1 00:00:01,680 --> 00:00:04,680 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,040 --> 00:00:06,560 Speaker 1: just to touch to get you through. 3 00:00:07,280 --> 00:00:10,400 Speaker 2: Yeah me too. This is the podcast that comes after 4 00:00:10,440 --> 00:00:11,080 Speaker 2: the podcast. 5 00:00:11,520 --> 00:00:31,080 Speaker 1: Welcome to Disgraceland, the after Party. Welcome to the Disgraceland 6 00:00:31,120 --> 00:00:33,760 Speaker 1: bonus episode, a little thing we'd like to call the 7 00:00:33,840 --> 00:00:36,640 Speaker 1: after Party. This is the show after the show, the 8 00:00:36,680 --> 00:00:39,000 Speaker 1: party after the party, the bridge to get you from 9 00:00:39,040 --> 00:00:42,360 Speaker 1: one full episode of Disgraceland to the other, the backyard 10 00:00:42,400 --> 00:00:45,720 Speaker 1: to dig into the dirt. On this bonus episode, we 11 00:00:45,840 --> 00:00:49,400 Speaker 1: are talking about Metallica and the highest selling artists of 12 00:00:49,479 --> 00:00:53,600 Speaker 1: all time. We begin our double down into suspicious celebrity 13 00:00:53,680 --> 00:00:57,080 Speaker 1: debts and of course your voicemails, texts and more, and 14 00:00:57,200 --> 00:00:58,279 Speaker 1: as always. 15 00:00:57,920 --> 00:01:02,920 Speaker 2: A whole lot of rosie disc goes. Let's get into it. 16 00:01:16,720 --> 00:01:20,360 Speaker 1: Metallica is the most successful heavy metal band of all time, 17 00:01:20,880 --> 00:01:23,240 Speaker 1: but when all is said and done, they might end 18 00:01:23,319 --> 00:01:26,640 Speaker 1: up being the most successful band of all time, which 19 00:01:26,880 --> 00:01:30,000 Speaker 1: is very hard to appreciate if you're of a certain 20 00:01:30,040 --> 00:01:33,720 Speaker 1: age like I am. Metallica are of course as mainstream 21 00:01:33,840 --> 00:01:37,240 Speaker 1: as mainstream can be. They packed stadiums. They are celebrated 22 00:01:37,280 --> 00:01:40,800 Speaker 1: by fans from multiple generations. Parents, of course, bring their 23 00:01:40,880 --> 00:01:44,800 Speaker 1: kids to the shows. Teenagers nowadays willingly rock the Metallica 24 00:01:44,840 --> 00:01:47,600 Speaker 1: logo on their T shirts and backpacks, just like they 25 00:01:47,600 --> 00:01:50,400 Speaker 1: did back in the eighties and the nineties. Metallica was 26 00:01:50,480 --> 00:01:53,919 Speaker 1: prominently featured a couple of years back on Stranger Things, 27 00:01:54,160 --> 00:01:57,200 Speaker 1: one of the buzziest zeitgeisty TV shows of the past 28 00:01:57,240 --> 00:02:02,080 Speaker 1: couple of decades. Metallica are a mainstream institution, not just 29 00:02:02,120 --> 00:02:05,440 Speaker 1: in America but all over the world. On the list 30 00:02:05,520 --> 00:02:08,240 Speaker 1: of the top twenty best selling heavy metal albums of 31 00:02:08,280 --> 00:02:11,880 Speaker 1: all time, as compiled by This Day in Metal blog, 32 00:02:11,919 --> 00:02:16,360 Speaker 1: which cites the RIAA data, the Recording Industry Association of America. 33 00:02:16,520 --> 00:02:20,000 Speaker 1: That list, again, of the top twenty best selling heavy 34 00:02:20,040 --> 00:02:24,120 Speaker 1: metal albums of all time, there are seven Metallica albums, 35 00:02:24,800 --> 00:02:27,720 Speaker 1: and five of the top six positions on that list 36 00:02:27,800 --> 00:02:31,920 Speaker 1: are occupied by Metallica albums. It's a fascinating list for 37 00:02:32,040 --> 00:02:34,400 Speaker 1: metal and non metal heads alike, and I want to 38 00:02:34,400 --> 00:02:36,120 Speaker 1: get into it just a little bit, a little bit 39 00:02:36,120 --> 00:02:38,079 Speaker 1: here to set up the point I'm trying to make, 40 00:02:38,120 --> 00:02:41,480 Speaker 1: so in reversed order, the list number twenty slip Knot 41 00:02:41,560 --> 00:02:44,400 Speaker 1: self titled album, which I got to admit I'm not 42 00:02:44,440 --> 00:02:46,799 Speaker 1: a big Slipknot fan. I never was, so this came 43 00:02:46,840 --> 00:02:50,680 Speaker 1: as kind of a surprise to me. And then Pantera's 44 00:02:50,720 --> 00:02:54,079 Speaker 1: Vulgar Display of Power, which is at nineteen. This seems 45 00:02:54,120 --> 00:02:56,320 Speaker 1: low to me. I thought this record was a huge seller. 46 00:02:56,320 --> 00:02:58,480 Speaker 1: I would have thought Vulgar Display of Power would have 47 00:02:58,480 --> 00:03:00,600 Speaker 1: been Pantera's best selling album. 48 00:03:00,720 --> 00:03:01,639 Speaker 2: More on that in a bit. 49 00:03:01,880 --> 00:03:05,959 Speaker 1: Black Sabbath's Master of Reality is number eighteen, also kind 50 00:03:05,960 --> 00:03:08,560 Speaker 1: of a surprise. But then again, it's hard for me 51 00:03:08,600 --> 00:03:12,320 Speaker 1: to properly place Sabbath on any commercial lisk, even how 52 00:03:12,360 --> 00:03:15,400 Speaker 1: despised they were by critics during the seventies, So the 53 00:03:15,440 --> 00:03:18,640 Speaker 1: context is very weird with this band for me, despite 54 00:03:18,680 --> 00:03:22,880 Speaker 1: their influence and just how fucking amazing nineteen seventies Ozzy 55 00:03:22,880 --> 00:03:26,600 Speaker 1: Osbourne era Black Sabbath is Number seventeen is Deep Purple's 56 00:03:26,760 --> 00:03:30,520 Speaker 1: machine Head, which I totally don't get, mainly because I 57 00:03:30,600 --> 00:03:32,600 Speaker 1: never really got into Deep Purple. I don't even really 58 00:03:32,680 --> 00:03:35,920 Speaker 1: understand their significance in the heavy metal genre. I know 59 00:03:35,960 --> 00:03:38,200 Speaker 1: people ride hard for them, I know they have significance, 60 00:03:38,200 --> 00:03:41,000 Speaker 1: but again it's sort it sort of escaped me for 61 00:03:41,040 --> 00:03:43,280 Speaker 1: whatever reason. That's my own thing. I'm not dising the 62 00:03:43,280 --> 00:03:45,880 Speaker 1: band at all. It's my own ignorance. Number sixteen is 63 00:03:46,000 --> 00:03:50,160 Speaker 1: Judas Priests Screaming for Vengeance. This one seems like it's 64 00:03:50,160 --> 00:03:54,120 Speaker 1: slotted in the right spot. Number fifteen is Holy Diver 65 00:03:54,280 --> 00:03:58,720 Speaker 1: by Dio. This seems way too high. I can't believe 66 00:03:59,000 --> 00:04:02,840 Speaker 1: this album has sold more than the aforementioned efforts by Priest, 67 00:04:02,960 --> 00:04:06,280 Speaker 1: by Sabbath by Pantera, especially kind of a shocker here. 68 00:04:06,400 --> 00:04:10,160 Speaker 1: Number fourteen is Cowboys from Hell by Pantera. Now also 69 00:04:10,240 --> 00:04:12,240 Speaker 1: a surprise, mainly because I would have thought the vulgar 70 00:04:12,280 --> 00:04:15,400 Speaker 1: display of power would have sold more than Cowboys from Hell. Nonetheless, 71 00:04:15,680 --> 00:04:17,520 Speaker 1: this is a better record, and I'm happy to see 72 00:04:17,560 --> 00:04:19,160 Speaker 1: that the market agrees with me here and that it's 73 00:04:19,200 --> 00:04:23,520 Speaker 1: higher on the list. Number thirteen megashocker for me. Megadeaths 74 00:04:23,680 --> 00:04:29,320 Speaker 1: countdown to Extinction, Man, I totally underestimate Metallica's ex band 75 00:04:29,360 --> 00:04:34,160 Speaker 1: member Dave Mustang's Megadeath. This album went double platinum all 76 00:04:34,200 --> 00:04:36,800 Speaker 1: the way back in nineteen ninety four, after it only 77 00:04:36,800 --> 00:04:38,600 Speaker 1: been released for two years or it came out in 78 00:04:38,640 --> 00:04:40,479 Speaker 1: nineteen ninety two. The middle of nineteen ninety two, so 79 00:04:40,520 --> 00:04:42,080 Speaker 1: really just a year and a half I think before 80 00:04:42,120 --> 00:04:45,800 Speaker 1: it went double platinum, it almost entered the chart at 81 00:04:45,880 --> 00:04:51,960 Speaker 1: number one. Think of that Megadath entering the Billboard, not 82 00:04:52,160 --> 00:04:54,720 Speaker 1: like the hard rock chart or the met I don't 83 00:04:54,720 --> 00:04:56,479 Speaker 1: even think there is a metal chart. Maybe there is, 84 00:04:56,520 --> 00:04:58,520 Speaker 1: I don't know, but I don't think there was back 85 00:04:58,560 --> 00:05:02,120 Speaker 1: then in the nineties. But just imagine, like Megadeths countdown 86 00:05:02,160 --> 00:05:06,159 Speaker 1: to extinction, just