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Speaker 1: Oh, so you know, we're in the wee hours of

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Speaker 1: the night and we're just kicking around ideas and kind

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Speaker 1: of saying like, what, like, how do we shake it up? Well,

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Speaker 1: go ahead, yeah, I'd say whatever you want. I think

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Speaker 1: you say anything to me, literally, say anything to me,

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Speaker 1: and I will respond with kindness and with acceptance.

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Speaker 2: I love how much stuff you do at night, so

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Speaker 2: we're always sharp stories and I just love like how

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Speaker 2: much of the like the big events in your life

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Speaker 2: are happening in these tiny little hours of the night,

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Speaker 2: the tiniest oh, these tiny little hours.

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Speaker 1: And you can and obviously you can say that to me,

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Speaker 1: and you did say that to me, and let me

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Speaker 1: respond with kindness, love and acceptance.

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Speaker 3: Thank you for saying that.

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Speaker 1: I think it's so important to discover what your peak

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Speaker 1: creative time is.

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Speaker 3: Yes, and for me, it's.

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Speaker 1: The we It's the teasiest wee wee little hours.

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Speaker 3: It's the ones.

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Speaker 1: Four is too big, threes even too big, it's two,

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Speaker 1: it's really just too.

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Speaker 3: So I do you.

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Speaker 4: No?

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Speaker 2: Sorry? Did that make you mad?

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Speaker 3: No?

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Speaker 1: I had to really think because I thought, honestly, I'm

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Speaker 1: mad at myself. I go, I should know what hayeses

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Speaker 1: is here. He is my creative partner. I'm responding, says

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Speaker 1: and acceptance.

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Speaker 2: But I'll tell you mine is blunch.

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Speaker 3: Blunch, Yeah, blunch.

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Speaker 2: So I'll say brunt, you brunch, surely you mean brunch.

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Speaker 2: Mine is a little later than brunch blunch right off,

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Speaker 2: it's basically the lunch.

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Speaker 3: When they closed the brunch menu down, you have immediately

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Speaker 3: are seated.

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Speaker 2: Yes, too early for it to really be like it's

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Speaker 2: like eleven forty five ams like, oh this is pretty

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Speaker 2: watch but it's.

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Speaker 1: Well, so yours is blunch. So I whatever, I mean.

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Speaker 1: I was gonna tell a little story, but we really.

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Speaker 2: Don't have her.

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Speaker 1: We don't care what the fuck is the show? You know,

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Speaker 1: I was going to tell a story about the things

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Speaker 1: I was doing in the wee hours. It doesn't matter,

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Speaker 1: you know. What matters is I'm here, I'm with you,

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Speaker 1: I'm seeing you, I'm accepting you.

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Speaker 2: I see you.

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Speaker 3: Oh my god, thank you.

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Speaker 1: We've we've seen each other and we're seeing a big guest,

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Speaker 1: aren't we.

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Speaker 2: Yes, And I love to see this man and I

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Speaker 2: look on him with kindness and love and acceptance and

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Speaker 2: gratitude and love.

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Speaker 5: Yosser, Yeah, I'll talk to you later.

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Speaker 2: So that so that phone call, how is it that

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Speaker 2: we only heard.

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Speaker 5: Very very Oh yeah, I mean that makes sense. But

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Speaker 5: do you guys have rolling office chairs? It feels like

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Speaker 5: you don't. It feels like you're pretty stationary. No, I'm

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Speaker 5: actually well, if you'd like, I see that's that's more

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Speaker 5: of a lean. You're leaning, you see.

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Speaker 2: I don't have the space for it to go very far.

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Speaker 5: Okay, but if this is what makes.

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Speaker 3: You comfortable chair coming up?

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Speaker 5: No, No, it's more about the deflection, because like when

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Speaker 5: you're busy, you know, I'm on six TV shows. When

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Speaker 5: you're busy, you don't have time. It's not always about

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Speaker 5: standing up. Does that make sense? Like a lot of

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Speaker 5: people were like I got to get to hear stand

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Speaker 5: up and they go there and it's like what about rolling?

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Speaker 1: So so you you kind of I love this topic,

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Speaker 1: but you're blowing by something that's really interesting me talk

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Speaker 1: about being on sixty V shows.

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Speaker 3: And for people who don't.

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Speaker 1: Know V shows are that's this is live footage of

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Speaker 1: someone losing their virginity. So it's when somebody cash is

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Speaker 1: in their V card. That's a V show. And you've

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Speaker 1: been on sixty V shows.

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Speaker 5: Yes, yeah, yeah, yeah, and thanks for bringing that up.

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Speaker 5: So not a lot of guys are a virgin multiple times.

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Speaker 5: And see that's that's where it gets tricky because people

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Speaker 5: think it's me deflowering and it's like, no, no, no,

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Speaker 5: I'm the virgin. Yeah every time time sixty sixty yeah,

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Speaker 5: six times one episode. You guys are driving ahead.

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Speaker 3: Sorry.

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Speaker 5: And also there's some unaired episodes, so like when I

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Speaker 5: come in there, it's like I'm quivering, I'm crying, I'm

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Speaker 5: covered in flop sweat, and people.

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Speaker 3: Are like it feels like sing yeah, and I'm.

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Speaker 5: Never I've never done it like this before, not even close,

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Speaker 5: you know. And so and that's one of the reasons

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Speaker 5: why I have the rolling chairs. I need to save

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Speaker 5: my legs for the v shows.

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Speaker 2: And that lasts for your virginity being gone last for

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Speaker 2: like how long until it comes back.

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Speaker 5: And it's it's like a and I like, I don't

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Speaker 5: want to get into the science of it, because there

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Speaker 5: is like a wolverine sort of regenerative thing that happens,

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Speaker 5: but emotionally, I don't know, like in a few hours.

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Speaker 5: It's like because here's the thing people don't think about.

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Speaker 5: It's a back to back to back. You know what

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Speaker 5: I mean, like it is, you're not And that's another

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Speaker 5: thing that I was. But yeah, like as we all know,

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Speaker 5: when we all lost our virginity, it's like you lose it.

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Speaker 5: You go out there, you get some gatorade, you come.

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Speaker 6: Back in, you you handle it again, you know, and

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Speaker 6: like for someone like me, like again, like I wipe

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Speaker 6: off that sweat, I look them in their eyes.

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Speaker 5: And that's the other thing.

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Speaker 2: Is that like.

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Speaker 5: You have, you're you're moving between genders, you know, because

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Speaker 5: you can't just you can't, you know, so.

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Speaker 1: Oh god, of course you know I've lost it's different genders.

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Speaker 5: They've lost it a different like you know, you really

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Speaker 5: you got to hit in ways that you never thought possible.

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Speaker 5: And so like I, you know, I get my rolling chair,

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Speaker 5: I roll from set one to set to and it's

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Speaker 5: you know, it's usually a bedroom to a kitchen tools, a.

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Speaker 3: Series of okay, yeah, okay, all right.

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Speaker 5: A gurnied hospital room, you know, and you just go

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Speaker 5: from you know, curtained room to curtained room to curtain room,

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Speaker 5: you know, and they're just laid up, laid up. I

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Speaker 5: slide out the rolling chair do my thing. I put

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Speaker 5: those little hospital bed metal guards down and then I

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Speaker 5: just roll out, roll in, roll out. Yeah.

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Speaker 2: I like. I mean this sincerely.

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Speaker 5: I haven't walked longer than twelve steps in maybe thirteen years.

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Speaker 2: Wow, those numbers are so close together.

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Speaker 3: I know.

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Speaker 5: But here's the thing. It's just like, had you asked

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Speaker 5: me last year, it would have been a bigger Yeah,

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Speaker 5: it would have been the same, and then next year

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Speaker 5: it'll be bigger and bigger and bigger.

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Speaker 1: Yeah.

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Speaker 3: Air.

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Speaker 2: We are not here to talk about you losing your

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Speaker 2: virginity every day multiple times. We are here to talk

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Speaker 2: about First, we're here to say hi to Jordan, Hello Jordan.

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Speaker 2: And she's like, when are they gonna say hi to me?

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Speaker 7: No one's saying to me Hi everyone Hi.

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Speaker 3: Yeah. So do you like do you like music? Oh?

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Speaker 5: God, here's the thing. I gotta be honest, like, I

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Speaker 5: I love the way music moves people. It's not for me,

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Speaker 5: Like I like breakfasts.

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Speaker 1: Great, okay, breakfast, blunch and fucking dinner.

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Speaker 8: Right.

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Speaker 3: Yeah.

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Speaker 5: You know people are like have you heard this song?

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Speaker 5: I'm like, oh my god, like I this waffle, Like

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Speaker 5: I'm that I'm moved by waffles, Like I know. Some

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Speaker 5: people are like, you know, like the truest way to

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Speaker 5: protest is like like let music move through you and

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Speaker 5: get out there and like like people like bang drums

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Speaker 5: at protests. Like I come and I'll just have like

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Speaker 5: a styrofoam container and I open that up and there'll

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Speaker 5: be a bagel with some locks, and it's like I'm

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Speaker 5: like this is this this also gets you through it well?

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Speaker 1: And my thing too is like I'm I'm similar to you,

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Speaker 1: and I'll say like I'm a big for example, be like, oh,

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Speaker 1: I'm a big fan of Drake and people assume that

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Speaker 1: I'm listening to his music.

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Speaker 3: I've never heard of a word. I'm a fan of

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Speaker 3: the French toast that he makes.

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Speaker 1: Yes, he makes a crunchy French toast and it's dipped

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Speaker 1: in corn flakes.

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Speaker 5: Yes, because he's Canadian and he has so much fresh influence.

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Speaker 3: Yes, yes, m m, it's right there.

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Speaker 1: I mean, France is part of it's in the bones

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Speaker 1: of Canada, you know.

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Speaker 5: Well, you know theyre always it's like a going back

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Speaker 5: and forth thing, like they pop on over my Canadians

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Speaker 5: are always in France and French people are always in Canada.

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Speaker 5: They're just popping back and forth.

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Speaker 3: Oh it's incestuous. Yeah, it's highly incestious.

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Speaker 2: So Jordan, today you do not have a BA in

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Speaker 2: vocal performance. Out of respect for our friend Yoser and

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Speaker 2: like appreaching him, like approaching him with love and gratitude.

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Speaker 2: You have a BA in breakfast studies from Breakfast Academy,

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Speaker 2: which is what BA stands today.

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Speaker 3: The BA stands for Breakfast Academy. Please.

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Speaker 9: This is perfect because my favorite food is breakfast food.

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Speaker 2: That's not a favorite food.

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Speaker 9: Okay, I quite can't have to be a favorite food.

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Speaker 2: A favorite food is not breakfast food.

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Speaker 9: Category of favorite foods, that's right.

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Speaker 5: Yeah, okay, And like here's the thing, Jordan, and I

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Speaker 5: know like you're coming in on a pretty aggressive note,

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Speaker 5: but I can, like, and you're a woman, So can

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Speaker 5: you name twelve breakfast foods right now? And like try

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Speaker 5: to impress men.

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Speaker 9: Bacon mm hmm, Waffles okay, pancakes.

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Speaker 3: Started off real strong.

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Speaker 1: You startles from yaser, but I'll give it to you.

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Speaker 5: Orange juice okay, drink but count.

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Speaker 3: But okay, a syrup. It's getting really dicey. Really yeah.

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Speaker 5: It feels like you're going to move into like a

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Speaker 5: Carbonara space pretty soon.

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Speaker 2: And that's to give.

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Speaker 3: You a bit of a meat ball right over the head.

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Speaker 5: There and ham ambiguous, but it counts.

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Speaker 9: Uh, grits. Grits, yes, how Sprounce, Okay, I gave you thirteen.

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Speaker 5: He doesn't say, well, that needs to make up for

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Speaker 5: the fact that you said orange.

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Speaker 3: Juice, orange syrup, sugar.

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Speaker 5: When do you do orange juice during literally anytime?

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Speaker 1: That?

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Speaker 2: Yeah, but that was actually a test that Yostra did Jordan,

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Speaker 2: which is you never when men ask you to name

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Speaker 2: twelve breakfast foods.

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Speaker 5: You gotta do it. Well, I was, oh right, right

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Speaker 5: with Hayes. I was gonna say the same thing you're saying, Hayes.

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Speaker 2: Then that's the same what say, I mean, do it?

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Speaker 2: But then leave. You have to drop that guy. That

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Speaker 2: guy does like he is not the kind of guy

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Speaker 2: that will support you friends with.

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Speaker 4: Uh uh.

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Speaker 2: This was a test. Yeah, And even when he said

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Speaker 2: right after that it wasn't a test in that in

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Speaker 2: that way, it actually was. And so now you know, sure,

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Speaker 2: rattle off the twelve breakfast foods. But then then I

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Speaker 2: I gotta go, yeah, you gotta you can be friends.

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Speaker 1: With him because he's I mean, this isn't This isn't

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Speaker 1: a real life scenario.

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Speaker 3: This is a test scenario. Right right, You're a breakfast

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Speaker 3: academy right now, right?

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Speaker 9: Okay?

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Speaker 2: Got it?

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Speaker 9: Do I need to know anything else? A breakfast academy because.

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Speaker 5: I didn't know?

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Speaker 9: I gotta leave.

