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Speaker 1: Look mad oh, I see you? Why look over there?

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Speaker 1: How is that culture? Yes? Goodness, let ding dong. I

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Speaker 1: have to catch up because Bowen just said I was

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Speaker 1: this generation's would be Goldburg. Well, and we just for

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Speaker 1: context one of us said, don't go, I think, and

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Speaker 1: then Matt said, that's what we said to Sherry Shepherd

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Speaker 1: the day after Obama okay, history last night here we

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Speaker 1: go to the girls was a punch. No, so this

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Speaker 1: is just this is just you as from the anals

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Speaker 1: of my memories? So is it anals? Animals? Anals? But

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Speaker 1: anals works in this What were you to say? Anals

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Speaker 1: of my memory and that work. I don't know my words,

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Speaker 1: but I do know my heart. It's been a long

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Speaker 1: time since we said that, and it's been a long

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Speaker 1: time since Whoopi Goldberg said don't go right now to

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Speaker 1: Sherry Shepherd, who was overcome with emotion the day after

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Speaker 1: election day two thousand and eight. We all remember it

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Speaker 1: when Obama was white boy into her elected and um

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Speaker 1: Sherry said. Sherry Shepherd was on the fence about who

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Speaker 1: to vote for until she got into the booth. That

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Speaker 1: this is famous context. She didn't know which way their icon.

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Speaker 1: Sherry stopperd did not know who to vote for between

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Speaker 1: John McKay and Barack Obama. So then in the booth

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Speaker 1: she was overcome with emotion and she realized she had

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Speaker 1: to vote for Obama because she wanted to be able

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Speaker 1: to say to Jeffrey, her son and her her son's

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Speaker 1: name is Jeffrey, and this is something that I do

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Speaker 1: remember as well. She wanted to say, no limitations, and

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Speaker 1: she started to cry, and whoop Be reached over and

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Speaker 1: grabbed her hand and said, don't go don't don't go

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Speaker 1: right now, don't go right now, don't go right now.

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Speaker 1: I'm almost misquoted and said, don't go yet, don't go

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Speaker 1: right don't go right now. And she said, no, I know,

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Speaker 1: I know, I'm strong. I voted for Obama. And I

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Speaker 1: just want to say that, like Matt Rodgers is Argent

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Speaker 1: SWOOPI Goldberg, who are you have that effect? Like if

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Speaker 1: you were if you were in the movie Ghost, you

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Speaker 1: would have been the person to deliver like all those

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Speaker 1: iconic lines. You think I would have stole the film.

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Speaker 1: I think you would have stolen the film one of

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Speaker 1: on the Oscar. I think, um, that's huge. He got potential.

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Speaker 1: You think for you. Oh, I'm not even joking. Yes,

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Speaker 1: he got potential. For Matt Rodgers, I'm not. You're my

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Speaker 1: greatest friend on earth. You're my greatest to say that

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Speaker 1: about me. You readers, get yourself a friend who says

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Speaker 1: you have you got potential, especially when it's true. And

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Speaker 1: I'm sure a lot of readers out there have you

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Speaker 1: got potential, But you need a friend who will affirm

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Speaker 1: that in you. Literally we're not bringing the guests in

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Speaker 1: just yet, but the guests does have guest absolutely has

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Speaker 1: he got potential. It has to be said unquestionably. So

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Speaker 1: there's no question, there's no question which makes it. There

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Speaker 1: are no boundaries, no limitations, as sh as, no boundaries

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Speaker 1: as who said no boundaries, There are no boundaries. Who

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Speaker 1: was flat, who was on the note? Don't know for

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Speaker 1: you to decide. And I think this is a perfect

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Speaker 1: way to bring the guests in. Well, it actually is.

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Speaker 1: And while we've sort of rocketed through the opening of them,

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Speaker 1: know this is this is record time. We're we're really

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Speaker 1: kind of just closing the closing the gap on you

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Speaker 1: want to happening what. I think we're excited, we're so

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Speaker 1: I think we're so excited for several reasons. We're in

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Speaker 1: a studio together and in a new setting, in a

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Speaker 1: new setting. Talk about the colors. The colors are very red,

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Speaker 1: very I heart. We're at thea Heeart Radio sort of

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Speaker 1: building next to where else, Carnegie Hall? Where else Carnegie

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Speaker 1: you at all? You know, if I thought of what

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Speaker 1: as I walked past Carnegie Hall, the three busy Debors,

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Speaker 1: three busy DeBras, of course, Judy Garland, of course, also

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Speaker 1: Margaret Margaret, I was like, God, notorious DHL I connect.

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Speaker 1: I can't believe that that that was there, that was

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Speaker 1: that was the Carnegie Hall, right, I mean, she's probably

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Speaker 1: just stomped the boards at Carnegie Hall anytime, of course,

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Speaker 1: as so many talents have, like three Busy Debors and

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Speaker 1: Judy Garland, the Cannon, the Canada, the Pantheon. You know,

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Speaker 1: who could perform at Carnegie Hall. Our guests, Our guests,

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Speaker 1: our guests. Let's talk about our guests. So what's the

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Speaker 1: what I mean, here's the thing, talk about icon talk

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Speaker 1: about alongside coming on the pod A long time coming

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Speaker 1: on the pod. One of those one of those guests

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Speaker 1: where you're like, I I guess, I guess she's listening,

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Speaker 1: you know, like, I guess I'd better be careful. I

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Speaker 1: gotta watch what I say. Not not not because just

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Speaker 1: because I'm like, oh, people of this caliber are listening

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Speaker 1: to the show. That's the thing. It's like when you

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Speaker 1: find out that the guests reached out and said I

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Speaker 1: listened to the pod, was just like, that's like, what

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Speaker 1: are you doing? And the and and now with now

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Speaker 1: I'm like, okay, so now influencers, people in the community

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Speaker 1: who are moving and shaking cultural icons are listening to

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Speaker 1: the pod. It's like, I better watch what I say

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Speaker 1: about say, Sherry Shepherd, maybe she listens. It's not even

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Speaker 1: this as an icon on Therry Shepherd level. I didn't that.

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Speaker 1: That's why I caught myself earlier. I wasn't me being like,

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Speaker 1: I better watch what I say in terms of like

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Speaker 1: like like like disparaging people. I'm saying in terms of

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Speaker 1: like the tone said, you want this to be like

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Speaker 1: a classy pod, not even not even like in terms

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Speaker 1: of respectability. I mean in terms of, like, you know,

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Speaker 1: we have to like we have to consider the audience

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Speaker 1: sometimes yeah, and the audience comprises of our guests by

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Speaker 1: the same token we do to drag some of the

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Speaker 1: girls we say, we famously say with Drag Race, we

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Speaker 1: have strong opinions and could we never never do her

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Speaker 1: do what they do, And that I think gives us

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Speaker 1: the freedom to sort of say, didn't love that. That's

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Speaker 1: a healthy thing for anybody who does not do Drag,

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Speaker 1: who watches that show, who has strong opinions about those

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Speaker 1: people like you must have some awareness around the fact

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Speaker 1: that you can never do what they do. First, admit

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Speaker 1: that you, in the eyes of God, are horseships and

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Speaker 1: don't deserve to actually bringthe the same heiress. Then and

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Speaker 1: then drag And speaking of God, I mean to quote

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Speaker 1: a famous a wise person, Brick Ashley. We have called

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Speaker 1: them everything but a child of God? Can we say it?

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Speaker 1: First of all, say, my ContraPoints is the brook Actley.

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Speaker 1: She's the number one House five recapper and she's not.

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Speaker 1: She always puts on something cute, she always puts a

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Speaker 1: bottle of wine on ice next to her. She's my

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Speaker 1: favorite house ice recap, but she's not the number of her.

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Speaker 1: Her numbers are like, are decent. We want to get

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Speaker 1: those numbers out, of course, girl, But you cannot come

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Speaker 1: out here and say that she's like the top the

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Speaker 1: sort of the top house size wish, I know, but

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Speaker 1: she's on her way. She's on her way, and I

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Speaker 1: will comment on her YouTube videos. She's it's the only

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Speaker 1: YouTube channel I comment on because I watched them and

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Speaker 1: they're they're glorious. And she has some iconic catch phrases

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Speaker 1: like this person is crazier than a soup sandwich, which

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Speaker 1: because what's crazier than nothing except thing? It's not maybe

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Speaker 1: Ramona crazy crazy ass. And she says after everything, but

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Speaker 1: I digress, And then she begins every week hap with

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Speaker 1: we do not have to spare Brooke Ashley, please check

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Speaker 1: her out. Okay, so sorry, I just wanted to That

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Speaker 1: was we digressed right there, we digressed. She does have merged,

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Speaker 1: she does have merged. I'm getting aff mug, but I digress.

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Speaker 1: Our guest is someone who we've been honored to have

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Speaker 1: at the live shows. Do I don't think and perform

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Speaker 1: um she I think is is one of my favorite girls,

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Speaker 1: one of the dolls. Also, I always kind of famously

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Speaker 1: iconically makeup that I was there the first night she

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Speaker 1: ever did drag. I think I was there early on

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Speaker 1: at Lady Liberty when she was still sort of solely

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Speaker 1: doing Chris Jenner, and then I think I've made up

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Speaker 1: over time. It's like, you know when a lie grows apocryphal?

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Speaker 1: What's that? It's like like an origin story that is

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Speaker 1: so wild that it can't possibly be true, sort of

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Speaker 1: like um Atlantiste absolutely, story of Atlanta absolutely. Like you

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Speaker 1: find a little shell on the ground and you pick

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Speaker 1: it up and you say, Atlantes apocryphal, apocryphy? Did you say?

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Speaker 1: I would say, our guest is an iconic queen that

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Speaker 1: you may know from RuPaul's Drag Race and RuPaul's Drag Race.

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Speaker 1: All Stars not for nothing. I believe the seasons were

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Speaker 1: twelve and All Stars six recently wrapped the journey on

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Speaker 1: All Stars six. And we're here to get takes, and

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Speaker 1: we're here to get elaborations, well, insights, whatever she wants

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Speaker 1: to share. Yeah, I care. She could she could be like,

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Speaker 1: we're not talking about that, and I would respect and

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Speaker 1: we just would go in my body. And she is

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Speaker 1: someone who I think is in is competitive for a

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Speaker 1: lot of categories at the Lost Culture, such a many categories,

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Speaker 1: especially for the biggest word of the night, the Christina Award,

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Speaker 1: which the readers have the publicist, sorry, I have now

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Speaker 1: the front runner for the Christina Award should be jan

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Speaker 1: Oh my god, we'll cut that out. Okay, No, it's fine.

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Speaker 1: Our guest welcome, jan Hello. Literally that introduction, I would

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Speaker 1: have thought that Dwayne the Rock Johnson was going to

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Speaker 1: be on this podcast. Right, recall yourself not doing the

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Speaker 1: rock just like Maddis the Whoopi Goldberg of our generation,

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Speaker 1: you are doing the rock Johnson of our generation. I

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Speaker 1: feel wonderful, but I'm open to its one I what

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Speaker 1: can't happen, you can't can't happen. We sit here in

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Speaker 1: the middle of a tempest, a storm, iconic storm, and

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Speaker 1: guess what they said it would be a hurricane. And

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Speaker 1: she she dove right into the ocean. They said one

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Speaker 1: thing could happen, and something else happened. She actually came

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Speaker 1: onto that b o. Oh my god. And here we

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Speaker 1: have Janne kind of potentially cannibalizing her own chances that

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Speaker 1: winning the award by pitching another contender. I couldn't believe

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Speaker 1: we were saying on, well, you know, I was out

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Speaker 1: here staying on. That's what it was, right, it was,

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Speaker 1: but put us actually going for it and saying that

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Speaker 1: it was. This is my first time hearing it out

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Speaker 1: loud and it really is unsettling and also referring to

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Speaker 1: it ass And you know, I'm kind of glad it's

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Speaker 1: not a Henry because there because Henry is a tough

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Speaker 1: name for me. And that's all all said. It can

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Speaker 1: be a loaded name for me as well, depending depending

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Speaker 1: so in your life. No, you know, it hasn't. It

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Speaker 1: totally hasn't. I don't think I actually have met in

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Speaker 1: person as a single Henry in the past, like a

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Speaker 1: couple of years. Yeah, that's wow. Who's the last one.

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Speaker 1: I couldn't even tell you. Well, I'm saying that we

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Speaker 1: did not meet her this week. Now, she wasn't named that,

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Speaker 1: and be she dove. She decided to make a hard right.

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Speaker 1: She decided to make a hard right, and we pray

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Speaker 1: for the people in New England. Did you have any

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Speaker 1: friends that got evacuated from the f I absolutely, I

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Speaker 1: think we. I think we actually all know somebody who

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Speaker 1: did and it was affected by that. I knew a

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Speaker 1: dog's birthday party that got canceled, and I I don't

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Speaker 1: know dog a dog, a dog a dog. I don't

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Speaker 1: know how people are hoping. And I'm just sending all

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Speaker 1: my love and energy out to thank you and thank

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Speaker 1: you Jane. There is I read our friend Brian Voss

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Speaker 1: posted like he tweeted something like years ago there was

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Speaker 1: another hurricane that was about to hit Fire Islands. It's

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Speaker 1: like two thousand four, and there was a there was

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Speaker 1: a woman who had all of these dogs who refused

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Speaker 1: to leave the island. She says, I can't have them die,

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Speaker 1: and if they die, then I want to die with them. Okay, people,

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Speaker 1: I think everyone was okay, and the dogs okay. But

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Speaker 1: people on the island must, must, must do what's safest

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Speaker 1: for them. You know some people live on the island.

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Speaker 1: You're around, Oh, I fully do. Yeah, yeah, I went

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Speaker 1: to high school with some of the girls. Do you

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Speaker 1: have any concept of what it's like in the in

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Speaker 1: the cold monthes? Like? Do we not fun? Like? Where

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Speaker 1: are they going? There's already no food to be had

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Speaker 1: in the island. Where are they going? Have you been

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Speaker 1: on the island in the winter. Yeah, we're talking about

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Speaker 1: island fire. People almost go And why wouldn't you, Derek

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Speaker 1: have also gone in the summer and not the winter.

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Speaker 1: It's sort of a big question. We're talking to hot

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Speaker 1: engineer Derek. Yeah, h d is here fish um you

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Speaker 1: know when in the winter the fire island Pines doesn't

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Speaker 1: have those long island teams to help run it, so

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Speaker 1: really system falls totally. Well. One of the DJs that

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Speaker 1: works at Pieces, d J Mcbrowski, we love, lives out

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Speaker 1: there and he does commune, so we would I want.

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Speaker 1: He seems to love it. Yeah, and you know what,

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Speaker 1: if you love it, good for you. Good, it's good

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Speaker 1: for you. George hang out with the deer, well it's infested.

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Speaker 1: Are we going to get to the point where we

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Speaker 1: I was talking to someone today where he's like, I'm

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Speaker 1: thinking about buying property upstate, and I'm like, and do

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Speaker 1: like the whole like Hudson to New York sort of

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Speaker 1: like let's just say, I don't know about buying property

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Speaker 1: on Fine Island. No, no, no, of course not. But

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Speaker 1: I'm saying, like it's a similar lifestyle situation where it's

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Speaker 1: like you're you're commuting into the city community and then

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Speaker 1: you're and then you're going back out to like your

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Speaker 1: actual like sanctuary wherever it is. I don't know, I

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Speaker 1: don't know that I'll ever do that. You don't have

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Speaker 1: to worry about that for for being in l A

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Speaker 1: Now wow, oh, my god, you don't live here, right,

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Speaker 1: I do not. And my friends are like, are you

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Speaker 1: reconnecting with New York? And I was like, I gotta

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Speaker 1: say no, it's like not because we're actually early on

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Speaker 1: in the Hurricane sees and already on re has sort

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Speaker 1: of played with the girls. Yeah. Um, speaking of Fire Island, Yeah,

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Speaker 1: when I was last there, you treated us to a

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Speaker 1: performance and we spoke about it on this pod I did.

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Speaker 1: I had so much fun that day. That was like

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Speaker 1: I think the day after I had one the Lady

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Speaker 1: Gaga was I was high off of life, bitch. I

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Speaker 1: was like, I'm going to go to Fire Island and

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Speaker 1: do a show for the people by the people. It was.

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Speaker 1: It was a blast. I was happy that you were there.

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Speaker 1: Was lit up, it was fun. My favorite moment of

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Speaker 1: it was there was jan kept describing herself as lucky

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Speaker 1: and there was a woman there who this this was

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Speaker 1: iconic ye and she she goes this woman next to

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Speaker 1: who by the way house and I were chatting them up. Um,

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Speaker 1: this woman like was in the industry somehow. She was

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Speaker 1: like used to be like shares manager or something. Yeah. Yeah,

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Speaker 1: like not in a minor way, like she was in

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Speaker 1: the industry and an absolutely major Yeah. So then so

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Speaker 1: then Jan's taking questions and going through like crushing and

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Speaker 1: then this one goes, I just want to say something

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Speaker 1: to you. You keep using the word lucky. You're not lucky.

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Speaker 1: You're talented and you worked hard and you're fortunate, but

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Speaker 1: you made your own path and you did that. You

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Speaker 1: did that, so don't ever I don't ever want to

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Speaker 1: hear you stay lucky again. And Jan's just like, thank

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Speaker 1: you so much, mama. Yeah, yeah, no, I really couldn't

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Speaker 1: do anything other in that moment than just like receive

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Speaker 1: because it was like a full ship, like you know me,

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Speaker 1: I'm like very talkative, very like loud, and she was like,

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Speaker 1: we're actually gonna take this down. That was the full intermission, honey.

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Speaker 1: She said, this is the full stop and we're going

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Speaker 1: to gather ourselves and so did you want to gather

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Speaker 1: you in the process? And but to be honest, it

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Speaker 1: resonates like anytime I like think about that, and I'm like, oh,

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Speaker 1: I'm so grateful, but oh no, you know, I'm I'm

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Speaker 1: can't stay lucky. Why you're so lucky? Well? Were you

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Speaker 1: trying to break out of the intermission in a way?

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Speaker 1: By being like, thank you so much, mama, or was

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Speaker 1: that like just her like honoring that what she was

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Speaker 1: saying that was my most genuine way of saying I

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Speaker 1: received that. We were it was just because the woman

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Speaker 1: was next to us. We were literally and all of yeah,

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Speaker 1: all of y'all mouth on the floor, and I mean

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Speaker 1: same too. I was like, is this it's for real?

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Speaker 1: She really fully was like, let me just tell you

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Speaker 1: something that's actually going to change your life in this

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Speaker 1: moment of the woman managed share with injuries out on

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Speaker 1: one part of her career. And there was like the

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Speaker 1: life coach who was to me what my favorite color was?

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Speaker 1: What color? What the best best? And actually we have

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Speaker 1: a category most colors and it's really hotly contested. Well

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Speaker 1: and your answer was you were going to say, I

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Speaker 1: know yeah. I was like I think orange is that

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Speaker 1: bit in that category? And but afterwards he was like,

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Speaker 1: you know, I know that. I didn't ask you like

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Speaker 1: anything like life coach later and I was just like, like,

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Speaker 1: you kept it light and bright and gay and gave

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Speaker 1: me a color question. Um, but I was fully he

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Speaker 1: was like, you know, you just need to start letting

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Speaker 1: things come to you. And I was like He's like,

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Speaker 1: you are so like good, like you just had a

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Speaker 1: great time here. He's like, let things come to you more.

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Speaker 1: And I was like, hey, this is the school for

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Speaker 1: girls right now and a pavilion and I'm actually getting

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Speaker 1: an education. Yes, oh my god. I mean, look, I

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Speaker 1: want to say something potentially stupid, but don't you guys,

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Speaker 1: And this is anybody listening when not to be agist,

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Speaker 1: but when an older person like really like looks into

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Speaker 1: your soul and tries to impart something onto you. I

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Speaker 1: don't know if it's because I'm getting older, but I'm like,

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Speaker 1: oh my god, thank you so much for saying that.

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Speaker 1: I like really receive it now. Well, whenever, there's always

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Speaker 1: like an assumption that it's going to be poignant and

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Speaker 1: useful and sometimes iconically and yeah, the real ones are

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Speaker 1: few and far in between. When they hit, they had

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Speaker 1: this woman hit the manager, the shares manager hit. Yeah,

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Speaker 1: they both hit, and they made Drew Way. I was like, oh, okay,

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Speaker 1: these are actually things that I will like use in

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Speaker 1: my everyday life now. But now every time anyone ever

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Speaker 1: says anything to me, I'm just gonna go, thanks so much, mama,

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Speaker 1: thank you so much. That's how it happened. I can't

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Speaker 1: believe that in the flash. So speaking of speaking of

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Speaker 1: sort of, um really if we're talking about the pavilion

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Speaker 1: and slang, we just watched this last episode, and this

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Speaker 1: was the episode where Silky Nut Meganosh did win six

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Speaker 1: lip syncs in a row, and I actually have to say,

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Speaker 1: if there was one that I don't think she won,

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Speaker 1: it was the one I used. Thanks, you know, I

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Speaker 1: heartbreaker was was was lip sync and you came in ready?

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Speaker 1: I I came in ready. I like literally could not

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Speaker 1: have been more emotionally exhausted the fact that I just

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Speaker 1: walked in and was like, Hey, I'm actually gonna have

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Speaker 1: zero expression right now and just save any lick of

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Speaker 1: energy for this, Like Tina Knowles is there, and I'm like,

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Speaker 1: I need to focus. Knowles, did you know that it

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Speaker 1: was gonna be Tina on the bench. They told me

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Speaker 1: a second, a single second before I worked out. Yeah, yeah, yeah, yeah,

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Speaker 1: That's exactly how it was. Like just in, FYI, Tina

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Speaker 1: is here, all right, jan We're going on one. I

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Speaker 1: was like, okay, cool, and so and and and so.

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Speaker 1: Of course my initial reaction is walking out looking absolutely furious,

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Speaker 1: you know, just me and things. Um, but I was

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Speaker 1: really really gagged and it was a fun lip sync.

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Speaker 1: I saw Sulky with the guitar and I was just like, Mama,

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Speaker 1: I'm so thrilled that I have all these pins in

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Speaker 1: this fucking hair because I got a whip for my life. Yeah,

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Speaker 1: and I did, but it was it was fun. I'm

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Speaker 1: happy that I could redeem myself after two ill received

359
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Speaker 1: lip sings on the show and coming out here in

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Speaker 1: a third way with um with just a little heartbreaker,

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Speaker 1: a little, just a little. And also we finally saw

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Speaker 1: Rue give you some goddamn credit. Can I tell you?

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Speaker 1: I completely forgot that that even happened. And then I

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Speaker 1: watched it after and I was like, oh my god,

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Speaker 1: Like that's really great, Like that's awesome, Like I'm just

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Speaker 1: so happy to be seen right now. And it's like

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Speaker 1: a nice way to close the chapter. Like I'm like,

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Speaker 1: I don't think I'll be going like you know, who

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Speaker 1: knows what the future holds, But I'm like, you know

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Speaker 1: what if this was the last thing. That was the

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Speaker 1: other thing too with the lips, and I was like,

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Speaker 1: maybe this could be the very last time that you

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Speaker 1: were on this stage. Have fun, live your life, and

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Speaker 1: just enjoy it because it's a dream come true. Is

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Speaker 1: there a feeling of actual closure now that the episode

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Speaker 1: is aired? Was that the final thing that needed to

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Speaker 1: feel totally totally? It was like I just went through

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Speaker 1: ups and downs when I was like watching the episodes

379
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Speaker 1: this season and you know, it's it's just crazy being

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Speaker 1: on it because you think it it's going to be

381
00:20:00,640 --> 00:20:02,760
Speaker 1: one thing and it's not, but it's still great, like

382
00:20:02,800 --> 00:20:06,879
Speaker 1: your life completely changes, and I was just like a

383
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Speaker 1: little down on myself. I was like, oh wow, this

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Speaker 1: is like not fun to experience. I'm not having fun tonight.

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Speaker 1: And then I but that like just seeing that, I

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Speaker 1: was like, this is this is a great way to

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Speaker 1: literally close the chapter. And I like left. I literally

388
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Speaker 1: told them, I was like, I'm actually leaving this season

389
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Speaker 1: feeling so much more confident and happy about the prospect

390
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Speaker 1: of my future in like not even in drag, which

391
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Speaker 1: is an artist. I'm just so happy to like leave

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Speaker 1: this season feeling rejuvenated for my career and I'm excited

393
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Speaker 1: to see what the future holds. Where after season twelve,

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Speaker 1: I was like, okay, like didn't when any challenges, I'm

395
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Speaker 1: I'm over, I'm done and I'm like, okay, cool, Like

396
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Speaker 1: I'm actually not like I'm going to figure it out.

