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Speaker 1: When I wrote, y'all, I'm across the usc Compton watch

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Speaker 1: thank to La from on the California the Valley. We

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Speaker 1: represent that kill of county. So if you're keeping it

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Speaker 1: real on your side of your town, you tune into

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Speaker 1: Gangster Chronicles. The goals. He gonna tell you how we go.

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Speaker 1: If I line my notes will grow like Pinocchio. We're

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Speaker 1: gonna tell you the truth and nothing but the truth

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Speaker 1: than chronic goals. This is not your average show. You're

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Speaker 1: now tuned into the real mcain, Big James, and Big

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Speaker 1: Stairs from the streets. Hello, Welcome to the Gangster Chronicles podcast,

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Speaker 1: the production of iHeart Radio and Black Effect Podcast Network.

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Speaker 1: Make sure you download the i heeart app and subscribe

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Speaker 1: to The Gangster Chronicles. For my Apple users, hit the

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Speaker 1: purple mica on your front screen. Subscribe to the gainst

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Speaker 1: the Chronicles and leave a start rating a comment. Jill,

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Speaker 1: you know what to do? Another episode of the Gangster

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Speaker 1: Chronicles and you got your boy Big eight in the building.

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Speaker 1: I'm with the homie Big stealing the house. Man. You

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Speaker 1: know what, we got a lot of ship that takes

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Speaker 1: on the day. Man, I want to start off with

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Speaker 1: this oscar ship. Man, I got a lot to talk

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Speaker 1: about that. They Actually, there's a lot of stuff that's

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Speaker 1: been pissing me off. Man, how they made the home

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Speaker 1: Girl Angel look bastard, just looked like she was the

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Speaker 1: biggest hater in the world for her being upset about losing.

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Speaker 1: I didn't watch the Oscars and shit. I don't think

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Speaker 1: I ever watched the motherfucking Oscars, man, to be honest.

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Speaker 1: I mean, I watch a good movie and shit, but

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Speaker 1: it's just like the Grammys and shit. I've never been

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Speaker 1: a big fan of the award shows and shit, even

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Speaker 1: down to the ship like BT Awards and ship. I'm

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Speaker 1: just not an award show dude. I don't And that's

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Speaker 1: not because I don't win shit. So let's get it straight.

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Speaker 1: You know what I'm saying, I'm all I'm it's not

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Speaker 1: because of that. I'm not what people you know call

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Speaker 1: the hater nowadays. I don't give a fuck if you

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Speaker 1: win or lose or whatever this shit is. It's good

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Speaker 1: for you know, people's careers and give them that extra

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Speaker 1: status or whatever. But you know, I'm a nigga from

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Speaker 1: Compton born and raised, and you know I like to

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Speaker 1: deal with facts about shit, So you know, that's the facts,

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Speaker 1: you know what it is. I mean, shout out to

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Speaker 1: Kendrick again, Tde you know for the work with a

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Speaker 1: good Kid in Mad City. You know, I was on

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Speaker 1: the song got nominated for a Grammy, you know. But

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Speaker 1: other than that, you know, Um, did you go to

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Speaker 1: the celebration? Did you go to the war zone? I went, Um,

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Speaker 1: just for the experience. Uh, it was it was a

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Speaker 1: it was a bit it was. It was a bit much,

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Speaker 1: you know, um, having to do all this shit lining

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Speaker 1: up to it. So would I go again? No, Like

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Speaker 1: I said before that I'd never you know, watch the

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Speaker 1: Grammys or or or the Oscar shit. So um. As

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Speaker 1: far as with Angela Bassett is concerned. Um, why it

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Speaker 1: was brought up that she was looking like she was hating.

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Speaker 1: I know they caught her expression or whatever. I don't know.

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Speaker 1: Motherfucker's would be really reaching the dog because it's like,

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Speaker 1: you know, she could have had gas for all we know,

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Speaker 1: just not been feeling like being at that. Motherfucker. She

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Speaker 1: could have been like this some bullshit. They knew I

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Speaker 1: wasn't gonna win this. Motherfucking You got me sitting up

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Speaker 1: in here looking crazy. I mean, but I don't know,

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Speaker 1: like you just said, she probably knew I ain't gonna

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Speaker 1: win this ship. Yeah. So but you know, um, when

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Speaker 1: you're in that position that you know this Bassett is in,

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Speaker 1: you know, you you have to put on that face,

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Speaker 1: you know, and you have to appear and show up

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Speaker 1: because you're nominated and you know, and people want to

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Speaker 1: pump it up like you know, oh yeah you got

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Speaker 1: a chance or whatever, and and so, um, I guess

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Speaker 1: it was. I don't know would it be a shock

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Speaker 1: to anyone that that, you know, And I guess us

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Speaker 1: as black people felt like, you know, they got to

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Speaker 1: give it to her because of the role she played

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Speaker 1: and what she represented. You know. But man, come on, man,

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Speaker 1: y'all know how this world works. I mean, if you,

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Speaker 1: if you, if you, if you dumb to that shit, man,

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Speaker 1: I mean if you just as you know, if you

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Speaker 1: as mature as I am, and you've been here for

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Speaker 1: a while, man, you know how this You know how

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Speaker 1: this game works. It's never changed. So really, you know.

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Speaker 1: And then next thing I want to talk about, Man,

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Speaker 1: it's our homeboy Charleston. White motherfucker's is Huneck Charleston right now?

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Speaker 1: They made the motherfucker Now I heard as tyrant like

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Speaker 1: everybody else. Dear right, m Charleston man, you know, me

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Speaker 1: and Charleston got history together. Charleston man. You know Digital

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Speaker 1: Soapbox was one of the first people man to you know,

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Speaker 1: recognize his talents, man, because he do have a lot

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Speaker 1: of talent. He's a funny ass dude, and there's a

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Speaker 1: lot of truth to the ship he's say, whether motherfuckers

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Speaker 1: want to acknowledge that part of it or not. He

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Speaker 1: tells the truth about a lot of shit, now you

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Speaker 1: know what all the other stuff man, You know, he's

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Speaker 1: being sarcastic about a lot of stuff, and a lot

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Speaker 1: of people, you know, the internet would ever come out

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Speaker 1: of motherfucker's mouth, They just believe it to be fact.

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Speaker 1: He just really be fucking with a whole bunch of people, right.

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Speaker 1: I don't think my man got no intentions on doing

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Speaker 1: nothing wrong. But I see Charleston going in on black

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Speaker 1: people all the fucking time, right, he goes in on

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Speaker 1: black people all time. He goes in on rappers. Charleston

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Speaker 1: 's fair motherfucker right, But there ain't no problem of

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Speaker 1: long as he's sticking the fucking with niggas, right. But

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Speaker 1: the minute he says something about them people lack Cardon

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Speaker 1: had a show canceled and all kinds of ship. Where

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Speaker 1: was the cancelations that when he was talking about all niggas. Now,

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Speaker 1: not that I want the homey shows to get canceled

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Speaker 1: or nothing, but I just thought it was all running,

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Speaker 1: you know, I thought it was some shit about it.

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Speaker 1: You ain't got no comment about that, look at me.

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Speaker 1: I'm just man, Um, I don't know Charleston. I mean

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Speaker 1: we had a moment show. Yeah, Um, it seemed like

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Speaker 1: when we had him on the show, his approach was different.

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Speaker 1: He's a very intelligent motherfucker girl. Yeah, but I don't

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Speaker 1: And like I said, I don't have nothing to say

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Speaker 1: about because people do what they gotta do. You feel me,

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Speaker 1: That's the way the world works. If you get a hustle, motherfucker,

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Speaker 1: you gotta you gotta jump on that hustle. But sometimes

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Speaker 1: you know where I come from and what I have

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Speaker 1: seen and whatever, as far as it's been from the

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Speaker 1: streets or business or dealing with people, you're different, you

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Speaker 1: know different, you know, races or whatever. I'm not wanting

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Speaker 1: to want to get ahead by controversy. I've never been

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Speaker 1: that dude, you know, I guess, because I guess. I'm

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Speaker 1: a low key motherfucker and I have never starved for

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Speaker 1: success to where I want to live my life in

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Speaker 1: jeopardy to achieve success. Um, I get in where I

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Speaker 1: fit in. You're getting that. That's that's the way it is.

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Speaker 1: And some people, you know, now with with with you know,

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Speaker 1: with the internet being so motherfucking popular and social motherfucking media,

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Speaker 1: and everybody want to you know, tune in and you

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Speaker 1: know the latest controversy is the best and all that

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Speaker 1: type of ship. Motherfucker's feed off for that shit. You

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Speaker 1: know what I'm saying, to want to to to live

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Speaker 1: like that, you know what I'm saying, and and and

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Speaker 1: and always want to have a U say so and

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Speaker 1: people's shit to each his own, you know what I'm saying.

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Speaker 1: You feel that works for him, Johnston feel that works

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Speaker 1: for him. One thing I will say is that fortunately

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Speaker 1: in this country, we do have freedom of speak exactly.

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Speaker 1: People can say whatever the fun they want. You can

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Speaker 1: say what the fuck you want to. People can say

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Speaker 1: whatever they want and ain't up to me, you or

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Speaker 1: nobody else to impede that, because that's all you know,

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Speaker 1: that's all right, And the problem with that is just

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Speaker 1: like you can say what you want to, but you

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Speaker 1: can't control another motherfucker's actions either. So now it's just

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Speaker 1: like you said, a slippery slope, because everybody's not going

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Speaker 1: to look at your antics as entertainment or you know

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Speaker 1: all this nigga just talking or whatever whatever. Some people

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Speaker 1: take shit very seriously, you know what I'm saying, and

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Speaker 1: thus you might be putting your life in danger. And

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Speaker 1: when you when you're ready to walk that route for

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Speaker 1: a dollar sign, man, it's it's like, it's it's crazy

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Speaker 1: to me. I guess that nigga he down for whatever though,

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Speaker 1: is one thing about it? Anybody to ring upon him,

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Speaker 1: don't being dealt with, and you don't mind popping at

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Speaker 1: the motherfucker. So I guess you know, like you said,

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Speaker 1: when you I mean, but you can scream self defense,

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Speaker 1: you know what I'm saying. If I could talk shit

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Speaker 1: to you on the internet all day and social media

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Speaker 1: and fuck you this and fuck you that and this

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Speaker 1: and that, and then I'm gonna tell you where I'm

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Speaker 1: gonna be at, you get me in the minute you

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Speaker 1: approached nine when one is being dialed, you get me.

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Speaker 1: Or if I feel in danger for my life because

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Speaker 1: somebody then poured up. Then you know I'm gonna pop

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Speaker 1: out of nigga and claim self defense. You know exactly

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Speaker 1: with which my which my nigga do a lot, you

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Speaker 1: know what I'm saying. He has no problem with with

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Speaker 1: call all of the poles or quality authorities or putting

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Speaker 1: motherfuckers on blasts for their antics. So and that's the

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Speaker 1: way he has built his That's the way he has

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Speaker 1: built his his his status. You feel me. Yeah, he's

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Speaker 1: definitely built his cache. And then and then again, you know,

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Speaker 1: like you said, we can we can. You know, we

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Speaker 1: can speak on niggas or we can speak on each

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Speaker 1: other like it ain't shit, you feel me. We do

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Speaker 1: it in records, we do it. And when all kinds

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Speaker 1: of beefs jump off, we fight each other, We blast

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Speaker 1: at each other. We do all of that. But you

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Speaker 1: already know when you take a trip to that other

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Speaker 1: side dealing with other races, whether who may it be,

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Speaker 1: they feel to come down hard. You feel me, Oh, man,

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Speaker 1: they don't play that ship. They go definitely. And one

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Speaker 1: thing about about it, though, man meet knowing them cats man,

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Speaker 1: they are always kind of prepared for any smoke that comes.

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Speaker 1: They wait you see what I'm saying, like like that's

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Speaker 1: the life they chose to live, and they're living it.

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Speaker 1: More part them, you know what I mean? More potato him. Um,

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Speaker 1: you know, before we go into the subject of our show,

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Speaker 1: because we are going to talk about you know, a

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Speaker 1: rapper to eight some motherfuckers. Yeah, I want to. I

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Speaker 1: want to speak on the Oscar ship just one more

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Speaker 1: time with Angela. And because I was seeing a lot

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Speaker 1: of comments still about um, the situation of how that

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Speaker 1: went down. Did you watch you watch? You watched Wakanda, right?

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Speaker 1: You watched The New Black Panther, Right? I thought it

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Speaker 1: was a great movie. Have you watched the movie with

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Speaker 1: the movie that won Best Picture in the movie with

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Speaker 1: Jamie Lee Curtis. Honestly, I had never heard of it

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Speaker 1: until the Oscars came up. I haven't heard I've never

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Speaker 1: heard of it. I watched it last night. My take

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Speaker 1: on it. And then did you hear that, Um, Tom

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Speaker 1: and James Cameron didn't show up to the big you know,

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Speaker 1: they have some big ass party or some shit, right,

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Speaker 1: so they say them too didn't show up because they

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Speaker 1: knew they wasn't gonna win the other movie was gonna

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Speaker 1: win Best picture. So I watched the ship. Um, it

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Speaker 1: was different. It wasn't what you would take Brian, did

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Speaker 1: you see it? Do you see it? So it's got

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Speaker 1: the kid you've seen You've seen Raiders of the Loss art,

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Speaker 1: I mean not Raiders of the Loss are Indiana Jones.

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Speaker 1: So you remember the little Chinese kid from the Indiana

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Speaker 1: Jones movies. He's playing the older dude. He's the older

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Speaker 1: now he's in the movie. Okay, Um, it's about this.

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Speaker 1: I don't know if they I guess say Chinese, about

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Speaker 1: Chinese lady her husband. Uh, they run in a line

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Speaker 1: dream Matt, and it's it's a comedy. It's it's a

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Speaker 1: comedy adventure type of shit. She look boring. I honestly,

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Speaker 1: I paused it about five times, and I watched movies.

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Speaker 1: You get me. I paused it five times because I

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Speaker 1: kept losing interest in it. You give me. Um, I'm

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Speaker 1: watching the ship and it's like it's basis a multiverse,

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Speaker 1: dimensional shit and different universe, some shit you would think

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Speaker 1: you would see in a superhero movie. Yeah, I'm gonna

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Speaker 1: have to check it out. You have to check it out.

