WEBVTT - #149 - Tenille Townes (Bobby Bones Class of 2019)

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<v Speaker 1>Welcome to episode one nine of the Bobby Cast. Here

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<v Speaker 1>with Tanil towns Um And By the way, I know

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<v Speaker 1>you're a big Tom Douglas fan, right I am. Yes,

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<v Speaker 1>he wrote the House That Built Me. That Miranda sang

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<v Speaker 1>one of my favorite songs of all time. He's done

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<v Speaker 1>one of these before for an hour for an hour. Yeah,

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<v Speaker 1>I should go back and check that out. I totally will. Yeah,

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<v Speaker 1>what do you just just we're not I mean, I

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<v Speaker 1>guess we're kind of promoting a past episode. But what

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<v Speaker 1>did he write? What else did he write? It had

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<v Speaker 1>a really good story about was when Lady and Bell

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<v Speaker 1>and come to his house. Yeah, and they sat around

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<v Speaker 1>the piano and yeah, and how they all just kind

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<v Speaker 1>of It's good. I was thinking about because I know

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<v Speaker 1>you're coming over and I'm a big fan. That's one

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<v Speaker 1>of your favorite songs on the House to Build Me. Yes,

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<v Speaker 1>it really is. I every time I hear it, whether

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<v Speaker 1>it's like the intro coming on the radio or I've

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<v Speaker 1>heard her do it in her show night after night,

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<v Speaker 1>and it's like, every time it takes me back to

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<v Speaker 1>my childhood house and makes me weepy. Isn't it crazy?

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<v Speaker 1>Has some songs you hear and they actually like either

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<v Speaker 1>speak to you or for you yes. And that didn't

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<v Speaker 1>happen to me until probably, you know, my mid twenties,

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<v Speaker 1>where I started to go, oh, these songs are actually

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<v Speaker 1>saying how I feel. It was the first time I've

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<v Speaker 1>ever heard a song. The one for me was John Mayer,

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<v Speaker 1>Stop this Train. I would do that song. I would go, oh,

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<v Speaker 1>he sings for what I'm thinking, And it was the

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<v Speaker 1>first time a songwriter had ever actually said words that

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<v Speaker 1>I felt. And that's when it all started the shifts

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<v Speaker 1>for me going oh, there are not people that kind

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<v Speaker 1>of understand how I feel singing, And for me it

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<v Speaker 1>was it was John Mayer. It's funny that you say

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<v Speaker 1>that you hear that song and you think about, you know,

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<v Speaker 1>going back home, who are the other songwriters that you

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<v Speaker 1>you hear and go oh, man, like, that's that's some

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<v Speaker 1>real stuff. Laura McKenna. I got to see her play

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<v Speaker 1>around at the Bluebird when I first pulled into town

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<v Speaker 1>to move here. Flucally got a seat and I'll never

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<v Speaker 1>forget sitting there watching her. And I had known her

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<v Speaker 1>name and known her songs because I'm kind of like

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<v Speaker 1>a lyric book freak and I had obsessed over all

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<v Speaker 1>my favorites were always hers on these records, and I

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<v Speaker 1>really this that. It really hit me and I went

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<v Speaker 1>home and like completely went through her whole catalog and

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<v Speaker 1>collection and I have still like three of her CDs

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<v Speaker 1>in my six CD truck. So I'm I'm a big fan.

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<v Speaker 1>Patty Griffin is the one that I just absolutely love.

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<v Speaker 1>There's something so raw about her delivery too. It's it

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<v Speaker 1>just feels like she's kind of walking up to the

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<v Speaker 1>mic and saying something. I think there's a lot of

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<v Speaker 1>truth that fits out from there. Loria was going to

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<v Speaker 1>come to a show here. I know Laurie relatively well,

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<v Speaker 1>and I got sick because Laura doesn't live here, she

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<v Speaker 1>lives in Boston, and she was coming down and we've

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<v Speaker 1>tried like three times, and I talked to Loria tell

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<v Speaker 1>we text back and forth a little bit, and I

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<v Speaker 1>got really sick. And I feel I let a lot

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<v Speaker 1>of people down because they were still excited about her coming.

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<v Speaker 1>I was excited, were you, Yeah, we've been trying so long,

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<v Speaker 1>it'll happen. Yeah, it'll happen to you know. Have you

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<v Speaker 1>been to write with Lorie? So I wrote with Lauria

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<v Speaker 1>here on one of her trips, and I was just

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<v Speaker 1>like shaking, Oh yeah, it's like I think we were

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<v Speaker 1>actually talking a little bit about this um before. But

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<v Speaker 1>it's one thing to meet someone you look up to

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<v Speaker 1>a lot, and then it's a whole other thing when

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<v Speaker 1>they completely exceed all the expectations that you have. And

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<v Speaker 1>she sat down and she was just so cool and

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<v Speaker 1>kind and just like such a sweet mom. She's like

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<v Speaker 1>talking to her son on the phone right before we

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<v Speaker 1>were writing and asking me about my story, and we

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<v Speaker 1>just sat there and got to know one another. I

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<v Speaker 1>love that when a writer really it's like I know

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<v Speaker 1>we're here to like write a song, but like tell

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<v Speaker 1>me about your heart. I love that so much. And

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<v Speaker 1>she was just everything and more I dreamed of that

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<v Speaker 1>session would be. That song is very special to me.

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<v Speaker 1>I like got my vehicle after drove phone parked in

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<v Speaker 1>front of my little place, like called my dad was

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<v Speaker 1>like crying, and we have this thing that we say,

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<v Speaker 1>it's it's a good day to go for ice cream,

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<v Speaker 1>and so he'll go for like ice cream back at home.

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<v Speaker 1>And I definitely had ice cream in the day that

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<v Speaker 1>I wrote with Laurie. My kind of was pretty cool.

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<v Speaker 1>And Laurie. If you're not familiar with Laurie, she um

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<v Speaker 1>is one of the love junkies. First of all that

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<v Speaker 1>um she wrote girl Crush and that those three it's Laurie, Hilary,

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<v Speaker 1>Lindsay and Liz Rose. Liz also did one of these

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<v Speaker 1>was fantastic too, so cool. Um they write together. Lorie

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<v Speaker 1>also went humbling kind Laurie's written a bunch of songs, um,

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<v Speaker 1>and she's an artist herself, like it sings. But yeah,

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<v Speaker 1>we'll get that one soon hopefully so. And you mentioned

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<v Speaker 1>Patty grib I wondered at a Patty and Austin sometimes

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<v Speaker 1>that's so cool. Yeah, you you bet remind me of Patty.

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<v Speaker 1>Like your style. That means a lot. Um, Larry, Let's

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<v Speaker 1>play something here. This is let us do where you are.

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<v Speaker 1>It's quite a litle bit of that outstanding. It's a

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<v Speaker 1>line any MoU just find my way away are. This

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<v Speaker 1>might have been the first song from ever. It's the

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<v Speaker 1>one last thing back to you the most. Yes, I

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<v Speaker 1>love that you do. It's and Neil opened up for

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<v Speaker 1>me uh in my comedy show this past weekend, and

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<v Speaker 1>she was like any request from the crowd, and I

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<v Speaker 1>was just sitting in the crowd, and I was like,

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<v Speaker 1>where you are hard? So she played it? She played it? Yeah,

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<v Speaker 1>so what tell me about that song? How long agould

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<v Speaker 1>you write that? Let's see, just over a year ago,

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<v Speaker 1>also still relatively newish, Yeah, I think so. My My

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<v Speaker 1>friends Dan, Daniel Tashan and Keylan Donovan and I were

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<v Speaker 1>sitting at Big Yellow Dog we all right for that

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<v Speaker 1>publishing company, and and Daniel had this really cool little

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<v Speaker 1>kind of electric mandolin and he was playing this beautiful

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<v Speaker 1>little melody and Keelan was saying how true love is

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<v Speaker 1>really represented by how long you'll stand in line for

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<v Speaker 1>someone for anything. Like That's such a good point. We

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<v Speaker 1>just kind of went from there. But I love this song.

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<v Speaker 1>Yeah I did too. It's a good one. It's right

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<v Speaker 1>now you have um, you have that what the living rooms?

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<v Speaker 1>That sessions? Living room work types don't even work types, right,

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<v Speaker 1>and it's all very acoustic stuff. Yes, So how many

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<v Speaker 1>of those songs are on that? I'm okay? So it's

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<v Speaker 1>like where you are, Jersey on the Wall, White Horse,

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<v Speaker 1>Somebody's daughter obviously, um, but somebody's daughter you have up twice.

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<v Speaker 1>It's do you have to you have the acoustic version

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<v Speaker 1>and then the full version. Right, so you have those four.

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<v Speaker 1>But what I was telling you it was like I'm

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<v Speaker 1>so ready for like a bunch of music, like and

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<v Speaker 1>I'm a big fan. I tell you that all the time.

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<v Speaker 1>And I'm not even embarrassed to tell you because I

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<v Speaker 1>think if you enjoy what people do and they create,

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<v Speaker 1>you should tell them. Um. And I remember the first

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<v Speaker 1>time we met. We were in Las Vegas, not together.

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<v Speaker 1>I don't even know if you knew who I was. Oh,

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<v Speaker 1>definitely knew who you were. This is probably eight six

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<v Speaker 1>seven months ago. Yeah, man, it's only that. So there

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<v Speaker 1>was a party and I was after an award show.

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<v Speaker 1>Is that what we were there for? Yes? I think so.

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<v Speaker 1>And I walked up to this party because it was

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<v Speaker 1>are you see okay? So am we have so we

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<v Speaker 1>have the same representation? Yeah? Um, and so I go

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<v Speaker 1>to this party where like my agents are TV agents

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<v Speaker 1>or c A, my music agents or CIA, and so I,

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<v Speaker 1>um go up to this party where they were and

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<v Speaker 1>they're like, yeah, there's some artists over here. You just

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<v Speaker 1>say how to some people and they were like Danil

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<v Speaker 1>Towns over there. I was like, oh, I'm the biggest

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<v Speaker 1>Danil Towns fan and I walk out and I'm like, hey, Danil,

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<v Speaker 1>and she was like, you don't know who I am?

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<v Speaker 1>And I was like, yeah, you are from Calgary, Like

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<v Speaker 1>every thinking about like how do you know that? Like hello?

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<v Speaker 1>It was so cool. Thank you for that. It's cool.

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<v Speaker 1>And now I'm gonna play a little bit of somebody's

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<v Speaker 1>daughter here because this is your song right now, this

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<v Speaker 1>is what they call your single. It's this correct? Yeah, boy,

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<v Speaker 1>it was How did they go along with you and

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<v Speaker 1>pick a song and it's gonna be your first song?

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<v Speaker 1>And what's that process? Like are you involved in that?

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<v Speaker 1>Are you sitting in a room thinking about, well, what's

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<v Speaker 1>gonna be the first single? Definitely for me, I'm such

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<v Speaker 1>I love believing in the process of like envisioning what

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<v Speaker 1>you want to happen and focusing on that. And for me,

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<v Speaker 1>looking at the collection of songs, the sage of what

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<v Speaker 1>this stands for and what I kind of wanted to

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<v Speaker 1>walk out with an introduction to people for was represented

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<v Speaker 1>in this song to me, and I'm really grateful to

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<v Speaker 1>the people that I work with really listened to that

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<v Speaker 1>and respected that, and we all bounced around everybody's ideas

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<v Speaker 1>and and I'm grateful. This one kind of stuck out

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<v Speaker 1>for everybody. Is this the one that you wanted? Yes, well,

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<v Speaker 1>rare than a new artist has an idea and everyone

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<v Speaker 1>agrees with it. I really do consider that a really

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<v Speaker 1>cool thing. So you grew up in Canada, I did, so,

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<v Speaker 1>are you from Calgary or from outside Calgary, like where

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<v Speaker 1>I'm from Grand Prairie. Actually, so it's like eight hours

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<v Speaker 1>north of Calgary. You're not even from Calgary. No, that's

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<v Speaker 1>like a whole different state in the in America from Calgary.

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<v Speaker 1>Alberta's close anything in Olvera. I'm like, yeah, that's where

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<v Speaker 1>I'm from, but it's Grand Fairies. So it's you know,

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<v Speaker 1>a fairly small community and the wide open spaces, lots

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<v Speaker 1>of sky, lots of fields for most of the year,

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<v Speaker 1>lots of snow. Yeah. We were in Michigan and there

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<v Speaker 1>was like a little bit of know, it mostly melted.

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<v Speaker 1>I was like, oh, look at this, not just a

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<v Speaker 1>little nothing. I mean, that's so cold and snowy it is.

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<v Speaker 1>It's like, I mean, I it's a winter wonderland. I

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<v Speaker 1>was just up there for Christmas and it's beautiful. It

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<v Speaker 1>builds a lot of character for people up there because

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<v Speaker 1>It's not always the most glamorous of circumstances, shoveling and

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<v Speaker 1>working outside in the cold, and I think it brings

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<v Speaker 1>people closer together a lot, because you're stuck in the

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<v Speaker 1>house all the time. Yeah, you gotta, you gotta make

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<v Speaker 1>your own sunshine up there. So why I moved to Nashville.

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<v Speaker 1>Did you think about staying in Canada and doing country

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<v Speaker 1>music in Canada? Like, what was the deal? I did?

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<v Speaker 1>And I definitely got my feet wet putting things out

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<v Speaker 1>in Canada and touring and exploring that there's a really

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<v Speaker 1>awesome community of Canadian country music family up there that

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<v Speaker 1>I love. But for me, it was always sort of

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<v Speaker 1>this crazy dream. I did this song or his workshop

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<v Speaker 1>when I was fourteen, and one of the mentors was

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<v Speaker 1>from Nashville, and I had obviously heard of Nashville. I

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<v Speaker 1>listened to the Grand Operations my grandparents and knew from

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<v Speaker 1>all the liner notes, so this is where all the

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<v Speaker 1>recording happened and the writing, and just dreamed about it.

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<v Speaker 1>And this mentor was like, we should come to Nashville

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<v Speaker 1>and right sometime, and I was like, you can do that,

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<v Speaker 1>Like we could just go there and write, and so

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<v Speaker 1>shortly after that, my mom took me and made my

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<v Speaker 1>first trip, and she rented the car and drove me

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<v Speaker 1>around to these writing sessions, and I fell in love

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<v Speaker 1>four your fourteen and you you came to Nashville and

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<v Speaker 1>drove around with people. Yes, how did you get rights

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<v Speaker 1>of fourteen? From that mentor that you know? Wrote with me?

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<v Speaker 1>He was mostly who I was writing with on that trip.

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<v Speaker 1>But then he set up other sessions for us to

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<v Speaker 1>go go to, So I'll be forever grateful for that.

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<v Speaker 1>And and I went. We went and saw everything. We drove.

