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Speaker 1: Is your chair low? I know it's a high.

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Speaker 2: I think, like I feel like I'm having to hunch over.

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Speaker 1: I don't know.

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Speaker 2: Maybe you grew that's probably it. That's most definitely it.

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Speaker 2: Actually I obviously met hitting a growth spurt in my.

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Speaker 1: Forty year Yeah, forty four or whatever you are. Yeah,

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Speaker 1: are you hitting a growth now?

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Speaker 2: I'm pretty sure I'm shrinking now because yeah, it's just

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Speaker 2: gravity is weighing me down along everything else.

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Speaker 1: By the time I'm ninety five, I'm going to be

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Speaker 1: so short because I'm already give me.

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Speaker 2: Like my my grammy, my mom's mom. She was like

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Speaker 2: four ten when she started, and then thing had osteoporosis

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Speaker 2: and a lot of injuries and stuff. We had to

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Speaker 2: get her a little booster seat to put her in

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Speaker 2: the car.

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Speaker 1: Oh, she couldn't She couldn't even see me.

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Speaker 2: I mean she didn't drive, but you couldn't see her.

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Speaker 1: She couldn't see over the dashboard. Oh yeah, I feel

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Speaker 1: for her.

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Speaker 2: Yeah, yeah, it's okay. I'll get you a booster seat.

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Speaker 2: Maybe i'll drive you around.

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Speaker 1: Well, Michael makes fun of me because I have to

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Speaker 1: push the cart the seat all the way.

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Speaker 2: To talk about opposite For those of you who to

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Speaker 2: nine thousand feet tall? Okay, very dumb. And Andrea is

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Speaker 2: is a foot Yeah, so it is a it's a

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Speaker 2: bit like. The height difference is amazing. I can't imagine

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Speaker 2: either of you trying to get into the other one's

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Speaker 2: car to move it. You've got to you've got to,

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Speaker 2: oh yeah, across some serious land to scoot it up

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Speaker 2: and move it back.

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Speaker 1: Oh. Absolutely. It takes me. I gotta get in the

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Speaker 1: car ten minutes just to move the whole thing forward.

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Speaker 1: Oh oh my goodness. So how are you? I saw

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Speaker 1: you four days ago. I was the highlight of my week.

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Speaker 1: That was serendipitous and wonderful.

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Speaker 2: Yes, it was amazing, me and Ab and Kim Moffitt.

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Speaker 1: The great floor is Kim Moffit. I crashed and I

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Speaker 1: crashed your dinner?

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Speaker 2: Yeah yeah, like she actually Texad, Kim and I were

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Speaker 2: going to do dinner and then she was like, wait,

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Speaker 2: should we invite a B and Mel and I was

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Speaker 2: like yeah, so uh because I.

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Speaker 1: Think she was on calm duty. Uh but but Ab,

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Speaker 1: you made the drive. I showed up. This is how

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Speaker 1: I functioned better, just last minute planning. And I told you, guys,

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Speaker 1: I'm like I may or may not show up, right,

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Speaker 1: will I get for sure?

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Speaker 2: Like there's a window that you need to ask me something.

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Speaker 2: If you asked me too far in advance, I have

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Speaker 2: way too much time to think about it and be

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Speaker 2: like I don't yes, that's no, I don't want to

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Speaker 2: do that. But if you ask me like too late

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Speaker 2: and I got a no, no no, like mourning of something,

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Speaker 2: I could be like, Okay, yeah, you know what, let's

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Speaker 2: do it. But I don't know what my mood's going

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Speaker 2: to be for an activity until the day up.

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Speaker 1: I love that you get it like, you get it,

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Speaker 1: you get me like, and it made for a wonderful,

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Speaker 1: wonderful night. So maybe not for the booth behind us.

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Speaker 2: Uh you guys, we were okay, So we went to

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Speaker 2: this place called Don Cucko's in uh in Burbank kinda

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Speaker 2: buy Warner Brothers. And it's like one of those spots

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Speaker 2: there's always you know, production people or whatever in and

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Speaker 2: you know just other people too, but it's right by

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Speaker 2: Warner Brothers. So anyway, we and it's a really long,

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Speaker 2: narrow restaurant like like it is one booth wide on

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Speaker 2: the side and then like a table on the other.

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Speaker 2: So no matter where you are in this restaurant. You

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Speaker 2: are in the way if you're standing up, and they

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Speaker 2: took us all the way to the back for a moment.

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Speaker 2: I told Kim, I said, I think they're just pushing

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Speaker 2: us outside, like we were literally all the.

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Speaker 1: Way in the back. Yeah. I was like, oh, but

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Speaker 1: then I thought they know us because we're us, and.

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Speaker 2: We were Oh my god, I started, I started making

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Speaker 2: fun of Kim.

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Speaker 1: I started.

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Speaker 2: It was we were laughing so hard, so hard, so hard,

81
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Speaker 2: I broke my glasses.

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Speaker 1: I broke reader.

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Speaker 2: You have a monocle. I had to use one peanut

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Speaker 2: here with the monocle in.

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Speaker 1: One eye and like read the menu. Yeah, and I

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Speaker 1: don't care, like, hey this is this is forty nine.

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Speaker 1: I don't get my monocle to read.

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Speaker 2: A couple of few older men behind it. Now, mind you,

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Speaker 2: we're in booths that have like glass in between, so

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Speaker 2: we're you know what I mean, we're not we're not

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Speaker 2: trying to be not just. And then there be a

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Speaker 2: table of like twelve people kind of on the other side.

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Speaker 2: So I wasn't too bored, but uh, we got shushed.

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Speaker 1: We got shushed, We got shushed. Yeah, it's bad when

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Speaker 1: we get shushed.

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Speaker 2: Well, yeah, but they were like great heel white men,

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Speaker 2: you know what I mean, they could have. They probably

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Speaker 2: shushed people all the time in the restaurant.

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Speaker 1: Sure, we're just one of many they've shushed, right, I.

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Speaker 2: Mean, I I don't know if I hope or not,

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Speaker 2: but yeah.

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Speaker 1: I mean I'll take a shush. That's fine.

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Speaker 2: Yeah that's fine because I didn't so you know. So yeah,

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Speaker 2: and again, you guys, this is not a quiet restaurant.

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Speaker 2: This is this is everything happening in like a ten

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Speaker 2: foot square area, you know what I mean.

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Speaker 1: So great. I was just like, it's also amazing.

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Speaker 2: The jokes were hilarious, so we couldn't be quiet. It

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Speaker 2: was funny. Kim ran into her friend.

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Speaker 1: Kim was Kim's the mayor. Kim knows everybody everywhere.

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Speaker 2: We came on a Maria. Between the two of them.

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Speaker 1: Yeah, they know everybody. They could they could run Los Angeles,

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Speaker 1: please seriously. Yeah, oh my goodness, so fun. Yeah it was.

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Speaker 1: There was thrilling, thrilling, last minute thing for me, and

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Speaker 1: I loved it.

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Speaker 2: I was glad you came. I'm so glad you came

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Speaker 2: because I know, yeah, I don't ever you know, I

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Speaker 2: get to see you quote unquote every week, but I

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Speaker 2: don't get to see you in person.

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Speaker 1: And it was person It was great. I had to

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Speaker 1: give you a hug. Yeah, it was great. We talked

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Speaker 1: about wearing dresses versus pants, versus underwear versus bras. Oh

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Speaker 1: my god, give me underwear. Good lord, I told you

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Speaker 1: I wear underwear.

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Speaker 2: Now.

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Speaker 1: I'm proud of you. You've come so far.

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Speaker 2: But here's what I didn't know, you guys, is that

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Speaker 2: she told me for it was a year long experiment

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Speaker 2: in twenty nineteen to just give up on wearing underwear.

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Speaker 1: Yes, well, yeah, because you know, airflow is important. I

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Speaker 1: was hot as menopause. I needed like as much airflow possible. Yeah,

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Speaker 1: but if you okay, it's this is there's video evidence

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Speaker 1: of this, not of me not wearing underwear, but not

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Speaker 1: for yeah, on my blog, there's evidence of me wearing

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Speaker 1: a long dress.

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Speaker 2: Yes, that's why I heard some like jersey knit dress

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Speaker 2: on and you had to get on a bicycle.

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Speaker 1: I had to ride a bike and I was like, crap,

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Speaker 1: I'm not wearing I was like oh. She was like

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Speaker 1: what do I do?

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Speaker 2: And I was like hold on, And so I hit

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Speaker 2: on on my hands and knees and I'm tying her

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Speaker 2: dress into a not like Genie pants below, they're like

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Speaker 2: these balloon they were quite fashionable, Yeah, but they were

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Speaker 2: kind of hammer asked pants pantaloons really yeah, in the center,

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Speaker 2: so that you could ride mount to the bike on

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Speaker 2: the bicycle. It was also it really had the underwear

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Speaker 2: wasn't the problem. It was the length of the dress.

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Speaker 1: Was the underwear.

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Speaker 2: But it was the realization that you couldn't just hike

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Speaker 2: your dress up lest Yeah, we don't need things come

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Speaker 2: out right, we don't need that much contact with them.

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Speaker 2: You didn't need that much airflow.

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Speaker 1: But the way you tied it, it looked like utters.

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Speaker 1: So you started with it.

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Speaker 2: Because I tied it in a knot, and so it

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Speaker 2: was just like these two things hanging down it Legit

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Speaker 2: looked like an utter, and so I think, Yeah, I started.

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Speaker 1: Milk and milking me.

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Speaker 2: I was, I was.

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Speaker 1: I'm sure. And there's video evidence of this. There's video.

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Speaker 1: I don't remember which vlog episode it is, but just

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Speaker 1: go look and you'll find it. And just look and

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Speaker 1: you'll find it. It's terracal.

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Speaker 2: Yeah, yeah, it was. I forgot I did that.

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Speaker 1: I remember I tied the thing up I forgot. I think, well,

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Speaker 1: Chris Jensen or do you your first ad comes over.

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Speaker 1: He's like, what's the hold up?

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Speaker 2: Like, what's like, what's coming on? And then he's just like,

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Speaker 2: why is not worried underwear?

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Speaker 1: She's like, I was like, I don't need it? Oh

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Speaker 1: my god. Yes, it's like take your time, and he

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Speaker 1: walked away.

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Speaker 2: He's like, Okay, what a you guys gotta do just

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Speaker 2: you figure that out.

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Speaker 1: So, yes, just to update you and everyone else, I

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Speaker 1: wear underwear now.

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Speaker 2: She said it was one it was a year long experiment. Yeah, okay,

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Speaker 2: great and anyway, so whatever you did. But she did

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Speaker 2: announce this in the front of Don Cuco's having a conversation.

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Speaker 2: Uh so again Andrey and I like to apparently have

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Speaker 2: inappropriate conversations. Uh in the front of restaurants Don Cucos

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Speaker 2: on George and two restaurants.

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Speaker 1: Apparently they have to have to.

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Speaker 2: Yeah, yeah, this is the thing, like lobsters next, we're

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Speaker 2: we're just ourselfs.

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Speaker 1: Like it doesn't matter if for a podcast and a

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Speaker 1: restaurant or in a private home, like, it doesn't matter.

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Speaker 1: We can talk about the same stuff.

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Speaker 2: I am, I am who I am?

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Speaker 1: Who said that? I am who I am? By wasn't it?

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Speaker 1: Oh my god? Turning into Joey you are you are?

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Speaker 1: Joey Gladstone, Joey Jody? Wait anyway, Joey, let's should we

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Speaker 1: start the show or I could keep talking about my

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Speaker 1: underwear habits?

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Speaker 2: My god, I you know, sometimes we record this and

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Speaker 2: I go, wow, what are people were gonna think about that? So, uh, anyway,

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Speaker 2: please give us your give us your thoughts.

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Speaker 1: Guys, yes, are you? Are you pro underwear?

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Speaker 2: Well?

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Speaker 1: And it depends on like okay, yeah, depends well.

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Speaker 2: No, we're not gonna get okay, we're not getting into

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Speaker 2: this and going to be uh going to do our

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Speaker 2: job well not maybe not that, but we're gonna go

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Speaker 2: talk about the show, right.

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Speaker 1: And if you want to leave a comment and tell

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Speaker 1: us if you are pro underwear or anti underwear, just

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Speaker 1: let me know. Great, okay, Welcome back to How Rude

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Speaker 1: Tan Rito's I'm Andrea.

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Speaker 2: Barber and I'm Jody Sweeten, and I'm wearing underwear.

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Speaker 1: He's going wonder Today we are discussing season six, episode eleven,

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Speaker 1: Designing Mothers, a take on the title of the TV

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Speaker 1: show Designing Women. Great show. Yes. This originally aired December eighth,

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Speaker 1: nineteen ninety two, and it goes a little something like this.

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Speaker 1: Danny meets Vicky's mother, Liz, an interior designer. When she

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Speaker 1: oversteps at Danny's house, it creates a problem for Danny

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Speaker 1: and VICKI. Meanwhile, new changes at the radio station are

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Speaker 1: making Jesse and Joey nervous for their show. It was

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Speaker 1: directed by Joelswick, it was written by Serte Katz and

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Speaker 1: Gloria Keteer. And we have some great guest stars this week.

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Speaker 1: We have Jennifer Rhodes as Liz Larsen. Such good casting.

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Speaker 1: I love this actress. She's so good. She wrote her

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Speaker 1: own bio on IMDb, and I'm going to read it

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Speaker 1: at least quote her. Oh yes, this is great, she says. Quote.

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Speaker 1: I'm probably best known for playing Winona Ryder's mom in

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Speaker 1: heathers Oh, yes, that's right. Yes, i recurred for eight

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Speaker 1: years as Graham's on Charmed, and I'm known for a

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Speaker 1: horror film. I don't wish to discuss end quote. What

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Speaker 1: now I need to know? Okay. So I looked up

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Speaker 1: and I'm like, I was like, so did you dig?

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Speaker 1: Of course I did? Of course I dug. Yes, Okay,

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Speaker 1: so it could be Halloween from nineteen seventy eight, Okay,

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Speaker 1: Night Creature also from nineteen seventy eight, Night of the

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Speaker 1: Demons two, I don't know what year that was, and

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Speaker 1: the Baby Doll Murders nineteen ninety three.

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Speaker 2: I'm gonna go with the Demon Doll.

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Speaker 1: Oh really okay, Yeah, I don't know.

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Speaker 2: Maybe she got like really religious and now she's freaked

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Speaker 2: out to like say that she was in a I

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Speaker 2: don't know, you know how people get weird about demons.

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Speaker 1: Min say like, now I want to ask her, but

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Speaker 1: she says she doesn't like to talk about it. So

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Speaker 1: now I feel like I can't ask her about it.

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Speaker 1: But I'm dying to know.

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Speaker 2: I'm dying now she's created, she's created. Maybe she maybe

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Speaker 2: she and Jamie didn't get along.

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Speaker 1: Oh, maybe that's it.

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Speaker 2: Maybe she's she died in a horrific way in the movie.

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Speaker 2: Maybe I don't know.

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Speaker 1: Maybe it was just a bad experience. She's like, I

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Speaker 1: don't want to talk about it because I got a

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Speaker 1: fight with the director, and I don't Yeah, that could

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Speaker 1: be it. That could be it. Go imagine some things

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Speaker 1: and create a story about this. You do you do that?

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Speaker 1: I'll continue with the Guest Stars Great Gail Edwards returns

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Speaker 1: as Vicky Larson. Martha Quinn returns, but this time as

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Speaker 1: Allison Axelrod.

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Speaker 2: This time, she is not Martha Quinn uh or Becky's sister,

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Speaker 2: or a dance teacher. No, no, no, she's not even

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Speaker 2: playing the role of Debbie Gregory.

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Speaker 1: She is now. She played herself in season five, episode

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Speaker 1: twenty six, Captain Video Part two Jesse Video Forever, the

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Speaker 1: forever video for Oh my God. I know we haven't

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Speaker 1: had enough distance from that yet. Poor Martha had to Yeah,

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Speaker 1: poor Martha, Yes, but it's I think she's adorable in

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Speaker 1: this act. She's so cute. Last, but certainly not least,

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Speaker 1: we have Ken Kerman as the firefighter. He's great. He

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Speaker 1: also played a firefighter in an episode of Step by Step.

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Speaker 1: He played a cop in Family Matters, He played a

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Speaker 1: rowdy construction worker Number one in Night Court, he played

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Speaker 1: officer number two in Seinfeld, and he played a security

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Speaker 1: guard in Perfect Strangers. He's got a type. He's got

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Speaker 1: a type.

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Speaker 2: He got it. He's definitely he's getting type.

