880 Speaker 1: just want I want to say something that is I'm 230 00:13:34,880 --> 00:13:36,480 Speaker 1: saying a lot of things are the same as other people, 231 00:13:36,480 --> 00:13:39,720 Speaker 1: but I want to use different different words to say 232 00:13:39,720 --> 00:13:42,720 Speaker 1: the same thing essentially. All right, So that's that's kind 233 00:13:42,720 --> 00:13:45,040 Speaker 1: of stuff I focus in on that Danny g over 234 00:13:45,080 --> 00:13:47,880 Speaker 1: there when you were born, when you came out of 235 00:13:47,880 --> 00:13:50,560 Speaker 1: the womb, Danny, did you say, hey, mom like that 236 00:13:50,679 --> 00:13:52,600 Speaker 1: you have the deep voice going? Or is that something 237 00:13:52,640 --> 00:13:56,000 Speaker 1: you acquired later? I was like, where's my tricycle? Mom? 238 00:13:56,480 --> 00:14:00,640 Speaker 1: I needed a lollipop. I mean, that's one thing that 239 00:14:00,720 --> 00:14:04,240 Speaker 1: has changed over time in radio. When I was a kid, 240 00:14:04,720 --> 00:14:09,120 Speaker 1: I had programmers tell me, oh, man, you're naturally blessed 241 00:14:09,160 --> 00:14:11,800 Speaker 1: with those pipes. You gotta lean into that. You gotta 242 00:14:11,880 --> 00:14:14,240 Speaker 1: lean into that deep voice. So when you get on 243 00:14:14,280 --> 00:14:19,320 Speaker 1: the air, talk slow and used the role and so 244 00:14:19,560 --> 00:14:22,640 Speaker 1: like an idiot. As a teenager, I listened to bad 245 00:14:22,680 --> 00:14:26,920 Speaker 1: advice and I sat there on my microphone and leaned 246 00:14:26,960 --> 00:14:30,280 Speaker 1: into it. You know what that changed because it doesn't 247 00:14:30,280 --> 00:14:37,960 Speaker 1: matter necessarily about voice anymore. It's more about content. There 248 00:14:38,040 --> 00:14:40,800 Speaker 1: used to be boss jocks where it was all about 249 00:14:40,960 --> 00:14:45,640 Speaker 1: voice and delivery and Wolfman Jack and all that. And yeah, 250 00:14:45,680 --> 00:14:47,560 Speaker 1: he was funny, and he had like his bits and 251 00:14:47,600 --> 00:14:50,240 Speaker 1: stuff like that, but a lot of it was about 252 00:14:50,320 --> 00:14:54,200 Speaker 1: the voice and the tone and the delivery. That has 253 00:14:54,320 --> 00:14:58,200 Speaker 1: changed now to to content and the programmers across the 254 00:14:58,240 --> 00:15:02,160 Speaker 1: country they all cared about wit and humor and timing 255 00:15:02,880 --> 00:15:06,400 Speaker 1: and um, you know, the different segments and features, and 256 00:15:06,480 --> 00:15:10,960 Speaker 1: not so much about what guy's voices sounded like. Unless 257 00:15:11,000 --> 00:15:14,560 Speaker 1: they had like, really really annoying voices, then that might 258 00:15:14,600 --> 00:15:17,240 Speaker 1: be a problem. But other than that, you could just 259 00:15:17,280 --> 00:15:20,760 Speaker 1: be a normal dude as long as you're funny and entertaining. 260 00:15:21,080 --> 00:15:22,800 Speaker 1: I'll tell you a funny story that I got told 261 00:15:22,800 --> 00:15:25,000 Speaker 1: by a program director when I first started out in 262 00:15:25,240 --> 00:15:27,000 Speaker 1: as We're going in San Diego at the mighty six, 263 00:15:27,960 --> 00:15:30,600 Speaker 1: and I was sending air checks out different radio stations 264 00:15:30,640 --> 00:15:33,360 Speaker 1: trying to get my big break, and I got told 265 00:15:33,400 --> 00:15:37,360 Speaker 1: by a program director that I was to f emy. 266 00:15:37,400 --> 00:15:40,080 Speaker 1: I didn't sound like an AM sports guy. I sounded 267 00:15:40,120 --> 00:15:45,440 Speaker 1: too much like an FM guy and it wouldn't work. Yeah. Now, 268 00:15:45,520 --> 00:15:47,760 Speaker 1: how outdated is that take? By the way, I know 269 00:15:47,840 --> 00:15:51,360 Speaker 1: times changed and all that, but super outdated. Yeah, because 270 00:15:51,360 --> 00:15:54,920 Speaker 1: basically he was saying you should be on Kiss FM 271 00:15:54,960 --> 00:15:59,560 Speaker 1: introducing banana rama back then or whatever. The group was 272 00:15:59,640 --> 00:16:06,960 Speaker 1: in the Anson Brothers are exactly exactly on for the 273 00:16:07,000 --> 00:16:11,320 Speaker 1: second time this hour. Oombo I was like, Okay, we're 274 00:16:11,400 --> 00:16:13,560 Speaker 1: good on that. I think I think we're all right 275 00:16:13,600 --> 00:16:16,600 Speaker 1: on that. I just want to point that out. I 276 00:16:16,760 --> 00:16:22,240 Speaker 1: got mail, yea, I got mail yea. Our friend Jennifer 277 00:16:22,280 --> 00:16:26,880 Speaker 1: in Richmond, Virginia. She's a six percenter. Ninety four percent 278 00:16:26,920 --> 00:16:29,120 Speaker 1: of the audience is male, six percenter women. Jennifer is 279 00:16:29,160 --> 00:16:31,600 Speaker 1: part of the six percent. You bumped up because you 280 00:16:31,680 --> 00:16:33,920 Speaker 1: said you called her a four percenter. Oh that's right, 281 00:16:33,920 --> 00:16:36,000 Speaker 1: you know, I got that mixed up for excuse me, 282 00:16:36,200 --> 00:16:42,040 Speaker 1: four percenter nineties, six and four. That's right. Anyway, she 283 00:16:42,160 --> 00:16:46,240 Speaker 1: got a promotion. No, no, no, Benn and Danny ge guys, 284 00:16:46,480 --> 00:16:49,280 Speaker 1: thanks for doing these podcasts. It's fun hearing about your 285 00:16:49,280 --> 00:16:53,040 Speaker 1: lives off air, and the mail bag is always entertaining. 