1 00:00:03,080 --> 00:00:05,920 Speaker 1: Welcome to Stuff to Blow Your Mind from how Stuff 2 00:00:05,920 --> 00:00:15,440 Speaker 1: Works dot com. Hey, welcome to Stuff to Blow your Mind. 3 00:00:15,480 --> 00:00:18,080 Speaker 1: My name is Robert Lamb and I'm Joe McCormick. In today, 4 00:00:18,160 --> 00:00:21,240 Speaker 1: we are going to be waiting into the murky pool 5 00:00:21,880 --> 00:00:25,400 Speaker 1: of immortality and and the deep waters that lie beyond. 6 00:00:25,880 --> 00:00:29,520 Speaker 1: That's right. And since we just celebrated Chinese New Year 7 00:00:29,520 --> 00:00:32,479 Speaker 1: and we're now officially in the Year of the Rooster, 8 00:00:32,600 --> 00:00:36,239 Speaker 1: the fire Rooster, uh, it seemed appropriate to focus in 9 00:00:36,320 --> 00:00:41,919 Speaker 1: on Chinese immortality because certainly immortality is is big business 10 00:00:42,479 --> 00:00:45,920 Speaker 1: for us humans. And any myth cycle that you find 11 00:00:46,520 --> 00:00:49,400 Speaker 1: is going to have a few immortals jumping around in there. 12 00:00:49,920 --> 00:00:53,080 Speaker 1: A few there's usually a lot of yeah, yeah, a 13 00:00:53,159 --> 00:00:59,280 Speaker 1: few a lot. You're gonna have some some undying heroes, gods, demigods, etcetera. 14 00:00:59,760 --> 00:01:03,360 Speaker 1: You know, whalen on each other, uh having a lot 15 00:01:03,400 --> 00:01:06,880 Speaker 1: of the emotions about their undying state, that sort of thing. 16 00:01:07,360 --> 00:01:10,560 Speaker 1: And there's just each each culture, each myth cycle is 17 00:01:10,560 --> 00:01:12,760 Speaker 1: going to have a pretty rich history of this and 18 00:01:12,959 --> 00:01:16,280 Speaker 1: and as well as their own mix of universal ideas 19 00:01:16,360 --> 00:01:22,360 Speaker 1: and individual cultural ideas regarding UH life, undying. Yeah, I 20 00:01:22,400 --> 00:01:26,399 Speaker 1: think it's very interesting to look at the diversity of 21 00:01:26,560 --> 00:01:29,760 Speaker 1: the ideas of transcending death, but like what what they 22 00:01:29,800 --> 00:01:32,800 Speaker 1: all remain or what they all have in common? I 23 00:01:32,800 --> 00:01:35,920 Speaker 1: guess yeah. Uh so, all over the world you see 24 00:01:35,959 --> 00:01:39,200 Speaker 1: ideas about the survival of death or about ways that 25 00:01:39,280 --> 00:01:43,920 Speaker 1: one could prolong ones life indefinitely, um and and there's 26 00:01:43,959 --> 00:01:46,840 Speaker 1: so many details that change, like do you do you 27 00:01:46,840 --> 00:01:50,160 Speaker 1: you survive death in some kind of immaterial state? Do 28 00:01:50,240 --> 00:01:53,040 Speaker 1: you go to a different place or do you stay 29 00:01:53,080 --> 00:01:56,320 Speaker 1: in the same place. Are there beings that naturally live 30 00:01:56,400 --> 00:01:59,320 Speaker 1: forever or do they have to do something to sustain 31 00:01:59,400 --> 00:02:01,200 Speaker 1: their immort plity? You know, do you have to eat 32 00:02:01,240 --> 00:02:05,480 Speaker 1: the fruit of of continued existence? And I don't know. 33 00:02:05,560 --> 00:02:07,960 Speaker 1: I love that there there are all these little fruits 34 00:02:08,000 --> 00:02:10,359 Speaker 1: that grow off the tree of the idea of immortality 35 00:02:10,400 --> 00:02:13,359 Speaker 1: that are very different in various But the thing you've 36 00:02:13,360 --> 00:02:16,720 Speaker 1: always got there is that you don't want to stop 37 00:02:16,800 --> 00:02:20,680 Speaker 1: being there in your mind, right, Yeah, it's I mean, 38 00:02:20,680 --> 00:02:23,959 Speaker 1: it's part of being human. Our earliest recorded stories, you 39 00:02:24,000 --> 00:02:26,560 Speaker 1: can go back to the Epic of Gilgamesh in there 40 00:02:26,600 --> 00:02:29,480 Speaker 1: there are that there's a plot line there about the 41 00:02:29,560 --> 00:02:33,400 Speaker 1: quest for immortality. But in this episode, we're going to 42 00:02:33,520 --> 00:02:37,800 Speaker 1: focus in on Chinese mythology. And when I say focus, 43 00:02:38,240 --> 00:02:42,320 Speaker 1: focus is maybe a poor word because Chinese mythology is 44 00:02:42,400 --> 00:02:45,120 Speaker 1: a is a is a big tent and we'll get 45 00:02:45,240 --> 00:02:48,560 Speaker 1: into into that as we go here. But but the 46 00:02:48,639 --> 00:02:53,280 Speaker 1: Chinese treatment on the idea, uh, definitely have this mix 47 00:02:53,320 --> 00:02:57,920 Speaker 1: of like universal ideas concerning living forever as well as 48 00:02:57,960 --> 00:03:02,040 Speaker 1: some uniquely Chinese ideas. We also want to you know, 49 00:03:02,120 --> 00:03:03,840 Speaker 1: drive home here that you know, we know we have 50 00:03:03,880 --> 00:03:06,120 Speaker 1: a number of Chinese listeners out there or listeners who 51 00:03:06,160 --> 00:03:09,560 Speaker 1: grew up amid Chinese culture, so certainly feel free to 52 00:03:09,639 --> 00:03:11,680 Speaker 1: chine in on any of this. I always love to 53 00:03:11,680 --> 00:03:14,160 Speaker 1: hear from folks on on this topic and you help 54 00:03:14,280 --> 00:03:17,520 Speaker 1: clarify things with your experience and provide specific takes on 55 00:03:17,520 --> 00:03:21,040 Speaker 1: traditions and and tales that are often, you know, quite 56 00:03:21,120 --> 00:03:24,080 Speaker 1: varied across the vast time and space of Chinese culture. 57 00:03:24,360 --> 00:03:26,399 Speaker 1: Right now, first of all, we should probably just take 58 00:03:26,600 --> 00:03:29,640 Speaker 1: another step back from the specifics of Chinese culture and 59 00:03:29,720 --> 00:03:32,200 Speaker 1: just talk about again about why we are so obsessed 60 00:03:32,800 --> 00:03:37,200 Speaker 1: with immortality. Yeah, I guess that's a good thing to do. Like, 61 00:03:37,400 --> 00:03:41,360 Speaker 1: what what is this concept? Because immortality is not something 62 00:03:41,400 --> 00:03:44,880 Speaker 1: that is necessarily found in nature, So why is it 63 00:03:44,960 --> 00:03:48,080 Speaker 1: such an obsession? I guess maybe I could frame it 64 00:03:48,120 --> 00:03:50,040 Speaker 1: like this, I'm gonna ask a stupid question. I like 65 00:03:50,160 --> 00:03:52,320 Speaker 1: doing this on the podcast to ask a stupid question 66 00:03:52,360 --> 00:03:54,320 Speaker 1: because a lot of the ideas that I find most 67 00:03:54,360 --> 00:03:58,360 Speaker 1: interesting somehow start from intentionally asking a stupid question. And 68 00:03:58,400 --> 00:04:02,640 Speaker 1: here it is, why we want to keep living? Why 69 00:04:02,680 --> 00:04:05,680 Speaker 1: do all animals have what appears to be an overwhelming 70 00:04:05,760 --> 00:04:09,680 Speaker 1: desire not to die? Part of the answer is going 71 00:04:09,760 --> 00:04:12,280 Speaker 1: to be obvious, of course, right, So if you think 72 00:04:12,320 --> 00:04:16,080 Speaker 1: about the evolutionary basis for behaviors and drives that we have, 73 00:04:16,520 --> 00:04:20,880 Speaker 1: one of the most basic drives we have is for reproduction, 74 00:04:20,960 --> 00:04:23,520 Speaker 1: of course, but pretty much all the other ones are 75 00:04:23,560 --> 00:04:27,599 Speaker 1: based around survival. So genes that lead an organism to 76 00:04:27,640 --> 00:04:30,240 Speaker 1: have more descendants are going to flourish in the gene pool, 77 00:04:30,600 --> 00:04:34,760 Speaker 1: and so organisms that do not desire strongly to survive seem, 78 00:04:34,920 --> 00:04:38,520 Speaker 1: like prima facy, to be likely to have fewer descendants. 79 00:04:38,560 --> 00:04:40,719 Speaker 1: You're just not going to spread those genes that say 80 00:04:40,839 --> 00:04:45,799 Speaker 1: don't care about living and dying around very much because 81 00:04:45,839 --> 00:04:49,120 Speaker 1: a certain amount of survival is necessary for reproduction. But 82 00:04:49,279 --> 00:04:52,320 Speaker 1: note that I say a certain amount, because here's something 83 00:04:52,320 --> 00:04:56,240 Speaker 1: I was just thinking about this last night. Many animals 84 00:04:56,360 --> 00:05:00,400 Speaker 1: reach an age of peak reproductive fitness, after which, even 85 00:05:00,440 --> 00:05:04,800 Speaker 1: if they survive, their ability to reproduce approaches zero. So, 86 00:05:04,880 --> 00:05:08,120 Speaker 1: from an evolutionary basis, how come we don't lose our 87 00:05:08,160 --> 00:05:13,000 Speaker 1: will to survive after we've passed childbearing age? Or how 88 00:05:13,040 --> 00:05:17,320 Speaker 1: come we don't lose our will to survive if we've suffered, uh, say, 89 00:05:17,400 --> 00:05:20,480 Speaker 1: injury to our reproductive organs or something like that that 90 00:05:20,600 --> 00:05:23,880 Speaker 1: prevents us from passing our genes along. What would be 91 00:05:23,960 --> 00:05:27,479 Speaker 1: the evolutionary incentive for selecting genes that make us desire 92 00:05:27,560 --> 00:05:31,080 Speaker 1: to just keep on living, going on and on and on, 93 00:05:31,160 --> 00:05:35,640 Speaker 1: even in old age, desiring to just extend indefinitely into 94 00:05:35,720 --> 00:05:39,159 Speaker 1: the future. I'm not sure, but I think that's interesting. 95 00:05:39,200 --> 00:05:40,800 Speaker 1: I guess there are There are a few ideas. Maybe 96 00:05:40,880 --> 00:05:45,039 Speaker 1: there's the idea that children with surviving grandparents have greater 97 00:05:45,480 --> 00:05:49,120 Speaker 1: reproductive fitness because they're adult caregivers, that they've got more 98 00:05:49,120 --> 00:05:52,560 Speaker 1: adult caregivers. Basically, if you've got grandparents, great grandparents and 99 00:05:52,560 --> 00:05:56,719 Speaker 1: all that. Uh. But here's another anomaly to think about. 100 00:05:58,279 --> 00:06:01,920 Speaker 1: For complex mammals like human the desire for extended life 101 00:06:02,160 --> 00:06:07,200 Speaker 1: doesn't just reside in the brain, but it applies specifically 102 00:06:07,400 --> 00:06:11,599 Speaker 1: to the mind rather than the body. And this is 103 00:06:12,000 --> 00:06:14,240 Speaker 1: so that seems obviously well, yeah, of course it would. 104 00:06:14,279 --> 00:06:16,320 Speaker 1: You know, your mind is the thing that's thinking. But 105 00:06:16,440 --> 00:06:20,440 Speaker 1: think about this again from a biological perspective. So imagine 106 00:06:20,720 --> 00:06:24,760 Speaker 1: a little weird illustration. You're lying in bed tonight, Robert 107 00:06:25,640 --> 00:06:28,120 Speaker 1: and the robots come for you. The robot sorcerers come 108 00:06:28,120 --> 00:06:31,080 Speaker 1: and sees you out of your bed. Uh. And these 109 00:06:31,080 --> 00:06:35,400 Speaker 1: are robot sorcerers that delight in putting humans in weird dilemmas. 110 00:06:35,880 --> 00:06:38,839 Speaker 1: And so they give you two options. You've got option A, 111 00:06:39,040 --> 00:06:41,640 Speaker 1: which is that your brain is going to be destroyed 112 00:06:42,120 --> 00:06:46,240 Speaker 1: and an artificially intelligent computer impostor will be implanted in 113 00:06:46,320 --> 00:06:49,359 Speaker 1: your former head and then we'll live out its stays, 114 00:06:49,440 --> 00:06:54,000 Speaker 1: controlling your body with all normal function intact as if 115 00:06:54,000 --> 00:06:56,920 Speaker 1: it were still you. Okay, I'm not crazy about that option, 116 00:06:56,960 --> 00:06:59,640 Speaker 1: but now let's hear what The next option B is 117 00:06:59,680 --> 00:07:02,960 Speaker 1: that your body will be destroyed, but your brain will 118 00:07:03,000 --> 00:07:06,120 Speaker 1: be inserted into a vat atop one of those Boston 119 00:07:06,200 --> 00:07:09,880 Speaker 1: Dynamics darker robots, you know, so they want wandering around 120 00:07:09,960 --> 00:07:12,960 Speaker 1: on the on the logs and stuff where you can 121 00:07:13,000 --> 00:07:14,800 Speaker 1: live out your days as a brain in a vat 122 00:07:15,040 --> 00:07:18,800 Speaker 1: in a robot body, Robert, which one do you pick? Well? 123 00:07:18,800 --> 00:07:22,520 Speaker 1: These are both horrible choices because they both hinge on 124 00:07:22,640 --> 00:07:26,440 Speaker 1: the fallacy that that the mind is separate from the body, 125 00:07:26,520 --> 00:07:30,800 Speaker 1: and that we don't have a mind body unity. Oh okay, well, 126 00:07:30,960 --> 00:07:33,920 Speaker 1: but I'm saying you so, you wouldn't You wouldn't prefer 127 00:07:34,000 --> 00:07:37,120 Speaker 1: your consciousness remain intact on the robot. Um I mean 128 00:07:37,200 --> 00:07:40,200 Speaker 1: is the is if the robot brain goes into my body, 129 00:07:40,360 --> 00:07:42,200 Speaker 1: is it going to is it going to raise my 130 00:07:42,320 --> 00:07:45,640 Speaker 1: kid for me? Oh, let's say it would. Okay, then 131 00:07:45,680 --> 00:07:48,160 Speaker 1: I'll go with that like I would rather. It's as 132 00:07:48,160 --> 00:07:50,920 Speaker 1: long as the the new robot me cannot tell anybody 133 00:07:50,920 --> 00:07:54,119 Speaker 1: that I actually died. It has to keep going doing 134 00:07:54,120 --> 00:07:58,800 Speaker 1: its thing, continue, you know, keeping up with my responsibilities. 135 00:07:59,280 --> 00:08:02,480 Speaker 1: Uh yeah, and uh and keep everybody happy around me. Well, 136 00:08:02,520 --> 00:08:04,600 Speaker 1: you could also keep up with your responsibilities as a 137 00:08:04,640 --> 00:08:07,240 Speaker 1: brain in a robot boty. That's just gonna upset everybody, 138 00:08:07,280 --> 00:08:10,920 Speaker 1: though nobody wants that at at Christmas dinner. That is 139 00:08:10,920 --> 00:08:14,400 Speaker 1: a beautiful answer, Robert, But I sincerely believe that is 140 00:08:14,440 --> 00:08:17,640 Speaker 1: not the answer most people would actually choose. Really, most 141 00:08:17,640 --> 00:08:20,120 Speaker 1: people would choose the vat I think you will, Yeah, 142 00:08:20,440 --> 00:08:23,240 Speaker 1: as opposed to having your consciousness destroyed. I've just read 143 00:08:23,280 --> 00:08:27,200 Speaker 1: theereny horror stories about like brains in like Nego brain 144 00:08:27,280 --> 00:08:30,200 Speaker 1: canasters and whatnot, So I think even if it is 145 00:08:30,240 --> 00:08:33,600 Speaker 1: an exceedingly cruddy robot body, I think most people would 146 00:08:33,640 --> 00:08:36,800 Speaker 1: choose to have their consciousness preserved in a robot body 147 00:08:37,040 --> 00:08:39,640 Speaker 1: as opposed to have their body continue to do things 148 00:08:39,640 --> 00:08:43,400 Speaker 1: but their consciousness destroyed. Fair enough, Uh, it might not 149 00:08:43,480 --> 00:08:45,680 Speaker 1: be immediately clear why that's odd, but think about it 150 00:08:45,720 --> 00:08:48,960 Speaker 1: in the same terms as the past reproductive age example. 