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<v Speaker 1>I would make my mom drive up and down, music

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<v Speaker 1>grow and I would just be like reading all the

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<v Speaker 1>signs of these buildings. And we went to the opera

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<v Speaker 1>and walked around the Hall of Fame, and it just

0:10:57.320 --> 0:10:58.920
<v Speaker 1>lit this fire in me. I was like, I can

0:10:59.000 --> 0:11:01.920
<v Speaker 1>all wait to come back years someday. And I kept

0:11:01.920 --> 0:11:04.079
<v Speaker 1>making trips back and forth from that point as much

0:11:04.080 --> 0:11:07.200
<v Speaker 1>as my parents would let me skip school and and

0:11:07.400 --> 0:11:10.280
<v Speaker 1>come and take the time to take me in. And

0:11:10.320 --> 0:11:13.680
<v Speaker 1>I made probably seven or eight trips until I graduated.

0:11:14.480 --> 0:11:16.960
<v Speaker 1>And then before graduation, I sat my parents down. I

0:11:16.960 --> 0:11:20.240
<v Speaker 1>was like, so my dad's a big outliers guy and

0:11:20.480 --> 0:11:23.040
<v Speaker 1>believes in the ten thousand hours thing, and that was

0:11:23.120 --> 0:11:24.840
<v Speaker 1>my pitch. I was like, I can't get my ten

0:11:24.880 --> 0:11:28.320
<v Speaker 1>thousand hours, you know, working at this music thing if

0:11:28.320 --> 0:11:31.720
<v Speaker 1>I'm going to go to university somewhere. So I didn't apply,

0:11:32.120 --> 0:11:34.600
<v Speaker 1>and I came up with this plan where we visited

0:11:34.880 --> 0:11:37.160
<v Speaker 1>junior high in high schools and spent thirty two weeks

0:11:37.200 --> 0:11:40.360
<v Speaker 1>in a motor home driving across Canada and playing for kids.

0:11:40.400 --> 0:11:43.480
<v Speaker 1>And it was like the most awesome experience and made

0:11:43.480 --> 0:11:45.440
<v Speaker 1>me fall in love with the roads so much. I

0:11:45.480 --> 0:11:48.160
<v Speaker 1>was like, Okay, I'm in. And then when that too

0:11:48.160 --> 0:11:52.280
<v Speaker 1>a wrapped, I decided that Nashville was where I wanted

0:11:52.280 --> 0:11:55.839
<v Speaker 1>to land and go, and so my dad and helped

0:11:55.840 --> 0:11:59.080
<v Speaker 1>me drive. We loaded up my Tacoma and it's forty

0:11:59.120 --> 0:12:03.640
<v Speaker 1>five hour trip from her. I'm fraide to Nashville. What's

0:12:03.640 --> 0:12:06.400
<v Speaker 1>the when you cross Canada into the States that border

0:12:06.480 --> 0:12:10.200
<v Speaker 1>tricky or no? Tricky? Yeah, I mean the press because

0:12:10.200 --> 0:12:12.680
<v Speaker 1>I've done in the Mexico when yes, So I don't

0:12:12.679 --> 0:12:15.080
<v Speaker 1>know what the candidate American border is. You gotta have

0:12:15.120 --> 0:12:17.120
<v Speaker 1>your pay work for sure, but you can also just

0:12:17.200 --> 0:12:20.360
<v Speaker 1>come visit for six months. So initially I wasn't sure

0:12:20.800 --> 0:12:22.560
<v Speaker 1>what it was like to be here and stay so

0:12:22.559 --> 0:12:24.360
<v Speaker 1>that my plan was just to come for six months

0:12:24.400 --> 0:12:26.760
<v Speaker 1>and see And so we crossed the border. That was

0:12:26.760 --> 0:12:28.679
<v Speaker 1>funny that the guard at the border looked at my

0:12:28.720 --> 0:12:30.120
<v Speaker 1>dad and was like, so, let me get this straight.

0:12:30.160 --> 0:12:32.520
<v Speaker 1>You're driving her all the way to Nashville and you're

0:12:32.600 --> 0:12:35.560
<v Speaker 1>dropping her off and you're flying home and you're leaving

0:12:35.559 --> 0:12:39.600
<v Speaker 1>her there. And my Dad's like, yeah, that sounds kind

0:12:39.600 --> 0:12:42.160
<v Speaker 1>of crazy, doesn't it. But that's exactly what happened. So

0:12:42.760 --> 0:12:46.000
<v Speaker 1>I stayed here and just I mean, I loved it

0:12:46.000 --> 0:12:48.280
<v Speaker 1>so much. I learned so much. I would go out

0:12:48.320 --> 0:12:51.160
<v Speaker 1>to writers around every night and just obsess over all

0:12:51.240 --> 0:12:55.720
<v Speaker 1>my heroes and go sitting Guitar Center forever and being

0:12:55.800 --> 0:12:59.000
<v Speaker 1>completely intimidated and overwhelmed by the massive amount of talent

0:12:59.080 --> 0:13:01.600
<v Speaker 1>in this town. And it just made me so hungry

0:13:01.640 --> 0:13:03.960
<v Speaker 1>to go home and write a million more songs. I

0:13:04.000 --> 0:13:05.880
<v Speaker 1>want to talk about that going to writer's rounds. Just

0:13:05.880 --> 0:13:08.600
<v Speaker 1>one second. Warry Parker all right, So let me talk

0:13:08.640 --> 0:13:11.400
<v Speaker 1>about Warby Parker for a second. I do have many

0:13:11.440 --> 0:13:14.959
<v Speaker 1>pair of Warby Parker glasses. Wary Parker is a collaboration

0:13:15.040 --> 0:13:19.119
<v Speaker 1>between four close friends. They were conceived as an alternative

0:13:19.120 --> 0:13:22.480
<v Speaker 1>to the overpriced and bland I wear that mostly you

0:13:22.520 --> 0:13:25.000
<v Speaker 1>get today. They felt prescription I wor should not cost

0:13:25.040 --> 0:13:27.360
<v Speaker 1>you more than a plane ticket or a new iPhone,

0:13:27.520 --> 0:13:32.120
<v Speaker 1>and that's why glasses start at including prescription lenses. These

0:13:32.200 --> 0:13:35.640
<v Speaker 1>lenses include anti glare and anti scratch codings, and for

0:13:35.679 --> 0:13:37.920
<v Speaker 1>every pair that you buy, a pair is distributed to

0:13:37.960 --> 0:13:40.080
<v Speaker 1>someone in need. So you may be thinking, how can

0:13:40.120 --> 0:13:42.760
<v Speaker 1>you possibly buy eyeglasses online? Because that's what I thought

0:13:42.760 --> 0:13:45.520
<v Speaker 1>too before I did it. Well Warry Parker's completely free

0:13:45.520 --> 0:13:49.880
<v Speaker 1>home trial program. You can't order five pair of glasses online.

0:13:49.920 --> 0:13:52.000
<v Speaker 1>They shipped to you and you have five days to

0:13:52.080 --> 0:13:53.760
<v Speaker 1>try them on, show them around of your friends say

0:13:53.800 --> 0:13:55.880
<v Speaker 1>how do I look at this? And it's super easy.

0:13:55.880 --> 0:13:59.160
<v Speaker 1>It's a free and really easy right, so so easy? Uh?

0:13:59.400 --> 0:14:00.959
<v Speaker 1>You know, when you find a pair of glasses you'd like,

0:14:01.040 --> 0:14:04.360
<v Speaker 1>go to Warby Parker dot com slash Bobby. That's what

0:14:04.400 --> 0:14:07.360
<v Speaker 1>you should do, order your favorite pair and they'll even

0:14:07.400 --> 0:14:09.680
<v Speaker 1>call your doctor if you don't have your prescription handy

0:14:09.840 --> 0:14:12.840
<v Speaker 1>Warby w A R b Y Warby Parker dot com

0:14:12.840 --> 0:14:14.600
<v Speaker 1>slash Bobby. You get started with a free home try

0:14:14.640 --> 0:14:18.800
<v Speaker 1>on Warby Parker dot com slash Bobby find your perfect

0:14:18.800 --> 0:14:21.440
<v Speaker 1>pair of glasses. Okay, So you you come to town

0:14:21.960 --> 0:14:23.680
<v Speaker 1>and you're going to writer's rounds, which means you walk

0:14:23.720 --> 0:14:26.520
<v Speaker 1>into a place. It can be like the listening room cafe.

0:14:26.600 --> 0:14:29.440
<v Speaker 1>You can be the bluebird. It's just songwriters playing the

0:14:29.440 --> 0:14:32.840
<v Speaker 1>songs they wrote. Most of the times, it's not the artists.

0:14:32.560 --> 0:14:34.960
<v Speaker 1>When you would go to the writer's rounds, who did

0:14:35.000 --> 0:14:37.120
<v Speaker 1>you see And you'd go like, it's so freaking cool

0:14:37.160 --> 0:14:38.800
<v Speaker 1>that I can see this person play like in your

0:14:38.800 --> 0:14:41.440
<v Speaker 1>early days of just going in like watching Kalen Smith.

0:14:42.280 --> 0:14:44.520
<v Speaker 1>Caitlin's one of the first ones things we ever did. Yeah,

0:14:44.560 --> 0:14:47.440
<v Speaker 1>Caitlin's a friend, She's so cool. And I would hear

0:14:47.480 --> 0:14:51.000
<v Speaker 1>people like Caitlin South, Laura Canada, Tom Douglas, I mean,

0:14:52.560 --> 0:14:55.480
<v Speaker 1>Josh Kere, Gordy Sampson, all these guys like talk about

0:14:55.880 --> 0:14:57.680
<v Speaker 1>what it was like when they first got to town

0:14:58.120 --> 0:15:01.200
<v Speaker 1>and talk about showing up in this town with stars

0:15:01.200 --> 0:15:04.800
<v Speaker 1>in their eyes and just this creative spirit and just

0:15:05.000 --> 0:15:07.040
<v Speaker 1>keep plugging away at it and hear the story of

0:15:07.080 --> 0:15:10.680
<v Speaker 1>how long it takes and you know their process, And

0:15:10.720 --> 0:15:13.040
<v Speaker 1>that was always the most encouraging thing because I was like,

0:15:13.120 --> 0:15:15.080
<v Speaker 1>if they can sit there and play that song. It's

0:15:15.120 --> 0:15:17.600
<v Speaker 1>like a number one on radio that they poured their

0:15:17.600 --> 0:15:20.360
<v Speaker 1>whole heart into and tell me that you stick with

0:15:20.400 --> 0:15:22.200
<v Speaker 1>it and it works. And I was like, I'm gonna

0:15:22.280 --> 0:15:24.280
<v Speaker 1>do that. You know. It was really cool to hear

0:15:24.320 --> 0:15:27.480
<v Speaker 1>them tell those stories and so you did that a lot. Huh.

0:15:27.640 --> 0:15:30.600
<v Speaker 1>Who What's funny is people come to town and other

0:15:30.600 --> 0:15:32.720
<v Speaker 1>people come to town around the same time. Because this town,

0:15:32.880 --> 0:15:35.479
<v Speaker 1>there's always a new crew people coming in. It's like classes.

0:15:35.800 --> 0:15:38.520
<v Speaker 1>And I've often talked to artists and songwriters about who

0:15:38.560 --> 0:15:41.960
<v Speaker 1>came in their class, because like in my class around

0:15:42.000 --> 0:15:44.880
<v Speaker 1>the same time was Dan and Shay. They got together,

0:15:45.760 --> 0:15:48.160
<v Speaker 1>I got on the radio. We kind of started at

0:15:48.160 --> 0:15:51.040
<v Speaker 1>the same time. We kind of have that we're going

0:15:51.040 --> 0:15:55.760
<v Speaker 1>through this together. Um, you know, we've even a bit, Darius,

0:15:55.760 --> 0:15:58.880
<v Speaker 1>because we were both doing pop and rocks and we

0:15:59.000 --> 0:16:00.640
<v Speaker 1>both crossed, so we've done a bunch of stuff together.

0:16:00.920 --> 0:16:02.960
<v Speaker 1>That So who moved to town around the time you

0:16:03.000 --> 0:16:04.320
<v Speaker 1>did that you kind of would see and you were

0:16:04.320 --> 0:16:06.760
<v Speaker 1>starting out around the same point. That's a good question.

0:16:07.720 --> 0:16:10.200
<v Speaker 1>There's definitely a crew of Canadians that I would like

0:16:10.560 --> 0:16:13.560
<v Speaker 1>new from back home, but anybody, but I'm like you

0:16:13.600 --> 0:16:15.680
<v Speaker 1>come to town and you saw them starting out around

0:16:15.680 --> 0:16:20.640
<v Speaker 1>the same time. Kaylee hammock Um, Cassie Ashton and let's

0:16:20.680 --> 0:16:25.200
<v Speaker 1>see who else, my friend Madison kozak Um And when

0:16:25.320 --> 0:16:27.120
<v Speaker 1>was that one? Did you come to town? Let's see

0:16:27.480 --> 0:16:30.360
<v Speaker 1>five years ago now, okay, I mean a little after

0:16:30.480 --> 0:16:32.640
<v Speaker 1>when I got here. We're almost in the same were

0:16:32.680 --> 0:16:37.120
<v Speaker 1>also almost almost not fully. So you come to town

0:16:37.360 --> 0:16:39.480
<v Speaker 1>and you start just kind of grabbing friends, right, anybody

0:16:39.480 --> 0:16:41.720
<v Speaker 1>that that will be friends with you. You're just searching

0:16:41.720 --> 0:16:43.840
<v Speaker 1>for people to write with, to hang out with. And

0:16:43.880 --> 0:16:45.200
<v Speaker 1>that's a weird thing. It's almost like going to a

0:16:45.200 --> 0:16:47.240
<v Speaker 1>new school. It is kind of like going to a

0:16:47.240 --> 0:16:52.000
<v Speaker 1>new school. And I think what's interesting about Nashville. A

0:16:52.000 --> 0:16:54.200
<v Speaker 1>lot of people are very out much outside of their

0:16:54.240 --> 0:16:57.080
<v Speaker 1>comfort zones, away from their homes, away from their families,

0:16:57.120 --> 0:16:59.440
<v Speaker 1>and they're like the friends that they grew up with,

0:16:59.560 --> 0:17:01.880
<v Speaker 1>the life they know, and it's like they're coming to

0:17:02.760 --> 0:17:04.960
<v Speaker 1>pour everything they have into this craft. And I think

0:17:05.040 --> 0:17:07.960
<v Speaker 1>that's like such a common ground to really connect with people.

0:17:07.960 --> 0:17:11.520
<v Speaker 1>And it's like you're not alone in that. You told

0:17:11.520 --> 0:17:14.000
<v Speaker 1>a story on my show once about Shania Twain pulling

0:17:14.040 --> 0:17:16.359
<v Speaker 1>you on stage the right. Yes, you're a kid, right,

0:17:16.920 --> 0:17:21.439
<v Speaker 1>So you go to a show? Are you sitting up front?