397
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Speaker 1: It's gonna be fine. And I kind of think there's

398
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Speaker 1: something to it being quote unquote like condensed experience for

399
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Speaker 1: you were like right off of twelve relatively soon after

400
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Speaker 1: twelve when to you into sex? Right? Does that? I

401
00:21:02,359 --> 00:21:06,040
Speaker 1: feel like there is a a a nice sort of

402
00:21:06,119 --> 00:21:08,919
Speaker 1: packing of that for you, where like, I mean, I

403
00:21:08,960 --> 00:21:11,560
Speaker 1: think part of the narrative for you, Jan is that

404
00:21:11,640 --> 00:21:14,119
Speaker 1: like at least like among people who like get it,

405
00:21:14,160 --> 00:21:17,880
Speaker 1: is that like this poor fucking person got like put

406
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Speaker 1: through the emotional ringer in terms of like her identity

407
00:21:21,359 --> 00:21:24,439
Speaker 1: is like an artist. It's like you were like undeniably

408
00:21:24,520 --> 00:21:27,600
Speaker 1: talented and like so so so so good for your

409
00:21:27,760 --> 00:21:30,560
Speaker 1: entire time there. But it's like it's like it's it

410
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Speaker 1: always like pisces the audience off in a way sometimes

411
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Speaker 1: where it's like, why isn't this being recognized in the

412
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Speaker 1: way that like feels so so so clear. Did you

413
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Speaker 1: feel that you were not? Did you feel that you

414
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Speaker 1: were like in any way like like not recognized or

415
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Speaker 1: like they that that you felt just like in any

416
00:21:46,440 --> 00:21:48,879
Speaker 1: way like what the fuck? Totally, I I just like

417
00:21:48,920 --> 00:21:51,520
Speaker 1: went on season twelve, being like, okay, like I've I've

418
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Speaker 1: anything that I really put my mind to in drag

419
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Speaker 1: has come to me and I've been able to meet

420
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Speaker 1: opportunity with hard work. And I was like, that's what

421
00:22:01,640 --> 00:22:03,359
Speaker 1: Drag Race is going to be for me, and it

422
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Speaker 1: just wasn't. And that's but that's okay, Like it was

423
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Speaker 1: the biggest learning lesson of my life. Like sometimes it's

424
00:22:11,240 --> 00:22:13,560
Speaker 1: just not gonna go your way. And of course I

425
00:22:13,600 --> 00:22:16,600
Speaker 1: feel like, oh wow, like I don't think people are

426
00:22:16,680 --> 00:22:19,199
Speaker 1: understanding me or not getting me. But again, I'm like,

427
00:22:19,800 --> 00:22:21,840
Speaker 1: that's just life. I'm not going to be able to

428
00:22:21,920 --> 00:22:24,639
Speaker 1: literally please everyone. That was me. I grew up like

429
00:22:24,680 --> 00:22:27,480
Speaker 1: a pleaser person, going to like all boys Catholic school,

430
00:22:27,520 --> 00:22:30,440
Speaker 1: like literally needing to be like everything for everyone, And

431
00:22:30,800 --> 00:22:33,280
Speaker 1: actually I actually don't need to do that anymore. And

432
00:22:33,320 --> 00:22:36,320
Speaker 1: because because even if I try to do it, look

433
00:22:36,320 --> 00:22:38,680
Speaker 1: what happens. Like it's like people are still not gonna

434
00:22:38,800 --> 00:22:41,640
Speaker 1: like love me. But you know what's great the people

435
00:22:41,680 --> 00:22:45,720
Speaker 1: who do really and that's amazing. That's that's the best

436
00:22:45,720 --> 00:22:49,560
Speaker 1: takeaway going in like person and traveling and stuff and

437
00:22:49,600 --> 00:22:51,600
Speaker 1: like seeing these fans who come out and it's just

438
00:22:51,640 --> 00:22:54,520
Speaker 1: like you've helped me like learn things about myself. You've

439
00:22:54,560 --> 00:22:57,800
Speaker 1: like it's amazing to watch you grow, Like you helped

440
00:22:57,840 --> 00:23:01,000
Speaker 1: me want to start drag. I'm like, that's what it's for, Like,

441
00:23:01,200 --> 00:23:05,600
Speaker 1: that's that's awesome. So like from a results perspective, like

442
00:23:06,160 --> 00:23:08,080
Speaker 1: you did not want to challenge that first season, and

443
00:23:08,080 --> 00:23:10,159
Speaker 1: it almost felt like there was a narrative built in

444
00:23:10,200 --> 00:23:11,760
Speaker 1: on All Star six where it was like, we're almost

445
00:23:11,760 --> 00:23:13,760
Speaker 1: going to keep the winds away from Jans so that

446
00:23:13,800 --> 00:23:16,199
Speaker 1: we can give her the one that narratively is going

447
00:23:16,240 --> 00:23:18,960
Speaker 1: to be satisfying. So that's one thing, But then there's

448
00:23:18,960 --> 00:23:21,119
Speaker 1: another aspect of being on a reality show, which we

449
00:23:21,119 --> 00:23:25,120
Speaker 1: actually talked to Poverty Shallow, who was on Survivor Yeah,

450
00:23:25,200 --> 00:23:28,360
Speaker 1: and we talked a lot about being perceived lately, like

451
00:23:29,000 --> 00:23:31,919
Speaker 1: what is it like, what was your experience watching them

452
00:23:31,960 --> 00:23:33,560
Speaker 1: as you take a sip of water getting ready for

453
00:23:33,640 --> 00:23:37,040
Speaker 1: this one? What's it like to watch yourself be edited

454
00:23:37,040 --> 00:23:42,360
Speaker 1: into a reality show character? Insane? Insane because I'm like,

455
00:23:43,160 --> 00:23:45,840
Speaker 1: you just see a caricature of something and somebody and

456
00:23:45,880 --> 00:23:48,719
Speaker 1: you don't know the ins and out of who this

457
00:23:48,800 --> 00:23:53,840
Speaker 1: person is, and like, like from from an outsider's viewer standpoint,

458
00:23:53,880 --> 00:23:56,560
Speaker 1: and then to watch myself. I'm like, Okay, Season twelve,

459
00:23:56,600 --> 00:23:58,320
Speaker 1: I was like, that's that's pretty me. I was like

460
00:23:58,359 --> 00:24:00,200
Speaker 1: All Star six, I was like I went in being

461
00:24:00,240 --> 00:24:03,760
Speaker 1: like I'm so much more relaxed this time, like I'm

462
00:24:03,800 --> 00:24:06,159
Speaker 1: just here to have a good time, and then singing

463
00:24:06,200 --> 00:24:08,440
Speaker 1: and I'm like, oh wait, actually that's not what it's

464
00:24:08,440 --> 00:24:12,320
Speaker 1: coming off, which is so sad, but it's it's like again,

465
00:24:12,400 --> 00:24:15,240
Speaker 1: it's like it's all fine. I'm just like I'm so

466
00:24:15,359 --> 00:24:18,600
Speaker 1: relaxed now. I'm just I'm just here for the right.

467
00:24:19,600 --> 00:24:22,800
Speaker 1: But I'm like, the thing about it is, and honestly,

468
00:24:22,840 --> 00:24:26,400
Speaker 1: why I'm really shifting over to being an absolute Housewives

469
00:24:26,440 --> 00:24:31,720
Speaker 1: stand is because I love that they can just do

470
00:24:31,920 --> 00:24:35,200
Speaker 1: the damn thing and don't have to worry too much

471
00:24:35,640 --> 00:24:37,840
Speaker 1: about what other people think of them. They are there

472
00:24:38,000 --> 00:24:42,120
Speaker 1: to make Tell, Love, jam and television only. Yeah, they're

473
00:24:42,119 --> 00:24:44,080
Speaker 1: not competing for a hundred thousand dollars. They're going to

474
00:24:44,160 --> 00:24:46,919
Speaker 1: make TV, right, That's right. The the the the objective

475
00:24:46,960 --> 00:24:48,719
Speaker 1: is very clear. But I mean Matt and I were

476
00:24:48,720 --> 00:24:51,400
Speaker 1: talking about this literally today, we were face timing and like,

477
00:24:51,640 --> 00:24:55,520
Speaker 1: I whatever, I'm just like watching myself back like on

478
00:24:55,680 --> 00:24:59,400
Speaker 1: camera and I'm like this fucking sucks. I look crazy,

479
00:24:59,600 --> 00:25:02,480
Speaker 1: like I'm still not like I'm still in that stage

480
00:25:02,480 --> 00:25:06,520
Speaker 1: where I'm like i am like to self perceive is

481
00:25:06,560 --> 00:25:09,239
Speaker 1: so unsettling and all this stuff and ContraPoints. She does

482
00:25:09,240 --> 00:25:11,119
Speaker 1: the whole video about cringe and how like cringe is

483
00:25:11,160 --> 00:25:14,080
Speaker 1: like you're not having self awareness, meaning people other people

484
00:25:14,080 --> 00:25:15,800
Speaker 1: being aware about something about you that you don't know

485
00:25:15,800 --> 00:25:18,560
Speaker 1: about exactly. Like that is like, what's what's the most

486
00:25:18,680 --> 00:25:22,160
Speaker 1: like this really like bothersome thing. Yeah, it's because it's

487
00:25:22,280 --> 00:25:24,200
Speaker 1: it almost feels like when you live in your body

488
00:25:24,240 --> 00:25:26,879
Speaker 1: every single day, who has more control over what you

489
00:25:26,920 --> 00:25:28,880
Speaker 1: are and what you do than you? And then that's

490
00:25:28,880 --> 00:25:31,639
Speaker 1: like we do this sick thing that people in the

491
00:25:31,720 --> 00:25:35,119
Speaker 1: entertainment industry which is disturbed and we should probably be

492
00:25:35,440 --> 00:25:37,520
Speaker 1: studied every anyone who ever wants to be in the

493
00:25:37,560 --> 00:25:40,600
Speaker 1: entertainment industry should be in a psycho lesson get the

494
00:25:40,680 --> 00:25:46,480
Speaker 1: lab running, mama, stick the things on why don't, why don't,

495
00:25:46,600 --> 00:25:54,359
Speaker 1: why don't? But like the things that so I'm just thinking,

496
00:25:54,400 --> 00:25:59,000
Speaker 1: like you give up the power to dictate literally what

497
00:25:59,040 --> 00:26:01,959
Speaker 1: you say and do because when you sign those contracts

498
00:26:02,240 --> 00:26:04,800
Speaker 1: and I've done it, like to be on even like

499
00:26:04,840 --> 00:26:08,720
Speaker 1: game shows and stuff like you sign away your autonomy

500
00:26:08,920 --> 00:26:13,520
Speaker 1: and literally they could if they wanted to construct sentences

501
00:26:13,560 --> 00:26:17,000
Speaker 1: like and things that you do actions um, emotional responses

502
00:26:17,359 --> 00:26:20,320
Speaker 1: to literally be someone else. And then you go on

503
00:26:20,680 --> 00:26:25,000
Speaker 1: not just a television show, but the most popular television

504
00:26:25,040 --> 00:26:29,359
Speaker 1: show out there, and that is like, but yet we

505
00:26:29,440 --> 00:26:31,479
Speaker 1: still do do it, you know what I mean? And

506
00:26:31,920 --> 00:26:34,560
Speaker 1: it's it's crazy because then you butt your nails and

507
00:26:34,560 --> 00:26:36,760
Speaker 1: you're like, oh my god, I'm being perceived like whatever,

508
00:26:37,240 --> 00:26:39,840
Speaker 1: but it is like it is we do give it

509
00:26:39,920 --> 00:26:44,320
Speaker 1: up totally. I think that also it's like no risk,

510
00:26:44,359 --> 00:26:47,600
Speaker 1: no reward, give it and you gotta do it. Like

511
00:26:47,800 --> 00:26:49,800
Speaker 1: all the great things that I got with some of

512
00:26:49,840 --> 00:26:52,600
Speaker 1: the like bad things that I'm not thrilled about, Like

513
00:26:52,800 --> 00:26:55,440
Speaker 1: the good outweighs the bad completely and it's like that's

514
00:26:55,480 --> 00:26:57,280
Speaker 1: just kind of how I have to look at it,

515
00:26:57,800 --> 00:27:01,080
Speaker 1: and it is It's just it is what ed it

516
00:27:01,240 --> 00:27:03,800
Speaker 1: must also be like because we often talk about this

517
00:27:03,840 --> 00:27:06,680
Speaker 1: because we are experiencing it like sort of together, like

518
00:27:06,800 --> 00:27:09,160
Speaker 1: you definitely like leap frogged with the whole with like

519
00:27:09,440 --> 00:27:11,600
Speaker 1: you know, sn L and like that's like happened to

520
00:27:11,640 --> 00:27:14,320
Speaker 1: you on a very large scale and we definitely we

521
00:27:14,320 --> 00:27:17,439
Speaker 1: were We receive and respond to things differently, but like

522
00:27:17,520 --> 00:27:19,760
Speaker 1: you had Rose go through it as well, so do

523
00:27:19,800 --> 00:27:22,800
Speaker 1: you and Rose like compare notes and like emotions about this,

524
00:27:22,880 --> 00:27:25,439
Speaker 1: Like totally. It's one of those things where it just

525
00:27:25,560 --> 00:27:28,600
Speaker 1: it just changes you. It changes your life, like your

526
00:27:28,720 --> 00:27:32,240
Speaker 1: day to day and it I literally, like two days ago,

527
00:27:32,359 --> 00:27:34,439
Speaker 1: had a conversation with Rose and we were I was like,

528
00:27:34,840 --> 00:27:36,919
Speaker 1: I was like crying. I was just like, it's just

529
00:27:36,960 --> 00:27:39,320
Speaker 1: so crazy that this has all happened so fast, and

530
00:27:39,400 --> 00:27:42,119
Speaker 1: we all like we just got to this place so quickly,

531
00:27:42,160 --> 00:27:43,879
Speaker 1: Like I've been doing this for five years, She's been

532
00:27:43,880 --> 00:27:46,240
Speaker 1: doing this for four years, like and and like to

533
00:27:46,320 --> 00:27:48,920
Speaker 1: be on drag race and I'll start like in that time,

534
00:27:48,960 --> 00:27:53,400
Speaker 1: I'm like, bitch, Like it's nuts, But we're it's it's

535
00:27:53,480 --> 00:27:58,400
Speaker 1: we're not closer physically because we're just on different time

536
00:27:58,400 --> 00:28:01,680
Speaker 1: schedules now, like we don't see each other, but emotionally,

537
00:28:02,040 --> 00:28:04,399
Speaker 1: we're so much closer because we have such a we

538
00:28:04,520 --> 00:28:06,800
Speaker 1: have a deeper understanding of a bond that is so

539
00:28:06,880 --> 00:28:09,760
Speaker 1: much bigger than what we started out doing, and we're

540
00:28:09,800 --> 00:28:13,040
Speaker 1: growing into that and finding um a new layer and

541
00:28:13,160 --> 00:28:15,200
Speaker 1: level of the relationship that we had and it's it's

542
00:28:15,280 --> 00:28:17,760
Speaker 1: it's awesome to like have somebody so close to me

543
00:28:17,760 --> 00:28:20,439
Speaker 1: who I literally like started doing this like oh so

544
00:28:20,600 --> 00:28:23,560
Speaker 1: much of like my um success as a queen in

545
00:28:23,560 --> 00:28:25,959
Speaker 1: the city to like go through as well, and just

546
00:28:26,040 --> 00:28:28,359
Speaker 1: to be like to have that like to be on

547
00:28:28,359 --> 00:28:30,520
Speaker 1: the other side of it is like, oh my god,

548
00:28:30,600 --> 00:28:33,160
Speaker 1: like wow, we really like did that. And you know what,

549
00:28:33,840 --> 00:28:36,000
Speaker 1: it's a little different now, but we have each other.

550
00:28:36,200 --> 00:28:40,880
Speaker 1: And that's no. I get so emotional whenever I talk

551
00:28:40,920 --> 00:28:43,080
Speaker 1: about my sister, you know what I mean, I really

552
00:28:43,120 --> 00:28:46,000
Speaker 1: I think it's like and and you realize and you

553
00:28:46,080 --> 00:28:48,880
Speaker 1: recognize how hard you worked, and you know what really

554
00:28:48,880 --> 00:28:50,600
Speaker 1: comes through at the end of the day that you

555
00:28:50,640 --> 00:28:53,560
Speaker 1: guys are fucking machines and this is what I like,

556
00:28:53,840 --> 00:28:56,040
Speaker 1: so good at what you do, like always go out

557
00:28:56,040 --> 00:28:58,560
Speaker 1: there and execute the entertain And that's why I said, like,

558
00:28:59,000 --> 00:29:01,400
Speaker 1: because I know that they do edit you guys into

559
00:29:01,480 --> 00:29:03,600
Speaker 1: like you know, I think that a lot of New

560
00:29:03,640 --> 00:29:06,240
Speaker 1: York queens get this. It's the thing of like, oh

561
00:29:06,320 --> 00:29:09,520
Speaker 1: they're a New York girl, they do it all their perfectionists,

562
00:29:09,640 --> 00:29:11,320
Speaker 1: But where's the soul or you know what I mean?

563
00:29:11,440 --> 00:29:13,520
Speaker 1: Or like where's this where's that? And I think it's

564
00:29:13,560 --> 00:29:15,760
Speaker 1: easy to do to New York queens that are good

565
00:29:15,760 --> 00:29:18,000
Speaker 1: at everything across the board because they have to be

566
00:29:18,200 --> 00:29:21,160
Speaker 1: to exist and survive in New York. And like, so

567
00:29:21,240 --> 00:29:23,040
Speaker 1: you go to the show and you're not labeled like

568
00:29:23,240 --> 00:29:27,640
Speaker 1: the fashion girl or the comedian or whatever, and it's like, well, yeah,

569
00:29:27,680 --> 00:29:30,080
Speaker 1: because I've had to be all those things. And that's

570
00:29:30,080 --> 00:29:33,719
Speaker 1: why I come across as this like fucking like you know,

571
00:29:33,760 --> 00:29:35,960
Speaker 1: like I'm gonna kill it, Like who could do crowd

572
00:29:36,040 --> 00:29:38,760
Speaker 1: work like you among queens and season twelve, you know,

573
00:29:38,760 --> 00:29:40,760
Speaker 1: it's like that kind of thing. But sorry, no, I

574
00:29:40,760 --> 00:29:43,680
Speaker 1: mean that's just true. And when I go and travel

575
00:29:43,720 --> 00:29:46,560
Speaker 1: and I see all these other places in the country

576
00:29:46,720 --> 00:29:49,280
Speaker 1: that have different kinds of dragon like, it is just

577
00:29:49,480 --> 00:29:53,560
Speaker 1: so so different in New York. Bigger cities like Chicago

578
00:29:54,160 --> 00:29:58,640
Speaker 1: or l A. They don't do obsessed literally obsessed with

579
00:29:58,680 --> 00:30:00,720
Speaker 1: all of them and all of the different scenes. But

580
00:30:01,160 --> 00:30:03,440
Speaker 1: if they just it's just not New York. And when

581
00:30:03,480 --> 00:30:05,840
Speaker 1: all the queens who like are on the show come

582
00:30:05,880 --> 00:30:07,560
Speaker 1: through to New York or have been to New York,

583
00:30:07,560 --> 00:30:09,000
Speaker 1: They're like, I don't know how you do it. I

584
00:30:09,000 --> 00:30:12,400
Speaker 1: don't know how you do these two hour shows by

585
00:30:12,440 --> 00:30:15,000
Speaker 1: yourself or with someone else, five nights a week, and

586
00:30:15,040 --> 00:30:17,880
Speaker 1: I'm like, yeah, it's it actually is a lot. But

587
00:30:18,280 --> 00:30:20,680
Speaker 1: that's the other thing too. I'm like, I'm gonna work,

588
00:30:20,800 --> 00:30:23,520
Speaker 1: like because I know how to work. If there's anything

589
00:30:23,560 --> 00:30:26,600
Speaker 1: I'm gonna do, I don't care what happens on whatever

590
00:30:27,120 --> 00:30:29,560
Speaker 1: I'm I'm gonna I'm gonna work because that's what I

591
00:30:29,680 --> 00:30:31,760
Speaker 1: love to do and that's what I've been trained to

592
00:30:31,760 --> 00:30:34,360
Speaker 1: do in the school of Dragon New York City. And

593
00:30:34,360 --> 00:30:35,920
Speaker 1: I know that people are gonna be like, how New

594
00:30:36,000 --> 00:30:38,320
Speaker 1: York City, But I'm like, it's just it is its

595
00:30:38,320 --> 00:30:40,520
Speaker 1: own thing. As we're talking about New York drag, it's

596
00:30:40,600 --> 00:30:42,400
Speaker 1: it is. I think it's important to tie it back

597
00:30:42,480 --> 00:30:44,240
Speaker 1: specifically to what Man is saying, like it is an

598
00:30:44,240 --> 00:30:49,320
Speaker 1: easy edit to be like this person is so jack

599
00:30:49,360 --> 00:30:52,320
Speaker 1: of all trades. Maybe that like that it feels it's

600
00:30:52,360 --> 00:30:55,720
Speaker 1: an easy thing to flatten them into this thing of like,

601
00:30:55,760 --> 00:30:59,880
Speaker 1: well you there's no soul, no soul thing is so pervased.

602
00:31:00,040 --> 00:31:02,520
Speaker 1: What happens. It's like, I have friends that watched the

603
00:31:02,520 --> 00:31:04,479
Speaker 1: show and they're like, I'm so sick of the New

604
00:31:04,520 --> 00:31:06,720
Speaker 1: York Queens thing being there a New York queen. And

605
00:31:06,760 --> 00:31:09,239
Speaker 1: I'm like, the reason they say that is because what

606
00:31:09,280 --> 00:31:12,760
Speaker 1: they're saying is I do it fucking all. I'm working

607
00:31:13,040 --> 00:31:16,200
Speaker 1: ten fifteen times a week. I'm out here. I'm a

608
00:31:16,280 --> 00:31:20,400
Speaker 1: fucking like killer and that's the only that's the best

609
00:31:20,440 --> 00:31:22,360
Speaker 1: way to get across the way I know how is

610
00:31:22,400 --> 00:31:24,960
Speaker 1: that I'm on stage and competitive in the drag scene

611
00:31:24,960 --> 00:31:27,800
Speaker 1: in and I'm a winner on the stage in New

612
00:31:27,880 --> 00:31:30,800
Speaker 1: York City, which means that you are number one, and

613
00:31:30,840 --> 00:31:33,160
Speaker 1: so like totally like someone like Britta Filter goes on

614
00:31:33,680 --> 00:31:36,440
Speaker 1: and doesn't do super well on drag Race, I kind

615
00:31:36,480 --> 00:31:38,280
Speaker 1: of I'm like, oh, I kind of hate that the

616
00:31:38,280 --> 00:31:41,120
Speaker 1: fan is so decisive about the way they feel, because

617
00:31:41,440 --> 00:31:43,080
Speaker 1: I dare you to have a better time than go

618
00:31:43,120 --> 00:31:46,880
Speaker 1: to a I mean, Adele and Jennifer Lawrence went there

619
00:31:46,920 --> 00:31:51,880
Speaker 1: for a reason because she's the best, She's awesome, and

620
00:31:51,920 --> 00:31:54,280
Speaker 1: I mean, but that's the thing too, It's like that

621
00:31:54,280 --> 00:31:58,560
Speaker 1: that narrative does come, but it's like, I'm actually gonna

622
00:31:58,560 --> 00:32:00,200
Speaker 1: go out to live here and say that actually, every

623
00:32:00,200 --> 00:32:02,400
Speaker 1: single queen who has been on the show from New

624
00:32:02,440 --> 00:32:05,239
Speaker 1: York City actually does not lead with saying that they

625
00:32:05,240 --> 00:32:07,080
Speaker 1: are a queen from New York City, like I'm this

626
00:32:07,200 --> 00:32:09,000
Speaker 1: and this and this, and then eventually they're like, and

627
00:32:09,040 --> 00:32:13,120
Speaker 1: I'm from New York City, and then of course everyone's like, well,

628
00:32:14,200 --> 00:32:16,280
Speaker 1: from New York so we're gonna have to file that

629
00:32:16,320 --> 00:32:19,840
Speaker 1: into this category. And I'm like, I actually can guarantee

630
00:32:19,840 --> 00:32:22,120
Speaker 1: you that none of us are actually that hung up

631
00:32:22,160 --> 00:32:24,680
Speaker 1: on being from New York. We're proud of it because

632
00:32:24,680 --> 00:32:27,040
Speaker 1: it's like taught us about like our dragon. It's helped us,

633
00:32:27,400 --> 00:32:29,400
Speaker 1: you know, shape us as artists. I mean, I feel

634
00:32:29,400 --> 00:32:31,520
Speaker 1: like also if you're like an artist working on something

635
00:32:31,520 --> 00:32:33,760
Speaker 1: and you're like surrounded by like a culture or you're

636
00:32:33,800 --> 00:32:36,560
Speaker 1: surrounded by an atmosphere, and you should be proud of that,

637
00:32:36,720 --> 00:32:39,240
Speaker 1: especially if you're excelling in it. So I'm like, why

638
00:32:39,360 --> 00:32:42,320
Speaker 1: is it wrong to be happy about something that you're

639
00:32:42,360 --> 00:32:47,200
Speaker 1: extremely proud of. Why wouldn't you like slightly identify with

640
00:32:47,240 --> 00:32:49,560
Speaker 1: like the community you're sort of brought up in or

641
00:32:49,560 --> 00:32:51,000
Speaker 1: that you like. I mean, that's the thing about being

642
00:32:51,000 --> 00:32:53,479
Speaker 1: in New York as a drag artist is like you

643
00:32:53,640 --> 00:32:56,160
Speaker 1: end up like having like these connections with all these

644
00:32:56,160 --> 00:32:59,440
Speaker 1: different kinds of people who are either who may or

645
00:32:59,480 --> 00:33:02,240
Speaker 1: may not happened to like be a resource for you

646
00:33:02,280 --> 00:33:04,720
Speaker 1: in terms of like I don't know, like you would

647
00:33:04,720 --> 00:33:06,600
Speaker 1: go out like you like I. What I love about

648
00:33:06,680 --> 00:33:08,200
Speaker 1: jan two is that, like I'm referring to in the

649
00:33:08,280 --> 00:33:11,880
Speaker 1: third person, it's like you like you. It's like you

650
00:33:12,000 --> 00:33:14,800
Speaker 1: like have this appreciation for comedy, like like like you

651
00:33:14,840 --> 00:33:17,200
Speaker 1: were like standing Meg's Talter before the rest of the gays,

652
00:33:17,240 --> 00:33:19,200
Speaker 1: you know, like that kind of thing like that and

653
00:33:19,320 --> 00:33:25,760
Speaker 1: holding your thank You can't can't honestly say enough about

654
00:33:26,160 --> 00:33:28,560
Speaker 1: Meg's Salter, Can I be honest with you? I got

655
00:33:28,560 --> 00:33:30,880
Speaker 1: back from season twelve and I was like so sad,

656
00:33:30,920 --> 00:33:33,440
Speaker 1: so defeated, and Met came out with like one of

657
00:33:33,480 --> 00:33:35,479
Speaker 1: the first videos that I saw of her, which was

658
00:33:35,520 --> 00:33:38,360
Speaker 1: her like the dorm room being like like in a

659
00:33:38,400 --> 00:33:41,080
Speaker 1: blonde way and I forget the exact syntax and I

660
00:33:41,160 --> 00:33:44,600
Speaker 1: don't want to butcher, but I saw that video and

661
00:33:44,640 --> 00:33:48,080
Speaker 1: it truly creed my depression. I was like, oh, I'm

662
00:33:48,080 --> 00:33:51,640
Speaker 1: obsessed with this person. And I do like I love

663
00:33:51,640 --> 00:33:54,760
Speaker 1: what y'all do, Like I just like like your comedic geniuses.