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Speaker 1: Guess you know it might be the mustache. Did he

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Speaker 1: he had a mustache? Didn't he? I'm trying to like

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Speaker 1: a big burley guy like he's like, but I feel

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Speaker 1: like he had a mustache.

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Speaker 2: I think is that indicative of Yeah, giant mustaches.

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Speaker 1: They don't have time to shave because they're no they do.

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Speaker 1: They just I don't know. It's like a it's a thing.

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Speaker 1: It's like an identity thing. Yes, I don't know. I

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Speaker 1: don't know. Fantastic guests This week, we start with the teaser.

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Speaker 1: In the kitchen, Becky is with her twins at their

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Speaker 1: kiddy table, trying to get them to finish their lime

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Speaker 1: of beans. The doorbell rings, and she tells Michelle she's

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Speaker 1: going to get the door before she goes, Becky bribes

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Speaker 1: the twins and you know what, you guys, if you

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Speaker 1: finish these delicious lima beans, you can have dessert. As

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Speaker 1: Becky leaves, Michelle jumps down from her counterstool and walks

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Speaker 1: over to the twins. I'll show you guys how to

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Speaker 1: get dessert. Comet Comet makes his way to the plate

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Speaker 1: and eats all the lima beans. Michelle tells the boys

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Speaker 1: just be cool, She'll never know.

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Speaker 2: It's like a bat, he'll eat anything.

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Speaker 1: Yeah, he's so sweet coming, He's so sweet and sweet baby.

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Speaker 1: Becky walks back into the kitchen and sets a package down.

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Speaker 1: She looks at the empty plate and wonders how Michelle

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Speaker 1: got them to finish their lima beans. Michelle nods, well,

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Speaker 1: it's a kid thing, and Becky questions, oh really, as

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Speaker 1: Comet puts his cute little chin on the empty plate

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Speaker 1: and Michelle shrugs her shoulders. I love that. I love

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Speaker 1: the shirt Michelle is wearing. It's all like all those

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Speaker 1: buttons on it.

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Speaker 2: I was gonna say, very tactile. Yeah, yeah, but what

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Speaker 2: are you feelings on lima beans?

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Speaker 1: I don't are they even around anymore? Like the lima

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Speaker 1: beans are called for in recipes, they're not.

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Speaker 2: Yeah, they're not a particularly lagoome. But are they probably

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Speaker 2: what is a popular lagome? Lentil?

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Speaker 1: Oh, yeah, lentils are good, don't get started. Yeah, lentils, peanuts, oh,

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Speaker 1: not lima bean.

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Speaker 2: But no lima beans. I feel like they're only in

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Speaker 2: like frozen vegetables, like the suck atash.

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Speaker 1: You get that. It's like like the.

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Speaker 2: Little squared carrots and peas and lima beans and like

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Speaker 2: something else frozen.

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Speaker 1: Yeah, it's part of a medley. Like you can't just

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Speaker 1: see Lima beans by themselves. It's it's a group thing,

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Speaker 1: so okay, we'll take it. Next we're in the living room.

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Speaker 1: Becky is sitting on the couch as Joey and Jesse

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Speaker 1: walk in from work. They are in sour moods as

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Speaker 1: they sit down because they heard the radio station is

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Speaker 1: getting a new manager, who they call Alison the axe Axelrod.

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Speaker 1: Jesse emphasizes, we heard she's firing everybody and switching to

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Speaker 1: classical music. We're talking pre blue suede shoes. Joey sighs,

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Speaker 1: let's face it, Jess, we're history dust, yesterday's garbage. Becky

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Speaker 1: just put us out on the curb, and Jesse adds, yeah,

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Speaker 1: it's trash day.

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Speaker 2: I'm sure another job would fall right into their laps.

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Speaker 2: You know, be worried, right, Why would you worry?

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Speaker 1: You're gonna be fine. You'll get another job in like

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Speaker 1: eighteen minutes. Just wait. Becky stops them from their grumbling

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Speaker 1: and tells them to sit down. She gives them a

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Speaker 1: speech about not quitting and acting like professionals. She says,

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Speaker 1: when I was on Good Morning Omaha, I had to

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Speaker 1: do the farm reports, as Becky, the milk they made

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Speaker 1: me sign off with a pig call, and then she

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Speaker 1: does the souee.

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Speaker 2: And comment answers the call amazing. The milkmaid got brought

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Speaker 2: up in this. Uh yeah, we really tied the room

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Speaker 2: together with that one.

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Speaker 1: You see that we planned that. We planned pre show

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Speaker 1: chatter to tie into the milkmaid comment runs in. Becky comments, well,

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Speaker 1: not a porker, but close, and blessed Laurie for committing

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Speaker 1: to this bit, like this suy bit that she had

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Speaker 1: to scream at the top of her lunk. She did great,

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Speaker 1: But you just hate sometimes you hate bits like that

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Speaker 1: as actors where you're.

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Speaker 2: Like, yeah, you gotta just kind of go for it.

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Speaker 2: You ever seen people do a pig call? No, it's

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Speaker 2: look it up.

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Speaker 1: It's oh loud and yes, crazy, it's a thing. Well,

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Speaker 1: you got to be loud to get the to get

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Speaker 1: fixed to come on over. So yeah, So Danny. Danny

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Speaker 1: walks into the family room with Michelle and Stephanie and

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Speaker 1: asks Jess to take his feet off the table because

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Speaker 1: he's getting nervous for Vicky's mom to visit. Joey points out,

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Speaker 1: don't worry, she won't be checking out footprints. She came

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Speaker 1: here to check you out. Danny denies it and says, no,

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Speaker 1: she's here for an interior design award, and then Jesse jokes, yeah,

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Speaker 1: that and to grill you like a shish kabab. Joey

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Speaker 1: adds that once you meet the mother, everything changes in

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Speaker 1: the relationship. It's a big milestone. How does Joey know that? Yeah,

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Speaker 1: that's right. He's only had a girlfriend for eighteen minutes.

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Speaker 1: He's like, he experiences, he is he's very wise. I

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Speaker 1: guess he's the best. The only other person to get

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Speaker 1: advice from is Jesse And yeah, that's Joey's Yeah, okay,

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Speaker 1: Joey's his best bet. Danny defends himself. He and Vicky

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Speaker 1: are doing well and he isn't worried. Joey replies, well,

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Speaker 1: you know, this is also a chance to check her out.

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Speaker 1: When you meet the mom, you see what the daughter's

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Speaker 1: going to look like in about twenty years.

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Speaker 2: Wait, it's just so sexist to Yeah, it's quite a miss.

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Speaker 2: It's a quite a misogynistic comment that you don't realize

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Speaker 2: until you're like, wait.

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Speaker 1: A minute, are you looking like I don't know.

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Speaker 2: It's just weird. Yeah, it's a it's gotta it felt.

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Speaker 2: It's funny because at the time, nobody, you know, you'd

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Speaker 2: be like, oh, yeah, look at my things, But now

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Speaker 2: you're like, that's kind of weird, and like are you

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Speaker 2: because it's judging.

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Speaker 1: They're judging a woman on.

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Speaker 2: Based on her how she and she looks and how

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Speaker 2: well she's going to age.

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Speaker 1: Yeah, that's what it is. Yeah, and that's I know

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Speaker 1: people people tell me all the time, and I love

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Speaker 1: it when they say, oh, you look just like your mom,

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Speaker 1: And it's like the best compliment because I love like

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Speaker 1: it's it's something I strive for.

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Speaker 2: Not I have.

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Speaker 1: Looking like my mom doesn't matter, you know, if they're beautiful,

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Speaker 1: not beautiful, it doesn't matter.

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Speaker 2: It's the signing hat though, that really does it.

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Speaker 1: The sun Yeah, yeah, it's usually a scarf.

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Speaker 2: Yep, that's when you're in full Sherry Barber mode.

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Speaker 1: I love it. But yeah, this is not a great

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Speaker 1: commp not a great comment. But whatever, Uh, Danny Nod's fine.

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Speaker 1: Let her check me out. I'll check her out. I

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Speaker 1: got nothing to hide on. Cue the doorbell rings and

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Speaker 1: Stephanie raises her eyebrows. It's checkout time. Can we just

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Speaker 1: talk about what you're wearing here? With the mustard yellow

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Speaker 1: button down shirt and this oversized western vest. I don't know. Yeah,

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Speaker 1: it's a choice.

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Speaker 2: Going on, but yeah, it looks like someone made a

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Speaker 2: vest out of cowboy sheets.

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Speaker 1: Yes, and then like you're wearing your older sister's vest

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Speaker 1: or something because it's oversized.

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Speaker 2: Size was the thing, you remember, Yeah, and everything was

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Speaker 2: big suits, and you know.

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Speaker 1: It was a choice. I kept expecting it to be

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Speaker 1: part of a joke later on, and it wasn't.

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Speaker 2: That was just that was not a joke. There was

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Speaker 2: nothing joking about that. That was in all seriousness.

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Speaker 1: I love it. Danny answers the door, and a very

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Speaker 1: beauty in a red suit is standing with Vicky. He

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Speaker 1: seems surprised when Vicky introduces her as her mom, Liz Larsen.

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Speaker 1: Danny pauses and smiles. It's nice to meet you, Liz,

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Speaker 1: and congratulations on your award. She greets him back. Vicky

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Speaker 1: seems nervous. It's nice to have you both meeting, and

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Speaker 1: then she makes her way to introduce the rest of

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Speaker 1: the family. Michelle is pleased or pleasantly surprised, and comments, Dad,

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Speaker 1: Vicky's gonna look good when she gets old. See you

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Speaker 1: gotta watch what you say. They always do this, Danny

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Speaker 1: nervously laughs, oh kids, you know, to them, everybody's old.

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Speaker 1: They think I'm ancient, so that would make you And

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Speaker 1: then he stops talking as he looks at Liz and

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Speaker 1: Vicky and continues to chuckle. So awkward. Yeah. He then

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Speaker 1: asks the girls to show Liz the house. They are delighted,

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Speaker 1: and Michelle yells as she runs towards the stairs. My

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Speaker 1: room first. Danny grabs Vicky's hand as they make their

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Speaker 1: way upstairs. Okay, is it just me or do you?

433
00:22:02,840 --> 00:22:07,480
Speaker 1: Liz and VICKI look like sisters and not mother daughter.

434
00:22:07,920 --> 00:22:10,920
Speaker 2: Well, I mean sometimes it happens.

435
00:22:11,280 --> 00:22:15,000
Speaker 1: Well, I looked okay, because I'm me. I looked up right.

436
00:22:15,200 --> 00:22:18,040
Speaker 1: Gail was born in nineteen fifty two and Jennifer was

437
00:22:18,080 --> 00:22:19,840
Speaker 1: born in nineteen forty seven.

438
00:22:20,000 --> 00:22:22,320
Speaker 2: They're only five years apart.

439
00:22:22,760 --> 00:22:23,200
Speaker 1: Wow.

440
00:22:24,000 --> 00:22:26,399
Speaker 2: Yeah, I wanted to show that she'd aged well. So

441
00:22:26,400 --> 00:22:29,679
Speaker 2: they're not going to get somebody that's that's actually older,

442
00:22:29,840 --> 00:22:32,120
Speaker 2: you know what I mean, Because then they can't then

443
00:22:32,160 --> 00:22:34,240
Speaker 2: they can't make comments about how she looks.

444
00:22:34,240 --> 00:22:36,560
Speaker 1: Well, but you can. I feel like they could have put, like,

445
00:22:36,640 --> 00:22:39,480
Speaker 1: I don't know, some silver in her hair or something.

446
00:22:39,800 --> 00:22:44,080
Speaker 2: She's got this beautiful she's like this very together. She's

447
00:22:44,119 --> 00:22:45,840
Speaker 2: like Becky's mom.

448
00:22:46,119 --> 00:22:49,200
Speaker 1: Oh, yes, she's she's a professional, and she's put Togeah,

449
00:22:49,280 --> 00:22:52,320
Speaker 1: she's like Nedra. Yeah, it's like Nedra. Okay, well that's

450
00:22:52,520 --> 00:22:55,240
Speaker 1: she's a great actress. I thought she fit the part perfectly.

451
00:22:55,720 --> 00:22:56,400
Speaker 1: But I'm like, like.

452
00:22:56,359 --> 00:22:58,560
Speaker 2: The Golden Girls were in there were like our age.

453
00:22:58,760 --> 00:23:02,120
Speaker 1: Right, yes, we are the same age as the Golden Girls.

454
00:23:02,480 --> 00:23:04,919
Speaker 1: That's wild. It's all about the hair. If they had

455
00:23:04,960 --> 00:23:06,880
Speaker 1: given her some like white or silver hair, I think

456
00:23:06,880 --> 00:23:08,880
Speaker 1: that would have aged her up a little bit. Yeah,

457
00:23:08,960 --> 00:23:12,280
Speaker 1: as it is, she had like that Vicky hair, the

458
00:23:12,359 --> 00:23:16,719
Speaker 1: red reddish hair. Yeah, anyway, she looks great. But I

459
00:23:16,760 --> 00:23:18,520
Speaker 1: just thought that was funny, like they don't look like

460
00:23:18,560 --> 00:23:24,440
Speaker 1: mother daughter. Yeah. Next, in the girls room, Liz, Vicky, Danny, Stephanie,

461
00:23:24,440 --> 00:23:27,800
Speaker 1: and Michelle are there and Danny asks what she thinks

462
00:23:27,800 --> 00:23:30,840
Speaker 1: of the room. She likes it. It has all of

463
00:23:30,880 --> 00:23:36,480
Speaker 1: the classic features. Then Stephanie's curiosity peaks miss Larson, what

464
00:23:36,560 --> 00:23:39,800
Speaker 1: would you do if you were redecorating this room for say,

465
00:23:40,000 --> 00:23:42,840
Speaker 1: an heiress or a princess or a fifth grader? And

466
00:23:42,880 --> 00:23:47,320
Speaker 1: her sister Danny informs them that Liz isn't working today,

467
00:23:47,640 --> 00:23:51,440
Speaker 1: but Liz says she doesn't mind being asked interior design questions,

468
00:23:51,800 --> 00:23:55,600
Speaker 1: and she answers. She remarks, now and here, I think

469
00:23:55,640 --> 00:23:59,119
Speaker 1: I would splash these walls with bright colors.

470
00:23:59,320 --> 00:24:02,720
Speaker 2: The primary colors that are on there. Now it seems

471
00:24:02,760 --> 00:24:05,399
Speaker 2: pretty I would muse those colors. I would turn it

472
00:24:05,440 --> 00:24:06,080
Speaker 2: down the notch.

473
00:24:06,359 --> 00:24:11,119
Speaker 1: Yeah, Michelle jokes, I did that with my fingerpaints, but

474
00:24:11,200 --> 00:24:15,960
Speaker 1: Daddy didn't like it. Liz continues, and I'd use contrasting

475
00:24:16,040 --> 00:24:19,399
Speaker 1: patterns to make the room vibrate with youth and excitement.

476
00:24:21,320 --> 00:24:23,840
Speaker 1: It looks pretty youthful to me. It's got those geometrical

477
00:24:24,040 --> 00:24:24,800
Speaker 1: shapes on there.

478
00:24:24,920 --> 00:24:27,160
Speaker 2: Yeah, primary, that room makes me vibrate.

479
00:24:28,760 --> 00:24:34,040
Speaker 1: You know, it's a lot happening. Stephanie reacts perfect, she's

480
00:24:34,160 --> 00:24:37,199
Speaker 1: youth and she points to Michelle, and I'm excitement and

481
00:24:37,240 --> 00:24:39,800
Speaker 1: she points to herself. So, Dad, what do you think

482
00:24:39,920 --> 00:24:42,479
Speaker 1: can we splash the room and make it vibrate? And

483
00:24:42,520 --> 00:24:45,840
Speaker 1: Michelle joins in on pleading with him, standing up and begging.

484
00:24:47,080 --> 00:24:50,520
Speaker 1: Danny immediately rejects the idea. He doesn't think they need

485
00:24:50,720 --> 00:24:56,520
Speaker 1: change just for the sake of change, and walkery heavily. Yeah, well,

486
00:24:56,560 --> 00:25:00,720
Speaker 1: this is very on brand for Danny, he does change. Yeah, yeah, yeah,

487
00:25:00,800 --> 00:25:04,120
Speaker 1: there's gotta be a reason for it. Uh, DJ got

488
00:25:04,160 --> 00:25:07,440
Speaker 1: to do her room. Yeah, that's true, that's true. It's

489
00:25:07,480 --> 00:25:08,760
Speaker 1: it's time. It's time for the.

