WEBVTT - Zorro! That guy with the sword! 

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<v Speaker 1>Welcome to Stuff You Should Know, a production of iHeartRadio.

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<v Speaker 2>Olay and welcome to the podcast. I'm Josh and there's

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<v Speaker 2>Chuck and Jerry's here too. We call Jerry Zorro all

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<v Speaker 2>the time because Zorro is Spanish for box. And this

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<v Speaker 2>is Stuff You Should Know.

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<v Speaker 1>Did you, has Zorro ever said olay? Is that a

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<v Speaker 1>Zorro thing?

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<v Speaker 2>No, that is a bumbling, stereotypical American thing to say.

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<v Speaker 1>Oh, I would have said.

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<v Speaker 2>Oh, yeah, that would have been much better.

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<v Speaker 1>I don't think so, because I didn't even do a Z.

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<v Speaker 1>I just did three lines. I did it wrong.

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<v Speaker 2>So, yeah, we're talking Zorro today. And I have a

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<v Speaker 2>question for you, Chuck.

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<v Speaker 3>Oh, boy.

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<v Speaker 1>You know, people are. Before you go, there's actual Reddit

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<v Speaker 1>threads about people loving the age-old Joshism of things like,

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<v Speaker 1>have you ever eaten a peanut or whatever?

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<v Speaker 2>Have you ever seen a grown man naked?

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<v Speaker 1>All right, fire away. What's this one?

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<v Speaker 2>Chuck, have you ever heard of Zorro?

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<v Speaker 3>No.

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<v Speaker 2>That was not.

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<v Speaker 3>Oh, no.

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<v Speaker 1>Anything else would have been a letdown. That was perfect. Yeah,

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<v Speaker 1>I know Zorro, and I guess I was into Zorro

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<v Speaker 1>at one point because after, at least like an hour ago,

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<v Speaker 1>after two days of kind of looking into this, I

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<v Speaker 1>remembered suddenly out of the blue that I went to

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<v Speaker 1>Zorro for Halloween when I was a kid one year.

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<v Speaker 2>Oh, really?

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<v Speaker 3>Yeah.

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<v Speaker 2>That's pretty great.

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<v Speaker 1>I was Zorro one year, and then I also remember I.

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<v Speaker 1>I'm sure it's not a movie that I hate the

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<v Speaker 1>term age as well, but I'm sure there's all sorts

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<v Speaker 1>of terrible stereotypical homophobic jokes in it. But boy, when

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<v Speaker 1>I was a kid, I loved Zorro the Gay Blade

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<v Speaker 1>a lot.

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<v Speaker 2>I think it's one big homophobic joke, isn't it?

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<v Speaker 1>Well, I mean, the plot is that Zorro is injured

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<v Speaker 1>and his twin gay brother shows up to town to

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<v Speaker 1>take care of business.

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<v Speaker 2>And what's his brother's name?

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<v Speaker 3>Oh, God.

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<v Speaker 1>Bunny Periwinkle? No, what is it?

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<v Speaker 2>Bunny Wigglesworth.

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<v Speaker 1>Bunny Wigglesworth.

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<v Speaker 3>So dumb.

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<v Speaker 1>I would like to check it out again. I wonder

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<v Speaker 1>if there's any sort of forward-thinking humor at all.

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<v Speaker 2>I don't get the impression there is. I watched it

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<v Speaker 2>when I was younger, too, but everything was just ridiculous.

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<v Speaker 2>Right over my head. I was like, that guy talks funny, basically.

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<v Speaker 2>I was about that age. And so I went back

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<v Speaker 2>and read the Roger Ebert, like 1981 review of it.

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<v Speaker 1>Oh, what did Ebert think?

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<v Speaker 2>He thought it was pretty dumb. He said that like

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<v Speaker 2>they played it in all the wrong ways, that it

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<v Speaker 2>could have been funnier, but the whole premise was just

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<v Speaker 2>not good because none of it was played straight. It

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<v Speaker 2>was all played jokey in that they didn't pull it off,

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<v Speaker 2>you know? So he gave it a two out of four.

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<v Speaker 2>So I guess he halfway liked it. Yeah.

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<v Speaker 1>Well, maybe he liked the one brother because George Hamilton

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<v Speaker 1>played both. Yeah.

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<v Speaker 2>Yeah, maybe. He's like, I like the Bunny Wigglesworth character,

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<v Speaker 2>but the Zorro.

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<v Speaker 1>And then I was also in the theaters for the

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<v Speaker 1>1998 and Antonio Banderas version and really enjoyed it. So

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<v Speaker 1>I guess I was into Zorro at one point.

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<v Speaker 2>Was that because you had seen Desperado, the sequel to

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<v Speaker 2>El Mariachi, and were like, I like this Antonio Banderas cat?

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<v Speaker 1>Which one was first? Was that Zorro?

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<v Speaker 2>Zorro came after Desperado, like three years after.

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<v Speaker 1>Did it really?

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<v Speaker 2>Oh, okay.

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<v Speaker 1>I mean, I liked all that stuff. That was peak

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<v Speaker 1>Antonio Banderas for me.

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<v Speaker 2>Yeah, I think Desperado launched Antonio Banderas to his peak,

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<v Speaker 2>if I'm not mistaken.

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<v Speaker 1>Great movie. I loved it.

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<v Speaker 2>So good. So good. Although I've always felt bad for

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<v Speaker 2>the guy who was in the first El Mariachi that

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<v Speaker 2>Robert Rodriguez traded up to Antonio Banderas from. Yeah.

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<v Speaker 1>And it was a weird sort of sequel, sort of remake,

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<v Speaker 1>but I liked them both. El Mariachi is great.

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<v Speaker 2>I don't know if I ever saw it.

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<v Speaker 1>It's really good. And he made it for like $ 8, 000

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<v Speaker 1>or something.

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<v Speaker 2>No, I know. That's like the legendary indie film movie

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<v Speaker 2>production story. That's what I was after.

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<v Speaker 1>You got there.

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<v Speaker 2>So, yeah, let's get back to Zorro. And Antonio Banderas

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<v Speaker 2>wasn't the biggest tangent we've ever been on because he

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<v Speaker 2>did play Zorro and he did kind of bring Zorro

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<v Speaker 2>back for a whole new generation. But Zorro, my friend,

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<v Speaker 2>has been around for more than 100 years. Zorro recently

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<v Speaker 2>celebrated his 107th birthday, Chuck.

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<v Speaker 1>That's right, because it came about for the first time

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<v Speaker 1>in a Pulp Fiction serial in 1919 called The Curse

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<v Speaker 1>of Capistrano. And All Story Weekly written by Johnston McCulley.

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<v Speaker 1>Not what I expected.

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<v Speaker 2>No. Irish-American journalist. I think he was a political journalist

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<v Speaker 2>and he just wrote fiction on the side. And he

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<v Speaker 2>had basically, I guess, heard stories and legends of real-life

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<v Speaker 2>bandits and banditos everywhere. In California's history, specifically, there is

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<v Speaker 2>a whole big podcast just waiting for us to do

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<v Speaker 2>on the transition from Spanish-Mexican rule to Anglo-American rule of California.

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<v Speaker 2>Because that was a rough and ugly transition, it turns out.

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<v Speaker 2>And that's essentially where Zorro takes place. Because of those transitions,

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<v Speaker 2>because of all the injustice, it was a little bit

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<v Speaker 2>mixed and different, muddled up, I guess, as we'll see

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<v Speaker 2>by Macaulay. But the stuff that he based it on

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<v Speaker 2>was taking place around that time. And actually, a lot

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<v Speaker 2>of this stuff did happen in real life, although there

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<v Speaker 2>was no actual Zorro.

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<v Speaker 1>Yeah, for sure. I don't think we have to go

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<v Speaker 1>over all of these people that it was perhaps based on,

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<v Speaker 1>unless you want to. But we should definitely talk about...

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<v Speaker 1>Joaquin Murrieta, because that actually shows up in the Antonio

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<v Speaker 1>Banderas movie version.

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<v Speaker 2>Yeah. Oh, OK.

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<v Speaker 3>Yeah.

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<v Speaker 2>So it's me. So Joaquin Murrieta is.

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<v Speaker 1>Wait, did you not get your script this week?

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<v Speaker 2>No, I didn't. I didn't get that. What do they

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<v Speaker 2>call the last minute revisions?

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<v Speaker 1>Sides.

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<v Speaker 2>Sides.

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<v Speaker 3>Yeah. All right.

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<v Speaker 2>Momo ate them. Oh, no. So Joaquin Murrieta, that's probably

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<v Speaker 2>my favorite first name in the whole world. I like it.

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<v Speaker 2>He may not have actually existed. He was definitely a

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<v Speaker 2>figure from legend. There is some support that he actually,

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<v Speaker 2>that he might have existed. But for the most part,

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<v Speaker 2>everything we know about him is legend and then was

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<v Speaker 2>based on a fiction novel that was based on the legend.

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<v Speaker 2>But the legend goes essentially like this, that he was

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<v Speaker 2>born in Sonora in Mexico in 1830. And when he

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<v Speaker 2>was 18, he went to California to become a minor 48er,

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<v Speaker 2>I guess, in the gold brush. And he became one

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<v Speaker 2>of many Mexican prospectors who had a claim and had

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<v Speaker 2>his own little mine, did his mining there. And everything

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<v Speaker 2>was going just fine for two years until California became

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<v Speaker 2>a U.S. state. And the Anglo-Americans were like, this is

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<v Speaker 2>our state now. Give us your mine.

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<v Speaker 1>Yeah. I mean, this stuff has been going on a

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<v Speaker 1>long time, all the way back in 1850. They said, hey,

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<v Speaker 1>even though you've been here forever, we are here now.

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<v Speaker 1>So that makes you a foreigner, even though you're in

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<v Speaker 1>your homeland. And so we're going to pass the Foreign

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<v Speaker 1>Miners Act. And that basically rids us of you because

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<v Speaker 1>what it did is it required non-citizens to pay a

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<v Speaker 1>lot of money to be able to mine in the

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<v Speaker 1>state of California, which I imagine it wasn't every last

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<v Speaker 1>Mexican prospector, but probably most of them had to hit

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<v Speaker 1>the road. And As we'll see why this is, you know,

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<v Speaker 1>possibly a Zorro influence. Murrieta was one of those guys.

