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Speaker 1: I mean every time I open my Twitter app now,

2
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Speaker 1: the first thing I.

3
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Speaker 2: See is a pussy O nice, Well, that's yours.

4
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Speaker 1: I don't know what I'm following on the for you page, Yeah,

5
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Speaker 1: you know it's I think it's miss be Nasty.

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Speaker 3: Oh definitely.

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Speaker 2: I think I think you.

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Speaker 1: Follow follow great follow, one of the greatest follows I've

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Speaker 1: ever made in my life. But I think that her

10
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Speaker 1: page is pushing that into my algorithms.

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Speaker 2: I think it's my ship was all white, it's filthy.

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Speaker 4: When we were like on the lead of the plug

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Speaker 4: topic and I was like looking up ship on my phone,

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Speaker 4: I had white pussy on my phone for days.

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Speaker 2: Bubble Gum rang.

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Speaker 3: The CEO.

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Speaker 1: Call the white pussy haram hilarious.

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Speaker 4: But is it not?

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Speaker 5: Victim? Stick them, get them? Got him black and looking

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Speaker 5: head shot up the pole. Shiplock band Backham jumped from

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Speaker 5: gum Welcome back from this ship.

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Speaker 2: Ain't about ship, just squeen ship between sor. I wanted

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Speaker 2: to ball to you all weekend. You actually you bothered me?

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Speaker 2: Uh Friday was there? Friday? Third night?

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Speaker 1: He called me and I couldn't hear nothing. I just

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Speaker 1: heard like a bunch of noise in the background.

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Speaker 2: Oh no, I called you earlier in the evening to

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Speaker 2: go to the NAS and hip boy really ship. Then

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Speaker 2: you called me a few hours later when I was

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Speaker 2: walking in. It was very loud, Yeah, which was fun,

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Speaker 2: by the way I was. It was good.

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Speaker 3: It was good.

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Speaker 2: It wasn't like the last one I went to. This

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Speaker 2: one was definitely like way more Hennessy branded, and there

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Speaker 2: was like the quote unquote brand reps like NAS performed

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Speaker 2: at this one. So we're all screaming the made you

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Speaker 2: look lyrics and you just have all these like corporate,

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Speaker 2: these French fucking people looking back at what the fuck? Yeah,

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Speaker 2: it's Nas in a white tuxied or wrapping ade. You

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Speaker 2: look in front of us. We're not going to scream

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Speaker 2: in your ear.

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Speaker 1: NAS has been doing these Hennessy shows for a while,

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Speaker 1: because I know he did one that I went to

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Speaker 1: when the super Bowl was here and how many years ago.

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Speaker 2: At least ten? Yeah, I mean he's been with Hennessy

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Speaker 2: for a while. Yeah, brandy face, But I don't mean

47
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Speaker 2: that's kind of which they would have just ate their

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Speaker 2: croissants and peace and like left before Na's got on stage.

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Speaker 2: It's no longer the corporate party. Well what made you

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Speaker 2: look as performed.

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Speaker 1: Well, that was the album release party from Magic two,

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Speaker 1: which came out m And we'll talk about that later

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Speaker 1: because we had a we had to talk about fifty

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Speaker 1: when I heard he had a virtual of fifty.

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Speaker 2: We'll get to it.

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Speaker 1: We had to talk about fifty last week. But we'll

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Speaker 1: get to that. Julie, you went to the Uh you

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Speaker 1: caught the Drake show at Barclays one of the shows.

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Speaker 1: Oh my god, Well it will be a combination. If

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Speaker 1: you caught a show at the Garden as well.

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Speaker 3: That would be working on what has he done yet?

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Speaker 4: Or now?

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Speaker 2: I think there's two or three more? Yeah, yeah, how

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Speaker 2: was the show? Look at him? Look at you your

65
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Speaker 2: flustered besides yourself. It was so good.

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Speaker 6: So he's on a whole different level. Yeah, he made

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Speaker 6: it Arena's feel intimate.

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Speaker 2: Do you remember a few episodes ago when you made

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Speaker 2: fun of me for having butterflies and you're like, what

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Speaker 2: is that like for a man to have butterflies? This

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Speaker 2: is what it looks like is butterflies. Butterflies gave you butterflow.

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Speaker 2: You have a crush. It's cool, crush.

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Speaker 6: He's such a good show. Like it's not fair like

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Speaker 6: it's not. There's so many people, even on a smaller

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Speaker 6: scale that can't do. The production budget was insane. He

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Speaker 6: had these giant floats throughout that I'm sure you've seen

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Speaker 6: in clips, like the Woman with the BBL. He had

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Speaker 6: like a giant sperm floating for one of the records.

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Speaker 2: I saw that and I thought that was a fake clip.

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Speaker 2: There's really a sperm, Yeah, it's real. Is that supposed

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Speaker 2: to be like the one that made it? I forgot

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Speaker 2: what that like supposed to represent his child?

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Speaker 6: I forgot what song it was for. But it's just

84
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Speaker 6: it's so good, and this sounds like it's gonna come

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Speaker 6: off as hate. He's so good That twenty one Savages

86
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Speaker 6: part was like bathroom break. Sit down for a minute, like,

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Speaker 6: take some time off because it's just coming off of

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Speaker 6: like that whatever hour Drake did to put twenty one on,

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Speaker 6: it was just not fair to twenty one.

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Speaker 2: Oh so twenty one does twenty one opens, Drake comes on,

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Speaker 2: then they do the twenty one and Drake Draco. Interesting.

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Speaker 3: Drake came out to look what you've done.

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Speaker 6: I mean, come on, he did Marvin's Room like I'm in,

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Speaker 6: I'm hooked.

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Speaker 3: You got me and then an hour or so in.

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Speaker 4: I mean you bought the tickets.

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Speaker 3: You've got to buy tickets. He would buy tickets to

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Speaker 3: I don't buy tickets and.

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Speaker 1: Ship combiny shot.

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Speaker 2: He went with he went with Hillary.

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Speaker 3: In the Clinton box.

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Speaker 2: That they share a plane.

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Speaker 6: It's funny because the tickets burked by way of them.

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Speaker 6: God and uh no, it was just it's just he's

105
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Speaker 6: so fucking good. If you're if he's coming to your city,

106
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Speaker 6: if you're on the fence, just go like everything.

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Speaker 3: You'll never regret it. Yeah, he's so good. I can't

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Speaker 3: speak highly enough.

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Speaker 1: It's just funny here, Like people talk about like an

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Speaker 1: experience at a Drake show.

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Speaker 2: Because like we we all know by now like he is.

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Speaker 1: He's like the probably the third biggest artist in the world.

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Speaker 1: So it's like, what do you expect when you go

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Speaker 1: to the show, Like, of course there's gonna.

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Speaker 2: Be a great show.

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Speaker 3: That's not all. No, that's not the case.

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Speaker 1: Well, what other top three four artists would you go to?

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Speaker 1: The show was bad Bunny, Beyonce Drake, But weekend with

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Speaker 1: the with.

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Speaker 3: The production budget doesn't necessarily come. You don't.

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Speaker 6: You're not automatically performing because the level that you're at

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Speaker 6: like we were just saying, Drake used to be a

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Speaker 6: horrible performer.

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Speaker 1: Yeah, but as you as you make more money and

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Speaker 1: you're able to have bigger production and yeah, things going on.

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Speaker 1: It's a bigger show. It's a bigger production. You know

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Speaker 1: the records, The records are there, we know the songs. Yeah,

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Speaker 1: it's just about the presentation.

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Speaker 2: Well everyone here is I think seen Beyonce performed live right? Yeah?

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Speaker 7: Nope, Sunday Sorry, yeah we saw.

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Speaker 2: I know none of us went the weekend ship, but

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Speaker 2: we definitely saw enough videos to see the production value

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Speaker 2: of what that last stadium tour yeah was.

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Speaker 1: I didn't see Bad Bunnies official show caught him at

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Speaker 1: m I A on a more condensed level.

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Speaker 2: But even you put Drake within that those four that

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Speaker 2: he sells the same as as the same show.

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Speaker 6: No, because I think, well you're now so you're like

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Speaker 6: going towards people that dance. I think people like that's

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Speaker 6: like choreography, Drake, it's just him like, but you get

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Speaker 6: in between the songs, you get the personality.

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Speaker 3: So like that clip that was going viral.

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Speaker 1: That money doesn't really Dan, he might he might give

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Speaker 1: you a two steps.

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Speaker 3: The walking like a lot of like pounding on his

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Speaker 3: chest and ship like he's like he does like a

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Speaker 3: lot of like I'm the.

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Speaker 2: Man bad money, so does Drake Drake.

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Speaker 6: Okay, I wasn't saying bad one, but that clip of

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Speaker 6: him going around saying like you vape like they want

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Speaker 6: the kid through the vape on the stage and he

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Speaker 6: was like, he's like, you don't.

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Speaker 3: Care about your life? Like that was the show I

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Speaker 3: was at, so you get a lot of those.

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Speaker 1: Mom I thought about somebody that was your vape.

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Speaker 2: I thought it was, though, hold you, you threw your

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Speaker 2: vape away once we said that.

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Speaker 6: I was inhaling it while he said that, And I

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Speaker 6: don't think I know it was because Rich turning me

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Speaker 6: and started laughing in my face.

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Speaker 2: And that being the equivalent to your bra is even funnier,

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Speaker 2: Like all right, I'm bra and let me throw this

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Speaker 2: vape up. Let me vape drake yo.

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Speaker 6: That stage, like the raised thing that it's on is

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Speaker 6: kind of far so like women are like really like

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Speaker 6: trying to get their bras up there, but a lot

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Speaker 6: of them are coming up short, so it's like security

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Speaker 6: just like picking up brads.

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Speaker 3: It never made it to the stage. It was really

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Speaker 3: funny to watch well.

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Speaker 2: I mean, if you look in this new era of bras,

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Speaker 2: they are they're very thin. They don't have a lot

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Speaker 2: of weight on them. Even the bigger ones, these fashion

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Speaker 2: nova things are.

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Speaker 1: It's cheap.

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Speaker 2: It's just strength. Remember the old bras with like wiring

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Speaker 2: it and ship you could really you would throw that

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Speaker 2: ship is much different though. Well that's good to anyone

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Speaker 2: else do anything fun of the weekend. And I saw

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Speaker 2: you were DJing somewhere. Yeah, usually amazing to marriage you.

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Speaker 3: In the streets, I was.

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Speaker 2: I was not you left this office to go to

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Speaker 2: the streets. I was. I went to the Wholesome Wallet

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Speaker 2: show and you went in the streets.

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Speaker 4: Public library is, oh, you went.

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Speaker 2: To the jay Z the jay Z exhibit, Yes.

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Speaker 1: The exhibit Book of Hope.

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Speaker 2: Except how did you enjoy it?

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Speaker 4: I really enjoyed it. I got there late because we

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Speaker 4: recorded kind of late. I got there late, so I

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Speaker 4: was only in there for maybe like fifteen twenty minutes,

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Speaker 4: so I didn't get to really fully experience it. But

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Speaker 4: it was it was really nice. It was really well

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Speaker 4: put together. It wasn't just like people were like, oh,

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Speaker 4: is it just like album covers and song lyrics. I'm

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Speaker 4: like No, there's like a lot of cool things in there.

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Speaker 1: Yeah, I've seen some some merch some of the old

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Speaker 1: rock and Feller love the.

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Speaker 4: Jackets, some of the set lists from like some of

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Speaker 4: the old stores. That was that was really interesting.

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Speaker 1: Off the rock Nation.

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Speaker 2: They did a great job with that.

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Speaker 1: I still haven't seen it in person yet, but all

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Speaker 1: the clips I'm seeing is is dope. Some definitely check

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Speaker 1: it out before the exhibit closest.

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Speaker 4: And that was close to be a surprise. Yeah, for

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Speaker 4: him was a surprise for him. He didn't know that

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Speaker 4: was going up, right.

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Speaker 1: It was surprised, surprising, shit, surprising, surprise zeeing.

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Speaker 2: Maybe not at that exact moment the way it was

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Speaker 2: supp yeah, earlier.

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Speaker 1: I mean it's hard to keep that his lyrics are

213
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Speaker 1: wrapped outside of it.

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Speaker 2: Yeah, that's what I was.

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Speaker 1: Hard to keep that a surprise. Now, he obviously didn't

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Speaker 1: know what was inside, but he knew something was happening

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Speaker 1: for him at the library. His lyrics all over the buildings,

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Speaker 1: So yeah, I'm pretty sure he knew, like, Okay, that's dope.

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Speaker 1: But the pictures I'm seeing or they really did a

220
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Speaker 1: great job. I know my brother went, he saw me.

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Speaker 1: He went twice I think Hop City went twice, but

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Speaker 1: I definitely got to check it out because I know

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Speaker 1: that the way they did baseline over and everything, that

224
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Speaker 1: that would just be dope to see that for sure.

225
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Speaker 2: Show Wiley Show was great. The Piers one of my

226
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Speaker 2: favorite venues. As I've said, you know, it's it's hard

227
00:09:37,960 --> 00:09:42,199
Speaker 2: to beat an outdoor New York summer show, especially on

228
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Speaker 2: a rooftop by the East River, when you know the

229
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Speaker 2: new one, the one that doesn't stink. But no, it's

230
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Speaker 2: a great show. It's great show. Then went right to

231
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Speaker 2: the NOAs and hip hoy thing, and that that was

232
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Speaker 2: my outside moment as a father, after picking shoes, my

233
00:09:54,640 --> 00:09:58,400
Speaker 2: yeah times that I go out all right, oh wait,

234
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Speaker 2: there's a Nods and hip boys ship at the same

235
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Speaker 2: I can double up with his babysitter. Combinations combination. That's

236
00:10:04,040 --> 00:10:07,760
Speaker 2: what I told the babysitter. What's how we be back? Combination?

237
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Speaker 3: Sender your right tenorary. She's like two shows combination combiny is.

238
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Speaker 2: I will say though that it's I wasn't really going

239
00:10:17,200 --> 00:10:21,839
Speaker 2: out like that before, but now I'm like, really particular,

240
00:10:22,720 --> 00:10:24,520
Speaker 2: it's not who all They're like, I need to know

241
00:10:24,600 --> 00:10:26,599
Speaker 2: the full itinerary. If this is gonna be worth me

242
00:10:27,080 --> 00:10:30,880
Speaker 2: going out and wasting a possible babysitter. Right when it

243
00:10:30,920 --> 00:10:32,719
Speaker 2: comes to this type of ship while a shit, I

244
00:10:32,800 --> 00:10:34,360
Speaker 2: was like, all right, I love I know a lot

245
00:10:34,400 --> 00:10:37,840
Speaker 2: of my friends are gonna be there. Weather's great, it's outdoor.

246
00:10:38,040 --> 00:10:40,680
Speaker 2: I like his music. It's not far from the nas

247
00:10:40,760 --> 00:10:43,679
Speaker 2: hit boys. Shit, I can escape easy. It was the

248
00:10:43,760 --> 00:10:47,360
Speaker 2: perfect situation. There's been so many invites as of late

249
00:10:47,400 --> 00:10:49,520
Speaker 2: where I'm like, Nope, this is this is gonna be

250
00:10:49,520 --> 00:10:51,400
Speaker 2: worth it. This canna be a headache, this is not

251
00:10:51,600 --> 00:10:56,000
Speaker 2: worth the waste of a babysitter. Yeah, in any way,

252
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Speaker 2: shape or form. So you know, that's been my new

253
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Speaker 2: father thing is figuring out what to go to and

254
00:11:00,520 --> 00:11:02,520
Speaker 2: what not to go to, which I probably should have

255
00:11:02,559 --> 00:11:05,000
Speaker 2: done that with my life from Jump.

256
00:11:05,160 --> 00:11:07,320
Speaker 1: Yeah, you should have been doing that years ago.

257
00:11:07,480 --> 00:11:09,120
Speaker 2: That should have been vetting the events I go to.

258
00:11:09,640 --> 00:11:12,600
Speaker 2: But you know it's cool. Did you do anything at all?

259
00:11:13,240 --> 00:11:13,360
Speaker 4: Uh?

260
00:11:13,559 --> 00:11:15,520
Speaker 2: No, I just went out to. I had a birthday

261
00:11:15,559 --> 00:11:17,880
Speaker 2: dinner I went to and that was it. Picked up

262
00:11:17,920 --> 00:11:23,079
Speaker 2: the check No, No, definitely picked a separate checks. Yeah

263
00:11:23,120 --> 00:11:25,079
Speaker 2: it was separate checks. Nice, separate checks.

264
00:11:25,320 --> 00:11:25,520
Speaker 8: Wow.

265
00:11:25,559 --> 00:11:26,520
Speaker 2: And I didn't really ambitious.

266
00:11:26,520 --> 00:11:28,000
Speaker 1: I didn't really eat much because it wasn't a lot

267
00:11:28,000 --> 00:11:32,719
Speaker 1: of options from you the menu. But no, hell, I

268
00:11:32,760 --> 00:11:33,439
Speaker 1: would never eat that.

269
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Speaker 2: Did you make a speech?

270
00:11:35,440 --> 00:11:35,480
Speaker 8: No?

271
00:11:37,800 --> 00:11:39,599
Speaker 2: Making a speech at a birthday and like, come on,

272
00:11:40,080 --> 00:11:40,520
Speaker 2: that's the thing?

273
00:11:40,840 --> 00:11:41,200
Speaker 4: The thing?

274
00:11:41,760 --> 00:11:42,920
Speaker 2: Yeah is it?

275
00:11:43,400 --> 00:11:46,319
Speaker 1: Who made that a thing low Key did?

276
00:11:46,800 --> 00:11:48,400
Speaker 2: Is that Low's fault load is the only one that

277
00:11:48,400 --> 00:11:50,199
Speaker 2: always would do the speeches at our birthdays.

278
00:11:50,320 --> 00:11:52,880
Speaker 1: Yeah, I don't don't not, No, that's speech.

279
00:11:52,960 --> 00:11:54,320
Speaker 4: Do a speech at your birthday?

280
00:11:54,400 --> 00:11:56,800
Speaker 2: You have to get people their flowers. No, just say

281
00:11:56,840 --> 00:11:58,320
Speaker 2: happy birthday and thank you for coming out.

282
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Speaker 3: I think of it.

283
00:11:59,080 --> 00:12:01,360
Speaker 6: We really didn't you any like speeches or toast in

284
00:12:01,440 --> 00:12:03,920
Speaker 6: the green room before like shows where we supposed to.

285
00:12:03,920 --> 00:12:06,520
Speaker 1: Because it was so much shit going wrong at the vision.

286
00:12:07,960 --> 00:12:08,439
Speaker 2: Was so busy.

287
00:12:08,720 --> 00:12:10,480
Speaker 1: We were so busy trying to get the show together

288
00:12:10,520 --> 00:12:12,280
Speaker 1: and like make it work for Lucky. It was to

289
00:12:12,280 --> 00:12:13,360
Speaker 1: feel like we couldn't even preak.

290
00:12:13,760 --> 00:12:16,000
Speaker 2: He has no time of break because people's plus ones

291
00:12:16,000 --> 00:12:18,520
Speaker 2: were drinking all my tequila and spitting over the grapes

292
00:12:18,559 --> 00:12:21,199
Speaker 2: and cheese during conversations. Well, sorry, I didn't have time

293
00:12:21,240 --> 00:12:22,920
Speaker 2: for a speech. I didn't have time for the Lord

294
00:12:22,960 --> 00:12:25,040
Speaker 2: and Savior. But he knows my stomach was grounding. We

295
00:12:25,120 --> 00:12:28,080
Speaker 2: appreciate it. We appreciated it over fuck going on stage

296
00:12:28,520 --> 00:12:30,040
Speaker 2: that London show man. Y'all don't know.

297
00:12:30,240 --> 00:12:31,440
Speaker 1: Y'all really don't know how mad.

298
00:12:31,320 --> 00:12:32,240
Speaker 2: I was in that green room.

299
00:12:32,640 --> 00:12:34,040
Speaker 7: I have pictures of you upset.

300
00:12:34,280 --> 00:12:37,160
Speaker 3: No, y'all don't know, though, guess that quiet corner. It

301
00:12:37,200 --> 00:12:38,079
Speaker 3: scares the shit out of me.

302
00:12:38,440 --> 00:12:41,440
Speaker 1: Not because Yo, that was just a very important show

303
00:12:41,480 --> 00:12:41,800
Speaker 1: for you.

304
00:12:41,920 --> 00:12:44,319
Speaker 2: Sounded like Central C's whole verse on the on the

305
00:12:44,400 --> 00:12:44,880
Speaker 2: Radar ship.

306
00:12:45,040 --> 00:12:47,520
Speaker 1: No, I was just I was just really upset. But

307
00:12:47,640 --> 00:12:49,360
Speaker 1: you know, we got through it and the people loved

308
00:12:49,360 --> 00:12:50,120
Speaker 1: it so so good.

309
00:12:50,679 --> 00:12:54,080
Speaker 2: Speaking of giving flowers, we should get into what hip

310
00:12:54,120 --> 00:12:57,240
Speaker 2: hop loves to do the most. Let's take away some flowers. Yeah,

311
00:12:57,480 --> 00:13:04,000
Speaker 2: that flowers for sure. This Drake and Elliott Wilson beef,

312
00:13:04,240 --> 00:13:07,839
Speaker 2: let's not call it a beef, an online disagreement, I

313
00:13:07,960 --> 00:13:11,439
Speaker 2: think it's just starting to fester. I think Drake made

314
00:13:11,480 --> 00:13:14,199
Speaker 2: a small comment which we'll read in a second, and

315
00:13:14,280 --> 00:13:17,160
Speaker 2: I think Elliott took that to heart in a different

316
00:13:17,200 --> 00:13:21,240
Speaker 2: type of way. I mean, I think Elliott is just

317
00:13:21,320 --> 00:13:23,559
Speaker 2: getting started on how far he's going to take this one.

318
00:13:25,000 --> 00:13:26,839
Speaker 2: He's not letting this go for those that don't know.

319
00:13:27,559 --> 00:13:30,840
Speaker 2: Elliott had mentioned when Drake did that that Bobby Adolph

320
00:13:33,080 --> 00:13:34,040
Speaker 2: is that not her last name?

321
00:13:34,240 --> 00:13:34,280
Speaker 5: No?

322
00:13:34,960 --> 00:13:37,640
Speaker 2: All tall, go ahead, but you know that's a name,

323
00:13:37,679 --> 00:13:38,959
Speaker 2: like people were named that before.

324
00:13:39,200 --> 00:13:41,560
Speaker 3: Yeah, it used to be like extremely common.

325
00:13:41,920 --> 00:13:44,280
Speaker 2: Did all the did all the Adolphs and Hitler's changed,

326
00:13:44,320 --> 00:13:45,640
Speaker 2: Like did their families change their names?

327
00:13:45,880 --> 00:13:46,280
Speaker 7: I'm sure.

328
00:13:46,280 --> 00:13:50,000
Speaker 6: I think the last name, like any the first name,

329
00:13:50,080 --> 00:13:53,040
Speaker 6: like any name comes and goes and that he kill. Yeah,

330
00:13:53,160 --> 00:13:53,760
Speaker 6: it's over for that.

331
00:13:54,800 --> 00:13:56,760
Speaker 3: But the last name. I think people legally change their

332
00:13:56,840 --> 00:13:57,840
Speaker 3: names because of that.

333
00:13:58,640 --> 00:13:59,199
Speaker 7: Because it's weird.

334
00:13:59,240 --> 00:14:01,360
Speaker 2: You do run into like some wild last names of

335
00:14:02,320 --> 00:14:05,240
Speaker 2: like you know, murderers, but those never changed. I'd never

336
00:14:05,320 --> 00:14:08,079
Speaker 2: just run into like a Hitler, Oh, Joe Hitler, Like, no,

337
00:14:08,240 --> 00:14:11,319
Speaker 2: that's just the Hitler's house. Stummach, you can't. Yeah, Like

338
00:14:11,360 --> 00:14:12,200
Speaker 2: where's Joey Hitler?

339
00:14:13,480 --> 00:14:14,400
Speaker 3: Joe and Debbie Hitler.

340
00:14:14,640 --> 00:14:17,280
Speaker 1: No, I haven't heard of Steven Simpson last name.

341
00:14:17,120 --> 00:14:18,599
Speaker 2: Either, Like, no one ever left a note as a

342
00:14:18,679 --> 00:14:22,240
Speaker 2: kid like headed off to the Hitler's house. I'm at

343
00:14:22,400 --> 00:14:32,040
Speaker 2: Hitler's all right, Simpson grilling? Oh sorry, family guy. Yeah, anyways,

344
00:14:34,040 --> 00:14:37,800
Speaker 2: so Elliott said after Drake put out the snippets of

345
00:14:37,840 --> 00:14:42,080
Speaker 2: him and Bobby Hitler that he's not going to any

346
00:14:42,240 --> 00:14:45,320
Speaker 2: platforms that are of the culture, and he's just gonna

347
00:14:45,360 --> 00:14:48,680
Speaker 2: go do this Sunday conversation ship barstool and do this

348
00:14:49,000 --> 00:14:53,960
Speaker 2: this white girl. Bobby's TikTok shit mm hmm, and Drake

349
00:14:54,560 --> 00:14:56,560
Speaker 2: took his time and replied, I want to say two

350
00:14:56,560 --> 00:14:59,960
Speaker 2: weeks later under a video of Elliott Wilson at role

351
00:15:00,080 --> 00:15:03,000
Speaker 2: in Loud talking to Trippy Red, which I still think

352
00:15:03,120 --> 00:15:05,800
Speaker 2: is in need of some type of water or electrolytes.

353
00:15:06,320 --> 00:15:10,080
Speaker 2: No one will hydrate this young man. Really, it's really

354
00:15:10,440 --> 00:15:14,600
Speaker 2: it's really bothering me, and said under the comment uh

355
00:15:14,840 --> 00:15:17,560
Speaker 2: l o l man ships on not coming to his

356
00:15:17,720 --> 00:15:20,720
Speaker 2: platform for a second time. And now Elliott ten to's

357
00:15:20,800 --> 00:15:23,560
Speaker 2: do we stop right there? Of course we can, of

358
00:15:23,640 --> 00:15:29,520
Speaker 2: course we can. Was he because he's running around rolling loud?

359
00:15:29,560 --> 00:15:32,400
Speaker 2: He's ten toes down, rolling loud? No, Drake, why you

360
00:15:32,480 --> 00:15:36,160
Speaker 2: call Elliott? It's like Elliott Tinto's Is he not in

361
00:15:36,240 --> 00:15:38,600
Speaker 2: the field? Was he not in the Bronx Hill like

362
00:15:38,920 --> 00:15:40,280
Speaker 2: like he was one of the characters in the bron

363
00:15:40,640 --> 00:15:43,960
Speaker 2: a name like that. Yeah, he's in the field now,

364
00:15:44,520 --> 00:15:46,640
Speaker 2: all right, it's rolling loud, not the field. Of him

365
00:15:48,840 --> 00:15:52,120
Speaker 2: when Walter Cronkite went to Iraq and the helicopter went

366
00:15:52,160 --> 00:15:54,080
Speaker 2: down similarities. I think I got that all wrong.

367
00:15:55,360 --> 00:15:56,200
Speaker 3: Iraq hip hop.

368
00:15:56,400 --> 00:16:00,720
Speaker 2: Yeah, exactly what it is. Elliott Tentho was doing, Yes,

369
00:16:00,840 --> 00:16:02,520
Speaker 2: Jewels run up interviews at Rolling Loud.

370
00:16:02,800 --> 00:16:03,320
Speaker 3: That's your girl.

371
00:16:03,560 --> 00:16:05,440
Speaker 2: Just admit that youth took over big dog.

372
00:16:05,960 --> 00:16:07,840
Speaker 1: Yeah, Drake, my man, I don't like the fact that

373
00:16:07,920 --> 00:16:09,640
Speaker 1: you shot at Jews like that though.

374
00:16:09,800 --> 00:16:11,800
Speaker 2: I ain't like that, not at Elliott Wilson, right, not

375
00:16:12,040 --> 00:16:17,080
Speaker 2: at not at journalism, not at the culture, shot at Jews.

376
00:16:17,080 --> 00:16:18,480
Speaker 1: That that kind of that kind of fucked me up

377
00:16:18,480 --> 00:16:19,680
Speaker 1: over the week and I was like, damn, why he

378
00:16:19,760 --> 00:16:19,960
Speaker 1: do that?

379
00:16:21,360 --> 00:16:23,600
Speaker 2: Yes, Jewels used to do run up interviews at Rolling Loud.

380
00:16:23,760 --> 00:16:26,400
Speaker 3: Yeah, remember she was there.

381
00:16:26,680 --> 00:16:28,240
Speaker 1: She was there at this Rolling Out too. I don't

382
00:16:28,240 --> 00:16:29,960
Speaker 1: know if she did any interviews though I actually know

383
00:16:30,080 --> 00:16:30,880
Speaker 1: she did, but it.

384
00:16:31,040 --> 00:16:31,880
Speaker 2: Wasn't like the run up thing.

385
00:16:31,920 --> 00:16:35,320
Speaker 1: I think they had like Amazon, Amazon Music things set up, gotcha.

386
00:16:35,840 --> 00:16:38,600
Speaker 2: So she was definitely doing some interviews down there. Well. Yeah,

387
00:16:38,640 --> 00:16:44,480
Speaker 2: this this started the debate amongst Elliott versus Drake. What

388
00:16:44,640 --> 00:16:47,680
Speaker 2: do you think in Drake's comments jokes and jokes aside?

389
00:16:48,120 --> 00:16:48,560
Speaker 2: I think that.

390
00:16:49,520 --> 00:16:52,240
Speaker 1: I mean, listen, man, I think Drake, first of all,

391
00:16:52,280 --> 00:16:55,000
Speaker 1: we know that we know Drake sees everything that happens

392
00:16:55,040 --> 00:16:58,000
Speaker 1: on the internet. You may not respond everything, but he

393
00:16:58,080 --> 00:17:00,480
Speaker 1: sees everything. And I think that he was way for that.

394
00:17:00,640 --> 00:17:03,760
Speaker 1: He obviously saw what Elliott said, and I think he

395
00:17:03,920 --> 00:17:06,560
Speaker 1: was waiting for his time or opportunity to clap back

396
00:17:07,359 --> 00:17:09,320
Speaker 1: at Elliott, you know, in a in a playful way.

397
00:17:09,320 --> 00:17:12,600
Speaker 1: I don't think Drake was wasn't malicious, didn't even know

398
00:17:12,680 --> 00:17:14,800
Speaker 1: malice or nothing like that. But I think this was

399
00:17:14,880 --> 00:17:18,560
Speaker 1: his opening to throw a shot at Elliott in response

400
00:17:18,640 --> 00:17:20,920
Speaker 1: to Elliott saying, you know, he didn't do no interviews

401
00:17:21,040 --> 00:17:24,080
Speaker 1: with real you know, hip hop platforms and things like

402
00:17:24,160 --> 00:17:24,720
Speaker 1: that in a while.

403
00:17:25,280 --> 00:17:27,040
Speaker 2: So I think Drake took that as his His lick

404
00:17:27,119 --> 00:17:29,280
Speaker 2: back was, Yeah, this was my lock back. I get

405
00:17:29,280 --> 00:17:31,560
Speaker 2: my look back, which is always warranted if you say

406
00:17:31,600 --> 00:17:32,320
Speaker 2: something about somebody.

407
00:17:32,480 --> 00:17:36,080
Speaker 1: Yeah, yeah, this was an old fashioned get my lick back.

408
00:17:36,119 --> 00:17:38,680
Speaker 1: That's all this was. I don't think that there's any

409
00:17:39,040 --> 00:17:42,000
Speaker 1: you know, I don't think that Drake dislikes Elliott or

410
00:17:42,760 --> 00:17:45,160
Speaker 1: you know, I don't think that he's he'll never sit

411
00:17:45,240 --> 00:17:46,639
Speaker 1: down with Elliott again, anything like that.

412
00:17:46,720 --> 00:17:47,240
Speaker 2: I don't think so.

413
00:17:47,440 --> 00:17:49,480
Speaker 1: But this was definitely his lick back.

414
00:17:49,720 --> 00:17:52,399
Speaker 4: And I think that's fair because that comment that Elliott

415
00:17:52,440 --> 00:17:55,159
Speaker 4: originally made wasn't that wasn't a journalism comment, Like he

416
00:17:55,240 --> 00:17:56,840
Speaker 4: wasn't being a journalist. We made that comment. He was

417
00:17:56,880 --> 00:17:59,720
Speaker 4: being a media personality. So when you get responded to

418
00:17:59,840 --> 00:18:02,679
Speaker 4: like a personality, because you know, journalists are supposed to.

419
00:18:02,760 --> 00:18:08,359
Speaker 2: Be neutral, yeah, you can't well opinionated journalists.

420
00:18:08,240 --> 00:18:10,719
Speaker 4: Opinionated, yeah, but I mean like neutral as far as

421
00:18:10,800 --> 00:18:12,800
Speaker 4: who cares what outlets he's doing?

422
00:18:13,480 --> 00:18:15,399
Speaker 2: All right, Well, how do you guys feel about the comment?

423
00:18:15,560 --> 00:18:21,040
Speaker 2: In the younger people have taken over and I'm reading

424
00:18:21,080 --> 00:18:22,600
Speaker 2: into this too much because I really do think Drake

425
00:18:22,720 --> 00:18:27,800
Speaker 2: was just fucking around. Hip Hop is the only genre,

426
00:18:28,160 --> 00:18:31,880
Speaker 2: not even just music, just period that one doesn't celebrate

427
00:18:32,040 --> 00:18:36,240
Speaker 2: its elders. Has the biggest agism I've ever seen in

428
00:18:36,280 --> 00:18:40,240
Speaker 2: my entire fucking life. Age makes you corny, Age means

429
00:18:40,280 --> 00:18:44,600
Speaker 2: you can't do shit. I've never understood why young kids

430
00:18:44,640 --> 00:18:47,040
Speaker 2: don't realize that their hope that they will grow up

431
00:18:47,640 --> 00:18:52,639
Speaker 2: at some point. That's where I think that joke is

432
00:18:52,720 --> 00:18:54,440
Speaker 2: so good and it gets off because that's all we

433
00:18:54,560 --> 00:18:56,040
Speaker 2: do in hip hop is shit on older people when

434
00:18:56,080 --> 00:19:00,680
Speaker 2: they continue their career. Well, that's because with hip hop, Stephen,

435
00:19:00,720 --> 00:19:03,680
Speaker 2: that's just like saying Steven A can't interview the rookies

436
00:19:04,960 --> 00:19:06,000
Speaker 2: right like it's fucking weird.

