1 00:00:00,720 --> 00:00:03,320 Speaker 1: We're nearing the end of our time with Shakira. 2 00:00:03,600 --> 00:00:05,800 Speaker 2: Hey, but it's not over until you get her to 3 00:00:05,800 --> 00:00:07,200 Speaker 2: come to my Quadenttanieta. 4 00:00:07,480 --> 00:00:09,320 Speaker 1: Sorry to disappoint you, but that's. 5 00:00:09,160 --> 00:00:11,600 Speaker 2: Not ever give up. 6 00:00:12,119 --> 00:00:16,599 Speaker 1: Yes, like Shakira, she never gave up, and she conquered 7 00:00:16,600 --> 00:00:21,119 Speaker 1: it all, from her Telenovella obscurity to those regrettable nineties 8 00:00:21,120 --> 00:00:23,200 Speaker 1: flops to becoming a household name. 9 00:00:23,600 --> 00:00:25,800 Speaker 2: The same girl who wasn't good enough to join her 10 00:00:26,000 --> 00:00:29,120 Speaker 2: high school's choir was now selling out arenas. 11 00:00:29,520 --> 00:00:31,479 Speaker 1: She had the Pope as an audience, along with some 12 00:00:31,520 --> 00:00:35,040 Speaker 1: of the most notable intellectuals of our time. She's building 13 00:00:35,040 --> 00:00:38,159 Speaker 1: schools for kids and her ps, the Scotstols Foundation, is 14 00:00:38,200 --> 00:00:40,280 Speaker 1: dedicated to helping impoverish youth. 15 00:00:41,600 --> 00:00:45,040 Speaker 2: Saint Shakira the People's Latin princessa. 16 00:00:45,080 --> 00:00:48,080 Speaker 1: And if that wasn't enough, she was also collaborating with 17 00:00:48,159 --> 00:00:51,760 Speaker 1: the biggest stars on the planet, hosting reality competitions and 18 00:00:51,840 --> 00:00:54,240 Speaker 1: creating anthems for the world to single onto. 19 00:00:54,640 --> 00:00:57,600 Speaker 2: She was able to experiment with her sound no matter 20 00:00:57,800 --> 00:01:00,440 Speaker 2: the language, and just be her authentic. 21 00:01:00,960 --> 00:01:03,720 Speaker 1: And while others may have had to sacrifice all of 22 00:01:03,760 --> 00:01:07,360 Speaker 1: that to fit into the American market, everything shifted to 23 00:01:07,400 --> 00:01:13,080 Speaker 1: make room for her. She survived disappointment, setbacks, and heartbreak. 24 00:01:13,959 --> 00:01:15,160 Speaker 2: I'm a survivor. 25 00:01:15,440 --> 00:01:20,200 Speaker 1: I'm not gonna give up. I'm not gonna stop Kolkata. 26 00:01:21,319 --> 00:01:24,840 Speaker 2: She even survived the benches, self doubt and realized that 27 00:01:24,920 --> 00:01:26,200 Speaker 2: she was simply enough. 28 00:01:26,880 --> 00:01:29,440 Speaker 1: She was in love, she was starting a family. She 29 00:01:29,480 --> 00:01:31,320 Speaker 1: had overcome it all. 30 00:01:31,560 --> 00:01:34,160 Speaker 2: But just when we thought the fairy tale was reaching 31 00:01:34,240 --> 00:01:38,000 Speaker 2: its happily ever after, a new dragon appeared to burn 32 00:01:38,040 --> 00:01:39,240 Speaker 2: it all down. 33 00:01:40,000 --> 00:01:43,720 Speaker 1: On today's episode, you'll hear all about the terrifying emergency 34 00:01:43,800 --> 00:01:47,120 Speaker 1: that almost ended her career, the making of El Dorado, 35 00:01:47,480 --> 00:01:50,480 Speaker 1: and we'll go beyond the tabloid headlines for a closer 36 00:01:50,520 --> 00:01:54,040 Speaker 1: look at the demise of her decade long relationship with 37 00:01:54,160 --> 00:02:02,720 Speaker 1: soccer star Gerard Pique. I'm your host, Liliana Oosquez. 38 00:02:02,440 --> 00:02:06,720 Speaker 2: And I'm Joseph Carrio and This is Becoming an Icon. 39 00:02:07,200 --> 00:02:09,720 Speaker 1: A weekly podcast where we give you the rundown on 40 00:02:09,760 --> 00:02:14,080 Speaker 1: how today's most famous LATINV stars have shaped pop culture. 41 00:02:14,000 --> 00:02:16,200 Speaker 2: And given the world some extra tubble. 42 00:02:16,720 --> 00:02:19,000 Speaker 1: Sit back and get comfortable. 43 00:02:18,800 --> 00:02:22,720 Speaker 2: Because we are going in the only way we know how. 44 00:02:23,000 --> 00:02:28,440 Speaker 1: With Buena's leave us usas and a lot of opinions 45 00:02:28,520 --> 00:02:31,760 Speaker 1: as we relive their greatest achievements on our journey to 46 00:02:31,800 --> 00:02:44,359 Speaker 1: find out what makes them so iconic. So we had 47 00:02:44,400 --> 00:02:47,480 Speaker 1: you full, Tom, You didn't really think We're going to 48 00:02:47,480 --> 00:02:49,639 Speaker 1: do a whole series of shows on Shakira and leave 49 00:02:49,680 --> 00:02:51,600 Speaker 1: out this collaboration. 50 00:02:51,800 --> 00:02:56,160 Speaker 2: The song that gaves cigars smoking a bed, romping Shakda 51 00:02:56,240 --> 00:02:59,240 Speaker 2: and really, how did this collab even happen? 52 00:03:00,080 --> 00:03:02,280 Speaker 1: Well, as the story goes, Once upon a time in 53 00:03:02,320 --> 00:03:07,040 Speaker 1: twenty ten, Shakira had just released Salle Sol. While promoting it, 54 00:03:07,120 --> 00:03:10,200 Speaker 1: she teased that she was already working on her upcoming album. 55 00:03:10,760 --> 00:03:12,680 Speaker 2: Rumors immediately started. 56 00:03:12,919 --> 00:03:16,120 Speaker 1: Okay, so going back, It's December twenty thirteen and their 57 00:03:16,200 --> 00:03:19,720 Speaker 1: rumor mill claim Shakira and Rihanna were working together on 58 00:03:19,760 --> 00:03:22,800 Speaker 1: a duet. That was followed up by claims that Shakira 59 00:03:22,919 --> 00:03:25,960 Speaker 1: was filming a music video and that Rihanna had been 60 00:03:26,000 --> 00:03:30,720 Speaker 1: spotted on set. Then the final confirmation the world needed 61 00:03:30,919 --> 00:03:31,800 Speaker 1: from none other. 62 00:03:31,880 --> 00:03:36,839 Speaker 2: Than Pitbull mister worldwide spilling secrets. 63 00:03:37,240 --> 00:03:39,760 Speaker 1: Yeh He was on a radio show for an interview 64 00:03:39,920 --> 00:03:42,480 Speaker 1: and he mentioned Rihanna couldn't do the feature for Timber 65 00:03:42,720 --> 00:03:44,800 Speaker 1: because she was busy working with Shakira. 66 00:03:45,240 --> 00:03:48,120 Speaker 2: Oh but it she's most so steadig lo and bold. 67 00:03:48,320 --> 00:03:51,840 Speaker 1: After four years, the song was released in January twenty 68 00:03:51,840 --> 00:03:56,880 Speaker 1: fourteen as a single for Shakira's upcoming self titled album. 69 00:03:56,440 --> 00:03:59,080 Speaker 2: And it became an unforgettable hit. 70 00:04:00,000 --> 00:04:03,800 Speaker 1: So I know your feelings on this song, but you 71 00:04:03,840 --> 00:04:05,880 Speaker 1: and I differ on our passion for this. 72 00:04:05,880 --> 00:04:08,440 Speaker 2: Song because you is a hating as a bin. 73 00:04:10,600 --> 00:04:13,000 Speaker 1: You know, there are certain songs out there that on 74 00:04:13,040 --> 00:04:16,520 Speaker 1: their own, they just like stand alone in their power, 75 00:04:16,760 --> 00:04:21,560 Speaker 1: in their infectiousness. This song, for me personally, is not 76 00:04:22,000 --> 00:04:26,359 Speaker 1: one of those. But that being said, when you watch 77 00:04:26,400 --> 00:04:29,839 Speaker 1: the video along with the song, it makes the song 78 00:04:30,279 --> 00:04:31,039 Speaker 1: so much better. 79 00:04:31,520 --> 00:04:33,400 Speaker 2: That's just kind of where we differ. You heard the 80 00:04:33,440 --> 00:04:38,320 Speaker 2: song first, I didn't, So I have visuals of being sexy, 81 00:04:38,440 --> 00:04:41,480 Speaker 2: smoking cigars, pretending I'm a rolling around in a bathing 82 00:04:41,520 --> 00:04:44,600 Speaker 2: sit with my motherfucking BEESTI so that is what it 83 00:04:44,640 --> 00:04:45,160 Speaker 2: felt like. 84 00:04:45,320 --> 00:04:47,360 Speaker 1: It's just one of those songs that for me needed 85 00:04:47,480 --> 00:04:50,799 Speaker 1: the visuals, and it obviously didn't hurt that the visuals 86 00:04:50,880 --> 00:04:54,240 Speaker 1: were Rihanna and Shakira slapping each other's asses in bed. 87 00:04:54,360 --> 00:04:56,719 Speaker 1: I mean like the world could not ask for a 88 00:04:56,760 --> 00:05:00,680 Speaker 1: sexier combination of women. And you know, bottom, I think 89 00:05:00,720 --> 00:05:02,720 Speaker 1: it's like you said, it's just fun. 90 00:05:03,080 --> 00:05:05,680 Speaker 2: It's fun, it's relatable, and it's the lyrics. I mean, 91 00:05:05,720 --> 00:05:09,080 Speaker 2: I feel attacked, gagged, I'm living. The behind the scenes 92 00:05:09,160 --> 00:05:12,720 Speaker 2: of this video really really takes me back. We're in 93 00:05:12,720 --> 00:05:16,560 Speaker 2: twenty fourteen again. It's like my favorite ear and Rihanna 94 00:05:16,640 --> 00:05:19,360 Speaker 2: is still releasing music. I mean, talk about a blast 95 00:05:19,360 --> 00:05:19,880 Speaker 2: for in the past. 96 00:05:20,240 --> 00:05:23,000 Speaker 1: I know it still hurts. I don't know when the 97 00:05:23,040 --> 00:05:26,000 Speaker 1: album is coming, but it's okay. Maybe we will get 98 00:05:26,040 --> 00:05:28,800 Speaker 1: through it. And what I love about this is that 99 00:05:28,920 --> 00:05:31,880 Speaker 1: in the behind the scenes of the video, Rihanna is 100 00:05:32,279 --> 00:05:36,279 Speaker 1: super humble about the whole thing, sharing that, you know what, 101 00:05:36,480 --> 00:05:38,880 Speaker 1: it was actually a nightmare to shoot with Shatki. 