WEBVTT - Listener Mail: Gravy, Sinkholes and Soviet Sci-Fi

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow your

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<v Speaker 1>Mind listener mail. My name is Robert Lamb and I'm

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<v Speaker 1>Joe McCormick, and we've got a lot of great listener

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<v Speaker 1>mail to get into today. I say, we jumped right in.

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<v Speaker 1>Are you ready, Rob, Let's do it? Okay. This first

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<v Speaker 1>message comes to us from Mark. This is about the

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<v Speaker 1>chemical and religious transformation of the essences of foods. I

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<v Speaker 1>think this goes back to our episode from the past

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<v Speaker 1>Thanksgiving where we talked about some of the strange science

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<v Speaker 1>and religious beliefs about gravy, and so Mark says, Hey, guys,

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<v Speaker 1>I really enjoyed the show. I've listened to just about

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<v Speaker 1>every episode since I got into it several years ago.

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<v Speaker 1>You and stuff you should Know are kind of the

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<v Speaker 1>core of my podcast listening. Anyways, This is in reference

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<v Speaker 1>to your Thanksgiving smorge Board episode, specifically the section on gravy.

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<v Speaker 1>I listened to it not long after it came out,

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<v Speaker 1>and this email has been brewing for a while in

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<v Speaker 1>my head. Finally got it out in it, Joe, I

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<v Speaker 1>think mused about gravy and the transformation of food from

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<v Speaker 1>one thing to another in a spiritual sense. There is

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<v Speaker 1>such a thing today in Judaism. You may be aware

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<v Speaker 1>of cash root, the Jewish dietary practice. The one rule

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<v Speaker 1>that most people know about it is you don't mix

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<v Speaker 1>meat with milk. Now, this doesn't only mean cheeseburgers. It

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<v Speaker 1>means at the same meal, if you're having steak, you

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<v Speaker 1>can't have butter or sour cream on your baked potato.

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<v Speaker 1>It means having different pans to cook dairy dishes and

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<v Speaker 1>meat dishes in, and, depending on one's level of observance,

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<v Speaker 1>not eating one within six hours of each other. Like

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<v Speaker 1>if you have that milk chocolate for an afternoon snack,

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<v Speaker 1>kiss the steak dinner goodbye. But what happens if something

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<v Speaker 1>spills in the fridge. If you get some meat juice

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<v Speaker 1>in a bowl of milk, the milk is now tray ff.

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<v Speaker 1>This is t r e y f or non kosher. However,

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<v Speaker 1>if you got to drop of milk in a bowl

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<v Speaker 1>of beef chili, it may still be fined to eat,

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<v Speaker 1>as meat is considered a greater contaminant. Look at it

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<v Speaker 1>like mixing paint. A drop of white in a puddle

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<v Speaker 1>of black paint will make no appreciable difference, but a

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<v Speaker 1>drop of black paint in a puddle of white will

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<v Speaker 1>have a drastic effect. Cheese made with rennet obtained from

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<v Speaker 1>cow stomachs, thus considered meat is an ongoing debate. Here's

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<v Speaker 1>the important part. In relation to the transformation of food gelatin,

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<v Speaker 1>there is a principle called davar hadash. The H is

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<v Speaker 1>the flim hawking back of the throat. Sound not like

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<v Speaker 1>c H and cheese. So I hope, I said that right?

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<v Speaker 1>Dvar hadash in cash root that holds what that When

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<v Speaker 1>a substance has been through certain chemical transformations or deluded

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<v Speaker 1>to a certain point, it loses its status as meat

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<v Speaker 1>or milk. Food gelatin is the most common example. This

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<v Speaker 1>is one reason why some jello type desserts and marshmallows

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<v Speaker 1>are considered kosher and some are not. Just like one's

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<v Speaker 1>individual practice, the specifics are up for debate from rabbi

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<v Speaker 1>to rabbi, and tradition to tradition. Gelatine being rendered from

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<v Speaker 1>animal bones should be meat. However, in the process of

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<v Speaker 1>being made into gelatine, it undergoes certain processes that are

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<v Speaker 1>considered enough to strip it of its meat status and

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<v Speaker 1>make it ParvE, which means neutral, neither meat nor milk.

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<v Speaker 1>Some rabbis hold this, some don't. Marshmallows are usually made

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<v Speaker 1>with gelatine, and I suppose there might be some kosher

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<v Speaker 1>ones that are, but most kosher marshmallows are made with eisenloss,

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<v Speaker 1>a gelatine like extract from fish guts. Fish are usually

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<v Speaker 1>considered parvey. That's a whole other rabbinic discussion, so anything

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<v Speaker 1>derived from them shares that quality. There are some other

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<v Speaker 1>factories that play into gelatine's kosher or not status, but

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<v Speaker 1>dvar hadash is the one that's most relevant here. So

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<v Speaker 1>it may not be exactly the distillation of bear essence.

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<v Speaker 1>Remember the episode we're talking about bear gravy. Uh what

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<v Speaker 1>the idea of changing of food's essential qualities through a

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<v Speaker 1>cooking process is alive and well, and Judaism and probably

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<v Speaker 1>other cultures with dietary restrictions today, keep on with your

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<v Speaker 1>bad selves, Mark, And then, as a PS, Mark says,

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<v Speaker 1>I just remember the liver. Liver cannot be sold in

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<v Speaker 1>a kosher form, so homes that keep kosher will often

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<v Speaker 1>have a tray pan just to boil the liver. The

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<v Speaker 1>process cashiers or kosher's I think this is Cashier's Cashiers

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<v Speaker 1>the liver and makes it ready to be made into

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<v Speaker 1>your classic deli chopped liver spread. Interesting. I didn't know

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<v Speaker 1>much about all of that. That's that's that's that's very fascinating. Yeah.

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<v Speaker 1>By the way, you can get vegan marshmallows. I know

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<v Speaker 1>that because those that's what we get here at the house.

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<v Speaker 1>Oh yeah, yeah, yeah, I know in some recipes, Um,

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<v Speaker 1>there are substitutes for for when gelatine would often be used,

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<v Speaker 1>and say, certain types of baking or cooking where you

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<v Speaker 1>can substitute something like pecton, which is a plant product

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<v Speaker 1>for gelatin sometimes, but it might not work in all cases,

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<v Speaker 1>So I don't if anybody does that with marshmallows. All right,

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<v Speaker 1>here's another one. This one comes to us from Karina,

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<v Speaker 1>and Karina writes, Hello, I'd like to start this message

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<v Speaker 1>with some praise. Your show has been my favorite for years,

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<v Speaker 1>and I appreciate how you approach even the more unconventional

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<v Speaker 1>topics with a scientific mindset and a little lightheartedness. Keep

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<v Speaker 1>up the great work, and please do keep up weird

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<v Speaker 1>how cinema and the artifact too. The reason I finally

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<v Speaker 1>decided to write in is however, the recent vault episode

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<v Speaker 1>on Kama Muda. At first, I didn't think it was

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<v Speaker 1>a particularly useful term, probably due to my avoiding team sports,

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<v Speaker 1>religious groups, and even baby Yoda, who is indeed very cute.

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<v Speaker 1>But then I kept pondering the concept of feeling a

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<v Speaker 1>strong connection to strangers, and suddenly it struck me that

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<v Speaker 1>it can be found in many a situation. For example,

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<v Speaker 1>I'm a law student who had a major oral exam earlier.