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<v Speaker 1>And he was like, you know, it's kind of a

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<v Speaker 1>Robin Hood type story. He was like, you know what?

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<v Speaker 1>I'm not taking this sitting down or standing up. I'm

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<v Speaker 1>going to start robbing you guys for a little payback.

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<v Speaker 1>And the governor saw this and he's like, all right, well,

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<v Speaker 1>now you have a price on your head. And, you know,

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<v Speaker 1>depends on whether you believe this is true. But there

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<v Speaker 1>was a California Ranger like this is the real historical record.

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<v Speaker 1>In 1853, a California ranger said, you know what? I've

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<v Speaker 1>got him right here. But part of him only. I've

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<v Speaker 1>got his head, actually. And it's here in this pickle jar.

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<v Speaker 1>And this is Murrieta.

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<v Speaker 2>Yeah. Everybody's like, that's gross. You carry that around with you?

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<v Speaker 2>He's like, yeah, check it out.

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<v Speaker 3>Yeah.

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<v Speaker 2>And yes, that is the only thing we know that's

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<v Speaker 2>on the historical record. The governor did put a bounty

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<v Speaker 2>on his head and a ranger did. have a head

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<v Speaker 2>in a pickle jar. And he said was Marietta's right.

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<v Speaker 2>That's all we know. Everything else we just said was,

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<v Speaker 2>was legend. And the reason, um, his legend continued is

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<v Speaker 2>that in 1854, a novel came out that basically, um,

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<v Speaker 2>turned him into a folk hero. This legend, possibly real person,

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<v Speaker 2>Joaquin Murrieta, became a folk hero because of the novel.

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<v Speaker 2>And then because the novel was written in 1854, as

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<v Speaker 2>time wore on, stuff people knew from the novel became

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<v Speaker 2>embedded into the legend and maybe was taken as true.

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<v Speaker 2>And just the fact that he existed, we know, likely

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<v Speaker 2>influenced Macaulay. in creating Zorro, like for certain that's the

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<v Speaker 2>guy who's most associated with him. I do feel like

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<v Speaker 2>we should talk about Solomon Pico, though, real quick, because

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<v Speaker 2>he was he definitely did live and he was a B.A.

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<v Speaker 3>All right.

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<v Speaker 1>So Pico was born in the San Juan Valley in 1821,

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<v Speaker 1>and he was actually cousin of Pio Pico, who was

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<v Speaker 1>California's last Mexican governor.

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<v Speaker 3>Right.

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<v Speaker 1>And he was given a land parcel. And this, you know,

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<v Speaker 1>like we said, this is all true stuff. He was

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<v Speaker 1>given a land parcel in 1844 and lost that land

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<v Speaker 1>when that transition that you were talking about happened from,

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<v Speaker 1>you know, Mexican California to Anglo California. And he did

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<v Speaker 1>like Zorro would later do and like Murrieta did. He's like,

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<v Speaker 1>all right, it's vengeance time. And not only that is

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<v Speaker 1>I'm going to wear your ears around my neck in

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<v Speaker 1>a necklace.

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<v Speaker 2>Yeah, he's known as like probably the most violent outlaw

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<v Speaker 2>or bandito who ever lived, who actually who did live.

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<v Speaker 2>So he would just basically go around killing Anglo-Americans as

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<v Speaker 2>he came across them. And that actually led to his

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<v Speaker 2>execution because he saw what he thought was a white

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<v Speaker 2>American guy in a restaurant. And he went up to

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<v Speaker 2>him and stabbed him to death. And that guy was like,

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<v Speaker 2>I'm British gov. And that was the end of Pico.

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<v Speaker 2>So those two guys, and by the way, we just

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<v Speaker 2>spoke about Pico in a very crisp and economical manner. Chuck,

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<v Speaker 2>congratulations on that.

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<v Speaker 1>And I think Pico's last words, was he executed for that? Yeah.

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<v Speaker 1>I think his last words were, what's the difference?

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<v Speaker 2>Right. So, yeah. So those two guys and then probably

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<v Speaker 2>at least a couple others were At the very least,

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<v Speaker 2>they're legends and stories. Somehow Macaulay heard about these and

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<v Speaker 2>that's what he based Zorro on. I think that's the

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<v Speaker 2>upshot of what we're trying to say here.

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<v Speaker 1>Yeah. And as we'll see and we'll kind of get

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<v Speaker 1>to why in a minute. Also, the 1905 novel, The

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<v Speaker 1>Scarlet Pimpernel.

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<v Speaker 2>Yeah.

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<v Speaker 1>I've definitely seen that that's pretty much verified by Macaulay himself.

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<v Speaker 1>But he's still alive. No, I don't. I don't think

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<v Speaker 1>Macaulay is still alive.

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<v Speaker 2>OK.

0:12:03.030 --> 0:12:04.310
<v Speaker 1>But he verified it when he was alive.

0:12:04.550 --> 0:12:04.970
<v Speaker 2>I got you.

0:12:05.340 --> 0:12:09.390
<v Speaker 1>His last words were, it was partially the scarlet pimpernel.

0:12:11.170 --> 0:12:14.370
<v Speaker 2>And his widow went, I knew it. I knew it.

0:12:15.450 --> 0:12:18.530
<v Speaker 1>So for his book that he wrote, The Curse of Capistrano,

0:12:18.570 --> 0:12:21.849
<v Speaker 1>you mentioned earlier that he took some sort of license.

0:12:22.110 --> 0:12:24.370
<v Speaker 1>I guess it wasn't really licensed because he was just

0:12:24.390 --> 0:12:27.950
<v Speaker 1>making a story up based on legend. But he said

0:12:27.990 --> 0:12:31.380
<v Speaker 1>it a few decades earlier before It wasn't during that

0:12:31.440 --> 0:12:34.719
<v Speaker 1>transition from Mexican California to Anglo California. It was still

0:12:34.760 --> 0:12:37.280
<v Speaker 1>a Spanish colony at the time that he set the

0:12:37.300 --> 0:12:40.780
<v Speaker 1>first Zorro story. And in this case, he really changed

0:12:40.820 --> 0:12:45.860
<v Speaker 1>it up because Zorro is defending the indigenous population there

0:12:46.300 --> 0:12:49.010
<v Speaker 1>from Spanish authorities, not Anglo Americans.

0:12:50.030 --> 0:12:50.270
<v Speaker 2>Right.

0:12:50.450 --> 0:12:50.610
<v Speaker 1>So.

0:12:51.880 --> 0:12:56.360
<v Speaker 2>That makes Zorro even more noble because he's not indigenous.

0:12:56.500 --> 0:13:00.760
<v Speaker 2>He is white. He is directly of Spanish descent with

0:13:00.820 --> 0:13:04.880
<v Speaker 2>no indigenous blood in him. So him defending the rights

0:13:04.960 --> 0:13:08.890
<v Speaker 2>of indigenous people from the Spanish authorities really kind of

0:13:08.950 --> 0:13:13.490
<v Speaker 2>makes him like a hero character even more, you know?

0:13:13.970 --> 0:13:14.270
<v Speaker 3>Yeah.

0:13:14.429 --> 0:13:18.490
<v Speaker 1>And for McCulley's side, he gets to avoid just the

0:13:18.530 --> 0:13:22.350
<v Speaker 1>sort of mess of telling the story of the Anglo

0:13:22.390 --> 0:13:23.510
<v Speaker 1>takeover of California.

0:13:23.890 --> 0:13:26.569
<v Speaker 2>Yeah, because he was writing this stuff for like an

0:13:26.630 --> 0:13:27.950
<v Speaker 2>American audience, right?

0:13:27.970 --> 0:13:28.250
<v Speaker 1>Yeah, exactly.

0:13:28.270 --> 0:13:31.790
<v Speaker 2>So he just kind of, you know, rejiggered a few things,

0:13:31.890 --> 0:13:32.270
<v Speaker 2>I guess.

0:13:33.620 --> 0:13:34.260
<v Speaker 1>Should we take a break?

0:13:35.120 --> 0:14:09.870
<v Speaker 2>Yeah, and then we'll talk about the curse, Capistrano. Capistrano. Chuck,

0:14:10.170 --> 0:14:12.309
<v Speaker 2>we're back. I want to give a hat tip to

0:14:12.610 --> 0:14:14.809
<v Speaker 2>Julia because she did a really great job of getting

0:14:14.890 --> 0:14:21.290
<v Speaker 2>across the action-adventure sense of Zorro in her article that

0:14:21.320 --> 0:14:26.090
<v Speaker 2>she sent us. So hat tip to you, Julia. Okay,

0:14:26.110 --> 0:14:28.050
<v Speaker 2>I just wanted to get that done. Let me check

0:14:28.090 --> 0:14:28.730
<v Speaker 2>that off. Great.

0:14:29.150 --> 0:14:32.530
<v Speaker 1>Yeah, we tip our sombrero to you. And if you're thinking, sorry,

0:14:32.550 --> 0:14:35.330
<v Speaker 1>I didn't wear a sombrero, we'll just hold on to

0:14:35.370 --> 0:14:37.740
<v Speaker 1>your sombrero because he actually did it first.

0:14:38.460 --> 0:14:44.060
<v Speaker 2>Yeah, in The Curse of Capistrano. It's set in Southern

0:14:44.080 --> 0:14:48.400
<v Speaker 2>California around Los Angeles around the mission of San Juan Capistrano,

0:14:48.860 --> 0:14:51.860
<v Speaker 2>which is where the name comes from. And again, The

0:14:51.920 --> 0:14:57.190
<v Speaker 2>Spanish authorities are pushing the indigenous Mexican population around, taking

0:14:57.230 --> 0:15:02.590
<v Speaker 2>their land, trampling their rights, like just basically being terrible people.

0:15:02.650 --> 0:15:05.630
<v Speaker 2>And they're all doing this because the governor of California

0:15:05.730 --> 0:15:07.310
<v Speaker 2>is instructing them to. Right.

0:15:07.770 --> 0:15:07.930
<v Speaker 3>Yeah.

0:15:08.030 --> 0:15:13.660
<v Speaker 2>So there's the mayor of Los Angeles is his son

0:15:13.900 --> 0:15:17.300
<v Speaker 2>is named Don Diego Vega. His first name is not Don.