0:17:22.000 --> 0:17:25.879
<v Speaker 1>So a whole bunch of my family went, but my

0:17:25.920 --> 0:17:29.359
<v Speaker 1>mom and I ended up in the second row. And

0:17:29.840 --> 0:17:32.399
<v Speaker 1>I had made a costume, while my mom actually had

0:17:32.440 --> 0:17:34.160
<v Speaker 1>made a costume right before we drove. It's a five

0:17:34.160 --> 0:17:37.040
<v Speaker 1>hour drive Demonton to go see all these concerts. And

0:17:37.080 --> 0:17:40.320
<v Speaker 1>she like glue gunns this the yellow and red and

0:17:40.320 --> 0:17:43.359
<v Speaker 1>orange stripes, like the Miami Concert DVD that I had

0:17:43.400 --> 0:17:46.160
<v Speaker 1>obsessed a million times over. And I had the little

0:17:46.240 --> 0:17:48.560
<v Speaker 1>yellow ponytail on top of my head and I made

0:17:48.560 --> 0:17:50.760
<v Speaker 1>a sign with glitter on it that said, Shana, I

0:17:50.760 --> 0:17:53.360
<v Speaker 1>can I please sing with you? And so I mean

0:17:53.480 --> 0:17:55.840
<v Speaker 1>I was singing at the top of my lungs to

0:17:55.960 --> 0:17:59.960
<v Speaker 1>the whole show. I knew every word, and she eventually,

0:18:00.080 --> 0:18:02.000
<v Speaker 1>you like came around the security guard let me stand

0:18:02.080 --> 0:18:03.440
<v Speaker 1>right up by the stage. I was like, this is

0:18:03.480 --> 0:18:06.919
<v Speaker 1>the best day of my life. And she like passed

0:18:06.920 --> 0:18:08.840
<v Speaker 1>the mic to this girl few seats down and let

0:18:08.840 --> 0:18:11.119
<v Speaker 1>her sing some lines and then kept walking towards me.

0:18:11.160 --> 0:18:13.360
<v Speaker 1>And I thought, maybe she's going to do the same thing,

0:18:13.840 --> 0:18:16.280
<v Speaker 1>but instead of like reaching out the microphone, she stuck

0:18:16.280 --> 0:18:18.680
<v Speaker 1>her hand out and so I like threw the sign

0:18:18.720 --> 0:18:21.840
<v Speaker 1>behind me and grabbed her hand and we ran around

0:18:21.840 --> 0:18:24.040
<v Speaker 1>her stage. We had like three tiers to it, and

0:18:24.080 --> 0:18:27.080
<v Speaker 1>I remember the floor was like the checker plate pattern,

0:18:27.160 --> 0:18:29.639
<v Speaker 1>and I remember running kind of beside her, holding her

0:18:29.640 --> 0:18:31.760
<v Speaker 1>hand and seeing her feet and I was like, this

0:18:31.800 --> 0:18:34.199
<v Speaker 1>is real, Like this is real. And so we end

0:18:34.280 --> 0:18:36.240
<v Speaker 1>up on this third tier and I'm looking out to

0:18:36.280 --> 0:18:38.840
<v Speaker 1>this like black curtain because the lights are this crazy

0:18:38.880 --> 0:18:41.679
<v Speaker 1>haze in there, and I can't see anybody, but I

0:18:41.720 --> 0:18:44.320
<v Speaker 1>can hear the sound of what eighteen tho people screaming

0:18:44.359 --> 0:18:46.800
<v Speaker 1>feels like. And I was like, this is it. This

0:18:46.880 --> 0:18:49.040
<v Speaker 1>is everything I want to do, and I'm standing here

0:18:49.080 --> 0:18:51.720
<v Speaker 1>next to my hero. And she asked me to sing

0:18:51.760 --> 0:18:54.080
<v Speaker 1>a piece of a song by myself. So I sang

0:18:54.119 --> 0:18:56.679
<v Speaker 1>the chorus upon me, I'm home and really yeah, and

0:18:56.720 --> 0:19:00.880
<v Speaker 1>then luckily it h yeah. And you, just nine years old,

0:19:00.880 --> 0:19:03.480
<v Speaker 1>were so confident that you just do you think you

0:19:03.520 --> 0:19:06.720
<v Speaker 1>were a bit naive at nine. I wasn't thinking about

0:19:06.760 --> 0:19:09.159
<v Speaker 1>any kind of fear at all. It was just straight

0:19:09.200 --> 0:19:12.159
<v Speaker 1>love for it and it. I'm so grateful that happened

0:19:12.200 --> 0:19:15.560
<v Speaker 1>at that point in my life, because that anchor always

0:19:15.560 --> 0:19:17.760
<v Speaker 1>stuck with me, and it's like, no matter what kind

0:19:17.760 --> 0:19:20.560
<v Speaker 1>of insecurities are things that happened as you keep growing

0:19:20.640 --> 0:19:23.760
<v Speaker 1>up and start noticing what other people think or whatever happens,

0:19:23.880 --> 0:19:25.560
<v Speaker 1>is like I had this fire in me and it

0:19:25.640 --> 0:19:28.120
<v Speaker 1>was like no, no, no, I know what that feels like,

0:19:28.200 --> 0:19:30.880
<v Speaker 1>and that's what matters to me. So you sing this song,

0:19:30.920 --> 0:19:33.919
<v Speaker 1>do you remember the crowd cheering? You do you can

0:19:33.960 --> 0:19:37.560
<v Speaker 1>still picture? Oh, yeah, very clearly, because that's a lot

0:19:37.560 --> 0:19:40.320
<v Speaker 1>of people. It is a lot of people. And what

0:19:40.400 --> 0:19:43.560
<v Speaker 1>happens when you're done? So I finished, and she kind

0:19:43.600 --> 0:19:46.800
<v Speaker 1>of smiles at me and shakes her head and uh,

0:19:47.200 --> 0:19:50.639
<v Speaker 1>she said something, and I told her she was beautiful

0:19:50.920 --> 0:19:53.800
<v Speaker 1>and thanked her, and then I think she said something

0:19:53.840 --> 0:19:55.480
<v Speaker 1>like I should probably take you back to your mom

0:19:55.560 --> 0:19:57.400
<v Speaker 1>or dad or something. It doesn't seem like you really

0:19:57.440 --> 0:20:00.520
<v Speaker 1>need one, though, like locked me back to down. And

0:20:01.000 --> 0:20:02.760
<v Speaker 1>every time I'm out a show and I see someone

0:20:02.800 --> 0:20:04.679
<v Speaker 1>like pulls a kid out of the crowd, it like

0:20:05.040 --> 0:20:08.080
<v Speaker 1>brings me right back. It's like that is powerful. You know,

0:20:09.240 --> 0:20:12.040
<v Speaker 1>you just never forget something like that. Have you seen

0:20:12.080 --> 0:20:15.760
<v Speaker 1>her since? Yes? I just got to run into her

0:20:16.320 --> 0:20:22.000
<v Speaker 1>at a billboard event less than a year ago, and

0:20:22.040 --> 0:20:25.159
<v Speaker 1>I walked in the room and she was presenting this

0:20:25.200 --> 0:20:27.320
<v Speaker 1>award and it was like kind of like a small

0:20:28.000 --> 0:20:30.280
<v Speaker 1>It was at a hotel and she got up there

0:20:30.280 --> 0:20:32.840
<v Speaker 1>and I was presenting this award and I was standing

0:20:32.840 --> 0:20:35.399
<v Speaker 1>there and I'm going, I'm in the same room as

0:20:35.480 --> 0:20:38.879
<v Speaker 1>Shania Twin at an industry event in Nashville, Like I

0:20:38.960 --> 0:20:42.480
<v Speaker 1>was there, yes, and she was. She was talking now

0:20:43.040 --> 0:20:47.000
<v Speaker 1>Downtown was that downtown hotel? And it just hit me

0:20:47.040 --> 0:20:50.000
<v Speaker 1>those like, I mean I didn't even sneak in, like

0:20:50.080 --> 0:20:54.880
<v Speaker 1>I was like invited to go. And she finished her

0:20:55.160 --> 0:20:57.600
<v Speaker 1>you know, giving out her award, and everybody was kind

0:20:57.600 --> 0:20:59.720
<v Speaker 1>of mingling, and someone kind of grabbed my arm and

0:21:00.280 --> 0:21:04.040
<v Speaker 1>introduced me, and I mean I could barely speak. Thank goodness.

0:21:04.160 --> 0:21:06.080
<v Speaker 1>The other person was like telling part of the story

0:21:06.160 --> 0:21:08.840
<v Speaker 1>for me because I was yeah, and I was just

0:21:08.880 --> 0:21:11.200
<v Speaker 1>like thank you. And I actually have a picture of ends.

0:21:11.280 --> 0:21:15.120
<v Speaker 1>I showed her. She's like, is that you. It's like yeah,

0:21:15.480 --> 0:21:18.240
<v Speaker 1>so we got a new picture. And it was just

0:21:18.320 --> 0:21:21.480
<v Speaker 1>the craziest full circle moments. Pretty cool. That is pretty cool.

0:21:21.880 --> 0:21:24.360
<v Speaker 1>It's also too, you know, we mentioned at the first

0:21:24.359 --> 0:21:26.960
<v Speaker 1>of the show or or whatever this is the podcast

0:21:27.760 --> 0:21:31.359
<v Speaker 1>that it's always weird to meet people that you really

0:21:31.400 --> 0:21:33.680
<v Speaker 1>look up to or admire their work or you think

0:21:33.680 --> 0:21:37.160
<v Speaker 1>are cool, because they almost can't get cooler. Yes, it's

0:21:37.240 --> 0:21:39.560
<v Speaker 1>so hard for someone. And I've had the struggle with

0:21:39.560 --> 0:21:42.720
<v Speaker 1>wanting to meet my heroes, like David Letterman's been my

0:21:42.760 --> 0:21:45.800
<v Speaker 1>hero forever, like Howard Stern, like these guys. It's like,

0:21:45.840 --> 0:21:48.280
<v Speaker 1>if I meet them, there's almost no way they're gonna

0:21:48.280 --> 0:21:50.960
<v Speaker 1>be cooler than I already feel they are. So I've

0:21:51.000 --> 0:21:53.680
<v Speaker 1>always been like, I probably won't want to meet them

0:21:54.280 --> 0:21:56.720
<v Speaker 1>because if she and I have been terrible, that's very true,

0:21:56.720 --> 0:22:03.200
<v Speaker 1>that were just an off day, or it would probably

0:22:03.760 --> 0:22:07.040
<v Speaker 1>you know, tainted at least your thoughts of her now.

0:22:07.440 --> 0:22:10.199
<v Speaker 1>But I don't think it could ever touch what what happened.

0:22:10.320 --> 0:22:12.359
<v Speaker 1>I agree, I agree with that. I think I would

0:22:12.400 --> 0:22:15.640
<v Speaker 1>just be like, no, that that just stays in this special,

0:22:15.840 --> 0:22:18.600
<v Speaker 1>special glass box or something. You have a picture of

0:22:18.720 --> 0:22:20.360
<v Speaker 1>you on stage with her at all and nine years old.

0:22:20.520 --> 0:22:22.960
<v Speaker 1>You have that picture. Yeah, that's pretty cool. It's cool

0:22:22.960 --> 0:22:24.720
<v Speaker 1>that you can still remember it. You know why we

0:22:24.760 --> 0:22:27.360
<v Speaker 1>have the picture because these ladies who we didn't even

0:22:27.440 --> 0:22:29.960
<v Speaker 1>know that we're sitting beside a snug a disposable camera

0:22:30.000 --> 0:22:32.960
<v Speaker 1>into the concert because you weren't allowed to bring cameras,

0:22:33.080 --> 0:22:35.720
<v Speaker 1>and so they like passed the camera to my mom

0:22:35.880 --> 0:22:37.919
<v Speaker 1>and the fiddle player took it up on stage and

0:22:37.960 --> 0:22:39.840
<v Speaker 1>they were like, we're her aunties and we had like

0:22:40.040 --> 0:22:42.960
<v Speaker 1>just met them an hour ago. And then we got

0:22:42.960 --> 0:22:45.280
<v Speaker 1>their address and they sent us the film role from

0:22:45.280 --> 0:22:48.760
<v Speaker 1>this disposable to the show. Isn't that cool? That's really

0:22:48.800 --> 0:22:50.640
<v Speaker 1>cool that they went through all of that to get

0:22:50.680 --> 0:22:54.440
<v Speaker 1>somebody they didn't know totally. Yeah, that's pretty cool. Let's

0:22:54.480 --> 0:22:56.320
<v Speaker 1>see what else. I'm just trying to think through all

0:22:56.359 --> 0:22:58.040
<v Speaker 1>my fan club stuff I have of you, because i'm

0:22:58.080 --> 0:23:00.879
<v Speaker 1>your basically the president of your fan club. I appreciate

0:23:01.000 --> 0:23:04.520
<v Speaker 1>that so much. Whenever you played the Opery, and it

0:23:04.560 --> 0:23:07.000
<v Speaker 1>was your first time to play the Opery, you basically

0:23:07.080 --> 0:23:10.760
<v Speaker 1>brought your whole town right right like you went to

0:23:10.880 --> 0:23:14.600
<v Speaker 1>because I remember seeing on on maybe the paper did

0:23:14.720 --> 0:23:18.960
<v Speaker 1>something like that, what's it called the National the Tennessee

0:23:18.960 --> 0:23:22.720
<v Speaker 1>And yeah, I remember like ten thousand people all dressed

0:23:22.720 --> 0:23:26.320
<v Speaker 1>exactly the same coming off an escalator and then you

0:23:26.400 --> 0:23:27.840
<v Speaker 1>go into the right So how many people did you

0:23:27.840 --> 0:23:29.880
<v Speaker 1>bring from your hometown to watch you play? There were

0:23:30.000 --> 0:23:32.720
<v Speaker 1>a hundred and forty seats on a seven thirty seven airplane.

0:23:32.760 --> 0:23:36.240
<v Speaker 1>So that's how many people came. Crazy, It's insane, Bobby,

0:23:36.400 --> 0:23:39.920
<v Speaker 1>how many people came? A hundred and forty people. I

0:23:39.960 --> 0:23:44.800
<v Speaker 1>don't know, a hundred and so they all from your

0:23:44.840 --> 0:23:47.720
<v Speaker 1>hometown bought a ticket and came to support you and

0:23:47.760 --> 0:23:51.080
<v Speaker 1>watch you at the opery. Yeah, it's insane. It's so incredible.

0:23:51.160 --> 0:23:54.240
<v Speaker 1>And like they always used to joke, I play songs

0:23:54.240 --> 0:23:56.359
<v Speaker 1>around the campfire. I mean, these people show up to

0:23:56.800 --> 0:23:59.600
<v Speaker 1>all kinds of different local events. These were like people

0:23:59.640 --> 0:24:01.440
<v Speaker 1>I call auntie who are not my auntie. Like these

0:24:01.480 --> 0:24:05.399
<v Speaker 1>are like family friends, super close, just people that have

0:24:05.480 --> 0:24:07.639
<v Speaker 1>been a part of this adventure. From the beginning. I

0:24:07.720 --> 0:24:09.960
<v Speaker 1>used to sing the anthem at our local hockey games

0:24:10.000 --> 0:24:12.920
<v Speaker 1>as this little kid, and these people would be like

0:24:13.040 --> 0:24:14.840
<v Speaker 1>they just started to get to know me from there.