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Speaker 1: I mean, I'm gonna have to check it up. And

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Speaker 1: then I guess what people saying about Angela Bassett. Angela

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Speaker 1: plays a lot of strong roles in movies, right she does.

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Speaker 1: She plays a lot of strong She plays a lot

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Speaker 1: of strong Black female roles, whether she's the assistant to

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Speaker 1: the President, whether she's Tina Turner, whether she's the Wakanda Prince,

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Speaker 1: you know, queen. She plays those movies, you don't really

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Speaker 1: see her And I don't know, maybe that's what she

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Speaker 1: demands that, you know what I'm saying, I got to

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Speaker 1: play those roles. But when it come to them people

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Speaker 1: and how they're looking at it, you already doing what

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Speaker 1: you already do. Yeah, And I hate the scream. I

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Speaker 1: hate the scream racism, man, But when you're living in

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Speaker 1: the country, man, just with the history that the United

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Speaker 1: States has for always marginalizing us at any point that

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Speaker 1: they can get or always trying to make us look

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Speaker 1: like we're crazy. It's just like we talked about last week.

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Speaker 1: They said that Homi Sean Kimp did a drive by

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Speaker 1: and it really it was just a little small altercation.

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Speaker 1: Right then you got the ship with you know, the

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Speaker 1: basketball player, with him waving the gun and spending fifty

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Speaker 1: thousand in the Strip club which I don't know why

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Speaker 1: people feel like that's a fucking business and everybody is

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Speaker 1: coming down on his kids, So it seems like we

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Speaker 1: are always judged more harshly than other people. They're always

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Speaker 1: moving the field goal posts back on us. Definitely, And

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Speaker 1: look what in the in the sense of when you

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Speaker 1: watch you know, Denza always played great movies, you lead movies,

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Speaker 1: but look what he had to do to win an oscar.

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Speaker 1: He had even play a nigga from the street selling

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Speaker 1: dope and crooked and all that shit corrupting stuff. Yeah,

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Speaker 1: that's with all the with all the great roles that

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Speaker 1: he has had, all the great characters that he's portraying,

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Speaker 1: when you got somebody like Denn Ziel or Angela Bassett

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Speaker 1: twin your partner your movie and not saying yeah, not

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Speaker 1: saying that it's a step down, but it's sort of

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Speaker 1: like like, motherfucker, I want you to watch disgrace you

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Speaker 1: herself to a level, and then I'll go, fuck it,

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Speaker 1: I'll give you you know what I'm because look what

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Speaker 1: Holly Berry had to do to get a motherfucking out.

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Speaker 1: She had to get a man, She had to get

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Speaker 1: a man, a pusson like motherfucker wm wan't you playing

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Speaker 1: no strong black motherfucking queen and a motherfucking leader and

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Speaker 1: a motherfucking female who was fucking battered and then came

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Speaker 1: out of it and stood up. No, we want you

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Speaker 1: to do some disgrace for shit or some funny dumb

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Speaker 1: shit and then maybe we'll consider it. So that's what

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Speaker 1: that's my take on it, you know what I'm saying.

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Speaker 1: They felt like, not like, you know, no disrespect to

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Speaker 1: the other actress is you know, Jamie Lee or whatever,

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Speaker 1: but like, you know, like the Halloween Lady, you feel

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Speaker 1: me like we know her from Michael Myers and shit,

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Speaker 1: you know what I'm saying. So her role was kind

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Speaker 1: of different, you know, but still it's like if you

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Speaker 1: looked at her role and then you compared it to

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Speaker 1: what Angela did, and like I said, when they feel like,

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Speaker 1: you know, we don't want that represented or something, That's

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Speaker 1: how I take it. I don't know if I took

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Speaker 1: it as ratio. I just took it like motherfuckers want

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Speaker 1: you to put yourself in a different position in that

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Speaker 1: in that category, you know what I'm saying. You know what, man,

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Speaker 1: do you think the music industry is the same with

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Speaker 1: being pressured to make certain kinds of music. Do you think, like,

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Speaker 1: because I knew when I was when I had my deal,

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Speaker 1: they wanted me to make a certain kind of music,

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Speaker 1: and they wanted me to wrap over all the Little

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Speaker 1: John shit. I actually I actually winn and met with

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Speaker 1: Little John because you know, people know he was standing

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Speaker 1: up in Hollywood at the time, and I listened to

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Speaker 1: some beats and all I kept hearing was that it

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Speaker 1: was the same thing. And I was like, man, we're

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Speaker 1: gonna pay. I think at one time, and if you're

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Speaker 1: talking about our era still, I think at one time

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Speaker 1: the majors started trying to influence what they wanted to,

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Speaker 1: you know, fuck with because there was that you remember,

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Speaker 1: there was at a point in time where they was like, man,

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Speaker 1: we didn't touching none of that street shit no more.

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Speaker 1: And so because it happened to me, you know, the

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Speaker 1: labels was like I had signed a motherfucking deal with UM.

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Speaker 1: I signed them a fucking production deal with Big Beat Atlantic,

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Speaker 1: you know, to you know, after I left Epic, you know,

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Speaker 1: it was supposed to be a deal production deal, like

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Speaker 1: three albums, and then I had two groups I was

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Speaker 1: gonna bring over. Everything was good until they was like, oh,

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Speaker 1: I don't want to do that gangster ship no more.

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Speaker 1: I mean, yeah, honestly, you know, we can get some

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Speaker 1: Timberland beats, we can get some you know, just you know,

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Speaker 1: not that you know that that type of music that

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Speaker 1: was turning at the point, you know, um, and I

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Speaker 1: basically lost the deal because I refused to do shit

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Speaker 1: like that, and then basically they didn't want to touch it.

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Speaker 1: So it was either like, you do this music or

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Speaker 1: we don't want to do the deal. You get me.

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Speaker 1: So I think at one point in time it was

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Speaker 1: influenced to do certain type of music, especially if they failed,

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Speaker 1: it was gonna be lucrative. Right now, I'm anfu, you

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Speaker 1: do what the fuck you want to do. Niggas do

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Speaker 1: all kinds of music, and if it could get over,

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Speaker 1: it get over. You know. I don't think there's too

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Speaker 1: many influences by labels now, because let's face it, a

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Speaker 1: lot of niggas are their own labels and they do

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Speaker 1: what the fuck they want to do, and then the

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Speaker 1: majors come along and go, hey, let me get your

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Speaker 1: distribution deal or some shit like that. Yeah. I do

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Speaker 1: think at one time, though, man, it went to be

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Speaker 1: the opposite. You remember, it was a brief period in

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Speaker 1: the nineties to where it seemed like every label was

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Speaker 1: coming out with it gainst the Repper, like it was

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Speaker 1: just Jains the Repper. It was proliferated with just everybody

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Speaker 1: was a third. I mean, that's just like the movie companies.

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Speaker 1: You see it. You see a movie come out and

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Speaker 1: then motherfucking six seven months later, you see a movie

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Speaker 1: on the same You know, subject Um Labels was doing

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Speaker 1: that ship motherfucker. Oh nigga. If you had you a

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Speaker 1: snoop Dog, Oh yeah, we gotta get us a snoop Dog.

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Speaker 1: If you had you an MCA, oh we gotta get

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Speaker 1: us an MCA. If you know, that was the that

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Speaker 1: was the mad rush when music was going around like that.

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Speaker 1: Motherfucker's had to get them an imitation of what was next.

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Speaker 1: They don't give a fuck. That's how that's how these

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Speaker 1: labels do. These large companies, they're gonna bite off it.

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Speaker 1: Motherfucker Burger king do a triple cheese burger. I guarantee

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Speaker 1: you fucking six months later, McDonald's gonna come with it

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Speaker 1: what they form of the triple cheeseburger with something else

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Speaker 1: at it. It's just what motherfuckers do. Yeah, you know

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Speaker 1: what's real interesting though? Man, it was like, um, there's

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Speaker 1: this letter that that's been going around a lot of people.

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Speaker 1: They kind of want to dispute the authenticity of this letter,

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Speaker 1: but I believe it's very much to be real. I'm

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Speaker 1: gonna read it real quick. The secret meeting that changed

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Speaker 1: rap music and destroy the generation starts software, and I'm

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Speaker 1: not gonna read the whole thing. But after more than

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Speaker 1: twenty years, I finally decided to tell the world what

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Speaker 1: I witnessed nineteen ninety one, which was at the High

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Speaker 1: against the rap Kinna, which I believe was one of

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Speaker 1: the biggest turning point in popular music and ultimately American society.

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Speaker 1: I've struggled for a long time weighing the pros and

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Speaker 1: kinds of making this story public, as I was reluctant

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Speaker 1: to implicate the individuals who were present that day. So

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Speaker 1: I've simply decided to leave our names and all the

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Speaker 1: details that may risk my personal well being and that

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Speaker 1: of those who were like me dragging to something they

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Speaker 1: weren't ready for. Between the late eighties and early nineties,

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Speaker 1: I was what you may call a decision maker, was

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Speaker 1: one of the more established companies in the music industry.

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Speaker 1: I came from Europe in the early eighties and quickly

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Speaker 1: established myself in the business. The industry was different back then,

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Speaker 1: since technology and media worn't accessible to people like they

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Speaker 1: are to day. The industry had more control over the

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Speaker 1: public and had the means to influence them in any

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Speaker 1: way of wanting. This may explain why in early ninety one,

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Speaker 1: I was invited to attend to close door meeting with

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Speaker 1: a small group of music business insiders to discuss rap

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Speaker 1: music's new direction. Little did I know that we would

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Speaker 1: be asked to participate in one of the most unethical

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Speaker 1: and destructive business practices I've ever seen. The meeting was

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Speaker 1: held of the private residence on the outskirts of Los Angeles.

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Speaker 1: I remember about twenty five or thirty people being there,

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Speaker 1: most of them being familiar faces. Speaking to those I knew,

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Speaker 1: we joked about to the theme of the meeting, as

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Speaker 1: many of us did not care for rap music and

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Speaker 1: failed to see the purpose of being invited to a

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Speaker 1: private gathering to discuss its future. Among the attendees was

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Speaker 1: a small group of unfamiliar faces who stayed to themselves

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Speaker 1: and made no attempt to socialize beyond their circle. Based

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Speaker 1: on their behavior and formal appearances, they didn't seem to

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Speaker 1: be in our industry. Our casual chatter was interrupted when

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Speaker 1: we were asked to sign a confidentiality agreement preventing us

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Speaker 1: from publicly discussing information presented that day. Needless to say,

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Speaker 1: disintrigue and in some cases, disturbed many of us. The

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00:23:07,480 --> 00:23:10,000
Speaker 1: agreement was only a page long, but very clear on

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Speaker 1: the matter in consequences, which stated that violating the terms

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Speaker 1: were a resulting job termination. We asked several people what

401
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Speaker 1: this meeting was about and a reason for such secrecy,

402
00:23:20,560 --> 00:23:23,159
Speaker 1: but couldn't find anyone who had answers for us. A

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Speaker 1: few people refused to sign a walk out. No one

404
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Speaker 1: stopped him. Always tempted to follow, but curiosity got the

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Speaker 1: best of me. A man who was part of the

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Speaker 1: unfamiliar group collected the agreements from us quickly after the

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Speaker 1: meeting began. One of my industry colleagues, who shall remain nameless,

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Speaker 1: thanked us for attending. He then gave the floor to

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Speaker 1: a man who only introduced himself by his first name

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Speaker 1: and gave no further details about his personal background. I

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Speaker 1: think he was the owner of the residence, but it

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Speaker 1: was never confirmed. He briefly praised all of us for

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Speaker 1: our success where he achieved in our industry, and congratulated

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Speaker 1: for being selected as part of the small group of

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Speaker 1: decision makers. At this point, I begin to feel slightly

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Speaker 1: uncomfortable at the straighten and strangeness of the gathering. The

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00:24:06,200 --> 00:24:08,679
Speaker 1: subject quickly changed. The speaker one on to tell us

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Speaker 1: about the respective companies we represented had invested a very

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Speaker 1: profitable industry which could become even more rewarding with our

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Speaker 1: active involvement. He explained that the companies we worked for

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Speaker 1: had invested millions into the building of privately owned prisons,

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Speaker 1: and that our positions of influence in the music industry

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Speaker 1: would actually impact the profitability of these investments. So I'm

424
00:24:31,880 --> 00:24:34,879
Speaker 1: not gonna read the I'm trying to fast forward something.

425
00:24:34,880 --> 00:24:38,639
Speaker 1: You know, basically they had a meeting about rap music,

426
00:24:38,760 --> 00:24:43,680
Speaker 1: right because they're saying that a lot of these companies

427
00:24:43,680 --> 00:24:47,000
Speaker 1: have started investing in prisons. That's when they started making

428
00:24:47,040 --> 00:24:50,879
Speaker 1: prisons private. Think about it. Everything from the phone calls

429
00:24:51,000 --> 00:24:54,400
Speaker 1: right to the food they eat in commissary is usually

430
00:24:55,000 --> 00:25:01,160
Speaker 1: what five so the ten times a normal rate. So

431
00:25:01,200 --> 00:25:03,879
Speaker 1: do you think at one point that the music industry

432
00:25:04,000 --> 00:25:07,159
Speaker 1: actually conspired to create more violent themes and music just

433
00:25:07,160 --> 00:25:10,800
Speaker 1: to give motherfuckers crunk in the street, resulting the motherfucker's

434
00:25:10,840 --> 00:25:15,520
Speaker 1: going to jail. It just sounds like a piece to me,

435
00:25:15,920 --> 00:25:20,400
Speaker 1: because niggas been violent. Niggas just just don't I don't

436
00:25:20,560 --> 00:25:24,920
Speaker 1: assess that to you know, So, I mean, what are

437
00:25:24,920 --> 00:25:27,840
Speaker 1: they saying. What is he actually saying. You're not naming

438
00:25:27,880 --> 00:25:30,720
Speaker 1: no names, You're not saying that we've been no. Of course,

439
00:25:31,000 --> 00:25:34,359
Speaker 1: a lot of motherfucker's invested in private prisons. That ain't

440
00:25:34,359 --> 00:25:38,119
Speaker 1: no that ain't no big That ain't no secret to

441
00:25:38,280 --> 00:25:40,840
Speaker 1: what that you're saying that dudes who worked for record

442
00:25:40,920 --> 00:25:44,320
Speaker 1: labels were investing in prisons. I wouldn't doubt it. If

443
00:25:44,359 --> 00:25:47,160
Speaker 1: you're a big corporate motherfucker, you got investments in all

444
00:25:47,280 --> 00:25:49,800
Speaker 1: kinds of ship. But that would kind of give them

445
00:25:49,920 --> 00:25:52,480
Speaker 1: kind of like a reason to kind of push a

446
00:25:52,560 --> 00:25:55,840
Speaker 1: certain agenda. Yeah, but that's only a that's only a

447
00:25:55,840 --> 00:25:59,160
Speaker 1: certain amount of niggas. Everybody don't rap. You got normal

448
00:25:59,280 --> 00:26:02,400
Speaker 1: niggas who going to prison, who don't rap, So how

449
00:26:02,440 --> 00:26:05,879
Speaker 1: could they agenda to just be about let's push rap music?