102 00:05:39,440 --> 00:05:41,880 Speaker 2: What tell us how you really feel, Rihanna? 103 00:05:42,360 --> 00:05:44,080 Speaker 1: Okay, so I did you all a little dirty there? 104 00:05:44,160 --> 00:05:46,920 Speaker 1: Let me explain. Let me explain. What she was saying 105 00:05:47,040 --> 00:05:50,120 Speaker 1: was that the shoot was difficult for her because Shakira 106 00:05:50,400 --> 00:05:54,560 Speaker 1: is the sexiest woman alive and here she is Rihanna 107 00:05:54,640 --> 00:05:57,120 Speaker 1: having to shake her hips next to her, the woman 108 00:05:57,120 --> 00:06:00,320 Speaker 1: who is literally known for her cut us read, we 109 00:06:00,520 --> 00:06:03,000 Speaker 1: get it. Nobody wants that job. 110 00:06:03,360 --> 00:06:07,200 Speaker 2: We do love a humble queen, but Rihanna is a goddess. 111 00:06:07,320 --> 00:06:09,680 Speaker 1: She is, and Rihanna also shared that it was an 112 00:06:09,720 --> 00:06:14,039 Speaker 1: amazing opportunity to collaborate with Shakira, calling her an icon 113 00:06:14,160 --> 00:06:14,760 Speaker 1: in her eyes. 114 00:06:15,360 --> 00:06:17,480 Speaker 2: We should have got her to do this episode with us. 115 00:06:17,760 --> 00:06:18,520 Speaker 2: Should we call her? 116 00:06:18,839 --> 00:06:20,159 Speaker 1: Do you have her number? 117 00:06:21,000 --> 00:06:23,560 Speaker 2: Yeah? But I'm not allowed to call her or be 118 00:06:23,680 --> 00:06:25,520 Speaker 2: within five hundred feet of her or whatever. 119 00:06:25,920 --> 00:06:29,160 Speaker 1: Okay, let's not get into the legalities of your restraining 120 00:06:29,320 --> 00:06:31,640 Speaker 1: orders plural. Let's move on. 121 00:06:32,680 --> 00:06:36,560 Speaker 2: And Chaquida saying her praises right back, she said Rihanna is, 122 00:06:36,640 --> 00:06:40,520 Speaker 2: without a doubt, the sexiest woman she's ever met. The 123 00:06:40,600 --> 00:06:44,120 Speaker 2: two are an inspiring combo bound to make the Machia. 124 00:06:44,839 --> 00:06:47,680 Speaker 2: They were able to blend it all together, reggae and 125 00:06:47,880 --> 00:06:49,760 Speaker 2: rock for an incredible track. 126 00:06:50,040 --> 00:06:53,440 Speaker 1: You know, at times it feels like Shakira works best 127 00:06:53,520 --> 00:06:56,440 Speaker 1: on her own as a solo artist, but you know 128 00:06:56,560 --> 00:07:00,520 Speaker 1: what she is all about the collab es actually with 129 00:07:00,720 --> 00:07:03,520 Speaker 1: artists that she's admired for a long time, like the. 130 00:07:03,600 --> 00:07:09,440 Speaker 2: Lead vocalist and guitarist of Soda Stereo, Gustavo Sarati. Soda Stereo, 131 00:07:09,600 --> 00:07:11,440 Speaker 2: for all of our listeners that may not know them, 132 00:07:11,880 --> 00:07:15,440 Speaker 2: is one of the biggest bands in Latin rock history. 133 00:07:15,960 --> 00:07:18,880 Speaker 1: We're talking bigger than Green Day. I don't want to 134 00:07:19,000 --> 00:07:22,160 Speaker 1: say that they're like the Latino Beatles, but you know what, 135 00:07:22,520 --> 00:07:24,800 Speaker 1: let's just say it. And by the way, all when 136 00:07:24,880 --> 00:07:29,400 Speaker 1: this episode ends, not now, when it ends, google Coldplay 137 00:07:29,520 --> 00:07:32,760 Speaker 1: and Soda Stereo for a little intro class into their musika. 138 00:07:33,400 --> 00:07:36,800 Speaker 2: Also, Chris Martin speaks in decent Espanol. 139 00:07:37,160 --> 00:07:39,160 Speaker 1: Yes, he's very sexy when he sings in Spanish. Not 140 00:07:39,240 --> 00:07:40,880 Speaker 1: that he's not sexy when he sings in English, but like, 141 00:07:40,960 --> 00:07:42,440 Speaker 1: I don't know, the Spanish just took it to a 142 00:07:42,640 --> 00:07:43,640 Speaker 1: whole other level. 143 00:07:44,000 --> 00:07:45,360 Speaker 2: It's sexy. Yeah, ma man. 144 00:07:45,440 --> 00:07:50,080 Speaker 1: Chris Shaki loved Sarati and soon they were close and 145 00:07:50,160 --> 00:07:53,120 Speaker 1: frequent collaborators. She said of him, you can tell his 146 00:07:53,280 --> 00:07:57,960 Speaker 1: influence over me. You can tell I'm a sarathianaigski Yaosmi. 147 00:07:58,080 --> 00:07:59,960 Speaker 2: Did she make his name into an identity? 148 00:08:00,440 --> 00:08:04,160 Speaker 1: She totally did. I kind of want that for myself. 149 00:08:04,040 --> 00:08:07,440 Speaker 2: Me too, My boo better say I'm a Gotti Joanna. 150 00:08:08,440 --> 00:08:11,320 Speaker 1: Yeah, that doesn't really roll off the tongue as. 151 00:08:11,240 --> 00:08:13,440 Speaker 2: Well, bitch, I'm trying now. 152 00:08:13,640 --> 00:08:17,200 Speaker 1: My favorite song that they ever wrote together, it's called. 153 00:08:17,440 --> 00:08:21,320 Speaker 2: No Can I just say how much I love that? Song. 154 00:08:21,560 --> 00:08:23,360 Speaker 2: It's so powerful. 155 00:08:23,760 --> 00:08:26,040 Speaker 1: Just listen to these lyrics. Okay, I'm not going to 156 00:08:26,080 --> 00:08:29,160 Speaker 1: sing the lyrics, but listen to the words. No, don't 157 00:08:29,200 --> 00:08:32,440 Speaker 1: try to apologize. Don't insist as if it's just a game. 158 00:08:32,880 --> 00:08:36,079 Speaker 1: Excuses already existed before you came up with them. No, 159 00:08:36,600 --> 00:08:38,840 Speaker 1: don't look at me like you used to. Don't speak 160 00:08:38,880 --> 00:08:41,920 Speaker 1: in plural rhetoric is your most lethal weapon. 161 00:08:42,760 --> 00:08:44,600 Speaker 2: Okay, First of all, bitch, I could tell you were 162 00:08:45,040 --> 00:08:48,360 Speaker 2: really feeling that, and I have the chills. 163 00:08:49,160 --> 00:08:50,599 Speaker 1: Thank you, thank you, thank you, thank you. 164 00:08:51,040 --> 00:08:51,160 Speaker 2: Now. 165 00:08:51,280 --> 00:08:53,679 Speaker 1: In May of twenty ten, Sarati had a stroke and 166 00:08:53,760 --> 00:08:56,240 Speaker 1: would be in a coma for almost four years before 167 00:08:56,280 --> 00:08:56,800 Speaker 1: he passed. 168 00:08:57,640 --> 00:09:01,599 Speaker 2: Just like with Gobbo before, Shakido's always searching for collaborators 169 00:09:01,679 --> 00:09:03,480 Speaker 2: that challenge her and help her grow. 170 00:09:03,679 --> 00:09:07,000 Speaker 1: And Saradi was one of the biggest influences of her career. 171 00:09:07,600 --> 00:09:10,480 Speaker 2: When news of his passing got to Shakida, she dedicated 172 00:09:10,520 --> 00:09:12,480 Speaker 2: her performance of Salel Soul to him. 173 00:09:12,880 --> 00:09:15,480 Speaker 1: Her wishful words when presenting the single were the following, 174 00:09:16,000 --> 00:09:18,559 Speaker 1: It's the first time I'm singing this song officially. This 175 00:09:18,720 --> 00:09:21,000 Speaker 1: is dedicated to everybody who has gone through a hard time, 176 00:09:21,520 --> 00:09:24,000 Speaker 1: no matter how difficult things may seem there is a 177 00:09:24,080 --> 00:09:26,000 Speaker 1: light at the end of the road, and this song 178 00:09:26,360 --> 00:09:28,920 Speaker 1: I wanted to dedicate to my great friend Gustavo set 179 00:09:29,000 --> 00:09:32,120 Speaker 1: up Gustavo. After the storm, the sun comes out. 180 00:09:32,760 --> 00:09:35,240 Speaker 2: Not to worry, my DearS. Not all was lost in 181 00:09:35,280 --> 00:09:38,000 Speaker 2: Shakida's life. Soon enough she gained what her heart and 182 00:09:38,120 --> 00:09:40,120 Speaker 2: soul was truly yearning for. 183 00:09:42,160 --> 00:09:45,199 Speaker 1: In twenty fourteen, Shakira shared this, I would love to 184 00:09:45,240 --> 00:09:46,960 Speaker 1: have eight or nine kids, which your are my own 185 00:09:47,000 --> 00:09:50,000 Speaker 1: football team. When you have a baby, you feel his love, 186 00:09:50,120 --> 00:09:53,120 Speaker 1: you feel so at peace with the world. A year later, 187 00:09:53,400 --> 00:09:56,760 Speaker 1: she gave birth to their second son, Sasha Pique Meba. 188 00:09:57,440 --> 00:09:59,880 Speaker 1: By now, Shakira had packed up and was living with 189 00:10:00,480 --> 00:10:03,760 Speaker 1: and her beautiful boys in Barcelona. As she described it, 190 00:10:03,880 --> 00:10:06,839 Speaker 1: for the time being, her career came second. She was 191 00:10:06,880 --> 00:10:10,360 Speaker 1: focused on family life and on supporting Pik and his 192 00:10:10,640 --> 00:10:11,360 Speaker 1: football career. 