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<v Speaker 1>Today there are always three of us being questioned in

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<v Speaker 1>turn these days, of with considerable physical space in between,

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<v Speaker 1>and the prompts are notoriously anything but easy. So as

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<v Speaker 1>I found myself rooting for the others, I started to

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<v Speaker 1>wonder why yes while being tested and remembered Karma Mudah.

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<v Speaker 1>Sometime later, I was relaxing by listening to my favorite

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<v Speaker 1>band uh called Muse and not particularly popular in my

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<v Speaker 1>neck of the global woods, while remembering a show of

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<v Speaker 1>Theirs I attended in twenty nineteen, and there was that

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<v Speaker 1>feeling again. Hearing some thousand other fans shout the very

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<v Speaker 1>same words I otherwise sing by myself in the shower

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<v Speaker 1>is the closest to a drug high. I will in

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<v Speaker 1>all probability, uh ever have In short, since being made

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<v Speaker 1>aware of this specific concept, I have begun to notice

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<v Speaker 1>this sense of community practically everywhere, and for what it's worth,

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<v Speaker 1>that is great. Quick side note, With German being my

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<v Speaker 1>native tongue, I would not have expected that other languages

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<v Speaker 1>lack for a word like schadenfreude, but it's a handy

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<v Speaker 1>term that we use rather frequently. I experience a little

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<v Speaker 1>schadenfreud and myself right now for others who can't. Just kidding,

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<v Speaker 1>but I do think that having a specific name for

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<v Speaker 1>a feeling makes it somehow less intangible. Best wishes from

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<v Speaker 1>far away Austria, Korea. That's really interesting, And that gets

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<v Speaker 1>into something that I think we talked about in some

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<v Speaker 1>other listener mail after the Kamma Muda episode that while

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<v Speaker 1>there I think are pretty good arguments against certain types

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<v Speaker 1>of linguistic determinism ideas in psychology, it seems, at least

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<v Speaker 1>in my experience, pretty undeniable that having a word for

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<v Speaker 1>something can change how you experience the world. That like,

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<v Speaker 1>there might be a thing that you never noticed until

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<v Speaker 1>you had a word for it, and then once you've

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<v Speaker 1>got a word for it, you see it all over

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<v Speaker 1>the place on the subject of Muse. When I was

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<v Speaker 1>I was in a band in high school that tried

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<v Speaker 1>to cover a song by Muse. I don't exactly remember

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<v Speaker 1>the name of the song. I remember that I was

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<v Speaker 1>supposed to be singing it and I was not doing

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<v Speaker 1>a good job. My main connection to muses that I

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<v Speaker 1>really enjoyed the French horror movie High Tension when it

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<v Speaker 1>came out, and with two thousand three, which is a

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<v Speaker 1>really entertaining horror film to watch through once, but it

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<v Speaker 1>prominently features the mus song Newborn and uh, it really

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<v Speaker 1>effectively utilizes it. So I always associate news with that movie,

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<v Speaker 1>in that movie, with that particular news track. Nice Okay.

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<v Speaker 1>This next message is a response to a previous listener mail,

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<v Speaker 1>which follows up on our episodes about spinning and dizziness.

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<v Speaker 1>This is from Elizabeth. Elizabeth says, thanks for regularly blowing

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<v Speaker 1>my mind. Guys, you're the best. Just listen to your

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<v Speaker 1>responses to the listener mail nightmare Key episode and was

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<v Speaker 1>intrigued by your comments on both Vertigo and YouTube videos

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<v Speaker 1>in combination. You see some YouTube videos give me motion sickness,

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<v Speaker 1>much as the early versions of Doom did. Yeah, I

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<v Speaker 1>just dated my of horribly, I know. Anyway, YouTube's worst

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<v Speaker 1>offenders tend to be Minecraft videos. I wonder why that is,

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<v Speaker 1>and if the affliction is widespread or just me. I mean,

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<v Speaker 1>it's not like my inner ear is moving around or anything.

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<v Speaker 1>Thanks again, Elizabeth, Well, Elizabeth, I think there is an

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<v Speaker 1>answer to this. So, first of all, the experience of

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<v Speaker 1>general motion sickness symptoms including vertigo dizziness while people are

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<v Speaker 1>using video games, which I think this would also include

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<v Speaker 1>watching videos of game play in games that is common

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<v Speaker 1>that is not just you. It seems to be especially

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<v Speaker 1>common from what I can tell, in games that are

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<v Speaker 1>played from a first person perspective as opposed to a

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<v Speaker 1>third person perspective. And I think this would line up

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<v Speaker 1>with both Minecraft and Doom if I'm not correct. I've

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<v Speaker 1>never played Minecraft. That's first person, and I think you

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<v Speaker 1>can switch it up. Okay, But anyway, there's actually a

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<v Speaker 1>related phenomenon in pilot training known as simulator sickness. Rob.

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<v Speaker 1>I know you you know a lot about airplanes. Have

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<v Speaker 1>you ever heard of this before? Um, I'm not remembering anything,

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<v Speaker 1>and simulator sickness off stuff in my head now. Well, Basically,

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<v Speaker 1>the deal is that pilots who use stationary flight simulators

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<v Speaker 1>to train sometimes experience vertigo, nausea, and other motion sickness

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<v Speaker 1>effects even though they're not moving. One interesting finding about this,

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<v Speaker 1>at least from what I recall, is that the more

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<v Speaker 1>experienced a pilot is with actual flight, the more likely

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<v Speaker 1>they are to experience simulator sickness in a virtual environment.

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<v Speaker 1>But anyway, what explains this feeling of vertigo? You know, like,

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<v Speaker 1>what what would get you feeling this way just from

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<v Speaker 1>interacting with video content if your body is not even

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<v Speaker 1>moving around? Well, I think there are multiple hypothesized explanations,

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<v Speaker 1>but the main one that I would put out there

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<v Speaker 1>would be sensory incongruity, basically disagreement between the senses. So

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<v Speaker 1>when your vestibular organs are telling you one thing about

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<v Speaker 1>your movement, such as you are sitting still, and your

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<v Speaker 1>vision is telling you something different you are moving around,

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<v Speaker 1>this can make you feel dizzy because they're not in agreement.

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<v Speaker 1>It's that lack of agreement that leads to some types

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<v Speaker 1>of dizziness in in other scenarios um and so this

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<v Speaker 1>seems to be one reason that sometimes you can kind

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<v Speaker 1>of reduce dizziness from spinning by closing your eyes right.

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<v Speaker 1>But anyway, because of this, I would guess I don't

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<v Speaker 1>know this for sure, but it would be my suspicion

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<v Speaker 1>that video games and simulators the ones that are most

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<v Speaker 1>likely to cause dizziness are the ones that are best

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<v Speaker 1>at confusing the brain into thinking that it is just

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<v Speaker 1>real vision of a real environment. So I think it

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<v Speaker 1>would be especially bad with virtual reality, but even if

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<v Speaker 1>you're just looking at a flat two D display, I

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<v Speaker 1>think it would probably be the most intense with video

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<v Speaker 1>games that include first person perspectives of watching first person operations,

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<v Speaker 1>including the hands or controls or like a gun even

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<v Speaker 1>in a first person shooter, in front of the body,

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<v Speaker 1>and especially that would involve looking around a lot. I've

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<v Speaker 1>also found that if you hand the controller off to

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<v Speaker 1>a small child and let them just roar the row

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<v Speaker 1>around in circles, that can that can cause a dizzying effect. Um.