any Megadeth album entering at the number 87 00:05:06,200 --> 00:05:08,680 Speaker 1: one slot, which it came so close to doing, but 88 00:05:08,720 --> 00:05:11,599 Speaker 1: it was kept held down at number two by Billy 89 00:05:11,680 --> 00:05:14,279 Speaker 1: Ray Cyrus, who of course was huge back at the time. 90 00:05:14,680 --> 00:05:16,080 Speaker 2: My mind is blown by this one. 91 00:05:16,080 --> 00:05:19,599 Speaker 1: It's it's it's as baffling to me, this Megadeth album 92 00:05:19,920 --> 00:05:23,119 Speaker 1: selling so much as the next album on this list 93 00:05:23,120 --> 00:05:27,400 Speaker 1: in the number twelve slot, which is Tools. Forgive me 94 00:05:27,440 --> 00:05:29,760 Speaker 1: tool fans if I pronounce this the wrong way. The 95 00:05:29,839 --> 00:05:32,440 Speaker 1: name of the album is Lateralists. That's how you say this. 96 00:05:32,520 --> 00:05:35,680 Speaker 1: I'm sure Lateralists. Okay, come at me, tool fans. This 97 00:05:35,720 --> 00:05:40,040 Speaker 1: is an album I've never even I've never heard okay, 98 00:05:39,520 --> 00:05:42,880 Speaker 1: which is awful to say, man, tool or a real band. 99 00:05:42,920 --> 00:05:43,320 Speaker 1: I get that. 100 00:05:44,520 --> 00:05:45,279 Speaker 2: But it went trip. 101 00:05:45,360 --> 00:05:49,040 Speaker 1: This this album's gone triple platinum. Okay, that didn't go 102 00:05:49,080 --> 00:05:52,520 Speaker 1: It didn't go triple platinum until twenty twenty one, but 103 00:05:52,680 --> 00:05:57,240 Speaker 1: unlike Megadeths Countdown to Extinction, this Tool album did debut 104 00:05:57,320 --> 00:06:01,000 Speaker 1: at number one. I just do not get this. I mean, 105 00:06:01,880 --> 00:06:04,440 Speaker 1: Tool is one of those bands that just seems like 106 00:06:04,640 --> 00:06:08,040 Speaker 1: only dudes like I mean, do women like Tool? If 107 00:06:08,080 --> 00:06:10,200 Speaker 1: there are any women out there who like Tool, right 108 00:06:10,279 --> 00:06:12,360 Speaker 1: to me, please and tell me why you like Tool. 109 00:06:12,440 --> 00:06:14,200 Speaker 1: I want to understand. I mean, I know why I 110 00:06:14,279 --> 00:06:17,280 Speaker 1: like Tool. There's actual Tool records that I like. And 111 00:06:17,600 --> 00:06:18,760 Speaker 1: I know now I'm going to catch a lot of 112 00:06:18,760 --> 00:06:21,000 Speaker 1: shit from some people because Tools one of these bands 113 00:06:21,000 --> 00:06:23,960 Speaker 1: that is incredibly divisive, Like people just think they're incredibly 114 00:06:24,040 --> 00:06:27,039 Speaker 1: lame or their way into them. I kind of straddle 115 00:06:27,080 --> 00:06:29,200 Speaker 1: the fence. I guess I'm rare. I was into Tool 116 00:06:29,240 --> 00:06:32,520 Speaker 1: when they came out. I saw them on purpose a 117 00:06:32,560 --> 00:06:36,080 Speaker 1: couple of times, but to me, they just seem to 118 00:06:36,120 --> 00:06:40,560 Speaker 1: have such limited appeal despite how good they may be. 119 00:06:41,560 --> 00:06:43,719 Speaker 1: It's just incredible. I'm not shitting on Tool. Like I said, 120 00:06:43,720 --> 00:06:47,240 Speaker 1: I like Tool. I've seen them, but they're quirky as fuck, 121 00:06:47,800 --> 00:06:50,240 Speaker 1: and it's hard for me to see or understand how 122 00:06:50,240 --> 00:06:52,440 Speaker 1: they have sold so many records. It makes me happy 123 00:06:52,480 --> 00:06:54,720 Speaker 1: that they have so Yeah, score one for the weirdos. 124 00:06:54,760 --> 00:06:55,160 Speaker 2: This is good. 125 00:06:55,200 --> 00:06:58,720 Speaker 1: Next up in the number eleven slot is Metallica's Reload, 126 00:06:59,680 --> 00:07:04,200 Speaker 1: then another Tool album at ten, Enema Rob Zombie's hell 127 00:07:04,320 --> 00:07:08,120 Speaker 1: Billy Deluxe at number nine. In the list of top 128 00:07:08,200 --> 00:07:12,560 Speaker 1: selling heavy metal albums, Tools Undertow another triple platinum seller, 129 00:07:13,600 --> 00:07:17,920 Speaker 1: Unbelievable Tool I had no idea. That's at number eight, 130 00:07:18,280 --> 00:07:20,800 Speaker 1: and then from here on out the list is pretty 131 00:07:20,880 --> 00:07:25,840 Speaker 1: much owned by Metallica, with one exception. At number seven 132 00:07:25,960 --> 00:07:28,280 Speaker 1: is Kill Them All, and then a brief departure here 133 00:07:28,280 --> 00:07:31,200 Speaker 1: from Metallica at number six, Black Sabbaths Paranoid pops up, 134 00:07:31,360 --> 00:07:33,840 Speaker 1: but then it's straight Bay Area thrash from here on out. 135 00:07:33,880 --> 00:07:37,840 Speaker 1: Five Metallica's Load, which is the one with the ridiculous 136 00:07:37,880 --> 00:07:40,720 Speaker 1: record cover. I'm not suggesting, by the way, that these 137 00:07:40,720 --> 00:07:43,920 Speaker 1: are Bay Area thrash albums. I'm referring, obviously to the 138 00:07:43,960 --> 00:07:48,280 Speaker 1: Bay Area roots of Metallica number four, Master of Puppet's 139 00:07:48,480 --> 00:07:51,120 Speaker 1: Great Album cover. In contrast, of course, to Metallica's Load, 140 00:07:51,160 --> 00:07:54,200 Speaker 1: number three, Ride the Lightning number two, and Justice for 141 00:07:54,320 --> 00:07:58,120 Speaker 1: All and number one, of course is Metallica's self titled 142 00:07:58,480 --> 00:08:02,200 Speaker 1: album also known as the Black Album. So Metallica basically 143 00:08:02,240 --> 00:08:05,320 Speaker 1: owns the top twenty list of highest selling metal albums, 144 00:08:05,720 --> 00:08:08,960 Speaker 1: which isn't surprising. They sold a total of one hundred 145 00:08:09,000 --> 00:08:11,600 Speaker 1: and seventy five million albums, which is a shit ton 146 00:08:11,640 --> 00:08:13,960 Speaker 1: of records. But where does that put Metallica on the 147 00:08:13,960 --> 00:08:17,080 Speaker 1: list of highest selling musical artists of all time? And 148 00:08:17,360 --> 00:08:21,080 Speaker 1: this is where it starts to get interesting for me. So, 149 00:08:21,560 --> 00:08:24,720 Speaker 1: with one hundred and seventy five million albums sold, Metallica 150 00:08:24,760 --> 00:08:28,160 Speaker 1: doesn't even crack the top ten list of best selling 151 00:08:28,240 --> 00:08:31,200 Speaker 1: artists of all time. The Beatles number one, Michael Jackson 152 00:08:31,280 --> 00:08:34,280 Speaker 1: number two, Elvis Presley three, Elton John four, Madonna five, 153 00:08:34,400 --> 00:08:39,360 Speaker 1: Queen six, Led Zeppelin seven, Rihanna at eight, Rihanna, who 154 00:08:39,440 --> 00:08:42,400 Speaker 1: had Rihanna at eight? I had no fucking idea? Pink 155 00:08:42,400 --> 00:08:46,040 Speaker 1: Floyd at nine, Rolling Stones at ten. Metallica's one hundred 156 00:08:46,040 --> 00:08:48,520 Speaker 1: and seventy five million albums sold puts some somewhere between 157 00:08:48,800 --> 00:08:52,480 Speaker 1: AC DC and Beyonce in the number fifteen slot, ahead 158 00:08:52,480 --> 00:08:54,960 Speaker 1: of the Eagles, ahead of Garth Brooks and Britney Spears, 159 00:08:55,000 --> 00:08:58,400 Speaker 1: but behind Taylor Swift, behind Whitney Houston, behind Mariah Carey, 160 00:08:58,480 --> 00:09:04,280 Speaker 1: behind eminem Now if you eliminate solo artists from our 161 00:09:04,320 --> 00:09:08,480 Speaker 1: equation here, and you look at just the top selling bands, 162 00:09:08,520 --> 00:09:13,520 Speaker 1: the top selling groups. Okay, Metallica's influence, their significance, I 163 00:09:13,520 --> 00:09:17,880 Speaker 1: should say, in rock history, interest in commercial music history, 164 00:09:17,880 --> 00:09:21,720 Speaker 1: it becomes much more illuminating. The Beatles, of course, are 165 00:09:21,760 --> 00:09:24,720 Speaker 1: the top selling band of all times. Six hundred million 166 00:09:24,840 --> 00:09:27,320 Speaker 1: estimated albums sold. I don't even know how the kin 167 00:09:27,400 --> 00:09:29,960 Speaker 1: they come up with that number, because I mean Beatles 168 00:09:30,000 --> 00:09:33,960 Speaker 1: albums are I mean, between the European versions, the American versions, 169 00:09:34,520 --> 00:09:37,439 Speaker 1: the collections, I mean, there's so much. 170 00:09:37,480 --> 00:09:38,840 Speaker 2: But again, it's just the. 171 00:09:38,880 --> 00:09:40,480 Speaker 1: Number we got to go by. We