193 00:10:11,720 --> 00:10:12,280 Speaker 2: Red Flag. 194 00:10:12,720 --> 00:10:16,520 Speaker 1: I'm so happy that you said this because this action 195 00:10:17,000 --> 00:10:18,320 Speaker 1: is very triggering for me. 196 00:10:18,880 --> 00:10:22,079 Speaker 2: One hundred percent, Like why would she have to take 197 00:10:22,120 --> 00:10:26,959 Speaker 2: the back seat when she's already a global international superstar exactly? 198 00:10:27,200 --> 00:10:30,440 Speaker 1: And when your partners in a life together, why does 199 00:10:30,520 --> 00:10:33,280 Speaker 1: anyone's career have to take the backseat. Why not work 200 00:10:33,400 --> 00:10:37,920 Speaker 1: together so that both of you can have success and 201 00:10:38,559 --> 00:10:41,599 Speaker 1: achieved career goals. And you know what, I feel like 202 00:10:41,760 --> 00:10:44,440 Speaker 1: it often happens in entertainment. I mean, think about women 203 00:10:44,760 --> 00:10:50,600 Speaker 1: like Cameron Diaz, Selma Hayek, right, I mean even Jlo 204 00:10:50,840 --> 00:10:53,640 Speaker 1: had to take that break when her twins were born, 205 00:10:53,720 --> 00:10:57,520 Speaker 1: and even Mendez like, here is you know, Ryan Gosling 206 00:10:57,679 --> 00:10:59,880 Speaker 1: crushing and she says it's been for a lack of 207 00:11:00,160 --> 00:11:03,400 Speaker 1: good roles. But they're all kind of taking a little 208 00:11:03,400 --> 00:11:05,439 Speaker 1: bit of a back seat, or they all chosen to 209 00:11:05,520 --> 00:11:07,160 Speaker 1: take a back seat, And it makes me wonder why. 210 00:11:07,559 --> 00:11:09,520 Speaker 2: Well, I want to ask you a really quick question. 211 00:11:09,720 --> 00:11:12,560 Speaker 2: It's like, you know, right now, I know you are 212 00:11:12,600 --> 00:11:14,800 Speaker 2: not taking a back seat, but you are wanting to 213 00:11:14,840 --> 00:11:17,040 Speaker 2: spend time with your kids. So is it maybe also 214 00:11:17,240 --> 00:11:20,640 Speaker 2: them wanting to be like I just also want to 215 00:11:21,080 --> 00:11:24,000 Speaker 2: learn who this little person is, so we can't necessarily 216 00:11:24,080 --> 00:11:26,960 Speaker 2: be like, oh, it's the masculinity. It's also like I'm 217 00:11:27,000 --> 00:11:29,320 Speaker 2: just trying to play Devil's advocate here, like, because you're 218 00:11:29,320 --> 00:11:30,719 Speaker 2: in a position where you're just kind of like, I 219 00:11:30,800 --> 00:11:31,600 Speaker 2: do want to stay home. 220 00:11:31,760 --> 00:11:36,240 Speaker 1: Totally listen, there is nothing wrong with any parent choosing 221 00:11:36,320 --> 00:11:40,439 Speaker 1: to prioritize family over career. I champion that decision. I 222 00:11:40,640 --> 00:11:43,079 Speaker 1: applaud people for making that decision because the most important 223 00:11:43,120 --> 00:11:47,240 Speaker 1: thing that you do is raise your family. Right, But 224 00:11:47,440 --> 00:11:50,520 Speaker 1: in Shakira's case, it didn't feel like it was a 225 00:11:50,679 --> 00:11:55,560 Speaker 1: family only decision. And in this situation, Shakira left her country, 226 00:11:55,720 --> 00:11:59,760 Speaker 1: she left her home for him. She stepped back when 227 00:12:00,080 --> 00:12:03,120 Speaker 1: she should have been stepping forward. So in this case, 228 00:12:03,200 --> 00:12:06,079 Speaker 1: to me, like you said, it was a major red flag. 229 00:12:06,200 --> 00:12:09,280 Speaker 1: But it's, you know, something to think about. Why do 230 00:12:09,400 --> 00:12:12,320 Speaker 1: we as women often have to make the decision between 231 00:12:12,640 --> 00:12:16,800 Speaker 1: family and career when our male counterparts aren't often faced 232 00:12:16,800 --> 00:12:22,840 Speaker 1: with those same decisions. Preach motherhood became Shakira's full time job, 233 00:12:23,080 --> 00:12:24,680 Speaker 1: and the music took a back seat. 234 00:12:25,120 --> 00:12:28,080 Speaker 2: She kept teasing a new album, but days turned into 235 00:12:28,160 --> 00:12:30,120 Speaker 2: months and months turned into years. 236 00:12:30,720 --> 00:12:33,800 Speaker 1: And yes, we all know she's about rediscovery, as we 237 00:12:33,920 --> 00:12:38,160 Speaker 1: established in our last episode, But did her role as 238 00:12:38,320 --> 00:12:41,400 Speaker 1: a mama mean that she couldn't be an artist? Like 239 00:12:41,480 --> 00:12:44,360 Speaker 1: we said, why did she have to pick one or 240 00:12:44,440 --> 00:12:47,160 Speaker 1: the other? And by the way, girl call me because 241 00:12:47,200 --> 00:12:49,680 Speaker 1: the motherhood identity crisis is so. 242 00:12:50,400 --> 00:12:56,520 Speaker 2: Real, and this crisis was so dire even considered early retirement. 243 00:12:57,080 --> 00:12:59,559 Speaker 1: That's right. During an interview with The New York Times, 244 00:13:00,000 --> 00:13:02,079 Speaker 1: this is what she had to say. I was full 245 00:13:02,120 --> 00:13:04,240 Speaker 1: of doubts and I thought I was never going to 246 00:13:04,320 --> 00:13:07,200 Speaker 1: make good music again. But as opposed to the shakira 247 00:13:07,280 --> 00:13:10,719 Speaker 1: from Ladronez, who spent countless hours in the studio, she 248 00:13:10,800 --> 00:13:12,880 Speaker 1: had to be more efficient and effective with her time. 249 00:13:13,000 --> 00:13:15,679 Speaker 1: Now she had two little ones at home who needed her. 250 00:13:16,240 --> 00:13:18,439 Speaker 1: If the album was meant to be, then it would be, 251 00:13:19,480 --> 00:13:23,600 Speaker 1: and it did. She described it as finding inspiration itself 252 00:13:23,760 --> 00:13:26,959 Speaker 1: and realizing it had always been there all along. That 253 00:13:27,360 --> 00:13:30,280 Speaker 1: was my El Dorado, she said. And there was someone 254 00:13:30,320 --> 00:13:33,040 Speaker 1: special who talked some sense into her, who encouraged her 255 00:13:33,080 --> 00:13:34,800 Speaker 1: to keep going amidst the self doubt. 256 00:13:35,559 --> 00:13:35,839 Speaker 2: PK. 257 00:13:36,559 --> 00:13:38,360 Speaker 1: You can just say his name, normal. 258 00:13:38,600 --> 00:13:41,880 Speaker 2: It's just a name, okay, Gerard PK Okay. Yes. 259 00:13:41,960 --> 00:13:44,800 Speaker 1: Her Spanish footballer boyfriend told her that the right moment 260 00:13:44,880 --> 00:13:47,240 Speaker 1: for her to retire would be when she no longer 261 00:13:47,320 --> 00:13:50,760 Speaker 1: had anything else to say. But that moment it wasn't 262 00:13:50,840 --> 00:13:51,360 Speaker 1: here yet. 263 00:13:51,920 --> 00:13:55,079 Speaker 2: Wow, he really set her up for that one. Good huh. 264 00:13:55,720 --> 00:13:59,520 Speaker 2: Now she has more than enough material for a whole 265 00:13:59,840 --> 00:14:04,440 Speaker 2: damn boxe. So thank you pqu Let's. 266 00:14:04,240 --> 00:14:07,400 Speaker 1: Not give him all the credit. You know who really 267 00:14:07,559 --> 00:14:13,000 Speaker 1: helped Shakira get her groove back. Yes, The Colombian singer 268 00:14:13,160 --> 00:14:17,640 Speaker 1: is best known for mixing the traditional with the more contemporary. Yes, 269 00:14:20,480 --> 00:14:25,120 Speaker 1: that song is so damn catchy. I know it's different 270 00:14:25,200 --> 00:14:27,720 Speaker 1: because we speak the language, but like, honestly, this is 271 00:14:27,800 --> 00:14:30,200 Speaker 1: just a song. It's just good music. It's like feel 272 00:14:30,320 --> 00:14:35,600 Speaker 1: good music. I also just love this version of Shakira. 273 00:14:35,800 --> 00:14:39,080 Speaker 1: She just felt so care free in the video. She 274 00:14:39,240 --> 00:14:40,640 Speaker 1: was back in Badankiya. 275 00:14:41,080 --> 00:14:43,120 Speaker 2: She looked so happy, she was even glowing, like you 276 00:14:43,160 --> 00:14:44,720 Speaker 2: could just tell that she felt like home. 277 00:14:45,160 --> 00:14:49,120 Speaker 1: It did, and we had missed that side of her all. 278 00:14:49,000 --> 00:14:51,680 Speaker 2: These years in Barcelona. I think really took a toll 279 00:14:51,800 --> 00:14:52,680 Speaker 2: on our coolumbianna. 280 00:14:52,880 --> 00:14:57,520 Speaker 1: For sure. She felt all kinds of disconnected physically, emotionally, 281 00:14:57,960 --> 00:15:02,640 Speaker 1: mentally and spiritually. She was homesick and it took her 282 00:15:02,840 --> 00:15:06,240 Speaker 1: reconnecting with her roots, her city, and her people to 283 00:15:06,320 --> 00:15:08,960 Speaker 1: be able to make music again. Vivas had been wanting 284 00:15:09,000 --> 00:15:11,760 Speaker 1: to collaborate with the Colombian star for a while. During 285 00:15:11,800 --> 00:15:15,720 Speaker 1: an interview, Vivas revealed, I've always dreamt of writing, producing 286 00:15:15,760 --> 00:15:18,320 Speaker 1: and recording a song with Shakira, so that together we 287 00:15:18,400 --> 00:15:20,640 Speaker 1: can show our Colombia to the world. 