490
00:25:08,680 --> 00:25:12,960
Speaker 2: Girls leftovers, and Danny will lets Stephanie has its because

491
00:25:13,000 --> 00:25:15,520
Speaker 2: Stephanie asked, that's what Michelle as, you would have gotten.

492
00:25:15,320 --> 00:25:18,399
Speaker 1: It right, like just get in the bathroom, Stefan, I

493
00:25:18,600 --> 00:25:21,560
Speaker 1: just don't. Yeah, this we're talking about the man who

494
00:25:21,640 --> 00:25:24,639
Speaker 1: had the nautical design for all eight seasons of the

495
00:25:24,680 --> 00:25:28,160
Speaker 1: show and then later in Fuller House too. We never

496
00:25:28,200 --> 00:25:31,120
Speaker 1: got rid of that nautical design. It's just part of the.

497
00:25:31,040 --> 00:25:33,920
Speaker 2: Court House in San Francisco is decorated like that, don't

498
00:25:33,960 --> 00:25:36,560
Speaker 2: you know. It's a requirement, part of the history.

499
00:25:36,400 --> 00:25:41,800
Speaker 1: Niners decor and the sea Pappy in the background staring awkwardly.

500
00:25:41,960 --> 00:25:44,560
Speaker 1: Oh it's great. So Liz walks over to Vicky and

501
00:25:44,680 --> 00:25:48,160
Speaker 1: Danny and admits, you know, Danny, I understand, I see

502
00:25:48,200 --> 00:25:50,959
Speaker 1: clients like you all the time. Some people are just

503
00:25:51,280 --> 00:25:55,840
Speaker 1: uncomfortable with change. Danny shrugs his shoulders. I'm not uncomfortable

504
00:25:55,840 --> 00:25:58,399
Speaker 1: with change. I change my socks every day twice.

505
00:25:58,560 --> 00:26:03,760
Speaker 2: If it's human, I mean, that's probably just normal.

506
00:26:04,119 --> 00:26:07,600
Speaker 1: Uh, he probably changes into the like a similar pair

507
00:26:07,640 --> 00:26:10,479
Speaker 1: of socks, like right right, white sox to white sox.

508
00:26:10,720 --> 00:26:15,720
Speaker 1: You know it's oh Danny. Next in the kitchen, Steve,

509
00:26:15,840 --> 00:26:18,119
Speaker 1: DJ and Kimmy are hanging out at the kitchen table.

510
00:26:18,920 --> 00:26:21,359
Speaker 1: They are trying to set Kimmy up with someone on

511
00:26:21,440 --> 00:26:24,240
Speaker 1: Steve's wrestling team, but they're having a bit of trouble.

512
00:26:25,040 --> 00:26:27,879
Speaker 1: Steve tells her, well, you know, Kimmy, it's not that easy.

513
00:26:28,160 --> 00:26:30,960
Speaker 1: Bobby's going with someone, and Chuck's still not over his

514
00:26:31,040 --> 00:26:35,440
Speaker 1: last girlfriend, and all the other guys know you. Kimmy

515
00:26:35,480 --> 00:26:38,680
Speaker 1: smiles at first, and then realizes Steve just insulted her

516
00:26:39,000 --> 00:26:44,800
Speaker 1: and furrows her brow in the classic Kimmy the Kimmy face. Yes,

517
00:26:46,160 --> 00:26:48,919
Speaker 1: and thus starts the long line of jokes of Kimmy

518
00:26:48,960 --> 00:26:51,600
Speaker 1: being boy crazy but when able to land a man

519
00:26:51,800 --> 00:26:52,679
Speaker 1: like this, goes on.

520
00:26:52,840 --> 00:26:57,399
Speaker 2: Man, look at you and fuller, you got you got Fernando.

521
00:26:57,040 --> 00:27:01,280
Speaker 1: I got Fernando. Yeah that was that justice just yes, yeah.

522
00:27:01,320 --> 00:27:02,080
Speaker 1: See that's the thing is.

523
00:27:02,119 --> 00:27:04,040
Speaker 2: Now you know you're like, oh, don't worry, don't worry.

524
00:27:04,080 --> 00:27:06,440
Speaker 2: Make fun of me now, right, make fun of me now,

525
00:27:06,920 --> 00:27:07,640
Speaker 2: just wait, just wait.

526
00:27:07,960 --> 00:27:10,840
Speaker 1: A cool thirty years and you'll be regretting them.

527
00:27:11,000 --> 00:27:11,480
Speaker 2: Yeah.

528
00:27:12,040 --> 00:27:15,119
Speaker 1: Danny makes his way downstairs to introduce everyone to Liz

529
00:27:15,320 --> 00:27:18,240
Speaker 1: and jokes about Kimmy and Steve. They don't live here,

530
00:27:18,359 --> 00:27:21,639
Speaker 1: they just eat here. Just then Kimmy stands up and

531
00:27:21,720 --> 00:27:24,800
Speaker 1: pat's Danny on the shoulder. So what do you think

532
00:27:24,840 --> 00:27:27,280
Speaker 1: of our mister t He's a little skinny, but he's

533
00:27:27,280 --> 00:27:33,920
Speaker 1: also uptight. Yeah. I mean she's not wrong, but she's

534
00:27:34,080 --> 00:27:45,800
Speaker 1: right so annoying. It's great. Vicky's Vicky's beeper goes off.

535
00:27:42,760 --> 00:27:45,880
Speaker 2: Right, I got like, what's that timer going off?

536
00:27:45,960 --> 00:27:46,160
Speaker 1: Yeah?

537
00:27:46,200 --> 00:27:50,200
Speaker 2: Yeah, it's like, why is it beeping in her pocket?

538
00:27:50,440 --> 00:27:53,520
Speaker 1: Yeah? The beeper's God blessed peepers. Do you remember you

539
00:27:53,520 --> 00:27:56,919
Speaker 1: would like could send messages to your friends with using

540
00:27:56,960 --> 00:28:02,080
Speaker 1: the numbers as letters, spell out boobs, scat.

541
00:28:02,760 --> 00:28:05,159
Speaker 2: Yeah yeah yeah you spell up boobs, you spell a

542
00:28:05,200 --> 00:28:06,000
Speaker 2: lot of stupid things.

543
00:28:06,200 --> 00:28:08,000
Speaker 1: Yeah, that's how we enterchange ourself.

544
00:28:08,080 --> 00:28:11,520
Speaker 2: Yeah. Text code was text code was the original? Or

545
00:28:11,600 --> 00:28:14,840
Speaker 2: like like pag your code was the original text code?

546
00:28:14,880 --> 00:28:17,720
Speaker 2: Like yeah, shortened whatever except short hammers.

547
00:28:18,119 --> 00:28:25,040
Speaker 1: Yeah see it all started you okay, yeah, see it's

548
00:28:25,080 --> 00:28:27,760
Speaker 1: it all started with the God bless the beeper. Vicki's

549
00:28:27,760 --> 00:28:29,760
Speaker 1: beeper goes off, and she has to leave the room

550
00:28:29,920 --> 00:28:31,240
Speaker 1: to make a call to her.

551
00:28:31,160 --> 00:28:33,119
Speaker 2: Office because she doesn't have a cell phone, so she

552
00:28:33,160 --> 00:28:34,520
Speaker 2: needs to go find a landline.

553
00:28:34,800 --> 00:28:38,760
Speaker 1: Go find the landline. Yep. Liz and Danny just stare

554
00:28:38,800 --> 00:28:41,880
Speaker 1: awkwardly at each other, and so Kimmy breaks the ice

555
00:28:42,480 --> 00:28:46,040
Speaker 1: meeting mom, I guess that means wedding bells, and she

556
00:28:46,120 --> 00:28:48,680
Speaker 1: starts singing at the top of her lungs. Here comes

557
00:28:48,720 --> 00:28:54,880
Speaker 1: the bride. Oh boy, DJ jumps into action, grabbing Steve's jacket.

558
00:28:55,320 --> 00:28:57,840
Speaker 1: Steve throws Kimmy over his shoulder as they leave the house,

559
00:28:57,880 --> 00:29:00,560
Speaker 1: and she comments, Steve, areno, you know for this angle?

560
00:29:00,600 --> 00:29:02,080
Speaker 1: Your kaboos looks really good?

561
00:29:03,240 --> 00:29:06,720
Speaker 2: And then Jimmy, I mean, could you imagine saying to

562
00:29:06,840 --> 00:29:08,640
Speaker 2: your best friend's boyfriend like, hey.

563
00:29:08,480 --> 00:29:12,560
Speaker 1: Your butt looks great. She's so you'd be like, that's weird.

564
00:29:13,120 --> 00:29:17,920
Speaker 1: It's just it's just Jimmy. Sixty seconds of inappropriate comments.

565
00:29:18,400 --> 00:29:21,840
Speaker 2: Well, Kimmy has no she doesn't read social situations. Well,

566
00:29:21,920 --> 00:29:23,200
Speaker 2: she just kind of does her own thing.

567
00:29:23,760 --> 00:29:26,600
Speaker 1: Okay, So do you think Kimmy is oblivious and self

568
00:29:26,720 --> 00:29:29,560
Speaker 1: unaware in this scene or do you think she's knowingly

569
00:29:30,080 --> 00:29:33,000
Speaker 1: like leaning into this teasing of Danny Tanner.

570
00:29:33,600 --> 00:29:36,000
Speaker 2: Oh, I think she's leaning definitely leaning in.

571
00:29:36,200 --> 00:29:40,200
Speaker 1: Yeah, I agree this. She she knows, she knows exactly

572
00:29:40,880 --> 00:29:41,720
Speaker 1: she thurrowed the brout.

573
00:29:41,880 --> 00:29:43,800
Speaker 2: She had no idea, and she was like, wait a minute,

574
00:29:43,800 --> 00:29:45,680
Speaker 2: that's yeah, that went right over her head.

575
00:29:46,200 --> 00:29:48,480
Speaker 1: She was she was digging in a little bit. Oh

576
00:29:48,480 --> 00:29:50,840
Speaker 1: she You could tell she loved it. I say that like,

577
00:29:50,920 --> 00:29:53,000
Speaker 1: it's not me doing a bit, but yeah, no, like

578
00:29:53,720 --> 00:29:56,680
Speaker 1: I was loving it. Kimmy was loving it. Yeah, this's

579
00:29:56,760 --> 00:29:57,200
Speaker 1: my favorite.

580
00:29:57,240 --> 00:29:59,400
Speaker 2: Outfit was very cute too, by the way, Oh yeah,

581
00:29:59,400 --> 00:30:01,680
Speaker 2: they're a little us and those shorts and then yeah,

582
00:30:02,000 --> 00:30:05,680
Speaker 2: like Kimmy's got cute fashion. It was giving me reminders

583
00:30:05,960 --> 00:30:09,240
Speaker 2: of of mermaid butt outfit.

584
00:30:09,920 --> 00:30:14,800
Speaker 1: Oh yeah, but you know, the like kind of yeah yeah,

585
00:30:14,840 --> 00:30:17,240
Speaker 1: but I like it's much more muted because it's well, yeah,

586
00:30:17,280 --> 00:30:23,560
Speaker 1: it doesn't have one color Mermaid God bless those Mermaid butts.

587
00:30:24,400 --> 00:30:25,400
Speaker 1: So Danny chuckles.

588
00:30:29,720 --> 00:30:32,720
Speaker 2: I don't know why that just that was that one

589
00:30:32,800 --> 00:30:36,440
Speaker 2: hit me, that one hit, but yeah, yeah, I think

590
00:30:36,440 --> 00:30:38,120
Speaker 2: it was because I had the thought of, like, can

591
00:30:38,120 --> 00:30:41,160
Speaker 2: you imagine someone just fast forwarding through an episode and

592
00:30:41,160 --> 00:30:44,920
Speaker 2: that's what they come to, because like, thank God for mermaid.

593
00:30:44,640 --> 00:30:47,680
Speaker 1: Butts, and you're like, what are they talking about? Now?

594
00:30:49,680 --> 00:30:55,000
Speaker 1: Put it on a shirt? Yeah, blessed mermaid butts. So

595
00:30:55,120 --> 00:30:59,440
Speaker 1: Danny chuckles and Liz speaks up. She's curious what he

596
00:30:59,520 --> 00:31:02,600
Speaker 1: thinks about the subject, and he jokes, well, to be

597
00:31:02,600 --> 00:31:04,760
Speaker 1: honest with you, I haven't given that much thought to

598
00:31:04,800 --> 00:31:10,880
Speaker 1: Steve A Reno's caboose good. Liz replies, I'm talking about marriage.

599
00:31:11,000 --> 00:31:14,400
Speaker 1: This makes Danny nervous again. He says, well, I think

600
00:31:14,560 --> 00:31:17,320
Speaker 1: marriage is a wonderful thing if you want to wind

601
00:31:17,400 --> 00:31:21,080
Speaker 1: up uh married. He rushes to the kitchen counter to

602
00:31:21,120 --> 00:31:24,440
Speaker 1: offer her coffee, and Liz says hmm it admits that

603
00:31:24,520 --> 00:31:27,080
Speaker 1: she doesn't want to see Vicky waste her time if

604
00:31:27,120 --> 00:31:32,040
Speaker 1: the relationship isn't going anywhere. Danny again is feeling unsettled

605
00:31:32,080 --> 00:31:34,840
Speaker 1: and jokes, oh, no, no, no, Liz, we're going somewhere

606
00:31:35,240 --> 00:31:37,480
Speaker 1: next just next month. We're going to nap a valley

607
00:31:37,760 --> 00:31:40,960
Speaker 1: and he takes a sip from his coffee mug. Liz

608
00:31:41,000 --> 00:31:45,040
Speaker 1: says another judgie, hm again, and then says, do you

609
00:31:45,120 --> 00:31:47,640
Speaker 1: always make jokes when you want to avoid a subject?

610
00:31:48,360 --> 00:31:51,600
Speaker 1: Danny smiles, No, sometimes I shampoo the dog and he

611
00:31:51,760 --> 00:31:55,560
Speaker 1: chuckles there I go again. Vicki walks back into the

612
00:31:55,640 --> 00:31:59,120
Speaker 1: kitchen asking how they're doing, and they each reply great

613
00:31:59,680 --> 00:32:02,120
Speaker 1: and convincingly. Yeah.

614
00:32:02,160 --> 00:32:04,840
Speaker 2: It seems heavy forward though, to meet within the first

615
00:32:04,880 --> 00:32:06,720
Speaker 2: like ten minutes of meeting someone, to be like, what

616
00:32:06,760 --> 00:32:08,160
Speaker 2: are your intentions? You know?

617
00:32:08,320 --> 00:32:12,200
Speaker 1: Yeah, she's very forward, she's bold, like I like, we've

618
00:32:12,280 --> 00:32:14,000
Speaker 1: that's kind of her, that's kind of who she is.

619
00:32:14,040 --> 00:32:15,560
Speaker 1: She's yeah old.

620
00:32:15,320 --> 00:32:16,240
Speaker 2: I love.

621
00:32:16,360 --> 00:32:19,040
Speaker 1: I do love the women, like the characters on this show,

622
00:32:19,120 --> 00:32:21,600
Speaker 1: Like they're very good role models, Like they know what

623
00:32:21,640 --> 00:32:24,680
Speaker 1: they want their career. Women, they're driven, they're women awards

624
00:32:25,120 --> 00:32:26,560
Speaker 1: you know what. I really yeah, I do.

625
00:32:26,840 --> 00:32:28,360
Speaker 2: I never really involved.

626
00:32:28,440 --> 00:32:31,280
Speaker 1: Vicki, Becky and now Liz. I'm sure there's others too,

627
00:32:31,280 --> 00:32:34,600
Speaker 1: I'm not thinking of, Like great, these are well written characters,

628
00:32:34,600 --> 00:32:37,320
Speaker 1: well done writers, well done. Yeah, we'll give you your fly.

629
00:32:37,440 --> 00:32:41,400
Speaker 1: Successful women like that one. We love it. Next in

630
00:32:41,440 --> 00:32:44,200
Speaker 1: the living room, Jesse is on the couch looking over

631
00:32:44,240 --> 00:32:47,120
Speaker 1: a piece of paper while eating cold fried chicken, and

632
00:32:48,240 --> 00:32:50,840
Speaker 1: the cold fried chicken has really made a comeback to say,

633
00:32:50,920 --> 00:32:52,800
Speaker 1: we haven't seen it for a while, but it's back now,

634
00:32:52,920 --> 00:32:55,120
Speaker 1: it's back. It's back. We've seen it twice now, just

635
00:32:55,440 --> 00:32:59,360
Speaker 1: in the last few episodes, Joey tries to convince Jesse

636
00:32:59,520 --> 00:33:02,560
Speaker 1: that they should have open minds about their radio show.