0:15:17.960 --> 0:15:22.070
<v Speaker 2>Don is honorific that you would honor. call somebody out

0:15:22.110 --> 0:15:25.660
<v Speaker 2>of respect, like sir or lord. So his first name

0:15:25.720 --> 0:15:31.240
<v Speaker 2>is Diego, not Don. Yeah, like in The Godfather. Yeah, exactly.

0:15:31.780 --> 0:15:34.520
<v Speaker 2>That's exactly right. I never put those two together.

0:15:34.540 --> 0:15:35.600
<v Speaker 1>Did you really not?

0:15:35.920 --> 0:15:38.280
<v Speaker 2>Zorro and The Godfather are basically the same movie.

0:15:40.420 --> 0:15:41.720
<v Speaker 1>Zorro the gay blade in The Godfather.

0:15:41.740 --> 0:15:45.720
<v Speaker 2>That's right, yeah. So Don Diego Vega, he's the heir

0:15:45.740 --> 0:15:48.740
<v Speaker 2>to the family fortune. I'm not sure how the mayor

0:15:48.920 --> 0:15:52.300
<v Speaker 2>made a fortune, but He is not Zorro. He's the

0:15:52.360 --> 0:15:56.230
<v Speaker 2>antithesis of Zorro, Don Diego Vega is. Mm-hmm.

0:15:56.690 --> 0:15:59.030
<v Speaker 1>In modern parlance, you might call him soft. He lives

0:15:59.090 --> 0:16:01.250
<v Speaker 1>a life of privilege. He's kind of a dandy fop.

0:16:01.690 --> 0:16:02.230
<v Speaker 3>Yeah.

0:16:02.250 --> 0:16:04.490
<v Speaker 1>And his dad is like, oh, gosh, this guy, this

0:16:04.530 --> 0:16:09.170
<v Speaker 1>son is so disappointing to me. The women don't even

0:16:09.210 --> 0:16:12.920
<v Speaker 1>like him. But this is all a ruse, everybody, because

0:16:13.380 --> 0:16:16.220
<v Speaker 1>he is secretly Zorro at night. He's kind of doing

0:16:16.260 --> 0:16:19.020
<v Speaker 1>that thing where, you know, you play the opposite of

0:16:19.060 --> 0:16:21.400
<v Speaker 1>who you are as a masked figure during the daytime

0:16:21.460 --> 0:16:24.150
<v Speaker 1>so no one can, you know— No one would ever

0:16:24.250 --> 0:16:25.870
<v Speaker 1>suspect that you are he.

0:16:27.130 --> 0:16:29.910
<v Speaker 2>Yeah. I mean, if there's this isn't like the Los

0:16:29.990 --> 0:16:32.630
<v Speaker 2>Angeles of today is still fairly small. So I'm sure

0:16:32.670 --> 0:16:35.860
<v Speaker 2>there's a small pool of potential suspects who could have

0:16:35.880 --> 0:16:39.280
<v Speaker 2>been Zorro. So he really had to take some some

0:16:39.320 --> 0:16:42.300
<v Speaker 2>real steps to throw him off of his trail. And

0:16:43.060 --> 0:16:45.980
<v Speaker 2>that's what he did. It worked too well, as we'll see.

0:16:46.000 --> 0:16:47.100
<v Speaker 1>That's right.

0:16:47.610 --> 0:16:49.910
<v Speaker 2>So he's Don Diego during the day, and then at

0:16:50.050 --> 0:16:51.910
<v Speaker 2>night he goes down to the cellar. He meets with

0:16:51.970 --> 0:16:57.170
<v Speaker 2>his trusty assistant, Bernardo, and he puts on Chuck.

0:16:58.110 --> 0:16:59.570
<v Speaker 1>He puts on that sombrero, baby.

0:17:00.490 --> 0:17:03.390
<v Speaker 2>He puts on a sombrero. I imagine, I'm not sure

0:17:03.410 --> 0:17:05.609
<v Speaker 2>if this is in there, but the kind of sombrero

0:17:05.650 --> 0:17:10.450
<v Speaker 2>with like the little colored balls that hang around down. Okay.

0:17:11.430 --> 0:17:14.110
<v Speaker 2>That's the kind of sombrero I see when I imagine

0:17:14.150 --> 0:17:14.770
<v Speaker 2>a sombrero.

0:17:15.780 --> 0:17:18.800
<v Speaker 1>Oh, see, I immediately pictured like the Three Amigos style,

0:17:19.660 --> 0:17:21.000
<v Speaker 1>but I like both.

0:17:21.840 --> 0:17:24.560
<v Speaker 2>I think that I'm kind of talking about that.

0:17:25.260 --> 0:17:25.480
<v Speaker 1>Okay.

0:17:26.440 --> 0:17:31.260
<v Speaker 2>The little colored like fabric balls hanging around the rim

0:17:31.320 --> 0:17:31.820
<v Speaker 2>of the brim.

0:17:32.260 --> 0:17:34.399
<v Speaker 1>Hey, I know what you're talking about. Those things have

0:17:34.440 --> 0:17:36.080
<v Speaker 1>got to have a name. I just don't know it.

0:17:37.080 --> 0:17:37.260
<v Speaker 3>Right.

0:17:37.780 --> 0:17:39.520
<v Speaker 2>If the things that are on the ends of a

0:17:39.580 --> 0:17:41.900
<v Speaker 2>shoelace have a name, those have to have a name

0:17:41.940 --> 0:17:42.340
<v Speaker 2>for sure.

0:17:42.940 --> 0:17:45.600
<v Speaker 1>Yeah, exactly. So he also wears a purple cape in

0:17:45.619 --> 0:17:50.219
<v Speaker 1>this initial iteration. His mask, black mask, completely covers his

0:17:50.280 --> 0:17:54.350
<v Speaker 1>entire face in this iteration. Yeah, weird. He travels by horse,

0:17:54.450 --> 0:17:58.510
<v Speaker 1>something that would carry over. And he's a swordsman, you know.

0:17:58.650 --> 0:18:01.610
<v Speaker 1>He does a little bit of whipping here and there,

0:18:01.650 --> 0:18:05.489
<v Speaker 1>but his real calling card is that sword. And even

0:18:05.510 --> 0:18:07.470
<v Speaker 1>though it's not as big of a deal in the book,

0:18:07.530 --> 0:18:11.730
<v Speaker 1>it is in the book that he cuts that Z into–

0:18:11.960 --> 0:18:13.919
<v Speaker 1>Maybe somebody's butt if they're bent over and you want

0:18:13.940 --> 0:18:17.590
<v Speaker 1>a little comedy. Or maybe into their clothing or something.

0:18:18.490 --> 0:18:21.010
<v Speaker 2>And if you want a little piece of trivia, Zorro's

0:18:21.050 --> 0:18:23.690
<v Speaker 2>horse was Tornado. Tornado.

0:18:23.990 --> 0:18:26.250
<v Speaker 1>That's right. Put that in your pocket, everybody, because that'll

0:18:26.330 --> 0:18:27.659
<v Speaker 1>come in handy at Bar Trivia one day.

0:18:27.670 --> 0:18:31.890
<v Speaker 2>That's right. Someday. Okay, so I said that the daytime

0:18:32.060 --> 0:18:35.420
<v Speaker 2>thing is starting to get problematic, posing as this lazy

0:18:35.540 --> 0:18:39.290
<v Speaker 2>fop Don Diego. The reason why is that he's played

0:18:39.330 --> 0:18:42.129
<v Speaker 2>it too well. His father is like, you're not going

0:18:42.150 --> 0:18:45.570
<v Speaker 2>to inherit the fortune. I can't give this fortune to you.

0:18:45.630 --> 0:18:50.720
<v Speaker 2>You're a giant disappointment. You're a planetismal at best. And

0:18:51.220 --> 0:18:53.659
<v Speaker 2>he says, how about this? If you marry and basically

0:18:53.700 --> 0:18:56.320
<v Speaker 2>get off the couch and go do something and marry somebody,

0:18:57.869 --> 0:19:00.830
<v Speaker 2>you can be my heir again. And so he starts

0:19:00.869 --> 0:19:04.190
<v Speaker 2>looking around and he trains his sights on Senorita Lolita,

0:19:04.510 --> 0:19:06.909
<v Speaker 2>who is quite lovely, but she doesn't think very highly

0:19:06.950 --> 0:19:07.800
<v Speaker 2>of Don Diego.

0:19:08.420 --> 0:19:14.340
<v Speaker 1>No, she doesn't. She, well, he's a very off-putting person

0:19:14.359 --> 0:19:16.780
<v Speaker 1>during the daytime, so she should not be attracted to him.

0:19:17.320 --> 0:19:20.450
<v Speaker 1>You know who she likes? She likes a couple of people. One, Zorro,

0:19:20.609 --> 0:19:24.470
<v Speaker 1>which is kind of problematic. And then Captain Ramon Ramon.

0:19:25.000 --> 0:19:30.240
<v Speaker 1>who is one of the governor's henchmen, basically. So he's

0:19:30.280 --> 0:19:31.960
<v Speaker 1>in a bit of a pickle here because he's like

0:19:32.440 --> 0:19:35.510
<v Speaker 1>this lady senorita that I love actually loves the real me,

0:19:35.570 --> 0:19:36.250
<v Speaker 1>who is Zorro.

0:19:36.510 --> 0:19:36.810
<v Speaker 2>Right.

0:19:37.010 --> 0:19:38.889
<v Speaker 1>And this act that I'm doing during the day is

0:19:38.950 --> 0:19:41.510
<v Speaker 1>really turning her off. And now Captain Ramon is moving

0:19:41.570 --> 0:19:41.850
<v Speaker 1>in on her.

0:19:42.390 --> 0:19:45.390
<v Speaker 2>Right. I don't have the impression that she particularly liked

0:19:45.570 --> 0:19:48.650
<v Speaker 2>Captain Ramon, but I'm guessing he seemed like a good

0:19:48.690 --> 0:19:51.260
<v Speaker 2>alternative to Don Diego. at the time, right? Because he

0:19:51.300 --> 0:19:52.480
<v Speaker 2>had his S together.

0:19:52.500 --> 0:19:53.400
<v Speaker 1>I think, yeah.