288 00:15:21,040 --> 00:15:25,040 Speaker 2: Did y'all know? This was Shakidra's first time collaboration with 289 00:15:25,280 --> 00:15:26,840 Speaker 2: another Colombian. 290 00:15:26,480 --> 00:15:29,520 Speaker 1: Artist, Crazy Right, and when she heard the demo that 291 00:15:29,760 --> 00:15:33,240 Speaker 1: his team sent over, she loved it, but she needed 292 00:15:33,320 --> 00:15:36,800 Speaker 1: to add that Shakira sparkle to it, so alongside Vivas, 293 00:15:37,000 --> 00:15:40,359 Speaker 1: she rewrote lines like the catchy yeva ma and dhuvisikleta, 294 00:15:40,680 --> 00:15:43,280 Speaker 1: and was the one that suggested that the song actually 295 00:15:43,360 --> 00:15:46,800 Speaker 1: be titled le Vi Siicleta. In the song, Shakira sings 296 00:15:46,800 --> 00:15:50,520 Speaker 1: that she loves both Marankia and Barcelona, but then they 297 00:15:50,600 --> 00:15:55,000 Speaker 1: throw at you Gusia, Pique Algundia, le muestras elna. This 298 00:15:55,280 --> 00:15:57,680 Speaker 1: Wassea Barcelona. 299 00:15:57,440 --> 00:16:01,960 Speaker 2: Aka once Pks's help, Beauti Columbia is he won't want 300 00:16:02,000 --> 00:16:03,040 Speaker 2: to lock her up in Spain. 301 00:16:04,400 --> 00:16:07,560 Speaker 1: Much like bad Bunnies as the almost been, this music 302 00:16:07,680 --> 00:16:11,680 Speaker 1: video shows a totally different side of Colombia that many 303 00:16:11,760 --> 00:16:15,040 Speaker 1: people sadly don't get to see. Of the music video, 304 00:16:15,160 --> 00:16:18,600 Speaker 1: Shakira said, it presents Columbia as I saw it through 305 00:16:18,640 --> 00:16:21,760 Speaker 1: my childhood, and not as many people imagine it, not 306 00:16:21,880 --> 00:16:25,320 Speaker 1: the Pablo Escobar Columbia, which is the cliche that lots 307 00:16:25,360 --> 00:16:27,120 Speaker 1: of people who are not familiar with the rest of 308 00:16:27,200 --> 00:16:28,960 Speaker 1: our reality only know about. 309 00:16:29,480 --> 00:16:32,800 Speaker 2: It sparked something, Henny because she was writing again. 310 00:16:33,000 --> 00:16:35,400 Speaker 1: El Dorado became the eleventh album in her. 311 00:16:35,360 --> 00:16:38,280 Speaker 2: Career eleven albums all ready. 312 00:16:38,720 --> 00:16:42,960 Speaker 1: She really doesn't stop none of our icons. Do you 313 00:16:43,080 --> 00:16:44,040 Speaker 1: know what's crazy? 314 00:16:44,400 --> 00:16:46,920 Speaker 2: Okay, well, this is what I think is crazy. El 315 00:16:47,000 --> 00:16:49,320 Speaker 2: Dorado is where she lost her songbook, and then that's 316 00:16:49,360 --> 00:16:51,560 Speaker 2: what she's naming this album. I mean it seems like 317 00:16:51,800 --> 00:16:52,360 Speaker 2: full circle. 318 00:16:52,840 --> 00:16:55,320 Speaker 1: Yeah, that's way better than what I was going to say. 319 00:16:55,400 --> 00:16:59,960 Speaker 1: So yes that El Dorado was packed with collaborations, two. 320 00:17:00,160 --> 00:17:04,720 Speaker 2: With Colombian singer Maluma, one each with Nikki Jam, Vivis, Black, 321 00:17:05,000 --> 00:17:10,240 Speaker 2: m Magic and Earth You're so good at that. 322 00:17:11,720 --> 00:17:14,880 Speaker 1: Shakira did try to embark on the El Dorado World Tour, 323 00:17:15,200 --> 00:17:17,640 Speaker 1: and it was supposed to kick off in November twenty seventeen, 324 00:17:18,160 --> 00:17:21,560 Speaker 1: but the tour was postponed over and over again. 325 00:17:22,080 --> 00:17:26,040 Speaker 2: Why was she busy trying for that football team with peaking? 326 00:17:26,560 --> 00:17:30,480 Speaker 1: You would think so, but no. In November twenty seventeen, 327 00:17:30,640 --> 00:17:33,560 Speaker 1: Shakira announced on her socials that she had suffered a 328 00:17:33,760 --> 00:17:35,000 Speaker 1: vocal cord hemorrhage. 329 00:17:35,600 --> 00:17:39,600 Speaker 2: Oh my god, the pipes were damaged, Holy Shiza. 330 00:17:41,000 --> 00:17:44,560 Speaker 1: They put her on strict vocal rest and suggested surgery, 331 00:17:44,880 --> 00:17:49,040 Speaker 1: but Shakira was terrified of surgery, so she relied on 332 00:17:49,359 --> 00:17:51,240 Speaker 1: more non traditional measures. 333 00:17:51,680 --> 00:17:55,119 Speaker 2: I am in to non traditional. What did Homegirl come 334 00:17:55,240 --> 00:17:55,399 Speaker 2: up with? 335 00:17:55,880 --> 00:18:00,680 Speaker 1: Hypnosis, meditation, even gargling with holy water from the French 336 00:18:00,760 --> 00:18:04,760 Speaker 1: city of Ludres, anything to try and repair her vocal cords. 337 00:18:05,119 --> 00:18:09,520 Speaker 1: She told The Guardian, either I needed surgery or divine intervention. 338 00:18:10,080 --> 00:18:14,879 Speaker 2: How very late of her. It's definitely giving Gwyneth Paltro vibes. 339 00:18:15,119 --> 00:18:18,520 Speaker 1: So goop and imagine it for a second, being a 340 00:18:18,600 --> 00:18:22,920 Speaker 1: singer and losing your voice. It's like losing your identity. 341 00:18:23,280 --> 00:18:25,080 Speaker 2: That's how I felt after I quit modeling. 342 00:18:26,040 --> 00:18:30,919 Speaker 1: I bet Shaki called herself unbearable and bitter to be around. 343 00:18:31,359 --> 00:18:33,879 Speaker 2: We've all been there, and honestly, I was there for 344 00:18:34,000 --> 00:18:34,640 Speaker 2: like six years. 345 00:18:35,000 --> 00:18:36,800 Speaker 1: Did the Agua Bandita do the trick for you? 346 00:18:37,400 --> 00:18:39,280 Speaker 2: I'm still trying. Well. 347 00:18:39,520 --> 00:18:42,280 Speaker 1: It worked for Shakira. She was back in the game 348 00:18:42,560 --> 00:18:45,960 Speaker 1: and preparing for one of the biggest nights of her career. 349 00:18:55,680 --> 00:19:01,280 Speaker 1: Welcome to Miami, Dmbnathos, I'm Miami, and welcome to Super 350 00:19:01,320 --> 00:19:05,760 Speaker 1: Bowl fifty four. It's the performance that will not die 351 00:19:06,359 --> 00:19:07,280 Speaker 1: and if. 352 00:19:07,200 --> 00:19:09,600 Speaker 2: It does be equal resurrect. 353 00:19:09,160 --> 00:19:11,800 Speaker 1: It, you can count on that. And the super Bowl 354 00:19:11,840 --> 00:19:16,359 Speaker 1: in Miami featured none other than Jennifer Lopez and Shakira. 355 00:19:17,080 --> 00:19:21,320 Speaker 1: It also happened to be Shakira's forty third birthday. 356 00:19:21,280 --> 00:19:24,119 Speaker 2: So she gave us the gift of a lifetime. 357 00:19:24,440 --> 00:19:29,760 Speaker 1: I feel like we should do an entire podcast about 358 00:19:30,440 --> 00:19:33,200 Speaker 1: this super Bowl performance. I mean, Jennifer did an entire 359 00:19:33,320 --> 00:19:38,760 Speaker 1: Netflix special audit, so clearly there's an audience. And this 360 00:19:38,880 --> 00:19:40,920 Speaker 1: isn't the first time that we've talked about the super 361 00:19:40,960 --> 00:19:43,200 Speaker 1: Bowl performance. We of course talked about it when we 362 00:19:43,359 --> 00:19:47,560 Speaker 1: had our j Lo Icon episodes. But let's talk about 363 00:19:47,800 --> 00:19:52,280 Speaker 1: what makes Shakira really stand out on this stage, and 364 00:19:52,560 --> 00:19:57,560 Speaker 1: that for me was the choreography, the dancing, the movement. 365 00:19:57,680 --> 00:20:00,080 Speaker 1: Because we all know that Shakira can sing, but I 366 00:20:00,200 --> 00:20:04,919 Speaker 1: think we also don't realize is that she can dance 367 00:20:05,359 --> 00:20:09,760 Speaker 1: like nobody else. She is such a skilled dancer, and 368 00:20:09,920 --> 00:20:13,680 Speaker 1: what was so amazing about this particular performance is that 369 00:20:13,920 --> 00:20:19,879 Speaker 1: she brought everything Colombian to that stage. So part of 370 00:20:20,040 --> 00:20:23,680 Speaker 1: that routine was something called chumpfeta, which I did not 371 00:20:23,880 --> 00:20:26,240 Speaker 1: know about. Until that night. Do you know what chumpeta is? 372 00:20:26,400 --> 00:20:28,480 Speaker 2: Just sae, I am just actually I'm just learning about 373 00:20:28,520 --> 00:20:29,840 Speaker 2: that right now, so enlighten. 