WEBVTT - Kelly Ripa, reformed people-pleaser, is here to set the record straight

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<v Speaker 1>Hi everyone, I'm Katie Curic, and this is next question.

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<v Speaker 1>I really like Kelly Rippa, and I'm guessing some of

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<v Speaker 1>you listening really like her too. After all, she has

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<v Speaker 1>been welcomed into living rooms, bedrooms, kitchens, and morning routines

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<v Speaker 1>for more than two decades as the co host of

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<v Speaker 1>ABC's morning talk show Live first with Regis Bilbiny Times

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<v Speaker 1>Do Dynamic Duo, then with Michael Strahan, There's Live and

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<v Speaker 1>now with Ryan Seacrest, Good Morning, Good Morning. On the

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<v Speaker 1>show and in person, Kelly has always been funny, warm

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<v Speaker 1>and self effacing, and it turns out she's exactly the

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<v Speaker 1>same way as a writer. Her first book, a collection

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<v Speaker 1>of memoir ish essays called Live Wire, Long Witted Short Stories,

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<v Speaker 1>is out now, and we have such a fun time

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<v Speaker 1>chatting about her career, her family, and the curious ways

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<v Speaker 1>our worlds and jobs have overlapped. So enjoy. Can I

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<v Speaker 1>just say, I'm so excited to see you. I loved

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<v Speaker 1>your book. Thank you. How meaningful it is when someone says,

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<v Speaker 1>sincerely and honestly that they loved your book because I

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<v Speaker 1>felt like I got to know you better. I just

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<v Speaker 1>really enjoyed being in your world. I thought you were

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<v Speaker 1>so funny because well, obviously you're really funny. Your last

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<v Speaker 1>chapters honestly made me cry because made me think of

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<v Speaker 1>my kids. You write all about Cindy walking off and

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<v Speaker 1>kind of being in this space of your life as

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<v Speaker 1>an empty nester. So I'm really I'm really excited to

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<v Speaker 1>be here to talk to you about it. And I

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<v Speaker 1>think one of the things, one of the many things

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<v Speaker 1>I learned about you in the book, Kelly, is that

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<v Speaker 1>you're actually introverted, um, and you're shy, and you don't

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<v Speaker 1>really love social occasions. And then I thought about the times,

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<v Speaker 1>you know, the occasions I have had the opportunity to

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<v Speaker 1>be with you socially, and I thought, oh, that's so funny,

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<v Speaker 1>because Kelly is actually kind of shy and and and

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<v Speaker 1>not super um outgoing at these at these things. And

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<v Speaker 1>it made me realize, you know, everybody's sort of insecure,

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<v Speaker 1>and I feel shy sometimes at these I do I

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<v Speaker 1>feel um, you know, I I feel once in a

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<v Speaker 1>while kind of just uncomfortable in my skin, or you know,

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<v Speaker 1>or people do I have somebody to talk to? You know,

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<v Speaker 1>all those things that I think everybody feels, no matter

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<v Speaker 1>who you are. But the fact that that you're kind

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<v Speaker 1>of agoraphobic. Actually, what was was really surprising to me.

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<v Speaker 1>It's funny, I almost as you now know from knowing me.

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<v Speaker 1>I think that the two times I went out this year,

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<v Speaker 1>you were at both both events big events. Um, I

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<v Speaker 1>am really just a home body. Um, I come from

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<v Speaker 1>a family of home bodies. It's I think it's definitely

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<v Speaker 1>like a hereditary skill set. But I also think it's

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<v Speaker 1>sort of how you're wired, don't you. Yeah, I'm hard

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<v Speaker 1>wired to just prefer the comfort of under my bed,

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<v Speaker 1>I mean under the sheets, I mean hiding under my bed.

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<v Speaker 1>But I also would think, Kelly, so much of your

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<v Speaker 1>job is being out there and being outspoken and being

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<v Speaker 1>and sharing that when you have your alone time, you

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<v Speaker 1>don't necessarily want to be like black. Yeah, I just

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<v Speaker 1>feel like there's uh as you know, when you host

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<v Speaker 1>a morning show, you're in people's houses every day. They

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<v Speaker 1>get to see you. You know. I think it is

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<v Speaker 1>high honored to be welcomed into people's living rooms and

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<v Speaker 1>breakfast tables. Still in this day and age, with so

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<v Speaker 1>many other options. The fact that we are still chugging

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<v Speaker 1>away and we're still there and people are still welcoming

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<v Speaker 1>us is a high honor. I don't take that for granted.

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<v Speaker 1>It's not lost on me that there are so many

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<v Speaker 1>other choices they could make, but they still tune in

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<v Speaker 1>for us. But at the end of the day, I'm like, okay,

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<v Speaker 1>and now people need a break from me. So I

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<v Speaker 1>try to, you know, be as invisible as possible when

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<v Speaker 1>I'm not there, you know what I mean. So I

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<v Speaker 1>don't go to movie premiers and I don't go to

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<v Speaker 1>fashion events, and I don't go to all of that

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<v Speaker 1>stuff because I value my off time, but I also

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<v Speaker 1>value like giving America needs a break. I don't know

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<v Speaker 1>if people feel that way, but I think it's also

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<v Speaker 1>because it's been very important for you to have some

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<v Speaker 1>separation between your home life and your work life. Yeah,

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<v Speaker 1>I've always prioritized my home life the most most because

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<v Speaker 1>I feel like that's where my real work was. You know,

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<v Speaker 1>I wanted to and I'm very much like you. I know,

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<v Speaker 1>you and I were frequently the only moms at the

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<v Speaker 1>track field, the only you felt like winter but it

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<v Speaker 1>was fall and we'd be the only ones standing there.

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<v Speaker 1>Because I feel like when you're a working woman and

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<v Speaker 1>sometimes the morning routine you have to miss a lot.

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<v Speaker 1>You are forced to miss a lot, so those events

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<v Speaker 1>that you can attend, you are super attentive. Right And

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<v Speaker 1>at the end of the day, I was really trying

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<v Speaker 1>to raise good people, responsible people, conscientious people, and I

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<v Speaker 1>feel like we are, you know, in that respect. Thank god.

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<v Speaker 1>I take nothing for granted, but so far they've really

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<v Speaker 1>held up their end of the bargain. Well, I like

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<v Speaker 1>that that quote from Jackie Kennedy that says, if you

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<v Speaker 1>bungle you raise and your kids, nothing else really matters.

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<v Speaker 1>And it sounds like you and Mark have done a

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<v Speaker 1>great job raising good human beings. We've been very fortunate,

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<v Speaker 1>you know, but you well, I think it also put

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<v Speaker 1>the work good Yeah, you put the work, and it

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<v Speaker 1>comes from good parenting. And we had good parents. I mean,

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<v Speaker 1>our parents are I mean, they're very lucky, and you're

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<v Speaker 1>so lucky. Although your mom I wondered if she I

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<v Speaker 1>felt like you didn't write about your mom that much,

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<v Speaker 1>and and uh, and I I wish I had gotten

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<v Speaker 1>a little more sense of your mom. You thanked her

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<v Speaker 1>at the end of the book, but I thought it

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<v Speaker 1>was funny when you told her you wanted you were

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<v Speaker 1>going to go to therapy. She said, you're gonna spend

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<v Speaker 1>a lot of money trashing me basically, basically, yeah, yeah, yeah. Well,

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<v Speaker 1>I think generationally my mom was too. I think nobody

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<v Speaker 1>even knew about therapy, much less talked about it from

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<v Speaker 1>our parents generations. But I wondered if your mom like

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<v Speaker 1>wanted you to write a little bit more about So

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<v Speaker 1>I'll give you the heads up on my mom. Kelly

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<v Speaker 1>gives us the lowdown on her mom and why she

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<v Speaker 1>chose not to write about her in this book that's

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<v Speaker 1>right after this, So I'll give you the heads up

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<v Speaker 1>on my mom. Number one. Let me just say this

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<v Speaker 1>is not a memoir. Have short stories. So you know,

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<v Speaker 1>if I ever do, if I ever do crawl out

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<v Speaker 1>of the whole of being overwhelmed from writing this book,

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<v Speaker 1>of course I would write about my mom. In totality.

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<v Speaker 1>My mom is very much like everything I wrote about her.

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<v Speaker 1>I would read to her and then she'd be like,

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<v Speaker 1>get rid of that, get rid of this, get rid

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<v Speaker 1>of Like she didn't want me to talk about her

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<v Speaker 1>at all. She's like she takes my introversion and turns

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<v Speaker 1>it like a hundred degrees up. Um. But when I

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<v Speaker 1>asked her, because we're currently living with my parents, right now,

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<v Speaker 1>which is funny because she's great, she's doing so well.

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<v Speaker 1>She had heart surgery, she's she's making such an amazing recovery.

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<v Speaker 1>Her doctors and nurses have been extraordinary. And it's very

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<v Speaker 1>funny because you go from empty nesters and then suddenly

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<v Speaker 1>like your nest is full. But older people who are

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<v Speaker 1>like them, it's so nice. It's nice for all of us.

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<v Speaker 1>We're really enjoying their characters. And so I said to

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<v Speaker 1>my mom, um, Mom, have you read my book yet?

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<v Speaker 1>And she said, no, I'm not going to read your

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<v Speaker 1>sex book. I said, what what are you talking about? What?

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<v Speaker 1>I didn't write a sex book. She goes, well, not

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<v Speaker 1>according and now right away, I know that my aunts

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<v Speaker 1>are sending her the headlines right from whatever Google alert

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<v Speaker 1>or whatever it is. Right So she said, you've written

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<v Speaker 1>a sex book book, and I don't want to read

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<v Speaker 1>about you doing you know what with you know who.

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<v Speaker 1>And I said, it's not a sex book. As a

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<v Speaker 1>matter of fact, there's very little sex in this book.