286 00:16:53,720 --> 00:16:56,520 Speaker 1: She says, Ben, It's amazing to me how you never 287 00:16:56,600 --> 00:17:00,400 Speaker 1: let yourself become complacent with the content on your daily show, 288 00:17:00,520 --> 00:17:04,640 Speaker 1: and everything you do on air is done with gusto. Well, 289 00:17:04,640 --> 00:17:07,800 Speaker 1: thank you, Jennifers, so she she loves that. Well, the 290 00:17:07,840 --> 00:17:09,480 Speaker 1: main reason I'm doing that, Jennifers have a lot of 291 00:17:09,520 --> 00:17:11,800 Speaker 1: bills to pay, and I feel like if I do 292 00:17:11,920 --> 00:17:14,919 Speaker 1: one bad show, it's all gonna come crashing down and 293 00:17:14,960 --> 00:17:17,919 Speaker 1: I'll be living with weed man hippie eating roches. So 294 00:17:18,040 --> 00:17:21,720 Speaker 1: I try to avoid that at all costs. I love 295 00:17:21,880 --> 00:17:25,960 Speaker 1: you exactly. My philosophy has always been, they will get 296 00:17:26,040 --> 00:17:27,960 Speaker 1: rid of me someday. They've already gotten rid of me once. 297 00:17:27,960 --> 00:17:29,359 Speaker 1: But they're not going to get rid of me because 298 00:17:29,359 --> 00:17:31,399 Speaker 1: of the content of the show. They'll get rid of 299 00:17:31,400 --> 00:17:33,320 Speaker 1: me because I've been there too long, or they want 300 00:17:33,320 --> 00:17:35,600 Speaker 1: somebody else or whatever. It's not big because the show 301 00:17:35,640 --> 00:17:37,760 Speaker 1: is bad. And I've been around people, and you've been 302 00:17:37,800 --> 00:17:39,800 Speaker 1: around people, Danny, that have lost their job because they 303 00:17:39,840 --> 00:17:43,000 Speaker 1: got lazy. They just didn't do the prep. They read 304 00:17:43,040 --> 00:17:45,760 Speaker 1: off ESPN dot com. They showed up five minutes before 305 00:17:45,800 --> 00:17:48,320 Speaker 1: the show. And I don't want to be that guy. 306 00:17:48,800 --> 00:17:50,919 Speaker 1: So I'm not gonna be that guy. I've made a 307 00:17:50,960 --> 00:17:53,679 Speaker 1: pact with myself and that's just the way it is. 308 00:17:54,119 --> 00:17:56,760 Speaker 1: She says, you and your crew even make baseball talk 309 00:17:56,800 --> 00:17:59,680 Speaker 1: interesting less a shot, uh, in any way that no 310 00:17:59,760 --> 00:18:03,719 Speaker 1: other shows do. Thanks, that's from Jennifer. Now, my quick question, 311 00:18:03,800 --> 00:18:06,880 Speaker 1: did you see you and Danny see Snoop Dogg's new 312 00:18:06,960 --> 00:18:10,679 Speaker 1: four D video in the vein of Larry David and 313 00:18:10,760 --> 00:18:15,000 Speaker 1: Curb theme music and characteristics. I stumbled across it recently, 314 00:18:15,680 --> 00:18:18,879 Speaker 1: but I don't understand the point. It was somewhat entertaining, 315 00:18:18,920 --> 00:18:21,800 Speaker 1: but not really. She says, well, you look it up, 316 00:18:21,880 --> 00:18:25,560 Speaker 1: watch it and tell us what you think. And she 317 00:18:25,600 --> 00:18:27,600 Speaker 1: wants to know, Danny, are you a fan of Curb 318 00:18:27,640 --> 00:18:33,359 Speaker 1: your enthusiasm? Yeah? I love Curb. My favorite episode was 319 00:18:33,480 --> 00:18:37,239 Speaker 1: back in the day when Larry got the prostitute so 320 00:18:37,280 --> 00:18:42,640 Speaker 1: that he could go on to Carpool Carpool Lane. Um oh. 321 00:18:42,680 --> 00:18:47,800 Speaker 1: And also the shock episode where he tripped Shaquille O'Neil. Yeah, 322 00:18:47,840 --> 00:18:51,159 Speaker 1: that was a good one too. Was at Staples Center 323 00:18:51,240 --> 00:18:53,800 Speaker 1: that night when he's called Staple Center. Then when they 324 00:18:53,840 --> 00:18:57,440 Speaker 1: filmed that and everyone was all exciting, like Larry David 325 00:18:57,520 --> 00:19:00,080 Speaker 1: there and they did several takes over and over in 326 00:19:00,160 --> 00:19:02,920 Speaker 1: and all that stuff. So yeah, and then flash forward 327 00:19:03,000 --> 00:19:07,240 Speaker 1: to the more recent episodes. I loved his spiked cafe 328 00:19:07,560 --> 00:19:10,000 Speaker 1: that he opened in the toilet he did with the 329 00:19:10,040 --> 00:19:14,720 Speaker 1: bathroom Joe's or whatever. Yeah, yeah, that was pretty good. Yeah. 330 00:19:15,160 --> 00:19:17,280 Speaker 1: Have you seen this Snoop Dogg video? I've not seen 331 00:19:17,320 --> 00:19:20,119 Speaker 1: this video. We'll have to do some investigative reporting on 332 00:19:20,160 --> 00:19:24,320 Speaker 1: that video. Yeah, how much do they spend on these 333 00:19:24,400 --> 00:19:26,520 Speaker 1: videos if they're not getting watched that much? But then 334 00:19:26,560 --> 00:19:29,840 Speaker 1: on YouTube, I'm not sure how it works, but there's 335 00:19:29,920 --> 00:19:33,960 Speaker 1: some of those songs on YouTube. They get so many 336 00:19:34,119 --> 00:19:38,600 Speaker 1: views and downloads and then man, yeah, that's how the 337 00:19:38,800 --> 00:19:43,240 Speaker 1: artists do their marketing nowadays, and so really the videos 338 00:19:43,240 --> 00:19:46,679 Speaker 1: are made straight to YouTube and straight to you know, 339 00:19:47,000 --> 00:19:50,080 Speaker 1: there's a couple of outlets that just do videos. But 340 00:19:50,160 --> 00:19:53,040 Speaker 1: other than that, Yeah, I