1 00:00:00,720 --> 00:00:03,040 Speaker 1: I am all in. 2 00:00:08,200 --> 00:00:19,000 Speaker 2: Let's kiss you. I am all in with Scott Patterson 3 00:00:19,239 --> 00:00:20,640 Speaker 2: an iHeartRadio Podcast. 4 00:00:21,040 --> 00:00:24,160 Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast one 5 00:00:24,200 --> 00:00:30,200 Speaker 1: eleven Production's iHeartRadio, iHeartMedia, iHeart Podcast, iHeart Popcorn, I Heard 6 00:00:30,240 --> 00:00:36,920 Speaker 1: ice Cream. iHeart Christmas Trees, Episode thirteen, Season six, Friday Nights, 7 00:00:37,720 --> 00:00:41,599 Speaker 1: all right for fighting. Logan is waiting at the coffee 8 00:00:41,600 --> 00:00:43,839 Speaker 1: card for Rory's still trying to win her back. Logan, 9 00:00:43,920 --> 00:00:48,440 Speaker 1: excuse me, but this is not slick. This is a 10 00:00:48,800 --> 00:00:52,080 Speaker 1: Nora Efron movie. Loui Armstrong should be warbling as we talk. 11 00:00:52,159 --> 00:00:54,320 Speaker 1: So come on, please put me out of my misery. 12 00:00:54,360 --> 00:00:56,680 Speaker 1: You promised you'd let me take you to dinner. Nora 13 00:00:56,720 --> 00:01:00,520 Speaker 1: Ephron was a filmmaker who is best known for writing 14 00:01:00,520 --> 00:01:04,000 Speaker 1: and directing rom comms. She has written the screenplays for 15 00:01:04,120 --> 00:01:07,759 Speaker 1: When Harry Met Sally's Silkwood, Heartburn, Sleepless in Seattle, You've 16 00:01:07,800 --> 00:01:11,000 Speaker 1: Got Mail, and many more. Wow, that is quite a list. 17 00:01:12,040 --> 00:01:15,280 Speaker 1: Louis Armstrong is a jazz legend, best known for his 18 00:01:15,400 --> 00:01:20,280 Speaker 1: song what a Wonderful World We all know, we all 19 00:01:20,319 --> 00:01:24,040 Speaker 1: love it. Logan is comparing himself to a Nora Ephron 20 00:01:24,520 --> 00:01:26,880 Speaker 1: rom com because he's been trying so hard to win 21 00:01:27,000 --> 00:01:31,240 Speaker 1: Rory back, and that a Louis Armstrong song should be 22 00:01:31,240 --> 00:01:34,240 Speaker 1: playing in the background because of his romantic gestures. Did 23 00:01:34,280 --> 00:01:39,000 Speaker 1: you know in that scene, that scene that we're referring to, Yes, 24 00:01:39,120 --> 00:01:43,240 Speaker 1: that scene when Meg Ryan pretends to quote unquote get 25 00:01:43,360 --> 00:01:48,840 Speaker 1: excited in quote uno. Yes, when Harry met Sally, the 26 00:01:48,840 --> 00:01:51,960 Speaker 1: line that Billy Crystal says I'll have what she's having 27 00:01:52,040 --> 00:01:56,360 Speaker 1: was actually suggested by Billy. Also, there is a plaque 28 00:01:56,360 --> 00:01:58,360 Speaker 1: in Cat's Delian, New York City to the table where 29 00:01:58,400 --> 00:02:01,160 Speaker 1: they filmed that scene. The plaque read, or how Harry 30 00:02:01,200 --> 00:02:05,040 Speaker 1: met Sally's hope you have what she had? 31 00:02:05,600 --> 00:02:08,120 Speaker 2: And also, and I'm making sure we don't have this 32 00:02:08,200 --> 00:02:11,680 Speaker 2: in the notes, the woman that says I'll have what 33 00:02:11,760 --> 00:02:15,679 Speaker 2: she's having, I believe is Billy Crystal's mother, Jackie check 34 00:02:15,760 --> 00:02:20,360 Speaker 2: that while we continually all right, all right, So in 35 00:02:20,400 --> 00:02:23,679 Speaker 2: the same scene, by the way, for everybody listening, this 36 00:02:23,720 --> 00:02:25,800 Speaker 2: is new and improved pop culture. 37 00:02:25,880 --> 00:02:27,520 Speaker 3: So come back to us and tell us if you 38 00:02:27,639 --> 00:02:29,799 Speaker 3: do agree that this is new and improved. 