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<v Speaker 1>It's just too advance a story in in the order

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<v Speaker 1>in which it happened, and and and and I and

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<v Speaker 1>there's a disclaimer at that chapter. If you're related to me,

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<v Speaker 1>in any way, Please skip to the next chapter, don't

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<v Speaker 1>read this. You know. So, I'm very conscientious in writing,

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<v Speaker 1>but she proved my most challenging, almost as challenging as

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<v Speaker 1>my daughter Lola, who wanted me to take out any

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<v Speaker 1>and all references to her um But so you know

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<v Speaker 1>it's I wrote this very thoughtfully with people in mind,

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<v Speaker 1>and I didn't want to put in anything that they

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<v Speaker 1>found objectionable. So you know, that's why there's not so

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<v Speaker 1>much of my mom, because she was not funny. I

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<v Speaker 1>don't know your mom, but I was like, I feel

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<v Speaker 1>a little protective, I guess because of course I think

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<v Speaker 1>you all obviously have this. This great my mom is.

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<v Speaker 1>My mom is the probably the funniest person any of

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<v Speaker 1>us will ever know. But I don't even think she

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<v Speaker 1>thinks she's funny. She's being completely serious and deadpan about

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<v Speaker 1>everything she says. Well, why you know, you say it's

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<v Speaker 1>not a memoir, It is a collection of short stories,

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<v Speaker 1>UM stories, And I love the title and this secondary title,

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<v Speaker 1>whatever you call it. How did you find the connective

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<v Speaker 1>tissue that would you know? First of all, I guess

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<v Speaker 1>enabled you to pick what you were going to write about.

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<v Speaker 1>But that would make sense for the reader. So there

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<v Speaker 1>were two hundred more pages in this chapter, and a

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<v Speaker 1>lot was cut out. I mean in the book, in

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<v Speaker 1>the I mean in the in the book forgive me.

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<v Speaker 1>In the book, there were two hundred more pages. So

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<v Speaker 1>there's a lot that was taken out. My editor, Carrie Thornton,

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<v Speaker 1>God love her, this woman. She stacked the book. I

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<v Speaker 1>had the book completely stacked differently. I had it more

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<v Speaker 1>chronological and in its order. And she said, let me

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<v Speaker 1>stack these chapters the way I feel they connect, because

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<v Speaker 1>you're too close to this book at this point. I

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<v Speaker 1>really wanted to start backwards with the last chapter and

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<v Speaker 1>work my way to the beginning. And she was like

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<v Speaker 1>you now, because you've written, now you think you're also

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<v Speaker 1>an editor and you don't know what you're doing. And

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<v Speaker 1>I said, did you read the chapter on asshole syndrome?

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<v Speaker 1>Now I'm an editor too. It's like anything I if

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<v Speaker 1>I see it, then I believe that I can do it. Um.

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<v Speaker 1>And I you know, having read so many great books

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<v Speaker 1>by so many great authors, yours included, I you know,

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<v Speaker 1>I mean, thank god, And I think I told you

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<v Speaker 1>this when you came on my show. Thank God your

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<v Speaker 1>book came out. When I had essentially finished my book,

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<v Speaker 1>because if I had read your book, I wouldn't have

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<v Speaker 1>written my book. Does that makes no? I wouldn't I would.

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<v Speaker 1>I would have been like, I can't. I'll never read

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<v Speaker 1>a decent word in my life. I'll never write anything decent.

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<v Speaker 1>It's not good. It's not. But ignorance really is bliss sometimes,

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<v Speaker 1>and so I like blissfully and ignorantly went into this

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<v Speaker 1>saying I've read books, therefore I can write books. Well,

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<v Speaker 1>you know, I think you sell your yourself short Kelly.

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<v Speaker 1>First of all, I think you're really fun clever writer.

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<v Speaker 1>I wish I had dog eared some of the pages

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<v Speaker 1>because um, you know, it's very uniquely you. So I

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<v Speaker 1>don't want you to sell yourself short that way. Well,

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<v Speaker 1>it's funny. I would send the chapters as I would

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<v Speaker 1>write them, and some of them were written and rewritten

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<v Speaker 1>and re rewritten, like I'm sure you felt the same way.

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<v Speaker 1>I would write a chapter five or six times before

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<v Speaker 1>I found it right, and I would send it to Mark,

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<v Speaker 1>who was mercifully living in Vancouver at the time. So

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<v Speaker 1>he people are will say to him, you know, was

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<v Speaker 1>it hard for you while she was writing this book?

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<v Speaker 1>And he says no, she was great, And I said,

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<v Speaker 1>he has no idea how insufferable I was, you know,

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<v Speaker 1>for our forty five minute discussions a day, I would

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<v Speaker 1>turn on all the charm and try to hide the

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<v Speaker 1>hideousness of the self doubt and the and the me

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<v Speaker 1>pacing around the bedroom and trying to like construct a sentence.

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<v Speaker 1>But I would send the chapters to Mark first. He

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<v Speaker 1>was sort of my pre editor, and he would call

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<v Speaker 1>me back face time, me back, and he would say, wow,

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<v Speaker 1>I thought this chapter was going to be about something else. Entirely.

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<v Speaker 1>I didn't see that coming. And that's when I would

0:13:54.480 --> 0:13:57.680
<v Speaker 1>know I got it right. You know. I waited for

0:13:57.800 --> 0:14:00.760
<v Speaker 1>him to say, oh my gosh, the it's the funniest thing,

0:14:00.840 --> 0:14:03.560
<v Speaker 1>or how did you remember that? How do you recall that?

0:14:03.800 --> 0:14:06.120
<v Speaker 1>And I would say, you know, when I write in

0:14:06.160 --> 0:14:08.720
<v Speaker 1>those journals at night, and you think that I'm just

0:14:08.840 --> 0:14:13.359
<v Speaker 1>like making lists of things I have to do, it's

0:14:13.400 --> 0:14:16.880
<v Speaker 1>that's what I'm doing. I'm actually writing down the things

0:14:16.920 --> 0:14:20.280
<v Speaker 1>that I want to remember for And it was Andy

0:14:20.320 --> 0:14:22.680
<v Speaker 1>Cohen who told me to do that many years ago,

0:14:22.880 --> 0:14:25.720
<v Speaker 1>years and years ago. I remember Jean Chalotte. I think

0:14:25.720 --> 0:14:27.440
<v Speaker 1>I might have mentioned this in my book. I can't

0:14:27.480 --> 0:14:30.920
<v Speaker 1>even remember Jilly, what's in it? What's not that that?

0:14:31.040 --> 0:14:34.080
<v Speaker 1>Jane Shallotte said you should talk into a tape recorder

0:14:34.400 --> 0:14:36.520
<v Speaker 1>when I got my job on the Today Show. He said,

0:14:36.560 --> 0:14:39.320
<v Speaker 1>every day talking to a tape recorder, just talk about

0:14:39.360 --> 0:14:42.040
<v Speaker 1>like what the day was like, what an interview was like.

0:14:42.120 --> 0:14:44.880
<v Speaker 1>I was like, Jane, that is such a good idea,

0:14:45.040 --> 0:14:47.080
<v Speaker 1>And of course I never did it. And I'm not

0:14:47.160 --> 0:14:50.200
<v Speaker 1>a journal er either, so it was but thank God

0:14:50.240 --> 0:14:53.440
<v Speaker 1>for the Internet because I could retrieve so much. Thank

0:14:53.480 --> 0:14:56.080
<v Speaker 1>god I'm a pack rat because I could look back

0:14:56.200 --> 0:15:00.320
<v Speaker 1>on speeches and my calendars and all sorts of other

0:15:00.400 --> 0:15:03.320
<v Speaker 1>things that reminded me. But Andy was a really good

0:15:03.360 --> 0:15:05.480
<v Speaker 1>friend to have you do that, and I'm sure it

0:15:05.560 --> 0:15:08.160
<v Speaker 1>was extremely helpful in writing the book. I wanted to

0:15:08.160 --> 0:15:10.960
<v Speaker 1>ask you about Mark because obviously you guys have an

0:15:11.000 --> 0:15:15.640
<v Speaker 1>incredible relationship UM, which is so nice, so nice to see,

0:15:15.720 --> 0:15:17.960
<v Speaker 1>and I know you wrote about you know, we were

0:15:18.000 --> 0:15:20.440
<v Speaker 1>not supposed to make it and people in show business,

0:15:20.520 --> 0:15:23.560
<v Speaker 1>but I do think you guys are both um very

0:15:23.640 --> 0:15:28.560
<v Speaker 1>much mired in your respective values of your families and UM.

0:15:28.960 --> 0:15:31.480
<v Speaker 1>But I did laugh at when you first met him,

0:15:31.560 --> 0:15:33.760
<v Speaker 1>and it was when you were on all my children,

0:15:33.800 --> 0:15:37.760
<v Speaker 1>and he was coming in to audition for and you

0:15:37.800 --> 0:15:40.520
<v Speaker 1>saw his head shot and basically he had you at

0:15:41.200 --> 0:15:44.000
<v Speaker 1>not even Hello. There was the head she had me

0:15:44.040 --> 0:15:47.440
<v Speaker 1>at Mark and Sulo's actor. And then you come out

0:15:47.480 --> 0:15:51.560
<v Speaker 1>in curlers. I think you had zip medicine, had toothpaste

0:15:52.040 --> 0:15:56.560
<v Speaker 1>at toothpaste because I tried every other remedy, and I

0:15:56.560 --> 0:16:00.320
<v Speaker 1>had show curlers too. I had those giant velcrow rollers,

0:16:00.360 --> 0:16:02.720
<v Speaker 1>you know, the ones that looked like coke. So I

0:16:02.760 --> 0:16:06.400
<v Speaker 1>had those because you know, we always say like on

0:16:06.440 --> 0:16:11.280
<v Speaker 1>a soap opera, the bigger the hair, closer to Emmy's. Yeah,

0:16:11.640 --> 0:16:15.120
<v Speaker 1>clo you get. So I had these coke bottle rollers.