151 00:08:49,400 --> 00:08:52,520 Speaker 1: In option A, the impostor AI living in your body 152 00:08:52,559 --> 00:08:58,080 Speaker 1: could still reproduce Option B cannot. Uh. So your answer 153 00:08:58,120 --> 00:09:00,960 Speaker 1: there is probably the more biological, the intuitive one. But 154 00:09:01,000 --> 00:09:03,360 Speaker 1: I think the answer that I feel confident most people 155 00:09:03,400 --> 00:09:07,800 Speaker 1: would actually give if really faced by these robots sorcerers. Uh, 156 00:09:07,880 --> 00:09:11,040 Speaker 1: that that doesn't really make biological sense. So why does 157 00:09:11,080 --> 00:09:15,840 Speaker 1: your mind generally prefer its own survival to the survival 158 00:09:15,880 --> 00:09:18,760 Speaker 1: of the body that houses it and the genes that 159 00:09:18,880 --> 00:09:23,160 Speaker 1: created it. I don't know. To me that that's a 160 00:09:23,200 --> 00:09:27,080 Speaker 1: weird conundrum, And you can see this instantiated in many 161 00:09:27,160 --> 00:09:30,920 Speaker 1: beliefs about immortality that people have where they continue to 162 00:09:30,960 --> 00:09:33,880 Speaker 1: believe that their minds will go on existing after death, 163 00:09:33,920 --> 00:09:37,679 Speaker 1: even after their bodies are destroyed and there's no continued 164 00:09:37,720 --> 00:09:40,920 Speaker 1: possibility of reproduction. Well, I mean, I guess it comes 165 00:09:40,920 --> 00:09:43,800 Speaker 1: back to I think, therefore I am right. If I 166 00:09:43,840 --> 00:09:47,800 Speaker 1: am not conscious of my existence, I don't exist my 167 00:09:47,800 --> 00:09:51,079 Speaker 1: my and therefore my consciousness is my existence, even if 168 00:09:51,080 --> 00:09:57,600 Speaker 1: it's completely extracted from every other important aspect of existence. Well. Yeah, 169 00:09:57,640 --> 00:10:01,000 Speaker 1: I mean, it's certainly experientially clear to me why I 170 00:10:01,000 --> 00:10:04,880 Speaker 1: would prefer the the survival of my consciousness. But from 171 00:10:04,880 --> 00:10:07,080 Speaker 1: a third party point of view, if an alien just 172 00:10:07,160 --> 00:10:10,840 Speaker 1: came down and looked at people making that choice, it's 173 00:10:10,880 --> 00:10:14,880 Speaker 1: not obvious why they would be doing that. Uh So, anyway, 174 00:10:14,960 --> 00:10:18,040 Speaker 1: I think that's kind of interesting. Another side note, I 175 00:10:18,080 --> 00:10:20,680 Speaker 1: wanted to go down. Uh this might be a tangent, 176 00:10:20,760 --> 00:10:23,120 Speaker 1: but I also want to say that not everyone in 177 00:10:23,240 --> 00:10:26,800 Speaker 1: history has expressed the view that it's good to desire 178 00:10:26,840 --> 00:10:29,920 Speaker 1: to live forever. Uh. Just one example I wanted to 179 00:10:29,960 --> 00:10:33,960 Speaker 1: think of was the influential twentieth century philosopher Martin Heideger, 180 00:10:34,360 --> 00:10:37,080 Speaker 1: who famously he had this whole logic of the relationship 181 00:10:37,120 --> 00:10:40,960 Speaker 1: between authentic existence and the acceptance of death. And in 182 00:10:40,960 --> 00:10:44,840 Speaker 1: this system, basically a person's life is given meaning by 183 00:10:44,920 --> 00:10:47,800 Speaker 1: the fact of its finitude. Uh. The fact that a 184 00:10:47,840 --> 00:10:52,040 Speaker 1: person can exist in time, finitely in time, and then 185 00:10:52,160 --> 00:10:56,280 Speaker 1: not exist at a later time gives life the possibility 186 00:10:56,320 --> 00:11:00,680 Speaker 1: of a definite, authentic character and kind of makes sense 187 00:11:00,720 --> 00:11:04,360 Speaker 1: to me, right like if if you live forever and 188 00:11:04,480 --> 00:11:08,160 Speaker 1: you always have the potential to change, who are you? Yeah, 189 00:11:08,160 --> 00:11:10,520 Speaker 1: I mean, it's kind of like the difference between say, 190 00:11:10,520 --> 00:11:14,960 Speaker 1: having a free hour on a given day to you know, 191 00:11:15,040 --> 00:11:17,559 Speaker 1: engage in your hobbies or you know what have you 192 00:11:17,679 --> 00:11:19,959 Speaker 1: or a chore around the house, versus having the full 193 00:11:20,080 --> 00:11:22,960 Speaker 1: open day. Right now, people's approach this are gonna are 194 00:11:22,960 --> 00:11:26,319 Speaker 1: gonna differ, But my approach has my experience has often 195 00:11:26,400 --> 00:11:28,559 Speaker 1: been that if I only have an hour, I'm gonna 196 00:11:28,559 --> 00:11:31,640 Speaker 1: be more inclined to make the best out of that hour. 197 00:11:31,960 --> 00:11:34,920 Speaker 1: And if, by some miracle having an entire day, then 198 00:11:34,920 --> 00:11:38,840 Speaker 1: it's it's it's likely to be this unstructured, uh, just 199 00:11:38,880 --> 00:11:41,679 Speaker 1: a bout of unproductivity. But it's even worse than that 200 00:11:41,720 --> 00:11:45,080 Speaker 1: from my point of view, because think about, uh, all 201 00:11:45,120 --> 00:11:47,920 Speaker 1: of the things that make you you, all the things 202 00:11:47,960 --> 00:11:51,840 Speaker 1: that make you Robert lamb Uh. They're all expressions, I 203 00:11:51,840 --> 00:11:55,840 Speaker 1: would say, of choices you make given the finitude of 204 00:11:55,920 --> 00:11:59,600 Speaker 1: time and resources. The fact that like you are who 205 00:11:59,640 --> 00:12:03,280 Speaker 1: you are hardly because of which books you've read and 206 00:12:03,360 --> 00:12:07,200 Speaker 1: which books you've read. That's just one aspect of your character. Obviously, 207 00:12:07,280 --> 00:12:09,880 Speaker 1: not everything is as a function of the fact that 208 00:12:09,920 --> 00:12:12,840 Speaker 1: you don't have time to read all books that exist 209 00:12:12,960 --> 00:12:15,680 Speaker 1: in the world, right, Yeah, you have to pick and choose. 210 00:12:15,840 --> 00:12:18,400 Speaker 1: And then this is this is actually a good point 211 00:12:18,400 --> 00:12:22,240 Speaker 1: because also the books one has read changes, the books 212 00:12:22,280 --> 00:12:26,360 Speaker 1: one remembers changes, the books that one puts stock in 213 00:12:26,880 --> 00:12:30,400 Speaker 1: that too changes, and therefore the expression of self is 214 00:12:30,440 --> 00:12:33,920 Speaker 1: continually transforming. Um, this is something we'll get into it 215 00:12:33,920 --> 00:12:36,440 Speaker 1: that when we look at the particular Chinese models here, 216 00:12:37,040 --> 00:12:39,720 Speaker 1: because this is this is the thing, right when we 217 00:12:39,760 --> 00:12:43,760 Speaker 1: when we talk about living forever, there's there's this classic 218 00:12:43,880 --> 00:12:47,080 Speaker 1: idea of living forever is also eternal youth. I'm going 219 00:12:47,160 --> 00:12:50,040 Speaker 1: to be young forever. I'm gonna be this idealized version 220 00:12:50,040 --> 00:12:55,280 Speaker 1: of myself forever. Whereas which wouldn't really be you as 221 00:12:55,480 --> 00:12:58,480 Speaker 1: you the person who lives for a finite amount of time. Yeah, 222 00:12:58,520 --> 00:13:01,280 Speaker 1: that that doesn't match up with the human experience like 223 00:13:01,559 --> 00:13:04,440 Speaker 1: either you would be an inhuman thing this like like 224 00:13:04,520 --> 00:13:08,640 Speaker 1: basically like a robot version of me that acts like 225 00:13:08,640 --> 00:13:11,760 Speaker 1: like current me forever and never reads any new books, 226 00:13:12,640 --> 00:13:15,760 Speaker 1: never forgets any books that are currently bouncing around my head, 227 00:13:16,120 --> 00:13:19,079 Speaker 1: and it's just in this state, uh, just frozen in time. 228 00:13:19,559 --> 00:13:22,240 Speaker 1: Whereas in reality, like the immortal, I feel like the 229 00:13:22,240 --> 00:13:26,040 Speaker 1: the sort of dark Methuselah immortals that we see in 230 00:13:26,080 --> 00:13:29,800 Speaker 1: science fiction are kind of the more intriguing models because 231 00:13:29,800 --> 00:13:32,800 Speaker 1: they often involved like somebody just getting older, older and 232 00:13:32,920 --> 00:13:36,720 Speaker 1: more inhuman, you know, just awful awful, super rich old 233 00:13:36,760 --> 00:13:40,880 Speaker 1: men and cyberpunk novels pan Well lo pan to to 234 00:13:41,000 --> 00:13:45,080 Speaker 1: draw an example from a you know, an Eastern influenced 235 00:13:45,240 --> 00:13:49,680 Speaker 1: Western property, we have a super ancient guy who's cursed 236 00:13:49,720 --> 00:13:53,080 Speaker 1: and just gets worse and worse for never dying, Like 237 00:13:53,160 --> 00:13:56,600 Speaker 1: there's not a he just continues to spoil and doesn't 238 00:13:56,640 --> 00:13:59,400 Speaker 1: reach the actual point where you throw him off the shelf. 239 00:13:59,800 --> 00:14:03,480 Speaker 1: To quick asterisks on mentioning Heidegger, one of them was, 240 00:14:03,640 --> 00:14:06,280 Speaker 1: I hope everything I said is contingent on the fact 241 00:14:06,280 --> 00:14:09,960 Speaker 1: that I understand Heidegger right, which is debatable because his 242 00:14:10,080 --> 00:14:13,160 Speaker 1: ideas are just notoriously hard to understand uses all this 243 00:14:13,280 --> 00:14:17,520 Speaker 1: weird specialized terminology. But then the other thing is saying 244 00:14:17,559 --> 00:14:20,360 Speaker 1: that you can't really mention Heidegger these days, even his 245 00:14:20,480 --> 00:14:24,880 Speaker 1: a political philosophy or seemingly a political philosophy, without also 246 00:14:24,920 --> 00:14:28,880 Speaker 1: mentioning that he was an unrepentant Nazi. Uh. I don't 247 00:14:28,880 --> 00:14:31,520 Speaker 1: know if that has any significance to the death philosophy, 248 00:14:31,640 --> 00:14:34,440 Speaker 1: But I don't know. Maybe we're thinking about, well, they 249 00:14:34,480 --> 00:14:39,200 Speaker 1: sure like skulls. But anyway, so all of that stuff 250 00:14:39,200 --> 00:14:41,320 Speaker 1: we've just said aside, I think we can say it's 251 00:14:41,360 --> 00:14:45,520 Speaker 1: a decidedly unusual attitude toward death to say that, you know, yeah, 252 00:14:45,520 --> 00:14:47,400 Speaker 1: it's a good thing that I'm going to cease to 253 00:14:47,440 --> 00:14:50,720 Speaker 1: exist at some point, uh yeah, Or it's it's it's 254 00:14:50,760 --> 00:14:54,760 Speaker 1: easier to embrace it in the abstract, yeah, but when 255 00:14:55,320 --> 00:14:58,880 Speaker 1: when the the reapers actually coming around the corner, I 256 00:14:58,920 --> 00:15:01,040 Speaker 1: feel like not every one is going to be as 257 00:15:01,120 --> 00:15:04,920 Speaker 1: game to embrace it. People go to enormous, enormous lengths 258 00:15:05,280 --> 00:15:10,720 Speaker 1: to avoid acknowledging death or thinking about the inevitability of death. 259 00:15:11,160 --> 00:15:14,680 Speaker 1: And there's actually the whole psychological framework known as terror 260 00:15:14,760 --> 00:15:19,440 Speaker 1: management theory that hypothesizes that much of human culture, A 261 00:15:19,480 --> 00:15:22,480 Speaker 1: lot of what we do as a species is all 262 00:15:22,560 --> 00:15:27,640 Speaker 1: built around unconsciously designing frameworks to deny the reality of 263 00:15:27,720 --> 00:15:31,040 Speaker 1: death and put it out of mind. So people apply 264 00:15:31,200 --> 00:15:36,040 Speaker 1: this hypothesis to explaining the existence of cultural norms like 265 00:15:36,240 --> 00:15:43,200 Speaker 1: rules in society and things like that, traditions, religions, activities 266 00:15:43,280 --> 00:15:47,840 Speaker 1: that we use to entertain ourselves. Art. Uh. And I'm 267 00:15:47,880 --> 00:15:50,480 Speaker 1: not going to say whether terror management theory is a 268 00:15:50,560 --> 00:15:54,400 Speaker 1: correct interpretation of human behavior, but I do think it 269 00:15:54,560 --> 00:16:00,640 Speaker 1: has some purchase on our explanatory desires. Obviously, because humans 270 00:16:00,680 --> 00:16:04,800 Speaker 1: just so clearly fear death above all else. It's it's 271 00:16:04,840 --> 00:16:08,800 Speaker 1: obvious everybody would have to acknowledge that this is going on. Yeah. 272 00:16:08,840 --> 00:16:11,920 Speaker 1: I feel like, as with a lot of philosophical or 273 00:16:11,960 --> 00:16:15,080 Speaker 1: even religious frameworks, I kind of see them as like 274 00:16:15,120 --> 00:16:19,160 Speaker 1: a series of lenses that one may employ or or 275 00:16:19,240 --> 00:16:21,560 Speaker 1: pull away, depending on how you want to try and 276 00:16:21,640 --> 00:16:25,280 Speaker 1: view your your reality. And I feel like terror management 277 00:16:25,320 --> 00:16:27,520 Speaker 1: theory is one of those that, Yeah, I wouldn't want 278 00:16:27,520 --> 00:16:31,040 Speaker 1: to go walking around my life all the time seeing 279 00:16:31,080 --> 00:16:35,160 Speaker 1: everything within the framework of terror management theory, but occasionally 280 00:16:35,160 --> 00:16:37,240 Speaker 1: it is helpful to pull it down and say, oh, well, 281 00:16:37,280 --> 00:16:40,240 Speaker 1: this is it. Is interesting to view this aspect of 282 00:16:40,280 --> 00:16:45,200 Speaker 1: the the human experience um in you know, in reference 283 00:16:45,200 --> 00:16:47,480 Speaker 1: to our fear of death. Well, Robert, do you think 284 00:16:47,560 --> 00:16:49,840 Speaker 1: now we should transition to looking at the idea of 285 00:16:49,880 --> 00:16:54,240 Speaker 1: immortality specifically in Chinese mythology. Yeah. Yeah, let's let's go 286 00:16:54,280 --> 00:16:57,800 Speaker 1: ahead and dive in. So the important thing to drive 287 00:16:57,840 --> 00:17:00,480 Speaker 1: home here, of course, is that immortality is are from 288 00:17:00,480 --> 00:17:03,120 Speaker 1: a cut in dry topic in Chinese mythology, like they 289 00:17:03,120 --> 00:17:06,280 Speaker 1: don't have a systematic theology of it, right, yeah, and 290 00:17:06,280 --> 00:17:09,560 Speaker 1: and and again. Part of this is because Chinese mythology 291 00:17:09,680 --> 00:17:11,560 Speaker 1: is the thing that is so deep and wide. It 292 00:17:11,600 --> 00:17:14,520 Speaker 1: covers a great well of time as well as of 293 00:17:14,600 --> 00:17:19,240 Speaker 1: a vast geographic landscape. UM plus, a mythic history and 294 00:17:19,359 --> 00:17:22,160 Speaker 1: history have long experienced a certain amount of fusion into 295 00:17:22,200 --> 00:17:25,720 Speaker 1: a single timeline. And uh we we were chatting about 296 00:17:25,720 --> 00:17:28,840 Speaker 1: this before we came into the podcast room. Here you 297 00:17:28,840 --> 00:17:32,560 Speaker 1: you also see this, um there's less of a a 298 00:17:32,720 --> 00:17:38,479 Speaker 1: fusion and cannon canonization of Chinese mythology. It's not like 299 00:17:38,520 --> 00:17:41,960 Speaker 1: what we see in in the West, we say, Greek mythology, 300 00:17:41,960 --> 00:17:44,640 Speaker 1: where you certainly as you grow up in school there's 301 00:17:44,680 --> 00:17:47,760 Speaker 1: sort of a strict