374 00:20:29,640 --> 00:20:32,600 Speaker 1: Me, okay. So, Jompeta is a style of dance that 375 00:20:32,680 --> 00:20:37,600 Speaker 1: actually originated in Shakida's hometown of a Badanghia, and it's 376 00:20:37,720 --> 00:20:40,840 Speaker 1: really known for this complicated footwork and it is such 377 00:20:40,920 --> 00:20:44,840 Speaker 1: a core part of Colombian culture. She brought that to 378 00:20:45,040 --> 00:20:48,760 Speaker 1: the stage, and as if Champeta wasn't enough, she also 379 00:20:49,080 --> 00:20:53,280 Speaker 1: brought to the forefront another Afro Colombian dance called mapale right, 380 00:20:53,600 --> 00:20:56,520 Speaker 1: and both of these dances were choreographed by Paris Goobel, 381 00:20:56,600 --> 00:20:59,520 Speaker 1: who of course is like the hottest choreographer on the planet. 382 00:20:59,800 --> 00:21:03,480 Speaker 1: But seeing Shakira do those dances and bring attention to 383 00:21:03,560 --> 00:21:06,600 Speaker 1: something that is such an organic part of her culture 384 00:21:07,000 --> 00:21:11,840 Speaker 1: and so Columbian her city, yeah, I mean it was 385 00:21:12,119 --> 00:21:15,120 Speaker 1: really special and for somebody that loves dance and who 386 00:21:15,200 --> 00:21:17,480 Speaker 1: doesn't like it was just so cool to like open 387 00:21:17,560 --> 00:21:19,919 Speaker 1: my mind because when I saw her doing the chump beeta, 388 00:21:20,040 --> 00:21:21,600 Speaker 1: I was like, whoa, whoa, whoa, whoa, whoa? 389 00:21:22,160 --> 00:21:22,639 Speaker 3: What is that? 390 00:21:23,000 --> 00:21:26,920 Speaker 1: It's some real fancy footwork, like you know, like Lord 391 00:21:27,000 --> 00:21:30,080 Speaker 1: of the dance has got nothing on Champeta. I loved 392 00:21:30,160 --> 00:21:34,600 Speaker 1: Lord of the Dance for Latinos. That performance was such 393 00:21:34,640 --> 00:21:39,440 Speaker 1: a beautiful expression of how diverse our cultures are. J 394 00:21:39,640 --> 00:21:42,879 Speaker 1: Loo and all of her Bodiquenez up on that stage. 395 00:21:42,960 --> 00:21:47,119 Speaker 1: Shakita and all of her Columbiana is up there, and 396 00:21:47,320 --> 00:21:50,760 Speaker 1: it was really beautiful for everyone else to see that diversity, 397 00:21:50,880 --> 00:21:53,480 Speaker 1: but also how unified we are. And you know what, 398 00:21:53,880 --> 00:21:57,119 Speaker 1: despite all the false media narratives about the conflict between 399 00:21:57,240 --> 00:22:01,879 Speaker 1: Jlo and Shakira, both women handled that performance with so 400 00:22:02,119 --> 00:22:02,720 Speaker 1: much grace. 401 00:22:03,320 --> 00:22:05,879 Speaker 2: You know, Shakida's no stranger to sharing the spotlight with 402 00:22:06,080 --> 00:22:10,240 Speaker 2: iconic women like Beyonce, Rihanna and now j Lo. She 403 00:22:10,960 --> 00:22:13,040 Speaker 2: knows how to bring it and how to make everyone 404 00:22:13,280 --> 00:22:13,840 Speaker 2: look good. 405 00:22:14,600 --> 00:22:17,720 Speaker 1: During their joint press conference, Jlo shared her experience growing 406 00:22:17,840 --> 00:22:21,720 Speaker 1: up with a football obsessed family, but Shakira well, she 407 00:22:21,880 --> 00:22:25,920 Speaker 1: admitted that growing up in Columbia American football was way 408 00:22:26,160 --> 00:22:27,560 Speaker 1: outside of her comfort zone. 409 00:22:27,880 --> 00:22:31,400 Speaker 2: But both women agreed on one thing. The Super Bowl 410 00:22:31,440 --> 00:22:35,000 Speaker 2: halftime show is the pinnacle of live performances. 411 00:22:35,840 --> 00:22:38,879 Speaker 1: To perform on a global stage of that magnitude was 412 00:22:39,000 --> 00:22:41,080 Speaker 1: an honor and a privilege. 413 00:22:41,080 --> 00:22:44,399 Speaker 2: And yet there she was opening what would quickly become 414 00:22:44,720 --> 00:22:48,919 Speaker 2: one of, if not the most iconic halftime show either. 415 00:22:50,040 --> 00:22:52,680 Speaker 1: Can we do a quick fit chat. I feel like 416 00:22:52,720 --> 00:22:55,040 Speaker 1: we've talked a lot about the music and the dancing, 417 00:22:55,359 --> 00:22:58,000 Speaker 1: but I need to go in on her fits. Let's 418 00:22:58,119 --> 00:23:01,760 Speaker 1: count down her top three performance looks, not of the 419 00:23:01,880 --> 00:23:05,480 Speaker 1: super Bowl, but of all time. Okay, Joseph So coming 420 00:23:05,520 --> 00:23:07,919 Speaker 1: in at number three, give it to us. 421 00:23:08,640 --> 00:23:13,280 Speaker 2: Shakita rat unplugged truly gave me back her Shakda rocker 422 00:23:13,440 --> 00:23:17,320 Speaker 2: with her red hair and her leather pants and boots, 423 00:23:17,720 --> 00:23:19,600 Speaker 2: and she was just vibing in I. 424 00:23:19,840 --> 00:23:21,480 Speaker 1: Love this look. I mean, for a lot of people, 425 00:23:21,840 --> 00:23:26,760 Speaker 1: this was their first glimpse at Shakira, like who she 426 00:23:26,920 --> 00:23:29,840 Speaker 1: was as an artist, what she represented. But that leather 427 00:23:30,040 --> 00:23:34,320 Speaker 1: pant leather boot combo became a signature when it came 428 00:23:34,359 --> 00:23:37,240 Speaker 1: to Shakira's style. Now let's talk about number two. 429 00:23:38,200 --> 00:23:41,359 Speaker 2: Sexy Shakira and La Toura. I can't even describe it. 430 00:23:41,480 --> 00:23:45,360 Speaker 2: Her hair is preasy and the video is is just everything. 431 00:23:45,440 --> 00:23:48,840 Speaker 2: This is a sexy Shakida that I absolutely fell refell 432 00:23:48,920 --> 00:23:49,280 Speaker 2: in love with. 433 00:23:49,760 --> 00:23:53,520 Speaker 1: She looked so sexy in this She's wearing this black 434 00:23:53,720 --> 00:23:57,080 Speaker 1: knotted T shirt with a bikini underneath, and then she's 435 00:23:57,119 --> 00:24:00,080 Speaker 1: got this like black mini skirt, and of course she 436 00:24:00,160 --> 00:24:03,479 Speaker 1: has her signature blonde hair. She had already transitioned from 437 00:24:03,520 --> 00:24:06,440 Speaker 1: the red into the blonde, but it was covered in 438 00:24:06,600 --> 00:24:12,800 Speaker 1: black paint and it was a pinnacle sexy Shakira for sure, totally. 439 00:24:12,520 --> 00:24:16,320 Speaker 2: And finally, the most iconic performance look of all time. 440 00:24:17,520 --> 00:24:20,960 Speaker 1: Let's call it what it is. This is icon Shakira, 441 00:24:21,240 --> 00:24:24,320 Speaker 1: of course, naturally at the super Bowl. And I cheated 442 00:24:24,480 --> 00:24:28,320 Speaker 1: because it's technically three looks in one by Peter Dunda. 443 00:24:29,200 --> 00:24:31,880 Speaker 1: I know, I cheated. And of course the first one 444 00:24:32,119 --> 00:24:35,560 Speaker 1: was like this red Sarasky crystal set. When she's asked 445 00:24:35,600 --> 00:24:39,040 Speaker 1: about the show, she talks about how this red symbolizes 446 00:24:39,240 --> 00:24:42,879 Speaker 1: fire and passion and it's been a signature color for 447 00:24:43,000 --> 00:24:46,560 Speaker 1: her in many performances. She loves to wear like that 448 00:24:47,200 --> 00:24:51,040 Speaker 1: really vibrant red. But this was, yeah, it is. And 449 00:24:51,119 --> 00:24:52,960 Speaker 1: this was like a two piece skirt set, had a 450 00:24:53,000 --> 00:24:56,960 Speaker 1: boustier top, it had a removable corset, and then out 451 00:24:56,960 --> 00:25:00,639 Speaker 1: of nowhere, it transformed into a second look, which was 452 00:25:00,720 --> 00:25:03,960 Speaker 1: that like beautiful fringe and feathered skirt that was hidden 453 00:25:04,119 --> 00:25:05,200 Speaker 1: under her sarong. 454 00:25:06,040 --> 00:25:06,359 Speaker 2: It's like. 455 00:25:07,920 --> 00:25:12,840 Speaker 1: So right, it's like Transformers fashion. But then it gives 456 00:25:12,920 --> 00:25:15,240 Speaker 1: way to her third and final look from the super 457 00:25:15,280 --> 00:25:20,560 Speaker 1: Bowl performance, which was that gilded gold set, and that 458 00:25:20,720 --> 00:25:25,040 Speaker 1: gold was meant to represent celebration and also symbolize the 459 00:25:25,240 --> 00:25:29,800 Speaker 1: champion that is Shakira. To be honest, there's so many 460 00:25:30,200 --> 00:25:34,040 Speaker 1: good performance looks to choose from, and I actually prefer 461 00:25:34,200 --> 00:25:38,200 Speaker 1: Shakira in performance looks rather than red carpet looks. I 462 00:25:38,359 --> 00:25:41,200 Speaker 1: feel like she's not as comfortable on a carpet as 463 00:25:41,240 --> 00:25:44,200 Speaker 1: she is on a stage, and it shows because she 464 00:25:44,480 --> 00:25:46,800 Speaker 1: like turns it up for her performances. 465 00:25:47,200 --> 00:25:54,040 Speaker 2: But her performance outfits are insanity Caine. Wow. You know. 466 00:25:54,160 --> 00:25:58,080 Speaker 1: I think she's just more comfortable dressing up and kind 467 00:25:58,119 --> 00:26:01,479 Speaker 1: of like channeling this altere version of herself on stage, 468 00:26:01,720 --> 00:26:03,760 Speaker 1: whereas in real life I think she's super cash Like. 469 00:26:03,840 --> 00:26:06,800 Speaker 1: I think she's literally like bisskussles in her house in 470 00:26:06,880 --> 00:26:08,000 Speaker 1: jeans and a T shirt. 