39 00:02:29,960 --> 00:02:32,320 Speaker 2: So, same scene, after Rory grees to go to dinner, 40 00:02:33,360 --> 00:02:35,640 Speaker 2: Logan asked her not to back out and do not 41 00:02:35,760 --> 00:02:37,880 Speaker 2: think of backing out because I will cry and eat 42 00:02:37,880 --> 00:02:39,760 Speaker 2: a pint of Rocky Road while watching An Affair to 43 00:02:39,800 --> 00:02:42,920 Speaker 2: Remember with Rita Wilson, which is a reference to Sleepless 44 00:02:42,919 --> 00:02:45,480 Speaker 2: in Seattle and A Fair to Remember is a romantic 45 00:02:45,560 --> 00:02:48,560 Speaker 2: drama film from nineteen fifty seven starring Carrie Grant and 46 00:02:48,600 --> 00:02:51,240 Speaker 2: Debora Kerr. It is considered the most romantic film of 47 00:02:51,280 --> 00:02:53,680 Speaker 2: all time and as a remake of the nineteen thirty 48 00:02:53,760 --> 00:02:57,360 Speaker 2: nine film Love Affair. So Logan is naming the film 49 00:02:57,360 --> 00:02:59,640 Speaker 2: and a Fair to Remember, but he's referring to the 50 00:02:59,639 --> 00:03:04,600 Speaker 2: movie's Sleepless in Seattle. When Rita Wilson's character talks about 51 00:03:04,880 --> 00:03:08,320 Speaker 2: an Affair to Remember and gets very emotional. She's emotionally explained, 52 00:03:08,320 --> 00:03:10,440 Speaker 2: I think she ends up crying. Logan is saying he's 53 00:03:10,440 --> 00:03:13,600 Speaker 2: going to be like Rita Wilson crying and watching An. 54 00:03:13,480 --> 00:03:14,640 Speaker 3: Affair to Remember. 55 00:03:15,520 --> 00:03:18,760 Speaker 2: Both films, Sleepless in Seattle and An Affair to Remember 56 00:03:18,800 --> 00:03:20,360 Speaker 2: had the love interest meeting at the top of the 57 00:03:20,400 --> 00:03:24,799 Speaker 2: empire stableilding. And as we said, Sleepless in Seattle is 58 00:03:24,840 --> 00:03:30,639 Speaker 2: a Nora Efron film, And as we just said, Scott 59 00:03:30,720 --> 00:03:31,639 Speaker 2: just said it was. 60 00:03:31,720 --> 00:03:32,680 Speaker 3: Rob Reiner's mother. 61 00:03:32,960 --> 00:03:37,400 Speaker 2: Rob rear the line, I'll have what's right? Oh, pardon me, 62 00:03:37,480 --> 00:03:40,240 Speaker 2: pardon me. It was Rob Reiner's mother, not Billy Crystals. 63 00:03:40,240 --> 00:03:43,440 Speaker 2: So I was close, a close. Only counts and horseses hey, 64 00:03:43,760 --> 00:03:46,720 Speaker 2: you know they're friends, so right there, buds right. 65 00:03:46,720 --> 00:03:48,720 Speaker 4: All right. So Laura is telling Rory she needs to 66 00:03:48,720 --> 00:03:51,800 Speaker 4: tell her grandparents about not having to pay for Yale anymore. 67 00:03:52,120 --> 00:03:54,160 Speaker 4: Laura says it's going to be the opening night of 68 00:03:54,200 --> 00:03:57,960 Speaker 4: Taboo all over again. Taboo is a stage musical originally 69 00:03:57,960 --> 00:04:02,320 Speaker 4: written by Mark Davies Markham. The show premiered in London's 70 00:04:02,320 --> 00:04:04,920 Speaker 4: West End at the newly open Venue Theater in two 71 00:04:04,960 --> 00:04:08,760 Speaker 4: thousand and two. Laureli is referring to Taboo because it's notorious. 72 00:04:08,920 --> 00:04:13,400 Speaker 4: Rosie O'Donnell investment. Rosie was so enamored with the production 73 00:04:13,800 --> 00:04:17,280 Speaker 4: that she decided to finance it. After sixteen previews, it 74 00:04:17,320 --> 00:04:19,919 Speaker 4: opened on November thirteen, two thousand and three, at the 75 00:04:19,960 --> 00:04:25,240 Speaker 4: Plymouth Theater, and after being hampered by mostly scathing reviews, 76 00:04:25,720 --> 00:04:29,839 Speaker 4: the production closed after one hundred performances. O'Donnell reportedly lost 77 00:04:29,839 --> 00:04:34,520 Speaker 4: her entire ten million dollar investment in the project, and 78 00:04:34,600 --> 00:04:38,280 Speaker 4: Laureli is comparing her parents losing out to an investment 79 00:04:39,400 --> 00:04:41,359 Speaker 4: into Rory's Yale future. 80 00:04:41,560 --> 00:04:43,000 Speaker 2: When you were reading that, for some reason, all that 81 00:04:43,000 --> 00:04:44,919 Speaker 2: came into my head was boy George, boy George, And 82 00:04:44,960 --> 00:04:46,839 Speaker 2: I was like, why am I thinking of boy George 83 00:04:46,839 --> 00:04:49,480 Speaker 2: when you're talking about Taboo? And I think it was 84 00:04:49,520 --> 00:04:53,120 Speaker 2: based on his life I'm pretty sure. So I looked 85 00:04:53,120 --> 00:04:56,159 Speaker 2: it up really quick. Whose life story is Taboo based on? 86 00:04:56,760 --> 00:04:58,720 Speaker 2: And it is boy George. 