0:24:14.840 --> 0:24:17.320
<v Speaker 1>And then all of a sudden, we do a big

0:24:17.320 --> 0:24:19.600
<v Speaker 1>event in my hometown called Big Hearts for Big Kids,

0:24:19.920 --> 0:24:22.199
<v Speaker 1>and six hundred people show up every year for our

0:24:22.240 --> 0:24:24.680
<v Speaker 1>youth shelter, and it's one of the most incredible things

0:24:24.680 --> 0:24:27.159
<v Speaker 1>I've ever been a part of. And those people are

0:24:27.200 --> 0:24:29.360
<v Speaker 1>all family to me, and that those are the ones

0:24:29.400 --> 0:24:31.880
<v Speaker 1>who came and they just it's who they are. They

0:24:31.920 --> 0:24:34.000
<v Speaker 1>show up, they show up every time, and they have

0:24:34.119 --> 0:24:37.200
<v Speaker 1>my whole life. And seeing them come off that escalator

0:24:37.320 --> 0:24:40.800
<v Speaker 1>was like the most I can't even put it into words,

0:24:40.840 --> 0:24:42.879
<v Speaker 1>but it's like the biggest hometown hug I could have

0:24:42.960 --> 0:24:46.400
<v Speaker 1>ever dreamed of. And standing up there on the Opery

0:24:46.480 --> 0:24:50.199
<v Speaker 1>stage was, I mean, such a legendary moment for me

0:24:50.280 --> 0:24:53.399
<v Speaker 1>that I'll never forget. But sharing that with them and

0:24:53.480 --> 0:24:56.080
<v Speaker 1>being like, hey, we did this together, you know, because

0:24:56.119 --> 0:24:58.639
<v Speaker 1>their belief is a big part of the reason that

0:24:58.920 --> 0:25:02.199
<v Speaker 1>I'm here, and yeah, it means the world to me.

0:25:02.840 --> 0:25:06.280
<v Speaker 1>What are you thinking when you're standing in the circle

0:25:06.320 --> 0:25:09.600
<v Speaker 1>on the Opery and you're about to play and you know,

0:25:09.680 --> 0:25:11.919
<v Speaker 1>they say, because you know I've done it. It's it's

0:25:11.920 --> 0:25:13.960
<v Speaker 1>really great because they go that you walk at there's

0:25:14.000 --> 0:25:15.760
<v Speaker 1>no it's not like a cool intro where they open

0:25:15.800 --> 0:25:17.880
<v Speaker 1>the carpet. It's it's so old school, which was cool

0:25:17.880 --> 0:25:20.360
<v Speaker 1>about it, Like while they're doing a commercial for Cracker Borol.

0:25:20.480 --> 0:25:23.080
<v Speaker 1>You just walk out there. You know, it's not like

0:25:23.200 --> 0:25:26.639
<v Speaker 1>flames and is that like towns And all of a

0:25:26.640 --> 0:25:28.560
<v Speaker 1>sudden you come up from a you know something under

0:25:28.560 --> 0:25:31.520
<v Speaker 1>the stage. He's you know, he's going and don't forget

0:25:31.600 --> 0:25:34.840
<v Speaker 1>four ninety nine cracker Boro get a mean three, and

0:25:34.880 --> 0:25:37.600
<v Speaker 1>you're just walking out while that's happening. And for me,

0:25:38.280 --> 0:25:40.560
<v Speaker 1>I'm not I'm not talented in the way that you are.

0:25:41.000 --> 0:25:42.600
<v Speaker 1>I'm just I'm going, well, I gotta go out and

0:25:42.600 --> 0:25:45.440
<v Speaker 1>you know, do some jokes, play some songs. But for you,

0:25:45.440 --> 0:25:48.359
<v Speaker 1>you're going out there. You're such an emotional performance, such

0:25:48.359 --> 0:25:51.399
<v Speaker 1>an emotional person. I just wonder what's going through your

0:25:51.400 --> 0:25:52.960
<v Speaker 1>head when not only are you playing the opera for

0:25:52.960 --> 0:25:54.920
<v Speaker 1>the first time, my first time, I don't even be there.

0:25:54.960 --> 0:25:58.600
<v Speaker 1>I wonder they don't come. It was like I told

0:25:58.600 --> 0:26:01.200
<v Speaker 1>everybody on the show. You told them not to come.

0:26:02.080 --> 0:26:04.000
<v Speaker 1>Some people still came, but I made everybody not come.

0:26:04.040 --> 0:26:05.600
<v Speaker 1>I'm the opposite of you, and almost every way I

0:26:05.680 --> 0:26:07.840
<v Speaker 1>forgot about. Yeah, I seen the email that I said,

0:26:07.840 --> 0:26:11.040
<v Speaker 1>don't come to my first opera show because I'm scared

0:26:11.040 --> 0:26:13.280
<v Speaker 1>of what's gonna happen. So it was the opposite of you.

0:26:13.440 --> 0:26:15.080
<v Speaker 1>So you get out there and all your people are there.

0:26:15.080 --> 0:26:18.440
<v Speaker 1>I'm assuming there was like this big pop roar, right,

0:26:19.080 --> 0:26:22.440
<v Speaker 1>what are you thinking before it starts? So someone told

0:26:22.480 --> 0:26:24.879
<v Speaker 1>me right before I walked on Sally with the opera.

0:26:24.960 --> 0:26:27.720
<v Speaker 1>She's like, make sure you take one big breath. She's like,

0:26:27.720 --> 0:26:32.280
<v Speaker 1>because you'll remember everything better if you like actually physically

0:26:32.280 --> 0:26:34.679
<v Speaker 1>breathe it in, because you'll never get the first time again.

0:26:34.880 --> 0:26:36.960
<v Speaker 1>And I was like, okay, got it. So right as

0:26:37.040 --> 0:26:41.080
<v Speaker 1>the band started and I was walking on and I

0:26:41.160 --> 0:26:43.879
<v Speaker 1>stopped before I entered the circle, took a deep breath

0:26:44.000 --> 0:26:47.000
<v Speaker 1>and like saw my hometown. I knew what section they

0:26:47.040 --> 0:26:48.760
<v Speaker 1>were in it. I was like, there they are, and

0:26:48.800 --> 0:26:50.920
<v Speaker 1>I just like walked in that circle. And I actually

0:26:50.960 --> 0:26:53.359
<v Speaker 1>got to walk in the circle before the show, which

0:26:53.359 --> 0:26:56.080
<v Speaker 1>I'm really grateful for because I bawled my face off,

0:26:56.160 --> 0:26:58.600
<v Speaker 1>so if I hadn't have done that, it would have

0:26:58.600 --> 0:27:00.560
<v Speaker 1>been really hard to sing, I think. So I got

0:27:00.600 --> 0:27:03.520
<v Speaker 1>to sort of walk in the circle have my emotional moment,

0:27:03.960 --> 0:27:07.680
<v Speaker 1>and for me, that moment was like spiritual, like there's

0:27:07.720 --> 0:27:10.000
<v Speaker 1>it just feels like there's an angels in that place,

0:27:10.080 --> 0:27:13.240
<v Speaker 1>Like this is the this is the place, the birthplace

0:27:13.280 --> 0:27:16.160
<v Speaker 1>of so much history of country music and so much

0:27:16.160 --> 0:27:19.119
<v Speaker 1>of the foundations that I get to walk on as

0:27:19.119 --> 0:27:22.440
<v Speaker 1>a new artist are because of you know, the hard

0:27:22.440 --> 0:27:25.200
<v Speaker 1>work and the persistence and the creativity and the being

0:27:25.240 --> 0:27:27.600
<v Speaker 1>different that so many people before me have come and

0:27:27.640 --> 0:27:31.240
<v Speaker 1>paved and standing there for me was like just evidence

0:27:31.280 --> 0:27:35.040
<v Speaker 1>of that, did you do good? I was a little

0:27:35.080 --> 0:27:37.760
<v Speaker 1>shaky on the first one, I will admit, but I

0:27:37.840 --> 0:27:40.040
<v Speaker 1>played jersey on the wall second and I feel like

0:27:40.080 --> 0:27:42.240
<v Speaker 1>I got it together at that point. That one felt

0:27:42.720 --> 0:27:45.879
<v Speaker 1>felt stronger, did you Because I didn't see anyone's faces.

0:27:45.920 --> 0:27:48.280
<v Speaker 1>It was blurry to me, yes, And I looked in

0:27:48.320 --> 0:27:49.800
<v Speaker 1>the crowd and I just was like, oh my goodness,

0:27:49.840 --> 0:27:52.919
<v Speaker 1>and so I just went, yeah, I didn't really what

0:27:53.000 --> 0:27:55.480
<v Speaker 1>did you see out there? Just silhouettes of where people

0:27:55.480 --> 0:27:58.320
<v Speaker 1>were sitting. I couldn't see faces either, and that's probably

0:27:58.320 --> 0:28:02.640
<v Speaker 1>a good thing too, But it's it's big people few

0:28:02.640 --> 0:28:06.440
<v Speaker 1>tho it's tall now, Like I mean, I probably played

0:28:06.480 --> 0:28:08.919
<v Speaker 1>it ten times or so now so cool, But like

0:28:08.960 --> 0:28:10.840
<v Speaker 1>the second time through the tenth time, I can see

0:28:10.880 --> 0:28:15.920
<v Speaker 1>people spaces now, which is yes, because you one, you've

0:28:15.960 --> 0:28:19.560
<v Speaker 1>done the first one, and it's always a building, You're like,

0:28:19.560 --> 0:28:23.800
<v Speaker 1>oh my goodness. It then starts to be a you

0:28:23.840 --> 0:28:26.240
<v Speaker 1>just owe it to that institution to do a good job.

0:28:26.359 --> 0:28:28.800
<v Speaker 1>It's it's more about that place than it is you. Now, Yes,

0:28:29.000 --> 0:28:31.159
<v Speaker 1>the first switch has happened. Absolutely the first time it

0:28:31.200 --> 0:28:32.440
<v Speaker 1>was just about me. I was like, oh my god,

0:28:32.480 --> 0:28:35.600
<v Speaker 1>I'm doing this. And for me it was the Ray

0:28:35.680 --> 0:28:39.200
<v Speaker 1>Stevens Is, the Jerry Clower's comedy country guys who had

0:28:39.240 --> 0:28:41.880
<v Speaker 1>done that, you know. And even because I like, you

0:28:42.080 --> 0:28:44.160
<v Speaker 1>listen to that with my grandmother. That's that's how I

0:28:44.200 --> 0:28:45.600
<v Speaker 1>was exposed to it. It It wasn't that I was like

0:28:45.720 --> 0:28:48.760
<v Speaker 1>looking for the opera as a eleven year old, but

0:28:49.120 --> 0:28:50.920
<v Speaker 1>she would listen to it. And my grandmother adopted me

0:28:50.960 --> 0:28:53.000
<v Speaker 1>and raised me for a long time, and it was

0:28:53.000 --> 0:28:54.720
<v Speaker 1>cool to me because of her. And then it became

0:28:54.720 --> 0:28:57.480
<v Speaker 1>cool to me because of me. That's so cool. But

0:28:57.560 --> 0:28:59.760
<v Speaker 1>for forever it was just cool to me because of

0:28:59.800 --> 0:29:02.440
<v Speaker 1>her only, and so you know, we would listen to

0:29:02.880 --> 0:29:04.320
<v Speaker 1>and that's why it was cool to me to do it.

0:29:04.360 --> 0:29:07.000
<v Speaker 1>Was because because of my grandmother and so. But then

0:29:07.040 --> 0:29:08.560
<v Speaker 1>I'm gonna tell you it starts to be cool because

0:29:08.560 --> 0:29:12.000
<v Speaker 1>then it's not about you. It's only about it. And

0:29:12.000 --> 0:29:14.360
<v Speaker 1>I see people's faces and you know, for me, as

0:29:14.360 --> 0:29:19.000
<v Speaker 1>a comedian, and I'm a sort of a comedian, Um, yes,

0:29:19.120 --> 0:29:22.320
<v Speaker 1>your comedian, what are you talking about? It's not okay

0:29:22.600 --> 0:29:26.040
<v Speaker 1>for me, as someone who does comedy, will say that, okay,

0:29:25.920 --> 0:29:28.840
<v Speaker 1>the audience of the opera is so diverse. There there

0:29:28.840 --> 0:29:30.800
<v Speaker 1>are some young people, there are also some really old people,

0:29:31.240 --> 0:29:33.880
<v Speaker 1>and it's so hard to play a crowd that you

0:29:33.920 --> 0:29:38.840
<v Speaker 1>really can't pinpoint exactly what they're wanting, right, because it's

0:29:38.840 --> 0:29:41.000
<v Speaker 1>hard to tell jokes to someone who's over eighty because

0:29:41.040 --> 0:29:43.920
<v Speaker 1>a lot of the stuff that you would talking about

0:29:44.000 --> 0:29:46.479
<v Speaker 1>like in tech, like Instagram or pop culture, and it's

0:29:46.520 --> 0:29:48.840
<v Speaker 1>hard to tell jokes to twelve year olds. And so

0:29:48.880 --> 0:29:51.640
<v Speaker 1>you have this because he operates all ages. Yes, that's

0:29:51.640 --> 0:29:54.440
<v Speaker 1>a good point. It's it's a very diverse audience that

0:29:54.480 --> 0:29:55.880
<v Speaker 1>I've ever had to do with the operation. I like

0:29:55.920 --> 0:29:57.520
<v Speaker 1>doing it the most. Last time I went, I bombed out,

0:29:57.520 --> 0:29:59.800
<v Speaker 1>A bombed hard. It was the worst. It was. It

0:29:59.840 --> 0:30:01.920
<v Speaker 1>was my worst because I go up and have my

0:30:01.920 --> 0:30:03.840
<v Speaker 1>guitar and I was gonna do I think I had

0:30:03.840 --> 0:30:07.480
<v Speaker 1>twelve minutes and I was going to do um like

0:30:07.520 --> 0:30:10.440
<v Speaker 1>two partial songs and then we're gonna kind of blend in.

0:30:10.600 --> 0:30:12.200
<v Speaker 1>You've seen my show, so I was kind of blending

0:30:12.200 --> 0:30:14.080
<v Speaker 1>and out of it. My guitar falls a part of

0:30:14.120 --> 0:30:16.080
<v Speaker 1>them walking out there, and I don't know it, but

0:30:16.120 --> 0:30:19.000
<v Speaker 1>my like my nut falls out where you if I

0:30:19.040 --> 0:30:20.760
<v Speaker 1>heard something to go clink clink clink, and I was like,

0:30:21.400 --> 0:30:22.560
<v Speaker 1>I don't even know what it was. I'll walk out

0:30:22.560 --> 0:30:24.480
<v Speaker 1>there and my guitar is broken and I go to

0:30:24.600 --> 0:30:28.480
<v Speaker 1>like plug it and nothing, and it throws me off completely.