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Speaker 5: You have to leave in the sense that we want

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Speaker 5: you to find someone better, you know, And can I

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Speaker 5: say something real quick? It feels like someone who's like

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Speaker 5: pretty deep and breakfast academy to just orange juice again

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Speaker 5: just feels like what are they teaching. We all love

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Speaker 5: orange juice, we all love it. I can't believe we're

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Speaker 5: talking about this still. Can we move on?

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Speaker 2: But I would say, like this goes back to the

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Speaker 2: question of what's your favorite food? If you responded orange juice,

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Speaker 2: that would be wrong, right right? Or if you responded

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Speaker 2: powdered sugar, for example, I would also want syrup.

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Speaker 3: That would have me up. So if you said powdered sugar,

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Speaker 3: that would suck me up.

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Speaker 2: Your answers, and then again, you're gonna be leaving right

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Speaker 2: after this. But your answers, as you mean the twelve

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Speaker 2: breakfast foods, each of them has to be an answer

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Speaker 2: to the question what's your favorite food? A possible answer,

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Speaker 2: and again the answer breakfast food your answer to what's

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Speaker 2: your favorite food can't have the word food.

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Speaker 5: In it, right, And you need to think about that

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Speaker 5: for real before, Like, I.

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Speaker 8: Don't mean to quibble angel food cake, angel food cake.

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Speaker 2: It can be in the middle. It can't end in food.

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Speaker 3: It can't end with food.

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Speaker 5: That's right, right, Yeah, dog word.

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Speaker 3: I guess your favorite foods dog food at the end.

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Speaker 2: That's really your favorite food. Okay, that's do better.

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Speaker 5: Yeah, and now name five breakfast foods for dogs.

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Speaker 9: Dog food?

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Speaker 3: Are you asking me or are you telling me?

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Speaker 5: How about this, Jordan, I'm gonna give you one right now.

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Speaker 5: It's called eggs. It's cold ham. You give your dog

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Speaker 5: all that salmon?

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Speaker 10: Yeah?

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Speaker 5: Yeah, it's called chocolate, called chocolate covered onions.

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Speaker 3: It's called grapes. It's called chocolate and grapes.

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Speaker 2: That's how you get them to eat their onions. Okay,

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Speaker 2: you give.

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Speaker 5: Them the chocolate first, and then you ram an onion

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Speaker 5: down their throat.

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Speaker 9: This is a really weird class in the Breakfast Academy.

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Speaker 5: Yeah, well, I mean this is what you pay for

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Speaker 5: online stuff, you know. Look, it's yeah, and it feels

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Speaker 5: weird that. Yes, technically we're sponsored by Harvard, but we're innovators.

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Speaker 2: Breakfast Academy had a huge outbreak and had to go

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Speaker 2: had to go online.

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Speaker 1: Only one percent of the instructors at Breakfast Academy well, because.

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Speaker 3: They kept putting word did test positive well.

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Speaker 5: They used actual bats in the batter. That was like

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Speaker 5: no one was expecting that they were putting around bats

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Speaker 5: batter in the batter, and we all thought it was

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Speaker 5: a fun.

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Speaker 3: They thought it was clever.

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Speaker 5: They thought it was clever.

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Speaker 3: Oh yeah, I thought it was funny pancake batter. And

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Speaker 3: then it was like, but it's.

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Speaker 2: Bat yeah, Halloween. Maybe there was a yeah.

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Speaker 3: There was a similar joke they did.

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Speaker 1: Well, Like I know, I was guilty as anyone of

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Speaker 1: laughing my fucking ass off at this, but they you know,

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Speaker 1: they gave all the students aunt sandwiches and said you

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Speaker 1: guys can't catch it now. And the students said, oh,

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Speaker 1: why can't we catch it? And they said because you

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Speaker 1: got the antibodies.

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Speaker 5: Oh god, and like, yeah, we loved that.

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Speaker 1: Yeah I laughed at that.

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Speaker 2: But sick, No, it's not.

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Speaker 1: Yes, it's funny, it's clever, it's awesome, but you can

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Speaker 1: get sick, especially if your only defense is like instead

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Speaker 1: of like a mask. And so deditions and all the

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Speaker 1: things we're being told to do. If you just eat

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Speaker 1: ants and say, oh, I've got the antibodies.

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Speaker 5: Right, and then when you actually want to take some vitamins,

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Speaker 5: your lips are blistered from getting stung by ants and

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Speaker 5: defense it's yeah, no one talking.

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Speaker 4: It's bad.

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Speaker 5: Yeah, it's bad. It's bad. But I I it's one

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Speaker 5: of the most fulfilling teaching experiences of my life.

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Speaker 3: Wouldn't trade it for anything, wouldn't change a.

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Speaker 5: Thing, yeah, I mean, And to be honest, like, I

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Speaker 5: don't want to turn my camera, but you guys would

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Speaker 5: see literally a trunk full of ants in the corner

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Speaker 5: of my room.

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Speaker 2: And they're just kind of.

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Speaker 5: Yeah, when there's a lot of them, you can hear them,

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Speaker 5: you know, they're making noise.

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Speaker 1: I just don't live my life with regrets, you know

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Speaker 1: what I mean, because even like eating the ants, putting

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Speaker 1: bat in the batter, like, all those choices are what

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Speaker 1: made me who I am today.

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Speaker 3: And I'm sorry. I love me.

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Speaker 1: So I'm not exactly going to look back and go like, oh,

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Speaker 1: I wish I didn't do that, I wish I didn't

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Speaker 1: do this. It's like, no, when I look in the mirror, hey,

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Speaker 1: I like that guy. Hey, yeah, hey, mister you know hey,

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Speaker 1: shake your hand.

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Speaker 5: Hey.

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Speaker 2: It may or not.

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Speaker 5: You may not have done it everyone else's way, but

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Speaker 5: you did it in your way.

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Speaker 2: Kevin, can you say that? Can you say that too? Please?

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Speaker 2: Every day I look in.

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Speaker 11: The mirror and say say that as well, good morning

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Speaker 11: saying Sean that you like him and I like I

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Speaker 11: like you too, Sean.

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Speaker 2: Your internet sucks.

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Speaker 5: It's dog chip what Yeah, yeah, it's truly And there's

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Speaker 5: like can you hear me now? Yeah, but there's no

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Speaker 5: point in listening. Does that make sense? Like we can

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Speaker 5: hear you, but it's like it doesn't what.

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Speaker 11: I've heard that one before?

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Speaker 2: Can we move on? Is that cool?

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Speaker 5: Or you cool?

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Speaker 2: Moving on? Move on?

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Speaker 5: Yeah?

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Speaker 1: Jordan got a BA Kevin got a fucking c A

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Speaker 1: and the C standard a Stanford clown ass.

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Speaker 5: Yeah dude, yes, yeah. Do you have Wi Fi or

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Speaker 5: Lo Fi?

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Speaker 2: Hello?

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Speaker 5: Hello, buddy, Like I want to come to your house

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Speaker 5: and kill you right now, you know?

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Speaker 3: No?

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Speaker 5: Yeah, yeah, dude, I think we're I think everyone that's

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Speaker 5: the one thing we all agreed on, like for the

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Speaker 5: first time, it's like, yeah we should, Like I would

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Speaker 5: love to go over there and put a knife, like

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Speaker 5: in your throat.

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Speaker 2: We did. I think the last episode we did was

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Speaker 2: about we went to Kevin's house and we did kick

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Speaker 2: his ass and so just for like for right and

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Speaker 2: because we have this other thing that we do have

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Speaker 2: to do, which is yes, of course it is Emmys.

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Speaker 2: Everyone is like talking and this is we gotta do

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Speaker 2: this the Emmy Awards. Yes, we America is looking for

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Speaker 2: hope and it's like we It's like what and we

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Speaker 2: have to be better now and give us the Emmys please,

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Speaker 2: And we are doing this.

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Speaker 1: The Emmys are happening. We're producing it. Yaser, myself and Hayes. Obviously,

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Speaker 1: we've had a lot of success in the past producing

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Speaker 1: Awards shows like this. This will be unlike any other

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Speaker 1: we're in. You know, this isn't the before times, is it?

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Speaker 5: Oh? I would say in these strange and unprecedented times,

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Speaker 5: That's what I would say. If we had to talk

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Speaker 5: us that times, I would just say, oh, I would go,

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Speaker 5: and I'd get real close. I'd say, in these strange

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Speaker 5: enough precedents at times, that's it.

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Speaker 2: Just like I like to say, I go, and I

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Speaker 2: always kind of pause in the middle, like this, I go.

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Speaker 3: In this.

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Speaker 2: Moment we're having oh, but I always do the little uh.

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Speaker 5: Oh yeah, yeah, I because that's where you find it. See,

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Speaker 5: that's like one of those Shawn moments in the middle

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Speaker 5: of the night. It's like, oh, we found we found

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Speaker 5: it right right there, right there in that uh in

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Speaker 5: the liminal space.

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Speaker 3: And I don't need to tell that story. You know,

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Speaker 3: we're so far past that.

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Speaker 2: So far, really really far. Yeah, sir, So we did

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Speaker 2: have to either were like they want us to do this.

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Speaker 2: We of course, there's always a negotiating stage. There is

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Speaker 2: some changes to the format. Yaser insisted that there be

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Speaker 2: an Emmy's for modeling or like one award within the thing.

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Speaker 2: Right so right now, I don't know if people know

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Speaker 2: that that didn't exist, right right, Okay, So it's like

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Speaker 2: best TV best uh longest show.

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Speaker 5: Yeah, do you again, longest show, And it's like which one.

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Speaker 5: It's not like which one's longest running. It's just like

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Speaker 5: when you take the minutes of an episode, it's like

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Speaker 5: this one was twenty two with commercials. This one, Oh,

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Speaker 5: there's a Netflix show. This is just oh, it's a

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00:21:25,560 --> 00:21:28,560
Speaker 5: willy nilly thirty four and it's like that one would

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Speaker 5: win that we have right love on Netflix?

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Speaker 3: They did a thirty four minute yeah episode.

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Speaker 5: Hmm yeah, and then we're like we go back and

408
00:21:39,400 --> 00:21:43,320
Speaker 5: retroactively give emmys to things. We're like, huh, that was weird.

409
00:21:43,760 --> 00:21:47,720
Speaker 5: Like remember when they used to curse on NYPD Blue

410
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Speaker 5: for no reason. It's gonna go back and we're gonna.

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Speaker 8: Go show gentlemen's but they showed that, they show a wagon.

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Speaker 1: They'd show that, they'd show the wagon. We go, we

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Speaker 1: maybe should have been paid it. And you listen to them,

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00:22:01,240 --> 00:22:01,680
Speaker 1: thank you.

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Speaker 5: Yeah, here you hey, here you go, you go. You

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Speaker 5: know where to put that Emmy and that butt.

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Speaker 2: Siphoettes just sitting at like like kim k right on

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Speaker 2: the ridge. Oh yeah, sticking that Emmy right on the mantle.

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Speaker 3: That's your emmy shelf.

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Speaker 5: Yeah, and there I'm doing a special. Like there's like

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Speaker 5: a lot of rap getting involved right now on TV.

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Speaker 5: And so there's also the m and Emmy's that's a side.

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Speaker 5: That's a side thing. Yeah, and uh, how's the time?

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Speaker 5: Can I just say thank you?

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Speaker 3: Well at long last?

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Speaker 5: But here's the thing, not a lot of people are

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Speaker 5: talking about it. White rappers only. And I know people

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00:22:47,760 --> 00:22:51,600
Speaker 5: are like yes, or why you're saying white rappers only?

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Speaker 5: And I'm like, look, man, I gotta stay true to

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Speaker 5: the game. And if it's gonna be white rappers, it's

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Speaker 5: gonna be white.

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Speaker 2: Rappers, you know what I mean.

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Speaker 5: So a lot of people they're not digging that part

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Speaker 5: of it, but I think once they see it. So

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Speaker 5: much of this stuff is in practice.

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Speaker 1: Well, almost all of them are from that VH one

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Speaker 1: show that was like, you know, America's next Great Rapper,

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Speaker 1: So it is if you recall.

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00:23:15,600 --> 00:23:17,240
Speaker 3: So mc search was.

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Speaker 1: The host, right, and they would do a wrap competition

441
00:23:21,320 --> 00:23:22,840
Speaker 1: where it would be like, okay, you got to help

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Speaker 1: Bushwick Bill make his new video, and then when they

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Speaker 1: lost their battle at the end, if they were up

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Speaker 1: for elimination, they would walk outside and throw their shoes

445
00:23:32,200 --> 00:23:34,920
Speaker 1: over the telephone wire as a symbol of like, these

446
00:23:34,960 --> 00:23:40,440
Speaker 1: guys are gone. So Sully obviously from that.

447
00:23:40,480 --> 00:23:44,080
Speaker 3: Show was named specifically I cannot recall.

448
00:23:44,880 --> 00:23:49,360
Speaker 10: But but he he's going to be I think, probably

449
00:23:49,359 --> 00:23:53,840
Speaker 10: winning most of the Emmys, right, Yeah, and then we'll

450
00:23:53,840 --> 00:23:55,880
Speaker 10: get obviously there's other white rappers.

451
00:23:55,880 --> 00:23:57,200
Speaker 3: We'll get some of them too, but.

