WEBVTT - Fuller Monster House

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<v Speaker 1>search at career builder dot com. The Large nerd Drunk

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<v Speaker 1>Collidor Podcast is a production of I Heart Radio. Hi everybody,

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<v Speaker 1>Welcome to the Larger Ner Drunk Collador Podcast, the podcast

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<v Speaker 1>that's all about gee things happening in the world around

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<v Speaker 1>us and how excited we are about them. I'm Ariel

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<v Speaker 1>Casting and with me as always is peek Boy Jonathan Strickland.

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<v Speaker 1>I'm the geek Boy. Hey, Ariel, I got a question

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<v Speaker 1>for you. All right, Dariel, You've got all the materials,

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<v Speaker 1>all the skills at your disposal all the time. You

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<v Speaker 1>need to make your dream causeplay. We both have been

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<v Speaker 1>to dragon Con many times. Cosplay is a huge part

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<v Speaker 1>of Dragon Con. What is your dream causeplay? So this

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<v Speaker 1>is this is difficult because I have many of them, um,

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<v Speaker 1>but the one that I have yet to see anybody do.

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<v Speaker 1>So I'm picking this because, like I could say, I

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<v Speaker 1>want to be a realistic Little Mermaid or I want

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<v Speaker 1>to be Jessica Rabbit. Those have always been like high

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<v Speaker 1>on my list of things to play or fem ship

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<v Speaker 1>from Mass Effect. But the one that I have yet

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<v Speaker 1>to see anybody do that I would love to love

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<v Speaker 1>to do is a really well is a female version

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<v Speaker 1>of the tick? Oh you know what. I don't think

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<v Speaker 1>I've seen anyone ever play a female version of the

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<v Speaker 1>tick either, And it's an interesting choice. But you know,

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<v Speaker 1>since cause players like to role play their characters oftentimes,

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<v Speaker 1>I just think it would be an awful lot of fun.

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<v Speaker 1>I can very much relate to the Ticks non sequitors.

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<v Speaker 1>Sometimes we would have to see if our our mutual

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<v Speaker 1>friends Sasha would be your Arthur. Oh, that would be amazing. Yeah,

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<v Speaker 1>because you and Sasha whenever you're paired together. I mean

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<v Speaker 1>it's been a while, it has been a while, but

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<v Speaker 1>and Sasha has gone on to that. Yeah, and Sasha

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<v Speaker 1>has gone on to do some like phenomenal causplays. Sasha

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<v Speaker 1>is just if you've ever seen that picture by picture

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<v Speaker 1>of tinker Bell next to thorign Oaken shield and it says,

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<v Speaker 1>this is the same person. That's our friend Sasha, whom

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<v Speaker 1>we've known for years. Yeah, yeah, I would love to

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<v Speaker 1>do that with Sasha, but I don't have the skills

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<v Speaker 1>to actually build that costume, nor all the resources in

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<v Speaker 1>the world to do so what would be yours? I

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<v Speaker 1>gave this a lot of thought, and you know, because

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<v Speaker 1>I like playing bad guys, because you know, I'm not

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<v Speaker 1>a bad guy, So it's fun to kind of just

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<v Speaker 1>play pretend. I think I would go Uber bad guy.

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<v Speaker 1>I wanna really cool which King ring Wraith costume from

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<v Speaker 1>Glord of the Rings. Yeah, it would. That's so before

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<v Speaker 1>we started recording, actually, just to peek behind the veil,

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<v Speaker 1>I gave Ariel a bit of a heads up on

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<v Speaker 1>this one because I felt like this particular question is

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<v Speaker 1>one of those where you kind of want to think

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<v Speaker 1>about it. You know, you just get you get that

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<v Speaker 1>one dropped on your lap, and your chances are you're

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<v Speaker 1>going to give an answer and then like twenty minutes later,

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<v Speaker 1>you're gonna say I hate that answer. So I wanted

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<v Speaker 1>to give her a little time, and I said, yeah,

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<v Speaker 1>this is one of those costumes that if I were

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<v Speaker 1>wearing it at Dragon Con, if I did have the

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<v Speaker 1>ability to put it all together, I would probably be

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<v Speaker 1>stationary because I don't think I would be able to

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<v Speaker 1>see very well in a witch King outfit, and um,

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<v Speaker 1>i'd be worried about walking into people or falling down

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<v Speaker 1>an escalator. Worse yet, falling down an up escalator, which

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<v Speaker 1>means you're just falling forever. It's that would be horrible, horrible,

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<v Speaker 1>you know, I Honestly, I changed my mind like three

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<v Speaker 1>times between the time you gave me time to think

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<v Speaker 1>about it in the time you actually asked me the

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<v Speaker 1>question during recording. But I mean because I've done a

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<v Speaker 1>lot of cosplay, and it tends to be things that

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<v Speaker 1>are easier to do because as much as I love

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<v Speaker 1>sewing and I love costume design, I'm not actually fantastic

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<v Speaker 1>at execution. So all of those I would love to

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<v Speaker 1>reado in a better format. And and lately when I've

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<v Speaker 1>caused played, it's been very closet causeplay things like Street Close,

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<v Speaker 1>Black Widow or Mary Jane on a business day, or

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<v Speaker 1>you know, stuff that doesn't require specific pieces that are

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<v Speaker 1>not normally viable at a story. Yeah, the last causeplay

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<v Speaker 1>I did was Kabuky Mask from Big Hero six, the

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<v Speaker 1>bad guy from Big Hero six. Um. I did that.

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<v Speaker 1>I had the three D accustomed three D printed mask

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<v Speaker 1>for that that that I painted up and put reflective

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<v Speaker 1>lenses inside and everything, So it was it is probably

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<v Speaker 1>the most involved one I did. And that one was

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<v Speaker 1>that was off the rack pieces that I just altered

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<v Speaker 1>slightly because if you've seen Big Hero six, you've seen

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<v Speaker 1>that Kabucky Mask wears a bunch of layers, and dragon

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<v Speaker 1>Con happens in August in Georgia. So yeah, but it

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<v Speaker 1>looked good. I got to see it. It looked really good.

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<v Speaker 1>Thank you well. I I hope that we can once

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<v Speaker 1>again indulge in some cosplay and plus just really enjoy

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<v Speaker 1>the incredible work that the cosplay community puts into their pieces.

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<v Speaker 1>It's constantly the highlight of dragon Con for me is

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<v Speaker 1>just seeing the creative costuming, everything from incredibly accurate replicas

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<v Speaker 1>of pieces you've seen in film or television or even

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<v Speaker 1>comic books, up to the crazy, you know, mash ups

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<v Speaker 1>and offshoots that come up a lot of I think

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<v Speaker 1>a lot of the spirit of large Nerdron Collider is

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<v Speaker 1>in those kinds of cosplay. It definitely is. I wonder

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<v Speaker 1>when we get back to conventions with cosplay, dragon Con specifically,

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<v Speaker 1>since that's the one right right outside our door, if

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<v Speaker 1>we're going to get many knives out causplays. Yeah, that's

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<v Speaker 1>an excellent question, because I mean, that's the thing is

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<v Speaker 1>that one of the interesting bits about cosplay is that

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<v Speaker 1>we've seen it branched far beyond the fantasy and science

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<v Speaker 1>fiction and superheroes and horror. It started to go all

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<v Speaker 1>over the place and in all the areas where people have,

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<v Speaker 1>you know, a deep fandom for the thing. And the

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<v Speaker 1>reason you bring out Knives Out is because we've heard

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<v Speaker 1>about yet another addition to the cast. We talked about

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<v Speaker 1>Batista being part of the cast. Now we know that

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<v Speaker 1>Leslie Odom Jr. Is going to be part of the cast.

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<v Speaker 1>He played uh well, He's been in lots of stuff,

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<v Speaker 1>but I think of him as Aaron Burr from Hamilton's

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<v Speaker 1>where he was phenomenal originating that role. I'm going to say,

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<v Speaker 1>if he's the killer, then that's type casting and not fair.

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<v Speaker 1>Maybe he accidentally shoots the victim or something. But yeah,

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<v Speaker 1>we also know that Edward Norton is in the cast,

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<v Speaker 1>as is Katherine han Um. So I mean, I don't know,

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<v Speaker 1>it could have been Yeah, I think it might be

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<v Speaker 1>Kevin han because it was Agatha all along. So really,

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<v Speaker 1>what you're saying is you expect Knives Out to to

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<v Speaker 1>be Aaron Burr, the Hulk, Agatha from from One Division

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<v Speaker 1>and James Bond and James Bond, Daniel Craig all in

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<v Speaker 1>a room together. Yes. No, I'm just I'm just in

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<v Speaker 1>Drax and I'm trying to figure out which Janelle Monet

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<v Speaker 1>character I want to select for this. Yeah, so it's

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<v Speaker 1>not gonna be individual characters. It's going to be all

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<v Speaker 1>the other characters they've played, yes, exactly. Also, it'll turn

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<v Speaker 1>out to be kind of like Clue, where everyone ends

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<v Speaker 1>up being a killer. Oh spoiler for Clue in case

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<v Speaker 1>you haven't seen that movie. Jonathan came out in the

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<v Speaker 1>early eighties. I think I think the Statute of Limitations

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<v Speaker 1>is done. I've watched it like a thousand times. But

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<v Speaker 1>I was going to say that you're making me redo

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<v Speaker 1>my evening plans, but that's not true at all. Well,

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<v Speaker 1>and I have to say I'm really excited about Knives

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<v Speaker 1>Out too. I very much enjoyed the first film. I

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<v Speaker 1>was late to seeing the first movie. I knew that

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<v Speaker 1>it was. There was a huge amount of buzz around

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<v Speaker 1>it already by the time I saw it, so I

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<v Speaker 1>didn't I was not on that that first like boat

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<v Speaker 1>of folks who saw it. I was so lucky that

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<v Speaker 1>no one spoiled it for me, so I got to

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<v Speaker 1>go into it and enjoy the mystery for what it was.

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<v Speaker 1>Although I maintain that if you do watch Knives Out,

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<v Speaker 1>if you haven't seen it before, I maintained that I'm

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<v Speaker 1>I'm pretty sure most people are going to suss out

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<v Speaker 1>who the killer is pretty pretty early on. But it

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<v Speaker 1>was still a very entertaining film. Yes, and from a

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<v Speaker 1>storytelling standpoint and an artistic standpoint, there are so many

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<v Speaker 1>little clues enhanced that they put in throughout that's just

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<v Speaker 1>really fantastic. Um, Jonathan, I'm actually going to be a

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<v Speaker 1>bit of a book and I'm going to change our

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<v Speaker 1>show order after we decided it because I realized that

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<v Speaker 1>if we're talking about Knives Out, which is a murder mystery,

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<v Speaker 1>we should then talk about our other true crime murder story. Now,

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<v Speaker 1>Dear Evan Hanson, got it. I'm sorry, that's what we

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<v Speaker 1>were supposed to talk about. Okay, Right, so you're you're

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<v Speaker 1>talking about the the Steve Martin and Martin Short series

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<v Speaker 1>that is coming out on Hulu. Yes, it's called Only

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<v Speaker 1>Murders in the Building, which took me a bit because

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<v Speaker 1>that's not really a name that like rolls off the

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<v Speaker 1>tongue or makes a whole lot of sense. But it's

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<v Speaker 1>Steve Martin, Martin Short, Amy Ryan and Selena Gomez and

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<v Speaker 1>they are true crime podcast fans who then decide to

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<v Speaker 1>solve true crime. Yes, a murderer, or at least a

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<v Speaker 1>death happens in the apartment building where they all live.