0:30:28.560 --> 0:30:30.360
<v Speaker 1>I'm the only instrument to play is because I'm only

0:30:30.360 --> 0:30:33.120
<v Speaker 1>playing my guitar. My whole set is weaving in and

0:30:33.120 --> 0:30:34.959
<v Speaker 1>out of these songs and I'm like, oh, and I

0:30:35.040 --> 0:30:36.800
<v Speaker 1>was just like, what am I going to do? And

0:30:36.840 --> 0:30:38.680
<v Speaker 1>I look over in Sally's over at the side and

0:30:38.720 --> 0:30:40.720
<v Speaker 1>I'm like, I'm I kind of bombed it pretty hard.

0:30:40.760 --> 0:30:44.200
<v Speaker 1>It was my sounds like a circumstance more than it

0:30:44.240 --> 0:30:46.920
<v Speaker 1>does for sure. But still we have to control our

0:30:46.960 --> 0:30:51.960
<v Speaker 1>circumstances in our life and our careers. Bad will always come,

0:30:52.720 --> 0:30:55.080
<v Speaker 1>it's not if it's wind and how you adjust to it.

0:30:55.080 --> 0:30:57.040
<v Speaker 1>And I think I did okay, but I left going,

0:30:57.720 --> 0:30:59.440
<v Speaker 1>oh man. You ever have a performance where you go

0:30:59.480 --> 0:31:02.640
<v Speaker 1>out and you off and you're like that was not good? Definitely? Yeah,

0:31:02.720 --> 0:31:04.800
<v Speaker 1>There's lots of those moments, and I think we're harder

0:31:04.800 --> 0:31:08.440
<v Speaker 1>on ourselves than anybody. You know. It's like, but I

0:31:08.480 --> 0:31:12.880
<v Speaker 1>definitely magnify certain things in fact um. At our last show,

0:31:13.200 --> 0:31:16.400
<v Speaker 1>I was like, he introduced me the radio person there,

0:31:16.400 --> 0:31:18.560
<v Speaker 1>and he was like and Saniel Towns. I was like,

0:31:18.560 --> 0:31:20.240
<v Speaker 1>walk out and I'm away. Then I dropped my guitar

0:31:20.280 --> 0:31:22.480
<v Speaker 1>pick like right there, and I was like, well, I'm

0:31:22.480 --> 0:31:24.360
<v Speaker 1>gonna bend over and pick. I'm not a guitar figure

0:31:24.440 --> 0:31:27.680
<v Speaker 1>right now. It's not the most graceful entrance, but it's

0:31:27.680 --> 0:31:29.320
<v Speaker 1>all part of it, you know. I guess we just

0:31:29.960 --> 0:31:34.240
<v Speaker 1>learned more. Oh, there's plenty, plenty of other things. There's

0:31:34.280 --> 0:31:36.840
<v Speaker 1>been lots of lyric things, lots of you know what

0:31:36.880 --> 0:31:38.920
<v Speaker 1>I've noticed about messing up, and not just in music

0:31:39.240 --> 0:31:41.920
<v Speaker 1>or radio, but just in life. If you don't acknowledge

0:31:41.920 --> 0:31:44.800
<v Speaker 1>the fact that you're messing up, most people don't know. Yeah,

0:31:44.840 --> 0:31:49.000
<v Speaker 1>well people don't care there. And also it's you know,

0:31:49.000 --> 0:31:51.600
<v Speaker 1>I wrote about this in my last book where I

0:31:51.640 --> 0:31:54.040
<v Speaker 1>would and I kind of made the analogy to hot

0:31:54.120 --> 0:31:56.080
<v Speaker 1>Yogat you ever to yogat all ever a little bit,

0:31:56.240 --> 0:31:58.040
<v Speaker 1>not a lot, where I would go to these classes

0:31:58.320 --> 0:32:01.240
<v Speaker 1>and I would be so worried because I was doing

0:32:01.240 --> 0:32:03.800
<v Speaker 1>everything wrong. Because I was doing everything wrong and I

0:32:03.800 --> 0:32:04.960
<v Speaker 1>didn't know how to do it. I was so new

0:32:05.000 --> 0:32:06.520
<v Speaker 1>to all these moves. They would be like okay, now

0:32:06.560 --> 0:32:09.480
<v Speaker 1>for the blossom, and I'd be like, what is that blossom?

0:32:09.520 --> 0:32:12.320
<v Speaker 1>And posa, and they'd be saying all these things and

0:32:12.360 --> 0:32:13.680
<v Speaker 1>I was doing them wrong, and I was struggling, and

0:32:13.760 --> 0:32:16.560
<v Speaker 1>everybody was staring at me, and I was like, I

0:32:16.600 --> 0:32:18.040
<v Speaker 1>don't know if I'm gonna go back a second time.

0:32:18.400 --> 0:32:19.560
<v Speaker 1>But I went back a second time, and I got

0:32:19.560 --> 0:32:21.040
<v Speaker 1>a little better, and then I realized that I got

0:32:21.080 --> 0:32:23.040
<v Speaker 1>to be okay at it. I wasn't looking anybody else.

0:32:23.080 --> 0:32:26.080
<v Speaker 1>No one was ever looking at me. We're not looking

0:32:26.120 --> 0:32:28.000
<v Speaker 1>at people really near as much as we think people

0:32:28.000 --> 0:32:30.280
<v Speaker 1>are looking at us. Such a good point. I mean,

0:32:30.320 --> 0:32:32.080
<v Speaker 1>I think, like, when's the last time I saw somebody

0:32:32.120 --> 0:32:34.640
<v Speaker 1>bought a speech or something at work? And I've seen it,

0:32:34.680 --> 0:32:36.240
<v Speaker 1>but I don't remember it, and it's like, I don't

0:32:36.240 --> 0:32:38.480
<v Speaker 1>even care. You move on. So I try to give

0:32:38.520 --> 0:32:40.960
<v Speaker 1>myself that grace when I screw up that people are

0:32:41.000 --> 0:32:43.840
<v Speaker 1>sticking with it. I think it's the grace that you

0:32:43.880 --> 0:32:47.240
<v Speaker 1>give to other people. Sent those opera goers gave me

0:32:47.280 --> 0:32:50.840
<v Speaker 1>grace at night. Oh, I'm quite certainly love that one.

0:32:51.800 --> 0:32:53.760
<v Speaker 1>Let me talk about Dollar Shape Club for a second.

0:32:53.960 --> 0:32:56.280
<v Speaker 1>So what I love about Dollar Shape Club is they

0:32:56.320 --> 0:32:59.200
<v Speaker 1>have everything I need to look, feel, and smell my best.

0:32:59.280 --> 0:33:02.480
<v Speaker 1>My bathroom is basically a Dollar Shape Club bathroom. What

0:33:02.560 --> 0:33:04.160
<v Speaker 1>I love even more is that I never have to

0:33:04.200 --> 0:33:06.760
<v Speaker 1>go to the store because one Dollar Shaved Club delivers

0:33:06.800 --> 0:33:09.400
<v Speaker 1>everything that I need right to my door. And too,

0:33:09.440 --> 0:33:10.880
<v Speaker 1>they keep me fully stocked and what I use so

0:33:10.920 --> 0:33:13.240
<v Speaker 1>I don't run out. It works like this Dollar Shape

0:33:13.240 --> 0:33:14.840
<v Speaker 1>Club has everything you need to get ready, no matter

0:33:14.920 --> 0:33:17.360
<v Speaker 1>what you're getting ready for. They have you covered head

0:33:17.400 --> 0:33:19.360
<v Speaker 1>to toe for your hair, your skin, your faith, you

0:33:19.440 --> 0:33:21.320
<v Speaker 1>name it, they have it. And they have this program

0:33:21.320 --> 0:33:23.760
<v Speaker 1>where they automatically keep you stocked up on the products

0:33:23.760 --> 0:33:26.160
<v Speaker 1>that you use. You determine what you want and when

0:33:26.160 --> 0:33:27.400
<v Speaker 1>you want it, and it shows right up to your

0:33:27.400 --> 0:33:29.720
<v Speaker 1>door and you get it once a month, get it

0:33:29.720 --> 0:33:32.000
<v Speaker 1>once every six months. You know. The toothpaste is something

0:33:32.040 --> 0:33:34.440
<v Speaker 1>that I love. You know, Uh, it comes to me

0:33:34.480 --> 0:33:37.760
<v Speaker 1>what every to maybe three months, So it's not like

0:33:37.800 --> 0:33:39.760
<v Speaker 1>you use toothpaste a live but when it's time to

0:33:39.800 --> 0:33:41.520
<v Speaker 1>change it, always have a problem with I always forget

0:33:41.520 --> 0:33:42.680
<v Speaker 1>to go back and get the next and I'm always

0:33:42.640 --> 0:33:44.760
<v Speaker 1>like squeezing at the very bottom of the tube. That

0:33:44.800 --> 0:33:46.600
<v Speaker 1>doesn't happen with Dollar Shape Club. Right now, they have

0:33:46.600 --> 0:33:48.440
<v Speaker 1>a bunch of starter sets you can try for just

0:33:48.520 --> 0:33:51.200
<v Speaker 1>five bucks, like their Oral Care Kit. After that, the

0:33:51.200 --> 0:33:54.200
<v Speaker 1>restocked box ships at regular size prices right there, regular

0:33:54.200 --> 0:33:56.280
<v Speaker 1>size products. So what are you waiting for? Get you

0:33:56.320 --> 0:33:58.840
<v Speaker 1>started care for five bucks? Dollar Shave Club dot com

0:33:58.880 --> 0:34:03.400
<v Speaker 1>slash bones, Dollar Shaped Club dot Com slash bones. So

0:34:04.200 --> 0:34:06.280
<v Speaker 1>do you read outliers? You mentioned that earlier. Have you

0:34:06.320 --> 0:34:09.480
<v Speaker 1>read the book? Fantastic? Right? It's very very cool. The

0:34:09.520 --> 0:34:10.920
<v Speaker 1>ten thou Hours is one of the think a lot

0:34:10.960 --> 0:34:13.839
<v Speaker 1>of people talk about where it's a Malcolm Gladwell book

0:34:14.360 --> 0:34:16.120
<v Speaker 1>and a lot of my friends have read at this point.

0:34:16.360 --> 0:34:17.840
<v Speaker 1>But if you have to do something for ten thousand

0:34:17.880 --> 0:34:20.960
<v Speaker 1>hours to be proficient at that. There were parts of

0:34:20.960 --> 0:34:23.440
<v Speaker 1>that book though. Two that stuck with me was remember

0:34:23.480 --> 0:34:26.359
<v Speaker 1>the airline part, the pilot part where they talked about

0:34:26.400 --> 0:34:30.280
<v Speaker 1>why airplanes crashed in other countries more than America. Yes,

0:34:31.360 --> 0:34:34.640
<v Speaker 1>so what happens is and you mentioned that in That's

0:34:34.640 --> 0:34:39.200
<v Speaker 1>what happened? And I would recommend that book. Where other

0:34:39.320 --> 0:34:45.120
<v Speaker 1>cultures don't speak to their uh supervisors, they're they're the

0:34:45.120 --> 0:34:47.600
<v Speaker 1>people above them in a disrespectful way, and they talk

0:34:47.640 --> 0:34:51.640
<v Speaker 1>about these pilots and other cultures and uh. In like um,

0:34:53.520 --> 0:34:56.799
<v Speaker 1>like Japan, well you do. For example, if the guy

0:34:56.840 --> 0:34:58.520
<v Speaker 1>in the tower goes, hey, you need to go, you know,

0:34:58.600 --> 0:35:01.239
<v Speaker 1>up ten thousand feet right now, they would just do

0:35:01.400 --> 0:35:03.680
<v Speaker 1>it instead of going no, I don't think that's right.

0:35:04.080 --> 0:35:07.279
<v Speaker 1>And then in America they're like, you're wrong. I don't

0:35:07.280 --> 0:35:08.480
<v Speaker 1>need to do that because I'm in the middle of

0:35:08.480 --> 0:35:12.120
<v Speaker 1>the storm right now. And yeah, okay, this is coming

0:35:12.120 --> 0:35:15.000
<v Speaker 1>back to me that might remember that. I probably Butcher

0:35:15.120 --> 0:35:16.520
<v Speaker 1>because it's been so long since I read it didn't

0:35:16.560 --> 0:35:18.200
<v Speaker 1>have something to do like the tone of voice too,

0:35:18.320 --> 0:35:20.520
<v Speaker 1>or something all of it. And some unchers they were

0:35:20.560 --> 0:35:22.480
<v Speaker 1>you know, if it's a respective position, you respect it

0:35:22.520 --> 0:35:25.680
<v Speaker 1>no matter what, regardless of your second. But in like

0:35:25.760 --> 0:35:30.080
<v Speaker 1>Western culture, if you respect your person unless they're an

0:35:30.080 --> 0:35:32.239
<v Speaker 1>idiot or they don't know and you yeah, then you

0:35:32.280 --> 0:35:35.719
<v Speaker 1>go no, that's not so. Yeah, I should read. You

0:35:35.719 --> 0:35:37.879
<v Speaker 1>ever read a book again and then again all the time.

0:35:38.040 --> 0:35:39.719
<v Speaker 1>What's the book you've read the most over and over?

0:35:41.160 --> 0:35:45.040
<v Speaker 1>Probably Burn Brown Daring greatly. Yeah, yeah, I'm reading a

0:35:45.080 --> 0:35:48.640
<v Speaker 1>book from her right now. It is I think her

0:35:48.680 --> 0:35:52.279
<v Speaker 1>work is fascinating, right, and she talks about vulnerability. I mean,

0:35:52.320 --> 0:35:55.239
<v Speaker 1>that's that's really her thing. Study of vulnerability and that's

0:35:55.360 --> 0:35:59.200
<v Speaker 1>that's shame. That's right now. Yes, I love it, yeah, yeah,

0:35:59.280 --> 0:36:02.360
<v Speaker 1>And it's the speech about the man in the arena

0:36:02.880 --> 0:36:05.000
<v Speaker 1>and it's not the critic that counts. I love that.

0:36:05.200 --> 0:36:07.080
<v Speaker 1>It's yeah, the man in the arena is there are

0:36:07.080 --> 0:36:08.400
<v Speaker 1>a lot of people that will say things to you

0:36:08.400 --> 0:36:10.359
<v Speaker 1>about what you're doing until you're doing good or bad.

0:36:10.520 --> 0:36:14.640
<v Speaker 1>But it's not what they're saying that matters. It's people

0:36:14.640 --> 0:36:16.400
<v Speaker 1>that have also been in the arena and understand it.