437
00:19:06,240 --> 00:19:10,800
Speaker 1: It's it's well because hip hop is essentially a young

438
00:19:11,840 --> 00:19:14,800
Speaker 1: art form. It's only fifty years old. So when you

439
00:19:14,920 --> 00:19:18,000
Speaker 1: think about, you know, people that have come up in

440
00:19:18,520 --> 00:19:21,800
Speaker 1: the culture to now, a lot of these kids that

441
00:19:21,840 --> 00:19:25,320
Speaker 1: are successful twenty one, twenty three years old. Somebody that's

442
00:19:25,400 --> 00:19:28,159
Speaker 1: forty five fifty is a dinosaur, you know what I mean.

443
00:19:28,240 --> 00:19:30,200
Speaker 1: It's like, yo, who's this old dude? He doesn't know

444
00:19:30,240 --> 00:19:33,240
Speaker 1: about the culture. He's not outside, he doesn't. But it's like, yeah,

445
00:19:33,280 --> 00:19:35,920
Speaker 1: but this is somebody that was able to grow with

446
00:19:36,080 --> 00:19:38,959
Speaker 1: the culture and knows about it from inception day one

447
00:19:39,119 --> 00:19:41,760
Speaker 1: and has been able to see all the decades come

448
00:19:41,840 --> 00:19:44,400
Speaker 1: and go and see artists come and go. So, yes,

449
00:19:44,520 --> 00:19:46,240
Speaker 1: this person has something to add to the culture. This

450
00:19:46,320 --> 00:19:47,879
Speaker 1: person knows what he's talking about, or he or she

451
00:19:47,960 --> 00:19:51,240
Speaker 1: knows what they're talking about. But I think that just

452
00:19:51,320 --> 00:19:54,600
Speaker 1: the ageism and hip hop is it's just stupid because

453
00:19:54,640 --> 00:19:58,159
Speaker 1: it's like, on one hand, I understand it, you know, Unfortunately,

454
00:19:58,400 --> 00:20:00,520
Speaker 1: we don't get to see a lot of these young

455
00:20:00,840 --> 00:20:04,080
Speaker 1: guys grow old. You know, guys are dying at a

456
00:20:04,160 --> 00:20:06,240
Speaker 1: young age, going to prison at a young age for

457
00:20:06,280 --> 00:20:08,840
Speaker 1: a long time. So it's like we kind of still

458
00:20:08,920 --> 00:20:13,399
Speaker 1: have that thing where we just don't recognize artists getting older.

459
00:20:13,480 --> 00:20:16,159
Speaker 1: Now you have guys like jay Z and Nas and

460
00:20:16,760 --> 00:20:19,160
Speaker 1: you know, all of these guys Ice Q. These guys

461
00:20:19,240 --> 00:20:22,880
Speaker 1: are like our elder statesmen and you know, but they're

462
00:20:22,920 --> 00:20:26,440
Speaker 1: in another level. They're already legends. So I think it's

463
00:20:26,480 --> 00:20:30,160
Speaker 1: okay if you're an older legend, but if like you're

464
00:20:30,200 --> 00:20:34,280
Speaker 1: an older not quite a legend yet, I think that's

465
00:20:34,520 --> 00:20:37,439
Speaker 1: who the people dis and shoot at like for who like.

466
00:20:37,800 --> 00:20:40,920
Speaker 2: Well, then also some of theos don't age gracefully, and

467
00:20:41,040 --> 00:20:44,480
Speaker 2: they look like the old guy at the party. Yeah,

468
00:20:44,960 --> 00:20:47,879
Speaker 2: And that's where I think Elliott's been one of the

469
00:20:47,960 --> 00:20:51,280
Speaker 2: journalists that's aged gracefully. Like he hasn't stayed in print,

470
00:20:51,560 --> 00:20:53,800
Speaker 2: he went with the times and continued to dominate in

471
00:20:53,880 --> 00:20:56,960
Speaker 2: that regard and adapt and talk with young artists legends,

472
00:20:57,000 --> 00:20:59,600
Speaker 2: et cetera. You just kind of can't win for losing

473
00:20:59,640 --> 00:21:02,479
Speaker 2: with this type of stuff, because one could say, all right,

474
00:21:02,560 --> 00:21:05,040
Speaker 2: is this Elliott gatekeeping because maybe a younger person should

475
00:21:05,040 --> 00:21:07,679
Speaker 2: be running around rolling loud because it is a younger event.

476
00:21:08,200 --> 00:21:11,200
Speaker 2: But then at the same time, say, all right, Elliott's

477
00:21:11,200 --> 00:21:14,720
Speaker 2: one of the if not biggest rap journalists ever. He

478
00:21:14,840 --> 00:21:17,840
Speaker 2: doesn't fuck with the young people, and that's why young

479
00:21:17,880 --> 00:21:20,360
Speaker 2: people can't get on because the older ones are gatekeeping

480
00:21:20,440 --> 00:21:23,920
Speaker 2: and won't fucking talk to us. So there is no win.

481
00:21:24,040 --> 00:21:24,879
Speaker 2: There's no winning here.

482
00:21:25,160 --> 00:21:28,919
Speaker 1: No, there's no winning. It comes down to this if

483
00:21:29,080 --> 00:21:31,879
Speaker 1: people feel like, you know, you can't be an older

484
00:21:32,000 --> 00:21:36,320
Speaker 1: journalist right for whatever reason, It's like, okay, well, do

485
00:21:36,440 --> 00:21:38,360
Speaker 1: you want a young person to come here that has

486
00:21:38,440 --> 00:21:40,920
Speaker 1: no idea what the fuck they're doing, just to throw

487
00:21:41,000 --> 00:21:43,120
Speaker 1: some questions at you? Or is it now a thing

488
00:21:43,160 --> 00:21:47,879
Speaker 1: where it's more of a personality thing, like because a

489
00:21:47,920 --> 00:21:50,440
Speaker 1: lot of these people that have you know, shows and platforms,

490
00:21:50,480 --> 00:21:53,560
Speaker 1: it's more so their personalities. They may not be an

491
00:21:53,560 --> 00:21:56,760
Speaker 1: actual journalist, but people know who they are, you know,

492
00:21:56,880 --> 00:21:59,960
Speaker 1: they have viral videos and things like that. So maybe

493
00:22:00,160 --> 00:22:02,800
Speaker 1: people want to lean more towards that way of doing

494
00:22:02,880 --> 00:22:06,480
Speaker 1: interviews with sittowns, with people that have a bigger personality.

495
00:22:07,400 --> 00:22:11,360
Speaker 2: Do we think there is the younger journalist platform there's

496
00:22:11,359 --> 00:22:15,280
Speaker 2: a lot of great young platforms, really great ones. I

497
00:22:15,359 --> 00:22:18,320
Speaker 2: even think that people. I mean, I wouldn't say Caleb's

498
00:22:18,359 --> 00:22:21,359
Speaker 2: the young generation from Barschool, but I guess this Bobby

499
00:22:21,440 --> 00:22:24,800
Speaker 2: Chick is the younger generation. So I'm not mad at

500
00:22:25,400 --> 00:22:28,560
Speaker 2: Drake doing that by any means. I am curious to

501
00:22:28,600 --> 00:22:32,320
Speaker 2: see who would be the straight journalist of the younger generation.

502
00:22:32,880 --> 00:22:36,000
Speaker 2: Is that even something the younger generation is even interested in.

503
00:22:36,160 --> 00:22:37,080
Speaker 2: I don't think so at all.

504
00:22:37,400 --> 00:22:39,159
Speaker 1: I don't think so. I think I think everybody's more

505
00:22:39,160 --> 00:22:41,120
Speaker 1: focused on becoming a personality at this point.

506
00:22:41,600 --> 00:22:44,760
Speaker 6: I think that's where the Elliott's disconnects comes from with this.

507
00:22:44,920 --> 00:22:47,920
Speaker 6: It's like, also, like, what's the harm in Drake doing

508
00:22:48,960 --> 00:22:53,040
Speaker 6: other types of content? Like I feel like that's pigeonholing.

509
00:22:53,240 --> 00:22:55,480
Speaker 6: You're an artist, only talk about music. Be an artist.

510
00:22:56,240 --> 00:22:58,159
Speaker 6: He's a pert, Like he doesn't need to just do

511
00:22:58,320 --> 00:23:00,840
Speaker 6: those kind of pieces of content. Like what difference does

512
00:23:00,880 --> 00:23:01,840
Speaker 6: it make if he's going out?

513
00:23:01,840 --> 00:23:03,760
Speaker 1: And I think it's funny that people upset at people

514
00:23:03,880 --> 00:23:04,840
Speaker 1: not talking to them.

515
00:23:05,920 --> 00:23:06,880
Speaker 3: That's a whole different issue.

516
00:23:06,960 --> 00:23:08,720
Speaker 6: Yeah, that's different, that's different, But I'm saying like in

517
00:23:08,800 --> 00:23:10,639
Speaker 6: the same way, like that, it's weird because you're like

518
00:23:10,720 --> 00:23:14,480
Speaker 6: gatekeeping the content you think certain artists of a certain

519
00:23:14,480 --> 00:23:17,639
Speaker 6: stature should do. Who cares if he does you know

520
00:23:17,680 --> 00:23:19,480
Speaker 6: what I mean? Who cares if he gives his ten

521
00:23:19,560 --> 00:23:22,000
Speaker 6: minutes to the guy that just got a camera. If

522
00:23:22,040 --> 00:23:23,240
Speaker 6: he fucks with them and he wants to do it,

523
00:23:23,280 --> 00:23:25,440
Speaker 6: he'll do it. Like why why does him doing that?

524
00:23:26,359 --> 00:23:26,520
Speaker 8: Mean?

525
00:23:27,119 --> 00:23:29,239
Speaker 3: Like it doesn't affect you or your thing at all?

526
00:23:29,480 --> 00:23:31,480
Speaker 2: No, it's not. I don't know if harm is the

527
00:23:31,560 --> 00:23:33,399
Speaker 2: right word, And I don't want to speak for Elliott.

528
00:23:33,400 --> 00:23:35,159
Speaker 2: This is just what I think Elliott was trying to

529
00:23:35,240 --> 00:23:39,680
Speaker 2: say is Drake does rarely come out and do full interviews.

530
00:23:39,720 --> 00:23:42,320
Speaker 2: It's a rare occasion when he does. I don't think

531
00:23:42,359 --> 00:23:47,200
Speaker 2: he was necessarily talking about the content in which everyone

532
00:23:47,240 --> 00:23:50,360
Speaker 2: else was like, Yo, Drake's not doing serious interviews because

533
00:23:50,359 --> 00:23:52,200
Speaker 2: he's dodging questions this and that. I don't think that's

534
00:23:52,200 --> 00:23:54,520
Speaker 2: what Elliott was saying. He was saying, why do you

535
00:23:54,640 --> 00:23:58,480
Speaker 2: keep going outside of the culture to do interviews? Oh,

536
00:23:58,560 --> 00:24:01,000
Speaker 2: because you rarely come out in them, so when you

537
00:24:01,119 --> 00:24:02,720
Speaker 2: do it, you've done back to back ones that are

538
00:24:02,760 --> 00:24:04,880
Speaker 2: people outside of our culture. That's what I think Elliott

539
00:24:04,920 --> 00:24:07,359
Speaker 2: was saying, instead of Drake going to go do a

540
00:24:07,440 --> 00:24:12,000
Speaker 2: Kai interview. He went and did the chick Bobby. That's

541
00:24:12,040 --> 00:24:13,440
Speaker 2: what That's what I think he was saying.

542
00:24:13,960 --> 00:24:16,000
Speaker 3: And so her starts outside of the culture.

543
00:24:16,720 --> 00:24:20,280
Speaker 1: Yes, I know how she doesn't know anything about the culture.

544
00:24:20,320 --> 00:24:24,480
Speaker 6: Really her stick is that she doesn't know I'm saying, yeah, look,

545
00:24:24,560 --> 00:24:26,240
Speaker 6: as I say, the nature of her interviews. So she

546
00:24:26,320 --> 00:24:28,200
Speaker 6: sits down with people in the culture and pretends like

547
00:24:28,280 --> 00:24:29,720
Speaker 6: she doesn't know who that they who.

548
00:24:29,720 --> 00:24:30,959
Speaker 2: As she sat within the culture.

549
00:24:31,119 --> 00:24:34,360
Speaker 3: There's that Drake was the first one, was she did Harmani?

550
00:24:34,520 --> 00:24:36,560
Speaker 2: She did that? Other did she do an interview with

551
00:24:36,680 --> 00:24:38,200
Speaker 2: Armani or the dance whole.

552
00:24:38,040 --> 00:24:41,000
Speaker 3: Hour sit down? Did an interview that she's done for everyone?

553
00:24:41,119 --> 00:24:42,480
Speaker 3: She sat down with his men in the culture. The

554
00:24:42,560 --> 00:24:44,280
Speaker 3: next one's Yati defendant.

555
00:24:45,280 --> 00:24:47,639
Speaker 6: If we're gonna argue, I'm saying, are we arguing the

556
00:24:47,760 --> 00:24:51,360
Speaker 6: person that's conducting the interview or the nature of the platform?

557
00:24:51,400 --> 00:24:53,600
Speaker 6: Her platform is very much within the cultures. He's sitting

558
00:24:53,640 --> 00:24:54,560
Speaker 6: down with hip hop people.

559
00:24:54,640 --> 00:24:56,600
Speaker 2: Okay, well, well that doesn't like it within the culture.

560
00:24:56,720 --> 00:24:58,840
Speaker 3: Let's well, let's bring up getting artist. He's getting hip

561
00:24:58,840 --> 00:24:59,280
Speaker 3: hop artists.

562
00:24:59,280 --> 00:25:01,399
Speaker 4: If she's done for hip hop artists, where did she

563
00:25:01,520 --> 00:25:02,879
Speaker 4: come from? Where does where does she.

564
00:25:03,040 --> 00:25:05,360
Speaker 3: That's a difference, that's a whole different conversation.

565
00:25:05,560 --> 00:25:07,200
Speaker 4: No, but that's what I'm saying. You're saying, she's in

566
00:25:07,320 --> 00:25:10,439
Speaker 4: the culture. This her her platform would be in the culture.

567
00:25:11,359 --> 00:25:13,720
Speaker 4: How did this platform get in the culture? What makes

568
00:25:13,800 --> 00:25:15,960
Speaker 4: you of the culture because you sat down with four rappers?

569
00:25:16,320 --> 00:25:19,159
Speaker 6: I'm saying, by nature, the content that she is offering

570
00:25:19,359 --> 00:25:21,119
Speaker 6: is in the culture because of the people that she

571
00:25:21,240 --> 00:25:21,879
Speaker 6: is sitting down with.

572
00:25:22,240 --> 00:25:23,840
Speaker 2: When I'm not talking, I think that's the problem that

573
00:25:23,880 --> 00:25:24,320
Speaker 2: people are have.

574
00:25:24,720 --> 00:25:27,280
Speaker 3: Yeah, she's not, that's a separate she's not saying her

575
00:25:27,359 --> 00:25:31,640
Speaker 3: platform is technically until she expands and opens up. She's

576
00:25:31,720 --> 00:25:33,800
Speaker 3: clearly in a market right now where she's targeting hip

577
00:25:33,800 --> 00:25:34,399
Speaker 3: hop artists.

578
00:25:35,040 --> 00:25:36,880
Speaker 1: But that's the that's the issue that people are haven't

579
00:25:37,160 --> 00:25:39,119
Speaker 1: that she's not of the culture. She doesn't really know

580
00:25:39,200 --> 00:25:39,959
Speaker 1: about the culture.

581
00:25:40,280 --> 00:25:43,800
Speaker 6: But that's also her character. She sat down in a

582
00:25:43,840 --> 00:25:45,399
Speaker 6: bed with Drake and said, I don't know who you are.

583
00:25:45,560 --> 00:25:46,880
Speaker 6: You think she really thinks that shiit?

584
00:25:46,960 --> 00:25:49,439
Speaker 2: No, of course, it's a character. But even the character

585
00:25:49,760 --> 00:25:53,320
Speaker 2: is about being outside of the culture. I know nothing

586
00:25:53,359 --> 00:25:55,800
Speaker 2: about you, and you know, some people are dumb, So

587
00:25:55,800 --> 00:25:57,280
Speaker 2: They're going to look at that and be like, well,

588
00:25:57,560 --> 00:25:59,520
Speaker 2: why would Drake ever sit with someone that's so.

589
00:25:59,760 --> 00:26:01,960
Speaker 1: And let me not get a twisted know a lot

590
00:26:02,000 --> 00:26:02,520
Speaker 1: about the coach.

591
00:26:03,160 --> 00:26:06,280
Speaker 3: I mean, I'm not going to tell her dad didn't closet. Yeah,

592
00:26:06,400 --> 00:26:07,960
Speaker 3: like she's playing that.

593
00:26:09,720 --> 00:26:10,600
Speaker 7: Yeah, And by the.

594
00:26:10,600 --> 00:26:14,040
Speaker 2: Way, I want to know, I loved that interview. It

595
00:26:14,160 --> 00:26:16,240
Speaker 2: was incredible and I have no issue with it. I

596
00:26:16,359 --> 00:26:19,439
Speaker 2: do fully understand why people with them. I totally I.

597
00:26:19,480 --> 00:26:21,600
Speaker 3: Totally didn't see it, but it does. But again, at

598
00:26:21,600 --> 00:26:22,200
Speaker 3: the end of it doesn't.

599
00:26:22,240 --> 00:26:25,200
Speaker 2: But I've also been called the culture vulture. So yeah, yeah,

600
00:26:26,200 --> 00:26:29,320
Speaker 2: Rory's never gonna let that go. No, never let well go.

601
00:26:29,520 --> 00:26:30,960
Speaker 1: I've coach vulture.

602
00:26:31,520 --> 00:26:31,920
Speaker 2: I'm said.

603
00:26:32,040 --> 00:26:33,760
Speaker 1: Believe he laughed that off, though you know how many

604
00:26:33,800 --> 00:26:34,719
Speaker 1: times we laughed that off.

605
00:26:35,320 --> 00:26:35,800
Speaker 3: Oh for sure.

606
00:26:35,800 --> 00:26:37,920
Speaker 2: I don't really think I'm won No, I know you don't,

607
00:26:38,040 --> 00:26:40,320
Speaker 2: but I wouldn't get that people called you that is

608
00:26:40,400 --> 00:26:44,320
Speaker 2: like appalling to you, uh Nopolis Like I grew up

609
00:26:44,359 --> 00:26:48,400
Speaker 2: on Linden Below, I don't. I don't think it's appalling.

610
00:26:48,440 --> 00:26:50,479
Speaker 2: I was the first person to tell logic, Hey, we're

611
00:26:50,520 --> 00:26:52,040
Speaker 2: guess here, buddy, let's act like it.

612
00:26:52,960 --> 00:26:55,400
Speaker 3: That's true, not logic. I don't think it's pulling away

613
00:26:55,440 --> 00:26:56,240
Speaker 3: logic is black card?

614
00:26:57,600 --> 00:26:57,679
Speaker 4: Bro?

615
00:26:58,960 --> 00:27:00,439
Speaker 1: How's logic doing. I haven't seen him.

616
00:27:00,480 --> 00:27:02,320
Speaker 2: I don't know hit about he put an out of

617
00:27:02,359 --> 00:27:03,160
Speaker 2: him a little while ago.

618
00:27:03,200 --> 00:27:04,399
Speaker 7: Oh yeah, yeah, I.

619
00:27:04,440 --> 00:27:06,600
Speaker 1: Mean I haven't seen him since that viral ice Cube song.

620
00:27:06,960 --> 00:27:08,600
Speaker 1: I just haven't seen what he's been up to.

621
00:27:09,000 --> 00:27:09,600
Speaker 2: I like logic.

622
00:27:09,640 --> 00:27:10,160
Speaker 1: He's a good guy.

623
00:27:10,280 --> 00:27:13,320
Speaker 2: He's a nice guy. Definitely a nice guy. Well, yeah,

624
00:27:13,440 --> 00:27:15,680
Speaker 2: I think everyone should check that interview out. It is

625
00:27:15,840 --> 00:27:18,360
Speaker 2: very funny. I saw that YACHTI is the next one,

626
00:27:18,880 --> 00:27:20,960
Speaker 2: and that's where I'm gonna say it's getting a little

627
00:27:21,000 --> 00:27:21,800
Speaker 2: culture bullshitter.

628
00:27:22,880 --> 00:27:24,200
Speaker 3: No, she's got a right agent.

629
00:27:24,359 --> 00:27:26,680
Speaker 2: I'm kind of with moll. Also, yeah, you were saying

630
00:27:27,240 --> 00:27:30,520
Speaker 2: she's now ta Whoever the fuck is behind her is

631
00:27:30,560 --> 00:27:30,760
Speaker 2: doing that?

632
00:27:30,880 --> 00:27:33,760
Speaker 6: She announced so with the Drake interview, she announced her

633
00:27:33,840 --> 00:27:35,639
Speaker 6: signing to wm ME like whoever.

634
00:27:35,800 --> 00:27:37,960
Speaker 3: I mean, she knows the right person.

635
00:27:38,480 --> 00:27:42,200
Speaker 2: It's justin neighbors for sure. Justice mind all this bullshit.

636
00:27:42,320 --> 00:27:44,800
Speaker 6: He's clearly being fed all the right people and she's

637
00:27:44,840 --> 00:27:46,440
Speaker 6: the hoddest thing else And I think they're gonna milk

638
00:27:46,480 --> 00:27:48,760
Speaker 6: it until Kanashi something they signed someone else?

639
00:27:48,880 --> 00:27:49,800
Speaker 2: What is she Jewish?

640
00:27:50,080 --> 00:27:51,720
Speaker 3: I have no idea. What the last thing like that?

641
00:27:51,800 --> 00:27:53,560
Speaker 3: It looks kind of Germany.

642
00:27:53,800 --> 00:27:57,760
Speaker 2: Well, you know there were Jews in German Germany that

643
00:27:57,880 --> 00:27:59,240
Speaker 2: was it was like a big it was a big thing.

644
00:27:59,320 --> 00:28:01,600
Speaker 2: It was a thing. It's like what sparked that whole

645
00:28:01,640 --> 00:28:05,320
Speaker 2: thing on? How do you guys feel about the yachty snippet?

646
00:28:05,640 --> 00:28:07,320
Speaker 2: Because Mal did come. I don't know if Mall said

647
00:28:07,359 --> 00:28:09,560
Speaker 2: this off Mike or on Mike. I know he doesn't

648
00:28:09,560 --> 00:28:12,600
Speaker 2: think I'm snitching that the satire shit could be ran

649
00:28:12,680 --> 00:28:15,440
Speaker 2: into the ground a bit. Yeah, And I disagreed with

650
00:28:15,560 --> 00:28:18,520
Speaker 2: him wholeheartedly because that's my type of comedy. When I

651
00:28:18,600 --> 00:28:20,720
Speaker 2: watched that yachty thing, I did think it was funny.

652
00:28:20,840 --> 00:28:23,000
Speaker 2: But now I see what Maul's talking about. This could

653
00:28:23,000 --> 00:28:25,680
Speaker 2: be ran into the fucking round and become unfunny eventually.

654
00:28:25,880 --> 00:28:28,040
Speaker 4: This is the type of thing where you need the

655
00:28:28,240 --> 00:28:31,720
Speaker 4: perfect funny guests for it in order for it to continue.

656
00:28:32,320 --> 00:28:35,560
Speaker 4: So just doing all hip hop artists just because obviously

657
00:28:35,640 --> 00:28:37,760
Speaker 4: their names are going to garner clicks might not be

658
00:28:37,840 --> 00:28:39,880
Speaker 4: the best thing. You need to find the best guess

659
00:28:40,000 --> 00:28:42,160
Speaker 4: for something like this, and that could be a mix

660
00:28:42,320 --> 00:28:45,400
Speaker 4: of comedians or actors. You need the correct the right

661
00:28:45,480 --> 00:28:47,120
Speaker 4: personalities for this not to get you.

662
00:28:47,480 --> 00:28:48,840
Speaker 1: You need the right person shitting and cross form you

663
00:28:49,040 --> 00:28:51,360
Speaker 1: can that understands what it is you're doing, understands the

664
00:28:51,440 --> 00:28:52,600
Speaker 1: timing of it, the energy.

665
00:28:54,480 --> 00:28:56,680
Speaker 3: I think she's every guest they've gotten has been.

666
00:28:57,240 --> 00:28:59,080
Speaker 2: I just ye, Yachty definitely has that type of humor,

667
00:28:59,160 --> 00:29:01,640
Speaker 2: So I think it'll be a good interview. I just

668
00:29:01,880 --> 00:29:04,400
Speaker 2: felt what Maul was saying once I saw this clip.

669
00:29:04,480 --> 00:29:05,920
Speaker 2: It's like this could be ran into the ground. It

670
00:29:05,960 --> 00:29:07,000
Speaker 2: could be ran to the ground.

671
00:29:07,080 --> 00:29:10,280
Speaker 1: But you know, again back to the Drake and Elliott thing,

672
00:29:10,360 --> 00:29:11,720
Speaker 1: I think that it's just to a point where a

673
00:29:11,760 --> 00:29:14,440
Speaker 1: lot of these artists and celebrities, they've done so many

674
00:29:14,520 --> 00:29:17,120
Speaker 1: interviews in their lives, They've done so many different platforms,

675
00:29:17,400 --> 00:29:18,680
Speaker 1: and I think they just want to get to a

676
00:29:18,760 --> 00:29:23,640
Speaker 1: point where, for example, the whole Her Lost rollout, it

677
00:29:23,800 --> 00:29:27,520
Speaker 1: was a troll on interviews and doing you know, uh

678
00:29:28,600 --> 00:29:31,600
Speaker 1: marketing and doing promo for the for the album, and

679
00:29:31,720 --> 00:29:34,000
Speaker 1: I think this is just a continuation of that in

680
00:29:34,080 --> 00:29:37,160
Speaker 1: a sense of we don't always want to sit down

681
00:29:37,240 --> 00:29:41,120
Speaker 1: and be so serious and be grilled, you know when

682
00:29:41,160 --> 00:29:42,720
Speaker 1: we're doing the interview, like we want to have fun.

683
00:29:42,800 --> 00:29:43,480
Speaker 2: We want to laugh.

684
00:29:43,560 --> 00:29:45,600
Speaker 1: You know, we're having we're having a good time with this.

685
00:29:45,800 --> 00:29:48,959
Speaker 1: Like everything doesn't have to be so you know straight,

686
00:29:49,040 --> 00:29:51,120
Speaker 1: it doesn't be so serious. Everything doesn't have to be

687
00:29:51,160 --> 00:29:52,800
Speaker 1: so serious. Let's have more fun. And a lot of

688
00:29:52,880 --> 00:29:56,280
Speaker 1: these people that have these platforms are creating a you know,

689
00:29:56,320 --> 00:29:59,280
Speaker 1: a little fun, awkward, quirky way of doing it. And

690
00:29:59,360 --> 00:30:01,520
Speaker 1: I think that artist so like, I would rather do that.

691
00:30:01,640 --> 00:30:04,480
Speaker 1: I haven't done something like that. Oh, I haven't done

692
00:30:04,480 --> 00:30:06,080
Speaker 1: something like that in a while. This is something different.

693
00:30:06,360 --> 00:30:07,760
Speaker 1: I think I can have fun with this. It may

694
00:30:07,800 --> 00:30:11,000
Speaker 1: show even more of my personality. So I think that

695
00:30:11,120 --> 00:30:13,520
Speaker 1: they this is why they enjoyed doing things like this. Now,

696
00:30:13,560 --> 00:30:16,520
Speaker 1: the whole sat tire thing, it.

697
00:30:16,560 --> 00:30:17,600
Speaker 2: Can get old quick.

698
00:30:18,360 --> 00:30:20,160
Speaker 1: But again, if you're sitting down with the right people

699
00:30:20,240 --> 00:30:23,800
Speaker 1: sitting across from the right, the right talent, it can

700
00:30:23,880 --> 00:30:26,720
Speaker 1: still be interesting. Yeah, it can still be you know, fun,

701
00:30:26,880 --> 00:30:27,440
Speaker 1: fun to watch.

702
00:30:28,120 --> 00:30:30,640
Speaker 6: I mean even esthetically with this, like that's just everything

703
00:30:30,720 --> 00:30:33,520
Speaker 6: is so from a production standpoint, And Rory and I

704
00:30:33,640 --> 00:30:34,600
Speaker 6: were talking a lot about this.

705
00:30:34,680 --> 00:30:37,280
Speaker 2: She needs well, I was gonna say, Eddon pointed this

706
00:30:37,360 --> 00:30:39,520
Speaker 2: out and thank you for bringing up aesthetics. You know,

707
00:30:39,560 --> 00:30:41,680
Speaker 2: a lot of people didn't understand itawahs and heartbreaks when

708
00:30:41,680 --> 00:30:42,880
Speaker 2: it came out, got a lot of hate. Then we

709
00:30:43,000 --> 00:30:46,920
Speaker 2: realized it did turn into the modern sound. Yes, eight

710
00:30:47,000 --> 00:30:49,040
Speaker 2: weights right, I feel the same way as far as

711
00:30:49,080 --> 00:30:51,040
Speaker 2: Mike stands. You guys just didn't understand where we were

712
00:30:51,080 --> 00:30:54,960
Speaker 2: taking the culture. And now you see, no, Mike stand

713
00:30:55,080 --> 00:30:55,760
Speaker 2: was ore eight to eight.

714
00:30:55,840 --> 00:30:56,920
Speaker 1: We walked so Bobby could fly.

715
00:30:57,160 --> 00:31:00,160
Speaker 2: Yes, yeah, so Yachty could hold exactly eight yo.

716
00:31:00,400 --> 00:31:02,800
Speaker 4: Well, I ask you, guys, I spoke on Mike. He's

717
00:31:02,800 --> 00:31:03,840
Speaker 4: smoking hook on Mike?

718
00:31:04,600 --> 00:31:08,080
Speaker 2: Who are yachty? I'm just wrong with smoking Mike. Did

719
00:31:08,120 --> 00:31:10,360
Speaker 2: we smoke Google on Mike? No?

720
00:31:10,640 --> 00:31:12,680
Speaker 1: The Mavericks are saying that we said she couldn't smoke

721
00:31:12,720 --> 00:31:16,040
Speaker 1: cook Yeah, don't smoke coo yeah good yeah, No, please

722
00:31:16,080 --> 00:31:17,640
Speaker 1: don't don't do that or vape.

723
00:31:17,720 --> 00:31:19,760
Speaker 4: Are you a for the secondhand smoke? You fucking loser?

724
00:31:19,840 --> 00:31:20,880
Speaker 7: I smoke hook myself.

725
00:31:21,640 --> 00:31:22,920
Speaker 3: Are you afraid of second hand?

726
00:31:25,520 --> 00:31:27,000
Speaker 2: I am no. We don't want to hear your fucking

727
00:31:27,080 --> 00:31:29,160
Speaker 2: bubbles going up and down while we're trying to record

728
00:31:29,200 --> 00:31:30,840
Speaker 2: a podcast like That's the one thing.

729
00:31:30,920 --> 00:31:33,520
Speaker 1: I just don't want to hear the bubbles. Yeah, the bubbles,

730
00:31:34,240 --> 00:31:35,760
Speaker 1: ask you absolutely.

731
00:31:35,240 --> 00:31:37,240
Speaker 2: Here, I would not Mike, the bubbles up, I would

732
00:31:37,280 --> 00:31:37,560
Speaker 2: hear them.

733
00:31:37,560 --> 00:31:39,200
Speaker 3: I don't know the bubble.

734
00:31:44,640 --> 00:31:46,600
Speaker 2: Do we need to get into this ASAP Rocky versus

735
00:31:46,600 --> 00:31:48,080
Speaker 2: Travis Scott nonsense?

736
00:31:48,120 --> 00:31:50,120
Speaker 1: Yes, Now I do want to talk about this though,

737
00:31:50,120 --> 00:31:52,560
Speaker 1: because I saw a lot of people killing Rocky's performance.

738
00:31:53,200 --> 00:31:56,160
Speaker 1: They were saying, it's the worst, worst clo worst headliner

739
00:31:56,240 --> 00:31:56,760
Speaker 1: in history.

740
00:31:57,080 --> 00:31:57,320
Speaker 9: Damn.

741
00:31:57,440 --> 00:31:58,720
Speaker 3: Probably about a great booking.

742
00:31:58,720 --> 00:32:00,800
Speaker 2: The show was, and we talked about it, like, how

743
00:32:00,840 --> 00:32:03,960
Speaker 2: does Rocky did he start Rolling Loud? He's headlined every

744
00:32:03,960 --> 00:32:04,360
Speaker 2: one of them.

745
00:32:05,720 --> 00:32:08,440
Speaker 1: He knows somebody, he has a release, he knows Rolling

746
00:32:08,560 --> 00:32:08,880
Speaker 1: or Loud.

747
00:32:08,960 --> 00:32:12,160
Speaker 2: Yeah, I think yeah, Like, but people did.

748
00:32:12,240 --> 00:32:15,040
Speaker 1: People were weren't really happy with his performance.

749
00:32:16,720 --> 00:32:20,080
Speaker 4: People because the ASAP fans and their little where you

750
00:32:20,160 --> 00:32:20,880
Speaker 4: can't gang.

751
00:32:21,120 --> 00:32:22,960
Speaker 1: Yeah, you can't look to them. Obviously they're gonna think

752
00:32:22,960 --> 00:32:25,240
Speaker 1: it was great. But there were a lot of people

753
00:32:25,320 --> 00:32:28,040
Speaker 1: that I saw in you know, on Twitter, talking about

754
00:32:28,200 --> 00:32:31,440
Speaker 1: after the live stream of his his SUS set, they

755
00:32:31,480 --> 00:32:34,640
Speaker 1: were unhappy with it. You know, I think that they

756
00:32:34,680 --> 00:32:37,000
Speaker 1: were just mad that he was the headliner. It was

757
00:32:37,080 --> 00:32:38,960
Speaker 1: kind of like Yo, not saying he couldn't have performed

758
00:32:39,080 --> 00:32:42,600
Speaker 1: at Rolling Loud, but when you're the headliner' It's supposed

759
00:32:42,640 --> 00:32:45,360
Speaker 1: to be a great, great show, and a lot of

760
00:32:45,360 --> 00:32:46,080
Speaker 1: people just weren't.