0:19:54.240 --> 0:19:58.820
<v Speaker 2>Even worse, there's now a bounty on Zorro's head and

0:19:58.840 --> 0:20:02.940
<v Speaker 2>a bounty hunter's shown up in Los Angeles looking to

0:20:03.040 --> 0:20:06.660
<v Speaker 2>basically capture Zorro. So All of a sudden, Don Diego's

0:20:06.700 --> 0:20:10.160
<v Speaker 2>life has just really gotten complicated. He's starting to rethink

0:20:10.200 --> 0:20:14.390
<v Speaker 2>this social justice warrior thing. And then Bernardo, I think

0:20:14.470 --> 0:20:18.669
<v Speaker 2>his presence really kind of steals and grounds Zorro because

0:20:19.109 --> 0:20:23.470
<v Speaker 2>he is a he's a Native American. He's indigenous. He's

0:20:23.690 --> 0:20:26.830
<v Speaker 2>deaf and mute. And yes, he's a servant, but he's

0:20:26.890 --> 0:20:31.890
<v Speaker 2>also a trusted sidekick who helps Zorro remain Zorro.

0:20:32.900 --> 0:20:35.680
<v Speaker 1>That's right. And in that book, he does all those

0:20:35.740 --> 0:20:39.070
<v Speaker 1>Zorro things. He robs from the rich, gives to the poor,

0:20:39.990 --> 0:20:43.389
<v Speaker 1>returns land to people who had their land taken from them. He,

0:20:43.590 --> 0:20:46.429
<v Speaker 1>of course, whips the butt of that bounty hunter who

0:20:46.470 --> 0:20:48.990
<v Speaker 1>came to get him. He takes care of Captain Ramon

0:20:49.190 --> 0:20:52.150
<v Speaker 1>in short order. And then at the end, the mask

0:20:52.170 --> 0:20:55.070
<v Speaker 1>comes off, baby. Look who it is, everybody. It's really

0:20:55.130 --> 0:20:58.909
<v Speaker 1>Don Diego. And Lolita is like, perfect. This is all

0:20:58.930 --> 0:20:59.490
<v Speaker 1>I ever wanted.

0:20:59.510 --> 0:21:00.109
<v Speaker 3>Right.

0:21:01.090 --> 0:21:04.150
<v Speaker 2>Too good to be true. And that's it. Ta-da! That's

0:21:04.250 --> 0:21:07.410
<v Speaker 2>the Curse of Capistrano. I don't know if we said

0:21:07.430 --> 0:21:12.070
<v Speaker 2>his foes called him the Curse of Capistrano. Yeah.

0:21:12.450 --> 0:21:13.790
<v Speaker 1>I don't think we did, but that makes sense.

0:21:14.190 --> 0:21:18.170
<v Speaker 2>It does. So that was the first Zorro. And again,

0:21:18.210 --> 0:21:21.530
<v Speaker 2>you said that the Scarlet Pimpernel, which came out 14

0:21:21.530 --> 0:21:27.530
<v Speaker 2>years earlier, probably, you know, definitely, you said, influenced Johnston McCulley, right?

0:21:28.210 --> 0:21:28.620
<v Speaker 3>Yeah.

0:21:28.690 --> 0:21:33.189
<v Speaker 1>He was... Sir Percy Blakeney in the book. He was

0:21:33.230 --> 0:21:37.210
<v Speaker 1>the protagonist. He was an English nobleman during the French

0:21:37.300 --> 0:21:39.840
<v Speaker 1>reign of terror. And he did the same thing. He

0:21:39.880 --> 0:21:43.060
<v Speaker 1>posed as like a spoiled little playboy during the day.

0:21:43.100 --> 0:21:45.600
<v Speaker 1>So no one would suspect that at night he was

0:21:45.760 --> 0:21:47.500
<v Speaker 1>saving people from the guillotines, basically.

0:21:48.060 --> 0:21:51.580
<v Speaker 2>Right. And he had his own calling card, a scarlet pimple, pimple,

0:21:51.619 --> 0:21:52.360
<v Speaker 2>no flower.

0:21:53.640 --> 0:21:56.500
<v Speaker 1>Not a pimple flower. No, those are disgusting.

0:21:57.040 --> 0:21:59.820
<v Speaker 2>Not the Scarlet Pumpernickel either, because I remember that was

0:21:59.880 --> 0:22:01.600
<v Speaker 2>a parody from the 80s, wasn't it?

0:22:02.470 --> 0:22:03.470
<v Speaker 1>I think so. Yeah.

0:22:03.850 --> 0:22:06.449
<v Speaker 2>Yeah. I think it was a little adult for me.

0:22:06.490 --> 0:22:07.890
<v Speaker 2>I just thought it was silly sounding.

0:22:08.330 --> 0:22:12.540
<v Speaker 1>Yeah. He was also a swordsman. He wore a mask. He,

0:22:12.859 --> 0:22:14.740
<v Speaker 1>like you said, had that calling card and he had

0:22:14.800 --> 0:22:20.040
<v Speaker 1>a secret identity. So, you know, definitely played into his writing,

0:22:20.080 --> 0:22:20.340
<v Speaker 1>I think.

0:22:21.440 --> 0:22:26.350
<v Speaker 2>So, yeah. Douglas Fairbanks, right, the great American actor, one

0:22:26.369 --> 0:22:30.710
<v Speaker 2>of the first, like, genuine movie stars in history. He

0:22:31.010 --> 0:22:34.450
<v Speaker 2>read The Curse of Capistrano and, like, seriously within a

0:22:34.730 --> 0:22:36.490
<v Speaker 2>very short time was like, I want to buy the

0:22:36.550 --> 0:22:38.930
<v Speaker 2>rights to this and turn it into a movie. He

0:22:38.950 --> 0:22:42.220
<v Speaker 2>wanted to play Zorro. This guy was, like, super athletic.

0:22:42.920 --> 0:22:46.379
<v Speaker 2>I read that he used to just fool around and

0:22:46.540 --> 0:22:51.040
<v Speaker 2>climb stairs on his hands. Like that level of athleticism, right?

0:22:51.720 --> 0:22:52.180
<v Speaker 1>It's a good trick.

0:22:52.960 --> 0:22:55.430
<v Speaker 2>Yeah, definitely. I would love to be able to do that.

0:22:55.609 --> 0:22:57.470
<v Speaker 2>I can tell you that I would just knock teeth

0:22:57.530 --> 0:23:01.030
<v Speaker 2>out on step one. But he bought Zorro because he

0:23:01.090 --> 0:23:04.189
<v Speaker 2>wanted to basically play different roles. I did not know this,

0:23:04.250 --> 0:23:07.730
<v Speaker 2>but apparently he started out in comedic roles exclusively. Did

0:23:07.750 --> 0:23:08.210
<v Speaker 2>you know that?

0:23:09.470 --> 0:23:09.860
<v Speaker 1>I did not.

0:23:10.340 --> 0:23:13.340
<v Speaker 2>I didn't either. So this is where, in Zorro, where

0:23:13.420 --> 0:23:17.780
<v Speaker 2>he became the swashbuckling hero that he's known and remembered

0:23:17.840 --> 0:23:18.400
<v Speaker 2>as today.

0:23:19.180 --> 0:23:22.180
<v Speaker 1>Yeah, 1920. It was before the talkies at this point.

0:23:22.200 --> 0:23:24.240
<v Speaker 1>So it was a silent film with the Mark of Zorro.

0:23:25.020 --> 0:23:26.659
<v Speaker 1>And this is when he switches that hat. He's got

0:23:26.680 --> 0:23:30.199
<v Speaker 1>the Spanish Cordovan hat. And you might have been confused

0:23:30.220 --> 0:23:32.169
<v Speaker 1>with those little balls hanging down because you will see

0:23:32.190 --> 0:23:33.950
<v Speaker 1>those a lot of times on the Cordovan hats.

0:23:35.090 --> 0:23:37.350
<v Speaker 2>Okay. All right. Sure.

0:23:37.550 --> 0:23:38.510
<v Speaker 1>Maybe. I don't know.

0:23:38.810 --> 0:23:41.729
<v Speaker 2>Or on the interior of Cheech Marin's car.

0:23:42.530 --> 0:23:42.770
<v Speaker 3>Right.

0:23:42.790 --> 0:23:44.540
<v Speaker 2>I think he had this.

0:23:45.619 --> 0:23:47.440
<v Speaker 1>I can't wait till somebody tells us what those things

0:23:47.480 --> 0:23:47.800
<v Speaker 1>are called.

0:23:48.560 --> 0:23:50.520
<v Speaker 2>I can't either. And by the way, if you don't

0:23:50.560 --> 0:23:53.840
<v Speaker 2>know what the shoelace things are called, they're called egglets, guys.

0:23:54.420 --> 0:23:55.679
<v Speaker 2>Not you, Chuck. I know you know that.

0:23:56.320 --> 0:23:57.859
<v Speaker 1>Well, the only reason I know that is because it's

0:23:57.900 --> 0:23:59.520
<v Speaker 1>a very common crossword clue.

0:24:00.660 --> 0:24:00.780
<v Speaker 2>Oh.

0:24:01.240 --> 0:24:03.980
<v Speaker 1>But we don't dare speak of crosswords on the show anymore.

0:24:04.560 --> 0:24:05.660
<v Speaker 2>Egglets and Enya.

0:24:08.320 --> 0:24:11.159
<v Speaker 1>Yeah, egglets and Enya. That'd be a good name for

0:24:11.180 --> 0:24:18.540
<v Speaker 1>a crossword book. Eglitz and Enya, colon. My life is

0:24:18.580 --> 0:24:19.680
<v Speaker 1>a mediocre crossword.

0:24:22.720 --> 0:24:23.699
<v Speaker 2>And it's a murder mystery.

0:24:24.160 --> 0:24:24.640
<v Speaker 1>That's right.

0:24:25.630 --> 0:24:25.910
<v Speaker 2>All right.

0:24:25.950 --> 0:24:28.230
<v Speaker 1>So the other changes, he's got that Cordovan hat instead

0:24:28.250 --> 0:24:32.629
<v Speaker 1>of a sombrero. The mask from here forward, because once

0:24:32.650 --> 0:24:35.220
<v Speaker 1>you enshrine it in film and people see it. then

0:24:35.540 --> 0:24:36.920
<v Speaker 1>you're kind of like, all right, I guess that's order

0:24:36.960 --> 0:24:39.399
<v Speaker 1>now for the most part. The mask only covers the

0:24:39.420 --> 0:24:43.929
<v Speaker 1>top half of his face. No more purple cape. But

0:24:43.950 --> 0:24:48.410
<v Speaker 1>he does have a cape, but everything's black, basically. And

0:24:48.730 --> 0:24:53.030
<v Speaker 1>he is like, you know, he's super athletic because Fairbanks is,

0:24:53.070 --> 0:24:54.650
<v Speaker 1>and he wanted to show off and be like, get

0:24:54.670 --> 0:24:57.290
<v Speaker 1>a load of this. Like, show me some stairs and

0:24:57.330 --> 0:24:57.969
<v Speaker 1>watch what I can do.