87 00:04:58,960 --> 00:04:59,680 Speaker 1: He was the lead. 88 00:05:00,120 --> 00:05:03,400 Speaker 2: So yeah, but he used his name, Georgio Dowd, so 89 00:05:03,480 --> 00:05:05,599 Speaker 2: he used his birth name. 90 00:05:05,680 --> 00:05:10,000 Speaker 3: As opposed to boy George, which com a chameleon. Yeah, 91 00:05:10,360 --> 00:05:12,000 Speaker 3: do you really want to hurt me? I could sing 92 00:05:12,960 --> 00:05:14,719 Speaker 3: Culture Club song all day long? 93 00:05:14,880 --> 00:05:15,599 Speaker 4: I know that one. 94 00:05:17,800 --> 00:05:24,200 Speaker 1: She could. She could deduct that entire loss ten million. God, 95 00:05:24,640 --> 00:05:27,599 Speaker 1: you got ten million laying around a chuck at our 96 00:05:27,640 --> 00:05:28,240 Speaker 1: crappy plan. 97 00:05:28,640 --> 00:05:31,400 Speaker 3: It's the holidays. I don't have ten dollars around. 98 00:05:33,120 --> 00:05:35,760 Speaker 1: The same scene. Laura I telling Rory she needs to 99 00:05:35,800 --> 00:05:39,559 Speaker 1: tell her grandparents about not having to pay for Yale anymore. Rory, 100 00:05:39,600 --> 00:05:42,880 Speaker 1: what's the worst that can happen? We won't be speaking anymore. Gee, 101 00:05:42,880 --> 00:05:47,680 Speaker 1: that would suck. So wow, they're just hating on each other, 102 00:05:47,720 --> 00:05:50,200 Speaker 1: aren't they? That nobody likes each other anymore. 103 00:05:50,279 --> 00:05:52,880 Speaker 2: Yeah, I mean Rory's very caustic towards her grandparents in 104 00:05:52,880 --> 00:05:53,200 Speaker 2: this way. 105 00:05:53,240 --> 00:05:57,159 Speaker 1: Rash Laura, I Wow, Ice Ice Baby, Ice Ice Baby 106 00:05:57,200 --> 00:05:59,960 Speaker 1: is a titled nineteen ninety song by rapper Vanilla Ice. 107 00:06:00,120 --> 00:06:03,839 Speaker 1: Although we know the hit song by Vanilla Ice, we've stopped, 108 00:06:03,920 --> 00:06:05,440 Speaker 1: lor I is referring to it. 109 00:06:05,440 --> 00:06:06,680 Speaker 3: Collaborate and listen. 110 00:06:06,960 --> 00:06:09,560 Speaker 2: Ice is back with a brand new intention or so invention. 111 00:06:10,240 --> 00:06:11,480 Speaker 2: I used to be able to sing that whole thing. 112 00:06:11,520 --> 00:06:11,960 Speaker 3: Can you do it? 113 00:06:12,040 --> 00:06:16,279 Speaker 1: I just know I wouldn't even attempt it in front 114 00:06:16,279 --> 00:06:17,920 Speaker 1: of me. I would not do that. 115 00:06:18,279 --> 00:06:18,559 Speaker 3: Ice. 116 00:06:18,920 --> 00:06:20,560 Speaker 4: You do that, baby, You go ahead and do it, 117 00:06:20,600 --> 00:06:23,520 Speaker 4: and then collaborate and listen. 118 00:06:23,760 --> 00:06:25,359 Speaker 3: Ice is back with a brand new invention. 119 00:06:25,839 --> 00:06:28,880 Speaker 1: This is when music died, nineteen ninety, the day that 120 00:06:29,000 --> 00:06:29,719 Speaker 1: music died. 121 00:06:33,080 --> 00:06:34,120 Speaker 3: Come to the extreme. 122 00:06:34,320 --> 00:06:36,279 Speaker 2: I wrock a mic like a vandal, light up a 123 00:06:36,279 --> 00:06:38,360 Speaker 2: stage and watch a jump like a candle dance. 124 00:06:38,640 --> 00:06:41,440 Speaker 3: Go rush to the speaker that booms. I'm killing your 125 00:06:41,440 --> 00:06:41,920 Speaker 3: brain like. 126 00:06:41,880 --> 00:06:44,440 Speaker 1: A do you have any time in all? 127 00:06:45,680 --> 00:06:49,400 Speaker 4: Shockingly yes, with my cold. 128 00:06:50,080 --> 00:06:52,960 Speaker 1: Although we know it's a hit song by Vitilized, Lorelei 129 00:06:53,200 --> 00:06:57,839 Speaker 1: is referring to it like Rory is being Ice Cold 130 00:06:58,000 --> 00:07:00,360 Speaker 1: to her grandparents. You know, only on this pod cast 131 00:07:00,480 --> 00:07:03,080 Speaker 1: is does Vanilla Ice get more respect than Bob Dylan? 132 00:07:03,560 --> 00:07:06,200 Speaker 3: Rolling in my five point oh with my ragtop down 133 00:07:06,240 --> 00:07:08,839 Speaker 3: so my hair candlow. Early He's on the standby waiting 134 00:07:08,920 --> 00:07:12,840 Speaker 3: to see say. I just drove back, kept on pursuing 135 00:07:12,880 --> 00:07:13,600 Speaker 3: to the next stop. 136 00:07:14,120 --> 00:07:16,880 Speaker 1: Amy, What what address are you at right now? Huh? 137 00:07:17,480 --> 00:07:20,520 Speaker 1: Give me your dress. We're gonna send Jeeves over the tranquilizer. 