450
00:26:06,119 --> 00:26:07,840
Speaker 1: And you know what, I don't think it's so much

451
00:26:07,920 --> 00:26:12,320
Speaker 1: about the rappers going to jail necessarily. But I don't

452
00:26:12,359 --> 00:26:15,560
Speaker 1: like when motherfuckers try to use rapping fall back on

453
00:26:15,760 --> 00:26:19,200
Speaker 1: rapping some shit that like nah, man because I'm an artist,

454
00:26:19,520 --> 00:26:24,520
Speaker 1: so nah. Because I was fucking with Sony for years,

455
00:26:24,920 --> 00:26:27,760
Speaker 1: Sony didn't do shit to influence me to go out

456
00:26:27,800 --> 00:26:30,760
Speaker 1: and make motherfucking songs. If I had beef for the nigga,

457
00:26:30,760 --> 00:26:34,399
Speaker 1: I wanted to make a song about him, period. And

458
00:26:34,480 --> 00:26:38,560
Speaker 1: in my days, they didn't condone this shit. They hated

459
00:26:38,600 --> 00:26:41,280
Speaker 1: that ship. If I went on records, Tammo and then

460
00:26:41,320 --> 00:26:44,240
Speaker 1: I'll finished shoot this nigga or blast up a NIGGAA

461
00:26:44,240 --> 00:26:47,600
Speaker 1: do shit, Sonya tell me in meeting's a man, can

462
00:26:47,680 --> 00:26:50,159
Speaker 1: you go change that or can you do this or

463
00:26:50,200 --> 00:26:53,520
Speaker 1: do that? They didn't want to promote that shit. Now

464
00:26:54,119 --> 00:26:59,320
Speaker 1: nowadays it's different. It's different. When I came up, of

465
00:26:59,320 --> 00:27:05,399
Speaker 1: course we had beefs, but my beefs that I had,

466
00:27:05,440 --> 00:27:09,440
Speaker 1: as far as whatever, it didn't stem from records. It's

467
00:27:09,440 --> 00:27:13,760
Speaker 1: stemmed from me gang banging, that's what it's stemmed from.

468
00:27:14,080 --> 00:27:18,240
Speaker 1: I never had a nigga out of label Goal oh eight.

469
00:27:18,280 --> 00:27:21,240
Speaker 1: Can you make another song about Quick or can you

470
00:27:21,320 --> 00:27:25,760
Speaker 1: do it anothering? No, They would be like, you're sure

471
00:27:25,760 --> 00:27:32,800
Speaker 1: you want to put that on the record. So nowadays, man,

472
00:27:32,880 --> 00:27:36,439
Speaker 1: and I could see a motherfucker writing a story like

473
00:27:36,600 --> 00:27:40,520
Speaker 1: that from nineteen ninety one and now it's twenty twenty three.

474
00:27:40,640 --> 00:27:44,520
Speaker 1: And because a gang of niggas is dying behind rap music, Oh,

475
00:27:44,640 --> 00:27:47,919
Speaker 1: we influenced that to build prisons that niggas. Shut the

476
00:27:47,960 --> 00:27:51,600
Speaker 1: fuck up. Your motherfucking ass ain't influenced. They take your

477
00:27:51,600 --> 00:27:55,280
Speaker 1: ass back to Europe and shut the fuck up. You

478
00:27:55,359 --> 00:27:59,320
Speaker 1: know what, man, niggas just got beefs. Niggas don't understand

479
00:27:59,400 --> 00:28:02,359
Speaker 1: it when you come from the street. It's a certain

480
00:28:02,480 --> 00:28:07,760
Speaker 1: life that's lived. Period. Before I even thought about rapping,

481
00:28:08,119 --> 00:28:11,760
Speaker 1: I was game banging. We had beef with them niggas.

482
00:28:12,000 --> 00:28:14,960
Speaker 1: Do you think when I started wrapping them, niggas across

483
00:28:15,000 --> 00:28:17,840
Speaker 1: the street is gonna be like, oh, he's a rapper now,

484
00:28:18,640 --> 00:28:21,800
Speaker 1: then niggas gonna go here a rapper now, Bop bop bop.

485
00:28:22,280 --> 00:28:25,680
Speaker 1: They don't give a fuck. That's where beefs come from.

486
00:28:25,840 --> 00:28:29,720
Speaker 1: And if you lived like I grew up, and you

487
00:28:29,760 --> 00:28:32,280
Speaker 1: grew up in Compton, you grew up in Brooklyn, you

488
00:28:32,320 --> 00:28:34,639
Speaker 1: grew up in Brocks. You grew up in Watts, you

489
00:28:34,680 --> 00:28:38,280
Speaker 1: grew up in Chicago, you grew up in Atlanta. Niggas

490
00:28:38,440 --> 00:28:42,960
Speaker 1: had street shit going on, and a lot of niggas

491
00:28:43,040 --> 00:28:47,920
Speaker 1: who started music shit, they already have beef. Even if

492
00:28:47,960 --> 00:28:51,200
Speaker 1: you didn't start the beef. Nigga Molehood had beef with

493
00:28:51,240 --> 00:28:55,560
Speaker 1: these niggas for thirty years. You think because I started rapping,

494
00:28:55,640 --> 00:28:59,360
Speaker 1: now it's gonna change. Nah, And ain't no motherfucker with

495
00:28:59,560 --> 00:29:02,800
Speaker 1: no suit and tie influence me to go beef against

496
00:29:02,840 --> 00:29:06,680
Speaker 1: a nigga. We didn't have beef. You can't influence me

497
00:29:06,800 --> 00:29:09,479
Speaker 1: to go, oh man, can you rap about another? Can

498
00:29:09,560 --> 00:29:13,200
Speaker 1: you make another song about Wonky Won't? No? They do

499
00:29:13,240 --> 00:29:17,840
Speaker 1: it because it's lucrative. Now you get me. Still, it's lucrative.

500
00:29:18,840 --> 00:29:21,160
Speaker 1: It makes a lot. You think I'm gonna tell a

501
00:29:21,240 --> 00:29:24,960
Speaker 1: motherfucker don't rap about a nigga when I know you're

502
00:29:24,960 --> 00:29:28,320
Speaker 1: gonna sell a million records. The beef is gonna be

503
00:29:28,360 --> 00:29:31,200
Speaker 1: and everybody gonna be taking sides, and it's gonna sell

504
00:29:31,440 --> 00:29:35,560
Speaker 1: more motherfucking records for everybody. You got a song talking

505
00:29:35,600 --> 00:29:38,280
Speaker 1: about so and so, we should release that is the

506
00:29:38,360 --> 00:29:42,200
Speaker 1: first City Goals. It's just like it's really just like

507
00:29:42,240 --> 00:29:45,120
Speaker 1: the podcast shit right now, because if I get talking

508
00:29:45,160 --> 00:29:48,520
Speaker 1: about mister potato Head and then it's gonna calls. They've

509
00:29:48,640 --> 00:29:50,560
Speaker 1: used to go up, it's gonna calls or you know

510
00:29:52,040 --> 00:29:54,960
Speaker 1: all that shit. Like like I said, mother fucking it's

511
00:29:55,400 --> 00:29:59,520
Speaker 1: it's what they say nowadays. The content is what creates

512
00:29:59,640 --> 00:30:03,720
Speaker 1: the mone the fucking flow. So I ain't even gotta

513
00:30:03,800 --> 00:30:06,800
Speaker 1: have a fact. All I gotta do is hear a

514
00:30:06,840 --> 00:30:09,560
Speaker 1: story and I'm gonna run with that. Motherfuck But you

515
00:30:09,640 --> 00:30:12,080
Speaker 1: know what the funny, you know, coming back to Charleston White,

516
00:30:12,600 --> 00:30:15,440
Speaker 1: that's what he said one day. Motherfucker's online believe anything.

517
00:30:15,480 --> 00:30:17,800
Speaker 1: So I want to say any thing I don't. They

518
00:30:17,840 --> 00:30:19,959
Speaker 1: don't have to be true. I don't have to have

519
00:30:20,000 --> 00:30:23,400
Speaker 1: a proven fact. I'll let y'all go deal with that.

520
00:30:23,680 --> 00:30:26,440
Speaker 1: I'm just gonna I'm just gonna be the first to

521
00:30:26,440 --> 00:30:30,000
Speaker 1: put it out there or start it now. Whether it's

522
00:30:30,040 --> 00:30:34,080
Speaker 1: true or not, or whether it's factual, that's not my

523
00:30:34,240 --> 00:30:38,240
Speaker 1: fucking job. My job is just to My job is

524
00:30:38,240 --> 00:30:40,320
Speaker 1: just to get it out there. Yeah, let me ask

525
00:30:40,320 --> 00:30:43,560
Speaker 1: you this. You know, we got a lot of people, man,

526
00:30:43,600 --> 00:30:46,760
Speaker 1: because hip hop has always been a multa cultural thing.

527
00:30:46,840 --> 00:30:49,080
Speaker 1: You know what I mean. It was actually, you know,

528
00:30:49,280 --> 00:30:52,000
Speaker 1: suburban white America, the Blue Gangs to wrap up, you

529
00:30:52,000 --> 00:30:53,640
Speaker 1: feel what I mean, they were the ones that wanted

530
00:30:53,640 --> 00:30:56,360
Speaker 1: to hear them stories, right, right? So when do you

531
00:30:56,400 --> 00:30:59,120
Speaker 1: think people cross the line when they participants in our

532
00:30:59,160 --> 00:31:01,840
Speaker 1: culture and they just expect us. Do you think there's

533
00:31:01,840 --> 00:31:04,200
Speaker 1: a certain line that motherfuckers should stayed in check on

534
00:31:04,640 --> 00:31:08,440
Speaker 1: as far as just like you know, being a part

535
00:31:08,480 --> 00:31:11,920
Speaker 1: of black culture and work time, because we got a

536
00:31:11,960 --> 00:31:15,200
Speaker 1: lot of white rappers now not really necessarily white rappers

537
00:31:15,280 --> 00:31:17,400
Speaker 1: don't because they're just as much part of the culture

538
00:31:17,400 --> 00:31:20,640
Speaker 1: as you know, anybody else. They participants. I don't think.

539
00:31:21,400 --> 00:31:24,400
Speaker 1: I don't think the founding Father's a hip hop and vision.

540
00:31:24,880 --> 00:31:27,360
Speaker 1: This just gonna be exclusively for us, you feel what

541
00:31:27,400 --> 00:31:30,040
Speaker 1: I mean? Because they were you know, black people. You know,

542
00:31:30,360 --> 00:31:33,240
Speaker 1: you had Porto regions that was breakdancing, you had something

543
00:31:33,280 --> 00:31:38,200
Speaker 1: everybody that was participants early on. I know, do the

544
00:31:38,320 --> 00:31:45,160
Speaker 1: brothers look at the white people as our culture? Now

545
00:31:45,200 --> 00:31:47,280
Speaker 1: you can look at the Puerto Ricans in the Mexico

546
00:31:47,440 --> 00:31:49,240
Speaker 1: like you said, they was dead with us from the

547
00:31:49,280 --> 00:31:51,920
Speaker 1: beginning breakdancing. What was the white people? Though? When we

548
00:31:51,960 --> 00:31:55,320
Speaker 1: was doing it, there was fans mostly, so it's hard

549
00:31:55,360 --> 00:31:57,320
Speaker 1: to say that they was a part of culture, Ain't

550
00:31:57,320 --> 00:32:00,400
Speaker 1: that with Melly trying to say, yeah, you know what

551
00:32:00,520 --> 00:32:02,880
Speaker 1: to a certain extent. But this is what I think though, Man,

552
00:32:02,920 --> 00:32:06,120
Speaker 1: I think if a motherfucker dope, he dope. True, for

553
00:32:06,240 --> 00:32:08,840
Speaker 1: motherfucker dope, he dope, But that means he's put time

554
00:32:09,040 --> 00:32:12,200
Speaker 1: and on his craft to actually become accepted in this coach.

555
00:32:12,360 --> 00:32:15,200
Speaker 1: You feel what I mean? Because at one point, but

556
00:32:15,320 --> 00:32:18,680
Speaker 1: do you answer this question like you just said, if

557
00:32:18,720 --> 00:32:21,040
Speaker 1: he dope, he dope, But do you feel if he

558
00:32:21,240 --> 00:32:24,080
Speaker 1: dope and a nigga is dope, he gonna get a

559
00:32:24,160 --> 00:32:26,680
Speaker 1: more he gonna get a more shine. He definitely gonna

560
00:32:26,680 --> 00:32:28,640
Speaker 1: get more shined because I'm gonna tell you he's that fair.

561
00:32:29,080 --> 00:32:32,400
Speaker 1: There's dope. It's always a great white hope right right.