0:16:15.160 --> 0:16:17.560
<v Speaker 1>And it didn't have any makeup on because I was like,

0:16:18.400 --> 0:16:20.000
<v Speaker 1>for some reason, my scenes were at the end of

0:16:20.000 --> 0:16:22.160
<v Speaker 1>the day and it's like it's not a first come,

0:16:22.240 --> 0:16:24.440
<v Speaker 1>first serve. It's like, whoever is up first, you're in

0:16:24.520 --> 0:16:28.880
<v Speaker 1>makeup first. So no makeup on. It is giant pimple

0:16:30.760 --> 0:16:33.880
<v Speaker 1>because why wouldn't I and I had covered it with

0:16:34.520 --> 0:16:37.840
<v Speaker 1>cold Gate toothpaste, but cold Gate on. We decided for

0:16:37.920 --> 0:16:40.600
<v Speaker 1>some reason at the soap that cogate was the best

0:16:40.720 --> 0:16:45.040
<v Speaker 1>for getting rid of zits. When all else fails. Um right,

0:16:45.280 --> 0:16:49.520
<v Speaker 1>and so I walk in and he is there because

0:16:49.560 --> 0:16:52.360
<v Speaker 1>he was brand new to show business. He had never

0:16:52.440 --> 0:16:55.760
<v Speaker 1>auditioned for anything, and here he was screen testing for

0:16:55.800 --> 0:16:57.920
<v Speaker 1>a soap opera and he had no idea what a

0:16:57.960 --> 0:17:00.960
<v Speaker 1>screen test was, the same as me. When I screen tested,

0:17:01.000 --> 0:17:03.800
<v Speaker 1>I thought it was a written exam. And I'm not kidding,

0:17:04.280 --> 0:17:06.560
<v Speaker 1>and you you know how you yes? I mean, I'm

0:17:06.600 --> 0:17:08.879
<v Speaker 1>no longer at that place in my life where when

0:17:09.000 --> 0:17:11.240
<v Speaker 1>now I'm brave enough to say no, I'm sorry. I

0:17:11.280 --> 0:17:13.200
<v Speaker 1>don't know who or what you're talking. And I also

0:17:13.280 --> 0:17:16.200
<v Speaker 1>love that you've discovered how to say no that doesn't

0:17:16.240 --> 0:17:18.879
<v Speaker 1>work for me, that which I can't really do. But

0:17:18.920 --> 0:17:21.119
<v Speaker 1>we'll talk about that in a minute. I send you

0:17:21.200 --> 0:17:24.359
<v Speaker 1>my therapist and she'll make you practice in front of

0:17:24.359 --> 0:17:27.199
<v Speaker 1>a mirror. You know, you can't even say no, I'm sorry.

0:17:27.240 --> 0:17:30.120
<v Speaker 1>That doesn't work for me. You know, take that I'm

0:17:30.240 --> 0:17:33.879
<v Speaker 1>sorry out, But you tried to. I can't do that. No. No,

0:17:34.200 --> 0:17:37.800
<v Speaker 1>I learned how to do it, but it took. And

0:17:37.840 --> 0:17:40.399
<v Speaker 1>I'm not kidding. No, that doesn't work for me. That

0:17:40.440 --> 0:17:45.160
<v Speaker 1>doesn't it's but it's not it's not cold or mean.

0:17:45.359 --> 0:17:50.119
<v Speaker 1>It's something that people say to us all the time. Um,

0:17:50.560 --> 0:17:54.240
<v Speaker 1>they're usually men. And then there's and so you so

0:17:54.359 --> 0:17:59.320
<v Speaker 1>we Uh. I think it's not just the nature of

0:17:59.320 --> 0:18:01.040
<v Speaker 1>our business because as I've been on a book tour,

0:18:01.080 --> 0:18:04.679
<v Speaker 1>so I'm meeting I'm meeting people from all sorts of

0:18:04.720 --> 0:18:10.880
<v Speaker 1>industries that I had really dialed into that particular chapter. Um,

0:18:10.920 --> 0:18:15.480
<v Speaker 1>because they are utilizing my no, that doesn't work for me.

0:18:15.960 --> 0:18:19.640
<v Speaker 1>And guess what, you know, this is free advice. It's

0:18:19.640 --> 0:18:21.720
<v Speaker 1>not a self help book, but this is free advice.

0:18:21.800 --> 0:18:24.520
<v Speaker 1>I spent thousands of dollars on therapy to learn to

0:18:24.560 --> 0:18:28.360
<v Speaker 1>say no that doesn't work for me. But again, it

0:18:28.400 --> 0:18:31.000
<v Speaker 1>was hard for me. I had to practice and practice.

0:18:31.160 --> 0:18:33.680
<v Speaker 1>I kept saying no, I'm so sorry, and she would

0:18:33.840 --> 0:18:38.760
<v Speaker 1>maybe ask me next year, asked me, yes, ask me

0:18:39.000 --> 0:18:41.520
<v Speaker 1>in a year, because they will, they'll ask you in

0:18:41.560 --> 0:18:44.240
<v Speaker 1>a year. They market down. Even my husband was like,

0:18:44.320 --> 0:18:46.679
<v Speaker 1>don't say that, because they're going to come back and

0:18:46.680 --> 0:18:49.880
<v Speaker 1>you have to say no again exactly. And so I

0:18:49.920 --> 0:18:53.280
<v Speaker 1>was in this place where I was saying yes, yes, yes,

0:18:53.440 --> 0:18:57.320
<v Speaker 1>or oh my gosh, I'm so sorry that doesn't work

0:18:57.320 --> 0:19:01.360
<v Speaker 1>because I have seven other conflicts. But you know, if

0:19:01.359 --> 0:19:04.680
<v Speaker 1>there's some other day, oh yes, we'll work around your schedule.

0:19:04.800 --> 0:19:07.200
<v Speaker 1>You tell us what day you don't have EIGHTI seven

0:19:07.240 --> 0:19:09.680
<v Speaker 1>other things. So when you say no, that doesn't work

0:19:09.720 --> 0:19:13.120
<v Speaker 1>for me, it sort of stops any and all advancement

0:19:13.200 --> 0:19:18.080
<v Speaker 1>of any other conversation. And it works like a charm

0:19:18.080 --> 0:19:20.520
<v Speaker 1>every single It works a hundred percent of the time.

0:19:20.640 --> 0:19:22.639
<v Speaker 1>A hundred percent of the time. All Right, I'm going

0:19:22.680 --> 0:19:25.040
<v Speaker 1>to try it. Alright, No, that doesn't work for me.

0:19:25.440 --> 0:19:28.280
<v Speaker 1>You're going to have to practice it in the mirror.

0:19:28.320 --> 0:19:31.680
<v Speaker 1>I can see you already vacillating. You're formulating that. I'm

0:19:31.720 --> 0:19:36.440
<v Speaker 1>so sosign a pleaser. I understand, and I too, am

0:19:36.480 --> 0:19:42.160
<v Speaker 1>a reformed pleaser. It's like there should be a self helpleaser.

0:19:42.359 --> 0:19:45.639
<v Speaker 1>Is anymous pleaser is anonymous? P My name is Katie,

0:19:45.640 --> 0:19:49.960
<v Speaker 1>and I'm a pleaser. Katie, Katie. By getting back to

0:19:50.119 --> 0:19:52.679
<v Speaker 1>Mark and the cold gate on your face, did you

0:19:52.840 --> 0:19:55.400
<v Speaker 1>really do a tap dance when you first saw him?

0:19:55.520 --> 0:20:00.080
<v Speaker 1>I mean I did tap dance. You kind of were like, know,

0:20:00.240 --> 0:20:03.000
<v Speaker 1>I mean it was that was what I was doing.

0:20:03.080 --> 0:20:12.120
<v Speaker 1>It was like, you know, I was like, oh my gosh,

0:20:12.160 --> 0:20:16.840
<v Speaker 1>I really said to him. I vomited words at him.

0:20:16.920 --> 0:20:20.600
<v Speaker 1>He was spell bound a good way and not in

0:20:20.600 --> 0:20:24.880
<v Speaker 1>a good way. He was spell bound, and and he

0:20:24.960 --> 0:20:27.680
<v Speaker 1>doesn't recall what I looked like at all. He always

0:20:27.800 --> 0:20:30.560
<v Speaker 1>goes back to I was just trying to get a job,

0:20:31.040 --> 0:20:34.000
<v Speaker 1>and I was warned that actors were strange, and so

0:20:34.119 --> 0:20:36.600
<v Speaker 1>you just seem like a strange actor. And I was like,

0:20:37.160 --> 0:20:43.919
<v Speaker 1>did I you know? But I was so um, I

0:20:43.920 --> 0:20:46.040
<v Speaker 1>don't know. I wanted to engage him in some way

0:20:46.240 --> 0:20:49.760
<v Speaker 1>and let him know that, you know, I look at

0:20:49.760 --> 0:20:52.920
<v Speaker 1>how low maintenance I am with I'm the girl with

0:20:53.000 --> 0:20:54.919
<v Speaker 1>the cold gate on her face and the Cooke bottle

0:20:55.000 --> 0:20:59.919
<v Speaker 1>rollers in her hair. Totally uh, totally comfortable with my

0:21:00.080 --> 0:21:02.439
<v Speaker 1>future husband seeing me this way. Isn't that funny? But

0:21:02.520 --> 0:21:05.640
<v Speaker 1>it's wonderful that you know that you guys did connect

0:21:05.680 --> 0:21:09.920
<v Speaker 1>that he wasn't like security. Yeah exactly. I mean, first

0:21:09.960 --> 0:21:12.960
<v Speaker 1>of all, he should have filed a restraining order. But

0:21:13.160 --> 0:21:17.160
<v Speaker 1>second of all, it was this weird thing where I

0:21:17.280 --> 0:21:22.360
<v Speaker 1>knew again I'm not a believer in love at first sight.