138 00:07:20,520 --> 00:07:23,440 Speaker 3: Anytime I can do, Ice Ice, baby, r. 139 00:07:23,400 --> 00:07:26,240 Speaker 1: I'm right there with you. Did you know that Vanilla 140 00:07:26,320 --> 00:07:28,640 Speaker 1: Ice wrote this song when he was sixteen years old 141 00:07:29,120 --> 00:07:32,200 Speaker 1: and this song was the first hip hop single ever 142 00:07:32,760 --> 00:07:33,920 Speaker 1: to top the Billboard. 143 00:07:34,120 --> 00:07:36,880 Speaker 3: Away, that's actually crazy. 144 00:07:36,560 --> 00:07:41,000 Speaker 1: With diversifying the hot one hundred chart with hip hop music? 145 00:07:41,640 --> 00:07:42,200 Speaker 3: Did you stop? 146 00:07:42,240 --> 00:07:42,280 Speaker 1: No? 147 00:07:42,520 --> 00:07:44,600 Speaker 2: I just drove back, kept on pursuing to do the 148 00:07:44,640 --> 00:07:46,640 Speaker 2: next stop. I must have left and I'm heading to 149 00:07:46,680 --> 00:07:48,600 Speaker 2: the next block. The block was dead, yo. So I 150 00:07:48,640 --> 00:08:02,119 Speaker 2: continued to a one a beachfront avenue Paris, telling Rory 151 00:08:02,200 --> 00:08:05,120 Speaker 2: how she double booked photographers for the football game and 152 00:08:05,160 --> 00:08:05,720 Speaker 2: they got mad. 153 00:08:05,960 --> 00:08:09,480 Speaker 3: First of all, I so this was irritating because no 154 00:08:09,520 --> 00:08:10,240 Speaker 3: one's leaving a. 155 00:08:10,200 --> 00:08:10,840 Speaker 1: Hole like that. 156 00:08:11,280 --> 00:08:13,800 Speaker 2: So Para says, and then, of course when the temperamental 157 00:08:13,880 --> 00:08:16,040 Speaker 2: artis found out, I had double book the gig. They 158 00:08:16,080 --> 00:08:20,280 Speaker 2: flew n Naomi Campbell level hissy fits and quit. Naomi 159 00:08:20,320 --> 00:08:22,960 Speaker 2: Campbell is a legendary model, one of the Big five 160 00:08:23,000 --> 00:08:26,200 Speaker 2: models of her generation, declared supermodels by the fashion industry. 161 00:08:26,240 --> 00:08:27,920 Speaker 2: She was the first black woman to appears a model 162 00:08:27,960 --> 00:08:30,880 Speaker 2: in the covers of Time in Vogue France. Harris is 163 00:08:30,920 --> 00:08:33,920 Speaker 2: referring to when Campbell threw a phone at her assistant 164 00:08:34,320 --> 00:08:36,520 Speaker 2: in two thousand and six and faced assault charges and 165 00:08:36,800 --> 00:08:39,160 Speaker 2: pled guilty. She had to do two hundred hours of 166 00:08:39,160 --> 00:08:42,000 Speaker 2: community service, the same amount of hours I think Rory. 167 00:08:41,760 --> 00:08:42,160 Speaker 1: Had to do. 168 00:08:42,600 --> 00:08:45,360 Speaker 2: Did you know Naomi Campbell has appeared on over five 169 00:08:45,440 --> 00:08:47,720 Speaker 2: hundred magazine covers and is one of the most fought 170 00:08:47,760 --> 00:08:49,760 Speaker 2: photographed people in the world. 171 00:08:49,960 --> 00:08:51,840 Speaker 4: All right, so Laura lies on the phone calling her 172 00:08:51,880 --> 00:08:54,680 Speaker 4: parents that tell them why they aren't paying for Yale anymore. 173 00:08:55,120 --> 00:08:58,280 Speaker 4: Richard picks up, and then Emily picks up Laura, I 174 00:08:58,320 --> 00:09:02,000 Speaker 4: says Rowan Martin. Rowan and Martin's laugh In was a 175 00:09:02,040 --> 00:09:06,439 Speaker 4: sketch comedy TV program hosted by Dan Rowan and Dick Martin. 176 00:09:06,280 --> 00:09:09,520 Speaker 1: And not to interrupt, but guess who bought Dick Martin's 177 00:09:09,559 --> 00:09:13,240 Speaker 1: house that he built in two thousand and three? You 178 00:09:13,240 --> 00:09:13,960 Speaker 1: you thank you? 179 00:09:14,679 --> 00:09:17,720 Speaker 3: Oh no way, that's a cool fun fact. 180 00:09:17,880 --> 00:09:19,600 Speaker 2: Sweet that was your house you had for like a 181 00:09:19,640 --> 00:09:21,240 Speaker 2: long long time eighteen years. 182 00:09:21,800 --> 00:09:23,600 Speaker 3: Oh no, wonder you were so sad to. 183 00:09:23,600 --> 00:09:25,240 Speaker 1: Leave its cool house. 184 00:09:27,840 --> 00:09:28,440 Speaker 3: That's prettyoch. 185 00:09:28,679 --> 00:09:31,520 Speaker 2: I wanted to interject, please do That's exactly the kind 186 00:09:31,520 --> 00:09:32,560 Speaker 2: of interjection we like. 187 00:09:32,920 --> 00:09:34,880 Speaker 1: Thank you, thank you for the encouragement. 