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<v Speaker 1>I've also found that if I pick up a controller

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<v Speaker 1>that someone else is using and and and they have

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<v Speaker 1>not inverted the y axis, then that can make me

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<v Speaker 1>feel a little dizzy, like maybe maybe it's just because

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<v Speaker 1>you know things aren't moving the way they're supposed to,

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<v Speaker 1>and it just feels kind of disordient. I don't know.

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<v Speaker 1>Maybe it's not full on dizziness, but it it feels

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<v Speaker 1>a little sickening somehow. Yeah, I know what you're talking

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<v Speaker 1>about there. I'm interested in this fact that it seems

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<v Speaker 1>like pilots who have more experience in real airplanes are

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<v Speaker 1>more prone to this experience in simulators. It makes me

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<v Speaker 1>think that Elizabeth Uh was dizzy by playing the original

0:12:42.240 --> 0:12:46.280
<v Speaker 1>Doom because she had all of this experience blasting demons

0:12:46.320 --> 0:12:49.560
<v Speaker 1>on Mars real life, she'd actually been on Phobos fighting

0:12:49.559 --> 0:12:52.720
<v Speaker 1>off the Horde from Hell. Exactly were you there, Elizabeth?

0:12:52.720 --> 0:13:01.120
<v Speaker 1>You gotta tell us, all right, here's another one for us.

0:13:01.200 --> 0:13:03.200
<v Speaker 1>This is Uh. This comes to us from Nick, and

0:13:03.240 --> 0:13:06.679
<v Speaker 1>it's regarding sinkholes. Nick writes, I spend my morning commute

0:13:06.679 --> 0:13:09.520
<v Speaker 1>listening to your podcast, as I always do, during your

0:13:09.520 --> 0:13:12.200
<v Speaker 1>discussion of sinkholes and how they have led to discoveries

0:13:12.240 --> 0:13:15.440
<v Speaker 1>about remains, such as the diet of the giant sloth.

0:13:16.200 --> 0:13:18.440
<v Speaker 1>I know it did not have much to do with

0:13:18.480 --> 0:13:21.280
<v Speaker 1>the topic, but I actually think a future discussion about

0:13:21.320 --> 0:13:24.400
<v Speaker 1>animals like the giant sloth would be really entertaining. Um

0:13:24.520 --> 0:13:27.280
<v Speaker 1>I would agree with that, uh. Nick continues, I'm a

0:13:27.320 --> 0:13:29.960
<v Speaker 1>young engineer. But what free time I have I spend

0:13:30.000 --> 0:13:33.120
<v Speaker 1>in the outdoors appreciating the world's natural beauty. And on

0:13:33.160 --> 0:13:35.520
<v Speaker 1>a recent trip to Joshua Tree, I learned all about

0:13:35.559 --> 0:13:37.760
<v Speaker 1>how giant sloths of that area had a diet that

0:13:37.880 --> 0:13:41.240
<v Speaker 1>largely consisted of Joshua tree fruits, and that the demise

0:13:41.280 --> 0:13:43.160
<v Speaker 1>of the giant swath led to the demise of the

0:13:43.240 --> 0:13:46.439
<v Speaker 1>Joshua tree, and vice versa, as one may presume. As

0:13:46.480 --> 0:13:49.200
<v Speaker 1>giant sloths began to die out, less seeds were dispersed

0:13:49.240 --> 0:13:52.600
<v Speaker 1>by the sloths, leading to less territory occupied by the

0:13:52.679 --> 0:13:55.920
<v Speaker 1>Joshua trees, leading to less territory for the sloths who

0:13:55.920 --> 0:13:58.880
<v Speaker 1>relied on the trees fruit, etcetera, etcetera. I know this

0:13:58.960 --> 0:14:01.640
<v Speaker 1>may be a bit parochial, but honestly, what is more

0:14:01.720 --> 0:14:04.520
<v Speaker 1>majestic than the idea of a giant sloth. The fact

0:14:04.600 --> 0:14:08.200
<v Speaker 1>that this animal ever existed has always intrigued me, and

0:14:08.240 --> 0:14:11.959
<v Speaker 1>I feel it is not talked about enough, so maybe

0:14:12.000 --> 0:14:14.080
<v Speaker 1>it would be something fun to look at. Anyway. I

0:14:14.080 --> 0:14:17.080
<v Speaker 1>love your podcast. I listened daily, and as a true fan,

0:14:17.320 --> 0:14:19.960
<v Speaker 1>I tell people all the time not to trust squirrels.

0:14:20.040 --> 0:14:25.360
<v Speaker 1>All the best, Nick Boy, it's the giants loth is

0:14:25.400 --> 0:14:28.240
<v Speaker 1>not talked about enough. It's like there's a conspiracy of

0:14:28.240 --> 0:14:31.760
<v Speaker 1>silence about the giants loth. Well, I mean, I I

0:14:31.800 --> 0:14:34.360
<v Speaker 1>see where they're coming from, because, yeah, the giant sloth

0:14:34.600 --> 0:14:39.480
<v Speaker 1>is this huge, fascinating creature, and sometimes there's a tendency

0:14:39.520 --> 0:14:43.120
<v Speaker 1>maybe to focus on other prehistoric animals. Um. I frequently

0:14:43.120 --> 0:14:45.040
<v Speaker 1>have this conversation with my son, because he's very vocal

0:14:45.040 --> 0:14:46.840
<v Speaker 1>about this. He's like, the t rex is not my

0:14:46.880 --> 0:14:49.720
<v Speaker 1>favorite dinosaur, Dad, because too many, too much attention goes

0:14:49.760 --> 0:14:51.600
<v Speaker 1>to the t rex. There are all these other cool

0:14:51.600 --> 0:14:54.680
<v Speaker 1>dinosaurs that deserve credit. And so I like along those

0:14:54.680 --> 0:14:57.520
<v Speaker 1>same lines. Yeah, so like he was into the spinosaurus

0:14:57.560 --> 0:15:00.440
<v Speaker 1>before it was cool, Yeah that sort of thing. Oh yeah,

0:15:00.480 --> 0:15:03.440
<v Speaker 1>there's just so many cool creatures and it's easy to

0:15:03.440 --> 0:15:05.800
<v Speaker 1>focus on other prehistar creatures. But the giant sloth is

0:15:05.800 --> 0:15:09.160
<v Speaker 1>is really neat and I mean and also here here

0:15:09.160 --> 0:15:10.600
<v Speaker 1>in our neck of the woods, like it's one we

0:15:10.640 --> 0:15:12.640
<v Speaker 1>can point to. It's saying like, yeah, there's the giant

0:15:12.720 --> 0:15:15.560
<v Speaker 1>slot that that lived here. Actually, the more that I

0:15:15.600 --> 0:15:17.320
<v Speaker 1>think about this, this is a great idea. We should

0:15:17.320 --> 0:15:20.920
<v Speaker 1>do our best to inculcate an extinct mega fauna. Counterculture.