pantheon that's thrown at you. There's 302 00:17:48,240 --> 00:17:51,760 Speaker 1: there's more or less a strict canonization of Greek mythology 303 00:17:51,920 --> 00:17:57,440 Speaker 1: in classical literature. Um, there's no Homer and Hesiod. Yeah. Yeah, 304 00:17:57,440 --> 00:18:00,960 Speaker 1: that's the thing. In China and Chinese culture, you see 305 00:18:01,000 --> 00:18:04,840 Speaker 1: far fewer examples of of of important artist or writers 306 00:18:05,119 --> 00:18:10,080 Speaker 1: taking mythology and then using it to create something new 307 00:18:10,160 --> 00:18:14,879 Speaker 1: that in turn, uh, solidifies the tail. So in Chinese 308 00:18:14,920 --> 00:18:18,320 Speaker 1: culture you still have a lot of these different versions 309 00:18:18,359 --> 00:18:23,000 Speaker 1: of various myths and folk tales that retain their original form, 310 00:18:23,040 --> 00:18:25,040 Speaker 1: and you'll have, you know, multiple versions of the same 311 00:18:25,080 --> 00:18:28,280 Speaker 1: story depending on where you are and when you are. Yeah. 312 00:18:28,280 --> 00:18:31,920 Speaker 1: There is an interesting explanation of the sort of scattered 313 00:18:31,960 --> 00:18:36,120 Speaker 1: source nature of Chinese mythology in the intro to one 314 00:18:36,119 --> 00:18:37,720 Speaker 1: of the books we were using as a resource for 315 00:18:37,760 --> 00:18:41,159 Speaker 1: this episode, uh, the Handbook of Chinese Mythology by Li 316 00:18:41,280 --> 00:18:45,359 Speaker 1: Hui Yang and demming On with Jessica Anderson Turner. And 317 00:18:45,400 --> 00:18:47,200 Speaker 1: the intro of this book is good. It it talks 318 00:18:47,200 --> 00:18:49,880 Speaker 1: about what a lot of the sources were. But these 319 00:18:49,960 --> 00:18:53,520 Speaker 1: fragments that inform our understanding, our modern understanding of Chinese 320 00:18:53,520 --> 00:18:56,080 Speaker 1: mythology come from all over the place and in many cases, 321 00:18:56,119 --> 00:18:59,560 Speaker 1: they're they're like just small little inscriptions and things like that, 322 00:18:59,640 --> 00:19:03,120 Speaker 1: and then or some other larger texts that have various 323 00:19:03,240 --> 00:19:05,639 Speaker 1: versions of narratives and things like that. But there's not 324 00:19:05,720 --> 00:19:10,400 Speaker 1: like a Bible of Chinese mythology, right, Yeah, And sometimes 325 00:19:10,520 --> 00:19:14,359 Speaker 1: I like to compare it to to to Hindu mythology, 326 00:19:14,400 --> 00:19:17,880 Speaker 1: and Hinduism is another world where it's just a well 327 00:19:17,960 --> 00:19:22,159 Speaker 1: of ideas and religions and traditions all thrown together. But 328 00:19:22,400 --> 00:19:25,399 Speaker 1: yet there are there are several key epics that in 329 00:19:25,440 --> 00:19:28,439 Speaker 1: particular that help inform the backbone of the thing. If 330 00:19:28,480 --> 00:19:31,000 Speaker 1: you think of a faith as a snake rising up 331 00:19:31,040 --> 00:19:33,840 Speaker 1: through that well, uh, than Hindu mythology might be, you know, 332 00:19:33,920 --> 00:19:38,200 Speaker 1: a spiraling snake, but you can you can definitely pinpoint 333 00:19:38,320 --> 00:19:43,760 Speaker 1: keep key parts of its anatomy. So in Chinese mythology, 334 00:19:44,200 --> 00:19:47,679 Speaker 1: the line between more mortality and immortality often becomes a 335 00:19:47,680 --> 00:19:51,760 Speaker 1: bit blurred. Uh. You know, we mentioned a big trouble 336 00:19:51,800 --> 00:19:54,800 Speaker 1: little China earlier. Um, and this will be not a 337 00:19:54,840 --> 00:19:57,720 Speaker 1: traditional text, not a traditional text, but just I will 338 00:19:57,840 --> 00:20:01,520 Speaker 1: mention it one more time in this episode. Ah, I'm 339 00:20:01,800 --> 00:20:03,840 Speaker 1: a fan of the film, and I feel like, even 340 00:20:03,880 --> 00:20:07,360 Speaker 1: though it's very much a Western product. It actually does 341 00:20:07,400 --> 00:20:12,000 Speaker 1: an okay job giving like a broad treatment of Chinese mythology. 342 00:20:12,560 --> 00:20:15,640 Speaker 1: Uh in that it um you know, it's I feel 343 00:20:15,640 --> 00:20:18,080 Speaker 1: like it has a deceptively deep treatment of certain aspects 344 00:20:18,119 --> 00:20:20,480 Speaker 1: of Chinese mythology, even though it kind of plays fast 345 00:20:20,520 --> 00:20:23,480 Speaker 1: and loose with everything, but it grounds itself in some 346 00:20:23,600 --> 00:20:26,600 Speaker 1: key principles. And certainly we see that with Lopan in 347 00:20:26,760 --> 00:20:31,160 Speaker 1: his uh, his immortal and mortal duality. He's he's at 348 00:20:31,160 --> 00:20:35,280 Speaker 1: once this this frail old man and this uh, you know, 349 00:20:35,680 --> 00:20:39,720 Speaker 1: you know, tin foot tall spirit character. So keep that 350 00:20:39,760 --> 00:20:43,560 Speaker 1: in mind, you and as we move forward, Okay, so 351 00:20:44,640 --> 00:20:46,600 Speaker 1: as you if you go back all the way to 352 00:20:46,640 --> 00:20:50,119 Speaker 1: some of the earlier myths in in China, there's this 353 00:20:50,200 --> 00:20:54,879 Speaker 1: presumption of immortality about the primeval gods. So this is 354 00:20:54,880 --> 00:20:57,680 Speaker 1: a concept that falls in line with Judeo Christian concepts 355 00:20:57,680 --> 00:21:01,679 Speaker 1: of the divine, etcetera. And yet gods such as the 356 00:21:01,720 --> 00:21:06,160 Speaker 1: Yellow Emperor do suffer defeat and death. Though there's often 357 00:21:06,240 --> 00:21:09,679 Speaker 1: a metamorphosis trope here as well. So you might remember 358 00:21:09,720 --> 00:21:13,720 Speaker 1: from our Great Flood episode, the legendary hero kon Uh 359 00:21:14,200 --> 00:21:17,359 Speaker 1: drowns and becomes a bear or possibly a turtle or 360 00:21:17,359 --> 00:21:20,959 Speaker 1: a dragon depending on which version you're looking at. So 361 00:21:21,000 --> 00:21:24,679 Speaker 1: there's a transformation ELM. Yeah, so it's the idea of 362 00:21:24,720 --> 00:21:28,879 Speaker 1: living forever is not simply one of retaining your current state, 363 00:21:28,920 --> 00:21:31,840 Speaker 1: but transcending to a different state. But also in some 364 00:21:31,920 --> 00:21:34,920 Speaker 1: features of Chinese mythology we do see a kind of 365 00:21:35,040 --> 00:21:38,000 Speaker 1: a middle or liminal state of right, like in the 366 00:21:38,080 --> 00:21:42,600 Speaker 1: concept of undead creatures, like that they're not exactly immortals 367 00:21:42,640 --> 00:21:46,200 Speaker 1: living forever, not exactly regular mortals. There's something in between 368 00:21:46,400 --> 00:21:50,760 Speaker 1: or some state. We we do see some cool examples 369 00:21:50,760 --> 00:21:53,560 Speaker 1: of that, and Baryl points out some of these in 370 00:21:53,600 --> 00:21:58,040 Speaker 1: her excellent book Chinese Mythology and Introduction, which I highly recommend. 371 00:21:58,480 --> 00:22:02,760 Speaker 1: One of them is a woman show who is uh 372 00:22:02,920 --> 00:22:07,480 Speaker 1: this deity. She's actually a drought goddess and she's said 373 00:22:07,520 --> 00:22:12,320 Speaker 1: to have been born a corpse. Yeah, well maybe you know, 374 00:22:12,680 --> 00:22:15,359 Speaker 1: but take it all in here now. She she lived 375 00:22:15,359 --> 00:22:18,680 Speaker 1: through the world of the ten Sons. So there's this 376 00:22:19,000 --> 00:22:22,359 Speaker 1: story in the mythology where at one point in the 377 00:22:22,480 --> 00:22:25,119 Speaker 1: in the distant past, the Earth had ten sons in 378 00:22:25,119 --> 00:22:28,280 Speaker 1: the sky, or you might conceive this as nine extra 379 00:22:28,400 --> 00:22:32,240 Speaker 1: sons or nine extra sons, nine superfluous sons. So what 380 00:22:32,280 --> 00:22:34,160 Speaker 1: are you gonna do. There nine extra sons, and it's 381 00:22:34,520 --> 00:22:37,439 Speaker 1: scorching the earth. It's burning up all the crops. Uh. 382 00:22:37,520 --> 00:22:40,600 Speaker 1: And this is where ye the archer enters the picture. 383 00:22:40,640 --> 00:22:43,679 Speaker 1: He'll come again, come up again later and he starts 384 00:22:43,840 --> 00:22:47,879 Speaker 1: shooting down the surplus sons with his bow. Uh. Saves 385 00:22:47,920 --> 00:22:51,600 Speaker 1: the world uh and uh, and then the show is 386 00:22:51,640 --> 00:22:53,960 Speaker 1: able to come back to life. So she's affiliated with 387 00:22:53,960 --> 00:22:57,880 Speaker 1: with the crab because the crab, and sort of mythic understanding, 388 00:22:58,119 --> 00:23:01,880 Speaker 1: sheds its shell and regrows. Ever, so here we see 389 00:23:01,880 --> 00:23:04,399 Speaker 1: an idea of a of an immortal character who is 390 00:23:04,440 --> 00:23:07,720 Speaker 1: also a character that dies, but it's a it's but 391 00:23:07,840 --> 00:23:13,600 Speaker 1: there's a continual rebirth. I'm she drives out, but she 392 00:23:13,680 --> 00:23:17,720 Speaker 1: comes back. I'm seeing here the uh the myth. Maybe 393 00:23:17,760 --> 00:23:19,800 Speaker 1: this is the origin of that myth that was going 394 00:23:19,840 --> 00:23:22,040 Speaker 1: around on the internet a few years ago that Arthur 395 00:23:22,119 --> 00:23:26,199 Speaker 1: pods like lobsters live forever. Remember that, Yeah, I do 396 00:23:26,320 --> 00:23:28,159 Speaker 1: remember that that kind of going around, and it it 397 00:23:28,240 --> 00:23:31,320 Speaker 1: does tie into into some of these mythic interpretations of 398 00:23:31,359 --> 00:23:34,280 Speaker 1: what these animals are doing when they mold. From what 399 00:23:34,320 --> 00:23:37,200 Speaker 1: I recall, that turned out to be a very incorrect 400 00:23:37,320 --> 00:23:42,000 Speaker 1: understanding of what the research showed. Yes. Now another character 401 00:23:42,040 --> 00:23:45,680 Speaker 1: that does she brings up is one sing Tane, who 402 00:23:46,800 --> 00:23:51,080 Speaker 1: is this warrior god character, and he continues to fight 403 00:23:51,160 --> 00:23:54,639 Speaker 1: after being beheaded. So he's he's kind of a you know, 404 00:23:54,640 --> 00:23:57,960 Speaker 1: a headless horseman or a roll in the headless Thompson 405 00:23:58,000 --> 00:24:01,800 Speaker 1: gunner Um. He loses a battle to the Yellow Emperor, 406 00:24:02,280 --> 00:24:06,680 Speaker 1: and so he's essentially a failed hero. He transforms though, 407 00:24:06,800 --> 00:24:11,680 Speaker 1: rather than submit immediately to death, and it's quite a transformation. Yeah, 408 00:24:11,720 --> 00:24:13,639 Speaker 1: tell me about it. Right, here's the here's the quote 409 00:24:13,680 --> 00:24:17,160 Speaker 1: that Beryl rolls up. Sing Tane and the Yellow Emperor 410 00:24:17,200 --> 00:24:20,119 Speaker 1: came to this place and fought for divine rule. The 411 00:24:20,200 --> 00:24:22,679 Speaker 1: Yellow Emperor cut off his head and buried it on 412 00:24:23,000 --> 00:24:26,480 Speaker 1: chang Yang Mountain. Sing Tean made his nipples serve his 413 00:24:26,560 --> 00:24:29,320 Speaker 1: eyes and his navel as a mouth, and brandishing his 414 00:24:29,400 --> 00:24:34,960 Speaker 1: shield and battle axe, he danced whoa nipple ees naval mouth. Yeah, 415 00:24:35,119 --> 00:24:37,640 Speaker 1: and there's some there's some like old images of this too. 416 00:24:37,640 --> 00:24:42,320 Speaker 1: It's pretty pretty monstrous awesome. But you know, he's stubborn 417 00:24:42,440 --> 00:24:44,239 Speaker 1: and he's he's going to fight to the bitter end, 418 00:24:44,280 --> 00:24:46,480 Speaker 1: even though he's gonna have to transform into something else 419 00:24:46,520 --> 00:24:49,520 Speaker 1: to do it. Okay, So here you've seen a couple 420 00:24:49,560 --> 00:24:54,200 Speaker 1: of examples of of survival of death or some form 421 00:24:54,320 --> 00:24:57,199 Speaker 1: of survival of death or immortality in a liminal or 422 00:24:57,280 --> 00:25:01,720 Speaker 1: middle state, or through metamorphosis or t information. Yeah, we 423 00:25:01,760 --> 00:25:04,159 Speaker 1: see this idea of immortality not as a state of 424 00:25:04,160 --> 00:25:07,160 Speaker 1: eternal youth, but as a change into something stranger, something 425 00:25:07,240 --> 00:25:11,119 Speaker 1: less human, something that's still very much like the biological 426 00:25:11,160 --> 00:25:14,560 Speaker 1: process of aging, only for lack of a better word, 427 00:25:14,640 --> 00:25:18,640 Speaker 1: like aging up. You mean that kind of like leveling up. Yeah, Like, yeah, 428 00:25:18,680 --> 00:25:21,399 Speaker 1: you're you're you're leveling up, you're getting older, because we 429 00:25:21,640 --> 00:25:23,919 Speaker 1: certainly have you know, in the I feel like in 430 00:25:24,080 --> 00:25:26,960 Speaker 1: certainly in western cult ravity universally, this is idea you 431 00:25:26,960 --> 00:25:29,280 Speaker 1: know that you're gonna go over the hill, you're gonna peak, 432 00:25:29,800 --> 00:25:33,199 Speaker 1: and then the uh, the the years on the back end, 433 00:25:33,240 --> 00:25:34,760 Speaker 1: or even the decades in the back end are going 434 00:25:34,800 --> 00:25:38,000 Speaker 1: to be a decline. Right. But in some of these 435 00:25:38,040 --> 00:25:42,400 Speaker 1: mythic ideas of undying beings, there's the sense of you're, 436 00:25:42,440 --> 00:25:45,240 Speaker 1: they're aging, they're getting older and older, stranger and stranger, 437 00:25:45,440 --> 00:25:48,760 Speaker 1: and yet they're still an upward trajectory. And certainly some, 438 00:25:48,920 --> 00:25:52,040 Speaker 1: I mean some human lives are like that. If some 439 00:25:52,240 --> 00:25:55,160 Speaker 1: people don't really get into their prime until their final years. 