got to go 172 00:09:40,520 --> 00:09:43,880 Speaker 1: by the numbers here. Six hundred million is what is 173 00:09:44,080 --> 00:09:46,680 Speaker 1: estimated to have been sold by the Beatles. No one's 174 00:09:46,720 --> 00:09:49,880 Speaker 1: ever going to touch that. But they are followed by Queen, 175 00:09:50,400 --> 00:09:54,280 Speaker 1: and the Queen slot on this list is questionable. I 176 00:09:54,360 --> 00:09:56,319 Speaker 1: found a lot of lists that don't even have Queen 177 00:09:56,440 --> 00:09:59,440 Speaker 1: in the top ten, and I think the reason the 178 00:09:59,480 --> 00:10:04,079 Speaker 1: list that I'm going with here includes Queen, and I've 179 00:10:04,080 --> 00:10:06,960 Speaker 1: seen others that include Queen as well, is because Queen 180 00:10:07,000 --> 00:10:11,560 Speaker 1: has had massive sales in the last few years due 181 00:10:11,600 --> 00:10:15,680 Speaker 1: to the biopic that came out with Robbie Malick, and 182 00:10:15,720 --> 00:10:17,400 Speaker 1: I think also Queen's one of these one of these 183 00:10:17,440 --> 00:10:20,960 Speaker 1: classic rock bands that has really benefited from social media, 184 00:10:21,559 --> 00:10:25,559 Speaker 1: has really benefited from music licensing in the last decade alone, 185 00:10:25,679 --> 00:10:28,920 Speaker 1: So I think they have sort of inserted themselves into 186 00:10:28,960 --> 00:10:33,000 Speaker 1: this conversation. But I'm sort of discounting them because it's 187 00:10:33,080 --> 00:10:38,080 Speaker 1: not one hundred percent solid. Led Zeppelin is third here, okay, 188 00:10:38,160 --> 00:10:42,559 Speaker 1: of top selling bands, Beatles, Queen, led Zeppelin, Okay, then 189 00:10:42,600 --> 00:10:47,280 Speaker 1: Pink Floyd, then the Rolling Stones, and then Metallica. Metallica 190 00:10:47,320 --> 00:10:50,160 Speaker 1: are solidly on the top ten list of highest selling 191 00:10:50,800 --> 00:10:54,840 Speaker 1: bands of all time when it comes to record sales, 192 00:10:55,040 --> 00:10:57,360 Speaker 1: and they're nearing the top five, which if you take 193 00:10:57,440 --> 00:10:58,880 Speaker 1: Queen out, they're in the top five. 194 00:10:59,480 --> 00:11:00,440 Speaker 2: But I'm not gonna to do that. 195 00:11:01,240 --> 00:11:05,000 Speaker 1: Unbelievable to think of, Okay, for Metallica, a band that 196 00:11:05,160 --> 00:11:07,680 Speaker 1: was so niche when they started, you got to think, 197 00:11:08,080 --> 00:11:11,720 Speaker 1: you know, when the Beatles start, when Queen starts, when 198 00:11:11,800 --> 00:11:15,600 Speaker 1: led Zeppelin starts, when Pink Floyd starts, when the Rolling 199 00:11:15,679 --> 00:11:24,320 Speaker 1: Stones start, their ambitions, their aspirations are almost solely commercial. Okay, 200 00:11:24,360 --> 00:11:27,320 Speaker 1: they are just gunning for the charts at the time. 201 00:11:27,640 --> 00:11:30,400 Speaker 1: All Right, Everything they were doing in terms of how 202 00:11:30,480 --> 00:11:32,960 Speaker 1: they were being marketed and how they were being promoted 203 00:11:33,360 --> 00:11:37,400 Speaker 1: was was geared towards selling records, and the same cannot 204 00:11:37,760 --> 00:11:43,199 Speaker 1: be said for Metallica. Metallica were a niche band. They 205 00:11:43,240 --> 00:11:47,120 Speaker 1: were a subgenre of a subgenre of a subgenre. 206 00:11:47,440 --> 00:11:47,880 Speaker 2: Okay. 207 00:11:48,360 --> 00:11:51,679 Speaker 1: In this week's full episode on Metallica, we talk about 208 00:11:51,679 --> 00:11:57,240 Speaker 1: how the band spoke almost exclusively to burnouts and wasteoids, counterculture, 209 00:11:57,280 --> 00:12:01,439 Speaker 1: thrash metal heads like this band. Okay, again, a subgenre 210 00:12:01,520 --> 00:12:04,560 Speaker 1: of a subgenre of a subgenre. They were thrashed, which 211 00:12:04,600 --> 00:12:07,119 Speaker 1: was a subgenre of heavy metal, which was a subgenre 212 00:12:07,200 --> 00:12:10,079 Speaker 1: of hard rock, which was the subgenre of rock and roll. 213 00:12:10,600 --> 00:12:13,080 Speaker 1: You know, when Metallica's first albums came out, they were 214 00:12:13,120 --> 00:12:15,240 Speaker 1: on an indie label. They were not at all, They 215 00:12:15,280 --> 00:12:19,000 Speaker 1: weren't making videos, they weren't even thinking about FM airplay 216 00:12:19,000 --> 00:12:22,040 Speaker 1: at the time. No one and I mean no one 217 00:12:22,080 --> 00:12:26,520 Speaker 1: back in the nineteen eighties saw Metallica's world dominance coming. 218 00:12:26,720 --> 00:12:28,720 Speaker 1: If they tell you now that they did, they're lying, 219 00:12:28,960 --> 00:12:31,400 Speaker 1: or their name is Noster Damas. And here's the reason why. 220 00:12:31,480 --> 00:12:36,280 Speaker 1: Because every single reason why Metallica did anything that remotely 221 00:12:36,280 --> 00:12:41,800 Speaker 1: smacked the commercialism, their fans skewered them, okay, but nonetheless 222 00:12:41,800 --> 00:12:44,640 Speaker 1: Metallica kept getting bigger and bigger and bigger, and to 223 00:12:44,760 --> 00:12:48,160 Speaker 1: this day they are still growing. The rule is that, yeah, 224 00:12:48,240 --> 00:12:50,040 Speaker 1: you get to make your move to sell out, and 225 00:12:50,080 --> 00:12:52,360 Speaker 1: it can work and you can grab new audience, but 226 00:12:52,760 --> 00:12:55,160 Speaker 1: you're ultimately going to lose more than you gain in 227 00:12:55,200 --> 00:12:58,200 Speaker 1: the end. Your new mainstream fans, they're eventually going to 228 00:12:58,240 --> 00:13:01,200 Speaker 1: abandon you, and the original fan that you alienated for 229 00:13:01,200 --> 00:13:03,960 Speaker 1: commercial success will never come back. But that's not what 230 00:13:04,040 --> 00:13:07,400 Speaker 1: happened with Metallica, and that's because their quote unquote sellout 231 00:13:07,440 --> 00:13:10,320 Speaker 1: moves weren't actually sellout moves at all. They were just 232 00:13:10,320 --> 00:13:12,720 Speaker 1: a reflection of who the band was at the time. 233 00:13:13,120 --> 00:13:15,280 Speaker 1: When the band dared to slow down parts of their 234 00:13:15,280 --> 00:13:17,920 Speaker 1: songs on Ride the Lightning and Master Puppets to forego 235 00:13:18,160 --> 00:13:20,800 Speaker 1: speed for Groove, a part of their fan base claimed 236 00:13:20,800 --> 00:13:22,480 Speaker 1: that they were selling out when they made a video 237 00:13:22,760 --> 00:13:25,600 Speaker 1: for their song one from that Injustice for All album, 238 00:13:25,679 --> 00:13:28,600 Speaker 1: a massive record right, A huge portion of their fan 239 00:13:28,640 --> 00:13:31,360 Speaker 1: base at that time was horrified at their beloved thrash 240 00:13:31,400 --> 00:13:35,280 Speaker 1: fans blatant commercialism. Metallica made a music video and for 241 00:13:35,360 --> 00:13:39,360 Speaker 1: a Ballad. Nonetheless all right, people were pissed. And then 242 00:13:39,520 --> 00:13:42,240 Speaker 1: on the Black Album when they brought in Motley crue 243 00:13:42,240 --> 00:13:46,280 Speaker 1: In bon Jovi's producer, Bob Rock, so many fans bailed 244 00:13:46,280 --> 00:13:48,240 Speaker 1: and never came back. I was almost one of them. 245 00:13:48,440 --> 00:13:51,520 Speaker 1: But Metallica never bailed. They kept doing exactly what they 246 00:13:51,520 --> 00:13:55,480 Speaker 1: wanted to do, and slowly but surely, even after the 247 00:13:55,720 --> 00:13:59,600 Speaker 1: explosive worldwide success of the Black Album, in part directly 248 00:13:59,679 --> 00:14:02,800 Speaker 1: because Bob Rock's production and influence on the band's songwriting, 249 00:14:02,920 --> 00:14:05,400 Speaker 1: Metallica grew and grew and grew, and like I said, 250 00:14:05,440 --> 00:14:08,000 Speaker 1: they're still growing forty five years into their career, with 251 00:14:08,160 --> 00:14:11,440 Speaker 1: no signs of slowing down. They made a record with 252 00:14:11,640 --> 00:14:16,200 Speaker 1: Lou Fucking Reed that people hated. Almost everyone who heard 253 00:14:16,200 --> 00:14:18,640 Speaker 1: it shit on this record. Even people who haven't heard 254 00:14:18,679 --> 00:14:20,280 Speaker 1: the record still shit on the record. Look at the 255 00:14:20,320 --> 00:14:23,240 Speaker 1: comment section of the Metallica post that has made on Instagram. 