188 00:09:36,000 --> 00:09:38,840 Speaker 4: So the show was characterized by a rapid fire series 189 00:09:38,880 --> 00:09:42,800 Speaker 4: of gags and sketches lauralized naming two rapid fire comics 190 00:09:42,880 --> 00:09:45,400 Speaker 4: when answering the phone and both Emily and Richard pick 191 00:09:45,480 --> 00:09:48,800 Speaker 4: up right after each other. And did you know that 192 00:09:49,400 --> 00:09:52,600 Speaker 4: Lauren Michaels was a young writer for this sketch comedy 193 00:09:52,600 --> 00:09:56,240 Speaker 4: show and adapted some ideas for SNL. So if it 194 00:09:56,280 --> 00:09:59,200 Speaker 4: wasn't for Rowan and Martin, we wouldn't have an SNL. 195 00:09:59,400 --> 00:10:02,400 Speaker 3: And isn't this gold wasn't this Goldie Han show too? Yes? 196 00:10:02,520 --> 00:10:04,400 Speaker 1: I was going to say that's where she was, twenty 197 00:10:04,480 --> 00:10:09,240 Speaker 1: year old Goldiehan in a bikini shaken around. You know, 198 00:10:09,320 --> 00:10:12,120 Speaker 1: I don't know about that last statement about the Lauren 199 00:10:12,200 --> 00:10:18,960 Speaker 1: Michaels you know, Lauren Michaels took the National Lampoon guys 200 00:10:20,000 --> 00:10:23,520 Speaker 1: and built SNL, you know, when they were doing their 201 00:10:23,600 --> 00:10:24,199 Speaker 1: radio program. 202 00:10:25,200 --> 00:10:25,480 Speaker 4: Check it. 203 00:10:25,600 --> 00:10:27,199 Speaker 3: I feel like it's probably right. 204 00:10:27,960 --> 00:10:30,920 Speaker 1: Really well, no, no, I know, Rowan and Martin was 205 00:10:30,960 --> 00:10:34,840 Speaker 1: definitely an inspiration. I'm not saying it wasn't for Lauren Michaels, 206 00:10:34,880 --> 00:10:36,640 Speaker 1: but there's more to it. 207 00:10:37,040 --> 00:10:38,960 Speaker 3: Yeah, I think that's probably quite valid. 208 00:10:39,040 --> 00:10:41,719 Speaker 1: Yeah. Yeah, because Chevy Chase and all the Guilder Rater, 209 00:10:41,840 --> 00:10:46,520 Speaker 1: all those people were National Lampoon. Yeah, people doing a 210 00:10:46,640 --> 00:10:47,360 Speaker 1: radio show. 211 00:10:47,960 --> 00:10:50,360 Speaker 4: I watched Christmas Vacations so many times during. 212 00:10:50,200 --> 00:10:57,040 Speaker 1: The holidays, same scenes, Laura I joking about which Christopher, Emily, 213 00:10:57,280 --> 00:11:02,520 Speaker 1: and Richard are referring to laurasipher Isshuewood that cabaret money 214 00:11:02,640 --> 00:11:04,839 Speaker 1: was burning a hole in his pocket. Christopher Isherwood is 215 00:11:04,840 --> 00:11:07,880 Speaker 1: known for the nineteen thirty nine novel Goodbye to Berlin, 216 00:11:08,040 --> 00:11:10,600 Speaker 1: which was later turned into the musical Cabaret. The original 217 00:11:10,640 --> 00:11:14,960 Speaker 1: Broadway production opened on November twenty, nineteen sixty six. I 218 00:11:15,000 --> 00:11:17,600 Speaker 1: remember nineteen sixty six. It was a great year at 219 00:11:17,720 --> 00:11:20,000 Speaker 1: the Broadhurst Theater in New York City. It became a 220 00:11:20,000 --> 00:11:24,120 Speaker 1: box office hit, ran for eleven hundred and sixty six performances, 221 00:11:24,800 --> 00:11:27,280 Speaker 1: and was then turned into a film, Cabaret. The film 222 00:11:27,360 --> 00:11:33,000 Speaker 1: ended up making forty two million dollars at the box office, 223 00:11:33,000 --> 00:11:38,040 Speaker 1: which starred Liza Minelli and directed by Bob Fossey. That 224 00:11:38,160 --> 00:11:41,120 Speaker 1: was a lot of money for a film to rake 225 00:11:41,200 --> 00:11:45,319 Speaker 1: in at that time. Lorelei is comparing her Christopher to 226 00:11:45,400 --> 00:11:49,880 Speaker 1: Christopher Isherwood. Both are rich and burning holes in their pockets. 227 00:11:50,520 --> 00:11:53,520 Speaker 1: Did you know? Author Christopher Isherwood, who created the character 228 00:11:53,559 --> 00:11:56,840 Speaker 1: of Sally Bulls, felt Liza Minelli was far too talented 229 00:11:56,920 --> 00:12:01,559 Speaker 1: for the role. Hell of a thing. Sorry, kid, you're 230 00:12:01,559 --> 00:12:02,400 Speaker 1: too good bye. 231 00:12:02,600 --> 00:12:05,320 Speaker 2: Loralai and Rory are at Yale talking about dressing crazy 232 00:12:05,360 --> 00:12:06,120 Speaker 2: for their lunch date. 233 00:12:06,520 --> 00:12:07,640 Speaker 3: Oh so typical. 