mean, you don't even have 341 00:19:53,119 --> 00:19:56,040 Speaker 1: to have a video nowadays to have a hit song 342 00:19:56,119 --> 00:19:58,320 Speaker 1: on the radio. And you know, when we were kids, 343 00:19:58,440 --> 00:20:02,040 Speaker 1: that's not the case. Yeah, the video was the key 344 00:20:02,080 --> 00:20:04,960 Speaker 1: element to get people buzzing about your you're dealing all that, 345 00:20:05,119 --> 00:20:08,120 Speaker 1: All right, let's see what's right. Let's go to Pierre 346 00:20:08,920 --> 00:20:14,160 Speaker 1: from the leaf Peeping traffic Capital of the Northeast. He says, 347 00:20:14,200 --> 00:20:17,880 Speaker 1: for both of you, do you buy your favorite Halloween 348 00:20:17,920 --> 00:20:20,879 Speaker 1: candy to hand out in hopes of leftovers or do 349 00:20:21,000 --> 00:20:24,760 Speaker 1: you purposely buy kinds that you don't like so you 350 00:20:24,840 --> 00:20:28,760 Speaker 1: won't over indulge after the holidays. It's a good question. 351 00:20:29,520 --> 00:20:32,560 Speaker 1: So normally what happens is me and the wife will 352 00:20:32,560 --> 00:20:37,440 Speaker 1: be at Costco, and we'll get like two giant bags 353 00:20:37,680 --> 00:20:40,920 Speaker 1: of whatever candy they have at Costco, and then usually 354 00:20:41,000 --> 00:20:43,640 Speaker 1: there's a few things we like in there. We get 355 00:20:43,760 --> 00:20:47,000 Speaker 1: one bag which is chocolate, and then we get one 356 00:20:47,040 --> 00:20:50,440 Speaker 1: giant bag which is more like Mike and Ikes and 357 00:20:50,680 --> 00:20:53,879 Speaker 1: gummy worms and that kind of crap. And so we 358 00:20:53,960 --> 00:20:57,040 Speaker 1: got a little bit of each. And normally there's always 359 00:20:57,119 --> 00:21:00,160 Speaker 1: leftover candy because there's never that many kids that come 360 00:21:00,160 --> 00:21:03,040 Speaker 1: to your house. So that's that's my move back in 361 00:21:03,080 --> 00:21:04,879 Speaker 1: the older is my mom. She she knew I love 362 00:21:04,960 --> 00:21:08,720 Speaker 1: butterfinger in Baby Ruth. She'd buy me those. It was great, 363 00:21:08,760 --> 00:21:13,720 Speaker 1: but I'd eat them all. Yeah, especially those many. But yeah, 364 00:21:13,800 --> 00:21:18,560 Speaker 1: you're double fisting those Hartist Hartists. I was more concerned 365 00:21:18,560 --> 00:21:22,879 Speaker 1: about him giving me a double fish put those in 366 00:21:22,920 --> 00:21:26,440 Speaker 1: the freezer band. Oh that is wonderful. What is your 367 00:21:26,440 --> 00:21:30,320 Speaker 1: all time favorite Halloween candy? Yeah, so I've evolved over 368 00:21:30,359 --> 00:21:34,760 Speaker 1: the years. The Reese's butter Peanut butter cups great, but 369 00:21:34,760 --> 00:21:37,679 Speaker 1: butterfinger Baby Ruth, that was my go to for a 370 00:21:37,720 --> 00:21:42,240 Speaker 1: long time. Uh so some some combination of that. What 371 00:21:42,520 --> 00:21:47,080 Speaker 1: about you butter fingers right up there, sour candy? I 372 00:21:47,119 --> 00:21:50,480 Speaker 1: love sour candy, and I love skittles too, hit and 373 00:21:50,520 --> 00:21:52,200 Speaker 1: miss Right, if they've been around too long, they get 374 00:21:52,200 --> 00:21:54,840 Speaker 1: really difficult to eat. But if they're soft and kind 375 00:21:54,840 --> 00:21:56,600 Speaker 1: of you know what I mean, if they've sitting around 376 00:21:56,640 --> 00:21:58,840 Speaker 1: for a long time, they turned into like little pebbles. 377 00:21:58,840 --> 00:22:02,520 Speaker 1: A fresh packet of the little skittles, those are wonderful, man. 378 00:22:02,920 --> 00:22:04,840 Speaker 1: So if you gave me a whole bunch of mini 379 00:22:04,920 --> 00:22:07,760 Speaker 1: butter fingers and a whole bunch of mini Skittles, I'd 380 00:22:07,800 --> 00:22:12,040 Speaker 1: be set to get fat. I gotta be careful because 381 00:22:12,359 --> 00:22:16,240 Speaker 1: was it two halloweens ago? Maybe it was three. I've 382 00:22:16,240 --> 00:22:18,879 Speaker 1: told the sorry I had so much Halloween candy. I 383 00:22:18,920 --> 00:22:22,359 Speaker 1: thought I had diabetes because I was having headaches. I 384 00:22:22,400 --> 00:22:24,000 Speaker 1: had eaten so much candy. And I went to the 385 00:22:24,040 --> 00:22:26,400 Speaker 1: doctor and all these blood tests, all this blood work done, 386 00:22:26,400 --> 00:22:29,160 Speaker 1: and the doctors like, well, we think what you did 387 00:22:29,280 --> 00:22:31,119 Speaker 1: is you just your body wasn't used to eating that 388 00:22:31,200 --> 00:22:33,639 Speaker 1: much sugar anymore, and you just overdosed on sugar and 389 00:22:33,680 --> 00:22:35,720 Speaker 1: your body had this reaction. They didn't know, but I 390 00:22:35,720 --> 00:22:38,720 Speaker 1: didn't know how to handle it. Wow. Wow, I didn't 391 00:22:38,760 --> 00:22:40,520 Speaker 1: know that was a thing. I had no idea. But 392 00:22:40,720 --> 00:22:44,160 Speaker 1: we gotta watch you over the next few days here closely. Yeah, 393 00:22:44,160 --> 00:22:47,040 Speaker 1: I gotta be careful on that. Also, he says, who 394 00:22:47,080 --> 00:22:49,600 Speaker 1: is your least favorite update person now that Wreckett Ralph 395 00:22:49,760 --> 00:22:52,680 Speaker 1: is gone? And why is it Goldilocks? How I didn't 396 00:22:52,680 --> 00:22:55,280 Speaker 1: say it was Goldilocks. He did pick up the nickname, though. 