664
00:33:54,800 --> 00:33:57,160
Speaker 1: You are so good at what you do and like

665
00:33:57,240 --> 00:34:00,120
Speaker 1: but and it brings everyone joy, like it really us

666
00:34:00,160 --> 00:34:02,040
Speaker 1: and I have such an appreciation for him like I

667
00:34:02,040 --> 00:34:03,840
Speaker 1: will never be at this level. I'm like I can,

668
00:34:03,920 --> 00:34:06,040
Speaker 1: like I can make people laugh sometimes, but I'm like,

669
00:34:06,120 --> 00:34:08,480
Speaker 1: I'm not a comedian, and I'm like, your y'all are

670
00:34:08,560 --> 00:34:11,320
Speaker 1: just so good and I aspire to be like y'all.

671
00:34:11,360 --> 00:34:14,680
Speaker 1: Like I was like nervous coming here because I heard

672
00:34:14,719 --> 00:34:16,400
Speaker 1: I had heard about this Pavilion show. Like all of

673
00:34:16,440 --> 00:34:18,799
Speaker 1: them were like, no, Jan has fucking jo. We were

674
00:34:21,239 --> 00:34:25,760
Speaker 1: were point thank you. Mixes were good, the mixed queen. Honestly,

675
00:34:25,840 --> 00:34:29,600
Speaker 1: I love making mixes. I do well. I had a

676
00:34:29,680 --> 00:34:32,239
Speaker 1: really bad devated scept them like two years ago, and

677
00:34:32,280 --> 00:34:35,719
Speaker 1: I couldn't sing. Did you get it corrected? I did?

678
00:34:35,880 --> 00:34:39,720
Speaker 1: I had to get more yeah, yeah, and but I couldn't.

679
00:34:39,760 --> 00:34:41,680
Speaker 1: I was like, Okay, I'm gonna sing for a week

680
00:34:42,080 --> 00:34:44,240
Speaker 1: out of the month, and then the other three weeks

681
00:34:44,280 --> 00:34:45,640
Speaker 1: I'm not going to do anything. And I was like,

682
00:34:45,640 --> 00:34:48,239
Speaker 1: you know what, I gotta start whipping out the mixes, honey.

683
00:34:48,280 --> 00:34:51,640
Speaker 1: And it like that's when people were like, oh, okay, cool,

684
00:34:52,000 --> 00:34:54,279
Speaker 1: she can actually do these mixes too, and I'm like

685
00:34:54,480 --> 00:34:57,920
Speaker 1: I got something here, babe. Mixes are important. I mean

686
00:34:58,080 --> 00:35:00,560
Speaker 1: when we I feel like this is like years ago

687
00:35:00,719 --> 00:35:03,319
Speaker 1: we were seeing Bob at Barracuda. That was the thing

688
00:35:03,320 --> 00:35:08,760
Speaker 1: about Bob out of this world, this world like slave

689
00:35:08,800 --> 00:35:11,160
Speaker 1: for you with like Chris Rocks, like like the only

690
00:35:11,360 --> 00:35:13,040
Speaker 1: time a white person can see the N word like

691
00:35:13,160 --> 00:35:15,480
Speaker 1: bit like that is like one of the most genius

692
00:35:15,480 --> 00:35:17,440
Speaker 1: like like that. That's the thing about like New York

693
00:35:17,520 --> 00:35:20,319
Speaker 1: Queens too. It's like, I don't know, they're clever with

694
00:35:20,360 --> 00:35:23,240
Speaker 1: the mixes and like we like we saw saw Tina

695
00:35:23,280 --> 00:35:26,800
Speaker 1: Berners and it was like she has a great Tina

696
00:35:26,880 --> 00:35:29,799
Speaker 1: has a great mix. Her mixes. I love the one

697
00:35:29,840 --> 00:35:33,080
Speaker 1: that's like you're already with this, the one that's all

698
00:35:33,120 --> 00:35:35,440
Speaker 1: the fights I love. You know who else has them?

699
00:35:35,480 --> 00:35:37,479
Speaker 1: I don't know if y'all are familiar with her work.

700
00:35:37,680 --> 00:35:39,839
Speaker 1: And I'm going to actually say that I think this

701
00:35:39,920 --> 00:35:42,560
Speaker 1: is going to be my nominee for the little mix.

702
00:35:42,920 --> 00:35:47,560
Speaker 1: Um oh no, what is it? Being fierce Boo? Absolutely

703
00:35:48,320 --> 00:35:53,920
Speaker 1: Kisa Car, he's your car. He's your car. Has the

704
00:35:54,000 --> 00:35:56,640
Speaker 1: best mix in New York City, which is her God

705
00:35:56,680 --> 00:36:00,319
Speaker 1: Warrior mix. Nothing is better. Get out and stay out

706
00:36:01,239 --> 00:36:04,560
Speaker 1: to the God Warrior. He couldn't be better. Standing ovation

707
00:36:04,680 --> 00:36:09,959
Speaker 1: every single time she does it, Wait like come on now,

708
00:36:10,840 --> 00:36:16,200
Speaker 1: so get out and stay out. It's like it's it's

709
00:36:16,239 --> 00:36:20,800
Speaker 1: out of this blass incredible Keisha Car another Barracuda legend

710
00:36:21,680 --> 00:36:24,839
Speaker 1: that industry No, I guess Kisha, I mean Kisha is

711
00:36:24,880 --> 00:36:27,920
Speaker 1: like does that whole like circuit totally. The best part

712
00:36:27,960 --> 00:36:30,479
Speaker 1: about Kija was literally, oh, hey, I'm in the Book

713
00:36:30,480 --> 00:36:32,680
Speaker 1: of More Men and I'm actually going to do a

714
00:36:32,680 --> 00:36:36,319
Speaker 1: show at Industry Bar at night after my eight show

715
00:36:36,360 --> 00:36:40,680
Speaker 1: weekend for all of you. Keisha Car, God, Keisha Car

716
00:36:40,680 --> 00:36:42,239
Speaker 1: came to the Rute Paula, I'm sorry to make this

717
00:36:42,320 --> 00:36:45,640
Speaker 1: about the Ka the Rut plus now and like, oh

718
00:36:45,680 --> 00:36:47,520
Speaker 1: my god, it was. It was beautiful, I don't think.

719
00:36:47,800 --> 00:36:50,960
Speaker 1: And then that's when all this is okay. Yes, that

720
00:36:51,120 --> 00:36:54,440
Speaker 1: was a night bitch. That wasn't a night table you

721
00:36:54,680 --> 00:36:56,239
Speaker 1: were you up on the type. It was definitely upon

722
00:36:56,280 --> 00:36:59,080
Speaker 1: the table. I was that was that went down. That

723
00:36:59,160 --> 00:37:01,480
Speaker 1: was one of That was maybe the I'm sorry to say,

724
00:37:01,560 --> 00:37:04,759
Speaker 1: the only like fun fun l after party that I

725
00:37:05,000 --> 00:37:07,680
Speaker 1: but Cecily was like, that was the funnest. Like you

726
00:37:07,800 --> 00:37:10,680
Speaker 1: never get people dancing on tables. It's always like stk

727
00:37:10,840 --> 00:37:14,760
Speaker 1: people like sitting down at a table like it was great.

728
00:37:14,960 --> 00:37:20,840
Speaker 1: Nikki Doll was like getting up on the table hilarious.

729
00:37:20,880 --> 00:37:26,160
Speaker 1: I've been seeing her pop up everywhere now is so funny.

730
00:37:26,200 --> 00:37:29,600
Speaker 1: I have gotten so close with her um from season twelve,

731
00:37:29,760 --> 00:37:34,600
Speaker 1: and I'm so grateful that I have. She is hilarious

732
00:37:34,640 --> 00:37:36,640
Speaker 1: and it's really starting to come into her own. She's

733
00:37:36,680 --> 00:37:38,640
Speaker 1: like she would look at me hosting and she was

734
00:37:38,680 --> 00:37:40,080
Speaker 1: just like, I don't know how you do it. And

735
00:37:40,160 --> 00:37:43,560
Speaker 1: now she's like jokes, jokes, jokes that she's a funny,

736
00:37:43,560 --> 00:37:45,640
Speaker 1: funny girl and a good time gal. She was the

737
00:37:45,640 --> 00:37:47,640
Speaker 1: one who, I swear I'm pretty sure she was the

738
00:37:47,680 --> 00:37:48,960
Speaker 1: one who was like, I'm getting up on the table

739
00:37:49,000 --> 00:37:52,479
Speaker 1: like her or Bretta. I'm like it really of course,

740
00:37:53,640 --> 00:37:55,560
Speaker 1: And it eventually was all of us in that moment,

741
00:37:55,600 --> 00:37:58,640
Speaker 1: everybody and did you get up on the table? I

742
00:37:58,640 --> 00:38:00,400
Speaker 1: got up on the table? There? Does it? Me? And

743
00:38:00,480 --> 00:38:03,279
Speaker 1: Josh sharpen Igo like on the table like yeah. It

744
00:38:03,360 --> 00:38:06,279
Speaker 1: was really crazy. It was one of the funniest nights.

745
00:38:14,719 --> 00:38:16,080
Speaker 1: I think it's time to ask you in the question.

746
00:38:16,120 --> 00:38:18,799
Speaker 1: We have to ask the question, and I'm actually genuinely

747
00:38:19,040 --> 00:38:23,400
Speaker 1: I'm really really question is Jan Jan Sport? Which, by

748
00:38:23,440 --> 00:38:25,880
Speaker 1: the way, what was pissed that you couldn't be Jan

749
00:38:25,920 --> 00:38:28,160
Speaker 1: Sport on the show? That's okay, baby, we got we

750
00:38:28,239 --> 00:38:31,759
Speaker 1: got the deal with them. It's all good. We're doing

751
00:38:31,800 --> 00:38:37,520
Speaker 1: a little Jan Sport digital, so you know what, another

752
00:38:37,840 --> 00:38:41,320
Speaker 1: full circle moment. It's great, that's what you deserve. You

753
00:38:41,680 --> 00:38:45,040
Speaker 1: claim the identity. Yeah, I'm actually going to say you

754
00:38:45,040 --> 00:38:48,960
Speaker 1: can put Jan Sport on my flyers. Al Right. So

755
00:38:49,280 --> 00:38:51,640
Speaker 1: this is this is the question, really, what was the

756
00:38:51,680 --> 00:38:54,319
Speaker 1: culture that made you say culture was for you? And

757
00:38:54,400 --> 00:38:57,080
Speaker 1: I know you understand what I do, and I have

758
00:38:57,160 --> 00:39:00,200
Speaker 1: to be honest, this was really difficult for me. Um.

759
00:39:00,280 --> 00:39:02,600
Speaker 1: But the one that I think is the most and

760
00:39:02,800 --> 00:39:04,839
Speaker 1: I'm sure somebody has said this and if not, as

761
00:39:04,880 --> 00:39:08,040
Speaker 1: at to be the first, but um, it was the

762
00:39:08,120 --> 00:39:10,680
Speaker 1: year two thousand and nine at the v M A

763
00:39:11,560 --> 00:39:17,839
Speaker 1: Lady Gaga performed Papa Rozzie and I the whole thing.

764
00:39:18,160 --> 00:39:20,840
Speaker 1: When she belts that Papa like we're listening to it

765
00:39:20,840 --> 00:39:23,359
Speaker 1: on the radio, Honey, she's flipping into the falsetto. When

766
00:39:23,400 --> 00:39:27,319
Speaker 1: she belts promise I'll be kind, I literally floored. I'm

767
00:39:27,360 --> 00:39:29,600
Speaker 1: in my room, like I don't know how old I

768
00:39:29,680 --> 00:39:32,839
Speaker 1: was at that point, sixteen maybe just screaming at the

769
00:39:32,880 --> 00:39:35,399
Speaker 1: top of my lungs, and I was like, oh, I'm

770
00:39:35,440 --> 00:39:41,359
Speaker 1: witnessing somebody have a cultural breakthrough right now. And she

771
00:39:41,800 --> 00:39:44,960
Speaker 1: changed the game in that moment, and I became so

772
00:39:45,040 --> 00:39:48,680
Speaker 1: obsessed with her. I had like a shrine on my wall,

773
00:39:48,800 --> 00:39:51,359
Speaker 1: like I was, like I was and still am one

774
00:39:51,360 --> 00:39:54,440
Speaker 1: of those Gaga gys. And I'm absolutely at peace and

775
00:39:54,480 --> 00:39:58,920
Speaker 1: okay with that. There's nothing wrong with you don't love

776
00:39:59,360 --> 00:40:02,359
Speaker 1: you don't love your No, no, I'll die on the hill.

777
00:40:03,640 --> 00:40:06,759
Speaker 1: I mean, let's let's be honest and talk about Let's talk.

778
00:40:06,840 --> 00:40:09,759
Speaker 1: Because that was also the performance with where unless you

779
00:40:09,880 --> 00:40:12,560
Speaker 1: had seen her do pographace, I think that like some

780
00:40:13,440 --> 00:40:16,200
Speaker 1: radio station, it might have been I heeart actually, but

781
00:40:16,320 --> 00:40:17,600
Speaker 1: she that was the first time that I think a

782
00:40:17,640 --> 00:40:19,480
Speaker 1: lot of people saw her do that foot on the

783
00:40:19,520 --> 00:40:24,239
Speaker 1: piano like it was. That was an incredible performance. She

784
00:40:24,440 --> 00:40:27,080
Speaker 1: she literally in that moment that I'm gonna do it all.

785
00:40:27,480 --> 00:40:29,960
Speaker 1: I'm gonna actually start with one of my biggest hits,

786
00:40:30,040 --> 00:40:33,280
Speaker 1: poker Face. I'm gonna sing that in a dark sense,

787
00:40:33,680 --> 00:40:36,600
Speaker 1: and then I'm actually going to play the piano after

788
00:40:36,680 --> 00:40:39,279
Speaker 1: I do a wild dance break, and then I'm going

789
00:40:39,320 --> 00:40:42,239
Speaker 1: to cover myself in blood. But the twist it's not over.

790
00:40:42,719 --> 00:40:46,480
Speaker 1: I'm gonna put blood in my eye, grab something, pretend

791
00:40:46,600 --> 00:40:51,759
Speaker 1: that I'm literally dead, and just hold the way she

792
00:40:51,880 --> 00:40:54,560
Speaker 1: held it is so remarkable with all of it in

793
00:40:54,600 --> 00:40:58,680
Speaker 1: her eye. I was like, how how Because she's she's

794
00:40:58,719 --> 00:41:01,000
Speaker 1: a freak of nature in a way that's just so

795
00:41:01,960 --> 00:41:06,239
Speaker 1: deeply connected to who she is. She is like fully possessed. Yeah,

796
00:41:06,280 --> 00:41:10,160
Speaker 1: she is one of those entertainers that will And for me,

797
00:41:10,480 --> 00:41:13,840
Speaker 1: I think my favorite is the applause performance from them.

798
00:41:15,760 --> 00:41:22,680
Speaker 1: It's show in the square. The whole thing there was

799
00:41:22,760 --> 00:41:29,440
Speaker 1: the circles actually culture number dying apause that was the

800
00:41:29,520 --> 00:41:34,400
Speaker 1: circle there. But um, Paparazzi for me was actually the

801
00:41:34,440 --> 00:41:36,600
Speaker 1: moment when it became very real to me was that

802
00:41:36,719 --> 00:41:39,160
Speaker 1: I realized, like, oh, this person is here to stay. Because,

803
00:41:39,160 --> 00:41:42,800
Speaker 1: to be honest with you, just dance didn't hit me

804
00:41:42,960 --> 00:41:45,319
Speaker 1: as hard as it seemed to have everyone else. Poker Face.

805
00:41:45,400 --> 00:41:47,239
Speaker 1: I was like, can I accept that this is love?

806
00:41:47,320 --> 00:41:49,920
Speaker 1: Game was my moment where it's like whoa, whoa, whoa, whoa,

807
00:41:49,920 --> 00:41:52,480
Speaker 1: whoa whoa. Let's let's let's pay attention to this love

808
00:41:52,560 --> 00:41:55,600
Speaker 1: game was definitely great. Paparazzi to me was like like,

809
00:41:55,920 --> 00:41:58,759
Speaker 1: Paparazzi to me is an unbelievable song. If you even

810
00:41:58,800 --> 00:42:01,279
Speaker 1: if you strip it all away, I think it's beautiful.

811
00:42:01,600 --> 00:42:06,320
Speaker 1: My favorite from that album. Yeah, well the video. I

812
00:42:06,400 --> 00:42:08,000
Speaker 1: was gonna say, are you talking about the video because

813
00:42:08,160 --> 00:42:10,719
Speaker 1: the video was also a further me. The first time

814
00:42:10,760 --> 00:42:14,279
Speaker 1: I watched that video that summer of two thousands, Yeah,

815
00:42:14,520 --> 00:42:17,239
Speaker 1: I was just like and literally her like coming out

816
00:42:17,280 --> 00:42:19,759
Speaker 1: in the gold of the car with with the crutches.

817
00:42:20,360 --> 00:42:23,320
Speaker 1: I was like Jesus the eye for talent that she

818
00:42:23,440 --> 00:42:28,960
Speaker 1: had Alexander scars that and also the record label being

819
00:42:29,000 --> 00:42:31,640
Speaker 1: like okay, actually budget, like we're going to actually do

820
00:42:31,760 --> 00:42:34,080
Speaker 1: it for this girl right now because she's on the rise.

821
00:42:34,239 --> 00:42:37,839
Speaker 1: Like they got her, they knew exactly what they had

822
00:42:38,160 --> 00:42:41,920
Speaker 1: and it was iconic to see. I literally was like, oh,

823
00:42:42,640 --> 00:42:45,719
Speaker 1: I want to be this person because I feel like

824
00:42:45,840 --> 00:42:47,719
Speaker 1: I like and especially like I fell down in a

825
00:42:47,840 --> 00:42:50,439
Speaker 1: rabbit hole. I was like, oh my god. Like she's

826
00:42:50,480 --> 00:42:52,200
Speaker 1: from New York, I'm from New Jersey, she went to

827
00:42:52,280 --> 00:42:55,840
Speaker 1: a Catholic school, She's Italian. I'm Italian, and I'm like

828
00:42:56,160 --> 00:42:58,200
Speaker 1: I am her I saying I dance, I do theater.

829
00:42:58,600 --> 00:43:00,960
Speaker 1: Some people don't get my voice on people do I'm like.

830
00:43:02,120 --> 00:43:04,879
Speaker 1: It was very that I was like, I like love

831
00:43:05,000 --> 00:43:08,520
Speaker 1: this person, and I became like truly like a giant

832
00:43:08,640 --> 00:43:11,560
Speaker 1: fan and was like I can Like she just preaches

833
00:43:11,600 --> 00:43:14,319
Speaker 1: about like believing in herself and like just like being

834
00:43:14,400 --> 00:43:16,480
Speaker 1: like I've always been a star, but nobody's seen it

835
00:43:16,560 --> 00:43:19,320
Speaker 1: until now. And I'm like, yeah, bitch, I'm like that's awesome,

836
00:43:19,360 --> 00:43:20,960
Speaker 1: like words to live by fear self, and I'm like,

837
00:43:21,040 --> 00:43:23,440
Speaker 1: I want to carry myself with as much confidence as

838
00:43:23,520 --> 00:43:25,920
Speaker 1: this person has and believe in myself like this person has,

839
00:43:25,960 --> 00:43:27,759
Speaker 1: because nobody else is going to do it for you.

840
00:43:28,000 --> 00:43:29,800
Speaker 1: You have to believe in yourself like that. And I

841
00:43:30,040 --> 00:43:32,160
Speaker 1: that was the first time that I was like, oh, okay, cool.

842
00:43:32,239 --> 00:43:34,120
Speaker 1: That's like when I started doing theater and taking it

843
00:43:34,239 --> 00:43:37,560
Speaker 1: seriously and like really transition from like a fucking soccer

844
00:43:37,640 --> 00:43:41,360
Speaker 1: player to like fair person. Yeah, And that's like it

845
00:43:41,480 --> 00:43:43,759
Speaker 1: was all around that time I like, oh, so much

846
00:43:43,800 --> 00:43:47,520
Speaker 1: of myself and like my like trajectory of life, like

847
00:43:47,680 --> 00:43:50,239
Speaker 1: to her speaking to me and like a deeper like

848
00:43:50,560 --> 00:43:54,680
Speaker 1: queerer level. That gave me self confidence. Jan God bless

849
00:43:54,719 --> 00:43:57,239
Speaker 1: you because I will never ever ever get tired of

850
00:43:57,320 --> 00:44:02,960
Speaker 1: talking about her forever. It's so it's so awful, but

851
00:44:03,120 --> 00:44:06,960
Speaker 1: like I just love this like self development for you

852
00:44:07,160 --> 00:44:12,600
Speaker 1: this like because I truly as pathetic I say it

853
00:44:12,640 --> 00:44:15,200
Speaker 1: all the time, like she is someone who like has

854
00:44:15,320 --> 00:44:18,399
Speaker 1: clarified things about like one percent what you just said.

855
00:44:18,880 --> 00:44:21,040
Speaker 1: I think to really add accept saying, you know, like

856
00:44:21,760 --> 00:44:25,160
Speaker 1: I've been like wow, like she really and like Matt

857
00:44:25,239 --> 00:44:27,560
Speaker 1: has sort of like trailed behind me and all these times,

858
00:44:27,680 --> 00:44:29,239
Speaker 1: not all these times. Now, I think we're fully caught

859
00:44:29,320 --> 00:44:32,440
Speaker 1: up at the same level of life. But for what

860
00:44:32,600 --> 00:44:34,120
Speaker 1: for a while, Like when Born this Way came out,

861
00:44:34,239 --> 00:44:35,680
Speaker 1: like Matt and I like it was right before we

862
00:44:35,719 --> 00:44:37,879
Speaker 1: went to skid more than that year, and we would

863
00:44:37,880 --> 00:44:40,320
Speaker 1: like sing in the carpet. Then I think, correct me,

864
00:44:40,560 --> 00:44:43,560
Speaker 1: you can no, I'm not dragging, correct me if I'm wrong,

865
00:44:43,560 --> 00:44:45,960
Speaker 1: you were like this song is not that good? Which one?

866
00:44:46,480 --> 00:44:48,080
Speaker 1: In this way? I think I thought that Born this

867
00:44:48,120 --> 00:44:49,640
Speaker 1: Way it was on the nose because here's the thing,

868
00:44:49,680 --> 00:44:51,120
Speaker 1: and this is something I say that she wasn't on

869
00:44:51,160 --> 00:44:53,600
Speaker 1: the nose until that point too. But I also don't

870
00:44:53,680 --> 00:44:55,600
Speaker 1: care that it's on the nose now looking back, Actually

871
00:44:55,640 --> 00:44:57,279
Speaker 1: it can be on the nose because maybe it was

872
00:44:57,320 --> 00:44:59,359
Speaker 1: a message she wanted to be very loud and clear,

873
00:44:59,600 --> 00:45:02,320
Speaker 1: and I think that's actually fine and good and you know,

874
00:45:02,440 --> 00:45:05,879
Speaker 1: not everything has to be shrouded in you know, artistic um,

875
00:45:06,239 --> 00:45:09,480
Speaker 1: you know, secrecy or whatever, so it can actually be clear.

876
00:45:09,520 --> 00:45:12,160
Speaker 1: And I think that you were born this way no

877
00:45:12,320 --> 00:45:14,839
Speaker 1: matter who you are, love yourself. You're worth it. Your

878
00:45:14,880 --> 00:45:18,239
Speaker 1: valid is something that she just wanted to get. And

879
00:45:18,320 --> 00:45:20,480
Speaker 1: I also think this is why I say, if you

880
00:45:20,560 --> 00:45:22,919
Speaker 1: don't love God, you don't love yourself, because I don't

881
00:45:22,960 --> 00:45:25,400
Speaker 1: think I. I don't think I. I think I was

882
00:45:25,880 --> 00:45:28,360
Speaker 1: not in not in my body, and not in my

883
00:45:28,920 --> 00:45:31,520
Speaker 1: self yet and so I saw that she was just

884
00:45:31,600 --> 00:45:34,879
Speaker 1: a recklessly whoever she wanted to be at any given moment,

885
00:45:34,960 --> 00:45:37,320
Speaker 1: and I wasn't getting it because I still think I

886
00:45:37,360 --> 00:45:39,719
Speaker 1: had hang ups and I can assess I have enough

887
00:45:39,719 --> 00:45:42,920
Speaker 1: self assessment how to say that, Like I don't know.

888
00:45:43,000 --> 00:45:46,919
Speaker 1: I just looking back, it's like I respect every single

889
00:45:47,000 --> 00:45:49,600
Speaker 1: thing she's ever fucking done, and I don't think she

890
00:45:49,719 --> 00:45:52,279
Speaker 1: was ever wrong to do anything, even the crazy ship.

891
00:45:52,320 --> 00:45:54,560
Speaker 1: Like when she became a helicopter. I said that was

892
00:45:54,640 --> 00:45:58,560
Speaker 1: one of the most time for me, top top ten,

893
00:45:58,760 --> 00:46:03,600
Speaker 1: top ten moments of her entire careers. First woman helicopter

894
00:46:04,960 --> 00:46:06,719
Speaker 1: and then she flew a little bit off the ground

895
00:46:06,760 --> 00:46:11,239
Speaker 1: and landed. It's actually coming in at six meters off

896
00:46:11,320 --> 00:46:14,800
Speaker 1: the ground, like just like like not at not meters.