0:36:17.200 --> 0:36:18.840
<v Speaker 1>Because I think we're in the business of we have

0:36:18.880 --> 0:36:22.160
<v Speaker 1>a lot of critics telling us a lot of cheap seats. Yeah,

0:36:22.200 --> 0:36:26.160
<v Speaker 1>what's good, what's not. But and it's funny because you

0:36:26.160 --> 0:36:28.319
<v Speaker 1>and I had this talk as we're flying back from

0:36:28.480 --> 0:36:31.319
<v Speaker 1>from Michigan and it was like, and you just keep

0:36:31.360 --> 0:36:34.320
<v Speaker 1>your head down and keep doing what you do because

0:36:34.320 --> 0:36:36.640
<v Speaker 1>what you do and why I like it so much,

0:36:36.640 --> 0:36:39.120
<v Speaker 1>why I'm drawn to it is it's it's distinct. And

0:36:39.160 --> 0:36:42.640
<v Speaker 1>to be distinct, you're different, and to be different, people

0:36:42.680 --> 0:36:44.839
<v Speaker 1>are going to have different feelings about you, some good,

0:36:44.880 --> 0:36:46.920
<v Speaker 1>some bad, because nothing that comes in it is different,

0:36:47.000 --> 0:36:49.399
<v Speaker 1>is universally loved. At first. People have to be taught

0:36:49.480 --> 0:36:52.120
<v Speaker 1>to love something that's cool. Yeah, that's a good way

0:36:52.160 --> 0:36:54.960
<v Speaker 1>to hit and so. And I think that's what I

0:36:55.400 --> 0:36:57.520
<v Speaker 1>what I really enjoy about yours. It is different. It's

0:36:57.600 --> 0:36:59.200
<v Speaker 1>very different. And I can see you how some people

0:36:59.200 --> 0:37:02.319
<v Speaker 1>will be like, what what's happening here? But people have

0:37:02.360 --> 0:37:04.279
<v Speaker 1>had to go, hey, what's happening here to everything that's

0:37:04.280 --> 0:37:07.200
<v Speaker 1>ever been awesome? Like nothing awesome has ever coming. Everybody

0:37:07.239 --> 0:37:09.040
<v Speaker 1>just goes, oh, this is new and way different. I'm

0:37:09.040 --> 0:37:11.759
<v Speaker 1>just gonna accept it and love it. And there are

0:37:11.760 --> 0:37:13.600
<v Speaker 1>things that I have not been like I don't really

0:37:13.680 --> 0:37:16.080
<v Speaker 1>understand that, and then I go, oh, wow, okay, it

0:37:16.239 --> 0:37:18.680
<v Speaker 1>is kind of cool. But I like that about you know,

0:37:18.680 --> 0:37:20.439
<v Speaker 1>about about what you do, even when you play live

0:37:20.520 --> 0:37:23.520
<v Speaker 1>like there's a real you go, this is what happens

0:37:23.560 --> 0:37:25.840
<v Speaker 1>when you play. Like first I'm like, what's she doing?

0:37:28.840 --> 0:37:32.279
<v Speaker 1>She's a little different. It took me a second, but

0:37:32.320 --> 0:37:34.799
<v Speaker 1>then I'm like, okay, I love it. Like let's play

0:37:34.840 --> 0:37:42.200
<v Speaker 1>a little bit of white Horse while I'm talking about

0:37:42.200 --> 0:37:49.000
<v Speaker 1>take me Away on a sunset? Right? Does it ever

0:37:49.080 --> 0:37:51.520
<v Speaker 1>get to you, like, does it everwhere on you that

0:37:51.840 --> 0:37:54.239
<v Speaker 1>you're just a bit different? And sometimes it takes people

0:37:54.280 --> 0:37:58.880
<v Speaker 1>a while to get it. I mean, yes, there are

0:37:58.960 --> 0:38:02.680
<v Speaker 1>moments where get super like zoomed in on something. It's

0:38:02.760 --> 0:38:04.760
<v Speaker 1>like in the leads about it, in my head, about

0:38:05.800 --> 0:38:09.640
<v Speaker 1>thinking about it. But honestly, my love for it is

0:38:09.840 --> 0:38:13.600
<v Speaker 1>outweighs the voices most of the time. And I'm grateful

0:38:13.640 --> 0:38:16.640
<v Speaker 1>for good people around me that keep that perspective in check.

0:38:16.920 --> 0:38:19.440
<v Speaker 1>And I just want to do my thing. I love

0:38:19.480 --> 0:38:22.319
<v Speaker 1>playing for people so much. It's my favorite thing to

0:38:22.360 --> 0:38:25.040
<v Speaker 1>do in the world. And every time I get to

0:38:25.040 --> 0:38:26.960
<v Speaker 1>do that, it's like, Okay, this is what this is for.

0:38:27.120 --> 0:38:29.880
<v Speaker 1>And so no matter what people think or say or

0:38:30.600 --> 0:38:33.120
<v Speaker 1>it doesn't matter. Because someone came up to me after

0:38:33.160 --> 0:38:35.719
<v Speaker 1>the show and told me about a story in their

0:38:35.800 --> 0:38:39.040
<v Speaker 1>life that connected to one of the songs, and that's

0:38:39.080 --> 0:38:42.080
<v Speaker 1>it for me. If it's one person, one person, that's

0:38:42.239 --> 0:38:47.759
<v Speaker 1>that's what matters. Mm hmm. I believe you is the thing.

0:38:48.120 --> 0:38:52.400
<v Speaker 1>I think you would be okay playing music and getting

0:38:52.400 --> 0:38:55.200
<v Speaker 1>by because just getting by playing music is actually thriving.

0:38:55.400 --> 0:38:58.640
<v Speaker 1>It is thriving to me. And don't get me wrong,

0:38:58.680 --> 0:39:03.319
<v Speaker 1>I mean you'll be rich, id loved you, rich big,

0:39:03.440 --> 0:39:06.000
<v Speaker 1>and I love to do all those things. But at

0:39:06.000 --> 0:39:08.440
<v Speaker 1>the end of the day, that's it. That's that's the

0:39:08.480 --> 0:39:10.759
<v Speaker 1>bottom line for me. I don't think I've heard you

0:39:10.760 --> 0:39:12.680
<v Speaker 1>say a curse words because I don't curse. Do you curse? No,

0:39:12.960 --> 0:39:15.200
<v Speaker 1>not very often? Though you don't say any carse words

0:39:15.239 --> 0:39:17.719
<v Speaker 1>your songs, do you? Is that a thing where you

0:39:17.719 --> 0:39:20.480
<v Speaker 1>don't like purposefully if someone suggested, like, hey, let's let's

0:39:20.480 --> 0:39:24.000
<v Speaker 1>put a M f R in here, I don't think anyone,

0:39:27.160 --> 0:39:28.959
<v Speaker 1>But I feel like it's just not the I guess

0:39:29.000 --> 0:39:31.759
<v Speaker 1>I just wade the way I talk, and that's not

0:39:31.920 --> 0:39:34.400
<v Speaker 1>really things that I say very often. I had to

0:39:34.480 --> 0:39:36.760
<v Speaker 1>change up the way I talked me. I did curse

0:39:36.880 --> 0:39:39.880
<v Speaker 1>a lot, really, and I started to go, I'm creating

0:39:39.920 --> 0:39:42.480
<v Speaker 1>in this years I haven't said a carse winner probably

0:39:42.520 --> 0:39:45.040
<v Speaker 1>three years or so at all. Not now. It's just

0:39:45.120 --> 0:39:47.520
<v Speaker 1>a game, right, But I would just curse. But then

0:39:47.520 --> 0:39:48.879
<v Speaker 1>I would go on the air and I would write

0:39:48.880 --> 0:39:51.719
<v Speaker 1>books and in kids songs and songs, and I didn't

0:39:51.800 --> 0:39:54.760
<v Speaker 1>curse any of that. And at times when i'd be creating,

0:39:54.760 --> 0:39:57.680
<v Speaker 1>I'd all, you know, it fit really well here, uh,

0:39:57.800 --> 0:40:01.880
<v Speaker 1>the word amazing. So I stopped. I just eliminated it

0:40:01.920 --> 0:40:05.600
<v Speaker 1>from my creation. That's cool, because if you're not thinking

0:40:05.600 --> 0:40:07.120
<v Speaker 1>of doing it doesn't even pop up any other part

0:40:07.160 --> 0:40:08.440
<v Speaker 1>of it. So I felt like it was best for

0:40:08.640 --> 0:40:11.600
<v Speaker 1>how I was writing and creating to just never curse ever.

0:40:12.040 --> 0:40:13.800
<v Speaker 1>And now when people now people are cursing around me,

0:40:13.840 --> 0:40:16.399
<v Speaker 1>like oh, I'm sorry, Like I'm a big boy, I've

0:40:16.400 --> 0:40:19.440
<v Speaker 1>heard them before. Yeah, I feel the same, like that's okay.

0:40:19.440 --> 0:40:20.800
<v Speaker 1>People do that to me when they drin because I

0:40:20.800 --> 0:40:24.040
<v Speaker 1>don't drink right, and people will H'm like, oh, I

0:40:24.040 --> 0:40:26.040
<v Speaker 1>shouldn't drink around you. I'm like, no, no, please drink

0:40:26.080 --> 0:40:27.880
<v Speaker 1>around me because you're not that fun unless you're drinking,

0:40:28.200 --> 0:40:32.719
<v Speaker 1>you know. So do people know you don't curse? Do

0:40:32.760 --> 0:40:34.759
<v Speaker 1>they do the thing? We're like, oh, I'm sorry, Yeah,

0:40:34.800 --> 0:40:38.680
<v Speaker 1>sometimes they do, and it's like it used to because

0:40:38.719 --> 0:40:41.120
<v Speaker 1>I was maybe the youngster around and they're like they

0:40:41.120 --> 0:40:43.600
<v Speaker 1>would be like, oh sorry, but I don't know. I

0:40:43.600 --> 0:40:46.160
<v Speaker 1>haven't heard that in a while though. I just I

0:40:46.200 --> 0:40:48.520
<v Speaker 1>guess it's like, I just want people to show up

0:40:48.560 --> 0:40:49.920
<v Speaker 1>and be who they are, and if that's part of

0:40:49.920 --> 0:40:51.719
<v Speaker 1>the language and who they are, then I love them

0:40:51.760 --> 0:40:54.040
<v Speaker 1>for it. So there are some people I enjoyed their cursing.

0:40:55.200 --> 0:40:57.279
<v Speaker 1>I'm like, you're way funnier when you curse and drink,

0:40:57.360 --> 0:41:00.960
<v Speaker 1>like please please. The only person drink. We were on

0:41:01.000 --> 0:41:04.400
<v Speaker 1>the plane flying back and to know, out of nowhere

0:41:04.400 --> 0:41:07.719
<v Speaker 1>pulled out this humongous bag of popcorn. It's like we

0:41:07.800 --> 0:41:10.520
<v Speaker 1>she had one backpack and it was completely full, pretty

0:41:10.600 --> 0:41:13.200
<v Speaker 1>much just popcorn. And still she found a big bag

0:41:13.200 --> 0:41:15.880
<v Speaker 1>of popcorn. I guess it was only popcorn or backpack.

0:41:16.600 --> 0:41:19.760
<v Speaker 1>And so yeah, that's what you said, you always have popcorn.

0:41:19.880 --> 0:41:22.800
<v Speaker 1>I do I love white chatter popcorn. I just I

0:41:23.000 --> 0:41:26.040
<v Speaker 1>really like snacks. I like baking things and like bacon

0:41:26.160 --> 0:41:30.279
<v Speaker 1>things are baking things baking? Yeah, like cookies. You're like

0:41:30.320 --> 0:41:33.640
<v Speaker 1>a grandmother ind I actually am. I love cribbage. This

0:41:33.760 --> 0:41:35.920
<v Speaker 1>is my favorite card game to play with my grandfather.

0:41:36.600 --> 0:41:39.000
<v Speaker 1>It's very fun. What is that? It's like a counting

0:41:39.040 --> 0:41:42.080
<v Speaker 1>math card game with a board where you move your

0:41:42.120 --> 0:41:44.719
<v Speaker 1>little pegs all the way around. It's very much a

0:41:44.719 --> 0:41:48.279
<v Speaker 1>grandma game. You're like an old soul. I ever heard

0:41:48.320 --> 0:41:51.759
<v Speaker 1>that before? Yeah? Look at you? Um, when you moved

0:41:51.760 --> 0:41:54.200
<v Speaker 1>to town, whereuld you live? Like? What? Like not your address?

0:41:54.239 --> 0:41:56.920
<v Speaker 1>But what kind of place did you live? In berry Hill? Like?

0:41:57.040 --> 0:41:58.319
<v Speaker 1>Was that? Is that? It? Like a do you have

0:41:58.360 --> 0:42:01.560
<v Speaker 1>a house? Apartment? I was renting a little garage that

0:42:01.640 --> 0:42:05.840
<v Speaker 1>was turned into a Loft of Sorts, and so I

0:42:05.960 --> 0:42:08.600
<v Speaker 1>fell in love with sam Zoe's Coffee shop over there

0:42:08.600 --> 0:42:12.200
<v Speaker 1>and Baja Burrito and and there's a bunch of music

0:42:12.280 --> 0:42:14.880
<v Speaker 1>studios over there, and I got together and got to

0:42:14.880 --> 0:42:17.720
<v Speaker 1>do some demos over there, but mostly about that spot,

0:42:18.320 --> 0:42:21.840
<v Speaker 1>it was really cool to be by myself for the

0:42:21.840 --> 0:42:25.000
<v Speaker 1>first time in my life. And I spent so many hours,

0:42:25.040 --> 0:42:26.480
<v Speaker 1>like I go out to see a show and then

0:42:26.480 --> 0:42:28.719
<v Speaker 1>I come home and write. And I mean when I

0:42:28.760 --> 0:42:31.160
<v Speaker 1>first got here, I wanted to write every single day

0:42:31.200 --> 0:42:33.160
<v Speaker 1>with whoever and anyone that I could write with, but

0:42:33.560 --> 0:42:36.080
<v Speaker 1>it kind of takes a while to build up people

0:42:36.160 --> 0:42:38.319
<v Speaker 1>that you can fill your days with and go write

0:42:38.320 --> 0:42:40.680
<v Speaker 1>songs with. And so a lot of that time I

0:42:40.719 --> 0:42:44.239
<v Speaker 1>was just writing songs by myself. And I feel like

0:42:44.520 --> 0:42:46.959
<v Speaker 1>something happened in that very first place that I lived

0:42:47.000 --> 0:42:49.719
<v Speaker 1>in here, and it was it just like my whole

0:42:49.800 --> 0:42:52.640
<v Speaker 1>voice changed and shifted for the first time, and it

0:42:52.719 --> 0:42:55.280
<v Speaker 1>was like I started to kind of get in step

0:42:55.320 --> 0:42:58.280
<v Speaker 1>with who I was at a different level or something

0:42:58.480 --> 0:43:01.719
<v Speaker 1>and started really writing things. You know, I had been

0:43:01.719 --> 0:43:04.359
<v Speaker 1>writing songs since I was fourteen, but I think at

0:43:04.600 --> 0:43:07.319
<v Speaker 1>nineteen that was sort of like Okay, there was a

0:43:07.320 --> 0:43:10.320
<v Speaker 1>switch that was happening, probably being influenced by this community

0:43:10.360 --> 0:43:12.680
<v Speaker 1>and just learning so much from soaking it in, but

0:43:13.320 --> 0:43:16.279
<v Speaker 1>mostly from just digging in myself. I think, I want

0:43:16.280 --> 0:43:18.160
<v Speaker 1>to play some of Jersey on the wall. And you

0:43:18.239 --> 0:43:20.960
<v Speaker 1>came on the show and you played this, and my

0:43:21.040 --> 0:43:23.640
<v Speaker 1>people were they loved it. I mean it was and

0:43:23.719 --> 0:43:28.520
<v Speaker 1>this story is is like from something that happened and

0:43:28.680 --> 0:43:33.120
<v Speaker 1>you went to the school afterward, right, So what happened?