397 00:22:55,280 --> 00:22:57,600 Speaker 1: Brian Finley's new nickname is Goldilocks. Did you hear about 398 00:22:57,600 --> 00:22:59,960 Speaker 1: that name? You know you said his new nickname was 399 00:23:00,119 --> 00:23:02,840 Speaker 1: love you. Well, yeah, that was his last new nickname, Lovey. 400 00:23:02,920 --> 00:23:05,760 Speaker 1: Now he's known as Goldilocks. Jesus, his list is gonna 401 00:23:05,800 --> 00:23:08,560 Speaker 1: get as long as yours. Well, here's why you got 402 00:23:08,560 --> 00:23:10,840 Speaker 1: the nickname Goldilocks. So I come in there. I I 403 00:23:10,880 --> 00:23:12,960 Speaker 1: get ready for the show. The other night Eddie was 404 00:23:13,000 --> 00:23:16,200 Speaker 1: away doing a hockey game or whatever. So I come 405 00:23:16,240 --> 00:23:18,719 Speaker 1: into the studio. I walked down the hall and make 406 00:23:18,760 --> 00:23:21,760 Speaker 1: my turn. I go to the old Casey case in studio. 407 00:23:21,800 --> 00:23:24,840 Speaker 1: I normally get ready for the show, and I've been 408 00:23:24,840 --> 00:23:26,679 Speaker 1: doing this for years, and I go I turned the 409 00:23:26,720 --> 00:23:30,199 Speaker 1: corner and then I see Ricky, producer Ricky standing in 410 00:23:30,240 --> 00:23:32,280 Speaker 1: the hall. I'm like, what's that? What is Ricky doing here? 411 00:23:33,200 --> 00:23:38,200 Speaker 1: And he's chatting with Brian Finley, who's sitting in my 412 00:23:38,320 --> 00:23:41,159 Speaker 1: chair that I normally sit in to get ready for 413 00:23:41,200 --> 00:23:45,000 Speaker 1: the show. He had moved in there and he had 414 00:23:45,080 --> 00:23:49,879 Speaker 1: this this canister of it looked like peanut butter. I 415 00:23:49,920 --> 00:23:51,320 Speaker 1: was like, what are you doing, what are you eating? 416 00:23:51,359 --> 00:23:54,359 Speaker 1: He said, well, no, I've got some almond butter. He 417 00:23:54,400 --> 00:23:56,560 Speaker 1: had like a spoon and he was eating almond butter. 418 00:23:57,840 --> 00:24:00,959 Speaker 1: So then he got out of there, and I went 419 00:24:01,040 --> 00:24:03,520 Speaker 1: to put my stuff down and the table was covered 420 00:24:03,520 --> 00:24:07,400 Speaker 1: with gobs of almond butter. Oh man, yeah, so he's 421 00:24:07,440 --> 00:24:11,320 Speaker 1: like Goldilocks. He had moved into my my territory there, 422 00:24:11,359 --> 00:24:14,320 Speaker 1: and he he poured almond butter all over the damn table. 423 00:24:14,480 --> 00:24:18,560 Speaker 1: It was terrible. Daddy that's his new nickname. Be a 424 00:24:18,640 --> 00:24:21,640 Speaker 1: real man and eat some peanut butter. Go out a limb, 425 00:24:21,680 --> 00:24:24,439 Speaker 1: come on. And Alf also sent some great photos of 426 00:24:24,520 --> 00:24:29,800 Speaker 1: his humble abode in Massachusetts. There's beautiful, man, it's we 427 00:24:29,880 --> 00:24:33,240 Speaker 1: don't get that. Danny's got pictures of the leaves turning 428 00:24:33,359 --> 00:24:36,400 Speaker 1: and all of that. We don't We don't have that here. 429 00:24:36,560 --> 00:24:39,280 Speaker 1: And there's also a lot of wild turkeys. Not the 430 00:24:39,359 --> 00:24:41,240 Speaker 1: kind of wild turkey a lot of our listeners like, 431 00:24:41,320 --> 00:24:44,240 Speaker 1: but the real wild turkeys that are running around. We 432 00:24:44,320 --> 00:24:47,720 Speaker 1: have homeless people who changed color and turnover. That is true. 433 00:24:47,760 --> 00:24:48,959 Speaker 1: We have a lot of that. If you want that, 434 00:24:49,040 --> 00:24:50,520 Speaker 1: you want us to take some photos of that, alf 435 00:24:50,640 --> 00:24:53,000 Speaker 1: we can, We'd be more than happy to send some 436 00:24:53,040 --> 00:24:54,760 Speaker 1: photos of that. And boy, would you be happy. Man, 437 00:24:54,800 --> 00:24:56,800 Speaker 1: You'd be like, oh, I can't but that's so impressive. 438 00:24:57,680 --> 00:25:00,840 Speaker 1: Unless unless you don't do that, Unless you're like, no, no, 439 00:25:00,880 --> 00:25:03,679 Speaker 1: that's not You've got mail Mike from Fullerton rights in. 440 00:25:04,240 --> 00:25:07,000 Speaker 1: He says, also living in Pierre's head rent free. While 441 00:25:07,840 --> 00:25:10,240 Speaker 1: this will be my first and only warning to Pierre 442 00:25:10,480 --> 00:25:14,760 Speaker 1: quit messing with the Fenley fanatics. We can make life 443 00:25:14,920 --> 00:25:17,920 Speaker 1: very very difficult for you. Those are threatening words. And Ben, 444 00:25:17,960 --> 00:25:21,080 Speaker 1: I hope your Halloween bash did go well. If it 445 00:25:21,720 --> 00:25:24,119 Speaker 1: didn't go well, you'll only have yourself to blame for 446 00:25:24,160 --> 00:25:29,440 Speaker 1: not inviting the party. King Goldilocks Brian Finland, He says, 447 00:25:29,440 --> 00:25:32,399 Speaker 1: here's my question, which one of you has the most 448 00:25:32,560 --> 00:25:36,480 Speaker 1: famous Twitter followers? I'd also like to know which one 449 00:25:36,600 --> 00:25:40,800 Speaker 1: of you has the least famous followers. Yeah, so I 450 00:25:40,800 --> 00:25:44,000 Speaker 1: haven't done inventory on that. There's a few big verified 451 00:25:44,040 --> 00:25:46,639 Speaker 1: accounts to follow me on Twitter. So that's cool and 452 00:25:46,720 --> 00:25:50,000 Speaker 1: all that, but I don't I've really obsessed on it 453 00:25:50,000 --> 00:25:53,200 Speaker 1: too much. Any any when you want to drop here, Danny, 454 00:25:53,200 --> 00:25:55,080 Speaker 1: any big names you want to drop on the Twitter. 