761
00:32:46,120 --> 00:32:48,560
Speaker 2: For whatever reason, they weren't happy with it. But it

762
00:32:48,640 --> 00:32:49,200
Speaker 2: brought me back to.

763
00:32:49,280 --> 00:32:51,800
Speaker 1: Us talking about how the hell does Rocky keep getting

764
00:32:51,840 --> 00:32:54,320
Speaker 1: these headlining gigs. He hasn't put out an album and

765
00:32:54,360 --> 00:32:54,920
Speaker 1: how long.

766
00:32:55,560 --> 00:32:58,200
Speaker 6: Years he's on, Like I think the Cardi timeline, I

767
00:32:58,240 --> 00:32:59,560
Speaker 6: think it's been five years.

768
00:33:00,080 --> 00:33:02,360
Speaker 2: And even the last one wasn't really that thing was.

769
00:33:03,000 --> 00:33:04,120
Speaker 7: Yeah, the last one was five years.

770
00:33:04,240 --> 00:33:11,080
Speaker 2: I mean, great agent, great pr great loyal fan base, great,

771
00:33:11,160 --> 00:33:12,600
Speaker 2: great cult he has.

772
00:33:12,680 --> 00:33:14,160
Speaker 1: He has a cult following for sure.

773
00:33:14,800 --> 00:33:15,000
Speaker 7: Yeah.

774
00:33:15,160 --> 00:33:16,280
Speaker 2: But now I'm with you, I if you're going to

775
00:33:16,320 --> 00:33:18,520
Speaker 2: be a headliner, no matter how you became the headliner,

776
00:33:18,520 --> 00:33:21,960
Speaker 2: and you need to give a headlining performance that's not

777
00:33:22,120 --> 00:33:22,960
Speaker 2: like any other set.

778
00:33:23,080 --> 00:33:25,520
Speaker 1: That's not up with debate, your your your set. Your

779
00:33:25,520 --> 00:33:29,440
Speaker 1: performance has to be headline worthy. Not saying that Rocky

780
00:33:29,520 --> 00:33:31,120
Speaker 1: isn't capable of it, but a lot of people just

781
00:33:31,200 --> 00:33:34,560
Speaker 1: weren't happy with his set last night. But now to

782
00:33:34,760 --> 00:33:38,560
Speaker 1: his set and things that were said, So people, are

783
00:33:39,000 --> 00:33:42,400
Speaker 1: you know, feeding into this whole did a sap Rocky

784
00:33:42,480 --> 00:33:44,440
Speaker 1: dish Travis Scott at Roland Loud thing.

785
00:33:44,560 --> 00:33:46,720
Speaker 2: I feel like Edding and Funk. Flex started this entire

786
00:33:46,800 --> 00:33:51,120
Speaker 2: beef the Rocky verse playing Travis Scott. Didn't. Flex go

787
00:33:51,200 --> 00:33:55,760
Speaker 2: on to a rant to Flex about Travis Scott stealing

788
00:33:55,960 --> 00:33:59,120
Speaker 2: a sav Rocky's hostyle and that that popped us off

789
00:33:59,160 --> 00:34:02,080
Speaker 2: to the mainstream quote looks people have talked about it

790
00:34:02,160 --> 00:34:05,240
Speaker 2: prior to but I felt like, unfortunately, Flex was the

791
00:34:05,280 --> 00:34:06,640
Speaker 2: one that brought this to light for real.

792
00:34:06,760 --> 00:34:08,640
Speaker 1: I'm one of the people that was early on saying

793
00:34:08,680 --> 00:34:10,960
Speaker 1: that you can definitely see the influence that Rocky had

794
00:34:11,000 --> 00:34:13,160
Speaker 1: on Travis. I don't think Travis would not at no.

795
00:34:14,840 --> 00:34:17,359
Speaker 1: You know, now Travis has grown to be a star

796
00:34:17,440 --> 00:34:19,160
Speaker 1: in his own right, has a lot of kids.

797
00:34:19,239 --> 00:34:21,120
Speaker 2: Yeah, he's an amazing brand.

798
00:34:23,400 --> 00:34:27,080
Speaker 1: Do I think that these bars were shots at Travis?

799
00:34:29,080 --> 00:34:29,279
Speaker 7: Yeah?

800
00:34:29,360 --> 00:34:32,880
Speaker 2: Why not? It's hip hop. Well give that, give us

801
00:34:32,920 --> 00:34:37,960
Speaker 2: the bars. I think you said you stole my flow.

802
00:34:38,360 --> 00:34:40,279
Speaker 1: First, you stole my flow, so I stole your bitch

803
00:34:41,080 --> 00:34:43,120
Speaker 1: and you stole my style. I need my ten percent.

804
00:34:44,200 --> 00:34:46,279
Speaker 1: All the disrespect I hope you take offense.

805
00:34:47,280 --> 00:34:50,040
Speaker 3: Is not a bad yet generous.

806
00:34:50,400 --> 00:34:55,400
Speaker 2: Depend giving up management, lawyer, booking agent that ten percent,

807
00:34:55,800 --> 00:34:58,480
Speaker 2: you know you're dipping into profit at that time. Yeah,

808
00:35:00,000 --> 00:35:01,080
Speaker 2: Travis is a high overhead.

809
00:35:01,800 --> 00:35:05,160
Speaker 4: Do you think a SAP stole his flow, not his style,

810
00:35:05,239 --> 00:35:08,359
Speaker 4: his flow, A SAP stole Rocky, I mean Travis. I'm sorry,

811
00:35:08,520 --> 00:35:10,279
Speaker 4: Travis stole their's SAPs.

812
00:35:10,080 --> 00:35:16,720
Speaker 2: Flow definitely similarities. But if I'm a if I'm Travis,

813
00:35:16,960 --> 00:35:19,839
Speaker 2: the easy response to that is, you stole my entire city.

814
00:35:19,960 --> 00:35:24,640
Speaker 2: Sound like the flow? Wise, I do think, Yeah, Travis

815
00:35:24,719 --> 00:35:27,200
Speaker 2: definitely has, but so do a lot of people. That's

816
00:35:27,200 --> 00:35:29,319
Speaker 2: why I said Rocky is a lot of kids. Yeah,

817
00:35:29,320 --> 00:35:31,719
Speaker 2: and Travis has a flow that's similar to most of

818
00:35:31,800 --> 00:35:33,960
Speaker 2: his peers. Like, and it's nothing wrong with with with

819
00:35:34,200 --> 00:35:35,800
Speaker 2: with people. You inspiring people.

820
00:35:35,960 --> 00:35:38,759
Speaker 1: There's nothing wrong with people hearing you and like, damn,

821
00:35:38,800 --> 00:35:40,239
Speaker 1: I like the way he did that, or you know,

822
00:35:40,280 --> 00:35:42,560
Speaker 1: I like the way he wore that, Like that's what

823
00:35:42,760 --> 00:35:44,640
Speaker 1: I think. That's what this ship is about. Like, you know,

824
00:35:45,120 --> 00:35:48,520
Speaker 1: the hip hop is built on inspiring in different ways.

825
00:35:48,560 --> 00:35:50,560
Speaker 1: You know, the way that the drug dealers in the

826
00:35:50,600 --> 00:35:52,359
Speaker 1: Hustle's dress is the way the rappers want the dress.

827
00:35:52,400 --> 00:35:55,680
Speaker 1: That's how it was at first, and you know it's

828
00:35:55,719 --> 00:35:57,680
Speaker 1: all part of borrowing and inspiring.

829
00:35:57,760 --> 00:36:00,279
Speaker 2: So I mean, I agree with you, But if you

830
00:36:00,400 --> 00:36:02,200
Speaker 2: just take the flow, that's one thing. But if you

831
00:36:02,280 --> 00:36:06,240
Speaker 2: take the flow, the exact look, the girl, the haircut,

832
00:36:08,760 --> 00:36:11,960
Speaker 2: that fucking everything. Yeah, I can kind of see where

833
00:36:12,080 --> 00:36:12,919
Speaker 2: Rocky is coming from.

834
00:36:13,440 --> 00:36:17,600
Speaker 6: I mean, listen, Ben, eight years since this allegedly started,

835
00:36:17,840 --> 00:36:19,279
Speaker 6: this this feud between the two of them.

836
00:36:19,440 --> 00:36:20,600
Speaker 2: Yeah, it's been a while slow.

837
00:36:21,000 --> 00:36:22,800
Speaker 1: It's been a while and it's been something that I

838
00:36:22,840 --> 00:36:27,479
Speaker 1: think everybody knows is going on. But it hasn't really

839
00:36:27,960 --> 00:36:31,120
Speaker 1: come to a head yet. It's like it hasn't really

840
00:36:31,200 --> 00:36:34,719
Speaker 1: hit that point where it's like Travis ain't really start

841
00:36:34,840 --> 00:36:36,600
Speaker 1: going back and going in and you know what I mean,

842
00:36:36,719 --> 00:36:38,960
Speaker 1: like it, it didn't get to that point yet. Do

843
00:36:39,120 --> 00:36:41,560
Speaker 1: I think Travis will after this?

844
00:36:42,760 --> 00:36:43,160
Speaker 2: I think so.

845
00:36:44,000 --> 00:36:45,920
Speaker 1: I think I could definitely. I could definitely see Travis

846
00:36:46,360 --> 00:36:48,480
Speaker 1: having something to say soon, like addressing that.

847
00:36:48,760 --> 00:36:52,319
Speaker 2: I put it this way, if Travis didn't produce, if

848
00:36:52,400 --> 00:36:56,400
Speaker 2: Travis Scott was not a producer, this would be a

849
00:36:56,560 --> 00:37:02,399
Speaker 2: way bigger beef. Travis gets a lot of I don't

850
00:37:02,400 --> 00:37:04,560
Speaker 2: even want to use the word pass, but we respect

851
00:37:04,600 --> 00:37:07,640
Speaker 2: Travis because he's very much a creative director, a producer.

852
00:37:08,239 --> 00:37:10,840
Speaker 2: So we don't like pay attention too too much to

853
00:37:10,960 --> 00:37:14,000
Speaker 2: Travis's lyrics per se. So much of his flow is

854
00:37:14,360 --> 00:37:17,239
Speaker 2: within his production, which we love, which is different than ASAPS.

855
00:37:17,880 --> 00:37:20,239
Speaker 2: So he gets away with it. If Travis Scott was

856
00:37:20,360 --> 00:37:23,600
Speaker 2: just a rapper, it would be nuts. I'd be like,

857
00:37:23,600 --> 00:37:27,520
Speaker 2: all right, well, this is like pure thievery. At least

858
00:37:27,600 --> 00:37:30,120
Speaker 2: Travis has his own sound that I don't think is

859
00:37:30,239 --> 00:37:33,840
Speaker 2: like Asaps. The flow very much matches, but he is

860
00:37:33,880 --> 00:37:37,920
Speaker 2: a producer first, he was a rapper first. Then I

861
00:37:37,960 --> 00:37:39,920
Speaker 2: don't even know. If Travis gets to where he's at,

862
00:37:40,040 --> 00:37:41,319
Speaker 2: I think all of us kind of look at him

863
00:37:41,320 --> 00:37:44,640
Speaker 2: a little weird. That's interesting, and he doesn't get the

864
00:37:44,680 --> 00:37:47,320
Speaker 2: same co signs. He doesn't get the same collapse. Like

865
00:37:48,120 --> 00:37:53,759
Speaker 2: people went to Travis first because of the production and

866
00:37:53,920 --> 00:37:56,920
Speaker 2: that kind of dived into the hook writing and the singing.

867
00:37:57,040 --> 00:38:00,799
Speaker 2: But when Travis rapped, you were like, oh that's a flow. Yeah,

868
00:38:01,560 --> 00:38:03,560
Speaker 2: So he got away with it because he's so talented

869
00:38:04,040 --> 00:38:05,080
Speaker 2: in so many other places.

870
00:38:05,320 --> 00:38:07,719
Speaker 1: Yeah, if it was just the raps, no, I think

871
00:38:07,760 --> 00:38:09,279
Speaker 1: this is good for music. Though I think it's good

872
00:38:09,320 --> 00:38:13,000
Speaker 1: for music, I think it's good for uh, just the culture.

873
00:38:13,280 --> 00:38:16,560
Speaker 1: I think both of these dudes are you know, super dope,

874
00:38:16,560 --> 00:38:20,800
Speaker 1: super talented in their own in their own rights, in

875
00:38:20,880 --> 00:38:23,239
Speaker 1: their own corner I would love to see these two

876
00:38:23,360 --> 00:38:24,600
Speaker 1: kind of like go back and forth.

877
00:38:25,880 --> 00:38:28,080
Speaker 2: I don't care to get in the messiness of Rihanna's

878
00:38:28,120 --> 00:38:31,600
Speaker 2: dating timeline get into it. Is that Is that an

879
00:38:31,600 --> 00:38:36,279
Speaker 2: accurate rap genius bar? Because I don't think so.

880
00:38:36,800 --> 00:38:40,320
Speaker 6: I think this as sequentially, Yeah, I think it is. Yeah, Travis,

881
00:38:40,520 --> 00:38:43,360
Speaker 6: it was allegedly dating her in twenty fifteen, they did that,

882
00:38:44,520 --> 00:38:44,879
Speaker 6: they were.

883
00:38:44,880 --> 00:38:45,960
Speaker 3: He was there, keep it secret.

884
00:38:46,120 --> 00:38:49,640
Speaker 6: Yeah, they did that whole fenty campaign Puma Camp. They

885
00:38:49,640 --> 00:38:51,760
Speaker 6: did a campaign together that was like a soft launch

886
00:38:51,800 --> 00:38:56,359
Speaker 6: of sorts. And then when did that fashion Killer video

887
00:38:56,400 --> 00:38:58,440
Speaker 6: come out? That was that predated that?

888
00:38:58,640 --> 00:38:58,759
Speaker 2: Right?

889
00:38:59,680 --> 00:39:01,279
Speaker 3: Maybe fashion Killer was.

890
00:39:01,640 --> 00:39:06,040
Speaker 2: I don't know Rihanna's name and I'm actually thirteen. Yeah, well,

891
00:39:06,160 --> 00:39:08,200
Speaker 2: I'm saying when rock you don't keep a time on it.

892
00:39:08,280 --> 00:39:11,319
Speaker 3: But when Rocky had her in the fashion Kill video,

893
00:39:11,440 --> 00:39:13,400
Speaker 3: that was like I think an initial rumor of them,

894
00:39:13,440 --> 00:39:15,759
Speaker 3: but I think it was official Travis was dating her,

895
00:39:16,080 --> 00:39:20,399
Speaker 3: and then after that Rocky went got with her, after

896
00:39:20,560 --> 00:39:23,279
Speaker 3: she went and dated a few other people between the two.

897
00:39:23,840 --> 00:39:28,720
Speaker 2: Okay, oh well damn he kept he kept the flout

898
00:39:29,000 --> 00:39:33,200
Speaker 2: well damned, oh shit, well damned, Oh god. I was

899
00:39:33,239 --> 00:39:35,920
Speaker 2: speaking of Travis, who's gonna be honest about the song.

900
00:39:36,800 --> 00:39:39,360
Speaker 2: It was a big, big music Friday, but the biggest

901
00:39:39,360 --> 00:39:40,600
Speaker 2: one was probably the.

902
00:39:40,680 --> 00:39:44,799
Speaker 1: K pop record with Travis Scott featuring Abel and Uh

903
00:39:45,560 --> 00:39:46,120
Speaker 1: bad Bunny.

904
00:39:46,360 --> 00:39:50,399
Speaker 2: Talk about just four names that could blow up an

905
00:39:50,440 --> 00:39:54,080
Speaker 2: AI machine, any algorithm on Earth. Travis Scott, Bad Bunny,

906
00:39:54,480 --> 00:39:56,799
Speaker 2: the Weekend and the name of the song is k pop.

907
00:39:57,000 --> 00:39:57,480
Speaker 7: Who's mad?

908
00:39:58,120 --> 00:40:00,560
Speaker 2: You know, like when all the fembots exploded in Powers.

909
00:40:01,120 --> 00:40:04,200
Speaker 2: That's how I pictured the computers going when they uploaded

910
00:40:04,200 --> 00:40:06,359
Speaker 2: this song to YouTube. And it just has way too

911
00:40:06,400 --> 00:40:09,239
Speaker 2: many names that fit the biggest algorithms on Earth. For

912
00:40:09,320 --> 00:40:10,040
Speaker 2: your algorithms.

913
00:40:10,160 --> 00:40:11,560
Speaker 1: If you do a song with the Weekend, would you

914
00:40:11,560 --> 00:40:14,000
Speaker 1: want him to like if he told you to label

915
00:40:14,080 --> 00:40:14,680
Speaker 1: it as able?

916
00:40:14,719 --> 00:40:15,000
Speaker 2: Would you?

917
00:40:16,360 --> 00:40:17,560
Speaker 1: Or would you keep the Weekend up there?

918
00:40:17,840 --> 00:40:19,120
Speaker 2: No? You got to be primary artists.

919
00:40:19,120 --> 00:40:20,440
Speaker 3: Bro about tetros.

920
00:40:22,640 --> 00:40:23,239
Speaker 7: Tetros?

921
00:40:23,560 --> 00:40:25,880
Speaker 2: No, thank you. No, I'm not trying to be But

922
00:40:26,000 --> 00:40:27,840
Speaker 2: he is going with and call you able. No, no,

923
00:40:27,920 --> 00:40:29,920
Speaker 2: the weekend police. No, but he is changing his name.

924
00:40:29,960 --> 00:40:32,360
Speaker 2: He is going by his real name. Now, right, this

925
00:40:32,960 --> 00:40:33,239
Speaker 2: thought I.

926
00:40:33,239 --> 00:40:35,640
Speaker 6: Read record says the Weekend, But he made it, you

927
00:40:35,719 --> 00:40:38,400
Speaker 6: damn right, It says the Weekend He did? He did

928
00:40:38,520 --> 00:40:41,200
Speaker 6: make a comment about this chapter of his career is

929
00:40:41,320 --> 00:40:43,799
Speaker 6: ending and he wants to go by something else.

930
00:40:44,120 --> 00:40:45,480
Speaker 3: Isn't announce his real name?

931
00:40:45,600 --> 00:40:49,239
Speaker 2: A well somehow the way we're allowed to put hashtags,

932
00:40:49,480 --> 00:40:52,080
Speaker 2: they know so many people at DSP's and YouTube. I'm

933
00:40:52,120 --> 00:40:55,319
Speaker 2: sure it'll still be under the Weekend behind the scene.

934
00:40:55,360 --> 00:40:56,840
Speaker 3: I wonder if they'll be able to merge.

935
00:40:57,440 --> 00:40:59,280
Speaker 6: Yeah, like, is there a way where you can merge

936
00:40:59,320 --> 00:41:01,160
Speaker 6: those accounts for SEO purposes?

937
00:41:01,400 --> 00:41:07,000
Speaker 2: For us? No, for him, He'll be fine, Like if

938
00:41:07,040 --> 00:41:07,440
Speaker 2: you had a.

939
00:41:07,520 --> 00:41:11,640
Speaker 6: Career change, like in your apples, Spotify was no longer Rory.

940
00:41:13,080 --> 00:41:15,480
Speaker 2: No listen. I tried to connect our album to New

941
00:41:15,520 --> 00:41:19,720
Speaker 2: Roy and Malpage on Spotify. It didn't work. I tried.

942
00:41:21,600 --> 00:41:24,360
Speaker 2: They were like, nah, man, you're not able this uh

943
00:41:24,880 --> 00:41:28,279
Speaker 2: this k pop record though it's safe. It's not a

944
00:41:28,360 --> 00:41:30,560
Speaker 2: bad record, of course, it sounds good record.

945
00:41:30,680 --> 00:41:31,040
Speaker 7: It's mad.

946
00:41:31,200 --> 00:41:33,920
Speaker 2: We we just the thing is we we feel like

947
00:41:34,000 --> 00:41:38,480
Speaker 2: we've heard this. Everyone really stepped got this vibe ready everyone,

948
00:41:38,520 --> 00:41:40,680
Speaker 2: They really stepped out of their comfort zone on this one.

949
00:41:41,080 --> 00:41:44,000
Speaker 1: It was low, it was a it was a safe

950
00:41:44,080 --> 00:41:46,120
Speaker 1: it's a safe song. It's a safe song, but it's

951
00:41:46,239 --> 00:41:46,839
Speaker 1: it's it's good.

952
00:41:46,880 --> 00:41:48,960
Speaker 2: The music is good. If it came on at a

953
00:41:49,719 --> 00:41:51,279
Speaker 2: brunch of something, I wouldn't be mad at it.

954
00:41:51,360 --> 00:41:52,120
Speaker 1: It's a good vibe.

955
00:41:52,640 --> 00:41:54,719
Speaker 2: But I feel like I heard this already, So the

956
00:41:54,840 --> 00:41:55,319
Speaker 2: question I.

957
00:41:55,440 --> 00:41:58,560
Speaker 4: Have right, and this can go back into the conversation

958
00:41:58,760 --> 00:42:01,640
Speaker 4: we were actually just have it about hip hop being young.

959
00:42:03,600 --> 00:42:06,760
Speaker 4: Why is it that with rappers or people in our culture,

960
00:42:06,840 --> 00:42:09,839
Speaker 4: we're always looking for them to constantly innovate. I don't

961
00:42:09,840 --> 00:42:12,680
Speaker 4: think they do that in pop or country or all

962
00:42:12,719 --> 00:42:15,680
Speaker 4: these rock the same. If a song is good and

963
00:42:15,760 --> 00:42:18,800
Speaker 4: it has a repetitive formula or formulas that people have

964
00:42:18,880 --> 00:42:21,160
Speaker 4: done before, as long as it's good music, people still

965
00:42:21,280 --> 00:42:23,279
Speaker 4: enjoy it. Why in our culture do we always want

966
00:42:23,320 --> 00:42:25,040
Speaker 4: people to reinvent the wheel?

967
00:42:25,200 --> 00:42:27,560
Speaker 2: Well, this goes back to a conversation we had about

968
00:42:28,000 --> 00:42:31,960
Speaker 2: Travis when he announced the Utopia date. I don't look

969
00:42:32,200 --> 00:42:34,879
Speaker 2: to every artist for that at all. Travis. I do, though,

970
00:42:34,960 --> 00:42:37,640
Speaker 2: because Travis has innovated and he does continue to push

971
00:42:37,880 --> 00:42:41,040
Speaker 2: a sound. So as a fan, yeah, I expect you

972
00:42:41,120 --> 00:42:43,400
Speaker 2: to push a sound. That was my biggest problem with

973
00:42:43,480 --> 00:42:46,640
Speaker 2: Kanye and Yeah. I didn't care that it was lazy rapping,

974
00:42:47,160 --> 00:42:49,839
Speaker 2: it was lazy production. It was a bunch of tie

975
00:42:49,920 --> 00:42:52,920
Speaker 2: dollarge shits from a hard drive. It wasn't innovative, and

976
00:42:53,040 --> 00:42:55,200
Speaker 2: that's why we love Kanye West and why he's a legend.

977
00:42:55,239 --> 00:42:58,799
Speaker 2: He innovates. Travis Scott has innovated when it came to sound.

978
00:43:00,320 --> 00:43:02,799
Speaker 2: This isn't innovative at all. To me, I get why

979
00:43:02,960 --> 00:43:06,040
Speaker 2: you would do this though Bad Bunny the Weekend K Pop.

980
00:43:06,320 --> 00:43:07,799
Speaker 2: It's your album.

981
00:43:07,960 --> 00:43:10,239
Speaker 6: Of course I can understand that it's coming Friday. This

982
00:43:10,360 --> 00:43:11,920
Speaker 6: is the only single, so you might as well put

983
00:43:11,920 --> 00:43:13,839
Speaker 6: the biggest, you know, namesake record out.

984
00:43:14,080 --> 00:43:16,160
Speaker 2: If he innovates on the album, which I hope he does,

985
00:43:16,760 --> 00:43:18,800
Speaker 2: then I really have no problem with the single.

986
00:43:19,360 --> 00:43:22,400
Speaker 1: This is this is This is like the It's a

987
00:43:22,440 --> 00:43:25,040
Speaker 1: great appetizer. He got Bad Bunny in the Weekend. It's

988
00:43:25,040 --> 00:43:26,680
Speaker 1: a great appetizer. But I do think the rest of

989
00:43:26,719 --> 00:43:29,200
Speaker 1: the album, I think Travis is going to give us

990
00:43:29,239 --> 00:43:32,879
Speaker 1: something different. I think this is just to let people know, like, yeah,

991
00:43:32,920 --> 00:43:35,920
Speaker 1: you know, good vibe, you know, get people grooving a

992
00:43:35,960 --> 00:43:37,360
Speaker 1: little bit, like Okay, let me see what else you

993
00:43:37,440 --> 00:43:40,680
Speaker 1: got coming after this. But as far as being innovative,

994
00:43:41,000 --> 00:43:45,160
Speaker 1: I think that it's just with hip hop, it's it's

995
00:43:45,239 --> 00:43:50,320
Speaker 1: it's always good to give the audience a little something different.

996
00:43:50,800 --> 00:43:53,239
Speaker 1: It's always good to evolve as an artist because you've

997
00:43:53,280 --> 00:43:58,000
Speaker 1: experienced more since your last project, You've done more, and

998
00:43:58,080 --> 00:44:00,239
Speaker 1: it's just always fun to introduce a new sound. Which

999
00:44:00,280 --> 00:44:03,640
Speaker 1: why which is why I think that like going back

1000
00:44:03,680 --> 00:44:06,120
Speaker 1: to Drake and artists like him, Drake that hasn't really

1001
00:44:07,680 --> 00:44:11,640
Speaker 1: created sounds. He's just been able to adapt and try

1002
00:44:11,760 --> 00:44:14,279
Speaker 1: different sounds from around the world and it has been

1003
00:44:14,360 --> 00:44:16,440
Speaker 1: good at doing it and bring them to mainstream and

1004
00:44:16,480 --> 00:44:18,600
Speaker 1: bring them to mainstream, that's the difference. Like he's been

1005
00:44:18,640 --> 00:44:21,440
Speaker 1: really good at doing that. So I think that it's

1006
00:44:21,520 --> 00:44:23,560
Speaker 1: just fun, like have fun with it, you know, give us,

1007
00:44:23,640 --> 00:44:24,520
Speaker 1: give us a good vibe.

1008
00:44:24,560 --> 00:44:25,600
Speaker 2: This record is a good vibe.

1009
00:44:25,600 --> 00:44:28,040
Speaker 1: But it's like I feel like we've heard this already,

1010
00:44:28,120 --> 00:44:29,280
Speaker 1: we got this groove before.

1011
00:44:29,440 --> 00:44:30,360
Speaker 2: But I'm not mad at it.

1012
00:44:30,440 --> 00:44:31,719
Speaker 1: If it comes on, it's not.

1013
00:44:31,760 --> 00:44:32,400
Speaker 2: A bad record.

1014
00:44:32,480 --> 00:44:34,680
Speaker 1: But am I do want, I do hope, and I

1015
00:44:34,760 --> 00:44:38,120
Speaker 1: do think that Travis on Utopia is doing something then

1016
00:44:38,400 --> 00:44:40,080
Speaker 1: differently than he did the last time around.

1017
00:44:40,200 --> 00:44:43,640
Speaker 2: Some of your favorite artists, have they not evolved and changed? Like, yeah,

1018
00:44:43,800 --> 00:44:46,560
Speaker 2: has Janet Jackson? Did she give us the same song.

1019
00:44:46,640 --> 00:44:47,680
Speaker 1: For she didn't give us?

1020
00:44:47,680 --> 00:44:48,759
Speaker 2: Really Nation? Year time.

1021
00:44:49,520 --> 00:44:49,960
Speaker 7: You know what I mean?

1022
00:44:50,120 --> 00:44:52,799
Speaker 2: Like she she switched it up. She's a different woman,

1023
00:44:52,840 --> 00:44:53,360
Speaker 2: she's growing.

1024
00:44:54,440 --> 00:44:56,880
Speaker 1: I love when artists have, like especially femal artists when

1025
00:44:56,880 --> 00:44:59,960
Speaker 1: they have kids, like their entire sound changes after that day,

1026
00:45:00,120 --> 00:45:00,800
Speaker 1: energy changes.

1027
00:45:01,080 --> 00:45:07,120
Speaker 2: Uh with guys with artists? Do male artists do change,

1028
00:45:07,280 --> 00:45:09,080
Speaker 2: especially after they have a daughter.

1029
00:45:09,400 --> 00:45:13,320
Speaker 1: I've noticed that. I've noticed that like a lot of

1030
00:45:13,800 --> 00:45:15,680
Speaker 1: the older they get after they have kids, Like there,

1031
00:45:15,840 --> 00:45:17,719
Speaker 1: their art does change a lot.

1032
00:45:18,280 --> 00:45:20,920
Speaker 2: Have you changed for Oh no, I still am an

1033
00:45:20,960 --> 00:45:23,959
Speaker 2: ignorant polishing. Nothing is changed.

1034
00:45:24,280 --> 00:45:26,440
Speaker 6: I feel like there's like the bell curve of an

1035
00:45:26,520 --> 00:45:31,120
Speaker 6: artist's career is usually proving yourself, like the I'm gonna

1036
00:45:31,160 --> 00:45:34,239
Speaker 6: be the man, and then when you hit that the

1037
00:45:34,560 --> 00:45:36,920
Speaker 6: the the money, I'm rich now, so you get the

1038
00:45:37,000 --> 00:45:38,920
Speaker 6: rich bars off, like we're seeing it with Tyler, I'm

1039
00:45:38,960 --> 00:45:41,360
Speaker 6: the I'm the awkward kid. And then now it's like

1040
00:45:41,440 --> 00:45:44,360
Speaker 6: I'll buy every McLaren that's ever come out ever. And

1041
00:45:44,480 --> 00:45:47,120
Speaker 6: then when you have a kid, that's like the next

1042
00:45:47,160 --> 00:45:49,680
Speaker 6: and final not final chapter, Like that's like the the

1043
00:45:49,800 --> 00:45:54,799
Speaker 6: adult arc starts and that's when you start rapping about responsibilities, adulthood,

1044
00:45:54,960 --> 00:45:56,160
Speaker 6: financing and like jay.

1045
00:45:56,040 --> 00:45:57,799
Speaker 4: Z and oh you're done to a woman dirty.

1046
00:45:58,120 --> 00:46:00,439
Speaker 3: Yeah, that's that's where you get to jay Z's forty

1047
00:46:00,440 --> 00:46:01,160
Speaker 3: four well, which is.

1048
00:46:01,160 --> 00:46:04,440
Speaker 1: What you naturally should should happen, right, You don't want

1049
00:46:04,440 --> 00:46:05,960
Speaker 1: to keep putting that energy out there.

1050
00:46:06,560 --> 00:46:08,440
Speaker 2: You know, you're not the same young man that you

1051
00:46:08,520 --> 00:46:10,120
Speaker 2: were at one point. Now you have a family.

1052
00:46:10,560 --> 00:46:13,440
Speaker 1: It's just different. And I think that, Uh, you know,

1053
00:46:13,600 --> 00:46:16,320
Speaker 1: Travis has done a lot of great things away from music,

1054
00:46:16,640 --> 00:46:17,520
Speaker 1: like just his brand.

1055
00:46:17,760 --> 00:46:20,719
Speaker 2: The way he's built his brand is just it's insane

1056
00:46:20,840 --> 00:46:21,399
Speaker 2: what he's been.

1057
00:46:21,320 --> 00:46:23,200
Speaker 1: Able to do away from music. So I think that

1058
00:46:23,280 --> 00:46:25,360
Speaker 1: he'll give us something something different on utobia.

1059
00:46:25,480 --> 00:46:27,160
Speaker 2: You know, I can't wait for And it was just

1060
00:46:27,200 --> 00:46:31,000
Speaker 2: sparked my mind because Tamara said, after you do a

1061
00:46:31,040 --> 00:46:33,560
Speaker 2: bunch of women dirty, that's when you're I'm sorry for

1062
00:46:33,640 --> 00:46:36,040
Speaker 2: doing women dirty? Oubucomes. I can't wait for all these

1063
00:46:36,120 --> 00:46:38,799
Speaker 2: pussy rappers to grow up and like give us their

1064
00:46:38,880 --> 00:46:41,680
Speaker 2: four forty four of like catching licks like yoah, I

1065
00:46:41,680 --> 00:46:43,759
Speaker 2: shouldn't have let every guy eat my pussy what like

1066
00:46:45,200 --> 00:46:47,279
Speaker 2: you're not gonna do that? That's good, you know the

1067
00:46:47,400 --> 00:46:50,600
Speaker 2: pussy Rap four forty four. In ten years, it's gonna

1068
00:46:50,600 --> 00:46:51,879
Speaker 2: be the funniest fucking album ever.

1069
00:46:52,200 --> 00:46:54,719
Speaker 1: Yeah, I can't wait to hear that type of shit

1070
00:46:55,080 --> 00:46:56,000
Speaker 1: because even to an.

1071
00:46:55,920 --> 00:47:00,400
Speaker 2: Extent, like imagine when JT like gives us her mature album,

1072
00:47:01,480 --> 00:47:06,640
Speaker 2: does JAT have kids? No, Karisha has kids though, Yeah, yeah,

1073
00:47:06,680 --> 00:47:08,120
Speaker 2: she said her ten year old in the strip club

1074
00:47:08,200 --> 00:47:08,560
Speaker 2: throwing one.

1075
00:47:08,719 --> 00:47:11,320
Speaker 4: It was not the strip club, bad, what was it?

1076
00:47:11,560 --> 00:47:14,080
Speaker 2: It was somewhere where he was throwing ones on Twitter, rolling.

1077
00:47:13,920 --> 00:47:16,480
Speaker 3: Loud wild rolls, Karasha.

1078
00:47:17,080 --> 00:47:20,719
Speaker 2: I don't know Karsha Brown, twenty eight, She might be

1079
00:47:20,760 --> 00:47:21,600
Speaker 2: a little younger than that.

1080
00:47:22,239 --> 00:47:23,120
Speaker 3: She has a ten year old.

1081
00:47:23,880 --> 00:47:29,160
Speaker 10: Yeah, people have children's okay, Jesus, she has a what

1082
00:47:29,520 --> 00:47:31,040
Speaker 10: that's just such Jesus, you.

1083
00:47:31,160 --> 00:47:32,839
Speaker 7: Just shocked at the fact that she's twenty nine.

1084
00:47:33,120 --> 00:47:35,680
Speaker 2: You don't think a ten year old boy should be

1085
00:47:36,080 --> 00:47:39,160
Speaker 2: throwing ones on a stripper at after midnight.