0:43:33.480 --> 0:43:37.160
<v Speaker 1>So I was touring a bunch of schools and I

0:43:37.280 --> 0:43:39.920
<v Speaker 1>visited this little community was like on an island. We

0:43:39.920 --> 0:43:41.320
<v Speaker 1>had to take a two and a half hour ferry

0:43:41.320 --> 0:43:43.640
<v Speaker 1>to get there, like four thousand people, super small town.

0:43:44.280 --> 0:43:47.359
<v Speaker 1>And I show up to play the school and it's

0:43:47.400 --> 0:43:49.600
<v Speaker 1>like you can tell that the oldest kids are looking

0:43:49.600 --> 0:43:52.040
<v Speaker 1>out for the youngest kids, that everybody's grown up together,

0:43:52.480 --> 0:43:55.240
<v Speaker 1>you know, small group of kids, and there was something

0:43:55.320 --> 0:43:57.839
<v Speaker 1>different about this school, and I had seen a lot

0:43:57.880 --> 0:44:00.360
<v Speaker 1>of them up to this point, and I was like, Wow,

0:44:00.440 --> 0:44:04.080
<v Speaker 1>this is pretty amazing and it's stuck with me. And

0:44:04.880 --> 0:44:07.520
<v Speaker 1>I played a community show that night and then the

0:44:07.560 --> 0:44:09.719
<v Speaker 1>teacher brings me back to the little inn that I

0:44:09.760 --> 0:44:12.080
<v Speaker 1>was staying at and sits me down and tells me

0:44:12.200 --> 0:44:14.160
<v Speaker 1>that there had been a car accident a few months

0:44:14.160 --> 0:44:17.040
<v Speaker 1>prior with five kids from the high school, four of

0:44:17.080 --> 0:44:19.560
<v Speaker 1>which I had been hanging out with all day, had

0:44:19.760 --> 0:44:21.680
<v Speaker 1>had no idea what they had just been through a

0:44:21.680 --> 0:44:25.239
<v Speaker 1>few months before UM. And one of them, her name

0:44:25.280 --> 0:44:29.000
<v Speaker 1>was Danielle. She was the star basketball player, valedictorian, had

0:44:29.080 --> 0:44:31.799
<v Speaker 1>just graduated with a full ride scholarship, and she was

0:44:31.880 --> 0:44:35.680
<v Speaker 1>killed in this flute wreck. And so I sat there

0:44:35.800 --> 0:44:38.840
<v Speaker 1>and like wept with this teacher even more so moved

0:44:39.080 --> 0:44:42.319
<v Speaker 1>by this community and everything they've been through, and kept

0:44:42.360 --> 0:44:45.279
<v Speaker 1>in touch really closely with them. And miss Ward was

0:44:45.320 --> 0:44:47.239
<v Speaker 1>a teacher's name, and her and her and I worked

0:44:47.280 --> 0:44:48.759
<v Speaker 1>it out that I got to go back to the

0:44:48.800 --> 0:44:53.960
<v Speaker 1>school for their graduation the following spring. And there's like

0:44:54.000 --> 0:44:57.160
<v Speaker 1>twenty of them graduating, the whole town piled in the gym,

0:44:57.200 --> 0:45:01.440
<v Speaker 1>and I'm sitting at the back and graduation ceremonies happening,

0:45:01.440 --> 0:45:03.600
<v Speaker 1>and Danielle's parents get up there and they give their

0:45:03.680 --> 0:45:06.920
<v Speaker 1>daughters honorarium scholarship to Zoe, who was also in the car,

0:45:07.480 --> 0:45:09.520
<v Speaker 1>And so there's not a dry eye in the gym.

0:45:09.760 --> 0:45:13.000
<v Speaker 1>And I sat there as this kind of removed person

0:45:13.200 --> 0:45:17.080
<v Speaker 1>from the situation looking around and on the wall was

0:45:17.200 --> 0:45:19.880
<v Speaker 1>Danielle's jersey and I looked at the numbers and I

0:45:19.960 --> 0:45:22.480
<v Speaker 1>was like, these are the things I have a lot

0:45:22.480 --> 0:45:25.800
<v Speaker 1>of questions forgot about. And in that moment, it was

0:45:25.880 --> 0:45:28.880
<v Speaker 1>kind of like, I think it's okay to have those questions,

0:45:29.440 --> 0:45:33.480
<v Speaker 1>and I think there's healing in the conversation itself, whatever

0:45:33.520 --> 0:45:37.400
<v Speaker 1>that means. And that moment in that gym stuck with me,

0:45:37.440 --> 0:45:40.560
<v Speaker 1>and I came back to Nashville, and shortly after that trip,

0:45:40.600 --> 0:45:43.000
<v Speaker 1>one of my best friends from home lost her little

0:45:43.000 --> 0:45:45.880
<v Speaker 1>brother and it put me back in that same place.

0:45:45.920 --> 0:45:47.880
<v Speaker 1>And so I showed up in this writing room with

0:45:47.960 --> 0:45:51.640
<v Speaker 1>Gordy Sampson Tina Parole told them this whole story and

0:45:51.719 --> 0:45:56.040
<v Speaker 1>like unloaded this concept and the song just kind of

0:45:56.080 --> 0:45:59.120
<v Speaker 1>found its way to us in a really crazy way

0:45:59.200 --> 0:46:01.400
<v Speaker 1>that day, and we looked at each other when it

0:46:01.440 --> 0:46:04.680
<v Speaker 1>was finished, I was like, Okay, this is the song

0:46:04.719 --> 0:46:06.920
<v Speaker 1>that was meant to be here today. So I'm very

0:46:06.920 --> 0:46:09.960
<v Speaker 1>grateful for this song. Here's some of a jersey on

0:46:09.960 --> 0:46:14.160
<v Speaker 1>the wall from two if five gets to Heaven. You know,

0:46:14.239 --> 0:46:19.520
<v Speaker 1>I got along this questions I can't do you make

0:46:19.600 --> 0:46:24.920
<v Speaker 1>a snowflake? Are you angry when the earthquakes? How does

0:46:24.960 --> 0:46:28.680
<v Speaker 1>the scout change in a minute? How do you keep

0:46:28.880 --> 0:46:36.680
<v Speaker 1>this big rocks spending whack? Can't you stop car from question?

0:46:38.480 --> 0:46:47.280
<v Speaker 1>Forgive me? I'm just as skin so good? Yeah? Thanks?

0:46:48.160 --> 0:46:49.840
<v Speaker 1>Do you tell that story every time you play this

0:46:49.960 --> 0:46:54.440
<v Speaker 1>like an acoustic show? Yeah? Sometimes there isn't time for it,

0:46:54.560 --> 0:46:57.279
<v Speaker 1>or it's not the right atmosphere for it. But if

0:46:57.680 --> 0:46:59.879
<v Speaker 1>there is, it's always an honor to get to tell

0:47:00.640 --> 0:47:02.880
<v Speaker 1>you're going out with Dirks and you're gonna do a

0:47:02.880 --> 0:47:04.759
<v Speaker 1>full band. I haven't seen you play the full band

0:47:05.960 --> 0:47:08.799
<v Speaker 1>played by yourself, and it's always awesome. Thank you? All right,

0:47:08.840 --> 0:47:10.319
<v Speaker 1>So you're going out with Dirks. You're gonna open up

0:47:10.360 --> 0:47:12.960
<v Speaker 1>that whole thing. Huh yeah, I'm freaking out. I'm so excited.

0:47:13.520 --> 0:47:15.759
<v Speaker 1>How many songs do you play? You know? Six and so?

0:47:15.800 --> 0:47:19.040
<v Speaker 1>Do you have it down? Because you haven't? You have minutes?

0:47:20.000 --> 0:47:25.000
<v Speaker 1>Pretty good? Pretty good? Yeah, that's actually pretty good. No,

0:47:25.120 --> 0:47:28.840
<v Speaker 1>I'm thinking the same thing. I was going twenty like maybe,

0:47:29.000 --> 0:47:33.760
<v Speaker 1>but not so have you timed it? I mean something

0:47:33.920 --> 0:47:35.880
<v Speaker 1>was the last run through, so we gotta we're going

0:47:35.960 --> 0:47:37.560
<v Speaker 1>to tighten it a little bit more so we got

0:47:37.560 --> 0:47:39.759
<v Speaker 1>some freedom room. You can't go over. I can't go

0:47:39.840 --> 0:47:42.840
<v Speaker 1>over like ten seconds. Don't go because it's bad form

0:47:43.160 --> 0:47:45.400
<v Speaker 1>with Dirks brothers get mad at you. Probably not if

0:47:45.400 --> 0:47:47.319
<v Speaker 1>you go over like a minute, but you don't like that.

0:47:47.440 --> 0:47:49.560
<v Speaker 1>I do not want to go over room once. The

0:47:49.600 --> 0:47:51.799
<v Speaker 1>guys from Rascal Flats, I think the last time they

0:47:51.800 --> 0:47:53.839
<v Speaker 1>came in the show. They came in and I asked

0:47:53.920 --> 0:47:56.960
<v Speaker 1>him about the Eric Church urban legend that he would

0:47:56.960 --> 0:47:59.359
<v Speaker 1>play over his shows and they end up kick him

0:47:59.400 --> 0:48:03.080
<v Speaker 1>off tour, and it's true. Really, yeah, I didn't know that.

0:48:03.200 --> 0:48:04.800
<v Speaker 1>So he would come and you take the whole stage

0:48:04.960 --> 0:48:07.520
<v Speaker 1>even when they came, and as an opener, you only

0:48:07.560 --> 0:48:10.160
<v Speaker 1>get part of the stage, and he would go over

0:48:10.480 --> 0:48:13.440
<v Speaker 1>and he would go out, and yeah, so he ended

0:48:13.520 --> 0:48:19.000
<v Speaker 1>up and then he they would go to cities on

0:48:19.040 --> 0:48:21.200
<v Speaker 1>that tour. I think maybe they ended up putting Taylor

0:48:21.239 --> 0:48:23.239
<v Speaker 1>on there too afterwards, like some other artists came in

0:48:23.280 --> 0:48:27.680
<v Speaker 1>after him. Maybe was it. And so um Flats would

0:48:27.719 --> 0:48:29.719
<v Speaker 1>go in two cities on the tour and he would

0:48:29.719 --> 0:48:30.960
<v Speaker 1>go to the same cities and play it at a

0:48:31.000 --> 0:48:36.279
<v Speaker 1>bar beside them. That's so you know what he ended up. Okay, Yeah,

0:48:36.400 --> 0:48:40.399
<v Speaker 1>he certainly did five minutes to go and play and

0:48:40.440 --> 0:48:44.560
<v Speaker 1>the Darks the Dirks, not the crew. I mean, Dark

0:48:44.600 --> 0:48:46.720
<v Speaker 1>is a friend of mine, but um like the people

0:48:46.760 --> 0:48:49.319
<v Speaker 1>that go to Dirk shows. That's a good it's a

0:48:49.320 --> 0:48:52.799
<v Speaker 1>good crew of people because there it's a good fun crew.

0:48:52.880 --> 0:48:55.600
<v Speaker 1>But it's not like I've been to some artist shows

0:48:55.600 --> 0:48:58.280
<v Speaker 1>where they're just they go to get wasted and just white.

0:48:58.880 --> 0:49:01.640
<v Speaker 1>I mean the Something shows you go to it like

0:49:01.640 --> 0:49:04.080
<v Speaker 1>people just go to get hammered. But the Derks to

0:49:04.120 --> 0:49:06.239
<v Speaker 1>get a good crowd of the Dirk show. I'm so

0:49:06.320 --> 0:49:08.800
<v Speaker 1>happy for you. It means a lot. I'm so so

0:49:08.960 --> 0:49:11.280
<v Speaker 1>excited to get out there and we get to start

0:49:11.400 --> 0:49:13.200
<v Speaker 1>back up in Canada. So that's going to be pretty

0:49:13.200 --> 0:49:17.040
<v Speaker 1>cool playing these you know, Figure City arenas that I

0:49:17.200 --> 0:49:18.759
<v Speaker 1>used to drive to as a kid and watch a

0:49:18.840 --> 0:49:20.480
<v Speaker 1>bunch of shows. So I can't wait for that. And

0:49:21.040 --> 0:49:23.399
<v Speaker 1>it's going to be a pretty awesome rest of the year.

0:49:23.560 --> 0:49:26.640
<v Speaker 1>I'm excited to get to know those get to know

0:49:26.760 --> 0:49:29.759
<v Speaker 1>Dirk's career. I've heard so much about them, Excited to

0:49:29.880 --> 0:49:34.399
<v Speaker 1>learn from all of that. The you're gonna go play

0:49:34.480 --> 0:49:38.520
<v Speaker 1>these shows. I was gonna get advice, but you know,

0:49:38.600 --> 0:49:40.799
<v Speaker 1>what do you got? I don't. I was thinking about

0:49:40.880 --> 0:49:43.719
<v Speaker 1>something opening act device, I'll take it. No, I just

0:49:43.800 --> 0:49:46.320
<v Speaker 1>don't go over you know, don't. How was opening for

0:49:46.400 --> 0:49:49.919
<v Speaker 1>Miranda and a Little Big Town pretty cool? A dream? Yes?

0:49:50.360 --> 0:49:55.640
<v Speaker 1>It was like, I mean, I love their music so much,

0:49:55.840 --> 0:49:59.279
<v Speaker 1>and getting to know them as people and seeing how

0:49:59.360 --> 0:50:02.600
<v Speaker 1>authentic that music is to them as people was like

0:50:02.719 --> 0:50:05.759
<v Speaker 1>the coolest thing. And watching how people believe that, you know,

0:50:05.880 --> 0:50:10.080
<v Speaker 1>like it, it's like powerful. I stood in different spots

0:50:10.120 --> 0:50:12.640
<v Speaker 1>and watched the show every single night. It's like if

0:50:12.680 --> 0:50:14.160
<v Speaker 1>I had got to be it was like I was

0:50:14.160 --> 0:50:16.920
<v Speaker 1>a little kid all summer long. Because as a kid,

0:50:17.000 --> 0:50:19.480
<v Speaker 1>if you could have said you could pick your dream

0:50:19.520 --> 0:50:23.040
<v Speaker 1>tour and go follow every single show and Paca Big,

0:50:23.160 --> 0:50:25.640
<v Speaker 1>I would have just died. And so I had so

0:50:25.800 --> 0:50:29.759
<v Speaker 1>much fun. I've loved it so much. They're just the

0:50:29.840 --> 0:50:33.040
<v Speaker 1>sweetest people. I learned a lot. Yeah, there's a Kimberly

0:50:33.760 --> 0:50:37.040
<v Speaker 1>Flatman one of these. I've listened to that, Karen Both. Yeah,

0:50:37.640 --> 0:50:41.480
<v Speaker 1>I guess we don't care about the guys. You want

0:50:41.520 --> 0:50:43.839
<v Speaker 1>to get the guys up here. Yeah, that's pretty cool.