637
00:33:03,480 --> 00:33:05,400
Speaker 1: I know how strongly you feel about rock and roll,

638
00:33:05,440 --> 00:33:07,960
Speaker 1: but I think we should be flexible. I mean, if

639
00:33:08,000 --> 00:33:11,640
Speaker 1: Alison Axelrod wants classical music, I think we should be prepared.

640
00:33:12,000 --> 00:33:15,120
Speaker 1: Check this out. He then announces, in a British accent,

641
00:33:15,440 --> 00:33:19,760
Speaker 1: flight of the Bumblebee by Rimsky Kosakov, and then he

642
00:33:19,840 --> 00:33:23,240
Speaker 1: starts humming the tune as if he were a bumblebee himself.

643
00:33:25,040 --> 00:33:28,680
Speaker 2: With that he can do you know what I mean?

644
00:33:28,880 --> 00:33:31,840
Speaker 2: I was, I was like, what how are you?

645
00:33:32,880 --> 00:33:35,160
Speaker 1: How do you even do that? How do you think

646
00:33:35,200 --> 00:33:35,480
Speaker 1: of it?

647
00:33:35,520 --> 00:33:39,400
Speaker 2: How you don't I can't even do it?

648
00:33:39,560 --> 00:33:46,440
Speaker 1: Well, that's my turkey wattle. It's not a turkey bumblebe. No,

649
00:33:46,600 --> 00:33:50,760
Speaker 1: that's a turkey wattle. But yeah, super impressive bit with this.

650
00:33:50,800 --> 00:33:53,000
Speaker 1: And I just like when he does different things, not

651
00:33:53,120 --> 00:33:56,880
Speaker 1: pop Eye. It was not the Tasmanian Devil. This is

652
00:33:56,920 --> 00:34:00,680
Speaker 1: like actually, I don't know, just it was different and creative,

653
00:34:00,840 --> 00:34:05,360
Speaker 1: and yeah, I love seeing Dave stretch his talents and

654
00:34:05,400 --> 00:34:08,799
Speaker 1: not just the same old thing over it. So Jesse

655
00:34:08,920 --> 00:34:11,840
Speaker 1: rolls up his paper, he pretends to conduct the music

656
00:34:11,920 --> 00:34:16,000
Speaker 1: and then hits Joey over the head with it. Joey

657
00:34:16,040 --> 00:34:19,880
Speaker 1: dramatically hums a dying bumblebee. He goes cross eyed and

658
00:34:19,960 --> 00:34:23,480
Speaker 1: drops his head and the audience claps as they should.

659
00:34:23,560 --> 00:34:25,319
Speaker 1: That was like, I don't know, yeah, I was like,

660
00:34:25,400 --> 00:34:28,279
Speaker 1: what is how is like an incredible twenty seconds or

661
00:34:28,320 --> 00:34:28,920
Speaker 1: thirty seconds?

662
00:34:29,000 --> 00:34:29,120
Speaker 2: Right?

663
00:34:29,200 --> 00:34:34,440
Speaker 1: I'm keep going, Dave, Yeah, yeah, so impressive. Jesse shows

664
00:34:34,560 --> 00:34:38,560
Speaker 1: Joey the ratings. People love their show and it's not personal,

665
00:34:38,680 --> 00:34:41,520
Speaker 1: it's business. He says, I mean, I don't get this

666
00:34:41,719 --> 00:34:44,920
Speaker 1: axe person. If she switches over to classical, she doesn't

667
00:34:44,920 --> 00:34:48,360
Speaker 1: know her axe from a hole in the ground. Joey

668
00:34:48,480 --> 00:34:51,080
Speaker 1: is inspired by Jesse and agrees they've got to keep

669
00:34:51,160 --> 00:34:54,160
Speaker 1: They've got to fight to keep it going. Joey stands

670
00:34:54,239 --> 00:34:56,399
Speaker 1: up and asks for a high five and then does

671
00:34:56,440 --> 00:35:00,400
Speaker 1: more handshake moves, shouting shaka brother shaka, brah, give me

672
00:35:01,960 --> 00:35:05,839
Speaker 1: you don't Yeah, and they do it again. Yeah.

673
00:35:06,000 --> 00:35:09,440
Speaker 2: It was a very like surf culture thing, but it's

674
00:35:09,440 --> 00:35:12,720
Speaker 2: definitely a Hawaiian like, yeah.

675
00:35:12,440 --> 00:35:14,440
Speaker 1: Yep, wouldn't it wouldn't be in the show now, But.

676
00:35:14,480 --> 00:35:16,840
Speaker 2: No, no, no, they did it, And I was like,

677
00:35:16,880 --> 00:35:19,799
Speaker 2: why are they saying that? And then I was like, oh,

678
00:35:19,920 --> 00:35:22,920
Speaker 2: that was kind of it, that.

679
00:35:21,960 --> 00:35:24,640
Speaker 1: It was a surfer culture. Yeah, you're right, you're right.

680
00:35:25,800 --> 00:35:28,160
Speaker 1: Jesse stands up and gives it to him, and they

681
00:35:28,239 --> 00:35:31,560
Speaker 1: both start moving and doing handshakes like Drawn Travolta. It's

682
00:35:31,640 --> 00:35:35,800
Speaker 1: staying alive. And then they start dancing the limbada. Jesse

683
00:35:35,920 --> 00:35:38,120
Speaker 1: does it for a bit and then you'll stop it

684
00:35:38,320 --> 00:35:41,879
Speaker 1: and laughs. I kept expecting Vicky's mom to like walk

685
00:35:41,920 --> 00:35:44,000
Speaker 1: in and catch him. My god, that would have been amazing.

686
00:35:44,800 --> 00:35:49,399
Speaker 1: Why missed opportunity? Definitely, you know, instead they were doing

687
00:35:49,400 --> 00:35:52,480
Speaker 1: this embarrassing bit just to do an embarrassed to do. Yeah.

688
00:35:52,520 --> 00:36:00,759
Speaker 2: Yeah.

689
00:36:00,840 --> 00:36:05,120
Speaker 1: In the kitchen, Liz is pouring coffee when Danny, Vicky, Michelle,

690
00:36:05,160 --> 00:36:06,239
Speaker 1: and Stephanie come home.

691
00:36:06,320 --> 00:36:06,480
Speaker 2: Wow.

692
00:36:06,520 --> 00:36:10,440
Speaker 1: Yeah, they're perplexed to see Liz is already in the house. Yeah,

693
00:36:10,560 --> 00:36:13,960
Speaker 1: apparently the Tanners don't lock their doors. It's open. How

694
00:36:13,960 --> 00:36:18,040
Speaker 1: did you get in here? What's happening? Why didn't Vicky know?

695
00:36:18,080 --> 00:36:20,520
Speaker 1: You weren't there? Like what nobody knew she was there?

696
00:36:22,960 --> 00:36:24,960
Speaker 2: He's just out there running around the city.

697
00:36:25,400 --> 00:36:28,680
Speaker 1: It's it's this is this is full house. Vicky asks

698
00:36:28,719 --> 00:36:31,399
Speaker 1: what she's doing there, and Liz tells them she has

699
00:36:31,400 --> 00:36:34,840
Speaker 1: a surprise in the girls room. They are excited and

700
00:36:34,880 --> 00:36:38,439
Speaker 1: run upstairs, but Danny points out, have I mentioned I'm

701
00:36:38,480 --> 00:36:42,520
Speaker 1: not a surprise kind of person? Are you a surprise

702
00:36:42,640 --> 00:36:45,000
Speaker 1: kind of person? Oh? No, you know me. No, I

703
00:36:45,320 --> 00:36:47,840
Speaker 1: was just wait to tell that, but I just wanted

704
00:36:47,840 --> 00:36:50,520
Speaker 1: to Are you a surprise person? Yeah?

705
00:36:50,560 --> 00:36:50,880
Speaker 2: You like?

706
00:36:50,920 --> 00:36:54,000
Speaker 1: Okay, so you like surprises? Love surprises? Yeah, I feel

707
00:36:54,000 --> 00:36:56,400
Speaker 1: like you're hard to surprise though. That's because you like

708
00:36:56,440 --> 00:36:57,480
Speaker 1: catch on to things.

709
00:36:57,640 --> 00:37:00,160
Speaker 2: Yeah, I did, Yeah, the little I'm usually like, oh

710
00:37:00,160 --> 00:37:03,040
Speaker 2: I know what's coming. But but no, I I do

711
00:37:03,200 --> 00:37:03,880
Speaker 2: like surprises.

712
00:37:04,040 --> 00:37:07,120
Speaker 1: You like some bad kind Like I surprised you. I

713
00:37:07,120 --> 00:37:09,279
Speaker 1: swear I'm not plugging my vlog today, but like I

714
00:37:09,320 --> 00:37:13,840
Speaker 1: surprised you with the Jody sweet and shirt.

715
00:37:13,160 --> 00:37:21,080
Speaker 2: Exactly, that kind of stuff, pranks, surprises, Uh yeah, unplanned adventures.

716
00:37:20,560 --> 00:37:23,680
Speaker 1: You like that? Yeah? Yeah, yeah, yeah, you're not a

717
00:37:24,120 --> 00:37:27,279
Speaker 1: I'm not. I'm too I'm too controlling. I'm too much

718
00:37:27,320 --> 00:37:31,759
Speaker 1: of a planner. Right, No surprise parties for me, No

719
00:37:31,840 --> 00:37:35,960
Speaker 1: surprise renovations either. Liz opens the girl's door and their

720
00:37:36,040 --> 00:37:40,480
Speaker 1: room has been completely redone with blue, turquoise and pink

721
00:37:40,560 --> 00:37:42,279
Speaker 1: paint and brand new carpet.

722
00:37:43,200 --> 00:37:46,080
Speaker 2: How many people were in there working on this room.

723
00:37:47,719 --> 00:37:53,360
Speaker 1: Nobody know. There's there's like a work crew.

724
00:37:53,840 --> 00:38:00,800
Speaker 2: You're installing carpeting, painting, removing wallpaper, putting out paper, painting.

725
00:38:01,400 --> 00:38:01,560
Speaker 2: You know.

726
00:38:01,600 --> 00:38:04,959
Speaker 1: It's more surprising is that the girl, the Tanner Girls,

727
00:38:05,000 --> 00:38:09,919
Speaker 1: weren't involved in moving furniture, Like that's the most very true. Yeah,

728
00:38:10,880 --> 00:38:14,680
Speaker 1: really wants an opportunity to you know, yeah, the Tanner Girls,

729
00:38:15,080 --> 00:38:18,360
Speaker 1: the girls moving companies and business. Nope, Instead, Liz just

730
00:38:18,360 --> 00:38:19,600
Speaker 1: did this all in an afternoon.

731
00:38:19,600 --> 00:38:21,440
Speaker 2: But we don't know if DJ was involved. DJ might

732
00:38:21,480 --> 00:38:24,799
Speaker 2: have been involved. We do know DJ is quite the

733
00:38:24,840 --> 00:38:25,719
Speaker 2: mover of furniture.

734
00:38:26,080 --> 00:38:29,160
Speaker 1: Yes, this is true. She's already moved into her own room. Yeah,

735
00:38:29,160 --> 00:38:31,719
Speaker 1: she's kind of the ringleader of the moving garage. Yeah,

736
00:38:32,000 --> 00:38:34,200
Speaker 1: she's I think that could be it. You're right, So

737
00:38:34,320 --> 00:38:36,680
Speaker 1: DJ is the one that moved all the furniture. Yes,

738
00:38:36,880 --> 00:38:39,480
Speaker 1: but they still had to have people painting and wallpapering. Yeah,

739
00:38:39,480 --> 00:38:42,000
Speaker 1: there was a lot happening, lots going on.

740
00:38:42,080 --> 00:38:44,560
Speaker 2: And I don't Liz doesn't look like she was doing it.

741
00:38:45,560 --> 00:38:47,759
Speaker 1: No, No, Liz is. Liz is still her hair is

742
00:38:47,800 --> 00:38:48,480
Speaker 1: still perfect.

743
00:38:49,480 --> 00:38:54,200
Speaker 2: She didn't have a paper. Yes, they've been gone that

744
00:38:54,239 --> 00:38:59,000
Speaker 2: this is you know what I mean? Sorry, I keep.

745
00:38:59,040 --> 00:39:02,480
Speaker 1: What is time? You know, it's kind of time. It

746
00:39:02,520 --> 00:39:08,520
Speaker 1: doesn't exist. Michelle and Stephanie absolutely love their new room.

747
00:39:08,840 --> 00:39:12,719
Speaker 1: Michelle reacts, wow, I get to live here, and Stephanie says,

748
00:39:12,719 --> 00:39:16,200
Speaker 1: missus Larson, it's beautiful. Thank you so much, and they

749
00:39:16,239 --> 00:39:19,440
Speaker 1: both give her a big hug. Well, okay, what do

750
00:39:19,520 --> 00:39:21,600
Speaker 1: you think of the room? Like? What are you seeing

751
00:39:21,640 --> 00:39:24,120
Speaker 1: it again? What did you think of it? We had

752
00:39:24,160 --> 00:39:24,880
Speaker 1: a lot of input.

753
00:39:24,920 --> 00:39:27,560
Speaker 2: They let us kind of ask like, what what colors

754
00:39:27,560 --> 00:39:29,520
Speaker 2: we liked about this. I remember they did a big

755
00:39:29,560 --> 00:39:32,160
Speaker 2: reveal for me and Ashley and Mary Kay. I have

756
00:39:32,239 --> 00:39:35,480
Speaker 2: pictures of it somewhere of yeah. Yeah, yeah, let me

757
00:39:35,520 --> 00:39:37,160
Speaker 2: I'll try and find those. Let me write that down

758
00:39:37,200 --> 00:39:39,879
Speaker 2: so I don't get it down because you know, I'll

759
00:39:39,920 --> 00:39:45,200
Speaker 2: forget it's yeah, pics of room. Yeah, they did like

760
00:39:45,239 --> 00:39:48,400
Speaker 2: a big you know, they brought you up in the

761
00:39:48,600 --> 00:39:51,960
Speaker 2: rolling things in front of him. Yeah, and then they

762
00:39:52,400 --> 00:39:53,840
Speaker 2: revealed it and it looked great.

763
00:39:54,160 --> 00:39:55,799
Speaker 1: And yeah, have a cute picture.

764
00:39:55,480 --> 00:39:59,440
Speaker 2: Of me and Bob I think in that room. Oh

765
00:39:59,640 --> 00:40:02,720
Speaker 2: that's a horrible. Yeah, I'm glad you had input.

766
00:40:03,040 --> 00:40:05,560
Speaker 1: Uh. Yeah, I felt differently about the room. But that's

767
00:40:05,840 --> 00:40:12,279
Speaker 1: where it was the early nineties. Yeah, that's it's patterns. No, no,

768
00:40:12,360 --> 00:40:14,880
Speaker 1: it's it was a little gender reveally with the blue

769
00:40:14,920 --> 00:40:16,760
Speaker 1: and the pink and the you know, it's a little

770
00:40:16,800 --> 00:40:21,400
Speaker 1: pastel colors. Well better than the primary. Yeah, yeah, I

771
00:40:21,400 --> 00:40:23,400
Speaker 1: think she.

772
00:40:22,520 --> 00:40:24,040
Speaker 2: She didn't bolden it, you know what I mean, she

773
00:40:24,200 --> 00:40:25,239
Speaker 2: just kind of softened it.

774
00:40:25,280 --> 00:40:28,360
Speaker 1: Really, she did soften it a little bit. Yeah, Okay,

775
00:40:28,520 --> 00:40:31,920
Speaker 1: I thought it looked great. I loved it. Very appropriate. Okay,

776
00:40:32,040 --> 00:40:35,440
Speaker 1: I yeah, I will. I will defer to you because

777
00:40:35,440 --> 00:40:37,839
Speaker 1: this is your room. But would I do that kind

778
00:40:37,880 --> 00:40:40,360
Speaker 1: of room now? No? No, how old are you in

779
00:40:40,360 --> 00:40:42,719
Speaker 1: this episode? It just felt a little juvenile for Stephanie.

780
00:40:42,800 --> 00:40:44,759
Speaker 1: Who's are you in middle school or are you going

781
00:40:44,840 --> 00:40:47,760
Speaker 1: into middle school? So it felt a little bit going into.

782
00:40:47,560 --> 00:40:49,400
Speaker 2: Middle school because we haven't met Gia yet.

783
00:40:49,600 --> 00:40:51,080
Speaker 1: Oh right, okay, so you're still.