256 00:14:23,400 --> 00:14:27,479 Speaker 1: It's ridiculous, but it doesn't matter. Okay. Metallica has persevered. 257 00:14:27,480 --> 00:14:30,080 Speaker 1: They still sound great, they still look great. They're in 258 00:14:30,120 --> 00:14:33,520 Speaker 1: their sixties, but they're healthy. The heavy metal hedonism is 259 00:14:33,560 --> 00:14:36,240 Speaker 1: in their past. They seem hell bent on continuing to 260 00:14:36,280 --> 00:14:39,600 Speaker 1: move forward like that insatiable, great white shark of an 261 00:14:39,600 --> 00:14:42,840 Speaker 1: institution that they turned themselves into. If Metallica has sold out, 262 00:14:42,880 --> 00:14:46,480 Speaker 1: Metallica has sold out in the best possible way, by 263 00:14:46,480 --> 00:14:49,600 Speaker 1: their own accords, so I guess it wasn't really selling 264 00:14:49,600 --> 00:14:51,840 Speaker 1: out at all. The result was one hundred and seventy 265 00:14:51,840 --> 00:14:56,080 Speaker 1: five million albums sold and counting. Led Zeppelin has sold 266 00:14:56,160 --> 00:14:59,360 Speaker 1: three hundred million albums, but yet to remember, led Zeppelin 267 00:14:59,360 --> 00:15:02,560 Speaker 1: started selling out albums twelve years before Metallica did. Before 268 00:15:02,600 --> 00:15:05,880 Speaker 1: all is said and done, might Metallica catch up to 269 00:15:05,960 --> 00:15:08,920 Speaker 1: led Zeppelin in sales? Might they catch up to Queen? 270 00:15:09,000 --> 00:15:11,960 Speaker 1: If that Queen number is even correct? I don't know. 271 00:15:12,720 --> 00:15:15,720 Speaker 1: But if they don't stop, and they keep doing what 272 00:15:15,760 --> 00:15:18,200 Speaker 1: they've always done, if we wake up twenty years from 273 00:15:18,240 --> 00:15:22,640 Speaker 1: now and Metallica is the rolling Stones of our generation, 274 00:15:22,840 --> 00:15:26,400 Speaker 1: they're still on stage. They're still selling out stadiums, which, 275 00:15:26,560 --> 00:15:30,080 Speaker 1: frankly I can see happening. I don't see them slowing down. 276 00:15:30,560 --> 00:15:33,000 Speaker 1: I think they got a chance. Maybe, I don't know. 277 00:15:33,080 --> 00:15:35,680 Speaker 1: Who knows one hundred and seventy five million, right, who 278 00:15:35,680 --> 00:15:38,320 Speaker 1: knows they're still packing out stadiums? 279 00:15:38,320 --> 00:15:39,600 Speaker 2: Man, guys, this is nuts. 280 00:15:40,520 --> 00:15:43,880 Speaker 1: It's crazy and it's all because they've done whatever the 281 00:15:43,880 --> 00:15:46,400 Speaker 1: hell they've wanted to do, and that spirit of doing 282 00:15:46,440 --> 00:15:50,440 Speaker 1: whatever the hell they want is deeply ingrained in Metallica, 283 00:15:50,520 --> 00:15:53,359 Speaker 1: going all the way back, and of course best represented 284 00:15:53,360 --> 00:15:55,640 Speaker 1: by original bassis Cliff Burton, who is the folks of 285 00:15:55,680 --> 00:15:58,280 Speaker 1: this week's full episode on Metallica, which I hope you 286 00:15:58,360 --> 00:16:01,720 Speaker 1: check out if you have not already. Next week's episode 287 00:16:01,800 --> 00:16:04,880 Speaker 1: of Disgraceland is on actress Brittany Murphy and her highly 288 00:16:04,920 --> 00:16:06,760 Speaker 1: suspicious cause of death. And as you go into that 289 00:16:06,800 --> 00:16:09,000 Speaker 1: episode and they're listening to it and you start to 290 00:16:09,000 --> 00:16:12,080 Speaker 1: hear about how Britney Murphy supposedly died, I want you 291 00:16:12,160 --> 00:16:14,480 Speaker 1: guys to think about the deaths of other entertainers that 292 00:16:14,560 --> 00:16:17,560 Speaker 1: strike you as false, that are suspicious. There are a 293 00:16:17,680 --> 00:16:20,760 Speaker 1: lot we talked about this, of course with the Marilyn 294 00:16:20,800 --> 00:16:23,440 Speaker 1: Monroe episodes. I'm doubling down on it here because these 295 00:16:23,800 --> 00:16:27,040 Speaker 1: the facts around Britney Murphy's death are just highly suspicious, 296 00:16:27,120 --> 00:16:29,440 Speaker 1: and I want to know what you guys think. They 297 00:16:29,440 --> 00:16:32,560 Speaker 1: don't get as much play historically, of course as Marilyn Monroe, 298 00:16:32,560 --> 00:16:35,000 Speaker 1: because Britney Murphy wasn't as big of an entertainer and 299 00:16:35,400 --> 00:16:37,560 Speaker 1: never will be. But I want to hear from you guys. 300 00:16:37,600 --> 00:16:40,760 Speaker 1: Which celebrity causes of death strike you as most suspicious? 301 00:16:40,960 --> 00:16:43,880 Speaker 1: Which celebrity causes of death are you calling bullshit on? 302 00:16:44,240 --> 00:16:46,560 Speaker 1: Call me at six one seven nine oh six six 303 00:16:46,680 --> 00:16:48,720 Speaker 1: six three eight to let me know, Lead me a voicemail, 304 00:16:48,960 --> 00:16:50,840 Speaker 1: send me a text, hit me up on the socials 305 00:16:50,920 --> 00:16:52,560 Speaker 1: at disgracelam pod. 306 00:16:52,600 --> 00:17:17,400 Speaker 2: And I will be back in a flash. 307 00:17:17,440 --> 00:17:20,640 Speaker 1: Okay. With Cliffferton's death at such a young age. Being 308 00:17:20,640 --> 00:17:23,200 Speaker 1: the folks of this week's Metallica episode, we asked the 309 00:17:23,320 --> 00:17:27,479 Speaker 1: question which modern artists can't you afford to lose and why? 310 00:17:27,880 --> 00:17:30,159 Speaker 1: And what do they provide for you that makes them 311 00:17:30,400 --> 00:17:32,600 Speaker 1: so indispensable. Here are some of your answers. 312 00:17:33,119 --> 00:17:37,280 Speaker 3: I just listen to the Metallica episodes and an artist 313 00:17:37,320 --> 00:17:40,639 Speaker 3: that I just can't live without today is Jason Isbell. 314 00:17:42,119 --> 00:17:44,040 Speaker 3: I don't know. It must have been about ten years ago. 315 00:17:44,359 --> 00:17:49,439 Speaker 3: I accidentally played the song Live Oak from his Southeastern album, 316 00:17:49,880 --> 00:17:53,359 Speaker 3: and just by accident. After that, I went back and 317 00:17:53,400 --> 00:17:56,800 Speaker 3: I listened to the entire album then again on repeat, 318 00:17:56,920 --> 00:18:00,320 Speaker 3: over and over again. And after that I had a 319 00:18:00,359 --> 00:18:04,000 Speaker 3: reason to listen to Americana and country music again. Then 320 00:18:04,080 --> 00:18:07,600 Speaker 3: after that came the album Something more Than Free, and 321 00:18:07,640 --> 00:18:11,680 Speaker 3: then the Nashville Sound, then Reunion and now recently Weather Vane, 322 00:18:12,600 --> 00:18:17,040 Speaker 3: And you know, it just speaks to me. Having listened 323 00:18:17,040 --> 00:18:20,359 Speaker 3: to Whalen and Willie an old school country for a 324 00:18:20,400 --> 00:18:23,119 Speaker 3: long time with my dad, I think that's what it 325 00:18:23,160 --> 00:18:25,919 Speaker 3: takes me back to. And I really appreciate that. So, 326 00:18:26,200 --> 00:18:30,200 Speaker 3: Jason Isbelt music really really speaks to me. And thank 327 00:18:30,240 --> 00:18:32,120 Speaker 3: you for the opportunity to talk about it. 328 00:18:32,840 --> 00:18:35,000 Speaker 1: All right, three one oh, thanks for the call. Jason 329 00:18:35,119 --> 00:18:38,080 Speaker 1: Isbel seems like a good guy. I'm going to check 330 00:18:38,080 --> 00:18:41,480 Speaker 1: out Live Oak on my drive today. Incidentally, guys, I 331 00:18:41,480 --> 00:18:44,080 Speaker 1: am still on the road for an extra week here 332 00:18:44,119 --> 00:18:48,040 Speaker 1: that I did not plan for my family and I 333 00:18:48,080 --> 00:18:50,720 Speaker 1: took off about five weeks ago. 334 00:18:50,840 --> 00:18:51,040 Speaker 2: Now. 335 00:18:51,080 --> 00:18:53,199 Speaker 1: Two weeks of it I was a working I was 336 00:18:53,240 --> 00:18:57,680 Speaker 1: working while we were away, and two weeks of it 337 00:18:57,760 --> 00:19:00,159 Speaker 1: was a vacation. So I've been kind of quiet. The 338 00:19:00,160 --> 00:19:03,280 Speaker 1: social has been kind of quiet. In the chat I've 339 00:19:03,280 --> 00:19:05,399 Speaker 1: been popping in this week. I was supposed to be 340 00:19:05,440 --> 00:19:07,600 Speaker 1: fully back in. We're supposed to be home. But for 341 00:19:07,680 --> 00:19:09,800 Speaker 1: those of you on the East coast, you know, there's 342 00:19:09,840 --> 00:19:14,280 Speaker 1: this massive storm that hit the southeast. Our flights were 343 00:19:14,800 --> 00:19:17,320 Speaker 1: totally canceled and there were no flights. There were no 344 00:19:17,400 --> 00:19:22,800 Speaker 1: flights at all that seemed reasonable, that seemed like they 345 00:19:22,840 --> 00:19:25,440 Speaker 1: were actually going to happen. So we ended up driving 346 00:19:26,560 --> 00:19:30,400 Speaker 1: down where We've been driving for two days straight, trying 347 00:19:30,440 --> 00:19:33,240 Speaker 1: to get home, trying to drive around this storm. I'm 348 00:19:33,240 --> 00:19:37,280 Speaker 1: in a hotel recording this episode right now. I am 349 00:19:37,320 --> 00:19:40,520 Speaker 1: not in the booth, as you can probably hear some funky. 