440 00:25:55,200 --> 00:25:59,000 Speaker 1: Some great writers or artists have produced their finest work 441 00:25:59,560 --> 00:26:03,440 Speaker 1: in those areads. Yeah, but uh, you know, it varies 442 00:26:03,480 --> 00:26:06,560 Speaker 1: from case to case. I wonder if this has something 443 00:26:06,640 --> 00:26:09,880 Speaker 1: to do with a general cultural relevance for the elderly 444 00:26:09,960 --> 00:26:14,320 Speaker 1: and and respect for for the wisdom that comes with age. Yeah, 445 00:26:14,320 --> 00:26:16,000 Speaker 1: I think that's an excellent read on it. It does 446 00:26:16,040 --> 00:26:18,639 Speaker 1: match up with the the idea of filial piety, of 447 00:26:19,119 --> 00:26:22,840 Speaker 1: the veneration of ancestors, and the important role of of 448 00:26:22,840 --> 00:26:27,200 Speaker 1: of grandparents in the traditional Chinese family. All right, well, 449 00:26:27,200 --> 00:26:28,879 Speaker 1: maybe we should take a quick break and then when 450 00:26:28,960 --> 00:26:32,280 Speaker 1: we come back we can have a look at mushrooms 451 00:26:32,280 --> 00:26:40,400 Speaker 1: and grasses of immortality. So Robert tell me about living 452 00:26:40,440 --> 00:26:44,160 Speaker 1: forever through mushrooms. Well, so this is one of those 453 00:26:44,200 --> 00:26:48,040 Speaker 1: areas where in in Chinese culture you have you have 454 00:26:48,119 --> 00:26:52,720 Speaker 1: mythology and folklore, you have you have Taoism, you have Confusism, 455 00:26:52,760 --> 00:26:55,959 Speaker 1: and you you also have like Chinese traditional medicine. So 456 00:26:56,080 --> 00:26:57,920 Speaker 1: that's playing a role in all of this and getting 457 00:26:57,920 --> 00:27:01,480 Speaker 1: in the mix. And so, uh, we their their stories, 458 00:27:01,640 --> 00:27:04,880 Speaker 1: plenty of stories and continued use of the raci mushroom 459 00:27:05,000 --> 00:27:09,399 Speaker 1: or the ling mushroom in China. Uh. They're known for 460 00:27:09,480 --> 00:27:13,080 Speaker 1: their life extending properties and they've been used medicinally for 461 00:27:13,080 --> 00:27:15,520 Speaker 1: at least two thousand years because they have this reputation 462 00:27:15,800 --> 00:27:18,960 Speaker 1: for promoting health and longevity. We talk about this one 463 00:27:18,960 --> 00:27:21,080 Speaker 1: a Christian and I talked about it in our Weird 464 00:27:21,160 --> 00:27:24,640 Speaker 1: Mushrooms episode of the podcast a few months back. And 465 00:27:24,840 --> 00:27:29,560 Speaker 1: traditional Chinese medicine use continues to this day. In ancient 466 00:27:29,720 --> 00:27:32,679 Speaker 1: use of this, uh go back at least to like 467 00:27:32,800 --> 00:27:37,640 Speaker 1: four s b C. Just based on their textual appearance. Okay, well, 468 00:27:37,720 --> 00:27:40,280 Speaker 1: tell me about some kind of mythical plant that's going 469 00:27:40,320 --> 00:27:42,399 Speaker 1: to give it immortality, because you've got to have that 470 00:27:42,480 --> 00:27:44,680 Speaker 1: in your in your mythical basis, right. Oh yeah, yeah, 471 00:27:44,840 --> 00:27:47,480 Speaker 1: I think you alluded to it in the in the intro. 472 00:27:47,920 --> 00:27:50,760 Speaker 1: You always have like with the tree in the Garden 473 00:27:50,760 --> 00:27:54,000 Speaker 1: of Eden, don't you know, various apples and fruits that 474 00:27:54,280 --> 00:27:57,960 Speaker 1: have divine properties and may give you eternal or long life. 475 00:27:58,040 --> 00:28:00,280 Speaker 1: Then the Greek gods have a tree like that, believe 476 00:28:00,320 --> 00:28:02,240 Speaker 1: they did. I mean yeah, I mean there's a world 477 00:28:02,240 --> 00:28:06,720 Speaker 1: tree in Chinese tradition as well. But they're there also 478 00:28:07,560 --> 00:28:12,239 Speaker 1: is grass. There's a there's mention of the Grass of Immortality. Uh, 479 00:28:12,280 --> 00:28:16,040 Speaker 1: they're numerous magical grasses, but the grass of Immortality pops 480 00:28:16,119 --> 00:28:18,840 Speaker 1: up in the legend of Lady White Snake. This is 481 00:28:18,840 --> 00:28:21,119 Speaker 1: a pretty fun one. So it it grows along with 482 00:28:21,160 --> 00:28:24,720 Speaker 1: other magical plants on the earthly paradise in the Koon 483 00:28:24,840 --> 00:28:28,479 Speaker 1: Loon Mountains. H Lady White Snake was a monster who 484 00:28:28,560 --> 00:28:31,560 Speaker 1: turned into a woman married a kind man, but one 485 00:28:31,680 --> 00:28:34,679 Speaker 1: day her husband sees her in her true form and 486 00:28:34,680 --> 00:28:38,600 Speaker 1: it scares him to death. Yeah, it's kind of like, Uh, 487 00:28:38,840 --> 00:28:40,920 Speaker 1: it reminds me a lot of the Lady in the 488 00:28:40,960 --> 00:28:45,640 Speaker 1: Snow story from Japanese culture, and that was also adapted 489 00:28:45,640 --> 00:28:48,400 Speaker 1: into the Gargoyle story and Tales from the Dark Side 490 00:28:48,400 --> 00:28:51,160 Speaker 1: of the movie. If you remember that one um, there 491 00:28:51,200 --> 00:28:53,880 Speaker 1: was a Gargoya woman who takes mortal form and marry 492 00:28:53,880 --> 00:28:58,120 Speaker 1: as a kind man. So anyway, she's distraught because he's 493 00:28:58,120 --> 00:29:00,120 Speaker 1: dead now. So she flies to the Holy Mount and 494 00:29:00,200 --> 00:29:03,880 Speaker 1: she retrieves the grass of Immortality and and she but 495 00:29:03,960 --> 00:29:07,440 Speaker 1: she has to first convince the immortal Grandfather of the 496 00:29:07,480 --> 00:29:11,000 Speaker 1: South Pole, the god of Longevity, to give it to her. 497 00:29:13,160 --> 00:29:16,280 Speaker 1: And uh, this and this is a very interesting character 498 00:29:16,320 --> 00:29:18,560 Speaker 1: as well as we're going to discuss. Well, don't make 499 00:29:18,560 --> 00:29:21,240 Speaker 1: me wait, tell me about the immortal Grandfather. Yes, we're 500 00:29:21,280 --> 00:29:25,880 Speaker 1: talking about Nanji shing Wing a k A immortal Grandfather 501 00:29:25,920 --> 00:29:31,160 Speaker 1: of the South Pole, also often attributed as as simply Show, 502 00:29:31,640 --> 00:29:37,120 Speaker 1: which literally means longevity and mandarin um. He's also, you know, 503 00:29:37,200 --> 00:29:41,400 Speaker 1: symbolically a jovial old man with a great swollen forehead 504 00:29:42,200 --> 00:29:46,480 Speaker 1: because it's so full of knowledge and astrologically speaking, because 505 00:29:46,600 --> 00:29:49,800 Speaker 1: he's a figure that plays into Chinese astrology. He's also 506 00:29:49,880 --> 00:29:53,520 Speaker 1: the class F giant star Cannabis. You would generally expect 507 00:29:53,520 --> 00:29:55,440 Speaker 1: a person who is a giant star to have a 508 00:29:55,560 --> 00:29:58,840 Speaker 1: quite swollen head. Yeah, yeah, I mean he's he's old, 509 00:29:58,880 --> 00:30:01,239 Speaker 1: he's full of wisdom, and he's he's lined up with 510 00:30:01,280 --> 00:30:05,080 Speaker 1: this particular star. And it makes sense. Canapis playsant into 511 00:30:05,120 --> 00:30:08,440 Speaker 1: a number of different astrological traditions. It's the second brightest 512 00:30:08,440 --> 00:30:10,680 Speaker 1: star in the sky. Uh. And if you're wondering how 513 00:30:10,720 --> 00:30:15,320 Speaker 1: old it is, we're talking fifteen to twenty million years now. 514 00:30:15,640 --> 00:30:18,000 Speaker 1: I was not expecting to make a Dune reference in 515 00:30:18,040 --> 00:30:22,960 Speaker 1: this episode, but this is crazy. In Frank Herbert's done universe, 516 00:30:23,160 --> 00:30:26,520 Speaker 1: the planet Iracous such as the you know, the planet 517 00:30:26,560 --> 00:30:32,120 Speaker 1: dune with the sandworms. Spice is actually orbiting Canapis, so 518 00:30:32,440 --> 00:30:35,760 Speaker 1: the home of the geriatic, the geriatric spice Melange the 519 00:30:35,880 --> 00:30:40,960 Speaker 1: mind expanding, life extending substance. In that fictional universe, it 520 00:30:41,160 --> 00:30:43,880 Speaker 1: orbits the ancient Chinese god of longevity and wisdom. Do 521 00:30:43,920 --> 00:30:46,959 Speaker 1: you think that's by design? I don't know. I wouldn't 522 00:30:47,000 --> 00:30:50,200 Speaker 1: put it past Herbert. I'm not as immersed in Herbert's 523 00:30:50,200 --> 00:30:53,600 Speaker 1: bio biography as many are, so I can't say one. 524 00:30:54,400 --> 00:30:56,240 Speaker 1: I know he doesn't seem to make a lot of 525 00:30:56,880 --> 00:31:01,080 Speaker 1: specifically Eastern references, but he also does seemed to incorporate 526 00:31:01,120 --> 00:31:03,360 Speaker 1: a lot about different does Yeah, I don't know, so 527 00:31:03,600 --> 00:31:05,719 Speaker 1: I would not doubt it. If someone were to, you know, 528 00:31:05,760 --> 00:31:09,800 Speaker 1: to say, oh, he definitely drew interpretation from Johnny's mythology, 529 00:31:09,800 --> 00:31:12,600 Speaker 1: it would it would certainly, it would certainly make sense. 530 00:31:12,720 --> 00:31:15,280 Speaker 1: I'm sensing the onset of a boat. Wait, there's more. 531 00:31:15,400 --> 00:31:18,280 Speaker 1: It's true. In Greek myth, Cannabis was the name of 532 00:31:18,320 --> 00:31:22,480 Speaker 1: the pilot of the fleet of Mentalis, and Mentalais was 533 00:31:22,520 --> 00:31:26,040 Speaker 1: in a tradees. Yeah. So in Greek myth, the tradees 534 00:31:26,080 --> 00:31:29,680 Speaker 1: were the son the sons of the trays uh and 535 00:31:29,720 --> 00:31:33,000 Speaker 1: of course, the Tradees Paul Trades. This is the central 536 00:31:33,080 --> 00:31:36,400 Speaker 1: family in the Dune saga, right, So yeah that if 537 00:31:36,400 --> 00:31:38,720 Speaker 1: you've seen the movie, they're the people with the pugy. 538 00:31:39,720 --> 00:31:41,800 Speaker 1: So the more the more I look at it, the 539 00:31:41,840 --> 00:31:45,440 Speaker 1: more I'm like, surely, surely this is intentional. Yeah. Otherwise 540 00:31:45,440 --> 00:31:48,480 Speaker 1: it's just the most wonderful coincidence for for me personally 541 00:31:48,760 --> 00:31:52,600 Speaker 1: that these two things that I appreciate should be united. Wow, 542 00:31:52,640 --> 00:31:56,080 Speaker 1: that's interesting. Well, okay, give me more about the immortal 543 00:31:56,120 --> 00:31:59,520 Speaker 1: grandfather himself, so like what's his significance and in their 544 00:31:59,520 --> 00:32:03,240 Speaker 1: whole pan theon Alright, So for a lot of people listening, 545 00:32:03,280 --> 00:32:06,520 Speaker 1: you might have seen him if you go into either 546 00:32:06,560 --> 00:32:10,920 Speaker 1: a Chinese home, a Chinese business, um, you know, Chinese restaurant. 547 00:32:11,000 --> 00:32:13,640 Speaker 1: I certainly noticed a lot of these for the first 548 00:32:13,680 --> 00:32:15,120 Speaker 1: time when I was in China and saw them in 549 00:32:15,200 --> 00:32:18,959 Speaker 1: hotel lobbies because you see these three individuals and and 550 00:32:19,200 --> 00:32:22,360 Speaker 1: Uh and Show and in particular stands out because he 551 00:32:22,400 --> 00:32:27,360 Speaker 1: has that that forehead. So you have these three stars, 552 00:32:27,400 --> 00:32:32,080 Speaker 1: these three gods, and there's a Foo Lou and Show. 553 00:32:32,560 --> 00:32:36,640 Speaker 1: So Foo represents good fortune and we see that symbolized 554 00:32:36,640 --> 00:32:41,320 Speaker 1: in his scholars dress, cradled child and in fact, sometimes 555 00:32:41,400 --> 00:32:44,800 Speaker 1: he's crawling with children like he's infested. Sometimes he has 556 00:32:44,800 --> 00:32:48,120 Speaker 1: a scroll as well. Uh. And then there's a Lou, 557 00:32:48,200 --> 00:32:51,520 Speaker 1: and Lou has a fine clothes, a riyo scepter, and 558 00:32:51,560 --> 00:32:54,240 Speaker 1: he's he's the one you want to venerate for business 559 00:32:54,320 --> 00:32:58,320 Speaker 1: savvy and professional success. And then you have old man 560 00:32:58,440 --> 00:33:03,400 Speaker 1: show with the loaded skull that represents longevity, the wisdom 561 00:33:03,400 --> 00:33:07,000 Speaker 1: that comes with old age. Dallas mythology attributes his ancient 562 00:33:07,040 --> 00:33:10,560 Speaker 1: appearance to ten years in his mother's womb, and and 563 00:33:10,840 --> 00:33:13,480 Speaker 1: that he was actually born an old man. And he 564 00:33:13,520 --> 00:33:17,960 Speaker 1: also often carries the peach of immortality as well, which 565 00:33:18,000 --> 00:33:21,160 Speaker 1: would have been obtained from another longevity god, the Queen 566 00:33:21,200 --> 00:33:24,360 Speaker 1: Mother of the West. So there are a lot of 567 00:33:24,400 --> 00:33:28,160 Speaker 1: symbols coming together in his in this particular figure. So 568 00:33:28,200 --> 00:33:31,760 Speaker 1: here we have another specific piece of plant matter of immortality, 569 00:33:31,800 --> 00:33:34,720 Speaker 1: the peach of immortal. Yeah, I mean, if you start 570 00:33:34,760 --> 00:33:37,080 Speaker 1: taking in global myths in general, there's just an entire 571 00:33:37,160 --> 00:33:41,840 Speaker 1: salad buffet of of various things that will give you immortality, 572 00:33:41,960 --> 00:33:45,200 Speaker 1: right down to the bacon bits, peach of immortality, bacon bits, 573 00:33:45,880 --> 00:33:49,640 Speaker 1: fruit of the tree of life, ambrosia else what else. Well, 574 00:33:49,680 --> 00:33:52,600 Speaker 1: if I'm imagining what the shownees all you can eat buffet, 575 00:33:52,720 --> 00:33:55,000 Speaker 1: and you've got the seafood buffet at the end, so 576 00:33:55,040 --> 00:33:56,640 Speaker 1: you get right down to the crab, I guess the 577 00:33:56,720 --> 00:34:00,719 Speaker 1: soft serve of immortality. So coming back this idea of 578 00:34:00,800 --> 00:34:04,440 Speaker 1: aging up, of of the of the body, changing, of 579 00:34:04,520 --> 00:34:08,920 Speaker 1: becoming this uh, this slightly in human aged form. We 580 00:34:08,960 --> 00:34:12,359 Speaker 1: see that with show, and certainly Chinese myth is full 581 00:34:12,480 --> 00:34:17,000 Speaker 1: of immortal and long living creatures, monsters, spirits, including the 582 00:34:17,239 --> 00:34:22,160 Speaker 1: Wutong Shin who you've mentioned before, but one in particular 583 00:34:22,239 --> 00:34:25,239 Speaker 1: ties in with what we're talking about here. So we're 584 00:34:25,280 --> 00:34:31,800 Speaker 1: talking about the Shan, the dallast immortal body. So there's 585 00:34:31,880 --> 00:34:37,359 Speaker 1: a writing about this from one Zwang Joe who wrote 586 00:34:37,360 --> 00:34:43,320 Speaker 1: about immortality for mortals in reference to an enlightened human sage. 587 00:34:43,440 --> 00:34:45,920 Speaker 1: So he said, so so we can get it. That's 588 00:34:45,960 --> 00:34:48,680 Speaker 1: the idea here is that there's a way for real, 589 00:34:48,719 --> 00:34:52,680 Speaker 1: least certain humans to obtain this. Maybe not you and me, 590 00:34:53,160 --> 00:34:56,040 Speaker 1: but maybe not not enlightened enough, but somebody could get 591 00:34:56,080 --> 00:34:59,959 Speaker 1: it right. So this is what he said. He said, 592 00:35:00,000 --> 00:35:02,560 Speaker 1: there is a holy man living on far away Kushi 593 00:35:02,680 --> 00:35:05,920 Speaker 1: Mountain with skin like ice or snow, and gentle and 594 00:35:06,000 --> 00:35:09,120 Speaker 1: shy like a young girl. He doesn't eat the five grains, 595 00:35:09,120 --> 00:35:12,279 Speaker 1: but sucks the wind, drinks the dew, climbs up on 596 00:35:12,320 --> 00:35:15,280 Speaker 1: the clouds and missed rides of flying dragon, and wanders 597 00:35:15,320 --> 00:35:18,839 Speaker 1: beyond the four seas. By concentrating his spirit, he can 598 00:35:18,840 --> 00:35:22,280 Speaker 1: protect creatures from sickness and plague and make the harvest plentiful. 599 00:35:23,320 --> 00:35:26,440 Speaker 1: So and Barrel points to a number of aspects of 600 00:35:26,440 --> 00:35:28,560 Speaker 1: this account that are noteworthy. So we have a hermit 601 00:35:28,600 --> 00:35:31,400 Speaker 1: on a mountain. You're on a mountain, You're closer to heaven. 