1086
00:47:39,200 --> 00:47:39,759
Speaker 3: That's his mom.

1087
00:47:41,040 --> 00:47:42,680
Speaker 2: He wasn't throwing money at his mom.

1088
00:47:42,800 --> 00:47:44,920
Speaker 7: Money at his mom, you asshole.

1089
00:47:45,239 --> 00:47:47,759
Speaker 2: Because you guys always kill us when we want to

1090
00:47:47,920 --> 00:47:50,239
Speaker 2: like monitor our daughters, and you think that we don't

1091
00:47:50,280 --> 00:47:52,000
Speaker 2: give a fuck what our sons do. I felt the

1092
00:47:52,040 --> 00:47:54,520
Speaker 2: same way looking at a boy throw ones at a

1093
00:47:54,520 --> 00:47:55,480
Speaker 2: stripper at ten years old.

1094
00:47:55,520 --> 00:47:56,000
Speaker 7: That's awful.

1095
00:47:56,360 --> 00:47:58,239
Speaker 4: She wasn't a real strip I get what I get

1096
00:47:58,280 --> 00:47:58,759
Speaker 4: what you're saying.

1097
00:47:58,840 --> 00:48:00,840
Speaker 2: She was just taking her clothes off from honey, she was.

1098
00:48:01,000 --> 00:48:04,719
Speaker 4: Taking her clothes off. She was the only thing that

1099
00:48:04,760 --> 00:48:06,800
Speaker 4: made her a stripper was that there was a poll.

1100
00:48:06,960 --> 00:48:07,920
Speaker 4: She was a background.

1101
00:48:07,960 --> 00:48:09,799
Speaker 2: And you think that if you think the ten year

1102
00:48:09,840 --> 00:48:11,759
Speaker 2: old sat there and kind of broke that down with

1103
00:48:11,800 --> 00:48:13,719
Speaker 2: his mind, like, well, she's not a real one. No,

1104
00:48:13,960 --> 00:48:17,200
Speaker 2: he knew the culture of throwing money at women. Singles

1105
00:48:17,239 --> 00:48:19,520
Speaker 2: in particular one that is dancing half naked.

1106
00:48:20,000 --> 00:48:22,080
Speaker 4: That's what they were backstage. I rolled aloud and a

1107
00:48:22,160 --> 00:48:24,080
Speaker 4: bunch of men were throwing money up in the air,

1108
00:48:24,160 --> 00:48:26,680
Speaker 4: and they handed him the money. So he started throwing

1109
00:48:26,719 --> 00:48:28,440
Speaker 4: money up in the air too. He was not throwing

1110
00:48:28,520 --> 00:48:30,839
Speaker 4: it at women. He was throwing it in the air

1111
00:48:31,360 --> 00:48:31,600
Speaker 4: like the.

1112
00:48:31,640 --> 00:48:34,480
Speaker 2: Men around Okay, this all right, this isn't a Nigerian wedding.

1113
00:48:35,320 --> 00:48:38,440
Speaker 2: This is he couldn't. It's drastically different.

1114
00:48:38,600 --> 00:48:41,279
Speaker 4: If you look around him, there's no women around him.

1115
00:48:43,880 --> 00:48:44,520
Speaker 3: That I didn't think.

1116
00:48:45,239 --> 00:48:46,960
Speaker 4: I didn't have all the knowledge. I didn't have all

1117
00:48:46,960 --> 00:48:51,000
Speaker 4: the knowledge, but there was definitely just yeah, there's just

1118
00:48:51,080 --> 00:48:53,960
Speaker 4: a stripper that was the next that wasn't in the

1119
00:48:54,000 --> 00:48:54,560
Speaker 4: same video.

1120
00:48:55,200 --> 00:48:57,600
Speaker 3: It's her story that goes into the next slide from

1121
00:48:57,640 --> 00:48:59,600
Speaker 3: the look at the light at the top.

1122
00:49:00,000 --> 00:49:03,480
Speaker 4: It's probably loud anyway, at the end of the day,

1123
00:49:03,480 --> 00:49:05,319
Speaker 4: what people other people do with their kids and none

1124
00:49:05,360 --> 00:49:06,480
Speaker 4: of my business my son.

1125
00:49:06,680 --> 00:49:09,680
Speaker 2: I agree around women asking you hypothetically.

1126
00:49:09,560 --> 00:49:13,120
Speaker 4: Shaking ass, but this is Karesha's son. She's he's seen

1127
00:49:13,160 --> 00:49:16,800
Speaker 4: her shake ass before. So there, like, I don't I

1128
00:49:16,840 --> 00:49:17,120
Speaker 4: don't know.

1129
00:49:17,320 --> 00:49:21,640
Speaker 2: Separate point and separate conversation. I just don't think it's

1130
00:49:21,680 --> 00:49:23,359
Speaker 2: cool to teach a ten year old at this time

1131
00:49:23,440 --> 00:49:25,640
Speaker 2: what that that is that culture is.

1132
00:49:26,200 --> 00:49:27,160
Speaker 7: No'll find out eventually.

1133
00:49:27,920 --> 00:49:29,960
Speaker 4: I'm sure ten year olds know what strippers are. I'm

1134
00:49:30,000 --> 00:49:30,759
Speaker 4: one hundred all right.

1135
00:49:30,800 --> 00:49:33,800
Speaker 2: So you and this is a reoccurring thing on the

1136
00:49:33,840 --> 00:49:36,680
Speaker 2: past few episodes because kids can see it on TikTok.

1137
00:49:36,760 --> 00:49:38,880
Speaker 2: You think we should all throw parenting out the window.

1138
00:49:39,480 --> 00:49:41,400
Speaker 2: That's what you guys have said the last three episodes.

1139
00:49:42,360 --> 00:49:44,799
Speaker 2: Be they said, Oh, it doesn't matter, the kids will

1140
00:49:44,800 --> 00:49:46,879
Speaker 2: see it on the internet anyways, why even bother parents?

1141
00:49:46,880 --> 00:49:49,440
Speaker 7: Okay, My point is more of the exposure, not necessarily

1142
00:49:49,520 --> 00:49:52,960
Speaker 7: the parenting. The parenting should be there, but exposure is gonna.

1143
00:49:52,760 --> 00:49:55,279
Speaker 6: Have composure for sure. Life versus on a screen are

1144
00:49:55,320 --> 00:49:56,400
Speaker 6: two very different things.

1145
00:49:56,480 --> 00:49:59,840
Speaker 4: This is not a normal child. This is the child of.

1146
00:50:00,200 --> 00:50:03,920
Speaker 2: Which he's which means he's even more uh exposed to

1147
00:50:03,960 --> 00:50:06,040
Speaker 2: this stuff. Yeah, like you should really explain to this kid.

1148
00:50:06,600 --> 00:50:11,120
Speaker 2: I'm sure crazy he's more risk than any other kid, which.

1149
00:50:10,960 --> 00:50:12,960
Speaker 4: I'm sure they've had conversations with him. But I'm not

1150
00:50:13,040 --> 00:50:15,280
Speaker 4: going to act prize.

1151
00:50:16,080 --> 00:50:16,440
Speaker 3: You don't know.

1152
00:50:16,600 --> 00:50:18,359
Speaker 2: I don't want to get into there. I'm not talking

1153
00:50:18,360 --> 00:50:20,040
Speaker 2: about them in particular because they could be great parent

1154
00:50:20,080 --> 00:50:22,360
Speaker 2: I don't know. I'm talking about just this hypothetical situation

1155
00:50:22,840 --> 00:50:25,640
Speaker 2: of a kid because we we do. We are very

1156
00:50:25,719 --> 00:50:30,359
Speaker 2: hard on daughters as far as how especially men parent

1157
00:50:30,440 --> 00:50:32,520
Speaker 2: and what women can and cannot do. I think it's

1158
00:50:32,719 --> 00:50:35,640
Speaker 2: just as important, if not more important, to stop little

1159
00:50:35,680 --> 00:50:36,839
Speaker 2: boys from doing this ship too.

1160
00:50:36,920 --> 00:50:38,000
Speaker 4: Okay, I agree with what you're saying.

1161
00:50:38,080 --> 00:50:39,960
Speaker 2: Yeah, I'm not saying that that's not healthy to give

1162
00:50:40,040 --> 00:50:42,120
Speaker 2: a ten year old boy a stack of money after

1163
00:50:42,160 --> 00:50:45,399
Speaker 2: you watch grown men throw money on a naked woman.

1164
00:50:45,640 --> 00:50:48,359
Speaker 2: I mean, we said, am I crazy? Am I? We said?

1165
00:50:48,400 --> 00:50:50,359
Speaker 2: Am I a Republican? Now for thinking that? We said,

1166
00:50:50,760 --> 00:50:52,680
Speaker 2: how does shut down with?

1167
00:50:52,960 --> 00:50:55,279
Speaker 1: We sat down with j D and Bow and he

1168
00:50:55,360 --> 00:50:58,080
Speaker 1: spoke to that about being young and being around just

1169
00:50:58,200 --> 00:51:01,319
Speaker 1: that lifestyle and how we're and how it fucked him up.

1170
00:51:01,760 --> 00:51:03,880
Speaker 1: He was like, yeah, it absolutely affected the way I

1171
00:51:04,000 --> 00:51:06,680
Speaker 1: interact with women, Like because I was exposed to so

1172
00:51:06,880 --> 00:51:08,960
Speaker 1: much as a child, being with JD and them and

1173
00:51:09,000 --> 00:51:11,640
Speaker 1: they was running around, you know, strip club every city

1174
00:51:11,760 --> 00:51:14,640
Speaker 1: going crazy by I was the starter he was, and

1175
00:51:14,800 --> 00:51:15,480
Speaker 1: he spoke to that.

1176
00:51:15,600 --> 00:51:16,440
Speaker 2: He was like, yeah, that.

1177
00:51:16,680 --> 00:51:20,799
Speaker 1: Definitely affected my relationship and how I interacted with women

1178
00:51:20,880 --> 00:51:23,120
Speaker 1: for sure. So I mean it is you know, you

1179
00:51:23,239 --> 00:51:26,000
Speaker 1: want your kids to have fun, but you know there's

1180
00:51:26,040 --> 00:51:29,640
Speaker 1: a certain line, Yeah, ten year old fun. There's a

1181
00:51:29,640 --> 00:51:31,680
Speaker 1: certain line you have to draw where it's just like

1182
00:51:32,120 --> 00:51:34,520
Speaker 1: you don't want to teach that part of the culture,

1183
00:51:34,600 --> 00:51:38,400
Speaker 1: Like you don't want to teach the girls shaking half naked,

1184
00:51:38,520 --> 00:51:41,120
Speaker 1: throwing money at ten years old. You don't want to

1185
00:51:41,160 --> 00:51:43,359
Speaker 1: introduce it that early. So I agree with you saying

1186
00:51:43,360 --> 00:51:45,440
Speaker 1: we definitely got to be more careful of what we

1187
00:51:45,560 --> 00:51:48,959
Speaker 1: exposed kids to and how soon we exposed it to him. Yeah,

1188
00:51:49,560 --> 00:51:51,279
Speaker 1: that's all I'm with you on that one.

1189
00:51:51,320 --> 00:51:54,080
Speaker 2: I get it. But you see such a dad, see

1190
00:51:54,120 --> 00:51:56,160
Speaker 2: the dad coming out of him. He's just like, save

1191
00:51:56,239 --> 00:51:56,600
Speaker 2: the youth.

1192
00:51:57,160 --> 00:51:58,640
Speaker 1: The baby's the next generation.

1193
00:51:59,239 --> 00:52:02,120
Speaker 2: I get it. Roy, listen to the kids. Bro. No, absolutely,

1194
00:52:02,160 --> 00:52:04,680
Speaker 2: the great Kanye West was absolutely Yeah.

1195
00:52:04,760 --> 00:52:06,360
Speaker 4: No, I agree with you. Kids shouldn't be exposed to

1196
00:52:06,440 --> 00:52:09,799
Speaker 4: that type of thing. But I'm just sometimes it's when

1197
00:52:09,840 --> 00:52:12,040
Speaker 4: you're a kid that has a parent that has that

1198
00:52:12,120 --> 00:52:14,160
Speaker 4: type of notoriety and you're in that type of space

1199
00:52:14,360 --> 00:52:17,400
Speaker 4: you're in, you're at fucking rolling loud as at ten

1200
00:52:17,480 --> 00:52:20,200
Speaker 4: years old, You're gonna see some things you probably shouldn't

1201
00:52:20,440 --> 00:52:24,200
Speaker 4: see unless you're seeing that regularly. Unless he's in strip

1202
00:52:24,440 --> 00:52:26,960
Speaker 4: clubs and seeing that type of shit regularly, I don't

1203
00:52:26,960 --> 00:52:28,680
Speaker 4: think it's going to do that much damage as if

1204
00:52:29,120 --> 00:52:31,400
Speaker 4: as like a bow Wow right where that became his lifestyle.

1205
00:52:31,680 --> 00:52:32,560
Speaker 4: But there was a moment.

1206
00:52:32,480 --> 00:52:34,480
Speaker 2: Credit to bow Wow because we see what child actors,

1207
00:52:34,560 --> 00:52:38,399
Speaker 2: how they end up. She's he's doing, so he's doing

1208
00:52:38,480 --> 00:52:41,000
Speaker 2: I exactly, but just being exposed to all that ship.

1209
00:52:41,960 --> 00:52:44,040
Speaker 2: We've seen what happens to child actors when that type

1210
00:52:44,040 --> 00:52:46,640
Speaker 2: of stuff happens. And I mean, listen, I was in ship.

1211
00:52:46,800 --> 00:52:48,880
Speaker 2: I crawled on top of the pool tables at bars

1212
00:52:48,920 --> 00:52:50,439
Speaker 2: my dad took me to when I was a baby.

1213
00:52:51,440 --> 00:52:53,280
Speaker 2: But there needed to be some explaining of the stuff

1214
00:52:53,280 --> 00:52:56,640
Speaker 2: that was happening at the bar was for adults only. Yeah,

1215
00:52:56,800 --> 00:52:59,520
Speaker 2: no one. No one handed me a drink or handed

1216
00:52:59,600 --> 00:53:02,200
Speaker 2: me a stack of ones to throw at a woman. Yeah,

1217
00:53:02,560 --> 00:53:04,279
Speaker 2: you can be in those environments as long as there's

1218
00:53:04,320 --> 00:53:06,839
Speaker 2: parenting that's happening at that time. No, I listen.

1219
00:53:06,920 --> 00:53:09,520
Speaker 1: I'm very aware of things like that around kids, Like

1220
00:53:09,600 --> 00:53:12,040
Speaker 1: I don't I don't smoke around my nephew, Like if

1221
00:53:12,239 --> 00:53:13,719
Speaker 1: my sister and my nephew is coming over, like I

1222
00:53:13,800 --> 00:53:16,719
Speaker 1: make sure anything that smoke related is put up, just

1223
00:53:16,719 --> 00:53:18,400
Speaker 1: because I don't even want him to see that, you

1224
00:53:18,440 --> 00:53:20,520
Speaker 1: know what I mean. So I'm just I'm just cognizant

1225
00:53:20,560 --> 00:53:22,000
Speaker 1: of shit like that, Like I don't smoke around to

1226
00:53:22,080 --> 00:53:24,759
Speaker 1: this day, I've never smoked around my mother, and my

1227
00:53:24,840 --> 00:53:26,839
Speaker 1: mom smokes like you know what I'm saying, And I've

1228
00:53:26,960 --> 00:53:27,959
Speaker 1: never smoked.

1229
00:53:27,800 --> 00:53:28,399
Speaker 2: Around my mom.

1230
00:53:28,480 --> 00:53:30,759
Speaker 1: I'm just to me, it's just certain things I think

1231
00:53:30,800 --> 00:53:33,600
Speaker 1: that I just will never try to cross cross lines.

1232
00:53:33,320 --> 00:53:41,759
Speaker 2: With Dojah Cat raised Rapper of all time back in

1233
00:53:41,800 --> 00:53:48,000
Speaker 2: the headlines? Is she back? So I don't really want

1234
00:53:48,000 --> 00:53:51,240
Speaker 2: to get into her dating history because that's what popped

1235
00:53:51,239 --> 00:53:53,640
Speaker 2: this whole thing off. She was seeing with who I

1236
00:53:53,640 --> 00:53:56,960
Speaker 2: think is her now boyfriend none of our business. But

1237
00:53:57,080 --> 00:54:00,920
Speaker 2: apparently it's just some white, overweight, racist guy, which made

1238
00:54:00,960 --> 00:54:01,400
Speaker 2: me think.

1239
00:54:01,280 --> 00:54:04,319
Speaker 1: I wait, what was That's that's what boyfriend is now.

1240
00:54:04,920 --> 00:54:06,839
Speaker 2: According to the Internet. I don't I have no idea

1241
00:54:06,840 --> 00:54:07,600
Speaker 2: who that gentleman is.

1242
00:54:07,719 --> 00:54:09,200
Speaker 7: I think that's the guy from he was on Vine

1243
00:54:09,239 --> 00:54:09,560
Speaker 7: for a while.

1244
00:54:09,560 --> 00:54:12,719
Speaker 2: He's pretty funny, just the way that just oh Vine,

1245
00:54:13,200 --> 00:54:16,000
Speaker 2: like the app yeah, and like didn't go over to TikTok.

1246
00:54:16,960 --> 00:54:18,680
Speaker 2: He's just that much of a hipster. He didn't make

1247
00:54:18,719 --> 00:54:19,320
Speaker 2: the crossover.

1248
00:54:21,239 --> 00:54:22,839
Speaker 1: He didn't create a TikTok account yet.

1249
00:54:22,840 --> 00:54:26,520
Speaker 2: No, I guess not. Yeah, Jay Cyrus, Yeah, But that

1250
00:54:26,719 --> 00:54:30,720
Speaker 2: led uh more people to ask dojaq dojah Cat can't speak,

1251
00:54:31,080 --> 00:54:36,520
Speaker 2: questions if she actually loves ducktails, more racist common ny

1252
00:54:36,640 --> 00:54:44,800
Speaker 2: is shown off the rails. Alrighty, it's still good. Dojah

1253
00:54:44,840 --> 00:54:47,160
Speaker 2: Cat was asked if if she loves her fans, and

1254
00:54:47,239 --> 00:54:50,719
Speaker 2: she says no, because I don't fucking know, y'all, that's fair,

1255
00:54:51,200 --> 00:54:54,399
Speaker 2: and then continued on to respond to people that had

1256
00:54:54,520 --> 00:54:58,400
Speaker 2: her name as their their avy or whatever, saying go

1257
00:54:58,560 --> 00:55:01,439
Speaker 2: touch grass, like it's sick and head that you guys

1258
00:55:01,800 --> 00:55:02,840
Speaker 2: are obsessed over me.

1259
00:55:03,000 --> 00:55:05,399
Speaker 4: Like why are y'all calling yourselves kittens. That's weird.

1260
00:55:05,600 --> 00:55:07,800
Speaker 2: She said, please go get a job and help your household.

1261
00:55:08,560 --> 00:55:12,920
Speaker 2: I think one, jac could never Jaco could never hate

1262
00:55:12,960 --> 00:55:15,800
Speaker 2: his fans. Number two, I think this is the healthiest

1263
00:55:16,040 --> 00:55:21,839
Speaker 2: thing that has happened to stand culture period. I wish more,

1264
00:55:22,440 --> 00:55:24,440
Speaker 2: maybe in a kinder, healthier way, because I think a

1265
00:55:24,480 --> 00:55:27,640
Speaker 2: lot of people in stand culture are not stable to

1266
00:55:27,760 --> 00:55:30,520
Speaker 2: begin with, so their favorite artists telling them this probably

1267
00:55:30,520 --> 00:55:34,520
Speaker 2: would lead to suicide. But people need to hear this

1268
00:55:34,880 --> 00:55:38,120
Speaker 2: as stance. I love, I love, I listen. Like if

1269
00:55:38,200 --> 00:55:40,680
Speaker 2: some of the barbs got this fucking reality check, huh.

1270
00:55:40,800 --> 00:55:43,040
Speaker 1: I wish those is amazing with this type of shit

1271
00:55:43,160 --> 00:55:49,520
Speaker 1: because it's it's like the easiest, most obvious thing, Like

1272
00:55:50,480 --> 00:55:52,200
Speaker 1: I don't love y'all because I don't even know y'all,

1273
00:55:52,719 --> 00:55:55,000
Speaker 1: Like were talking about, Like but.

1274
00:55:55,960 --> 00:55:57,840
Speaker 4: I get the whole stand culture thing, but that I

1275
00:55:57,920 --> 00:56:00,360
Speaker 4: don't love y'all because I don't know y'all. When the

1276
00:56:00,480 --> 00:56:02,760
Speaker 4: y'all you are referring to are the people who support

1277
00:56:02,840 --> 00:56:05,480
Speaker 4: you and buy your albums, you should love your fans.

1278
00:56:05,320 --> 00:56:07,960
Speaker 1: You supported the art, you love the art.

1279
00:56:08,440 --> 00:56:09,719
Speaker 7: I feel like she does. I think this is just

1280
00:56:09,840 --> 00:56:11,680
Speaker 7: very this is her.

1281
00:56:11,600 --> 00:56:13,479
Speaker 1: Personal life, Like who she's dating who.

1282
00:56:13,440 --> 00:56:17,440
Speaker 4: She's No, that art they agree with. I'm saying a fan,

1283
00:56:17,560 --> 00:56:19,239
Speaker 4: straight ass, Can you tell us that you love us?

1284
00:56:19,280 --> 00:56:21,600
Speaker 4: Can you tell us which just loseer ship? But can

1285
00:56:21,680 --> 00:56:24,320
Speaker 4: you tell your fans that you love us? That? No,

1286
00:56:24,480 --> 00:56:26,239
Speaker 4: I don't love y'all because I don't know y'all. Why

1287
00:56:26,280 --> 00:56:26,640
Speaker 4: would you not?

1288
00:56:26,719 --> 00:56:26,839
Speaker 2: Look?

1289
00:56:26,920 --> 00:56:27,760
Speaker 4: Do you love your fans?

1290
00:56:27,800 --> 00:56:29,440
Speaker 2: You have them? Do you love your fans and your

1291
00:56:29,440 --> 00:56:31,000
Speaker 2: supporters extremely appreciate.

1292
00:56:31,080 --> 00:56:33,920
Speaker 1: I'm appreciative for them like you would not believe. Absolutely,

1293
00:56:34,000 --> 00:56:36,200
Speaker 1: I appreciate them. I appreciate anybody who listens to us,

1294
00:56:36,200 --> 00:56:38,360
Speaker 1: downloads each episode, subscribe to theatre.

1295
00:56:39,880 --> 00:56:41,799
Speaker 2: All the people I love don't actually listen to the show.

1296
00:56:41,920 --> 00:56:44,960
Speaker 2: Patre everyone the word very true. Yeah, I appreciate everyone

1297
00:56:45,000 --> 00:56:45,600
Speaker 2: and every one of them.

1298
00:56:46,000 --> 00:56:47,680
Speaker 1: But I understand. I know what those is saying.

1299
00:56:47,719 --> 00:56:50,080
Speaker 2: It's like, and I know what DeMars is saying. You

1300
00:56:50,239 --> 00:56:52,160
Speaker 2: just look at the word love, because we even say

1301
00:56:52,160 --> 00:56:55,239
Speaker 2: it shows like we love y'all. But what dose is

1302
00:56:55,239 --> 00:56:57,719
Speaker 2: getting at is I don't You're not love y'all. I

1303
00:56:57,719 --> 00:57:01,200
Speaker 2: don't because we don't know each other. We're extremely appreciative

1304
00:57:01,280 --> 00:57:04,560
Speaker 2: of this entire thing. But that is where it does stop.

1305
00:57:04,640 --> 00:57:06,319
Speaker 1: I love you all for coming out. I love y'all

1306
00:57:06,360 --> 00:57:07,640
Speaker 1: for the support that you can.

1307
00:57:07,560 --> 00:57:10,480
Speaker 2: Take support, but that's give us grace, let us. I

1308
00:57:10,480 --> 00:57:12,080
Speaker 2: don't you succeed, Like.

1309
00:57:12,440 --> 00:57:15,280
Speaker 1: Yeah, I don't love you like it's it's a difference,

1310
00:57:15,400 --> 00:57:19,200
Speaker 1: like and you can show love and appreciation back to

1311
00:57:19,320 --> 00:57:22,040
Speaker 1: your fans, But if a fans strap ass, do you

1312
00:57:22,160 --> 00:57:24,480
Speaker 1: love me? I would be like no, the fans said,

1313
00:57:24,480 --> 00:57:26,560
Speaker 1: I want to hear you say I do love you guys,

1314
00:57:26,720 --> 00:57:30,520
Speaker 1: like you're talking about as usually say to your fans.

1315
00:57:31,280 --> 00:57:34,160
Speaker 2: And that's what's so interesting about art and entertainment. Like

1316
00:57:35,200 --> 00:57:38,960
Speaker 2: you've never heard the CEO of Coca Cola like, yo,

1317
00:57:39,640 --> 00:57:43,080
Speaker 2: just I just love everyone that's ever bought no coke.

1318
00:57:43,560 --> 00:57:44,720
Speaker 1: You don't hear that type of ship.

1319
00:57:44,960 --> 00:57:47,640
Speaker 2: But I do understand because this is way more personable.

1320
00:57:47,720 --> 00:57:50,520
Speaker 2: When you're doing art and entertainment, people feel like they

1321
00:57:50,600 --> 00:57:52,040
Speaker 2: know you. They connect to the things you say.

1322
00:57:52,280 --> 00:57:53,280
Speaker 1: It's not even that rory.

1323
00:57:53,320 --> 00:57:55,360
Speaker 2: It's just that now they don't connect to the sugar

1324
00:57:55,440 --> 00:57:56,880
Speaker 2: that's in co cola.

1325
00:57:56,640 --> 00:57:59,040
Speaker 1: Just they connect to it. It's a part of the DNA.

1326
00:57:59,560 --> 00:58:03,640
Speaker 1: It's it's it's just that now people are very very invasive.

1327
00:58:04,000 --> 00:58:07,440
Speaker 1: They want to know everything. Yeah, every single thing. About

1328
00:58:07,480 --> 00:58:10,560
Speaker 1: these artists and these creators and these athletes, and it's

1329
00:58:10,600 --> 00:58:13,840
Speaker 1: like they want to know everything, and it's like these

1330
00:58:13,880 --> 00:58:16,400
Speaker 1: are humans too, they have personal lives, they have things

1331
00:58:16,440 --> 00:58:18,640
Speaker 1: that they want to keep private, like you don't have

1332
00:58:18,840 --> 00:58:22,439
Speaker 1: to be involved in every aspect of Doja's life.

1333
00:58:23,120 --> 00:58:25,880
Speaker 2: Well, I think that it all does go back to

1334
00:58:27,160 --> 00:58:28,800
Speaker 2: false sense of power because I think a lot of

1335
00:58:29,040 --> 00:58:32,680
Speaker 2: not even only stand culture, but the mob mentality online,

1336
00:58:34,040 --> 00:58:36,840
Speaker 2: the cancel culture of getting people fired and like all

1337
00:58:36,920 --> 00:58:40,280
Speaker 2: that comes from a power want. And I think a

1338
00:58:40,280 --> 00:58:43,680
Speaker 2: lot of people that are obsessed with these artists change

1339
00:58:43,680 --> 00:58:45,720
Speaker 2: their accounts to the names or whatever and hope for

1340
00:58:45,720 --> 00:58:47,520
Speaker 2: a response because it feels like it gives them power,

1341
00:58:47,600 --> 00:58:50,920
Speaker 2: like they know their favorite artists and they know if

1342
00:58:50,920 --> 00:58:53,320
Speaker 2: their artists, their favorite artists has a problem with someone,

1343
00:58:53,640 --> 00:58:55,400
Speaker 2: they can all get together and shit on that other

1344
00:58:55,480 --> 00:58:57,680
Speaker 2: fan base. When it really means nothing at the end

1345
00:58:57,680 --> 00:59:00,160
Speaker 2: of the day. It's a false sense of power. It's

1346
00:59:00,160 --> 00:59:03,560
Speaker 2: an insecurity and it's entitlement, a lot of huge incitle

1347
00:59:03,640 --> 00:59:06,440
Speaker 2: even like Doja's not supposed to now owe someone that

1348
00:59:06,520 --> 00:59:10,920
Speaker 2: has dedicated their life to her, Like all right, if

1349
00:59:10,960 --> 00:59:12,400
Speaker 2: you bought the out, I appreciate it. You don't. You

1350
00:59:12,400 --> 00:59:16,080
Speaker 2: don't need to go much further than that. Exactly, I get.

1351
00:59:15,960 --> 00:59:19,200
Speaker 4: You, and she's right, but let's not act like stand

1352
00:59:19,240 --> 00:59:21,520
Speaker 4: culture doesn't have the ability to move the needle when

1353
00:59:21,560 --> 00:59:24,520
Speaker 4: it comes to sales because all of those little doja

1354
00:59:24,600 --> 00:59:28,240
Speaker 4: cat fan pages are also that's a part of your

1355
00:59:28,360 --> 00:59:32,920
Speaker 4: advertising and marketing machine, so that when a project drops,

1356
00:59:33,080 --> 00:59:36,040
Speaker 4: they're making sure that they're spamming it in everybody's comments

1357
00:59:36,080 --> 00:59:38,640
Speaker 4: and it's all over the internet. So which is one

1358
00:59:38,680 --> 00:59:41,560
Speaker 4: of the reasons why Nikki is so big on like

1359
00:59:41,640 --> 00:59:44,480
Speaker 4: her stands right, and Beyonce is too, but you know,

1360
00:59:44,560 --> 00:59:46,760
Speaker 4: Beyonce is a little different, she's not really online. They

1361
00:59:46,840 --> 00:59:48,560
Speaker 4: do move the needle when it comes to certain shit.

1362
00:59:48,600 --> 00:59:50,840
Speaker 4: If we got rid of all the stand pages and

1363
00:59:51,120 --> 00:59:54,840
Speaker 4: all of that shit, marketing changes significantly, you don't think

1364
00:59:54,920 --> 00:59:56,520
Speaker 4: so it changes, but.

1365
00:59:56,760 --> 01:00:00,920
Speaker 2: The perception because I think number ones now and I

1366
01:00:00,960 --> 01:00:03,080
Speaker 2: don't want to take away from artists that have number

1367
01:00:03,120 --> 01:00:05,800
Speaker 2: ones because it is it's a huge accomplishment, but a

1368
01:00:05,880 --> 01:00:10,760
Speaker 2: lot of it now because it is not tangible anymore.

1369
01:00:11,400 --> 01:00:14,360
Speaker 2: It's a perception thing. There's plenty of artists that you know,

1370
01:00:14,520 --> 01:00:16,560
Speaker 2: last episode we talked about artists that have number ones

1371
01:00:16,600 --> 01:00:22,320
Speaker 2: that can't sell out there shows. So yeah, it'll get

1372
01:00:22,360 --> 01:00:25,160
Speaker 2: your album to number one, but how effective is that

1373
01:00:25,240 --> 01:00:28,520
Speaker 2: and how tangible is that? You could have a million stands,

1374
01:00:28,640 --> 01:00:32,400
Speaker 2: make a ten thousand accounts and get your shit popping everywhere,

1375
01:00:32,960 --> 01:00:37,520
Speaker 2: but then when it's time to really sell something, are

1376
01:00:37,760 --> 01:00:39,880
Speaker 2: is it coming back? Is there an ROI on that

1377
01:00:40,560 --> 01:00:43,600
Speaker 2: or is it just a perception? Or you can just

1378
01:00:43,640 --> 01:00:45,720
Speaker 2: be a really really dope artist and really great at

1379
01:00:45,760 --> 01:00:46,080
Speaker 2: what you do.

1380
01:00:47,160 --> 01:00:49,120
Speaker 4: You know how many really dope and great artists there

1381
01:00:49,160 --> 01:00:51,120
Speaker 4: are that never touched the charts?

1382
01:00:51,560 --> 01:00:53,920
Speaker 2: I don't know any. Would you say, Rihanna Nady?

1383
01:00:54,040 --> 01:00:54,600
Speaker 4: That's the point.

1384
01:00:54,720 --> 01:00:55,840
Speaker 2: Would you say, Rihana Navy?

1385
01:00:57,520 --> 01:00:59,200
Speaker 4: You don't know them because you've never heard of them,

1386
01:00:59,240 --> 01:01:00,920
Speaker 4: because they don't have machine behind them.

1387
01:01:01,040 --> 01:01:04,400
Speaker 1: What great artists never touch the charts? I think if

1388
01:01:04,400 --> 01:01:06,720
Speaker 1: you're great at art, you're gonna you're going to you're

1389
01:01:06,760 --> 01:01:07,480
Speaker 1: going to succeed.

1390
01:01:09,000 --> 01:01:11,920
Speaker 2: Okay, that's hard to say, though, How was it hard

1391
01:01:11,960 --> 01:01:15,040
Speaker 2: to say? There's plenty of great artists. I think Doom's

1392
01:01:15,040 --> 01:01:16,800
Speaker 2: a great artist. He did purposely didn't do.

1393
01:01:17,080 --> 01:01:17,720
Speaker 3: Touch the charts.

1394
01:01:18,000 --> 01:01:19,560
Speaker 1: What did you say, purposely?

1395
01:01:20,360 --> 01:01:22,360
Speaker 2: Yeah, there's playing I'm saying there's plenty of artists there,

1396
01:01:22,400 --> 01:01:24,000
Speaker 2: but that their goal is not to touch the charts,

1397
01:01:24,000 --> 01:01:24,400
Speaker 2: so they don't know.

1398
01:01:24,440 --> 01:01:26,320
Speaker 1: If that's your goal, then great, you succeeded at it.

1399
01:01:26,320 --> 01:01:28,320
Speaker 1: I'm talking about when you're great at something, when you're

1400
01:01:28,640 --> 01:01:32,560
Speaker 1: a great artist, because you have all these stands online

1401
01:01:32,560 --> 01:01:35,520
Speaker 1: with all these accounts, Like yeah, that helps, it helps

1402
01:01:35,640 --> 01:01:39,080
Speaker 1: keep you visible and push you in these places. But

1403
01:01:39,240 --> 01:01:41,640
Speaker 1: at the same time, if I'm great at what I

1404
01:01:41,720 --> 01:01:43,760
Speaker 1: do and I'm putting out great music and great art,

1405
01:01:44,320 --> 01:01:47,800
Speaker 1: that that superseds everything. Like I don't care how many

1406
01:01:47,840 --> 01:01:50,440
Speaker 1: stand accounts we have on social media. If I'm putting

1407
01:01:50,440 --> 01:01:53,680
Speaker 1: out great content and great art, that is what's gonna

1408
01:01:53,720 --> 01:01:55,840
Speaker 1: really matter at the end of the day. Like, yeah,

1409
01:01:55,880 --> 01:01:58,280
Speaker 1: you can help with the accounts online and things like

1410
01:01:58,400 --> 01:02:01,000
Speaker 1: that and people talking about you algorithm's engagement.