350 00:19:40,160 --> 00:19:41,320 Speaker 2: Sounds in the background here. 351 00:19:42,320 --> 00:19:46,040 Speaker 1: But yeah, looking forward to the final drive today and 352 00:19:46,080 --> 00:19:48,720 Speaker 1: I will check out Jason, Isabel and guys. 353 00:19:48,800 --> 00:19:50,600 Speaker 2: I am so looking forward to being back in my 354 00:19:50,720 --> 00:19:53,480 Speaker 2: studio and just you know. 355 00:19:53,560 --> 00:19:56,280 Speaker 1: Back on the socials, back in the chat making all 356 00:19:56,280 --> 00:19:59,600 Speaker 1: the content on a day to day basis as I'm 357 00:19:59,720 --> 00:20:02,639 Speaker 1: used to doing. It's been kind of sporadic, and I'm ready. 358 00:20:02,840 --> 00:20:05,280 Speaker 1: I'm champing at the bit, as they say, and that's champing, 359 00:20:05,400 --> 00:20:08,199 Speaker 1: not chomping. Okay, let's check out this voicemail from the 360 00:20:08,200 --> 00:20:08,800 Speaker 1: eight one to two. 361 00:20:09,640 --> 00:20:13,280 Speaker 4: Hey, Jake, it's Mike calling back again from the eight 362 00:20:13,400 --> 00:20:17,000 Speaker 4: one to two. In response to your question about which 363 00:20:17,200 --> 00:20:22,479 Speaker 4: artists could I not bear the thought of living without. 364 00:20:22,720 --> 00:20:27,679 Speaker 4: I immediately turned to Bruce Springsteen his body of work 365 00:20:27,920 --> 00:20:33,760 Speaker 4: is incredible and amazing. He has written music that has 366 00:20:34,200 --> 00:20:38,159 Speaker 4: fulfilled so many parts of my life and meant so 367 00:20:38,240 --> 00:20:42,280 Speaker 4: much to me in so many ways during so many 368 00:20:42,359 --> 00:20:46,480 Speaker 4: different times. And Yeah, I just could not bear the 369 00:20:46,560 --> 00:20:52,240 Speaker 4: idea of a world without the Boss. Thanks for all 370 00:20:52,320 --> 00:20:55,600 Speaker 4: that you create, and we'll talk again. 371 00:20:55,840 --> 00:21:00,320 Speaker 1: Rock A rolla, Mike, I hear that. I don't know 372 00:21:00,359 --> 00:21:03,720 Speaker 1: what we do without Springsteen either. He like Metallica is 373 00:21:03,760 --> 00:21:08,440 Speaker 1: an institution. Funny, we've never had a Bruce Springsteen Metallica 374 00:21:08,560 --> 00:21:13,040 Speaker 1: collaboration in any form. There's some pretty awesome footage. I 375 00:21:13,080 --> 00:21:14,800 Speaker 1: don't know if you guys have seen this in the internet. 376 00:21:14,840 --> 00:21:17,240 Speaker 1: It's it's Bruce playing. I think he's in New Jersey 377 00:21:17,320 --> 00:21:20,199 Speaker 1: or Manhattan. I think it's Manhattan or it might be 378 00:21:20,400 --> 00:21:25,120 Speaker 1: La and it's there's footage shot from somebody's cell phone 379 00:21:25,200 --> 00:21:29,480 Speaker 1: camera back side stage, and it's of all the celebrities 380 00:21:31,480 --> 00:21:35,480 Speaker 1: watching Bruce play. And this you can see like maybe 381 00:21:35,600 --> 00:21:40,000 Speaker 1: twelve fifteen people there, and among them is Lars from Metallica, 382 00:21:41,040 --> 00:21:46,600 Speaker 1: Chris rock Sting, I believe, a couple others. It's really fascinating, 383 00:21:47,560 --> 00:21:49,240 Speaker 1: but I can see I could see some sort of 384 00:21:49,280 --> 00:21:51,560 Speaker 1: Bruce Springsteen Metallica collaboration. 385 00:21:51,640 --> 00:21:53,320 Speaker 2: There's also some interesting. 386 00:21:52,880 --> 00:21:56,760 Speaker 1: News that came out a couple of years ago, now 387 00:21:56,960 --> 00:21:59,080 Speaker 1: not too long ago, it might have even been less 388 00:21:59,119 --> 00:22:01,840 Speaker 1: than a couple of years. The Dylan Bob Dylan is 389 00:22:01,880 --> 00:22:05,440 Speaker 1: a huge Metallica fan, and that he's seen them multiple times, 390 00:22:05,520 --> 00:22:08,280 Speaker 1: that he just sort of quietly goes to the shows himself. 391 00:22:08,880 --> 00:22:13,800 Speaker 1: Fucking love that story, man, love it. But thanks your 392 00:22:13,840 --> 00:22:16,280 Speaker 1: thanks for your text on uh sorry your voicemail, Mike 393 00:22:16,359 --> 00:22:19,000 Speaker 1: on Bruce. You know, if I'm going to answer my 394 00:22:19,000 --> 00:22:21,679 Speaker 1: own question here, and this is this is a hard 395 00:22:21,680 --> 00:22:25,440 Speaker 1: one to answer because if I'm being totally honest, there's 396 00:22:25,480 --> 00:22:29,160 Speaker 1: not a lot of modern artists that are making music 397 00:22:29,320 --> 00:22:33,680 Speaker 1: currently right now that speaks to me on such a 398 00:22:33,720 --> 00:22:37,640 Speaker 1: heavy emotional level where I would just be kind of like, uh, 399 00:22:38,000 --> 00:22:41,480 Speaker 1: just just annihilated if if they if they passed away. 400 00:22:41,480 --> 00:22:43,600 Speaker 1: I'm not trying to sound hard or crass or anything. 401 00:22:43,680 --> 00:22:46,040 Speaker 1: That's just the facts of it. I'm not I'm not 402 00:22:46,240 --> 00:22:50,440 Speaker 1: that moved by by modern music. Not to say I'm 403 00:22:50,440 --> 00:22:54,200 Speaker 1: not moved by modern musicians. I am, but it's like Metallica. 404 00:22:54,200 --> 00:22:56,160 Speaker 1: I love Metallic, I've grown up with them. As I've said, 405 00:22:56,359 --> 00:22:59,159 Speaker 1: you know talked about ad nauseum and and you know, 406 00:22:59,160 --> 00:23:02,680 Speaker 1: if they passed away James Headfield, god forbid passed away 407 00:23:02,760 --> 00:23:04,840 Speaker 1: or something like that, I would be really fucked up 408 00:23:04,840 --> 00:23:08,280 Speaker 1: over it, to be really sad. But it's not like 409 00:23:08,320 --> 00:23:09,879 Speaker 1: I'd be sitting there going like, h shit, what am 410 00:23:09,920 --> 00:23:12,000 Speaker 1: I gonna do without that next Metallica record? 411 00:23:12,359 --> 00:23:13,879 Speaker 2: So I think of it. I think of it in 412 00:23:13,880 --> 00:23:15,000 Speaker 2: a little different terms. I guess. 413 00:23:15,040 --> 00:23:17,040 Speaker 1: I think about it in terms of like, who's going 414 00:23:17,119 --> 00:23:21,080 Speaker 1: to leave the hole? And I guess for me the answer, 415 00:23:21,920 --> 00:23:23,680 Speaker 1: I mean James Headfield, Yeah, I mean Metallica. 416 00:23:23,720 --> 00:23:26,000 Speaker 2: That's that they'd leave a huge hole. 417 00:23:26,080 --> 00:23:28,640 Speaker 1: It would make me feel like I'm like, I'm getting very, 418 00:23:28,760 --> 00:23:32,280 Speaker 1: very old if Metallica suddenly wasn't here. But I think 419 00:23:32,320 --> 00:23:37,200 Speaker 1: someone like like perhaps Dave Groll, you know, the guy, 420 00:23:37,760 --> 00:23:41,960 Speaker 1: he's just he's been with me. I feel like even 421 00:23:42,000 --> 00:23:44,840 Speaker 1: when he wasn't with me, you know, even before Nirvana, 422 00:23:44,920 --> 00:23:48,480 Speaker 1: when he when Nirvana hit, one of the first things 423 00:23:48,600 --> 00:23:51,520 Speaker 1: I was asking myself was who the fuck is this drummer? 