0:21:22.400 --> 0:21:25.800
<v Speaker 1>I've never been a hopeless romantic. I'm like, very pragmatic.

0:21:25.880 --> 0:21:31.800
<v Speaker 1>I'm a practical lady, you know. Uh, And I've never

0:21:32.920 --> 0:21:36.200
<v Speaker 1>It's so funny. I never decorated a dressing room ever

0:21:36.480 --> 0:21:40.760
<v Speaker 1>in my life until like my fifteenth year at Live.

0:21:41.200 --> 0:21:44.560
<v Speaker 1>My fifteenth year at Live, I decorated my dressing room

0:21:44.600 --> 0:21:47.640
<v Speaker 1>because I was like, I think they're gonna think They're

0:21:47.680 --> 0:21:49.920
<v Speaker 1>probably just going to carry me out, or maybe TV

0:21:50.080 --> 0:21:53.359
<v Speaker 1>will end. I don't know. But I was so practical.

0:21:53.480 --> 0:21:55.920
<v Speaker 1>I never wanted to keep things around that I would

0:21:55.960 --> 0:21:58.000
<v Speaker 1>have to pack into a box and leave, you know

0:21:58.520 --> 0:22:00.560
<v Speaker 1>what I mean. It felt like a waste of time.

0:22:00.680 --> 0:22:03.920
<v Speaker 1>So people would always walk into my dressing room and say,

0:22:04.400 --> 0:22:07.280
<v Speaker 1>is your dressing room being redecorated? And I'd say, no,

0:22:08.040 --> 0:22:10.560
<v Speaker 1>this is my dressing room. Why why do you ask?

0:22:11.240 --> 0:22:14.640
<v Speaker 1>It's so barren and terrifying looking. And I said, well,

0:22:14.680 --> 0:22:17.760
<v Speaker 1>you never know. Every day could be your last day. Um.

0:22:17.840 --> 0:22:21.879
<v Speaker 1>So to be a person that suddenly found themselves dreaming

0:22:22.160 --> 0:22:25.320
<v Speaker 1>that I was married to this person, this complete stranger,

0:22:26.119 --> 0:22:29.479
<v Speaker 1>and that we were flying to Rome together on an

0:22:29.520 --> 0:22:33.240
<v Speaker 1>airplane with a baby made no sense. And then I

0:22:33.359 --> 0:22:35.800
<v Speaker 1>the next day at the screen test, as I talked

0:22:35.840 --> 0:22:39.160
<v Speaker 1>about in the book, I vomited that out at him.

0:22:39.320 --> 0:22:42.880
<v Speaker 1>I said, I had a dream, you know, I had

0:22:42.920 --> 0:22:52.320
<v Speaker 1>a dream, dream baby, okay? Um? And so I told

0:22:52.400 --> 0:22:58.119
<v Speaker 1>him about this dream and he was so non threatened

0:22:58.320 --> 0:23:01.000
<v Speaker 1>and grown up about the whole thing, and he sort

0:23:01.040 --> 0:23:04.720
<v Speaker 1>of just and you know, the room fell into a hush.

0:23:04.840 --> 0:23:08.639
<v Speaker 1>There were ten other guys. They're also auditioning for the

0:23:08.720 --> 0:23:13.640
<v Speaker 1>role of Matteo, who seemed spellbound by this conversation. He

0:23:13.800 --> 0:23:17.720
<v Speaker 1>was like not even halfway paying attention. He was writing down,

0:23:17.720 --> 0:23:22.880
<v Speaker 1>blocking and taking notes. And I said, remember me from yesterday.

0:23:23.080 --> 0:23:25.879
<v Speaker 1>So glad it turned out the way, But it shouldn't have.

0:23:26.200 --> 0:23:28.800
<v Speaker 1>I mean, it should file the restraining order. I should

0:23:28.800 --> 0:23:31.720
<v Speaker 1>probably should have been fired. I mean I broke every

0:23:32.080 --> 0:23:34.159
<v Speaker 1>role that well, I guess they didn't exist yet. It

0:23:34.200 --> 0:23:38.520
<v Speaker 1>was the free willing nineties. But but wasn't the US.

0:23:38.640 --> 0:23:41.399
<v Speaker 1>It wasn't the rules. There were no rules. And so

0:23:41.720 --> 0:23:48.800
<v Speaker 1>um I somehow became his friend. We became friends, and

0:23:49.000 --> 0:23:52.640
<v Speaker 1>we really started liking each other and respecting each other.

0:23:52.760 --> 0:23:56.240
<v Speaker 1>And we had, um we had read the same books,

0:23:56.760 --> 0:24:00.280
<v Speaker 1>we found the same um. You know, we were both

0:24:00.320 --> 0:24:05.679
<v Speaker 1>at the time following the Rwandan genocide and nobody was

0:24:05.680 --> 0:24:08.560
<v Speaker 1>talking about it except us, so we would talk about

0:24:08.560 --> 0:24:14.240
<v Speaker 1>it to each other and um, you know, and we

0:24:14.280 --> 0:24:16.879
<v Speaker 1>had a lot of commonalities even though we grew up

0:24:16.960 --> 0:24:21.240
<v Speaker 1>very different our parents. He was born in Spain, was

0:24:21.280 --> 0:24:24.760
<v Speaker 1>born Florida. Well, he was born in Spain and then

0:24:25.600 --> 0:24:28.600
<v Speaker 1>lived in Italy until he was seven. His father was

0:24:28.760 --> 0:24:32.439
<v Speaker 1>in special operations for the military and so, and then

0:24:32.480 --> 0:24:36.000
<v Speaker 1>they moved to Lebanon, Illinois, and then they he went

0:24:36.040 --> 0:24:39.359
<v Speaker 1>to high school in Florida. UM, so he moved around

0:24:39.640 --> 0:24:42.840
<v Speaker 1>quite a bit. And then I was born and raised

0:24:42.880 --> 0:24:45.040
<v Speaker 1>in the same house my mother was raised in. My

0:24:45.119 --> 0:24:49.440
<v Speaker 1>grandfather built the house himself. And but the South Jerseys,

0:24:49.440 --> 0:24:52.240
<v Speaker 1>the South Jersey. I was from the South of Jersey.

0:24:52.359 --> 0:24:55.919
<v Speaker 1>It was really fun to read that with the accent

0:24:56.240 --> 0:24:59.560
<v Speaker 1>and the mayor of East Town and and what what

0:25:00.000 --> 0:25:03.439
<v Speaker 1>you use some words that the way people like the

0:25:03.440 --> 0:25:07.560
<v Speaker 1>Philadelphia Eggles you know, you're going the Eggles game and

0:25:07.720 --> 0:25:11.720
<v Speaker 1>some other things. You know my name, you know, back

0:25:11.760 --> 0:25:14.399
<v Speaker 1>in high school they would have called me Kelly Rippet,

0:25:15.320 --> 0:25:22.159
<v Speaker 1>you know the right. Yes, it's like, oh, sound like

0:25:22.480 --> 0:25:28.760
<v Speaker 1>e used Yeah. Um ours are like yeah, it's like

0:25:29.080 --> 0:25:32.360
<v Speaker 1>it's like a heart. You do some very funny phonetically.

0:25:32.680 --> 0:25:36.800
<v Speaker 1>Phonetically it's almost impossible to understand. Yeah, you said, you

0:25:36.840 --> 0:25:43.879
<v Speaker 1>say begel, you say right in Like imagine taking a

0:25:43.960 --> 0:25:48.640
<v Speaker 1>spelling test when you're in third grade. Beans, beans, yeah,

0:25:49.200 --> 0:25:52.800
<v Speaker 1>they fan. Yeah, you have a Ham fan Like I

0:25:52.840 --> 0:25:55.200
<v Speaker 1>got a hard time doing it. Now. I love it though,

0:25:55.240 --> 0:25:58.679
<v Speaker 1>because you're so proud of being from South Jersey. I

0:25:58.800 --> 0:26:01.440
<v Speaker 1>just love it. But now I'm hearing, you know, people

0:26:01.440 --> 0:26:03.720
<v Speaker 1>who have read this book. I hear from the North

0:26:03.800 --> 0:26:07.440
<v Speaker 1>Jersey ors all the time. You know, we're not Fonsy

0:26:07.520 --> 0:26:09.800
<v Speaker 1>the way you think we are. And I was like, oh,

0:26:10.160 --> 0:26:13.840
<v Speaker 1>it sounds like a little self defensive to me. Don't

0:26:13.920 --> 0:26:18.720
<v Speaker 1>hate our blueberries. After the break, Kelly and I chat

0:26:18.720 --> 0:26:31.080
<v Speaker 1>about finding our footing in the media boys club. There's

0:26:31.080 --> 0:26:32.919
<v Speaker 1>so much we could talk about, Kelly. But I do

0:26:33.040 --> 0:26:37.280
<v Speaker 1>want to ask you, obviously about just because I think

0:26:37.359 --> 0:26:41.720
<v Speaker 1>we have a lot in common being a woman, uh

0:26:41.840 --> 0:26:46.560
<v Speaker 1>fulfilling kind of the role of an archetype, being put

0:26:46.600 --> 0:26:49.720
<v Speaker 1>in a box and and sort of not being able

0:26:49.840 --> 0:26:55.120
<v Speaker 1>to expand outside the borders of that box. And but

0:26:55.119 --> 0:26:57.520
<v Speaker 1>but I want to ask you about your Live experience

0:26:57.640 --> 0:27:02.320
<v Speaker 1>because it was so sorre to me. Not although not really,

0:27:02.760 --> 0:27:05.800
<v Speaker 1>but you know, it sounds like the whole thing was fraught.