0:15:21.280 --> 0:15:25.240
<v Speaker 1>That's all about people celebrating the virtues of lesser appreciated

0:15:25.320 --> 0:15:29.280
<v Speaker 1>extinct to giant animals. Yeah, well, um, I would love

0:15:29.320 --> 0:15:31.640
<v Speaker 1>to discuss the giant sloth in the future. I enjoy

0:15:31.680 --> 0:15:34.560
<v Speaker 1>our prehistar creature episodes and yeah, we'll have to We'll

0:15:34.600 --> 0:15:36.440
<v Speaker 1>have to do another one soon. I figured there'd be

0:15:36.480 --> 0:15:39.160
<v Speaker 1>a lot of room from Moa in there. But anyway, uh,

0:15:39.320 --> 0:15:47.840
<v Speaker 1>this uh, this next message comes from the exact same

0:15:47.880 --> 0:15:50.200
<v Speaker 1>listener from Nick. Uh. It's a follow up to our

0:15:50.240 --> 0:15:53.200
<v Speaker 1>episode about bonsai trees. And this is a kind of

0:15:53.240 --> 0:15:56.120
<v Speaker 1>message I love getting from somebody who has been listening

0:15:56.120 --> 0:15:57.960
<v Speaker 1>to the show for a while and then suddenly we

0:15:58.080 --> 0:16:01.480
<v Speaker 1>just stumble across their area of x pertise. So anyway,

0:16:01.560 --> 0:16:04.320
<v Speaker 1>Nick says, good morning. I just listened to your episode

0:16:04.320 --> 0:16:06.440
<v Speaker 1>on bonsai trees and I wanted to reach out in

0:16:06.480 --> 0:16:09.200
<v Speaker 1>regards to the study you guys brought up about semi

0:16:09.280 --> 0:16:12.160
<v Speaker 1>dwarf trees and the possible benefits for their use in

0:16:12.280 --> 0:16:15.880
<v Speaker 1>pulping processes, partially because this is the first topic I

0:16:15.960 --> 0:16:18.680
<v Speaker 1>have some sort of expertise in. I am a paper

0:16:18.800 --> 0:16:22.080
<v Speaker 1>science engineer and a chemical engineer, so I have some

0:16:22.160 --> 0:16:25.200
<v Speaker 1>experience in the science of tree fibers. When you brought

0:16:25.280 --> 0:16:30.760
<v Speaker 1>up the impact on reaction woods, my mind started racing. Essentially,

0:16:30.880 --> 0:16:35.520
<v Speaker 1>trees are made up of three major components, cellulose, hemi, cellulose,

0:16:35.600 --> 0:16:39.200
<v Speaker 1>and lignant. The percentage makeup varies from tree to tree

0:16:39.280 --> 0:16:42.400
<v Speaker 1>and species to species, but in general a good assumption

0:16:42.720 --> 0:16:48.720
<v Speaker 1>is about fifty percent cellulose, hemi, cellulose and lignant. UH.

0:16:48.760 --> 0:16:52.560
<v Speaker 1>In papermaking, we really only care about cellulose. That's the

0:16:52.600 --> 0:16:56.200
<v Speaker 1>part that we can use. Again, generally speaking, while lignan

0:16:56.480 --> 0:17:00.000
<v Speaker 1>is what you might call our arch nemesis, lignant acts

0:17:00.080 --> 0:17:03.440
<v Speaker 1>like the glue that holds everything together and is an

0:17:03.440 --> 0:17:07.600
<v Speaker 1>extremely complex chemical. Theoretically, there could be cases where the

0:17:07.800 --> 0:17:12.520
<v Speaker 1>entire lignant content of the tree is all one connected molecule.

0:17:12.800 --> 0:17:15.600
<v Speaker 1>Absolutely astonishing to me. Wow, and I had no idea

0:17:15.640 --> 0:17:19.000
<v Speaker 1>of that, Nick, that's crazy. But anyway, coming back to

0:17:19.040 --> 0:17:23.120
<v Speaker 1>the subject of reaction woods, Nick writes, reaction woods are

0:17:23.160 --> 0:17:27.119
<v Speaker 1>most easily explained by a branch, though, as you mentioned, slopes,

0:17:27.359 --> 0:17:31.000
<v Speaker 1>wind and other harsh weather can also cause reaction woods

0:17:31.000 --> 0:17:34.399
<v Speaker 1>to form. To use the branch example above, the branch

0:17:34.480 --> 0:17:37.679
<v Speaker 1>will build up pockets of tension would in order to

0:17:37.920 --> 0:17:41.240
<v Speaker 1>pull the branch up while uh, and here Nick says

0:17:41.280 --> 0:17:44.120
<v Speaker 1>above what I think Nick min below. So I'm gonna say, well,

0:17:44.160 --> 0:17:47.760
<v Speaker 1>below the branch there will develop compression would to push

0:17:47.840 --> 0:17:50.720
<v Speaker 1>the branch up. The tension woods will have a higher

0:17:50.760 --> 0:17:55.520
<v Speaker 1>proportion of cellulose, say six, while the compression woods build

0:17:55.560 --> 0:17:58.760
<v Speaker 1>up more lignant content. One might assume that this means

0:17:58.800 --> 0:18:01.600
<v Speaker 1>the tension would is per furred by paper market, since

0:18:01.600 --> 0:18:04.960
<v Speaker 1>we like cellulose, But this assumption is wrong. Though I

0:18:05.000 --> 0:18:08.240
<v Speaker 1>do hate compression would because of its lignant I love

0:18:08.320 --> 0:18:12.399
<v Speaker 1>this hate for wood um the can The inconsistency that

0:18:12.400 --> 0:18:15.560
<v Speaker 1>arises from reaction would makes the pulping process hard to

0:18:15.600 --> 0:18:19.240
<v Speaker 1>control and actually decreases the overall quality and or yield

0:18:19.280 --> 0:18:22.240
<v Speaker 1>of the pulp, which in turn makes the paper produced

0:18:22.400 --> 0:18:25.119
<v Speaker 1>that much worse. This is why the study you mentioned

0:18:25.160 --> 0:18:28.240
<v Speaker 1>that could reduce reaction woods caught me off guard. It

0:18:28.280 --> 0:18:32.200
<v Speaker 1>seems like such an easy solution with such massive impact. Anyway,

0:18:32.359 --> 0:18:34.840
<v Speaker 1>if you ever do an episode on papermaking, because it

0:18:34.880 --> 0:18:37.560
<v Speaker 1>honestly is an incredibly complex and at least to me,

0:18:37.680 --> 0:18:41.159
<v Speaker 1>deeply interesting topic, I'll be listening intently. I know there

0:18:41.200 --> 0:18:43.960
<v Speaker 1>aren't many paper scientists walking around out there, but once

0:18:44.000 --> 0:18:46.120
<v Speaker 1>you get one of us going about paper. We could

0:18:46.160 --> 0:18:49.159
<v Speaker 1>talk for hours. Love your show. Listen every morning and

0:18:49.240 --> 0:18:53.560
<v Speaker 1>afternoon during my commute. Thanks nick Ah, that's awesome. Yeah,

0:18:54.000 --> 0:18:56.719
<v Speaker 1>get some I got to get some paper science, uh

0:18:57.080 --> 0:18:59.800
<v Speaker 1>input from our listeners here. And you know, I don't

0:18:59.800 --> 0:19:02.360
<v Speaker 1>think we've done a full episode on like the invention

0:19:02.400 --> 0:19:03.959
<v Speaker 1>of paper and all it. It came up in an

0:19:04.000 --> 0:19:05.760
<v Speaker 1>invention episode, but I can't remember what it was. I

0:19:05.800 --> 0:19:07.960
<v Speaker 1>think we did one on the book that was about

0:19:08.520 --> 0:19:12.200
<v Speaker 1>the history where we talked about like overall book technology

0:19:12.240 --> 0:19:14.840
<v Speaker 1>scroll versus codax, and so we talked about some like

0:19:15.040 --> 0:19:18.919
<v Speaker 1>types of papermaking. We talked about parchment and about papyrus

0:19:18.960 --> 0:19:21.879
<v Speaker 1>making and all that. But yeah, modern paper based on

0:19:21.920 --> 0:19:25.600
<v Speaker 1>wood cellulo, so that would be interesting. Yeah yeah, um,

0:19:25.640 --> 0:19:29.280
<v Speaker 1>you know, speaking of paper making and books. This is

0:19:29.320 --> 0:19:31.840
<v Speaker 1>one of the things I enjoyed about the the more

0:19:31.920 --> 0:19:34.920
<v Speaker 1>recent TV adaptation of the Name of the Roads is

0:19:35.000 --> 0:19:36.520
<v Speaker 1>that there are a few scenes where you see the

0:19:36.560 --> 0:19:41.040
<v Speaker 1>monks making parchment, making the paper for the books. Interesting.