455 00:25:56,000 --> 00:25:59,080 Speaker 1: I don't have that many famous people interacting with me 456 00:25:59,119 --> 00:26:01,760 Speaker 1: on Twitter. The one that comes to mind though, Chuck 457 00:26:01,840 --> 00:26:04,640 Speaker 1: d of Public Enemy. If you were a rap fan 458 00:26:04,760 --> 00:26:07,600 Speaker 1: in the eighties and nineties, that's a big deal. And 459 00:26:07,640 --> 00:26:11,200 Speaker 1: he actually comments on some of my tweets from time 460 00:26:11,240 --> 00:26:14,119 Speaker 1: to time, which is really cool. As a kid, I 461 00:26:14,160 --> 00:26:17,040 Speaker 1: listened to every song he ever recorded. So if you 462 00:26:17,040 --> 00:26:19,200 Speaker 1: would have told me later in life, as an adult, 463 00:26:19,520 --> 00:26:21,960 Speaker 1: he'd be interacting with me on the Internet, I wouldn't 464 00:26:21,960 --> 00:26:25,080 Speaker 1: have believed you. Yeah, that's pretty cool. A lot of 465 00:26:25,080 --> 00:26:28,520 Speaker 1: the people that follow me I've known since before they 466 00:26:28,560 --> 00:26:32,520 Speaker 1: were a big deal. Uh you know, so I don't know. 467 00:26:32,720 --> 00:26:35,840 Speaker 1: Like I knew Adam Schefter when he was just a 468 00:26:35,880 --> 00:26:39,320 Speaker 1: beat writer in Denver before he got the ESPN and 469 00:26:39,359 --> 00:26:41,120 Speaker 1: all that. So, and I used to help him out 470 00:26:41,160 --> 00:26:44,600 Speaker 1: on my website. He follows me on there. Adam has 471 00:26:44,600 --> 00:26:48,800 Speaker 1: always been good to me. Uh try I think who else? 472 00:26:49,040 --> 00:26:54,280 Speaker 1: William Shatner does not follow me? It's not unfortunately he did. 473 00:26:54,320 --> 00:26:57,520 Speaker 1: He still have you blocked? No he unblocked me because 474 00:26:57,520 --> 00:27:00,399 Speaker 1: somebody spent thousands of dollars to have him locked me. 475 00:27:00,880 --> 00:27:03,680 Speaker 1: Somebody actually gave him money for his charity. Yeah, and 476 00:27:03,720 --> 00:27:06,280 Speaker 1: unfortunately it was not one of my listeners, one of 477 00:27:06,320 --> 00:27:09,959 Speaker 1: our fans here. It was this horse charity and it 478 00:27:10,000 --> 00:27:12,560 Speaker 1: was actually a star trek guy who was annoyed at 479 00:27:12,600 --> 00:27:16,600 Speaker 1: Trekky was annoyed because our our fans were harassing Shatner 480 00:27:16,680 --> 00:27:19,199 Speaker 1: on Twitter, and so he's like, I just want peace. 481 00:27:19,680 --> 00:27:22,359 Speaker 1: I'm gonna pay for this. I don't I want everyone 482 00:27:22,400 --> 00:27:24,800 Speaker 1: to get along. And so I didn't know about that, 483 00:27:24,840 --> 00:27:27,560 Speaker 1: shouts out to the horse guy. Yeah, well it was 484 00:27:27,680 --> 00:27:30,560 Speaker 1: Chattner has a he's got like a bunch of horses 485 00:27:30,640 --> 00:27:33,359 Speaker 1: in uh in Burbank, right, and so he's got a 486 00:27:33,400 --> 00:27:35,720 Speaker 1: horse charity, and so he was raising money for that. 487 00:27:35,920 --> 00:27:42,760 Speaker 1: And that's how all that went down back in the day. 488 00:27:41,840 --> 00:27:46,480 Speaker 1: You don't help, Yeah, I'm sure Nick and was give 489 00:27:46,520 --> 00:27:49,160 Speaker 1: him all the horse and let him right out of town. 490 00:27:50,200 --> 00:27:52,720 Speaker 1: Nick in Wisconsin has Ben and Danny. Would you rather 491 00:27:53,560 --> 00:27:56,280 Speaker 1: would you rather? Is back He says, would you rather 492 00:27:56,359 --> 00:28:01,000 Speaker 1: have a car that can also fly? Or a car 493 00:28:01,040 --> 00:28:04,840 Speaker 1: that can also drive under the water? Yeah, So the 494 00:28:04,920 --> 00:28:09,760 Speaker 1: idea of a flying car is wonderful, assuming it's somewhat 495 00:28:09,800 --> 00:28:13,680 Speaker 1: safe obviously, so they're positives to both these things. But 496 00:28:13,720 --> 00:28:15,919 Speaker 1: I'd much rather have a flying car because it is 497 00:28:15,960 --> 00:28:19,000 Speaker 1: a pain in the ask to fly domestically the way 498 00:28:19,040 --> 00:28:21,080 Speaker 1: airports are and airlines and all that. And if I 499 00:28:21,080 --> 00:28:22,760 Speaker 1: gets to be like, all right, let's program the mallon 500 00:28:22,760 --> 00:28:24,360 Speaker 1: will be all I'm gonna go to Vegas, I'm gonna 501 00:28:24,359 --> 00:28:26,120 Speaker 1: go to Phoenix, I'm gonna go to Dallas, I'm gonna 502 00:28:26,119 --> 00:28:30,080 Speaker 1: go to Chicago, whatever, boom, and you just fly the car. 503 00:28:30,160 --> 00:28:33,000 Speaker 1: That'd be awesome. It would also be kind of cool, 504 00:28:33,080 --> 00:28:35,879 Speaker 1: Danny to be on a car that goes underwater and 505 00:28:35,880 --> 00:28:38,000 Speaker 1: see what's at the bottom of the Pacific and driving 506 00:28:38,040 --> 00:28:42,920 Speaker 1: around right. Also, I would take my car international and 507 00:28:42,960 --> 00:28:47,040 Speaker 1: finally unlock the mysteries of the lock Neest monster. Oh yeah, 508 00:28:47,080 --> 00:28:49,480 Speaker 1: you can do that. Imagine what kind of critters are 509 