784
00:40:50,880 --> 00:40:55,000
Speaker 2: An elementary elementary elementary school, like it's appropriate sixth grade eleven,

785
00:40:55,360 --> 00:40:56,799
Speaker 2: I'm like eleven, ten, eleven in there?

786
00:40:57,080 --> 00:40:59,680
Speaker 1: Okay, yeah, so you're you'll outgrow it.

787
00:41:00,120 --> 00:41:04,000
Speaker 2: Well, let's taken ninety two, ninety two.

788
00:41:04,120 --> 00:41:06,719
Speaker 1: Yeah, so I was ten. Okay, it's appropriate for a

789
00:41:06,719 --> 00:41:10,120
Speaker 1: ten year old. Okay, I'll allow it this time. Thank you.

790
00:41:11,280 --> 00:41:15,480
Speaker 1: Vicki walks in and her jaw drops calls the room stunning.

791
00:41:16,000 --> 00:41:19,439
Speaker 1: Danny is also stunned, but in a different way. Liz

792
00:41:19,480 --> 00:41:22,440
Speaker 1: explains it's her way of apologizing because they got off

793
00:41:22,480 --> 00:41:23,960
Speaker 1: to a rough start yesterday.

794
00:41:24,560 --> 00:41:27,440
Speaker 2: Damn apologize to me, right, I know, can we get

795
00:41:27,480 --> 00:41:30,680
Speaker 2: in a fight? She was our picking fights with this lady.

796
00:41:30,719 --> 00:41:33,560
Speaker 2: Now we know that this is her way of apologizing.

797
00:41:33,600 --> 00:41:34,640
Speaker 2: I might get a car out of it.

798
00:41:37,320 --> 00:41:42,160
Speaker 1: Whole new living room, right bedroom, right. Yes. As Danny

799
00:41:42,200 --> 00:41:45,279
Speaker 1: tries to speak, she interrupts, Please don't thank me. I

800
00:41:45,320 --> 00:41:48,480
Speaker 1: called in some favors and used some floor samples. I

801
00:41:48,600 --> 00:41:51,200
Speaker 1: really enjoyed doing it for the girls, and she puts

802
00:41:51,320 --> 00:41:55,680
Speaker 1: her arm around Stephanie. Stephanie is so happy, she says,

803
00:41:56,000 --> 00:41:59,760
Speaker 1: and we really enjoyed having it done for us. Danny

804
00:41:59,840 --> 00:42:02,759
Speaker 1: nots and pretends not to be upset. And I'm really

805
00:42:02,760 --> 00:42:06,279
Speaker 1: glad everybody really enjoyed themselves, and he asks to talk

806
00:42:06,320 --> 00:42:09,160
Speaker 1: to Vicky in the hallway. Vicky asks if there's a problem,

807
00:42:09,480 --> 00:42:12,160
Speaker 1: and Danny smiles back that there is a problem, and

808
00:42:12,200 --> 00:42:13,719
Speaker 1: he walks her into DJ's room.

809
00:42:14,400 --> 00:42:18,480
Speaker 2: Okay, question, yes, how would you react? Would you be

810
00:42:18,840 --> 00:42:20,080
Speaker 2: like offended.

811
00:42:19,760 --> 00:42:24,400
Speaker 1: Or would you be, Yes, I would be. I would

812
00:42:24,480 --> 00:42:27,600
Speaker 1: have a similar reaction to Danny Tanner. And it's not

813
00:42:27,719 --> 00:42:31,160
Speaker 1: about the room or the generosity. It's about the like

814
00:42:31,719 --> 00:42:35,880
Speaker 1: it's a little bit steam for sure. Yes, it's Uh,

815
00:42:35,960 --> 00:42:37,600
Speaker 1: it was about the lack of permit. I mean it's

816
00:42:37,680 --> 00:42:40,360
Speaker 1: Danny's house, so she really should have said.

817
00:42:40,440 --> 00:42:43,800
Speaker 2: Yeah before, I'd like, I mean it just doing a

818
00:42:44,000 --> 00:42:46,440
Speaker 2: b an e you know what I mean, breaking and entering.

819
00:42:46,680 --> 00:42:51,040
Speaker 2: Oh yeah, right now she's coming crime other people in

820
00:42:51,080 --> 00:42:51,759
Speaker 2: the house.

821
00:42:52,840 --> 00:42:55,800
Speaker 1: And now she and she she knows Danny's like not

822
00:42:55,800 --> 00:42:58,960
Speaker 1: not really the kind of guy likes doing.

823
00:43:00,160 --> 00:43:01,799
Speaker 2: Maybe this was like, oh, I'm so sorry, I'm going

824
00:43:01,840 --> 00:43:02,600
Speaker 2: to ruin everything.

825
00:43:02,680 --> 00:43:05,239
Speaker 1: Oh oh I didn't think about that. Take Nah, well,

826
00:43:05,520 --> 00:43:08,279
Speaker 1: no that seems to I don't think she's sinister, No,

827
00:43:08,360 --> 00:43:11,520
Speaker 1: I think she's She's genuinely like, this isn't this is

828
00:43:11,560 --> 00:43:15,919
Speaker 1: an act of love. Apology. Would be thrilled. You would

829
00:43:15,920 --> 00:43:16,400
Speaker 1: be thrilled.

830
00:43:16,480 --> 00:43:18,600
Speaker 2: Yeah, I would be thrilled because I would be looking

831
00:43:18,600 --> 00:43:21,279
Speaker 2: at that as something that I now don't have to

832
00:43:21,320 --> 00:43:21,880
Speaker 2: do myself.

833
00:43:22,080 --> 00:43:25,839
Speaker 1: Yeah, that's true. That's true. You'd argue it both ways. Overweight. Yeah,

834
00:43:25,960 --> 00:43:29,520
Speaker 1: it's a gift great, it's done. Yeah. Yeah, it's a gift.

835
00:43:30,080 --> 00:43:32,280
Speaker 2: If anyone wants to come over and redo my kids rooms,

836
00:43:32,440 --> 00:43:34,000
Speaker 2: uh right, go.

837
00:43:33,960 --> 00:43:36,000
Speaker 1: To JODI's house. Don't come to my house. Go to

838
00:43:36,880 --> 00:43:40,120
Speaker 1: my house. You can redo anything you'd like. Uh yeah,

839
00:43:40,239 --> 00:43:43,279
Speaker 1: I will go for it, you know, just go for it.

840
00:43:43,320 --> 00:43:47,399
Speaker 1: No permission needed. You just break rends anyways on my house.

841
00:43:47,440 --> 00:43:48,160
Speaker 2: Do whatever you want.

842
00:43:48,239 --> 00:43:51,000
Speaker 1: You know, just watch out for the watch out for

843
00:43:51,000 --> 00:43:53,200
Speaker 1: the large dog, because if you're breaking and entering, the

844
00:43:53,239 --> 00:43:57,040
Speaker 1: dog will might uh might not be too happy. She

845
00:43:57,239 --> 00:44:02,160
Speaker 1: would eat them alive. So in DJ's room, Vicky and

846
00:44:02,239 --> 00:44:05,439
Speaker 1: Danny are arguing about her mom redecorating the girl's room.

847
00:44:05,920 --> 00:44:08,520
Speaker 1: He thinks she didn't have the right to do that.

848
00:44:09,640 --> 00:44:11,359
Speaker 1: I can see that point. I do see see that.

849
00:44:12,080 --> 00:44:14,360
Speaker 1: I get it. I'm too much of a worrier, so

850
00:44:14,440 --> 00:44:16,399
Speaker 1: I would. I'd be thinking in the future, like what

851
00:44:16,440 --> 00:44:18,600
Speaker 1: else is she going to do without me knowing? Like

852
00:44:18,640 --> 00:44:20,719
Speaker 1: what other boundaries is she going to push? You know,

853
00:44:21,000 --> 00:44:24,120
Speaker 1: the mother in law trope, right right? So yeah, I'm

854
00:44:24,200 --> 00:44:27,319
Speaker 1: kind of team Danny on this. But Vicky defends her mom.

855
00:44:27,600 --> 00:44:29,839
Speaker 1: I know she comes off a little strong sometimes, but

856
00:44:29,920 --> 00:44:34,759
Speaker 1: her intentions were good, also true, Danny thinks she went

857
00:44:34,800 --> 00:44:40,560
Speaker 1: overboard and rearranged his life. His life, but Vicky thinks, Hanny,

858
00:44:40,880 --> 00:44:43,320
Speaker 1: it's only a room and the girls love it. Yeah,

859
00:44:44,560 --> 00:44:45,640
Speaker 1: you can argue both ways.

860
00:44:45,920 --> 00:44:49,920
Speaker 2: I'm team Vicky on this, Your team Vicky, team Danny.

861
00:44:49,280 --> 00:44:54,799
Speaker 1: A Fanrito's way in Danny, I would be interested to

862
00:44:54,840 --> 00:44:59,080
Speaker 1: know I am too. Vicky tries to convince Danny that

863
00:44:59,239 --> 00:45:03,400
Speaker 1: change is good. Danny responds, a little change. What is

864
00:45:03,400 --> 00:45:06,680
Speaker 1: it with you people and change? Vicky asks him to

865
00:45:06,880 --> 00:45:10,319
Speaker 1: clarify his comment. You people, and he says you and

866
00:45:10,360 --> 00:45:15,320
Speaker 1: your mother. Vicky makes a judgy hmm sound just like Liz,

867
00:45:15,480 --> 00:45:18,960
Speaker 1: and Danny catches it. She also starts pacing, and she

868
00:45:19,000 --> 00:45:21,680
Speaker 1: places her hands on her hips. Danny points out that

869
00:45:21,719 --> 00:45:25,160
Speaker 1: she's acting just like her mother. Oh, it happens so quickly,

870
00:45:25,239 --> 00:45:27,880
Speaker 1: there we go. It happens yep. Vicky doesn't think this

871
00:45:28,000 --> 00:45:30,600
Speaker 1: is a bad thing, and Danny nods, no, I think

872
00:45:30,600 --> 00:45:33,200
Speaker 1: it's fine. It gives me a little bit of insight

873
00:45:33,400 --> 00:45:36,280
Speaker 1: into a side of you that I didn't quite know before.

874
00:45:38,239 --> 00:45:40,960
Speaker 1: She replies, Oh, I'm seeing another side of you too,

875
00:45:41,360 --> 00:45:44,279
Speaker 1: and I think I've seen enough of it. Danny turns

876
00:45:44,320 --> 00:45:46,600
Speaker 1: around and puts his hands on his hips. She then

877
00:45:46,680 --> 00:45:49,160
Speaker 1: storms off right as he yells back, if that's the

878
00:45:49,200 --> 00:45:51,799
Speaker 1: way you feel, you should just leave, and she has

879
00:45:51,880 --> 00:45:57,960
Speaker 1: already left. Oh so this this was this her first fight.

880
00:45:58,040 --> 00:46:01,000
Speaker 1: I don't even know. This was an early early fight

881
00:46:01,120 --> 00:46:06,080
Speaker 1: in their relationship. Yeah. Oh. Later that night, indeed, also

882
00:46:06,120 --> 00:46:10,440
Speaker 1: in DJ's room, DJ is reading in bed. Stephanie knocks

883
00:46:10,440 --> 00:46:13,319
Speaker 1: on DJ's door and says she can't sleep in her

884
00:46:13,360 --> 00:46:17,120
Speaker 1: new room, even though it's newly decorated, and Michelle follows

885
00:46:17,200 --> 00:46:20,400
Speaker 1: with her pillow in toe. DJ gets up and calls

886
00:46:20,400 --> 00:46:24,200
Speaker 1: for Danny. They have a situation. Michelle offers a tip,

887
00:46:24,520 --> 00:46:27,320
Speaker 1: don't worry when Stephanie snores, just pinch her nose.

888
00:46:29,320 --> 00:46:29,520
Speaker 2: Walk.

889
00:46:30,320 --> 00:46:33,560
Speaker 1: Danny walks in to see Michelle and Stephanie on DJ's

890
00:46:33,600 --> 00:46:35,960
Speaker 1: bed and wonders why aren't they in their new room.

891
00:46:36,680 --> 00:46:40,279
Speaker 1: Stephanie explains, Dad, we can't go back in there, and

892
00:46:40,320 --> 00:46:44,000
Speaker 1: Michelle adds, that's the breakup room. It made you and

893
00:46:44,080 --> 00:46:47,919
Speaker 1: VICKI fight, and the audience reacts with an awe. Right,

894
00:46:49,040 --> 00:46:51,800
Speaker 1: steph questions, how can we go back in there knowing

895
00:46:51,840 --> 00:46:55,560
Speaker 1: how miserable it made you? Yeah, Danny, Oh yeah, I

896
00:46:55,600 --> 00:46:57,880
Speaker 1: didn't think about that. You know, it's like, yeah, the

897
00:46:57,880 --> 00:46:58,840
Speaker 1: girls were excited.

898
00:46:59,160 --> 00:47:01,839
Speaker 2: Sometimes you gotta what you would want to do as

899
00:47:01,880 --> 00:47:04,520
Speaker 2: side and look at if they're excited and happy about

900
00:47:04,520 --> 00:47:05,359
Speaker 2: it is their thing.

901
00:47:06,320 --> 00:47:08,480
Speaker 1: But here's what I love about the Tanner girls is

902
00:47:08,520 --> 00:47:11,640
Speaker 1: that they're they're always thinking of their dad. They're thinking

903
00:47:11,680 --> 00:47:14,720
Speaker 1: of other family members. You know, they feel empathy for Danny,

904
00:47:14,719 --> 00:47:16,600
Speaker 1: whereas I think today's teens would be like, I don't

905
00:47:16,640 --> 00:47:17,960
Speaker 1: care what you think. I got a new room.

906
00:47:18,200 --> 00:47:22,640
Speaker 2: No, no, yesterday's teens also would have been like that,

907
00:47:22,960 --> 00:47:26,319
Speaker 2: this is the Tanner house. Okay, this is an imaginary

908
00:47:26,560 --> 00:47:27,960
Speaker 2: family that.

909
00:47:28,040 --> 00:47:30,760
Speaker 1: Gets all the jobs and gives all the hugs. Okay,

910
00:47:30,800 --> 00:47:34,600
Speaker 1: that's that's it. They're always thinking of others, not reality.

911
00:47:35,640 --> 00:47:36,640
Speaker 1: Can you give me?

912
00:47:36,920 --> 00:47:39,520
Speaker 2: Oh no, I've got all new things I couldn't possibly know.

913
00:47:40,360 --> 00:47:43,200
Speaker 1: Yeah, that's there's just no way. There's no way to

914
00:47:43,400 --> 00:47:44,960
Speaker 1: little girls.

915
00:47:44,239 --> 00:47:47,160
Speaker 2: I'm glad that they care about their dad so.

916
00:47:47,160 --> 00:47:52,000
Speaker 1: Much, but they but but uh yeah, a therapist, well,

917
00:47:52,200 --> 00:47:54,080
Speaker 1: a therapist would have a field day with this. Michelle

918
00:47:54,080 --> 00:47:56,560
Speaker 1: is a therapist. You don't see it when you're in it,

919
00:47:56,640 --> 00:48:00,000
Speaker 1: you know, that's us close to the situation. You're right,

920
00:48:01,719 --> 00:48:05,560
Speaker 1: Danny pretends that he's happy thrilled, just shy of giddy,

921
00:48:06,000 --> 00:48:10,279
Speaker 1: shielding his sadness by nervously nodding through all of this. Yeah,

922
00:48:10,280 --> 00:48:12,160
Speaker 1: because you know, all those weekends I used to get

923
00:48:12,200 --> 00:48:14,920
Speaker 1: excited about doing things with Vicky. Now I can get

924
00:48:14,920 --> 00:48:17,960
Speaker 1: excited about other things, really cool things that I can

925
00:48:18,000 --> 00:48:21,120
Speaker 1: do all by myself. And on cue, Michelle asks, like

926
00:48:21,120 --> 00:48:25,480
Speaker 1: what he makes up an activity like scuba diving and

927
00:48:25,520 --> 00:48:27,560
Speaker 1: then demands go back to your new room so you

928
00:48:27,600 --> 00:48:30,160
Speaker 1: can be as happy as I am. Okay, happy happy

929
00:48:30,320 --> 00:48:37,560
Speaker 1: happy happy, okay happy happy happy. DJ shakes her head

930
00:48:37,800 --> 00:48:41,239
Speaker 1: as he leaves, and she says he's miserable. Steph says,

931
00:48:41,320 --> 00:48:44,200
Speaker 1: I've never seen him so sad, but Michelle is clueless.

932
00:48:44,200 --> 00:48:47,560
Speaker 1: Did I miss something? Love it? I love the sister

933
00:48:47,640 --> 00:48:48,960
Speaker 1: dynamic in this scene.