0:24:58.190 --> 0:24:58.380
<v Speaker 3>Right.

0:24:58.890 --> 0:25:01.459
<v Speaker 2>He would stand on one hand and sword fight with

0:25:01.520 --> 0:25:02.760
<v Speaker 2>the other hand upside down.

0:25:03.880 --> 0:25:04.300
<v Speaker 1>Did he really?

0:25:04.980 --> 0:25:07.520
<v Speaker 2>No, I don't think so. But it sounds like he

0:25:07.619 --> 0:25:08.680
<v Speaker 2>probably could have.

0:25:09.030 --> 0:25:09.810
<v Speaker 1>He should have thought of that.

0:25:10.810 --> 0:25:15.490
<v Speaker 2>Another huge, huge change was Don Diego's last name Vega

0:25:16.130 --> 0:25:20.700
<v Speaker 2>was altered almost to where it's unrecognizable. It became De

0:25:20.740 --> 0:25:21.260
<v Speaker 2>La Vega.

0:25:23.260 --> 0:25:26.060
<v Speaker 1>That's right. And the Z that he would cut in

0:25:26.119 --> 0:25:28.180
<v Speaker 1>the book, it seems like it was not an afterthought,

0:25:28.220 --> 0:25:29.780
<v Speaker 1>but just not the biggest deal in the world.

0:25:29.920 --> 0:25:30.140
<v Speaker 2>Sure.

0:25:30.619 --> 0:25:33.920
<v Speaker 1>And in the movies, it really became the thing because

0:25:33.960 --> 0:25:36.960
<v Speaker 1>that's something that plays visually much better than in a book,

0:25:37.020 --> 0:25:37.240
<v Speaker 1>I think.

0:25:37.560 --> 0:25:39.520
<v Speaker 2>Right. And then in the book, too, they kind of

0:25:39.580 --> 0:25:42.710
<v Speaker 2>tamed it a little bit. In the book, Zorro would...

0:25:43.470 --> 0:25:47.150
<v Speaker 2>put a knee on his foe's chest to hold them down,

0:25:47.580 --> 0:25:49.480
<v Speaker 2>and then hold the tip of his sword like a

0:25:49.560 --> 0:25:53.000
<v Speaker 2>pen and really carve that Z in slowly. It was

0:25:53.100 --> 0:25:56.240
<v Speaker 2>much more graphic and painful, I think, than the one

0:25:56.280 --> 0:25:57.530
<v Speaker 2>that Fairbanks came up with.

0:25:58.030 --> 0:26:00.110
<v Speaker 1>Yeah, it got more swashbuckling for sure.

0:26:00.650 --> 0:26:06.230
<v Speaker 2>So it provided a backstory, basically saying that Zorro was European-educated.

0:26:06.660 --> 0:26:08.760
<v Speaker 2>His father had sent him to Europe to be educated

0:26:08.820 --> 0:26:11.979
<v Speaker 2>in there. He learned sword fighting, but he also learned

0:26:12.680 --> 0:26:17.639
<v Speaker 2>to value social equality. And his father was like, Zorro,

0:26:17.700 --> 0:26:21.129
<v Speaker 2>I mean, Don Diego, this place, this Los Angeles is

0:26:21.170 --> 0:26:23.429
<v Speaker 2>starting to get out of hand. It's getting corrupt. Why

0:26:23.450 --> 0:26:26.470
<v Speaker 2>don't you come home and, you know, just be home?

0:26:26.730 --> 0:26:28.870
<v Speaker 2>I'm not calling you home for any kind of heroic

0:26:29.030 --> 0:26:31.510
<v Speaker 2>action or anything. Don't get me wrong. I just like

0:26:31.530 --> 0:26:34.270
<v Speaker 2>you around the family farm. And so he did. He

0:26:34.330 --> 0:26:37.910
<v Speaker 2>came home and he saw this stuff. firsthand in this, again,

0:26:37.950 --> 0:26:42.310
<v Speaker 2>this Douglas, Douglas Fairbanks movie. And he was so moved.

0:26:42.350 --> 0:26:44.870
<v Speaker 2>He's like, I've got to do something about that. So

0:26:44.930 --> 0:26:46.770
<v Speaker 2>he looked around, he found a sash, found a Cape,

0:26:46.830 --> 0:26:50.650
<v Speaker 2>found a mask, got his horse tornado. And he got

0:26:50.670 --> 0:26:58.230
<v Speaker 2>down to business basically becoming the 1850s, Californian, Spanish, Mexican

0:26:58.310 --> 0:26:58.830
<v Speaker 2>Robin hood.

0:26:59.510 --> 0:27:01.810
<v Speaker 1>That's right. Uh, and it was a big hit, uh,

0:27:01.910 --> 0:27:05.430
<v Speaker 1>at the movies. It was, um, Very, very popular. So

0:27:05.570 --> 0:27:08.570
<v Speaker 1>as soon as that movie becomes a big hit, McCulley's like, oh,

0:27:08.630 --> 0:27:10.730
<v Speaker 1>but I got to start writing more of these Zorro books.

0:27:11.490 --> 0:27:14.190
<v Speaker 1>And the first one I'm going to write is I'm

0:27:14.210 --> 0:27:17.130
<v Speaker 1>going to kind of expand The Curse of Capistrano into

0:27:17.170 --> 0:27:19.540
<v Speaker 1>a novel and call it The Mark of Zorro because

0:27:19.560 --> 0:27:20.760
<v Speaker 1>that's what that movie was called.

0:27:21.040 --> 0:27:21.500
<v Speaker 2>Right.

0:27:21.700 --> 0:27:23.340
<v Speaker 1>And I need to capitalize on this thing. So he

0:27:23.359 --> 0:27:27.460
<v Speaker 1>did that in 1924, then wrote 60 more Zorro stories

0:27:28.300 --> 0:27:29.100
<v Speaker 1>before he passed away in 1958.

0:27:29.080 --> 0:27:29.220
<v Speaker 3>Right.

0:27:30.910 --> 0:27:33.230
<v Speaker 1>And then that Mask of Zorro movie from 1920, the

0:27:33.369 --> 0:27:35.369
<v Speaker 1>silent film was so popular, they remade it as a

0:27:35.390 --> 0:27:40.010
<v Speaker 1>talkie in 1940 with Tyrone Power as Zorro. And then

0:27:40.030 --> 0:27:43.190
<v Speaker 1>the next iteration after that was kind of a while.

0:27:43.230 --> 0:27:47.350
<v Speaker 1>But 1974, when our old buddy Frank Langella comes in

0:27:48.170 --> 0:27:50.290
<v Speaker 1>and a made for TV movie as Zorro.

0:27:50.630 --> 0:27:51.830
<v Speaker 2>Zorro, then Dracula.

0:27:52.710 --> 0:27:53.390
<v Speaker 3>Yeah.

0:27:53.430 --> 0:27:54.869
<v Speaker 1>We talked about him a lot lately.

0:27:55.170 --> 0:27:55.430
<v Speaker 3>Yeah.

0:27:55.550 --> 0:27:56.300
<v Speaker 2>He keeps coming up.

0:27:56.770 --> 0:27:59.190
<v Speaker 1>And as a reminder. I served him as a waiter

0:27:59.290 --> 0:28:01.490
<v Speaker 1>one time at the restaurant in New Jersey where I

0:28:01.530 --> 0:28:04.709
<v Speaker 1>worked called The Store in Basking Ridge, and he ate

0:28:04.750 --> 0:28:06.170
<v Speaker 1>steak for lunch and tipped me well.

0:28:07.090 --> 0:28:08.700
<v Speaker 2>And I like him in the Ninth Gate.

0:28:10.240 --> 0:28:13.800
<v Speaker 1>That's right. So that's our Frank Langella reminder slash update.

0:28:14.920 --> 0:28:17.180
<v Speaker 2>Should we take a break or go on for another

0:28:17.220 --> 0:28:17.840
<v Speaker 2>minute or two?

0:28:20.500 --> 0:28:20.720
<v Speaker 1>Break.

0:28:21.300 --> 0:28:23.129
<v Speaker 2>All right. We're going to take a break, everybody. And

0:28:23.150 --> 0:28:25.090
<v Speaker 2>when we come back, we're going to knock your socks

0:28:25.210 --> 0:28:26.110
<v Speaker 2>clean off of your feet.

0:28:40.620 --> 0:28:57.220
<v Speaker 3>All right, everybody.

0:28:57.240 --> 0:29:00.830
<v Speaker 1>I hope your socks are still on because Josh loves

0:29:00.870 --> 0:29:03.930
<v Speaker 1>knocking those things off. And if you were sitting there

0:29:03.970 --> 0:29:06.870
<v Speaker 1>listening to our descriptions of the early Zorro and you're like,

0:29:06.910 --> 0:29:09.470
<v Speaker 1>wait a minute, this guy wears a half mask. He

0:29:09.670 --> 0:29:12.130
<v Speaker 1>does his work at night. He has got an underground headquarters.

0:29:12.430 --> 0:29:14.890
<v Speaker 1>He has an assistant kind of butler type. He has

0:29:14.930 --> 0:29:17.930
<v Speaker 1>a secret identity. He's a playboy by day. That sounds

0:29:17.970 --> 0:29:23.970
<v Speaker 1>like Batman when you are completely correct, because apparently Bob

0:29:24.010 --> 0:29:27.330
<v Speaker 1>Kane and Bill Finger saw the mask of Zorro. And

0:29:27.370 --> 0:29:31.200
<v Speaker 1>a couple of decades later, um, You know, we're influenced

0:29:31.660 --> 0:29:34.650
<v Speaker 1>to write the great comic Batman.