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<v Speaker 1>They're all strangers to one another except for the fact

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<v Speaker 1>that they all happened to share this love of true

0:11:14.320 --> 0:11:18.480
<v Speaker 1>crime podcasts, and a death happens in their building, and

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<v Speaker 1>collectively they decide that they want to investigate it because

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<v Speaker 1>they all suspect that the death was in fact a

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<v Speaker 1>murder um and they want to put the skills they

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<v Speaker 1>have learned by listening to true crime podcasts to the test. Ariel,

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<v Speaker 1>I gotta tell you this to me is kind of

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<v Speaker 1>my nightmare. I've thought it might be, uh, just just

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<v Speaker 1>because I know that you have feels on true crime

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<v Speaker 1>pod I do. I'm a I'm a podcast producer who

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<v Speaker 1>works for a company that produces more than a few

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<v Speaker 1>true crime podcasts. And the thought of fans taken it

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<v Speaker 1>upon themselves to try and solve crime because of their

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<v Speaker 1>received expertise because they listen to a lot of true

0:12:02.760 --> 0:12:06.400
<v Speaker 1>crime shows fills me with a terror that is difficult

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<v Speaker 1>to put into words. I mean, I totally get in

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<v Speaker 1>that being said. The trailer is so adorable, like so

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<v Speaker 1>Steve Steve Martin and Martin Short. Oftentimes they're both comedic,

0:12:20.200 --> 0:12:24.000
<v Speaker 1>comedically brilliant in many ways, but a lot of times,

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<v Speaker 1>especially like when they rehash old characters on S and

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<v Speaker 1>L or whatnot, they're so over the top. To me,

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<v Speaker 1>they're just very very large, and so I was worried

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<v Speaker 1>that watching this trailer they would both be very very large. Um,

0:12:39.280 --> 0:12:44.000
<v Speaker 1>and they're they're big, but they're not unbearably big. And

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<v Speaker 1>then you've got Selina Gomez coming in is just this

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<v Speaker 1>straight man like, very wry sort of personality that balanced

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<v Speaker 1>it out really well in the trailer. I didn't expect to.

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<v Speaker 1>I had to watch the trailer, but I didn't expect

0:12:57.679 --> 0:13:01.560
<v Speaker 1>to want to watch the show. Now, I I agree

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<v Speaker 1>with you, Like you know, when I think of Steve

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<v Speaker 1>Martin and Martin Short together, my thoughts immediately go to

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<v Speaker 1>the Three Amigos, um but which is great, fantastic, I

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<v Speaker 1>love it. But yeah, as you say, like the performances

0:13:13.800 --> 0:13:15.920
<v Speaker 1>in that film are not at all subtle. They're not

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<v Speaker 1>supposed to be. That's not the kind of movie it is.

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<v Speaker 1>We By the way, fun fact, if you go back

0:13:20.920 --> 0:13:24.200
<v Speaker 1>through our old YouTube videos, there's one of our YouTube

0:13:24.240 --> 0:13:27.520
<v Speaker 1>videos where we heavily reference the Three Amigos when we

0:13:27.559 --> 0:13:31.280
<v Speaker 1>talk about the seven Sons of the Seven Samurai. But yeah,

0:13:31.400 --> 0:13:34.600
<v Speaker 1>like I'm the same way. I wasn't sure what to expect,

0:13:34.679 --> 0:13:37.959
<v Speaker 1>but everyone, like Steve Martin, especially in the past few years,

0:13:38.360 --> 0:13:42.640
<v Speaker 1>has turned in some performances that are much more nuanced

0:13:43.080 --> 0:13:45.360
<v Speaker 1>and subtle. Like he's not the wild and crazy guy

0:13:45.360 --> 0:13:50.280
<v Speaker 1>at the seventies or the zany comedy guy of the eighties. Uh.

0:13:50.400 --> 0:13:53.760
<v Speaker 1>He still has that incredible since the humor, but it's

0:13:53.920 --> 0:13:58.600
<v Speaker 1>channeled in a different way now. Yeah. Yeah, I would

0:13:58.640 --> 0:14:00.480
<v Speaker 1>definitely say that he's the more my old of the

0:14:00.559 --> 0:14:08.240
<v Speaker 1>two h Martin's Yes, the Steve Martin short, Yes, Steve

0:14:08.280 --> 0:14:13.360
<v Speaker 1>Martin short Martin Steve Martin Short. Okay, So speaking of

0:14:13.600 --> 0:14:17.000
<v Speaker 1>nuanced performances, Yeah, this is gonna be a fun conversation

0:14:17.040 --> 0:14:20.280
<v Speaker 1>We're about to get into here. Um yeah, we wanted it,

0:14:20.360 --> 0:14:22.280
<v Speaker 1>so we do. Do want to talk about Dear Evan

0:14:22.320 --> 0:14:27.400
<v Speaker 1>Hanson because the trailer for the movie adaptation of the

0:14:27.400 --> 0:14:30.720
<v Speaker 1>Broadway show launched the day we're recording this, which is

0:14:32.400 --> 0:14:37.400
<v Speaker 1>one and it surprised me because despite the fact that

0:14:37.440 --> 0:14:42.160
<v Speaker 1>I'm on a show where we cover entertainment news, I

0:14:42.200 --> 0:14:46.120
<v Speaker 1>wasn't aware that there was a musical version of this

0:14:46.240 --> 0:14:48.880
<v Speaker 1>coming out, Like I had heard that it was happening,

0:14:48.920 --> 0:14:51.080
<v Speaker 1>but it completely fell off my radar because it was

0:14:51.160 --> 0:14:55.600
<v Speaker 1>just the beginning stages last I personally picked up on it. Well.

0:14:55.800 --> 0:14:59.200
<v Speaker 1>It surprised me also that you know, they actually cast

0:15:00.040 --> 0:15:04.400
<v Speaker 1>the actor who played the character of Evan Hanson in

0:15:04.560 --> 0:15:08.800
<v Speaker 1>the Broadway stage show as that character in the film, which,

0:15:09.760 --> 0:15:12.240
<v Speaker 1>on one hand, is a neat thing because you very

0:15:12.320 --> 0:15:16.520
<v Speaker 1>rarely see that, right. We usually see Hollywood actors who

0:15:16.640 --> 0:15:20.120
<v Speaker 1>end up getting cast in these roles and maybe, if

0:15:20.120 --> 0:15:23.200
<v Speaker 1>you're lucky, they can sing. But in this case, we're

0:15:23.200 --> 0:15:25.800
<v Speaker 1>seeing the actual person who originated the part on Broadway

0:15:26.240 --> 0:15:29.160
<v Speaker 1>doing the role on the screen. That doesn't always work out.

0:15:29.640 --> 0:15:33.640
<v Speaker 1>Rent was a disaster, but um, but we're hopeful on

0:15:33.720 --> 0:15:38.400
<v Speaker 1>this one. However, it does bring up an issue that

0:15:38.480 --> 0:15:42.920
<v Speaker 1>the Internet has more than jumped all over Yeah, which

0:15:42.960 --> 0:15:46.080
<v Speaker 1>is the fact that Ben Platt is which you know,

0:15:46.120 --> 0:15:48.320
<v Speaker 1>it's not always an issue in Hollywood. They are constantly

0:15:48.360 --> 0:15:51.360
<v Speaker 1>people being in their Yeah, and we should point out

0:15:51.360 --> 0:15:54.120
<v Speaker 1>Evan Hanson. Dear. Evan Hanson's is a story that's set

0:15:54.240 --> 0:15:57.720
<v Speaker 1>in like mostly in a high school with the main

0:15:57.840 --> 0:16:01.720
<v Speaker 1>character feeling like an outcast at that high school, and

0:16:01.840 --> 0:16:05.280
<v Speaker 1>he has a couple of encounters with a similar outcast

0:16:06.000 --> 0:16:09.640
<v Speaker 1>in that school, and it appears that the two of

0:16:09.680 --> 0:16:12.480
<v Speaker 1>them from the outside like people who are just casually looking.

0:16:12.800 --> 0:16:14.960
<v Speaker 1>It looks like the two of them formed a friendship.

0:16:15.600 --> 0:16:20.040
<v Speaker 1>Then this other person, Connor, takes his own life, and

0:16:20.200 --> 0:16:25.840
<v Speaker 1>that appearance of a friendship becomes uh kind of a

0:16:25.920 --> 0:16:28.120
<v Speaker 1>lie that people just start to believe, and Evan is

0:16:28.160 --> 0:16:31.040
<v Speaker 1>sort of wrapped up in it. Um. The story gets

0:16:31.120 --> 0:16:33.480
<v Speaker 1>much more complicated from there, but the point being that

0:16:33.760 --> 0:16:37.040
<v Speaker 1>you've got an actor in his late twenties playing a teenager,

0:16:37.480 --> 0:16:41.000
<v Speaker 1>and a lot of people started sharing memes, especially of

0:16:41.080 --> 0:16:45.600
<v Speaker 1>the Steve Boussimmi like you know what's up, young people,

0:16:45.640 --> 0:16:48.720
<v Speaker 1>fellow young people that kind of meme as a joke

0:16:48.760 --> 0:16:51.040
<v Speaker 1>about being Evan Hansen. All of the kids are in

0:16:51.080 --> 0:16:55.280
<v Speaker 1>their twenties, so a Lana Back, Zoe Murphy, Connor Murphy,

0:16:55.440 --> 0:16:57.680
<v Speaker 1>Jared Klein. They're all in their twenties between twenty two

0:16:57.720 --> 0:17:01.320
<v Speaker 1>and twenty six. So Ben Platt playing Evan Hanson is

0:17:01.360 --> 0:17:04.520
<v Speaker 1>not so far off, but he looks way older than

0:17:04.560 --> 0:17:08.080
<v Speaker 1>that he does, and so I feel weird about this areal.

0:17:08.160 --> 0:17:10.440
<v Speaker 1>And the reason why is because every film depends upon

0:17:10.440 --> 0:17:13.760
<v Speaker 1>a suspension of disbelief. Right, you have to suspend disbelief

0:17:13.800 --> 0:17:16.879
<v Speaker 1>because you know, this is a movie. People showed up

0:17:16.880 --> 0:17:20.000
<v Speaker 1>to set, there was catering, there were lights, there were

0:17:20.359 --> 0:17:23.320
<v Speaker 1>crew that are not in view if the movie is

0:17:23.359 --> 0:17:27.080
<v Speaker 1>done properly, like I like, like, you know, it's all artifice,

0:17:27.520 --> 0:17:30.280
<v Speaker 1>so you already have to buy into it. Now it

0:17:30.400 --> 0:17:33.240
<v Speaker 1>is asking you more to buy into it. When an

0:17:33.280 --> 0:17:37.200
<v Speaker 1>actor is the wrong age to play a character quote

0:17:37.240 --> 0:17:41.480
<v Speaker 1>unquote wrong age, it's a little easier, I would argue, uh,

0:17:41.600 --> 0:17:44.000
<v Speaker 1>when you go to see a stage production, because then

0:17:44.680 --> 0:17:47.159
<v Speaker 1>you're having to suspend your disbelief even more because you

0:17:47.200 --> 0:17:49.640
<v Speaker 1>can just look around and see that you know, you're

0:17:49.680 --> 0:17:54.760
<v Speaker 1>not really you know wherever um. But I also like

0:17:54.920 --> 0:17:57.720
<v Speaker 1>I get it where like you know, you're you're you're

0:17:57.760 --> 0:18:01.800
<v Speaker 1>feeling a disconnect between the uh, the appearance of an

0:18:01.800 --> 0:18:05.480
<v Speaker 1>actor and the supposed age of the character they're playing.

0:18:06.840 --> 0:18:08.520
<v Speaker 1>But there are a lot of shows out there that

0:18:08.800 --> 0:18:13.480
<v Speaker 1>have adults playing children and that's part of the show,

0:18:13.600 --> 0:18:17.399
<v Speaker 1>Like like the annual Putnam County Spelling Bee, is that

0:18:17.440 --> 0:18:21.000
<v Speaker 1>way You're a good man, Charlie Brown is that way.