1411
01:02:01,560 --> 01:02:01,840
Speaker 2: Cool.

1412
01:02:02,640 --> 01:02:04,720
Speaker 1: But if I'm if this project, if this, if this,

1413
01:02:05,000 --> 01:02:08,440
Speaker 1: if this, if what I'm producing is great, that's what

1414
01:02:08,560 --> 01:02:10,160
Speaker 1: it's really about at the end of the day. Because

1415
01:02:10,240 --> 01:02:11,960
Speaker 1: remember social media is fairly new.

1416
01:02:12,240 --> 01:02:14,919
Speaker 2: This is a new tool. This is not the only tool.

1417
01:02:14,960 --> 01:02:16,440
Speaker 2: This is just one of the newer tools.

1418
01:02:16,920 --> 01:02:19,440
Speaker 1: But there were great artists before social media that we're

1419
01:02:19,520 --> 01:02:22,440
Speaker 1: just putting out great art and we're doing very well.

1420
01:02:22,520 --> 01:02:24,480
Speaker 1: You understand what I'm saying, So I do get it

1421
01:02:24,520 --> 01:02:26,600
Speaker 1: the times of change and social media is a tool

1422
01:02:26,640 --> 01:02:30,160
Speaker 1: that fan bases use. But at the end of the day,

1423
01:02:30,440 --> 01:02:33,520
Speaker 1: you can have a thousand, a million stand accounts, but

1424
01:02:33,640 --> 01:02:37,480
Speaker 1: if the product is shitty, it really means nothing. And

1425
01:02:37,600 --> 01:02:38,960
Speaker 1: that's what I'm saying about great artists.

1426
01:02:39,000 --> 01:02:39,439
Speaker 2: You're great.

1427
01:02:40,000 --> 01:02:42,440
Speaker 1: Yeah, you're gonna eventually you're going to get to where

1428
01:02:42,440 --> 01:02:44,480
Speaker 1: you want to go, whatever that is for you, whatever

1429
01:02:44,560 --> 01:02:46,800
Speaker 1: you your goal is, You're gonna get there if you're

1430
01:02:46,840 --> 01:02:47,520
Speaker 1: great at what you do.

1431
01:02:48,800 --> 01:02:50,920
Speaker 2: I don't think Nikki probably sold more when she had

1432
01:02:51,560 --> 01:02:54,040
Speaker 2: the regular barbs before you know, the two point zero

1433
01:02:54,560 --> 01:02:57,440
Speaker 2: version came, like the beta barbs, the beta Barbs, I

1434
01:02:57,480 --> 01:03:00,360
Speaker 2: think she was probably more tangibly successful at that time

1435
01:03:00,400 --> 01:03:02,040
Speaker 2: before we got this new and they were real. But

1436
01:03:02,320 --> 01:03:05,480
Speaker 2: once they updated the iOS, this new barbs, Yeah, they're

1437
01:03:05,520 --> 01:03:07,800
Speaker 2: getting her to every number one. But I don't think

1438
01:03:07,840 --> 01:03:09,960
Speaker 2: it's it's having the same ROI.

1439
01:03:09,880 --> 01:03:12,160
Speaker 1: As and what else. A lot of people feel like

1440
01:03:12,320 --> 01:03:14,120
Speaker 1: the music back then was better than it is now

1441
01:03:14,200 --> 01:03:14,640
Speaker 1: from her.

1442
01:03:16,120 --> 01:03:18,960
Speaker 2: You know, saying Rihanna Navy is probably the least least

1443
01:03:19,040 --> 01:03:21,760
Speaker 2: standing one we would think of, right Rihanna was the

1444
01:03:21,800 --> 01:03:25,680
Speaker 2: first artist hit a billion streams. The richest could sell

1445
01:03:25,680 --> 01:03:29,000
Speaker 2: out and a readA toward in her sleep, probably at stadiums.

1446
01:03:29,000 --> 01:03:33,080
Speaker 2: At this point, she doesn't have that to some degree.

1447
01:03:34,280 --> 01:03:36,320
Speaker 2: There's a stand account, but it's not the way of

1448
01:03:36,400 --> 01:03:37,680
Speaker 2: what we're talking about does.

1449
01:03:39,000 --> 01:03:41,520
Speaker 4: But those are established altis. I'm talking about established artist.

1450
01:03:41,560 --> 01:03:43,840
Speaker 4: Dojacat is not an established artist the way that Rihanna

1451
01:03:43,960 --> 01:03:45,120
Speaker 4: is in a stabs.

1452
01:03:44,880 --> 01:03:47,200
Speaker 1: Well, not the way that obviously the way is an

1453
01:03:47,320 --> 01:03:48,400
Speaker 1: established artist.

1454
01:03:50,200 --> 01:03:50,360
Speaker 3: Is she?

1455
01:03:50,720 --> 01:03:54,840
Speaker 2: Yes, absolutely, she's a stab How is she not?

1456
01:03:56,080 --> 01:03:57,360
Speaker 1: She's not an established artist?

1457
01:03:57,440 --> 01:03:57,880
Speaker 2: Doja Cat?

1458
01:03:58,320 --> 01:04:01,520
Speaker 1: I think she don't think about what she hasn't had

1459
01:04:01,520 --> 01:04:03,440
Speaker 1: the career that Rihanna has. She has not doing this well.

1460
01:04:03,560 --> 01:04:05,800
Speaker 4: Okay, so let me clarify what I mean by established artists.

1461
01:04:05,800 --> 01:04:08,440
Speaker 4: What I mean by established artist is no matter what

1462
01:04:08,760 --> 01:04:12,040
Speaker 4: you drop, your fans are going to go out and

1463
01:04:12,200 --> 01:04:15,160
Speaker 4: purchase your products and support you. I think you have

1464
01:04:15,280 --> 01:04:17,200
Speaker 4: a big enough fan base that is going to do

1465
01:04:17,320 --> 01:04:20,400
Speaker 4: that religiously and you don't really have to worry about anything.

1466
01:04:20,680 --> 01:04:23,520
Speaker 4: You don't have anything to prove. I think you think

1467
01:04:23,560 --> 01:04:25,560
Speaker 4: that Dojah doesn't have anything to prove.

1468
01:04:26,400 --> 01:04:27,760
Speaker 2: Yeah, she has stuff to prove.

1469
01:04:27,880 --> 01:04:29,840
Speaker 4: Okay, then she's not an established artist.

1470
01:04:30,280 --> 01:04:34,360
Speaker 2: That's a weird definition, how because I think Beyonce is

1471
01:04:34,440 --> 01:04:37,000
Speaker 2: still that she wants to prove. It's not that she

1472
01:04:37,560 --> 01:04:38,840
Speaker 2: said Travis has something to prove.

1473
01:04:38,880 --> 01:04:41,840
Speaker 1: One like, you can be an established artist and still

1474
01:04:41,840 --> 01:04:44,040
Speaker 1: have shit to prove for sure. But I'm just saying, like,

1475
01:04:44,160 --> 01:04:48,240
Speaker 1: I think Dojah Cat is established. She's a name everybody knows.

1476
01:04:48,320 --> 01:04:50,720
Speaker 1: Doja Cat established and also wablished.

1477
01:04:50,720 --> 01:04:53,320
Speaker 4: I'm thinking of Beyonce, I'm thinking of Rihanna, I'm thinking

1478
01:04:53,400 --> 01:04:54,720
Speaker 4: of Jay, I'm thinking of Nick.

1479
01:04:54,880 --> 01:04:59,840
Speaker 3: You're thinking of those legacy acts that that comes with time.

1480
01:05:00,080 --> 01:05:01,520
Speaker 3: Doja's established, She's.

1481
01:05:01,400 --> 01:05:02,400
Speaker 1: A stat dogs here.

1482
01:05:03,000 --> 01:05:05,360
Speaker 3: She's a Dojah Cat planning sold over two and a

1483
01:05:05,400 --> 01:05:06,480
Speaker 3: half million units.

1484
01:05:06,560 --> 01:05:10,040
Speaker 2: Yeah, she's here. Okay. Also to pivot real quick, do

1485
01:05:10,120 --> 01:05:13,280
Speaker 2: you think Dojah cares more about her fans with these

1486
01:05:13,360 --> 01:05:14,840
Speaker 2: responses or less?

1487
01:05:16,960 --> 01:05:18,920
Speaker 1: I think Dojah careds about her fans. She's just not

1488
01:05:19,080 --> 01:05:22,080
Speaker 1: with the bring up the last tweet, y'all let into

1489
01:05:22,120 --> 01:05:24,000
Speaker 1: everything that every part of my life I don't have

1490
01:05:24,160 --> 01:05:25,960
Speaker 1: access in it, and y'all don't have an opinion on

1491
01:05:26,000 --> 01:05:26,720
Speaker 1: every part of my life.

1492
01:05:26,720 --> 01:05:28,200
Speaker 2: That's what I to make this point. I know I'm

1493
01:05:28,200 --> 01:05:30,120
Speaker 2: gonna get fucking killed by the barms, even though I

1494
01:05:30,360 --> 01:05:34,080
Speaker 2: associate with one and love Nicki Minaj and compliment her NonStop.

1495
01:05:35,360 --> 01:05:38,240
Speaker 2: This to me shows that Doja Cat cares way more

1496
01:05:38,240 --> 01:05:41,240
Speaker 2: about her fans, saying, don't name yourself kittens. You need

1497
01:05:41,280 --> 01:05:43,200
Speaker 2: to get off your phone, get a job and help

1498
01:05:43,600 --> 01:05:46,200
Speaker 2: your parents with the house. Go touch grass, go live

1499
01:05:46,240 --> 01:05:48,880
Speaker 2: a life. You can still buy my CDs and support

1500
01:05:48,920 --> 01:05:51,880
Speaker 2: me and continue. We can all be a crew. But

1501
01:05:52,080 --> 01:05:54,480
Speaker 2: you also, this can't be your life. Your actual name

1502
01:05:54,520 --> 01:05:57,720
Speaker 2: can't be my picture, and Dojah Cat Iran go do

1503
01:05:57,880 --> 01:06:00,760
Speaker 2: something else as well. Do you think that looking out

1504
01:06:00,800 --> 01:06:03,200
Speaker 2: for your fans more and loving and caring about them

1505
01:06:03,400 --> 01:06:06,680
Speaker 2: than Nicki Minas, who weapononizes her fucking mentally ill fans

1506
01:06:06,720 --> 01:06:07,160
Speaker 2: all the time.

1507
01:06:07,360 --> 01:06:09,080
Speaker 4: If we're comparing the two, I get what you're saying,

1508
01:06:09,120 --> 01:06:10,840
Speaker 4: But Doja Cat didn't do that out of love for

1509
01:06:10,920 --> 01:06:13,000
Speaker 4: her fans. That's not why Dojakat did that. They were

1510
01:06:13,040 --> 01:06:14,960
Speaker 4: eating her up because of who she chose to date,

1511
01:06:15,320 --> 01:06:16,840
Speaker 4: and the things that she chose, the things that he

1512
01:06:16,960 --> 01:06:18,800
Speaker 4: chose to say, and all of these things, and how

1513
01:06:18,880 --> 01:06:21,520
Speaker 4: she responded to her fans. She was not just saying,

1514
01:06:21,560 --> 01:06:23,720
Speaker 4: you know what, guys this on a regular Tuesday. This

1515
01:06:23,880 --> 01:06:26,320
Speaker 4: is unhealthy and you guys probably shouldn't do this. I

1516
01:06:26,400 --> 01:06:28,400
Speaker 4: appreciate your support, but you shouldn't do this.

1517
01:06:28,520 --> 01:06:29,680
Speaker 2: That's not what she's can two things.

1518
01:06:29,760 --> 01:06:31,720
Speaker 4: She'd like, get the fuck out my business because y'all

1519
01:06:31,760 --> 01:06:33,680
Speaker 4: are trying to hold me accountable for some shit. Get

1520
01:06:33,720 --> 01:06:35,800
Speaker 4: the fuck out my business. And this was used as

1521
01:06:35,800 --> 01:06:36,640
Speaker 4: a disc if not.

1522
01:06:36,800 --> 01:06:38,920
Speaker 2: Us that love can two things be true though.

1523
01:06:39,560 --> 01:06:40,840
Speaker 4: No, I agree with what you're saying as far as

1524
01:06:40,880 --> 01:06:42,680
Speaker 4: if you're comparing the two fan Bases's sure.

1525
01:06:42,880 --> 01:06:44,960
Speaker 2: But also, is this not showing love to your fans

1526
01:06:45,440 --> 01:06:45,920
Speaker 2: tough love?

1527
01:06:46,080 --> 01:06:46,480
Speaker 7: Tough love?

1528
01:06:46,560 --> 01:06:47,400
Speaker 2: Yeah, this is tough love.

1529
01:06:47,560 --> 01:06:48,680
Speaker 7: That's like Dojah's standard.

1530
01:06:49,480 --> 01:06:52,760
Speaker 2: Mm hmm okay, this is telling your kid to get

1531
01:06:52,760 --> 01:06:55,560
Speaker 2: off the fucking couch and go do something like in

1532
01:06:55,680 --> 01:06:57,919
Speaker 2: real life, not on social media.

1533
01:06:57,920 --> 01:07:00,680
Speaker 7: I feel like the summer Verse psychology shit though, how so,

1534
01:07:00,800 --> 01:07:03,400
Speaker 7: because Dojah Cat always talks like this to her fan base,

1535
01:07:03,680 --> 01:07:05,560
Speaker 7: I feel like people eat that shit up. They love

1536
01:07:05,600 --> 01:07:09,080
Speaker 7: the controversy. She's not like a regular like typical artists.

1537
01:07:09,320 --> 01:07:11,800
Speaker 2: These people just love the I agree.

1538
01:07:12,040 --> 01:07:14,960
Speaker 1: These people just love the fact that they can take

1539
01:07:15,000 --> 01:07:16,800
Speaker 1: the same screenshot and show it to their friends.

1540
01:07:17,000 --> 01:07:18,720
Speaker 2: They actually had.

1541
01:07:18,600 --> 01:07:21,880
Speaker 1: An engagement with Doja Cat. Yeah, that's all this is

1542
01:07:21,960 --> 01:07:22,440
Speaker 1: really about.

1543
01:07:22,960 --> 01:07:24,720
Speaker 2: And I wish they'd listen to the message because I

1544
01:07:24,840 --> 01:07:26,480
Speaker 2: agree with you. And there's been plenty of times that

1545
01:07:26,640 --> 01:07:30,360
Speaker 2: like Dojah's relationship with their fans is just that, like

1546
01:07:30,400 --> 01:07:31,560
Speaker 2: I want to be this thing, I want to be

1547
01:07:31,600 --> 01:07:34,880
Speaker 2: insulted by Dojah. I do think this one is different.

1548
01:07:34,920 --> 01:07:39,400
Speaker 2: I think she fully explained how harmful stand culture is

1549
01:07:39,640 --> 01:07:42,480
Speaker 2: to the stands, not to the artists, because we do

1550
01:07:42,600 --> 01:07:44,840
Speaker 2: talk about how harmful it is to the artists. People

1551
01:07:44,840 --> 01:07:47,520
Speaker 2: are too obsessed, They're in danger. She's saying, this is

1552
01:07:47,560 --> 01:07:51,760
Speaker 2: harming you. Guys, Go get a life. We can still

1553
01:07:51,840 --> 01:07:55,840
Speaker 2: support each other, get a fucking life. And I love

1554
01:07:55,920 --> 01:07:57,640
Speaker 2: that message. I think it's great.

1555
01:07:57,840 --> 01:07:58,280
Speaker 4: I agree.

1556
01:07:58,520 --> 01:08:01,120
Speaker 1: You can support your favorite artists, you can stand over

1557
01:08:01,160 --> 01:08:02,919
Speaker 1: your favorite artists, you can do all of those things.

1558
01:08:03,000 --> 01:08:05,920
Speaker 1: But make sure you have some real shit going on

1559
01:08:06,040 --> 01:08:09,320
Speaker 1: for yourself in your personal life. I don't just dedicate

1560
01:08:09,440 --> 01:08:12,240
Speaker 1: your life to this artist like we saw that. What

1561
01:08:12,440 --> 01:08:16,560
Speaker 1: was that show on a swarm? Swarm? Yeah great, Like

1562
01:08:17,600 --> 01:08:19,680
Speaker 1: have your own real life, Like do something for you

1563
01:08:19,760 --> 01:08:23,280
Speaker 1: because you have a talent as well, you have skills

1564
01:08:23,320 --> 01:08:25,000
Speaker 1: as well. You should use that to your advantage the

1565
01:08:25,000 --> 01:08:27,040
Speaker 1: way Thoja Cat is using her skill and her talent

1566
01:08:27,120 --> 01:08:27,839
Speaker 1: to her advantage.

1567
01:08:28,080 --> 01:08:32,160
Speaker 2: To Tomarison's point, the the Bars are some of the

1568
01:08:32,240 --> 01:08:36,760
Speaker 2: best fucking it people on planet Earth. If they use

1569
01:08:36,800 --> 01:08:41,120
Speaker 2: their powers for good, the Bars would be they'd be

1570
01:08:41,200 --> 01:08:43,920
Speaker 2: the fucking new mob. Yeah, like they could take over

1571
01:08:44,000 --> 01:08:46,800
Speaker 2: the world. Yeah, because it's it's it's it is a

1572
01:08:47,040 --> 01:08:49,840
Speaker 2: it's a community. They build a community, a smart one. Yeah,

1573
01:08:49,920 --> 01:08:52,439
Speaker 2: sometimes mentally ill, but a smart one at that. And

1574
01:08:52,520 --> 01:08:55,000
Speaker 2: they know how to fucking operate the Internet. Absolutely. They

1575
01:08:55,000 --> 01:08:58,439
Speaker 2: could use that shit in so many places. Do some good,

1576
01:08:58,600 --> 01:09:00,720
Speaker 2: use it for some goods. Listen, this is coming from

1577
01:09:00,760 --> 01:09:03,680
Speaker 2: someone that started this episode saying, I was screaming the

1578
01:09:03,800 --> 01:09:06,639
Speaker 2: NAS made you look lyrics at the Hennessy thing, embarrassing

1579
01:09:06,720 --> 01:09:08,240
Speaker 2: myself because I love NAS so much.

1580
01:09:08,439 --> 01:09:10,400
Speaker 4: Are you an? Are you? Are you a mic? Are

1581
01:09:10,439 --> 01:09:11,040
Speaker 4: you a one mic?

1582
01:09:11,680 --> 01:09:11,880
Speaker 3: Wait?

1583
01:09:12,000 --> 01:09:14,400
Speaker 2: Is that what they called NASS fans? Now? Oh?

1584
01:09:14,439 --> 01:09:16,560
Speaker 1: I was about to say, I'm old. I don't know

1585
01:09:16,600 --> 01:09:17,400
Speaker 1: what the fuck is going.

1586
01:09:17,439 --> 01:09:18,639
Speaker 2: I'd like to call his brave hearts.

1587
01:09:19,200 --> 01:09:20,639
Speaker 7: Oh my god, Oh Mike.

1588
01:09:21,400 --> 01:09:24,080
Speaker 2: First of all, I don't ever in your fucking life

1589
01:09:24,560 --> 01:09:27,160
Speaker 2: look at me and tilt your head like that and say.

1590
01:09:27,080 --> 01:09:30,040
Speaker 1: Heard anything like are you fucking getting.

1591
01:09:31,600 --> 01:09:32,639
Speaker 2: Yo? What's wronging?

1592
01:09:33,920 --> 01:09:35,760
Speaker 1: I don't like to think of us as brave heart

1593
01:09:36,320 --> 01:09:37,840
Speaker 1: that's you said.

1594
01:09:37,880 --> 01:09:39,559
Speaker 3: What I thought you said about the Island Boys is bad.

1595
01:09:40,800 --> 01:09:41,320
Speaker 3: That's worse.

1596
01:09:42,240 --> 01:09:44,439
Speaker 2: I'd like to think of us as brave hearts. All right,

1597
01:09:44,479 --> 01:09:45,800
Speaker 2: So you're not gonna go up to jungle and tell

1598
01:09:45,800 --> 01:09:46,519
Speaker 2: me not a brave heart.

1599
01:09:47,439 --> 01:09:49,960
Speaker 1: No, I'm not going up to jungle at all. It's

1600
01:09:50,000 --> 01:09:52,280
Speaker 1: just never crossed my mind and just walk up on that, gentleman. No,

1601
01:09:52,560 --> 01:09:53,920
Speaker 1: I'm not not walking up to meadow.

1602
01:09:54,280 --> 01:09:55,920
Speaker 2: No, fine, I won't be a brave heart.

1603
01:09:56,920 --> 01:09:59,400
Speaker 1: But speaking of nas so Na's album came out nas

1604
01:09:59,400 --> 01:10:03,120
Speaker 1: and hit Boy with an other project, Magic Too, came

1605
01:10:03,200 --> 01:10:05,840
Speaker 1: out Thursday night Friday morning, depending on where you were

1606
01:10:05,880 --> 01:10:11,360
Speaker 1: in the world. I'm still on the fence about this one.

1607
01:10:11,840 --> 01:10:13,599
Speaker 1: I'm not sure how I feel about this project yet.

1608
01:10:13,760 --> 01:10:15,000
Speaker 2: I need to give it some more listens. That's a

1609
01:10:15,000 --> 01:10:17,120
Speaker 2: couple Answerry, I hate it.

1610
01:10:17,560 --> 01:10:19,640
Speaker 1: No, no, no, I'm definitely not saying that. I'm just

1611
01:10:19,680 --> 01:10:23,000
Speaker 1: saying I haven't. I need more time with it. I

1612
01:10:23,120 --> 01:10:25,280
Speaker 1: need more time with it. It's obviously the production and

1613
01:10:25,320 --> 01:10:27,439
Speaker 1: the lyrics is there, But I just don't know if

1614
01:10:27,520 --> 01:10:29,639
Speaker 1: this is one of the and that's in their collection

1615
01:10:29,720 --> 01:10:31,240
Speaker 1: that I'm gonna keep going back to yet.

1616
01:10:32,479 --> 01:10:35,360
Speaker 2: Yeah, that's the safer answer I'm gonna take because I'm

1617
01:10:35,360 --> 01:10:38,080
Speaker 2: not sure yet. I wasn't blown Quick Listen the way

1618
01:10:38,120 --> 01:10:42,360
Speaker 2: I was with the Three Kings Diseases and even the

1619
01:10:42,400 --> 01:10:46,680
Speaker 2: first Magic. Yeah, but maybe this one will grow. I'm

1620
01:10:46,720 --> 01:10:49,000
Speaker 2: gonna keep listening to it. I don't dislike it. I

1621
01:10:49,080 --> 01:10:51,439
Speaker 2: didn't get the same feeling as the other ones.

1622
01:10:51,560 --> 01:10:56,040
Speaker 1: That's all yeah again. Obviously, lyrics are a one productions

1623
01:10:56,080 --> 01:11:00,360
Speaker 1: a one. Quick Listen wasn't a long project, not a

1624
01:11:00,400 --> 01:11:02,799
Speaker 1: lot of features, but it did have one, well two features,

1625
01:11:03,400 --> 01:11:05,920
Speaker 1: the bonus track tune Savage, but the one record with

1626
01:11:06,040 --> 01:11:08,720
Speaker 1: the Office I was featuring fifty. So me and Rory

1627
01:11:08,800 --> 01:11:11,519
Speaker 1: were having an interesting conversation last week when we got

1628
01:11:11,560 --> 01:11:14,160
Speaker 1: the the track list that fifty was going to be

1629
01:11:14,200 --> 01:11:16,960
Speaker 1: on the album. I was saying, oh, man, Thog, Like,

1630
01:11:17,040 --> 01:11:20,400
Speaker 1: when you're so far removed from rap as fifty is,

1631
01:11:21,360 --> 01:11:24,560
Speaker 1: and your life is just entrenched in other things, like

1632
01:11:25,560 --> 01:11:28,200
Speaker 1: you're not, it's hard to stay in lyrical shape. It's

1633
01:11:28,240 --> 01:11:30,559
Speaker 1: hard to stay in a certain what I call rap

1634
01:11:30,640 --> 01:11:34,719
Speaker 1: shape because the landscape has changed so much, the slang

1635
01:11:34,760 --> 01:11:38,040
Speaker 1: has changed so much, the style has changed so much.

1636
01:11:38,920 --> 01:11:40,160
Speaker 2: So I was kind of worried when I saw this.

1637
01:11:40,200 --> 01:11:43,920
Speaker 1: Fifty feature and Rory was like, what nah, man like

1638
01:11:44,000 --> 01:11:46,559
Speaker 1: fifty smoked his last feature, this, that and the third.

1639
01:11:47,479 --> 01:11:50,519
Speaker 1: I'm like, all right, so we get all right.

1640
01:11:50,600 --> 01:11:54,519
Speaker 2: My thought process was, fifty, what's to your point? Fifty

1641
01:11:54,720 --> 01:11:56,519
Speaker 2: is so outside of rap. Now, if he was going

1642
01:11:56,600 --> 01:11:57,840
Speaker 2: to come back and do a verse, he would take

1643
01:11:57,840 --> 01:12:00,599
Speaker 2: it extremely seriously or he would just pass and say.

1644
01:12:00,560 --> 01:12:01,479
Speaker 7: No, okay.

1645
01:12:01,520 --> 01:12:03,720
Speaker 2: Do you think he took this verse series? Absolutely not.

1646
01:12:05,000 --> 01:12:06,960
Speaker 1: First of all, it wasn't the sixteenth. I think it

1647
01:12:07,040 --> 01:12:08,360
Speaker 1: was like a ten or twelve.

1648
01:12:08,920 --> 01:12:11,519
Speaker 2: I don't think it was an even number like. It

1649
01:12:11,720 --> 01:12:13,720
Speaker 2: just wasn't. And it's just he might have gave us

1650
01:12:13,720 --> 01:12:14,360
Speaker 2: a nine.

1651
01:12:14,200 --> 01:12:16,360
Speaker 1: Now hold on, but I do respect about the feature

1652
01:12:16,400 --> 01:12:18,479
Speaker 1: though he did he did.

1653
01:12:18,760 --> 01:12:21,559
Speaker 2: If I was you, hey, no, pause your ao out?

1654
01:12:22,040 --> 01:12:22,920
Speaker 2: Where was your mind at?

1655
01:12:23,439 --> 01:12:23,479
Speaker 8: On?

1656
01:12:23,760 --> 01:12:23,960
Speaker 3: Dick?

1657
01:12:25,280 --> 01:12:27,479
Speaker 2: Kind of wasn't that point if we're counting? Barlet said

1658
01:12:27,479 --> 01:12:30,200
Speaker 2: he might have gave us a nine. We said eight

1659
01:12:30,320 --> 01:12:31,360
Speaker 2: to ten? Where was your mind at?

1660
01:12:31,479 --> 01:12:34,160
Speaker 1: Come on somewhere else, inches, don't worry about it. I

1661
01:12:34,200 --> 01:12:35,000
Speaker 1: got you somewhere else.

1662
01:12:37,080 --> 01:12:37,280
Speaker 2: Wow.

1663
01:12:38,680 --> 01:12:40,960
Speaker 1: But with fifty did on the track fine inches what

1664
01:12:41,080 --> 01:12:44,160
Speaker 1: he did on his on his verse, he did give

1665
01:12:44,200 --> 01:12:48,040
Speaker 1: it that he had that energy. The energy was great,

1666
01:12:48,720 --> 01:12:52,960
Speaker 1: the vibe, the energy. It felt like fifty on a track.

1667
01:12:53,040 --> 01:12:55,599
Speaker 1: It felt dangerous. It felt like something might could happen

1668
01:12:55,920 --> 01:12:57,280
Speaker 1: when this comes on in the spot.

1669
01:12:58,320 --> 01:12:59,920
Speaker 2: But the bars just wasn't.

1670
01:13:00,240 --> 01:13:03,479
Speaker 1: I didn't like the flow. I didn't like the bars.

1671
01:13:04,360 --> 01:13:06,320
Speaker 1: It just wasn't without Now, I'm not saying he had

1672
01:13:06,360 --> 01:13:07,720
Speaker 1: to outrap not because no way that I think he

1673
01:13:07,800 --> 01:13:09,600
Speaker 1: was gonna out wrapped nas of.

1674
01:13:09,640 --> 01:13:15,439
Speaker 2: Course, but I just wasn't. It felt very like it

1675
01:13:15,560 --> 01:13:18,920
Speaker 2: just felt like he got lazy, like we can use

1676
01:13:18,960 --> 01:13:20,880
Speaker 2: the words was it was it? I don't know if

1677
01:13:21,000 --> 01:13:22,439
Speaker 2: it was lazy, it was lazy.

1678
01:13:22,880 --> 01:13:25,320
Speaker 1: It just was very uninterested.

1679
01:13:25,760 --> 01:13:29,080
Speaker 2: Do you think you can lose the ability to wrap absolutely.

1680
01:13:30,360 --> 01:13:30,599
Speaker 7: Bike?

1681
01:13:31,120 --> 01:13:31,320
Speaker 2: Huh?

1682
01:13:31,560 --> 01:13:32,280
Speaker 3: That was like a bike.

1683
01:13:32,720 --> 01:13:34,599
Speaker 2: I think you can but lose the ability to around

1684
01:13:34,600 --> 01:13:36,439
Speaker 2: a bike the way you used to. But I think

1685
01:13:36,479 --> 01:13:38,720
Speaker 2: you have the ability to give back to how you could.

1686
01:13:38,760 --> 01:13:39,720
Speaker 2: It's just gonna take some time.

1687
01:13:39,800 --> 01:13:40,719
Speaker 1: It's takes some time.

1688
01:13:40,880 --> 01:13:42,040
Speaker 2: You gotta you got it.

1689
01:13:42,240 --> 01:13:44,360
Speaker 1: Fifty is not he doesn't care about now I know

1690
01:13:44,439 --> 01:13:46,680
Speaker 1: he's on the tour, he's doing great. People seem to

1691
01:13:46,720 --> 01:13:50,120
Speaker 1: be loving the show. But fifty doesn't really care about

1692
01:13:51,320 --> 01:13:52,680
Speaker 1: rapping music the way he used to.

1693
01:13:52,880 --> 01:13:56,280
Speaker 2: But I think he cares so much about optics and

1694
01:13:56,439 --> 01:13:58,360
Speaker 2: like how he's viewed. That's why I thought he was

1695
01:13:58,400 --> 01:14:01,880
Speaker 2: gonna take this so serious, to the point that when

1696
01:14:01,920 --> 01:14:04,680
Speaker 2: he got to his eighth bar, I was like, Oh,

1697
01:14:04,760 --> 01:14:06,800
Speaker 2: he's about to go crazy. This is just the intro

1698
01:14:06,960 --> 01:14:09,640
Speaker 2: and he's about to give us a sixty year And

1699
01:14:09,760 --> 01:14:10,679
Speaker 2: then the song ended.

1700
01:14:10,640 --> 01:14:12,400
Speaker 1: And then he started saying, Yo, where're we going tonight?

1701
01:14:12,479 --> 01:14:14,400
Speaker 2: I was like, and then he's like yo, he said, Yo,

1702
01:14:14,439 --> 01:14:17,080
Speaker 2: it's Queens. I was like, oh, he's done rapping. He said, Yo,

1703
01:14:17,120 --> 01:14:18,519
Speaker 2: we're going out. We're both rich as fuck.

1704
01:14:18,560 --> 01:14:20,920
Speaker 1: I'm like, Yo, what is happening right now? This could

1705
01:14:20,920 --> 01:14:22,400
Speaker 1: be bars like all of this.

1706
01:14:22,520 --> 01:14:26,160
Speaker 2: Time, this could be lyrics like it's just a NASA

1707
01:14:26,240 --> 01:14:26,720
Speaker 2: voice note.

1708
01:14:26,880 --> 01:14:27,040
Speaker 5: Yeah.

1709
01:14:27,080 --> 01:14:30,560
Speaker 2: I was just like, it just wasn't and I was

1710
01:14:30,600 --> 01:14:32,599
Speaker 2: looking forward to it because I was hoping.

1711
01:14:32,680 --> 01:14:35,320
Speaker 1: I was like, oh, man, but I was really I

1712
01:14:35,439 --> 01:14:38,400
Speaker 1: was scared that it was going to be SuPAR and

1713
01:14:39,520 --> 01:14:42,599
Speaker 1: it is, man, But I just again, his energy was growing.

1714
01:14:42,680 --> 01:14:44,560
Speaker 1: He still sound like fifty as far as just the

1715
01:14:44,680 --> 01:14:48,240
Speaker 1: tone that's still there, like you still almost kind of felt.

1716
01:14:48,120 --> 01:14:49,120
Speaker 2: Like the presence.

1717
01:14:49,920 --> 01:14:53,439
Speaker 1: Yeah, like the presence is still there. It's just the lyrics.

1718
01:14:53,479 --> 01:14:55,720
Speaker 1: And then it was such a short Like I said,

1719
01:14:55,880 --> 01:14:57,840
Speaker 1: I don't even think it was twelve make a hug?

1720
01:14:58,680 --> 01:14:59,880
Speaker 1: Yeah was it an audio hug?

1721
01:15:00,120 --> 01:15:02,000
Speaker 7: This is this is like fifty eyes.

1722
01:15:02,200 --> 01:15:04,679
Speaker 2: This is no, no no, because Jake Cole he gave

1723
01:15:05,400 --> 01:15:06,840
Speaker 2: he gave I like that.

1724
01:15:07,400 --> 01:15:09,080
Speaker 1: Yeah, this was a DAP one one DA.

1725
01:15:09,320 --> 01:15:11,160
Speaker 2: It might it might have just not even adapt It

1726
01:15:11,240 --> 01:15:15,040
Speaker 2: was like, you know, just one of these, yeah, like

1727
01:15:15,160 --> 01:15:17,559
Speaker 2: on your way out. Now, this was the audio head.