934
00:48:49,320 --> 00:48:52,520
Speaker 2: Yeah, it is very cute them all invading DJ space

935
00:48:52,560 --> 00:48:54,080
Speaker 2: and her being like, we have a situation.

936
00:48:55,320 --> 00:48:57,560
Speaker 1: I need help. She doesn't even bother arguing with you,

937
00:48:58,000 --> 00:49:03,520
Speaker 1: She's like, anyway, God. Yeah. Next, we are at the

938
00:49:03,600 --> 00:49:06,919
Speaker 1: radio station. Joey and Jesse are doing the radio show

939
00:49:06,960 --> 00:49:09,719
Speaker 1: and playing a lot of songs with the words rock

940
00:49:09,760 --> 00:49:13,000
Speaker 1: and roll in them. After they sign off, they're feeling

941
00:49:13,040 --> 00:49:16,319
Speaker 1: good about their choice of music. Jesse proclaims that was

942
00:49:16,360 --> 00:49:19,680
Speaker 1: for the acts, and Joey stands firm. We go down,

943
00:49:20,000 --> 00:49:22,520
Speaker 1: We go down, Rock and Bud, and they continue to

944
00:49:22,600 --> 00:49:25,680
Speaker 1: do their silly little handshake. Joey gets up to shake

945
00:49:25,719 --> 00:49:28,520
Speaker 1: hands like John Travolta again, but Jesse tells him to

946
00:49:28,560 --> 00:49:32,759
Speaker 1: sit down. They see through the studio window Alison, the

947
00:49:32,800 --> 00:49:36,880
Speaker 1: new boss, with her back turned towards them. She's giving Artie,

948
00:49:36,880 --> 00:49:40,719
Speaker 1: who is a long time a employee, an envelope containing

949
00:49:40,920 --> 00:49:46,040
Speaker 1: a pink slip. He opens it and appears sad. Jesse comments,

950
00:49:46,160 --> 00:49:48,600
Speaker 1: poor Artie. The guy's been working here for thirty one

951
00:49:48,680 --> 00:49:50,600
Speaker 1: years and they throw him out like a pair of

952
00:49:50,640 --> 00:49:56,280
Speaker 1: disco boots. Jesse thinks Alison is being cruel, heartless, and cold,

953
00:49:56,400 --> 00:50:00,160
Speaker 1: and then when she turns around, Joey comments, she's really cute.

954
00:50:00,680 --> 00:50:03,640
Speaker 1: Allison walks in to introduce herself and she tells them

955
00:50:03,680 --> 00:50:07,120
Speaker 1: she's making a few changes and hands them their envelopes.

956
00:50:08,000 --> 00:50:10,800
Speaker 1: Jesse rants, I grew up on this station kf L.

957
00:50:10,960 --> 00:50:14,000
Speaker 1: H okay, you were playing the Beach Boys beatles the

958
00:50:14,040 --> 00:50:17,640
Speaker 1: Who and he's punctuating each remark, using the envelope to

959
00:50:17,800 --> 00:50:18,600
Speaker 1: slap his hand.

960
00:50:19,360 --> 00:50:22,160
Speaker 2: That's off on a Jesse tangent like only Jesse can.

961
00:50:22,080 --> 00:50:25,320
Speaker 1: Do only Jesse can and using the physical the props.

962
00:50:25,400 --> 00:50:25,520
Speaker 2: Right.

963
00:50:26,280 --> 00:50:30,160
Speaker 1: I love this part of John, he said, He continues,

964
00:50:30,200 --> 00:50:32,279
Speaker 1: That's where I learned rock and roll. If you're going

965
00:50:32,320 --> 00:50:34,560
Speaker 1: to ruin the best station in town, that's fine, but

966
00:50:34,640 --> 00:50:37,640
Speaker 1: you could do it without us because we quit there.

967
00:50:37,640 --> 00:50:39,680
Speaker 1: It is yere, it is quit your job.

968
00:50:39,880 --> 00:50:41,080
Speaker 2: Don't ask any questions.

969
00:50:41,239 --> 00:50:48,600
Speaker 1: Right. He quits for Joey too, consulting him. You can't

970
00:50:48,640 --> 00:50:50,920
Speaker 1: get a job, Joey, you can't get a stand up.

971
00:50:50,960 --> 00:50:53,560
Speaker 1: Actually finally has a job.

972
00:50:53,800 --> 00:50:55,960
Speaker 2: Right, He's like, no, you're coming with me.

973
00:50:57,320 --> 00:51:00,440
Speaker 1: As Jesse storms out, Joey stays put and starts humming

974
00:51:00,480 --> 00:51:02,280
Speaker 1: the Flight of the Bumblebees Again.

975
00:51:03,000 --> 00:51:05,000
Speaker 2: He's not dumb, He's like, I'll be here.

976
00:51:05,120 --> 00:51:09,239
Speaker 1: I need a job. Jesse calls him a trader and

977
00:51:09,360 --> 00:51:14,120
Speaker 1: walks out. Alison reacts and says if he quits, she's

978
00:51:14,160 --> 00:51:18,040
Speaker 1: gonna need that parking pass back. Joey is surprised to

979
00:51:18,120 --> 00:51:20,480
Speaker 1: learn that the envelope wasn't a pink slip after all.

980
00:51:21,640 --> 00:51:25,319
Speaker 1: Alison just wanted an assigned parking system and thought she

981
00:51:25,480 --> 00:51:29,400
Speaker 1: was doing something nice. On her first day, she falls

982
00:51:29,440 --> 00:51:32,360
Speaker 1: into Joey's arms and he comforts her, which feels like

983
00:51:32,360 --> 00:51:36,480
Speaker 1: it over Yeah, yes, that with someone you just met.

984
00:51:37,880 --> 00:51:43,200
Speaker 2: Sure, but that's irrelevant. But I it just it felt

985
00:51:43,200 --> 00:51:45,040
Speaker 2: like such a weird, like she's the boss.

986
00:51:46,400 --> 00:51:49,720
Speaker 1: Yeah, who's the boss? She's the boss. She she's the boss.

987
00:51:50,040 --> 00:51:52,360
Speaker 2: I don't think she'd break down in tears.

988
00:51:52,600 --> 00:51:54,560
Speaker 1: No, just say that guy is weird. Good riding.

989
00:51:55,080 --> 00:51:57,680
Speaker 2: Josey has made plenty of people cry before, I'm sure,

990
00:51:57,719 --> 00:52:02,640
Speaker 2: but this just feels like, yeah, I was a overreaction, Bye.

991
00:52:02,160 --> 00:52:06,280
Speaker 1: Like you're unhinged. I almost felt like they were setting

992
00:52:06,400 --> 00:52:09,760
Speaker 1: up Joey and Alison to have like a thing two.

993
00:52:09,719 --> 00:52:11,560
Speaker 2: Or maybe they were maybe they couldn't get her for

994
00:52:11,560 --> 00:52:12,320
Speaker 2: another episode.

995
00:52:12,760 --> 00:52:14,520
Speaker 1: Do they date? Yeah? I don't know. Is this her

996
00:52:14,600 --> 00:52:16,160
Speaker 1: last episode? I don't know. Yeah, I think she was

997
00:52:16,560 --> 00:52:19,920
Speaker 1: only on two the one, the original one. Yeah, so

998
00:52:20,080 --> 00:52:21,840
Speaker 1: I yeah, I thought for sure this is a setup.

999
00:52:21,880 --> 00:52:24,320
Speaker 1: They're gonna start dating. Joey finally finds love, but no,

1000
00:52:24,440 --> 00:52:29,360
Speaker 1: it went nowhere. No oh well uh. Joey then rushes

1001
00:52:29,400 --> 00:52:32,000
Speaker 1: off to find Jesse. When he brings him back, they

1002
00:52:32,200 --> 00:52:35,200
Speaker 1: argue in front of the studio window. Jesse opens his

1003
00:52:35,280 --> 00:52:39,319
Speaker 1: envelope and goes wide eyed, he just quit over a

1004
00:52:39,440 --> 00:52:44,120
Speaker 1: parking pass. He turns to look at Alison sheepishly and smiles.

1005
00:52:44,880 --> 00:52:47,319
Speaker 1: He walks back in to talk to her and compliments

1006
00:52:47,320 --> 00:52:51,240
Speaker 1: his new F thirteen parking spot and approves the perfect

1007
00:52:51,320 --> 00:52:53,360
Speaker 1: view of the car in front of me. Thank you.

1008
00:52:54,360 --> 00:52:56,759
Speaker 1: Alison throws her hands up. Did you think I was

1009
00:52:56,800 --> 00:52:59,800
Speaker 1: going to fire you? They both shake their heads no,

1010
00:53:00,239 --> 00:53:04,239
Speaker 1: but nervously admit we heard this vicious, silly rumor that

1011
00:53:04,280 --> 00:53:06,759
Speaker 1: you were going to fire everybody and switch to classical.

1012
00:53:07,680 --> 00:53:11,040
Speaker 1: Alison says she isn't gonna do that, and Jesse continues

1013
00:53:11,080 --> 00:53:14,480
Speaker 1: to tell her we heard you had this moniker the Axe,

1014
00:53:14,600 --> 00:53:18,040
Speaker 1: and then he makes a slicing noise. Alison doesn't like

1015
00:53:18,080 --> 00:53:21,439
Speaker 1: that name and doesn't know how it got started. Jesse

1016
00:53:21,560 --> 00:53:25,080
Speaker 1: offers unsolicited advice to not put the parking passes on

1017
00:53:25,160 --> 00:53:28,960
Speaker 1: a pink slip because they thought she was firing Artie,

1018
00:53:29,520 --> 00:53:31,719
Speaker 1: and she admits, oh I did. That guy was dead weight.

1019
00:53:32,160 --> 00:53:34,520
Speaker 1: Then she makes the slicing noise back to Jesse and

1020
00:53:34,560 --> 00:53:38,520
Speaker 1: walks out. Joey and Jesse repeat this same slicy noise

1021
00:53:38,560 --> 00:53:43,520
Speaker 1: with the slicing motion. It's like fruit ninja around here, right, Yeah, seriously,

1022
00:53:45,400 --> 00:53:47,640
Speaker 1: next in the living room, Michelle is looking out the

1023
00:53:47,640 --> 00:53:50,520
Speaker 1: window and yells, here comes dad and runs to sit

1024
00:53:50,600 --> 00:53:53,439
Speaker 1: next to Steph on the couch. They have a plan,

1025
00:53:53,920 --> 00:53:57,560
Speaker 1: and Stephanie instructs Michelle to do what she does, look

1026
00:53:57,840 --> 00:54:01,120
Speaker 1: casual stuff, crosses her lege and puts her hands on

1027
00:54:01,160 --> 00:54:03,799
Speaker 1: her knee and Michelle repeats the motion as they stare

1028
00:54:03,840 --> 00:54:07,719
Speaker 1: at the door. Nothing nefarious going on here, No, no,

1029
00:54:07,840 --> 00:54:09,200
Speaker 1: I was never suspicious.

1030
00:54:09,200 --> 00:54:10,799
Speaker 2: When I walk into a room and my children are

1031
00:54:10,800 --> 00:54:13,120
Speaker 2: sitting there's just staring waiting for me to enter, I'm.

1032
00:54:13,000 --> 00:54:19,319
Speaker 1: Like, oh, your hands folded? Anything right? Danny enters with

1033
00:54:19,360 --> 00:54:22,320
Speaker 1: a big black trash bag and greets them. Hey girls,

1034
00:54:22,360 --> 00:54:25,200
Speaker 1: what are you up to? Stephan Michelle keep playing it

1035
00:54:25,280 --> 00:54:29,239
Speaker 1: cool and respond nothing. Steph says how about you, and

1036
00:54:29,320 --> 00:54:33,480
Speaker 1: Michelle repeats how about you? Danny smiles, Well, I signed

1037
00:54:33,520 --> 00:54:36,399
Speaker 1: up for scuba lessons. I've got my wet suit right here,

1038
00:54:36,640 --> 00:54:38,279
Speaker 1: and he holds up the black bag.

1039
00:54:38,200 --> 00:54:40,560
Speaker 2: In the small This must be the smallest wetsuit ever.

1040
00:54:43,320 --> 00:54:44,520
Speaker 1: Is so much gear?

1041
00:54:45,320 --> 00:54:48,959
Speaker 2: Yeah, and it's heavy too, so yeah, you know, also

1042
00:54:49,000 --> 00:54:51,759
Speaker 2: a very expensive sport. Danny really just went right for

1043
00:54:51,880 --> 00:54:53,160
Speaker 2: the super.

1044
00:54:53,280 --> 00:54:55,359
Speaker 1: Money is no object for Danny Tanner. You know he's

1045
00:54:55,400 --> 00:54:57,239
Speaker 1: supporting all these people in this large house.

1046
00:54:58,280 --> 00:55:00,719
Speaker 2: You redecorate the kid's room while you're at it. You

1047
00:55:00,800 --> 00:55:02,240
Speaker 2: got money for school lessons.

1048
00:55:04,800 --> 00:55:07,400
Speaker 1: He says, I can't wait to be underwater and not

1049
00:55:07,560 --> 00:55:10,680
Speaker 1: thinking about Vicky, and then he pauses and looks off

1050
00:55:10,680 --> 00:55:13,400
Speaker 1: in the distance. I gotta go find a cold ocean,

1051
00:55:13,600 --> 00:55:15,520
Speaker 1: and he heads upstairs and the girls wave.

1052
00:55:16,120 --> 00:55:17,960
Speaker 2: Luckily, you're in San Francisco Bay.

1053
00:55:17,960 --> 00:55:20,920
Speaker 1: It's gonna be freezing. You're going to get hyper from me.

1054
00:55:21,200 --> 00:55:21,680
Speaker 2: You got that.

1055
00:55:21,920 --> 00:55:26,280
Speaker 1: Yeah. DJ walks into the room and asks the girls

1056
00:55:26,320 --> 00:55:29,759
Speaker 1: how dad is doing. They reveal they've got something up

1057
00:55:29,800 --> 00:55:32,920
Speaker 1: their sleeve. Steph tells her he's going to be doing great.

1058
00:55:33,160 --> 00:55:36,200
Speaker 1: We're getting him and Vicky back together, and Michelle adds,

1059
00:55:36,280 --> 00:55:40,680
Speaker 1: we've got a plan. DJ raises her eyebrows suspiciously. You

1060
00:55:40,760 --> 00:55:43,000
Speaker 1: two came up with a plan. You can't even match

1061
00:55:43,040 --> 00:55:45,880
Speaker 1: your socks. Steph shakes her head and says in a

1062
00:55:46,000 --> 00:55:49,560
Speaker 1: no at all tone. For your information, it's an extremely

1063
00:55:49,640 --> 00:55:54,320
Speaker 1: sophisticated and intelligent plan. As Michelle shares what they're doing,

1064
00:55:54,480 --> 00:55:59,000
Speaker 1: we hear sirens in the background getting closer and closer. Yeah. Well,

1065
00:55:59,200 --> 00:56:00,960
Speaker 1: we called Vicky and told her that I got my

1066
00:56:01,080 --> 00:56:05,160
Speaker 1: head stuck in a fence, says Michelle. DJ thinks nobody

1067
00:56:05,280 --> 00:56:08,040
Speaker 1: is gonna believe them. But right then, on cue, the

1068
00:56:08,120 --> 00:56:10,400
Speaker 1: sirens stopped front door of the house, and there's a

1069
00:56:10,480 --> 00:56:13,799
Speaker 1: loud knock on the door. Vicky yells from the other side.

1070
00:56:13,840 --> 00:56:20,080
Speaker 1: Open up, girls, I've got the fire department. The plan's

1071
00:56:20,080 --> 00:56:25,640
Speaker 1: already backfiring and they haven't started. Uh oh, Stephanie. Michelle's

1072
00:56:25,680 --> 00:56:30,160
Speaker 1: eyes widened in disbelief. Stephanie reacts, the fire departments here,

1073
00:56:30,680 --> 00:56:32,360
Speaker 1: if they don't see a girl stuck in the fence,

1074
00:56:32,360 --> 00:56:35,759
Speaker 1: we're gonna look like idiots, and DJ shakes her head. Oh,

1075
00:56:35,840 --> 00:56:38,719
Speaker 1: you're way past that. Steph asked DJ to stall them

1076
00:56:38,719 --> 00:56:41,360
Speaker 1: as she grabs Michelle's hand and heads to the backyard.

1077
00:56:41,520 --> 00:56:43,040
Speaker 2: Come on, kid, you're getting an a fence.