0:19:46.560 --> 0:19:48.480
<v Speaker 1>All right, let's let's get into some of that weird

0:19:48.520 --> 0:19:52.639
<v Speaker 1>house cinema listener mail here. Now, this first bit that

0:19:52.680 --> 0:19:56.000
<v Speaker 1>comes to us, this was actually left on um a

0:19:56.119 --> 0:19:59.480
<v Speaker 1>post at my blog side Samuta Music s E m

0:19:59.560 --> 0:20:02.320
<v Speaker 1>U t A m U S. I see. Uh, clearly

0:20:02.480 --> 0:20:04.800
<v Speaker 1>I wasn't thinking about something that that translated well to

0:20:05.320 --> 0:20:08.640
<v Speaker 1>to delivering on the podcast when I when I established

0:20:08.640 --> 0:20:10.920
<v Speaker 1>that side. But I blog about the Weirdout Cinema episodes

0:20:10.960 --> 0:20:14.639
<v Speaker 1>there and we had a listener respond we're not entirely

0:20:14.640 --> 0:20:17.600
<v Speaker 1>sure what their name is or what their name they

0:20:17.600 --> 0:20:19.080
<v Speaker 1>want to go by, so we're just gonna skip the

0:20:19.160 --> 0:20:23.359
<v Speaker 1>name and say a A listener wrote in and they

0:20:23.359 --> 0:20:27.439
<v Speaker 1>were responding to our episode on the Oily Maniac. Uh,

0:20:27.600 --> 0:20:30.080
<v Speaker 1>so this is what they say. Nice job. You've covered

0:20:30.080 --> 0:20:33.320
<v Speaker 1>a lot of interesting info about this Shaw Brothers flick.

0:20:33.760 --> 0:20:36.240
<v Speaker 1>As a fan of Chinese and Hong Kong cinema, I

0:20:36.280 --> 0:20:39.160
<v Speaker 1>have watched a couple of hundred of the Shaw Martial Arts,

0:20:39.200 --> 0:20:42.439
<v Speaker 1>horror and comedy films. The Oily Maniac is definitely one

0:20:42.440 --> 0:20:44.879
<v Speaker 1>of the lesser productions from the Shop Brothers, but it

0:20:44.960 --> 0:20:48.280
<v Speaker 1>still has its moments. Those interested in more Shop Brothers

0:20:48.320 --> 0:20:51.320
<v Speaker 1>black magic films should check out the work of director

0:20:51.600 --> 0:20:56.760
<v Speaker 1>to whom Key such as Hex eight, Hex Versus Witchcraft eighty,

0:20:57.520 --> 0:21:01.320
<v Speaker 1>The Gross Out Pick, Corpse Mania nineteen eight one, Hex

0:21:01.400 --> 0:21:06.760
<v Speaker 1>after Hex two and the wacky The Boxers omen three,

0:21:07.280 --> 0:21:10.040
<v Speaker 1>but my favorite has got to be hex Lies in Videotape.

0:21:11.400 --> 0:21:14.440
<v Speaker 1>Oh that would be good. Um Uh, you know I've

0:21:14.480 --> 0:21:16.040
<v Speaker 1>heard of The Boxers omen That one's been on my

0:21:16.119 --> 0:21:17.840
<v Speaker 1>radar for a while, but I've never actually seen it.

0:21:17.840 --> 0:21:19.280
<v Speaker 1>But I know it's supposed to be a weird one.

0:21:20.080 --> 0:21:23.280
<v Speaker 1>Um anyway, they continue. Um. He also directed one of

0:21:23.280 --> 0:21:26.800
<v Speaker 1>the all time best Shop Brothers dramatic martial arts arts films,

0:21:27.000 --> 0:21:30.320
<v Speaker 1>Killer Constable, which deserves to be better known and is

0:21:30.320 --> 0:21:33.840
<v Speaker 1>currently available free to view with an Amazon Prime subscription.

0:21:34.240 --> 0:21:37.320
<v Speaker 1>Killer Constable. I'll have to look it up. There are

0:21:37.359 --> 0:21:40.119
<v Speaker 1>also two more films in the black magic horror genre

0:21:40.240 --> 0:21:43.120
<v Speaker 1>by Ming Ho Ho, the director of The Oily Maniac.

0:21:43.359 --> 0:21:47.240
<v Speaker 1>They start ty Lung and are appropriately named black Magic

0:21:47.320 --> 0:21:52.040
<v Speaker 1>Nive and Black Magic two nine six. Note all of

0:21:52.080 --> 0:21:55.280
<v Speaker 1>the films I mentioned contains subject matter that can be objectionable,

0:21:55.480 --> 0:22:00.000
<v Speaker 1>nausea inducing and just playing wrong and times. I believe

0:22:00.080 --> 0:22:03.359
<v Speaker 1>forward to more great weird House cinema podcast. So clearly

0:22:03.400 --> 0:22:06.920
<v Speaker 1>there's a lot of great um Shaw Brothers and Hong

0:22:07.000 --> 0:22:11.600
<v Speaker 1>Kong cinema black magic content out there. If we if

0:22:11.600 --> 0:22:14.639
<v Speaker 1>we're brave enough for it in the future totally. Uh So,

0:22:14.800 --> 0:22:16.480
<v Speaker 1>I think we've got to come back to the Shaw

0:22:16.560 --> 0:22:18.800
<v Speaker 1>Brothers someday. Maybe maybe we can find one that's a

0:22:18.840 --> 0:22:22.080
<v Speaker 1>little less grimy but still just as weird. Yeah yeah,

0:22:22.480 --> 0:22:25.080
<v Speaker 1>And I think I think I have one kind of

0:22:25.119 --> 0:22:26.800
<v Speaker 1>in my sight, so I gotta I gotta research it

0:22:26.800 --> 0:22:28.680
<v Speaker 1>a little bit more, but we may have one that

0:22:28.720 --> 0:22:40.399
<v Speaker 1>will get to eventually. Oh boy, that's exciting. I can't wait. Okay,

0:22:40.600 --> 0:22:43.560
<v Speaker 1>uh we got a couple of messages. But this is

0:22:43.600 --> 0:22:46.359
<v Speaker 1>another thing I just love when we can be like, hey,

0:22:46.400 --> 0:22:49.120
<v Speaker 1>did anybody grow up in the Soviet Union that can

0:22:49.160 --> 0:22:51.639
<v Speaker 1>explain all this stuff we don't understand and teens in

0:22:51.680 --> 0:22:57.720
<v Speaker 1>the universe, And oh boy, we just got some really

0:22:57.800 --> 0:23:01.920
<v Speaker 1>great messages from I think these were both Russian listeners,

0:23:02.000 --> 0:23:06.360
<v Speaker 1>or at least listeners who had Russian family. Um. So,

0:23:06.600 --> 0:23:09.000
<v Speaker 1>a couple of messages about teens in the universe, the

0:23:09.040 --> 0:23:12.879
<v Speaker 1>first one from Slava, providing some interesting cultural and historical

0:23:12.960 --> 0:23:17.000
<v Speaker 1>context for this nineteen seventy four Soviet science fiction movie.