0:27:06.080 --> 0:27:08.760
<v Speaker 1>I would say that that fraught at least the beginning

0:27:09.400 --> 0:27:13.520
<v Speaker 1>of your career at Live, because you were sort of

0:27:13.560 --> 0:27:16.719
<v Speaker 1>wide but sort of not, and it wasn't like it

0:27:16.760 --> 0:27:20.400
<v Speaker 1>was just this bizarre wooing process that wasn't really wooing,

0:27:20.600 --> 0:27:23.000
<v Speaker 1>but just kind of like, we've got to fill this

0:27:23.200 --> 0:27:27.680
<v Speaker 1>role and she's there, and it was a very uh

0:27:27.840 --> 0:27:30.520
<v Speaker 1>it was. It must have been a very strange experience.

0:27:30.640 --> 0:27:33.240
<v Speaker 1>And I think you captured really well in the book. Yeah,

0:27:33.320 --> 0:27:35.919
<v Speaker 1>thank you. Kind of what a mind funck. Excuse me,

0:27:36.880 --> 0:27:41.440
<v Speaker 1>it was right, Yeah, it was very strange because, um,

0:27:41.480 --> 0:27:44.040
<v Speaker 1>you know, I did not know. And again, much like

0:27:44.119 --> 0:27:48.520
<v Speaker 1>writing a book, ignorance sometimes really is bliss. I was

0:27:48.640 --> 0:27:51.760
<v Speaker 1>sort of baffled. I did not understand that there were

0:27:51.800 --> 0:27:58.840
<v Speaker 1>these two separate organizations, the network and the local affiliate

0:27:58.880 --> 0:28:04.639
<v Speaker 1>station W eight BC. Okay, they were partners in this show,

0:28:05.200 --> 0:28:09.080
<v Speaker 1>but they were enormously The heads of both organizations were

0:28:09.200 --> 0:28:12.840
<v Speaker 1>enormously distrustful of one another, less so on the ABC

0:28:13.000 --> 0:28:15.240
<v Speaker 1>network side and more so on the w a B

0:28:15.640 --> 0:28:17.760
<v Speaker 1>because the w ABC probably had a bit of an

0:28:17.760 --> 0:28:20.880
<v Speaker 1>inferiority complex. Well, I think they also felt like, well,

0:28:20.960 --> 0:28:24.760
<v Speaker 1>we were broadcasting this show locally. Now here they come

0:28:24.840 --> 0:28:27.280
<v Speaker 1>and they want to make it a national show, and

0:28:27.920 --> 0:28:29.800
<v Speaker 1>now they're going to try to control us, or who

0:28:29.800 --> 0:28:31.719
<v Speaker 1>do they think they are? Or whatever. This is me

0:28:31.840 --> 0:28:34.520
<v Speaker 1>thinking aloud. You know, I'm not representing this in the book.

0:28:34.600 --> 0:28:38.480
<v Speaker 1>I'm just saying I'm thinking aloud as to what the

0:28:39.000 --> 0:28:42.840
<v Speaker 1>what was the basis of this strange dynamic, strange dynamic

0:28:42.920 --> 0:28:46.360
<v Speaker 1>that I could not possibly understand because I was living

0:28:46.560 --> 0:28:49.320
<v Speaker 1>under this assumption that we were all on the same channel,

0:28:49.400 --> 0:28:52.080
<v Speaker 1>so we were all friends and Synergy and Disney and

0:28:52.160 --> 0:28:57.280
<v Speaker 1>La La La, and I did not realize that because

0:28:57.400 --> 0:29:01.520
<v Speaker 1>I was so wanted by the network, that I might

0:29:01.680 --> 0:29:04.960
<v Speaker 1>not be wanted to buy the W E B W

0:29:05.160 --> 0:29:09.920
<v Speaker 1>a BC faction right. And I didn't realize that until

0:29:11.360 --> 0:29:15.000
<v Speaker 1>much farther along. You know, Lauren R, my producer for

0:29:15.040 --> 0:29:18.400
<v Speaker 1>the podcast, was saying that, you know, Kathy Lee didn't

0:29:18.440 --> 0:29:22.320
<v Speaker 1>have that issue because she and Regious started together, but

0:29:22.400 --> 0:29:27.240
<v Speaker 1>then he was established. He probably felt or maybe that

0:29:27.760 --> 0:29:32.400
<v Speaker 1>contingent felt they were being bigfooted or forced to do

0:29:32.520 --> 0:29:37.280
<v Speaker 1>something by the network and not necessarily, Um, we're on

0:29:37.360 --> 0:29:40.200
<v Speaker 1>board with it, or you know, looking back on it,

0:29:40.520 --> 0:29:42.480
<v Speaker 1>what do you think you could have done to smooth

0:29:42.560 --> 0:29:45.000
<v Speaker 1>things over a little bit? Do you think, because I

0:29:45.040 --> 0:29:49.160
<v Speaker 1>think it's not that dissimilar from my experience at CBS

0:29:49.320 --> 0:29:53.320
<v Speaker 1>where Les Moonves, the head of Entertainment wooed me, but

0:29:53.480 --> 0:29:57.400
<v Speaker 1>I never got the complete buy in by the news division.

0:29:58.040 --> 0:30:02.040
<v Speaker 1>And I think that if I had politically, and I'm

0:30:02.080 --> 0:30:05.959
<v Speaker 1>not very political, unfortunately, if I had politically like gone

0:30:06.040 --> 0:30:10.000
<v Speaker 1>to different people within the news division and really kind

0:30:10.040 --> 0:30:14.080
<v Speaker 1>of won them over, or at least had the knowledge

0:30:14.160 --> 0:30:16.600
<v Speaker 1>that they didn't want me there or they didn't want

0:30:16.600 --> 0:30:20.080
<v Speaker 1>me there, it would have been maybe slightly different. Do

0:30:20.080 --> 0:30:22.600
<v Speaker 1>you look think back on I. I mean, it's so

0:30:22.760 --> 0:30:25.040
<v Speaker 1>you know, it's it's it's so interesting you say that.

0:30:25.080 --> 0:30:27.680
<v Speaker 1>And that's why I'm very careful to point out that

0:30:28.200 --> 0:30:32.240
<v Speaker 1>certainly wasn't Regis his fault. You know, I never blame

0:30:32.320 --> 0:30:35.120
<v Speaker 1>him in this book. I don't blame him at all

0:30:35.200 --> 0:30:38.720
<v Speaker 1>because he was a signed, a co host, and this

0:30:38.800 --> 0:30:41.280
<v Speaker 1>is a man that had earned his place in show

0:30:41.320 --> 0:30:43.600
<v Speaker 1>business and he had, you know, kept that train on

0:30:43.640 --> 0:30:45.600
<v Speaker 1>the track. So do you think if you had said,

0:30:46.240 --> 0:30:49.400
<v Speaker 1>I want to make sure Regis is okay with this,

0:30:49.960 --> 0:30:53.160
<v Speaker 1>that it might have made the transition easier. I think

0:30:53.160 --> 0:30:57.880
<v Speaker 1>that I was so unaware that he wasn't that he wasn't.

0:30:58.000 --> 0:31:02.560
<v Speaker 1>I never occurred to me that he would not have

0:31:02.680 --> 0:31:05.640
<v Speaker 1>the stamp of approval. You know what, I mean when

0:31:05.680 --> 0:31:07.520
<v Speaker 1>even when they said to me, it's not his choice

0:31:07.520 --> 0:31:09.600
<v Speaker 1>to make, it's our choice, and I was like, but

0:31:10.200 --> 0:31:12.840
<v Speaker 1>it should be his choice, and they said, well, we're

0:31:12.880 --> 0:31:17.400
<v Speaker 1>not going to force a host upon any other host,

0:31:17.960 --> 0:31:20.920
<v Speaker 1>you know, and then you realize, like that's totally untrue,

0:31:21.040 --> 0:31:25.520
<v Speaker 1>like that's exactly what happened, and and and it makes

0:31:25.560 --> 0:31:30.240
<v Speaker 1>me feel sad for for him. But I think eventually,

0:31:30.880 --> 0:31:35.760
<v Speaker 1>eventually we did like have a smooth like we smoothed

0:31:35.760 --> 0:31:39.440
<v Speaker 1>it out, like we worked. Because I'm a very honest

0:31:39.560 --> 0:31:43.120
<v Speaker 1>and earnest person, and like you, I am not political.

0:31:43.160 --> 0:31:47.800
<v Speaker 1>So it never occurred to me that I had to um,

0:31:47.840 --> 0:31:51.200
<v Speaker 1>I didn't even understand the dynamics, Like who would I

0:31:51.240 --> 0:31:54.800
<v Speaker 1>have spoken to? I thought I was speaking to the

0:31:54.840 --> 0:31:58.200
<v Speaker 1>people I needed to speak to. And I thought that

0:31:58.360 --> 0:32:02.240
<v Speaker 1>just me being there and being very deferential, and me

0:32:03.560 --> 0:32:06.720
<v Speaker 1>waiting my turn and taking my place and taking my

0:32:06.880 --> 0:32:10.840
<v Speaker 1>lums and accepting responsibilities for things that had nothing to

0:32:10.880 --> 0:32:13.920
<v Speaker 1>do with me, and playing that game. I thought that

0:32:13.960 --> 0:32:15.760
<v Speaker 1>I was doing all of that. I thought I was

0:32:15.880 --> 0:32:18.400
<v Speaker 1>doing all of the right things. You know, this is

0:32:18.440 --> 0:32:21.160
<v Speaker 1>where I think agents sometimes fall down on the job.