471 00:26:08,000 --> 00:26:10,200 Speaker 2: Like that tank top end the low jeans because she's 472 00:26:10,240 --> 00:26:10,560 Speaker 2: that girl. 473 00:26:10,800 --> 00:26:13,280 Speaker 1: Oh, she is all about a low rise. She'd never 474 00:26:13,400 --> 00:26:15,440 Speaker 1: left the low rise, honey, And if I had a 475 00:26:15,480 --> 00:26:24,800 Speaker 1: stomach like that, I wouldn't either. Joseph algom Pica, Oh. 476 00:26:24,800 --> 00:26:28,280 Speaker 2: Girl, I have been sharpening these nights. Let's go. 477 00:26:28,960 --> 00:26:32,280 Speaker 1: Shakira and Pikue they were everywhere. Forbes named them one 478 00:26:32,280 --> 00:26:36,080 Speaker 1: of the world's most powerful couples. Singers were shouting them 479 00:26:36,080 --> 00:26:41,119 Speaker 1: out in songs. She described their romance as passionate and exciting. 480 00:26:41,720 --> 00:26:45,760 Speaker 2: You kinda watch out for those and you guys. 481 00:26:45,880 --> 00:26:49,600 Speaker 1: They first met on the music video set for Waka Waka. 482 00:26:50,200 --> 00:26:53,919 Speaker 1: The video featured several famous soccer players like Dani Alves, 483 00:26:54,040 --> 00:26:57,320 Speaker 1: Carlos Kameni, Lionel Messi, and Raphael Markets. 484 00:26:57,800 --> 00:26:59,959 Speaker 2: So Gerard wasn't that special. 485 00:27:00,560 --> 00:27:04,359 Speaker 1: I mean, Shakira had no clue who pik was, but 486 00:27:05,080 --> 00:27:07,159 Speaker 1: that didn't stop her from thinking, you know, he was 487 00:27:07,280 --> 00:27:11,359 Speaker 1: cute and strategically sharing that little tidbit with the right people. 488 00:27:12,080 --> 00:27:14,920 Speaker 1: We'll explain you. See, Shakira was at the FIFA World 489 00:27:14,960 --> 00:27:17,800 Speaker 1: Cup in May of twenty ten. Now file that date 490 00:27:17,840 --> 00:27:21,159 Speaker 1: away for later, okay. So pi k was arriving to 491 00:27:21,200 --> 00:27:23,879 Speaker 1: the World Cup after her, and of course he needed 492 00:27:23,880 --> 00:27:26,680 Speaker 1: to know what to pack, so he texted one of 493 00:27:26,720 --> 00:27:30,520 Speaker 1: the hottest and most talented women in the world to 494 00:27:30,680 --> 00:27:36,560 Speaker 1: ask her about the weather. The other has this man 495 00:27:37,080 --> 00:27:40,960 Speaker 1: never heard of? Google? Alexa Siri? Like, I don't know 496 00:27:41,040 --> 00:27:45,520 Speaker 1: pick your virtual assistant. It's so lame, so lame, and 497 00:27:45,760 --> 00:27:48,360 Speaker 1: he knew that he had zero game, so the only 498 00:27:48,400 --> 00:27:50,600 Speaker 1: way to see her and actually get her to agree 499 00:27:50,600 --> 00:27:53,240 Speaker 1: to a date with him was to win the whole 500 00:27:53,320 --> 00:27:53,880 Speaker 1: damn Cup. 501 00:27:55,000 --> 00:27:58,440 Speaker 2: Excuse me a fact check time. At this moment in time, 502 00:27:58,600 --> 00:28:02,680 Speaker 2: Shakio was dating the Laua. She was not even available. 503 00:28:03,240 --> 00:28:04,359 Speaker 1: Yes, yes, I know. 504 00:28:05,040 --> 00:28:05,080 Speaker 3: So. 505 00:28:05,280 --> 00:28:10,320 Speaker 1: In August twenty ten, Shakira and Antonio confirmed they were done, 506 00:28:10,359 --> 00:28:14,360 Speaker 1: so immediately after Shakiro was spotted with Gerard. Even though 507 00:28:14,920 --> 00:28:20,120 Speaker 1: they kept claiming they were just friends, they. 508 00:28:20,080 --> 00:28:23,880 Speaker 2: Made their relationship social media official in front of God 509 00:28:24,280 --> 00:28:27,280 Speaker 2: and Facebook the summer with a photo and the caption. 510 00:28:27,440 --> 00:28:33,400 Speaker 1: Was leespresento amisol aka, I present to you my son. 511 00:28:34,040 --> 00:28:36,919 Speaker 2: Salle el sool. Oh shit, it's all adding up. 512 00:28:37,320 --> 00:28:39,920 Speaker 1: Well it did for almost a decade, and of course 513 00:28:39,960 --> 00:28:42,600 Speaker 1: two babies later. But in June of twenty twenty two, 514 00:28:42,840 --> 00:28:45,520 Speaker 1: Shaki and Pique confirmed their split. 515 00:28:46,160 --> 00:28:48,400 Speaker 2: We should have known something was up when she was 516 00:28:48,480 --> 00:28:51,760 Speaker 2: promoting the music video for Can't Remember to Forget You. 517 00:28:52,240 --> 00:28:55,240 Speaker 1: Oh I forgot about that, but yes, she shared this. 518 00:28:56,080 --> 00:28:59,360 Speaker 1: He's very territorial and since he no longer lets me 519 00:28:59,440 --> 00:29:01,760 Speaker 1: do videos with men, Well, I have to do them 520 00:29:01,800 --> 00:29:04,560 Speaker 1: with women. It's more implied in our relationship that I 521 00:29:04,720 --> 00:29:06,760 Speaker 1: can't do videos like I used. 522 00:29:06,600 --> 00:29:11,560 Speaker 2: To controlling, trying to cage our loba h. 523 00:29:11,840 --> 00:29:15,800 Speaker 1: Shakira was determined to make it work. She sacrificed her identity, 524 00:29:16,080 --> 00:29:19,239 Speaker 1: her country, her hot men in the videos, and her 525 00:29:19,360 --> 00:29:22,560 Speaker 1: career for him. And also Pique was just kind of 526 00:29:22,760 --> 00:29:24,760 Speaker 1: known for being a total party boy. 527 00:29:25,240 --> 00:29:27,760 Speaker 2: I mean kind of like to me. Anyways, the man 528 00:29:28,120 --> 00:29:31,360 Speaker 2: liked to step out and not just out on the town. 529 00:29:31,880 --> 00:29:35,880 Speaker 1: Okay, on one of those boys' nights out, PK meets 530 00:29:36,080 --> 00:29:39,640 Speaker 1: glad at Chia Marti and y'all please don't at her. 531 00:29:39,960 --> 00:29:42,280 Speaker 1: Don't look her up on Twitter or Instagram. She's had 532 00:29:42,480 --> 00:29:46,080 Speaker 1: enough heat from the rest of us. But anyway, paparazzi 533 00:29:46,160 --> 00:29:49,440 Speaker 1: caught wind of the two and basically said she was 534 00:29:49,680 --> 00:29:54,040 Speaker 1: quote unquote younger. Eh gross, and you know what I 535 00:29:54,160 --> 00:29:56,720 Speaker 1: saw the photos. I'm just gonna say she was a 536 00:29:57,080 --> 00:29:57,960 Speaker 1: budget Shakira. 537 00:29:58,760 --> 00:29:59,920 Speaker 2: It's giving a cliche. 538 00:30:00,360 --> 00:30:03,640 Speaker 1: It's getting tired. And insiders told The Sun. 539 00:30:03,960 --> 00:30:06,800 Speaker 2: Wait wait wait, the literal Sun or PK no. 540 00:30:07,120 --> 00:30:11,600 Speaker 1: The news outlet. They reported that p K offered Clara 541 00:30:11,760 --> 00:30:15,360 Speaker 1: a job at his company, after meeting her at a nightclub. 542 00:30:15,800 --> 00:30:19,440 Speaker 1: And get this, his boys helped him keep the affair 543 00:30:19,720 --> 00:30:26,440 Speaker 1: on secret. Shut your but this is giving me Vander 544 00:30:26,520 --> 00:30:31,960 Speaker 1: Pump rules, Tom Schwartz, and Tom Sandoval all over again. 545 00:30:32,280 --> 00:30:34,880 Speaker 1: And it wasn't just his boys that helped cover it up, 546 00:30:35,280 --> 00:30:36,680 Speaker 1: so did his mama. 547 00:30:37,120 --> 00:30:40,000 Speaker 2: Oh my god, it's always the swaggrass. 548 00:30:41,000 --> 00:30:43,800 Speaker 1: And soon their marriage began to unravel. 549 00:30:45,000 --> 00:30:48,000 Speaker 2: Shakita was going through a difficult time and her boy 550 00:30:48,080 --> 00:30:50,240 Speaker 2: was out there with the new boo. She went through 551 00:30:50,240 --> 00:30:51,200 Speaker 2: her hemorrhage. 552 00:30:50,800 --> 00:30:53,680 Speaker 1: Scare, plus the tax fraud accusations. 553 00:30:54,080 --> 00:30:56,920 Speaker 2: Okay, wait, can you give the people at home listening 554 00:30:57,080 --> 00:30:59,560 Speaker 2: a quick rundown of all that drama? 555 00:31:01,360 --> 00:31:04,960 Speaker 1: Yes, but I need another coffee for this, so we'll 556 00:31:05,000 --> 00:31:14,000 Speaker 1: be right back after this little cafe seat the break, okay. 557 00:31:14,520 --> 00:31:19,520 Speaker 1: Shakira versus Los Conquistellons the cliff notes. The Spanish government 558 00:31:19,600 --> 00:31:22,920 Speaker 1: charged Shakira with defrauding the country of fourteen point five 559 00:31:23,320 --> 00:31:27,680 Speaker 1: million euros in taxes that's roughly about fourteen million American 560 00:31:27,760 --> 00:31:32,480 Speaker 1: dollars between twenty twelve and twenty fourteen. They're claiming that 561 00:31:32,600 --> 00:31:36,360 Speaker 1: she was a legal resident of Espagna during that time, 562 00:31:36,640 --> 00:31:39,560 Speaker 1: but our Lobita claims that she was living in the 563 00:31:39,680 --> 00:31:44,080 Speaker 1: Bahamas and didn't really move to Barcelona until twenty fifteen. 