897
00:46:16,440 --> 00:46:19,000
Speaker 1: She lifted off and her face just you could tell

898
00:46:19,080 --> 00:46:22,400
Speaker 1: she was like lift off, like she was thinking, and

899
00:46:22,719 --> 00:46:24,800
Speaker 1: she wasn't thinking as a human being. She was thinking

900
00:46:24,960 --> 00:46:27,440
Speaker 1: as the helicopter. It's actually crazy because that's when she

901
00:46:27,520 --> 00:46:31,319
Speaker 1: wrote Venus in that moment, and Venus to me as

902
00:46:31,360 --> 00:46:35,480
Speaker 1: a top five self produced yes. And you know what

903
00:46:35,880 --> 00:46:38,839
Speaker 1: was the most devastating thing for me when she because

904
00:46:38,880 --> 00:46:40,840
Speaker 1: that was supposed to be the single moment that was

905
00:46:40,880 --> 00:46:42,560
Speaker 1: supposed to be a single, and she said, oh, I'm

906
00:46:42,560 --> 00:46:44,960
Speaker 1: gonna do a fun little pre release of like a

907
00:46:45,120 --> 00:46:50,120
Speaker 1: promos remember those do what you want and it and

908
00:46:50,239 --> 00:46:52,759
Speaker 1: it did well on iTunes, and this always happens with her.

909
00:46:52,920 --> 00:46:57,080
Speaker 1: It does well on iTunes for twelve hours. And she

910
00:46:57,400 --> 00:46:59,719
Speaker 1: is so excited. On the record label, I guess is

911
00:46:59,760 --> 00:47:02,480
Speaker 1: so tided too that they're like scratch that, where this

912
00:47:02,719 --> 00:47:05,960
Speaker 1: is the single? Here we go, And I'm like, no,

913
00:47:06,920 --> 00:47:10,120
Speaker 1: like Venus was the one. It was the one, it

914
00:47:10,280 --> 00:47:14,640
Speaker 1: was for us, and it's just self produced, it's essence,

915
00:47:14,800 --> 00:47:20,160
Speaker 1: it's yes. Yes, it was like nonsense, like I'm just

916
00:47:20,200 --> 00:47:22,920
Speaker 1: gonna I was probably she was probably like it was

917
00:47:23,080 --> 00:47:26,640
Speaker 1: like um fucking David Bowie, like Elton John, like it

918
00:47:26,760 --> 00:47:30,040
Speaker 1: was like everything very like, you know, just like pop

919
00:47:30,120 --> 00:47:32,640
Speaker 1: star as like Celestial Creature, you know what I mean,

920
00:47:32,719 --> 00:47:40,640
Speaker 1: Like which we love Aphrodite, Ladyshell pante Venus. Imagine hearing

921
00:47:40,800 --> 00:47:44,439
Speaker 1: that on the radio. Imagine hearing that we we missed

922
00:47:44,480 --> 00:47:47,400
Speaker 1: out on that one for sure, reutely And I definitely

923
00:47:47,520 --> 00:47:50,840
Speaker 1: think on like on that album. I mean, I do

924
00:47:51,040 --> 00:47:53,160
Speaker 1: love g u Y and I'm grateful for the video,

925
00:47:53,520 --> 00:47:59,240
Speaker 1: but like it feels like it feels like like weird, weird,

926
00:47:59,400 --> 00:48:01,320
Speaker 1: like don It's Hello, How is that not a single?

927
00:48:01,920 --> 00:48:08,960
Speaker 1: I was stomping the streets to Donna Tella the whole album.

928
00:48:09,280 --> 00:48:11,520
Speaker 1: It really does. I'll never get Kim Richard's out of

929
00:48:11,600 --> 00:48:16,120
Speaker 1: my mind. Also, you know that, you know that that

930
00:48:16,280 --> 00:48:18,520
Speaker 1: was like a really bad week for the Housewives of

931
00:48:18,560 --> 00:48:20,719
Speaker 1: Beverly Hills because they went there. They went there to

932
00:48:20,719 --> 00:48:22,960
Speaker 1: shoot that g u Y video the day after the

933
00:48:23,040 --> 00:48:25,600
Speaker 1: reunion that year, and it was a really bad year,

934
00:48:25,680 --> 00:48:27,960
Speaker 1: Like none of them were getting along and speaking, and

935
00:48:28,960 --> 00:48:31,799
Speaker 1: Kyle and Lisa vander Pump were not speaking at the time,

936
00:48:31,880 --> 00:48:33,319
Speaker 1: and then they were in most of the video because

937
00:48:33,320 --> 00:48:35,359
Speaker 1: they're very much the stars of the show. And then

938
00:48:35,520 --> 00:48:38,080
Speaker 1: they were I was watching old interviews because I'm very ill,

939
00:48:38,760 --> 00:48:41,480
Speaker 1: and um, I was watching old old videos of your

940
00:48:41,760 --> 00:48:44,520
Speaker 1: interviews of Kyle and she was like, it actually was

941
00:48:44,520 --> 00:48:46,040
Speaker 1: really good for us to get together that day on

942
00:48:46,120 --> 00:48:47,800
Speaker 1: set because we were waiting around a lot and we

943
00:48:48,120 --> 00:48:50,440
Speaker 1: gave us a chance to talk. And like then, like

944
00:48:50,560 --> 00:48:52,319
Speaker 1: she was in Lady Gaga was amazing and we did

945
00:48:52,360 --> 00:48:54,719
Speaker 1: the video and had fun and honestly our relationship got better.

946
00:48:54,800 --> 00:48:57,520
Speaker 1: And I'm like, see that's a missing part of that,

947
00:48:57,719 --> 00:49:03,360
Speaker 1: that that the guy video helped Gaga heels healed the

948
00:49:03,440 --> 00:49:06,480
Speaker 1: Beverly Hills house. Wait, but let's talk about Paparazzi two

949
00:49:06,480 --> 00:49:10,040
Speaker 1: thousand nine because maybe my favorite v M as ever.

950
00:49:11,160 --> 00:49:14,440
Speaker 1: Um what a craze, Like they will never top that,

951
00:49:14,880 --> 00:49:17,880
Speaker 1: not who cares. I don't know who they are, um MTV,

952
00:49:18,000 --> 00:49:21,719
Speaker 1: I guess, But like that was just a perfect award show.

953
00:49:22,440 --> 00:49:26,040
Speaker 1: It was awards show that like set off pop culture

954
00:49:27,080 --> 00:49:32,320
Speaker 1: conflicts and things for like the next decade. Like that

955
00:49:32,480 --> 00:49:35,000
Speaker 1: was back back when you really had to watch the

956
00:49:35,080 --> 00:49:36,880
Speaker 1: v M a s to be keyed into what was

957
00:49:37,000 --> 00:49:39,560
Speaker 1: happening in culture, to be honest with you, And now

958
00:49:39,640 --> 00:49:41,480
Speaker 1: those days are kind of sorry but gone. The last

959
00:49:41,520 --> 00:49:44,120
Speaker 1: one was was Miley and Robin Thick like that. That

960
00:49:44,200 --> 00:49:48,560
Speaker 1: was maybe the last one where everyone was was Waterpooler, like,

961
00:49:48,600 --> 00:49:50,600
Speaker 1: oh my god, did you hear about like this and

962
00:49:50,719 --> 00:49:55,480
Speaker 1: that and that? Like but two thousand nine, I mean unbeatable,

963
00:49:55,520 --> 00:49:57,880
Speaker 1: and then the following year of pop music, two thousand

964
00:49:57,880 --> 00:50:00,439
Speaker 1: and ten, I feel like is up for our best

965
00:50:00,520 --> 00:50:05,239
Speaker 1: time in terms of like the in terms of pop music,

966
00:50:05,360 --> 00:50:11,040
Speaker 1: like that was a teenage dream and actually, if you

967
00:50:11,040 --> 00:50:13,360
Speaker 1: want to count, like Fame Monsters part of two thousands

968
00:50:14,120 --> 00:50:16,839
Speaker 1: came out in two thousand, like just what an incredible

969
00:50:17,239 --> 00:50:19,080
Speaker 1: that was the moment moment And then I think was

970
00:50:19,160 --> 00:50:26,080
Speaker 1: that Rihan Allowed That was oh my god, they keep coming. Yeah.

971
00:50:26,280 --> 00:50:30,120
Speaker 1: I really can't say enough about this era because this

972
00:50:30,200 --> 00:50:33,120
Speaker 1: is when it happened. This is when the girls were

973
00:50:33,280 --> 00:50:38,879
Speaker 1: girl and girls and they were girling and culture number

974
00:50:40,400 --> 00:50:43,360
Speaker 1: the girls were growing and they were and but you

975
00:50:43,440 --> 00:50:49,160
Speaker 1: know who is leading the brigade at the changed, fashion changed,

976
00:50:49,360 --> 00:50:52,800
Speaker 1: changed what we're doing now with literally like looks and

977
00:50:52,880 --> 00:50:55,880
Speaker 1: red carpet. She elevated when you can elevate an art

978
00:50:55,920 --> 00:50:59,440
Speaker 1: form that's been so successful and completely fine without you.

979
00:50:59,600 --> 00:51:02,840
Speaker 1: And then in like a goddamn wrecking ball and absolutely

980
00:51:03,080 --> 00:51:06,000
Speaker 1: changed the course of what it was. Everyone was scrambling

981
00:51:06,200 --> 00:51:09,000
Speaker 1: like people like the fashion was crazy. I remember, like

982
00:51:09,200 --> 00:51:11,200
Speaker 1: Lady Gaga showing up in a goddamn meat dress and

983
00:51:11,280 --> 00:51:14,320
Speaker 1: Nicki Minaj is showing up in a gene best like

984
00:51:14,560 --> 00:51:16,279
Speaker 1: and and when she likes the gene best any woman

985
00:51:16,280 --> 00:51:18,960
Speaker 1: on the set would like it, but like it's she like.

986
00:51:19,320 --> 00:51:22,319
Speaker 1: It just changed every time. There was something about two

987
00:51:22,520 --> 00:51:24,720
Speaker 1: and we say it with love. But this is again

988
00:51:24,880 --> 00:51:29,359
Speaker 1: you mentioned Beyonce. This was before Beyonce did four, which

989
00:51:29,440 --> 00:51:31,759
Speaker 1: I believe was the turning point in Beyonce. And in

990
00:51:31,920 --> 00:51:35,520
Speaker 1: single Ladies, there was a reference to Gaga and that

991
00:51:35,600 --> 00:51:38,560
Speaker 1: aesthetic there was and there was also that moment where

992
00:51:38,560 --> 00:51:41,399
Speaker 1: there was cross over the video for single. They shot

993
00:51:41,440 --> 00:51:43,680
Speaker 1: that before I think the same came out. But sometimes

994
00:51:43,719 --> 00:51:45,759
Speaker 1: I think Beyonce gets to scoop on what the girls

995
00:51:45,800 --> 00:51:48,360
Speaker 1: are doing at the time at the time, and I

996
00:51:48,440 --> 00:51:50,880
Speaker 1: think a lot of the girls had what we call

997
00:51:50,960 --> 00:51:53,799
Speaker 1: sleeper agents. And I believe that the girls actually had

998
00:51:53,840 --> 00:51:55,480
Speaker 1: sleeper agents. I don't know if they were the dancers

999
00:51:56,800 --> 00:52:03,440
Speaker 1: h speaking and you know what, I'm just everything this

1000
00:52:03,560 --> 00:52:06,680
Speaker 1: is I mean everything. I tell everyone, don't ever talk

1001
00:52:06,880 --> 00:52:10,359
Speaker 1: it in the h Don't ever talk in HMU. These

1002
00:52:10,400 --> 00:52:14,520
Speaker 1: girls are the eyes, ears, and mouths and the hands,

1003
00:52:15,520 --> 00:52:16,800
Speaker 1: and they will see you with those hands and you

1004
00:52:16,840 --> 00:52:20,000
Speaker 1: will look at masks. Don't talk ship to HMU. If

1005
00:52:20,040 --> 00:52:22,799
Speaker 1: you know anything, you know that HMU are the best

1006
00:52:22,880 --> 00:52:28,759
Speaker 1: people on set. They run if they're like, we need

1007
00:52:28,800 --> 00:52:32,080
Speaker 1: you on set now, and HMU says, no, you're not

1008
00:52:32,160 --> 00:52:35,040
Speaker 1: getting I'm not gone. And also if you think I'll

1009
00:52:35,040 --> 00:52:39,359
Speaker 1: even let them roll without getting my last looks I want,

1010
00:52:39,400 --> 00:52:42,920
Speaker 1: people won't be absolutely not. This ponytail is going to

1011
00:52:43,000 --> 00:52:47,000
Speaker 1: be quaffed like it was for continuity. Stay the wrong

1012
00:52:47,120 --> 00:52:48,920
Speaker 1: thing in the chair. You look in the mirror and

1013
00:52:49,000 --> 00:52:51,759
Speaker 1: think you look good on camera. You look at goddamn qua.

1014
00:52:52,200 --> 00:52:54,160
Speaker 1: Can I say something, But all I'm saying is like,

1015
00:52:54,520 --> 00:52:57,120
Speaker 1: at that time, it felt like, yes, I agree with you.

1016
00:52:57,520 --> 00:52:59,880
Speaker 1: Gaga was leading the charge because Gaga was the one

1017
00:53:00,120 --> 00:53:03,480
Speaker 1: was commercially most successful and also artistically most interesting, and

1018
00:53:03,600 --> 00:53:08,560
Speaker 1: to be both of those things is not no. And

1019
00:53:08,840 --> 00:53:13,880
Speaker 1: at the time, I think Katie wanted the artistic respect,

1020
00:53:14,880 --> 00:53:18,520
Speaker 1: and I think that like someone like Rihanna also wanted

1021
00:53:18,520 --> 00:53:21,200
Speaker 1: the artistic respect totally. I think they've both achieved it

1022
00:53:21,280 --> 00:53:24,279
Speaker 1: now in different ways. Like, well, Rihanna obviously now was

1023
00:53:24,280 --> 00:53:27,439
Speaker 1: across the board respect at a billion dollars. You don't.

1024
00:53:27,840 --> 00:53:31,560
Speaker 1: She is essentially like walking art now. But at the time,

1025
00:53:32,360 --> 00:53:34,640
Speaker 1: which is this this year, this ar to doesn't tend

1026
00:53:35,400 --> 00:53:38,120
Speaker 1: not even Beyonce was at that level. Beyonce was peak

1027
00:53:38,160 --> 00:53:40,760
Speaker 1: pop star, but it would be a few years until

1028
00:53:40,800 --> 00:53:43,960
Speaker 1: Beyonce was like, actually I'm a deity and everyone was like, yes,

1029
00:53:44,040 --> 00:53:46,440
Speaker 1: you are and always have been. But Gaga was the

1030
00:53:46,480 --> 00:53:48,880
Speaker 1: one who was walking the walk in terms of like

1031
00:53:49,480 --> 00:53:54,200
Speaker 1: actual creative and artistic output that is art pop. And sadly,

1032
00:53:54,440 --> 00:53:58,160
Speaker 1: I think the shift for Gaga and Beyonce, where Beyonce

1033
00:53:58,400 --> 00:54:01,800
Speaker 1: kind of took that role was when art pop happened.

1034
00:54:02,120 --> 00:54:05,800
Speaker 1: I thought that Beyonce was going to be what like

1035
00:54:05,920 --> 00:54:08,279
Speaker 1: what Beyonce ended up being, was going to be what

1036
00:54:08,480 --> 00:54:11,200
Speaker 1: art pop was in terms of the visual aesthetic. I

1037
00:54:11,320 --> 00:54:13,520
Speaker 1: was like, she's combining art and pop. This is going

1038
00:54:13,600 --> 00:54:16,160
Speaker 1: to be a very visual era for us, and we're

1039
00:54:16,200 --> 00:54:20,040
Speaker 1: going to get an entire visual album for this and

1040
00:54:20,120 --> 00:54:23,279
Speaker 1: it just did not happen, and that is sad. But

1041
00:54:23,960 --> 00:54:27,960
Speaker 1: Beyonce said I'm coming in with this visual album, I'm

1042
00:54:28,000 --> 00:54:31,600
Speaker 1: actually dropping it without anyone knowing, and I'm going to

1043
00:54:31,719 --> 00:54:34,120
Speaker 1: take the world by absolute storm. And that's when that

1044
00:54:34,120 --> 00:54:36,719
Speaker 1: shift was because because the it's the hardest part when

1045
00:54:36,760 --> 00:54:39,239
Speaker 1: you're at the top and everyone's expecting you to fall

1046
00:54:39,320 --> 00:54:41,480
Speaker 1: a rail. And I don't think that that album was

1047
00:54:41,560 --> 00:54:43,719
Speaker 1: a fall or a failure at all. I think maybe

1048
00:54:43,760 --> 00:54:46,480
Speaker 1: there were things that I would have done differently and

1049
00:54:46,560 --> 00:54:53,680
Speaker 1: all my expertise, but it's just like and so it goes,

1050
00:54:53,800 --> 00:54:55,920
Speaker 1: and so it goes, and yet like you know, and

1051
00:54:56,040 --> 00:54:58,880
Speaker 1: that's what makes sort of the anytime I understand when

1052
00:54:58,920 --> 00:55:00,759
Speaker 1: when people are like, well I always thought art prop

1053
00:55:00,840 --> 00:55:02,640
Speaker 1: was good because I kind of count myself as one

1054
00:55:02,640 --> 00:55:06,640
Speaker 1: of those people. But also I understand, like it's frustrating

1055
00:55:06,680 --> 00:55:10,640
Speaker 1: to have that sentence sentiment because you're like, well, like

1056
00:55:11,520 --> 00:55:14,040
Speaker 1: you know it would have been. I don't know, it's

1057
00:55:14,120 --> 00:55:16,080
Speaker 1: it just it shook out the way it did, and

1058
00:55:16,200 --> 00:55:20,000
Speaker 1: like it's not you hate to look back on something

1059
00:55:20,000 --> 00:55:23,080
Speaker 1: and be like that was underappreciated. Yeah, but it definitely was.

1060
00:55:23,200 --> 00:55:24,640
Speaker 1: I mean that's the thing too, And it's like it's

1061
00:55:24,640 --> 00:55:27,719
Speaker 1: also got that weird thing of like even if you

1062
00:55:27,800 --> 00:55:30,680
Speaker 1: like to do what you want, like it's mared, you

1063
00:55:30,719 --> 00:55:33,520
Speaker 1: know what I mean, Like and unfortunately, like that is

1064
00:55:33,600 --> 00:55:36,520
Speaker 1: a weird decision that she made, like to even have

1065
00:55:36,719 --> 00:55:39,160
Speaker 1: him on it, because let's not pretend like we didn't

1066
00:55:39,239 --> 00:55:41,400
Speaker 1: know the score with R Kelly at the time. Like

1067
00:55:41,880 --> 00:55:45,000
Speaker 1: I definitely think there was like weird decision making happening there,

1068
00:55:45,040 --> 00:55:47,280
Speaker 1: because I do think that she was a little scattered.

1069
00:55:47,320 --> 00:55:49,960
Speaker 1: But also that's why I like the album is because

1070
00:55:49,960 --> 00:55:53,239
Speaker 1: I think it really did say I'm throwing it on

1071
00:55:53,440 --> 00:55:56,480
Speaker 1: the walls and like this artistic sense and like it

1072
00:55:56,640 --> 00:55:59,000
Speaker 1: has all stuck up there for me right now, and

1073
00:55:59,080 --> 00:56:01,360
Speaker 1: maybe I'm not going to make like discerning choices about it.

1074
00:56:01,440 --> 00:56:05,399
Speaker 1: It's all there. It's this messy output and I don't

1075
00:56:05,440 --> 00:56:07,760
Speaker 1: even really know that anyone if they were to describe

1076
00:56:07,760 --> 00:56:10,839
Speaker 1: what are pop is in a nutshell or like give

1077
00:56:10,880 --> 00:56:13,680
Speaker 1: it a thesis that everyone would not one person would

1078
00:56:13,680 --> 00:56:16,200
Speaker 1: have the same definition as someone else. But that's sort

1079
00:56:16,239 --> 00:56:20,000
Speaker 1: of great about it because since then she has so

1080
00:56:20,320 --> 00:56:24,400
Speaker 1: clearly done these different eras, like you know exactly that

1081
00:56:24,520 --> 00:56:27,040
Speaker 1: she was going for. Now we are on the house

1082
00:56:27,040 --> 00:56:30,480
Speaker 1: of Gucci era and it is going to be goofy honey.

1083
00:56:31,200 --> 00:56:33,520
Speaker 1: But I'm ready, I'm ready for I'm ready for the

1084
00:56:33,640 --> 00:56:37,480
Speaker 1: realization of not just Italian girl from New York, Italian

1085
00:56:37,600 --> 00:56:40,640
Speaker 1: woman from Italy. Absolutely it is going to be an

1086
00:56:40,719 --> 00:56:47,400
Speaker 1: extremely goofy movie. Honey to the trailer, I literally and

1087
00:56:47,480 --> 00:56:50,439
Speaker 1: I was just like, I watched it and I cried

1088
00:56:50,440 --> 00:56:52,960
Speaker 1: because I was like, I don't know if it's going

1089
00:56:53,000 --> 00:56:59,600
Speaker 1: to be good or not. Yeah, it's it's it's Russia,

1090
00:56:59,800 --> 00:57:01,759
Speaker 1: It's it's it's a little Russian, and you know what,

1091
00:57:02,320 --> 00:57:04,719
Speaker 1: I'm here for you. I'm here because you know what,

1092
00:57:05,320 --> 00:57:14,920
Speaker 1: the bitch, but I am their son. I'm like, oh my,

1093
00:57:15,520 --> 00:57:18,480
Speaker 1: she really into something. She does something. I think I've

1094
00:57:18,520 --> 00:57:22,520
Speaker 1: said this before when she says house like that, she

1095
00:57:22,720 --> 00:57:26,480
Speaker 1: really she's really actually doing something an authentic oral posture there,

1096
00:57:26,480 --> 00:57:28,440
Speaker 1: Like it's I think I think it will actually be

1097
00:57:28,640 --> 00:57:30,680
Speaker 1: very good. I think it will be so good. Also noticed,

1098
00:57:31,080 --> 00:57:33,280
Speaker 1: if you if you look at like the Oscar predictions,

1099
00:57:33,560 --> 00:57:36,040
Speaker 1: she has not fallen from the top spot. People are

1100
00:57:36,120 --> 00:57:38,880
Speaker 1: still like even people that write about it, and they're like,

1101
00:57:39,040 --> 00:57:41,800
Speaker 1: this looks goofy as hell, but she's got damn it.

1102
00:57:41,840 --> 00:57:43,400
Speaker 1: If it's not going to be a watchable in camp,

1103
00:57:43,720 --> 00:57:50,680
Speaker 1: the fashion, the cast, the budget, it's gonna be good. Yeah,

1104
00:57:50,760 --> 00:57:53,080
Speaker 1: I will probably like fall out of it for a second.

1105
00:57:53,360 --> 00:57:56,040
Speaker 1: That's late, and just like laugh for a second because

1106
00:57:56,040 --> 00:57:58,440
Speaker 1: it's here. But she's so The thing that I love

1107
00:57:58,480 --> 00:58:02,200
Speaker 1: about this woman is that she commits yes, and I

1108
00:58:02,920 --> 00:58:05,000
Speaker 1: love it. I can't wait to day. Like just in

1109
00:58:05,040 --> 00:58:09,120
Speaker 1: the trailer, I'm like, she is going for it. So

1110
00:58:09,360 --> 00:58:11,840
Speaker 1: here's the deal, Like you can always boil it down,

1111
00:58:11,960 --> 00:58:14,560
Speaker 1: especially now that we're working on this movie. I'm like, like,

1112
00:58:15,040 --> 00:58:18,520
Speaker 1: you realize how important the director is, Like Andrew On

1113
00:58:18,640 --> 00:58:20,720
Speaker 1: that we're working with right now is so brilliant. This

1114
00:58:20,840 --> 00:58:24,080
Speaker 1: movie is directed by really Like let's not forget the

1115
00:58:24,120 --> 00:58:26,560
Speaker 1: gifts he has given, like one of my favorite movies

1116
00:58:26,600 --> 00:58:31,200
Speaker 1: of all time Thomba and Louise, like fucking so much gold,

1117
00:58:31,680 --> 00:58:34,560
Speaker 1: like alien bitch. Like this is someone who's been iconic

1118
00:58:34,680 --> 00:58:38,040
Speaker 1: from the beginning and again and so many different thoughtless records,

1119
00:58:38,120 --> 00:58:41,240
Speaker 1: so many different genres, so many has directed so many

1120
00:58:41,360 --> 00:58:45,040
Speaker 1: performances to OSCAR nominations, you know what I mean. It's like,

1121
00:58:45,080 --> 00:58:47,400
Speaker 1: you know, this is a weird comparison, but like like

1122
00:58:47,840 --> 00:58:51,760
Speaker 1: angry ish, like someone who like excels the different genres,

1123
00:58:52,120 --> 00:58:56,080
Speaker 1: directs different oscars, like winning performances, like you're like, damn

1124
00:58:56,200 --> 00:58:58,640
Speaker 1: or Oscar nominated at the very least. It's like, this

1125
00:58:58,840 --> 00:59:01,520
Speaker 1: is like, there's no way not and again not a

1126
00:59:01,520 --> 00:59:03,600
Speaker 1: spotless record either with a I don't mean to bring

1127
00:59:03,680 --> 00:59:05,600
Speaker 1: him into the conversation, but yeah, it's like with Redley Scott,

1128
00:59:05,600 --> 00:59:07,640
Speaker 1: it's like, you're gonna be interested no matter what. With him,

1129
00:59:07,680 --> 00:59:09,640
Speaker 1: I'm looking up the filmography. You're gonna be interested in

1130
00:59:10,120 --> 00:59:14,120
Speaker 1: Adam and Jared and Gaga and fucking and so many

1131
00:59:14,120 --> 00:59:15,840
Speaker 1: of our friends have been like, no, this is perfect.