234 00:12:07,760 --> 00:12:10,120 Speaker 2: Kid grows up, goes to a fancy school, becomes a snob, 235 00:12:10,120 --> 00:12:12,520 Speaker 2: and is suddenly ashamed of her mother. You totally Mildred 236 00:12:12,559 --> 00:12:15,920 Speaker 2: Piers to me. Mildred Pearce is in nineteen forty five 237 00:12:15,960 --> 00:12:19,960 Speaker 2: American melodrama directed by Michael Curtis and starring Joan Crawford. 238 00:12:20,280 --> 00:12:22,520 Speaker 2: In the film, Mildred and her daughter Vida do not 239 00:12:22,559 --> 00:12:24,720 Speaker 2: get along and she's so ashamed of her mother. The 240 00:12:24,760 --> 00:12:27,160 Speaker 2: film was later turned into a series starring Kate Winslet 241 00:12:27,200 --> 00:12:30,520 Speaker 2: and Guy Pearce. I kind of remember that Laurai is 242 00:12:30,520 --> 00:12:32,600 Speaker 2: saying Rory is ashamed of her by not dressing crazy 243 00:12:32,600 --> 00:12:34,760 Speaker 2: for their lunch date. Did you know the original film 244 00:12:34,760 --> 00:12:38,239 Speaker 2: starring Joan Crawford, the famous slap scene on the staircase 245 00:12:38,320 --> 00:12:41,720 Speaker 2: was an actual slap. Joan instructed her costar and blythe 246 00:12:41,720 --> 00:12:42,880 Speaker 2: to actually slap her. 247 00:12:43,440 --> 00:12:46,280 Speaker 3: Wow. Wow, this is new and improved pop culture. 248 00:12:47,160 --> 00:12:50,160 Speaker 4: This is juicy. Same scene, Laura's telling Rory about the 249 00:12:50,200 --> 00:12:53,160 Speaker 4: reaction from Richard Emily not having to pay for Yale anymore. 250 00:12:53,559 --> 00:12:56,800 Speaker 4: Laura says, they took it great. Mom practically broke the phone, 251 00:12:56,840 --> 00:12:57,320 Speaker 4: she hung. 252 00:12:57,240 --> 00:12:57,840 Speaker 3: Up so hard. 253 00:12:57,880 --> 00:13:01,480 Speaker 4: And Dad, well, Dad was solemn, quiet, sad. It was 254 00:13:01,520 --> 00:13:03,920 Speaker 4: a huge success. Okay, here's how I see it. You 255 00:13:03,960 --> 00:13:07,280 Speaker 4: and your grandparents are at a huge crossroads. A press service, 256 00:13:07,360 --> 00:13:10,880 Speaker 4: if you will. They are the Bridges of Madison County 257 00:13:10,920 --> 00:13:14,600 Speaker 4: and you are Meryl Streep. So The Bridges of Madison 258 00:13:14,600 --> 00:13:17,280 Speaker 4: County is a nineteen ninety five romantic film based on 259 00:13:17,320 --> 00:13:20,120 Speaker 4: the novel written by Robert James Walker. It was produced 260 00:13:20,160 --> 00:13:22,720 Speaker 4: and directed by Clint Eastwood, who also starred in the 261 00:13:22,720 --> 00:13:25,920 Speaker 4: film alongside Meryl Streep. The film is set in nineteen 262 00:13:26,000 --> 00:13:31,400 Speaker 4: sixty five, where Meryl Streep plays it Italian warbride Francesca Johnson, 263 00:13:31,720 --> 00:13:34,160 Speaker 4: who lives with her husband and two children on their 264 00:13:34,200 --> 00:13:38,720 Speaker 4: Iowa farm. That year, she meets national geographic photojournalist Robert 265 00:13:39,000 --> 00:13:42,839 Speaker 4: Kincaid played by Clint Eastwood, who comes to Madison County 266 00:13:42,880 --> 00:13:47,600 Speaker 4: to photograph its historic covered bridges. With Francesca's family away 267 00:13:47,600 --> 00:13:50,240 Speaker 4: for a short trip, the couple have an intense four 268 00:13:50,320 --> 00:13:53,920 Speaker 4: day love affair, and Lorelai is using this reference as 269 00:13:53,960 --> 00:13:57,360 Speaker 4: a divide among their family. Meryl Streep is divided on 270 00:13:57,480 --> 00:14:01,160 Speaker 4: what to do love Clint Eastwood's careacter or go back 271 00:14:01,200 --> 00:14:01,920 Speaker 4: to her husband. 