1078
00:56:45,560 --> 00:56:48,800
Speaker 1: In the backyard, Stephanie finds a loose piece of fence

1079
00:56:48,840 --> 00:56:53,640
Speaker 1: and convenient, convenient, it's not god, that's already broken to

1080
00:56:53,840 --> 00:56:54,720
Speaker 1: just the right side.

1081
00:56:54,800 --> 00:56:58,359
Speaker 2: And then Kimmy's Ostrich didn't break here. You know, you'd

1082
00:56:58,360 --> 00:57:02,840
Speaker 2: think you'd have to have a pretty secure uh right, Ostrich.

1083
00:57:02,360 --> 00:57:08,439
Speaker 1: Could get out easily. She demands that Michelle. She says, quick,

1084
00:57:08,600 --> 00:57:12,040
Speaker 1: stick your head in. Michelle rolls her eyes. Yeah right,

1085
00:57:12,400 --> 00:57:16,120
Speaker 1: but Steph orders her again, just do it. Michelle quips back,

1086
00:57:16,200 --> 00:57:18,640
Speaker 1: you are so bossy, and she sticks her head in

1087
00:57:18,720 --> 00:57:21,960
Speaker 1: the fence. Then we see Kimmy on the other side.

1088
00:57:22,560 --> 00:57:25,760
Speaker 1: Kimmy's fence. Her side of the fence is painted and colorful.

1089
00:57:26,720 --> 00:57:29,880
Speaker 1: She sees Michelle's head pop up and jokes, hey, twirp,

1090
00:57:30,080 --> 00:57:34,080
Speaker 1: this is private property. I'm surprised to see myself. I

1091
00:57:34,160 --> 00:57:35,200
Speaker 1: forgot all about this.

1092
00:57:35,320 --> 00:57:37,560
Speaker 2: Yeah, yeah, yeah, chef boy r D right there.

1093
00:57:37,680 --> 00:57:40,000
Speaker 1: Yes. I was like, this is great. I finally serve

1094
00:57:40,040 --> 00:57:43,000
Speaker 1: a purpose. You know. It's like it's to embarrass Danny

1095
00:57:43,120 --> 00:57:45,840
Speaker 1: and then to annoy Michelle. This is great. It's great.

1096
00:57:46,040 --> 00:57:48,560
Speaker 2: And we get a little window into the Gimbler back.

1097
00:57:49,120 --> 00:57:50,840
Speaker 1: Yeah, this is I love when we get those little

1098
00:57:50,880 --> 00:57:55,600
Speaker 1: peaks into the Gibbler property. Kimmy is grilling and she's

1099
00:57:55,720 --> 00:57:57,560
Speaker 1: dressed in an apron and a chef's hat.

1100
00:57:58,120 --> 00:58:00,560
Speaker 2: The apron, though, I was, I was like, oh, I

1101
00:58:00,560 --> 00:58:02,600
Speaker 2: don't know that you'd put that on a thing today.

1102
00:58:02,960 --> 00:58:05,520
Speaker 1: He says, don't shoot the cook. Oh is that what

1103
00:58:05,520 --> 00:58:10,320
Speaker 1: it said? I couldn't see it. Well, that's it's very

1104
00:58:10,400 --> 00:58:15,840
Speaker 1: Kimmy Gibbler coated, you know, yes, committing to this. Yeah, yeah,

1105
00:58:15,920 --> 00:58:20,680
Speaker 1: this wouldn't be funny today. Uh. Michelle tells her, I'm

1106
00:58:20,720 --> 00:58:23,400
Speaker 1: in the middle of a plan, and Kimmy quips, well,

1107
00:58:23,400 --> 00:58:25,760
Speaker 1: as long as you're here, do you like grilled sardines?

1108
00:58:26,240 --> 00:58:28,479
Speaker 1: And she holds a small fish in front of Michelle's face.

1109
00:58:28,680 --> 00:58:32,680
Speaker 1: Michelle is disgusted. Tj is at the kitchen door trying

1110
00:58:32,720 --> 00:58:35,360
Speaker 1: to stall Vicky and the firefighters. Are you sure you

1111
00:58:35,400 --> 00:58:39,040
Speaker 1: wouldn't like a nice brand muffin? Vicky runs over to

1112
00:58:39,040 --> 00:58:43,120
Speaker 1: Michelle and asks if she's okay. Stephanie comments, kids, they

1113
00:58:43,160 --> 00:58:46,760
Speaker 1: stick their heads in the darnedest places. Just then Danny

1114
00:58:47,040 --> 00:58:50,520
Speaker 1: rushes out to the backyard in his scuba diving wetsuit

1115
00:58:51,720 --> 00:58:56,280
Speaker 1: and his snorkel and his fins yep, like he couldn't

1116
00:58:56,280 --> 00:59:02,200
Speaker 1: take the fins off. Yeah yeah, this is man bobberly

1117
00:59:02,240 --> 00:59:05,640
Speaker 1: committed to this bit. Oh yeah. He asked what's going on,

1118
00:59:06,760 --> 00:59:11,520
Speaker 1: and the firefighter jokes, you tell us aqua man. Vicky

1119
00:59:11,560 --> 00:59:13,840
Speaker 1: tells him Michelle stuck her head in the fence, and

1120
00:59:13,960 --> 00:59:18,880
Speaker 1: Danny is shocked. The firefighter announces, everybody stand back, Come on, gus,

1121
00:59:19,080 --> 00:59:23,440
Speaker 1: let's chop her out. Michelle screams chop, and then pulls

1122
00:59:23,440 --> 00:59:26,360
Speaker 1: her head right out of the fence. The plan is over,

1123
00:59:26,520 --> 00:59:30,760
Speaker 1: she says. The firefighter grins, Yeah, the chop thing works

1124
00:59:30,800 --> 00:59:35,479
Speaker 1: every time. Vicky apologizes for calling the fireman she thought

1125
00:59:35,480 --> 00:59:39,640
Speaker 1: it was an emergency. Danny also apologizes, wondering why his

1126
00:59:39,720 --> 00:59:43,840
Speaker 1: girls are acting so weird. The fireman looks Danny up

1127
00:59:43,880 --> 00:59:46,400
Speaker 1: and down and replies, I could take a guess, and

1128
00:59:46,520 --> 00:59:49,840
Speaker 1: they leave like this fire This firefighter's great, like he

1129
00:59:49,880 --> 00:59:54,360
Speaker 1: has the best. Yes, he's fantastic. He only had like

1130
00:59:54,360 --> 00:59:55,360
Speaker 1: three lines, but he may.

1131
00:59:57,160 --> 01:00:00,520
Speaker 2: I will say that this would probably leave the household

1132
01:00:00,560 --> 01:00:03,000
Speaker 2: with like a like a fifteen thousand dollars bill, though,

1133
01:00:03,040 --> 01:00:05,320
Speaker 2: because if you falsely call the fire department, they make

1134
01:00:05,360 --> 01:00:06,040
Speaker 2: you pay for it.

1135
01:00:06,240 --> 01:00:14,640
Speaker 1: Oh wow, that's babe. Yeah yeah, yeah, that's wasted resources.

1136
01:00:14,680 --> 01:00:17,560
Speaker 1: If it's a prank. Yeah that's true. If it's a prank,

1137
01:00:17,600 --> 01:00:19,280
Speaker 1: I mean, if you really think it's an emergency, I

1138
01:00:19,280 --> 01:00:23,920
Speaker 1: think you're probably fine. We do, right, prank? No bad slap?

1139
01:00:23,960 --> 01:00:27,800
Speaker 1: That fine on you. So Danny has a chat with

1140
01:00:28,040 --> 01:00:31,080
Speaker 1: Stephanie and Michelle, telling them they know better than to

1141
01:00:31,080 --> 01:00:36,120
Speaker 1: say something is an emergency unless it really is. Stephanie apologizes, saying,

1142
01:00:36,240 --> 01:00:38,360
Speaker 1: we made up that story to get Vicky to come

1143
01:00:38,400 --> 01:00:41,880
Speaker 1: over so you two would make up. Vicky and Danny

1144
01:00:41,960 --> 01:00:44,400
Speaker 1: look at each other, then Michelle shakes her head and

1145
01:00:44,440 --> 01:00:47,640
Speaker 1: points to Stephanie. Next time you have a plan, use

1146
01:00:47,680 --> 01:00:51,880
Speaker 1: your own head, and they leave the backyard. When Vicky

1147
01:00:51,880 --> 01:00:55,760
Speaker 1: and Danny are alone, he apologizes, I'm so sorry about this,

1148
01:00:56,120 --> 01:00:59,720
Speaker 1: Thank you for being so concerned about Michelle. She responds,

1149
01:00:59,800 --> 01:01:03,520
Speaker 1: no problem, and she starts to leave. Then Danny stops

1150
01:01:03,560 --> 01:01:06,760
Speaker 1: her and admits he hasn't been himself since the breakup,

1151
01:01:07,440 --> 01:01:10,800
Speaker 1: and she jokes, well, you're certainly dressing differently. Did you

1152
01:01:10,840 --> 01:01:12,520
Speaker 1: take this as a breakup? I thought they just had

1153
01:01:12,560 --> 01:01:14,600
Speaker 1: a fight, like I didn't think it was a full

1154
01:01:14,680 --> 01:01:17,920
Speaker 1: like an actual break Yeah, I know it was, but

1155
01:01:18,000 --> 01:01:20,840
Speaker 1: I guess I guess it's serious enough fight to right.

1156
01:01:20,960 --> 01:01:23,000
Speaker 1: I don't know that's it's full house. Of course. You

1157
01:01:23,040 --> 01:01:27,280
Speaker 1: fight once and you walk around the table. You're married,

1158
01:01:27,800 --> 01:01:29,640
Speaker 1: are very sample? Yeah, you walk out of door and

1159
01:01:29,680 --> 01:01:34,400
Speaker 1: slam it. You're broken up. Yes, So Danny reveals he

1160
01:01:34,480 --> 01:01:37,160
Speaker 1: signed up for scuba lessons to keep his mind off

1161
01:01:37,240 --> 01:01:39,640
Speaker 1: how much he missed her and that it didn't work,

1162
01:01:40,160 --> 01:01:43,240
Speaker 1: but the chafing distracted me for a little while, he says.

1163
01:01:43,960 --> 01:01:47,680
Speaker 1: Vicky laughs, and Danny continues to apologize, admitting that her

1164
01:01:47,720 --> 01:01:51,880
Speaker 1: mom had good intentions. Vicky mentions, if the room bothers

1165
01:01:51,960 --> 01:01:53,920
Speaker 1: him so much, he could change it back to the

1166
01:01:53,960 --> 01:01:58,040
Speaker 1: old wallpaper. These don't. But Danny's confused he was talking

1167
01:01:58,080 --> 01:02:01,800
Speaker 1: about marriage. Vicky's shocked to hear him bring up marriage.

1168
01:02:02,320 --> 01:02:05,360
Speaker 1: Danny tells her it was her mom who mentioned marriage.

1169
01:02:06,120 --> 01:02:09,840
Speaker 1: Vicky rolls her eyes. Ugh, I'll kill her, Danny. Just

1170
01:02:09,880 --> 01:02:12,600
Speaker 1: because my mother brought up the subject doesn't mean that

1171
01:02:12,760 --> 01:02:16,040
Speaker 1: I'm ready to talk about it. Danny grins with a

1172
01:02:16,040 --> 01:02:20,600
Speaker 1: big smile. Well, then everything's settled. Vicky puts her hands

1173
01:02:20,640 --> 01:02:23,920
Speaker 1: on her hip and gives him a look. Things aren't settled.

1174
01:02:24,440 --> 01:02:27,160
Speaker 1: Vicky asks, why didn't you tell me what was really

1175
01:02:27,160 --> 01:02:31,160
Speaker 1: bothering you. I have to say, it feels like.

1176
01:02:32,640 --> 01:02:37,040
Speaker 2: I felt a little confused by this, because she says,

1177
01:02:37,200 --> 01:02:40,200
Speaker 2: if the room bothers you so much, you could change it,

1178
01:02:40,360 --> 01:02:44,120
Speaker 2: and he looks at her confused like, I'm not talking

1179
01:02:44,160 --> 01:02:46,480
Speaker 2: about the room. I'm talking about.

1180
01:02:46,600 --> 01:02:50,400
Speaker 1: What you're But it feels like, no, it's a little neected.

1181
01:02:50,320 --> 01:02:54,480
Speaker 2: You know, just like, yeah, I don't know, it feels

1182
01:02:54,920 --> 01:02:58,360
Speaker 2: not like he would be confused. I don't know, it

1183
01:02:58,480 --> 01:03:00,960
Speaker 2: was like that was the problem as far as she knows.

1184
01:03:01,000 --> 01:03:03,560
Speaker 2: When she left, you were pissed about the room and

1185
01:03:03,640 --> 01:03:04,440
Speaker 2: the boundary, and.

1186
01:03:04,400 --> 01:03:08,320
Speaker 1: She took off, So that's what they were fighting about, right, right.

1187
01:03:08,200 --> 01:03:11,560
Speaker 2: So it was just Danny would then be confused, like,

1188
01:03:11,640 --> 01:03:11,960
Speaker 2: what do.

1189
01:03:11,920 --> 01:03:14,960
Speaker 1: You mean the room? Yeah, you mean the meltdown.

1190
01:03:14,600 --> 01:03:16,840
Speaker 2: You had over yesterday when I left and slammed the door.

1191
01:03:16,960 --> 01:03:19,400
Speaker 1: Yeah, he did have a meltonown, yes, about full meltdown

1192
01:03:19,480 --> 01:03:20,040
Speaker 1: the marriage.

1193
01:03:20,120 --> 01:03:22,040
Speaker 2: I mean it was he was overwhelmed by it and

1194
01:03:22,080 --> 01:03:24,400
Speaker 2: the boundaries, but it just right, I guess to me

1195
01:03:25,600 --> 01:03:30,520
Speaker 2: it felt a little it felt a little unclear, But

1196
01:03:30,680 --> 01:03:31,040
Speaker 2: you know.

1197
01:03:31,400 --> 01:03:34,200
Speaker 1: I agree with that also because Danny would have freaked

1198
01:03:34,200 --> 01:03:37,320
Speaker 1: out about the room, whether Vicky had mentioned marriage or not,

1199
01:03:37,480 --> 01:03:41,440
Speaker 1: like right, he was right, right, right, right.

1200
01:03:41,320 --> 01:03:44,520
Speaker 2: It just couldn't I guess I felt like they hammered

1201
01:03:44,560 --> 01:03:47,400
Speaker 2: more on Danny being upset about the room than being

1202
01:03:47,440 --> 01:03:48,920
Speaker 2: freaked out by the marriage thing.

1203
01:03:49,720 --> 01:03:54,960
Speaker 1: That seemed like the bigger deal. So yes, you know, agreed, Yes, absolutely, just.

1204
01:03:54,880 --> 01:03:59,800
Speaker 2: Felt like those two problems weren't tied together as for

1205
01:04:00,040 --> 01:04:02,040
Speaker 2: any as much as they I think should have been,

1206
01:04:02,200 --> 01:04:04,240
Speaker 2: or as much they as they kind of wrote it

1207
01:04:04,240 --> 01:04:04,880
Speaker 2: to be at the end.

1208
01:04:05,200 --> 01:04:09,360
Speaker 1: Yeah, they needed some some clear dialogue here about this

1209
01:04:09,360 --> 01:04:12,360
Speaker 1: this misconnection. It was very disjointed. I totally agree.

1210
01:04:13,360 --> 01:04:15,960
Speaker 2: Yeah I could have been like, you know, not confused,

1211
01:04:15,960 --> 01:04:18,880
Speaker 2: but like, well, yeah, it started with the room and

1212
01:04:18,920 --> 01:04:21,480
Speaker 2: then it went you know when I'm just afraid she's

1213
01:04:21,480 --> 01:04:23,320
Speaker 2: like stepping over boundaries and before like that.

1214
01:04:23,440 --> 01:04:26,360
Speaker 1: Yes, the argument, that's the argument the mother in law

1215
01:04:26,400 --> 01:04:28,720
Speaker 1: is is stepping over the boundaries left and right and

1216
01:04:28,760 --> 01:04:32,240
Speaker 1: pressuring them for marriage, to talk about marriage. That's exactly it.

1217
01:04:32,360 --> 01:04:34,120
Speaker 2: Because then he says, I don't know how to deal

1218
01:04:34,160 --> 01:04:36,640
Speaker 2: with change. So you're still talking about the room. You're

1219
01:04:36,680 --> 01:04:37,840
Speaker 2: not talking about the marriage.