602 00:35:32,040 --> 00:35:35,719 Speaker 1: Uh diet list, we have transformed gender, We see meditation, 603 00:35:35,880 --> 00:35:40,480 Speaker 1: travel at will, magical powers of the beneficial nature, and 604 00:35:40,680 --> 00:35:45,759 Speaker 1: UH carrying particular weight. In Dallas philosophy, this figure of 605 00:35:45,840 --> 00:35:50,760 Speaker 1: the of the Chien the or the transcendental being Um. 606 00:35:51,080 --> 00:35:53,680 Speaker 1: Though the particulars you know varied opinion on the exact 607 00:35:53,760 --> 00:35:58,040 Speaker 1: reading Dallas Um Chinese alchemy, mythology, literature, folk tales, et cetera. 608 00:35:58,760 --> 00:36:02,319 Speaker 1: Perhaps the most famed use of this trope is in 609 00:36:02,400 --> 00:36:04,880 Speaker 1: the the Eight Immortals, which are a group of Dallas 610 00:36:04,960 --> 00:36:07,480 Speaker 1: immortals of feature into various works of art and literature, 611 00:36:07,480 --> 00:36:10,840 Speaker 1: and they even show up in films. Hong Kong action movies, 612 00:36:11,160 --> 00:36:15,560 Speaker 1: even the Drunken Master films. It's been forever since I 613 00:36:15,600 --> 00:36:18,359 Speaker 1: saw one of those, but apparently the Eight Immortals show 614 00:36:18,440 --> 00:36:22,720 Speaker 1: up there. They they they found new forms in comic books, 615 00:36:23,000 --> 00:36:26,120 Speaker 1: so they're they're pretty big, big money. Do they still 616 00:36:26,160 --> 00:36:30,239 Speaker 1: embody these traditional characteristics? Yeah? Yeah, I mean these are 617 00:36:30,320 --> 00:36:34,320 Speaker 1: kind of like the tropes of the the the Old 618 00:36:34,600 --> 00:36:39,359 Speaker 1: Immortal Sage of of Dallas tradition, and I think it's 619 00:36:39,400 --> 00:36:41,200 Speaker 1: it's all quite interesting. I mean, you can take a 620 00:36:41,200 --> 00:36:44,040 Speaker 1: literal reading of them and just say how they're they're magical, 621 00:36:44,160 --> 00:36:47,719 Speaker 1: weird dudes. But I like how the aspects of the 622 00:36:47,719 --> 00:36:53,279 Speaker 1: the enlightened transcendental body here seemed to be supernatural reflections 623 00:36:53,320 --> 00:36:57,200 Speaker 1: of the actual biological factors of old age, right, changes 624 00:36:57,239 --> 00:37:00,920 Speaker 1: in appetite, softening of gender, the potential for solitude, and 625 00:37:01,000 --> 00:37:04,120 Speaker 1: increased empathy. Well, one thing I was looking at this 626 00:37:04,160 --> 00:37:06,480 Speaker 1: and I thought it was quite interesting how some of 627 00:37:06,520 --> 00:37:11,080 Speaker 1: these features that are being associated with this transcendental immortal 628 00:37:11,400 --> 00:37:16,839 Speaker 1: um are actually paralleled in real scientific research on longevity. 629 00:37:16,960 --> 00:37:19,560 Speaker 1: Uh So, for example, one of them is so it's 630 00:37:19,880 --> 00:37:24,520 Speaker 1: an old man who seems to lose some primary sex characteristics. 631 00:37:25,040 --> 00:37:27,239 Speaker 1: And this made me think, well, that sort of goes 632 00:37:27,320 --> 00:37:31,239 Speaker 1: along with some research we have indicating that men can 633 00:37:31,280 --> 00:37:35,400 Speaker 1: see increased longevity through castration. Oh yeah, this is probably 634 00:37:35,400 --> 00:37:38,000 Speaker 1: not the option everyone will end up going for to 635 00:37:38,200 --> 00:37:40,719 Speaker 1: prolong their life. But I just wanted to mention a 636 00:37:40,760 --> 00:37:43,120 Speaker 1: couple of couple of studies. There was a nineteen sixty 637 00:37:43,160 --> 00:37:46,960 Speaker 1: nine study in the Journal of Gerontology by James Hamilton 638 00:37:47,040 --> 00:37:50,960 Speaker 1: and Gordon Messler UH, and its studied the longevity unfortunately 639 00:37:51,080 --> 00:37:55,120 Speaker 1: in early mid to twentieth century institutionalized men who had 640 00:37:55,160 --> 00:37:58,960 Speaker 1: been forcibly castrated as a result of the eugenics ideology 641 00:37:59,000 --> 00:38:03,279 Speaker 1: of the time. So that's pretty unfortunate circumstances. But what 642 00:38:03,440 --> 00:38:06,680 Speaker 1: they did find out from it was that from so 643 00:38:06,719 --> 00:38:09,640 Speaker 1: they looked at two hundred and ninety seven cast rated 644 00:38:09,680 --> 00:38:13,840 Speaker 1: men and compared them with UH seven hundred and thirty 645 00:38:13,840 --> 00:38:17,600 Speaker 1: five age matched controls, so men who were living in 646 00:38:17,600 --> 00:38:22,040 Speaker 1: the same conditions, and they revealed that the castrated men 647 00:38:22,160 --> 00:38:25,319 Speaker 1: had a significantly increased lifespan. I think it was a 648 00:38:25,320 --> 00:38:29,920 Speaker 1: difference of about six years. And if only that those 649 00:38:29,960 --> 00:38:33,319 Speaker 1: that were castrated earlier in life were considered, that the 650 00:38:33,320 --> 00:38:36,319 Speaker 1: effect on lifespan was even more drastic. It was more 651 00:38:36,360 --> 00:38:40,600 Speaker 1: than eleven years. And there was also a study that 652 00:38:41,120 --> 00:38:46,000 Speaker 1: was published in the twelve issue of Current Biology that um. 653 00:38:46,040 --> 00:38:48,799 Speaker 1: It was called the Lifespan of Korean Unix by King 654 00:38:49,200 --> 00:38:55,000 Speaker 1: Kung Jin, Men Chilkoo Lee, and Hannam Park, and they 655 00:38:55,040 --> 00:38:57,400 Speaker 1: said that their goal was to look at the effects 656 00:38:57,440 --> 00:39:02,120 Speaker 1: of castration by analyzing historical Korean unis. So they looked 657 00:39:02,160 --> 00:39:06,360 Speaker 1: at the genealogical records of eighty one historical Korean unix 658 00:39:06,760 --> 00:39:11,000 Speaker 1: and then compared those two similar men of similar socioeconomic 659 00:39:11,080 --> 00:39:14,800 Speaker 1: status but who had not been castrated. And they determined 660 00:39:14,800 --> 00:39:18,680 Speaker 1: that quote, the average lifespan of unis was uh seventy 661 00:39:19,200 --> 00:39:22,120 Speaker 1: plus or minus one point seventy six years, which was 662 00:39:22,320 --> 00:39:27,160 Speaker 1: fourteen point four to nineteen point one years longer than 663 00:39:27,320 --> 00:39:31,560 Speaker 1: the lifespan of non castrated men who had the similar 664 00:39:31,600 --> 00:39:34,800 Speaker 1: station in society. So this all feeds into this body 665 00:39:34,800 --> 00:39:36,879 Speaker 1: of literature that people have been looking at to say 666 00:39:36,920 --> 00:39:40,400 Speaker 1: that perhaps male sex hormones in some way decrease one's 667 00:39:40,400 --> 00:39:43,920 Speaker 1: ability to live to an older age. Well, that raises 668 00:39:43,920 --> 00:39:48,640 Speaker 1: some interesting possibilities then about the possible link between unis 669 00:39:49,320 --> 00:39:52,640 Speaker 1: and this This this trope of the the the aged 670 00:39:52,680 --> 00:39:57,200 Speaker 1: immortal beca I mean, certainly we we had unis in 671 00:39:57,360 --> 00:40:00,879 Speaker 1: China in Chinese tradition. Uh. I don't know, it would 672 00:40:00,880 --> 00:40:02,239 Speaker 1: be interested to come I can explore that more. I 673 00:40:02,239 --> 00:40:04,759 Speaker 1: would love I've long wanted to do an episode on 674 00:40:05,040 --> 00:40:08,160 Speaker 1: UNIX sort of talk about not only the science of units, 675 00:40:08,200 --> 00:40:10,840 Speaker 1: like what's actually happening, but also their role in society, 676 00:40:11,360 --> 00:40:14,040 Speaker 1: which has has very greatly. You've had certainly you've had 677 00:40:14,040 --> 00:40:18,640 Speaker 1: plenty of situations where units are treated as a third gender, 678 00:40:18,760 --> 00:40:21,120 Speaker 1: as a second class kind of citizen, but they have 679 00:40:21,160 --> 00:40:25,640 Speaker 1: also ascended to tremendous power at certain times and in 680 00:40:25,800 --> 00:40:29,040 Speaker 1: certain conditions. I think in many cases you can look 681 00:40:29,040 --> 00:40:31,960 Speaker 1: at it as an analog to the way celibacy was 682 00:40:32,000 --> 00:40:35,600 Speaker 1: practiced in other contexts where there there's like a fear 683 00:40:35,640 --> 00:40:40,480 Speaker 1: of people establishing hereditary corruption. Uh. And in situations like 684 00:40:40,520 --> 00:40:44,279 Speaker 1: that there is often either enforced celibacy or preference for 685 00:40:44,440 --> 00:40:48,839 Speaker 1: castrated men or something like that. Um. But I want 686 00:40:48,840 --> 00:40:52,800 Speaker 1: to go with another example of the the Enlightened Immortal. Uh. 687 00:40:52,840 --> 00:40:55,840 Speaker 1: It says that the Enlightened Immortal what sucks the wind 688 00:40:55,880 --> 00:40:59,839 Speaker 1: and drinks the do that's their diet. I also wanted 689 00:40:59,880 --> 00:41:02,560 Speaker 1: to tied this into the research on the link between 690 00:41:02,600 --> 00:41:07,279 Speaker 1: caloric restriction and longevity, which is not um not fully established. 691 00:41:07,320 --> 00:41:09,279 Speaker 1: I think that we've seen some back and forth in 692 00:41:09,320 --> 00:41:12,560 Speaker 1: the research there, but the idea here is that restricting 693 00:41:12,640 --> 00:41:16,520 Speaker 1: daily food intake below the level of satiation but above 694 00:41:16,640 --> 00:41:20,000 Speaker 1: the level of malnutrition generally, I think what's looked at 695 00:41:20,080 --> 00:41:23,840 Speaker 1: is about a thirty percent reduction below standard intake of 696 00:41:23,920 --> 00:41:28,960 Speaker 1: daily calories could lead to longer lifespan in animals. Uh 697 00:41:29,000 --> 00:41:31,719 Speaker 1: And the effect has been observed in short lived species 698 00:41:31,760 --> 00:41:34,200 Speaker 1: like mice and rats, but the question is wouldn't apply 699 00:41:34,320 --> 00:41:37,760 Speaker 1: to big primates like us. Well, there now been several 700 00:41:37,800 --> 00:41:41,960 Speaker 1: studies looking at long term caloric restriction and REESEUS monkeys 701 00:41:42,400 --> 00:41:44,960 Speaker 1: and the results have been mixed. So there was one 702 00:41:45,000 --> 00:41:48,600 Speaker 1: study in two thousand nine that was a twenty year 703 00:41:48,680 --> 00:41:53,120 Speaker 1: longitudinal adult on set caloric restriction study and REESEUS monkeys 704 00:41:53,200 --> 00:41:56,960 Speaker 1: and they did find that the caloric restriction lead to 705 00:41:57,239 --> 00:42:00,239 Speaker 1: increased lifespan and the REESUS monkeys. Then there was a 706 00:42:00,239 --> 00:42:04,200 Speaker 1: different study published in Nature in twelve that did a 707 00:42:04,280 --> 00:42:07,839 Speaker 1: twenty three year study on Rhesis macaques and it did 708 00:42:07,880 --> 00:42:11,440 Speaker 1: not find It found a very slight increase through caloric 709 00:42:11,520 --> 00:42:14,560 Speaker 1: restriction as compared to a control group, but it was 710 00:42:14,640 --> 00:42:19,239 Speaker 1: not The difference wasn't statistically significant, so they said, you know, 711 00:42:19,400 --> 00:42:21,959 Speaker 1: this is not replicated. But then I found one more 712 00:42:22,480 --> 00:42:27,640 Speaker 1: analysis published in Nature Communications in teen looking at the 713 00:42:28,400 --> 00:42:32,239 Speaker 1: previous twelve study that didn't find support for caloric restriction 714 00:42:32,280 --> 00:42:36,200 Speaker 1: and longevity, and they ended up suggesting that what was 715 00:42:36,239 --> 00:42:39,120 Speaker 1: really going on with the study. The problem there was 716 00:42:39,160 --> 00:42:43,800 Speaker 1: that the control monkeys were effectively actually undergoing caloric restriction. 717 00:42:44,400 --> 00:42:46,880 Speaker 1: Uh so there wasn't a proper control. Basically, all the 718 00:42:46,920 --> 00:42:51,160 Speaker 1: monkeys were having caloric restriction. So, uh so, the jury 719 00:42:51,239 --> 00:42:54,439 Speaker 1: is not not in yet on exactly the relationship there, 720 00:42:54,440 --> 00:42:56,759 Speaker 1: but there are some indications that there could be a 721 00:42:57,400 --> 00:43:01,600 Speaker 1: real connection between to know, being this diet less kind 722 00:43:01,600 --> 00:43:04,560 Speaker 1: of creature, well probably not eating nothing right but more 723 00:43:04,600 --> 00:43:07,640 Speaker 1: than the dew in the wind um, but but less 724 00:43:07,640 --> 00:43:11,160 Speaker 1: than you want to eat, and living much longer than average. 725 00:43:11,560 --> 00:43:14,680 Speaker 1: So yeah, perhaps the just the symbol of this ancient 726 00:43:14,800 --> 00:43:20,720 Speaker 1: stage encompasses, uh some some basic ideas that are helpful 727 00:43:20,760 --> 00:43:24,359 Speaker 1: for living a long life. Right now, that's all well 728 00:43:24,400 --> 00:43:27,120 Speaker 1: and good to say, Oh, well, maybe you should, uh 729 00:43:27,400 --> 00:43:29,800 Speaker 1: maybe you should eat less, Maybe you should be a 730 00:43:29,840 --> 00:43:33,080 Speaker 1: little less masculine, Maybe you should you know, walk around 731 00:43:33,120 --> 00:43:35,640 Speaker 1: in the mountains more. Yeah, that's all well and good. 732 00:43:35,680 --> 00:43:40,160 Speaker 1: But here in modern times, what we want is a pill, right, 733 00:43:40,239 --> 00:43:42,200 Speaker 1: what we want is a drink. What we want is 734 00:43:42,200 --> 00:43:45,480 Speaker 1: a magic potion. It's so much easier, so much easier 735 00:43:45,480 --> 00:43:49,120 Speaker 1: than getting castrated and not eating all the pizza. Yeah. Well, fortunately, 736 00:43:49,160 --> 00:43:53,880 Speaker 1: there is a long history of alchemy in Chinese history 737 00:43:53,920 --> 00:43:58,759 Speaker 1: and in Chinese mythology, so we can turn to automical 738 00:43:58,960 --> 00:44:02,120 Speaker 1: means to produce use the same effect, tell me, you know, 739 00:44:02,200 --> 00:44:06,759 Speaker 1: mythologically speaking. So in Cohen's Biographies of Holy Immortals, this 740 00:44:06,840 --> 00:44:11,040 Speaker 1: is a fourth century tone of immortality and longevity, sorcery, 741 00:44:11,760 --> 00:44:15,040 Speaker 1: counts of supernatural beings and what have you. It contains 742 00:44:15,040 --> 00:44:18,520 Speaker 1: instructions for the creation of various potions, such as one 743 00:44:18,600 --> 00:44:23,160 Speaker 1: for gold. And gold here I'm I'm fairly certain we 744 00:44:23,200 --> 00:44:26,120 Speaker 1: are not to supposed to interpret is simply the element gold. 745 00:44:26,640 --> 00:44:32,000 Speaker 1: It's something something more in line with Western alchemy's sorcerer's stone, 746 00:44:32,280 --> 00:44:35,440 Speaker 1: kind of a thing which itself was not necessarily a stone, 747 00:44:35,800 --> 00:44:39,200 Speaker 1: but a substance. So we get this, this gold, and 748 00:44:39,239 --> 00:44:42,120 Speaker 1: then you simply ingest one pound of the gold to 749 00:44:42,200 --> 00:44:47,040 Speaker 1: cure disease and make quote three worms cry for mercy. 