452
00:23:57,400 --> 00:24:01,560
Speaker 5: Yeah, well we're also using just as a nomination tool

453
00:24:01,600 --> 00:24:04,639
Speaker 5: to get people more involved. One of Sean King's old mixtapes,

454
00:24:04,720 --> 00:24:06,919
Speaker 5: and that's just to get more people to be like,

455
00:24:07,200 --> 00:24:08,960
Speaker 5: oh now I get it, because a lot of people

456
00:24:08,960 --> 00:24:10,800
Speaker 5: don't get it with white rappers. And then you're like,

457
00:24:11,000 --> 00:24:12,240
Speaker 5: listen to this and they go.

458
00:24:12,800 --> 00:24:19,040
Speaker 3: Oh fire, you of course haven't heard it. You don't

459
00:24:19,040 --> 00:24:19,720
Speaker 3: listen to music.

460
00:24:19,800 --> 00:24:22,240
Speaker 5: But no, no, no, no, no, no, no no no. And

461
00:24:22,280 --> 00:24:24,359
Speaker 5: I mean this sincerely. A lot of people don't do this.

462
00:24:24,640 --> 00:24:26,840
Speaker 5: A lot of people listen to music and they will

463
00:24:26,880 --> 00:24:30,200
Speaker 5: listen to an instrumental version of something. I take out

464
00:24:30,240 --> 00:24:32,240
Speaker 5: the music and just listen to the words.

465
00:24:33,160 --> 00:24:33,600
Speaker 3: Mm hmm.

466
00:24:34,240 --> 00:24:37,159
Speaker 5: And that's pretty cool for me, you know. And again

467
00:24:37,560 --> 00:24:40,600
Speaker 5: not to like a cadence of anything. I have someone

468
00:24:40,760 --> 00:24:45,119
Speaker 5: literally read a lyric sheet just in their own voice.

469
00:24:45,280 --> 00:24:47,840
Speaker 5: I make sure that they don't split up any stanzas

470
00:24:47,960 --> 00:24:50,800
Speaker 5: or anything. And very much like the same way you

471
00:24:50,800 --> 00:24:53,520
Speaker 5: would listen to like the audio book like White Teeth.

472
00:24:54,040 --> 00:24:58,000
Speaker 5: You know, That's how I've heard every song in my life.

473
00:24:58,320 --> 00:25:02,600
Speaker 1: Yeah, it's a it's the auditory equivalent of like a

474
00:25:02,640 --> 00:25:04,440
Speaker 1: bowl of mush right.

475
00:25:04,520 --> 00:25:08,080
Speaker 5: Yeah. Like so I had a much different experience with

476
00:25:08,119 --> 00:25:11,000
Speaker 5: that Megan D Stallion Cardi B song, Like I was like,

477
00:25:11,720 --> 00:25:14,280
Speaker 5: this is cool, this.

478
00:25:14,280 --> 00:25:16,639
Speaker 3: Is sure, this is it's interesting.

479
00:25:17,200 --> 00:25:21,480
Speaker 5: Yeah, I'm like, Okay, who wrote this, Tony Morrison?

480
00:25:22,359 --> 00:25:24,359
Speaker 2: You know, I can't.

481
00:25:25,080 --> 00:25:27,959
Speaker 5: I can't tell. I can't tell, you can't. But again,

482
00:25:28,200 --> 00:25:31,640
Speaker 5: like what I will say? Do I think it was

483
00:25:31,920 --> 00:25:36,000
Speaker 5: a little weird that it was read by Roxanne Gay, Sure,

484
00:25:37,280 --> 00:25:38,200
Speaker 5: but I liked it.

485
00:25:39,080 --> 00:25:39,680
Speaker 2: I liked it.

486
00:25:39,920 --> 00:25:42,320
Speaker 5: So what am I gonna do? And that's just part

487
00:25:42,359 --> 00:25:47,119
Speaker 5: of the Emmys that that's my that's my that's my

488
00:25:47,160 --> 00:25:49,359
Speaker 5: contribution is it's called silent music.

489
00:25:50,400 --> 00:25:52,960
Speaker 1: Well, and there were a lot of spaces where we

490
00:25:52,960 --> 00:25:56,840
Speaker 1: were going to have music, and your idea was to

491
00:25:57,680 --> 00:25:59,919
Speaker 1: play the video of the rock telling everyone that he

492
00:26:00,240 --> 00:26:05,399
Speaker 1: got COVID in each of those sections where we were

493
00:26:05,400 --> 00:26:06,919
Speaker 1: gonna have because we had some pretty.

494
00:26:06,640 --> 00:26:08,800
Speaker 3: Big bands that wanted to perform.

495
00:26:08,640 --> 00:26:10,800
Speaker 1: Especially like one of the advantages of like doing this

496
00:26:10,800 --> 00:26:12,919
Speaker 1: stuff and verzume is people can just set up, you know,

497
00:26:13,000 --> 00:26:15,240
Speaker 1: at their home where they're comfortable and and.

498
00:26:15,720 --> 00:26:18,040
Speaker 5: But then I came in and I said, actually, you

499
00:26:18,080 --> 00:26:19,720
Speaker 5: need to be in La So there was a lot

500
00:26:19,760 --> 00:26:22,000
Speaker 5: of flights here and then I went, I went, this

501
00:26:22,040 --> 00:26:24,680
Speaker 5: isn't working. Pack it up, get the hell out of here.

502
00:26:25,040 --> 00:26:29,760
Speaker 1: Yeah, so we played that video, I think as it

503
00:26:29,800 --> 00:26:32,399
Speaker 1: stands up video is gonna played about fourteen times throughout

504
00:26:32,400 --> 00:26:34,359
Speaker 1: the course of the evening's awards ceremony.

505
00:26:34,400 --> 00:26:34,600
Speaker 2: Yeah.

506
00:26:34,640 --> 00:26:36,520
Speaker 3: Yeah, I think it's pretty powerful.

507
00:26:37,080 --> 00:26:41,000
Speaker 5: Yeah, and there's all kinds of it. Like I know,

508
00:26:41,240 --> 00:26:44,399
Speaker 5: in talking about it in description, you're like, what, like

509
00:26:44,480 --> 00:26:47,080
Speaker 5: that sounds pretty boring. But like, first of all, let

510
00:26:47,080 --> 00:26:50,040
Speaker 5: me say I'm like a god with eymovie. So like

511
00:26:50,520 --> 00:26:53,240
Speaker 5: you're gonna watch this, We're gonna do We're gonna punch in,

512
00:26:53,840 --> 00:26:56,520
Speaker 5: We're gonna see the rockspace close up and that's just

513
00:26:56,600 --> 00:26:59,399
Speaker 5: one of the takes. Then another take we're just gonna

514
00:26:59,440 --> 00:27:01,919
Speaker 5: like be in on one of his arms, like just

515
00:27:02,000 --> 00:27:04,560
Speaker 5: kind of like bulging. You can punch in on any

516
00:27:04,640 --> 00:27:08,359
Speaker 5: part right and that, but yeah, and so like and

517
00:27:08,400 --> 00:27:10,240
Speaker 5: then there's also I feel.

518
00:27:09,960 --> 00:27:13,560
Speaker 1: Like I'm watching God himself when I see you get

519
00:27:13,640 --> 00:27:17,320
Speaker 1: on get on the keys with that iMovie program, and

520
00:27:17,359 --> 00:27:19,440
Speaker 1: I'm like, well, surely you won't be able to punch

521
00:27:19,520 --> 00:27:23,000
Speaker 1: in on like just sort of the lower stomach part

522
00:27:23,040 --> 00:27:25,800
Speaker 1: of the rock And then boom, before I know it,

523
00:27:25,840 --> 00:27:28,400
Speaker 1: we're in pretty mud, are Yeah?

524
00:27:28,440 --> 00:27:30,160
Speaker 3: You on that?

525
00:27:30,280 --> 00:27:33,160
Speaker 5: I punched in on that, And like and here's the thing.

526
00:27:33,200 --> 00:27:36,400
Speaker 5: This is like for like real eyemovie heads only so like, yo,

527
00:27:36,520 --> 00:27:38,920
Speaker 5: I'm sorry. Like if you're at home listening right now

528
00:27:39,000 --> 00:27:42,359
Speaker 5: and you're like, oh, this feels like the alien language

529
00:27:42,640 --> 00:27:44,359
Speaker 5: in that Amy Adams.

530
00:27:44,000 --> 00:27:47,400
Speaker 8: Movie, I get it.

531
00:27:47,600 --> 00:27:51,040
Speaker 5: There's something. So there's a very famous man named Ken Burns.

532
00:27:51,040 --> 00:27:54,560
Speaker 5: He's like one of the most like he's truly like

533
00:27:54,720 --> 00:27:58,520
Speaker 5: in the world of editing. He would be like the

534
00:27:58,520 --> 00:28:04,120
Speaker 5: Thelma schoon Maker. I mean that's how like it's like boom.

535
00:28:04,840 --> 00:28:06,240
Speaker 3: He's one of the brothers. McMullen.

536
00:28:06,440 --> 00:28:11,160
Speaker 5: Yeah right, yeah, yeah. By the way, like that guy

537
00:28:11,359 --> 00:28:18,720
Speaker 5: does not get enough credit. Edward Edward ed Burns, Yeah, dude,

538
00:28:18,800 --> 00:28:20,680
Speaker 5: Like I mean, like he made that. Then he goes

539
00:28:20,720 --> 00:28:24,760
Speaker 5: on to make Shaft. He then does that Cameron Diaz movie,

540
00:28:24,800 --> 00:28:26,520
Speaker 5: The Sweetest thing. It's like, you want to talk about

541
00:28:26,560 --> 00:28:28,960
Speaker 5: a catalog, Like this guy's got it.

542
00:28:29,160 --> 00:28:29,399
Speaker 3: You know.

543
00:28:29,560 --> 00:28:33,560
Speaker 5: He did three Marvel movies. It was like Howard the Duck,

544
00:28:34,320 --> 00:28:39,200
Speaker 5: Marvel Presents Spider Man, and then he did a third

545
00:28:39,280 --> 00:28:42,520
Speaker 5: one that was just called Marble and it was like

546
00:28:42,560 --> 00:28:45,840
Speaker 5: a nineteen twenties like kind of fun. And then to

547
00:28:45,880 --> 00:28:48,520
Speaker 5: do with superheroes. It's just like people looking at electricity

548
00:28:48,560 --> 00:28:50,960
Speaker 5: for the first time and like, yeah, that one, that

549
00:28:51,040 --> 00:28:51,720
Speaker 5: one was cool.

550
00:28:51,720 --> 00:28:55,680
Speaker 2: Too. Talk about Marvel Presents Spider Man for me, please,

551
00:28:56,560 --> 00:29:01,320
Speaker 2: because I know that movie. Uh you yeah, it has

552
00:29:01,320 --> 00:29:04,480
Speaker 2: a big impact for you, especially now you know. Yeah.

553
00:29:04,560 --> 00:29:11,200
Speaker 5: Yeah. So it's about a spy and it's uh, their

554
00:29:11,280 --> 00:29:16,320
Speaker 5: name is Durman, so it's spy Durman. And the thing

555
00:29:16,440 --> 00:29:19,200
Speaker 5: is like, this dude is like such a klutz. So

556
00:29:19,240 --> 00:29:23,160
Speaker 5: he'll be like he'll paint himself like fully white, and

557
00:29:23,200 --> 00:29:26,080
Speaker 5: he'll stand against the wall. And then you're like, but

558
00:29:26,200 --> 00:29:31,240
Speaker 5: he's standing a gets a black wall, Like what is happening? Yeah,

559
00:29:31,480 --> 00:29:34,640
Speaker 5: And but the thing is like Ed burns like the

560
00:29:34,680 --> 00:29:39,280
Speaker 5: way he does it, he cgies the white. So then

561
00:29:39,440 --> 00:29:43,640
Speaker 5: it's a black figure against the black wall. And you're

562
00:29:43,680 --> 00:29:48,920
Speaker 5: probably like, why didn't they they just paint him black originally? Right,

563
00:29:49,120 --> 00:29:53,800
Speaker 5: But you obviously don't know enough about filmmaking, So why

564
00:29:53,840 --> 00:29:56,200
Speaker 5: don't you read Why don't you read a book about

565
00:29:56,240 --> 00:30:00,800
Speaker 5: literally color theory once? And I think you'd understand. And

566
00:30:00,880 --> 00:30:04,080
Speaker 5: I think it's weird that in the Durman movies or

567
00:30:04,480 --> 00:30:09,400
Speaker 5: the Spy Durman universe. Do I think it's weird that

568
00:30:09,440 --> 00:30:12,240
Speaker 5: he travels everywhere on Jeffrey Epstein's plane.

569
00:30:12,600 --> 00:30:15,680
Speaker 3: The Lolita Express. Well, no, he's doing it for a good.

570
00:30:15,520 --> 00:30:18,600
Speaker 5: Cause, you know, right, and people don't talk about that

571
00:30:18,640 --> 00:30:19,120
Speaker 5: part of it.