1132
00:59:15,880 --> 00:59:18,280
Speaker 1: This is even better than Stars Born. Oh, because the

1133
00:59:18,360 --> 00:59:20,520
Speaker 1: Star is Born, like was kind of still trying to

1134
00:59:20,560 --> 00:59:24,440
Speaker 1: go for something like serious or take itself seriously somewhat,

1135
00:59:24,560 --> 00:59:27,200
Speaker 1: and this is not concerned. That's my hot take on

1136
00:59:27,360 --> 00:59:30,960
Speaker 1: Stars Born. I was like, they are trying to make

1137
00:59:31,120 --> 00:59:36,600
Speaker 1: this the most height end version of a very unrealistic world,

1138
00:59:37,040 --> 00:59:39,160
Speaker 1: and it could not have been. I thought that there

1139
00:59:39,240 --> 00:59:40,920
Speaker 1: was a disconnect there a little. I was like, I

1140
00:59:41,040 --> 00:59:43,800
Speaker 1: wish that it was a little campier, and I'm hoping

1141
00:59:44,400 --> 00:59:48,440
Speaker 1: with House of Gucci that it's campy but directed so

1142
00:59:48,600 --> 00:59:51,200
Speaker 1: well that you know that it does take itself seriously

1143
00:59:51,320 --> 00:59:54,760
Speaker 1: but also has that twinkle in its eye about if

1144
00:59:54,840 --> 00:59:59,040
Speaker 1: they can marry those together. I think it's gonna be everything.

1145
00:59:59,320 --> 01:00:02,360
Speaker 1: I mean, homography of really Scott, like just naming some

1146
01:00:02,680 --> 01:00:08,800
Speaker 1: alien Blade Runner fucking film, Emluise, Gladiator, black Hawk down

1147
01:00:08,920 --> 01:00:13,480
Speaker 1: like full on war film, American Gangster Prometheus, which I loved,

1148
01:00:13,680 --> 01:00:16,520
Speaker 1: I loved for me, the Martian Um and like you know,

1149
01:00:17,800 --> 01:00:20,160
Speaker 1: there's some like sort of flops in here too, like

1150
01:00:20,600 --> 01:00:22,600
Speaker 1: but and then House of Gucci, like I don't know.

1151
01:00:22,720 --> 01:00:25,400
Speaker 1: I just think there's a lot of different kinds of

1152
01:00:25,480 --> 01:00:28,320
Speaker 1: movies there, but one thing that there is in common

1153
01:00:28,920 --> 01:00:32,640
Speaker 1: is that there's a lot of committed performances like for example,

1154
01:00:32,680 --> 01:00:36,720
Speaker 1: in Gladiator, um Joaquin and Gladiator like that like crazy

1155
01:00:36,960 --> 01:00:41,200
Speaker 1: villain like almost Faggy like I love, like it's camp.

1156
01:00:41,680 --> 01:00:44,120
Speaker 1: And then like you know, Thelma and Louise, like both

1157
01:00:44,200 --> 01:00:47,360
Speaker 1: those ladies like fucking crushing it. Like I don't know,

1158
01:00:47,520 --> 01:00:50,800
Speaker 1: wog I mean this is okay, Like I still have

1159
01:00:51,160 --> 01:00:54,960
Speaker 1: some trouble every now, and then reconciling this Gaga like

1160
01:00:55,160 --> 01:00:58,880
Speaker 1: full on a list movie star and still like fulfilling

1161
01:00:58,920 --> 01:01:02,160
Speaker 1: her pop star duties. Reconciling that Gaga with two nine

1162
01:01:02,200 --> 01:01:05,000
Speaker 1: like fame Araga, like those are the same person to me,

1163
01:01:05,320 --> 01:01:09,400
Speaker 1: and that's crazy, yes, yeah, And and then even like

1164
01:01:10,000 --> 01:01:14,760
Speaker 1: most recent like Tony Kaka like like it just it,

1165
01:01:14,840 --> 01:01:16,920
Speaker 1: but it's it's because she commits and gives her a

1166
01:01:17,000 --> 01:01:20,000
Speaker 1: hundred percent of herself to it every single time. That

1167
01:01:20,080 --> 01:01:21,440
Speaker 1: it's so earnest and we can look at it and

1168
01:01:21,520 --> 01:01:24,280
Speaker 1: be like, wow, of course this person became this person

1169
01:01:24,520 --> 01:01:27,600
Speaker 1: because she's so she was so committed from the jump,

1170
01:01:27,720 --> 01:01:30,240
Speaker 1: and she was so different, and she's doing all these

1171
01:01:30,520 --> 01:01:33,400
Speaker 1: different things like who else, no one else could do

1172
01:01:33,440 --> 01:01:36,440
Speaker 1: what she does. I really believe that, and for all

1173
01:01:36,480 --> 01:01:38,760
Speaker 1: those reasons, like she's like, she's my number one, number

1174
01:01:39,160 --> 01:01:42,560
Speaker 1: number one, so wait, it's so iconic that you got

1175
01:01:42,640 --> 01:01:47,200
Speaker 1: to win, not only hear from her. Um Okay, so

1176
01:01:47,440 --> 01:01:50,040
Speaker 1: I know that she has seen it and and liked it,

1177
01:01:50,160 --> 01:01:53,720
Speaker 1: which is amazing. House Labs gave me um a post

1178
01:01:53,840 --> 01:01:56,440
Speaker 1: on their they like reposted the performance, and I was like,

1179
01:01:56,600 --> 01:01:58,439
Speaker 1: you know, if House Labs is doing it, I'm sure

1180
01:01:58,760 --> 01:02:01,760
Speaker 1: she's had to been like yeah, I'm not like if

1181
01:02:01,800 --> 01:02:04,640
Speaker 1: she didn't like it, I'm sure she wasn't like no,

1182
01:02:04,880 --> 01:02:06,720
Speaker 1: I don't want this anywhere near my makeup or whatever.

1183
01:02:06,760 --> 01:02:08,720
Speaker 1: And I was like, you know, I'm sure, like she like,

1184
01:02:08,920 --> 01:02:10,840
Speaker 1: I'm sure she like I know that she liked it,

1185
01:02:10,880 --> 01:02:12,320
Speaker 1: so I'm like she would have had no reason to

1186
01:02:12,400 --> 01:02:16,280
Speaker 1: dislike Yeah, no, things like it was iconic and I

1187
01:02:16,320 --> 01:02:18,080
Speaker 1: found out like what the challenge was, I was just like,

1188
01:02:18,240 --> 01:02:20,640
Speaker 1: I have to do Gaga. I have to Dogga because

1189
01:02:20,800 --> 01:02:24,560
Speaker 1: it's yeah, she's number one, She's my number one. Like

1190
01:02:24,640 --> 01:02:27,760
Speaker 1: to win a challenge, like to win the Rusigal Challenge

1191
01:02:27,920 --> 01:02:31,800
Speaker 1: as Lady Gaga. That was definitely like, I think that

1192
01:02:31,920 --> 01:02:33,960
Speaker 1: this last episode was incredible and we were watching and

1193
01:02:34,040 --> 01:02:35,880
Speaker 1: screaming in the whole time. We really had so much fun.

1194
01:02:35,960 --> 01:02:38,439
Speaker 1: But probably my second favorite was that challenge because also

1195
01:02:38,520 --> 01:02:43,360
Speaker 1: shout out to Trinity, who fucking and also von Zell

1196
01:02:43,400 --> 01:02:47,800
Speaker 1: Solomon sang down, Oh my god, do I need to

1197
01:02:47,840 --> 01:02:52,120
Speaker 1: talk about von Zell Solomon. Von Zell Solomon is literally

1198
01:02:52,880 --> 01:02:57,120
Speaker 1: one of the biggest reasons why I sing the American

1199
01:02:57,200 --> 01:02:59,920
Speaker 1: Idol show Stoppers album when she said treat me Right

1200
01:03:00,440 --> 01:03:07,439
Speaker 1: was on replay in my home, in my room, ear

1201
01:03:07,600 --> 01:03:10,439
Speaker 1: next to the speaker, belting out these notes from such

1202
01:03:10,480 --> 01:03:12,760
Speaker 1: a young age I love. I'm going on record saying

1203
01:03:12,760 --> 01:03:15,840
Speaker 1: I'm absolutely obsessed with Bonzollman and she hasn't done so

1204
01:03:16,040 --> 01:03:18,840
Speaker 1: like like I like, my parents can literally be like, oh,

1205
01:03:19,000 --> 01:03:23,400
Speaker 1: you sang that song like ten fifteen times a day

1206
01:03:23,520 --> 01:03:27,600
Speaker 1: for weeks like it was. And that's like where I

1207
01:03:27,720 --> 01:03:29,840
Speaker 1: learned like a love for singing. I was like, I

1208
01:03:29,920 --> 01:03:32,920
Speaker 1: want to sound like this incredible singer. We'll get this.

1209
01:03:33,600 --> 01:03:37,800
Speaker 1: So I too was obsessed with her when she was

1210
01:03:37,840 --> 01:03:40,840
Speaker 1: on American Idol, and I feel three four four four.

1211
01:03:41,000 --> 01:03:43,240
Speaker 1: I felt like crazy because I felt like I was

1212
01:03:43,280 --> 01:03:45,840
Speaker 1: the only one being like, I mean, she's the best

1213
01:03:46,440 --> 01:03:47,760
Speaker 1: at the time when she was like getting to like

1214
01:03:47,840 --> 01:03:49,680
Speaker 1: top three, and then it was her, Carrie and Bow

1215
01:03:50,280 --> 01:03:52,720
Speaker 1: and I'm just never going to respond to someone like Bow.

1216
01:03:52,800 --> 01:03:54,280
Speaker 1: He wasn't for me. He was very much from my

1217
01:03:54,400 --> 01:03:57,880
Speaker 1: mother Um and Carrie I understood as the person they

1218
01:03:57,960 --> 01:03:59,960
Speaker 1: wanted to win, and I understood her as very talent,

1219
01:04:00,040 --> 01:04:01,760
Speaker 1: done in, someone who would sell records. But I was like,

1220
01:04:02,200 --> 01:04:04,800
Speaker 1: I feel like it's weird, like we're not we're not

1221
01:04:05,000 --> 01:04:08,400
Speaker 1: giving this girl the credit like Ze. So she gets eliminated.

1222
01:04:08,640 --> 01:04:11,760
Speaker 1: I never forget her years and years and years and

1223
01:04:11,920 --> 01:04:15,040
Speaker 1: years later, I get this show on Quimby Game Show.

1224
01:04:16,000 --> 01:04:18,120
Speaker 1: So one of Dave and I's ideas, one thing I

1225
01:04:18,320 --> 01:04:22,480
Speaker 1: really wanted was I wanted our house band to be

1226
01:04:22,720 --> 01:04:26,040
Speaker 1: one female singer, and we were referred to her as

1227
01:04:26,080 --> 01:04:29,720
Speaker 1: the house band, and I remembered that von Zell Solomon

1228
01:04:29,840 --> 01:04:33,080
Speaker 1: had done the CBS Diversity showcase with Josh Sharp, so

1229
01:04:33,160 --> 01:04:36,640
Speaker 1: I knew she was like around. So I said, we

1230
01:04:36,840 --> 01:04:38,320
Speaker 1: we we were figuring out who to get, and I'm like,

1231
01:04:38,960 --> 01:04:41,160
Speaker 1: if this is like very random, but there was this

1232
01:04:41,280 --> 01:04:43,520
Speaker 1: like American Idol contestant years ago. I know that she

1233
01:04:43,720 --> 01:04:46,600
Speaker 1: like is around, like we could reach out to. Her

1234
01:04:46,680 --> 01:04:49,480
Speaker 1: name is von Zell Solomon, so everyone falls in love

1235
01:04:49,520 --> 01:04:51,080
Speaker 1: with her. She gets the gig on game show, she

1236
01:04:51,160 --> 01:04:54,439
Speaker 1: gets introduced to Leland, and then that's how he hooked

1237
01:04:54,440 --> 01:04:58,160
Speaker 1: her up with. So now I literally it's one of

1238
01:04:58,280 --> 01:05:00,840
Speaker 1: my pride and joys that I can say that to

1239
01:05:01,240 --> 01:05:07,040
Speaker 1: myself that I like helped amplify ven Zelle because like

1240
01:05:07,160 --> 01:05:10,280
Speaker 1: and she does not she mary needs my help at

1241
01:05:10,280 --> 01:05:12,320
Speaker 1: all because like she walks into any room and is

1242
01:05:12,360 --> 01:05:18,000
Speaker 1: a start. But I'm so like happy that Leland, like

1243
01:05:18,160 --> 01:05:20,240
Speaker 1: Brett liked her so much that he wanted to work

1244
01:05:20,280 --> 01:05:21,880
Speaker 1: with her more. And then when I heard her sing

1245
01:05:22,000 --> 01:05:24,720
Speaker 1: that like Beyonce mixed that Trinity lips in to bring

1246
01:05:24,800 --> 01:05:27,600
Speaker 1: back my Girls Beyonce version, Brett played it for me

1247
01:05:27,680 --> 01:05:29,440
Speaker 1: like a long time ago, like why I was over

1248
01:05:29,520 --> 01:05:30,920
Speaker 1: his house hanging out. He played it for me and

1249
01:05:30,960 --> 01:05:33,640
Speaker 1: I was like, oh my god, I cannot wait for

1250
01:05:33,680 --> 01:05:35,480
Speaker 1: that to come out. And then to see Trinity just

1251
01:05:35,640 --> 01:05:37,840
Speaker 1: executed so hard. I was like, this has to be

1252
01:05:37,920 --> 01:05:41,200
Speaker 1: one of the best moments on the show. It was

1253
01:05:41,520 --> 01:05:45,360
Speaker 1: the track. We sang it all the time like everything,

1254
01:05:45,480 --> 01:05:48,320
Speaker 1: Like we were like Trinity, like that's that's a track

1255
01:05:50,200 --> 01:05:53,720
Speaker 1: on the road, honey, like she's been killing season, killing it.

1256
01:05:53,960 --> 01:05:56,880
Speaker 1: I love Love Trinity. Season six was the first one

1257
01:05:56,960 --> 01:06:01,160
Speaker 1: that I watched live and just um seeing her and

1258
01:06:01,280 --> 01:06:04,040
Speaker 1: her journey and I'm like, I'm in the room with

1259
01:06:04,400 --> 01:06:09,560
Speaker 1: t and I get to see this bitch. Do Beyonce

1260
01:06:09,960 --> 01:06:16,560
Speaker 1: right now? Honey? It's grazzy. She is so good and

1261
01:06:16,640 --> 01:06:18,160
Speaker 1: I was so happy to see her shine in the

1262
01:06:18,240 --> 01:06:21,920
Speaker 1: moment and von Zel too, like won't the industry do it?

1263
01:06:22,080 --> 01:06:35,000
Speaker 1: Like like keep the keep hanging? Did you scream when

1264
01:06:35,560 --> 01:06:38,760
Speaker 1: jumped onto this stage? Okay, I'm gonna I'm gonna tell

1265
01:06:38,880 --> 01:06:43,280
Speaker 1: every single person who's listening right now. Publicist readers go

1266
01:06:43,840 --> 01:06:47,440
Speaker 1: to the Rue Paul's Drag Race YouTube, watch this lip

1267
01:06:47,560 --> 01:06:52,320
Speaker 1: sync and listen. You will hear me underscoring the entire thing,

1268
01:06:52,760 --> 01:06:55,920
Speaker 1: screaming the whole That's why they picked me for the confessional.

1269
01:06:55,960 --> 01:06:58,080
Speaker 1: In between, I was freaking out. I was like, this

1270
01:06:58,160 --> 01:07:00,680
Speaker 1: is a season six by dream Like, I'm watching this

1271
01:07:00,840 --> 01:07:03,280
Speaker 1: ins front of my eyes, both of them killing it

1272
01:07:03,720 --> 01:07:08,520
Speaker 1: like crazy, holding her own look Ganja like and Leganja

1273
01:07:08,600 --> 01:07:11,240
Speaker 1: had us all in stitches the entire time, Like talk

1274
01:07:11,320 --> 01:07:17,440
Speaker 1: about somebody who is just so tapped into themselves. And

1275
01:07:18,240 --> 01:07:21,120
Speaker 1: I love Leganja. I got to see Leganja a couple

1276
01:07:21,160 --> 01:07:22,440
Speaker 1: of weeks ago when I was in l A and

1277
01:07:22,520 --> 01:07:27,040
Speaker 1: I was like, Mama, I'm like just watching you and

1278
01:07:27,320 --> 01:07:32,760
Speaker 1: seeing you shine so brightly in this moment. I'm like,

1279
01:07:32,960 --> 01:07:35,640
Speaker 1: I've always believed in you. I've always seen so much

1280
01:07:35,760 --> 01:07:38,440
Speaker 1: of like myself in like you and who you are,

1281
01:07:38,960 --> 01:07:42,320
Speaker 1: and to see you just absolutely blossom and shine in

1282
01:07:42,480 --> 01:07:46,960
Speaker 1: this iconic what it's like. It's really like it has

1283
01:07:47,040 --> 01:07:49,320
Speaker 1: to be like top three, if not like the best

1284
01:07:49,400 --> 01:07:53,200
Speaker 1: one of all times. Like it's like it's it's it's amazing,

1285
01:07:53,400 --> 01:07:55,240
Speaker 1: And we all knew in the moment, we all knew

1286
01:07:55,280 --> 01:07:57,000
Speaker 1: in the room. Well, especially when you think about and

1287
01:07:57,120 --> 01:07:59,479
Speaker 1: this goes without saying, like everyone already knows this people

1288
01:07:59,480 --> 01:08:02,320
Speaker 1: who've watched for people, especially people who watched season six

1289
01:08:02,400 --> 01:08:04,040
Speaker 1: at the time and air and then like have been

1290
01:08:04,080 --> 01:08:07,720
Speaker 1: on this have tractal Gondre's journey since then, Like she

1291
01:08:07,800 --> 01:08:10,880
Speaker 1: probably went through one of the more traumatic experiences on

1292
01:08:10,960 --> 01:08:16,040
Speaker 1: that show. Totally. Well, I mean she was, she was.

1293
01:08:16,160 --> 01:08:19,120
Speaker 1: She was like she was one of those early figures

1294
01:08:19,200 --> 01:08:25,479
Speaker 1: of like everyone like fucking attack this person and patients

1295
01:08:25,520 --> 01:08:28,400
Speaker 1: here for someone. Well, I mean like, yeah, you know

1296
01:08:28,520 --> 01:08:31,120
Speaker 1: what the worst part about that is people are coming

1297
01:08:31,160 --> 01:08:35,520
Speaker 1: for her. She is the vernacular of this entire franchise,

1298
01:08:36,080 --> 01:08:38,880
Speaker 1: Like how are we going to It's it's so polarizing.

1299
01:08:38,920 --> 01:08:42,000
Speaker 1: Everyone is so fucking fickle, But like it's it's she is.

1300
01:08:42,600 --> 01:08:46,120
Speaker 1: She's done so much. We say it all the time,

1301
01:08:46,320 --> 01:08:49,160
Speaker 1: we are quoting her con she obviously like I mean

1302
01:08:49,240 --> 01:08:51,200
Speaker 1: like she's like pulling all these like form these like

1303
01:08:51,439 --> 01:08:54,360
Speaker 1: isms that are like originated like by like queer black people,

1304
01:08:55,120 --> 01:08:57,479
Speaker 1: queer black trans people. But it's like, but like you know,

1305
01:08:57,760 --> 01:08:59,240
Speaker 1: there's something to be said about the way she like

1306
01:08:59,520 --> 01:09:04,560
Speaker 1: really went for it and curated these things absolutely, like

1307
01:09:04,720 --> 01:09:07,760
Speaker 1: it is like you can trace it back to Lagna

1308
01:09:07,800 --> 01:09:11,040
Speaker 1: at least within the show totally, and like, of course

1309
01:09:11,120 --> 01:09:13,080
Speaker 1: with the history of where it comes from with like

1310
01:09:13,160 --> 01:09:16,479
Speaker 1: trans black women, but also like you can't have a both.

1311
01:09:16,520 --> 01:09:18,879
Speaker 1: You gotta really either be on the side of Lagana

1312
01:09:19,040 --> 01:09:22,560
Speaker 1: and and like appreciate her doing my new thing is

1313
01:09:22,640 --> 01:09:26,200
Speaker 1: like get into it or get out, Like get out

1314
01:09:26,320 --> 01:09:30,160
Speaker 1: and stay at a full circle like it's I just

1315
01:09:30,439 --> 01:09:35,800
Speaker 1: I love the bench seeing that live was left. Yeah,

1316
01:09:35,920 --> 01:09:38,240
Speaker 1: because there's up and it's stuck and we're like, where

1317
01:09:38,320 --> 01:09:44,120
Speaker 1: the hell is this PERSONA you never know who it is, no, never, never, never,

1318
01:09:44,520 --> 01:09:47,400
Speaker 1: We never get any like inkling or anything like that.

1319
01:09:47,920 --> 01:09:52,120
Speaker 1: And so just to hear a distant echo, come on

1320
01:09:52,320 --> 01:09:58,719
Speaker 1: all Star six knew you knew. I had full body cells.

1321
01:09:59,600 --> 01:10:02,640
Speaker 1: I had full body it's freezing in that studio. I

1322
01:10:03,280 --> 01:10:06,040
Speaker 1: had full body chills. I was like, I can't believe

1323
01:10:06,120 --> 01:10:09,320
Speaker 1: this is happening right in front of my eyes. And

1324
01:10:09,720 --> 01:10:12,760
Speaker 1: I mean there's some I mean now, especially I did

1325
01:10:12,880 --> 01:10:14,920
Speaker 1: feel bad for Silky and that moment when when she

1326
01:10:15,040 --> 01:10:17,920
Speaker 1: threw the thing and it smacked Silky right in the

1327
01:10:18,000 --> 01:10:20,080
Speaker 1: sucking face. But now it's fun to think about because

1328
01:10:20,080 --> 01:10:22,759
Speaker 1: Silky ended up like having this great triumphant moment herself totally,

1329
01:10:22,960 --> 01:10:25,960
Speaker 1: but like her on the pit stopped talking to Tricksie.

1330
01:10:26,040 --> 01:10:28,120
Speaker 1: That was also like the projects, a little like supplemental

1331
01:10:28,200 --> 01:10:29,800
Speaker 1: thing where you're like, oh, she's good. She's in a

1332
01:10:29,880 --> 01:10:33,160
Speaker 1: great place, in an awesome place. She was so funny.

1333
01:10:33,360 --> 01:10:34,840
Speaker 1: And you know what the other thing, too, is is

1334
01:10:34,880 --> 01:10:37,240
Speaker 1: when you watch the untucked of her in that episode,

1335
01:10:37,560 --> 01:10:39,800
Speaker 1: watch the untucked of when they bring her out of

1336
01:10:39,880 --> 01:10:44,640
Speaker 1: the van, it's eighteen seconds of pure gold. She's like,

1337
01:10:44,800 --> 01:10:47,880
Speaker 1: doors open, and she's like, you're gonna tell the stone

1338
01:10:47,960 --> 01:10:49,400
Speaker 1: that this big elephantor doesn't know. But I thought I

1339
01:10:49,439 --> 01:10:52,560
Speaker 1: was gonna just whisk it all away, like it's she

1340
01:10:53,479 --> 01:10:57,360
Speaker 1: is on another planet high and just like but she

1341
01:10:57,520 --> 01:11:00,600
Speaker 1: needs to be yes and the best pitch speaking of

1342
01:11:00,680 --> 01:11:03,320
Speaker 1: the pit stop when she was talking about like how

1343
01:11:03,520 --> 01:11:11,120
Speaker 1: how many milligrams is like a functioning level. That's me

1344
01:11:11,240 --> 01:11:15,040
Speaker 1: and like my worst moment, I'm spiraling when I'm at

1345
01:11:15,080 --> 01:11:17,840
Speaker 1: thirty okay, or on eating sugar fish and it's all

1346
01:11:17,920 --> 01:11:21,240
Speaker 1: the same. But like, I wait, did you give me

1347
01:11:21,320 --> 01:11:25,280
Speaker 1: an edible in Fire Islands? And that was good? Ship,

1348
01:11:25,920 --> 01:11:29,439
Speaker 1: I gave you a mushroom. Oh that's right, you can

1349
01:11:29,520 --> 01:11:32,640
Speaker 1: took up. Those were good. We ran into We ran

1350
01:11:32,680 --> 01:11:35,559
Speaker 1: into Jan and the girls and we all went into

1351
01:11:35,760 --> 01:11:39,280
Speaker 1: what was that? That was like the later night night

1352
01:11:39,400 --> 01:11:44,160
Speaker 1: right talk about transforming the space girl completely different. That

1353
01:11:44,280 --> 01:11:46,559
Speaker 1: was a fun night. That was really fun. I'm telling

1354
01:11:46,600 --> 01:11:48,000
Speaker 1: you that week was so good that this was the

1355
01:11:48,080 --> 01:11:49,880
Speaker 1: night before you got there. That's right, that's right. But

1356
01:11:51,520 --> 01:11:53,559
Speaker 1: I remember seeing calling the boardwalk and I was like, hey,

1357
01:11:53,640 --> 01:12:00,800
Speaker 1: guys were in the building. They were president, come on, come,

1358
01:12:01,280 --> 01:12:05,720
Speaker 1: come on season. So when you're performing in doing all

1359
01:12:05,760 --> 01:12:07,880
Speaker 1: this that now you're traveling, you're you're singing live now,

1360
01:12:07,960 --> 01:12:11,960
Speaker 1: and do you sing like live? Always know? The vocals

1361
01:12:12,040 --> 01:12:17,439
Speaker 1: were incredible that night. Thank you. It's one of those. Yeah,

1362
01:12:17,680 --> 01:12:20,599
Speaker 1: I'm somebody who like if I'm not really getting sleep,

1363
01:12:20,760 --> 01:12:23,599
Speaker 1: it's gonna be hard. So and like with the travel

1364
01:12:23,720 --> 01:12:25,640
Speaker 1: and honestly, like with the air like I was just

1365
01:12:25,840 --> 01:12:28,160
Speaker 1: when I was in La. I hate to say it.