0:32:22.760 --> 0:32:26.320
<v Speaker 1>You know, they're so concerned with salaries, but they don't

0:32:26.360 --> 0:32:31.840
<v Speaker 1>actually make sure that the environment that they're putting clients

0:32:31.880 --> 0:32:35.480
<v Speaker 1>in is the right one. And I think the best

0:32:35.520 --> 0:32:40.680
<v Speaker 1>agents would really, you know, even those who call themselves managers,

0:32:41.120 --> 0:32:44.560
<v Speaker 1>would really take it upon themselves to help guide someone

0:32:44.600 --> 0:32:46.880
<v Speaker 1>and help smooth other of these rough edges and have

0:32:47.040 --> 0:32:50.720
<v Speaker 1>the foresight to understand that this dynamic might not be

0:32:50.840 --> 0:32:54.640
<v Speaker 1>helpful for their clients. Right. And it seemed to be

0:32:54.840 --> 0:33:01.000
<v Speaker 1>exactly the previous statement was, it's more about the money

0:33:01.160 --> 0:33:05.520
<v Speaker 1>and the salary and their coin operators, and it was

0:33:05.760 --> 0:33:11.280
<v Speaker 1>more about UM not necessarily being concerned with what was

0:33:11.360 --> 0:33:16.120
<v Speaker 1>best for me or for Regius um, or it was

0:33:16.240 --> 0:33:22.320
<v Speaker 1>being concerned with the bottom line and UM not. You know,

0:33:22.400 --> 0:33:25.840
<v Speaker 1>even even the times I said, you know, this is

0:33:25.960 --> 0:33:28.840
<v Speaker 1>becoming this seems to be very challenging, and I feel

0:33:28.880 --> 0:33:31.400
<v Speaker 1>like I'm getting abused in the at least in the

0:33:31.440 --> 0:33:37.600
<v Speaker 1>tabloid press, I was very abused and uh, and there

0:33:37.640 --> 0:33:40.280
<v Speaker 1>was sort of this hands up, well, there's nothing we

0:33:40.320 --> 0:33:41.800
<v Speaker 1>can do about it. What do you want us to

0:33:41.840 --> 0:33:44.520
<v Speaker 1>do about it? You know? I know you say that

0:33:44.560 --> 0:33:47.640
<v Speaker 1>you you smooth things over, but it sounds like like

0:33:48.400 --> 0:33:52.640
<v Speaker 1>there were issues all along, and that even when we

0:33:52.760 --> 0:33:59.040
<v Speaker 1>just left the show, there was some kind of tension

0:33:59.280 --> 0:34:02.440
<v Speaker 1>or resentment, not that I was aware of, no, no, no,

0:34:02.560 --> 0:34:05.440
<v Speaker 1>it was it was like literally after the fact, and

0:34:06.000 --> 0:34:08.520
<v Speaker 1>like ten years after the foot but saying, like to

0:34:08.600 --> 0:34:13.120
<v Speaker 1>Larry King, misrepresenting kind of you. And you know, it

0:34:13.160 --> 0:34:17.560
<v Speaker 1>seems like he sort of from my impressions from the book,

0:34:17.719 --> 0:34:20.880
<v Speaker 1>when when you wanted to have a closer relationship, he

0:34:20.960 --> 0:34:24.160
<v Speaker 1>was a little talk to the hand ish it. He

0:34:24.280 --> 0:34:28.120
<v Speaker 1>believed and and because he had done the show for

0:34:28.200 --> 0:34:31.680
<v Speaker 1>so long that if you are working together, that is

0:34:31.680 --> 0:34:33.839
<v Speaker 1>where it begins and ends, and then you have your

0:34:33.880 --> 0:34:36.000
<v Speaker 1>life out. Any company think that was the case with

0:34:36.080 --> 0:34:38.440
<v Speaker 1>Kathy Lee too. I don't know. I don't know the

0:34:38.520 --> 0:34:41.680
<v Speaker 1>nature of their relationship. Again, I think power dynamics are

0:34:41.800 --> 0:34:45.120
<v Speaker 1>very different, and when you're two equals, that's a very

0:34:45.120 --> 0:34:49.080
<v Speaker 1>different thing than what I was perceived as coming in

0:34:49.320 --> 0:34:53.200
<v Speaker 1>as a secondary host. So I can't you know, It's

0:34:53.239 --> 0:34:55.839
<v Speaker 1>like I can't know that. I don't know what it

0:34:55.880 --> 0:34:57.760
<v Speaker 1>was like. I just know that these were the rules

0:34:57.760 --> 0:35:01.120
<v Speaker 1>that were established, like the conversations at had to be

0:35:01.160 --> 0:35:04.759
<v Speaker 1>saved for the air and only for the air, you know,

0:35:05.000 --> 0:35:07.080
<v Speaker 1>And was he worried that if you had more of

0:35:07.080 --> 0:35:11.359
<v Speaker 1>a social relationship, it might change the dynamic. I mean

0:35:11.400 --> 0:35:14.800
<v Speaker 1>I remember thinking that with Matt and Brian, I didn't

0:35:14.840 --> 0:35:16.439
<v Speaker 1>want to hang out with them, not that they wanted

0:35:16.480 --> 0:35:19.000
<v Speaker 1>to hang out with me. I didn't really want to

0:35:19.040 --> 0:35:20.719
<v Speaker 1>hang out with them because I thought, what if I

0:35:20.760 --> 0:35:23.759
<v Speaker 1>get mad, or what if someone says something, or what

0:35:23.880 --> 0:35:27.279
<v Speaker 1>if somebody gets drunk or It's like, I don't I

0:35:27.280 --> 0:35:31.239
<v Speaker 1>don't want that to interfere with our professional relationships. Well

0:35:31.280 --> 0:35:33.319
<v Speaker 1>that's what I said. I was like, only in this

0:35:33.400 --> 0:35:35.759
<v Speaker 1>day and age is now like we had a very

0:35:35.800 --> 0:35:38.879
<v Speaker 1>professional relationship, and now that has looked with like some

0:35:39.040 --> 0:35:42.560
<v Speaker 1>sense of scorn. And I said, there was a time

0:35:42.560 --> 0:35:46.120
<v Speaker 1>where that was to be revered professionalism in the workplace.

0:35:46.680 --> 0:35:49.799
<v Speaker 1>You know. Um, but you know, it's one of those

0:35:49.840 --> 0:35:54.319
<v Speaker 1>things that I feel like whatever notes we hit, we

0:35:54.440 --> 0:36:00.319
<v Speaker 1>hit correctly. And those the reason I transcripted those parts

0:36:00.360 --> 0:36:03.239
<v Speaker 1>of the book is because I wanted it to be accurate.

0:36:03.760 --> 0:36:09.560
<v Speaker 1>My opinion or my thought process as to that should

0:36:09.600 --> 0:36:14.239
<v Speaker 1>not like should not interfere as as to the reality

0:36:14.280 --> 0:36:18.040
<v Speaker 1>of what was said. It's like, these are the facts.

0:36:18.960 --> 0:36:23.279
<v Speaker 1>We saw each other. I saw him, he was on

0:36:23.440 --> 0:36:28.280
<v Speaker 1>our show, But then this interview happened where he said

0:36:28.360 --> 0:36:32.440
<v Speaker 1>he hadn't and was never invited, never called, and and

0:36:32.520 --> 0:36:37.720
<v Speaker 1>so I thought, because I'm an idiot, I thought, well,

0:36:38.000 --> 0:36:44.560
<v Speaker 1>it's also easily irrefuted, irrefutable, and these the press will

0:36:44.600 --> 0:36:47.440
<v Speaker 1>do its job and say, actually, he was on the

0:36:47.480 --> 0:36:51.520
<v Speaker 1>show a few months ago, Actually he's been. And it

0:36:51.600 --> 0:36:56.720
<v Speaker 1>was like radio silence. That story just spread like wildfire,

0:36:57.280 --> 0:37:00.640
<v Speaker 1>and I was baffled. I couldn't believe of it, and

0:37:00.760 --> 0:37:03.359
<v Speaker 1>I went I remember going into work the next day

0:37:03.480 --> 0:37:10.000
<v Speaker 1>and my producers all looked stricken, you know, kind of

0:37:10.520 --> 0:37:13.720
<v Speaker 1>they felt bad for me. I think they felt bad

0:37:13.760 --> 0:37:16.760
<v Speaker 1>for me, like I that it was being so misrepresented.

0:37:16.760 --> 0:37:20.000
<v Speaker 1>It was being misrepresented. Why do you think, why do

0:37:20.000 --> 0:37:23.440
<v Speaker 1>you think we just did that? I don't know. Ye

0:37:24.280 --> 0:37:26.120
<v Speaker 1>in the book, I don't know, and I still don't know.

0:37:26.239 --> 0:37:30.160
<v Speaker 1>And you wanted to basically set the record straight. I'm

0:37:30.160 --> 0:37:33.959
<v Speaker 1>not an abandon er. I don't abandon People's not my thing.