00:28:49,520 --> 00:28:52,080 Speaker 1: down at the bottom of the oceans that we don't 510 00:28:52,080 --> 00:28:54,960 Speaker 1: even know about. These oceans are so vast and so deep, 511 00:28:54,960 --> 00:28:58,200 Speaker 1: there's places that they can't go. Think about what you 512 00:28:58,240 --> 00:29:01,200 Speaker 1: would see there. And also you were underwater, you could 513 00:29:01,200 --> 00:29:03,960 Speaker 1: get some old gold booty on, some old gold coins 514 00:29:04,040 --> 00:29:08,360 Speaker 1: from pirate ships. That's what I'm talking about. Yeah, that's 515 00:29:08,400 --> 00:29:12,200 Speaker 1: the the way to do it for sure. Let's see 516 00:29:12,200 --> 00:29:18,440 Speaker 1: who is next year booty pirates, Booty pirates, booty Is 517 00:29:18,440 --> 00:29:21,440 Speaker 1: that the Yeah, that's some real pirate's booty back back there, 518 00:29:21,520 --> 00:29:25,800 Speaker 1: all right, I got mail, yea, I got mail, yea. 519 00:29:26,840 --> 00:29:30,240 Speaker 1: You got some quick ones here, Rich says, Ken Roberto 520 00:29:30,320 --> 00:29:36,120 Speaker 1: make an omelet with platypus eggs? Sure, why not? Uh? 521 00:29:36,280 --> 00:29:38,160 Speaker 1: Guy named Ben Wrights, and he says, how did the 522 00:29:38,600 --> 00:29:43,000 Speaker 1: Astro fans cheer and root for a team that needed 523 00:29:43,000 --> 00:29:46,040 Speaker 1: trash cans to win a World Series without remorse? It's 524 00:29:46,040 --> 00:29:48,560 Speaker 1: a great question, but it happens a lot bend. But 525 00:29:48,680 --> 00:29:50,760 Speaker 1: that had a funny call this this week, Danny that 526 00:29:50,800 --> 00:29:54,600 Speaker 1: we only get on terrestrial radio. So my affiliate in 527 00:29:54,640 --> 00:29:58,280 Speaker 1: Houston is seven ninety, which is the Astros station. Yeah, 528 00:29:58,760 --> 00:30:02,400 Speaker 1: and we we're on after Astro Talk ended after the 529 00:30:02,440 --> 00:30:06,040 Speaker 1: Yankees and the Astros game one. So some guy from 530 00:30:06,120 --> 00:30:08,520 Speaker 1: Houston calls up. He's at He's at the game guy, 531 00:30:09,120 --> 00:30:12,280 Speaker 1: you know, at the game. Guy at the game. Guy 532 00:30:12,400 --> 00:30:14,680 Speaker 1: just wants to talk about the game. He doesn't know 533 00:30:14,720 --> 00:30:16,520 Speaker 1: who the hell is on the radio. He just happened 534 00:30:16,520 --> 00:30:19,280 Speaker 1: to know. The Astros were on seven ninety in Houston. 535 00:30:19,800 --> 00:30:22,360 Speaker 1: So he turned on the station in his car and 536 00:30:22,360 --> 00:30:24,200 Speaker 1: it's like, hey, I hear somebody giving out a number. 537 00:30:24,240 --> 00:30:26,520 Speaker 1: I'm gonna call up. I'm at the game guy. And 538 00:30:26,560 --> 00:30:28,600 Speaker 1: he wanted to tell stories about being at the game, 539 00:30:29,400 --> 00:30:32,240 Speaker 1: and so I put him on. After just destroying the Astros, 540 00:30:32,240 --> 00:30:34,640 Speaker 1: they did a monologue ripping the ship out of the Astros, 541 00:30:35,200 --> 00:30:37,600 Speaker 1: and this guy calls up, like, I didn't say any 542 00:30:37,640 --> 00:30:39,560 Speaker 1: of that stuff, and he just starts talking about, well, 543 00:30:39,600 --> 00:30:41,600 Speaker 1: I was at the game tonight and he's going through 544 00:30:41,600 --> 00:30:44,600 Speaker 1: this whole thing. It was wild. He's at the game guy. 545 00:30:45,520 --> 00:30:47,560 Speaker 1: That's the guy. He's at the game guy. Gave you 546 00:30:47,600 --> 00:30:50,520 Speaker 1: flashbacks of Dodger Talk. Oh yeah, I had a lot 547 00:30:50,520 --> 00:30:53,640 Speaker 1: of that Dodger Talk. Yeah, I was at the game tonight. 548 00:30:53,880 --> 00:30:56,160 Speaker 1: I hate when callers start off with that. I don't 549 00:30:56,160 --> 00:30:57,800 Speaker 1: give a ship if you were at the game or 550 00:30:57,840 --> 00:31:00,800 Speaker 1: you watched on TV. Get to your point, please get 551 00:31:00,840 --> 00:31:03,200 Speaker 1: to the point. Please. Well. Also on Dodger Talk, it 552 00:31:03,280 --> 00:31:06,720 Speaker 1: was always the the experts that knew more than the 553 00:31:06,760 --> 00:31:09,240 Speaker 1: team did and more than you did about the minor 554 00:31:09,320 --> 00:31:10,920 Speaker 1: league guys. We used to have a guy Jeane and 555 00:31:10,920 --> 00:31:14,840 Speaker 1: Redondo Beach, who would call up and he knew everyone 556 00:31:14,880 --> 00:31:18,240 Speaker 1: in Triple A and Double A, and he'd he'd hear 557 00:31:18,400 --> 00:31:20,800 Speaker 1: some or he'd see some stats on a relief pictures, 558 00:31:20,840 --> 00:31:22,960 Speaker 1: like the Dodgers have to call this guy out. He's 559 00:31:22,960 --> 00:31:25,040 Speaker 1: got a great all right at Albuquerque, you know, which 560 00:31:25,040 --> 00:31:28,160 Speaker 1: was the Triple A affiliate the time, And it was like, 561 00:31:28,360 --> 00:31:30,280 Speaker 1: you know, the guy's a career minor league here. Okay, 562 00:31:30,280 --> 00:31:32,160 Speaker 1: they're not. They're not calling him up. He's not even 563 00:31:32,200 --> 00:31:36,040 Speaker 1: on the the big forty man roster. There's no more 564 00:31:36,080 --> 00:31:40,920 Speaker 1: transistor radios inside the ballpark. Listening to Vince Scully, you 565 00:31:40,960 --> 00:31:43,320 Speaker 1: could make the