0:18:21.119 --> 0:18:25.399
<v Speaker 1>So I guess it just depends on intent and the

0:18:25.440 --> 0:18:28.920
<v Speaker 1>way it's portrayed. But I'm not feeling a mental block here,

0:18:29.080 --> 0:18:31.800
<v Speaker 1>I guess, is what I'm saying. Me neither. So like

0:18:31.960 --> 0:18:33.399
<v Speaker 1>if you look at the movie Eighth Grade, where they

0:18:33.480 --> 0:18:37.040
<v Speaker 1>used actual eighth graders, if they had used high schoolers

0:18:37.119 --> 0:18:42.040
<v Speaker 1>and then put Ben Platt into that environment, I would

0:18:42.040 --> 0:18:45.480
<v Speaker 1>have felt real creepy about that. But because they've cast

0:18:45.520 --> 0:18:47.600
<v Speaker 1>everyone older, you know, you can kind of just age

0:18:47.680 --> 0:18:50.040
<v Speaker 1>up in your brain. I know that as I get older,

0:18:50.080 --> 0:18:51.760
<v Speaker 1>and I'm not old by any means, but as I

0:18:51.800 --> 0:18:55.160
<v Speaker 1>get older, all of a sudden, people my age look

0:18:55.800 --> 0:18:58.760
<v Speaker 1>younger to me so well, and and I think about

0:18:58.800 --> 0:19:01.960
<v Speaker 1>things like you know, like you said, it's not a

0:19:02.000 --> 0:19:06.359
<v Speaker 1>new thing to cast adults as teenagers. Like the television

0:19:06.400 --> 0:19:09.840
<v Speaker 1>series Buffy the Vampire Slayer, every single one of the

0:19:10.280 --> 0:19:14.840
<v Speaker 1>principal actors, we're playing characters several years younger than themselves,

0:19:14.880 --> 0:19:18.800
<v Speaker 1>sometimes like a decade younger than themselves. So it's not

0:19:18.840 --> 0:19:22.080
<v Speaker 1>an unusual thing. Um, I do get like the initial

0:19:22.160 --> 0:19:24.639
<v Speaker 1>knee jerk reaction, It's not a big deal to me.

0:19:24.720 --> 0:19:27.560
<v Speaker 1>I can get past it. Also, Like I think part

0:19:27.560 --> 0:19:29.920
<v Speaker 1>of It's also that I kind of wanted to see

0:19:30.760 --> 0:19:33.720
<v Speaker 1>Dear Evan Hansen when it was originally running on Broadway.

0:19:33.800 --> 0:19:36.800
<v Speaker 1>But it's one of those things where like it's tough

0:19:36.880 --> 0:19:39.800
<v Speaker 1>to see a show with its original cast. I mean,

0:19:39.840 --> 0:19:43.040
<v Speaker 1>there's it's just it's an exclusive thing, right, So this

0:19:43.119 --> 0:19:46.280
<v Speaker 1>is a chance to see the the guy who originated

0:19:46.320 --> 0:19:49.520
<v Speaker 1>the part do it again. And when else am I

0:19:49.520 --> 0:19:51.320
<v Speaker 1>going to get a chance to see that? I agree?

0:19:51.359 --> 0:19:53.479
<v Speaker 1>You know, I think I was going to say they

0:19:53.480 --> 0:19:55.680
<v Speaker 1>could have done it because you run into work issues

0:19:55.720 --> 0:19:57.880
<v Speaker 1>like how much time a kid can be on set

0:19:57.880 --> 0:20:00.119
<v Speaker 1>if they're under eighteen. But I really think they It

0:20:00.119 --> 0:20:03.119
<v Speaker 1>is so that people could see then Platt as Evan Hanson,

0:20:03.280 --> 0:20:05.440
<v Speaker 1>which you know, when I listened to the soundtrack, that's

0:20:05.440 --> 0:20:08.680
<v Speaker 1>who I love singing it. So I'm also quite excited.

0:20:08.720 --> 0:20:11.080
<v Speaker 1>I'm I'm not having any hang ups. So he does

0:20:11.080 --> 0:20:12.920
<v Speaker 1>look a little old to me, but I yeah, no,

0:20:13.080 --> 0:20:16.399
<v Speaker 1>I agree, I agree. Well, you know what, Ariel, I

0:20:16.440 --> 0:20:18.720
<v Speaker 1>think what we should do is take a break and

0:20:18.760 --> 0:20:22.040
<v Speaker 1>when we come back, we'll talk a little bit about

0:20:22.160 --> 0:20:25.560
<v Speaker 1>some interesting mergers that are coming up, and then segue

0:20:25.640 --> 0:20:37.600
<v Speaker 1>into some situational comedic conversation. Still living in and manually

0:20:37.640 --> 0:20:40.399
<v Speaker 1>taking notes. Start the new year with auto dot ai

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<v Speaker 1>E R dot Ai. Conquer your new year's resolution to

0:21:09.480 --> 0:21:13.000
<v Speaker 1>be more productive with the Before Breakfast podcast. In each

0:21:13.160 --> 0:21:17.480
<v Speaker 1>bite sized daily episode, time management and productivity expert Laura

0:21:17.600 --> 0:21:20.359
<v Speaker 1>Vanderkam teaches you how to make the most of your time,

0:21:20.600 --> 0:21:23.520
<v Speaker 1>both at work and at home. These are the practical

0:21:23.600 --> 0:21:26.560
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0:21:26.800 --> 0:21:29.720
<v Speaker 1>Just as lifting weights keeps our body strong as we age,

0:21:29.960 --> 0:21:33.240
<v Speaker 1>learning new skills is the mental equivalent of pumping iron.

0:21:33.520 --> 0:21:38.840
<v Speaker 1>Listen to Before Breakfast wherever you get your podcasts. Hey,

0:21:38.880 --> 0:21:42.320
<v Speaker 1>this is Paris Hilton. Last year I revealed the story

0:21:42.320 --> 0:21:46.840
<v Speaker 1>of my abuse at Provo Canyon School. Since then, thousands

0:21:46.840 --> 0:21:50.320
<v Speaker 1>of survivors have come forward. Now I'm on a mission

0:21:50.359 --> 0:21:53.840
<v Speaker 1>to expose the truth of the entire industry, and this

0:21:53.880 --> 0:21:58.480
<v Speaker 1>weekly investigative podcast me and my host Rebecca Mellinger and

0:21:58.560 --> 0:22:03.480
<v Speaker 1>Caroline Cole examined one infamous team treatment facility each season.

0:22:04.400 --> 0:22:10.200
<v Speaker 1>First up, Provo Canyon School. This one is personal. When

0:22:10.200 --> 0:22:14.440
<v Speaker 1>you first get there, you have to experience girls screaming,

0:22:16.040 --> 0:22:21.560
<v Speaker 1>locked up, peeing themselves in the hallway, sleeping, and you're like,

0:22:22.840 --> 0:22:28.800
<v Speaker 1>where am I, Holy hack, this is not what I expected.

0:22:30.720 --> 0:22:33.600
<v Speaker 1>Listen to Trapped and Treatment on the I Heart Radio app,

0:22:33.760 --> 0:22:43.480
<v Speaker 1>Apple podcast or wherever you get your podcast, Okay, Ariel.

0:22:43.640 --> 0:22:46.680
<v Speaker 1>So there are a couple of stories here that get

0:22:46.720 --> 0:22:49.439
<v Speaker 1>into the realm of one of the other shows. We

0:22:49.520 --> 0:22:52.240
<v Speaker 1>used to do Business on the Brink, where we would

0:22:52.240 --> 0:22:56.680
<v Speaker 1>talk about like some big, big, big moments in business

0:22:56.760 --> 0:23:01.800
<v Speaker 1>history that either led to incredible success or monumental failure.

0:23:02.359 --> 0:23:04.520
<v Speaker 1>And we've got a couple of stories that could be

0:23:04.680 --> 0:23:08.560
<v Speaker 1>like a turning point um And one of them is

0:23:08.640 --> 0:23:13.800
<v Speaker 1>that Amazon is rumored to be on the prowl to

0:23:13.880 --> 0:23:18.560
<v Speaker 1>pick up MGM, the one of the oldest movie production

0:23:18.640 --> 0:23:24.240
<v Speaker 1>companies ever, which has had numerous financial difficulties throughout its

0:23:24.400 --> 0:23:31.080
<v Speaker 1>very long history. M hmm, yeah, which, you know, I

0:23:31.119 --> 0:23:33.160
<v Speaker 1>get it. The The interesting thing to me is along

0:23:33.200 --> 0:23:36.639
<v Speaker 1>with MGM comes things like getting the movie Fargo, but

0:23:36.880 --> 0:23:39.680
<v Speaker 1>the Fargo television show is on Hulu, which is owned

0:23:39.680 --> 0:23:44.280
<v Speaker 1>by Disney. But they get like the James Bond series

0:23:44.320 --> 0:23:50.120
<v Speaker 1>that's got to be worth something, Hobbit, Rocky rebotop. I'm

0:23:50.160 --> 0:23:53.000
<v Speaker 1>just reading through the list here, Get Shorty, which it's

0:23:53.000 --> 0:23:55.600
<v Speaker 1>probably not a show a movie that like half our

0:23:55.600 --> 0:24:01.320
<v Speaker 1>audience has ever seen, but I saw it in the theater. Yeah,

0:24:01.359 --> 0:24:05.879
<v Speaker 1>so yeah, it's It's really interesting. Um because as these

0:24:06.119 --> 0:24:09.240
<v Speaker 1>big mergers happened, they kind of start overlapping in my brain.

0:24:10.400 --> 0:24:13.720
<v Speaker 1>But at the same time, like I so, it feels

0:24:13.760 --> 0:24:15.720
<v Speaker 1>a bit incestuous, and I get I have a hard

0:24:15.720 --> 0:24:18.200
<v Speaker 1>time keeping them all straight. But at the same time,

0:24:18.200 --> 0:24:22.159
<v Speaker 1>I'm like, Okay, merge because I already have Amazon Prime,

0:24:22.520 --> 0:24:27.359
<v Speaker 1>so I'll just open up my options for When I

0:24:27.359 --> 0:24:29.439
<v Speaker 1>think of MGM areal, the two things that come to

0:24:29.480 --> 0:24:34.520
<v Speaker 1>my mind are the original name for Disney Hollywood Studios,

0:24:35.119 --> 0:24:38.199
<v Speaker 1>Disney's MGM Studios, Yes, which I still call it that

0:24:38.320 --> 0:24:41.719
<v Speaker 1>so do I. Which I'm sure it irritates cast members

0:24:41.760 --> 0:24:45.720
<v Speaker 1>like crazy, but you know that it was burned into

0:24:45.800 --> 0:24:48.119
<v Speaker 1>my brain as a kid. But the other thing is

0:24:48.400 --> 0:24:50.560
<v Speaker 1>one of the greatest movies of all time. And I'm

0:24:50.560 --> 0:24:53.560
<v Speaker 1>not this isn't me being like flippant, but Wizard of

0:24:53.560 --> 0:24:57.760
<v Speaker 1>Oz was an MGM film like that is that is

0:24:57.960 --> 0:25:03.280
<v Speaker 1>truly an iconic move. So it's interesting, Like I think,

0:25:03.320 --> 0:25:05.520
<v Speaker 1>I look at MGM as a business and I think, yeah,

0:25:05.520 --> 0:25:09.520
<v Speaker 1>that that's a company that's really that's really struggling. I mean,

0:25:09.560 --> 0:25:12.600
<v Speaker 1>we would call it a business on the brink. And um,

0:25:13.240 --> 0:25:16.520
<v Speaker 1>it's only companies, like massive companies like Amazon that would

0:25:16.520 --> 0:25:20.400
<v Speaker 1>be able to come in and potentially scoop up those

0:25:20.440 --> 0:25:23.520
<v Speaker 1>assets and maybe make something out of it. You know,

0:25:24.000 --> 0:25:27.840
<v Speaker 1>you wouldn't expect Amazon to just you know, liquidate everything.