1728
01:15:17,840 --> 01:15:22,560
Speaker 2: I was just say audio had the audio head. This

1729
01:15:22,760 --> 01:15:24,479
Speaker 2: was like one that you're not sure if it was

1730
01:15:24,600 --> 01:15:27,719
Speaker 2: intended for you. Yeah, like you know, like someone across

1731
01:15:27,760 --> 01:15:29,200
Speaker 2: the room is like this and you're not sure it's

1732
01:15:29,200 --> 01:15:30,840
Speaker 2: for you. You got to look behind you first, like,

1733
01:15:31,240 --> 01:15:33,960
Speaker 2: oh me something. You got hit him twice like yo,

1734
01:15:34,520 --> 01:15:35,920
Speaker 2: unintentional audio head.

1735
01:15:36,320 --> 01:15:36,519
Speaker 5: Man.

1736
01:15:36,640 --> 01:15:38,640
Speaker 2: It just wasn't what I expected.

1737
01:15:38,760 --> 01:15:42,120
Speaker 7: Man, the audio fist to the chest, you know, it

1738
01:15:42,240 --> 01:15:42,840
Speaker 7: was disappointed.

1739
01:15:42,960 --> 01:15:45,439
Speaker 1: He still feels it still sounds like fifty. It still

1740
01:15:45,560 --> 01:15:50,120
Speaker 1: sounds like him. It's just it wasn't the just the lyrics,

1741
01:15:50,280 --> 01:15:52,720
Speaker 1: the cadence to flow, just it just it wasn't there

1742
01:15:52,800 --> 01:15:55,439
Speaker 1: for me, and I'm upset about that.

1743
01:15:55,560 --> 01:15:58,680
Speaker 2: I'm not gonna lie. I was actually really really I

1744
01:15:58,800 --> 01:16:00,000
Speaker 2: was beside myself the entire game.

1745
01:16:00,080 --> 01:16:03,000
Speaker 1: I was looking forward to that song. No, y'all don't understand.

1746
01:16:03,080 --> 01:16:04,960
Speaker 1: I was looking forward to that track.

1747
01:16:05,520 --> 01:16:08,120
Speaker 2: Have you heard Nas? Nature and fifty cent Too Hot?

1748
01:16:08,600 --> 01:16:10,080
Speaker 1: I was looking forward to that track.

1749
01:16:10,680 --> 01:16:12,680
Speaker 2: I really liked the hite of my favorite song. I

1750
01:16:12,880 --> 01:16:15,240
Speaker 2: was looking forward to that track. And then like the

1751
01:16:15,439 --> 01:16:17,280
Speaker 2: history between the two of them, Yeah, it was a

1752
01:16:17,439 --> 01:16:20,040
Speaker 2: lot for so long, a lot. They were best friends

1753
01:16:20,120 --> 01:16:22,800
Speaker 2: and they beefed, then they then they were friends again.

1754
01:16:22,960 --> 01:16:25,160
Speaker 2: It's a lot, and then it's a lot. Slow Bucks

1755
01:16:25,280 --> 01:16:27,760
Speaker 2: was on stage, and then like so was Nas, and

1756
01:16:27,800 --> 01:16:29,439
Speaker 2: then Fad was over there and we didn't know why

1757
01:16:29,479 --> 01:16:30,559
Speaker 2: Fab was in the Queen's thing.

1758
01:16:30,720 --> 01:16:33,800
Speaker 4: Yeah, and then we get this, Yeah you just od

1759
01:16:34,000 --> 01:16:36,240
Speaker 4: hip hop nerded the It was like you just had

1760
01:16:36,280 --> 01:16:36,960
Speaker 4: a spasm.

1761
01:16:37,360 --> 01:16:39,479
Speaker 2: It was and it was really interesting to see.

1762
01:16:39,520 --> 01:16:41,439
Speaker 3: I tell you to shut the fuck up.

1763
01:16:42,439 --> 01:16:45,559
Speaker 7: Yeah, they don't love you, Rory, Yeah, fuck yeah.

1764
01:16:46,840 --> 01:16:48,320
Speaker 1: It's like son, nobody cares.

1765
01:16:48,360 --> 01:16:48,840
Speaker 3: Man, I get it.

1766
01:16:49,000 --> 01:16:53,040
Speaker 2: I get it has thrown like in the last seven

1767
01:16:53,120 --> 01:16:56,040
Speaker 2: albums shots at fifty and vice versa. It was so

1768
01:16:56,160 --> 01:16:57,559
Speaker 2: cool to see they were friends of you. And then

1769
01:16:57,560 --> 01:16:59,640
Speaker 2: when I saw this, I was like so excited and.

1770
01:17:00,000 --> 01:17:01,720
Speaker 4: Obviously on our fends again because fifty was like, here

1771
01:17:01,760 --> 01:17:04,519
Speaker 4: you go, get this bullshit for your album. Fuck you.

1772
01:17:05,760 --> 01:17:07,400
Speaker 2: I don't think it what a Their position of being

1773
01:17:07,520 --> 01:17:09,439
Speaker 2: is not a nip boy though, because you know the

1774
01:17:09,479 --> 01:17:11,759
Speaker 2: conversation we're having right now they had in the studio.

1775
01:17:11,800 --> 01:17:13,479
Speaker 2: Of course, yep, they'll deny it as they should.

1776
01:17:13,960 --> 01:17:15,560
Speaker 1: Yeah, when they got that verse, they know they was

1777
01:17:15,680 --> 01:17:17,000
Speaker 1: like maybe the filed in.

1778
01:17:17,479 --> 01:17:19,320
Speaker 7: Dallas, the file yeah it got corrupted.

1779
01:17:19,520 --> 01:17:21,320
Speaker 1: Yeah, no, that would have caused the whole nother thing.

1780
01:17:21,360 --> 01:17:23,600
Speaker 1: You can't do that at the fifty exactly. You got

1781
01:17:23,720 --> 01:17:24,599
Speaker 1: to put that on the album.

1782
01:17:25,200 --> 01:17:25,800
Speaker 3: You can't do that.

1783
01:17:26,280 --> 01:17:28,439
Speaker 2: But I mean, listen, you don't send a text like, Yo,

1784
01:17:28,479 --> 01:17:30,599
Speaker 2: we'll get him on the next one. Bro, get them

1785
01:17:30,640 --> 01:17:32,400
Speaker 2: on the next We got your kittie farm.

1786
01:17:32,520 --> 01:17:34,880
Speaker 1: Yo, had to submit it didn't get a chance to

1787
01:17:35,000 --> 01:17:37,320
Speaker 1: mix down, and yeah, we just we're gonna we're going,

1788
01:17:37,439 --> 01:17:39,200
Speaker 1: we're gonna circle back on the next one. We're coming

1789
01:17:39,280 --> 01:17:41,200
Speaker 1: right back, circle me and hit coming right back in

1790
01:17:41,320 --> 01:17:44,720
Speaker 1: like four months. You know, they come to day halfway done. Yeah,

1791
01:17:44,840 --> 01:17:45,759
Speaker 1: with the next one already.

1792
01:17:45,840 --> 01:17:48,200
Speaker 2: So that does make shitt awkward though, when people send

1793
01:17:48,280 --> 01:17:51,679
Speaker 2: you verses and features and it's just not it. Yeah,

1794
01:17:51,680 --> 01:17:54,120
Speaker 2: and then they're not into your ideas to change it,

1795
01:17:54,960 --> 01:17:58,120
Speaker 2: and then it's just it's weird, especially if you like

1796
01:17:58,200 --> 01:17:59,720
Speaker 2: funck with them want to continue to work with them.

1797
01:18:00,200 --> 01:18:02,320
Speaker 2: It's very awkward. You don't dealt with that a the

1798
01:18:02,439 --> 01:18:05,920
Speaker 2: hell yeah you have. Oh my god, it's I probably

1799
01:18:05,960 --> 01:18:09,120
Speaker 2: won't work with those people again because artists are sensitive

1800
01:18:09,240 --> 01:18:12,840
Speaker 2: and you and you know fifty is not the most

1801
01:18:12,920 --> 01:18:13,880
Speaker 2: understanding human being.

1802
01:18:14,360 --> 01:18:17,880
Speaker 1: Well no, well, I mean maybe he changed, maybe he changed,

1803
01:18:17,920 --> 01:18:20,759
Speaker 1: maybe he changed. I don't know, hopefully he changed. Speaking

1804
01:18:20,800 --> 01:18:23,920
Speaker 1: of other features, are so change and changes and change.

1805
01:18:24,479 --> 01:18:25,519
Speaker 1: Kodak black and.

1806
01:18:27,280 --> 01:18:29,040
Speaker 2: Oh were we going to talk about that? We have? No,

1807
01:18:29,160 --> 01:18:31,240
Speaker 2: let's let's keep this. We an'll need to edit this.

1808
01:18:31,479 --> 01:18:32,559
Speaker 2: I thought we're gonna get into.

1809
01:18:32,439 --> 01:18:32,920
Speaker 7: The Twitter ship.

1810
01:18:33,000 --> 01:18:35,000
Speaker 2: Yeah, because I thought you were going to ignore this.

1811
01:18:35,120 --> 01:18:38,400
Speaker 2: Kodak and six nine ship. No completely, ye'ah know.

1812
01:18:38,479 --> 01:18:39,200
Speaker 1: I love Kodak.

1813
01:18:39,280 --> 01:18:41,519
Speaker 2: You know that's one of my favorites. You were the

1814
01:18:41,600 --> 01:18:44,360
Speaker 2: first pause, the first person I thought of when I

1815
01:18:44,400 --> 01:18:47,000
Speaker 2: saw this headline. Yeah, because I wanted to bring it

1816
01:18:47,080 --> 01:18:48,680
Speaker 2: up immediately to you, but I know you don't want

1817
01:18:48,680 --> 01:18:51,720
Speaker 2: to talk about uh, you know your Brambell ahead, kid,

1818
01:18:51,960 --> 01:18:52,240
Speaker 2: I don't.

1819
01:18:52,640 --> 01:18:54,599
Speaker 1: I could kire less about talking about the other gentlemen.

1820
01:18:54,680 --> 01:19:01,599
Speaker 1: But it's I do understand that took a very interesting approach.

1821
01:19:01,640 --> 01:19:04,599
Speaker 1: I don't think we've ever seen this, like he actually

1822
01:19:05,560 --> 01:19:08,920
Speaker 1: wish shipping on the dude that he was doing a

1823
01:19:08,960 --> 01:19:09,320
Speaker 1: record with.

1824
01:19:10,360 --> 01:19:12,120
Speaker 3: Didn't they take that line out or did it make

1825
01:19:12,160 --> 01:19:12,400
Speaker 3: the fun?

1826
01:19:12,560 --> 01:19:13,200
Speaker 2: I think he made it.

1827
01:19:13,280 --> 01:19:14,640
Speaker 7: I think I think they took it out, whether the

1828
01:19:15,160 --> 01:19:17,400
Speaker 7: producer or engineer, kind of like Lea, I.

1829
01:19:17,360 --> 01:19:19,280
Speaker 1: Can't believe I got a wreck giving me cheese.

1830
01:19:19,520 --> 01:19:22,120
Speaker 2: Yeah, for those that have not heard the song, that

1831
01:19:22,320 --> 01:19:25,080
Speaker 2: was the last line in Kodaks verse that didn't make

1832
01:19:25,160 --> 01:19:27,320
Speaker 2: the one that we heard in the video.

1833
01:19:27,680 --> 01:19:29,519
Speaker 1: And he said some shots Kodaks and some shots to

1834
01:19:29,600 --> 01:19:32,840
Speaker 1: Don well as well said how you better a rat?

1835
01:19:32,880 --> 01:19:33,599
Speaker 1: Still your bitch?

1836
01:19:34,280 --> 01:19:36,599
Speaker 7: That ship is the fun that six nine is rebrand

1837
01:19:36,720 --> 01:19:38,640
Speaker 7: is like doing more like Latino shit and it's the

1838
01:19:38,760 --> 01:19:39,680
Speaker 7: funniest fucking thing.

1839
01:19:39,760 --> 01:19:39,920
Speaker 3: Ever.

1840
01:19:40,880 --> 01:19:44,000
Speaker 6: Well, the American hip hop audience doesn't respect him anymore

1841
01:19:44,040 --> 01:19:46,320
Speaker 6: so unto the next one that sucks.

1842
01:19:47,840 --> 01:19:48,000
Speaker 2: Now.

1843
01:19:48,360 --> 01:19:51,880
Speaker 1: Allegedly Kodak got two million dollars for this damn was

1844
01:19:51,920 --> 01:19:52,880
Speaker 1: it two million or a million?

1845
01:19:53,240 --> 01:19:55,479
Speaker 2: And whatever he got, he got a lot of money

1846
01:19:55,520 --> 01:19:57,640
Speaker 2: to do this verse. In his video, he he did

1847
01:19:57,720 --> 01:20:01,040
Speaker 2: say that y'all acting like we're going in on a verse,

1848
01:20:01,080 --> 01:20:04,559
Speaker 2: We're not going in on a brick. Yeah, he did

1849
01:20:04,600 --> 01:20:06,560
Speaker 2: throw some understanding in there and said, what would you

1850
01:20:06,640 --> 01:20:08,240
Speaker 2: guys do in Daniel's situation?

1851
01:20:11,120 --> 01:20:12,160
Speaker 7: Daniels situation.

1852
01:20:12,360 --> 01:20:14,560
Speaker 2: I'm a big, big civilian over here, so I'm just

1853
01:20:14,640 --> 01:20:16,880
Speaker 2: posing questions that I have no right to even ask.

1854
01:20:17,000 --> 01:20:20,240
Speaker 2: But is everyone changing the rules? I'm just an outsider looking.

1855
01:20:20,840 --> 01:20:22,200
Speaker 2: Rules are changing, Rules.

1856
01:20:22,040 --> 01:20:25,760
Speaker 1: Are changing cord to a situation, just want of the

1857
01:20:25,880 --> 01:20:27,679
Speaker 1: rules change according to the person applying.

1858
01:20:27,840 --> 01:20:29,680
Speaker 2: And this is what I don't care this.

1859
01:20:30,280 --> 01:20:34,520
Speaker 1: Let me specify in this error, because they wasn't changing.

1860
01:20:34,280 --> 01:20:36,360
Speaker 7: The rules to who they apply back then.

1861
01:20:36,479 --> 01:20:39,400
Speaker 1: And don't get it twisted. There's snitches and rats in

1862
01:20:39,560 --> 01:20:42,800
Speaker 1: every error, every generation. We don't even have to talk

1863
01:20:42,800 --> 01:20:46,280
Speaker 1: about that part. But I was just I did not

1864
01:20:46,600 --> 01:20:50,000
Speaker 1: expect somebody like Kodak to ever do a song with

1865
01:20:50,080 --> 01:20:53,639
Speaker 1: this gentleman. I never thought it would happen, only because

1866
01:20:53,720 --> 01:20:56,519
Speaker 1: if you listened to Kodak, and you follow Kodak, and

1867
01:20:57,160 --> 01:20:58,920
Speaker 1: you know, you listen to the things he says. He

1868
01:20:59,080 --> 01:21:01,880
Speaker 1: just has a different type of DNA and them his

1869
01:21:02,280 --> 01:21:05,519
Speaker 1: morals a different So I just never thought that this

1870
01:21:05,600 --> 01:21:07,280
Speaker 1: would ever come to fruition.

1871
01:21:08,040 --> 01:21:09,240
Speaker 2: But I mean, he did it.

1872
01:21:09,320 --> 01:21:11,839
Speaker 1: He did the record, did the video, and he addressed

1873
01:21:11,840 --> 01:21:13,240
Speaker 1: all of that because he knew people would be kind

1874
01:21:13,280 --> 01:21:15,759
Speaker 1: of shocked at him taking that position and doing actually

1875
01:21:15,840 --> 01:21:18,960
Speaker 1: working with this dude. And I thought it was a clever,

1876
01:21:19,240 --> 01:21:21,120
Speaker 1: unique way of doing it, if you want to call

1877
01:21:21,160 --> 01:21:24,680
Speaker 1: it that. But I'm still I still don't support it.

1878
01:21:24,880 --> 01:21:29,320
Speaker 1: But with Kodak saying the things that he said, it's like, Okay,

1879
01:21:29,880 --> 01:21:31,280
Speaker 1: I understand what you're saying.

1880
01:21:31,320 --> 01:21:31,640
Speaker 3: I get it.

1881
01:21:32,320 --> 01:21:32,720
Speaker 2: I get it.

1882
01:21:32,880 --> 01:21:35,120
Speaker 1: I don't respect it, but I get it.

1883
01:21:36,160 --> 01:21:37,600
Speaker 2: Do you I get it.

1884
01:21:38,120 --> 01:21:40,720
Speaker 1: He's like, Yo, it's money, Like I don't know this dude. Like,

1885
01:21:40,880 --> 01:21:42,960
Speaker 1: we're not doing no illegal activities, We're not in the streets,

1886
01:21:43,000 --> 01:21:45,519
Speaker 1: we're not doing nothing. Like we're making a song, making

1887
01:21:45,560 --> 01:21:47,280
Speaker 1: the record. They paid me a shitload of money to

1888
01:21:47,360 --> 01:21:49,720
Speaker 1: do it. I'm addressing all of the snitch on the

1889
01:21:49,760 --> 01:21:52,160
Speaker 1: record I'm talking about. I'm calling him a rat, like

1890
01:21:52,200 --> 01:21:54,599
Speaker 1: I'm doing all of that. Like you know what I'm saying,

1891
01:21:54,960 --> 01:21:56,920
Speaker 1: We're not hanging out, we're not best friends, we're not

1892
01:21:57,040 --> 01:21:59,280
Speaker 1: busting it up like in the streets together like.

1893
01:21:59,360 --> 01:22:01,600
Speaker 7: So supposed to be. Giving call that Black Ship for this,

1894
01:22:02,520 --> 01:22:02,960
Speaker 7: he has.

1895
01:22:02,880 --> 01:22:05,400
Speaker 2: Been young, I mean, not not us, because we're I mean,

1896
01:22:05,560 --> 01:22:07,200
Speaker 2: we're not that. But I understand.

1897
01:22:07,280 --> 01:22:09,880
Speaker 1: I understand why people are though, because again, if you

1898
01:22:09,960 --> 01:22:12,120
Speaker 1: know Kodak Black and things that he's been through with

1899
01:22:12,200 --> 01:22:14,720
Speaker 1: the law and being locked up in coach that he

1900
01:22:14,840 --> 01:22:16,880
Speaker 1: stood on and he you know, he he holds high.

1901
01:22:17,360 --> 01:22:20,080
Speaker 1: I never thought that this would happen. And again him

1902
01:22:20,080 --> 01:22:23,040
Speaker 1: addressing it is addressing that. Like I know, people thought

1903
01:22:23,040 --> 01:22:24,559
Speaker 1: I would never do some ship like this, like they

1904
01:22:24,600 --> 01:22:27,240
Speaker 1: would never see me standing and working with a dude

1905
01:22:27,320 --> 01:22:27,800
Speaker 1: that but a.

1906
01:22:27,800 --> 01:22:28,960
Speaker 2: Billy let me try.

1907
01:22:30,520 --> 01:22:32,800
Speaker 4: They're hard on a couple of million.

1908
01:22:32,880 --> 01:22:34,599
Speaker 2: They go out the wind though, And I'm not trying

1909
01:22:34,640 --> 01:22:37,720
Speaker 2: to be missed, but I'm just saying that.

1910
01:22:37,920 --> 01:22:40,920
Speaker 1: That's but that's why I said, I understand it, but

1911
01:22:41,040 --> 01:22:43,920
Speaker 1: I don't respect it because morals are not for sale.

1912
01:22:44,680 --> 01:22:46,880
Speaker 1: You understand what I'm saying, So shout out to my

1913
01:22:46,960 --> 01:22:50,360
Speaker 1: man Ricky Walbucks. Morals are not for sale. But this

1914
01:22:50,600 --> 01:22:55,840
Speaker 1: right here, I understand it. This business, Kodak, this is business,

1915
01:22:55,920 --> 01:22:57,120
Speaker 1: is the music business.

1916
01:22:57,920 --> 01:23:01,080
Speaker 2: Let me let me ask a question, because again I'm

1917
01:23:01,439 --> 01:23:05,480
Speaker 2: this is not my world. I'm trying to find a comparison.

1918
01:23:07,320 --> 01:23:09,120
Speaker 2: That's one of the worst things you could possibly be

1919
01:23:09,360 --> 01:23:15,360
Speaker 2: in the street, correct, absolutely one of that would be

1920
01:23:15,560 --> 01:23:20,200
Speaker 2: like me who denounced, would never work with anyone that

1921
01:23:20,840 --> 01:23:24,040
Speaker 2: funks around with kids on Earth, but had the opportunity

1922
01:23:24,080 --> 01:23:27,120
Speaker 2: to work with R Kelly and explain to y'all, yo,

1923
01:23:27,240 --> 01:23:30,000
Speaker 2: it's just because I know I would make a lot

1924
01:23:30,040 --> 01:23:33,519
Speaker 2: of money, and here's my song that I did with

1925
01:23:33,640 --> 01:23:33,960
Speaker 2: R Kelly.

1926
01:23:34,600 --> 01:23:37,479
Speaker 3: But R Kelly compares of the person you're working with,

1927
01:23:37,920 --> 01:23:38,680
Speaker 3: that's what makes it.

1928
01:23:38,920 --> 01:23:41,880
Speaker 2: That's because I would not work with R Kelly.

1929
01:23:42,320 --> 01:23:44,920
Speaker 4: But street niggas care more about snitching than they do

1930
01:23:45,000 --> 01:23:45,639
Speaker 4: sex offenders.

1931
01:23:45,720 --> 01:23:47,320
Speaker 2: I'm saying, no, no, no, I'm trying to compare the

1932
01:23:47,360 --> 01:23:49,640
Speaker 2: two like because that's one of the worst things you

1933
01:23:49,680 --> 01:23:49,880
Speaker 2: could be.

1934
01:23:50,080 --> 01:23:50,240
Speaker 5: I know.

1935
01:23:50,320 --> 01:23:53,160
Speaker 2: But and in my world, fucking with kids is like

1936
01:23:53,240 --> 01:23:55,160
Speaker 2: the one of the worst things you could possibly fucking do.

1937
01:23:55,560 --> 01:23:56,840
Speaker 1: That's one of the worst things you do in life,

1938
01:23:57,479 --> 01:24:01,040
Speaker 1: not street being a pedophile, in the fucking sex offender

1939
01:24:01,120 --> 01:24:02,880
Speaker 1: is one of the worst things you could ever be in.

1940
01:24:03,120 --> 01:24:04,920
Speaker 2: Like, yeah, so the offense, like I'm not gonna go

1941
01:24:05,080 --> 01:24:07,600
Speaker 2: make a sandwich with Jared right, No.

1942
01:24:07,800 --> 01:24:10,800
Speaker 6: But yeah, but you're saying it's the offense, the level

1943
01:24:10,880 --> 01:24:13,240
Speaker 6: of offense of the person that's giving you the money,

1944
01:24:13,400 --> 01:24:17,400
Speaker 6: like that's yeah, Like they're to me the moral compass

1945
01:24:18,520 --> 01:24:22,240
Speaker 6: that beendulum swings like if it's Jackson Defender, No, like

1946
01:24:22,360 --> 01:24:23,880
Speaker 6: that's not happening again.

1947
01:24:24,000 --> 01:24:27,160
Speaker 1: The only reason why to me, I would never because

1948
01:24:27,280 --> 01:24:30,360
Speaker 1: Kodak is from the streets. He did grow up in

1949
01:24:30,400 --> 01:24:33,000
Speaker 1: the hood, He did some allegedly did some things growing

1950
01:24:33,040 --> 01:24:35,599
Speaker 1: up that he had to do to survive. He did

1951
01:24:35,720 --> 01:24:39,479
Speaker 1: jail time, He took responsibility and accountability for whatever he.

1952
01:24:39,600 --> 01:24:40,120
Speaker 2: Was charged for.

1953
01:24:40,720 --> 01:24:43,240
Speaker 1: He stood tall, you knowstand I'm saying. So to see

1954
01:24:43,320 --> 01:24:47,000
Speaker 1: him now do business with somebody who didn't and say

1955
01:24:47,040 --> 01:24:49,840
Speaker 1: what you will about that whole story, and people feel

1956
01:24:49,920 --> 01:24:52,680
Speaker 1: like he was right and not standing tall because he

1957
01:24:52,840 --> 01:24:55,160
Speaker 1: was being done dirty the whole time. Whatever, that's that's

1958
01:24:55,200 --> 01:24:58,120
Speaker 1: your opinion. I'm just saying the bottom line. I always

1959
01:24:58,120 --> 01:25:00,560
Speaker 1: look at the bottom line. He took the stand, he

1960
01:25:00,720 --> 01:25:03,320
Speaker 1: told on gentlemen. He got dudes put away for a

1961
01:25:03,400 --> 01:25:06,679
Speaker 1: very long time, Kodak had his days in court where

1962
01:25:06,720 --> 01:25:10,320
Speaker 1: he took his own accountability didn't fold on nobody. So

1963
01:25:10,439 --> 01:25:13,720
Speaker 1: it's just the contrast in those two worlds. I never

1964
01:25:13,800 --> 01:25:16,200
Speaker 1: thought that they would meet because again, with Kodak stands

1965
01:25:16,280 --> 01:25:18,639
Speaker 1: on and with the other dude stands on two totally

1966
01:25:18,640 --> 01:25:20,960
Speaker 1: different things. So that's why to me, it's just a

1967
01:25:21,360 --> 01:25:25,000
Speaker 1: I don't respect it, but I understand it. Get that bag.

1968
01:25:25,120 --> 01:25:27,439
Speaker 2: This is the music business. He ain't.

1969
01:25:27,800 --> 01:25:29,280
Speaker 1: I don't see. I don't think he'll be hanging out

1970
01:25:29,280 --> 01:25:31,280
Speaker 1: with that dude. I don't think he'll be taking vacations

1971
01:25:31,320 --> 01:25:34,000
Speaker 1: with him, and you know, none of that. But I

1972
01:25:34,120 --> 01:25:38,479
Speaker 1: mean a million, two million dollars whatever it was. Listen, man,

1973
01:25:38,840 --> 01:25:42,679
Speaker 1: you know for me, more was not for sale. For others,

1974
01:25:43,200 --> 01:25:46,840
Speaker 1: they can be negotiated, just like Elon.

1975
01:25:47,720 --> 01:25:50,559
Speaker 7: M oh wow, wow, what a segway.

1976
01:25:51,160 --> 01:25:52,000
Speaker 3: It was not a good time.

1977
01:25:52,040 --> 01:25:55,560
Speaker 2: Crazy, Like, I appreciate the support from the room, like

1978
01:25:56,000 --> 01:25:58,840
Speaker 2: just me a lot. Like how you think about Elon

1979
01:25:58,920 --> 01:26:01,160
Speaker 2: and like him taking the the tweety bird and making

1980
01:26:01,200 --> 01:26:04,760
Speaker 2: it an X, like it's very similar in how and.

1981
01:26:04,760 --> 01:26:06,240
Speaker 1: If you look at the tweety bird, it kind of

1982
01:26:06,280 --> 01:26:07,800
Speaker 1: almost looks like an X a little bit.

1983
01:26:08,040 --> 01:26:10,320
Speaker 2: Yeah, it looks like. It's like kind of like, you know,

1984
01:26:10,400 --> 01:26:12,439
Speaker 2: if you've seen the movie Birds, you know how violent

1985
01:26:12,520 --> 01:26:15,639
Speaker 2: they can be. Absolutely, it's like you just like your ex,

1986
01:26:15,920 --> 01:26:19,080
Speaker 2: just like and if your ex is a bird, Now

1987
01:26:19,120 --> 01:26:19,759
Speaker 2: you going somewhere.

1988
01:26:19,920 --> 01:26:21,479
Speaker 1: I don't know if we have enough time to go there, like.

1989
01:26:22,520 --> 01:26:24,960
Speaker 3: The birth of a feather flocked together right there you go.

1990
01:26:25,360 --> 01:26:26,920
Speaker 1: I don't know we have enough time to go there.

1991
01:26:27,120 --> 01:26:29,960
Speaker 1: But yes, Elon Musk is transforming Twitter into X the

1992
01:26:30,080 --> 01:26:34,960
Speaker 1: everything app. This is just another billionaire uh in a

1993
01:26:35,040 --> 01:26:38,120
Speaker 1: billionaire boys club, waking up with an idea and deciding

1994
01:26:38,160 --> 01:26:39,640
Speaker 1: that he wants to just do whatever the fuck he.

1995
01:26:39,640 --> 01:26:41,679
Speaker 2: Wants to do with what he owns.

1996
01:26:41,760 --> 01:26:43,639
Speaker 1: So yeah, the way we order breakfast is the way

1997
01:26:43,640 --> 01:26:47,040
Speaker 1: he just made a decision. Came to him problem when

1998
01:26:47,040 --> 01:26:48,560
Speaker 1: he was on the toilet and said, you know what,

1999
01:26:48,920 --> 01:26:50,160
Speaker 1: tomorrow morning we go to X.

2000
01:26:50,320 --> 01:26:52,000
Speaker 2: I don't think he has bad movements. I don't even

2001
01:26:52,000 --> 01:26:55,599
Speaker 2: think Elon uses the bathroom. The bathroom uses Elon pretty much.

2002
01:26:55,640 --> 01:26:57,080
Speaker 2: And when you have that much money the bathroom.

2003
01:26:57,240 --> 01:26:59,120
Speaker 3: He buy the letter X, Like, how did this work?

2004
01:27:00,200 --> 01:27:00,800
Speaker 2: He probably did?

2005
01:27:00,920 --> 01:27:02,000
Speaker 3: It's X.

2006
01:27:02,080 --> 01:27:05,800
Speaker 2: You know, well, from my understanding this the url of

2007
01:27:05,840 --> 01:27:08,840
Speaker 2: the X is an old website that he had bought

2008
01:27:09,880 --> 01:27:13,400
Speaker 2: that they're now like revamping. I do sort of understand it, though.

2009
01:27:13,400 --> 01:27:16,439
Speaker 2: I mean even the way HBO is trying to keep

2010
01:27:16,520 --> 01:27:19,160
Speaker 2: up with all the other platforms of taking HBO go

2011
01:27:19,240 --> 01:27:21,320
Speaker 2: to HBO Max, now just to Max so it's not

2012
01:27:21,479 --> 01:27:24,799
Speaker 2: branded as HBO because everything on there will not be HBO,

2013
01:27:26,000 --> 01:27:28,439
Speaker 2: saying it's the everything app. Yeah, you're taking the Twitter

2014
01:27:28,600 --> 01:27:32,000
Speaker 2: users and putting them in a whole new platform. I'm

2015
01:27:32,040 --> 01:27:34,200
Speaker 2: sure other things will be involved in that that aren't Twitter.

2016
01:27:35,280 --> 01:27:37,639
Speaker 2: Twitter will just be part of whatever else he wants

2017
01:27:37,680 --> 01:27:41,280
Speaker 2: to put there. I don't like it because I'm a

2018
01:27:41,439 --> 01:27:44,160
Speaker 2: you know, og Twitter user, Like I had issues with

2019
01:27:44,240 --> 01:27:47,320
Speaker 2: Threads and every other app that keeps being added in

2020
01:27:47,360 --> 01:27:50,920
Speaker 2: because I just like my Twitter. But this is what's

2021
01:27:50,920 --> 01:27:53,400
Speaker 2: happening with everything, so I understand it.

2022
01:27:53,560 --> 01:27:55,840
Speaker 1: I think this is all of these billionaire guys as

2023
01:27:55,920 --> 01:27:58,000
Speaker 1: way of saying, hey, just get the fuck off social media.

2024
01:27:59,479 --> 01:28:01,720
Speaker 2: Just go do some them with yourself. You really think

2025
01:28:01,760 --> 01:28:03,000
Speaker 2: that that's their way, is I think so?

2026
01:28:03,360 --> 01:28:04,400
Speaker 1: I think they're just using this ship.

2027
01:28:04,400 --> 01:28:06,639
Speaker 2: They just push fired all the employees there. There's plenty

2028
01:28:06,640 --> 01:28:07,519
Speaker 2: of time to press.

2029
01:28:07,680 --> 01:28:11,040
Speaker 1: They pushed They're just pushing ads selling ads, and I

2030
01:28:11,160 --> 01:28:12,760
Speaker 1: mean it's not you know, just go out there and

2031
01:28:12,840 --> 01:28:14,439
Speaker 1: really engage in real life for people.

2032
01:28:15,160 --> 01:28:16,760
Speaker 2: I don't think Elon wants any of that, to be

2033
01:28:16,840 --> 01:28:17,320
Speaker 2: honest with you.

2034
01:28:17,360 --> 01:28:19,760
Speaker 4: I think Elon wants as much money as he can

2035
01:28:19,840 --> 01:28:20,599
Speaker 4: possibly garner.

2036
01:28:20,840 --> 01:28:22,360
Speaker 1: Well, Elon has all of the money.

2037
01:28:24,160 --> 01:28:24,680
Speaker 3: I mean, is that.

2038
01:28:24,760 --> 01:28:25,720
Speaker 2: Are you guys going to stay on it?

2039
01:28:26,560 --> 01:28:29,120
Speaker 3: I don't even really don't even know how it works.

2040
01:28:29,600 --> 01:28:32,240
Speaker 2: Tomorrow's I'm now admitting anytime that people took stances on

2041
01:28:32,280 --> 01:28:34,000
Speaker 2: Twitter of like we're all leaving, I was one of

2042
01:28:34,040 --> 01:28:35,880
Speaker 2: the people that was just like, well, you can do

2043
01:28:35,960 --> 01:28:37,240
Speaker 2: whatever you want to. Yeah, I'm here.

2044
01:28:38,160 --> 01:28:39,920
Speaker 1: I mean every time I open my Twitter app now,

2045
01:28:39,960 --> 01:28:40,760
Speaker 1: the first thing I see is.

2046
01:28:40,720 --> 01:28:43,520
Speaker 2: A pussy hole nice, Well, that's your's.

2047
01:28:44,320 --> 01:28:47,400
Speaker 1: I don't know what I'm following on the four you page. No,

2048
01:28:47,520 --> 01:28:48,759
Speaker 1: it's I think it's miss be Nasty.

2049
01:28:49,160 --> 01:28:50,320
Speaker 3: Oh, I definitely.

2050
01:28:50,600 --> 01:28:53,080
Speaker 1: I think I think should follow follow great follow one

2051
01:28:53,080 --> 01:28:54,679
Speaker 1: of the greatest follows I've ever made in my life.