564 00:31:44,680 --> 00:31:48,520 Speaker 1: So if convicted, Shaki could be facing eight years behind 565 00:31:48,600 --> 00:31:53,160 Speaker 1: bars and a twenty three point seven million euro fine. 566 00:31:53,440 --> 00:31:55,800 Speaker 2: That's a lot of money an album that is going 567 00:31:55,880 --> 00:31:57,600 Speaker 2: to be a good album now. 568 00:31:57,800 --> 00:32:00,280 Speaker 1: When asked about the situation during an interview with Lle, 569 00:32:00,520 --> 00:32:03,160 Speaker 1: here's what she responded. I have to fight for what 570 00:32:03,240 --> 00:32:06,200 Speaker 1: I believe because these are false accusations. First of all, 571 00:32:06,280 --> 00:32:07,880 Speaker 1: I did spend one hundred and eighty three days per 572 00:32:07,920 --> 00:32:09,960 Speaker 1: year at that time at all, I was busy fulfilling 573 00:32:10,000 --> 00:32:13,520 Speaker 1: my professional commitments around the world. Yeah, bitches, Okay, she 574 00:32:13,560 --> 00:32:17,240 Speaker 1: didn't say that. I said that. Second, I've paid everything 575 00:32:17,320 --> 00:32:19,680 Speaker 1: they claimed I owed, even before they filed a lawsuit, 576 00:32:19,760 --> 00:32:23,040 Speaker 1: so as of today, I owe zero to them. And finally, 577 00:32:23,440 --> 00:32:25,440 Speaker 1: I was advised by one of the four biggest tax 578 00:32:25,480 --> 00:32:28,640 Speaker 1: specialist firms in the world. Yes, Shakira, you drop Price 579 00:32:28,760 --> 00:32:29,600 Speaker 1: Waterhouse Coopers. 580 00:32:30,240 --> 00:32:31,280 Speaker 3: So I was. 581 00:32:31,320 --> 00:32:35,000 Speaker 1: Confident that I was doing things correctly and transparently from 582 00:32:35,200 --> 00:32:36,040 Speaker 1: day one. 583 00:32:38,480 --> 00:32:43,760 Speaker 2: Okay, Wow, none of this really seems fair to me, right, 584 00:32:44,160 --> 00:32:45,280 Speaker 2: It's just crazy. 585 00:32:45,800 --> 00:32:48,760 Speaker 1: Listen, they need the money, we all do. But I'm 586 00:32:48,800 --> 00:32:51,400 Speaker 1: sure there is way more to this story. We just 587 00:32:51,440 --> 00:32:54,600 Speaker 1: don't have an entire investigative podcast team on the trail. 588 00:32:55,520 --> 00:32:59,880 Speaker 1: But wait, Joseph, hold on, should we? 589 00:33:01,040 --> 00:33:03,200 Speaker 2: This is all too much for my brain and my heart. 590 00:33:03,360 --> 00:33:06,240 Speaker 2: I can't. Plus, Pika had the balls to be tossing 591 00:33:06,400 --> 00:33:09,280 Speaker 2: his around with another woman. Hell to the no. 592 00:33:09,760 --> 00:33:12,880 Speaker 1: And how she found out about the amanthe y'all, it 593 00:33:13,040 --> 00:33:16,400 Speaker 1: is straight out of a bad rom com. Let me 594 00:33:16,440 --> 00:33:18,800 Speaker 1: tell you how it happened. Shaki goes away on tour 595 00:33:18,920 --> 00:33:20,800 Speaker 1: and when she comes back, she opens her fridge for 596 00:33:20,800 --> 00:33:23,400 Speaker 1: a little late night snack, only to find that her 597 00:33:23,680 --> 00:33:29,840 Speaker 1: favorite strawberry jam had been eaten her what ough men 598 00:33:30,240 --> 00:33:35,680 Speaker 1: never notice details? So Shakira noticed that her favorite strawberry 599 00:33:35,800 --> 00:33:39,560 Speaker 1: jam it was gone. Someone had eaten it. No big 600 00:33:39,680 --> 00:33:45,440 Speaker 1: deal normally, right, But here's this. Pike doesn't eat strawberry jam. 601 00:33:46,280 --> 00:33:49,440 Speaker 1: He's on these special diets and he can't eat it. 602 00:33:49,840 --> 00:33:52,040 Speaker 1: And her little boys, well, they hate it. 603 00:33:52,520 --> 00:33:56,200 Speaker 2: Some sneaky link had been up in her house. Nobody 604 00:33:56,320 --> 00:33:57,760 Speaker 2: touches Shacki's jam. 605 00:33:58,360 --> 00:34:02,239 Speaker 1: And all jokes aside, this was a heartbreaking time for her. 606 00:34:02,800 --> 00:34:05,560 Speaker 2: There was the tax fraud Hurstwegara Brucha, who gave her 607 00:34:05,600 --> 00:34:08,640 Speaker 2: the whack ass haircut advice, and now her ex partner 608 00:34:08,719 --> 00:34:11,040 Speaker 2: was gallivanting around Basia with the other woman. 609 00:34:11,560 --> 00:34:15,600 Speaker 1: During interviews with El Lunivision and Rolling Stone, she got 610 00:34:16,040 --> 00:34:20,879 Speaker 1: super vulnerable, simply sharing that this is the darkest hour 611 00:34:21,080 --> 00:34:21,720 Speaker 1: of her life. 612 00:34:22,160 --> 00:34:25,359 Speaker 2: She was so honest and upfront about it all, saying 613 00:34:25,840 --> 00:34:28,560 Speaker 2: many of us unfortunately grow up believing that we need 614 00:34:28,600 --> 00:34:31,359 Speaker 2: a man to complete us, that you need the man 615 00:34:31,840 --> 00:34:35,000 Speaker 2: the family to be considered a true woman, And sadly, 616 00:34:35,160 --> 00:34:37,240 Speaker 2: like many, she bought into the whole fantasy. 617 00:34:37,800 --> 00:34:40,640 Speaker 1: And we can all agree that it is not easy 618 00:34:40,760 --> 00:34:45,360 Speaker 1: to end such a big public relationship, especially when children 619 00:34:45,400 --> 00:34:48,600 Speaker 1: are involved. So Shakira major Ard promise that they were 620 00:34:48,640 --> 00:34:51,120 Speaker 1: going to wait out any kind of public announcement for 621 00:34:51,239 --> 00:34:54,760 Speaker 1: a year for the sake of their kids, Sasha and Milan. 622 00:34:55,200 --> 00:34:59,560 Speaker 2: But glad Ambique had their own plans. They trolled CHECKI 623 00:34:59,600 --> 00:35:03,239 Speaker 2: toa by kis kissing in public and posting pictures together online. 624 00:35:03,520 --> 00:35:08,759 Speaker 1: I hate them like I literally hate them. So Shaquia 625 00:35:08,880 --> 00:35:10,200 Speaker 1: did what bitch had to do. 626 00:35:11,120 --> 00:35:15,480 Speaker 2: She entered her singles era she single. She's releasing those 627 00:35:15,520 --> 00:35:19,400 Speaker 2: singles and spilling all the tea with her masterful lyrics. 628 00:35:21,000 --> 00:35:26,080 Speaker 1: The Felicito with Rau A Lejandro with Ozuna and TQG 629 00:35:26,480 --> 00:35:31,399 Speaker 1: with fellow Columbiana and our girl Crush Forever love Her 630 00:35:31,880 --> 00:35:32,759 Speaker 1: Harold g. 631 00:35:34,400 --> 00:35:41,360 Speaker 2: All in Spanish so p K can understand every word and. 632 00:35:41,520 --> 00:35:44,640 Speaker 1: The lyrics are so good. It's one of those times 633 00:35:44,680 --> 00:35:48,560 Speaker 1: when I wish people all spoke Spanish because translating them 634 00:35:48,960 --> 00:35:51,719 Speaker 1: just doesn't do it justice. I don't know. Take some 635 00:35:51,840 --> 00:35:54,400 Speaker 1: dual lingos so you can listen to the song in Spanish. 636 00:35:54,280 --> 00:35:59,239 Speaker 2: Between Monotonia and TQG. Shakita released the disk track to 637 00:35:59,640 --> 00:36:01,120 Speaker 2: end all dis tracks. 638 00:36:01,520 --> 00:36:06,160 Speaker 1: Mind you, he was also a classy I know, I know, 639 00:36:06,880 --> 00:36:09,600 Speaker 1: it was a lot of shade, but she kind of 640 00:36:09,680 --> 00:36:12,839 Speaker 1: held back. Our girl's a class act and it's been 641 00:36:13,160 --> 00:36:16,080 Speaker 1: years since Shukid has been her true artistic self. Remember, 642 00:36:16,440 --> 00:36:19,439 Speaker 1: Pik had a lot of rules and opinions. 643 00:36:20,360 --> 00:36:22,520 Speaker 2: Once they were done, she was free to collaborate with 644 00:36:22,719 --> 00:36:26,359 Speaker 2: male artists again. When the bezer Rap session came out, 645 00:36:26,719 --> 00:36:28,439 Speaker 2: everything was out in the open. 646 00:36:28,640 --> 00:36:32,840 Speaker 1: If anyone ever cheats on me, warning Patrick, I'm stealing 647 00:36:32,960 --> 00:36:34,800 Speaker 1: a page from Shakir's book. 648 00:36:35,120 --> 00:36:38,400 Speaker 2: Bitch wrote the playbook on calling out all of these 649 00:36:38,440 --> 00:36:39,000 Speaker 2: trifling men. 650 00:36:39,200 --> 00:36:40,080 Speaker 1: She sure did. 651 00:36:40,360 --> 00:36:42,640 Speaker 2: But for the people like me who are catching up 652 00:36:42,719 --> 00:36:46,279 Speaker 2: on all of this drama, who on earth is bizer App? 653 00:36:46,600 --> 00:36:47,960 Speaker 1: I'm so happy you asked. 