272 00:14:02,440 --> 00:14:06,439 Speaker 1: Emily arguing what she finds music about the whole Christopher 273 00:14:06,480 --> 00:14:11,720 Speaker 1: paying for Yale situation, Laurel I jokingly responds, lourl. Reno 274 00:14:11,840 --> 00:14:15,360 Speaker 1: nine one one, that's a good line. Reno nine one 275 00:14:15,440 --> 00:14:18,200 Speaker 1: one is an American comedy television series created by Robert 276 00:14:18,240 --> 00:14:24,560 Speaker 1: Ben Garrant, Thomas Lennon, and Carrie Kenny Silver. Thomas Lennon 277 00:14:24,760 --> 00:14:29,560 Speaker 1: is a comedic genius. It is a mockumentary documentary style 278 00:14:29,680 --> 00:14:33,880 Speaker 1: parody of law enforcement documentary show, specifically cops, with comic 279 00:14:33,960 --> 00:14:38,360 Speaker 1: actors playing the police officer. Laurai is naming off something 280 00:14:38,400 --> 00:14:41,480 Speaker 1: amusing by responding to Emily, did you know the whole 281 00:14:41,520 --> 00:14:44,280 Speaker 1: series is basically improvised by the cast. 282 00:14:45,960 --> 00:14:47,000 Speaker 3: People love that show. 283 00:14:47,200 --> 00:14:51,960 Speaker 1: Oh it's brilliant. It's brilliant. I mean, just it's so funny. 284 00:14:52,160 --> 00:14:53,360 Speaker 1: It is really funny. 285 00:14:53,440 --> 00:14:55,760 Speaker 2: I'm happy this once for me. Loreli and Luke are 286 00:14:55,760 --> 00:14:58,160 Speaker 2: awkward in the morning and bump into each other, which 287 00:14:58,880 --> 00:15:01,200 Speaker 2: if you miss the recap this week we dig into this, 288 00:15:01,440 --> 00:15:03,960 Speaker 2: but Laura Li says it hurts so good, as mister 289 00:15:04,080 --> 00:15:08,520 Speaker 2: Mellencamp said, is it bleeding? Okay, There's many reasons why 290 00:15:08,640 --> 00:15:10,800 Speaker 2: I love this line, but first I'll tell you. John 291 00:15:10,840 --> 00:15:13,800 Speaker 2: Mellencamp is a singer songwriter whose hit Hurt So Good 292 00:15:13,880 --> 00:15:17,280 Speaker 2: landed number two on the Billboard Hot one hundred. Lorli 293 00:15:17,360 --> 00:15:19,680 Speaker 2: quotes this song after bumping into Luke in the bedroom 294 00:15:19,720 --> 00:15:23,320 Speaker 2: in the morning. John's daughter and our good friend, Teddy 295 00:15:23,360 --> 00:15:26,440 Speaker 2: Mellencamp was on the Real Housewives of Beverly Hills. In 296 00:15:26,480 --> 00:15:29,160 Speaker 2: a recent Watch What Happens Live interview with Teddy, he 297 00:15:29,160 --> 00:15:31,240 Speaker 2: said he has only seen a few episodes the show 298 00:15:31,360 --> 00:15:32,480 Speaker 2: and calls her dramatic. 299 00:15:33,280 --> 00:15:36,680 Speaker 1: John Mellencamp's daughter Yeah, you didn't know that. I did 300 00:15:36,720 --> 00:15:37,880 Speaker 1: not know that. Oh. 301 00:15:37,960 --> 00:15:40,200 Speaker 3: Yes, So we work every day with Teddy Mellencamp. She 302 00:15:40,320 --> 00:15:43,640 Speaker 3: is our pal. We'd love her. Her podcast is amazing. 303 00:15:44,120 --> 00:15:47,480 Speaker 1: But we hung out at the Vegas thing. Yeah, I 304 00:15:47,520 --> 00:15:51,440 Speaker 1: heard she's fantastic. That's her dad. 305 00:15:52,000 --> 00:15:54,840 Speaker 4: Yeah, wait, Amy, have you met have you met John? 306 00:15:54,880 --> 00:15:56,040 Speaker 4: Because I've met him with her? 307 00:15:56,520 --> 00:15:57,600 Speaker 3: Oh are you serious? 308 00:15:57,760 --> 00:15:58,120 Speaker 4: Yeah? 309 00:15:58,200 --> 00:15:58,880 Speaker 1: Who's her mother? 310 00:15:59,200 --> 00:16:03,040 Speaker 2: Her mom was married to John isn't now but at 311 00:16:03,040 --> 00:16:04,520 Speaker 2: the time, but not famous. 312 00:16:04,720 --> 00:16:06,560 Speaker 3: But this is the funniest thing, so I. 313 00:16:06,480 --> 00:16:09,640 Speaker 1: Always correct it was before. 314 00:16:10,320 --> 00:16:15,120 Speaker 2: So I always tell Teddy like, hell's your dad because 315 00:16:15,200 --> 00:16:19,080 Speaker 2: I think he's so cute, And she'll say Pepaw And 316 00:16:19,120 --> 00:16:21,720 Speaker 2: then sometimes she'll send me like Christmas photos where they're 317 00:16:21,760 --> 00:16:23,560 Speaker 2: all there and literally, this. 318 00:16:23,520 --> 00:16:24,520 Speaker 3: Is what I'll say about Peapa. 