0:25:27.960 --> 0:25:30.720
<v Speaker 1>They would do something with it. What they would do

0:25:30.800 --> 0:25:34.439
<v Speaker 1>with it is another question. But you alluded to the

0:25:34.480 --> 0:25:37.400
<v Speaker 1>fact that it's hard to keep these things straight. It's

0:25:37.400 --> 0:25:39.680
<v Speaker 1>not getting any easier because this is not the only

0:25:39.760 --> 0:25:46.160
<v Speaker 1>merger story we have. No Warner Media is apparently being

0:25:46.200 --> 0:25:48.399
<v Speaker 1>sold by A T and T and getting picked up

0:25:48.400 --> 0:25:51.440
<v Speaker 1>by Discovery, which hurts my head a little. Me too.

0:25:51.520 --> 0:25:53.760
<v Speaker 1>I used to work for Discovery, so it hurts my

0:25:53.840 --> 0:25:56.760
<v Speaker 1>head too. Um yeah, so A T and d is

0:25:56.800 --> 0:26:00.679
<v Speaker 1>looking to spin off Warner Media and have it merge

0:26:00.720 --> 0:26:04.080
<v Speaker 1>with Discovery, which is all sorts of strange to me.

0:26:04.160 --> 0:26:07.280
<v Speaker 1>I mean, in some ways, I think it's a good

0:26:07.280 --> 0:26:11.320
<v Speaker 1>thing because a T and D is you know, a

0:26:11.320 --> 0:26:15.240
<v Speaker 1>telecommunications company, so they're in charge of making sure the

0:26:15.400 --> 0:26:19.239
<v Speaker 1>connections exist between different entities, and then Warner Media as

0:26:19.280 --> 0:26:23.000
<v Speaker 1>a content company, and I don't really like it when

0:26:23.160 --> 0:26:27.159
<v Speaker 1>content and delivery are merged together. It's why I really

0:26:27.240 --> 0:26:34.520
<v Speaker 1>don't care for the the Comcast NBCUniversal massive conglomerate, I find,

0:26:34.600 --> 0:26:36.639
<v Speaker 1>because that that's the kind of stuff that ends up

0:26:36.680 --> 0:26:39.360
<v Speaker 1>threatening things like net neutrality. So I'm not a big

0:26:39.400 --> 0:26:41.760
<v Speaker 1>fan of it. But yeah, so the part about them

0:26:41.760 --> 0:26:44.919
<v Speaker 1>spending off Warner Media in order to focus solely on

0:26:44.960 --> 0:26:48.879
<v Speaker 1>telecommunications and have Warner Media focused solely on content, that

0:26:48.920 --> 0:26:52.000
<v Speaker 1>part was easy for me to understand. It's the merger

0:26:52.040 --> 0:26:54.800
<v Speaker 1>with Discovery that I also find like, that's the one

0:26:54.800 --> 0:26:56.800
<v Speaker 1>where I had the big question mark pop up over

0:26:56.840 --> 0:27:01.120
<v Speaker 1>my head. I you know, I wonder if Discovery was

0:27:01.240 --> 0:27:03.640
<v Speaker 1>on board to get it, because like, so they've got

0:27:03.960 --> 0:27:07.600
<v Speaker 1>Discovery Plus right, and a lot of their content is

0:27:07.640 --> 0:27:09.240
<v Speaker 1>now on there, a lot of the shows that people

0:27:09.359 --> 0:27:12.600
<v Speaker 1>like to watch, you know, like Dr Pimple Popper or

0:27:13.480 --> 0:27:14.960
<v Speaker 1>fix Er Upp or things like that. A lot of

0:27:15.000 --> 0:27:18.080
<v Speaker 1>those shows are now on Discovery Plus because they want

0:27:18.080 --> 0:27:21.320
<v Speaker 1>people buying their their streaming service, but there are just

0:27:21.359 --> 0:27:23.760
<v Speaker 1>too many of them, So I wonder if that's a

0:27:23.760 --> 0:27:27.399
<v Speaker 1>way for them to still maintain a streaming service, not

0:27:27.560 --> 0:27:30.400
<v Speaker 1>admit defeat because I don't know what their numbers are,

0:27:30.440 --> 0:27:34.199
<v Speaker 1>you know, um, but then roll it in under like

0:27:34.480 --> 0:27:39.280
<v Speaker 1>HBO Max HBO Max because which is also hard because

0:27:39.320 --> 0:27:41.920
<v Speaker 1>I get my HBO Max through Hulu, which is owned

0:27:41.920 --> 0:27:47.320
<v Speaker 1>by Disney. Yeah. No, it's it's. I thought the cable

0:27:47.400 --> 0:27:52.840
<v Speaker 1>business was of confusing mishmash, but it was you know,

0:27:53.240 --> 0:27:56.520
<v Speaker 1>streamlined and simple compared to the online streaming world that

0:27:56.520 --> 0:28:00.440
<v Speaker 1>we're in today. Um, yeah, it's it's also it blows

0:28:00.480 --> 0:28:02.480
<v Speaker 1>my mind to think that if things had been a

0:28:02.520 --> 0:28:08.320
<v Speaker 1>little different, I could count Batman as my coworker. That

0:28:08.320 --> 0:28:10.560
<v Speaker 1>that is a pretty cool thought, John. But I haven't

0:28:10.600 --> 0:28:12.960
<v Speaker 1>worked for Discovery for a few years now. Discovery spun

0:28:13.000 --> 0:28:16.080
<v Speaker 1>off How Stuff Works several years ago, or actually sold

0:28:16.119 --> 0:28:19.360
<v Speaker 1>off How Stuff Works several years ago, which then went

0:28:19.400 --> 0:28:21.199
<v Speaker 1>through a whole series of things. And I don't even

0:28:21.240 --> 0:28:23.760
<v Speaker 1>work for how stuff works anymore. Been in the same

0:28:23.880 --> 0:28:29.919
<v Speaker 1>job for fourteen years. It's the bosses that keep changing. Yeah,

0:28:29.960 --> 0:28:36.159
<v Speaker 1>but you you are constant. Yeah, like steadfast born in

0:28:36.200 --> 0:28:41.400
<v Speaker 1>the side, Yes, but steadfast pillars. Speaking of pillars, one

0:28:41.440 --> 0:28:47.080
<v Speaker 1>of the pillars of comedy, one of the pillars of entertainment. Listen,

0:28:47.520 --> 0:28:50.960
<v Speaker 1>I'm I'm grasping at any straw that i can see.

0:28:51.320 --> 0:28:54.719
<v Speaker 1>But one of the pillars of entertainment, particularly in places

0:28:54.760 --> 0:28:59.680
<v Speaker 1>like the UK and America, is the sitcom or situational

0:28:59.720 --> 0:29:03.680
<v Speaker 1>comm Now, Ariel, what was it that that made you

0:29:03.720 --> 0:29:08.719
<v Speaker 1>want to talk about sitcoms today? Uh? Yeah, So sadly

0:29:08.720 --> 0:29:10.600
<v Speaker 1>it looks like we won't have much time to talk

0:29:10.640 --> 0:29:13.840
<v Speaker 1>about it, so this conversation might lead into another week.

0:29:14.000 --> 0:29:18.440
<v Speaker 1>But ABC released trailers for a bunch of its fall lineup,

0:29:18.640 --> 0:29:21.880
<v Speaker 1>and there was there was a drama called Queens, and

0:29:21.920 --> 0:29:25.720
<v Speaker 1>then three sitcoms, one of which we knew about, The

0:29:25.760 --> 0:29:29.680
<v Speaker 1>Wonder Years, which is a remake and it's starring Delay Hill,

0:29:29.800 --> 0:29:32.480
<v Speaker 1>which I love Delay Hill, so I'll watch anything he's

0:29:32.520 --> 0:29:36.760
<v Speaker 1>in um and then Abbott Elementary which is about a school,

0:29:37.000 --> 0:29:40.560
<v Speaker 1>and then Maggie, which is a comedy about a psychic

0:29:41.960 --> 0:29:44.719
<v Speaker 1>and I pulled up the article to watch the trailer

0:29:44.760 --> 0:29:47.680
<v Speaker 1>about Wonder Years because I loved the original and I'm

0:29:47.800 --> 0:29:52.000
<v Speaker 1>very excited about this remake. I love I love how

0:29:52.080 --> 0:29:58.520
<v Speaker 1>certain certain comedy, certain situational things are and sometimes hate

0:29:58.520 --> 0:30:02.160
<v Speaker 1>to our are a part of the basic human conditions.

0:30:02.200 --> 0:30:04.560
<v Speaker 1>So no matter when you look at them throughout your history,

0:30:04.640 --> 0:30:07.200
<v Speaker 1>that they remain relevant. You know, there are some some

0:30:07.240 --> 0:30:09.959
<v Speaker 1>things that remain relevant that I wish wouldn't, for instance,

0:30:10.000 --> 0:30:11.840
<v Speaker 1>when they redid All in the Family and Jeffers since

0:30:11.840 --> 0:30:15.600
<v Speaker 1>there's certain social topics that I wish we're not still

0:30:15.600 --> 0:30:19.040
<v Speaker 1>relevant that sadly are. But you know, a lot of comedy,

0:30:19.120 --> 0:30:24.080
<v Speaker 1>a lot of family those the particulars might change, but

0:30:24.200 --> 0:30:26.720
<v Speaker 1>the overall feeling of them stays the same. And so

0:30:27.120 --> 0:30:30.040
<v Speaker 1>you can make remake something like Wonder Years, have it

0:30:30.120 --> 0:30:31.960
<v Speaker 1>been new and have it still hit all of the

0:30:32.000 --> 0:30:34.880
<v Speaker 1>same old fields, which is what I'm hoping for. There

0:30:34.880 --> 0:30:38.480
<v Speaker 1>are certain sitcoms and certain shows that I think fall

0:30:38.520 --> 0:30:41.040
<v Speaker 1>into the comedy range. They maybe don't fall into the

0:30:41.120 --> 0:30:44.920
<v Speaker 1>classic sitcom category like I wouldn't. I wouldn't think Wonder

0:30:45.000 --> 0:30:47.480
<v Speaker 1>Years falls into sitcom, but it is more comedic than

0:30:47.560 --> 0:30:49.480
<v Speaker 1>anything else. It's more of a kind of a drama

0:30:49.720 --> 0:30:54.160
<v Speaker 1>series in a way. Um situations like like Doogie Howser

0:30:54.560 --> 0:30:57.640
<v Speaker 1>is another one. That's another one that has the remake, right,

0:30:58.160 --> 0:31:01.720
<v Speaker 1>so uh full House, you know, full House is like,

0:31:02.120 --> 0:31:03.800
<v Speaker 1>We're gonna have so much more to talk about with

0:31:03.880 --> 0:31:09.120
<v Speaker 1>full House in a minute. It had a sequel, Fuller House. Yeah,

0:31:09.200 --> 0:31:11.840
<v Speaker 1>but but yeah, there are other there other like sitcoms

0:31:11.840 --> 0:31:14.080
<v Speaker 1>I think of from my childhood. Now. I grew up

0:31:14.120 --> 0:31:16.240
<v Speaker 1>in the seventies and eighties, so a lot of the

0:31:16.280 --> 0:31:20.840
<v Speaker 1>sitcoms I remember are not good. Some of them are

0:31:21.080 --> 0:31:25.520
<v Speaker 1>like Golden Girls, pretty good sitcom. Designing Women was frequently

0:31:25.600 --> 0:31:29.160
<v Speaker 1>a pretty good sitcom. Um, but there are others that,

0:31:29.360 --> 0:31:35.760
<v Speaker 1>you know, we're varying degrees of corny or just uh,

0:31:36.080 --> 0:31:38.760
<v Speaker 1>you know, not not particularly relevant, Like I don't know

0:31:38.880 --> 0:31:42.640
<v Speaker 1>Perfect Strangers, not not so much. I love Perfect I

0:31:42.680 --> 0:31:44.880
<v Speaker 1>did at the time, but I have things to say

0:31:44.880 --> 0:31:48.680
<v Speaker 1>about that that I'll tell you off Mike. Yeah, well