0:50:43.840 --> 0:50:45.640
<v Speaker 1>That's pretty cool. Okay, let's do around it this or

0:50:45.680 --> 0:50:48.480
<v Speaker 1>that way. Stay with her before we before we jump

0:50:48.520 --> 0:50:51.440
<v Speaker 1>out of here. Uh, this or that Tim Horton's or

0:50:51.480 --> 0:50:57.000
<v Speaker 1>Starbucks sim horns. You know, it's very very Canadian. Thank you?

0:50:57.280 --> 0:50:58.880
<v Speaker 1>What do you call? Because I have two options here,

0:50:58.920 --> 0:51:00.160
<v Speaker 1>but I don't want to give them. But do you

0:51:00.200 --> 0:51:01.799
<v Speaker 1>call the thing you put on your head that keeps

0:51:01.840 --> 0:51:04.359
<v Speaker 1>you warm? To you? Called it too? Oh? Yeah, okay,

0:51:04.560 --> 0:51:06.200
<v Speaker 1>I was gonna say bean ear too, but I call

0:51:06.239 --> 0:51:09.200
<v Speaker 1>it a toboggan? See that one? Strange to me? That's

0:51:09.239 --> 0:51:11.560
<v Speaker 1>what you like? Roll down the hill on? Okay, but

0:51:12.160 --> 0:51:14.279
<v Speaker 1>you don't have to only assign words to one thing.

0:51:14.520 --> 0:51:18.719
<v Speaker 1>I guess that's true, but but yeah, to it? Really?

0:51:19.000 --> 0:51:22.239
<v Speaker 1>In Arkansas? A toboggan? Huh? Hoodie? Or a bunny hug?

0:51:22.360 --> 0:51:24.520
<v Speaker 1>A bunny hugs of thing? Yeah? I did, I've never

0:51:24.600 --> 0:51:27.360
<v Speaker 1>heard about a bunny hug of definitely hoodie? What's a

0:51:27.400 --> 0:51:31.839
<v Speaker 1>bunny hug? Really? How about in Canada? Was it your

0:51:31.840 --> 0:51:37.640
<v Speaker 1>electric bill or your hydro bill? M electric bill US

0:51:37.719 --> 0:51:43.439
<v Speaker 1>or metric system metric? My GPS still speaks in kilometers here,

0:51:43.640 --> 0:51:48.280
<v Speaker 1>I can't. You don't want to go to miles. Everything

0:51:48.360 --> 0:51:53.000
<v Speaker 1>makes so much more sense. It's like the metric system

0:51:53.160 --> 0:51:57.440
<v Speaker 1>is the real way to do it. But but now

0:51:57.560 --> 0:51:59.840
<v Speaker 1>you you're in Rome went in Rome Switch. Now I

0:52:00.000 --> 0:52:03.080
<v Speaker 1>know I'm stuck. I can't um. You say, what do

0:52:03.120 --> 0:52:04.759
<v Speaker 1>you say for the carbonated beverage as a bunch of

0:52:04.760 --> 0:52:08.040
<v Speaker 1>sugar in it? Pop? Okay, so soda popera coke? And

0:52:08.120 --> 0:52:12.920
<v Speaker 1>you say pop hockey or football hockey? Yeah? Did you?

0:52:13.080 --> 0:52:15.600
<v Speaker 1>I don't play no, but I say in the anthem,

0:52:15.680 --> 0:52:17.800
<v Speaker 1>so I always got to go to the games. What

0:52:17.920 --> 0:52:19.719
<v Speaker 1>do you put on when you go to sleep? Like?

0:52:19.800 --> 0:52:21.000
<v Speaker 1>What are the things called you put on when you

0:52:21.040 --> 0:52:24.600
<v Speaker 1>go to sleep? Okay, that's not one of the options here,

0:52:24.640 --> 0:52:32.160
<v Speaker 1>but pajamas or pajamas? Pajamas speak jamas? Pajamas? Yeah, do

0:52:32.239 --> 0:52:35.880
<v Speaker 1>you say pajamas? What do you say? I don't know

0:52:35.960 --> 0:52:38.239
<v Speaker 1>that I ever say that word unless I'm playing this game.

0:52:38.640 --> 0:52:41.239
<v Speaker 1>I don't know that I ever just talked about when

0:52:41.280 --> 0:52:43.080
<v Speaker 1>I was doing Dancing with the Stars, we that was

0:52:43.160 --> 0:52:46.200
<v Speaker 1>a big hot topic. And everyone is from everywhere on

0:52:46.239 --> 0:52:48.840
<v Speaker 1>that show, right, and not just America. You know my

0:52:48.880 --> 0:52:51.520
<v Speaker 1>partners from Australia. We have people from all of the

0:52:51.640 --> 0:52:54.920
<v Speaker 1>continents that are dancing, and um, it was yeah, I

0:52:54.960 --> 0:52:56.440
<v Speaker 1>mean you have a bunch of people. I think. One

0:52:56.440 --> 0:52:58.000
<v Speaker 1>of the coolest things for me about doing stuff like

0:52:58.040 --> 0:52:59.040
<v Speaker 1>that and a lot of the other stuff that I

0:52:59.080 --> 0:53:01.879
<v Speaker 1>could do outside of country music is meeting all the people.

0:53:01.920 --> 0:53:04.960
<v Speaker 1>It's like touring. When you go on the road, you're

0:53:04.960 --> 0:53:07.879
<v Speaker 1>not just in your little circle of like minded even

0:53:08.040 --> 0:53:11.560
<v Speaker 1>like cultured people, and it really it really opens you up.

0:53:12.040 --> 0:53:14.400
<v Speaker 1>It does. It's like there's just so much of the

0:53:14.440 --> 0:53:16.520
<v Speaker 1>world out there, and so much that I didn't know

0:53:16.600 --> 0:53:19.319
<v Speaker 1>about people that I didn't know, and you go, oh,

0:53:19.480 --> 0:53:21.279
<v Speaker 1>I just wasn't right about a lot of things. Wow.

0:53:21.480 --> 0:53:24.160
<v Speaker 1>I love hearing that. That's cool. That's what really opened

0:53:24.200 --> 0:53:27.080
<v Speaker 1>me up. Because you only know what you know, and

0:53:27.400 --> 0:53:29.480
<v Speaker 1>you only know either what you have been taught or

0:53:29.520 --> 0:53:32.040
<v Speaker 1>what you chase. And sometimes you don't even know what

0:53:32.120 --> 0:53:33.960
<v Speaker 1>to chase because you haven't been taught to chase the

0:53:34.080 --> 0:53:37.520
<v Speaker 1>right things. And so the exposure to things has been

0:53:37.560 --> 0:53:40.759
<v Speaker 1>the greatest teacher for me, and the exposure makes me

0:53:40.840 --> 0:53:43.799
<v Speaker 1>then chase things. And so, you know, as you talk

0:53:43.800 --> 0:53:46.160
<v Speaker 1>about touring and being in front of people, I feel

0:53:46.200 --> 0:53:47.440
<v Speaker 1>that way too. And that's one of the reasons I

0:53:47.560 --> 0:53:50.920
<v Speaker 1>like going on the road is because I go to Michigan.

0:53:50.960 --> 0:53:52.480
<v Speaker 1>We went to Michigan together. I go to Michigan, and

0:53:53.080 --> 0:53:55.080
<v Speaker 1>you know, it's I talk to people who they live

0:53:55.120 --> 0:53:57.400
<v Speaker 1>in snow half the year and their accents are different,

0:53:57.400 --> 0:53:59.640
<v Speaker 1>but yet what we have in common is still like

0:53:59.760 --> 0:54:03.239
<v Speaker 1>this humanity and you go okay and admits you it's

0:54:03.280 --> 0:54:06.480
<v Speaker 1>not so different. There are times where I go two

0:54:07.719 --> 0:54:12.080
<v Speaker 1>El Paso to Boston too, and everybody's a little bit different,

0:54:12.120 --> 0:54:14.680
<v Speaker 1>but the thing in common, there's always this this humanity

0:54:14.800 --> 0:54:18.400
<v Speaker 1>that everyone has in common. Yeah, it's so true, and

0:54:18.480 --> 0:54:20.920
<v Speaker 1>we're more like than we think we are. And then

0:54:20.960 --> 0:54:22.279
<v Speaker 1>when I go and I hang out with people from

0:54:22.280 --> 0:54:24.600
<v Speaker 1>other countries again, and I wouldn't do that in the

0:54:24.600 --> 0:54:26.680
<v Speaker 1>country music world. I only do that because I'm off

0:54:26.719 --> 0:54:30.040
<v Speaker 1>doing these television shows and I'm like, oh, like, they

0:54:30.080 --> 0:54:33.440
<v Speaker 1>haveferent completely different belief systems. However, the humanity part of

0:54:33.520 --> 0:54:36.160
<v Speaker 1>it's always the same thread, and you go, oh, we're

0:54:36.200 --> 0:54:39.239
<v Speaker 1>so alike. Yeah, it's pretty cool. Yeah, And when you're

0:54:39.239 --> 0:54:41.480
<v Speaker 1>talking about that kind of stuff and that, that's kind

0:54:41.520 --> 0:54:43.319
<v Speaker 1>of what strikes me. So listen, I'm a huge fan.

0:54:43.360 --> 0:54:44.840
<v Speaker 1>I'm glad you came up. Thank you. I'm such a

0:54:44.920 --> 0:54:46.799
<v Speaker 1>big fan of yours and it really means a lot

0:54:46.920 --> 0:54:49.480
<v Speaker 1>to have you. I mean that seriously, Bobby, thank you.

0:54:50.600 --> 0:54:53.760
<v Speaker 1>She'll be out with Dirks on the Burning Man tour

0:54:54.760 --> 0:54:56.640
<v Speaker 1>starts January sevent When you hear this, it could be

0:54:56.680 --> 0:54:57.799
<v Speaker 1>a year from now. I don't know, but she may

0:54:57.840 --> 0:54:59.919
<v Speaker 1>be off the door, gonna be headlining your ONN arena

0:55:00.000 --> 0:55:03.000
<v Speaker 1>by the time you do this. But you start in Ontario,

0:55:03.760 --> 0:55:06.759
<v Speaker 1>which is like a state. It is, Ontario will be

0:55:06.800 --> 0:55:09.759
<v Speaker 1>compared to like Texas. Correct. Yeah, I know that because

0:55:09.800 --> 0:55:15.040
<v Speaker 1>I'm a day to Canadians. Um you are. I've been

0:55:15.080 --> 0:55:18.600
<v Speaker 1>put on the Opery next stage nineteen. I was having

0:55:18.640 --> 0:55:21.080
<v Speaker 1>dinner with Sally from the Operty like six months ago.

0:55:21.560 --> 0:55:24.440
<v Speaker 1>We were talking about you, yeah, and she was like,

0:55:24.480 --> 0:55:26.759
<v Speaker 1>we're doing this thing. I think, did I ever tell

0:55:26.760 --> 0:55:28.839
<v Speaker 1>you that we're IL was like, finally with announced, I'm

0:55:28.880 --> 0:55:30.919
<v Speaker 1>so happy that you know, I didn't know you knew.

0:55:31.120 --> 0:55:33.879
<v Speaker 1>That's really cool. Yeah, it's really cool. It's t Nil

0:55:33.920 --> 0:55:37.120
<v Speaker 1>and Travis Danning, Riley Green and Tiguan Marie and so

0:55:37.719 --> 0:55:39.040
<v Speaker 1>that's a cool thing where you're doing a bunch stuff

0:55:39.040 --> 0:55:41.759
<v Speaker 1>with the Opery and they're doing like a disposure program. Yeah. Yeah,

0:55:41.840 --> 0:55:44.279
<v Speaker 1>it's like they're supporting a lot of the adventures of

0:55:44.360 --> 0:55:46.440
<v Speaker 1>this year, and I think that means I get to

0:55:46.480 --> 0:55:49.200
<v Speaker 1>play the opera bunch, So I'm really excited. Well, your

0:55:49.640 --> 0:55:51.440
<v Speaker 1>your family all the hundred forty then me to come

0:55:51.480 --> 0:55:53.879
<v Speaker 1>back every time, going to be the same if they're

0:55:53.880 --> 0:55:56.840
<v Speaker 1>not here every time. Let me also say this that

0:55:56.920 --> 0:55:58.640
<v Speaker 1>you can buy the when you're gonna put up music

0:55:58.719 --> 0:56:04.200
<v Speaker 1>like a record, you know yet really soon hopefully nineteen

0:56:04.400 --> 0:56:08.600
<v Speaker 1>possibly possibly, I'm we're still out sure on that part. Soon, Okay, okay,

0:56:08.719 --> 0:56:10.680
<v Speaker 1>I'm freaking out. I can't wait for you to hear more.

0:56:10.840 --> 0:56:13.080
<v Speaker 1>I know, I know, and I don't take music ever

0:56:13.160 --> 0:56:15.440
<v Speaker 1>that's not out, so I would never listen like, so

0:56:15.719 --> 0:56:17.400
<v Speaker 1>I put it out so we can all have it together.

0:56:18.200 --> 0:56:20.680
<v Speaker 1>Let me recommend the Velvet's Edge podcast with Kelly Henderson.

0:56:20.760 --> 0:56:23.520
<v Speaker 1>She talks about style and fashion and a lot of

0:56:23.719 --> 0:56:27.320
<v Speaker 1>women things don't understand, right might yeah yeah. Also Amy

0:56:27.520 --> 0:56:29.640
<v Speaker 1>Amy Brown has a podcast called four Things with Amy

0:56:29.680 --> 0:56:31.799
<v Speaker 1>Brown where if you like Amy from the show, you'll

0:56:31.840 --> 0:56:33.759
<v Speaker 1>love even more because of this podcast. So that's up

0:56:33.800 --> 0:56:36.400
<v Speaker 1>to let me check that out. So there you go,

0:56:36.600 --> 0:56:37.960
<v Speaker 1>and I think we're gonna wrap it up to Neil.

0:56:38.000 --> 0:56:40.320
<v Speaker 1>Always great to see you, so good to see Bobby.

0:56:40.400 --> 0:56:42.719
<v Speaker 1>Thank you for having me check her on social media

0:56:42.760 --> 0:56:45.719
<v Speaker 1>at t nil Towns t E n i l l

0:56:45.840 --> 0:56:49.520
<v Speaker 1>E t O w n e s T nil Towns.

0:56:49.600 --> 0:56:52.439
<v Speaker 1>Thanks for our sponsors, Warby Parker and Dollar Shave Club.

0:56:53.000 --> 0:56:55.080
<v Speaker 1>And that would be a episode one forty nine of

0:56:55.080 --> 0:57:00.359
<v Speaker 1>the Bobby Cast. Thank you, M nine