562
00:32:32,440 --> 00:32:34,480
Speaker 1: It could be two rappers in the room, both of

563
00:32:34,520 --> 00:32:38,320
Speaker 1: them equally skilled, right, both of them equally skilled. But

564
00:32:38,520 --> 00:32:41,000
Speaker 1: the white boy that may be the rapper is almost

565
00:32:41,040 --> 00:32:44,160
Speaker 1: like an anomaly. He's almost like found a unicorn, Like

566
00:32:44,280 --> 00:32:47,200
Speaker 1: this motherfucker is cold. We finally found us one to

567
00:32:47,320 --> 00:32:50,040
Speaker 1: compete against the rock Kims and they Big Daddy Kings

568
00:32:50,080 --> 00:32:52,720
Speaker 1: and all the other shit, because when you think about it,

569
00:32:53,360 --> 00:32:56,600
Speaker 1: and I'm a fan of Eminem, I like Eminem. I

570
00:32:56,640 --> 00:32:59,120
Speaker 1: think Eminem is one of the greatest rappers of our generation.

571
00:32:59,200 --> 00:33:00,560
Speaker 1: He just ils, you know what I mean. He's a

572
00:33:00,560 --> 00:33:06,600
Speaker 1: bad motherfucker, right. But when Eminem came, I've heard when

573
00:33:06,600 --> 00:33:09,560
Speaker 1: I was working for a music publishing company, one of

574
00:33:09,560 --> 00:33:13,440
Speaker 1: the executive sons told me he said that he feels

575
00:33:13,480 --> 00:33:16,240
Speaker 1: Eminem took hip hop to another level. And I looked

576
00:33:16,280 --> 00:33:18,920
Speaker 1: at him and I said, you young, disrespectful motherfucker. What

577
00:33:19,000 --> 00:33:22,280
Speaker 1: about Public Enemy? What about all these other groups to

578
00:33:22,360 --> 00:33:25,000
Speaker 1: pay the way for this person? I think Eminem would

579
00:33:25,000 --> 00:33:27,480
Speaker 1: agree him with me, you feel what I mean. He

580
00:33:27,680 --> 00:33:30,880
Speaker 1: just put him past everybody and said no. And when

581
00:33:30,920 --> 00:33:32,800
Speaker 1: I told as something about a Chuck D, he said,

582
00:33:32,800 --> 00:33:35,040
Speaker 1: who the fuck is Chuck D? With some washed up wrapper?

583
00:33:36,040 --> 00:33:37,560
Speaker 1: He said, it just like that, And this is a

584
00:33:37,640 --> 00:33:42,160
Speaker 1: kid that from England. It's it's it's unfortunate that we

585
00:33:42,360 --> 00:33:47,800
Speaker 1: made this music and you have a motherfucker like that

586
00:33:48,520 --> 00:33:54,280
Speaker 1: who will say some outland this shit because he's just

587
00:33:54,400 --> 00:33:58,400
Speaker 1: not a fan of Chuck D or you know, he

588
00:33:58,480 --> 00:34:02,000
Speaker 1: doesn't know the history of what rap went through and

589
00:34:02,080 --> 00:34:05,440
Speaker 1: the foundation of what public endemy is trying to represent

590
00:34:05,520 --> 00:34:07,920
Speaker 1: in Chuck D. So you might not be a fan

591
00:34:08,000 --> 00:34:11,960
Speaker 1: of him, you give me. But what I say to

592
00:34:12,080 --> 00:34:16,319
Speaker 1: people like that is sometimes you need to shuck the

593
00:34:16,360 --> 00:34:21,120
Speaker 1: fuck up with your opinion about the foundation of music

594
00:34:21,480 --> 00:34:24,839
Speaker 1: and about certain rappers and oh he's some washed up

595
00:34:24,880 --> 00:34:27,719
Speaker 1: motherfucker and shit like that. I mean, you should never

596
00:34:27,760 --> 00:34:30,720
Speaker 1: fix your mouth to say shit like that, because without

597
00:34:30,719 --> 00:34:33,880
Speaker 1: a person like Chuck D, there would be no fucking

598
00:34:34,040 --> 00:34:36,759
Speaker 1: M and ms. He had to be influenced by a

599
00:34:36,840 --> 00:34:39,560
Speaker 1: motherfucker to be able to write that shit and be

600
00:34:39,640 --> 00:34:41,920
Speaker 1: able to think that he could have a shot. And

601
00:34:42,040 --> 00:34:45,279
Speaker 1: niggas like Chuck D and Mellie Mayo gave us that ship.

602
00:34:45,920 --> 00:34:51,880
Speaker 1: They gave us. You know, niggas handle outs. If you

603
00:34:51,960 --> 00:34:54,680
Speaker 1: as a nigga in the hood selling dope, everybody going

604
00:34:54,719 --> 00:34:58,160
Speaker 1: to jail. You're even to go play no professional football

605
00:34:58,320 --> 00:35:02,400
Speaker 1: or basketball. Nigga in the struggle, you're selling drugs. Whatever

606
00:35:02,640 --> 00:35:05,200
Speaker 1: they gave us out to do something else. Did we

607
00:35:05,239 --> 00:35:08,040
Speaker 1: speak about what we were going through as far as

608
00:35:08,080 --> 00:35:12,080
Speaker 1: motherfucking struggles and motherfucking just growing up in the hood

609
00:35:12,120 --> 00:35:14,160
Speaker 1: and having to go through what we was gonna go

610
00:35:14,239 --> 00:35:18,239
Speaker 1: through anyway, even if we weren't rappers. Get me. We're

611
00:35:18,239 --> 00:35:20,560
Speaker 1: gonna go through some hard ship when you're growing up

612
00:35:20,600 --> 00:35:24,480
Speaker 1: in the ghetto until you find a fucking way out.

613
00:35:25,040 --> 00:35:28,120
Speaker 1: So they gave us that, and I just don't like it,

614
00:35:28,200 --> 00:35:32,480
Speaker 1: like you know, And and again it's your opinion about

615
00:35:32,600 --> 00:35:37,759
Speaker 1: who you like. Everybody has that right. But sometimes I say,

616
00:35:37,840 --> 00:35:43,000
Speaker 1: you need to watch what you say about motherfuckers who

617
00:35:43,120 --> 00:35:47,040
Speaker 1: gave us the motherfucking bricks and seamen to build the

618
00:35:47,160 --> 00:35:55,160
Speaker 1: motherfucking house that rap stands on right now, you feel me? Yeah,

619
00:35:55,200 --> 00:35:57,879
Speaker 1: you know, we just got a lot of crazy shit

620
00:35:58,040 --> 00:36:01,520
Speaker 1: going on in hip hop now, man, I see you

621
00:36:01,560 --> 00:36:05,360
Speaker 1: know the Troy Yavkat don't drop them a text stone

622
00:36:05,480 --> 00:36:08,680
Speaker 1: this song after he testified the murder trial. Oh that

623
00:36:08,760 --> 00:36:12,400
Speaker 1: was quick or he had that ready probably probably so dog,

624
00:36:12,440 --> 00:36:14,440
Speaker 1: And I guess he figured he was gonna get some

625
00:36:14,520 --> 00:36:17,200
Speaker 1: motherfucking uh, he was gonna get some looks off of

626
00:36:17,239 --> 00:36:18,680
Speaker 1: it or whatever, you know what I mean. So I

627
00:36:18,680 --> 00:36:21,800
Speaker 1: guess he decided to put out a rap song after this.

628
00:36:21,920 --> 00:36:23,719
Speaker 1: And then it's like this shit is getting out of

629
00:36:23,760 --> 00:36:34,279
Speaker 1: control almost. Man, look back in our day, still rap

630
00:36:34,440 --> 00:36:37,719
Speaker 1: music was good. We had our little shit, you feel me,

631
00:36:38,120 --> 00:36:40,799
Speaker 1: We had our little scraps and square ends at the

632
00:36:40,920 --> 00:36:44,440
Speaker 1: jack the rappers, and you know, we had our little beasts,

633
00:36:44,440 --> 00:36:50,040
Speaker 1: but for most part, you know, niggas was solid. I

634
00:36:50,200 --> 00:36:53,080
Speaker 1: remember the one year exact the rapper Man. You remember

635
00:36:53,120 --> 00:36:58,480
Speaker 1: when you remember when Cuba first broke up from NWA. Yeah,

636
00:36:58,600 --> 00:37:04,319
Speaker 1: and I was down there with um with Black and uh,

637
00:37:05,040 --> 00:37:07,040
Speaker 1: my boy Black. He used to be a part of

638
00:37:07,440 --> 00:37:09,319
Speaker 1: My Boy Black. Henry used to be a part of

639
00:37:09,800 --> 00:37:11,640
Speaker 1: how can I be down ship as far as putting

640
00:37:11,640 --> 00:37:14,680
Speaker 1: it together and stuff like that. And you know that's

641
00:37:14,840 --> 00:37:17,400
Speaker 1: my big bro DJ podcast because and shout out to

642
00:37:17,440 --> 00:37:21,239
Speaker 1: my homeboy DJ Bobcat, my big bro. So I had

643
00:37:21,280 --> 00:37:23,919
Speaker 1: access to that ship, and I remember seeing I ain't

644
00:37:23,920 --> 00:37:26,160
Speaker 1: gonna say too much about it, but I remember seeing

645
00:37:26,160 --> 00:37:28,880
Speaker 1: a former member of the n WA kind of getting

646
00:37:28,880 --> 00:37:31,319
Speaker 1: handled down here. So it used to go down when

647
00:37:31,320 --> 00:37:33,799
Speaker 1: you ran the front, I know it. Those are the

648
00:37:33,840 --> 00:37:37,000
Speaker 1: places where you know, all the labels was. And so

649
00:37:37,320 --> 00:37:40,200
Speaker 1: if you was a hot rap artist or artists at

650
00:37:40,200 --> 00:37:44,080
Speaker 1: the time, you showed up at the conventions and you

651
00:37:44,120 --> 00:37:46,719
Speaker 1: know niggas had beef, it would go down. But then

652
00:37:46,760 --> 00:37:50,360
Speaker 1: you also got a chance to you know, uh mingle

653
00:37:50,440 --> 00:37:54,000
Speaker 1: with some of your favorites and you know, exchange numbers

654
00:37:54,040 --> 00:37:57,480
Speaker 1: and you know ideas and you know, hook up with

655
00:37:57,560 --> 00:38:01,240
Speaker 1: niggas and create songs and so, you know, like I said,

656
00:38:01,280 --> 00:38:03,800
Speaker 1: we had it, We had it. You know, our days

657
00:38:03,920 --> 00:38:07,799
Speaker 1: was vicious and rough. Our days was vicious and rough

658
00:38:07,840 --> 00:38:12,160
Speaker 1: as far as you know um our little encounters and shit.

659
00:38:12,600 --> 00:38:17,279
Speaker 1: But today, man, it's just it's it's wild, man. You know,

660
00:38:17,640 --> 00:38:20,840
Speaker 1: it's wild. Like you know, I know niggas getting you know,

661
00:38:20,920 --> 00:38:24,200
Speaker 1: when you live this lifestyle and you representing the streets

662
00:38:24,200 --> 00:38:27,640
Speaker 1: and shit, and you know, you you want to show

663
00:38:27,760 --> 00:38:31,319
Speaker 1: motherfuckers that fuck some rap shit. Nigga. I'm I'm I'm

664
00:38:31,440 --> 00:38:35,080
Speaker 1: I'm not real nigga. But it's crazy now because a

665
00:38:35,080 --> 00:38:37,360
Speaker 1: lot of the shit involves a lot of our musicians

666
00:38:37,480 --> 00:38:39,360
Speaker 1: right now, and a lot of our artists and a

667
00:38:39,360 --> 00:38:43,120
Speaker 1: lot of our young cats. And motherfucker's dying and you know,

668
00:38:43,400 --> 00:38:46,720
Speaker 1: nigga's dying left and right behind, you know, getting killed

669
00:38:46,880 --> 00:38:50,080
Speaker 1: or jacked or it's it's real vicious right now for

670
00:38:50,160 --> 00:38:54,360
Speaker 1: the industry. You know, it's real vicious, man. And uh

671
00:38:54,520 --> 00:39:01,200
Speaker 1: you know, artists really starting to uh imitate life, man.

672
00:39:01,360 --> 00:39:03,480
Speaker 1: And you know, today we were supposed to have a

673
00:39:03,480 --> 00:39:05,120
Speaker 1: big lurch on the show he was supposed to call

674
00:39:05,360 --> 00:39:09,800
Speaker 1: and those that don't know big Lurches Um and trying

675
00:39:09,920 --> 00:39:13,880
Speaker 1: Singleton who when he was on PCP, um he killed

676
00:39:13,920 --> 00:39:18,920
Speaker 1: his roommate, a young lady, her name was Tarnisha Yeses,

677
00:39:19,440 --> 00:39:21,319
Speaker 1: because he thought she had the definitily side of her.

678
00:39:21,360 --> 00:39:23,480
Speaker 1: He was on PCP and Dud was on that Sharn.

679
00:39:23,719 --> 00:39:25,600
Speaker 1: Yeah you know that Sharon been running through the hood

680
00:39:25,640 --> 00:39:29,520
Speaker 1: for a long time. Yeah, you know, but apparently man,

681
00:39:29,640 --> 00:39:32,840
Speaker 1: you know, he was on that water Man it was floating.

682
00:39:33,440 --> 00:39:36,919
Speaker 1: He was on that water Dog and U. He never

683
00:39:36,960 --> 00:39:39,600
Speaker 1: became a big mainstream rapper, but he had a few.

684
00:39:39,800 --> 00:39:42,440
Speaker 1: He had a local following. You know. He came from

685
00:39:42,440 --> 00:39:47,960
Speaker 1: the cosmic. The cosmic Yeah, I knew, I knew a

686
00:39:48,000 --> 00:39:52,239
Speaker 1: big lurch um. You know. He came out around the

687
00:39:52,280 --> 00:39:55,319
Speaker 1: time I think I had maybe my second going on

688
00:39:55,360 --> 00:39:59,600
Speaker 1: my third album. Um. I mean he was one of

689
00:39:59,640 --> 00:40:01,920
Speaker 1: those artists around the time, you know, one of the

690
00:40:02,320 --> 00:40:04,200
Speaker 1: you know when you would when you was getting the

691
00:40:04,320 --> 00:40:08,480
Speaker 1: convicts and you was getting a lot of those you know, offsprings.