argument that the at the game guy 566 00:31:43,400 --> 00:31:47,120 Speaker 1: knows less about the person that was watching and listening 567 00:31:47,440 --> 00:31:50,320 Speaker 1: to the TV crew. It's a fair point. That is 568 00:31:50,360 --> 00:31:53,960 Speaker 1: a fair point. Next up, as we continue the mail Bag, 569 00:31:54,040 --> 00:31:57,120 Speaker 1: the extended dance remix of the mail Bag, These are 570 00:31:57,120 --> 00:32:01,920 Speaker 1: actual questions from actual listeners, and we say a load too. 571 00:32:02,240 --> 00:32:04,600 Speaker 1: What was that effect? Oh, that was a new one. 572 00:32:04,680 --> 00:32:07,920 Speaker 1: That was that's mail blasting off? I see you send mail, 573 00:32:08,000 --> 00:32:11,480 Speaker 1: you know any like that? Maybe you don't like that, 574 00:32:11,520 --> 00:32:14,080 Speaker 1: maybe like I don't even know what that is. I 575 00:32:14,120 --> 00:32:16,640 Speaker 1: don't have no idea. What that is? Uh? John and 576 00:32:16,680 --> 00:32:19,760 Speaker 1: Colorado says, Hey, hey, guys, at what age do you 577 00:32:19,880 --> 00:32:25,160 Speaker 1: stop saying gone too soon when someone croaks? Yeah, that's 578 00:32:25,200 --> 00:32:29,560 Speaker 1: a good question. Uh, And that age has gotten higher 579 00:32:29,600 --> 00:32:31,800 Speaker 1: as I've gotten older, So I want you to know 580 00:32:31,880 --> 00:32:35,040 Speaker 1: that age is gone higher and higher as I've aged. 581 00:32:35,880 --> 00:32:39,320 Speaker 1: What is it? Well? I thought when the queen passed away, 582 00:32:39,320 --> 00:32:41,320 Speaker 1: I thought she was You know, I don't think you 583 00:32:41,320 --> 00:32:44,600 Speaker 1: can say gone too soon? What do you replace that with? 584 00:32:45,000 --> 00:32:48,840 Speaker 1: Do you say appropriate time to die? Life well lived? 585 00:32:48,960 --> 00:32:52,480 Speaker 1: I don't I'm not sure what would mean. Anytime you 586 00:32:52,560 --> 00:32:56,160 Speaker 1: see that when celebrities or musicians die, you'll see a 587 00:32:56,160 --> 00:32:59,680 Speaker 1: lot of gone too soon. We lost that person way 588 00:32:59,720 --> 00:33:04,840 Speaker 1: too soon. They could have given us so much more memories. Yeah, 589 00:33:04,960 --> 00:33:07,600 Speaker 1: what do you think life would be like if everyone 590 00:33:07,720 --> 00:33:10,640 Speaker 1: just lived for three years? What do you think that 591 00:33:10,640 --> 00:33:14,520 Speaker 1: would be like? You think it would be better or worse? Uh, 592 00:33:14,560 --> 00:33:17,200 Speaker 1: that's a good question. I guess it would depend on 593 00:33:17,960 --> 00:33:20,680 Speaker 1: the government and how things were going for us in 594 00:33:20,720 --> 00:33:24,000 Speaker 1: our lives, because you think about our adult life been 595 00:33:24,120 --> 00:33:26,720 Speaker 1: not to get political or anything like that, because we 596 00:33:26,760 --> 00:33:29,040 Speaker 1: don't want our overall rating to go down to a 597 00:33:29,080 --> 00:33:34,280 Speaker 1: four point seven. But what year. Do you recall where 598 00:33:34,320 --> 00:33:37,880 Speaker 1: you and I were celebrating in the streets because of 599 00:33:37,880 --> 00:33:41,160 Speaker 1: our paychecks and the state of the economy and the 600 00:33:41,240 --> 00:33:44,440 Speaker 1: government and how everything was going. Have we ever really 601 00:33:44,480 --> 00:33:47,560 Speaker 1: had a stretch in our adult lives where things were 602 00:33:47,600 --> 00:33:51,680 Speaker 1: stacked in our favor? Absolutely not. I I make less 603 00:33:51,760 --> 00:33:54,360 Speaker 1: now than I made when I started. Well, the first 604 00:33:54,400 --> 00:33:56,960 Speaker 1: real job I got in radio because it was a 605 00:33:57,080 --> 00:34:03,520 Speaker 1: union shop and I was making amazing money. And it's yeah, 606 00:34:03,600 --> 00:34:07,240 Speaker 1: so I'm right there with you on that same late 607 00:34:07,320 --> 00:34:11,719 Speaker 1: nineties was real money for us. Yeah, big time. Be 608 00:34:12,480 --> 00:34:15,000 Speaker 1: still living off that money right now, and I think 609 00:34:15,000 --> 00:34:19,759 Speaker 1: it's all gone on my and unfortunately al right. Next up, 610 00:34:19,800 --> 00:34:22,640 Speaker 1: Scott writes, and he says the comment regarding woke caller 611 00:34:22,719 --> 00:34:26,439 Speaker 1: salsa salsa called up referred to as this. He says 612 00:34:26,440 --> 00:34:29,200 Speaker 1: a century ago, black travelers were told to stay woke 613 00:34:29,840 --> 00:34:32,399 Speaker 1: as a warning of clan activity in the area they 614 00:34:32,400 --> 00:34:35,520 Speaker 1: were staying in. For that reason, Scott says, I will 615 00:34:35,560 --> 00:34:39,680 Speaker 1: no longer use the term to describe hypersensitive folks, but 616 00:34:39,880 --> 00:34:42,600 Speaker 1: go back to calling them what I always have, the 617 00:34:43,840 --> 00:34:49,719 Speaker 1: perpetually professionally offended. Yeah, so I used the term woke. Uh, 618 00:34:49,920 --> 00:34:53,520 Speaker 1: I feel like it's a the modern definition of it, Danny, 619 00:34:53,560 --> 00:34:56,640 Speaker 1: I don't think is is that I I was asked 620 00:34:56,680 --> 00:34:59,960 Speaker 1: by Salsa about this. My interpretation of term woke is 621 00:35:00,920 --> 00:35:04,640 Speaker 1: is people that are overly politically correct and it also 622 00:35:04,680 --> 00:35:07,480 Speaker 1: are offended by everything and are trying to change everything. 