0:29:34.670 --> 0:29:40.630
<v Speaker 2>And apparently, like, it was not lost on Batman. fans

0:29:40.650 --> 0:29:43.890
<v Speaker 2>when Frank Miller brought Batman back in the Dark Knight

0:29:43.950 --> 0:29:48.330
<v Speaker 2>Returns comic series starting in 1986. As part of the

0:29:48.470 --> 0:29:52.290
<v Speaker 2>origin story, when Bruce Wayne's parents are murdered, they're leaving

0:29:52.310 --> 0:29:56.120
<v Speaker 2>a screening of the Mark of Zorro movie.

0:29:56.410 --> 0:29:57.170
<v Speaker 1>Yeah, there you go.

0:29:57.390 --> 0:30:00.210
<v Speaker 2>Yeah, and then there was another, I think, just a

0:30:00.370 --> 0:30:05.360
<v Speaker 2>single standalone graphic novel called Joker War in 2020. And

0:30:05.470 --> 0:30:10.160
<v Speaker 2>Joker is basically trying to get everybody to a screening

0:30:10.280 --> 0:30:12.739
<v Speaker 2>of the Mark of Zorro so he can kill them all.

0:30:13.680 --> 0:30:14.660
<v Speaker 1>Yeah, nice little Easter eggs.

0:30:15.260 --> 0:30:18.740
<v Speaker 2>Yeah, pretty cool. But also just to recognize, like, okay,

0:30:18.800 --> 0:30:23.250
<v Speaker 2>the original Caped Crusader– was Zorro. But it turns out

0:30:23.290 --> 0:30:26.310
<v Speaker 2>the original Caped Crusader is the Scarlet Pimpernel, which is

0:30:26.510 --> 0:30:27.510
<v Speaker 2>mind-blowing to me.

0:30:28.530 --> 0:30:29.510
<v Speaker 1>Yeah, for sure.

0:30:30.750 --> 0:30:34.090
<v Speaker 2>So Disney came along and they're like, hey, this guy

0:30:34.130 --> 0:30:36.060
<v Speaker 2>seems like something we can make a lot of money

0:30:36.140 --> 0:30:39.820
<v Speaker 2>and turn into like a massive pop culture phenomenon, which

0:30:39.880 --> 0:30:43.860
<v Speaker 2>we think of Zorro today because Disney came in. I mean,

0:30:44.100 --> 0:30:47.420
<v Speaker 2>Zorro was already this enduring character, but also I get

0:30:47.440 --> 0:30:49.430
<v Speaker 2>the impression in the same way, like The Man in

0:30:49.470 --> 0:30:52.590
<v Speaker 2>the Iron Mask was an enduring character, or The Hunchback

0:30:52.670 --> 0:30:56.610
<v Speaker 2>of Notre Dame was an enduring character. They'd come up

0:30:56.650 --> 0:30:59.170
<v Speaker 2>and get remade or whatever, but when Disney comes in,

0:31:00.070 --> 0:31:04.570
<v Speaker 2>they come in and they make it an immovable icon

0:31:04.610 --> 0:31:06.950
<v Speaker 2>from that point on, and that's what they did with Zorro.

0:31:07.590 --> 0:31:10.650
<v Speaker 1>Yeah, in 1957, I mentioned the Frank Langella thing was

0:31:10.670 --> 0:31:14.510
<v Speaker 1>the next film in 1974. Even though it was made

0:31:14.550 --> 0:31:16.620
<v Speaker 1>for television, this was actually a TV show.

0:31:16.630 --> 0:31:16.840
<v Speaker 3>Mm-hmm.

0:31:17.460 --> 0:31:20.120
<v Speaker 1>In 1957 and it was much more of a Western

0:31:20.180 --> 0:31:23.960
<v Speaker 1>type thing. They turned Zorro into El Zorro and he

0:31:24.000 --> 0:31:26.480
<v Speaker 1>was a little bit more of a cowboy. I think

0:31:26.500 --> 0:31:29.550
<v Speaker 1>the creators of the show even called it a Southwestern show.

0:31:30.030 --> 0:31:32.730
<v Speaker 1>And it was very, very popular. Guy Williams played El

0:31:32.750 --> 0:31:36.850
<v Speaker 1>Zorro and this time he is fighting, and boy, they

0:31:36.910 --> 0:31:40.370
<v Speaker 1>really went in the opposite direction here. This time he's

0:31:40.390 --> 0:31:46.500
<v Speaker 1>fighting Mexican authorities, not the corrupt governor. And the other

0:31:46.540 --> 0:31:50.100
<v Speaker 1>change they made was Bernardo, his sidekick, is not deaf.

0:31:50.940 --> 0:31:53.380
<v Speaker 1>He pretends to be deaf. He is mute, but he

0:31:53.420 --> 0:31:56.739
<v Speaker 1>pretends to be deaf so he can eavesdrop on conversations

0:31:56.790 --> 0:31:57.350
<v Speaker 1>about Zorro.

0:31:57.810 --> 0:32:02.430
<v Speaker 2>Right. And they really sunk a lot of cash into this. Apparently,

0:32:02.450 --> 0:32:08.190
<v Speaker 2>a half-hour episode cost $ 80, 000 to make. And an hour-long

0:32:08.250 --> 0:32:10.450
<v Speaker 2>episode at the time averaged about $ 13, 000.

0:32:10.330 --> 0:32:10.410
<v Speaker 1>Wow.

0:32:12.660 --> 0:32:15.540
<v Speaker 2>And I think a lot of that cost was sunk

0:32:15.660 --> 0:32:18.650
<v Speaker 2>into the permanent set that they built for Zorro, which

0:32:18.750 --> 0:32:22.750
<v Speaker 2>cost them about a half a million dollars in 1957 dollars.

0:32:22.890 --> 0:32:23.130
<v Speaker 3>Right.

0:32:23.210 --> 0:32:26.430
<v Speaker 2>So they really pulled out all the stops. And this

0:32:26.470 --> 0:32:30.000
<v Speaker 2>was only on for two years, 1950, well, three, 1957,

0:32:30.000 --> 0:32:35.600
<v Speaker 2>eight and nine. And still they got almost 80 episodes

0:32:35.920 --> 0:32:39.620
<v Speaker 2>out of this vehicle, 80 episodes over three years. Can

0:32:39.660 --> 0:32:42.560
<v Speaker 2>you imagine being a TV actor back then? They just

0:32:42.640 --> 0:32:43.580
<v Speaker 2>ran you ragged.

0:32:44.360 --> 0:32:46.520
<v Speaker 1>Yeah, it was a lot of work. I just did

0:32:46.540 --> 0:32:48.780
<v Speaker 1>the inflation for that. That's close to a million bucks

0:32:48.820 --> 0:32:49.980
<v Speaker 1>an episode back then.

0:32:50.260 --> 0:32:50.480
<v Speaker 2>Wow.

0:32:50.740 --> 0:32:52.980
<v Speaker 1>In today dollars. So and again, that's just for a

0:32:53.020 --> 0:32:55.740
<v Speaker 1>half hour. So, yeah, that was a big, big production.

0:32:56.700 --> 0:32:59.340
<v Speaker 1>And they had a dispute, which is why it got pulled,

0:32:59.400 --> 0:33:02.500
<v Speaker 1>because it was a huge, huge hit. It was canceled

0:33:02.740 --> 0:33:06.100
<v Speaker 1>in 1959 because I think ABC and Disney had a

0:33:06.120 --> 0:33:09.420
<v Speaker 1>little row about who owned the rights to Zorro.

0:33:10.320 --> 0:33:13.040
<v Speaker 2>Yeah. And so that was it. But like you said,

0:33:13.100 --> 0:33:15.980
<v Speaker 2>it made such a huge mark, I guess, a Z,

0:33:16.260 --> 0:33:20.300
<v Speaker 2>if you will, that it just basically laid the groundwork

0:33:20.320 --> 0:33:22.400
<v Speaker 2>for Zorro to keep coming up and coming up for

0:33:22.440 --> 0:33:27.330
<v Speaker 2>the rest of the century, including that movie, which you

0:33:27.570 --> 0:33:29.750
<v Speaker 2>said earlier, if I'm not mistaken, was your favorite movie

0:33:29.770 --> 0:33:33.890
<v Speaker 2>of all time, The Mark of Zorro. There was also

0:33:33.910 --> 0:33:36.010
<v Speaker 2>a Saturday morning cartoon. Did you know that? It was

0:33:36.210 --> 0:33:38.330
<v Speaker 2>in 1981, so it would have been in your wheelhouse,

0:33:38.430 --> 0:33:40.640
<v Speaker 2>The New Adventures of Zorro. Oh, yeah.

0:33:41.100 --> 0:33:43.820
<v Speaker 1>That probably had something to do with me going as Sorawa.

0:33:44.400 --> 0:33:44.680
<v Speaker 3>Yeah.

0:33:45.400 --> 0:33:48.770
<v Speaker 1>We had a Halloween trunk in our house. Did you

0:33:48.790 --> 0:33:49.270
<v Speaker 1>have one of those?

0:33:49.890 --> 0:33:50.170
<v Speaker 2>No.

0:33:50.750 --> 0:33:51.990
<v Speaker 1>With, like, costume stuff?

0:33:52.270 --> 0:33:52.630
<v Speaker 2>No.

0:33:53.810 --> 0:33:56.550
<v Speaker 1>Yeah, I thought it was kind of common. In fact,

0:33:56.590 --> 0:33:59.670
<v Speaker 1>I'd like to hear from listeners. We had a literal

0:33:59.750 --> 0:34:01.670
<v Speaker 1>trunk in our house that just had a bunch of

0:34:01.750 --> 0:34:04.780
<v Speaker 1>stuff in it where every year my mom would be like, well,

0:34:05.000 --> 0:34:07.140
<v Speaker 1>you know, there's this, there's this hat. I could put

0:34:07.160 --> 0:34:08.660
<v Speaker 1>it together with this. You could be a pirate.

0:34:08.680 --> 0:34:08.899
<v Speaker 2>Mm-hmm.

0:34:09.640 --> 0:34:11.480
<v Speaker 1>We got a little parrot with an elastic band that

0:34:11.500 --> 0:34:12.340
<v Speaker 1>can go on your shoulder.

0:34:12.360 --> 0:34:13.010
<v Speaker 3>Wow.