750 00:44:47,080 --> 00:44:49,440 Speaker 1: What does that mean? I guess that like the three 751 00:44:49,440 --> 00:44:52,920 Speaker 1: worms that would like eat its you and aide you. 752 00:44:52,920 --> 00:44:56,120 Speaker 1: You know, you know the three worms. No, I don't. 753 00:44:56,280 --> 00:45:00,759 Speaker 1: I'm confused. Okay, three pounds of the old will make 754 00:45:00,800 --> 00:45:04,600 Speaker 1: you live till the world's end, only till the world's end. Well, 755 00:45:04,600 --> 00:45:07,640 Speaker 1: I think that the actual phrasing is essentially like, you 756 00:45:07,680 --> 00:45:12,040 Speaker 1: will live as long as the natural world, like presumably 757 00:45:12,120 --> 00:45:13,719 Speaker 1: you could still like if the world, if you've no 758 00:45:13,760 --> 00:45:15,640 Speaker 1: where to live, you're you're done. So it's kind of 759 00:45:15,680 --> 00:45:18,839 Speaker 1: like a biological immortality. I guess now I'm interested in 760 00:45:18,880 --> 00:45:23,760 Speaker 1: the differentiation between indefinite immortality, like you will live forever 761 00:45:23,960 --> 00:45:28,200 Speaker 1: versus you will just live for many thousands of years. Yeah, Like, 762 00:45:28,280 --> 00:45:32,399 Speaker 1: are these effectively actually different propositions? Well, yeah, I mean 763 00:45:32,400 --> 00:45:34,000 Speaker 1: it comes down we we broke it down a little 764 00:45:34,000 --> 00:45:36,400 Speaker 1: bit earlier. Yeah. Are you saying if you say you 765 00:45:36,400 --> 00:45:38,640 Speaker 1: want to live forever? Are you saying I want to 766 00:45:38,640 --> 00:45:41,920 Speaker 1: transform into something cosmic? Are you saying I want to 767 00:45:41,920 --> 00:45:45,120 Speaker 1: be exactly like I am right now forever? I want 768 00:45:45,160 --> 00:45:47,359 Speaker 1: to be basically like I am right now, except I'm 769 00:45:47,360 --> 00:45:51,359 Speaker 1: gonna keep getting smarter and stuff, or like I'm I'm 770 00:45:51,360 --> 00:45:53,680 Speaker 1: going to continue to age as I'm aging, but with 771 00:45:53,760 --> 00:45:56,799 Speaker 1: absolutely no stop date, Like I'm just going to get 772 00:45:57,480 --> 00:46:00,000 Speaker 1: just take aging to the limit. I mean, I guess 773 00:46:00,040 --> 00:46:03,360 Speaker 1: if you lived until the end of the universe, Uh, 774 00:46:03,400 --> 00:46:05,520 Speaker 1: there'd be nothing left for you to do, right if 775 00:46:05,560 --> 00:46:10,960 Speaker 1: the universe becomes homogeneous, just heat, death, everything is just 776 00:46:11,080 --> 00:46:14,279 Speaker 1: cold darkness. Yeah, I don't know. And if you love 777 00:46:14,360 --> 00:46:17,920 Speaker 1: just hanging out on mountaintops and riding dragons and drinking 778 00:46:17,960 --> 00:46:19,799 Speaker 1: the dew out of the air, like, none of that's 779 00:46:19,800 --> 00:46:23,240 Speaker 1: gonna be around anymore, so why bother? Uh? So three 780 00:46:23,360 --> 00:46:25,439 Speaker 1: three pounds of the gold will get you that far. 781 00:46:25,520 --> 00:46:27,360 Speaker 1: But also you can put it in a corpse. You 782 00:46:27,400 --> 00:46:29,320 Speaker 1: can put a pill of it in a corpse's mouth 783 00:46:29,800 --> 00:46:32,239 Speaker 1: along with some spit and resurrect them from the debt. 784 00:46:32,800 --> 00:46:35,760 Speaker 1: So there's that. I do find it interesting that seems 785 00:46:35,760 --> 00:46:38,080 Speaker 1: to take far less to resurrect the dead and then 786 00:46:38,120 --> 00:46:43,400 Speaker 1: to simply um sustain human life. And definitely all right, Well, 787 00:46:43,440 --> 00:46:45,160 Speaker 1: I think we should take a quick break and then 788 00:46:45,160 --> 00:46:48,320 Speaker 1: when we come back we will talk about the elixir 789 00:46:48,360 --> 00:46:56,360 Speaker 1: of immortality. So Robert tell me about the elixir of 790 00:46:56,400 --> 00:46:59,880 Speaker 1: immortality in Chinese mythology. All right, So this is of 791 00:47:00,040 --> 00:47:03,120 Speaker 1: all of the various potions and concoctions, this particular magic 792 00:47:03,160 --> 00:47:07,239 Speaker 1: potion is probably the most famous of Chinese immatory immortality 793 00:47:07,320 --> 00:47:10,600 Speaker 1: quest items, okay, in part because it involves a number 794 00:47:10,640 --> 00:47:13,560 Speaker 1: of big name gods and heroes. It concerns the moon. 795 00:47:14,200 --> 00:47:16,920 Speaker 1: So as with all these stories, the details and the 796 00:47:17,000 --> 00:47:19,640 Speaker 1: shape of the narrative changes depending on where you're dipping 797 00:47:19,680 --> 00:47:22,480 Speaker 1: your net in the waters of Chinese myth. But these 798 00:47:22,480 --> 00:47:27,360 Speaker 1: are the basics, okay. So while various shamans and deities 799 00:47:27,360 --> 00:47:31,279 Speaker 1: have access to this elixir, it's primarily a sad associated 800 00:47:31,320 --> 00:47:34,000 Speaker 1: with the Queen Mother of the West, and a jade 801 00:47:34,160 --> 00:47:38,360 Speaker 1: rabbit pounds it in a mortar for so, So imagine this, 802 00:47:38,360 --> 00:47:42,319 Speaker 1: this divine feminine entity, and here is a magical jade 803 00:47:42,400 --> 00:47:45,600 Speaker 1: rabbit pounding something in a in a mortar, and that 804 00:47:45,719 --> 00:47:48,879 Speaker 1: it's creating this potion. And I've seen at least one 805 00:47:49,400 --> 00:47:52,680 Speaker 1: ancient painting or depiction that has that. It's exactly as 806 00:47:52,680 --> 00:47:55,320 Speaker 1: literal as it sounds. It's a rabbit holding a pestle 807 00:47:55,480 --> 00:48:00,440 Speaker 1: pounding in the mortar. Yes, okay, so that's established. Remember ye, 808 00:48:00,480 --> 00:48:02,920 Speaker 1: the archer from earlier we're talking about who's shot down 809 00:48:02,920 --> 00:48:05,279 Speaker 1: the surplus sons, right, we had nine too many. He 810 00:48:05,360 --> 00:48:08,560 Speaker 1: took them out. Well, the Queen Mother of the West 811 00:48:08,760 --> 00:48:11,799 Speaker 1: Uh I guess it, was impressed with this gives him 812 00:48:11,840 --> 00:48:14,960 Speaker 1: the potion so that he might live forever and rule 813 00:48:15,000 --> 00:48:17,480 Speaker 1: over men for ages to come. It makes sense, right, 814 00:48:17,600 --> 00:48:21,040 Speaker 1: he's a big name hero. He either he's rewarded with 815 00:48:21,080 --> 00:48:23,160 Speaker 1: this or he asked for it and he gets it. 816 00:48:23,560 --> 00:48:28,040 Speaker 1: But here's the thing. He has a wife, Uh changy okay, 817 00:48:28,120 --> 00:48:33,520 Speaker 1: and she steals it, drinks it, and flees to the moon. Now, 818 00:48:33,560 --> 00:48:36,400 Speaker 1: one of the things is that looking at the books 819 00:48:36,480 --> 00:48:37,960 Speaker 1: we used for this episode, there are a lot of 820 00:48:38,040 --> 00:48:44,040 Speaker 1: versions of this myth, and Chinese Uh role in them 821 00:48:44,120 --> 00:48:47,960 Speaker 1: is vastly different depending on which version you read. It's 822 00:48:48,000 --> 00:48:50,000 Speaker 1: kind of like looking in on if you look at 823 00:48:50,040 --> 00:48:53,640 Speaker 1: these these heroes and gods as celebrities, it's kind of 824 00:48:53,680 --> 00:48:57,719 Speaker 1: like a celebrity domestic dispute of some sort. So at 825 00:48:57,760 --> 00:48:59,720 Speaker 1: first we can just say, all we know are the basics. 826 00:48:59,719 --> 00:49:02,920 Speaker 1: Here is this potion, she drank it, maybe she stole it, 827 00:49:03,600 --> 00:49:06,080 Speaker 1: and then and then she went to the moon. What happened? 828 00:49:06,080 --> 00:49:08,560 Speaker 1: What are the details? Changy is the villain of this story, 829 00:49:08,640 --> 00:49:11,319 Speaker 1: and in some versions she does sort of get punished, right, 830 00:49:11,480 --> 00:49:14,360 Speaker 1: like she gets turned into a toad or yeah, like 831 00:49:14,400 --> 00:49:17,640 Speaker 1: the earliest versions of it, she's punished by the gods 832 00:49:17,719 --> 00:49:20,839 Speaker 1: for stealing essentially from the gods are stealing a gift 833 00:49:20,840 --> 00:49:23,839 Speaker 1: of the gods, it was not hers, and she's transformed. 834 00:49:23,920 --> 00:49:26,080 Speaker 1: She gets to the moon, but there she's transformed into 835 00:49:26,120 --> 00:49:29,520 Speaker 1: a toad. And the toad is another symbolic animal of immortality. 836 00:49:29,920 --> 00:49:32,879 Speaker 1: But the idea is that you could look up at 837 00:49:32,920 --> 00:49:36,680 Speaker 1: the moon and you could see a tree, a toad, uh, 838 00:49:36,719 --> 00:49:39,080 Speaker 1: and and the rabbit. And we'll get to the tree 839 00:49:39,120 --> 00:49:41,640 Speaker 1: in a bit. But there there are versions that are 840 00:49:41,680 --> 00:49:45,160 Speaker 1: more complex too. So there's one version that I like 841 00:49:45,200 --> 00:49:48,640 Speaker 1: to think of as like the love lady Hawk version. Okay, 842 00:49:49,400 --> 00:49:53,480 Speaker 1: And in this one, he loved Changy so too much 843 00:49:53,640 --> 00:49:56,880 Speaker 1: to drink the potion and become immortal without her. He 844 00:49:56,920 --> 00:49:59,160 Speaker 1: only had the one dose, so he just gave it 845 00:49:59,200 --> 00:50:02,839 Speaker 1: to her for say of keeping. But then he's apprentice 846 00:50:02,960 --> 00:50:05,640 Speaker 1: fing Ming comes along and he's a he's a bad dude. 847 00:50:05,680 --> 00:50:09,480 Speaker 1: He invied the heroic archer wanted his skills and in 848 00:50:09,520 --> 00:50:12,960 Speaker 1: some tales would eventually murder him. Yeah, what they get 849 00:50:12,960 --> 00:50:17,000 Speaker 1: into like a duel with their bows and fing Ming 850 00:50:17,120 --> 00:50:19,640 Speaker 1: can't match him in archery skills, so he clubs them 851 00:50:19,680 --> 00:50:25,600 Speaker 1: to death with I think the bow of a peach tree. Wow, well, 852 00:50:25,880 --> 00:50:28,000 Speaker 1: that's probably cheating in the duel is Yeah, Well, he's 853 00:50:28,040 --> 00:50:30,840 Speaker 1: a he's a bad he's a bad characters. He's not 854 00:50:30,880 --> 00:50:32,799 Speaker 1: gonna play fair. The only way he's gonna defeat he 855 00:50:32,960 --> 00:50:37,160 Speaker 1: is by cheating. So uh. In this particular story, Fingming 856 00:50:37,280 --> 00:50:41,040 Speaker 1: catches wind of this. He finds out that his wife 857 00:50:41,040 --> 00:50:43,520 Speaker 1: has the potion, so he comes to her to take 858 00:50:43,560 --> 00:50:45,680 Speaker 1: it from her, and she won't let him have it. 859 00:50:45,920 --> 00:50:48,600 Speaker 1: She swallows it instead to keep it from falling into 860 00:50:48,719 --> 00:50:51,640 Speaker 1: his vile hands. And she immediately flies into the sky 861 00:50:52,360 --> 00:50:55,840 Speaker 1: and she chose, she chooses the moon to like fuse 862 00:50:55,960 --> 00:50:58,160 Speaker 1: with to become stuck on, become part of however you 863 00:50:58,160 --> 00:51:00,400 Speaker 1: want to interpret that, because it would be arrist to 864 00:51:00,480 --> 00:51:05,600 Speaker 1: her beloved. Uh so remember immortality via transformation. He comes 865 00:51:05,640 --> 00:51:07,600 Speaker 1: home and he's so saddened by all of this that 866 00:51:07,680 --> 00:51:10,600 Speaker 1: he offers fruit and cakes. Is offering to her in 867 00:51:10,680 --> 00:51:13,239 Speaker 1: the first Autumn Moon Festival, or at least in the 868 00:51:13,280 --> 00:51:16,239 Speaker 1: offering that will become Autumn Moon Festival. That that's sad 869 00:51:16,280 --> 00:51:19,040 Speaker 1: but beautiful. Yeah, and I like this, and I feel 870 00:51:19,080 --> 00:51:21,640 Speaker 1: like this is my my favorite of the two two versions. 871 00:51:21,640 --> 00:51:24,440 Speaker 1: We're gonna look at here. Okay, well, what's the other one? 872 00:51:24,480 --> 00:51:26,680 Speaker 1: But the other one is certainly more tragic, uh, And 873 00:51:26,840 --> 00:51:30,400 Speaker 1: this one he is certainly a hero, but then he 874 00:51:30,440 --> 00:51:34,000 Speaker 1: becomes the tyrannical ruler after the fall of the nine 875 00:51:34,040 --> 00:51:36,719 Speaker 1: surplus suns. So he saved the day. But then when 876 00:51:36,760 --> 00:51:39,080 Speaker 1: he actually when it actually comes down to him governing 877 00:51:39,120 --> 00:51:43,320 Speaker 1: and ruling, he proves to be just a horrible dude. Hey, 878 00:51:43,360 --> 00:51:46,120 Speaker 1: this often happens, right, Yeah, I got a military hero. 879 00:51:46,320 --> 00:51:49,200 Speaker 1: They save the day, but I don't know, during peacetime 880 00:51:49,239 --> 00:51:52,480 Speaker 1: they get a little lancy. Yeah, power corrupts. And it's 881 00:51:52,520 --> 00:51:54,239 Speaker 1: interesting that you, I mean, it makes sense that you 882 00:51:54,239 --> 00:51:57,400 Speaker 1: would see a different interpretation of this through you know, 883 00:51:57,640 --> 00:52:01,920 Speaker 1: all through all these different dynastics chichaels in Chinese history. 884 00:52:02,239 --> 00:52:04,520 Speaker 1: You have some good rulers, you have some terrible rulers, 885 00:52:04,560 --> 00:52:08,040 Speaker 1: you have some beloved uh rulers, and you have some 886 00:52:08,200 --> 00:52:13,600 Speaker 1: despise rulers. So the way you interpret a mythic hero 887 00:52:13,800 --> 00:52:17,040 Speaker 1: like this, a military hero, is bound to be reinterpreted 888 00:52:17,040 --> 00:52:20,080 Speaker 1: depending on what you have to work with. So in 889 00:52:20,080 --> 00:52:24,160 Speaker 1: this version, he's awful, and he obtains the elixir so 890 00:52:24,200 --> 00:52:28,840 Speaker 1: that he can rule forever. And Uh Changy does not 891 00:52:28,960 --> 00:52:30,759 Speaker 1: want this to happen. She can't bear to see the 892 00:52:30,760 --> 00:52:34,319 Speaker 1: people suffer, so she steals the elixir from him, drinks it, 893 00:52:34,640 --> 00:52:36,759 Speaker 1: and then she starts rising up into the sky. He 894 00:52:36,960 --> 00:52:39,760 Speaker 1: shoots arrows at her if she flees to the into 895 00:52:39,760 --> 00:52:42,319 Speaker 1: the sky, and then when she makes it to the moon, 896 00:52:42,600 --> 00:52:46,799 Speaker 1: he dies of anger because he's so enraged by her 897 00:52:46,840 --> 00:52:50,960 Speaker 1: treachery and her escape. Dies of anger. That's intense. And 898 00:52:50,960 --> 00:52:54,240 Speaker 1: then she just occupies the moon and the Autumn Moon festival. 