1366
01:12:28,280 --> 01:12:31,519
Speaker 1: It's dry, it's too dry, and my cords were just

1367
01:12:31,840 --> 01:12:35,519
Speaker 1: a nightmare. And then like I get sinus infections like

1368
01:12:35,600 --> 01:12:38,920
Speaker 1: super easily, like even with the even after Yeah, I

1369
01:12:38,960 --> 01:12:40,880
Speaker 1: think I have to go get it like re looked

1370
01:12:40,920 --> 01:12:43,240
Speaker 1: at because I'm like, oh God, like it's happening again.

1371
01:12:43,280 --> 01:12:46,840
Speaker 1: Where it'll like it's on or it's it's it's often

1372
01:12:46,920 --> 01:12:48,439
Speaker 1: a major way. But that's the thing. It's like I

1373
01:12:48,560 --> 01:12:50,320
Speaker 1: have other moments that I can do, Like I love

1374
01:12:50,400 --> 01:12:53,040
Speaker 1: my mixes, Like I try to sing live every time

1375
01:12:53,080 --> 01:12:55,800
Speaker 1: that I can, because it's I feel like it's people

1376
01:12:56,600 --> 01:12:58,040
Speaker 1: with you. It's like, you know, it's not just going

1377
01:12:58,080 --> 01:12:59,920
Speaker 1: to be like, you know, here's so and so come

1378
01:13:00,080 --> 01:13:02,320
Speaker 1: out to sing. It's like, here's a singer singing. Did

1379
01:13:02,360 --> 01:13:05,160
Speaker 1: you get like a rhino septo? Um? No, I didn't

1380
01:13:05,200 --> 01:13:08,880
Speaker 1: do any rhino. So when they took my sister own,

1381
01:13:08,880 --> 01:13:10,760
Speaker 1: I got a rhino septo and like I think that

1382
01:13:10,840 --> 01:13:12,960
Speaker 1: they did correct like a deviated septom that was in

1383
01:13:13,000 --> 01:13:15,680
Speaker 1: there I didn't know about. So now it's better. But

1384
01:13:16,120 --> 01:13:18,080
Speaker 1: it doesn't matter if you live in l A. It's

1385
01:13:18,280 --> 01:13:23,400
Speaker 1: really and I'm wondering if like maybe that's just because

1386
01:13:23,439 --> 01:13:25,920
Speaker 1: I was there, like I left two weeks ago, Like

1387
01:13:26,000 --> 01:13:28,120
Speaker 1: I'm wondering if it's just like it was a residual

1388
01:13:28,240 --> 01:13:29,920
Speaker 1: moment that it just I was like out there, like

1389
01:13:30,000 --> 01:13:31,760
Speaker 1: we're in the middle of the desert like this thing,

1390
01:13:31,840 --> 01:13:34,120
Speaker 1: and so I was like, oh, okay, like I'm probably

1391
01:13:34,200 --> 01:13:36,120
Speaker 1: just dry as hell, and it's just like adding on

1392
01:13:36,240 --> 01:13:38,080
Speaker 1: top of it. Plus I'm like doing night work. So

1393
01:13:38,160 --> 01:13:40,560
Speaker 1: I'm like, oh, I'm literally up like like we're like

1394
01:13:40,800 --> 01:13:45,479
Speaker 1: we're shooting from like yeah six to like six and

1395
01:13:45,640 --> 01:13:48,040
Speaker 1: like also it's not sleeping, don't you feel it? So

1396
01:13:48,120 --> 01:13:53,400
Speaker 1: you went you're like hyper aware of your instrument? Yes, oh,

1397
01:13:53,880 --> 01:13:56,479
Speaker 1: one thousand percent. I wake up every morning and I'm

1398
01:13:56,520 --> 01:13:59,360
Speaker 1: literally like, like where am I Like I have to

1399
01:13:59,479 --> 01:14:01,479
Speaker 1: just like see where I'm at because it does dictate

1400
01:14:01,560 --> 01:14:04,679
Speaker 1: like my day or like my work or like everything

1401
01:14:04,760 --> 01:14:09,439
Speaker 1: like that. So I'm very annoyingly aware. But that's poco.

1402
01:14:09,560 --> 01:14:13,240
Speaker 1: That's like I'm not saying is annoying obviously, but it's

1403
01:14:13,240 --> 01:14:16,400
Speaker 1: like you have to like not that's your way. I'm

1404
01:14:16,439 --> 01:14:19,200
Speaker 1: not not, You're not. I'm not not. I feel like

1405
01:14:19,240 --> 01:14:21,000
Speaker 1: people who people who come out of there are like

1406
01:14:21,640 --> 01:14:33,120
Speaker 1: just precise n Jackson, Katherine McPhee, Kather McFee. We were

1407
01:14:33,200 --> 01:14:38,040
Speaker 1: watching um with the same voice teacher really Catherine Katherine McFee.

1408
01:14:38,240 --> 01:14:40,680
Speaker 1: We were talking about her first American Idol audition when

1409
01:14:40,680 --> 01:14:42,519
Speaker 1: she said God Bless the child and like it's still

1410
01:14:42,640 --> 01:14:46,720
Speaker 1: one of the craziest robber vocals I've ever heard. Beautiful.

1411
01:14:46,880 --> 01:14:48,800
Speaker 1: I mean, let's separate the art from the artist, like

1412
01:14:51,920 --> 01:14:59,479
Speaker 1: Banks rules are separating the art from the artists. Wait,

1413
01:14:59,640 --> 01:15:03,920
Speaker 1: what's the to Alice Ripley ship? Who I haven't? I do?

1414
01:15:04,000 --> 01:15:05,680
Speaker 1: You do? You know the deal? Let's take a deep

1415
01:15:05,720 --> 01:15:07,799
Speaker 1: dive into TikTok right now. Do you all have TikTok?

1416
01:15:08,080 --> 01:15:10,599
Speaker 1: I do. I don't, but my algorithm does. Isn't smart

1417
01:15:10,680 --> 01:15:12,000
Speaker 1: enough to know that, like I would be interested in

1418
01:15:12,080 --> 01:15:15,840
Speaker 1: like sort Broadway TikTok Okay. What I gather and I

1419
01:15:15,880 --> 01:15:18,439
Speaker 1: don't know too much about this is that somebody was

1420
01:15:18,920 --> 01:15:21,840
Speaker 1: a big fan. UM was a young was a young fan,

1421
01:15:21,960 --> 01:15:25,560
Speaker 1: like twelve or thirteen, and was very UM like in

1422
01:15:25,800 --> 01:15:28,639
Speaker 1: the fan base of Alice Ripley was like a big

1423
01:15:28,760 --> 01:15:32,040
Speaker 1: fan just like really loved her. And I believe Alice

1424
01:15:32,760 --> 01:15:37,840
Speaker 1: Um responded to her in a way that UM made

1425
01:15:37,880 --> 01:15:40,240
Speaker 1: the girl feel like closer to her and and and

1426
01:15:40,520 --> 01:15:42,920
Speaker 1: enticed her in a way like that where it where

1427
01:15:43,000 --> 01:15:46,040
Speaker 1: it was grooming and um, and I'm like and I

1428
01:15:46,160 --> 01:15:47,920
Speaker 1: read it and I was just like, oh, I wonder

1429
01:15:48,040 --> 01:15:50,200
Speaker 1: and then I just like, as the story was going on,

1430
01:15:50,280 --> 01:15:51,439
Speaker 1: I was like, I wonder what she said and what

1431
01:15:51,520 --> 01:15:52,920
Speaker 1: she did and when the girl was like it was this,

1432
01:15:53,040 --> 01:15:54,600
Speaker 1: it was this was this And when other people and

1433
01:15:54,680 --> 01:15:56,800
Speaker 1: I was like, oh whoa, Like that's not good off

1434
01:15:56,880 --> 01:15:59,240
Speaker 1: the jump, and then like doubling down on things where

1435
01:15:59,240 --> 01:16:01,720
Speaker 1: other people were like her relationship with you was weird.

1436
01:16:01,800 --> 01:16:07,040
Speaker 1: Seeing that, I was like, that is not what the kids,

1437
01:16:07,160 --> 01:16:10,000
Speaker 1: not what the kids know that, and it's yeah, like

1438
01:16:10,160 --> 01:16:12,439
Speaker 1: and now this girl's like on TikTok telling her story,

1439
01:16:12,520 --> 01:16:14,840
Speaker 1: it's like sad. I'm like, oh god, like you were

1440
01:16:14,880 --> 01:16:17,840
Speaker 1: so young, and like that's horrible. I don't even like

1441
01:16:17,920 --> 01:16:20,519
Speaker 1: I have young fans too. I'm never gonna like they

1442
01:16:20,560 --> 01:16:24,280
Speaker 1: were talking about like lingerie, I could not even imagine.

1443
01:16:24,800 --> 01:16:27,280
Speaker 1: Maybe she didn't know that how girl, how young the

1444
01:16:27,320 --> 01:16:29,880
Speaker 1: girl was. But the thing is just like you can.

1445
01:16:30,479 --> 01:16:32,080
Speaker 1: So that's where it's just like to have a certain

1446
01:16:32,160 --> 01:16:34,120
Speaker 1: relationship with that person at that point, I feel like

1447
01:16:34,120 --> 01:16:37,560
Speaker 1: when you're a star. And that's what's weird too, is

1448
01:16:37,640 --> 01:16:39,320
Speaker 1: it's like I don't know, it's like you never know

1449
01:16:39,400 --> 01:16:41,639
Speaker 1: who people are going to be online. It's it's weird,

1450
01:16:41,840 --> 01:16:43,640
Speaker 1: like it's it's like a little scary and freaky when

1451
01:16:43,640 --> 01:16:45,559
Speaker 1: you think about, well, it seems like and it seems

1452
01:16:45,560 --> 01:16:48,320
Speaker 1: like she was the person to like engage in initiation

1453
01:16:48,360 --> 01:16:54,080
Speaker 1: and this totally that's that's where that's like she was like, exactly, yeah,

1454
01:16:54,120 --> 01:17:02,519
Speaker 1: who he was talking about talking about? Um, well, I mean,

1455
01:17:03,200 --> 01:17:06,519
Speaker 1: if you know anything about Alice Ripley, it's like there's

1456
01:17:06,600 --> 01:17:12,760
Speaker 1: something off the peppermint twist twist about the game? Is

1457
01:17:12,800 --> 01:17:18,240
Speaker 1: the peppermint twist? Her YouTube? Oh, her YouTube circut two

1458
01:17:18,280 --> 01:17:25,479
Speaker 1: thousand nine, like right after right after next to or

1459
01:17:25,560 --> 01:17:26,920
Speaker 1: something like, yeah, I think that's what that's what the

1460
01:17:27,000 --> 01:17:29,000
Speaker 1: channel is called. Next to Normal was one of the

1461
01:17:29,120 --> 01:17:32,040
Speaker 1: most transformative Broadway experiences I've ever had. I've never cried

1462
01:17:32,120 --> 01:17:35,880
Speaker 1: that hard in a Broadway theater. I I literally from

1463
01:17:36,479 --> 01:17:41,280
Speaker 1: from Hey number three through so anyway, I'm leaving all

1464
01:17:41,320 --> 01:17:44,960
Speaker 1: the way through, um fucking I am the one who

1465
01:17:45,200 --> 01:17:48,320
Speaker 1: loves you, that through the end of that, and then

1466
01:17:50,800 --> 01:17:55,080
Speaker 1: I'm like, literally, I I'm screaming, sobbing in the audience,

1467
01:17:55,200 --> 01:17:58,920
Speaker 1: and so was everyone else. Absolutely I missed Broadway. Yeah.

1468
01:18:00,200 --> 01:18:02,559
Speaker 1: I was on an anti Broadway kick for a moment

1469
01:18:02,640 --> 01:18:05,439
Speaker 1: where I was just like, this is just too much,

1470
01:18:05,680 --> 01:18:09,040
Speaker 1: Like we're doing too much with this, the shows that

1471
01:18:09,160 --> 01:18:13,080
Speaker 1: we're doing right now. We gotta figure it out right now, y'all. Girl.

1472
01:18:13,200 --> 01:18:17,559
Speaker 1: But I am like hardcore back on a Broadway kick.

1473
01:18:17,600 --> 01:18:19,439
Speaker 1: I'm like I can't wait to see shows. I want

1474
01:18:19,479 --> 01:18:22,760
Speaker 1: to be on Bucking Broadway, like I want to do it.

1475
01:18:23,160 --> 01:18:26,360
Speaker 1: I'm in a major way, like I want to be back.

1476
01:18:26,479 --> 01:18:29,439
Speaker 1: I would stock bad Cock to see like Honey, I

1477
01:18:29,520 --> 01:18:32,640
Speaker 1: shrunk the kids the music. I'm not even kidding you.

1478
01:18:35,479 --> 01:18:37,439
Speaker 1: I want to see and I really think that this

1479
01:18:37,560 --> 01:18:39,439
Speaker 1: would be and this is my own star vehicle right now.

1480
01:18:39,680 --> 01:18:42,000
Speaker 1: I would think that the one that I want to

1481
01:18:42,080 --> 01:18:45,880
Speaker 1: do so bad is I want somebody to make a

1482
01:18:46,000 --> 01:18:49,840
Speaker 1: miss Congeniality music and I wanted to be they. I

1483
01:18:49,960 --> 01:18:53,200
Speaker 1: want them to be like for me or like somebody else,

1484
01:18:53,240 --> 01:18:56,960
Speaker 1: like double castes, like the boy version, like like Crazy

1485
01:18:57,120 --> 01:19:00,360
Speaker 1: is like now a boy, but like she becomes drag queen. Yeah,

1486
01:19:00,680 --> 01:19:04,639
Speaker 1: and that's like it's never gonna I love the idea

1487
01:19:04,680 --> 01:19:09,639
Speaker 1: of it. It's my favorite movie. So I'm like one

1488
01:19:09,640 --> 01:19:15,240
Speaker 1: of a million, you one in a million. The dance

1489
01:19:15,280 --> 01:19:19,000
Speaker 1: break for that, Yeah, that's that makes these Thanksgiving Day

1490
01:19:19,000 --> 01:19:23,840
Speaker 1: parade for Yeah. I got to tell San Sandra. I

1491
01:19:23,960 --> 01:19:25,960
Speaker 1: was like, you just have to know that, like there's

1492
01:19:26,000 --> 01:19:31,800
Speaker 1: been this like re reappreciation for that dance number from

1493
01:19:31,840 --> 01:19:33,840
Speaker 1: that that part of the movie on like gay Twitter.

1494
01:19:33,920 --> 01:19:36,160
Speaker 1: I guess yes. She was like really, Oh that's so fun.

1495
01:19:36,400 --> 01:19:37,800
Speaker 1: And I was like, I just had to talk. That

1496
01:19:37,880 --> 01:19:41,400
Speaker 1: was one moment of like fangirling. It's just like I

1497
01:19:41,880 --> 01:19:45,680
Speaker 1: have to It was two, it was a long time ago.

1498
01:19:45,760 --> 01:19:51,439
Speaker 1: Girl was twenty week decades old. I was an establishing Towers. Yeah,

1499
01:19:51,560 --> 01:19:57,920
Speaker 1: it was thousand one. These movies old. And let's talk

1500
01:19:57,920 --> 01:20:03,000
Speaker 1: about a successful musical. Adapt should the best? Was talking

1501
01:20:03,000 --> 01:20:05,840
Speaker 1: about the Doll yesterday. Yeah, I said, maybe best opening

1502
01:20:05,920 --> 01:20:08,240
Speaker 1: number in a contemporary musical. Oh my god, you guys,

1503
01:20:08,920 --> 01:20:13,280
Speaker 1: it burns the house down. Yeah, Rivals defying gravity with

1504
01:20:13,400 --> 01:20:16,280
Speaker 1: so much better. And I have to say, and I

1505
01:20:16,400 --> 01:20:19,240
Speaker 1: have to be honest, I feel really bad. One day. Um,

1506
01:20:20,640 --> 01:20:24,120
Speaker 1: one day I was tweeting and um I and I

1507
01:20:24,800 --> 01:20:27,519
Speaker 1: um said, like it's I was like, legally Blonde is

1508
01:20:27,560 --> 01:20:29,519
Speaker 1: so underrated, which I now realize is like not the

1509
01:20:29,640 --> 01:20:31,880
Speaker 1: right syntax for what I was trying to say, because

1510
01:20:32,520 --> 01:20:36,320
Speaker 1: I just so appreciate the musical and I'm like, this

1511
01:20:36,479 --> 01:20:41,240
Speaker 1: should have won every single Tony Award. It should have swept.

1512
01:20:41,360 --> 01:20:43,680
Speaker 1: And people were like, it's actually not underrated. It's the

1513
01:20:43,720 --> 01:20:46,080
Speaker 1: most like regionally performed musical like ever, and I'm like,

1514
01:20:46,160 --> 01:20:47,320
Speaker 1: I don't mean it like that. I don't mean like that.

1515
01:20:47,360 --> 01:20:52,200
Speaker 1: I want I'm gonna get into my I don't think

1516
01:20:52,200 --> 01:20:55,040
Speaker 1: so honey later and we're gonna say shut up girls

1517
01:20:55,160 --> 01:20:59,000
Speaker 1: with the Twitter. Okay, but like are circling back into

1518
01:20:59,040 --> 01:21:01,280
Speaker 1: that during the conversation ship. But yeah, I was like,

1519
01:21:01,920 --> 01:21:03,600
Speaker 1: I was like, that's not what I mean by that. No,

1520
01:21:04,000 --> 01:21:06,960
Speaker 1: I actually have nothing but the most love and respect

1521
01:21:07,000 --> 01:21:09,960
Speaker 1: for this musical and I just want the world I

1522
01:21:10,040 --> 01:21:11,680
Speaker 1: wanted to win in twenty one. I wanted to win

1523
01:21:11,800 --> 01:21:14,320
Speaker 1: Best Revival when it gets revived, because that's going to

1524
01:21:14,520 --> 01:21:19,320
Speaker 1: be must it will be. It has to be. Well,

1525
01:21:19,400 --> 01:21:22,560
Speaker 1: it's a star vehicle for an actress like Joel and

1526
01:21:22,600 --> 01:21:28,439
Speaker 1: I did that, Um did the Legally Blond podcast and

1527
01:21:28,520 --> 01:21:31,040
Speaker 1: do you remember like watching the show, like the role

1528
01:21:31,120 --> 01:21:33,960
Speaker 1: of l is so hard and you have to be

1529
01:21:34,080 --> 01:21:35,960
Speaker 1: so funny and such a good singer and hold this

1530
01:21:36,000 --> 01:21:38,080
Speaker 1: center and Laura bell Bundy like say what you want.

1531
01:21:38,400 --> 01:21:41,960
Speaker 1: But the thing is like Laura Bell Bundy was serving down,

1532
01:21:42,040 --> 01:21:46,160
Speaker 1: she was carrying down. I'm not prepared to say that

1533
01:21:46,200 --> 01:21:50,519
Speaker 1: about Laura Bell Bundy, but must And I'm telling you,

1534
01:21:50,880 --> 01:21:53,240
Speaker 1: when I saw this is the I think the moment

1535
01:21:53,280 --> 01:21:57,840
Speaker 1: I realized it was like literally literally literally I'm in

1536
01:21:58,600 --> 01:22:01,240
Speaker 1: the back row. Parents spread the musical. You could not

1537
01:22:01,280 --> 01:22:03,400
Speaker 1: get tickets. My parents somehow got tickets. It was the

1538
01:22:03,439 --> 01:22:09,200
Speaker 1: original Broadway cast. Matthew Morrison, Bitch, Harvey Fierstein, Marissa Jaron

1539
01:22:09,240 --> 01:22:14,200
Speaker 1: went over all the dolls Um Carrie Butler um as

1540
01:22:14,280 --> 01:22:18,040
Speaker 1: Penny Oh. Miss ambervon Talusa was played by Laura Bell

1541
01:22:18,120 --> 01:22:23,280
Speaker 1: Bunny and the high harmony was being belted in a

1542
01:22:23,400 --> 01:22:27,479
Speaker 1: way that made me during you can't stop the beat,

1543
01:22:27,760 --> 01:22:33,479
Speaker 1: when they're like, we can make cat that and then

1544
01:22:33,479 --> 01:22:39,439
Speaker 1: when they go yes Mac and literally I start crying

1545
01:22:39,960 --> 01:22:43,000
Speaker 1: profusely from joy. My mother turst to me, why are

1546
01:22:43,040 --> 01:22:48,519
Speaker 1: you crying? I go, I don't know. I was so happy.

1547
01:22:49,080 --> 01:22:53,760
Speaker 1: That was the first time you saw the like I

1548
01:22:53,920 --> 01:23:01,000
Speaker 1: know exactly that feeling. It's visceral, was belting out you

1549
01:23:01,120 --> 01:23:02,760
Speaker 1: can't stop the beat. At the end, I was just

1550
01:23:02,880 --> 01:23:06,639
Speaker 1: like the Catharsis was so on another level in the room.

1551
01:23:06,760 --> 01:23:09,519
Speaker 1: I was just like, I literally like my body could

1552
01:23:09,560 --> 01:23:16,760
Speaker 1: not contain it. Everyone's involved, everyone rate number. I love

1553
01:23:16,840 --> 01:23:19,240
Speaker 1: that musical so much. It's a good one and one

1554
01:23:19,320 --> 01:23:20,920
Speaker 1: that what I love about it is that like John

1555
01:23:20,960 --> 01:23:23,280
Speaker 1: Monters is like, yes, I approved, this is like the best.

1556
01:23:23,560 --> 01:23:25,040
Speaker 1: This is the best version of what it could have

1557
01:23:25,120 --> 01:23:31,040
Speaker 1: been real camp, the music, the the coreo, the everything,

1558
01:23:31,120 --> 01:23:34,120
Speaker 1: every just like the fucking time period, Like how funny

1559
01:23:34,240 --> 01:23:38,280
Speaker 1: it is and then also the twist a sickening message

1560
01:23:39,240 --> 01:23:48,000
Speaker 1: yeah actually s yeah, like it's it's it has it all,

1561
01:23:48,200 --> 01:23:51,960
Speaker 1: it really does. It's one of the grades sickening. This

1562
01:23:52,080 --> 01:23:53,439
Speaker 1: is what I wanted to ask before we go and die.

1563
01:23:53,479 --> 01:23:55,320
Speaker 1: Don't think so, honey. So we were talking about this

1564
01:23:55,439 --> 01:23:59,000
Speaker 1: this week, like what was what was the dissemination of

1565
01:24:00,080 --> 01:24:03,200
Speaker 1: information I guess for you guys when you were eliminated,

1566
01:24:03,280 --> 01:24:05,400
Speaker 1: Like okay, like these are the songs you guys, these

1567
01:24:05,439 --> 01:24:08,640
Speaker 1: are extra songs you guys should learn for For No,

1568
01:24:09,080 --> 01:24:11,240
Speaker 1: it wasn't like extras. It was just like a long

1569
01:24:11,360 --> 01:24:14,519
Speaker 1: list that we had like from the jump, so amazing,

1570
01:24:14,640 --> 01:24:17,800
Speaker 1: and you learned them all. You probably know a bunch

1571
01:24:17,840 --> 01:24:19,720
Speaker 1: of those. Yeah, you know a bunch of them. I'm

1572
01:24:19,760 --> 01:24:22,320
Speaker 1: just a psycho and like you're especially during the quarantine

1573
01:24:22,320 --> 01:24:24,360
Speaker 1: because we had a quarantine before we like set, I

1574
01:24:24,439 --> 01:24:26,120
Speaker 1: was like, okay, cool, like I have the list of songs.

1575
01:24:26,160 --> 01:24:27,880
Speaker 1: I was like, let me just familiarize myself with the

1576
01:24:27,920 --> 01:24:30,040
Speaker 1: ones that I don't know, and then like absolutely raped

1577
01:24:30,080 --> 01:24:32,160
Speaker 1: to the ones that they do, so it was it

1578
01:24:32,320 --> 01:24:34,200
Speaker 1: was fun, like you get to just learn and I'm

1579
01:24:34,240 --> 01:24:36,760
Speaker 1: like psycho musical theater. I'm like, I'm going to write

1580
01:24:36,800 --> 01:24:38,400
Speaker 1: down all the lyrics for these songs because I want

1581
01:24:38,439 --> 01:24:41,120
Speaker 1: to know them and like just just have them down

1582
01:24:41,160 --> 01:24:43,160
Speaker 1: and like memorized, like just in case. But was the

1583
01:24:43,240 --> 01:24:45,519
Speaker 1: list longer than it wasn't like twelve let's say, Or

1584
01:24:45,640 --> 01:24:47,960
Speaker 1: was it comparable? And yeah it was. It was the same.

1585
01:24:48,120 --> 01:24:49,920
Speaker 1: It was the same. They did a great job of

1586
01:24:49,960 --> 01:24:51,680
Speaker 1: disguising it, like we had no idea, like what was

1587
01:24:51,760 --> 01:24:54,040
Speaker 1: happening with this entire game within a game, and like

1588
01:24:54,120 --> 01:24:57,720
Speaker 1: they just absolutely no idea. I love it. So do

1589
01:24:57,800 --> 01:24:59,680
Speaker 1: you do you when you get those lists like for

1590
01:24:59,800 --> 01:25:02,439
Speaker 1: this season, Like was there a song that you were like, fuck,

1591
01:25:02,640 --> 01:25:05,080
Speaker 1: hope I get that. Yeah, it was phoned by Lizzo.