0:34:13.050 --> 0:34:15.140
<v Speaker 1>So we just saved all that stuff. And now we

0:34:15.160 --> 0:34:18.790
<v Speaker 1>have our own Halloween trunk on our house. And we

0:34:19.190 --> 0:34:20.410
<v Speaker 1>utilize it in the same way. It's kind of a

0:34:20.650 --> 0:34:22.489
<v Speaker 1>nice little tradition. But anyway, we had one of those

0:34:22.650 --> 0:34:24.890
<v Speaker 1>Zorro hats. And I think that also had something to

0:34:24.910 --> 0:34:27.529
<v Speaker 1>do with, I guess my mom would find stuff at

0:34:27.570 --> 0:34:29.950
<v Speaker 1>like garage sales and be like, oh, this looks like

0:34:29.989 --> 0:34:31.630
<v Speaker 1>it could be a future costume thing and throw it

0:34:31.650 --> 0:34:32.009
<v Speaker 1>in the trunk.

0:34:32.250 --> 0:34:34.190
<v Speaker 2>Man, that's so cool. I wish I would have had

0:34:34.290 --> 0:34:37.370
<v Speaker 2>one of those. We had an extension cord that we

0:34:37.450 --> 0:34:38.410
<v Speaker 2>use as a jump rope.

0:34:38.930 --> 0:34:39.109
<v Speaker 3>Right.

0:34:40.980 --> 0:34:42.739
<v Speaker 2>And it made a pretty good whip, too, once in

0:34:42.760 --> 0:34:44.480
<v Speaker 2>a while. But for the most part, it was a

0:34:44.480 --> 0:34:44.939
<v Speaker 2>jump rope.

0:34:45.719 --> 0:34:48.640
<v Speaker 1>So, yeah, it was a cartoon. I definitely remember that.

0:34:48.940 --> 0:34:53.260
<v Speaker 1>But it was 1998 was the Antonio Banderas version. Again,

0:34:53.340 --> 0:34:55.759
<v Speaker 1>a movie I saw in the theater that I remember

0:34:55.800 --> 0:34:58.520
<v Speaker 1>as being like a pretty good movie for what it was.

0:34:58.860 --> 0:35:01.500
<v Speaker 1>And this was a big switch because Zorro up until

0:35:01.540 --> 0:35:08.080
<v Speaker 1>that point on film had always been played by Caucasian-American actors. And, well,

0:35:08.600 --> 0:35:11.780
<v Speaker 1>I guess in this case, that's actually– Half true because

0:35:12.380 --> 0:35:15.260
<v Speaker 1>the elder Zorro in this movie is played by Don

0:35:15.280 --> 0:35:19.049
<v Speaker 1>Diego is played by Anthony Hopkins. So Caucasian British actor,

0:35:19.090 --> 0:35:22.550
<v Speaker 1>I guess. But he passes the baton to his son,

0:35:24.330 --> 0:35:27.710
<v Speaker 1>Alejandro Murrieta. And if you remember that name, you're like,

0:35:27.750 --> 0:35:30.650
<v Speaker 1>wait a minute. Is that supposed to be Joaquin Murrieta? No,

0:35:30.690 --> 0:35:33.590
<v Speaker 1>it's not. But that is his brother. And his brother

0:35:33.690 --> 0:35:36.010
<v Speaker 1>Joaquin's head is in a pickle jar in the movie.

0:35:36.430 --> 0:35:38.090
<v Speaker 2>So is it pretty cool looking?

0:35:39.130 --> 0:35:41.850
<v Speaker 1>I don't remember. I would like to see this, actually.

0:35:41.890 --> 0:35:43.569
<v Speaker 1>In fact, this might be a fun family movie.

0:35:44.090 --> 0:35:47.950
<v Speaker 2>Speaking of a good movie for what it was, we

0:35:47.989 --> 0:35:53.070
<v Speaker 2>talked about The Mummy with Tom Cruise in the Universal

0:35:53.110 --> 0:35:55.799
<v Speaker 2>Monsters episode. Did you go back and see it? Not yet.

0:35:56.739 --> 0:35:59.359
<v Speaker 2>I watched it, and I remember we were talking about

0:35:59.390 --> 0:36:01.770
<v Speaker 2>how everybody was like, it sucks so bad that it

0:36:01.830 --> 0:36:04.610
<v Speaker 2>ruined their whole plans for creating the Dark Universe.

0:36:05.090 --> 0:36:06.010
<v Speaker 1>Yeah.

0:36:06.150 --> 0:36:08.410
<v Speaker 2>I really don't know what people were talking about. It

0:36:08.450 --> 0:36:12.090
<v Speaker 2>was a fun movie that was really well made. It

0:36:12.130 --> 0:36:14.180
<v Speaker 2>didn't get dull. There was no point where it was

0:36:14.219 --> 0:36:17.040
<v Speaker 2>a slog. And all the little things, like knowing that

0:36:17.060 --> 0:36:21.080
<v Speaker 2>they were planning a Dark Universe franchise, you can see

0:36:21.120 --> 0:36:23.239
<v Speaker 2>all the little things they were laying the groundwork for.

0:36:23.260 --> 0:36:26.580
<v Speaker 2>And it's really sad that they didn't. They weren't able

0:36:26.620 --> 0:36:29.660
<v Speaker 2>to pursue that because it would have been kind of cool,

0:36:29.719 --> 0:36:30.020
<v Speaker 2>I think.

0:36:30.160 --> 0:36:32.620
<v Speaker 1>Yeah, that's a bummer. I will watch that.

0:36:32.820 --> 0:36:35.239
<v Speaker 2>Yeah, I think you'll like it. Just go into it

0:36:35.280 --> 0:36:38.470
<v Speaker 2>like it's a blockbuster. It's not high art or anything

0:36:38.510 --> 0:36:39.950
<v Speaker 2>like that, you know, as it's supposed to be.

0:36:40.530 --> 0:36:42.149
<v Speaker 1>Yeah, I like Tom Cruise.

0:36:42.790 --> 0:36:43.629
<v Speaker 2>He does great in this.

0:36:44.210 --> 0:36:46.009
<v Speaker 1>Yeah, I like him in movies. Let's just say that.

0:36:46.530 --> 0:36:52.339
<v Speaker 2>Okay. So you also like Antonio Banderas in movies specifically.

0:36:52.969 --> 0:36:56.960
<v Speaker 2>Zorro movies. And you were treated seven years after that,

0:36:57.860 --> 0:37:00.100
<v Speaker 2>I guess, epiphany you had when you saw the first

0:37:00.160 --> 0:37:03.300
<v Speaker 2>Mark of Zorro in 1998, when they made a follow-up

0:37:03.400 --> 0:37:06.080
<v Speaker 2>of The Legend of Zorro, which I know for a

0:37:06.140 --> 0:37:08.400
<v Speaker 2>fact you've said is your actual favorite movie.

0:37:09.219 --> 0:37:12.980
<v Speaker 1>You know, I don't actually remember seeing this. I probably did,

0:37:14.120 --> 0:37:18.040
<v Speaker 1>but I don't know for sure because apparently he's married

0:37:18.060 --> 0:37:22.320
<v Speaker 1>in this one. And has children, which complicates the story.

0:37:22.360 --> 0:37:24.610
<v Speaker 1>And that doesn't ring familiar, so I may not have

0:37:24.630 --> 0:37:25.130
<v Speaker 1>seen this one.

0:37:25.510 --> 0:37:30.089
<v Speaker 2>It's like Mr. Mom meets Zorro. Right. He has to, like,

0:37:30.130 --> 0:37:33.430
<v Speaker 2>sword fight with somebody while he has the baby on

0:37:33.489 --> 0:37:34.710
<v Speaker 2>his arm, his other arm.

0:37:36.370 --> 0:37:36.730
<v Speaker 1>Probably.

0:37:37.150 --> 0:37:39.479
<v Speaker 2>I could actually see that now. As I was saying

0:37:39.540 --> 0:37:40.700
<v Speaker 2>it out loud, I'm like, this was 2005.

0:37:40.700 --> 0:37:43.310
<v Speaker 1>Got a little onesie with a Z on it.

0:37:44.640 --> 0:37:44.779
<v Speaker 2>Right.

0:37:44.800 --> 0:37:46.650
<v Speaker 3>So....

0:37:47.070 --> 0:37:50.610
<v Speaker 2>It turns out that Zorro is actually considered somewhat controversial.

0:37:50.770 --> 0:37:52.250
<v Speaker 2>And it makes kind of sense if you stop and

0:37:52.270 --> 0:37:55.770
<v Speaker 2>think about some of the things that we've talked about. Ultimately,

0:37:55.830 --> 0:37:59.450
<v Speaker 2>it's that there like his story was manipulated for different

0:37:59.570 --> 0:38:05.440
<v Speaker 2>audiences over the ages. And to make it palatable, actual

0:38:05.520 --> 0:38:09.180
<v Speaker 2>history in the actual like what the banditos who Zorro

0:38:09.239 --> 0:38:11.819
<v Speaker 2>is based on were actually doing and why has been

0:38:11.840 --> 0:38:14.399
<v Speaker 2>just brushed under the rug. And instead it's Zorro again.

0:38:14.900 --> 0:38:18.780
<v Speaker 2>And he's fighting everybody except the Americans. And in fact,

0:38:19.520 --> 0:38:25.170
<v Speaker 2>apparently in the 2005 Legend of Zorro, when California becomes

0:38:25.290 --> 0:38:30.090
<v Speaker 2>a United States state, the Mexican residents all cheer and

0:38:30.130 --> 0:38:33.110
<v Speaker 2>are happy about it. And that is the opposite of

0:38:33.170 --> 0:38:33.710
<v Speaker 2>what happened.

0:38:33.730 --> 0:38:34.630
<v Speaker 1>As a matter of fact.

0:38:35.410 --> 0:38:35.670
<v Speaker 3>Yeah.

0:38:36.190 --> 0:38:38.479
<v Speaker 1>Yeah. That's what movies do a lot of times. They'll

0:38:38.500 --> 0:38:42.339
<v Speaker 1>just kind of whitewash things and paint a rosy picture

0:38:42.360 --> 0:38:44.460
<v Speaker 1>for an audience. And that's definitely what happened in this case.

0:38:45.239 --> 0:38:45.450
<v Speaker 3>Right.