572
00:30:19,360 --> 00:30:21,120
Speaker 1: Well, and think of the minds he has access to

573
00:30:21,120 --> 00:30:23,520
Speaker 1: to consult with, like you, if you really look at

574
00:30:23,600 --> 00:30:25,800
Speaker 1: like who else is on the plane, It's like, Okay,

575
00:30:25,840 --> 00:30:28,760
Speaker 1: do I want my spy to have access to all

576
00:30:28,800 --> 00:30:32,200
Speaker 1: the genius ideas of Malcolm Gladwell, yes, I do, so,

577
00:30:32,240 --> 00:30:34,120
Speaker 1: then let's get them on the Epstein plane.

578
00:30:34,280 --> 00:30:35,959
Speaker 3: So those two can fucking chop it up.

579
00:30:36,280 --> 00:30:39,120
Speaker 1: Yeah, talk about why McDonald's fries don't taste good anymore.

580
00:30:39,640 --> 00:30:43,600
Speaker 5: Yeah, and how that directly relates to how me and

581
00:30:43,640 --> 00:30:46,440
Speaker 5: my neighbors converse. And that's interesting.

582
00:30:46,520 --> 00:30:49,400
Speaker 2: Okay, So you the other option is to get Stephen

583
00:30:49,440 --> 00:30:52,640
Speaker 2: Pinker and Alan Derschwitz off the Epstein plane. That is

584
00:30:52,680 --> 00:30:54,360
Speaker 2: not happening, or you could try.

585
00:30:54,800 --> 00:30:57,320
Speaker 5: You could try, You could try, but I mean they're

586
00:30:57,400 --> 00:31:00,720
Speaker 5: kind of glued into that thing. You know, it's a.

587
00:31:00,680 --> 00:31:02,880
Speaker 1: Waste that you're gonna be so tired by the time

588
00:31:02,920 --> 00:31:04,680
Speaker 1: you get them off. You're not gonna have you know,

589
00:31:04,880 --> 00:31:08,240
Speaker 1: energy to do your spy stuff. Right, Some oftimes spying

590
00:31:08,320 --> 00:31:11,320
Speaker 1: has some legal implicating not bad to have access to

591
00:31:11,400 --> 00:31:12,760
Speaker 1: like go legal mind.

592
00:31:12,680 --> 00:31:14,200
Speaker 5: And I don't want to go off the rails too

593
00:31:14,240 --> 00:31:14,800
Speaker 5: much with this?

594
00:31:15,320 --> 00:31:16,280
Speaker 3: Please please?

595
00:31:16,400 --> 00:31:18,680
Speaker 1: Yeah, this spy diverse, Yeah.

596
00:31:18,520 --> 00:31:22,080
Speaker 5: Yeah, yes. And there's like there's other things that happen, right,

597
00:31:22,200 --> 00:31:25,440
Speaker 5: like of course he gets bitten by a radioactive rat,

598
00:31:25,480 --> 00:31:28,880
Speaker 5: and like there's turtles that start doing karate and they're

599
00:31:28,880 --> 00:31:32,320
Speaker 5: called the Karates turtles, and like there's kinds of like

600
00:31:32,640 --> 00:31:35,960
Speaker 5: fun like things that you wouldn't expect because like spy

601
00:31:36,240 --> 00:31:41,560
Speaker 5: Derman is so grounded, so grounded, And then you're like, okay,

602
00:31:41,560 --> 00:31:48,640
Speaker 5: wait a second, why is this freaking turtle learning how

603
00:31:48,680 --> 00:31:52,920
Speaker 5: to do cuata? And you're like this is this is

604
00:31:52,960 --> 00:31:55,440
Speaker 5: pretty fun and like again, thirty thousand feet in the

605
00:31:55,440 --> 00:31:58,360
Speaker 5: air headed to an island with a movable statue, Like.

606
00:31:58,320 --> 00:31:59,520
Speaker 11: That is cool.

607
00:32:00,160 --> 00:32:01,400
Speaker 2: That is cool.

608
00:32:02,560 --> 00:32:04,880
Speaker 5: I'm like that's the kind of stuff we appreciate as viewers,

609
00:32:04,920 --> 00:32:06,600
Speaker 5: Like I want to see that on the big screen.

610
00:32:06,640 --> 00:32:08,520
Speaker 5: I want to see that. I want to see tenant

611
00:32:08,600 --> 00:32:09,560
Speaker 5: ten times.

612
00:32:10,400 --> 00:32:10,720
Speaker 1: Ken.

613
00:32:11,440 --> 00:32:17,120
Speaker 8: My card is full, okay, so it's fine, just.

614
00:32:17,120 --> 00:32:19,240
Speaker 1: Keep going and I'll just figure it out.

615
00:32:19,880 --> 00:32:22,680
Speaker 2: I am. What I can do right now is send

616
00:32:22,760 --> 00:32:26,080
Speaker 2: you strength. Are you going to be back? Are you

617
00:32:26,080 --> 00:32:30,120
Speaker 2: going to be back there? And I hope you're feeling

618
00:32:30,120 --> 00:32:33,320
Speaker 2: it as I send you all of the strength I

619
00:32:33,400 --> 00:32:34,400
Speaker 2: have in this moment.

620
00:32:35,080 --> 00:32:36,920
Speaker 1: I could answer whether I'm feeling it or not, but

621
00:32:36,960 --> 00:32:37,960
Speaker 1: no one would be able.

622
00:32:37,760 --> 00:32:39,920
Speaker 3: To hear it because the card is so full.

623
00:32:40,200 --> 00:32:44,840
Speaker 2: Well, Kevin can use this back up the bad sound.

624
00:32:45,560 --> 00:32:48,360
Speaker 2: We do have to go so the way we're doing

625
00:32:48,360 --> 00:32:53,880
Speaker 2: the Emmys, of course, in this moment we're having the guys.

626
00:32:54,000 --> 00:32:57,600
Speaker 2: We have to go to all their house and we

627
00:32:57,720 --> 00:33:02,200
Speaker 2: have to give them it and say here it is,

628
00:33:03,480 --> 00:33:07,000
Speaker 2: what do you want to say? And like then we

629
00:33:07,040 --> 00:33:11,880
Speaker 2: move on and we go to the other house. Right, So, Kevin,

630
00:33:11,920 --> 00:33:15,520
Speaker 2: where like who's some of the nominee? We also probably

631
00:33:15,520 --> 00:33:17,080
Speaker 2: have to figure out who We have to make a

632
00:33:17,120 --> 00:33:18,480
Speaker 2: really good guess at who wins?

633
00:33:19,080 --> 00:33:20,880
Speaker 11: Could I screen share and you could just see them

634
00:33:20,880 --> 00:33:21,320
Speaker 11: all at once?

635
00:33:21,640 --> 00:33:25,120
Speaker 2: Just fucking read it, Okay, just say so, we're looking

636
00:33:25,160 --> 00:33:27,120
Speaker 2: at we're just looking at this. Just say it.

637
00:33:27,120 --> 00:33:30,600
Speaker 5: It's too were lucky, You're literally lucky to be alive.

638
00:33:31,000 --> 00:33:32,000
Speaker 11: Okay, thank you.

639
00:33:32,000 --> 00:33:34,280
Speaker 5: You should be using this moment as a blessing.

640
00:33:34,680 --> 00:33:37,120
Speaker 2: Kevin from here on out. Honestly, the rest of your life,

641
00:33:37,160 --> 00:33:41,520
Speaker 2: it's all gravy. Okay, Yeah, truly, there's bonus time.

642
00:33:41,920 --> 00:33:45,400
Speaker 5: Any any bad thing that happens to you is actually

643
00:33:45,480 --> 00:33:49,440
Speaker 5: good because you're alive during it. And if you if

644
00:33:49,480 --> 00:33:51,840
Speaker 5: I ever hear you complain, I swear to God I

645
00:33:51,880 --> 00:33:54,560
Speaker 5: will find everyone who knows you and loves you, and

646
00:33:54,600 --> 00:33:56,800
Speaker 5: I will put through through so much misery.

647
00:33:57,960 --> 00:34:01,120
Speaker 11: Okay, I understand, thank you. Okay. Some of the people

648
00:34:01,120 --> 00:34:08,200
Speaker 11: are Don Cheatle, Anthony Anderson, romy Yuseph, Eugene Levy, Ted Danson,

649
00:34:08,600 --> 00:34:12,840
Speaker 11: Michael Douglass. And that's for outstanding lead in a comedy series.

650
00:34:13,560 --> 00:34:14,840
Speaker 3: Why did you say it like that?

651
00:34:17,520 --> 00:34:21,200
Speaker 11: I was enunciating. I think it must have been the

652
00:34:21,239 --> 00:34:23,840
Speaker 11: internet speed. It kind of warped my voice a little.

653
00:34:24,360 --> 00:34:30,560
Speaker 5: And no, everything was fine. It's just your just your voice.

654
00:34:33,760 --> 00:34:36,120
Speaker 2: Okay. So Sean's in the car and he's getting ready

655
00:34:36,120 --> 00:34:39,280
Speaker 2: to go to the first house for the Emmys.

656
00:34:40,440 --> 00:34:41,719
Speaker 3: Hey, what's up?

657
00:34:42,719 --> 00:34:43,600
Speaker 9: Which house is this?

658
00:34:44,520 --> 00:34:45,520
Speaker 2: Yeah? Which house do we go to?

659
00:34:45,719 --> 00:34:46,680
Speaker 3: Yeah? Which house is this?

660
00:34:47,200 --> 00:34:47,880
Speaker 11: Don Cheatle?

661
00:34:48,400 --> 00:34:50,880
Speaker 2: Wow? And so we have a little bit of a

662
00:34:50,920 --> 00:34:55,600
Speaker 2: friendship here and uh and yasir talk about this. This

663
00:34:55,760 --> 00:34:57,040
Speaker 2: is Don.

664
00:34:59,400 --> 00:35:05,480
Speaker 5: Well, here's the I how do you describe friendship outside

665
00:35:05,520 --> 00:35:12,840
Speaker 5: of also doing chores for someone? And I I love

666
00:35:13,080 --> 00:35:16,120
Speaker 5: Let me let me start by saying I love my work.

667
00:35:16,680 --> 00:35:20,160
Speaker 5: I love that I get to get up everyday, watch cars,

668
00:35:20,480 --> 00:35:27,840
Speaker 5: vacuum cars. It's well, it is because it's not because

669
00:35:27,880 --> 00:35:31,439
Speaker 5: what I love, what I love is actually being there

670
00:35:31,520 --> 00:35:36,600
Speaker 5: for someone, and this is me doing something for someone.

671
00:35:37,080 --> 00:35:39,960
Speaker 5: There is a difference, but I guess emotionally I'm there.

672
00:35:40,040 --> 00:35:42,520
Speaker 5: I guess emotionally it's it's happening.

673
00:35:42,719 --> 00:35:44,719
Speaker 2: We all need to be supporting each other right now.

674
00:35:44,760 --> 00:35:46,879
Speaker 2: We do need to be doing chores for each other

675
00:35:46,920 --> 00:35:49,120
Speaker 2: for money.

676
00:35:48,200 --> 00:35:52,000
Speaker 5: Right and so like even this idea that you know,

677
00:35:52,160 --> 00:35:54,000
Speaker 5: like with someone by Don's house and it's like I

678
00:35:54,440 --> 00:35:57,919
Speaker 5: had to leave his house to do this podcast. Wow,

679
00:35:58,000 --> 00:36:01,160
Speaker 5: So I actually I and I should have said something earlier.

680
00:36:01,200 --> 00:36:04,200
Speaker 5: And I'm a little bearrass, but anytime you guys need

681
00:36:04,239 --> 00:36:07,080
Speaker 5: something taken to him, I'm more than glad.

682
00:36:07,960 --> 00:36:08,480
Speaker 2: I'll hop on.

683
00:36:08,680 --> 00:36:10,680
Speaker 5: And to be honest, if you guys need your dry

684
00:36:10,680 --> 00:36:14,160
Speaker 5: cleaning picked up, or you know, just like a sweep,

685
00:36:14,200 --> 00:36:16,799
Speaker 5: like a clean sweep of the spot, let me in,

686
00:36:17,080 --> 00:36:21,560
Speaker 5: masked up, glad, gloves, got some bleach and I'll do

687
00:36:21,600 --> 00:36:23,120
Speaker 5: your I'll do I'll do the thing.

688
00:36:24,440 --> 00:36:26,880
Speaker 2: But yes, to say we're friends is.

689
00:36:29,040 --> 00:36:33,239
Speaker 5: Has have I been texted instructions before about getting in

690
00:36:33,640 --> 00:36:37,080
Speaker 5: and like the safest way to like maintain the ground.

691
00:36:37,239 --> 00:36:40,000
Speaker 2: Yeah, but he's not, and that you wouldn't even want

692
00:36:40,080 --> 00:36:41,719
Speaker 2: him to be in the same room as you or

693
00:36:41,760 --> 00:36:45,239
Speaker 2: to like like be really talking to you and like

694
00:36:45,320 --> 00:36:47,960
Speaker 2: saying hi and stuff for like I mean this, we

695
00:36:48,160 --> 00:36:49,560
Speaker 2: gotta be safe right now.