2052
01:28:55,680 --> 01:28:59,759
Speaker 1: But I think that her, her her page is pushing

2053
01:28:59,800 --> 01:29:00,920
Speaker 1: that into my algorithms.

2054
01:29:00,960 --> 01:29:05,640
Speaker 2: I think it's it's her. I'm not clicking, I'm not

2055
01:29:05,760 --> 01:29:06,120
Speaker 2: liking it.

2056
01:29:06,439 --> 01:29:06,879
Speaker 3: Unfollow.

2057
01:29:07,200 --> 01:29:09,479
Speaker 1: Yeah, but if you know, but I'm not following the

2058
01:29:09,600 --> 01:29:11,679
Speaker 1: pages that. When I open my app, it's just a pussy.

2059
01:29:11,720 --> 01:29:13,600
Speaker 1: It's like somebody tweeing it onto my time on.

2060
01:29:13,640 --> 01:29:17,040
Speaker 4: You if you be nasty pussy, they're like, oh, it's

2061
01:29:17,040 --> 01:29:21,599
Speaker 4: basically like like if you like this show, you'll probably like, yeah,

2062
01:29:21,640 --> 01:29:23,799
Speaker 4: that's what it is. If you like this pussy probably

2063
01:29:24,000 --> 01:29:24,479
Speaker 4: like So in.

2064
01:29:24,560 --> 01:29:25,840
Speaker 1: Order for me to stop seeing that, I have to

2065
01:29:25,920 --> 01:29:27,280
Speaker 1: unfollow Miss be nasty.

2066
01:29:27,200 --> 01:29:30,960
Speaker 4: And yeah, and don't yeh, don't just said that following.

2067
01:29:30,840 --> 01:29:32,880
Speaker 2: It's not happening. I'm not doing because I noticed when

2068
01:29:33,120 --> 01:29:35,719
Speaker 2: I support Miss, I followed like filthy God or whatever,

2069
01:29:35,880 --> 01:29:38,760
Speaker 2: like seven years ago, excuse me on Twitter. Yeah, and

2070
01:29:38,800 --> 01:29:41,479
Speaker 2: I've noticed that if I like scroll passed and watch

2071
01:29:41,560 --> 01:29:44,520
Speaker 2: one of their videos more than three seconds, it's poorn.

2072
01:29:44,320 --> 01:29:45,120
Speaker 3: For the next hour.

2073
01:29:45,200 --> 01:29:47,599
Speaker 2: But you said less, I changed my God Filthy God,

2074
01:29:47,760 --> 01:29:49,800
Speaker 2: g A w D. I don't want to give them

2075
01:29:49,800 --> 01:29:52,719
Speaker 2: too much filter God filth God yeah, oh g Twitter,

2076
01:29:52,800 --> 01:29:54,320
Speaker 2: But is that old Twitter ship?

2077
01:29:54,439 --> 01:29:56,479
Speaker 4: Yeah yeah, but my ship was all white.

2078
01:29:56,640 --> 01:29:57,160
Speaker 2: It's filthy.

2079
01:29:57,479 --> 01:29:59,360
Speaker 4: When we were like on the lead of the plug

2080
01:29:59,479 --> 01:30:00,960
Speaker 4: topic and I was like looking up sh it on

2081
01:30:01,040 --> 01:30:03,960
Speaker 4: my phone, I had white pussy on my phone.

2082
01:30:04,040 --> 01:30:05,920
Speaker 2: For days bubble gum.

2083
01:30:10,720 --> 01:30:11,720
Speaker 3: The CEO.

2084
01:30:13,920 --> 01:30:16,560
Speaker 1: Call the white pussy haram hilarious.

2085
01:30:16,640 --> 01:30:17,160
Speaker 11: But is it not.

2086
01:30:18,920 --> 01:30:25,400
Speaker 2: Depends which musclem you ask, because I don't think it depends.

2087
01:30:25,479 --> 01:30:27,680
Speaker 2: It depends. It depends on the tomic. All things can

2088
01:30:27,720 --> 01:30:30,880
Speaker 2: be negotiating, Yeah, and all things. Yeah. Yeah, it's just

2089
01:30:30,960 --> 01:30:31,160
Speaker 2: a lot.

2090
01:30:31,240 --> 01:30:33,679
Speaker 1: There's a lot of variables, this of Twitter.

2091
01:30:34,080 --> 01:30:37,240
Speaker 3: Uh said this when the X announcement came about.

2092
01:30:37,439 --> 01:30:41,120
Speaker 6: X is the future state of unlimited interconnect interactivity centered

2093
01:30:41,160 --> 01:30:45,960
Speaker 6: in audio, video, messaging, payments, banking, creating a global marketplace

2094
01:30:46,000 --> 01:30:50,040
Speaker 6: for ideas. Blah blah blah, powered by AI X will

2095
01:30:50,080 --> 01:30:52,559
Speaker 6: continue to connect some ways. We're all beginning to imagine.

2096
01:30:52,960 --> 01:30:55,920
Speaker 2: So to your point, what they need to let me

2097
01:30:56,040 --> 01:30:59,000
Speaker 2: know what I'm imagining right now? Yeah? What are they

2098
01:30:59,040 --> 01:31:05,240
Speaker 2: talking about? Wilt world fucked? It's I'm going to continue

2099
01:31:05,240 --> 01:31:08,280
Speaker 2: to use Twitter, I guess I mean a new position.

2100
01:31:08,560 --> 01:31:11,479
Speaker 2: At least. Elon is like shook ship up as he's

2101
01:31:11,560 --> 01:31:14,400
Speaker 2: destroying the app. Yeah, it was a It was a

2102
01:31:14,439 --> 01:31:17,760
Speaker 2: good wake in funeral because Twitter was dead from what

2103
01:31:17,880 --> 01:31:19,360
Speaker 2: we knew it for quite some time.

2104
01:31:19,520 --> 01:31:19,920
Speaker 7: Mm hmm.

2105
01:31:20,160 --> 01:31:23,479
Speaker 2: Elon came back and shook shit up. So Elon came

2106
01:31:23,520 --> 01:31:26,120
Speaker 2: through and question the buildings. That is true. All right,

2107
01:31:26,160 --> 01:31:29,080
Speaker 2: let's get into some voicemails. Let's do it, Julian, what

2108
01:31:29,160 --> 01:31:29,479
Speaker 2: do we got.

2109
01:31:29,520 --> 01:31:31,360
Speaker 1: They're kicking your ass in the reddit streets are saying

2110
01:31:31,400 --> 01:31:33,639
Speaker 1: you only go answering relationship ship.

2111
01:31:34,200 --> 01:31:36,720
Speaker 2: Somebody said they sent something funny. I think respect You're

2112
01:31:36,920 --> 01:31:39,639
Speaker 2: You're in the redit streets this weekend a few days.

2113
01:31:39,760 --> 01:31:40,240
Speaker 3: What are you on?

2114
01:31:40,479 --> 01:31:42,240
Speaker 1: I get I'm not on it, but I get like

2115
01:31:42,720 --> 01:31:44,000
Speaker 1: notifications to my Gmail.

2116
01:31:44,960 --> 01:31:46,519
Speaker 4: I was with the man this weekend and he got

2117
01:31:46,600 --> 01:31:49,080
Speaker 4: a notification from the New rooryal Mall. Ready. I just

2118
01:31:49,160 --> 01:31:52,400
Speaker 4: happened to have the phone. I had the phone and

2119
01:31:52,600 --> 01:31:53,160
Speaker 4: got his phone.

2120
01:31:53,240 --> 01:31:54,280
Speaker 3: You just happen to his phone.

2121
01:31:54,520 --> 01:31:56,680
Speaker 4: I was hooking up the GPS, of course, and this

2122
01:31:56,800 --> 01:32:01,120
Speaker 4: ship said New Royal Mall. I was like, you subscribed

2123
01:32:01,160 --> 01:32:03,759
Speaker 4: to our reddit. He was like, yeah, well I'm not subscribed,

2124
01:32:03,760 --> 01:32:06,280
Speaker 4: but I just get the notifications. They send me notifications.

2125
01:32:06,280 --> 01:32:09,599
Speaker 4: So I'm like, ah, interesting, that's very interesting.

2126
01:32:10,120 --> 01:32:11,000
Speaker 2: Tell us more. How was it?

2127
01:32:11,600 --> 01:32:13,280
Speaker 7: How was what the verification?

2128
01:32:13,479 --> 01:32:13,760
Speaker 2: You said?

2129
01:32:13,760 --> 01:32:17,680
Speaker 4: I'm sorry the date, Oh, it wasn't a date. It

2130
01:32:17,800 --> 01:32:18,280
Speaker 4: wasn't a date.

2131
01:32:18,320 --> 01:32:19,759
Speaker 3: Where were you and GPS?

2132
01:32:21,120 --> 01:32:23,160
Speaker 4: No, we were taking some kids out to the museum

2133
01:32:23,200 --> 01:32:23,679
Speaker 4: ice cream.

2134
01:32:24,200 --> 01:32:26,400
Speaker 1: It was a date taking to the kids.

2135
01:32:26,439 --> 01:32:28,120
Speaker 3: Are you doing like charity workdy?

2136
01:32:29,240 --> 01:32:31,040
Speaker 2: It was his weekend with the kids. And what was

2137
01:32:31,080 --> 01:32:32,599
Speaker 2: the Reddit threat? Did they call you mom?

2138
01:32:33,880 --> 01:32:35,920
Speaker 4: It was about me? It was about me for some reason?

2139
01:32:36,560 --> 01:32:37,320
Speaker 7: Did they call you mom?

2140
01:32:37,479 --> 01:32:37,519
Speaker 8: No?

2141
01:32:38,160 --> 01:32:40,040
Speaker 4: Can we just voicemails?

2142
01:32:40,800 --> 01:32:43,400
Speaker 2: You know this is a voicemail right here. They call

2143
01:32:43,479 --> 01:32:45,160
Speaker 2: you Auntie D an t D.

2144
01:32:46,120 --> 01:32:49,760
Speaker 1: Somebody definitely call you Auntie D. You got nieces and nephews? Yes,

2145
01:32:49,840 --> 01:32:53,240
Speaker 1: I do, Auntie D. I gotta see aunti D. You

2146
01:32:53,360 --> 01:32:54,080
Speaker 1: mean there cooking?

2147
01:32:54,560 --> 01:32:58,560
Speaker 4: They just called me demeris or Auntie. I've been calling Auntie.

2148
01:32:58,240 --> 01:32:59,240
Speaker 3: Before I get uncle Jay?

2149
01:33:00,800 --> 01:33:01,320
Speaker 1: Uncle Jay?

2150
01:33:01,600 --> 01:33:03,120
Speaker 4: Yeah, well how old are your niece?

2151
01:33:03,520 --> 01:33:06,640
Speaker 2: My nieces and nephews are like yourself? What I think

2152
01:33:06,680 --> 01:33:08,200
Speaker 2: you're the only one that calls you uncle?

2153
01:33:08,320 --> 01:33:11,120
Speaker 3: I don't. I mean only none of my friends call

2154
01:33:11,200 --> 01:33:11,719
Speaker 3: me jays.

2155
01:33:11,800 --> 01:33:13,439
Speaker 2: They call you If they call you Jay, you get ba.

2156
01:33:13,439 --> 01:33:17,680
Speaker 1: Actually, Uncle Jay, you're correctly one of those. Definitely definitely not.

2157
01:33:18,080 --> 01:33:20,680
Speaker 1: He's definitely one of those one thousand percent the first

2158
01:33:20,720 --> 01:33:22,360
Speaker 1: to the door with the cap. All right, give us

2159
01:33:22,360 --> 01:33:23,320
Speaker 1: some some voicemails.

2160
01:33:23,960 --> 01:33:27,360
Speaker 2: All right, that's the only child. It's sad that I'll

2161
01:33:27,360 --> 01:33:30,479
Speaker 2: never be able to, like by blood, be called that.

2162
01:33:30,920 --> 01:33:33,280
Speaker 2: You can never hear that. No, I've heard it like

2163
01:33:33,400 --> 01:33:34,559
Speaker 2: from nobody likes.

2164
01:33:34,439 --> 01:33:37,880
Speaker 4: Their blood nieces and nephews as kids, you can be heard.

2165
01:33:38,200 --> 01:33:40,160
Speaker 2: I don't know. I've been called it from like friend

2166
01:33:40,360 --> 01:33:43,000
Speaker 2: kids or my cousin's kids. What the I'm an only child,

2167
01:33:43,040 --> 01:33:45,200
Speaker 2: so I'll never have like the It won't be like

2168
01:33:45,280 --> 01:33:48,040
Speaker 2: the real Yeah, which is you know might be a blessing.

2169
01:33:48,200 --> 01:33:50,439
Speaker 6: Yeah all right, Well, coming off of the Adam twenty

2170
01:33:50,479 --> 01:33:53,120
Speaker 6: two stuff, Oh great, I figured let's let's dive in

2171
01:33:53,240 --> 01:33:53,840
Speaker 6: with some cooking.

2172
01:33:54,760 --> 01:33:57,160
Speaker 12: Hey, it's good as yoke. I got a cold story

2173
01:33:57,240 --> 01:33:57,439
Speaker 12: for you.

2174
01:33:58,280 --> 01:33:59,040
Speaker 2: Your name's Yoki.

2175
01:33:59,600 --> 01:34:01,800
Speaker 12: When I was still in the army, my boy Francisco

2176
01:34:01,880 --> 01:34:04,240
Speaker 12: hits me up, asking me he can give my number

2177
01:34:04,479 --> 01:34:06,200
Speaker 12: to a woman he don't want to fuck no bote.

2178
01:34:06,680 --> 01:34:09,000
Speaker 12: I asked him what's wrong with her? He says, there's

2179
01:34:09,000 --> 01:34:11,640
Speaker 12: absolutely nothing wrong. Whether it's a guarantee fuck. You just

2180
01:34:11,720 --> 01:34:14,000
Speaker 12: have to see for yourself. Can I shoot your number

2181
01:34:14,080 --> 01:34:16,240
Speaker 12: or not? I'm like, you know what, I'm desperate to

2182
01:34:16,320 --> 01:34:18,560
Speaker 12: go ahead? She says, like, all right, she'll hit you

2183
01:34:18,680 --> 01:34:21,400
Speaker 12: up in about thirteen minutes. Fifteen minutes on the dot,

2184
01:34:21,920 --> 01:34:25,960
Speaker 12: Melissa gives me a call. We introduced ourselves the gate.

2185
01:34:26,240 --> 01:34:28,960
Speaker 12: Her and her fiance love to watch her get fucked

2186
01:34:29,040 --> 01:34:31,320
Speaker 12: on camera by other men. Asked me if this is

2187
01:34:31,400 --> 01:34:33,840
Speaker 12: something I'd be interested in doing. I was like, you know,

2188
01:34:34,439 --> 01:34:36,479
Speaker 12: never did this before, but as long as he's okay

2189
01:34:36,560 --> 01:34:39,040
Speaker 12: with it. She's like, Francisco didn't tell you anything. I

2190
01:34:39,160 --> 01:34:42,360
Speaker 12: was like that nigga didn't tell me shit. So fast

2191
01:34:42,360 --> 01:34:42,760
Speaker 12: forward a.

2192
01:34:42,800 --> 01:34:45,880
Speaker 2: Couple of days, throwing everyone under the bus, just you know,

2193
01:34:45,960 --> 01:34:47,599
Speaker 2: whenever I'm ready, I give her a call.

2194
01:34:47,760 --> 01:34:48,880
Speaker 12: A dude answers the phone.

2195
01:34:48,920 --> 01:34:50,519
Speaker 2: He's like, who's this. I'm like, who's this?

2196
01:34:51,200 --> 01:34:53,880
Speaker 9: Don't know why I answered with a question. With the question,

2197
01:34:54,560 --> 01:34:56,360
Speaker 9: I think I was more nervous because I was like,

2198
01:34:56,479 --> 01:34:59,040
Speaker 9: oh shit, the gig is up. He was like this

2199
01:34:59,200 --> 01:35:02,960
Speaker 9: whole say Melissa's fiance, and I had to do it.

2200
01:35:03,800 --> 01:35:07,080
Speaker 9: I had to answer this way, roaring ball. Everybody else.

2201
01:35:07,120 --> 01:35:09,599
Speaker 2: I had to answer this, who defends our freedom?

2202
01:35:10,479 --> 01:35:12,400
Speaker 12: This is the guy that's supposed to be fucking your

2203
01:35:12,439 --> 01:35:16,680
Speaker 12: wife and the ass today that he was like, Oh,

2204
01:35:17,600 --> 01:35:19,600
Speaker 12: I'm just trying to make sure that I'm talking to

2205
01:35:19,720 --> 01:35:21,720
Speaker 12: the mand that I'm supposed to be talking to. All right,

2206
01:35:22,040 --> 01:35:23,720
Speaker 12: here's Melissa, have a good work.

2207
01:35:24,560 --> 01:35:29,880
Speaker 2: Oh it sounds like a really healthy exchange advice. Can

2208
01:35:29,960 --> 01:35:32,360
Speaker 2: we backtrack because I think maybe only Edd and I

2209
01:35:32,479 --> 01:35:35,080
Speaker 2: caught that. Did he start that by saying that Francisco

2210
01:35:35,240 --> 01:35:36,520
Speaker 2: is his boyfriend boyfriend?

2211
01:35:36,800 --> 01:35:37,000
Speaker 3: Yeah?

2212
01:35:37,320 --> 01:35:39,320
Speaker 4: I think he meant like how girls say girlfriend.

2213
01:35:39,400 --> 01:35:40,800
Speaker 2: I don't think he's I don't think he meant that.

2214
01:35:41,000 --> 01:35:42,680
Speaker 3: We don't do that, guys, don't.

2215
01:35:42,760 --> 01:35:46,080
Speaker 2: I think he's in a very open, open spectrum.

2216
01:35:46,320 --> 01:35:48,040
Speaker 4: He dropped more names than Julianna.

2217
01:35:48,120 --> 01:35:49,559
Speaker 1: No, I don't think I think he's gay.

2218
01:35:50,000 --> 01:35:53,280
Speaker 3: I think he was saying he referred to his Francisco

2219
01:35:53,479 --> 01:35:55,160
Speaker 3: as it is a familiar hole for the games.

2220
01:35:55,280 --> 01:35:57,920
Speaker 2: Yeah, right, he's not wrong if you know that in

2221
01:35:58,000 --> 01:35:58,519
Speaker 2: thatomy works.

2222
01:35:58,640 --> 01:36:00,760
Speaker 3: Yeah, you put it like that, you see, we see

2223
01:36:00,800 --> 01:36:03,240
Speaker 3: you're trying to use like the bird again.

2224
01:36:03,360 --> 01:36:05,639
Speaker 2: Yeah, got you and talk. I mean, what a great

2225
01:36:05,680 --> 01:36:09,599
Speaker 2: relationship he has with his boyfriend that they're passing pussy

2226
01:36:09,640 --> 01:36:10,160
Speaker 2: off to each other.

2227
01:36:10,240 --> 01:36:11,240
Speaker 3: That's kind of cool, that's nice.

2228
01:36:12,400 --> 01:36:14,080
Speaker 2: Can we start that beginning just again?

2229
01:36:14,320 --> 01:36:16,599
Speaker 3: It did sound like you said boyfriend because I don't

2230
01:36:16,600 --> 01:36:17,400
Speaker 3: think me and it wrong.

2231
01:36:17,400 --> 01:36:20,320
Speaker 7: I don't think yo is yogi and what's.

2232
01:36:20,200 --> 01:36:22,439
Speaker 2: Good as yogi? I got a cup cold story for you.

2233
01:36:22,920 --> 01:36:25,800
Speaker 12: Two and twenty eleven, when I was still in the Army,

2234
01:36:25,880 --> 01:36:27,439
Speaker 12: my boy Francisco hitsed me up.

2235
01:36:27,920 --> 01:36:30,479
Speaker 2: No, my boy Francisco, Oh Francis.

2236
01:36:30,680 --> 01:36:31,000
Speaker 7: Boys.

2237
01:36:32,479 --> 01:36:35,160
Speaker 1: See what I'm saying, y'all trying to turn y'all trying

2238
01:36:35,200 --> 01:36:36,480
Speaker 1: to turn the homie Yogi.

2239
01:36:36,280 --> 01:36:38,240
Speaker 2: Into one of them, one of them.

2240
01:36:38,680 --> 01:36:43,000
Speaker 1: Francisco, he said, my boyfriend, sister boyfriend Cisco.

2241
01:36:43,240 --> 01:36:44,960
Speaker 3: So did I I thought his thought his friends name

2242
01:36:45,000 --> 01:36:45,400
Speaker 3: was Cisco.

2243
01:36:45,560 --> 01:36:48,960
Speaker 1: Yeah, it's Francisco. See, y'all trying to see don't do that.

2244
01:36:49,439 --> 01:36:50,040
Speaker 4: I wasn't doing it.

2245
01:36:50,600 --> 01:36:52,760
Speaker 2: I was doing But you see where we were coming from.

2246
01:36:52,840 --> 01:36:54,479
Speaker 2: You know, I get it. It's sad like. That's what.

2247
01:36:54,560 --> 01:36:56,920
Speaker 1: I'm glad we brought that back from the top. We're

2248
01:36:57,000 --> 01:36:58,479
Speaker 1: positive that a way.

2249
01:36:58,520 --> 01:37:02,720
Speaker 2: But it's boy friends. No, I'm I didn't agree with

2250
01:37:02,880 --> 01:37:05,080
Speaker 2: don't ask, don't tell policy in the armed forces.

2251
01:37:05,600 --> 01:37:06,400
Speaker 3: So I was with you.

2252
01:37:06,520 --> 01:37:09,479
Speaker 1: I was with but I'm glad I was with Yogi disgressing.

2253
01:37:09,520 --> 01:37:12,360
Speaker 1: I'm glad we're addressing Yogi the proper way. So Yogi,

2254
01:37:12,960 --> 01:37:18,000
Speaker 1: first of all, what was his question? He was you

2255
01:37:18,000 --> 01:37:18,880
Speaker 1: wanted to get his cutshed off?

2256
01:37:19,640 --> 01:37:19,880
Speaker 3: Story?

2257
01:37:20,720 --> 01:37:21,080
Speaker 2: Yogi?

2258
01:37:21,800 --> 01:37:23,000
Speaker 1: I hope you washed your hands in.

2259
01:37:23,120 --> 01:37:24,519
Speaker 2: Yes, I don't know he did it.

2260
01:37:24,600 --> 01:37:26,439
Speaker 6: I mean, if you did it, called back, Well, we'll

2261
01:37:26,560 --> 01:37:27,759
Speaker 6: talk us through it on Patreon.

2262
01:37:28,160 --> 01:37:31,080
Speaker 2: If he didn't watch, if you like did it, let

2263
01:37:31,160 --> 01:37:31,720
Speaker 2: us know how one.

2264
01:37:31,800 --> 01:37:33,200
Speaker 3: Is it gonna be a reoccurring thing? Is it one?

2265
01:37:33,320 --> 01:37:34,280
Speaker 7: I'm sure he is.

2266
01:37:34,320 --> 01:37:36,519
Speaker 3: He gonna pass it to his other man's like, who's next?

2267
01:37:36,680 --> 01:37:38,920
Speaker 1: Yeah, yo, call yo yo. He called back, because we

2268
01:37:39,000 --> 01:37:41,479
Speaker 1: I got, we got. We need to hear what happened

2269
01:37:41,840 --> 01:37:42,680
Speaker 1: when he went over there.

2270
01:37:43,280 --> 01:37:44,960
Speaker 2: Did the whole platoon eat, like, what's up?

2271
01:37:45,280 --> 01:37:46,160
Speaker 7: That's sick?

2272
01:37:46,560 --> 01:37:49,040
Speaker 1: Like you and Francisco do y'all like y'all still see

2273
01:37:49,120 --> 01:37:51,640
Speaker 1: this girl? I don't know, like we need just you

2274
01:37:51,720 --> 01:37:54,000
Speaker 1: and we just need a part two.

2275
01:37:54,120 --> 01:37:56,280
Speaker 2: Yeah, if you and the husband like children, you're Dodge

2276
01:37:56,360 --> 01:37:58,479
Speaker 2: Charger that I'm sure you want for sure.

2277
01:37:59,240 --> 01:38:02,200
Speaker 1: Yeah yeah, Yogy call us back and give us an update. Man,

2278
01:38:02,840 --> 01:38:03,920
Speaker 1: all right, Julian, what we got.

2279
01:38:05,320 --> 01:38:08,080
Speaker 2: But like, I didn't really like Yogi's confidence in that

2280
01:38:08,160 --> 01:38:10,639
Speaker 2: whole thing. He never even said he looked at Melissa's picture.

2281
01:38:10,920 --> 01:38:11,320
Speaker 3: He did it.

2282
01:38:11,960 --> 01:38:15,200
Speaker 2: He was just like desperate, so like I funk anything.

2283
01:38:15,800 --> 01:38:17,759
Speaker 1: I mean, it was coming from a referral his homeboy.

2284
01:38:17,840 --> 01:38:20,080
Speaker 1: He was like, Yo, trust me, this is it.

2285
01:38:20,280 --> 01:38:22,200
Speaker 7: Would you trust a referral like that from your homeboy?

2286
01:38:22,280 --> 01:38:25,960
Speaker 2: Depend on it depends on boy, depending on the homeboy.

2287
01:38:26,040 --> 01:38:29,519
Speaker 2: And Yogi's just going fucking straight to fucking the ass

2288
01:38:29,760 --> 01:38:31,680
Speaker 2: Like Julian.

2289
01:38:31,479 --> 01:38:32,760
Speaker 7: Had one lined up for you, and he was like, Yo,

2290
01:38:32,800 --> 01:38:34,720
Speaker 7: you gotta trust me with this trusted.

2291
01:38:34,600 --> 01:38:36,200
Speaker 3: Yes, great taste.

2292
01:38:36,800 --> 01:38:39,680
Speaker 1: Yeah, he has a particular taps. Not going to be

2293
01:38:39,680 --> 01:38:41,680
Speaker 1: an ugly girl on the side. It's not gonna be.

2294
01:38:41,720 --> 01:38:46,240
Speaker 4: Ugly or if Julian, but yeah, hypothetically in your past,

2295
01:38:46,280 --> 01:38:48,280
Speaker 4: if Julian was the line some ship up for you would.

2296
01:38:48,720 --> 01:38:57,519
Speaker 2: Yeah, yes, no Julianamarus, don't do this. I said this

2297
01:38:57,600 --> 01:38:59,200
Speaker 2: pny Julian taste.

2298
01:38:59,320 --> 01:39:01,360
Speaker 3: He said this to out lining you of something.

2299
01:39:01,520 --> 01:39:05,720
Speaker 2: Ma, I'm good And from from what I've seen that

2300
01:39:06,000 --> 01:39:09,280
Speaker 2: Edit's brought around. Ednon's great taste too, Eduld Editing could

2301
01:39:09,320 --> 01:39:11,000
Speaker 2: lie me in for sure. Yeah, Edon has a great taste,

2302
01:39:11,320 --> 01:39:13,000
Speaker 2: all right, I didn't suspect.

2303
01:39:13,080 --> 01:39:14,960
Speaker 1: I don't want a little like them, think a little

2304
01:39:15,000 --> 01:39:17,040
Speaker 1: swollen around the colon though, you know what I'm saying,

2305
01:39:17,479 --> 01:39:21,439
Speaker 1: it's my favorite, my favorite swollen around the cold.

2306
01:39:21,479 --> 01:39:22,200
Speaker 7: It's my favorite.

2307
01:39:22,520 --> 01:39:24,920
Speaker 1: Not listen, adding we're from the same place. We're from

2308
01:39:24,960 --> 01:39:28,040
Speaker 1: the Bronx, know, I listen, I love it, I love it.

2309
01:39:28,160 --> 01:39:30,120
Speaker 4: I'm gonna try to think of where my colon is.

2310
01:39:31,600 --> 01:39:34,120
Speaker 2: Around the colon not just a fat, it's a fat

2311
01:39:34,200 --> 01:39:40,479
Speaker 2: butto Yeah, the biggest balloon not you could talk. Yeah, yeah, yeah,

2312
01:39:40,479 --> 01:39:41,960
Speaker 2: I think it's called a hemorrhoid.

2313
01:39:43,120 --> 01:39:44,799
Speaker 3: Balloon slipped out.

2314
01:39:45,400 --> 01:39:47,400
Speaker 1: Little not the balloon not in the butte.

2315
01:39:48,800 --> 01:39:49,519
Speaker 4: Oh my god.

2316
01:39:49,680 --> 01:39:54,000
Speaker 2: I don't want to overstep our HR program here, but

2317
01:39:54,120 --> 01:39:55,680
Speaker 2: I feel like on the low, we don't know, but

2318
01:39:55,720 --> 01:39:58,360
Speaker 2: I think you only probably is the best taste. YoY

2319
01:39:58,360 --> 01:40:01,200
Speaker 2: hasn't brought anything around, but I would trust around.

2320
01:40:01,000 --> 01:40:02,080
Speaker 7: You don't do it, yom.

2321
01:40:03,800 --> 01:40:06,120
Speaker 3: Know, I was just keep like that definitely like me

2322
01:40:06,200 --> 01:40:07,800
Speaker 3: dresses like she got great taste.

2323
01:40:08,400 --> 01:40:11,240
Speaker 1: For surely only like she keep a pretty pretty one

2324
01:40:11,280 --> 01:40:13,960
Speaker 1: in the top. Like damn, you hit it only ship

2325
01:40:15,000 --> 01:40:19,000
Speaker 1: that's that's not like hate, it's not he It's like damn,

2326
01:40:19,200 --> 01:40:22,000
Speaker 1: Like damn, you ain't gonna pay attention to none of the.

2327
01:40:22,000 --> 01:40:23,880
Speaker 7: Fellows like you knew but you found out right there.

2328
01:40:24,360 --> 01:40:26,280
Speaker 2: Yeah, and I mean we would know Malls tays if

2329
01:40:26,280 --> 01:40:30,400
Speaker 2: you ever brought any person human being, Yeah, living breathing.

2330
01:40:32,360 --> 01:40:34,880
Speaker 1: I know you brought You've seen girls that I've dated. Stop,

2331
01:40:35,920 --> 01:40:37,559
Speaker 1: this is why people think I haven't had a girlfriend

2332
01:40:37,600 --> 01:40:38,160
Speaker 1: in thirty years.

2333
01:40:38,200 --> 01:40:41,080
Speaker 2: This is crazy. I've seen I've seen some.

2334
01:40:44,560 --> 01:40:48,439
Speaker 1: Yeah, I keep a pretty lady arms length.

2335
01:40:51,760 --> 01:40:56,519
Speaker 3: Around the next reach of this Fallen Colling, absolutely all right,

2336
01:40:57,280 --> 01:40:57,680
Speaker 3: next one.

2337
01:40:57,720 --> 01:41:00,280
Speaker 6: I don't really remember how this one goes, but something

2338
01:41:00,360 --> 01:41:02,240
Speaker 6: now that I left, great, It's gonna be great.

2339
01:41:03,560 --> 01:41:03,680
Speaker 8: Yo.

2340
01:41:03,800 --> 01:41:06,760
Speaker 11: What are Rory maul What of Lady d Julian Edden.

2341
01:41:07,520 --> 01:41:10,320
Speaker 11: My name is macam from Detroit. I need to know

2342
01:41:10,439 --> 01:41:12,680
Speaker 11: if this is hip hop. Also, I'm gonna give you

2343
01:41:12,720 --> 01:41:16,560
Speaker 11: guys a disclaimer. This is a potential trigger warning for

2344
01:41:16,640 --> 01:41:18,120
Speaker 11: some people. So I just want to give you guys

2345
01:41:18,160 --> 01:41:21,880
Speaker 11: head notice before anything respect moving forward. So I'm gonna

2346
01:41:21,880 --> 01:41:23,840
Speaker 11: make a super long story because it's a very long

2347
01:41:23,880 --> 01:41:26,840
Speaker 11: story with a lot of layers. I pulled up to

2348
01:41:26,920 --> 01:41:29,519
Speaker 11: my homies house after you know, coming out of state.

2349
01:41:30,000 --> 01:41:32,479
Speaker 11: I met up with him to get my tux fitted

2350
01:41:32,520 --> 01:41:34,880
Speaker 11: for their wedding. Later on in the day, I got

2351
01:41:35,080 --> 01:41:37,960
Speaker 11: a phone call at three am. I had to you know,

2352
01:41:38,080 --> 01:41:40,479
Speaker 11: essentially got an SOS call saying that he was in danger.

2353
01:41:40,840 --> 01:41:43,000
Speaker 11: So I pulled up to his house and I pulled

2354
01:41:43,080 --> 01:41:46,559
Speaker 11: into the middle of a domestic violence dispute between him

2355
01:41:46,560 --> 01:41:50,000
Speaker 11: and this fiance. Now, I come to find out, this

2356
01:41:50,120 --> 01:41:51,840
Speaker 11: is not the first time that this has happened. This

2357
01:41:52,000 --> 01:41:54,000
Speaker 11: is the first time that somebody else outside of them

2358
01:41:54,000 --> 01:41:56,640
Speaker 11: has gotten in the ball. But I gave him an ultimatum,

2359
01:41:56,680 --> 01:41:58,160
Speaker 11: and I was like, look, dude, you got to get

2360
01:41:58,200 --> 01:42:00,720
Speaker 11: your people involved, because if it's not a problem now,

2361
01:42:00,800 --> 01:42:03,280
Speaker 11: it's gonna be a problem in the future. And you

2362
01:42:03,400 --> 01:42:05,439
Speaker 11: guys are very prominent figures in the community.

2363
01:42:05,720 --> 01:42:06,519
Speaker 7: But he didn't listen.

2364
01:42:06,720 --> 01:42:08,639
Speaker 2: It went through one ear and came out the other.

2365
01:42:08,720 --> 01:42:09,439
Speaker 2: Any lie to me.

2366
01:42:09,920 --> 01:42:12,240
Speaker 11: So when it was all said and done, I got

2367
01:42:12,280 --> 01:42:15,080
Speaker 11: in contact with his parents. So now he pissed off

2368
01:42:15,120 --> 01:42:18,520
Speaker 11: at me because I you know, he made me feel uncomfortable.

2369
01:42:18,560 --> 01:42:20,800
Speaker 11: So I took it upon myself to get the right

2370
01:42:20,840 --> 01:42:23,160
Speaker 11: people involved to get him help. Now do you think

2371
01:42:23,200 --> 01:42:25,960
Speaker 11: I stepped outside of my boundary as his best friend,

2372
01:42:26,000 --> 01:42:27,679
Speaker 11: as his man that's supposed to be in the wedding

2373
01:42:28,240 --> 01:42:29,080
Speaker 11: or what?