0:31:48.760 --> 0:31:50.920
<v Speaker 1>I did rewatch it recently. It doesn't quite hold up

0:31:50.960 --> 0:31:53.320
<v Speaker 1>as well as or like here's here's an example of

0:31:53.360 --> 0:31:57.040
<v Speaker 1>one that totally like would not fly today for good reason,

0:31:57.480 --> 0:32:01.360
<v Speaker 1>Bosom Buddies that would not fly. So if you don't

0:32:01.400 --> 0:32:04.480
<v Speaker 1>know what Bosom Buddy says. It was a Tom Hanks

0:32:04.800 --> 0:32:08.120
<v Speaker 1>was in it. It was a a comedy in which

0:32:08.120 --> 0:32:11.160
<v Speaker 1>a couple of guys dressed in drag in order to

0:32:11.200 --> 0:32:16.480
<v Speaker 1>be able to live in a um housing area that

0:32:16.560 --> 0:32:20.520
<v Speaker 1>only would allow women. And um, yeah, so you had

0:32:20.520 --> 0:32:22.840
<v Speaker 1>a lot of jokes about men dressed up as women

0:32:23.520 --> 0:32:27.400
<v Speaker 1>and that just would not like that. That humor doesn't

0:32:27.400 --> 0:32:30.880
<v Speaker 1>work today at all. Um. I arguably it didn't work

0:32:30.920 --> 0:32:33.920
<v Speaker 1>so great then either, But you know, you get by

0:32:33.960 --> 0:32:37.960
<v Speaker 1>a long way on Tom Hanks's charm. Um. But yeah,

0:32:38.040 --> 0:32:42.400
<v Speaker 1>it's interesting. So are there any Are there any sitcoms

0:32:42.440 --> 0:32:44.040
<v Speaker 1>that you can think of that you would love to

0:32:44.080 --> 0:32:47.880
<v Speaker 1>see a reboot of that you think could I mean,

0:32:47.880 --> 0:32:50.360
<v Speaker 1>we know we're getting some like Punky Brewster. It's another

0:32:50.400 --> 0:32:54.520
<v Speaker 1>one that's coming back. But see the reboot of Punky Brewster. Again,

0:32:54.560 --> 0:32:57.920
<v Speaker 1>it's not a reboot, it's a sequel. Um. It feels

0:32:57.960 --> 0:33:00.840
<v Speaker 1>like it's banking heavily on this algia, which is not

0:33:00.880 --> 0:33:03.560
<v Speaker 1>always a bad thing, but um, it felt it felt

0:33:03.560 --> 0:33:05.960
<v Speaker 1>a little too force for me. You know, I talked

0:33:05.960 --> 0:33:08.960
<v Speaker 1>about this in a previous episode, But I would love

0:33:09.000 --> 0:33:13.080
<v Speaker 1>to see Family Matters reboot. Um, I don't know if

0:33:13.120 --> 0:33:15.120
<v Speaker 1>they could, Like, I don't know if anybody could replace

0:33:15.480 --> 0:33:17.800
<v Speaker 1>Julia White and Steve Urkel, and now that geek is

0:33:18.080 --> 0:33:21.240
<v Speaker 1>being a geek is so much more mainstream. I don't

0:33:21.320 --> 0:33:25.040
<v Speaker 1>know how it would play, Um, but I'd be interested

0:33:25.080 --> 0:33:30.960
<v Speaker 1>to see it. Um Yeah, Perfect Strangers, although I can

0:33:31.000 --> 0:33:34.640
<v Speaker 1>guarantee that's probably because I haven't watched most of it

0:33:34.680 --> 0:33:38.800
<v Speaker 1>in a long time. Um. That one's tricky because so

0:33:38.880 --> 0:33:41.440
<v Speaker 1>much of the humor is all about fish out of water,

0:33:41.640 --> 0:33:47.800
<v Speaker 1>and the the exaggeration of foreign nous makes it hard

0:33:48.000 --> 0:33:50.720
<v Speaker 1>to do in a way that doesn't feel like it's

0:33:50.760 --> 0:33:56.200
<v Speaker 1>playing upon almost racist stereotypes. Yeah. Yeah, but like I've

0:33:56.240 --> 0:33:59.800
<v Speaker 1>been really I've been watching through Blackish, which actually just

0:34:00.640 --> 0:34:02.760
<v Speaker 1>got announced it's going to be in its final season.

0:34:02.800 --> 0:34:04.200
<v Speaker 1>I'm not sure if it's already in or if it's

0:34:04.240 --> 0:34:07.760
<v Speaker 1>going to be, but they did a take on Good

0:34:07.800 --> 0:34:13.279
<v Speaker 1>Times in one of their episodes, and so I feel like,

0:34:13.960 --> 0:34:18.799
<v Speaker 1>I feel like sometimes you can rebooted concept without having

0:34:18.840 --> 0:34:21.040
<v Speaker 1>to do an exact reboot of a show. I think

0:34:21.080 --> 0:34:23.960
<v Speaker 1>black is just a great example. I really enjoy that. Um.

0:34:24.000 --> 0:34:29.719
<v Speaker 1>You know, Abbott Elementary. I'm sure there have been other

0:34:29.760 --> 0:34:33.160
<v Speaker 1>sitcoms about Elementary schools that that it's a reboot of

0:34:33.480 --> 0:34:35.400
<v Speaker 1>maybe like Saved by the Bell, although it's more focused

0:34:35.400 --> 0:34:38.400
<v Speaker 1>on teachers. But well, I'll tell you which one. What

0:34:38.520 --> 0:34:43.000
<v Speaker 1>classic sitcom from my childhood I want to see rebooted? Sure,

0:34:43.160 --> 0:34:45.239
<v Speaker 1>I bet you can tell already. This is going to

0:34:45.320 --> 0:34:52.400
<v Speaker 1>be a flippant answer. Silver Spoons, I know I've seen it,

0:34:52.440 --> 0:34:55.080
<v Speaker 1>but I don't remember. Here we are face to face

0:34:55.280 --> 0:34:58.120
<v Speaker 1>a couple of silver Spoons, hoping to find we're two

0:34:58.160 --> 0:35:01.360
<v Speaker 1>of a kind, making a go, making it grow together.

0:35:01.719 --> 0:35:04.879
<v Speaker 1>We're gonna find a way. Um yeah, no, So Silver

0:35:05.000 --> 0:35:12.840
<v Speaker 1>Spoons had had Rick then Ricky Schroeder as a a

0:35:12.960 --> 0:35:16.000
<v Speaker 1>very serious young man coming to live with his father

0:35:16.120 --> 0:35:21.800
<v Speaker 1>who is essentially a man child who's extremely wealthy. And

0:35:21.960 --> 0:35:24.520
<v Speaker 1>it's kind of like the story of the father who

0:35:24.719 --> 0:35:29.200
<v Speaker 1>is largely irresponsible and and living in a state of

0:35:29.280 --> 0:35:33.000
<v Speaker 1>arrested development bringing the child out of his son and

0:35:33.040 --> 0:35:38.200
<v Speaker 1>his son kind of encouraging the dad to be more um,

0:35:38.239 --> 0:35:43.120
<v Speaker 1>you know, responsible and mature. But that's like from a

0:35:43.200 --> 0:35:45.600
<v Speaker 1>very high level on an episode by episode basis, it

0:35:45.640 --> 0:35:47.960
<v Speaker 1>was just an excuse for goofy things to happen by

0:35:47.960 --> 0:35:53.000
<v Speaker 1>wealthy people. Okay, I mean, but can you imagine Let's

0:35:53.040 --> 0:35:56.800
<v Speaker 1>let's say let's say like the dad is obsessed with Instagram,

0:35:56.840 --> 0:35:59.680
<v Speaker 1>like he's obsessed with being an Instagram influencer, and the

0:35:59.760 --> 0:36:03.280
<v Speaker 1>kid it is like a much more kind of focused

0:36:03.320 --> 0:36:05.800
<v Speaker 1>kind of person. Like you could you could easily update

0:36:05.960 --> 0:36:11.279
<v Speaker 1>that concept to today and it would still work, isn't

0:36:11.280 --> 0:36:13.600
<v Speaker 1>it kind of like Young Sheldon at that point. I've

0:36:13.600 --> 0:36:19.520
<v Speaker 1>never watched Young Sheldon, so it's very possible. Uh So

0:36:19.640 --> 0:36:22.840
<v Speaker 1>I've got it. I've got the perfect sitcom to reboot.

0:36:22.880 --> 0:36:26.359
<v Speaker 1>What's that? I knew you're gonna say alf. I knew

0:36:26.360 --> 0:36:31.000
<v Speaker 1>you're gonna say alf. I mean, just think about like

0:36:31.080 --> 0:36:33.319
<v Speaker 1>it was funny. It was a little a reference, which

0:36:33.360 --> 0:36:35.320
<v Speaker 1>we know you like because you like always sending a

0:36:35.320 --> 0:36:39.040
<v Speaker 1>Philadelphia I don't I sometimes do um, you know, but

0:36:39.239 --> 0:36:41.359
<v Speaker 1>it could be done on such a higher level now.

0:36:41.840 --> 0:36:43.440
<v Speaker 1>I think what you do is you do a new

0:36:43.560 --> 0:36:47.640
<v Speaker 1>version of alf same puppet, so you don't update the

0:36:47.680 --> 0:36:52.480
<v Speaker 1>puppet at all. And in this version of alf everyone

0:36:52.520 --> 0:36:54.960
<v Speaker 1>else in the family is aware that Alfh is a

0:36:55.000 --> 0:36:58.920
<v Speaker 1>puppet and can see the puppeteer, but they they're scared

0:36:58.960 --> 0:37:02.360
<v Speaker 1>for their lives of the puppeteer, and so they humor

0:37:02.440 --> 0:37:05.000
<v Speaker 1>the puppeteer and treat Alf as if he is in

0:37:05.040 --> 0:37:14.719
<v Speaker 1>fact an alien. I want to watch that so very well.

0:37:14.800 --> 0:37:17.880
<v Speaker 1>You know, I'm all about taking things from our past

0:37:17.920 --> 0:37:20.239
<v Speaker 1>and turning them dark, which is a great way for

0:37:20.320 --> 0:37:22.480
<v Speaker 1>us to tease what's going to happen after we come

0:37:22.520 --> 0:37:40.040
<v Speaker 1>back from the break with our mashup. What grows in

0:37:40.080 --> 0:37:44.000
<v Speaker 1>the forest trees? Sure no one else grows in the forest.

0:37:44.239 --> 0:37:48.160
<v Speaker 1>Our imagination, our sense of wonder, and our family bonds

0:37:48.200 --> 0:37:53.720
<v Speaker 1>grow too, because when we disconnect from this and connect

0:37:53.760 --> 0:37:58.400
<v Speaker 1>with this, we reconnect with each other. The forest is

0:37:58.440 --> 0:38:01.480
<v Speaker 1>closer than you think. Fine the forest near you and

0:38:01.520 --> 0:38:04.800
<v Speaker 1>start exploring. I discover the Forest dot Org, brought to

0:38:04.840 --> 0:38:07.920
<v Speaker 1>you by the United States Forest Service and the ad Council.

0:38:08.920 --> 0:38:11.840
<v Speaker 1>Look for your children's eyes to see the true magic

0:38:12.000 --> 0:38:15.400
<v Speaker 1>of a forest. It's a storybook world for them. You

0:38:15.520 --> 0:38:18.520
<v Speaker 1>look and see a tree. They see the wrinkled face

0:38:18.560 --> 0:38:21.920
<v Speaker 1>of a wizard with arms outstretched to the sky. They

0:38:21.960 --> 0:38:25.439
<v Speaker 1>see treasuring pebbles, They see a windy path that could

0:38:25.520 --> 0:38:29.520
<v Speaker 1>lead to adventure, and they see you. They're fearless. Guide.