899 00:52:54,280 --> 00:52:56,720 Speaker 1: He comes away for people to thank her for herself 900 00:52:56,760 --> 00:53:00,680 Speaker 1: with sacrifice. Okay, so instead of Ye initiating the festival, 901 00:53:01,000 --> 00:53:05,040 Speaker 1: it's people initiate it, thanking her for saving them from you. Yea. 902 00:53:05,719 --> 00:53:09,880 Speaker 1: So it's interesting. She's it's some sometimes she's vilified and 903 00:53:09,880 --> 00:53:12,399 Speaker 1: punished by the gods, but her character is a lot 904 00:53:12,440 --> 00:53:17,240 Speaker 1: more consistent as opposed to Ye's character. The ego seems 905 00:53:17,239 --> 00:53:20,000 Speaker 1: to swing a lot broader from hero to villain in 906 00:53:20,120 --> 00:53:24,279 Speaker 1: these in these two tellings, at any rate, now on 907 00:53:24,320 --> 00:53:27,720 Speaker 1: the Moon, her life varies depending on when and where 908 00:53:27,719 --> 00:53:30,400 Speaker 1: you're gathering your your story from Uh so she may 909 00:53:30,440 --> 00:53:33,319 Speaker 1: have been turned into the toad perhaps this punishment, and 910 00:53:33,400 --> 00:53:35,560 Speaker 1: also because the toad sheds its skin as in an 911 00:53:35,560 --> 00:53:40,040 Speaker 1: act of mythic immortality. Uh. And in the earlier tales 912 00:53:40,160 --> 00:53:42,400 Speaker 1: she's more punished. In the later ones, they're you know, 913 00:53:42,560 --> 00:53:46,239 Speaker 1: they're more sympathetic to her, and they forget the toad form. 914 00:53:46,520 --> 00:53:49,040 Speaker 1: There she may be forced to pound the elixir into 915 00:53:49,040 --> 00:53:51,759 Speaker 1: the mortar. Though. You also see this version where the 916 00:53:51,840 --> 00:53:54,640 Speaker 1: jade rabbit joins around the moon and then does the 917 00:53:54,680 --> 00:53:57,480 Speaker 1: work for And then to top things off, there is 918 00:53:57,480 --> 00:53:59,919 Speaker 1: a tree on the moon and there's a guy there 919 00:54:00,040 --> 00:54:03,880 Speaker 1: that came apparently to to to like steal immortality. And 920 00:54:03,920 --> 00:54:06,320 Speaker 1: his punishment, he has to continually chop at this tree. 921 00:54:06,640 --> 00:54:09,440 Speaker 1: And every time he chops into it, yet uh, the 922 00:54:10,200 --> 00:54:13,279 Speaker 1: the gouge in the tree heals back up. Oh no, yeah, 923 00:54:13,280 --> 00:54:15,279 Speaker 1: so you have kind of, you know, a miss of 924 00:54:15,440 --> 00:54:20,279 Speaker 1: Sissiphus going on on the moon pointless eternal labor. But 925 00:54:20,400 --> 00:54:23,080 Speaker 1: will he live forever in this pointless eternal he will? 926 00:54:23,200 --> 00:54:25,520 Speaker 1: That's kind of the the interesting thing about it, irony, 927 00:54:25,680 --> 00:54:29,200 Speaker 1: he got immortality, it's just a horrible immortality of doing 928 00:54:29,200 --> 00:54:31,160 Speaker 1: the same thing over and over again, which is kind 929 00:54:31,160 --> 00:54:33,799 Speaker 1: of a nice commentary on that, on what we were 930 00:54:33,920 --> 00:54:36,120 Speaker 1: ripping on earlier, the idea like, why would you want 931 00:54:36,120 --> 00:54:40,080 Speaker 1: to live together in a constant state that doesn't change? Well, 932 00:54:40,280 --> 00:54:43,759 Speaker 1: this guy got it um his name Woo Gang by 933 00:54:43,800 --> 00:54:48,600 Speaker 1: the way, Yeah, if you're not living towards something, if 934 00:54:48,640 --> 00:54:51,200 Speaker 1: you're if there's nothing you could ever finish and everything 935 00:54:51,320 --> 00:54:54,160 Speaker 1: is stasis and always stays the same, do you want 936 00:54:54,200 --> 00:54:57,359 Speaker 1: to live forever? Indeed? I mean this is the This 937 00:54:57,400 --> 00:54:59,919 Speaker 1: is why these ideas are so so fun to to 938 00:55:00,000 --> 00:55:03,200 Speaker 1: to talk about, so fun to explore in cultures both 939 00:55:04,640 --> 00:55:07,759 Speaker 1: close to home and uh and distant, because we find 940 00:55:07,800 --> 00:55:11,560 Speaker 1: these universal ideas, these universal questions. Okay, well, maybe we 941 00:55:11,560 --> 00:55:14,680 Speaker 1: should step back and say, uh, what do we make 942 00:55:14,719 --> 00:55:18,400 Speaker 1: of all these uh, these myths and these cultural beliefs, 943 00:55:18,440 --> 00:55:21,200 Speaker 1: Like what what does this have to do with our 944 00:55:21,239 --> 00:55:25,480 Speaker 1: cognition and the way we think about death today? Death 945 00:55:25,560 --> 00:55:29,800 Speaker 1: end immortality? Well, you know, much has been written about 946 00:55:29,840 --> 00:55:33,239 Speaker 1: the manner by which myth and religion emerge from the 947 00:55:33,320 --> 00:55:36,360 Speaker 1: human mind, but the jury is still out on exactly 948 00:55:36,400 --> 00:55:40,839 Speaker 1: what cognitive mechanisms are responsible for belief in such supernatural 949 00:55:40,880 --> 00:55:46,120 Speaker 1: concepts as survival of consciousness, ghosts, gods, etcetera. And much 950 00:55:46,160 --> 00:55:49,239 Speaker 1: of what has been presented in in psychology and in 951 00:55:49,280 --> 00:55:52,280 Speaker 1: these studies is based upon the study of Western populations, 952 00:55:53,080 --> 00:55:57,600 Speaker 1: populations that are heavily influenced by Judeo Christian tradition, maybe 953 00:55:57,680 --> 00:55:59,919 Speaker 1: some Islam, but generally you know, people of the book, 954 00:56:00,040 --> 00:56:05,000 Speaker 1: people that are tied to this particular Abrahamic tradition and 955 00:56:05,120 --> 00:56:09,719 Speaker 1: that have a maybe not totally unified, but more canonical 956 00:56:10,360 --> 00:56:14,280 Speaker 1: prescriptive understanding of what the afterlife is. Yeah, and also 957 00:56:14,360 --> 00:56:17,560 Speaker 1: from societies that were have at least been like traditionally 958 00:56:17,600 --> 00:56:24,399 Speaker 1: and historically religious tone. Now this leads out China, though, 959 00:56:24,560 --> 00:56:27,279 Speaker 1: which is a has long been a secular state with 960 00:56:27,320 --> 00:56:31,960 Speaker 1: a history of non religious philosophies and unique varied mythological 961 00:56:31,960 --> 00:56:36,560 Speaker 1: and religious roots. In two thousand fourteen, Dr Melanie Nioff 962 00:56:36,640 --> 00:56:40,240 Speaker 1: and Dr Kelly James Clark embarked on a study sponsored 963 00:56:40,239 --> 00:56:44,080 Speaker 1: by the John Templeton Foundation. And you see Riverside given 964 00:56:44,120 --> 00:56:47,480 Speaker 1: the at least the preliminary title afterlife beliefs and their 965 00:56:47,560 --> 00:56:51,560 Speaker 1: cognitive mechanisms among the Chinese past and present. And this 966 00:56:51,680 --> 00:56:55,239 Speaker 1: is part of the Immortality Project. What's that? Uh, it's 967 00:56:55,280 --> 00:56:58,520 Speaker 1: a let's say, broader like I forget the dollar amount 968 00:56:58,560 --> 00:57:02,279 Speaker 1: is like a big dollar I um uh flight of 969 00:57:02,320 --> 00:57:06,960 Speaker 1: studies that are looking into various topics of circling around 970 00:57:07,040 --> 00:57:11,480 Speaker 1: the concept of immortality. So sadly this is not that 971 00:57:11,560 --> 00:57:14,880 Speaker 1: this is apparently still underway. They're apparently still working on this. 972 00:57:14,920 --> 00:57:19,120 Speaker 1: There's no public study out with this title. Hopefully we'll 973 00:57:19,120 --> 00:57:20,880 Speaker 1: get to see it in the in the near future. 974 00:57:21,560 --> 00:57:23,840 Speaker 1: But still it drives on the importance of when if 975 00:57:23,840 --> 00:57:28,760 Speaker 1: you're gonna look at the relationship between cognition and religion, 976 00:57:28,880 --> 00:57:31,919 Speaker 1: cognition and myth. Uh, you can't just depend on one 977 00:57:32,240 --> 00:57:36,760 Speaker 1: cultural model. You mean like studies on college students exacted 978 00:57:36,840 --> 00:57:39,120 Speaker 1: states in Great Britain or something. Right, Yeah, we see 979 00:57:39,160 --> 00:57:41,960 Speaker 1: the same thing in in uh, in scientific studies all 980 00:57:42,000 --> 00:57:45,800 Speaker 1: over where people have increasingly said, wait, you, how are 981 00:57:45,840 --> 00:57:49,600 Speaker 1: we basing all of this supposed universal understanding on a 982 00:57:49,800 --> 00:57:56,440 Speaker 1: very specific and select subset of human beings? Now? Um, 983 00:57:57,040 --> 00:58:00,400 Speaker 1: all this being said Dr Melanie Nilov also on the 984 00:58:00,520 --> 00:58:04,919 Speaker 1: Thrive Center project is Religion Natural the Chinese Challenge, which 985 00:58:04,960 --> 00:58:08,120 Speaker 1: addresses many of these concerns through two thousand years of 986 00:58:08,400 --> 00:58:11,640 Speaker 1: Chinese culture uh. And it makes the following points, and 987 00:58:11,680 --> 00:58:16,520 Speaker 1: most of these are points for universality. Okay, First, high 988 00:58:16,600 --> 00:58:19,600 Speaker 1: gods as opposed to low gods and Chinese a myth 989 00:58:19,840 --> 00:58:23,600 Speaker 1: served as moral and for enforcers. Okay, So they rewarded 990 00:58:23,720 --> 00:58:26,440 Speaker 1: and punished the behaviors of human and in this we 991 00:58:26,480 --> 00:58:30,320 Speaker 1: see uniformity with global trends toward human and vision gods. 992 00:58:30,360 --> 00:58:34,040 Speaker 1: The theory of a mind powered personification of the human 993 00:58:34,080 --> 00:58:37,840 Speaker 1: minds hunger for for reasons known and unknown, to explain 994 00:58:37,880 --> 00:58:40,680 Speaker 1: the universe. So this begins in early childhood and it 995 00:58:40,760 --> 00:58:45,840 Speaker 1: persists in to adulthood. Mainland Chinese children shared much in 996 00:58:45,920 --> 00:58:48,920 Speaker 1: common with Western children and adults in this so purpose 997 00:58:48,960 --> 00:58:54,640 Speaker 1: based explanations for the world. So example given was when asked, 998 00:58:54,920 --> 00:58:56,680 Speaker 1: you know, what's the deal with mountains? Well, mountains were 999 00:58:56,680 --> 00:58:59,560 Speaker 1: created for climbing, just as hats were created for warmth. 1000 00:58:59,600 --> 00:59:02,520 Speaker 1: Oh yeah, this, I've read about this before. Like children 1001 00:59:02,640 --> 00:59:07,360 Speaker 1: having a tendency to assume that things. Uh. If asked 1002 00:59:07,360 --> 00:59:09,920 Speaker 1: to give an explanation for the existence of something, they 1003 00:59:09,960 --> 00:59:14,320 Speaker 1: explain it in terms of its usefulness to them. So 1004 00:59:14,440 --> 00:59:17,240 Speaker 1: like the the reason this table exists is so I 1005 00:59:17,280 --> 00:59:19,400 Speaker 1: can sit at it. Well, that might be true. The 1006 00:59:19,480 --> 00:59:21,960 Speaker 1: reason this rock exists is so I can skip it 1007 00:59:22,040 --> 00:59:25,480 Speaker 1: over the water. Yeah, it's like they have a simplistic 1008 00:59:26,520 --> 00:59:32,040 Speaker 1: but very reasonable explanation incorrect explanation often for what the 1009 00:59:32,120 --> 00:59:35,160 Speaker 1: one of these things are there. And as we get older, 1010 00:59:35,320 --> 00:59:38,800 Speaker 1: we we don't really abandon this line of thinking. We 1011 00:59:38,920 --> 00:59:41,600 Speaker 1: just make it a little more complex, right, Well, like 1012 00:59:41,680 --> 00:59:44,640 Speaker 1: maybe we know it's not necessarily correct, but we still 1013 00:59:44,720 --> 00:59:47,040 Speaker 1: want to feel that way, right Yeah, I mean it's 1014 00:59:47,040 --> 00:59:49,640 Speaker 1: just this tendency to see purpose in nature. So it's 1015 00:59:49,640 --> 00:59:53,919 Speaker 1: a teleological understanding of the world. Um, three to five 1016 00:59:54,000 --> 00:59:57,120 Speaker 1: year olds in this particular state, they displayed a natural 1017 00:59:57,200 --> 01:00:01,400 Speaker 1: ease and imagining all knowing and all say ing invisible beings. 1018 01:00:02,040 --> 01:00:04,960 Speaker 1: So the idea here is that our our minds cling 1019 01:00:05,000 --> 01:00:08,200 Speaker 1: to intuitive religious ideas. I mean, gods and gods are 1020 01:00:08,240 --> 01:00:10,439 Speaker 1: just parents that love us for example. You know, we're 1021 01:00:10,440 --> 01:00:14,760 Speaker 1: just taking a relatable human relationship and extrapolating it into 1022 01:00:14,800 --> 01:00:19,720 Speaker 1: the supernatural scenario. But we also cling to counterintuitive ideas 1023 01:00:19,760 --> 01:00:23,440 Speaker 1: because they stand out, they're quirky, they're memorable, and God's 1024 01:00:23,640 --> 01:00:26,680 Speaker 1: after all, they tend to be counterintuitive. I've read a 1025 01:00:26,720 --> 01:00:28,919 Speaker 1: little bit about this in in the idea of meme 1026 01:00:29,040 --> 01:00:31,240 Speaker 1: theory as well, that like a lot of the memes 1027 01:00:31,280 --> 01:00:35,280 Speaker 1: that catch on are those that are familiar enough to 1028 01:00:35,360 --> 01:00:38,800 Speaker 1: be tractable to our minds, but also weird enough to 1029 01:00:38,840 --> 01:00:42,439 Speaker 1: be memorable. So the thing that that really sticks out 1030 01:00:42,440 --> 01:00:46,800 Speaker 1: in our brain and and merits remembering and repetition is 1031 01:00:46,840 --> 01:00:48,919 Speaker 1: the thing that's kind of like the thing you know, 1032 01:00:49,680 --> 01:00:53,520 Speaker 1: but also different enough that you don't forget it. Yeah, Like, 1033 01:00:53,560 --> 01:00:55,760 Speaker 1: I think a lot of examples that stick with me, 1034 01:00:56,400 --> 01:00:58,440 Speaker 1: like to go outside of Chinese mythology and think of 1035 01:00:58,480 --> 01:01:02,600 Speaker 1: like say Greek mythology or even Christianity. Like in Greek mythology, 1036 01:01:02,640 --> 01:01:06,200 Speaker 1: I instantly think of Zeus turning into random animals to 1037 01:01:06,840 --> 01:01:09,600 Speaker 1: have sexual relations with human women. Because when you hear 1038 01:01:09,640 --> 01:01:12,720 Speaker 1: about that, especially when you're a kid, you're like, that's 1039 01:01:12,720 --> 01:01:16,000 Speaker 1: that's insane. What this makes no sense? Why is that 1040 01:01:16,080 --> 01:01:18,800 Speaker 1: even happening. It's so absurd that it sticks with you, 1041 01:01:19,560 --> 01:01:22,760 Speaker 1: and it ultimately is kind of is telling about this character, 1042 01:01:22,880 --> 01:01:28,600 Speaker 1: this sort of absurd, horrible, kind of tyrannical god. So 1043 01:01:28,640 --> 01:01:30,800 Speaker 1: in both the in the study, in both UK and 1044 01:01:30,880 --> 01:01:35,320 Speaker 1: Chinese subjects, children had an easier time with counterintuitive ideas 1045 01:01:35,560 --> 01:01:38,560 Speaker 1: why a while adults struggled with them. So the ideas 1046 01:01:38,600 --> 01:01:40,640 Speaker 1: that you had like some sort of strange idea of 1047 01:01:40,640 --> 01:01:43,800 Speaker 1: a god the kids would be more inclined to, but 1048 01:01:43,920 --> 01:01:45,800 Speaker 1: to believe in it, the adults would have maybe a 1049 01:01:45,800 --> 01:01:50,320 Speaker 1: harder time digesting at all. But they found that quote 1050 01:01:50,800 --> 01:01:55,440 Speaker 1: natural intuitions underlying the practice of rituals exists across cultures, 1051 01:01:55,720 --> 01:01:59,200 Speaker 1: but the differences found between China and previously considered nations 1052 01:01:59,200 --> 01:02:03,520 Speaker 1: suggests that clatural differences may influence the types of rituals practice. 