623 00:35:08,080 --> 00:35:11,520 Speaker 1: I want to take down statues, want to cancel words, 624 00:35:11,600 --> 00:35:14,880 Speaker 1: want to cancel entertainers like, to me, that's woke, like 625 00:35:15,239 --> 00:35:20,680 Speaker 1: or or you preach like the NBA was preaching on 626 00:35:20,680 --> 00:35:23,320 Speaker 1: on how people should act. The NFL has done a 627 00:35:23,360 --> 00:35:25,480 Speaker 1: lot of that. Baseball all the leagues have done that. 628 00:35:25,480 --> 00:35:27,279 Speaker 1: That's like, that's to me, that's woke. So I think 629 00:35:27,320 --> 00:35:30,520 Speaker 1: that's the modern definition. Am I a bad person? Danny? 630 00:35:30,560 --> 00:35:33,759 Speaker 1: For you modern interpretation of the world woke? I mean 631 00:35:34,000 --> 00:35:37,440 Speaker 1: some people use that like lit or other words that 632 00:35:37,480 --> 00:35:41,239 Speaker 1: are just overused because they think that they're being you know, 633 00:35:41,680 --> 00:35:45,520 Speaker 1: with it or trendy, or that they're hip. But the 634 00:35:45,560 --> 00:35:47,800 Speaker 1: one thing that caught my attention this past week, and 635 00:35:47,880 --> 00:35:52,200 Speaker 1: actually uh Covino and Rich covered a couple of afternoons ago, 636 00:35:52,600 --> 00:35:55,920 Speaker 1: there was a recent article about how gen z ears 637 00:35:56,440 --> 00:36:00,719 Speaker 1: are rallying to get the thumbs up emoji can sold 638 00:36:01,920 --> 00:36:05,960 Speaker 1: on the yes because they're triggered by the thumbs up. 639 00:36:06,000 --> 00:36:10,000 Speaker 1: They think it's condescending. So, in other words, if you 640 00:36:10,120 --> 00:36:12,040 Speaker 1: sent me a text message and I gave it a 641 00:36:12,080 --> 00:36:15,600 Speaker 1: thumbs up, that's me kind of being a dick. That's 642 00:36:15,600 --> 00:36:18,520 Speaker 1: how they feel. So their feelings are now getting hurt 643 00:36:18,800 --> 00:36:22,400 Speaker 1: by certain emojis. Well, that's actually not I remember the 644 00:36:22,480 --> 00:36:25,080 Speaker 1: big controversy at Wrigley Field a couple of years ago 645 00:36:25,160 --> 00:36:29,200 Speaker 1: because somebody did the Okay song. That's right. Yeah, we're 646 00:36:29,200 --> 00:36:33,000 Speaker 1: now told that that is racist, that that's been hijacked 647 00:36:33,000 --> 00:36:35,040 Speaker 1: by some group or something like that, so we're not 648 00:36:35,040 --> 00:36:37,160 Speaker 1: allowed to do the okay sign. It was so stupid. 649 00:36:37,680 --> 00:36:41,560 Speaker 1: If the thumbs up thing is insulting, then people do 650 00:36:41,640 --> 00:36:44,640 Speaker 1: that every day on Facebook when they like somebody's post. 651 00:36:45,160 --> 00:36:48,040 Speaker 1: So if I like something, is that insulting you? It 652 00:36:48,200 --> 00:36:50,799 Speaker 1: is dumb. Anyway, we we'll get out of here on that. 653 00:36:50,880 --> 00:36:54,600 Speaker 1: Thanks to Anthony, Johnny and San Antonio, Mike and Wisconsin, 654 00:36:55,160 --> 00:36:58,680 Speaker 1: Joe in in New York and all the other people 655 00:36:58,719 --> 00:37:00,600 Speaker 1: here that we did not have time to get to 656 00:37:00,600 --> 00:37:03,480 Speaker 1: the questions. But Danny anything to promote here, anything at all. 657 00:37:03,920 --> 00:37:05,880 Speaker 1: I guess tonight, right, you told me you'll be in 658 00:37:05,880 --> 00:37:08,880 Speaker 1: tonight that's right, two days in a row. I see 659 00:37:08,920 --> 00:37:13,560 Speaker 1: your mug, yeah, Danny G. I saw you at at 660 00:37:13,600 --> 00:37:18,680 Speaker 1: your Halloween party. Yeah. And then we're recovering today tonight. 661 00:37:18,800 --> 00:37:21,120 Speaker 1: I'm gonna be in there to kick off Sunday night 662 00:37:21,120 --> 00:37:23,719 Speaker 1: into Monday morning with you and for Coop. All right, 663 00:37:23,880 --> 00:37:26,359 Speaker 1: and remember, Danny, you're not that guy. I'll trust me 664 00:37:26,520 --> 00:37:28,839 Speaker 1: You're not that guy. Don't be that guy. Don't don't 665 00:37:28,840 --> 00:37:30,640 Speaker 1: be that That means I can't race to my car 666 00:37:30,760 --> 00:37:33,120 Speaker 1: before you get to yours after the show. If if 667 00:37:33,160 --> 00:37:35,320 Speaker 1: I see you burning rubber before I get out of 668 00:37:35,360 --> 00:37:39,920 Speaker 1: the garage, we got heads are gonna roll. Danny, have 669 00:37:39,960 --> 00:37:41,399 Speaker 1: a great rest of your day. I will be back 670 00:37:41,400 --> 00:37:44,319 Speaker 1: with Danny G tonight on the radio show. I'll talk 671 00:37:44,360 --> 00:37:47,080 Speaker 1: about all these big NFL games, the good, the bad, 672 00:37:47,120 --> 00:37:50,680 Speaker 1: and the including that Pittsburgh Miami Sunday night game, see 673 00:37:50,719 --> 00:37:53,360 Speaker 1: how I did against the Penny. And have a have 674 00:37:53,400 --> 00:37:55,640 Speaker 1: a great rest of your weekend, and we'll talk to 675 00:37:55,640 --> 00:37:59,800 Speaker 1: you on the radio next time. Go Raiders later Skater 676 00:38:00,080 --> 00:38:04,839 Speaker 1: the Raiders. Hey, Hey, hey, I'm let you go check 677 00:38:04,920 --> 00:38:05,520 Speaker 1: put by me.