654 00:36:48,120 --> 00:36:48,160 Speaker 2: So. 655 00:36:48,480 --> 00:36:51,920 Speaker 1: He is an Argentine DJ and a record producer, and 656 00:36:52,320 --> 00:36:54,720 Speaker 1: he's really known for doing a lot of Latin trap 657 00:36:54,960 --> 00:36:57,080 Speaker 1: or rap and mixing in a little bit of edim 658 00:36:57,320 --> 00:37:00,400 Speaker 1: and he is so well known for these music sessions, 659 00:37:00,440 --> 00:37:04,400 Speaker 1: they're like legendary. And he has this way of bringing 660 00:37:04,440 --> 00:37:08,120 Speaker 1: out really raw emotions from artists like Messi Dente Viano 661 00:37:08,239 --> 00:37:12,239 Speaker 1: a piano and now shook Kira. And if you guys 662 00:37:12,320 --> 00:37:15,800 Speaker 1: have not actually watched the video for the song, I 663 00:37:16,000 --> 00:37:18,200 Speaker 1: highly encourage you to find it on YouTube because like, 664 00:37:18,560 --> 00:37:22,000 Speaker 1: listening to it is one experience, but watching her look 665 00:37:22,600 --> 00:37:26,640 Speaker 1: dead into that camera and sing like she does not 666 00:37:26,719 --> 00:37:29,840 Speaker 1: care about any of us. She is literally singing this 667 00:37:30,200 --> 00:37:33,200 Speaker 1: straight type que am I right, yeah. And I think 668 00:37:33,280 --> 00:37:36,120 Speaker 1: oftentimes with Shakira's videos were like, oh, we want some huge, 669 00:37:36,200 --> 00:37:39,040 Speaker 1: like over dramatic production, like rolling in a bed with Rihanna, 670 00:37:39,200 --> 00:37:41,880 Speaker 1: like turning into a mermaid. No no, no, no, no 671 00:37:42,239 --> 00:37:46,399 Speaker 1: no no. This video is raw and real because that's 672 00:37:46,480 --> 00:37:51,000 Speaker 1: exactly yeah, that's what the song is. And there's so 673 00:37:51,200 --> 00:37:54,000 Speaker 1: many good little like singers in there from her like 674 00:37:54,120 --> 00:37:57,400 Speaker 1: she says made heesta de vesina la suegra. So that 675 00:37:57,560 --> 00:38:00,480 Speaker 1: means that you left your mom as my neighbor. Because again, 676 00:38:00,520 --> 00:38:02,360 Speaker 1: I don't know if you guys know this, but Shakira 677 00:38:02,520 --> 00:38:07,520 Speaker 1: literally lives like across the way from Pik's mom. But 678 00:38:07,920 --> 00:38:11,440 Speaker 1: I think my favorite line las mohs yo yoran las 679 00:38:11,480 --> 00:38:15,840 Speaker 1: mohees fact durdan, it's Soka. She's like, I'm not crying 680 00:38:15,880 --> 00:38:18,640 Speaker 1: for you, bitch, I'm getting paid with this song, print 681 00:38:18,719 --> 00:38:20,080 Speaker 1: print ching ching oh loo. 682 00:38:20,480 --> 00:38:23,200 Speaker 2: Well, my favorite line, because since you're saying your favorite line, 683 00:38:23,200 --> 00:38:29,320 Speaker 2: I tell you mine ivo viste mas dura like you 684 00:38:29,400 --> 00:38:32,360 Speaker 2: think you hurt me, but you made me stronger. I 685 00:38:33,400 --> 00:38:35,640 Speaker 2: felt that shit. 686 00:38:36,320 --> 00:38:40,120 Speaker 1: And as we're here translating these lyrics, so was everybody 687 00:38:40,200 --> 00:38:44,800 Speaker 1: else watching this video, because everybody, whether you spoke Spanish 688 00:38:45,320 --> 00:38:47,760 Speaker 1: or English, wanted in on that chiement. 689 00:38:48,080 --> 00:38:51,600 Speaker 2: I'm gonna say it, Benito's impact there. I said it. 690 00:38:51,760 --> 00:38:55,400 Speaker 1: No, you're one thousand percent right for sure, and I 691 00:38:55,480 --> 00:39:01,319 Speaker 1: can't believe that we've left out the mastermind behind this collaboration. oOoOO, 692 00:39:02,200 --> 00:39:05,360 Speaker 1: this may surprise you, But Milan wait. 693 00:39:05,400 --> 00:39:08,160 Speaker 2: Like Christina Milian or Milan, her son. 694 00:39:08,640 --> 00:39:13,120 Speaker 1: Her son. Shakira says that her ten year old son 695 00:39:13,239 --> 00:39:16,120 Speaker 1: had been telling her for months to work with bizrab 696 00:39:16,400 --> 00:39:19,800 Speaker 1: and he even sent Shakira's manager of voice note telling 697 00:39:19,920 --> 00:39:21,720 Speaker 1: him to make it happen. 698 00:39:22,239 --> 00:39:25,759 Speaker 2: Come through Miho Milan getting your mom on the best 699 00:39:25,800 --> 00:39:27,200 Speaker 2: breakup song ever. 700 00:39:27,560 --> 00:39:30,120 Speaker 1: And Shakira was all over it. She did not hold 701 00:39:30,160 --> 00:39:33,880 Speaker 1: back any punches. She even took a swing at that 702 00:39:34,160 --> 00:39:38,840 Speaker 1: ex Suegra with the help of a bruja. Here's what 703 00:39:39,000 --> 00:39:42,400 Speaker 1: Twitter had to say about that move. Shakira setting up 704 00:39:42,440 --> 00:39:45,319 Speaker 1: a witch mannequin on her balcony to face her ex 705 00:39:45,520 --> 00:39:49,240 Speaker 1: mother in law's house while blasting her Gerard PK distract 706 00:39:49,320 --> 00:39:53,479 Speaker 1: at full volume is the exact setty standard we should 707 00:39:53,600 --> 00:39:56,480 Speaker 1: all aspire to in twenty twenty. 708 00:39:56,360 --> 00:39:59,719 Speaker 2: Three, Like Wow, for all you non Latinos, there is 709 00:40:00,160 --> 00:40:03,560 Speaker 2: no coming back from that punch. 710 00:40:04,160 --> 00:40:06,920 Speaker 1: No, like you go for the Swegura like it's a jugular, 711 00:40:07,080 --> 00:40:11,719 Speaker 1: It's over over and this track with Bizarrap actually broke 712 00:40:11,840 --> 00:40:14,880 Speaker 1: over fourteen Guinness World Records. 713 00:40:15,000 --> 00:40:21,600 Speaker 3: Wow, Lobot status activated and before anyone listening dms us 714 00:40:21,760 --> 00:40:24,400 Speaker 3: or emails us telling us that she's being immature or 715 00:40:24,480 --> 00:40:25,080 Speaker 3: acting out. 716 00:40:25,840 --> 00:40:29,640 Speaker 1: Just take a second. Put yourself in her shoes for 717 00:40:30,040 --> 00:40:30,600 Speaker 1: just a minute. 718 00:40:31,480 --> 00:40:35,200 Speaker 2: Also, there's a video of PIC's mom grabbing Shaki by 719 00:40:35,280 --> 00:40:38,440 Speaker 2: the face. I'm not saying she deserves it, but I'm 720 00:40:38,600 --> 00:40:40,800 Speaker 2: also not not saying it. 721 00:40:41,160 --> 00:40:44,560 Speaker 1: And if this one music session is any indication of 722 00:40:44,640 --> 00:40:47,799 Speaker 1: what's to come, we are in for some good old 723 00:40:48,000 --> 00:40:51,280 Speaker 1: fashioned female rage with the upcoming album. 724 00:40:51,560 --> 00:40:54,280 Speaker 2: I need a minute to come down from that cheeth Mahai, 725 00:40:54,800 --> 00:40:55,799 Speaker 2: bring me back. 726 00:40:56,040 --> 00:41:06,080 Speaker 1: Okay, breathe in out, in out the must Now, let's 727 00:41:06,120 --> 00:41:10,399 Speaker 1: slip things down, reset and take it back to where 728 00:41:10,400 --> 00:41:12,480 Speaker 1: it all started. Her music. 729 00:41:12,960 --> 00:41:14,480 Speaker 2: Hey, don't forget her sainthood. 730 00:41:14,760 --> 00:41:17,160 Speaker 1: I mean, it's kind of hard to really understand the 731 00:41:17,360 --> 00:41:21,720 Speaker 1: depth of her artistry until you really dissected album by album, 732 00:41:22,320 --> 00:41:25,839 Speaker 1: moment by moment. She was truly ahead of her time, 733 00:41:26,239 --> 00:41:28,640 Speaker 1: and it's an incredible gift to see the progression and 734 00:41:28,760 --> 00:41:32,000 Speaker 1: the evolution of the music industry through a career as 735 00:41:32,120 --> 00:41:33,879 Speaker 1: illustrious as Shakira's. 736 00:41:34,760 --> 00:41:37,200 Speaker 2: I don't think anyone will be able to recreate her 737 00:41:37,320 --> 00:41:39,000 Speaker 2: magic like ever. 738 00:41:39,560 --> 00:41:41,680 Speaker 1: I don't think that's a bad thing. I mean, there 739 00:41:41,760 --> 00:41:45,160 Speaker 1: are so many amazing new performers coming into their own 740 00:41:45,280 --> 00:41:48,920 Speaker 1: right now who are inspired by her creativity and driven 741 00:41:49,000 --> 00:41:52,080 Speaker 1: by her commitment to pure artistry. But they're standing on 742 00:41:52,200 --> 00:41:55,600 Speaker 1: their own sound as style. It's exactly what Shakira would 743 00:41:55,600 --> 00:41:56,640 Speaker 1: have wanted for them. 744 00:41:56,880 --> 00:41:59,360 Speaker 2: Unique voices with so much to say to the world 745 00:41:59,480 --> 00:42:00,720 Speaker 2: through their mut. 746 00:42:03,200 --> 00:42:04,840 Speaker 1: On the next Becoming an Icon. 747 00:42:05,040 --> 00:42:08,320 Speaker 2: Can't get enough of that shock et neither can we, 748 00:42:08,960 --> 00:42:09,760 Speaker 2: so we'll. 749 00:42:09,600 --> 00:42:12,160 Speaker 1: Be diving into all the recent headlines with our pop 750 00:42:12,239 --> 00:42:16,640 Speaker 1: culture expert and breaking down Shakira's moved to Miami. There's 751 00:42:16,960 --> 00:42:22,560 Speaker 1: so much, so much to discuss. Becoming an Icon is 752 00:42:22,640 --> 00:42:27,240 Speaker 1: presented by Sonoo and Iheart's Michael Duda podcast Network. Listen 753 00:42:27,400 --> 00:42:31,240 Speaker 1: to Becoming an Icon on the iHeartRadio app, Apple podcast, 754 00:42:31,520 --> 00:42:33,560 Speaker 1: or wherever you get your podcast