0:38:45.640 --> 0:38:47.250
<v Speaker 2>And I was like, okay, well, does that mean that

0:38:47.290 --> 0:38:50.910
<v Speaker 2>Zorro is taken differently in other countries? So I found

0:38:51.630 --> 0:38:57.230
<v Speaker 2>there was a 1974 Zorro movie produced and shown in Mexico.

0:38:58.170 --> 0:39:03.319
<v Speaker 2>And nope, he's fighting like I think the local military,

0:39:03.460 --> 0:39:07.740
<v Speaker 2>Mexican military at the time. So no, it wasn't altered

0:39:07.860 --> 0:39:09.759
<v Speaker 2>in that sense, which I was a little surprised by.

0:39:10.200 --> 0:39:13.470
<v Speaker 1>Oh, that's interesting. Uh, Zorro has been around, like there

0:39:13.489 --> 0:39:17.259
<v Speaker 1>have been a lot of iterations since the Antonio Banderas version. Uh,

0:39:19.420 --> 0:39:20.700
<v Speaker 1>one thing that had to do with that is it

0:39:20.760 --> 0:39:25.710
<v Speaker 1>entered public domain in 1995. So there's been kids books

0:39:25.890 --> 0:39:30.190
<v Speaker 1>and action figures. There's actually been ballets and video games,

0:39:30.330 --> 0:39:33.350
<v Speaker 1>comic books, like all sorts of people capitalizing on the

0:39:33.390 --> 0:39:39.430
<v Speaker 1>Zorro thing. And apparently between 45 and 60 movies all

0:39:39.469 --> 0:39:40.930
<v Speaker 1>over the world about Zorro.

0:39:41.580 --> 0:39:42.739
<v Speaker 2>That's impressive.

0:39:43.060 --> 0:39:44.580
<v Speaker 1>James Bond can't even touch those numbers.

0:39:45.020 --> 0:39:48.460
<v Speaker 2>Who was it? Was it Dracula that's the most portrayed?

0:39:49.100 --> 0:39:52.160
<v Speaker 2>I think character. We've talked about it before. I think

0:39:52.239 --> 0:39:56.739
<v Speaker 2>it's Dracula. And it's not that many ahead of that,

0:39:56.780 --> 0:39:59.399
<v Speaker 2>if I remember correctly. So, yeah, Zorro's up there.

0:40:00.120 --> 0:40:03.299
<v Speaker 1>Well, there's a new one. Reading all this, I was like, oh, man,

0:40:03.320 --> 0:40:05.120
<v Speaker 1>they should do a new Zorro movie because it's kind

0:40:05.140 --> 0:40:08.210
<v Speaker 1>of been long enough now. And they're ready. We're ready

0:40:08.250 --> 0:40:11.270
<v Speaker 1>for that new sort of big time Hollywood version. And

0:40:11.370 --> 0:40:13.130
<v Speaker 1>I don't know if that's coming, but there is a

0:40:13.150 --> 0:40:15.810
<v Speaker 1>movie coming out this year. I think it's getting a

0:40:15.850 --> 0:40:19.230
<v Speaker 1>streaming release. It may be a show. I couldn't quite tell,

0:40:19.290 --> 0:40:24.410
<v Speaker 1>but it's a French-speaking film. So Zorro is French in

0:40:24.430 --> 0:40:26.450
<v Speaker 1>this movie, which was a little weird, and it seems

0:40:26.469 --> 0:40:28.190
<v Speaker 1>like it really leans into the comedy.

0:40:28.670 --> 0:40:29.090
<v Speaker 2>Oh, yeah.

0:40:29.590 --> 0:40:31.890
<v Speaker 1>And Zorro's always had a lot of little comic touches,

0:40:31.930 --> 0:40:34.739
<v Speaker 1>but this one seems pretty heavily comic.

0:40:34.969 --> 0:40:37.920
<v Speaker 2>Gotcha. Kind of like Zorro the Gayblade level?

0:40:38.580 --> 0:40:39.840
<v Speaker 1>Nah, but different.

0:40:40.180 --> 0:40:43.359
<v Speaker 2>Okay. There's another, a lot of people have been calling

0:40:43.380 --> 0:40:47.000
<v Speaker 2>for Zorro to be cast as a woman. And there's

0:40:47.440 --> 0:40:51.620
<v Speaker 2>something that's still in development. CW and NBC supposedly are

0:40:51.660 --> 0:40:55.660
<v Speaker 2>attached to it. And I saw that's not dead. Robert

0:40:55.710 --> 0:40:58.370
<v Speaker 2>Rodriguez was going to produce and direct it. And I

0:40:58.469 --> 0:41:01.469
<v Speaker 2>don't know if he still is, but there's possibly that.

0:41:01.830 --> 0:41:04.110
<v Speaker 2>But there's already been Zorro as a woman before. If

0:41:04.150 --> 0:41:06.969
<v Speaker 2>you were in Canada between the years of 2000 and 2001,

0:41:06.950 --> 0:41:11.700
<v Speaker 2>and you had your TV tuned, into the right channel

0:41:11.739 --> 0:41:13.759
<v Speaker 2>at the right time, you could have seen Queen of

0:41:13.800 --> 0:41:17.000
<v Speaker 2>the Swords, which is a straight up woman Zorro show.

0:41:17.260 --> 0:41:18.660
<v Speaker 2>That was supposedly pretty good.

0:41:19.989 --> 0:41:21.989
<v Speaker 1>All right. I haven't heard of that. That sounds pretty good.

0:41:23.130 --> 0:41:25.850
<v Speaker 1>There are certainly like Jenna Ortega. I mean, she's a

0:41:25.870 --> 0:41:28.310
<v Speaker 1>little young, but if you kind of rebooted the character

0:41:28.370 --> 0:41:30.990
<v Speaker 1>as a young woman, Jenna Ortega would be great.

0:41:31.780 --> 0:41:33.700
<v Speaker 2>For sure. That's a great idea, Chuck.

0:41:34.360 --> 0:41:36.580
<v Speaker 1>If she can play Wednesday Addams, she could play Zorro. Yeah.

0:41:37.060 --> 0:41:41.469
<v Speaker 2>Let's get to it, Jenna Ortega. Oh, man, there's no

0:41:41.510 --> 0:41:43.899
<v Speaker 2>better way to end this episode than on that. So

0:41:44.040 --> 0:41:46.060
<v Speaker 2>I say, Chuck, it's time for Listener Mail.

0:41:49.380 --> 0:41:51.480
<v Speaker 1>This one was really neat. Occasionally we do an episode

0:41:51.520 --> 0:41:55.629
<v Speaker 1>where someone that's actually either tangentially tied or directly tied

0:41:55.670 --> 0:41:57.650
<v Speaker 1>to the person or the story writes in, and we

0:41:57.690 --> 0:41:58.089
<v Speaker 1>love those.

0:41:58.110 --> 0:41:58.590
<v Speaker 2>Yeah, definitely.

0:41:59.130 --> 0:42:02.270
<v Speaker 1>And in this case, we got an email from someone

0:42:02.290 --> 0:42:06.860
<v Speaker 1>named Lizzie Post about the Emily Post episode. And that

0:42:06.890 --> 0:42:09.920
<v Speaker 1>is not a coincidence, everybody. She is co-president of the

0:42:10.000 --> 0:42:14.120
<v Speaker 1>Emily Post Institute and the great, great granddaughter of the

0:42:14.239 --> 0:42:16.920
<v Speaker 1>Emily Post. And she says this, guys, we were delighted

0:42:16.960 --> 0:42:19.700
<v Speaker 1>by your recent episode on Emily. It melted our hearts

0:42:19.760 --> 0:42:22.040
<v Speaker 1>to hear Josh and Chuck embrace Emily, what she stood

0:42:22.060 --> 0:42:24.339
<v Speaker 1>for and how she went about life. It was just

0:42:24.450 --> 0:42:27.310
<v Speaker 1>beyond fantastic. And we are so grateful to you all

0:42:27.890 --> 0:42:30.050
<v Speaker 1>at the Stuff You Should Know podcast for putting together

0:42:30.090 --> 0:42:33.750
<v Speaker 1>this episode so well. Sincerely, Lizzie. And that just made

0:42:34.030 --> 0:42:35.130
<v Speaker 1>our day, Lizzie.

0:42:35.330 --> 0:42:37.750
<v Speaker 2>Yeah, that was amazing when I saw that come in.

0:42:37.870 --> 0:42:41.250
<v Speaker 2>I just immediately forwarded it to you with the smiley emoticon,

0:42:41.310 --> 0:42:42.320
<v Speaker 2>if I'm not mistaken.

0:42:42.969 --> 0:42:45.560
<v Speaker 1>That's right. And I wrote Lizzie back. I think she

0:42:45.620 --> 0:42:48.339
<v Speaker 1>wanted to send us something, but I'm going to see

0:42:48.420 --> 0:42:51.200
<v Speaker 1>if Livia will accept that gift because Livia did such

0:42:51.219 --> 0:42:52.600
<v Speaker 1>a good job with it. I think it should go

0:42:52.620 --> 0:42:52.799
<v Speaker 1>to her.

0:42:53.380 --> 0:42:56.739
<v Speaker 2>I agree. I agree, Chuck. That was very generous and

0:42:56.780 --> 0:42:57.700
<v Speaker 2>magnanimous of you.

0:42:58.870 --> 0:42:59.950
<v Speaker 1>Well, we'll see. I haven't done it yet.

0:43:01.170 --> 0:43:04.370
<v Speaker 2>Well, thanks a lot, Lizzie. We really appreciated that email.

0:43:04.410 --> 0:43:06.290
<v Speaker 2>That was really great to hear, and we're glad we

0:43:06.310 --> 0:43:09.790
<v Speaker 2>warmed your hearts. And if we've ever warmed your hearts,

0:43:09.930 --> 0:43:12.469
<v Speaker 2>other listeners out there, and you want to let us

0:43:12.510 --> 0:43:14.740
<v Speaker 2>know about it, you can send us an email, too.

0:43:15.200 --> 0:43:21.640
<v Speaker 2>Send it off to stuffpodcasts at iheartradio.com.

0:43:22.080 --> 0:43:24.940
<v Speaker 1>Stuff You Should Know is a production of iHeartRadio. For

0:43:24.960 --> 0:43:27.819
<v Speaker 1>more podcasts from iHeartRadio, visit the iHeartRadio app.

0:43:28.239 --> 0:43:30.990
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