0:23:17.480 --> 0:23:20.200
<v Speaker 1>Slava says, Hi, guys, I'll try to keep this short

0:23:20.240 --> 0:23:22.800
<v Speaker 1>because I feel like I tend to ramble. The apparent

0:23:22.880 --> 0:23:26.000
<v Speaker 1>paradox in teens in the universe, which seemed to stump

0:23:26.040 --> 0:23:29.840
<v Speaker 1>the robots, is actually a riddle for kids. Remember this

0:23:29.920 --> 0:23:32.080
<v Speaker 1>was the A and B sitting on a rose thing

0:23:32.160 --> 0:23:34.359
<v Speaker 1>that we didn't understand. I mean, it was clear they

0:23:34.359 --> 0:23:37.680
<v Speaker 1>were using it to short circuit the robots brains, but

0:23:37.680 --> 0:23:40.240
<v Speaker 1>but I did not know what the original thing was.

0:23:40.320 --> 0:23:44.600
<v Speaker 1>So Slava says in Russian, the word for and is

0:23:44.720 --> 0:23:47.439
<v Speaker 1>just the letter in in the cyrilla. This is like

0:23:47.480 --> 0:23:50.760
<v Speaker 1>a backwards in which Slava says is pronounced like the

0:23:50.760 --> 0:23:53.639
<v Speaker 1>English letter E, which I will use as it stand

0:23:53.680 --> 0:23:56.800
<v Speaker 1>in to hopefully make things less confusing. The wording of

0:23:56.800 --> 0:23:59.840
<v Speaker 1>the riddle therefore becomes ambiguous. It can be read as

0:24:00.000 --> 0:24:03.280
<v Speaker 1>as A and B are sitting on the wall, or

0:24:03.480 --> 0:24:07.760
<v Speaker 1>as A E B are sitting on the wall. So

0:24:08.119 --> 0:24:10.760
<v Speaker 1>when asked what's left sitting on the wall after A

0:24:10.920 --> 0:24:13.880
<v Speaker 1>falls down and B falls down, the correct answer would

0:24:13.880 --> 0:24:16.760
<v Speaker 1>be the letter E. My guess is that all the

0:24:16.840 --> 0:24:20.199
<v Speaker 1>robots are too mathematically minded to understand the nuance of

0:24:20.280 --> 0:24:23.479
<v Speaker 1>human word play. I see, okay, So the issue is

0:24:23.560 --> 0:24:29.439
<v Speaker 1>that the conjunction that the sound in spoken Russian, indicating

0:24:29.440 --> 0:24:32.919
<v Speaker 1>the conjunction for and could also just be a word

0:24:33.040 --> 0:24:35.240
<v Speaker 1>in a list of things that are sitting on the wall.

0:24:36.240 --> 0:24:40.240
<v Speaker 1>Does that make sense? Yes? Yeah, yeah, this this uh,

0:24:40.280 --> 0:24:42.960
<v Speaker 1>this email definitely UM explained it a bit more like

0:24:43.000 --> 0:24:44.560
<v Speaker 1>you know, like you said, we from the context of

0:24:44.600 --> 0:24:46.760
<v Speaker 1>the film, you can tell it's some sort of a uh,

0:24:46.800 --> 0:24:49.600
<v Speaker 1>you know, a logic puzzle type situation. I think maybe

0:24:49.720 --> 0:24:52.920
<v Speaker 1>an English equivalent would be, uh, I'm about to say

0:24:52.960 --> 0:24:57.159
<v Speaker 1>some letters for you, memorize them, M and O. What

0:24:57.240 --> 0:25:00.679
<v Speaker 1>were the letters? Was it? Did I say M and

0:25:00.960 --> 0:25:05.000
<v Speaker 1>oh or m n oh? Oh? Yeah, yeah, yeah. Anyway,

0:25:05.040 --> 0:25:08.600
<v Speaker 1>Slava goes on to say, also, those gymnast rings you

0:25:08.640 --> 0:25:12.639
<v Speaker 1>mentioned that, remember they were in Pavel's memory of his

0:25:12.720 --> 0:25:16.040
<v Speaker 1>childhood home. Those gymnast rings you mentioned were a common

0:25:16.080 --> 0:25:19.600
<v Speaker 1>occurrence in households with children. The Soviet Union led quite

0:25:19.640 --> 0:25:24.560
<v Speaker 1>an ambitious propaganda campaign espousing the virtues of exercise. As

0:25:24.600 --> 0:25:28.080
<v Speaker 1>for the hobby of collecting nails, this also was Pavel's hobby.

0:25:28.119 --> 0:25:30.480
<v Speaker 1>You remember you have these giant land nails. Hobby of

0:25:30.520 --> 0:25:32.960
<v Speaker 1>collecting nails. I am at a loss. I'll probe the

0:25:33.000 --> 0:25:35.000
<v Speaker 1>members of my family who grew up in the Soviet

0:25:35.080 --> 0:25:37.560
<v Speaker 1>Union to see if I can figure anything out. Keep

0:25:37.640 --> 0:25:39.879
<v Speaker 1>up the great work I've enjoyed your show for years,

0:25:39.920 --> 0:25:42.520
<v Speaker 1>whether at work or as a sleep aid. Uh. The

0:25:42.560 --> 0:25:44.919
<v Speaker 1>recent edition of Weird House Cinema has been quite a

0:25:44.920 --> 0:25:49.000
<v Speaker 1>treat slava. Well, we're glad you're enjoying its lava and uh.

0:25:49.000 --> 0:25:51.080
<v Speaker 1>And and we don't resent that some people use our

0:25:51.119 --> 0:25:52.920
<v Speaker 1>show to to go to sleep. We've heard that plenty

0:25:52.960 --> 0:25:55.680
<v Speaker 1>of times before. Yeah. No, I mean, however, if you're

0:25:55.760 --> 0:25:59.160
<v Speaker 1>using the show, um, go for it. How whatever use

0:25:59.200 --> 0:26:06.240
<v Speaker 1>we can we can can be all right. This one

0:26:06.280 --> 0:26:09.679
<v Speaker 1>comes to us from Georgia. Hello Robert, Hello Joe. This

0:26:09.760 --> 0:26:12.919
<v Speaker 1>is Georgia from St. Petersburg, Russia. I've been listening to

0:26:12.960 --> 0:26:15.239
<v Speaker 1>your podcast for over a year now, mostly to your

0:26:15.280 --> 0:26:18.480
<v Speaker 1>Invention series, which I really enjoy. I must admit that

0:26:18.560 --> 0:26:21.359
<v Speaker 1>I almost overlooked your teams in the Universe episode, as

0:26:21.400 --> 0:26:25.160
<v Speaker 1>I normally skipped the Weird House Cinema episodes. Sorry, too

0:26:25.240 --> 0:26:27.639
<v Speaker 1>much weird Soviet movies on my list to watch. I

0:26:27.720 --> 0:26:32.840
<v Speaker 1>just cannot possibly afford adding anything more to that. They continue.