692
00:40:08,840 --> 00:40:11,439
Speaker 1: He was getting the offsprings. You know, he was one

693
00:40:11,480 --> 00:40:15,400
Speaker 1: of those Um came from the horror core. You know,

694
00:40:15,440 --> 00:40:18,200
Speaker 1: if y'all familiar with that. You know the artists, you know,

695
00:40:18,200 --> 00:40:20,319
Speaker 1: there's a lot of artists. I think e Sham was

696
00:40:20,360 --> 00:40:23,080
Speaker 1: on that too. Yeah, a lot of those was on

697
00:40:23,160 --> 00:40:25,880
Speaker 1: the horror core So he was one of the original

698
00:40:25,960 --> 00:40:29,520
Speaker 1: horror core rappers. Yeah, that's my dude, Brother Lynch. I

699
00:40:29,560 --> 00:40:31,520
Speaker 1: did an album with Brother Lynch. Shout out my nigga,

700
00:40:31,520 --> 00:40:35,040
Speaker 1: brother Lynch Um. So yeah, they was on that horror

701
00:40:35,120 --> 00:40:38,040
Speaker 1: core movement. You know, a different form of hip hop.

702
00:40:38,440 --> 00:40:41,320
Speaker 1: You know, when they spoke of you know, Jeffrey Dahmer

703
00:40:41,400 --> 00:40:45,480
Speaker 1: and and Freddy Krueger and Freddy type of ship was

704
00:40:46,200 --> 00:40:51,520
Speaker 1: serial Killer to a whole different exactly exactly descriptions of violence,

705
00:40:51,600 --> 00:40:54,160
Speaker 1: you know what I mean. And that that that that

706
00:40:54,440 --> 00:40:59,120
Speaker 1: right there is is uh, it is vicious in itself

707
00:40:59,160 --> 00:41:05,560
Speaker 1: because um, when you're smoking PCP and and and you're

708
00:41:05,719 --> 00:41:10,520
Speaker 1: fucking you know, you know, get In is fucking rapping

709
00:41:10,520 --> 00:41:14,440
Speaker 1: about horrorcore and killing and eating motherfuckers, that's like a

710
00:41:14,440 --> 00:41:18,439
Speaker 1: bad mix already his shit, you're already right down shit

711
00:41:18,600 --> 00:41:21,759
Speaker 1: about you don't eat the motherfucker's braid. And then you

712
00:41:21,800 --> 00:41:25,800
Speaker 1: go you go hit a motherfucking wet stick. Your reality

713
00:41:25,960 --> 00:41:29,000
Speaker 1: is for the just become too vicious. Yeah, you know.

714
00:41:29,120 --> 00:41:31,480
Speaker 1: And that's the thing, because he rapped about all this shit.

715
00:41:31,600 --> 00:41:34,040
Speaker 1: That's what I'm saying. We can eventually get him to

716
00:41:34,160 --> 00:41:36,600
Speaker 1: call in the you know, when the motherfucker walked up,

717
00:41:36,600 --> 00:41:38,160
Speaker 1: ain't no tell them what they're going through to get

718
00:41:38,200 --> 00:41:40,360
Speaker 1: to the phone. They might be on. You imagine the

719
00:41:40,440 --> 00:41:44,279
Speaker 1: motherfucker writing raps about you know, cannibalism, and then he

720
00:41:44,400 --> 00:41:47,120
Speaker 1: goes somewhere and hit a wet stick and just think

721
00:41:47,239 --> 00:41:52,000
Speaker 1: all his thoughts already of all this shit he's writing.

722
00:41:52,320 --> 00:41:55,239
Speaker 1: So the mix of the PCP with his thoughts of

723
00:41:55,320 --> 00:42:00,840
Speaker 1: all that shit already, it probably just fucked him off. Yeah, exactly.

724
00:42:00,880 --> 00:42:04,200
Speaker 1: You know. So this is what happened man. You know,

725
00:42:04,600 --> 00:42:07,320
Speaker 1: like on two thousand and two, on round April nineteenth,

726
00:42:08,000 --> 00:42:10,120
Speaker 1: he was with his roommates, just hanging out, right, He

727
00:42:10,160 --> 00:42:12,080
Speaker 1: was with his roommate hanging out with some other people.

728
00:42:12,239 --> 00:42:14,520
Speaker 1: He smoked the wet What he said, he smoked because

729
00:42:14,560 --> 00:42:16,600
Speaker 1: he was in a car accident. I gifts and he

730
00:42:16,640 --> 00:42:19,160
Speaker 1: said the PCP helping with his pain. Dusk new on me.

731
00:42:19,280 --> 00:42:21,360
Speaker 1: I had never heard that before. A lot of people

732
00:42:22,680 --> 00:42:25,759
Speaker 1: go thatt right not you know, saying that they do PCP.

733
00:42:26,000 --> 00:42:29,799
Speaker 1: But a lot of people do alternatives when you know,

734
00:42:30,040 --> 00:42:32,840
Speaker 1: when they accidents or you know, the doctor get the

735
00:42:32,880 --> 00:42:35,919
Speaker 1: prescribe and shit, and it don't work. I mean, because

736
00:42:35,960 --> 00:42:38,520
Speaker 1: that's what he said. They try to give me some shit,

737
00:42:38,920 --> 00:42:42,320
Speaker 1: but it wasn't it wasn't enough. It was so he

738
00:42:42,440 --> 00:42:47,120
Speaker 1: starts smoking that sum so he chilling. Man, they started smoking,

739
00:42:47,440 --> 00:42:51,320
Speaker 1: getting wet, I guess and everything, and he told everybody

740
00:42:51,320 --> 00:42:53,719
Speaker 1: to leave the house except for the twenty one year

741
00:42:53,760 --> 00:42:57,520
Speaker 1: old to Nisia, yes, he got to hallucination. His roommate's

742
00:42:57,600 --> 00:43:00,359
Speaker 1: girlfriend probably got that. So how are you gonna tell

743
00:43:00,560 --> 00:43:03,799
Speaker 1: me to lead? But not my broad And now that's

744
00:43:03,840 --> 00:43:06,000
Speaker 1: what I don't understand. So how you leave your girl?

745
00:43:06,239 --> 00:43:08,480
Speaker 1: Was you? It was he there? Because I don't want

746
00:43:08,280 --> 00:43:12,080
Speaker 1: to maybe maybe he wasn't there, Maybe maybe he was

747
00:43:12,120 --> 00:43:14,520
Speaker 1: at work or something. That that's what I wanted to

748
00:43:14,560 --> 00:43:17,800
Speaker 1: ask him when we talked to him. Right, But apparently

749
00:43:18,680 --> 00:43:20,759
Speaker 1: they sitting in there, man whatever, and he thought the

750
00:43:20,800 --> 00:43:25,360
Speaker 1: devil was inside her. So he attacked the girl and

751
00:43:25,600 --> 00:43:28,920
Speaker 1: literally you know, stabbed during eider. Yeah you say he

752
00:43:28,960 --> 00:43:32,439
Speaker 1: cut her, you know, did some vicious shit, and I ain't.

753
00:43:32,480 --> 00:43:34,759
Speaker 1: We don't speak on it, you know, for you know,

754
00:43:35,280 --> 00:43:37,239
Speaker 1: even though it happened a long time ago, we ain't

755
00:43:37,239 --> 00:43:39,440
Speaker 1: gonna go in the description of what he did for,

756
00:43:39,680 --> 00:43:42,600
Speaker 1: you know, the sake of the family you know, might

757
00:43:42,640 --> 00:43:47,120
Speaker 1: be still around or whatever. So yeah, but it was

758
00:43:47,160 --> 00:43:50,600
Speaker 1: some It was some horrific shit done to the young lady.

759
00:43:50,880 --> 00:43:55,160
Speaker 1: And like I said, just being off that wet just

760
00:43:55,280 --> 00:43:59,120
Speaker 1: in itself, this fuck you up. I mean, I've witnessed

761
00:43:59,120 --> 00:44:03,120
Speaker 1: the ship perish from people, you know, from the neighborhood,

762
00:44:03,239 --> 00:44:06,799
Speaker 1: and you know that shit fucked you up, you know,

763
00:44:06,840 --> 00:44:08,919
Speaker 1: and that has to be a nightmare for her people.

764
00:44:09,040 --> 00:44:11,120
Speaker 1: I haven't seen niggas in them, Like they said, they've

765
00:44:11,120 --> 00:44:15,640
Speaker 1: caught his ass running down the street, asshole, and they

766
00:44:15,680 --> 00:44:18,160
Speaker 1: gotta see niggas in the street. They get run it

767
00:44:18,200 --> 00:44:21,479
Speaker 1: in circles, dig an asshole deck. It fulls feed off

768
00:44:21,520 --> 00:44:24,319
Speaker 1: that ship. You know. The crazy part about it though, Man,

769
00:44:25,239 --> 00:44:27,840
Speaker 1: he just took this ship to a level man like

770
00:44:27,840 --> 00:44:31,279
Speaker 1: like like there was he ripped the girl's chest open

771
00:44:31,320 --> 00:44:33,399
Speaker 1: and eight one of our lungs. That's what I'm saying.

772
00:44:33,440 --> 00:44:36,399
Speaker 1: We don't We're not don't get the stare you are

773
00:44:36,560 --> 00:44:42,239
Speaker 1: described this nigga. Still, It's just it's crazy to me

774
00:44:42,280 --> 00:44:45,479
Speaker 1: and I was you know da Actually, you know, I

775
00:44:45,520 --> 00:44:49,600
Speaker 1: was really conflicted about doing the actual interview. Yeah, man,

776
00:44:49,600 --> 00:44:53,680
Speaker 1: because I mean, we don't want to, you know, like

777
00:44:53,719 --> 00:44:56,799
Speaker 1: I said, for the sake of the young lady, we

778
00:44:56,880 --> 00:45:00,560
Speaker 1: don't want to. You know, people still hear the athletes.

779
00:45:00,760 --> 00:45:04,560
Speaker 1: You know, we don't want to glorify the situation of

780
00:45:04,640 --> 00:45:08,880
Speaker 1: what happened. You know, We've just you know, still you

781
00:45:08,920 --> 00:45:11,719
Speaker 1: know you want to get the inside and talk to

782
00:45:11,800 --> 00:45:14,200
Speaker 1: him and get inside of the story. But still at

783
00:45:14,200 --> 00:45:18,600
Speaker 1: the end of the day, when when when you fucking

784
00:45:18,680 --> 00:45:22,200
Speaker 1: around with with with shit that will put you in

785
00:45:22,239 --> 00:45:25,319
Speaker 1: a state of mind that I have you believe in shit.

786
00:45:25,480 --> 00:45:27,560
Speaker 1: Like like I said, we don't know what he went through. Hey,

787
00:45:27,640 --> 00:45:30,319
Speaker 1: you've already obviously got that shit in your subconsciousness. That's

788
00:45:30,320 --> 00:45:33,400
Speaker 1: all about. That's what I said. I mean to already

789
00:45:33,680 --> 00:45:36,800
Speaker 1: to already have the train of thought, to be able

790
00:45:36,920 --> 00:45:43,160
Speaker 1: to to to write you know, those certain lyrics. And

791
00:45:43,239 --> 00:45:46,200
Speaker 1: like I said, we watch horror movies. You watch horror movies.

792
00:45:46,239 --> 00:45:49,319
Speaker 1: I watch them. I mean, we all watch a good

793
00:45:49,440 --> 00:45:53,640
Speaker 1: motherfucking Friday the thirteenth, or a Scary Halloween or some shit.

794
00:45:54,200 --> 00:45:57,080
Speaker 1: But I don't know, it's just a different level when

795
00:45:57,719 --> 00:46:01,160
Speaker 1: you know, that's your musical pres friends, you know, to

796
00:46:01,320 --> 00:46:05,080
Speaker 1: rap about just and not saying like, you know, we

797
00:46:05,400 --> 00:46:08,080
Speaker 1: niggas from the streets. And so there have been a

798
00:46:08,120 --> 00:46:11,359
Speaker 1: couple of raps would that have been descriptive about you know,

799
00:46:11,400 --> 00:46:13,759
Speaker 1: maybe a couple of drive buys and a home he

800
00:46:13,880 --> 00:46:19,040
Speaker 1: got shot and killed and whatever. But to indulge in,

801
00:46:19,280 --> 00:46:23,440
Speaker 1: motherfucking you know, I did this and then I I

802
00:46:23,600 --> 00:46:27,040
Speaker 1: slit your throat, and then I chopped your neck off,

803
00:46:27,080 --> 00:46:30,640
Speaker 1: and then you know, just just crazy, just abnormal shit

804
00:46:31,239 --> 00:46:33,799
Speaker 1: is the train of thought in there. You said, you know,

805
00:46:33,920 --> 00:46:37,799
Speaker 1: brother Lynx, Brother Lynx ain't really out there killing babies, No,

806
00:46:38,480 --> 00:46:42,120
Speaker 1: he not really. Brother Lynch has you know, Brother Lynch,

807
00:46:42,280 --> 00:46:47,840
Speaker 1: you know he has and now he's not all about

808
00:46:48,120 --> 00:46:50,160
Speaker 1: you know, you know he's had a couple of songs.

809
00:46:50,200 --> 00:46:53,040
Speaker 1: But shit, the project we did there was none of that.

810
00:46:53,239 --> 00:46:56,480
Speaker 1: Motherfucking Brother Lynch is one of our coldest rappers from

811
00:46:56,480 --> 00:46:59,759
Speaker 1: the Whist. Yeah, you know, he still represents the block too.