696
00:36:49,760 --> 00:36:52,600
Speaker 5: You gotta be safe right now. And like one of

697
00:36:52,600 --> 00:36:55,520
Speaker 5: the I think one of the most one of the

698
00:36:55,560 --> 00:36:57,759
Speaker 5: best things to come out of our friendship is that

699
00:36:57,840 --> 00:37:00,680
Speaker 5: he made me wear a mask before all this stuff

700
00:37:00,719 --> 00:37:04,480
Speaker 5: started because he didn't want to see me so uh,

701
00:37:05,160 --> 00:37:07,960
Speaker 5: I he kind of knows what I look like. Like

702
00:37:08,160 --> 00:37:10,400
Speaker 5: It's like one of those things if like if outside

703
00:37:10,440 --> 00:37:13,680
Speaker 5: of like a phone call, if in real life I

704
00:37:13,719 --> 00:37:16,640
Speaker 5: would be given an instruction. He might be like you're

705
00:37:17,120 --> 00:37:19,840
Speaker 5: and I'd like, yeah, sorry, like oh oh we've spoken before,

706
00:37:20,360 --> 00:37:22,560
Speaker 5: and then I would do the chore that he asked

707
00:37:22,600 --> 00:37:23,040
Speaker 5: me to do.

708
00:37:23,480 --> 00:37:25,520
Speaker 2: Sean, Yeah, go ahead.

709
00:37:26,400 --> 00:37:27,800
Speaker 3: What are you wanting to say, Hank.

710
00:37:27,719 --> 00:37:29,799
Speaker 2: Well, you're going to don Cheeto's house. Did you bring

711
00:37:29,880 --> 00:37:31,279
Speaker 2: you brought all the emmys?

712
00:37:31,520 --> 00:37:33,879
Speaker 3: I've got a bunch of them. Yeah, some of them

713
00:37:33,920 --> 00:37:35,279
Speaker 3: got kind of messed up.

714
00:37:35,880 --> 00:37:38,720
Speaker 1: They like, well I left him in the hot car,

715
00:37:39,560 --> 00:37:44,080
Speaker 1: and a lot of them sort of melted together, and

716
00:37:44,760 --> 00:37:49,920
Speaker 1: also like they look you know, obviously I don't know

717
00:37:50,239 --> 00:37:53,960
Speaker 1: where we stand on the sort of conversation these days.

718
00:37:54,000 --> 00:37:56,240
Speaker 1: I obviously don't want to offend anyone, but the Emmy,

719
00:37:57,640 --> 00:38:01,520
Speaker 1: the Emmy statue is a fucking babe, She's a fucking

720
00:38:01,560 --> 00:38:02,200
Speaker 1: smoke show.

721
00:38:03,400 --> 00:38:06,000
Speaker 3: Like can we say that?

722
00:38:06,200 --> 00:38:11,359
Speaker 2: Like it's better than saying that she's like unattractive? Right,

723
00:38:11,480 --> 00:38:13,279
Speaker 2: which is what you said last year?

724
00:38:14,760 --> 00:38:19,359
Speaker 1: Well, okay, yes, and I'm learning, I'm growing right, right,

725
00:38:19,440 --> 00:38:21,799
Speaker 1: So I took the time to listen, and now I'm back.

726
00:38:21,920 --> 00:38:23,880
Speaker 3: I've listened. I've heard what you said, which.

727
00:38:23,680 --> 00:38:27,400
Speaker 1: Is don't don't you know go like wolf wolf, what

728
00:38:27,520 --> 00:38:32,120
Speaker 1: a dog? And say actually this time like, oh man,

729
00:38:32,239 --> 00:38:33,440
Speaker 1: I'm getting charged up.

730
00:38:34,120 --> 00:38:36,640
Speaker 5: You also did say who is this based on? And

731
00:38:36,680 --> 00:38:38,920
Speaker 5: then you made people pull up pictures of women that

732
00:38:39,040 --> 00:38:41,680
Speaker 5: you found unattractive, and you kept being like it's got

733
00:38:41,680 --> 00:38:45,160
Speaker 5: to be her, which I doesn't like. I don't think

734
00:38:45,200 --> 00:38:47,719
Speaker 5: this is a good idea. I kept saying, this is

735
00:38:47,760 --> 00:38:48,839
Speaker 5: not a good idea.

736
00:38:48,560 --> 00:38:50,000
Speaker 3: And a lot of the women were in the.

737
00:38:50,000 --> 00:38:57,280
Speaker 5: Room, right, Yeah, that's it. Yeah, that wasn't great.

738
00:38:57,719 --> 00:39:02,520
Speaker 1: I obviously regret that you know that choice, and so

739
00:39:02,600 --> 00:39:06,200
Speaker 1: what I'm doing now is I'm going this fucking Emmy.

740
00:39:06,400 --> 00:39:09,439
Speaker 1: You know, this thing's gonna get me in trouble man.

741
00:39:10,000 --> 00:39:12,440
Speaker 2: And we you know, we have changed, We've made some

742
00:39:12,800 --> 00:39:15,479
Speaker 2: like we do want to be like conscious about this stuff.

743
00:39:15,520 --> 00:39:17,880
Speaker 2: And so the Emmy was always wearing this like dress

744
00:39:18,160 --> 00:39:21,520
Speaker 2: and it's like, oh girl, women have to wear like

745
00:39:21,600 --> 00:39:25,719
Speaker 2: a dress. No, And so now the new award, the

746
00:39:25,760 --> 00:39:30,920
Speaker 2: Emmy is wearing loose jeans, which.

747
00:39:30,760 --> 00:39:35,480
Speaker 5: Has made it so much heavier, like it really, I think, yeah,

748
00:39:36,120 --> 00:39:39,720
Speaker 5: And and I like the amount of like laser etching

749
00:39:39,760 --> 00:39:42,080
Speaker 5: that goes into that stuff is cool. They literally they

750
00:39:42,239 --> 00:39:46,440
Speaker 5: laser etched every single seam on the back tab it

751
00:39:46,520 --> 00:39:53,279
Speaker 5: says lea dungeries and raw selam edge. Yeah, and a lot.

752
00:39:53,239 --> 00:39:54,960
Speaker 2: Of straight out of the box.

753
00:39:55,320 --> 00:39:58,719
Speaker 1: There's a lot of patches on the jeans that did.

754
00:39:58,880 --> 00:40:04,040
Speaker 1: That represents some pretty cool stuff to me. Uh, motorcycle companies,

755
00:40:04,600 --> 00:40:07,160
Speaker 1: you know, the concept.

756
00:40:06,680 --> 00:40:07,600
Speaker 3: Of peace.

757
00:40:08,920 --> 00:40:13,200
Speaker 1: Woodstock Snooby's Friend is a very prominent patch. You know.

758
00:40:13,760 --> 00:40:17,480
Speaker 5: Then there's the one that says Sturgis Motorcycle Rally and

759
00:40:17,600 --> 00:40:20,319
Speaker 5: under that it says no Exist And it's like a

760
00:40:20,360 --> 00:40:22,920
Speaker 5: play on the co exists one, And it's like, I'll

761
00:40:23,000 --> 00:40:25,880
Speaker 5: never I'll never exist with you guys.

762
00:40:26,320 --> 00:40:29,680
Speaker 3: Yes, there's the Jesus fish is on there.

763
00:40:30,280 --> 00:40:36,160
Speaker 5: And he's getting fried. So there's statue.

764
00:40:36,600 --> 00:40:39,440
Speaker 2: Yes, the Emmy woman we have made an atheist.

765
00:40:41,560 --> 00:40:43,239
Speaker 3: Because we don't want to alienate anyone.

766
00:40:43,320 --> 00:40:45,600
Speaker 1: If you pick anyone religion for her, then it's like

767
00:40:45,680 --> 00:40:47,600
Speaker 1: some people aren't gonna want the statue. But if you

768
00:40:47,680 --> 00:40:50,520
Speaker 1: just go like, hey, she's frying up the Jesus fish,

769
00:40:50,880 --> 00:40:53,360
Speaker 1: now all of a sudden, everyone can enjoy the award.

770
00:40:54,120 --> 00:40:56,680
Speaker 2: But yeah, she's very vocal about atheism.

771
00:40:56,920 --> 00:40:57,080
Speaker 10: Yeah.

772
00:40:57,160 --> 00:41:00,719
Speaker 5: Yeah, she has a Ricky Gervais tour t shirt does

773
00:41:02,200 --> 00:41:05,480
Speaker 5: and it's just like he rules, he rules.

774
00:41:05,200 --> 00:41:07,319
Speaker 1: And yeah, sticking out of her pocket is like a

775
00:41:07,400 --> 00:41:13,760
Speaker 1: Christopher Hitchin's book and so that's like kind of falling

776
00:41:13,800 --> 00:41:17,439
Speaker 1: off her pocket. You can just see it peeking out.

777
00:41:18,200 --> 00:41:21,000
Speaker 5: Yeah, it's a front pocket too, which is like why

778
00:41:21,040 --> 00:41:22,960
Speaker 5: would you put a book in your front pocket? But

779
00:41:23,680 --> 00:41:24,759
Speaker 5: here we are, you know.

780
00:41:25,320 --> 00:41:27,879
Speaker 2: So we have to give this. We have to give

781
00:41:27,920 --> 00:41:31,200
Speaker 2: one of these to Don Cheetle. Are you at the house.

782
00:41:31,200 --> 00:41:34,480
Speaker 2: There's a house like look like clean, like nicely kind

783
00:41:34,520 --> 00:41:36,680
Speaker 2: of like and I don't.

784
00:41:36,560 --> 00:41:38,200
Speaker 3: Think it's Don Cheatle's house.

785
00:41:39,160 --> 00:41:42,200
Speaker 1: I gotta tell you, I'm at this bill, I'm at

786
00:41:42,200 --> 00:41:44,279
Speaker 1: the address that we kind of agreed on.

787
00:41:44,480 --> 00:41:44,839
Speaker 8: Uh huh.

788
00:41:45,760 --> 00:41:48,319
Speaker 3: This is not feeling like don Cheetle's house to me.

789
00:41:48,760 --> 00:41:51,440
Speaker 2: What about it makes you say that?

790
00:41:52,960 --> 00:41:58,839
Speaker 1: Well, they're you know, as I as I just step in.

791
00:41:59,040 --> 00:42:00,640
Speaker 1: It is a cute do a grill?

792
00:42:02,080 --> 00:42:04,919
Speaker 2: Well, yeah, sir, you've been. I mean, like, is that

793
00:42:05,000 --> 00:42:07,080
Speaker 2: does John Dunchee to live in a Qdoba grill?

794
00:42:07,840 --> 00:42:11,560
Speaker 5: I don't know he he has a q A non grill.

795
00:42:11,880 --> 00:42:14,240
Speaker 5: Oh wow, And that's a separate part of the house

796
00:42:14,280 --> 00:42:18,000
Speaker 5: where he hosts meetings maskless. Everyone kisses on the way

797
00:42:18,000 --> 00:42:20,440
Speaker 5: in and then you sit down and you talk about

798
00:42:20,560 --> 00:42:21,960
Speaker 5: you know, the kids.

799
00:42:22,320 --> 00:42:24,319
Speaker 2: See this is like, I mean, it does sound like

800
00:42:24,360 --> 00:42:26,320
Speaker 2: living in Kdoba. It does sound weird. But I actually

801
00:42:27,960 --> 00:42:32,080
Speaker 2: I've heard recently that Reggie Miller has actually moved into Wendy's.

802
00:42:33,200 --> 00:42:37,160
Speaker 3: Oh wait, yes.

803
00:42:35,840 --> 00:42:38,520
Speaker 2: I he loves the breakfast. He loves the breakfast so

804
00:42:38,560 --> 00:42:41,680
Speaker 2: much it was actually easier for him to actually move

805
00:42:41,840 --> 00:42:45,560
Speaker 2: into Wendy's. And wait, he's got a bed in there.

806
00:42:46,200 --> 00:42:48,600
Speaker 2: Uh And like every morning he wakes up at Wendy's

807
00:42:48,640 --> 00:42:52,360
Speaker 2: and he eats the breakfast and Jordan, Now this is

808
00:42:52,360 --> 00:42:55,000
Speaker 2: when you'd be like, yeah, sharing experts.

809
00:42:54,640 --> 00:42:58,440
Speaker 5: You're gonna chime in, Yeah, Wendy's breakfast, let's go twelve

810
00:42:58,520 --> 00:43:00,840
Speaker 5: items on that menu and their prices.

811
00:43:01,520 --> 00:43:05,719
Speaker 7: And their prices and the prices. Come on, come on,

812
00:43:07,320 --> 00:43:17,440
Speaker 7: come on, egg McMuffin. Oh my god, Mick already implies McDonald's.

813
00:43:16,480 --> 00:43:22,879
Speaker 2: For five that's so are you, like George bush won

814
00:43:29,640 --> 00:43:33,840
Speaker 2: very damaging to your political career, Jordan, that you're so

815
00:43:34,080 --> 00:43:37,400
Speaker 2: out of touch that you think, ye.

816
00:43:37,800 --> 00:43:40,719
Speaker 5: You can buy a McDonald's for five ninety.

817
00:43:40,520 --> 00:43:46,320
Speaker 9: Dies, you can get a hash brown for thirteen fifty.

818
00:43:47,120 --> 00:43:52,760
Speaker 5: Oh no, no, wait about paying too much for breakfast

819
00:43:53,080 --> 00:43:54,000
Speaker 5: getting robbed.

820
00:43:54,000 --> 00:43:58,080
Speaker 2: They're charging you thirteen fifty for a hash brown Wendy's.