0:26:33.280 --> 0:26:36.040
<v Speaker 1>But while my podcast app was marking it as listened to,

0:26:36.080 --> 0:26:39.320
<v Speaker 1>the description caught my eye with the keywords that, as

0:26:39.359 --> 0:26:43.080
<v Speaker 1>a rule make me alert Soviet and nineteen seventies. You see,

0:26:43.320 --> 0:26:46.000
<v Speaker 1>I'm no fan of sci fi and no expert on that,

0:26:46.480 --> 0:26:50.360
<v Speaker 1>including the Soviet sci fi. Moreover, when these two movies,

0:26:50.440 --> 0:26:52.720
<v Speaker 1>as it turns out this was supposed to be one

0:26:52.760 --> 0:26:56.040
<v Speaker 1>movie but judged too long and split into two came out,

0:26:56.080 --> 0:26:58.720
<v Speaker 1>I was not even around, and yet, as someone born

0:26:58.800 --> 0:27:01.359
<v Speaker 1>just before the breakup of the uss ARE, I'm drawn

0:27:01.400 --> 0:27:03.919
<v Speaker 1>to that part of my country's history. Plus having my

0:27:04.040 --> 0:27:06.159
<v Speaker 1>parents who can tell me quite a lot about it,

0:27:06.280 --> 0:27:09.440
<v Speaker 1>I just couldn't pass by this discussion. The most curious

0:27:09.480 --> 0:27:13.120
<v Speaker 1>thing for me was your decoding of the cultural codes. Uh,

0:27:13.440 --> 0:27:16.919
<v Speaker 1>actually the way that you react to the quote unquote

0:27:16.960 --> 0:27:19.680
<v Speaker 1>normal Soviet stuff in the movie, which might not seem

0:27:19.680 --> 0:27:23.160
<v Speaker 1>weird to Russian viewers even all those years later. So

0:27:23.320 --> 0:27:25.080
<v Speaker 1>let me share some thoughts with you. And don't get

0:27:25.119 --> 0:27:28.399
<v Speaker 1>me wrong, I do understand that for an outsider, getting

0:27:28.400 --> 0:27:31.000
<v Speaker 1>all the cultural codes in a Soviet movie right is

0:27:31.000 --> 0:27:33.400
<v Speaker 1>a hard task. I can imagine how many of them

0:27:33.400 --> 0:27:36.360
<v Speaker 1>would slip from my attention if I were watching, say,

0:27:36.359 --> 0:27:38.600
<v Speaker 1>an old Chinese movie or something. I think we talked

0:27:38.640 --> 0:27:40.840
<v Speaker 1>about this in the episode that like at least half

0:27:40.880 --> 0:27:43.200
<v Speaker 1>of the weirdness in our reaction to this was probably

0:27:43.240 --> 0:27:46.480
<v Speaker 1>actually just in us not understanding what some of these

0:27:46.520 --> 0:27:50.320
<v Speaker 1>like cultural symbols were, And it's hard to know one

0:27:50.359 --> 0:27:52.879
<v Speaker 1>thing from another, like do the gymnastis se So it

0:27:52.880 --> 0:27:55.000
<v Speaker 1>seems like gymnast rings were just a common thing in

0:27:55.080 --> 0:27:58.879
<v Speaker 1>Russian households that wasn't meaning anything in particular in the movie.

0:27:59.440 --> 0:28:01.639
<v Speaker 1>But no, but he so far as said anything about

0:28:01.720 --> 0:28:05.400
<v Speaker 1>Russian about nails nail collecting. I think that's just actually

0:28:05.440 --> 0:28:08.000
<v Speaker 1>weird maybe yeah, yeah, And and like I said, it's

0:28:08.000 --> 0:28:13.119
<v Speaker 1>it's always kind of an interesting um thought experiment or

0:28:13.280 --> 0:28:16.399
<v Speaker 1>an interesting project for a movie viewer to sort of

0:28:16.440 --> 0:28:19.000
<v Speaker 1>figure this out, whether you're watching something from a movie

0:28:19.040 --> 0:28:21.760
<v Speaker 1>from another part of the world or even from another time.

0:28:22.160 --> 0:28:24.600
<v Speaker 1>You know, sometimes you have that a similar situation going

0:28:24.600 --> 0:28:26.199
<v Speaker 1>on when you stay watching a film from the nineteen

0:28:26.200 --> 0:28:28.240
<v Speaker 1>forties or something, and you're like, what what am I

0:28:28.240 --> 0:28:30.240
<v Speaker 1>looking at? Was this just was this the technology of

0:28:30.240 --> 0:28:32.399
<v Speaker 1>the day, was the current fad? Or is this just

0:28:32.480 --> 0:28:36.119
<v Speaker 1>some genuine weirdness of this picture? Sausage man on the

0:28:36.160 --> 0:28:39.640
<v Speaker 1>train with a dog in his basket and mad love? Yeah,

0:28:39.720 --> 0:28:44.280
<v Speaker 1>exactly alright, Georgia continues. I should also point out that

0:28:44.360 --> 0:28:47.200
<v Speaker 1>although I had heard the title, I watched the movie

0:28:47.240 --> 0:28:50.560
<v Speaker 1>only yesterday. Both parts together with my parents. At least

0:28:50.600 --> 0:28:52.880
<v Speaker 1>one of them claims having watched both parts back in

0:28:52.920 --> 0:28:55.440
<v Speaker 1>the seventies, but being fifteen or sixteen at the time,

0:28:55.480 --> 0:28:58.400
<v Speaker 1>my parents just weren't interested in those quote unquote kids

0:28:58.400 --> 0:29:02.080
<v Speaker 1>film movies anymore, they say, even for them back then,

0:29:02.120 --> 0:29:07.160
<v Speaker 1>it seemed too slow and childish. Okay, I I appreciate

0:29:07.240 --> 0:29:09.760
<v Speaker 1>that my tastes are too slow and childish for your parents,

0:29:10.120 --> 0:29:13.680
<v Speaker 1>So let's start. The title itself is somewhat weird because

0:29:14.320 --> 0:29:17.480
<v Speaker 1>oh trock that o t r okay um a boy

0:29:17.560 --> 0:29:19.720
<v Speaker 1>in between being a child and a young man is

0:29:19.760 --> 0:29:22.680
<v Speaker 1>a pretty old fashioned word, which you will normally find

0:29:22.760 --> 0:29:27.360
<v Speaker 1>somewhere in either classic Russian literature c. Tolstoy's trilogy um

0:29:28.000 --> 0:29:32.760
<v Speaker 1>uh debt that stavo childhood um and then um ultra

0:29:32.920 --> 0:29:39.200
<v Speaker 1>chest Fox boyhood, uh uhnst youth and some moralistic literature. Here,

0:29:39.200 --> 0:29:41.400
<v Speaker 1>I guess it is used for the effect to make

0:29:41.440 --> 0:29:44.960
<v Speaker 1>it sound like a high style sci fi title crimea

0:29:45.320 --> 0:29:47.520
<v Speaker 1>used as a set in many Soviet and Russian movies,

0:29:47.560 --> 0:29:50.920
<v Speaker 1>including Lilac Ball. It's actually a kind of sequel to

0:29:51.200 --> 0:29:54.440
<v Speaker 1>other famous sci fi team movie uh Guests from the

0:29:54.480 --> 0:29:57.800
<v Speaker 1>Future and weird stuff such as Asa, a merge of

0:29:57.840 --> 0:30:02.040
<v Speaker 1>a crime story, a love story and row music now

0:30:02.080 --> 0:30:06.440
<v Speaker 1>and then the Georgia discusses the Soviet King of acting,

0:30:07.120 --> 0:30:11.280
<v Speaker 1>you know, Kenty Smutnovski. And then they this is their

0:30:11.280 --> 0:30:13.200
<v Speaker 1>their words, not mine, They say, God, that's a hard

0:30:13.200 --> 0:30:16.200
<v Speaker 1>one to pronounce. I can imagine. It's a very much

0:30:16.880 --> 0:30:20.400
<v Speaker 1>is a very much loved actor. Not necessarily a king, though,

0:30:20.480 --> 0:30:23.440
<v Speaker 1>but definitely a very good one, particularly in that sixty

0:30:23.520 --> 0:30:26.160
<v Speaker 1>four hamlet you mentioned. His performance is worth all the

0:30:26.160 --> 0:30:28.560
<v Speaker 1>oscars in the world. Not kidding, well, I should look

0:30:28.600 --> 0:30:32.280
<v Speaker 1>that up. Actually, yeah. His title in Russian is ioo,

0:30:32.640 --> 0:30:35.680
<v Speaker 1>a kind of play of words because i O is

0:30:35.720 --> 0:30:41.280
<v Speaker 1>a common abbreviation for acting, literally executing someone else's responsibilities.