812
00:47:00,000 --> 00:47:02,960
Speaker 1: So even though he have a few of those you know,

813
00:47:03,360 --> 00:47:07,279
Speaker 1: in depth tales and descriptive about he'll you know, chop

814
00:47:07,400 --> 00:47:10,279
Speaker 1: up the bloody meat and whatever whatever. You know, he

815
00:47:10,440 --> 00:47:12,920
Speaker 1: still was representing the streets, so he was able to

816
00:47:13,000 --> 00:47:15,560
Speaker 1: curve it a little bit as far as just being

817
00:47:15,640 --> 00:47:17,719
Speaker 1: just a yeah, we gotta get links to come and

818
00:47:17,719 --> 00:47:19,440
Speaker 1: sit down on this motherfucker do Yeah, I have to

819
00:47:19,440 --> 00:47:21,439
Speaker 1: all add him, see what's up? Yeah, Yeah, we gotta

820
00:47:21,560 --> 00:47:23,480
Speaker 1: we gotta hol that link because I think he lived

821
00:47:23,520 --> 00:47:25,440
Speaker 1: down this way now yeah he out this way, So

822
00:47:25,640 --> 00:47:28,879
Speaker 1: it's it's simple. Yeah, we gotta, we gotta definitely fuck

823
00:47:28,920 --> 00:47:32,680
Speaker 1: with Lynks. But you know, the Horror Cored days, man,

824
00:47:33,160 --> 00:47:35,040
Speaker 1: it was one nig gotta listen to because he was

825
00:47:35,120 --> 00:47:37,440
Speaker 1: just entertaining this hell. He told a bunch of crazy

826
00:47:37,440 --> 00:47:39,800
Speaker 1: shit that was Gas and Nipp. Gas and Nipp was

827
00:47:39,840 --> 00:47:42,920
Speaker 1: hard gangs and Nipp came from down South. He was

828
00:47:42,920 --> 00:47:45,919
Speaker 1: on it was the rapper lot camp. Yeah, gainst Nip

829
00:47:46,000 --> 00:47:47,640
Speaker 1: was hard as a motherfucker. But he would say some

830
00:47:47,719 --> 00:47:49,759
Speaker 1: crazy shit like I like I feel like swimming and

831
00:47:49,840 --> 00:47:52,080
Speaker 1: red fists or some shit like that. Yeah, gangster Nipp

832
00:47:52,200 --> 00:47:54,600
Speaker 1: was cold, like I said, but if you was into that,

833
00:47:54,800 --> 00:47:57,920
Speaker 1: I wasn't really into it, but I would listen because

834
00:47:59,080 --> 00:48:02,240
Speaker 1: they had a large five man Horrorcore had a large

835
00:48:02,600 --> 00:48:06,320
Speaker 1: Horrorcore had a large following man, so you know, shout

836
00:48:06,320 --> 00:48:09,120
Speaker 1: out to all shout out to all the horrorcore rapper man.

837
00:48:09,360 --> 00:48:11,600
Speaker 1: You know, dudes out there, man still trying to get

838
00:48:11,640 --> 00:48:13,920
Speaker 1: it in the Yeah, and they took that ship to

839
00:48:14,000 --> 00:48:16,400
Speaker 1: a whole another level, vividly and ship. You know that

840
00:48:16,480 --> 00:48:19,200
Speaker 1: nigga nipped marriage me and your mama getting Mary soon

841
00:48:19,280 --> 00:48:21,560
Speaker 1: after the fucker I'm a killer at the honeymoon. Yeah,

842
00:48:21,600 --> 00:48:26,400
Speaker 1: that's it. Was it there, nigga. It was a fool.

843
00:48:26,560 --> 00:48:30,320
Speaker 1: But ain't nobody took this ship further than Big Lurch though. Dogs.

844
00:48:30,320 --> 00:48:35,359
Speaker 1: So I can't wait, you know, I can't wait till weak. Yeah.

845
00:48:35,360 --> 00:48:38,399
Speaker 1: That was that, that glimpse in this motherfucker's mind. I mean, yes,

846
00:48:38,640 --> 00:48:40,680
Speaker 1: you know, I mean I'm pretty sure you know, he's

847
00:48:40,719 --> 00:48:44,000
Speaker 1: had a long time to reflect on it, and you know,

848
00:48:44,320 --> 00:48:47,880
Speaker 1: and once again, you know, uh, we just want to

849
00:48:47,920 --> 00:48:50,799
Speaker 1: send our condolences out to the young lady you know,

850
00:48:51,000 --> 00:48:54,200
Speaker 1: and her family and not to be trying to uh,

851
00:48:55,040 --> 00:48:58,960
Speaker 1: you know, promote what happened. But you know, it's just

852
00:48:59,080 --> 00:49:02,080
Speaker 1: it's just it's just something, you know, as far as

853
00:49:02,120 --> 00:49:04,279
Speaker 1: what we deal with, as far as being you know,

854
00:49:04,480 --> 00:49:08,000
Speaker 1: regular people, there's a side that people, you know that

855
00:49:08,280 --> 00:49:11,200
Speaker 1: they might want they want to know the hardest part

856
00:49:11,200 --> 00:49:13,640
Speaker 1: about this job though, and I don't think the fans

857
00:49:13,719 --> 00:49:17,680
Speaker 1: understand it because see all the people listening to this podcast, man,

858
00:49:18,280 --> 00:49:20,879
Speaker 1: a couple of million people to listen to this podcast though,

859
00:49:22,840 --> 00:49:26,479
Speaker 1: they want to be entertained, right right, So they don't

860
00:49:26,520 --> 00:49:28,600
Speaker 1: know half the time we interview on some of these

861
00:49:28,600 --> 00:49:31,680
Speaker 1: people having conversations with them, in our mind, we maybe

862
00:49:31,760 --> 00:49:35,360
Speaker 1: like this motherfucker's a piece of shit right here. Yeah,

863
00:49:35,400 --> 00:49:38,640
Speaker 1: but sometimes that's that's that's what happens though, when, like

864
00:49:38,760 --> 00:49:42,080
Speaker 1: you said, we're doing the show, you know, you have

865
00:49:42,160 --> 00:49:45,680
Speaker 1: to go to certain aspects to where you might not

866
00:49:45,800 --> 00:49:49,480
Speaker 1: even like it yourself, but it's what the people want

867
00:49:49,520 --> 00:49:52,640
Speaker 1: to hear, it's what they tune in for, and like

868
00:49:52,719 --> 00:49:55,640
Speaker 1: you said, they want to be entertained, but they also

869
00:49:55,840 --> 00:49:58,880
Speaker 1: want to be informed. So that's what we try to

870
00:49:58,880 --> 00:50:03,600
Speaker 1: do exactly. Man. You know, we're gonna make that interview

871
00:50:03,640 --> 00:50:07,160
Speaker 1: happy man one day. But it's kind of hard to

872
00:50:07,200 --> 00:50:10,239
Speaker 1: be subjective and shit like that dog without feeling because

873
00:50:10,239 --> 00:50:12,719
Speaker 1: me and you both got daughters, we've both got kids, man,

874
00:50:12,719 --> 00:50:14,680
Speaker 1: and if the motherfucker did something like that one of

875
00:50:14,719 --> 00:50:16,239
Speaker 1: my kids, I don't think he'd have made it to

876
00:50:16,280 --> 00:50:20,759
Speaker 1: the jail. Yeah, you gotta watch it just been there,

877
00:50:20,880 --> 00:50:22,600
Speaker 1: it wouldn't have been no quick shit either, you know

878
00:50:22,640 --> 00:50:25,280
Speaker 1: what I mean. Just you know, I mean it's hard

879
00:50:25,320 --> 00:50:29,800
Speaker 1: to stay in tune and in depth and keep ties

880
00:50:29,960 --> 00:50:33,600
Speaker 1: on your people. But you know, try to keep ties

881
00:50:33,640 --> 00:50:36,040
Speaker 1: on your people, man. You know, see where they at,

882
00:50:36,080 --> 00:50:38,839
Speaker 1: the asks, where they at, Hit them up, call them up,

883
00:50:39,120 --> 00:50:42,640
Speaker 1: make sure they're straight, they're safe, they're good, you know. Yeah.

884
00:50:42,280 --> 00:50:44,640
Speaker 1: And you know one thing about it though, man, this

885
00:50:44,719 --> 00:50:46,680
Speaker 1: is the one disclaimer I want to put out their

886
00:50:46,760 --> 00:50:51,080
Speaker 1: dog for shit. In this era to day, man, people

887
00:50:51,160 --> 00:50:54,719
Speaker 1: seem like they can. People seem like they can go

888
00:50:54,760 --> 00:50:59,840
Speaker 1: online and they have like um, like the Internet protection

889
00:51:00,080 --> 00:51:02,240
Speaker 1: or something. They can say whatever they want to adventure.

890
00:51:02,280 --> 00:51:04,759
Speaker 1: You had to come on the streets, right. Um. I

891
00:51:04,880 --> 00:51:07,480
Speaker 1: just found out man, that Charleston White got pulled over

892
00:51:07,520 --> 00:51:12,839
Speaker 1: about the FBI. You know, but again this happens after

893
00:51:12,880 --> 00:51:15,920
Speaker 1: he threatened a bunch of Asian people, right, you know,

894
00:51:16,040 --> 00:51:19,080
Speaker 1: and it seems like it's black people. Man. We just

895
00:51:19,280 --> 00:51:23,520
Speaker 1: way more accepting the bullshit. Dog a motherfucker say whatever

896
00:51:23,560 --> 00:51:25,520
Speaker 1: they want to do to us, and nobody's gonna come

897
00:51:25,560 --> 00:51:28,960
Speaker 1: to our rescue. Like, um, they didn't have no issue

898
00:51:28,960 --> 00:51:30,719
Speaker 1: with it when he said he was gonna do something

899
00:51:30,719 --> 00:51:33,280
Speaker 1: to math off his daughter. He was gonna kill Ta's

900
00:51:33,280 --> 00:51:36,880
Speaker 1: son or whatever. It wasn't no issue, It wasn't no issue.

901
00:51:37,239 --> 00:51:39,640
Speaker 1: But the moment he said this stuff about the Asian people,

902
00:51:39,640 --> 00:51:41,920
Speaker 1: now the FBI is involved and all kinds of other

903
00:51:41,960 --> 00:51:44,279
Speaker 1: ship they go to canceling shows this is just like, man,

904
00:51:44,800 --> 00:51:47,319
Speaker 1: we have just been marginal lines of people to the

905
00:51:47,400 --> 00:51:49,960
Speaker 1: point to where we almost don't even matter no more.

906
00:51:52,840 --> 00:51:56,160
Speaker 1: Motherfuckers can do or say whatever, and we do each

907
00:51:56,160 --> 00:51:58,960
Speaker 1: other so bad. Why the fuck should somebody else respect us?

908
00:51:59,120 --> 00:52:05,160
Speaker 1: And that's why, because we don't give each other that respect,

909
00:52:06,080 --> 00:52:10,080
Speaker 1: and so it's not as it's not as important. If

910
00:52:10,080 --> 00:52:12,080
Speaker 1: it's not as important to us, then why should it

911
00:52:12,120 --> 00:52:16,680
Speaker 1: be to somebody else. I mean, if it's not, if

912
00:52:16,680 --> 00:52:20,319
Speaker 1: it's not as important for you to say that, you know,

913
00:52:21,040 --> 00:52:24,239
Speaker 1: or think of some some shit like or I'm gonna

914
00:52:24,280 --> 00:52:27,480
Speaker 1: kill your kids or some shit like that. I mean,

915
00:52:29,560 --> 00:52:31,439
Speaker 1: I don't funk around and say that to no mouf

916
00:52:31,640 --> 00:52:33,839
Speaker 1: you get me outside of your race. You ain't gonna

917
00:52:33,840 --> 00:52:36,040
Speaker 1: do that because a person gonna call the police on

918
00:52:36,120 --> 00:52:37,560
Speaker 1: you and then you're gonna be in jail for death.

919
00:52:38,680 --> 00:52:41,799
Speaker 1: But I guess on our aspect. We always feel like

920
00:52:43,239 --> 00:52:45,799
Speaker 1: when you had that streat mentality, Yeah, come on, I

921
00:52:45,920 --> 00:52:48,359
Speaker 1: like to because I'm gonna I'm not gonna I'm not

922
00:52:48,360 --> 00:52:50,759
Speaker 1: gonna go call the FEDS. I'm not gonna go call

923
00:52:50,840 --> 00:52:54,200
Speaker 1: the police. I'm not gonna we as a black we

924
00:52:54,360 --> 00:52:59,919
Speaker 1: as a black man or woman or people our metal

925
00:53:00,000 --> 00:53:03,920
Speaker 1: ally from the is I wish you would try it.

926
00:53:04,320 --> 00:53:06,919
Speaker 1: I ain't gotta call no police. I ain't gotta call

927
00:53:07,080 --> 00:53:10,520
Speaker 1: no motherfucking whatever whatever. I want you to try to

928
00:53:10,560 --> 00:53:13,160
Speaker 1: come and kill my kids and see what. So that's

929
00:53:13,200 --> 00:53:17,520
Speaker 1: the intake of what the outside people look at. I

930
00:53:17,560 --> 00:53:19,239
Speaker 1: don't know. We ain't got to worry about it because

931
00:53:19,239 --> 00:53:21,600
Speaker 1: they ain't gonna even call us. They they're not gonna

932
00:53:21,600 --> 00:53:23,759
Speaker 1: do nothing but check this out. That's the problem though, eight,

933
00:53:24,160 --> 00:53:26,759
Speaker 1: Because I'm gonna take you this. Ain't nobody gonna put

934
00:53:26,760 --> 00:53:28,959
Speaker 1: a hand on Charleston White. You know why, because he's

935
00:53:28,960 --> 00:53:31,799
Speaker 1: already told everybody. I can say what the fuck I

936
00:53:31,920 --> 00:53:34,200
Speaker 1: want to And if you come at me talking that bullshit,

937
00:53:34,520 --> 00:53:36,239
Speaker 1: I'm going to shoot the shit out of your ass.

938
00:53:36,280 --> 00:53:38,280
Speaker 1: You're gonna get locked up because I'm putting a restrain

939
00:53:38,400 --> 00:53:40,560
Speaker 1: Nord on your punk ass and if you come over

940
00:53:40,560 --> 00:53:42,279
Speaker 1: here with that bullshit, I'm gonna shoot the shit out

941
00:53:42,280 --> 00:53:44,920
Speaker 1: of your ass. So everybody's kind like, oh, he's gonna

942
00:53:44,920 --> 00:53:47,640
Speaker 1: call the police because we've said that, see what the

943
00:53:47,680 --> 00:53:50,800
Speaker 1: problem he was with black people. We've put the code

944
00:53:50,800 --> 00:53:53,640
Speaker 1: of the gangster in the underworld on two regular people,

945
00:53:53,719 --> 00:53:56,399
Speaker 1: regular civilian people like I don't belong with no motherfucking game,

946
00:53:57,239 --> 00:54:02,279
Speaker 1: never have. So tell chnically what you're supposed to do.