319 00:16:25,040 --> 00:16:29,720 Speaker 2: It's like Christmas morning and Pea Paw is ten out 320 00:16:29,760 --> 00:16:32,920 Speaker 2: of ten dressed in the coolest outfits I've ever seen. 321 00:16:32,960 --> 00:16:35,320 Speaker 2: I'm literally like, Pepa is wearing that in the kitchen 322 00:16:35,400 --> 00:16:40,840 Speaker 2: right now, like what a study has come out on stage, 323 00:16:40,880 --> 00:16:43,280 Speaker 2: the kids have come out on stage with John, Like 324 00:16:44,360 --> 00:16:45,480 Speaker 2: it's pretty cool. 325 00:16:46,040 --> 00:16:47,880 Speaker 3: Yeah, it's legit. 326 00:16:48,360 --> 00:16:52,560 Speaker 2: Yeah. She she sends the barf emoji every time I say, 327 00:16:52,600 --> 00:16:53,800 Speaker 2: your dad's a babe. 328 00:16:54,800 --> 00:16:55,920 Speaker 3: So many people say it's her. 329 00:16:56,200 --> 00:16:58,520 Speaker 4: When we were in Vegas for something with her, her 330 00:16:58,640 --> 00:17:01,640 Speaker 4: dad was performing at the Oh that's right, and so 331 00:17:01,760 --> 00:17:04,280 Speaker 4: he stopped by to say hi, and I was like, 332 00:17:04,320 --> 00:17:05,240 Speaker 4: I think you just forget. 333 00:17:05,560 --> 00:17:06,920 Speaker 3: We work with Teddy so much I forget. 334 00:17:06,960 --> 00:17:09,440 Speaker 4: I'm like, oh, her dad's John Mellencamp, like ever, just. 335 00:17:09,359 --> 00:17:13,080 Speaker 3: Forget well, And they have the total regular father daughter like. 336 00:17:13,160 --> 00:17:16,159 Speaker 3: He's just a regular old dad to her. But to us, 337 00:17:16,200 --> 00:17:17,800 Speaker 3: we're like, it's John Mellencamp. 338 00:17:17,840 --> 00:17:24,200 Speaker 2: I just want to go Little Diddy, Little Doddy, Little Diddy. 339 00:17:24,600 --> 00:17:25,960 Speaker 3: He's so awesome. 340 00:17:27,520 --> 00:17:30,040 Speaker 1: So he was John Cougar and then he became. 341 00:17:30,320 --> 00:17:32,360 Speaker 2: John Cougar Mellencamp, and then there was a time when 342 00:17:32,400 --> 00:17:36,200 Speaker 2: he wasn't like John, don't call me Cougar. I think 343 00:17:36,200 --> 00:17:38,280 Speaker 2: it was John Cougar. Then he was John Cougar Mellencamp. 344 00:17:38,480 --> 00:17:39,800 Speaker 2: But he's really John Mellencamp. 345 00:17:40,160 --> 00:17:42,080 Speaker 4: Teddy sometimes says the Kougs. 346 00:17:42,560 --> 00:17:44,160 Speaker 3: Yes they do, ca the Cougs. 347 00:17:44,280 --> 00:17:48,760 Speaker 2: Yeah, we should have cold called Eddy. 348 00:17:48,960 --> 00:17:50,320 Speaker 3: We should have just called her and been like, your 349 00:17:50,400 --> 00:17:52,640 Speaker 3: dad's in our pop culture. Maybe we'll do that. He's 350 00:17:52,720 --> 00:17:53,600 Speaker 3: recording right now. 351 00:17:54,000 --> 00:17:56,280 Speaker 2: Oh my god, Tara, maybe we need to call her 352 00:17:57,080 --> 00:17:59,320 Speaker 2: when we record again, give her a little shout out, 353 00:17:59,320 --> 00:18:01,280 Speaker 2: because we did that with Mark Dallas. When we need 354 00:18:01,280 --> 00:18:03,440 Speaker 2: to call all the celebrities. 355 00:18:02,840 --> 00:18:03,720 Speaker 3: When their parents. 356 00:18:04,040 --> 00:18:09,880 Speaker 1: You mentioned it's a whole new podcast exactly. Anyway, that's 357 00:18:09,880 --> 00:18:12,399 Speaker 1: going to wrap it up here. Thank you, ladies, Tara 358 00:18:12,520 --> 00:18:18,080 Speaker 1: sued Amy Sugarman. Next episode, Season six, episode fourteen. You've 359 00:18:18,080 --> 00:18:20,360 Speaker 1: been Gilmore best friends on the planet. Keep the cards 360 00:18:20,359 --> 00:18:23,760 Speaker 1: and letters coming. Don't forget to go to veeps dot 361 00:18:23,920 --> 00:18:29,280 Speaker 1: events backslash I hyphen m hyphen all hyphen in for 362 00:18:29,600 --> 00:18:34,359 Speaker 1: tickets to our live event January seventeenth, and it's going 363 00:18:34,440 --> 00:18:37,280 Speaker 1: to start streaming a week after that, so you can 364 00:18:37,280 --> 00:18:41,639 Speaker 1: get tickets to both. Anyway, I love you guys, Stay 365 00:18:41,640 --> 00:19:12,840 Speaker 1: safe everyone, Hey, everybody, and at forget. Follow us on 366 00:19:12,920 --> 00:19:17,359 Speaker 1: Instagram at I Am all In podcast and email us 367 00:19:17,400 --> 00:19:30,760 Speaker 1: at Gilmore at iHeartRadio dot com.