2374
01:42:29,560 --> 01:42:30,519
Speaker 3: Tell me what you guys think?

2375
01:42:30,920 --> 01:42:34,080
Speaker 2: Patient, Okay, I think he did the right thing. Yeah,

2376
01:42:34,120 --> 01:42:36,920
Speaker 2: I think he did the right as a best friend. Yeah,

2377
01:42:37,400 --> 01:42:38,280
Speaker 2: that's what you're supposed to do.

2378
01:42:38,600 --> 01:42:41,200
Speaker 7: That I don't even think this applies to this, does it.

2379
01:42:41,880 --> 01:42:44,360
Speaker 2: I'm curious to know, like what his relationship with parents,

2380
01:42:46,080 --> 01:42:48,920
Speaker 2: because yeah, if he has a good relationship with his

2381
01:42:49,040 --> 01:42:52,240
Speaker 2: parents and he knows his parents are like problem solvers

2382
01:42:52,280 --> 01:42:54,719
Speaker 2: and could help the situation, then I think, yeah, it's fine,

2383
01:42:55,920 --> 01:42:58,960
Speaker 2: but like, don't just get people involved that are going

2384
01:42:59,000 --> 01:43:01,479
Speaker 2: to make the situation worse. So I guess I would

2385
01:43:01,520 --> 01:43:04,040
Speaker 2: have to ask what that whole relationship is.

2386
01:43:04,320 --> 01:43:06,320
Speaker 4: Well, he said it's his best friend, so I'm sure

2387
01:43:06,960 --> 01:43:07,280
Speaker 4: he knows.

2388
01:43:07,360 --> 01:43:08,920
Speaker 2: He contacted his best friend's parents.

2389
01:43:08,960 --> 01:43:10,600
Speaker 4: No, but that's what I'm saying. I'm sure that he

2390
01:43:10,840 --> 01:43:13,680
Speaker 4: knows his relation. I don't think he would call his

2391
01:43:13,840 --> 01:43:14,560
Speaker 4: parents if he knows that.

2392
01:43:14,680 --> 01:43:16,240
Speaker 1: If you're somebody's best friend, you know their.

2393
01:43:16,200 --> 01:43:19,120
Speaker 4: Parents, Yeah, you know their relationship with their parents as well,

2394
01:43:19,320 --> 01:43:21,479
Speaker 4: because he probably called his parents and was like your parents,

2395
01:43:21,520 --> 01:43:23,920
Speaker 4: you know, your parents don't play like that, you know

2396
01:43:23,960 --> 01:43:24,439
Speaker 4: what I'm saying.

2397
01:43:24,600 --> 01:43:26,479
Speaker 2: So no that I think he did the right thing.

2398
01:43:26,800 --> 01:43:28,639
Speaker 4: I do too. It's not always the easiest.

2399
01:43:28,800 --> 01:43:30,880
Speaker 1: It's not the easiest, and you are you will receive,

2400
01:43:31,920 --> 01:43:35,360
Speaker 1: you know, some type of backlash from your friend, and

2401
01:43:35,520 --> 01:43:38,479
Speaker 1: you know, but as long as you have their best

2402
01:43:38,560 --> 01:43:41,320
Speaker 1: interest at heart, and you're looking out for them genuinely.

2403
01:43:41,400 --> 01:43:43,360
Speaker 1: I think that it'll get to the point y'all may

2404
01:43:43,360 --> 01:43:46,120
Speaker 1: even stop speaking for a while because they'll be that mad.

2405
01:43:46,160 --> 01:43:48,479
Speaker 1: Like I've had situations like that with some of my friends.

2406
01:43:48,479 --> 01:43:51,479
Speaker 1: I've done things that wasn't their best interest, but they

2407
01:43:51,520 --> 01:43:54,120
Speaker 1: didn't agree at the time. Stopped talking to me for

2408
01:43:54,160 --> 01:43:56,080
Speaker 1: a year two, but then we started speaking, Like, Yo,

2409
01:43:56,160 --> 01:43:58,759
Speaker 1: you was right. I was all of them my feelings

2410
01:43:58,840 --> 01:44:00,280
Speaker 1: and you know, I just was in the bad space

2411
01:44:00,360 --> 01:44:04,200
Speaker 1: whatever whatever, like it happens. But I do think that

2412
01:44:04,320 --> 01:44:06,240
Speaker 1: he did the right thing, Like you have to look

2413
01:44:06,280 --> 01:44:07,120
Speaker 1: out for your best friend.

2414
01:44:07,360 --> 01:44:09,720
Speaker 2: Yeah, don't text me sos and then get mad when

2415
01:44:09,760 --> 01:44:10,160
Speaker 2: I help.

2416
01:44:10,400 --> 01:44:13,880
Speaker 4: Right like that to keep it that simple, right, Like Yo,

2417
01:44:14,280 --> 01:44:16,960
Speaker 4: you said, sos, we just want me to I had

2418
01:44:16,960 --> 01:44:18,760
Speaker 4: to save the ship, right, you wanted me to save

2419
01:44:18,800 --> 01:44:19,080
Speaker 4: the ship?

2420
01:44:19,160 --> 01:44:23,080
Speaker 2: So interesting. I was nervous too, because I wasn't sure

2421
01:44:23,080 --> 01:44:25,400
Speaker 2: if he meant like Michigan state or state prison when

2422
01:44:25,439 --> 01:44:26,400
Speaker 2: he said I just got out of state.

2423
01:44:26,560 --> 01:44:29,400
Speaker 1: Definitely Michigan state, Yeah, definitely.

2424
01:44:29,800 --> 01:44:31,880
Speaker 2: It was trigger warning. Then went right to state and

2425
01:44:32,080 --> 01:44:34,720
Speaker 2: domestic dispute. I was like, where is this A and

2426
01:44:34,800 --> 01:44:35,479
Speaker 2: E show going?

2427
01:44:35,560 --> 01:44:35,600
Speaker 8: It?

2428
01:44:35,680 --> 01:44:37,080
Speaker 7: Was it was any show?

2429
01:44:37,400 --> 01:44:37,599
Speaker 2: Cool?

2430
01:44:37,680 --> 01:44:38,160
Speaker 4: You want one?

2431
01:44:38,920 --> 01:44:42,799
Speaker 3: Well? End on a blooming love Okay?

2432
01:44:43,080 --> 01:44:48,479
Speaker 8: Oh hey Rory mal big fan, longtime listener, even back

2433
01:44:48,520 --> 01:44:51,920
Speaker 8: to the old pod. Shout out to your crew. Love

2434
01:44:52,000 --> 01:44:55,160
Speaker 8: everything you guys do. So my name is Daniel. I'm

2435
01:44:55,200 --> 01:45:00,519
Speaker 8: thirty years old from southern California. I want to give

2436
01:45:00,520 --> 01:45:04,120
Speaker 8: you some context before I get into my questions. I've

2437
01:45:04,120 --> 01:45:06,160
Speaker 8: been dating my girlfriend for more than a year now.

2438
01:45:08,520 --> 01:45:11,320
Speaker 8: It may m quick, but she's the one and I'm

2439
01:45:11,360 --> 01:45:14,080
Speaker 8: gonna propose to her. So we have a vacation setup

2440
01:45:15,120 --> 01:45:18,040
Speaker 8: for the week before Christmas. We're gonna go to New

2441
01:45:18,120 --> 01:45:21,360
Speaker 8: York City, and I was wondering if you guys can

2442
01:45:21,439 --> 01:45:26,519
Speaker 8: recommend any like cool restaurants or bars or lounges or

2443
01:45:26,600 --> 01:45:29,160
Speaker 8: even a park that would be cool, like a nice

2444
01:45:29,240 --> 01:45:32,840
Speaker 8: area to pop the question. I've never been to New York,

2445
01:45:33,520 --> 01:45:37,400
Speaker 8: so don't really know you know what to expect or

2446
01:45:37,600 --> 01:45:39,679
Speaker 8: like what places would be cool to pop the question.

2447
01:45:40,439 --> 01:45:43,439
Speaker 8: I would like to be more intimate, like I'm not

2448
01:45:43,520 --> 01:45:46,479
Speaker 8: trying to pop the question in Times Square where there's

2449
01:45:46,479 --> 01:45:48,640
Speaker 8: gonna be a kid doing a TikTok video behind us

2450
01:45:48,680 --> 01:45:51,200
Speaker 8: or something like that. So if you give me an

2451
01:45:51,200 --> 01:45:54,439
Speaker 8: any recommendations on places to pop the question be helpful.

2452
01:45:55,680 --> 01:45:57,879
Speaker 8: The second part of the question, I guess is for DeMars.

2453
01:45:57,920 --> 01:45:58,639
Speaker 2: Since she's a woman.

2454
01:45:59,360 --> 01:46:01,759
Speaker 8: You know, we're gonna go on vacation, so I'm pretty

2455
01:46:01,760 --> 01:46:05,519
Speaker 8: sure her hair and nels are gonna be done. Also,

2456
01:46:05,800 --> 01:46:08,760
Speaker 8: I already got the ring, She's already mentioned what type

2457
01:46:08,800 --> 01:46:11,920
Speaker 8: of ring she likes and would want. Got her the

2458
01:46:12,000 --> 01:46:16,639
Speaker 8: ring what she wants. But besides that, is there anything

2459
01:46:16,720 --> 01:46:20,759
Speaker 8: else I should like make sure she's ready for before

2460
01:46:20,840 --> 01:46:22,920
Speaker 8: popping the question? You know, off talk to girlfriends and

2461
01:46:23,040 --> 01:46:25,560
Speaker 8: they said, as long as it's a ring that she

2462
01:46:25,800 --> 01:46:30,200
Speaker 8: likes and her nails are done, like, you should be good. Also, like,

2463
01:46:30,720 --> 01:46:32,880
Speaker 8: is there anything because I know women have like a

2464
01:46:32,960 --> 01:46:34,880
Speaker 8: sixth sense when they know their guy is up to

2465
01:46:34,960 --> 01:46:38,800
Speaker 8: something good or bad? Is there anything I should She

2466
01:46:38,880 --> 01:46:40,840
Speaker 8: doesn't think I'm gonna pop the question in New York,

2467
01:46:41,680 --> 01:46:44,360
Speaker 8: uh so any advice that you have demerits would be helpful.

2468
01:46:45,320 --> 01:46:47,920
Speaker 8: And I guess one last question is like, do you

2469
01:46:48,000 --> 01:46:50,360
Speaker 8: guys know any like photographers out in New York that

2470
01:46:50,840 --> 01:46:51,840
Speaker 8: I can maybe hit up.

2471
01:46:51,840 --> 01:46:54,040
Speaker 3: And yo me take the picture.

2472
01:46:55,320 --> 01:46:58,360
Speaker 2: You gotta shoot this, Yo me do it at the

2473
01:46:58,400 --> 01:46:59,599
Speaker 2: studio in front of the set.

2474
01:47:00,120 --> 01:47:02,600
Speaker 8: And they can shoot he recommendations.

2475
01:47:03,040 --> 01:47:04,519
Speaker 3: Oh my god, should he ask her here?

2476
01:47:04,920 --> 01:47:07,040
Speaker 7: No, Oh my god, she.

2477
01:47:07,080 --> 01:47:10,519
Speaker 2: Doesn't listen to Yes, if he's asked this question, I'm

2478
01:47:10,560 --> 01:47:13,720
Speaker 2: sure she doesn't listen to the show. So coming to

2479
01:47:13,800 --> 01:47:14,720
Speaker 2: the set, what the.

2480
01:47:16,320 --> 01:47:18,040
Speaker 4: What the fuck does he have to do with anything?

2481
01:47:18,040 --> 01:47:19,439
Speaker 3: This would mean a lot to him.

2482
01:47:20,479 --> 01:47:21,080
Speaker 2: It means nothing.

2483
01:47:21,280 --> 01:47:24,800
Speaker 4: He literally called This entire conversation was about everything that

2484
01:47:24,960 --> 01:47:25,559
Speaker 4: she would want.

2485
01:47:25,760 --> 01:47:30,160
Speaker 1: And he sounds so fucking nervous, sounds like he's shake,

2486
01:47:30,240 --> 01:47:30,880
Speaker 1: which was cute.

2487
01:47:30,880 --> 01:47:38,439
Speaker 2: I thought it was. He's it's like he's really excited

2488
01:47:38,439 --> 01:47:38,760
Speaker 2: about that.

2489
01:47:39,320 --> 01:47:40,800
Speaker 1: And I know this is personal to you because you've

2490
01:47:40,800 --> 01:47:41,599
Speaker 1: been down that boyfriend.

2491
01:47:41,640 --> 01:47:42,000
Speaker 4: I know, I know.

2492
01:47:42,040 --> 01:47:43,439
Speaker 2: It's not just that he said, Dad. I was like,

2493
01:47:43,479 --> 01:47:44,240
Speaker 2: what do I have to do?

2494
01:47:44,360 --> 01:47:44,400
Speaker 5: This?

2495
01:47:45,400 --> 01:47:49,160
Speaker 2: Quite the opposite, go to Broadway. Well, first of all,

2496
01:47:49,200 --> 01:47:52,519
Speaker 2: he got to you gotta let Yomi shoot everywhere. Don't

2497
01:47:52,520 --> 01:47:53,320
Speaker 2: put that on Yomi.

2498
01:47:53,479 --> 01:47:54,400
Speaker 1: Gotta let Yo Sho.

2499
01:47:56,800 --> 01:47:58,040
Speaker 4: Contact Julian and Yomy.

2500
01:47:59,160 --> 01:48:00,120
Speaker 3: I have nothing to do with this.

2501
01:48:00,360 --> 01:48:04,559
Speaker 2: You literally handle the voice DM. Yomi. Oh yeah, that works, yeah,

2502
01:48:06,320 --> 01:48:10,400
Speaker 2: and so Yo meet, She'll shoot it. I mean, what

2503
01:48:10,560 --> 01:48:11,280
Speaker 2: was the other questions?

2504
01:48:11,800 --> 01:48:12,760
Speaker 3: Like what is she into?

2505
01:48:12,960 --> 01:48:15,280
Speaker 2: Like if you're doing a Broadway show for some ship

2506
01:48:15,320 --> 01:48:18,040
Speaker 2: she likes that I could get like, we could give

2507
01:48:18,120 --> 01:48:20,040
Speaker 2: locations that are cool in New York. But I guess

2508
01:48:20,040 --> 01:48:21,960
Speaker 2: it'd be better if it was something that she was

2509
01:48:22,040 --> 01:48:22,519
Speaker 2: attached to.

2510
01:48:22,960 --> 01:48:26,040
Speaker 1: Yeah, I mean definitely definitely catch a Broway they said

2511
01:48:26,040 --> 01:48:29,720
Speaker 1: he going to Broaway. No, so definitely catch a Broadway show. Yeah,

2512
01:48:30,160 --> 01:48:34,519
Speaker 1: you gotta do that. Watch so I would say that.

2513
01:48:35,439 --> 01:48:35,559
Speaker 9: Uh.

2514
01:48:36,280 --> 01:48:40,439
Speaker 1: As far as loungesy, no, no, I don't.

2515
01:48:41,880 --> 01:48:43,400
Speaker 2: Does it sound like the lounge couple?

2516
01:48:43,640 --> 01:48:44,080
Speaker 7: Absolutely?

2517
01:48:44,280 --> 01:48:45,280
Speaker 1: It depends on what lounge you go.

2518
01:48:45,360 --> 01:48:46,679
Speaker 3: I like this guy sounds nice.

2519
01:48:46,880 --> 01:48:48,840
Speaker 2: No, he definitely doesn't. He wants to know where to

2520
01:48:48,960 --> 01:48:50,120
Speaker 2: propose before.

2521
01:48:50,960 --> 01:48:55,120
Speaker 4: What's that lounge in Midtown that has the live piano

2522
01:48:55,200 --> 01:48:56,000
Speaker 4: player at nights.

2523
01:48:56,920 --> 01:48:58,000
Speaker 7: That's a lot of places.

2524
01:48:58,439 --> 01:48:59,000
Speaker 4: I'll figure it out.

2525
01:48:59,040 --> 01:48:59,920
Speaker 2: Every lounge in New York.

2526
01:49:00,360 --> 01:49:01,519
Speaker 7: No, you'll hit up.

2527
01:49:01,680 --> 01:49:05,160
Speaker 2: It's a really nice What's lounge that they serve alcohol

2528
01:49:05,280 --> 01:49:11,560
Speaker 2: at night and they play Travis Scott? Yeah, I don't know.

2529
01:49:12,720 --> 01:49:14,200
Speaker 1: Damarics is probably going to see you to Pergola.

2530
01:49:14,280 --> 01:49:14,560
Speaker 2: Don't go.

2531
01:49:15,000 --> 01:49:18,599
Speaker 4: I'm not gonna send you to Pergola, Big perg Don't.

2532
01:49:18,439 --> 01:49:19,120
Speaker 2: Go to Pergola.

2533
01:49:19,280 --> 01:49:21,760
Speaker 6: There's a venue that I love to go to. It's

2534
01:49:21,760 --> 01:49:25,080
Speaker 6: a jazz club called the Django, but it's in the basement.

2535
01:49:25,320 --> 01:49:31,040
Speaker 2: You would love a jazz club called Holy Julie, would love.

2536
01:49:30,920 --> 01:49:33,000
Speaker 6: A dress club, but it's in the basement of this

2537
01:49:33,120 --> 01:49:35,200
Speaker 6: nice hotel called the Roxy. And it just reminded me

2538
01:49:35,240 --> 01:49:37,559
Speaker 6: of what Damaris said. There's a live pianist in there,

2539
01:49:37,640 --> 01:49:41,240
Speaker 6: most nice and sometimes like a quartet whatever, but it's

2540
01:49:41,280 --> 01:49:43,519
Speaker 6: a nice vibe. I don't know if it's like it's

2541
01:49:43,600 --> 01:49:45,760
Speaker 6: really pretty. Google it, look it up, see if it's like,

2542
01:49:45,800 --> 01:49:47,400
Speaker 6: that's the scene you want. I don't know if it's

2543
01:49:47,439 --> 01:49:50,680
Speaker 6: like propose worthy. I don't know because I haven't thought that.

2544
01:49:51,040 --> 01:49:54,080
Speaker 6: I'm not there yet mentally. But it's a really nice spot.

2545
01:49:54,280 --> 01:49:56,439
Speaker 6: So and they got good food, you can hang out.

2546
01:49:56,520 --> 01:49:57,960
Speaker 6: That's a nice area to being in the city.

2547
01:49:58,120 --> 01:49:59,920
Speaker 1: Like if y'all are into art, I don't notice a couple,

2548
01:50:00,040 --> 01:50:03,280
Speaker 1: so I don't know the ant dance are the boscyout exhibit.

2549
01:50:03,320 --> 01:50:05,559
Speaker 2: I think it's still still I don't know if it's

2550
01:50:05,560 --> 01:50:07,320
Speaker 2: there any It's too many New Yorkers in here. We're

2551
01:50:07,360 --> 01:50:09,680
Speaker 2: overthinking this. Did he not say this was his first

2552
01:50:09,720 --> 01:50:10,479
Speaker 2: trip to New York.

2553
01:50:10,520 --> 01:50:13,600
Speaker 1: Is taking the hots on the East Side, go to.

2554
01:50:13,680 --> 01:50:16,600
Speaker 2: The to us, this would be weird to them go

2555
01:50:16,840 --> 01:50:19,800
Speaker 2: on the fucking Brooklyn Bridge. That would be hard for

2556
01:50:19,920 --> 01:50:22,040
Speaker 2: someone that's never been to New York. We could get

2557
01:50:22,080 --> 01:50:24,200
Speaker 2: a good shot up there too, like that would be dope.

2558
01:50:24,240 --> 01:50:25,720
Speaker 2: And if you go at the right time at night,

2559
01:50:25,880 --> 01:50:28,760
Speaker 2: it's probably not super super packed, like that would be

2560
01:50:28,880 --> 01:50:30,920
Speaker 2: really good. Oh yeah, Aurus.

2561
01:50:32,160 --> 01:50:33,160
Speaker 3: In December.

2562
01:50:34,439 --> 01:50:37,280
Speaker 2: Cold is it's gonna be free.

2563
01:50:37,400 --> 01:50:40,360
Speaker 4: Well very the big Christmas tree right.

2564
01:50:40,680 --> 01:50:42,920
Speaker 2: The highlight, Yeah, but that's that's not really intimate.

2565
01:50:43,760 --> 01:50:45,559
Speaker 4: So but he also wants places just to take her

2566
01:50:45,600 --> 01:50:46,360
Speaker 4: that are romantic.

2567
01:50:47,000 --> 01:50:47,760
Speaker 7: The highlight.

2568
01:50:49,280 --> 01:50:51,320
Speaker 3: That's sick, could be jewish. Maybe he doesn't want to

2569
01:50:51,400 --> 01:50:52,320
Speaker 3: bang with the Christmas tree.

2570
01:50:52,400 --> 01:50:54,000
Speaker 7: There is a highlighte the high line.

2571
01:50:54,200 --> 01:50:56,240
Speaker 10: It's gonna be cold, but it's gonna be cold. That's

2572
01:50:56,280 --> 01:50:58,840
Speaker 10: a tough time of year. Scully Scully in a big

2573
01:50:58,920 --> 01:51:03,519
Speaker 10: colt posing some tims. Yeah, definitely that as definitely got

2574
01:51:03,560 --> 01:51:04,680
Speaker 10: a propost to have.

2575
01:51:05,120 --> 01:51:07,200
Speaker 2: We would have to really think that two thirty fifth

2576
01:51:07,320 --> 01:51:11,400
Speaker 2: has the the indoor rooftop ship. Yeah, that's kind of nice.

2577
01:51:11,400 --> 01:51:13,040
Speaker 2: If you can go to the heights, you go during

2578
01:51:13,120 --> 01:51:16,439
Speaker 2: the day, Yomi could get the nice skyline.

2579
01:51:15,960 --> 01:51:19,160
Speaker 6: Shut yeah, yeah, of course, yeah, yeah, just as long

2580
01:51:19,200 --> 01:51:20,240
Speaker 6: as we can get good lightning.

2581
01:51:20,439 --> 01:51:22,280
Speaker 7: Yeah, I think we should just worried by Yo.

2582
01:51:22,439 --> 01:51:24,240
Speaker 2: I love the Yeah, we just worried about yo. Yeah Yomi.

2583
01:51:24,280 --> 01:51:26,280
Speaker 2: Are you comfortable you need it? You got you know?

2584
01:51:26,760 --> 01:51:29,200
Speaker 2: I mean, or just like just rent out Radio City

2585
01:51:29,240 --> 01:51:32,320
Speaker 2: and then just hire the leg all the way like

2586
01:51:32,560 --> 01:51:36,840
Speaker 2: you got it right, broh, there you go, run out

2587
01:51:36,880 --> 01:51:38,599
Speaker 2: Sony Hall, ru.

2588
01:51:40,880 --> 01:51:42,160
Speaker 1: Yo, run out Sony Hall.

2589
01:51:42,800 --> 01:51:43,320
Speaker 3: Proposal.

2590
01:51:43,520 --> 01:51:45,120
Speaker 2: Yeah, rented out rn.

2591
01:51:45,040 --> 01:51:47,400
Speaker 1: Out the whole place, man, it just proposed your lady man.

2592
01:51:48,080 --> 01:51:51,360
Speaker 4: As far as suggestions for me, just make sure that

2593
01:51:51,479 --> 01:51:54,880
Speaker 4: there is someone there to record it that is not

2594
01:51:55,560 --> 01:51:58,880
Speaker 4: like yo yom No, I don't that's photos. I mean

2595
01:51:59,160 --> 01:52:02,840
Speaker 4: for somebody to record the entire experience, but not interrupt

2596
01:52:02,920 --> 01:52:06,000
Speaker 4: the experience. The worst thing is when I hear a

2597
01:52:06,200 --> 01:52:08,400
Speaker 4: I see an engagement video and I can't hear what

2598
01:52:08,600 --> 01:52:11,080
Speaker 4: he's saying because the person in the back is like,

2599
01:52:11,280 --> 01:52:14,800
Speaker 4: oh my god, shut the fuck up.

2600
01:52:15,000 --> 01:52:15,800
Speaker 2: It was just young.

2601
01:52:16,680 --> 01:52:19,400
Speaker 7: That's gonna be hard though, because they're flying they're flying

2602
01:52:19,479 --> 01:52:20,519
Speaker 7: in with a stray.

2603
01:52:22,880 --> 01:52:25,519
Speaker 2: That was jo joke at me. It was dead quiet.

2604
01:52:26,840 --> 01:52:28,720
Speaker 2: If you can ice skate Bryan Park would be kind

2605
01:52:28,760 --> 01:52:30,920
Speaker 2: of ill. I've never seen anyone get on one knee

2606
01:52:31,200 --> 01:52:34,040
Speaker 2: with skates on. If you pull that off, that's ill,

2607
01:52:34,280 --> 01:52:36,439
Speaker 2: except YI would then have to be on.

2608
01:52:39,160 --> 01:52:40,120
Speaker 3: Sliding around on the bucket.

2609
01:52:40,960 --> 01:52:41,080
Speaker 4: You know.

2610
01:52:41,200 --> 01:52:43,640
Speaker 2: If he does Brian Park with skates, we all come in.

2611
01:52:44,080 --> 01:52:47,599
Speaker 1: Yeah, I'm showing up that I haven't been ice skating year.

2612
01:52:47,880 --> 01:52:53,160
Speaker 3: Nixt game em that's very that's not that's not intimate, mom,

2613
01:52:54,640 --> 01:52:56,720
Speaker 3: It's like how many other thousands of people in that.

2614
01:52:56,760 --> 01:52:59,160
Speaker 2: Areada And like the kiss cam, I don't know if

2615
01:52:59,160 --> 01:53:00,000
Speaker 2: the timing will be right.

2616
01:53:00,560 --> 01:53:01,760
Speaker 3: The nixt mall, you can hook it up.

2617
01:53:01,840 --> 01:53:03,880
Speaker 2: Nick might be getting blown out Julius, Like hand him

2618
01:53:03,880 --> 01:53:07,080
Speaker 2: the risk, like during a falcon during a foul shot,

2619
01:53:07,200 --> 01:53:08,560
Speaker 2: pull it out of shorts and sweat on it.

2620
01:53:10,920 --> 01:53:11,720
Speaker 3: Yo, you dropped this?

2621
01:53:14,280 --> 01:53:16,759
Speaker 2: Yeah? No, definitely like he's sitting in section three hundred.

2622
01:53:16,920 --> 01:53:19,439
Speaker 7: Yeah, walk up the steps you see him, John.

2623
01:53:19,479 --> 01:53:21,240
Speaker 1: I definitely want to update though when you get here

2624
01:53:21,320 --> 01:53:24,160
Speaker 1: to New York. Definitely uh d m yo me though,

2625
01:53:24,400 --> 01:53:30,040
Speaker 1: she says she'll she'll shoot some photos for you. I'm

2626
01:53:30,080 --> 01:53:30,639
Speaker 1: sure you will.

2627
01:53:30,920 --> 01:53:32,280
Speaker 2: Yeah. I think that'll probably be around this.

2628
01:53:32,520 --> 01:53:33,880
Speaker 7: Oh my god, don't do it at the last show

2629
01:53:34,600 --> 01:53:36,479
Speaker 7: he's under he would I don't think has anyone ever,

2630
01:53:36,560 --> 01:53:38,240
Speaker 7: he said intimately got a live show.

2631
01:53:38,280 --> 01:53:41,400
Speaker 3: He wants to do something cute home and so fast.

2632
01:53:42,240 --> 01:53:43,920
Speaker 2: Someone definitely did. We had a we had a in

2633
01:53:44,000 --> 01:53:48,880
Speaker 2: front of our faces. Oh somebody proposed not at our

2634
01:53:48,960 --> 01:53:57,320
Speaker 2: old coast. Yeah, your good luck that everyone relaxed. I

2635
01:53:57,360 --> 01:53:59,160
Speaker 2: wasn't shopping on it was just saying what happened? Yeah,

2636
01:53:59,200 --> 01:54:01,080
Speaker 2: that's it all right anyways?

2637
01:54:01,360 --> 01:54:02,439
Speaker 3: Yeah, no, no one does that.

2638
01:54:02,760 --> 01:54:06,559
Speaker 2: Uh no, we have people that that cheated, that can

2639
01:54:06,720 --> 01:54:07,839
Speaker 2: come to our shows after.

2640
01:54:08,200 --> 01:54:09,840
Speaker 3: You've comfortably cheated at our shows.

2641
01:54:10,000 --> 01:54:12,519
Speaker 2: Yeah, you can do. You can get that off. I

2642
01:54:12,560 --> 01:54:14,920
Speaker 2: do want to know what happened with that that kid

2643
01:54:15,000 --> 01:54:15,880
Speaker 2: from Houston.

2644
01:54:16,360 --> 01:54:18,080
Speaker 3: No One that got left when they got arrested.

2645
01:54:18,520 --> 01:54:20,960
Speaker 2: Yeah, whose girlfriend we called? Yeah, we face time during

2646
01:54:21,000 --> 01:54:23,360
Speaker 2: the beginning of the show. She sounded like she was

2647
01:54:23,400 --> 01:54:25,519
Speaker 2: going to have him back. Oh yeah, now see why

2648
01:54:25,600 --> 01:54:27,760
Speaker 2: he was wild with the confidence that he had. Yeah,

2649
01:54:28,160 --> 01:54:29,680
Speaker 2: because we were looking at him like he was kind

2650
01:54:29,680 --> 01:54:32,040
Speaker 2: of corny, how confident he was with you know, he

2651
01:54:32,160 --> 01:54:34,520
Speaker 2: was cheating, cheating. He's like, I don't care, and we're like,

2652
01:54:34,560 --> 01:54:37,040
Speaker 2: you think you that ill? Then we faced on were like, yeah,

2653
01:54:37,720 --> 01:54:38,560
Speaker 2: she's going to have you back.

2654
01:54:39,360 --> 01:54:41,120
Speaker 6: You're talking about that, you're talking about the guy in

2655
01:54:41,240 --> 01:54:42,400
Speaker 6: Seattle that got arrested.

2656
01:54:42,960 --> 01:54:45,040
Speaker 2: No, no, no, that was More's fault talking about uh,

2657
01:54:45,680 --> 01:54:46,720
Speaker 2: you know, not domestic cheating.

2658
01:54:46,880 --> 01:54:48,000
Speaker 1: How was that my faulty?

2659
01:54:48,240 --> 01:54:50,240
Speaker 3: Keep trying to put them you definitely, you definitely were like,

2660
01:54:50,280 --> 01:54:51,520
Speaker 3: go ahead, bro, you said you're good.

2661
01:54:52,720 --> 01:54:55,720
Speaker 2: You sent them home, and then and then you fucked

2662
01:54:55,760 --> 01:55:03,120
Speaker 2: his girl. Wow. I swear to that's crazy. Think about it.

2663
01:55:03,160 --> 01:55:03,920
Speaker 2: I swear to got him.

2664
01:55:04,200 --> 01:55:06,080
Speaker 3: You didn't her. But you definitely send that guy home.

2665
01:55:06,280 --> 01:55:08,160
Speaker 2: No I didn't. You made him think you fucked her,

2666
01:55:08,280 --> 01:55:11,240
Speaker 2: which is just as bad. You might as well as well.

2667
01:55:12,080 --> 01:55:14,080
Speaker 1: I would never do that ship like you didn't know

2668
01:55:14,120 --> 01:55:15,920
Speaker 1: what you did. I can't do ship like that. I

2669
01:55:15,960 --> 01:55:19,360
Speaker 1: would never do nothing like that, wonder the listeners, girlfriends,

2670
01:55:19,720 --> 01:55:22,720
Speaker 1: I would never do that because you love your fans. No,

2671
01:55:27,560 --> 01:55:30,720
Speaker 1: fuck it, let's just go home. This has been another episode.

2672
01:55:30,760 --> 01:55:32,440
Speaker 2: We love y'all. We thank y'all for listening.

2673
01:55:33,440 --> 01:55:35,200
Speaker 1: We don't love y'all like really, but we love y'all

2674
01:55:35,200 --> 01:55:38,120
Speaker 1: for listening. And yeah, we'll be back in a couple

2675
01:55:38,160 --> 01:55:40,320
Speaker 1: of days to kick it with y'all. Merchants now still

2676
01:55:40,320 --> 01:55:43,760
Speaker 1: available Patreon, New roryinmaul dot com.

2677
01:55:43,920 --> 01:55:46,200
Speaker 2: We have some cool ship dropping Wednesday, yeah, I can't

2678
01:55:46,240 --> 01:55:49,080
Speaker 2: wait for that ship dropping on Wednesdays. Y'all love it.

2679
01:55:49,440 --> 01:55:53,360
Speaker 1: Another leg to this uh yeah, this thing we're building

2680
01:55:53,640 --> 01:55:55,920
Speaker 1: another leg and another leg and another extension, another leg

2681
01:55:55,960 --> 01:55:56,959
Speaker 1: to the AI, another.

2682
01:55:56,800 --> 01:55:58,600
Speaker 2: Leg to the AI that we're building over here.

2683
01:55:59,000 --> 01:56:02,160
Speaker 1: So hopefully y'all can look out for it Wednesday and

2684
01:56:03,360 --> 01:56:05,800
Speaker 1: be safe. We'll talk to y'all soon. Summers almost over.

2685
01:56:05,840 --> 01:56:09,320
Speaker 1: We got five weeks left. The way the heat is

2686
01:56:09,360 --> 01:56:13,240
Speaker 1: going is finished strong. Summer's going to let's finish strong.

2687
01:56:13,760 --> 01:56:17,840
Speaker 2: November might be in the sixties. That's sick, bepfully, maybe

2688
01:56:17,880 --> 01:56:21,760
Speaker 2: the seventies, he might propose in December and eighty degree

2689
01:56:21,800 --> 01:56:25,600
Speaker 2: weather and with shorts on, yes, in New York with

2690
01:56:25,840 --> 01:56:28,120
Speaker 2: Yomi and the rest of us, Enjoy the rest of

2691
01:56:28,200 --> 01:56:28,560
Speaker 2: you all week.

2692
01:56:29,480 --> 01:56:34,840
Speaker 1: Talk to y'all soon. I'm that nigga. He's just ginger peace,

2693
01:56:35,160 --> 01:56:36,640
Speaker 1: no worry and now