1220
01:04:39,000 --> 01:04:41,280
Speaker 1: Yeah, well marriage is a change, is a big change,

1221
01:04:41,360 --> 01:04:44,800
Speaker 1: but it's a change but intertwined. Yeah, you're still talking

1222
01:04:45,040 --> 01:04:47,360
Speaker 1: the room was the was the main thing.

1223
01:04:47,400 --> 01:04:49,680
Speaker 2: If you're saying that you don't deal with change, well

1224
01:04:50,320 --> 01:04:53,760
Speaker 2: you're tying is the only thing that really changed. But

1225
01:04:53,880 --> 01:04:56,320
Speaker 2: he hadn't talked about right, I mean I don't know.

1226
01:04:56,840 --> 01:04:58,600
Speaker 1: Yeah, well this is this is sitcom.

1227
01:04:58,760 --> 01:05:00,760
Speaker 2: You know where they were going, where they were going,

1228
01:05:00,760 --> 01:05:03,120
Speaker 2: But I just it it, Uh.

1229
01:05:03,680 --> 01:05:07,280
Speaker 1: It needed some time to wrap it all up and

1230
01:05:07,320 --> 01:05:11,440
Speaker 1: bring it, bring it full circle. I agree. Uh so, Yeah,

1231
01:05:11,520 --> 01:05:13,640
Speaker 1: Danny confesses he doesn't know how to deal with change

1232
01:05:13,680 --> 01:05:17,400
Speaker 1: when it happens as quickly. Vicky suggests that change doesn't

1233
01:05:17,440 --> 01:05:20,360
Speaker 1: have to be a bad thing, and Danny jokes, it

1234
01:05:20,440 --> 01:05:22,840
Speaker 1: really is difficult for me, Vicky, I've been using the

1235
01:05:22,840 --> 01:05:24,840
Speaker 1: same oven mit for twelve years.

1236
01:05:25,320 --> 01:05:28,520
Speaker 2: I mean I also feel like, uh, losing your wife

1237
01:05:28,560 --> 01:05:30,680
Speaker 2: to a drunk driver is a is a pretty sudden

1238
01:05:30,720 --> 01:05:36,480
Speaker 2: and large change because Danny twelve years. Yeah, you bring

1239
01:05:37,320 --> 01:05:42,200
Speaker 2: it's not funny. We've got ninety seconds left. We don't

1240
01:05:42,200 --> 01:05:42,920
Speaker 2: have time for dead mom.

1241
01:05:43,080 --> 01:05:46,280
Speaker 1: There's no time to bring up the dead the dead wife. No, no,

1242
01:05:46,480 --> 01:05:48,680
Speaker 1: this is true. Like I would be if the show

1243
01:05:48,680 --> 01:05:50,680
Speaker 1: had gone a little deeper and darker. I'd be interested

1244
01:05:50,680 --> 01:05:52,280
Speaker 1: to know if Danny was always like this, or if

1245
01:05:52,280 --> 01:05:55,040
Speaker 1: this was a response to losing his wife and wanting

1246
01:05:55,320 --> 01:05:58,439
Speaker 1: more control. He couldn't control that he lost his wife. Yeah,

1247
01:05:58,440 --> 01:06:03,560
Speaker 1: there's there's a thread here, Lily. Vicky tells him, I

1248
01:06:03,640 --> 01:06:07,800
Speaker 1: was thinking more about our relationship. It won't grow without change.

1249
01:06:08,600 --> 01:06:11,840
Speaker 1: Danny sighs and steps closer to Vicky. Well, I can

1250
01:06:11,880 --> 01:06:15,880
Speaker 1: deal with change, if we can do it together, they

1251
01:06:15,880 --> 01:06:18,919
Speaker 1: share I love yous. They hug and they say they've

1252
01:06:18,920 --> 01:06:21,760
Speaker 1: missed each other. He jokes, I really got to get

1253
01:06:21,760 --> 01:06:24,680
Speaker 1: out of this suit. It's really starting to bunch, sweetheart,

1254
01:06:25,080 --> 01:06:28,080
Speaker 1: and you're standing on my flipper. They go inside the

1255
01:06:28,080 --> 01:06:30,760
Speaker 1: house and that is our show.

1256
01:06:31,360 --> 01:06:33,520
Speaker 2: I wish Michelle and Steph would have popped back out

1257
01:06:33,560 --> 01:06:35,560
Speaker 2: when they were kissing and Ben, like I knew it

1258
01:06:35,600 --> 01:06:36,120
Speaker 2: would work.

1259
01:06:36,520 --> 01:06:38,600
Speaker 1: Oh, that would have been a cute little button on

1260
01:06:38,640 --> 01:06:41,680
Speaker 1: the scene. Yeah, it needed a button too, better than

1261
01:06:41,680 --> 01:06:43,160
Speaker 1: this flipper this flipper talk.

1262
01:06:43,320 --> 01:06:45,800
Speaker 2: Yeah, it was when the scene ended, I was like,

1263
01:06:46,760 --> 01:06:48,200
Speaker 2: it ended too fast, so weird.

1264
01:06:48,360 --> 01:06:50,280
Speaker 1: It was just I was like that that was a

1265
01:06:50,280 --> 01:06:52,280
Speaker 1: button on the scene. It feels like, yeah, they need

1266
01:06:52,360 --> 01:06:53,880
Speaker 1: it a better They needed a better button, and that

1267
01:06:53,920 --> 01:06:55,680
Speaker 1: would have been a cute one. See, they should have

1268
01:06:55,680 --> 01:06:56,800
Speaker 1: had us on the writing staff.

1269
01:06:57,160 --> 01:07:00,520
Speaker 2: Nineteen icket, nineteen ninety ten. I've definitely have been thinking

1270
01:07:00,520 --> 01:07:01,240
Speaker 2: about that, you know.

1271
01:07:01,800 --> 01:07:05,560
Speaker 1: Yeah, yeah, I feel like this scene. I feel like

1272
01:07:05,680 --> 01:07:09,160
Speaker 1: this scene was probably rewritten several times over the course

1273
01:07:09,200 --> 01:07:11,640
Speaker 1: of the week, right, and so there was just a

1274
01:07:11,640 --> 01:07:14,840
Speaker 1: lot of missed connections and missed opportunities, you know, and.

1275
01:07:14,840 --> 01:07:17,120
Speaker 2: It felt, well, yeah, I was gonna say it felt

1276
01:07:17,160 --> 01:07:20,000
Speaker 2: like it could have been two different stories about Vicky's

1277
01:07:20,000 --> 01:07:25,120
Speaker 2: controlling mother and a whole other storyline about the room

1278
01:07:25,320 --> 01:07:25,960
Speaker 2: being redone.

1279
01:07:26,240 --> 01:07:29,160
Speaker 1: You know what I mean, like very much two separate storylines. Yeah.

1280
01:07:29,160 --> 01:07:31,200
Speaker 2: Like I get that she's the interior designer and they

1281
01:07:31,320 --> 01:07:33,120
Speaker 2: tied that together, but it felt like, I don't know,

1282
01:07:33,120 --> 01:07:36,360
Speaker 2: it felt like I needed I needed the emphasis to

1283
01:07:36,400 --> 01:07:38,320
Speaker 2: be on the marriage part, because it seemed like a

1284
01:07:38,400 --> 01:07:42,560
Speaker 2: quick discussion, a quick turn, and you're like, Okay, well

1285
01:07:42,680 --> 01:07:46,080
Speaker 2: wasn't I mean, she mentioned it, but whatever, and then I,

1286
01:07:46,160 --> 01:07:48,440
Speaker 2: you know, all of a sudden, she's like, hey, I'm sorry,

1287
01:07:48,440 --> 01:07:49,200
Speaker 2: here's a new room.

1288
01:07:49,920 --> 01:07:53,240
Speaker 1: Yeah, yeah, that was there. Was there? It needed some

1289
01:07:53,320 --> 01:07:58,240
Speaker 1: tighter dialogue. But I feel like they're setting up for

1290
01:07:59,360 --> 01:08:04,160
Speaker 1: the proposed at Disney World spoiler arts, which is is

1291
01:08:04,200 --> 01:08:05,920
Speaker 1: that at the end of season six or is that

1292
01:08:06,000 --> 01:08:11,240
Speaker 1: in season seven? I think it's I don't I don't know,

1293
01:08:11,400 --> 01:08:13,360
Speaker 1: but maybe they're maybe they're planking the seeds.

1294
01:08:13,760 --> 01:08:15,600
Speaker 2: Yeah, yeah, I proposally the.

1295
01:08:17,720 --> 01:08:20,479
Speaker 1: I don't know, I don't have a long ways to go.

1296
01:08:20,520 --> 01:08:21,800
Speaker 1: We're only in the middle, and I was gonna say

1297
01:08:22,720 --> 01:08:26,320
Speaker 1: it might be it might be the end of six.

1298
01:08:27,080 --> 01:08:30,960
Speaker 2: They were together, didn't she they break up seven in

1299
01:08:31,080 --> 01:08:35,080
Speaker 2: seven because Danny didn't have a girlfriend the last right,

1300
01:08:35,479 --> 01:08:36,439
Speaker 2: the last season.

1301
01:08:37,000 --> 01:08:40,479
Speaker 1: Okay, so yeah, let's go with that theory. They get engaged.

1302
01:08:42,200 --> 01:08:44,920
Speaker 1: I'm just beginning of seven. Yeah, the fan REOs know

1303
01:08:45,000 --> 01:08:47,960
Speaker 1: exactly the answer to these questions, and they're thinking we're

1304
01:08:48,000 --> 01:08:52,040
Speaker 1: idiots for just trying to that's love about us. They

1305
01:08:52,080 --> 01:08:56,320
Speaker 1: love us.

1306
01:08:53,280 --> 01:08:58,160
Speaker 2: Uh show, these two fools just did it.

1307
01:08:58,720 --> 01:09:04,120
Speaker 1: Yeah, it's so backwards and I love it. Yeah.

1308
01:09:03,920 --> 01:09:06,519
Speaker 2: Yeah, everywhere he looks, I mean, other than the entire

1309
01:09:06,600 --> 01:09:07,120
Speaker 2: room changed.

1310
01:09:07,760 --> 01:09:11,280
Speaker 1: Other than the entire room change. The only thing I noticed.

1311
01:09:12,280 --> 01:09:15,120
Speaker 1: This isn't an everywhere you look, It's in everywhere you listen. Okay,

1312
01:09:15,479 --> 01:09:19,320
Speaker 1: this is a dumb one when Steve everywhere he looks,

1313
01:09:19,560 --> 01:09:21,920
Speaker 1: I know, but this is just such a subtle one.

1314
01:09:22,400 --> 01:09:25,320
Speaker 1: When Steve picks up Kimmy to carry her out of

1315
01:09:25,360 --> 01:09:28,800
Speaker 1: the kitchen and then the caboose can or whatever you can.

1316
01:09:29,280 --> 01:09:33,840
Speaker 1: I looped the Oh yeah, for sure, I looped all that.

1317
01:09:33,880 --> 01:09:36,120
Speaker 1: And you can tell. It's like to me, it's very

1318
01:09:36,120 --> 01:09:37,719
Speaker 1: obvious that I had looped those lines.

1319
01:09:37,760 --> 01:09:38,640
Speaker 2: You know what, It didn't throw me.

1320
01:09:38,640 --> 01:09:39,599
Speaker 1: I didn't even pay attention.

1321
01:09:39,840 --> 01:09:42,240
Speaker 2: I was more stuck on the fact of like, wow,

1322
01:09:42,400 --> 01:09:44,639
Speaker 2: your best friend would comment on your boyfriend's button front

1323
01:09:44,640 --> 01:09:46,400
Speaker 2: of it, Like that is what I was thinking about,

1324
01:09:46,439 --> 01:09:50,040
Speaker 2: and not the sounds. I know DJ doesn't even respond,

1325
01:09:50,520 --> 01:09:52,680
Speaker 2: and that I hate being picked up like that.

1326
01:09:52,760 --> 01:09:53,160
Speaker 1: I don't know.

1327
01:09:53,240 --> 01:09:56,320
Speaker 2: It makes me like, oh, it's like gives me the

1328
01:09:56,360 --> 01:09:59,559
Speaker 2: funny feeling in my stomach. Oh, but yeah it makes me.

1329
01:09:59,680 --> 01:09:59,920
Speaker 1: I don't.

1330
01:10:00,200 --> 01:10:02,679
Speaker 2: I don't like it somebody picks me up over their shoulder.

1331
01:10:02,680 --> 01:10:04,240
Speaker 2: I feel weird.

1332
01:10:05,080 --> 01:10:07,080
Speaker 1: Okay, I noted, noted I will.

1333
01:10:06,880 --> 01:10:09,720
Speaker 2: Never pick you up over your shoulder. Andrea got it

1334
01:10:09,760 --> 01:10:13,960
Speaker 2: for many reasons, one of which I would drop for you.

1335
01:10:14,080 --> 01:10:18,680
Speaker 1: Yeah, it's so true. Yeah, that's my only everywhere you

1336
01:10:18,720 --> 01:10:20,800
Speaker 1: look listen, I didn't have to have any I thought

1337
01:10:20,800 --> 01:10:22,320
Speaker 1: there'd be a ton in the in the new.

1338
01:10:22,280 --> 01:10:26,240
Speaker 2: Room, but I'm like, I guess the apron was kind

1339
01:10:26,240 --> 01:10:28,880
Speaker 2: of my everywhere you look sort of moment.

1340
01:10:28,840 --> 01:10:31,720
Speaker 1: Because I couldn't read. I couldn't read it what it said, so, yeah,

1341
01:10:31,760 --> 01:10:32,360
Speaker 1: that's a good one.

1342
01:10:32,400 --> 01:10:35,200
Speaker 2: That's all I could read was the word shoot and cook,

1343
01:10:35,240 --> 01:10:36,599
Speaker 2: and I was like, I think I'm going to fill

1344
01:10:36,600 --> 01:10:39,200
Speaker 2: in the rest, but yeah.

1345
01:10:38,840 --> 01:10:42,559
Speaker 1: Yeah, is that a slogan? Back then? Don't shoot on something?

1346
01:10:42,600 --> 01:10:45,280
Speaker 1: Don't shoot the cook. Don't shoot the messenger. Don't shoot

1347
01:10:45,280 --> 01:10:45,479
Speaker 1: that's what.

1348
01:10:45,560 --> 01:10:46,679
Speaker 2: Yeah, don't shoot the messenger.

1349
01:10:47,160 --> 01:10:49,840
Speaker 1: So maybe they shoot the cook. We just don't joke

1350
01:10:49,880 --> 01:10:54,760
Speaker 1: about America show.

1351
01:10:54,760 --> 01:10:55,200
Speaker 2: Everyone.

1352
01:10:55,439 --> 01:10:59,040
Speaker 1: We know that you're excited for that. You're welcome. Let's

1353
01:10:59,040 --> 01:10:59,439
Speaker 1: just end it.

1354
01:10:59,760 --> 01:11:02,920
Speaker 2: Well, Yeah, thank you guys so much for listening. If

1355
01:11:02,960 --> 01:11:06,599
Speaker 2: you have any comments, thoughts, or know anything more about

1356
01:11:06,640 --> 01:11:09,280
Speaker 2: the shows than we do, which you do, please follow

1357
01:11:09,360 --> 01:11:12,559
Speaker 2: us on Instagram, leave us a comment at how Red podcast,

1358
01:11:13,040 --> 01:11:15,960
Speaker 2: or send us emails with questions all that kind of

1359
01:11:15,960 --> 01:11:19,519
Speaker 2: fun stuff at Howard Tanner Ritos at gmail dot com.

1360
01:11:19,680 --> 01:11:23,360
Speaker 2: Is it our merch store Howard meerch dot com, and remember,

1361
01:11:24,600 --> 01:11:25,760
Speaker 2: we will see you next time.

1362
01:11:26,840 --> 01:11:33,400
Speaker 1: The world is small, The house is full scuba flippers,

1363
01:11:33,439 --> 01:11:37,120
Speaker 1: so many suits for so many they're they're extra long because.

1364
01:11:37,040 --> 01:11:40,920
Speaker 2: Yeah, yeah, they're gigantic. Trying to walk around in them.

1365
01:11:41,000 --> 01:11:43,000
Speaker 2: Everyone's wearing them in the house. You ever tried to

1366
01:11:43,000 --> 01:11:48,200
Speaker 2: walk upstairs and in flippers you gotta walk backwards? Yeah?

1367
01:11:48,320 --> 01:11:50,400
Speaker 1: Yeah, that's wow.

1368
01:11:50,560 --> 01:11:53,280
Speaker 2: Visual, This is yeah, everyone wearing flippers.

1369
01:11:53,280 --> 01:11:55,280
Speaker 1: All right, see you next time. Bye,