0:37:34.120 --> 0:37:39.319
<v Speaker 1>And and it's interesting because the reaction, I'm sure, the

0:37:39.360 --> 0:37:42.560
<v Speaker 1>tabloid reaction to this book, um, which I was sort

0:37:42.560 --> 0:37:44.560
<v Speaker 1>of warning you of. I think when I came on

0:37:44.640 --> 0:37:48.160
<v Speaker 1>the show, where things are taken out of context, twisted

0:37:48.520 --> 0:37:53.840
<v Speaker 1>or obviously conflicts cells right. But the only reaction to

0:37:53.880 --> 0:37:58.400
<v Speaker 1>the book was that that my husband made me pass

0:37:58.440 --> 0:38:00.560
<v Speaker 1>out while we were having sex. I mean that was

0:38:00.640 --> 0:38:04.359
<v Speaker 1>like that. That was the headline of the book. That's

0:38:04.400 --> 0:38:06.120
<v Speaker 1>a good story, which you're going to have to get

0:38:06.120 --> 0:38:10.840
<v Speaker 1>the book. Really is Mark dress Kelly and a really

0:38:10.880 --> 0:38:14.719
<v Speaker 1>bad outfit when she passed out to the hospital. But

0:38:14.840 --> 0:38:16.840
<v Speaker 1>that was the that was the big takeaway. And I

0:38:16.920 --> 0:38:19.200
<v Speaker 1>kept saying, what about the Regis stuff? Has that gotten

0:38:19.360 --> 0:38:24.640
<v Speaker 1>some some negative press? No? Just yeah, But that was

0:38:24.680 --> 0:38:27.080
<v Speaker 1>the only press that it got because I think people

0:38:27.200 --> 0:38:31.200
<v Speaker 1>read it and understood it and it was and went,

0:38:31.280 --> 0:38:35.040
<v Speaker 1>oh my gosh, it all makes sense now. Like so

0:38:35.160 --> 0:38:37.480
<v Speaker 1>you feel like you achieve what you set out to

0:38:37.680 --> 0:38:40.000
<v Speaker 1>in terms of not not not the whole book. I'm

0:38:40.040 --> 0:38:43.920
<v Speaker 1>just talking about that sort of misunderstanding and the fact

0:38:44.520 --> 0:38:47.400
<v Speaker 1>that you wanted to correct the record, which because I

0:38:47.440 --> 0:38:51.880
<v Speaker 1>think we're entitled to correct the record, especially if it's misrepresented.

0:38:52.120 --> 0:38:54.800
<v Speaker 1>So that's why I, like I said, I don't represent

0:38:54.880 --> 0:38:59.200
<v Speaker 1>my opinion. I represent everything in transcripts because I think

0:38:59.280 --> 0:39:04.480
<v Speaker 1>it's more to have a transcript on record. And you know,

0:39:04.600 --> 0:39:08.719
<v Speaker 1>and again this is like one chapter. It's like it's

0:39:08.760 --> 0:39:11.040
<v Speaker 1>like I like people to focus on the book and

0:39:11.080 --> 0:39:14.000
<v Speaker 1>its totality, but I would be remiss if I didn't

0:39:14.040 --> 0:39:17.959
<v Speaker 1>talk about my transition into that show, because it's such

0:39:18.000 --> 0:39:20.799
<v Speaker 1>a huge part of my life. Of course, while I'm

0:39:20.880 --> 0:39:23.120
<v Speaker 1>with your sister, I mean, I feel this the same

0:39:23.160 --> 0:39:27.080
<v Speaker 1>way about what I wrote about my book and various experiences.

0:39:27.840 --> 0:39:30.440
<v Speaker 1>It's I feel like not it's not a burn book.

0:39:30.440 --> 0:39:36.960
<v Speaker 1>I disparage anyone, I leave the reader. And again, people

0:39:36.960 --> 0:39:41.000
<v Speaker 1>who have read the book have a very different you know.

0:39:41.280 --> 0:39:45.160
<v Speaker 1>They It's the reason there were no headlines about that

0:39:45.360 --> 0:39:50.239
<v Speaker 1>chapter is because it's not headline generating, you know, and

0:39:50.440 --> 0:39:53.960
<v Speaker 1>people who have read it have this kind of understanding

0:39:54.080 --> 0:39:58.759
<v Speaker 1>about what it's like to work in a place that

0:39:58.880 --> 0:40:01.719
<v Speaker 1>it's not like organ an it where it's not two

0:40:01.719 --> 0:40:04.200
<v Speaker 1>people getting to know each other. It's like fast. It

0:40:04.280 --> 0:40:08.040
<v Speaker 1>happens fast. Everything happens fast, right, And then to have

0:40:08.239 --> 0:40:13.800
<v Speaker 1>something misrepresented about you in the press, what do you do?

0:40:13.800 --> 0:40:16.880
<v Speaker 1>Do you just hope it goes away or do you

0:40:16.920 --> 0:40:20.279
<v Speaker 1>set the record straight in real time? That's the whole

0:40:20.400 --> 0:40:23.080
<v Speaker 1>point of the story, you know, is that? But was

0:40:23.080 --> 0:40:26.040
<v Speaker 1>it frustrating? Because I do think there were some headlines

0:40:26.080 --> 0:40:28.400
<v Speaker 1>and I think that's what Kathie Lee was responding to

0:40:29.200 --> 0:40:33.680
<v Speaker 1>Um that that that did misrepresent what you were saying

0:40:33.680 --> 0:40:37.000
<v Speaker 1>in the book. Now I know there there really weren't.

0:40:37.120 --> 0:40:42.040
<v Speaker 1>I mean that the headlines were not disparaging, they were

0:40:42.080 --> 0:40:46.560
<v Speaker 1>not misrepresentative. That's what I was so surprised by the

0:40:46.640 --> 0:40:54.400
<v Speaker 1>headlines generated was that reaction to not headlines. So I

0:40:54.480 --> 0:40:58.120
<v Speaker 1>was sort of fascinated by, oh my gosh, these are

0:40:58.200 --> 0:41:04.360
<v Speaker 1>headlines that are now based on a non reader of

0:41:04.440 --> 0:41:09.040
<v Speaker 1>the book, and before that there were no headlines. And

0:41:09.120 --> 0:41:12.200
<v Speaker 1>so it really did like, ultimately, I think, you know this,

0:41:12.400 --> 0:41:16.960
<v Speaker 1>like book sales are. It's really a very word of mouth.

0:41:17.160 --> 0:41:20.839
<v Speaker 1>And I'm not I'm not somebody that believes it all

0:41:21.520 --> 0:41:24.399
<v Speaker 1>pr is good press is good press. I don't believe that.

0:41:24.800 --> 0:41:27.239
<v Speaker 1>But when it comes to selling a book, it is

0:41:28.160 --> 0:41:31.760
<v Speaker 1>apparently it is, as you know, as you are now aware.

0:41:32.320 --> 0:41:35.200
<v Speaker 1>And so it's one of those things where I went,

0:41:35.400 --> 0:41:37.799
<v Speaker 1>oh my gosh, it's so funny, Like I felt like

0:41:38.120 --> 0:41:40.040
<v Speaker 1>there there was a moment where I couldn't get my

0:41:40.080 --> 0:41:45.880
<v Speaker 1>book mentioned in in Vanity Fair in you know, glamour

0:41:46.160 --> 0:41:50.160
<v Speaker 1>in the New York Times, and then suddenly I can,

0:41:50.640 --> 0:41:55.279
<v Speaker 1>and it's like that shocking weird I go and here

0:41:55.320 --> 0:41:57.960
<v Speaker 1>I am again in this conundrum. Do I set the

0:41:58.000 --> 0:42:00.680
<v Speaker 1>record straight or do I just say thank you? And

0:42:00.800 --> 0:42:03.400
<v Speaker 1>I chose to say thank you. One of the things

0:42:03.440 --> 0:42:06.319
<v Speaker 1>that you know, you write about and is the fact

0:42:06.400 --> 0:42:09.400
<v Speaker 1>that you didn't have an office, You didn't have a desk,

0:42:09.480 --> 0:42:12.520
<v Speaker 1>you had no place to put your computer, and um,

0:42:12.560 --> 0:42:14.640
<v Speaker 1>I didn't have a computer. You didn't have a confiding

0:42:14.719 --> 0:42:16.680
<v Speaker 1>that one. You know, but it took a while for

0:42:16.719 --> 0:42:20.480
<v Speaker 1>you to feel like you were part. Yeah, it sounds

0:42:20.520 --> 0:42:23.239
<v Speaker 1>like sort of a high school click that you couldn't penetrate.

0:42:23.840 --> 0:42:26.160
<v Speaker 1>And it kind of made me mad at at at

0:42:26.440 --> 0:42:30.279
<v Speaker 1>Michael Gellman, you know it did. It made me mad

0:42:30.360 --> 0:42:33.160
<v Speaker 1>and I was like, Okay, he's the executive producer of

0:42:33.200 --> 0:42:38.360
<v Speaker 1>the show. He should be he should be supporting Kelly,

0:42:38.480 --> 0:42:42.239
<v Speaker 1>he should be creating a culture where she's welcomed. And

0:42:42.320 --> 0:42:45.200
<v Speaker 1>it made me mad. You know, I don't think it's

0:42:45.239 --> 0:42:48.680
<v Speaker 1>his fault. I really don't. I don't put any responsibility

0:42:48.719 --> 0:42:55.040
<v Speaker 1>on him. I think it was a way that's not true. No,

0:42:55.200 --> 0:42:57.640
<v Speaker 1>I I understand, and a lot of people think like

0:42:57.800 --> 0:43:00.840
<v Speaker 1>they think they put it down to one person, like

0:43:00.880 --> 0:43:03.400
<v Speaker 1>well he's the boss. There there are so many people

0:43:03.880 --> 0:43:06.439
<v Speaker 1>that were over his head and over all of our

0:43:06.480 --> 0:43:11.080
<v Speaker 1>heads that were worked above us. And you know, I

0:43:11.120 --> 0:43:14.200
<v Speaker 1>had and still have a great working relationship with him.

0:43:14.239 --> 0:43:17.080
<v Speaker 1>And he has to walk a very fine line, a

0:43:17.160 --> 0:43:21.400
<v Speaker 1>tight rope. That's a tight rope walk not showing favorites,

0:43:21.480 --> 0:43:25.239
<v Speaker 1>not picking favorites, not and like say, and keeping your

0:43:25.239 --> 0:43:29.160
<v Speaker 1>own job in the process. It's hard. That's hard work.