1053 01:02:03,840 --> 01:02:07,200 Speaker 1: Specifically in China, a few rituals were found in which 1054 01:02:07,240 --> 01:02:09,960 Speaker 1: a spirit or god acts upon humans, such as when 1055 01:02:09,960 --> 01:02:13,800 Speaker 1: a priest represents the god in a wedding to people, 1056 01:02:14,160 --> 01:02:17,120 Speaker 1: a common ritual type in much of the world. So 1057 01:02:17,160 --> 01:02:19,240 Speaker 1: they're saying that that type of thing is not very 1058 01:02:19,320 --> 01:02:23,640 Speaker 1: common in Chinese religion. And then they also pointed out 1059 01:02:23,720 --> 01:02:28,120 Speaker 1: that since you have a largely secularized society seeing the 1060 01:02:28,440 --> 01:02:32,440 Speaker 1: downplaying of religious expression, they predicted that there would be 1061 01:02:32,520 --> 01:02:36,000 Speaker 1: a natural inclination for religious thought that would in the 1062 01:02:36,080 --> 01:02:40,000 Speaker 1: seculary secularized society leak out in novel ways. So kind 1063 01:02:40,000 --> 01:02:42,160 Speaker 1: of like you know, the steams building up, it's got 1064 01:02:42,160 --> 01:02:46,720 Speaker 1: to release somehow. If religion is a natural inclination, you know, 1065 01:02:46,800 --> 01:02:50,240 Speaker 1: if of all these even though the strangest in the 1066 01:02:50,280 --> 01:02:54,000 Speaker 1: more elaborate supernatural beliefs have a grounding in the way 1067 01:02:54,000 --> 01:02:56,840 Speaker 1: our brains work. If we are if that is discouraged, 1068 01:02:56,960 --> 01:02:58,400 Speaker 1: is still going to have to find a way out. 1069 01:02:59,000 --> 01:03:01,480 Speaker 1: And I think this is one of these areas where 1070 01:03:01,520 --> 01:03:04,040 Speaker 1: you can you could probably chew on this concept for 1071 01:03:04,160 --> 01:03:07,040 Speaker 1: quite some time and find various examples. But the one 1072 01:03:07,080 --> 01:03:10,600 Speaker 1: that they pointed to his World of Warcraft what really, Yeah, 1073 01:03:10,640 --> 01:03:15,080 Speaker 1: they they highlighted it is quote an unorthodox vehicle for religious, 1074 01:03:15,120 --> 01:03:20,720 Speaker 1: spiritual and moral expression in China. So okay, which I 1075 01:03:20,760 --> 01:03:22,640 Speaker 1: can see that. You know, I'm not a World of 1076 01:03:22,640 --> 01:03:24,880 Speaker 1: Warcraft player, but I know it is an immersive game 1077 01:03:25,400 --> 01:03:28,960 Speaker 1: with a you know, a fairly deep fantasy mythos, full 1078 01:03:29,000 --> 01:03:33,840 Speaker 1: of heroes, and I assume God's good and evil battling 1079 01:03:33,880 --> 01:03:37,120 Speaker 1: against each other. Yeah, I mean, well, one of the 1080 01:03:37,120 --> 01:03:39,920 Speaker 1: things that, uh, that I guess this is implying is 1081 01:03:40,040 --> 01:03:44,200 Speaker 1: that you take a secular state and mostly secularized state 1082 01:03:44,280 --> 01:03:50,080 Speaker 1: where the importance of religion has greatly decreased um and 1083 01:03:50,160 --> 01:03:53,160 Speaker 1: yet people still have I mean, whatever the reason for 1084 01:03:53,240 --> 01:03:56,680 Speaker 1: the emergence of religion, it's easy to think about it 1085 01:03:56,720 --> 01:03:59,600 Speaker 1: having something to do with the desire for immortality or 1086 01:03:59,720 --> 01:04:02,720 Speaker 1: as are, for a belief in immortal beings of some kind, 1087 01:04:02,840 --> 01:04:08,600 Speaker 1: some kind of continuing beyond mortality and death. Um. That 1088 01:04:08,680 --> 01:04:11,880 Speaker 1: desire probably doesn't go away even if you have a 1089 01:04:11,920 --> 01:04:16,920 Speaker 1: mostly secularized state. So like, how does it find expression? Um? 1090 01:04:17,080 --> 01:04:19,360 Speaker 1: And so one of the things I'm interested in is 1091 01:04:19,360 --> 01:04:22,840 Speaker 1: is the parallels between this thing we've seen throughout uh 1092 01:04:22,960 --> 01:04:27,080 Speaker 1: this episode looking at Chinese immortality on immortality through transformation, 1093 01:04:27,720 --> 01:04:32,000 Speaker 1: the idea that you transcend your your mortal existence by 1094 01:04:32,000 --> 01:04:36,320 Speaker 1: becoming something else. The parallel between that in the secular 1095 01:04:36,520 --> 01:04:41,240 Speaker 1: immortality beliefs of trans humanism that we see today. I mean, 1096 01:04:41,480 --> 01:04:44,760 Speaker 1: this is a common thing now where you'll get all 1097 01:04:44,800 --> 01:04:49,000 Speaker 1: these very very smart, you know, technology oriented people saying 1098 01:04:49,000 --> 01:04:51,200 Speaker 1: oh yeah, yeah, I'm gonna live forever. I mean there 1099 01:04:51,200 --> 01:04:54,000 Speaker 1: are people who think that today, who think they are 1100 01:04:54,120 --> 01:04:57,600 Speaker 1: materialists in a non religious sense. Well you can debate 1101 01:04:57,720 --> 01:04:59,560 Speaker 1: the extent to which it's religious, but at least in 1102 01:04:59,600 --> 01:05:02,800 Speaker 1: a non supernatural sense. They think that they're going to 1103 01:05:02,840 --> 01:05:07,480 Speaker 1: have an indefinite lifespan because computers will reach such a 1104 01:05:07,520 --> 01:05:09,960 Speaker 1: point of advancement that will be able to download our 1105 01:05:10,000 --> 01:05:16,160 Speaker 1: consciousness into them and transform ourselves into this new digital 1106 01:05:16,160 --> 01:05:19,520 Speaker 1: existence where you can live indefinitely. Yeah, and then likewise 1107 01:05:19,560 --> 01:05:23,080 Speaker 1: you have the Aubrey de Gray kind of approach to longevity, 1108 01:05:23,200 --> 01:05:28,800 Speaker 1: like breaking up death into various winnable battles. The war 1109 01:05:28,840 --> 01:05:31,320 Speaker 1: against death is a bit too much to consider. But 1110 01:05:31,360 --> 01:05:33,280 Speaker 1: if we break it down into I think it's like 1111 01:05:33,360 --> 01:05:36,720 Speaker 1: eight different categories. Maybe it's twelve categories. He says, like, 1112 01:05:36,800 --> 01:05:40,360 Speaker 1: these are the categories. These are the advancements that need 1113 01:05:40,400 --> 01:05:44,880 Speaker 1: to take place for us to essentially defeat death. Yeah, 1114 01:05:44,880 --> 01:05:48,240 Speaker 1: he's trying to reduce the problem to components. So he's saying, like, 1115 01:05:48,400 --> 01:05:50,680 Speaker 1: if we can solve these Yeah, I don't remember the 1116 01:05:50,760 --> 01:05:52,520 Speaker 1: number either, but it's like, if we can solve these 1117 01:05:52,560 --> 01:05:56,880 Speaker 1: eleven problems, Uh, then we will no longer age and die. 1118 01:05:57,360 --> 01:05:59,840 Speaker 1: Now that he has met a lot of resistance to that, 1119 01:06:00,120 --> 01:06:01,960 Speaker 1: there are a lot of people who disagree with him 1120 01:06:02,080 --> 01:06:07,040 Speaker 1: very strongly, despite his wizardly beard, sagely appearance. Maybe if 1121 01:06:07,080 --> 01:06:09,840 Speaker 1: he had just a slightly larger forehead, uh, in an 1122 01:06:09,840 --> 01:06:15,280 Speaker 1: appetite for do and wind, we might buy into it more. Perhaps, 1123 01:06:16,040 --> 01:06:17,880 Speaker 1: I know you're joking, but I do think he gets 1124 01:06:17,880 --> 01:06:21,280 Speaker 1: a lot of mileage out of that beard. It it 1125 01:06:21,320 --> 01:06:24,160 Speaker 1: helps he has he he has the the appearance of 1126 01:06:24,160 --> 01:06:26,480 Speaker 1: of a wizard who is going to to help you 1127 01:06:26,520 --> 01:06:28,920 Speaker 1: achieve your goals. And uh, you know, and if you're 1128 01:06:28,960 --> 01:06:33,800 Speaker 1: a an aged individual with a lot of extra research 1129 01:06:34,080 --> 01:06:38,200 Speaker 1: dollars floating around, you might be inclined to to fund him. 1130 01:06:38,240 --> 01:06:40,480 Speaker 1: You know. One more thing, sorry, I'm still thinking about this, 1131 01:06:41,040 --> 01:06:45,760 Speaker 1: the digital consciousness mortality thing that this is so assuming 1132 01:06:45,840 --> 01:06:49,520 Speaker 1: you have some kind of materialist conception of consciousness and 1133 01:06:49,640 --> 01:06:52,840 Speaker 1: you want to survive forever by having your consciousness downloaded 1134 01:06:52,840 --> 01:06:55,400 Speaker 1: into a computer. I'm skeptical of that idea too, by 1135 01:06:55,400 --> 01:06:57,520 Speaker 1: the way, because how does that transfer occur? But some 1136 01:06:57,560 --> 01:07:02,480 Speaker 1: people think that will happen. Um uh, you have just 1137 01:07:02,640 --> 01:07:07,400 Speaker 1: fully abandoned your biological imperatives, Like the genes that built 1138 01:07:07,520 --> 01:07:12,120 Speaker 1: your brain, which generated the phenomenon of your mind, are 1139 01:07:12,200 --> 01:07:14,720 Speaker 1: just completely gone. Now like in our example where that 1140 01:07:14,880 --> 01:07:16,720 Speaker 1: you know, you're you are the brain and the vat 1141 01:07:16,760 --> 01:07:20,720 Speaker 1: on the robot. Now, um, what is that existence like? 1142 01:07:21,000 --> 01:07:23,920 Speaker 1: And at some point does that existence come back to 1143 01:07:23,960 --> 01:07:27,840 Speaker 1: bite you? Well? I mean it comes back to the moon. Right. 1144 01:07:28,240 --> 01:07:31,720 Speaker 1: You can imagine obtaining the elixir and being told, hey, 1145 01:07:31,960 --> 01:07:33,480 Speaker 1: you sure you want to follow through with this? You know, 1146 01:07:33,520 --> 01:07:36,400 Speaker 1: you're gonna fly into the sky and become one with 1147 01:07:36,440 --> 01:07:40,880 Speaker 1: the moon or possibly live on the moon. Uh. I mean, yeah, 1148 01:07:40,920 --> 01:07:43,760 Speaker 1: that's that's immortality. You've gotta be willing to transform. So 1149 01:07:43,800 --> 01:07:48,720 Speaker 1: maybe the idea of the digitizing consciousness, becoming a robot, 1150 01:07:49,240 --> 01:07:51,680 Speaker 1: having your brain living a vat like all these are 1151 01:07:51,680 --> 01:07:54,840 Speaker 1: just examples of sure, if you want immortality, you need 1152 01:07:54,880 --> 01:07:57,560 Speaker 1: to be open to the idea that immortality is transformation. 1153 01:07:58,040 --> 01:08:00,240 Speaker 1: And whatever you have now is not what you're going 1154 01:08:00,280 --> 01:08:04,800 Speaker 1: to have on the moon. It never is. Nope. All right, 1155 01:08:05,200 --> 01:08:07,640 Speaker 1: so there you have it. Uh. You know, you can 1156 01:08:07,920 --> 01:08:10,200 Speaker 1: boil it down to specifics. You can certainly pick apart 1157 01:08:10,200 --> 01:08:15,440 Speaker 1: the details of Chinese symbolism, homophonic puns, the other particulars, 1158 01:08:15,480 --> 01:08:17,479 Speaker 1: but you know, in broader strokes, I think there's a 1159 01:08:17,479 --> 01:08:21,519 Speaker 1: lot of cohesion between these nit these universal ideas and 1160 01:08:21,600 --> 01:08:27,120 Speaker 1: questions concerning immortality, modern scientific inquiries into the possibility of 1161 01:08:27,120 --> 01:08:30,599 Speaker 1: immortality and our our hunger for it, uh, and these 1162 01:08:31,160 --> 01:08:34,960 Speaker 1: myths and folklore traditions that we've looked at here. Oh 1163 01:08:34,960 --> 01:08:36,880 Speaker 1: and on one final note, if you have found this 1164 01:08:36,960 --> 01:08:40,679 Speaker 1: particular topic fascinating and you're interested in in Asian society, 1165 01:08:40,720 --> 01:08:43,840 Speaker 1: Asian culture, well, you should check out Asia Society and 1166 01:08:43,920 --> 01:08:48,520 Speaker 1: Asia Society dot org. It's the leading educational organization dedicated 1167 01:08:48,560 --> 01:08:52,799 Speaker 1: to promoting mutual understanding and strengthening partnerships among people's leaders 1168 01:08:52,800 --> 01:08:55,120 Speaker 1: and institutions of Asia and the United States in a 1169 01:08:55,160 --> 01:08:59,960 Speaker 1: global context. So we're talking the fields of arts, businesses, culture, education, 1170 01:09:00,040 --> 01:09:04,360 Speaker 1: and policy. The society provides insight, generates ideas, and promotes 1171 01:09:04,520 --> 01:09:09,000 Speaker 1: collaboration to address present challenges and create a shared future. 1172 01:09:09,320 --> 01:09:11,559 Speaker 1: So check them out at AGES Society dot org. They 1173 01:09:11,560 --> 01:09:14,280 Speaker 1: have plenty of educational materials. There's a museum in New 1174 01:09:14,360 --> 01:09:16,960 Speaker 1: York City. Uh and you can donate and support at 1175 01:09:17,000 --> 01:09:19,280 Speaker 1: that website. Now, I know what some of you are 1176 01:09:19,280 --> 01:09:22,439 Speaker 1: probably thinking, Hey, Chinese mythology is great, but there are 1177 01:09:22,439 --> 01:09:27,040 Speaker 1: these other wonderful wells of of myth out there, and 1178 01:09:27,080 --> 01:09:30,200 Speaker 1: they're full of immortals as well. You guys should cover them. Well, 1179 01:09:30,840 --> 01:09:35,240 Speaker 1: we very well, we might if there's enough interest out there. 1180 01:09:35,479 --> 01:09:38,919 Speaker 1: I mean, immortality. It's a big subject. It's a big subject, 1181 01:09:39,120 --> 01:09:41,200 Speaker 1: and uh yeah, and I have a feeling that just 1182 01:09:41,280 --> 01:09:44,280 Speaker 1: about any major myth cycle is going to have something 1183 01:09:44,320 --> 01:09:48,120 Speaker 1: in there that it reflects something a little differently than 1184 01:09:48,120 --> 01:09:50,400 Speaker 1: what we looked at here today, so would be uh 1185 01:09:50,680 --> 01:09:53,760 Speaker 1: be cool to dive into them and there's enoughs and 1186 01:09:53,800 --> 01:09:55,200 Speaker 1: in the meantime, if you want to check out other 1187 01:09:55,200 --> 01:09:56,880 Speaker 1: episodes of Stuff to Blow Your Mind, head and over 1188 01:09:56,920 --> 01:09:58,439 Speaker 1: the Stuff to Blow your Mind dot com, that's where 1189 01:09:58,439 --> 01:10:02,400 Speaker 1: you'll find all the episod you'll find various blog posts, videos, 1190 01:10:02,520 --> 01:10:06,520 Speaker 1: links out to our social media accounts such as Facebook, Twitter, Tumbler, Instagram, 1191 01:10:06,640 --> 01:10:09,000 Speaker 1: you name it, we're probably on. And if you want 1192 01:10:09,000 --> 01:10:11,320 Speaker 1: to get in touch with us directly, as always, you 1193 01:10:11,360 --> 01:10:14,559 Speaker 1: can email us at blow the Mind at how stuff 1194 01:10:14,560 --> 01:10:26,360 Speaker 1: works dot com. For more on this and thousands of 1195 01:10:26,360 --> 01:10:51,439 Speaker 1: other topics. Is that how stuff Works dot com