1592
01:25:06,040 --> 01:25:09,479
Speaker 1: That was amazing. Yeah, Ginger, Ginger really did and they

1593
01:25:09,560 --> 01:25:12,080
Speaker 1: have too. They both really killed it. But I was

1594
01:25:12,160 --> 01:25:15,680
Speaker 1: like that or and of course, like I'm sandwiched in

1595
01:25:15,760 --> 01:25:18,680
Speaker 1: between with Womanizer love it free brittany um, but I

1596
01:25:19,120 --> 01:25:21,880
Speaker 1: I just it. Yeah, just was not my shiny moment

1597
01:25:21,920 --> 01:25:33,760
Speaker 1: and that's it's good. But so it's I don't think

1598
01:25:33,760 --> 01:25:36,320
Speaker 1: so honey, literally so, I don't think so honey. It's

1599
01:25:36,320 --> 01:25:38,479
Speaker 1: sort of that segment we do where we do remember

1600
01:25:38,560 --> 01:25:42,479
Speaker 1: sixty seconds I think sixty sity seconds around on something

1601
01:25:42,520 --> 01:25:44,880
Speaker 1: in pop culture that you know what it's time, it's time,

1602
01:25:44,960 --> 01:25:47,080
Speaker 1: we say it's time, we say, I don't think, so honey, Matt,

1603
01:25:47,160 --> 01:25:49,360
Speaker 1: you have something I do I do. Okay, we'll start

1604
01:25:49,400 --> 01:25:51,120
Speaker 1: with the amount as usual. This is Matt Rodgers. I

1605
01:25:51,160 --> 01:25:52,880
Speaker 1: don't think the only as time starts now. I don't

1606
01:25:52,920 --> 01:25:56,080
Speaker 1: think so honey that the hurricanes have names, because what

1607
01:25:56,439 --> 01:25:58,599
Speaker 1: it actually hurt ful to the people that have those names.

1608
01:25:58,880 --> 01:26:01,320
Speaker 1: Talking to someone right now whose mother is named Katrina,

1609
01:26:02,880 --> 01:26:04,679
Speaker 1: talking to someone right now who had a dog named

1610
01:26:04,720 --> 01:26:06,519
Speaker 1: Sandy and had to watch that dog go through that.

1611
01:26:06,840 --> 01:26:09,360
Speaker 1: Why the fund can't we just say, hey, y'all, hurricanes coming,

1612
01:26:09,439 --> 01:26:12,479
Speaker 1: duck and cover. Hey y'all, maybe hurricanes coming, Buy three

1613
01:26:12,520 --> 01:26:14,599
Speaker 1: bags of ice and put him in your freezer. Numbers

1614
01:26:15,479 --> 01:26:17,920
Speaker 1: heard of, numbers, heard of, colors, heard of I don't

1615
01:26:17,960 --> 01:26:20,439
Speaker 1: know shapes. Why do we have to ascribe them names?

1616
01:26:20,479 --> 01:26:23,400
Speaker 1: Because then, guess what, it gets re accomplicated, because then

1617
01:26:23,439 --> 01:26:25,920
Speaker 1: we have people walking the earth and they have to

1618
01:26:26,000 --> 01:26:28,519
Speaker 1: fucking know, like you know difficult. That was my mother.

1619
01:26:28,960 --> 01:26:31,000
Speaker 1: My mother was the trauma of Hurricane Katrina than many

1620
01:26:31,040 --> 01:26:32,840
Speaker 1: people that actually went through real bad things. But it

1621
01:26:32,880 --> 01:26:35,479
Speaker 1: didn't didn't feel good for my mother when that was happening.

1622
01:26:35,720 --> 01:26:39,080
Speaker 1: And Katrina did not deserve that. No, Katrina did. And

1623
01:26:39,120 --> 01:26:42,880
Speaker 1: I will say something here, Hurricanes don't like you in general,

1624
01:26:43,240 --> 01:26:45,479
Speaker 1: but when you get personified, it sort of gives you

1625
01:26:45,600 --> 01:26:49,280
Speaker 1: this like human nature that gives you more credit. And

1626
01:26:49,400 --> 01:26:50,479
Speaker 1: I don't want to. I don't want you to have

1627
01:26:50,560 --> 01:26:52,880
Speaker 1: any credit hurricanes. I don't think so. Honey, you're all

1628
01:26:52,960 --> 01:26:55,680
Speaker 1: your names and that's one you know what I mean?

1629
01:26:56,920 --> 01:26:58,479
Speaker 1: Why do they need names? And I would like any

1630
01:26:58,640 --> 01:27:01,200
Speaker 1: readers will help us. Is out there that our meteorologists

1631
01:27:01,240 --> 01:27:04,439
Speaker 1: sort of let me know why they need names? I

1632
01:27:04,560 --> 01:27:06,400
Speaker 1: can tell you. I think it is just for like

1633
01:27:06,720 --> 01:27:10,439
Speaker 1: organizational or you know you know what. No, no, no,

1634
01:27:10,880 --> 01:27:13,400
Speaker 1: I'm coming to the conclusion right now. It's the media

1635
01:27:13,560 --> 01:27:17,559
Speaker 1: wanting camp them naming. Didn't we just have one named Elsa?

1636
01:27:20,080 --> 01:27:22,760
Speaker 1: She's in culture right now. They didn't just name it

1637
01:27:22,840 --> 01:27:25,840
Speaker 1: Elsa for no reason. You're you're gonna tell me that

1638
01:27:25,920 --> 01:27:28,599
Speaker 1: a Frozen hadn't come out in the last ten years whatever,

1639
01:27:28,880 --> 01:27:31,200
Speaker 1: that we were going to name this specific hurricane Elsa

1640
01:27:31,439 --> 01:27:34,320
Speaker 1: no camp So I did, I did look this part up.

1641
01:27:35,040 --> 01:27:39,400
Speaker 1: So there's people that have a job and their meteorologists

1642
01:27:39,560 --> 01:27:41,280
Speaker 1: and they get together at the top of the year

1643
01:27:41,400 --> 01:27:43,160
Speaker 1: and they decide on the name they sign. Isn't that

1644
01:27:43,560 --> 01:27:48,040
Speaker 1: so stupid? Like what is this fucking like Cosmopolitan magazine?

1645
01:27:48,680 --> 01:27:52,320
Speaker 1: What we got to do an editorial meaning about the names?

1646
01:27:52,600 --> 01:27:56,000
Speaker 1: And then then they pick on re flops get out

1647
01:27:56,040 --> 01:27:57,960
Speaker 1: of here, get out of here. No, you're right, why

1648
01:27:58,040 --> 01:28:00,600
Speaker 1: why why why is there this nomenclature for earthquakes or

1649
01:28:00,600 --> 01:28:03,240
Speaker 1: wildfires or like any other natural disasters. It just doesn't

1650
01:28:03,400 --> 01:28:05,200
Speaker 1: feel right to me. It feels like it feels it

1651
01:28:05,280 --> 01:28:08,560
Speaker 1: feels weird. It's like also like I don't know, like

1652
01:28:09,200 --> 01:28:11,600
Speaker 1: we're already scraping the bottom of the barrel with ri

1653
01:28:11,920 --> 01:28:14,400
Speaker 1: It's like we're running out of the name. Do they

1654
01:28:14,479 --> 01:28:17,040
Speaker 1: reuse names? Like? I guess at certain point they're going

1655
01:28:17,080 --> 01:28:18,920
Speaker 1: to have to. That's how we're GONNATO re like and

1656
01:28:19,000 --> 01:28:20,320
Speaker 1: you know what I mean, Like, there's gonna be more

1657
01:28:20,400 --> 01:28:23,160
Speaker 1: hurricanes going forward, ashtaut Climate report. So now if you're

1658
01:28:23,200 --> 01:28:25,040
Speaker 1: telling me that we're on on re Now what the

1659
01:28:25,080 --> 01:28:27,519
Speaker 1: fund is next. Yeah, why can't we make and even

1660
01:28:27,560 --> 01:28:29,479
Speaker 1: if it's the same name, why can't we put in

1661
01:28:29,600 --> 01:28:36,400
Speaker 1: parentheses the year parent trap? Why can't we Why can't

1662
01:28:36,479 --> 01:28:38,240
Speaker 1: we do that? I just don't like the names of

1663
01:28:38,280 --> 01:28:39,960
Speaker 1: it all. I feel like I feel bad for the

1664
01:28:40,000 --> 01:28:42,240
Speaker 1: people that have those names. I feel bad too. But

1665
01:28:42,360 --> 01:28:44,080
Speaker 1: to be a fly on the wall in that meeting,

1666
01:28:44,280 --> 01:28:46,800
Speaker 1: like you know, something like just like tugging their hair

1667
01:28:46,920 --> 01:28:51,240
Speaker 1: behind their ears, being like I'm gonna say it, Elsa sorry,

1668
01:28:51,320 --> 01:28:53,640
Speaker 1: but Elsa like, oh yeah, should be ruin this thing

1669
01:28:53,720 --> 01:28:56,640
Speaker 1: for kids? What if that's a really bad one? Oh

1670
01:28:56,720 --> 01:28:59,960
Speaker 1: my god, we haven't even thought about that. We've been

1671
01:29:00,000 --> 01:29:02,000
Speaker 1: saying it but actually putting it together with a name

1672
01:29:02,040 --> 01:29:04,080
Speaker 1: that actually not means something to me, But like I

1673
01:29:04,120 --> 01:29:06,240
Speaker 1: actually like I have a relationship to because we all

1674
01:29:06,240 --> 01:29:09,280
Speaker 1: know the movie pros Yes, I was Whoa Okay, just

1675
01:29:09,400 --> 01:29:15,479
Speaker 1: like imagine like if you were Hurricane and also just

1676
01:29:15,560 --> 01:29:17,519
Speaker 1: like imagine being the flap in the room. It's like, Okay,

1677
01:29:17,560 --> 01:29:20,840
Speaker 1: I have a list, um Tara, And they're like, no,

1678
01:29:23,040 --> 01:29:27,920
Speaker 1: I have another idea, um Sarah. And then the whoever

1679
01:29:28,040 --> 01:29:30,160
Speaker 1: it is, it's like what about on Red? And they're like,

1680
01:29:33,200 --> 01:29:35,479
Speaker 1: but like what if they're all like, maybe this is

1681
01:29:35,560 --> 01:29:38,320
Speaker 1: they're fun. Like, what if they're all just like they're like, hey, guys,

1682
01:29:38,439 --> 01:29:41,679
Speaker 1: all right, we're going to my house. I'm bringing the edibles,

1683
01:29:41,960 --> 01:29:46,240
Speaker 1: We're gonna order Papa John's. Let's let's take a dive. Like,

1684
01:29:46,320 --> 01:29:47,920
Speaker 1: what if we're thinking about this in the wrong way.

1685
01:29:48,000 --> 01:29:52,719
Speaker 1: What if they're like elsa like and everyone's like, job

1686
01:29:52,880 --> 01:29:54,880
Speaker 1: is already fun enough for them. They get to put

1687
01:29:55,080 --> 01:29:56,880
Speaker 1: send balloons up to the sky, they get to stand

1688
01:29:56,880 --> 01:29:58,960
Speaker 1: in front of a green screen. The job is already fun.

1689
01:29:59,160 --> 01:30:03,160
Speaker 1: You get the skin in front of green and actually

1690
01:30:03,880 --> 01:30:05,720
Speaker 1: they really do have a lot sticks. They don't need

1691
01:30:05,800 --> 01:30:08,640
Speaker 1: to have this extra fun thing show off their personality.

1692
01:30:08,760 --> 01:30:10,840
Speaker 1: Maybe stumble on a word here or there, and and

1693
01:30:11,120 --> 01:30:13,080
Speaker 1: we when we love it and we love it and

1694
01:30:13,160 --> 01:30:15,479
Speaker 1: we love it. But you know, I think you're you're

1695
01:30:15,479 --> 01:30:20,800
Speaker 1: really onto something. Mr potential, You got potential, speaking, you

1696
01:30:20,840 --> 01:30:22,880
Speaker 1: got potential. We might have someone chicking one off that.

1697
01:30:24,080 --> 01:30:26,920
Speaker 1: No it's not. The Emmys are in weeks. Um alright,

1698
01:30:27,040 --> 01:30:29,760
Speaker 1: so speaking of this fish, it's actually Boonen's turn to

1699
01:30:29,800 --> 01:30:31,679
Speaker 1: don't think, Sonny, do you have something? I have something?

1700
01:30:31,760 --> 01:30:33,400
Speaker 1: I love to hear it. But this is actually very

1701
01:30:33,439 --> 01:30:37,479
Speaker 1: pertinent to us, the everyone in this room pertinent to us, all,

1702
01:30:38,080 --> 01:30:45,160
Speaker 1: even you over there, hreading head, Alright, this is Bowen.

1703
01:30:45,520 --> 01:30:47,400
Speaker 1: I don't think so, honey. His time starts matter. I

1704
01:30:47,400 --> 01:30:52,679
Speaker 1: don't think so, honey. Fourteen floors, Okay, you're not getting

1705
01:30:52,720 --> 01:30:55,320
Speaker 1: away from the fact that we're on the thirteen. You're

1706
01:30:55,320 --> 01:30:57,160
Speaker 1: not making me feel any better about the fact that

1707
01:30:57,200 --> 01:31:00,560
Speaker 1: we're on the floor. That something bad will happen. A

1708
01:31:00,680 --> 01:31:04,400
Speaker 1: ghost is gonna come at the fucking vents and haunt us. No,

1709
01:31:04,840 --> 01:31:06,840
Speaker 1: I'm gonna be possessed by a demon when I walk

1710
01:31:06,880 --> 01:31:08,519
Speaker 1: out this building because I'm on the fourteenth floor with

1711
01:31:08,600 --> 01:31:11,519
Speaker 1: all these lovely people, and there's what I'm staying on

1712
01:31:11,840 --> 01:31:13,920
Speaker 1: in a hotel on the fourteenth floor. You're not you're

1713
01:31:13,960 --> 01:31:19,160
Speaker 1: not You're not pulling you're you're not pulling one on patronizers,

1714
01:31:19,200 --> 01:31:23,400
Speaker 1: patron patronizes. You're a patronizer. Oh and I don't think

1715
01:31:23,840 --> 01:31:27,120
Speaker 1: and I don't think the want to even me abscribing

1716
01:31:27,160 --> 01:31:31,200
Speaker 1: to thirteen superstitions. As we have, we learned nothing from

1717
01:31:31,240 --> 01:31:33,760
Speaker 1: Taylor Swift. That woman has embraced the number thirteen, and

1718
01:31:33,840 --> 01:31:37,840
Speaker 1: look how her life turned out. She's beautifully and look

1719
01:31:38,640 --> 01:31:40,640
Speaker 1: if the girls are gonna be girling and then let

1720
01:31:40,800 --> 01:31:43,360
Speaker 1: us girl and not have to worry about the number

1721
01:31:43,400 --> 01:31:45,479
Speaker 1: thirteen or if it has any actual significance. I've never

1722
01:31:45,560 --> 01:31:48,200
Speaker 1: had a bad Friday the thirteenth and my goddamn life.

1723
01:31:48,240 --> 01:31:51,280
Speaker 1: And that's one minute. The way you said that, I

1724
01:31:51,720 --> 01:31:55,080
Speaker 1: have to say I still agree because let me tell

1725
01:31:55,120 --> 01:31:58,160
Speaker 1: you the most fun elevator in the world, the Tower

1726
01:31:58,240 --> 01:32:01,560
Speaker 1: of Tower. She gets off on the thirteen dropt to

1727
01:32:01,640 --> 01:32:04,880
Speaker 1: you all the stories, honey. And let me tell you something.

1728
01:32:04,920 --> 01:32:08,840
Speaker 1: If you haven't watched the Disney Plus series Behind the Attraction,

1729
01:32:09,160 --> 01:32:13,280
Speaker 1: you're missing out hunt because they get they get into

1730
01:32:14,000 --> 01:32:15,600
Speaker 1: the Tower of Terror in a way that is a

1731
01:32:15,720 --> 01:32:18,320
Speaker 1: gag and they have thirteen floors on that and that's

1732
01:32:18,360 --> 01:32:28,400
Speaker 1: the best building in the world. There. The conviction you

1733
01:32:28,520 --> 01:32:32,800
Speaker 1: had with that was absolutely beautiful, right Why pretend? Well?

1734
01:32:33,800 --> 01:32:36,120
Speaker 1: I like that I was able not to give myself credit,

1735
01:32:36,160 --> 01:32:38,320
Speaker 1: but I like that I was able to balance like thirteen,

1736
01:32:38,560 --> 01:32:41,439
Speaker 1: like like you're reminding us that thirteen is an unlucky number,

1737
01:32:41,800 --> 01:32:46,040
Speaker 1: and I just want us to like just engage Meredith. Meredith,

1738
01:32:47,400 --> 01:32:50,640
Speaker 1: So can I say something? Who said that thirteen was

1739
01:32:50,680 --> 01:32:54,759
Speaker 1: on the who it feels Christians very Christian I really

1740
01:32:55,360 --> 01:32:58,720
Speaker 1: tell us. I can't confirm or deny, but I will

1741
01:32:58,840 --> 01:33:02,759
Speaker 1: say it's there's something deep within my trauma from Catholic

1742
01:33:02,800 --> 01:33:05,000
Speaker 1: school that is going absolutely that. Yeah, I had a

1743
01:33:05,120 --> 01:33:08,080
Speaker 1: visceral reaction to when you brought up that and put

1744
01:33:08,160 --> 01:33:10,280
Speaker 1: it into the narrative. And I'm saying it has to

1745
01:33:10,360 --> 01:33:12,040
Speaker 1: have those ties. I don't know how to describe it,

1746
01:33:12,120 --> 01:33:14,120
Speaker 1: but I'm like, who said that there on? Third Team

1747
01:33:14,160 --> 01:33:17,320
Speaker 1: was unlucky? And then I'm like, I I blame I

1748
01:33:17,520 --> 01:33:21,880
Speaker 1: blame the Christian faith. I blame Christianity, Yes, among with

1749
01:33:22,320 --> 01:33:24,680
Speaker 1: among with many other things, among many other things. Yes,

1750
01:33:24,720 --> 01:33:27,360
Speaker 1: I blame for all, for all Dan I did before

1751
01:33:27,360 --> 01:33:29,000
Speaker 1: I forget. You have to know, and I'm sure you're

1752
01:33:29,040 --> 01:33:31,840
Speaker 1: sick of hearing this, but on set always say, is

1753
01:33:31,920 --> 01:33:35,360
Speaker 1: not this we even do? We even do that, the hand,

1754
01:33:35,560 --> 01:33:37,240
Speaker 1: the hand tucking the hair back like we do, we

1755
01:33:37,320 --> 01:33:41,000
Speaker 1: do it, and we studied it important films. Actually, it's

1756
01:33:41,000 --> 01:33:44,519
Speaker 1: an important importance like Citizen Kane of Three Second Films.

1757
01:33:44,560 --> 01:33:48,000
Speaker 1: Thank you. You know. That was literally my introduction to Cameo.

1758
01:33:48,600 --> 01:33:51,320
Speaker 1: I was filming a video to go, hey, y'all, I'm

1759
01:33:51,360 --> 01:33:56,200
Speaker 1: on Cameo right now. Yeah, everyone go to my cameo

1760
01:33:56,360 --> 01:33:59,960
Speaker 1: right now, you'll literally see the full length feature film

1761
01:34:00,000 --> 01:34:04,640
Speaker 1: of not This into My introduction for cameout, like and

1762
01:34:04,840 --> 01:34:08,080
Speaker 1: I'm like spring Chicken, like just so extending, like hey everyone,

1763
01:34:08,160 --> 01:34:12,160
Speaker 1: Like after I was like, hi everyone, I care out now,

1764
01:34:12,320 --> 01:34:17,680
Speaker 1: like just I really literally we watched it tis the

1765
01:34:17,720 --> 01:34:22,320
Speaker 1: other day. Find I challenge the publicists to find two

1766
01:34:22,439 --> 01:34:26,240
Speaker 1: more more powerful pair of words, just words two words

1767
01:34:26,439 --> 01:34:31,519
Speaker 1: to the fireworks on and I don't know what it was,

1768
01:34:31,640 --> 01:34:33,840
Speaker 1: but it's like accompanied by a short little scream. And

1769
01:34:33,920 --> 01:34:37,400
Speaker 1: I was like, oh no, yeah, because because everyone anytime

1770
01:34:37,439 --> 01:34:40,799
Speaker 1: that it's like it's resurfaces on like on the internet,

1771
01:34:40,840 --> 01:34:43,320
Speaker 1: like every now and again every time without fail. It's

1772
01:34:43,320 --> 01:34:47,120
Speaker 1: like it's everyone, okay, like are people getting shot out there?

1773
01:34:47,439 --> 01:34:50,120
Speaker 1: And I'm like, it's literally fireworks, but like I totally

1774
01:34:50,200 --> 01:34:54,480
Speaker 1: get it, like yeah, because it's like like it's horrifying.

1775
01:34:54,640 --> 01:34:57,200
Speaker 1: It's a blood curdling scream. I'm on the fifth floor

1776
01:34:57,760 --> 01:35:00,320
Speaker 1: of a building. I'm in the corner, honey, Like that

1777
01:35:00,520 --> 01:35:05,479
Speaker 1: was like I heard it, okay, yeah, microphone on my

1778
01:35:05,680 --> 01:35:09,400
Speaker 1: iPhone at nine at the time, picked it up the scream.

1779
01:35:09,520 --> 01:35:15,040
Speaker 1: People forget about the scream. I will amazing. Oh my god. Wait,

1780
01:35:15,600 --> 01:35:18,000
Speaker 1: jan you're gonna love behind the attraction because I know

1781
01:35:18,040 --> 01:35:21,439
Speaker 1: you're a Disney gay. Yeah, I have not watched you have. Okay,

1782
01:35:22,240 --> 01:35:23,960
Speaker 1: that's what I'm gonna go do tonight. I you know,

1783
01:35:24,240 --> 01:35:27,000
Speaker 1: I came back today and I said, honey, we're doing it.

1784
01:35:27,400 --> 01:35:31,040
Speaker 1: We're gonna order Olive Garden and we're going to enjoy.

1785
01:35:31,120 --> 01:35:34,679
Speaker 1: I'm gonna watch some of that. I'm gonna watch. Yeah,

1786
01:35:35,040 --> 01:35:37,400
Speaker 1: we can. I'm not going to go off on a

1787
01:35:37,479 --> 01:35:42,240
Speaker 1: potomac because because honestly, and I am obsessed, thank God

1788
01:35:43,120 --> 01:35:46,400
Speaker 1: with that. This is turning into but like not in

1789
01:35:46,479 --> 01:35:49,040
Speaker 1: an un organic way. It's it is culture. It's been

1790
01:35:49,080 --> 01:35:51,559
Speaker 1: gradual and like we've been like like, look, I'm I'm

1791
01:35:51,640 --> 01:35:54,679
Speaker 1: one of those like you know, audience ciphers for people

1792
01:35:54,720 --> 01:35:56,280
Speaker 1: like the standing for the person who's like I don't

1793
01:35:56,280 --> 01:35:59,040
Speaker 1: watch house I didn't until like two years ago, and

1794
01:35:59,120 --> 01:36:01,960
Speaker 1: now I'm like, fully, oh yeah, I'm invested. Like I mean,

1795
01:36:02,000 --> 01:36:04,800
Speaker 1: we wouldn't be talking about it and it wasn't good.

1796
01:36:05,400 --> 01:36:08,200
Speaker 1: So just you know, we we we know that there

1797
01:36:08,240 --> 01:36:13,200
Speaker 1: are still someone actually tweeted at us. Um it's it's

1798
01:36:13,439 --> 01:36:15,160
Speaker 1: it's not that I don't like housewives or it's not

1799
01:36:15,200 --> 01:36:17,160
Speaker 1: that I don't like that lost culture. This is turning

1800
01:36:17,160 --> 01:36:19,200
Speaker 1: into a real Houseways podcast. I just needed them to

1801
01:36:19,240 --> 01:36:21,479
Speaker 1: acknowledge that it was turning into a real Housewives podcast,

1802
01:36:21,720 --> 01:36:24,760
Speaker 1: and now I will actually consider watching it. I'm like,

1803
01:36:24,800 --> 01:36:27,080
Speaker 1: that's perfect, beautiful journey. Also, it's like, you know what,

1804
01:36:27,439 --> 01:36:30,519
Speaker 1: here's the deal. If other culture were as good right now,

1805
01:36:33,120 --> 01:36:35,320
Speaker 1: is Lord had come a little harder on this album

1806
01:36:35,439 --> 01:36:40,960
Speaker 1: on I'm sorry and guess what. I guess who loved

1807
01:36:40,960 --> 01:36:44,240
Speaker 1: the first two Lord albums, but a girl this one

1808
01:36:44,360 --> 01:36:46,439
Speaker 1: was not. There's some good stuff on it. I don't

1809
01:36:46,439 --> 01:36:48,840
Speaker 1: want people to write it off so quick. Some good stuff.

1810
01:36:49,080 --> 01:36:50,799
Speaker 1: You know what I will say is a great album.

1811
01:36:51,240 --> 01:36:54,599
Speaker 1: Our sister, Ben Platt put out a great album down,

1812
01:36:54,800 --> 01:36:58,840
Speaker 1: singing down as always, singing singing, Way to go, sister,

1813
01:37:00,360 --> 01:37:03,320
Speaker 1: And here's our other sister. We can't wait for this.

1814
01:37:03,400 --> 01:37:05,559
Speaker 1: I don't think so honey, She's done it before God

1815
01:37:06,520 --> 01:37:09,559
Speaker 1: created this is jan Sports. I don't think so honey,

1816
01:37:09,600 --> 01:37:12,120
Speaker 1: and her time starts now. I don't think so honey.