0:43:29.239 --> 0:43:33.719
<v Speaker 1>And anytime something seems easy, it's hard, you know. And

0:43:33.800 --> 0:43:38.040
<v Speaker 1>so he's been the executive producer of that show for

0:43:38.080 --> 0:43:42.200
<v Speaker 1>all eight hundred and seventy two seasons or whatever, you know.

0:43:42.320 --> 0:43:46.560
<v Speaker 1>And it's like, I don't blame him because I think

0:43:46.600 --> 0:43:49.480
<v Speaker 1>he was doing the best he could in a very

0:43:49.480 --> 0:43:52.760
<v Speaker 1>in a very delicate situation. It was also a different time,

0:43:52.840 --> 0:43:55.520
<v Speaker 1>you know. One of the things that people, I think

0:43:55.560 --> 0:43:59.239
<v Speaker 1>sometimes don't understand. They read things that happened in the

0:43:59.280 --> 0:44:02.319
<v Speaker 1>past through a lens of the present exactly. And that

0:44:02.440 --> 0:44:07.759
<v Speaker 1>was also very profound, that was very You cannot do

0:44:07.800 --> 0:44:09.880
<v Speaker 1>this to the lens of the pressent. You should do

0:44:09.920 --> 0:44:13.040
<v Speaker 1>this for a living. You're very good. But no, you're right.

0:44:13.120 --> 0:44:17.000
<v Speaker 1>But that's why in the book I keep reminding everyone,

0:44:17.120 --> 0:44:20.840
<v Speaker 1>if like women were created kind of like sex class citizens,

0:44:21.080 --> 0:44:23.640
<v Speaker 1>and that's the way it was. And I write about

0:44:23.680 --> 0:44:26.680
<v Speaker 1>it in the context of the time, because it's important

0:44:26.760 --> 0:44:30.439
<v Speaker 1>for people to gather the context of the time. These

0:44:30.440 --> 0:44:33.000
<v Speaker 1>were not unheard of things. This was not an ONI

0:44:33.239 --> 0:44:37.719
<v Speaker 1>was a very male dominated industry and U you know,

0:44:38.080 --> 0:44:44.560
<v Speaker 1>and full of big egoes and and so it was complicated. So, um,

0:44:44.640 --> 0:44:47.200
<v Speaker 1>what are you thinking about your future? Are you loving

0:44:47.239 --> 0:44:49.759
<v Speaker 1>where you are? Still? You know, as somebody who did

0:44:49.760 --> 0:44:53.919
<v Speaker 1>a morning show for fifteen years and and really appreciated

0:44:53.960 --> 0:44:56.919
<v Speaker 1>every day. But it started to feel like groundhog Day

0:44:57.160 --> 0:45:00.640
<v Speaker 1>at some point, where like how many segments it's about?

0:45:00.680 --> 0:45:03.080
<v Speaker 1>You know, what are the best genes for your body?

0:45:03.440 --> 0:45:06.719
<v Speaker 1>I could I do? I also think about, you know,

0:45:07.640 --> 0:45:12.000
<v Speaker 1>the young blood fresh people coming in. I think about

0:45:12.000 --> 0:45:15.239
<v Speaker 1>it all the time. I'm very cognizant of that, you know,

0:45:15.440 --> 0:45:19.359
<v Speaker 1>and I discussed it a lot, you know, every time

0:45:19.400 --> 0:45:22.120
<v Speaker 1>we have somebody on the show that's young and funny

0:45:22.239 --> 0:45:26.000
<v Speaker 1>and effervescent or even you know, by young, I mean

0:45:26.040 --> 0:45:31.040
<v Speaker 1>just younger than me, you know, um, effervescent, interesting. I

0:45:31.320 --> 0:45:34.520
<v Speaker 1>always I always turned a gouman and I'll say, you know,

0:45:34.640 --> 0:45:37.520
<v Speaker 1>you should you should look at her first. You should

0:45:37.520 --> 0:45:39.839
<v Speaker 1>look at her for you know, co host. Like when

0:45:39.880 --> 0:45:41.600
<v Speaker 1>I go on vacation ever sit in a chair with

0:45:41.680 --> 0:45:44.719
<v Speaker 1>Ryan um and and same with guys. I look at

0:45:44.719 --> 0:45:47.120
<v Speaker 1>guys and I'm like, you know, you should take a

0:45:47.120 --> 0:45:51.280
<v Speaker 1>look at this guy. Because I'm very cognizant. I believe

0:45:51.320 --> 0:45:53.880
<v Speaker 1>that as a franchise show. I don't think I'm the

0:45:53.920 --> 0:45:55.759
<v Speaker 1>host of the show. I don't think the shows a

0:45:55.800 --> 0:45:59.240
<v Speaker 1>success because of me. I don't think it's a success

0:45:59.280 --> 0:46:03.600
<v Speaker 1>because of any one person. It is a group effort

0:46:03.840 --> 0:46:09.399
<v Speaker 1>and come on, your important people like continuity, but they

0:46:09.520 --> 0:46:13.000
<v Speaker 1>also enjoy that shot in the arm of the you know,

0:46:13.040 --> 0:46:14.640
<v Speaker 1>the breath of fresh air. Remember when you were the

0:46:14.640 --> 0:46:16.799
<v Speaker 1>breath of fresh air. I remember when I was the

0:46:16.800 --> 0:46:18.680
<v Speaker 1>breath of fresh air. You know what I mean? I

0:46:18.760 --> 0:46:21.920
<v Speaker 1>remember that, you know? Uh? And so you don't want

0:46:21.960 --> 0:46:28.359
<v Speaker 1>to be like the the person you don't want hot breath? Yeah,

0:46:28.719 --> 0:46:32.719
<v Speaker 1>you know what breath garlet stuff that stayed around too long.

0:46:33.120 --> 0:46:35.399
<v Speaker 1>But when you think about it, do you think like

0:46:36.040 --> 0:46:38.640
<v Speaker 1>five years, two years, or do you think of do

0:46:38.640 --> 0:46:41.359
<v Speaker 1>you think like that? You know? I mean I think

0:46:41.400 --> 0:46:45.080
<v Speaker 1>if I thought like that, I would really you know,

0:46:46.160 --> 0:46:48.480
<v Speaker 1>if I thought like in terms of years, it would

0:46:48.480 --> 0:46:51.960
<v Speaker 1>be really too terrifying. I still would not have gotten

0:46:52.040 --> 0:46:55.160
<v Speaker 1>past three years. You know, if they said three years

0:46:55.200 --> 0:46:58.080
<v Speaker 1>from now, I'd be like three years. It's more of

0:46:58.160 --> 0:47:00.880
<v Speaker 1>a I think you know, and you know you know,

0:47:01.800 --> 0:47:05.560
<v Speaker 1>and and and when they know, they know, you know,

0:47:05.719 --> 0:47:09.319
<v Speaker 1>and I think it's got to be that group discussion

0:47:10.000 --> 0:47:12.879
<v Speaker 1>and hopefully you know before they know. Well, I mean,

0:47:13.000 --> 0:47:15.880
<v Speaker 1>I think I actually think I do know. I'm not

0:47:15.960 --> 0:47:19.959
<v Speaker 1>willing to actually discuss it if you generate all sorts

0:47:20.000 --> 0:47:24.000
<v Speaker 1>of panic stricken headlines, but um, you know, I have

0:47:24.120 --> 0:47:26.839
<v Speaker 1>a very good idea it is. You know, it is

0:47:26.960 --> 0:47:30.439
<v Speaker 1>definitely like a finite amount of time. I'm not I'm

0:47:30.480 --> 0:47:32.800
<v Speaker 1>not you know, working there. You're not going to be

0:47:32.960 --> 0:47:39.400
<v Speaker 1>walking No, No, I'm not. It's it's not a forever job,

0:47:39.640 --> 0:47:43.120
<v Speaker 1>and nor should it be. You know, everybody should get

0:47:43.200 --> 0:47:46.520
<v Speaker 1>to I mean, I wish everybody could experience it and

0:47:46.560 --> 0:47:52.160
<v Speaker 1>they might have a better uh comprehension of how difficult

0:47:52.400 --> 0:47:56.200
<v Speaker 1>it can be. Sometimes is um, but it's mostly a

0:47:56.280 --> 0:47:59.440
<v Speaker 1>high honor to be welcomed into people's homes, you know.

0:48:01.239 --> 0:48:05.600
<v Speaker 1>Kelly Ripper's book is called Live Wire Long Winded Short Stories,

0:48:05.840 --> 0:48:16.440
<v Speaker 1>and it's out now. Next Question with Katie Kurik is

0:48:16.480 --> 0:48:19.280
<v Speaker 1>a production of I Heart Media and Katie Curic Media.

0:48:19.600 --> 0:48:23.719
<v Speaker 1>The executive producers Army, Katie Curic, and Courtney Litz. The

0:48:23.800 --> 0:48:28.680
<v Speaker 1>supervising producer is Lauren Hansen. Associate producers Derek Clements and

0:48:28.920 --> 0:48:33.240
<v Speaker 1>Adriana Fasio. The show is edited and mixed by Derrick Clements.

0:48:33.600 --> 0:48:36.560
<v Speaker 1>For more information about today's episode, or to sign up

0:48:36.560 --> 0:48:39.280
<v Speaker 1>for my morning newsletter, Wake Up Paul, go to Katie

0:48:39.320 --> 0:48:42.000
<v Speaker 1>Currek dot com. You can also find me at Katie

0:48:42.000 --> 0:48:45.680
<v Speaker 1>Curic on Instagram and all my social media channels. For

0:48:45.760 --> 0:48:48.919
<v Speaker 1>more podcasts from I Heart Radio, visit the I Heart

0:48:49.000 --> 0:48:52.520
<v Speaker 1>Radio app, Apple Podcast, or wherever you listen to your

0:48:52.560 --> 0:48:53.360
<v Speaker 1>favorite shows,