947
00:54:02,320 --> 00:54:04,520
Speaker 1: If a motherfucker is threatening you, you are supposed to

948
00:54:04,560 --> 00:54:07,160
Speaker 1: make a report with the police department or whatever. In

949
00:54:07,239 --> 00:54:09,480
Speaker 1: case you got to smoke this motherfucker, you want to

950
00:54:09,480 --> 00:54:12,960
Speaker 1: ask some documentation, because as you're doing California, you just

951
00:54:13,000 --> 00:54:18,920
Speaker 1: can't shoot the motherfucker. Yeah, but that's what they're gonna do.

952
00:54:19,160 --> 00:54:22,000
Speaker 1: They're gonna go call the police. You come threatening them,

953
00:54:22,040 --> 00:54:24,839
Speaker 1: they're gonna go call the police. Yeah, you go go

954
00:54:25,320 --> 00:54:28,120
Speaker 1: acting like you're gonna do something to somebody else, they

955
00:54:28,200 --> 00:54:31,080
Speaker 1: gonna call the police and take a report and whatever.

956
00:54:31,320 --> 00:54:34,239
Speaker 1: We No, I ain't gonna go call the police. I'm

957
00:54:34,239 --> 00:54:36,840
Speaker 1: gonna shoot. You'll ask myself. You know, you gonna shoot yourself.

958
00:54:36,880 --> 00:54:38,799
Speaker 1: You can shoot them yourself, and you can probably wind

959
00:54:38,840 --> 00:54:40,920
Speaker 1: up doing some time because they gonna say, well, why

960
00:54:40,920 --> 00:54:42,640
Speaker 1: don't you shoot this man? He threatened me, Well, why

961
00:54:42,640 --> 00:54:44,719
Speaker 1: didn't you make a report? How can we didn't know

962
00:54:44,719 --> 00:54:47,360
Speaker 1: about that? Ain't the cold That ain't the street code.

963
00:54:47,480 --> 00:54:50,000
Speaker 1: That ain't the nigga colde, That ain't the hood code.

964
00:54:50,120 --> 00:54:52,520
Speaker 1: I ain't ain't gonna no motherfucker well or kids shit,

965
00:54:52,520 --> 00:54:54,279
Speaker 1: because I'm gonna tell you about the incident that happened

966
00:54:54,320 --> 00:54:56,200
Speaker 1: to me. Right, And this goes sound like I'm being

967
00:54:56,239 --> 00:54:59,000
Speaker 1: petty as a motherfucker. One day I go to this

968
00:54:59,040 --> 00:55:01,080
Speaker 1: donut shop. Now, keep but mind, I haven't been going

969
00:55:01,160 --> 00:55:05,240
Speaker 1: this donuts shop since about eighteen years, right, I ain't

970
00:55:05,239 --> 00:55:07,400
Speaker 1: never paid too much attention to people are going that

971
00:55:07,520 --> 00:55:09,399
Speaker 1: mother forget what I want to bear. I going there

972
00:55:09,440 --> 00:55:11,160
Speaker 1: one day and I asked the girl, Hey, can you

973
00:55:11,200 --> 00:55:13,960
Speaker 1: put this in the marketway for a few seconds? She

974
00:55:14,120 --> 00:55:17,040
Speaker 1: tells me, no, this is not a restaurant. You want

975
00:55:17,080 --> 00:55:22,799
Speaker 1: your donuts cook, you gotta take me. I'm like, are

976
00:55:22,840 --> 00:55:25,400
Speaker 1: you for real? Right now? Because I'm one of your customers.

977
00:55:25,440 --> 00:55:29,280
Speaker 1: She say, either you buy or you get the fuck out. Yeah,

978
00:55:30,000 --> 00:55:35,759
Speaker 1: just like the motherfucker. I'm mad. I say, fuck your

979
00:55:35,760 --> 00:55:38,960
Speaker 1: donuts and I leave right And I tell my kids,

980
00:55:39,280 --> 00:55:40,600
Speaker 1: if any of you want to y'all go up to

981
00:55:40,680 --> 00:55:45,680
Speaker 1: that motherfucker, I might as well change your last man. Right.

982
00:55:46,480 --> 00:55:49,960
Speaker 1: So my daughter says, Dad, you probably went in there

983
00:55:49,960 --> 00:55:53,360
Speaker 1: with an attitude. Cool. My daughter goes and then she

984
00:55:53,480 --> 00:55:55,239
Speaker 1: in there for about ten minutes. I'm wondering what the

985
00:55:55,239 --> 00:55:57,600
Speaker 1: fuck is she doing. She come back out mad and

986
00:55:57,640 --> 00:56:01,200
Speaker 1: the motherfucker she said, Now, your dad sent you in

987
00:56:01,280 --> 00:56:05,799
Speaker 1: to fight me. Yeah, you get out too. Yeah, I

988
00:56:05,960 --> 00:56:09,280
Speaker 1: know what's upped. But you know what the problem was. Hey,

989
00:56:10,280 --> 00:56:13,439
Speaker 1: as black people until it happened to us, we don't

990
00:56:13,480 --> 00:56:15,759
Speaker 1: give a fuck if you go to a store and

991
00:56:15,800 --> 00:56:18,040
Speaker 1: getting mistreated. If you want to a McDonald's down the

992
00:56:18,120 --> 00:56:20,680
Speaker 1: road and they told you get your black ass audio,

993
00:56:20,760 --> 00:56:23,680
Speaker 1: you went online and say, look this McDonald's. That's a

994
00:56:23,800 --> 00:56:27,720
Speaker 1: motherfucking East Hollywood, North Hollywood or whatever like that, it's racist.

995
00:56:28,400 --> 00:56:30,839
Speaker 1: You know what a nigga gonna say when he's hungry, man,

996
00:56:31,080 --> 00:56:33,600
Speaker 1: shit ain't got nothing to do with me. I'm gonna

997
00:56:33,600 --> 00:56:35,920
Speaker 1: I'm gonna steal mob up in there. We don't support shit.

998
00:56:36,360 --> 00:56:39,240
Speaker 1: We spend more money in this country than any other

999
00:56:39,640 --> 00:56:44,560
Speaker 1: fucking people. Black Black America spends more cash because we

1000
00:56:44,680 --> 00:56:47,960
Speaker 1: like we like us some ship. Yeah, that's what we do.

1001
00:56:48,280 --> 00:56:50,520
Speaker 1: So we don't give a fuck about boycott and shit.

1002
00:56:50,840 --> 00:56:54,560
Speaker 1: If a motherfucker said Popeyes racist as a motherfucker, you

1003
00:56:54,600 --> 00:56:57,320
Speaker 1: can have a You could probably have a few thousand

1004
00:56:57,320 --> 00:56:59,640
Speaker 1: people to say we're not fucking with Popeyes no more

1005
00:57:00,000 --> 00:57:02,840
Speaker 1: that you're gonna have niggas gonna fuck you figuring that

1006
00:57:03,000 --> 00:57:06,279
Speaker 1: pop Eyes good as a Motherfuckna get me some up

1007
00:57:06,400 --> 00:57:09,160
Speaker 1: right now. It's the same thing as the movie. Remember

1008
00:57:09,760 --> 00:57:11,840
Speaker 1: where was the ship do the right thing back in

1009
00:57:11,880 --> 00:57:15,680
Speaker 1: the day? Sales pizza? Yeah, I didn't watch that. Yeah,

1010
00:57:15,760 --> 00:57:18,000
Speaker 1: so they had to come to a thing in the movie,

1011
00:57:18,000 --> 00:57:21,960
Speaker 1: a fictional pizza Rea called sales pizza. One of the

1012
00:57:22,080 --> 00:57:25,640
Speaker 1: sounds got mad and called a motherfucker nigga. Right, they

1013
00:57:25,720 --> 00:57:28,400
Speaker 1: went back, we boycotting sALS pizza. He called it on me,

1014
00:57:28,480 --> 00:57:32,440
Speaker 1: a nigga, Man, you tripping. I grew up on for sales.

1015
00:57:34,000 --> 00:57:36,160
Speaker 1: I'm gonna go get me a slice right fucking now,

1016
00:57:36,400 --> 00:57:40,800
Speaker 1: because as black people, we don't value our salves. Man,

1017
00:57:40,880 --> 00:57:44,760
Speaker 1: you got motherfucker's um you got I think, man, since

1018
00:57:44,800 --> 00:57:47,400
Speaker 1: I've been working on the internet, man, I've received more

1019
00:57:47,440 --> 00:57:50,919
Speaker 1: threats from motherfucker's I don't know from mckinna paint any

1020
00:57:50,920 --> 00:57:53,760
Speaker 1: other time. You just open up your inbox. Fuck you know,

1021
00:57:54,000 --> 00:57:56,680
Speaker 1: m Yeah, I'm gonna bush your head open. And you're

1022
00:57:56,680 --> 00:57:59,080
Speaker 1: looking at this motherfucker like little boy. You don't know

1023
00:57:59,120 --> 00:58:01,440
Speaker 1: you're about to get your feelings hurtain this motherfucker you

1024
00:58:01,560 --> 00:58:03,840
Speaker 1: come up on me. I don't I don't play. I

1025
00:58:03,920 --> 00:58:05,760
Speaker 1: try not to pay attention to the ship like that

1026
00:58:05,920 --> 00:58:10,000
Speaker 1: because you never see I mean, you never know. You

1027
00:58:10,120 --> 00:58:13,120
Speaker 1: get me now. You can't push nothing past a motherfucker

1028
00:58:13,280 --> 00:58:15,840
Speaker 1: because you know, you never know. It could be a

1029
00:58:15,920 --> 00:58:19,600
Speaker 1: nigga standing right outside the store who said that ship

1030
00:58:19,760 --> 00:58:22,680
Speaker 1: and whatever. So I never put nothing past people. But

1031
00:58:22,800 --> 00:58:29,400
Speaker 1: I never tried to indulge with motherfuckers who just woke

1032
00:58:29,560 --> 00:58:32,800
Speaker 1: up today with fuck you on their brain. I don't

1033
00:58:32,800 --> 00:58:34,800
Speaker 1: know what it is you get me and I and

1034
00:58:34,880 --> 00:58:38,000
Speaker 1: I what I say the ship like that is, hey,

1035
00:58:39,680 --> 00:58:42,880
Speaker 1: I will you. You woke up this morning thinking about me?

1036
00:58:42,920 --> 00:58:45,880
Speaker 1: So I did something right? Yeah exactly. And then the

1037
00:58:45,920 --> 00:58:48,960
Speaker 1: same motherfucker's dog that feel like they can say whatever,

1038
00:58:49,080 --> 00:58:51,800
Speaker 1: Like you said, you don't know if it's the motherfucker

1039
00:58:51,840 --> 00:58:54,480
Speaker 1: that's the janitory in your building. You don't know if

1040
00:58:54,520 --> 00:58:57,680
Speaker 1: it's a motherfucker that's a neighbor yours, or it's just

1041
00:58:57,760 --> 00:59:00,280
Speaker 1: a random motherfucker that you don't know, right, It could

1042
00:59:00,320 --> 00:59:02,320
Speaker 1: be just really just checking you out and really have

1043
00:59:02,400 --> 00:59:05,960
Speaker 1: an issue with you about something you've said or done online. Right,

1044
00:59:06,040 --> 00:59:08,600
Speaker 1: And I consider myself to be a real subjective motherfucker.

1045
00:59:08,640 --> 00:59:11,360
Speaker 1: I don't have no personal opinion about this ship talking about.

1046
00:59:11,360 --> 00:59:13,479
Speaker 1: But i'd be a lot of people most of the time.

1047
00:59:13,560 --> 00:59:15,880
Speaker 1: Most of the time, it just be people that don't

1048
00:59:15,960 --> 00:59:18,760
Speaker 1: like where you're coming from, and they'll just feel like

1049
00:59:18,800 --> 00:59:21,640
Speaker 1: going off, fuck you, fuck you knowing you don't know

1050
00:59:21,800 --> 00:59:24,280
Speaker 1: motherfucking from a can of paint. But what people do

1051
00:59:24,440 --> 00:59:27,200
Speaker 1: need to know is that we are very much real people.

1052
00:59:28,200 --> 00:59:32,560
Speaker 1: I just got my concealed carry permit, so please believe

1053
00:59:32,600 --> 00:59:34,880
Speaker 1: I will defend myself to the letter of the law.

1054
00:59:35,200 --> 00:59:36,919
Speaker 1: I'm Michael going to break the law, but I will

1055
00:59:36,960 --> 00:59:39,440
Speaker 1: defend myself to the letter of the law. And I

1056
00:59:39,480 --> 00:59:43,480
Speaker 1: don't even think like that no more, because I used to,

1057
00:59:45,160 --> 00:59:49,640
Speaker 1: you know, carry a strap, you know, roll around. You know,

1058
00:59:49,840 --> 00:59:52,840
Speaker 1: I got you know, because I would always just be

1059
00:59:52,920 --> 00:59:58,560
Speaker 1: like ready for whatever. But but you know, I don't

1060
00:59:58,640 --> 01:00:05,160
Speaker 1: go around anymore with the aspect of like yeah, nigga,

1061
01:00:05,200 --> 01:00:07,439
Speaker 1: come on with it because I'm already heated and it's

1062
01:00:07,480 --> 01:00:11,720
Speaker 1: gonna go down. I don't go about your business, is

1063
01:00:11,760 --> 01:00:16,600
Speaker 1: the way I think, because yeah, I don't want to shoot,

1064
01:00:16,800 --> 01:00:19,200
Speaker 1: but like I said, I don't like that the fact

1065
01:00:19,240 --> 01:00:22,800
Speaker 1: that motherfucker gotta feel like, oh yeah, nigga, you know

1066
01:00:22,800 --> 01:00:25,240
Speaker 1: what I'm saying. You just better know, Nigga, I'm heated

1067
01:00:25,240 --> 01:00:29,880
Speaker 1: and if you come around, you're gonna catch some slugs. Nigga,

1068
01:00:30,280 --> 01:00:33,520
Speaker 1: what's your problem with me? You feel me? Like? Why

1069
01:00:33,600 --> 01:00:38,080
Speaker 1: am I even addressing that? Because Nigga, I'm too old

1070
01:00:38,120 --> 01:00:41,400
Speaker 1: to be thinking like I got to worry about a

1071
01:00:41,640 --> 01:00:46,480
Speaker 1: nigga that I know nothing about waiting in the waiting

1072
01:00:46,480 --> 01:00:51,840
Speaker 1: in the trenches to attack me for what you go

1073
01:00:52,000 --> 01:00:54,280
Speaker 1: about your business? Man. You know, during the whole time

1074
01:00:54,320 --> 01:00:56,240
Speaker 1: we've been in this show, after go home to my

1075
01:00:56,360 --> 01:01:00,400
Speaker 1: woman and my kids and chill out, eat me some dinner,

1076
01:01:00,720 --> 01:01:03,560
Speaker 1: and smoke me some weed and figure out how to

1077
01:01:03,600 --> 01:01:06,320
Speaker 1: try to make the next buck. Why am I gonna

1078
01:01:06,400 --> 01:01:10,439
Speaker 1: be worried about some nigga talking about fuck you and men?