1817
01:37:12,439 --> 01:37:17,240
Speaker 1: Children crying on plane, thank you. I can't do it.

1818
01:37:17,760 --> 01:37:21,120
Speaker 1: I was on seven flights in the last four days,

1819
01:37:21,520 --> 01:37:24,479
Speaker 1: and you know what, screaming kid on all of them.

1820
01:37:24,960 --> 01:37:28,080
Speaker 1: I and you know what, kids love them. I'm sure

1821
01:37:28,120 --> 01:37:30,560
Speaker 1: they're so lovely off the plane parents. I don't know

1822
01:37:30,720 --> 01:37:33,680
Speaker 1: how you do it. You are wonderful superheroes of this

1823
01:37:33,880 --> 01:37:37,960
Speaker 1: earth who are actually raising children in this time. However,

1824
01:37:38,360 --> 01:37:40,200
Speaker 1: I do not like it when I am trying to

1825
01:37:40,520 --> 01:37:42,800
Speaker 1: s L E E P after a show that ended

1826
01:37:42,840 --> 01:37:45,920
Speaker 1: at four and My and My Planet at six a m.

1827
01:37:46,320 --> 01:37:48,920
Speaker 1: I do not like it. And a sidebar, I don't

1828
01:37:48,920 --> 01:37:50,680
Speaker 1: think so, honey to the people on Twitter telling me

1829
01:37:50,720 --> 01:37:53,679
Speaker 1: that I shouldn't be angry about kids crying on planes,

1830
01:37:54,000 --> 01:37:57,760
Speaker 1: do you enjoy that soundtrack? I certainly do not. And

1831
01:37:57,880 --> 01:38:00,360
Speaker 1: you know what, I'm allowed to say that I don't.

1832
01:38:00,520 --> 01:38:03,600
Speaker 1: It's okay that I don't. I love kids outside of

1833
01:38:03,640 --> 01:38:06,680
Speaker 1: the thing. Can't wait to be an uncle one. I

1834
01:38:07,200 --> 01:38:10,360
Speaker 1: do not like them crying. And as a kid who

1835
01:38:10,760 --> 01:38:13,799
Speaker 1: was a crier, I can say that that's one minute

1836
01:38:14,040 --> 01:38:16,320
Speaker 1: you're taking it back, take it back. I can say that,

1837
01:38:17,400 --> 01:38:21,519
Speaker 1: of course I was. I'm a gemini. Iis from a

1838
01:38:21,640 --> 01:38:25,840
Speaker 1: young age, bitch like I. I'm an emotional many sides,

1839
01:38:25,920 --> 01:38:28,439
Speaker 1: many layers, and like Brady as hell as a kid

1840
01:38:28,520 --> 01:38:32,240
Speaker 1: to like it's it's but just correct. Only child no,

1841
01:38:32,600 --> 01:38:35,439
Speaker 1: I have two younger sisters. Got it plane crier? Though

1842
01:38:36,760 --> 01:38:38,240
Speaker 1: I don't think I've wrote that any player when I

1843
01:38:38,360 --> 01:38:40,479
Speaker 1: was younger, but I would imagine so I have like

1844
01:38:40,560 --> 01:38:43,360
Speaker 1: really weird again what the higner says, like I remember specifically,

1845
01:38:43,400 --> 01:38:48,120
Speaker 1: I think my first trip to Disney World again. I

1846
01:38:49,280 --> 01:38:53,360
Speaker 1: remember like flying into Orlando, screaming my ears off in

1847
01:38:53,520 --> 01:38:57,120
Speaker 1: orange pants that became zip up shorts, like and just

1848
01:38:57,360 --> 01:39:00,000
Speaker 1: bawling my eyes out because my ear drums hurt so bad.

1849
01:39:00,000 --> 01:39:02,800
Speaker 1: It like they were no joke ears on planes? Were

1850
01:39:02,840 --> 01:39:05,200
Speaker 1: you sensitive to that? I was not, but I my

1851
01:39:05,400 --> 01:39:09,000
Speaker 1: sister was. I remember being at that age and being like,

1852
01:39:09,160 --> 01:39:14,160
Speaker 1: I get white kids cry on and as as I've aged,

1853
01:39:14,240 --> 01:39:16,320
Speaker 1: I get it less. That's the irony. I'm like, don't.

1854
01:39:16,479 --> 01:39:19,200
Speaker 1: I don't empathize with that anymore. I don't like you, like,

1855
01:39:19,479 --> 01:39:21,200
Speaker 1: don't come on the plane if it's going to hurt you,

1856
01:39:21,479 --> 01:39:23,200
Speaker 1: because I think when you're a little kid, it's like

1857
01:39:23,360 --> 01:39:24,840
Speaker 1: you know, when you're a little kid and like everything

1858
01:39:25,000 --> 01:39:27,400
Speaker 1: is a big deal being on a plane. Of course

1859
01:39:27,680 --> 01:39:30,040
Speaker 1: you think you're going to be on the one that crashes. Oh,

1860
01:39:30,400 --> 01:39:32,960
Speaker 1: I still think I am every single time I fly.

1861
01:39:33,400 --> 01:39:34,640
Speaker 1: Maybe that's just something I have to figure out with

1862
01:39:34,720 --> 01:39:37,479
Speaker 1: my psychiatrist. But like I I'm in the same no, no, no,

1863
01:39:37,560 --> 01:39:40,000
Speaker 1: it's it's just self selection biased like human beings do it.

1864
01:39:40,080 --> 01:39:41,960
Speaker 1: It's like you're like I will be the exception and

1865
01:39:42,960 --> 01:39:45,040
Speaker 1: my my case will be like the edge case and

1866
01:39:45,120 --> 01:39:47,559
Speaker 1: that like yeah, but it's but when you're a kid,

1867
01:39:47,680 --> 01:39:49,160
Speaker 1: everything's a big deal, and so you may be like

1868
01:39:49,400 --> 01:39:54,680
Speaker 1: you understand why another kid is feeling a specific strong way, yes,

1869
01:39:54,800 --> 01:39:56,360
Speaker 1: but as an adult, you're right, it's like all I

1870
01:39:56,400 --> 01:39:57,439
Speaker 1: want to do is turn to them and be like,

1871
01:39:57,600 --> 01:39:59,760
Speaker 1: I gotta be honest, it's not that big of a deal.

1872
01:39:59,840 --> 01:40:03,320
Speaker 1: And like you are being too much, and like you'll

1873
01:40:03,360 --> 01:40:05,800
Speaker 1: be embarrassed about this later, Like you will, And that's

1874
01:40:05,800 --> 01:40:07,720
Speaker 1: the worst emotion than what you're going through right now,

1875
01:40:07,880 --> 01:40:10,040
Speaker 1: is the shame and embarrassment you will feel later for

1876
01:40:10,080 --> 01:40:12,000
Speaker 1: the way you're acting right now. You're gonna look back

1877
01:40:12,040 --> 01:40:15,840
Speaker 1: on this and you're gonna have learned, Like you're gonna

1878
01:40:15,920 --> 01:40:17,840
Speaker 1: learn from this, Like you think you feel bad now,

1879
01:40:18,320 --> 01:40:21,320
Speaker 1: so you realize that this was a fucking show that

1880
01:40:21,520 --> 01:40:25,439
Speaker 1: no one wanted to see. Imagine a Todd batter you,

1881
01:40:25,640 --> 01:40:27,599
Speaker 1: imagine you either of you saying that to a toddler

1882
01:40:27,640 --> 01:40:30,800
Speaker 1: and the toddler going thank you so much, like just

1883
01:40:30,960 --> 01:40:34,880
Speaker 1: like like someone like a toddler taking it. Imagine just

1884
01:40:35,000 --> 01:40:38,200
Speaker 1: a kid being like I wouldn't actual mom like it's

1885
01:40:38,240 --> 01:40:41,120
Speaker 1: like yeah, but it's like I want to I want

1886
01:40:41,120 --> 01:40:42,599
Speaker 1: to see a kid and it would not freak me out.

1887
01:40:42,600 --> 01:40:44,200
Speaker 1: This would probably freak some people out for a kid

1888
01:40:44,280 --> 01:40:47,040
Speaker 1: to be like emotionally mature or whatever. I want a

1889
01:40:47,120 --> 01:40:49,559
Speaker 1: kid who's just like, okay, yeah, you know what, You're right,

1890
01:40:50,439 --> 01:40:54,200
Speaker 1: you know what immediately immediately, and the kid goes to you.

1891
01:40:54,240 --> 01:40:58,639
Speaker 1: Whether it's crazy right, I'm asking inside, I'm so sorry.

1892
01:40:58,640 --> 01:41:02,040
Speaker 1: That would be impariss to impariss on God, I'm sorry,

1893
01:41:02,920 --> 01:41:06,200
Speaker 1: gr no, not even not even like shapologize and just

1894
01:41:06,240 --> 01:41:11,320
Speaker 1: feel like you're right. I'm insane. Sorry, gets what most

1895
01:41:11,320 --> 01:41:13,760
Speaker 1: as like remember five minutes ago, it's like I Will

1896
01:41:13,760 --> 01:41:17,280
Speaker 1: said a vin name girl, do you want to slit? Yeah?

1897
01:41:19,000 --> 01:41:24,200
Speaker 1: Just like now we're good, take one little off, but

1898
01:41:24,920 --> 01:41:28,120
Speaker 1: um literally quickly put some thoughts on the season. Yes,

1899
01:41:28,200 --> 01:41:31,280
Speaker 1: give us sixteen seconds on that. Absolutely incredible. The girls

1900
01:41:31,320 --> 01:41:33,439
Speaker 1: are at the top. I think Karen Huger is a

1901
01:41:33,520 --> 01:41:38,400
Speaker 1: national tragedy. And if you think it's not a war,

1902
01:41:39,520 --> 01:41:41,479
Speaker 1: because this is the season where Giselle and Karen is

1903
01:41:41,520 --> 01:41:43,880
Speaker 1: coming to a head. And Gazelle went too far from

1904
01:41:43,920 --> 01:41:46,680
Speaker 1: me this week and you too, Robin. But can I?

1905
01:41:46,920 --> 01:41:50,360
Speaker 1: But can I? But can I actually say the hottest

1906
01:41:50,400 --> 01:41:52,880
Speaker 1: take about this? And I'm still on Karen's side. Just

1907
01:41:53,240 --> 01:41:57,599
Speaker 1: wasn't wishing death on right? But yeah, that doesn't doesn't matter.

1908
01:41:58,040 --> 01:42:00,760
Speaker 1: That's what Karen thinks and he should be able to

1909
01:42:00,800 --> 01:42:04,920
Speaker 1: apologize for it. And that is where the drama starts.

1910
01:42:05,320 --> 01:42:09,360
Speaker 1: I and you know that Karen at the end of

1911
01:42:09,439 --> 01:42:11,439
Speaker 1: this season was like, oh, the girls are coming for me.

1912
01:42:11,760 --> 01:42:13,960
Speaker 1: But you know what, I'm the last word in this

1913
01:42:14,120 --> 01:42:22,519
Speaker 1: fucking trauma right now, and she will not miss I

1914
01:42:22,680 --> 01:42:25,479
Speaker 1: got I don't want to say it because it will

1915
01:42:25,520 --> 01:42:28,559
Speaker 1: be competition for me, But she came on that bitch Mattess.

1916
01:42:31,000 --> 01:42:33,439
Speaker 1: The thing. Here's the thing too, the Wendy of it all.

1917
01:42:34,280 --> 01:42:37,720
Speaker 1: I believe that it's okay. Is Wendy going too far

1918
01:42:37,840 --> 01:42:41,240
Speaker 1: right now in terms of stelf love? You know, maybe

1919
01:42:41,400 --> 01:42:44,560
Speaker 1: on brass tacks face value. Yes, she's feeling herself and

1920
01:42:44,600 --> 01:42:46,679
Speaker 1: it's different than it was last year. She watched herself

1921
01:42:46,760 --> 01:42:49,439
Speaker 1: on TV after she had postpartum and she's like, and

1922
01:42:49,560 --> 01:42:51,720
Speaker 1: she was like, I want to reinvent myself and she

1923
01:42:51,880 --> 01:42:54,559
Speaker 1: is fully entitled to do that. For them to say,

1924
01:42:54,800 --> 01:42:59,280
Speaker 1: for Robin to use the word loose and then say

1925
01:42:59,479 --> 01:43:01,640
Speaker 1: you had substance last year. This year, you don't have

1926
01:43:01,720 --> 01:43:06,040
Speaker 1: substance was purely hurtful. They're jealous, they've gone too far.

1927
01:43:06,360 --> 01:43:09,439
Speaker 1: And for Giselle to literally round Robin be like, here's

1928
01:43:09,479 --> 01:43:11,600
Speaker 1: what's funked up about you? You? You, And then she

1929
01:43:11,720 --> 01:43:14,160
Speaker 1: turns to Robin, her own best friend, and says, no

1930
01:43:14,240 --> 01:43:17,360
Speaker 1: one wants to marry unattractive and Robin's too fucking dumb

1931
01:43:17,479 --> 01:43:19,439
Speaker 1: to see that Giselle will do that to her, She'll

1932
01:43:19,439 --> 01:43:22,559
Speaker 1: still funcked her every single time. And then for Queen

1933
01:43:22,960 --> 01:43:25,200
Speaker 1: Icona Scala to be like, well, what about your fucking life,

1934
01:43:25,400 --> 01:43:27,599
Speaker 1: And then Giselle says, we're not talking about it because

1935
01:43:27,600 --> 01:43:30,040
Speaker 1: there has trolls at the table. No hone, you're actually

1936
01:43:30,080 --> 01:43:36,479
Speaker 1: gonna answer any question, absolutely and one. But let's just

1937
01:43:37,240 --> 01:43:40,040
Speaker 1: you said something in that last statement, which is the

1938
01:43:40,160 --> 01:43:45,519
Speaker 1: Queen Escala thank you, you will be you know. I

1939
01:43:45,600 --> 01:43:47,960
Speaker 1: don't know if they'll bump it up to eight, but

1940
01:43:48,200 --> 01:43:58,639
Speaker 1: they get that girl in the bigges. Apologies dropped into herself. Wait,

1941
01:43:58,920 --> 01:44:01,439
Speaker 1: we're recording this on SUNDA. I can't wait to see

1942
01:44:01,439 --> 01:44:04,400
Speaker 1: what U Scully gets into tonight. When you I was,

1943
01:44:04,520 --> 01:44:06,479
Speaker 1: I was listening to the to the last episode. Just

1944
01:44:06,479 --> 01:44:08,799
Speaker 1: like when she gets her confessional. When she gets confessional,

1945
01:44:11,240 --> 01:44:14,280
Speaker 1: they better give her hair beat down. I want to

1946
01:44:14,280 --> 01:44:16,160
Speaker 1: see her give it because you know she can give

1947
01:44:16,200 --> 01:44:18,639
Speaker 1: confession because she doesn't need to blow up. She already

1948
01:44:18,760 --> 01:44:20,960
Speaker 1: is coming in and being like, oh, I'm actually in

1949
01:44:21,080 --> 01:44:24,960
Speaker 1: designer head to tell I'm actually stunning. She's beautiful. And

1950
01:44:25,000 --> 01:44:27,200
Speaker 1: if you go back and watch like the early seasons,

1951
01:44:27,200 --> 01:44:29,760
Speaker 1: like Gills whole thing was like the reason she butted

1952
01:44:29,800 --> 01:44:32,000
Speaker 1: heads with Karen was because Karen was like Potomac is

1953
01:44:32,040 --> 01:44:34,080
Speaker 1: a place of etiquette, because I was like, I don't

1954
01:44:34,120 --> 01:44:36,720
Speaker 1: care about etiquette. And now Giselle is like all of

1955
01:44:36,760 --> 01:44:41,880
Speaker 1: a sudden protective of like all these stupid bullshit problems. Bully,

1956
01:44:42,160 --> 01:44:46,519
Speaker 1: she's a natural bully, and bullies need lackeys and she

1957
01:44:46,760 --> 01:44:50,160
Speaker 1: has one. And Robin, I think is too depress and

1958
01:44:50,280 --> 01:44:53,280
Speaker 1: to she is she she is just too sad to

1959
01:44:53,320 --> 01:44:55,960
Speaker 1: stick up for herself. And I'm just like the fact

1960
01:44:56,040 --> 01:44:58,000
Speaker 1: that Giselle was able to turn around on Robin and

1961
01:44:58,040 --> 01:45:00,800
Speaker 1: then come for her and say those things to her. Yeah,

1962
01:45:01,000 --> 01:45:04,280
Speaker 1: she insulted her, like like she she really insulted her

1963
01:45:04,320 --> 01:45:07,360
Speaker 1: in front of people. Yes, I'm heartbroken for Robin this season.

1964
01:45:07,560 --> 01:45:11,200
Speaker 1: And you know what the thing is, I the wildest

1965
01:45:11,280 --> 01:45:13,920
Speaker 1: thing as I was like, honey, I've never related to

1966
01:45:13,960 --> 01:45:16,639
Speaker 1: you more, not getting out of bed until four four pm.

1967
01:45:17,160 --> 01:45:21,000
Speaker 1: Diva same like, and I'm like, it's sad because I

1968
01:45:21,080 --> 01:45:23,800
Speaker 1: just like, I'm nervous about the chair for her, I'm

1969
01:45:23,840 --> 01:45:25,840
Speaker 1: nervous and I'm nervous about the spot on the show

1970
01:45:26,000 --> 01:45:28,200
Speaker 1: because she loved herself. She would stick up for gall

1971
01:45:28,240 --> 01:45:33,160
Speaker 1: and guess what that would be a storyline she would stand. Yeah,

1972
01:45:33,200 --> 01:45:35,600
Speaker 1: I feel I love her. I've I've been a Robin like,

1973
01:45:35,800 --> 01:45:37,720
Speaker 1: I loved her since day one. I think that she's

1974
01:45:37,760 --> 01:45:40,920
Speaker 1: just so like pure and genuine. But like I'm I'm

1975
01:45:40,920 --> 01:45:44,479
Speaker 1: nervous for her this season. Wendy is not gonna let

1976
01:45:44,600 --> 01:45:50,120
Speaker 1: this go. No, Wendy is going to pop. Y'all. We

1977
01:45:50,240 --> 01:45:56,519
Speaker 1: are we are in a renness Hunt Lake and Beverly

1978
01:45:56,600 --> 01:45:58,360
Speaker 1: Hills as good as it is, it is so we

1979
01:45:58,560 --> 01:46:05,840
Speaker 1: are in renaissance. It's the golden era of and this

1980
01:46:06,040 --> 01:46:07,960
Speaker 1: is why I'm saying it's a great time to get

1981
01:46:08,000 --> 01:46:12,160
Speaker 1: on board with the brook Ashley because I don't know

1982
01:46:14,360 --> 01:46:16,800
Speaker 1: she's and she's a beautiful smile and she's just like

1983
01:46:16,880 --> 01:46:20,160
Speaker 1: a great energy and she doesn't like a single cast

1984
01:46:20,240 --> 01:46:26,720
Speaker 1: member on any of the loves a Scalar. She she's like,

1985
01:46:27,000 --> 01:46:31,160
Speaker 1: she's like, she basically starts every photomic review be I'm like, no,

1986
01:46:31,280 --> 01:46:33,360
Speaker 1: you know, I don't can't stand most of the women

1987
01:46:33,400 --> 01:46:35,160
Speaker 1: on this cast, but it is my Havent franchise. But

1988
01:46:35,200 --> 01:46:37,559
Speaker 1: then she said they need to give a Scalar spot

1989
01:46:37,600 --> 01:46:40,559
Speaker 1: on the meeting. Yes, yes, she will be she will

1990
01:46:40,600 --> 01:46:42,600
Speaker 1: be getting this is the thing about a Scalar and

1991
01:46:42,720 --> 01:46:45,960
Speaker 1: this connects with Robin and Giselle. And here's the thing.

1992
01:46:46,640 --> 01:46:49,519
Speaker 1: She's Robin's friend, but she's not. She's aware of like

1993
01:46:49,640 --> 01:46:52,040
Speaker 1: the alley ship between Robin and Giselle. She's not afraid

1994
01:46:52,080 --> 01:46:54,519
Speaker 1: to call Giselle out on her shut no, like our

1995
01:46:54,560 --> 01:46:57,439
Speaker 1: apologies do. As a perfect example of that, our apologies do,

1996
01:46:58,360 --> 01:47:02,080
Speaker 1: even that phrasing so perfect loved just like dare she

1997
01:47:02,120 --> 01:47:04,400
Speaker 1: showed up and be the most beautiful at that dinner too, Yes,

1998
01:47:04,560 --> 01:47:07,200
Speaker 1: I was like. And the best part is that even

1999
01:47:07,240 --> 01:47:11,000
Speaker 1: though she's Robin's friend. She's on everyone side, every everyone

2000
01:47:11,160 --> 01:47:13,400
Speaker 1: is a fan of that. Literally, we are all. She's

2001
01:47:13,439 --> 01:47:15,680
Speaker 1: the rising star of this. I saw her at that

2002
01:47:15,720 --> 01:47:20,040
Speaker 1: dinner and I screamed, Audrey Hepburn. I literally screamed Audrey Hepburn.

2003
01:47:20,120 --> 01:47:22,920
Speaker 1: I was like, what the fun her? She care like

2004
01:47:23,080 --> 01:47:27,080
Speaker 1: Jacket were like Thinn knows, like great when you have

2005
01:47:27,160 --> 01:47:34,439
Speaker 1: her onted, She's the next part. She's the next part. Wow.

2006
01:47:34,560 --> 01:47:37,320
Speaker 1: I mean this Wow? Can you could you have asked

2007
01:47:37,360 --> 01:47:40,679
Speaker 1: for anything more? I could not have. We talked about Gaga,

2008
01:47:40,760 --> 01:47:44,800
Speaker 1: talked about drag Race, talked about housewives, talked talked about life,

2009
01:47:45,000 --> 01:47:48,880
Speaker 1: talks about the pursuit of dreams, of dreams, and I

2010
01:47:49,040 --> 01:47:51,519
Speaker 1: think I think, I think we're going to be following

2011
01:47:51,960 --> 01:47:54,880
Speaker 1: this one until the end of time, all the way

2012
01:47:54,880 --> 01:47:59,160
Speaker 1: to Broadway. Girl wants um. I want to do like

2013
01:47:59,439 --> 01:48:03,479
Speaker 1: TV and movies and it's Broadway. Yeah, That's what I'm

2014
01:48:03,560 --> 01:48:06,640
Speaker 1: loving traveling. I'm loving doing stuff like with you know,

2015
01:48:07,120 --> 01:48:09,400
Speaker 1: seeing the kids at the club and having fun. And

2016
01:48:09,640 --> 01:48:12,080
Speaker 1: I'm doing some music with like me and with Stephanie's

2017
01:48:12,160 --> 01:48:17,320
Speaker 1: child just like a movie which was great. Just I'm like, honey,

2018
01:48:17,640 --> 01:48:21,240
Speaker 1: I want to just drop it. Into every single like

2019
01:48:21,400 --> 01:48:23,519
Speaker 1: basket that I can because I'm like, you know what,

2020
01:48:23,920 --> 01:48:26,000
Speaker 1: I've been playing this hand of just like I gotta

2021
01:48:26,040 --> 01:48:28,519
Speaker 1: stay focused on this one thing right now, which is dragons,

2022
01:48:28,520 --> 01:48:30,599
Speaker 1: and I'm like, you know what, that door shut right now.

2023
01:48:31,200 --> 01:48:34,680
Speaker 1: Let's just have fun and see what lands. And you know,

2024
01:48:35,160 --> 01:48:37,080
Speaker 1: why can't it all Like let's just have fun and

2025
01:48:37,120 --> 01:48:40,080
Speaker 1: go for it. You did so amazing with the platform

2026
01:48:40,120 --> 01:48:42,120
Speaker 1: and also just knowing you from the very beginning, like

2027
01:48:42,200 --> 01:48:48,040
Speaker 1: we could not be more proud, like and like I

2028
01:48:49,040 --> 01:48:52,760
Speaker 1: t same, like I I like remember just like years ago,

2029
01:48:53,320 --> 01:48:55,360
Speaker 1: just all of us just like being out just like

2030
01:48:55,479 --> 01:48:57,680
Speaker 1: not having a clue like where anything would go, and

2031
01:48:57,840 --> 01:49:00,200
Speaker 1: like so proud of both of you, and like your

2032
01:49:00,240 --> 01:49:02,479
Speaker 1: careers are just like booming. It's like so excited to

2033
01:49:02,560 --> 01:49:05,320
Speaker 1: see like the two of y'all just like like not

2034
01:49:05,439 --> 01:49:07,559
Speaker 1: even bubbling, Like y'all are at a full fucking stimmer

2035
01:49:07,640 --> 01:49:09,800
Speaker 1: right now, bitch, Like y'all are really doing the damn thing,

2036
01:49:09,840 --> 01:49:14,599
Speaker 1: and it's so exciting at a rolling boil, honey, rolling boil,

2037
01:49:15,520 --> 01:49:17,240
Speaker 1: y'all are just amazing. And I can't wait to like

2038
01:49:17,360 --> 01:49:18,920
Speaker 1: see what y'all do next. I can't wait to see

2039
01:49:18,920 --> 01:49:21,360
Speaker 1: the movie just y'all are just so nice and so

2040
01:49:21,560 --> 01:49:24,200
Speaker 1: good and I'm I'm just so excited for both of golf.

2041
01:49:24,760 --> 01:49:31,680
Speaker 1: Come on, thank you so much. Mama. Um, what is

2042
01:49:31,720 --> 01:49:35,519
Speaker 1: the song? I think I have one. Okay, we'll crowd

2043
01:49:36,360 --> 01:49:47,240
Speaker 1: the fill it out to medical. For more of that,

2044
01:49:47,439 --> 01:49:53,439
Speaker 1: listen Toiparazzi on the Man, and for the full album,

2045
01:49:53,520 --> 01:49:55,559
Speaker 1: Experienced by Bye