424 00:23:51,560 --> 00:23:53,720 Speaker 1: And then turns out he was in a hardcore band. 425 00:23:54,119 --> 00:23:56,240 Speaker 1: You know, he's in Scream and it's just like, oh 426 00:23:56,280 --> 00:23:59,040 Speaker 1: my god, Like he's a DC hardcore kid, and he's 427 00:23:59,040 --> 00:24:01,080 Speaker 1: in the biggest rock on the planet. And then of 428 00:24:01,119 --> 00:24:03,639 Speaker 1: course Kurt dies, and then the Food Fighters come and 429 00:24:03,760 --> 00:24:06,679 Speaker 1: Dave turns himself and the Food Fighters into an institution, 430 00:24:06,880 --> 00:24:09,720 Speaker 1: and I think, you know, he's sort of been there 431 00:24:09,760 --> 00:24:12,679 Speaker 1: the whole time with us, and that loss would be 432 00:24:12,680 --> 00:24:15,560 Speaker 1: a tremendous one for me to take emotionally for reasons 433 00:24:15,560 --> 00:24:17,480 Speaker 1: that go beyond beyond music. 434 00:24:18,160 --> 00:24:19,119 Speaker 2: So that's my answer. 435 00:24:19,600 --> 00:24:21,920 Speaker 1: Uh, let's check out a couple of texts here, This 436 00:24:21,960 --> 00:24:23,720 Speaker 1: one from the nine to four to Zho Jake, the 437 00:24:23,760 --> 00:24:26,960 Speaker 1: Metallica episode was primo my man. I know you've said 438 00:24:27,040 --> 00:24:29,639 Speaker 1: in the past that you were done with the multipart episodes, 439 00:24:29,680 --> 00:24:31,560 Speaker 1: but Metallica could have been one of those candidates for 440 00:24:31,560 --> 00:24:34,080 Speaker 1: a two or three part deep dive that said the 441 00:24:34,200 --> 00:24:36,240 Speaker 1: artist that I can't live in the world without is 442 00:24:36,240 --> 00:24:40,439 Speaker 1: Maynard James Keenan. Yes, the band Tool has an amazing history, 443 00:24:40,480 --> 00:24:43,359 Speaker 1: a perfect circle is amazing, and Pusifer just turns music 444 00:24:43,400 --> 00:24:46,080 Speaker 1: in its head. But Maynard as an artist and an 445 00:24:46,080 --> 00:24:48,520 Speaker 1: individual is like a cult leader. You have to dig 446 00:24:48,560 --> 00:24:51,560 Speaker 1: into his history from Boston, Michigan, to serving in the army, 447 00:24:51,600 --> 00:24:54,280 Speaker 1: going to LA to become an interior designer to becoming 448 00:24:54,280 --> 00:24:57,479 Speaker 1: one of the America's most respected winemakers. Dig in and 449 00:24:57,560 --> 00:25:00,959 Speaker 1: check him out, best and rock a roll, Casey Casey, 450 00:25:01,080 --> 00:25:02,480 Speaker 1: great fucking text, man. 451 00:25:02,760 --> 00:25:04,320 Speaker 2: I'm reading it for obvious reasons. 452 00:25:04,400 --> 00:25:06,960 Speaker 1: It's very apropos for everything we've been talking about in 453 00:25:07,000 --> 00:25:12,399 Speaker 1: this bonus episode Metallica. Yes, there will be. I can't 454 00:25:12,440 --> 00:25:12,960 Speaker 1: stop doing. 455 00:25:13,000 --> 00:25:13,480 Speaker 2: First of all, I. 456 00:25:13,440 --> 00:25:16,560 Speaker 1: Can't stop doing two part episodes. The problem is, I 457 00:25:16,600 --> 00:25:18,880 Speaker 1: just got to figure out how to release them. It's 458 00:25:18,920 --> 00:25:21,200 Speaker 1: it's hard. It's hard to figure out how to release 459 00:25:21,240 --> 00:25:23,359 Speaker 1: the two part episodes because you kind of get dinged. 460 00:25:23,560 --> 00:25:25,000 Speaker 1: You don't kind of get you don't get the credit 461 00:25:25,080 --> 00:25:26,400 Speaker 1: for it. I don't want to go into the details. 462 00:25:26,640 --> 00:25:30,760 Speaker 1: But anyhow, this Cliff Burton, this is really a Cliff 463 00:25:30,800 --> 00:25:34,160 Speaker 1: Burton episode. And there's so much of Metallica's history that 464 00:25:34,400 --> 00:25:37,680 Speaker 1: I want to dive into research wise and I want 465 00:25:37,680 --> 00:25:39,320 Speaker 1: to bring to you guys. So there will be more 466 00:25:39,359 --> 00:25:45,560 Speaker 1: Metallica episode episodes, at least in a second perhaps the third. Okay, 467 00:25:46,040 --> 00:25:48,560 Speaker 1: on tool, thank you you know. 468 00:25:48,840 --> 00:25:51,480 Speaker 2: I knew. I knew Maynard has a Boston connection. I 469 00:25:51,520 --> 00:25:52,000 Speaker 2: believe he. 470 00:25:52,000 --> 00:25:53,960 Speaker 1: Lives in the same neighborhood I lived in at a 471 00:25:53,960 --> 00:25:58,280 Speaker 1: different time in Davis Square, Summerville. I could be wrong. 472 00:25:59,119 --> 00:26:01,760 Speaker 1: That was a long long time ago. When I saw 473 00:26:01,760 --> 00:26:05,600 Speaker 1: a Tool in Boston years ago. I remember him specifically 474 00:26:05,640 --> 00:26:10,119 Speaker 1: cutting down Somerville residents, which I thought was hysterical at 475 00:26:10,119 --> 00:26:11,840 Speaker 1: the time. A lot of people didn't think it was funny. 476 00:26:12,440 --> 00:26:13,280 Speaker 1: I of course did. 477 00:26:14,240 --> 00:26:16,800 Speaker 2: I will look. I got to get into a tool, 478 00:26:16,920 --> 00:26:17,640 Speaker 2: I got to get into. 479 00:26:17,560 --> 00:26:19,560 Speaker 1: The history of tool. I got to find an angle 480 00:26:19,640 --> 00:26:23,040 Speaker 1: in to do a tool story. That's that's my takeaway 481 00:26:23,040 --> 00:26:25,280 Speaker 1: from the engagement this week. So I appreciate this one 482 00:26:25,320 --> 00:26:28,240 Speaker 1: nine to four oh three oh six types in Hey 483 00:26:28,359 --> 00:26:31,360 Speaker 1: heavy Metal Parking Lot. Yes, back in the weird era 484 00:26:31,480 --> 00:26:34,399 Speaker 1: between the death of video rentals and before streaming, I 485 00:26:34,480 --> 00:26:37,080 Speaker 1: rented through the mail at DVD of this show and 486 00:26:37,119 --> 00:26:38,920 Speaker 1: there was a bonus doc where they found some of 487 00:26:38,960 --> 00:26:42,040 Speaker 1: the iconic concertgoers. I wish I could find it again anyway. 488 00:26:42,119 --> 00:26:44,159 Speaker 1: Love the podcast. It's like listening to one of my 489 00:26:44,200 --> 00:26:46,880 Speaker 1: friends in the garage, chewing on wild pop culture. 490 00:26:46,560 --> 00:26:47,480 Speaker 2: Moments in our lives. 491 00:26:47,680 --> 00:26:51,240 Speaker 1: Keep on being rad from Blondie, Blondie, you got It, 492 00:26:51,359 --> 00:26:54,199 Speaker 1: three oh six, you got it? Great text. Appreciate it, 493 00:26:54,720 --> 00:26:57,080 Speaker 1: Davis writes, and Hey Jake. It's Davis from the five 494 00:26:57,160 --> 00:26:59,520 Speaker 1: to one four. I've been an All Access members since 495 00:26:59,560 --> 00:27:02,199 Speaker 1: day one and I love every minute. How about offering 496 00:27:02,240 --> 00:27:04,560 Speaker 1: many episodes to us members. I like the idea of 497 00:27:04,560 --> 00:27:07,919 Speaker 1: a five to ten minute episodes of specific events in 498 00:27:08,000 --> 00:27:10,240 Speaker 1: music history. That way, you don't have to tell a 499 00:27:10,240 --> 00:27:12,480 Speaker 1: full story. You just could talk about a specific event. 500 00:27:12,760 --> 00:27:14,440 Speaker 1: It's particularly disgraceful. 501 00:27:14,480 --> 00:27:15,199 Speaker 2: Sounds fun to me. 502 00:27:15,280 --> 00:27:17,240 Speaker 1: Take it easy, my man, rock and roll at Davis. 503 00:27:17,240 --> 00:27:21,719 Speaker 1: Great text, man, great idea. I've been chewing on something 504 00:27:21,760 --> 00:27:24,960 Speaker 1: that's kind of similar to that, and this kind of 505 00:27:24,960 --> 00:27:28,040 Speaker 1: gives me, gives me some more color and more context 506 00:27:28,400 --> 00:27:31,159 Speaker 1: to continue to kind of roll this idea around in 507 00:27:31,160 --> 00:27:34,440 Speaker 1: my head. Appreciate you. Appreciate the All Access members. Guys, 508 00:27:34,440 --> 00:27:36,359 Speaker 1: you want to become an All Access member like Davis. 509 00:27:36,359 --> 00:27:38,880 Speaker 1: What he's referring to is is this All Access member 510 00:27:38,880 --> 00:27:41,280 Speaker 1: club we have. I talk about it every week. It's 511 00:27:41,640 --> 00:27:44,560 Speaker 1: you go to disgracelandpod dot com slash membership. 512 00:27:44,560 --> 00:27:45,920 Speaker 2: You're going to get ad free episodes. 