1079
01:01:10,480 --> 01:01:12,360
Speaker 1: If I ever see you, man, you don't don't never

1080
01:01:12,400 --> 01:01:15,640
Speaker 1: see me because I ain't gonna be nowhere you gonna

1081
01:01:15,640 --> 01:01:19,560
Speaker 1: be exactly. That's how I think, and I think I've

1082
01:01:19,640 --> 01:01:23,400
Speaker 1: always been pretty forthrightened the fact that I'm don't belong

1083
01:01:23,520 --> 01:01:27,160
Speaker 1: to a gang. I don't have nothing to do with

1084
01:01:27,240 --> 01:01:29,280
Speaker 1: no gags. I got a bunch of friends, that's christal.

1085
01:01:29,560 --> 01:01:32,040
Speaker 1: I used to gang back. I used to gang bang

1086
01:01:32,120 --> 01:01:35,200
Speaker 1: to the fullest and thought, you know, and everything was

1087
01:01:35,240 --> 01:01:39,800
Speaker 1: about the hood. And still respect, you know, the homies

1088
01:01:39,840 --> 01:01:43,280
Speaker 1: that still there and in the trenches, and I still

1089
01:01:43,320 --> 01:01:48,360
Speaker 1: respect everybody who represented the neighborhood and whatever. But I

1090
01:01:48,440 --> 01:01:53,680
Speaker 1: don't live like I'm still walking around the block every day.

1091
01:01:53,840 --> 01:01:57,600
Speaker 1: You get me, I'm I'm I'm. I'm an older dude

1092
01:01:58,160 --> 01:02:02,280
Speaker 1: with with grown kids, you know, who live in their

1093
01:02:02,400 --> 01:02:05,680
Speaker 1: life and kid from to go to college. And I'd

1094
01:02:05,680 --> 01:02:08,560
Speaker 1: have made it far enough to where you know, I

1095
01:02:08,680 --> 01:02:11,400
Speaker 1: got respect for any motherfucker who got respect for me.

1096
01:02:11,480 --> 01:02:14,040
Speaker 1: And that gang shit, I don't even I know it's

1097
01:02:14,040 --> 01:02:17,200
Speaker 1: blood's out there. I know it's crips, it's Asian gangs,

1098
01:02:17,280 --> 01:02:20,480
Speaker 1: it's Mexicans, is everything. I ain't gotta beef with nan

1099
01:02:20,600 --> 01:02:23,200
Speaker 1: one of you. Yeah, I just think that it's gonna

1100
01:02:23,200 --> 01:02:26,320
Speaker 1: be able to each to each his own because this

1101
01:02:26,320 --> 01:02:28,760
Speaker 1: shit go change. Though. Hey, I'm gonna tell you why

1102
01:02:29,440 --> 01:02:32,360
Speaker 1: somebody is gonna wind up really getting fucking hurt behind

1103
01:02:32,360 --> 01:02:35,200
Speaker 1: his internet shit. I'm telling you it ain't. It hasn't

1104
01:02:35,200 --> 01:02:39,320
Speaker 1: happened yet on a major scale. But somebody is gonna

1105
01:02:39,320 --> 01:02:41,680
Speaker 1: get hurt behind all this shit though, because you just

1106
01:02:41,760 --> 01:02:43,960
Speaker 1: got an era to where motherfuckers think this ship is

1107
01:02:43,960 --> 01:02:47,919
Speaker 1: not real or something. Though. No, it's just it's It

1108
01:02:47,960 --> 01:02:53,400
Speaker 1: just gives motherfucker's more in depth access to irritate the motherfucker.

1109
01:02:53,800 --> 01:02:56,760
Speaker 1: You just gotta learn how to shake that shit, because,

1110
01:02:56,800 --> 01:02:59,280
Speaker 1: like I said, it'll be a nigga talking shit to

1111
01:02:59,400 --> 01:03:02,720
Speaker 1: you for Africa, you get me, it'd be a nigga

1112
01:03:02,760 --> 01:03:05,720
Speaker 1: talking shit to you from motherfucking the moon. You don't

1113
01:03:05,760 --> 01:03:09,440
Speaker 1: know niggas hide behind that ship. That's why you can't

1114
01:03:09,480 --> 01:03:12,919
Speaker 1: take it seriously. But you can't sleep either, because it's

1115
01:03:12,920 --> 01:03:16,240
Speaker 1: some crazy motherfuckers out here. You see it all day,

1116
01:03:16,440 --> 01:03:20,560
Speaker 1: niggas walking in the clubs, shooting up motherfuckers, niggas you know,

1117
01:03:20,680 --> 01:03:23,400
Speaker 1: shooting at each other on the freeway. You still got

1118
01:03:23,440 --> 01:03:27,560
Speaker 1: neighborhood beefs and wrappers from their neighborhoods and they still

1119
01:03:27,680 --> 01:03:30,680
Speaker 1: going at it. It's never gonna go away. You just

1120
01:03:30,760 --> 01:03:34,040
Speaker 1: gotta learn how to motherfucking accept where you at and

1121
01:03:34,200 --> 01:03:37,840
Speaker 1: try to be cordial with motherfuckers even if they from

1122
01:03:37,840 --> 01:03:42,520
Speaker 1: the other side or a different race or color or whatever. Yeah, shit,

1123
01:03:42,640 --> 01:03:44,480
Speaker 1: you're supposed to be doing as a man anyway. You're

1124
01:03:44,520 --> 01:03:48,200
Speaker 1: supposed to just motherfucker. We all go through mistakes as youngsters,

1125
01:03:48,200 --> 01:03:52,840
Speaker 1: you give it right. We all go through shit as

1126
01:03:52,920 --> 01:03:57,960
Speaker 1: young but it was hood shit. It was hood shit, man.

1127
01:03:58,160 --> 01:04:00,000
Speaker 1: And when you were friends, how often did y'all tell

1128
01:04:00,360 --> 01:04:02,720
Speaker 1: laugh every time we see each other, it's you know,

1129
01:04:02,920 --> 01:04:08,360
Speaker 1: everybody him high see you know kk d all anybody. Man.

1130
01:04:08,560 --> 01:04:11,480
Speaker 1: I ain't got no beef with nan nigga, That's what

1131
01:04:11,560 --> 01:04:14,800
Speaker 1: I say. I went through that transition of gang banging

1132
01:04:15,120 --> 01:04:18,080
Speaker 1: and knowing what it had to be the represent the hood,

1133
01:04:18,360 --> 01:04:23,000
Speaker 1: and you do for the hood. Fuck it and that nigga.

1134
01:04:23,000 --> 01:04:24,920
Speaker 1: If you gotta lose your life, if you got to

1135
01:04:24,960 --> 01:04:27,560
Speaker 1: do this, that's what you do because you represent the hood.

1136
01:04:27,760 --> 01:04:32,560
Speaker 1: But but as you get mature, man, shit's supposed to change.

1137
01:04:32,640 --> 01:04:36,080
Speaker 1: You get me, shit's supposed to change. Man. Just like

1138
01:04:36,120 --> 01:04:38,360
Speaker 1: when you know you go to prison, you go do

1139
01:04:38,560 --> 01:04:42,160
Speaker 1: fifteen twenty years, you're supposed to come home and be changed.

1140
01:04:42,480 --> 01:04:45,880
Speaker 1: You get me. You ain't supposed to be fifty sixty

1141
01:04:45,960 --> 01:04:48,360
Speaker 1: years old still talking about nigga this and so and

1142
01:04:48,360 --> 01:04:50,520
Speaker 1: so and so and so and then jumping in the

1143
01:04:50,560 --> 01:04:53,000
Speaker 1: car with the little homies, going to pour drive bys

1144
01:04:53,040 --> 01:04:55,480
Speaker 1: and shit like that. You ain't supposed to be. You know.

1145
01:04:55,800 --> 01:04:58,240
Speaker 1: You might still got to hustle down, you know whatever,

1146
01:04:58,400 --> 01:05:00,720
Speaker 1: but you're supposed to set a different an example for

1147
01:05:00,760 --> 01:05:03,560
Speaker 1: the youngsters and show them. Yeah, you know, even though

1148
01:05:03,600 --> 01:05:07,400
Speaker 1: I've been life long, I've still made the transition to know,

1149
01:05:07,960 --> 01:05:10,320
Speaker 1: I ain't been going grabbing no motherfucking ak to night

1150
01:05:10,320 --> 01:05:11,760
Speaker 1: and jump in the car with y'all and going to

1151
01:05:11,800 --> 01:05:14,840
Speaker 1: shoot up the niggas around the corner. You know, I'm

1152
01:05:14,880 --> 01:05:18,720
Speaker 1: probably cool with some of the niggas. You niggas hate

1153
01:05:19,640 --> 01:05:22,440
Speaker 1: you feel me. You just gotta learn the transition. And

1154
01:05:22,520 --> 01:05:26,200
Speaker 1: that's what a lot of us hopefully can do coming

1155
01:05:26,320 --> 01:05:30,600
Speaker 1: from you know that that that that part of life. Yeah,

1156
01:05:30,680 --> 01:05:33,840
Speaker 1: for sure, man, everybody takes it so literal like. Even

1157
01:05:33,840 --> 01:05:35,880
Speaker 1: with the name of our show, the gainst the Chronicles,

1158
01:05:35,920 --> 01:05:39,760
Speaker 1: you know, people thought that the Gangster Chronicles This Coast

1159
01:05:39,800 --> 01:05:42,080
Speaker 1: is just chronicle the tales of the crypts bloods and

1160
01:05:42,160 --> 01:05:46,400
Speaker 1: motherfucker's in prison. Though. The Gangster Chronicles is about anything

1161
01:05:46,480 --> 01:05:50,080
Speaker 1: that's outside of the parameters of normal society, right. We

1162
01:05:50,280 --> 01:05:54,919
Speaker 1: chronicle stories. We chronicles you know, you know niggas who

1163
01:05:54,960 --> 01:05:58,080
Speaker 1: feel like they og and you know, and when you

1164
01:05:58,160 --> 01:06:00,960
Speaker 1: hear gangster, you know nil like you said, niggas going on,

1165
01:06:01,400 --> 01:06:05,320
Speaker 1: you know, like you know, you know I represented the

1166
01:06:05,320 --> 01:06:08,960
Speaker 1: hood or the situation before where niggas represented the hoods

1167
01:06:09,040 --> 01:06:13,400
Speaker 1: on the show or whatever. It's not about that. It's

1168
01:06:13,440 --> 01:06:17,520
Speaker 1: about being It's about coming from that aspect and being

1169
01:06:17,600 --> 01:06:22,240
Speaker 1: able to speak and talking chronicle shit to y'all as

1170
01:06:22,360 --> 01:06:26,560
Speaker 1: intelligent niggas from the hood who were once gangsters and

1171
01:06:26,640 --> 01:06:30,160
Speaker 1: who can still be intelligent enough to speak to motherfuckers

1172
01:06:30,160 --> 01:06:33,560
Speaker 1: and have decent conversations and deal with what's going on

1173
01:06:34,240 --> 01:06:39,000
Speaker 1: in today, not just what I did fifteen years ago,

1174
01:06:39,240 --> 01:06:43,160
Speaker 1: what I did thirty years ago, and you know twenty

1175
01:06:43,240 --> 01:06:45,360
Speaker 1: years ago, nigga, I used to be on the block

1176
01:06:45,400 --> 01:06:47,680
Speaker 1: and we used to shoot at these niggas and I

1177
01:06:47,800 --> 01:06:51,040
Speaker 1: used to say all this. Now, it's about trying to

1178
01:06:51,080 --> 01:06:54,200
Speaker 1: show the transition of where niggas have came from to

1179
01:06:54,320 --> 01:06:57,280
Speaker 1: where we're going, and to try to entertain y'all with

1180
01:06:57,520 --> 01:07:01,800
Speaker 1: stories and what we have learned and what we see today,

1181
01:07:02,000 --> 01:07:04,680
Speaker 1: just our opinion about shit. You feel me, Yeah, that's

1182
01:07:04,840 --> 01:07:06,840
Speaker 1: that's what it is. So we got more ship coming,

1183
01:07:06,880 --> 01:07:08,920
Speaker 1: We got new mervs coming, so y'all be on the

1184
01:07:08,960 --> 01:07:13,320
Speaker 1: look about that. We're about to relaunch the Gangster Chronicles

1185
01:07:13,360 --> 01:07:17,160
Speaker 1: podcast website. Man. We actually gotta fucking we gotta fucking

1186
01:07:17,400 --> 01:07:20,360
Speaker 1: our own fucking TV network right now. So episodes of

1187
01:07:20,440 --> 01:07:23,160
Speaker 1: the Gangster Chronicles, the full episodes to be available on

1188
01:07:23,280 --> 01:07:27,800
Speaker 1: Rhyme TV and all that stuff. Man, And don't forget man,

1189
01:07:28,000 --> 01:07:30,760
Speaker 1: leave a comment. Man, rate this ship. Man, hit the

1190
01:07:30,760 --> 01:07:33,560
Speaker 1: fucking bail. If you're watching this shit on YouTube, and

1191
01:07:33,640 --> 01:07:35,560
Speaker 1: you know what eight I think is about time. Man,

1192
01:07:35,640 --> 01:07:37,560
Speaker 1: All good things must come to an end. Yeah, we

1193
01:07:37,640 --> 01:07:39,120
Speaker 1: out of here. Piece,