821
00:43:58,080 --> 00:43:58,360
Speaker 3: Are you?

822
00:43:58,440 --> 00:44:02,520
Speaker 5: Lois? Also just comparatively? Have you never paid for a

823
00:44:02,520 --> 00:44:04,080
Speaker 5: hash brown anywhere else?

824
00:44:07,000 --> 00:44:11,840
Speaker 4: What's in the benefit of the dow? What's in the

825
00:44:11,880 --> 00:44:13,080
Speaker 4: hash brown you're getting.

826
00:44:13,800 --> 00:44:18,160
Speaker 9: I asked them to put thirteen hash browns all together,

827
00:44:18,400 --> 00:44:20,680
Speaker 9: like a big hash.

828
00:44:20,360 --> 00:44:26,200
Speaker 2: Brown hash brown sandwich on hash brown bread. Yes, that's cool,

829
00:44:26,239 --> 00:44:26,800
Speaker 2: that's keto.

830
00:44:26,960 --> 00:44:27,319
Speaker 5: I like.

831
00:44:31,280 --> 00:44:35,359
Speaker 7: Yo diet so I was hashbrown?

832
00:44:35,920 --> 00:44:37,880
Speaker 2: Yeah yeah, okay, so this is not It sounds like

833
00:44:37,920 --> 00:44:40,600
Speaker 2: it is not. Don Chelo's as we're learning that Donchito

834
00:44:40,719 --> 00:44:42,640
Speaker 2: does not live at a qdoba grill.

835
00:44:43,480 --> 00:44:46,480
Speaker 5: Wait, Sean real quick? Is the guy with the gun

836
00:44:46,560 --> 00:44:47,040
Speaker 5: up front?

837
00:44:47,880 --> 00:44:52,680
Speaker 8: Yeah, he's here, but he's I gotta say, I don't

838
00:44:52,680 --> 00:44:53,480
Speaker 8: want to insult him.

839
00:44:53,560 --> 00:44:55,719
Speaker 4: He's right near me. He clearly doesn't know how the

840
00:44:55,760 --> 00:44:59,960
Speaker 4: gun works. Oh yeah, the gun he's gonna. I think

841
00:45:00,040 --> 00:45:01,200
Speaker 4: he might be at the wrong Quedova.

842
00:45:01,640 --> 00:45:05,120
Speaker 8: What he's doing with the gun is like, it's a

843
00:45:05,160 --> 00:45:06,360
Speaker 8: little strange to me.

844
00:45:08,040 --> 00:45:13,920
Speaker 5: What's he doing? Well?

845
00:45:14,040 --> 00:45:16,760
Speaker 8: I ding ding ding. I mean, it only took Yaser

846
00:45:16,840 --> 00:45:17,600
Speaker 8: one guess.

847
00:45:19,400 --> 00:45:21,399
Speaker 2: I didn't know we were And I just want to say,

848
00:45:21,400 --> 00:45:25,120
Speaker 2: I didn't know we were gassing. Okay, it wasn't. It

849
00:45:25,160 --> 00:45:26,600
Speaker 2: just wasn't presented to me that way.

850
00:45:27,280 --> 00:45:29,200
Speaker 4: But I got to hit and I have to give

851
00:45:29,239 --> 00:45:31,719
Speaker 4: the points to my friend here who it only took

852
00:45:31,800 --> 00:45:32,840
Speaker 4: him one guess.

853
00:45:35,040 --> 00:45:37,680
Speaker 8: And I gotta say, if you really understood the gun,

854
00:45:37,719 --> 00:45:41,560
Speaker 8: you would not be as Yaser so eloquently put it,

855
00:45:41,840 --> 00:45:42,680
Speaker 8: sucking on it.

856
00:45:48,920 --> 00:45:51,960
Speaker 5: Yeah, but I mean I've I've recently bought a gun,

857
00:45:52,120 --> 00:45:55,280
Speaker 5: so I'm still learned.

858
00:45:55,360 --> 00:46:00,000
Speaker 4: Like the tricks you yea, No, it's a stage in half.

859
00:46:00,480 --> 00:46:03,360
Speaker 4: But I do think that like you get over that

860
00:46:03,480 --> 00:46:06,839
Speaker 4: pretty fast. You only need to make one mistake while

861
00:46:06,880 --> 00:46:08,480
Speaker 4: sucking on it to go you know what, I'm not

862
00:46:08,520 --> 00:46:09,680
Speaker 4: sucking on that anymore.

863
00:46:10,239 --> 00:46:12,920
Speaker 5: Yeah, well, but that's why you do it unloaded first,

864
00:46:12,960 --> 00:46:15,040
Speaker 5: and then you start sucking on it when it's loaded.

865
00:46:15,400 --> 00:46:17,799
Speaker 5: Uh huh, you go, yeah, because you want to make

866
00:46:17,840 --> 00:46:19,680
Speaker 5: sure that you know what it feels like weighted with

867
00:46:19,719 --> 00:46:20,280
Speaker 5: the bullets.

868
00:46:20,280 --> 00:46:21,560
Speaker 2: But you have to suck on No, you're.

869
00:46:21,480 --> 00:46:23,520
Speaker 8: Just getting yeah, sense of the equipment.

870
00:46:23,640 --> 00:46:26,879
Speaker 4: But but he's doing it in this very exploratory way

871
00:46:26,960 --> 00:46:29,760
Speaker 4: where it just it doesn't seem like something he's comfortable

872
00:46:29,800 --> 00:46:32,759
Speaker 4: with yet. So so I don't think this is the

873
00:46:32,760 --> 00:46:35,560
Speaker 4: guy you described who the the man you said would

874
00:46:35,600 --> 00:46:38,560
Speaker 4: be here was very proficient with his gun.

875
00:46:39,040 --> 00:46:40,520
Speaker 5: Yeah, no, I can't be him.

876
00:46:41,120 --> 00:46:43,640
Speaker 4: Okay, so should I go to a different house? I

877
00:46:43,640 --> 00:46:45,800
Speaker 4: do think I met Richard Kine's house?

878
00:46:46,400 --> 00:46:48,880
Speaker 2: Okay? Well, was he in anything recently?

879
00:46:48,960 --> 00:46:50,120
Speaker 8: Was he nominated for anything?

880
00:46:50,320 --> 00:46:50,440
Speaker 1: Up?

881
00:46:50,480 --> 00:46:54,120
Speaker 2: His IMDb? Kevin Kevin getting what we'll do, We'll give.

882
00:46:54,520 --> 00:46:58,840
Speaker 2: So based on you, you you believe that Richard kind

883
00:46:59,000 --> 00:47:03,320
Speaker 2: lives at a q Doba with a guy out front

884
00:47:03,680 --> 00:47:06,239
Speaker 2: who has a gun but is sucking on it.

885
00:47:09,680 --> 00:47:14,279
Speaker 11: Thomas and the Magic railroad American dad at home with

886
00:47:14,360 --> 00:47:16,359
Speaker 11: Amy Sedaris was give.

887
00:47:16,320 --> 00:47:17,520
Speaker 8: Him one for American Dad?

888
00:47:17,600 --> 00:47:20,920
Speaker 2: Did a American Dad? What was it for?

889
00:47:21,160 --> 00:47:21,879
Speaker 8: What was the role?

890
00:47:22,280 --> 00:47:24,680
Speaker 11: Al Tuttle slash car salesman?

891
00:47:25,320 --> 00:47:26,800
Speaker 2: So he played two roles?

892
00:47:28,120 --> 00:47:30,560
Speaker 8: Okay, so he's double dipping on that. So maybe we

893
00:47:30,640 --> 00:47:31,920
Speaker 8: give him two Emmys.

894
00:47:31,600 --> 00:47:33,839
Speaker 4: And and that that works because two of these are

895
00:47:33,880 --> 00:47:35,759
Speaker 4: stuck together.

896
00:47:35,880 --> 00:47:38,919
Speaker 5: Yeah. Yeah. Is there a way that you can kind

897
00:47:39,000 --> 00:47:42,719
Speaker 5: of do his voice and like kind of guess what

898
00:47:42,880 --> 00:47:45,319
Speaker 5: he's gonna say when you give him to him to.

899
00:47:45,640 --> 00:47:48,440
Speaker 8: Do Richard Kine's voice, Yeah, I think I do a

900
00:47:48,480 --> 00:47:50,560
Speaker 8: decent I do a decent Richard Kind.

901
00:47:50,880 --> 00:47:53,960
Speaker 5: Yeah. So just like just because again, like I had

902
00:47:53,960 --> 00:47:56,960
Speaker 5: this auditory thing, so I'm trying to I had to

903
00:47:56,960 --> 00:47:59,680
Speaker 5: like prep a lot of times for what I'm gonna hear.

904
00:48:00,440 --> 00:48:02,560
Speaker 5: And so if you could just do his voice and we.

905
00:48:02,520 --> 00:48:04,880
Speaker 4: Can't use it, you can always just play the rock video,

906
00:48:05,320 --> 00:48:08,040
Speaker 4: you know, like if this doesn't work, come out Yeah yeah, yeah,

907
00:48:08,600 --> 00:48:16,360
Speaker 4: go ahead, okay, and the winner is Richard Kind. People

908
00:48:16,360 --> 00:48:19,200
Speaker 4: clap yeah, hey, yes, thanks for me.

909
00:48:19,480 --> 00:48:20,879
Speaker 2: Yeah, I've seen this lately.

910
00:48:20,920 --> 00:48:25,160
Speaker 8: You've seen this war people people use this ward.

911
00:48:24,960 --> 00:48:31,480
Speaker 5: And I'll tell you I gotta s I gotta stop you.

912
00:48:32,800 --> 00:48:39,520
Speaker 5: That was phenomenal. That sounded just like him. I'm losing it.

913
00:48:39,680 --> 00:48:40,960
Speaker 5: I'm losing it.

914
00:48:42,280 --> 00:48:43,760
Speaker 2: What this whole time?

915
00:48:45,160 --> 00:48:45,600
Speaker 5: I don't know.

916
00:48:46,960 --> 00:48:48,440
Speaker 2: I mean, I just know that.

917
00:48:52,400 --> 00:48:56,920
Speaker 5: I mean, it's sincerely and in terms of like impersonations

918
00:48:57,320 --> 00:49:01,120
Speaker 5: to me, it goes you're Richard kind just now, dude

919
00:49:01,120 --> 00:49:06,759
Speaker 5: from police academy making motorcycle noise and your first motorcycle

920
00:49:06,800 --> 00:49:09,359
Speaker 5: noise number two, I'm serious, one of.

921
00:49:09,320 --> 00:49:10,919
Speaker 8: The motorcycle noise as well.

922
00:49:11,000 --> 00:49:13,040
Speaker 2: Yeah, that his main noises.

923
00:49:13,160 --> 00:49:18,440
Speaker 4: Oh yes, sir, Yeah, that is means so much to

924
00:49:18,480 --> 00:49:21,120
Speaker 4: me and I barely practiced it. That and when you

925
00:49:21,200 --> 00:49:24,080
Speaker 4: say and I mean this sincerely, I know what's coming

926
00:49:24,120 --> 00:49:25,760
Speaker 4: next is a sincere statement.

927
00:49:27,040 --> 00:49:32,240
Speaker 8: And so that really hit me right in the heart. Wow. Well,

928
00:49:32,800 --> 00:49:35,000
Speaker 8: so that'll be his award speech. Should I go to

929
00:49:35,040 --> 00:49:35,760
Speaker 8: the next house?

930
00:49:36,760 --> 00:49:40,760
Speaker 5: Yeah, Oh it's right next door.

931
00:49:41,680 --> 00:49:42,759
Speaker 2: Oh they all live.

932
00:49:42,920 --> 00:49:43,480
Speaker 5: That's cool.

933
00:49:43,680 --> 00:49:46,040
Speaker 2: Mm hmm. Okay, So who I mean.

934
00:49:46,840 --> 00:49:51,480
Speaker 11: Michael Douglas for what the Kominski method?

935
00:49:51,520 --> 00:49:55,080
Speaker 2: Of course, the Minski method. Yes, and we are giving

936
00:49:55,160 --> 00:49:58,719
Speaker 2: Kaminsky method. It's propers today, aren't we is one of

937
00:49:58,719 --> 00:50:03,799
Speaker 2: my top shows. Glad we're finally talking about it. And

938
00:50:03,840 --> 00:50:08,480
Speaker 2: what is and what is the award for? Does it

939
00:50:08,560 --> 00:50:11,840
Speaker 2: say on the thing Sean, what the award is for

940
00:50:11,840 --> 00:50:16,840
Speaker 2: for Michael Douglas in the in the Kaminski method, it's.

941
00:50:16,400 --> 00:50:18,440
Speaker 4: I mean it's and this may again a lot of

942
00:50:18,440 --> 00:50:21,719
Speaker 4: it melted. So this may be a misprint. What it

943
00:50:21,840 --> 00:50:23,800
Speaker 4: says is chowing box.

944
00:50:26,120 --> 00:50:30,880
Speaker 2: Doesn't say who, doesn't say best anything. It says and

945
00:50:31,000 --> 00:50:34,680
Speaker 2: it says chowing that again.

946
00:50:34,840 --> 00:50:39,080
Speaker 4: This may this may be that the letters have been

947
00:50:39,120 --> 00:50:43,240
Speaker 4: deformed by the heat. Because I thought it would say best.