513 00:27:46,080 --> 00:27:48,200 Speaker 1: You're going to get a free episode every week, and 514 00:27:48,600 --> 00:27:51,879 Speaker 1: some other goodies as well. Trying to figure out how 515 00:27:51,920 --> 00:27:54,199 Speaker 1: to make this more valuable for you, guys, For you 516 00:27:54,240 --> 00:27:56,119 Speaker 1: all Access members, trying to figure out if what we 517 00:27:56,240 --> 00:27:59,280 Speaker 1: are offering is valuable enough for you, if perhaps we 518 00:27:59,280 --> 00:28:01,600 Speaker 1: should be doing something else. I'm not sure that's what 519 00:28:01,680 --> 00:28:04,439 Speaker 1: Davis is referring to. Okay, you can also hit us 520 00:28:04,520 --> 00:28:07,320 Speaker 1: up as you know at disgracelan pod on Instagram, on 521 00:28:07,680 --> 00:28:11,960 Speaker 1: x Facebook, TikTok at shepcre Chris on Instagram rights Ronnie 522 00:28:12,000 --> 00:28:14,560 Speaker 1: James Dio was a hard one to get over, and he, 523 00:28:14,640 --> 00:28:17,640 Speaker 1: of course is answering this question to what artists can't 524 00:28:17,640 --> 00:28:20,240 Speaker 1: you live without? And I bring this up because I 525 00:28:20,359 --> 00:28:23,040 Speaker 1: was shocked at Dio's place on the list of top 526 00:28:23,080 --> 00:28:27,720 Speaker 1: selling albums of all time and in the Instagram post 527 00:28:27,760 --> 00:28:29,679 Speaker 1: I did on Cliff it was either the real I 528 00:28:29,720 --> 00:28:33,600 Speaker 1: posted on Cliff Burton yesterday or it was the Metallica 529 00:28:34,280 --> 00:28:36,640 Speaker 1: just the straight post and the grid. Someone had made 530 00:28:36,680 --> 00:28:40,120 Speaker 1: a similar comment. I forgive me, I don't I don't 531 00:28:40,160 --> 00:28:41,440 Speaker 1: have your handle in front of me at the time, 532 00:28:41,440 --> 00:28:43,760 Speaker 1: but a similar comment about do you can read it there? 533 00:28:44,200 --> 00:28:46,600 Speaker 1: And I'm just a little shocked to see the d 534 00:28:46,760 --> 00:28:49,120 Speaker 1: O love I really truly am I did you know? 535 00:28:49,200 --> 00:28:52,040 Speaker 2: I love this? Though? I love that you know, I'm 536 00:28:52,120 --> 00:28:53,320 Speaker 2: learning the depths of. 537 00:28:55,440 --> 00:28:58,200 Speaker 1: Appreciation for bands that I just kind of knew were there, 538 00:28:58,240 --> 00:28:59,880 Speaker 1: and I know people were into them, but I didn't. 539 00:29:00,120 --> 00:29:03,320 Speaker 1: Let's have the emotional connection to uh to you, guys, 540 00:29:03,400 --> 00:29:05,240 Speaker 1: d O being one tool being the other. 541 00:29:07,680 --> 00:29:10,840 Speaker 2: I think, I think, guys, is there a d episode there? 542 00:29:10,960 --> 00:29:11,360 Speaker 2: Let me know? 543 00:29:11,440 --> 00:29:13,920 Speaker 1: Six one seven nine oh six six six three eight. 544 00:29:14,040 --> 00:29:17,360 Speaker 1: Uncle Jesse's Twins writes, Hey, where's the merch? Well listen 545 00:29:17,440 --> 00:29:21,880 Speaker 1: Uncle Jesse's Twins. The merch is at www dot disgracelandpod 546 00:29:22,000 --> 00:29:25,360 Speaker 1: dot com slash merch. I want you guys to stick 547 00:29:25,400 --> 00:29:27,840 Speaker 1: around a bit. I will be back on the other side. 548 00:29:27,920 --> 00:29:30,840 Speaker 1: I've got some merch for some winners, some folks of 549 00:29:30,920 --> 00:29:35,760 Speaker 1: y'all who have been shouting out Disgraceland leaving reviews for us. 550 00:29:35,960 --> 00:29:37,920 Speaker 1: I got some merch. I'm gonna announce those winners on 551 00:29:37,960 --> 00:29:54,840 Speaker 1: the other side. Take it a quick break, all right, guys, 552 00:29:54,880 --> 00:29:57,280 Speaker 1: we are back. As you know, you can leave a 553 00:29:57,280 --> 00:30:02,160 Speaker 1: review for Disgraceland on Apple podcast or on Spotify. Every 554 00:30:02,200 --> 00:30:06,320 Speaker 1: week we find one of these generous reviewers, and as 555 00:30:06,320 --> 00:30:09,920 Speaker 1: a as a former gratitude, we send out some merch, 556 00:30:10,040 --> 00:30:12,280 Speaker 1: some free merch to these reviewers. This week, Let's see 557 00:30:12,280 --> 00:30:14,240 Speaker 1: what we got here this week, I wanted to read 558 00:30:14,320 --> 00:30:19,520 Speaker 1: this review on Spotify from mister dot Son of Jack. 559 00:30:19,560 --> 00:30:22,560 Speaker 1: As a longtime Metallica fan how long. My friend Danny 560 00:30:22,600 --> 00:30:24,400 Speaker 1: gave me a tape copy of their demo that he 561 00:30:24,440 --> 00:30:26,720 Speaker 1: got when he visited California. I don't know who Danny is, 562 00:30:26,760 --> 00:30:29,480 Speaker 1: but I like this review. I've seen them over thirty times, 563 00:30:29,480 --> 00:30:31,960 Speaker 1: bumped into Lars and James and New York nightclubs, and 564 00:30:32,000 --> 00:30:34,800 Speaker 1: of every album the first five on vinyl, and their 565 00:30:34,920 --> 00:30:38,280 Speaker 1: submissions to the Metal Massacre album series. This is probably 566 00:30:38,320 --> 00:30:41,040 Speaker 1: one of the best episodes since, in my opinion, your 567 00:30:41,080 --> 00:30:44,440 Speaker 1: best episode, which is Prince summed up in three words, 568 00:30:44,720 --> 00:30:47,600 Speaker 1: you nailed it. Thank you, mister sonner Jack. 569 00:30:47,680 --> 00:30:48,640 Speaker 2: Hit me up. Mister son and. 570 00:30:48,680 --> 00:30:51,760 Speaker 1: Jack, you can hit me up on Spotify, just comment 571 00:30:51,800 --> 00:30:53,360 Speaker 1: on your post here. You can hit me up at 572 00:30:53,360 --> 00:30:55,280 Speaker 1: this Grace Lampard. You can call me six one seven 573 00:30:55,360 --> 00:30:57,680 Speaker 1: nine o six six six three eight. Lots of ways 574 00:30:57,680 --> 00:30:59,360 Speaker 1: to get touched. Let me know you heard this and 575 00:30:59,400 --> 00:31:03,560 Speaker 1: we will get you some free merch. Appreciate this over 576 00:31:03,640 --> 00:31:09,200 Speaker 1: on Apple Podcasts, Sunbury writes madly entertaining Jake as a 577 00:31:09,240 --> 00:31:12,280 Speaker 1: wonderful storyteller. I've learned so much about artists and actors 578 00:31:12,320 --> 00:31:13,920 Speaker 1: that I thought I knew. This is my go to 579 00:31:14,240 --> 00:31:18,720 Speaker 1: podcast for working out or for walking by far Sunbury, 580 00:31:18,720 --> 00:31:19,440 Speaker 1: thank you for the review. 581 00:31:19,480 --> 00:31:20,120 Speaker 2: I appreciate it. 582 00:31:20,160 --> 00:31:22,920 Speaker 1: Guys, Apple Podcasts, Spotify, hit us up with a good review. 583 00:31:23,040 --> 00:31:25,400 Speaker 1: You're gonna get some free merch like Sunbury and like 584 00:31:25,480 --> 00:31:28,360 Speaker 1: mister sun of Jack. Guys, get in touch, we will 585 00:31:28,360 --> 00:31:31,040 Speaker 1: hook you up. I want to read this email here 586 00:31:31,080 --> 00:31:34,000 Speaker 1: Disgrace lampod at gmail dot com. Okay, hit us up, 587 00:31:34,000 --> 00:31:36,800 Speaker 1: you want to email. This one is from Emily Keffer. 588 00:31:36,880 --> 00:31:40,160 Speaker 1: I like this one. A couple after parties ago, we 589 00:31:40,160 --> 00:31:43,480 Speaker 1: were talking about our formative years. This one comes from 590 00:31:43,920 --> 00:31:47,520 Speaker 1: Emily Keffer in the subject is formative years Messages. Hey, Jake, 591 00:31:47,840 --> 00:31:49,920 Speaker 1: heard you talk about how nineteen ninety was a big 592 00:31:49,960 --> 00:31:52,720 Speaker 1: formative year for you. That year was also a significant 593 00:31:52,720 --> 00:31:55,920 Speaker 1: time for me, specifically the summer of nineteen ninety. I 594 00:31:55,960 --> 00:31:58,320 Speaker 1: was just about to enter the seventh grade. I read 595 00:31:58,320 --> 00:32:01,080 Speaker 1: The Outsiders and my young eyes to see Tommy Lee 596 00:32:01,080 --> 00:32:03,760 Speaker 1: doing his drum solo over the crowd before landing back 597 00:32:03,800 --> 00:32:07,400 Speaker 1: on stage, sporting his leather thong and proceeding to moon 598 00:32:07,520 --> 00:32:10,760 Speaker 1: the crowd. As a coming of age preteen that was exciting. 599 00:32:11,000 --> 00:32:13,720 Speaker 1: Let's not forget the Judas pre suicide trial that happened 600 00:32:13,760 --> 00:32:16,280 Speaker 1: that year, which had to do with teen suicide. Also, 601 00:32:16,360 --> 00:32:18,480 Speaker 1: one of my all time favorite movies came out during 602 00:32:18,480 --> 00:32:21,959 Speaker 1: that time called Pump Up the Volumes starring Christian Slater. 603 00:32:22,200 --> 00:32:23,840 Speaker 1: Thanks for all that you do. You help me get 604 00:32:23,840 --> 00:32:27,160 Speaker 1: through the hours of monotonous work. I love your show, Emily. 