0:38:29.719 --> 0:38:33.000
<v Speaker 1>Is this fascinating world? Find a forest near you and

0:38:33.040 --> 0:38:36.040
<v Speaker 1>start exploring, And discover the forest dot org, brought to

0:38:36.080 --> 0:38:38.640
<v Speaker 1>you by the United States Forest Service and the ad Council.

0:38:38.920 --> 0:38:40.840
<v Speaker 1>Have you ever felt depressed about work only to have

0:38:40.880 --> 0:38:42.680
<v Speaker 1>your dad be like, why you're so down? So you

0:38:42.680 --> 0:38:44.359
<v Speaker 1>told him you hate your job, and he said, well,

0:38:44.360 --> 0:38:46.720
<v Speaker 1>you better talk yourself out of it. And then you thought, hmm,

0:38:46.760 --> 0:38:48.960
<v Speaker 1>I love to talk. I could host a podcast. And

0:38:48.960 --> 0:38:50.880
<v Speaker 1>then you went to Speaker from my Heart and started

0:38:50.880 --> 0:38:53.080
<v Speaker 1>a podcast and got good at it, then monetize it,

0:38:53.120 --> 0:38:55.200
<v Speaker 1>then quit your boring job and told your dad thanks

0:38:55.200 --> 0:38:56.719
<v Speaker 1>for the advice. And he was like, well, that's not

0:38:56.760 --> 0:38:59.040
<v Speaker 1>what I mean, and I don't understand what a podcast is,

0:38:59.080 --> 0:39:03.040
<v Speaker 1>but you seem happy. That's great, kiddo. You ever do that? Well,

0:39:03.080 --> 0:39:06.640
<v Speaker 1>you could at spreaker dot com. That's spr e A

0:39:06.800 --> 0:39:16.640
<v Speaker 1>k E R. Ask your dad. You actually don't. Okay,

0:39:16.680 --> 0:39:20.480
<v Speaker 1>ariel uh. Let's talk for a second now that we're back,

0:39:21.040 --> 0:39:24.720
<v Speaker 1>Let's talk for a second about monsters at work, because

0:39:24.760 --> 0:39:28.520
<v Speaker 1>that serves as one of the two inspirational points for

0:39:28.560 --> 0:39:31.879
<v Speaker 1>our mesh up today. Yeah. So the first inspirational point

0:39:32.000 --> 0:39:35.799
<v Speaker 1>is full House um or fuller House in Jonathan's case,

0:39:36.520 --> 0:39:39.359
<v Speaker 1>because we are inspired by sitcoms. But there was also

0:39:39.480 --> 0:39:41.960
<v Speaker 1>news that Disney Plus is making a Monsters at Work

0:39:42.040 --> 0:39:45.080
<v Speaker 1>TV show that is a sequel to Monsters, Inc. And

0:39:45.120 --> 0:39:50.480
<v Speaker 1>I guess by that account, Monsters University, Monsters You, that's

0:39:50.480 --> 0:39:53.799
<v Speaker 1>a prequel. It's fantastic by the way, I mean it's

0:39:54.440 --> 0:39:57.960
<v Speaker 1>it's unnecessary. It's totally unnecessary. It's a prequel that doesn't

0:39:58.000 --> 0:40:01.760
<v Speaker 1>need to exist, but it is. It is legitimately entertaining

0:40:01.760 --> 0:40:05.600
<v Speaker 1>and adorable. Mm hm, well, so is Monsters Inc. And

0:40:05.680 --> 0:40:08.120
<v Speaker 1>so I therefore think that Monsters at Work will also

0:40:08.160 --> 0:40:13.399
<v Speaker 1>be adorable. Uh. But you know, when I was looking

0:40:13.400 --> 0:40:18.480
<v Speaker 1>at I'm like, okay, sitcoms full House just is ripe

0:40:18.719 --> 0:40:23.200
<v Speaker 1>for mashup. Yeah. Uh, And I don't know why. It's

0:40:23.200 --> 0:40:25.640
<v Speaker 1>just like there was no question in my mind that

0:40:25.680 --> 0:40:29.440
<v Speaker 1>we needed to mash it up with Monsters Inc. Unfortunately,

0:40:30.480 --> 0:40:33.040
<v Speaker 1>I think both of our mashups got a little bit

0:40:33.040 --> 0:40:38.200
<v Speaker 1>more adult than maybe initially anticipated going into it. Yeah,

0:40:38.239 --> 0:40:42.239
<v Speaker 1>and by adult you mean dark and or disturbing and

0:40:42.520 --> 0:40:48.440
<v Speaker 1>or bleak. I mean mine's not super dark or disturbing.

0:40:48.520 --> 0:40:51.600
<v Speaker 1>It has a moment, but so does Full House. Like

0:40:51.880 --> 0:40:55.080
<v Speaker 1>both full House and Fuller House start on a sad

0:40:55.120 --> 0:40:57.200
<v Speaker 1>note and then get happy. So that's where mine is

0:40:57.400 --> 0:41:01.239
<v Speaker 1>since yours is apparently soul crushed, really depressing, I'm gonna

0:41:01.320 --> 0:41:04.720
<v Speaker 1>let you go first this time, Okay, all right, well,

0:41:04.840 --> 0:41:08.240
<v Speaker 1>um so yes, I did set Mine in the world

0:41:08.239 --> 0:41:12.200
<v Speaker 1>of Fuller House. So for those who are not you know,

0:41:12.239 --> 0:41:16.400
<v Speaker 1>havn't ever watched it, first of all, thank you're lucky stars.

0:41:17.239 --> 0:41:19.560
<v Speaker 1>But it is a sequel to Full House in which

0:41:19.719 --> 0:41:23.600
<v Speaker 1>the character of Dj Tanner, one of the daughters of

0:41:23.640 --> 0:41:26.960
<v Speaker 1>the the in the original Full House season. She's a

0:41:26.960 --> 0:41:31.160
<v Speaker 1>grown woman. She's as the series opens, she has recently

0:41:31.239 --> 0:41:35.319
<v Speaker 1>lost her husband. She has three kids. Her younger sister,

0:41:35.400 --> 0:41:38.480
<v Speaker 1>Stephanie comes to live with her, as does her childhood

0:41:38.520 --> 0:41:42.360
<v Speaker 1>friend Kimmy Gibbler, and they all are working together to

0:41:42.400 --> 0:41:45.200
<v Speaker 1>try and you know, look after the kids and just

0:41:45.320 --> 0:41:49.320
<v Speaker 1>make it in a world that's tough and etcetera, etcetera, etcetera.

0:41:49.480 --> 0:41:52.840
<v Speaker 1>So um Mine is set in the world of Fuller House,

0:41:53.480 --> 0:41:55.839
<v Speaker 1>um and the world of monsters in so here we go.

0:41:56.680 --> 0:42:00.200
<v Speaker 1>DJ Tanner has a problem. She's a widow and they're

0:42:00.280 --> 0:42:03.600
<v Speaker 1>with three children, who now also has her younger sister,

0:42:03.680 --> 0:42:07.719
<v Speaker 1>Stephanie living in her house. And there's Kimmy Gibbler, who,

0:42:07.760 --> 0:42:10.680
<v Speaker 1>for reasons I'm only vaguely aware of, has also moved

0:42:10.680 --> 0:42:14.320
<v Speaker 1>into the Tanner family home with her own daughter. Anyway,

0:42:14.440 --> 0:42:17.520
<v Speaker 1>the real problem DJ has isn't with all of this.

0:42:17.960 --> 0:42:22.359
<v Speaker 1>It's that there's a monster under her bed. Not that

0:42:22.560 --> 0:42:26.800
<v Speaker 1>DJ knows this though, but the monster is lurking quietly,

0:42:27.400 --> 0:42:31.360
<v Speaker 1>just hiding there, because, as it turns out, the Tanner

0:42:31.400 --> 0:42:37.120
<v Speaker 1>home is the secret to Monstropolis's energy crisis. Cut to

0:42:37.200 --> 0:42:45.400
<v Speaker 1>title fuller Monsters Flash Monstropolis. The city has grown exponentially

0:42:45.520 --> 0:42:49.640
<v Speaker 1>since the events of Monsters Inc. Becoming a mega metropolis

0:42:49.760 --> 0:42:53.359
<v Speaker 1>that covers most of the Monster World buildings more than

0:42:53.400 --> 0:42:57.720
<v Speaker 1>a hundred stories tall tower in the incredibly dense hacked

0:42:57.800 --> 0:43:01.320
<v Speaker 1>urban area. Though occasionally huge monsters do give the buildings

0:43:01.360 --> 0:43:03.719
<v Speaker 1>a run for their money, and the monsters on the

0:43:03.800 --> 0:43:06.960
<v Speaker 1>laft floor at the Monster's Ink Factory are close to

0:43:07.040 --> 0:43:11.480
<v Speaker 1>burning out. Even with the incredible juice supplied by laughter,

0:43:11.800 --> 0:43:15.239
<v Speaker 1>which is orders of magnitude greater than screams, they are

0:43:15.320 --> 0:43:18.560
<v Speaker 1>running dangerously close to not meeting the energy needs of

0:43:18.600 --> 0:43:22.160
<v Speaker 1>the growing city. The Monster World is on the precipice

0:43:22.360 --> 0:43:26.520
<v Speaker 1>of a true crisis. That is, until Mike Wazowski, already

0:43:26.640 --> 0:43:30.600
<v Speaker 1>a legend, tries a door that hasn't ever been opened.

0:43:31.560 --> 0:43:35.680
<v Speaker 1>That door leads to the Tanner Home in San Francisco.

0:43:36.040 --> 0:43:38.640
<v Speaker 1>It was always there, ready to be used, but for

0:43:38.680 --> 0:43:42.960
<v Speaker 1>whatever reason, simply was never picked. Wazowski goes through a

0:43:42.960 --> 0:43:46.120
<v Speaker 1>process of trying lots of doors in quick succession, trying

0:43:46.120 --> 0:43:48.760
<v Speaker 1>to find a solution to his growing problem. Just as

0:43:48.560 --> 0:43:51.240
<v Speaker 1>he's about to give up, he sneaks into the Tanner

0:43:51.320 --> 0:43:57.200
<v Speaker 1>home and Wazowski slips under DJ's bed on a reconnaissance mission,

0:43:57.560 --> 0:44:03.960
<v Speaker 1>and there he discovers something phenomenal. Laughter and endless supply

0:44:04.840 --> 0:44:09.839
<v Speaker 1>of laughter. Not from the Tanner family or their surrounding

0:44:10.000 --> 0:44:15.960
<v Speaker 1>sphere of weirdo friends. No, it's from some other source,

0:44:16.320 --> 0:44:21.319
<v Speaker 1>some source that the Tanners seem unaware of. But Wazowski

0:44:21.600 --> 0:44:27.240
<v Speaker 1>hears it loud and clear. Whenever anyone says anything, even

0:44:27.280 --> 0:44:32.480
<v Speaker 1>if it doesn't remotely resemble a joke, there's laughter, lots

0:44:32.520 --> 0:44:35.839
<v Speaker 1>of it. Wazowski can collect enough power in half an

0:44:35.840 --> 0:44:40.000
<v Speaker 1>hour to power all of Monstropolis for a week, and

0:44:40.080 --> 0:44:42.960
<v Speaker 1>so Wazowski makes his way into the Tanner Home on

0:44:43.000 --> 0:44:46.719
<v Speaker 1>a regular basis. He doesn't even have to do anything

0:44:47.000 --> 0:44:50.680
<v Speaker 1>at all. Sometimes a guy will just say have mercy

0:44:50.719 --> 0:44:53.399
<v Speaker 1>in a way that you know, you can tell it's

0:44:53.440 --> 0:44:56.800
<v Speaker 1>a reference to something, but there's not really any oof

0:44:56.960 --> 0:45:00.800
<v Speaker 1>behind it anymore. But for some reason, the unse audience

0:45:01.080 --> 0:45:05.040
<v Speaker 1>laughs at it, or Stephanie will say how rude and