948
00:50:43,320 --> 00:50:47,919
Speaker 4: I thought it'd say best actor, probably the best, best

949
00:50:47,960 --> 00:50:50,239
Speaker 4: lead actor in a comedy series, something like that. What

950
00:50:50,280 --> 00:50:52,960
Speaker 4: it says, and it may be, you know an error,

951
00:50:53,040 --> 00:50:54,359
Speaker 4: is it says chowing.

952
00:50:54,200 --> 00:50:58,000
Speaker 2: Box, Well, this is I mean, look, this is a guy.

953
00:50:59,600 --> 00:51:03,080
Speaker 5: How about any of us have yester you look uncomfortable.

954
00:51:03,360 --> 00:51:08,480
Speaker 5: It's something I just because it feels like and I'm

955
00:51:08,480 --> 00:51:10,520
Speaker 5: gonna be real heal for a second, like I put

956
00:51:10,560 --> 00:51:15,839
Speaker 5: that under the name plate that said best okay, so

957
00:51:15,880 --> 00:51:19,719
Speaker 5: that means the heat melted away. I did it for me.

958
00:51:20,600 --> 00:51:24,120
Speaker 2: You you just know that's under there. Thank you, by

959
00:51:24,160 --> 00:51:25,920
Speaker 2: the way for doing all the name plates.

960
00:51:25,920 --> 00:51:28,080
Speaker 3: So that.

961
00:51:29,520 --> 00:51:31,279
Speaker 8: I was slammed and that.

962
00:51:31,360 --> 00:51:33,600
Speaker 5: Engravery is one of my favorite.

963
00:51:35,960 --> 00:51:41,240
Speaker 2: So you put secret stuff awards underneath the secret.

964
00:51:40,920 --> 00:51:42,799
Speaker 5: Awards under everyone's awards.

965
00:51:44,960 --> 00:51:47,080
Speaker 2: Colon box for one of the only people who has

966
00:51:47,200 --> 00:51:54,160
Speaker 2: like danced with death from.

967
00:51:53,440 --> 00:51:56,759
Speaker 5: And to me and look like, I know, people come

968
00:51:56,800 --> 00:51:58,160
Speaker 5: to me and they're like, we know you're like a

969
00:51:58,239 --> 00:52:00,960
Speaker 5: t he he guy, and it's like yeah, most times

970
00:52:01,040 --> 00:52:04,520
Speaker 5: t's and yeahs and so on, but this time I

971
00:52:04,560 --> 00:52:06,840
Speaker 5: was like, I'm gonna be classy, like this is something

972
00:52:06,960 --> 00:52:10,439
Speaker 5: that someone's worked for. I'm gonna hide it. I'm gonna

973
00:52:10,719 --> 00:52:13,439
Speaker 5: hide it in there. Like you know, there's so many

974
00:52:13,440 --> 00:52:18,520
Speaker 5: times like there's like certain MVP awards that like NBA

975
00:52:18,600 --> 00:52:21,279
Speaker 5: players have won, and it's like little Wayne hooked up

976
00:52:21,280 --> 00:52:24,799
Speaker 5: with your wife and it says that under the main thing,

977
00:52:25,440 --> 00:52:28,000
Speaker 5: So like the main thing is like Chris Bosh cool,

978
00:52:28,200 --> 00:52:31,040
Speaker 5: and then under it it's like little Wayne, little Wayne

979
00:52:31,120 --> 00:52:34,640
Speaker 5: did something crazy, you know. And so the chowel box thing, like,

980
00:52:34,800 --> 00:52:37,360
Speaker 5: I is there a way you can put the best

981
00:52:37,680 --> 00:52:38,719
Speaker 5: actor thing back on it?

982
00:52:38,880 --> 00:52:41,279
Speaker 4: Well, I could take I could take the bee from

983
00:52:41,440 --> 00:52:43,240
Speaker 4: box and put that up front.

984
00:52:43,520 --> 00:52:48,799
Speaker 8: Just I mean I have that mm hmm. So he

985
00:52:48,920 --> 00:52:54,799
Speaker 8: knows that they did say best here be slide that over.

986
00:52:55,080 --> 00:52:59,640
Speaker 2: You could say that the beast well chowing ox.

987
00:53:01,080 --> 00:53:04,919
Speaker 5: That's like I do like ox tales, like that's a thing.

988
00:53:04,960 --> 00:53:08,279
Speaker 2: Yeah. No, it would help Actually if if Jordan could

989
00:53:08,360 --> 00:53:11,759
Speaker 2: kind of use her breakfast studies degree to like kind

990
00:53:11,760 --> 00:53:19,040
Speaker 2: of get out there and popularize having ox for breakfast. Yes,

991
00:53:19,680 --> 00:53:22,400
Speaker 2: that when you could actually publish a big research paper

992
00:53:22,440 --> 00:53:22,719
Speaker 2: on this.

993
00:53:23,040 --> 00:53:26,000
Speaker 9: I'll make an OX sandwich for twenty nine ninety nine.

994
00:53:27,000 --> 00:53:30,480
Speaker 5: Okay, that seems I was gonna say reasonable price.

995
00:53:30,680 --> 00:53:33,040
Speaker 8: Yeah, that's a premium item, man, I.

996
00:53:33,080 --> 00:53:37,200
Speaker 5: Mean fifty nine dollars. Oh my god, it's still too cheap.

997
00:53:38,760 --> 00:53:40,880
Speaker 4: So I so I'm not I'm not convinced this is

998
00:53:40,920 --> 00:53:45,000
Speaker 4: Michael Douglas's house either. I'm at what I'm at a

999
00:53:45,080 --> 00:53:48,680
Speaker 4: feed and fuel store. So it's it's got there's like

1000
00:53:48,880 --> 00:53:53,399
Speaker 4: chicken feed and like a big, a big burlap sack

1001
00:53:53,480 --> 00:53:54,480
Speaker 4: labeled pig feed.

1002
00:53:55,080 --> 00:53:57,760
Speaker 8: And then there's like some drums of diesel gas here.

1003
00:53:59,239 --> 00:54:00,960
Speaker 5: Okay, So I just I just want to make sure

1004
00:54:01,000 --> 00:54:03,680
Speaker 5: I'm catching all this right. So you were at a

1005
00:54:03,760 --> 00:54:06,360
Speaker 5: Kewdoba then you were.

1006
00:54:07,160 --> 00:54:13,000
Speaker 4: Kind of jumped over the hedge. Nob, yeah, I think so.

1007
00:54:13,239 --> 00:54:16,640
Speaker 4: I think he was in the back, gotcha. Okay, So

1008
00:54:16,760 --> 00:54:20,319
Speaker 4: you're there's a Kidoba next to a feed.

1009
00:54:20,080 --> 00:54:23,920
Speaker 5: And fuel story. Yeah, well yeah, yeah, I mean I

1010
00:54:23,920 --> 00:54:26,719
Speaker 5: guess they Yeah, humans need to feed and yeah I

1011
00:54:26,760 --> 00:54:27,040
Speaker 5: get that.

1012
00:54:27,360 --> 00:54:30,160
Speaker 4: Sure, Yeah, Michael Douglas is only human. I guess he

1013
00:54:30,200 --> 00:54:33,720
Speaker 4: needs fuel and feed as much as anyone. But right,

1014
00:54:33,880 --> 00:54:35,839
Speaker 4: I'm surprised because it's not.

1015
00:54:35,640 --> 00:54:36,800
Speaker 5: Chappelle's on a farm.

1016
00:54:37,040 --> 00:54:41,000
Speaker 8: Yeah, yeah, this is not a farm. You know, this

1017
00:54:41,080 --> 00:54:42,920
Speaker 8: is a sort of a silence.

1018
00:54:42,960 --> 00:54:45,480
Speaker 5: I'm saying that. Yeah, I'm saying just more that people

1019
00:54:45,719 --> 00:54:49,480
Speaker 5: have chosen alternative or outs of living as of recent way,

1020
00:54:50,040 --> 00:54:53,239
Speaker 5: right like me, Like a lot of people say you

1021
00:54:53,320 --> 00:54:58,480
Speaker 5: live in a Corolla about me, A lot of people

1022
00:54:58,520 --> 00:55:00,520
Speaker 5: say that, Yeah you said that.

1023
00:55:00,880 --> 00:55:02,880
Speaker 8: I said it. I'm guilty of saying it as much

1024
00:55:02,920 --> 00:55:04,040
Speaker 8: as anyone.

1025
00:55:04,160 --> 00:55:07,560
Speaker 5: Right yeah, yeah yeah. And Hayes has been like, to

1026
00:55:07,640 --> 00:55:11,160
Speaker 5: be clear, it's a ninety eight Corolla, like just to

1027
00:55:11,320 --> 00:55:11,759
Speaker 5: tag it.

1028
00:55:14,120 --> 00:55:18,640
Speaker 2: Oh yeah, no, I've I've said that, uh a lot,

1029
00:55:18,880 --> 00:55:20,600
Speaker 2: and you never say anything.

1030
00:55:21,880 --> 00:55:25,520
Speaker 4: You don't respond, yeah, right you because there's the subject

1031
00:55:25,520 --> 00:55:26,920
Speaker 4: a lot.

1032
00:55:28,640 --> 00:55:30,360
Speaker 5: I think one of the issues with me is that

1033
00:55:30,440 --> 00:55:35,720
Speaker 5: I hate liars, So you are actually having to leave

1034
00:55:35,840 --> 00:55:39,920
Speaker 5: that space. First, It's not my space to have during

1035
00:55:40,000 --> 00:55:42,719
Speaker 5: this this time. It's not my space, liars, space is

1036
00:55:42,800 --> 00:55:44,880
Speaker 5: not one that is your space to have. This is

1037
00:55:44,920 --> 00:55:47,160
Speaker 5: I actually think it's time. It's time for liars to

1038
00:55:47,200 --> 00:55:51,200
Speaker 5: speak up, like they like, I want to hear what

1039
00:55:51,239 --> 00:55:58,480
Speaker 5: they have to say. Okay, question dude for me, next

1040
00:55:58,560 --> 00:55:59,160
Speaker 5: question what else?

1041
00:55:59,200 --> 00:56:02,239
Speaker 2: It's kind of like what it was like time for

1042
00:56:02,280 --> 00:56:04,520
Speaker 2: me to step back and listen to all these liars

1043
00:56:05,160 --> 00:56:05,560
Speaker 2: mm hmm.

1044
00:56:06,040 --> 00:56:08,080
Speaker 5: And they're like, I have a lot of money, I've

1045
00:56:08,120 --> 00:56:12,680
Speaker 5: never gotten sick. You know. Yeah, they're cool, and I'm like, hey,

1046
00:56:12,719 --> 00:56:15,160
Speaker 5: I'm just what do you need? What do you need?

1047
00:56:15,320 --> 00:56:18,160
Speaker 5: That's what I say. Do you need a platform say.

1048
00:56:17,960 --> 00:56:20,680
Speaker 2: Something that's not trying to tweet?

1049
00:56:21,200 --> 00:56:22,279
Speaker 5: Yeah, that's my thing.

1050
00:56:22,480 --> 00:56:27,640
Speaker 2: Truly, we have to go, Sean, can you just like, yep,

1051
00:56:27,960 --> 00:56:31,000
Speaker 2: just kind of leave the other ones out in the road, just.

1052
00:56:30,920 --> 00:56:33,400
Speaker 4: Gonna I'm gonna, I'm gonna wing them at you know,

1053
00:56:33,640 --> 00:56:35,320
Speaker 4: at passing cars and stuff.

1054
00:56:35,600 --> 00:56:36,759
Speaker 2: Yeah, we have to.

1055
00:56:37,280 --> 00:56:40,560
Speaker 5: I make a suggestion. I make a suggestion if you

1056
00:56:40,719 --> 00:56:43,959
Speaker 5: say anything to me. Oh my god. Okay, So first

1057
00:56:43,960 --> 00:56:46,759
Speaker 5: of all, that's my first thing I want to say

1058
00:56:46,800 --> 00:56:51,920
Speaker 5: is Oh. My second thing is if you're like, instead

1059
00:56:51,920 --> 00:56:54,279
Speaker 5: of just giving them away, a cool way to give

1060
00:56:54,280 --> 00:56:57,439
Speaker 5: someone a gift is you stand over a bridge that's

1061
00:56:57,480 --> 00:57:00,319
Speaker 5: over a highway and you drop things over the ridge

1062
00:57:00,320 --> 00:57:04,239
Speaker 5: as cars are passing underneath, and it'll land in their car,

1063
00:57:04,440 --> 00:57:05,560
Speaker 5: maybe through the windshield.

1064
00:57:06,040 --> 00:57:08,239
Speaker 2: Yeah, or do you have any show? Like should we

1065
00:57:08,280 --> 00:57:10,280
Speaker 2: save one for you? Any shows you want to promote

1066
00:57:10,280 --> 00:57:12,520
Speaker 2: and we give you? Like, yeah, you want some of

1067
00:57:12,520 --> 00:57:13,040
Speaker 2: these Emmys?

1068
00:57:13,080 --> 00:57:17,680
Speaker 4: I mean you're doing shows again.