605 00:32:27,160 --> 00:32:30,280 Speaker 1: Thanks for the email. I appreciate it. I too saw 606 00:32:30,360 --> 00:32:32,640 Speaker 1: Pump Up the Volume in the theaters when it came out. 607 00:32:32,760 --> 00:32:35,600 Speaker 1: I was also all of us, all my friends and 608 00:32:35,640 --> 00:32:38,880 Speaker 1: all of us were shocked and horrified by the Judas 609 00:32:38,880 --> 00:32:41,240 Speaker 1: pre suicide trial. I remember that as being earlier than 610 00:32:41,320 --> 00:32:44,440 Speaker 1: nineteen ninety though, but maybe I'm just misremembering that. And 611 00:32:44,760 --> 00:32:47,480 Speaker 1: the Tommy Lee thing with the drum kit going out 612 00:32:47,480 --> 00:32:50,320 Speaker 1: into the audience, and you know, it was just a revelation. 613 00:32:50,600 --> 00:32:52,080 Speaker 1: It was like one of those things that went around 614 00:32:52,080 --> 00:32:54,400 Speaker 1: the neighborhood. Everybody was talking about it when it started happened. 615 00:32:54,400 --> 00:32:57,280 Speaker 1: That was the Theater of Pain tour, which also I 616 00:32:57,360 --> 00:32:59,560 Speaker 1: remember is being pre nineteen ninety. But you know what, 617 00:32:59,640 --> 00:33:01,959 Speaker 1: I think might have debuted that little trick on the 618 00:33:01,960 --> 00:33:05,360 Speaker 1: Theater of Paine Tour and then ended up just continuing 619 00:33:05,960 --> 00:33:07,240 Speaker 1: to do it at shows. 620 00:33:07,720 --> 00:33:09,120 Speaker 2: Emily, thanks for the email. 621 00:33:09,160 --> 00:33:11,920 Speaker 1: Guys, hit me up Disgrace lampod at gmail dot com. 622 00:33:11,920 --> 00:33:14,200 Speaker 1: On the emails, you can respond to any of these 623 00:33:14,280 --> 00:33:16,280 Speaker 1: questions we're talking about any of these topics, any of 624 00:33:16,280 --> 00:33:17,719 Speaker 1: these themes, or you can just hit me up talk 625 00:33:17,720 --> 00:33:20,160 Speaker 1: about whatever you want to talk about. All right, guys, 626 00:33:20,160 --> 00:33:22,640 Speaker 1: this episode is nearing its end, but the after party 627 00:33:22,680 --> 00:33:25,320 Speaker 1: is going to continue. For our All Access members which 628 00:33:25,360 --> 00:33:27,040 Speaker 1: I mentioned before, you can sign up today. You're going 629 00:33:27,080 --> 00:33:28,880 Speaker 1: to hear an extended version of this after party. I 630 00:33:28,920 --> 00:33:30,720 Speaker 1: got a nice little story on Lars Alrek and I'm 631 00:33:30,720 --> 00:33:33,880 Speaker 1: excited to share with you an alleged story. I should say, 632 00:33:34,640 --> 00:33:37,080 Speaker 1: you know, all Access membership it also gets you, you know, 633 00:33:37,120 --> 00:33:40,240 Speaker 1: in addition to this free portion of the bonus episode here, 634 00:33:40,240 --> 00:33:41,960 Speaker 1: you're gonna get add free listening. You're gonna get an 635 00:33:42,000 --> 00:33:45,080 Speaker 1: extra full episode per month. All you gotta do is 636 00:33:45,120 --> 00:33:48,320 Speaker 1: go to disgrace lampod dot com slash membership. 637 00:33:50,880 --> 00:34:06,440 Speaker 5: All right, welcome back. 638 00:34:06,480 --> 00:34:08,279 Speaker 1: I'm about to get out of here, but before I do, 639 00:34:08,400 --> 00:34:11,200 Speaker 1: before next week's Britney Murphy episode, guys, there's going to 640 00:34:11,200 --> 00:34:13,319 Speaker 1: be a rewind episode from our archive popping up in 641 00:34:13,360 --> 00:34:16,120 Speaker 1: your fees. We have so many episodes in our archive. 642 00:34:16,200 --> 00:34:18,920 Speaker 1: We talked a lot about top selling artists today. In 643 00:34:18,960 --> 00:34:22,200 Speaker 1: this bonus episode, we talked about the Beatles, led Zeppelin, Madonna, 644 00:34:22,239 --> 00:34:24,560 Speaker 1: and Pink Floyd, all artists that are on the list 645 00:34:24,600 --> 00:34:27,279 Speaker 1: of top ten selling artists of all time and are 646 00:34:27,320 --> 00:34:30,960 Speaker 1: all artists that we've covered in Disgraceland. We have nine 647 00:34:31,120 --> 00:34:35,560 Speaker 1: episodes on the Beatles, but episode seventy three and seventy 648 00:34:35,600 --> 00:34:39,000 Speaker 1: four from February and March of twenty twenty one. Our 649 00:34:39,040 --> 00:34:41,320 Speaker 1: two of my favorite Beatles episodes are available in the 650 00:34:41,400 --> 00:34:43,600 Speaker 1: archive for you to listen to right now. Our led 651 00:34:43,680 --> 00:34:46,000 Speaker 1: Zeppelin episode. That one came out back in October of 652 00:34:46,040 --> 00:34:49,120 Speaker 1: twenty nineteen. That's episode thirty nine in your archive. 653 00:34:49,440 --> 00:34:50,000 Speaker 2: Madonna. 654 00:34:50,160 --> 00:34:53,040 Speaker 1: I love this episode because it's kind of a love 655 00:34:53,120 --> 00:34:55,960 Speaker 1: letter to early eighties New York City. This episode came 656 00:34:56,000 --> 00:34:58,319 Speaker 1: out around the same time as that Zeppelin. Episodes from 657 00:34:58,320 --> 00:35:02,040 Speaker 1: the same season also came out in October of twenty nineteen. 658 00:35:02,120 --> 00:35:04,839 Speaker 1: The Madonna episode for you guys is episode number forty two. 659 00:35:04,880 --> 00:35:08,080 Speaker 1: If you're interested in our Pink Floyd episode, Episode one 660 00:35:08,200 --> 00:35:11,759 Speaker 1: hundred and seven came out August ninth, twenty twenty two, 661 00:35:12,160 --> 00:35:13,680 Speaker 1: and it is also. 662 00:35:13,440 --> 00:35:15,200 Speaker 2: Ready for you in the archive to check out. 663 00:35:15,520 --> 00:35:18,279 Speaker 1: So that brings us nearly to an end, folks. So 664 00:35:18,360 --> 00:35:20,479 Speaker 1: let's recap this number one right now in your feed. 665 00:35:20,520 --> 00:35:23,240 Speaker 1: A brand new episode on Metallica number two coming tomorrow 666 00:35:23,360 --> 00:35:25,920 Speaker 1: special rewind episode from our archive, and we are talking 667 00:35:25,960 --> 00:35:29,239 Speaker 1: Brittany Murphy next week. And celebrity causes of death that 668 00:35:29,280 --> 00:35:31,880 Speaker 1: we are not buying that are suspicious. I want to 669 00:35:31,880 --> 00:35:35,480 Speaker 1: know which celebrity causes of death sound too suspicious to you, guys. 670 00:35:35,560 --> 00:35:38,000 Speaker 1: Hit me up six one seven, nine oh six six 671 00:35:38,120 --> 00:35:40,239 Speaker 1: sixty three eight and tell me call me on the 672 00:35:40,239 --> 00:35:41,839 Speaker 1: telephone to send me a text to hit me up 673 00:35:41,840 --> 00:35:43,680 Speaker 1: at disgrace lampod on the Socials. 674 00:35:43,960 --> 00:35:45,680 Speaker 2: Number three, merch winners. 675 00:35:45,280 --> 00:35:46,879 Speaker 1: Get in touch. You know who you are. 676 00:35:47,239 --> 00:35:47,799 Speaker 2: Number four. 677 00:35:47,960 --> 00:35:51,000 Speaker 1: Remember, no one cares about great storytelling more than you 678 00:35:51,120 --> 00:35:51,560 Speaker 1: doing well. 679 00:35:51,600 --> 00:35:52,799 Speaker 2: That's a disgrace, all right. 680 00:35:52,920 --> 00:35:56,040 Speaker 1: In honor of the great Cliff Burton from Metallica, this 681 00:35:56,280 --> 00:35:58,960 Speaker 1: is me reading to you the Billboard charts from the 682 00:35:59,000 --> 00:36:02,360 Speaker 1: week of September two, twenty seventh, nineteen eighty six, the 683 00:36:02,440 --> 00:36:08,680 Speaker 1: week Cliff Burton died. Number one. Stuck with you, Huey 684 00:36:08,719 --> 00:36:13,520 Speaker 1: Lewis in the news last week one peak position one 685 00:36:13,880 --> 00:36:19,080 Speaker 1: weeks on Chart nine, number two. Friends and Lovers Carl 686 00:36:19,200 --> 00:36:24,719 Speaker 1: Anderson and Glory Loring. Last week three, peak position two 687 00:36:25,160 --> 00:36:30,080 Speaker 1: weeks on Chart thirteen, number three. Dancing on the Ceiling 688 00:36:30,640 --> 00:36:34,719 Speaker 1: Lionel Richie last week number two weeks peak position two 689 00:36:35,160 --> 00:36:39,719 Speaker 1: weeks on chart weeks eleft weeks number four, Way number 690 00:36:39,760 --> 00:36:45,120 Speaker 1: three the last last sec peak position position two six 691 00:36:45,160 --> 00:36:55,640 Speaker 1: weeks position number five number forget number last peak position 692 00:36:55,680 --> 00:37:06,240 Speaker 1: peaks on Art number six. Quit talking and start mixing.