0:45:05.120 --> 0:45:10.200
<v Speaker 1>boom laughter, or heck DJ will say, oh, my lantern,

0:45:10.520 --> 0:45:17.360
<v Speaker 1>there's a ridiculous amount of laughter. Monstropolis's energy problems are solved,

0:45:18.440 --> 0:45:24.840
<v Speaker 1>but there's a cost. Day after day was Zowski sits

0:45:24.920 --> 0:45:28.840
<v Speaker 1>under that bed, doing nothing but just being there to

0:45:28.920 --> 0:45:34.160
<v Speaker 1>help harvest the energy from the studio audience laughter. He

0:45:34.320 --> 0:45:40.120
<v Speaker 1>becomes despondent. He the great Mike Wazowski, the monster known

0:45:40.160 --> 0:45:43.200
<v Speaker 1>for doing anything for the sake of a laugh, the

0:45:43.280 --> 0:45:48.600
<v Speaker 1>master of gags and jokes. He was being overshadowed by

0:45:48.640 --> 0:45:53.960
<v Speaker 1>meaningless quotes and the occasional terrible musical number. He had

0:45:54.000 --> 0:45:57.560
<v Speaker 1>put so much work into his craft, creating a real

0:45:57.719 --> 0:46:01.480
<v Speaker 1>approach to comedy that would elicit after. But here was

0:46:01.520 --> 0:46:05.799
<v Speaker 1>this weird family and even weirder friends who were making

0:46:05.840 --> 0:46:09.600
<v Speaker 1>it all happen without even trying. Hack at a little

0:46:09.600 --> 0:46:12.919
<v Speaker 1>like no one was even willing to try, and why

0:46:12.920 --> 0:46:15.840
<v Speaker 1>would they There was no need to try. The laughs

0:46:15.920 --> 0:46:19.600
<v Speaker 1>would come even without the effort. Day after day, was

0:46:19.719 --> 0:46:23.520
<v Speaker 1>Zowski slips further into a deep depression, even as he

0:46:23.600 --> 0:46:27.839
<v Speaker 1>is surrounded by laughter. At home, people treat him as

0:46:27.840 --> 0:46:32.920
<v Speaker 1>a hero. Monstropolis continues to grow unabated. It gets larger

0:46:32.960 --> 0:46:36.320
<v Speaker 1>and more dense and more hungry for energy, and was

0:46:36.440 --> 0:46:40.960
<v Speaker 1>Zowski supplies it. But every day another little part of

0:46:41.040 --> 0:46:44.959
<v Speaker 1>him dies inside. Every day he hides under that bed,

0:46:45.200 --> 0:46:47.880
<v Speaker 1>not even paying attention to what's going on in the

0:46:47.960 --> 0:46:51.399
<v Speaker 1>house anymore. The laughs come one way or another, and

0:46:51.520 --> 0:46:55.279
<v Speaker 1>nothing was Zowski does has any effect on it. He's

0:46:55.400 --> 0:46:59.720
<v Speaker 1>just there to channel the energy back home, slipping deeper

0:46:59.760 --> 0:47:02.680
<v Speaker 1>into depression and on we the world appears to be

0:47:02.719 --> 0:47:07.480
<v Speaker 1>black and white for Mike Wazowski. Laughter has lost all meaning.

0:47:07.719 --> 0:47:11.439
<v Speaker 1>There's no difference between a joke and a reference. There's

0:47:11.440 --> 0:47:14.720
<v Speaker 1>no difference between a reference and just a random line

0:47:14.760 --> 0:47:18.600
<v Speaker 1>of dialogue between two people. It all brings in the same,

0:47:18.960 --> 0:47:25.640
<v Speaker 1>almost robotic laughter. Flash forward ten years. Monstropolis is a

0:47:25.800 --> 0:47:29.400
<v Speaker 1>nightmare city. You can't even see the sun. The buildings

0:47:29.520 --> 0:47:32.560
<v Speaker 1>stretch up so high and block out the light. The

0:47:32.640 --> 0:47:37.320
<v Speaker 1>streets are lit with garish neon and bright incandescent bulbs.

0:47:37.600 --> 0:47:41.600
<v Speaker 1>Loud music spills out from buildings onto the streets. Monsters

0:47:41.640 --> 0:47:45.200
<v Speaker 1>are all on their phones and computers and other energy

0:47:45.280 --> 0:47:48.800
<v Speaker 1>hungry devices. There's a new craze in the monster world,

0:47:49.040 --> 0:47:53.560
<v Speaker 1>crypto zoology currency, which Wazowski doesn't really understand, but he

0:47:53.640 --> 0:47:56.359
<v Speaker 1>does know it requires a huge amount of energy to work.

0:47:56.719 --> 0:48:00.319
<v Speaker 1>Wazowski himself is a shell of who he wants us.

0:48:00.360 --> 0:48:03.680
<v Speaker 1>His colleagues have all retired. Why work at the monster

0:48:03.840 --> 0:48:07.799
<v Speaker 1>in factory anyway? Was Wazowski is collecting more energy than

0:48:07.800 --> 0:48:12.680
<v Speaker 1>anyone needs. Wazowski's own fame has faded from the minds

0:48:12.680 --> 0:48:16.000
<v Speaker 1>of the monsters. He's taken for granted and the backs

0:48:16.040 --> 0:48:20.200
<v Speaker 1>of their minds. The monsters know that without Wazowski's work

0:48:20.320 --> 0:48:24.879
<v Speaker 1>they wouldn't have their energy, but it's just a given now. Wazowski,

0:48:25.560 --> 0:48:30.600
<v Speaker 1>now a sickly shade of his once vibrant green, puts

0:48:30.600 --> 0:48:33.640
<v Speaker 1>his hand on the door knob to the Tanner home.

0:48:34.400 --> 0:48:39.359
<v Speaker 1>He closes his one eye in despair. A single tear

0:48:39.480 --> 0:48:44.800
<v Speaker 1>runs down the left side of his eye. He pauses

0:48:44.840 --> 0:48:49.720
<v Speaker 1>for a moment, staring at his hand on that door knob.

0:48:50.600 --> 0:48:53.680
<v Speaker 1>We see a close up of that hand. It begins

0:48:53.719 --> 0:48:58.640
<v Speaker 1>to move, but is it turning the knob or letting go?

0:48:59.719 --> 0:49:03.640
<v Speaker 1>We'd oh no. The screen goes black and we cut

0:49:03.680 --> 0:49:13.120
<v Speaker 1>to the credit directed by Lars von Trier. The end, Wow,

0:49:13.280 --> 0:49:16.560
<v Speaker 1>I told you, I told you was bleak. It is

0:49:16.640 --> 0:49:20.480
<v Speaker 1>bleak um and oddly a lot closer to my mashup

0:49:20.520 --> 0:49:25.360
<v Speaker 1>than I thought it was gonna be okay. So I

0:49:25.840 --> 0:49:28.319
<v Speaker 1>might have I might have put an awful lot of

0:49:28.400 --> 0:49:32.719
<v Speaker 1>commentary on my opinions about Fuller House in that. I mean,

0:49:32.880 --> 0:49:35.000
<v Speaker 1>I was gonna say salty much, but then you brought

0:49:35.000 --> 0:49:42.319
<v Speaker 1>it back from your ranch into a sad, depressing drama series. Um,

0:49:42.360 --> 0:49:45.680
<v Speaker 1>but I'm gonna glass half full, your glass half empty.

0:49:46.000 --> 0:49:50.640
<v Speaker 1>So this is called Uncle Sully and the Screamers. It's

0:49:51.600 --> 0:49:54.200
<v Speaker 1>and Mary Gibbs, formerly known as Boo, is moving back

0:49:54.200 --> 0:49:56.759
<v Speaker 1>to her childhood home. Her husband has perished in a

0:49:56.840 --> 0:50:00.600
<v Speaker 1>car fire because heaven forbid Disney how more than one

0:50:00.600 --> 0:50:03.319
<v Speaker 1>alive parent, and she is struggling to take care of

0:50:03.320 --> 0:50:06.719
<v Speaker 1>for three children Donna, Boo, I, e dB Sullivan, and

0:50:07.480 --> 0:50:10.360
<v Speaker 1>Mike Ella. And she is also struggling to hold on

0:50:10.400 --> 0:50:12.120
<v Speaker 1>to her job as a TV producer and pay her

0:50:12.160 --> 0:50:15.799
<v Speaker 1>mortgage at the same time. Meanwhile, Mike and Sully are

0:50:15.800 --> 0:50:18.799
<v Speaker 1>hard at work on the laughing floor of Monstropolis. It's

0:50:18.840 --> 0:50:21.400
<v Speaker 1>been harder and harder to generate enough laughs to power

0:50:21.440 --> 0:50:24.640
<v Speaker 1>Monstropolis over the years, as children have to become more cynical,

0:50:25.000 --> 0:50:27.279
<v Speaker 1>and Mike and Sully are getting worn out trying to

0:50:27.320 --> 0:50:30.839
<v Speaker 1>meet the demand. Over lunch, one day, they are reminiscing

0:50:30.880 --> 0:50:33.479
<v Speaker 1>of when they first discovered the power of laughter, how

0:50:33.640 --> 0:50:36.160
<v Speaker 1>easy it all seemed back then, and how much they

0:50:36.200 --> 0:50:39.040
<v Speaker 1>missed Boo. As they cleaned up their lunch trades, they

0:50:39.080 --> 0:50:41.040
<v Speaker 1>got a warning light and rushed back to their office

0:50:41.080 --> 0:50:43.520
<v Speaker 1>to see what was going on. The warning light was

0:50:43.560 --> 0:50:46.960
<v Speaker 1>attached to Booze door, but that door hadn't been active

0:50:46.960 --> 0:50:50.360
<v Speaker 1>for years. They quickly rushed to the door and turned

0:50:50.360 --> 0:50:52.160
<v Speaker 1>on a monitor to check out what was happening on

0:50:52.200 --> 0:50:54.960
<v Speaker 1>the other side, just to see a sad, stressed out

0:50:55.000 --> 0:50:58.920
<v Speaker 1>adult Boo. Mike immediately insists that they should go visit her.

0:50:59.320 --> 0:51:01.480
<v Speaker 1>They were just talking about her, so it must be

0:51:01.520 --> 0:51:05.680
<v Speaker 1>a sign. Sully, however, is hesitant, afraid that as an adult,

0:51:05.760 --> 0:51:07.600
<v Speaker 1>she won't remember or believe in them, and that would

0:51:07.600 --> 0:51:11.200
<v Speaker 1>break his heart. However, Mike, through some loony tune level

0:51:11.280 --> 0:51:14.040
<v Speaker 1>rabbit season duck season antics, get Sully to go through

0:51:14.040 --> 0:51:16.160
<v Speaker 1>the door, and when they get to the other side,

0:51:16.440 --> 0:51:19.520
<v Speaker 1>not only does Boo recognize them, but so do her children.