1069
00:57:18,640 --> 00:57:20,040
Speaker 5: It's like one of those things like I have a

1070
00:57:20,160 --> 00:57:22,320
Speaker 5: thing full of Emmys because I have the mold here,

1071
00:57:24,840 --> 00:57:25,560
Speaker 5: So I'm good.

1072
00:57:25,720 --> 00:57:28,840
Speaker 2: Thank you by the way for molding all the I am.

1073
00:57:29,360 --> 00:57:32,160
Speaker 5: I mean it's hard as I'm getting bit by ants,

1074
00:57:32,600 --> 00:57:36,440
Speaker 5: but but I love look I low it. Oh, are

1075
00:57:36,480 --> 00:57:38,680
Speaker 5: there any ants in the Emmys? Like I tried to

1076
00:57:38,720 --> 00:57:40,280
Speaker 5: make sure I smoothed to them out.

1077
00:57:40,440 --> 00:57:44,160
Speaker 8: I'm seeing a bunch. Yeah, I'm seeing them, and I

1078
00:57:44,240 --> 00:57:45,760
Speaker 8: honestly think it adds to it.

1079
00:57:46,200 --> 00:57:49,400
Speaker 2: Yeah, some of them that like just their their back part.

1080
00:57:50,720 --> 00:57:54,200
Speaker 2: What's that called, sean a thorax like a thorax kind

1081
00:57:54,200 --> 00:57:54,760
Speaker 2: of situation.

1082
00:57:56,240 --> 00:57:58,560
Speaker 9: Well, I thought you put ants on there because you

1083
00:57:58,600 --> 00:58:01,720
Speaker 9: wanted ants in their pants, because they're wearing pants.

1084
00:58:02,000 --> 00:58:04,120
Speaker 2: So that is the effect sometimes and that would be

1085
00:58:04,120 --> 00:58:06,960
Speaker 2: a good thing to say. They are wearing these yeah,

1086
00:58:07,000 --> 00:58:08,560
Speaker 2: I guess you could call them pants. Really, they are

1087
00:58:08,640 --> 00:58:16,280
Speaker 2: dry selvage raw gids, right, but yeah, some people do

1088
00:58:16,320 --> 00:58:18,520
Speaker 2: call them pants. But I like what Hayes is saying

1089
00:58:18,680 --> 00:58:21,080
Speaker 2: is the right thing. So but yeah, so just their

1090
00:58:21,080 --> 00:58:24,960
Speaker 2: thorax is captured in their front parts.

1091
00:58:25,720 --> 00:58:28,080
Speaker 5: Yeah, they're pentameter standing.

1092
00:58:27,640 --> 00:58:28,080
Speaker 8: Out of her.

1093
00:58:29,040 --> 00:58:30,760
Speaker 4: We didn't we never said what she has on top,

1094
00:58:30,800 --> 00:58:36,920
Speaker 4: but she's wearing a big, chunky sweater and suspenders, so yeah, yeah, yeah,

1095
00:58:36,960 --> 00:58:39,720
Speaker 4: and the sweater and she's yeah, it's the sweater the

1096
00:58:39,800 --> 00:58:40,600
Speaker 4: kid wears in the Shiney.

1097
00:58:40,680 --> 00:58:43,120
Speaker 5: She's got the holes, she's got the holes where her

1098
00:58:43,160 --> 00:58:47,200
Speaker 5: thumbs can go through. She's a little you know, yeah,

1099
00:58:47,280 --> 00:58:49,600
Speaker 5: she's a little like what she's like, I don't care,

1100
00:58:50,040 --> 00:58:50,680
Speaker 5: I'm an emmy.

1101
00:58:50,920 --> 00:58:51,720
Speaker 2: Yeah, you know.

1102
00:58:51,960 --> 00:58:54,760
Speaker 5: So that actually, and I gotta say, like one eyebrow

1103
00:58:55,960 --> 00:58:59,360
Speaker 5: and Sean yeah yeah, yeah. When you guys came with

1104
00:58:59,440 --> 00:59:02,440
Speaker 5: that design, and I was like, I like that, she's

1105
00:59:02,560 --> 00:59:04,560
Speaker 5: kind of just like she's like this new school like

1106
00:59:04,800 --> 00:59:08,160
Speaker 5: I don't know, you know, like and I was like, what.

1107
00:59:08,320 --> 00:59:11,320
Speaker 2: These zoomers like. She's not young, she's actually pretty old,

1108
00:59:11,360 --> 00:59:14,880
Speaker 2: but like has that very zoomer vibe.

1109
00:59:15,000 --> 00:59:18,440
Speaker 5: But she's also like the fact that she's wearing platform

1110
00:59:18,680 --> 00:59:27,480
Speaker 5: jelly stables, like she's taller now mm hmm. And it's

1111
00:59:27,520 --> 00:59:30,000
Speaker 5: like Jordan didn't even mention that part, Like she wasn't

1112
00:59:30,040 --> 00:59:31,640
Speaker 5: like this is one of my favorite parts of it.

1113
00:59:32,760 --> 00:59:34,720
Speaker 8: And brass knuckles that say the church.

1114
00:59:36,440 --> 00:59:39,520
Speaker 5: Yeah, my gosh, which is weird?

1115
00:59:39,560 --> 00:59:42,960
Speaker 2: I mean I I wasn't clear at first.

1116
00:59:44,560 --> 00:59:47,640
Speaker 8: Yeah, is she punching the church or yeah, punching church?

1117
00:59:47,760 --> 00:59:50,400
Speaker 2: I mean the church. Well, sometimes you just see the

1118
00:59:50,600 --> 00:59:51,640
Speaker 2: when she's punching you.

1119
00:59:53,560 --> 00:59:55,439
Speaker 5: I will say, do I think it's weird that she's

1120
00:59:55,440 --> 01:00:00,680
Speaker 5: wearing a thin blue line bandanna, like of all, like

1121
01:00:00,920 --> 01:00:03,080
Speaker 5: that feels like it doesn't go with the other things.

1122
01:00:03,160 --> 01:00:05,560
Speaker 2: I just say. We had to start doing these designs

1123
01:00:05,640 --> 01:00:06,400
Speaker 2: a while ago.

1124
01:00:06,640 --> 01:00:09,480
Speaker 5: Okay, right, yeah, yeah, this is when you could have

1125
01:00:09,520 --> 01:00:10,439
Speaker 5: a thin blue line baby.

1126
01:00:10,600 --> 01:00:14,320
Speaker 2: Actually some people thought it was cool. Okay, right right,

1127
01:00:16,840 --> 01:00:20,920
Speaker 2: This doesn't happen like in one second. It takes months

1128
01:00:20,960 --> 01:00:22,680
Speaker 2: to no design plan.

1129
01:00:22,880 --> 01:00:25,000
Speaker 8: Yeah, at the time that we did it, it was

1130
01:00:25,360 --> 01:00:26,440
Speaker 8: actually cool.

1131
01:00:26,520 --> 01:00:29,000
Speaker 5: But we did. I will say this, when when you

1132
01:00:29,040 --> 01:00:31,240
Speaker 5: guys came in with the designs, I was like, okay,

1133
01:00:31,280 --> 01:00:36,240
Speaker 5: we have to plan for culture shifts because time, you know,

1134
01:00:36,360 --> 01:00:37,880
Speaker 5: the amount of time is going to take to make

1135
01:00:37,920 --> 01:00:40,680
Speaker 5: these we don't know what's going to happen, and Hayes

1136
01:00:40,840 --> 01:00:45,560
Speaker 5: specifically kept being like this bandana will always be cool.

1137
01:00:46,080 --> 01:00:49,320
Speaker 4: Yeah, he did double and triple down on that, and

1138
01:00:49,400 --> 01:00:51,760
Speaker 4: he tried to walk off the project if we didn't

1139
01:00:51,760 --> 01:00:59,640
Speaker 4: make the wh I was like, you know, uh, sympathetic too.

1140
01:00:59,800 --> 01:01:02,479
Speaker 4: I'm mean people have yeah, yeah, you were.

1141
01:01:02,400 --> 01:01:03,000
Speaker 2: Take or leave.

1142
01:01:03,120 --> 01:01:05,360
Speaker 5: You're like, it's it's really fine. I I just kind

1143
01:01:05,360 --> 01:01:07,680
Speaker 5: of came in like here's a suggestion, and Hayes went

1144
01:01:07,800 --> 01:01:13,960
Speaker 5: no way, he went nuts. Yeah. I never seen him,

1145
01:01:14,000 --> 01:01:16,160
Speaker 5: but it's all there. But it's all there.

1146
01:01:16,280 --> 01:01:17,040
Speaker 2: It's on there, and.

1147
01:01:17,040 --> 01:01:19,120
Speaker 8: It works and it's and it's a great I mean,

1148
01:01:19,120 --> 01:01:19,960
Speaker 8: the most beautiful one.

1149
01:01:19,960 --> 01:01:22,800
Speaker 2: I So we did compromise on that. If you remember,

1150
01:01:22,840 --> 01:01:27,200
Speaker 2: when I first submitted it, it wasn't think I was

1151
01:01:27,240 --> 01:01:29,200
Speaker 2: doing a big ass blue line.

1152
01:01:29,040 --> 01:01:33,120
Speaker 8: Thick blue line. This ship ain't thick enough?

1153
01:01:33,200 --> 01:01:36,200
Speaker 5: Yeah, right, Well, because the original design, if I remember,

1154
01:01:36,320 --> 01:01:39,440
Speaker 5: was a very thick blue line with a punisher skull.

1155
01:01:42,200 --> 01:01:44,760
Speaker 2: So you're like, can we like at least take this

1156
01:01:44,800 --> 01:01:47,320
Speaker 2: a little thinner And it's like, all right.

1157
01:01:48,120 --> 01:01:49,959
Speaker 8: Yeah, as long as we keep the punisher skull.

1158
01:01:50,040 --> 01:01:53,080
Speaker 5: Yeah yeah, but can I say it looks good, and

1159
01:01:53,120 --> 01:01:53,880
Speaker 5: it does look good.

1160
01:01:53,920 --> 01:01:57,560
Speaker 4: Oh, no, it looks cool. It looks cool, but divorced

1161
01:01:57,560 --> 01:02:00,040
Speaker 4: from any meaning, it looks cool. And then whether I

1162
01:02:00,120 --> 01:02:03,080
Speaker 4: agree with what it but the ship looks fucking cool.

1163
01:02:03,760 --> 01:02:06,440
Speaker 5: Graphically, it's cool like a bunch of stripes and a

1164
01:02:06,520 --> 01:02:09,400
Speaker 5: punisher's gold esthetically in one color.

1165
01:02:09,520 --> 01:02:11,160
Speaker 8: Yeah, that's awesome. That's awesome.

1166
01:02:11,280 --> 01:02:16,080
Speaker 4: Yeah, but we do gotta go. And yeah, sir, it's

1167
01:02:16,080 --> 01:02:18,160
Speaker 4: been so great to have you here. And if you

1168
01:02:18,200 --> 01:02:20,160
Speaker 4: want an Emmy front of your shows, I know you

1169
01:02:20,200 --> 01:02:22,640
Speaker 4: have the mold, but just tell me because I'm just

1170
01:02:22,720 --> 01:02:24,680
Speaker 4: kind of shoving them in this bag of pig feed

1171
01:02:24,760 --> 01:02:27,320
Speaker 4: and and and I'll come back and grab them later

1172
01:02:27,880 --> 01:02:30,120
Speaker 4: because I got an anchor for q DO, but I'm

1173
01:02:30,120 --> 01:02:32,640
Speaker 4: gonna hop back over this hedge cool.

1174
01:02:32,760 --> 01:02:37,160
Speaker 5: No, thank you so much. I just sold something to Quibi. Uh.

1175
01:02:37,160 --> 01:02:41,480
Speaker 5: It was a router. It was a router because they're

1176
01:02:41,480 --> 01:02:45,760
Speaker 5: having streaming stuff issues. Uh huh so uh I think

1177
01:02:45,840 --> 01:02:47,280
Speaker 5: maybe you give me an Emmy for that if you

1178
01:02:47,280 --> 01:02:47,720
Speaker 5: wanted to.

1179
01:02:47,640 --> 01:02:50,120
Speaker 8: Do that where it's like a Cisco or.

1180
01:02:51,400 --> 01:02:55,120
Speaker 5: It's uh it's a l T something.

1181
01:02:55,720 --> 01:02:57,880
Speaker 8: Oh oh that's nice.

1182
01:02:58,440 --> 01:03:01,680
Speaker 5: Yeah, it's one of the nicer ones. Okay r S

1183
01:03:01,880 --> 01:03:03,600
Speaker 5: sorry a R R I S.

1184
01:03:03,680 --> 01:03:05,320
Speaker 8: So we'll plug that for sure.

1185
01:03:05,520 --> 01:03:08,520
Speaker 4: So yeah, do check out Quibi and and and thank

1186
01:03:08,560 --> 01:03:10,160
Speaker 4: you alsir when you're able to watch your show. He

1187
01:03:10,200 --> 01:03:13,640
Speaker 4: sold them an RS router and then thanks so much

1188
01:03:13,680 --> 01:03:16,080
Speaker 4: for being here. I'm so sorry my card filled up everyone,

1189
01:03:16,600 --> 01:03:28,920
Speaker 4: Bye Hollywood, Hamburgh