0:51:19.920 --> 0:51:22.520
<v Speaker 1>It turns out she told her kids stories about the

0:51:22.560 --> 0:51:26.160
<v Speaker 1>monsters duo, and the reunion is happy. The kids love

0:51:26.320 --> 0:51:29.680
<v Speaker 1>love Mike and Sully, and with their help, Mary is

0:51:29.719 --> 0:51:32.040
<v Speaker 1>able to catch up on some much needed chores and work,

0:51:32.520 --> 0:51:36.160
<v Speaker 1>and for a week everyone is blissfully happy. Hijen Sin Sue,

0:51:36.200 --> 0:51:38.640
<v Speaker 1>and for a time the three forget their worries, enveloped

0:51:38.640 --> 0:51:40.960
<v Speaker 1>in love and laughter. But at the end of a

0:51:40.960 --> 0:51:43.919
<v Speaker 1>wonderful week of Sually yelling watch the hair and Mike

0:51:44.040 --> 0:51:46.760
<v Speaker 1>saying cut it out to the kids, the two monsters

0:51:46.800 --> 0:51:50.000
<v Speaker 1>realize that they need to return home. Monstropolis is counting

0:51:50.000 --> 0:51:52.759
<v Speaker 1>on them. The kids all say a tearful farewell, and

0:51:52.800 --> 0:51:56.120
<v Speaker 1>Mike and Sully go back through Booze door. However, when

0:51:56.120 --> 0:51:58.000
<v Speaker 1>they get to the other side, they find out that

0:51:58.040 --> 0:52:00.280
<v Speaker 1>they had forgotten to turn off the monitor to whose

0:52:00.280 --> 0:52:03.560
<v Speaker 1>house and while they were away. The feed was so

0:52:03.680 --> 0:52:06.960
<v Speaker 1>hilarious and popular that it caught syndication and was broadcast

0:52:06.960 --> 0:52:10.560
<v Speaker 1>to monsters and people all over the world. It had

0:52:10.600 --> 0:52:12.719
<v Speaker 1>become a hit, and so many people were laughing that

0:52:12.800 --> 0:52:16.279
<v Speaker 1>it was powering the whole town one hundred times over.

0:52:16.880 --> 0:52:19.240
<v Speaker 1>Mike and Sully rushed back to tell Mary the news

0:52:19.440 --> 0:52:22.359
<v Speaker 1>and decided to move in with her. That way, Monstropolis

0:52:22.360 --> 0:52:24.840
<v Speaker 1>would get its power, Mary would get her help, and

0:52:24.880 --> 0:52:29.640
<v Speaker 1>the Hodgepodge family would live happily ever after. Oh yeah.

0:52:29.800 --> 0:52:32.080
<v Speaker 1>Once they move in, Mike starts a spinoff show called

0:52:32.200 --> 0:52:35.200
<v Speaker 1>Ranger Mike where he has a puppet sidekicks spider thing

0:52:36.400 --> 0:52:39.720
<v Speaker 1>let's call it a spider called Mr. Waternoos, and Sully

0:52:39.719 --> 0:52:42.600
<v Speaker 1>annacs lifelong dream of being a rockabilly singer with a

0:52:42.640 --> 0:52:45.560
<v Speaker 1>great hair and starts the band Sully and the Screamers.

0:52:47.600 --> 0:52:51.120
<v Speaker 1>Very very cute. I'm glad that yours didn't go to

0:52:51.239 --> 0:52:56.399
<v Speaker 1>Lauras von Cheer territory. No No. I debated, by the way,

0:52:56.440 --> 0:52:58.720
<v Speaker 1>I debated when I got to the end of mine,

0:52:58.800 --> 0:53:01.160
<v Speaker 1>whether the director of my piece was going to be

0:53:01.239 --> 0:53:04.520
<v Speaker 1>Lauras von Trier or were Hurts hurt Zog and uh

0:53:04.760 --> 0:53:07.920
<v Speaker 1>Lars von Trier one out. Either way, I feel like

0:53:07.960 --> 0:53:13.080
<v Speaker 1>there is kind of an existential dread in mind. So yeah, yeah,

0:53:14.040 --> 0:53:17.279
<v Speaker 1>this was this was weird aerial because you know, obviously

0:53:17.360 --> 0:53:20.839
<v Speaker 1>like the two properties that we picked, uh, neither of

0:53:20.880 --> 0:53:24.399
<v Speaker 1>which are are dark or like, you know, monsters inc

0:53:24.440 --> 0:53:26.800
<v Speaker 1>has some moments that might be a little, yeah, a

0:53:26.840 --> 0:53:29.200
<v Speaker 1>little scary. For like, the whole premise is that the

0:53:29.239 --> 0:53:32.040
<v Speaker 1>monsters are trying to scare kids, right, But but they're

0:53:32.040 --> 0:53:35.280
<v Speaker 1>not dark. They're they're very fun, uplifting kind of things.

0:53:35.400 --> 0:53:39.520
<v Speaker 1>I mean, mileage may very for Full our House, but

0:53:39.560 --> 0:53:41.160
<v Speaker 1>it is interesting that we both kind of took it

0:53:41.200 --> 0:53:43.000
<v Speaker 1>to that place. I think that just tells us that

0:53:44.040 --> 0:53:47.040
<v Speaker 1>when we do these creative endeavors where we try to

0:53:47.120 --> 0:53:51.600
<v Speaker 1>tweak something that we're familiar with, we don't want to

0:53:51.680 --> 0:53:56.040
<v Speaker 1>just repeat the stuff that's there, or you know, or

0:53:56.320 --> 0:53:59.920
<v Speaker 1>just crank up the dial a couple of notches too,

0:54:00.600 --> 0:54:03.440
<v Speaker 1>and you know, intensify whatever was there. We want to

0:54:03.480 --> 0:54:06.520
<v Speaker 1>transform it. And I think we did that to I

0:54:06.520 --> 0:54:08.720
<v Speaker 1>think we did some good work. I think so too.

0:54:08.800 --> 0:54:11.759
<v Speaker 1>I also think that when you take to comedic enterprises

0:54:11.760 --> 0:54:14.640
<v Speaker 1>and you smush them together, uh, it brings out the

0:54:14.680 --> 0:54:19.520
<v Speaker 1>genuine heartfeltness or sadness. Yeah, there was, there was a deep,

0:54:19.520 --> 0:54:23.000
<v Speaker 1>deep comedy cancels it cancels each other out and all

0:54:23.040 --> 0:54:25.959
<v Speaker 1>you've got left is the truth. Yeah. Yeah, I didn't

0:54:25.960 --> 0:54:29.120
<v Speaker 1>even have Sully in mind. I couldn't. I couldn't think

0:54:29.120 --> 0:54:32.319
<v Speaker 1>of a way of incorporating Sully where I wouldn't do

0:54:32.440 --> 0:54:35.440
<v Speaker 1>something equally terrible to him, so I thought, let's just

0:54:35.640 --> 0:54:39.960
<v Speaker 1>limit this. Shelly Um fair enough. Yeah, well that was

0:54:40.080 --> 0:54:44.760
<v Speaker 1>that was fun for a given definition of fun for

0:54:44.760 --> 0:54:47.759
<v Speaker 1>for mine anyway. So we look forward to doing a

0:54:47.760 --> 0:54:50.719
<v Speaker 1>lot more of these. We are curious if any of

0:54:50.760 --> 0:54:53.919
<v Speaker 1>you out there have your own mash ups of these

0:54:53.920 --> 0:54:56.279
<v Speaker 1>properties that you would like to propose, or if you

0:54:56.320 --> 0:54:59.280
<v Speaker 1>have any suggestions for mashups we should do in the future,

0:54:59.360 --> 0:55:02.960
<v Speaker 1>or things just conversational you know, talking points you would

0:55:03.000 --> 0:55:05.920
<v Speaker 1>like us to to go over, or if you you

0:55:05.960 --> 0:55:08.160
<v Speaker 1>know have cause plays you want Jonathan, Us and I

0:55:08.239 --> 0:55:09.920
<v Speaker 1>to do if we ever go back to a convention,

0:55:10.040 --> 0:55:12.320
<v Speaker 1>or if you guys do any cool cause plays and

0:55:12.360 --> 0:55:13.719
<v Speaker 1>you want to share them with us, we would love

0:55:13.760 --> 0:55:16.600
<v Speaker 1>to see them. So there a lot of different ways

0:55:16.600 --> 0:55:17.920
<v Speaker 1>to get in touch with us. So if you want

0:55:17.920 --> 0:55:21.040
<v Speaker 1>to show us your cause plays or some of your favorites,

0:55:21.520 --> 0:55:23.400
<v Speaker 1>UM reach out to us. So you can do so

0:55:23.480 --> 0:55:26.560
<v Speaker 1>on email we are l n C at my heart

0:55:26.640 --> 0:55:30.200
<v Speaker 1>media dot com, or you can drop us a tweet

0:55:30.360 --> 0:55:33.600
<v Speaker 1>over on the twitters we are l n C Underscore

0:55:33.640 --> 0:55:36.800
<v Speaker 1>podcast there. You can also connect with us on Facebook

0:55:36.800 --> 0:55:41.720
<v Speaker 1>and Instagram where we are large nerdron Collider. Yes, and

0:55:41.920 --> 0:55:45.000
<v Speaker 1>you know, as always, if you like us, make sure

0:55:45.000 --> 0:55:49.160
<v Speaker 1>you subscribe, Tell your friends get them to subscribe. As

0:55:49.280 --> 0:55:53.440
<v Speaker 1>Jonathan would say, Uh, tell your enemies if you don't

0:55:53.480 --> 0:55:57.400
<v Speaker 1>like us, but tell them you like us. Um. Yeah,

0:55:57.440 --> 0:55:59.480
<v Speaker 1>and make sure you make sure you you know, leave

0:55:59.520 --> 0:56:01.080
<v Speaker 1>review is that kind of thing. All those sort of

0:56:01.080 --> 0:56:04.319
<v Speaker 1>things help us out and we greatly appreciate it. We

0:56:04.680 --> 0:56:07.920
<v Speaker 1>You know, the best thing about fandom is that is

0:56:07.960 --> 0:56:12.319
<v Speaker 1>a collective, right. It's not there's nothing fun about just

0:56:12.440 --> 0:56:15.120
<v Speaker 1>spouting off of what you love to like no one

0:56:15.160 --> 0:56:18.040
<v Speaker 1>it's about. It's that the energy that feeds on itself

0:56:18.080 --> 0:56:21.840
<v Speaker 1>when you get fans together in a place. Yes. Oh,

0:56:21.880 --> 0:56:24.399
<v Speaker 1>and our website is up to date for anybody who

0:56:24.440 --> 0:56:26.480
<v Speaker 1>is checking that for show notes. It was out of

0:56:26.520 --> 0:56:28.759
<v Speaker 1>date for a few weeks. I did a job change,

0:56:28.760 --> 0:56:30.040
<v Speaker 1>but now it's up to date and it will stay

0:56:30.080 --> 0:56:32.959
<v Speaker 1>up to date. I'll also post a link to our

0:56:33.239 --> 0:56:37.160
<v Speaker 1>three Amigos seven Sons of Seven Samurai video for anybody

0:56:37.160 --> 0:56:40.120
<v Speaker 1>who has interested. Once this episode goes life. Yes, and

0:56:40.160 --> 0:56:44.440
<v Speaker 1>that website is large nerdron Collider dot com. And until

0:56:44.520 --> 0:56:48.760
<v Speaker 1>next time, she has been aerial boo to you casting

0:56:50.200 --> 0:56:56.440
<v Speaker 1>and he has been Jonathan, why is out Scare Strickland

0:57:00.080 --> 0:57:22.200
<v Speaker 1>m m m M. The Large nur Dron Collider is

0:57:22.240 --> 0:57:24.640
<v Speaker 1>a production of I Heart Radio and was created by

0:57:24.640 --> 0:57:28.440
<v Speaker 1>Aerial cast In. Jonathan Strickland is the executive producer. This

0:57:28.480 --> 0:57:31.960
<v Speaker 1>show is produced, edited and published by Tary Harrison. For

0:57:32.040 --> 0:57:34.400
<v Speaker 1>more podcast on my Heart Radio, visit the I Heart

0:57:34.440 --> 0:57:37.720
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

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<v Speaker 1>T T E R dot Ai. Hi. I'm Robert sex Reese,

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<v Speaker 1>host of The Doctor sex re Show, and every episode

0:58:20.440 --> 0:58:23.680
<v Speaker 1>I listen to people talk about their sex and intimacy issues,

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<v Speaker 1>and yes, I despise every minute of it. And she

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<v Speaker 1>she made mistakes too. Did she kill everyone at her wedding?

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<v Speaker 1>nothing any of us can do about it. So join me,

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<v Speaker 1>won't you? Listen to The Doctor Sex re Show every

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<v Speaker 1>Tuesday on the I Heart Radio app, Apple podcast, or

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<v Speaker 1>wherever you get your podcast