0:30:41.600 --> 0:30:44.480
<v Speaker 1>Plus they added an extra for special so the move

0:30:44.600 --> 0:30:48.880
<v Speaker 1>in the movie he's executing special responsibilities, the meaning of

0:30:48.920 --> 0:30:54.320
<v Speaker 1>acting in lieu of disappears Love. Durov the Academic is

0:30:54.360 --> 0:30:56.840
<v Speaker 1>also a very famous Soviet actor, well known to kids,

0:30:56.840 --> 0:30:59.400
<v Speaker 1>also for his roles in kids movies. For a Weird

0:30:59.440 --> 0:31:03.200
<v Speaker 1>One the Story of Voyages. Oh boy, this one has

0:31:03.200 --> 0:31:05.880
<v Speaker 1>a good poster. You should look this up right now. Oh,

0:31:06.520 --> 0:31:09.880
<v Speaker 1>it's like a man's face on the back of a

0:31:09.880 --> 0:31:11.880
<v Speaker 1>shroud or a cape or on the front of a cape,

0:31:13.120 --> 0:31:16.560
<v Speaker 1>also known as a fairy tale of wanderings. Interesting. Uh,

0:31:17.280 --> 0:31:20.320
<v Speaker 1>I'm wondering if weird, how cinema may just get like

0:31:20.360 --> 0:31:25.400
<v Speaker 1>a Soviet takeover of Soviet genre films from the seventies.

0:31:25.480 --> 0:31:28.440
<v Speaker 1>Will will sort of be all we do for a bit. Yeah,

0:31:28.560 --> 0:31:30.719
<v Speaker 1>I'm sure we'll come back to him for sure. Uh.

0:31:30.760 --> 0:31:34.160
<v Speaker 1>They continue Barregavoy as a consultant for both films. I

0:31:34.200 --> 0:31:36.400
<v Speaker 1>wasn't able to find any details of his trip to

0:31:36.440 --> 0:31:39.240
<v Speaker 1>the USA, but probably I just didn't put much effort

0:31:39.240 --> 0:31:41.959
<v Speaker 1>into my research. By the way, according to Wikipedia, he

0:31:42.000 --> 0:31:44.560
<v Speaker 1>was shot at during an official meeting with cosmonauts in

0:31:44.560 --> 0:31:48.400
<v Speaker 1>the Kremlin because of his resemblance with Bresnev, who is

0:31:48.440 --> 0:31:53.000
<v Speaker 1>in a similar looking car often referred to as a

0:31:53.040 --> 0:31:57.040
<v Speaker 1>Sheldon Sheldon of Oz or member carrier, member of the party,

0:31:57.400 --> 0:32:00.840
<v Speaker 1>and then uh. The characters mentioned a law a nickname

0:32:00.840 --> 0:32:03.800
<v Speaker 1>meaning forehead but also a shortened version of his surname,

0:32:04.160 --> 0:32:06.680
<v Speaker 1>sneaks into the spaceship because no one wanted to take

0:32:06.760 --> 0:32:09.440
<v Speaker 1>him on board in the first part. Ah, he was

0:32:09.480 --> 0:32:12.120
<v Speaker 1>a stowaway. He was very much into reading sci fi

0:32:12.200 --> 0:32:14.480
<v Speaker 1>and can be seen holding I robot in Russian and

0:32:14.640 --> 0:32:17.040
<v Speaker 1>some compilation of sci fi stories in the first part,

0:32:17.280 --> 0:32:20.160
<v Speaker 1>hence his knowledge of all sorts of things from those books,

0:32:20.360 --> 0:32:26.520
<v Speaker 1>including the dragonfly uh Strekova Coscacoza classification. In Russian. He

0:32:26.560 --> 0:32:31.600
<v Speaker 1>talks about stre strechozoids or dragonfly OIDs, apparently a sort

0:32:31.640 --> 0:32:35.360
<v Speaker 1>of knowledge he got from so many sci fi stories. Okay,

0:32:35.440 --> 0:32:39.040
<v Speaker 1>so when they're saying Lob has expertise on alien civilizations,

0:32:39.040 --> 0:32:41.800
<v Speaker 1>what that means is he's read a lot of Isaac Asimov.

0:32:42.160 --> 0:32:46.160
<v Speaker 1>There you go, all right, Misha. He recites Tolstoy at

0:32:46.200 --> 0:32:48.680
<v Speaker 1>heart because of his special ability to memorize many pages

0:32:48.680 --> 0:32:50.800
<v Speaker 1>of print for which he was selected for this mission

0:32:51.080 --> 0:32:54.280
<v Speaker 1>in the first part, and then Pavel. His parents celebrate

0:32:54.360 --> 0:32:56.240
<v Speaker 1>his birthday in a dim lit kitchen just for the

0:32:56.280 --> 0:32:58.320
<v Speaker 1>sake of the candles on his on the birthday cake.

0:32:58.440 --> 0:33:01.200
<v Speaker 1>We usually turn the light off uh for that moment

0:33:01.320 --> 0:33:03.680
<v Speaker 1>when the kid blows all the candles out. Also, his

0:33:03.760 --> 0:33:06.720
<v Speaker 1>gymnastics kit in the hall of his apartment was quite

0:33:06.720 --> 0:33:10.120
<v Speaker 1>common stuff in a Soviet family with kids. It's called

0:33:10.760 --> 0:33:16.760
<v Speaker 1>uh shedskaya stinka Swedish wall. We still have some leftovers

0:33:16.760 --> 0:33:19.080
<v Speaker 1>from it in my apartment. When celebrating his birthday. On

0:33:19.120 --> 0:33:22.760
<v Speaker 1>board of the spaceship, the children chant happy birthday altogether

0:33:22.800 --> 0:33:26.320
<v Speaker 1>in a typical way, certainly not menacing. We usually do

0:33:26.400 --> 0:33:30.160
<v Speaker 1>that when we want to wish happy birthday to someone altogether. Well,

0:33:30.200 --> 0:33:33.120
<v Speaker 1>I'm sorry I read a menacing tone into the birthday shout.

0:33:33.160 --> 0:33:35.800
<v Speaker 1>I think that was probably just me not being familiar

0:33:35.840 --> 0:33:38.400
<v Speaker 1>with that chant. Okay. Picking up with a few more

0:33:38.440 --> 0:33:41.840
<v Speaker 1>things here, Georgia says that all of the kids were

0:33:41.880 --> 0:33:47.400
<v Speaker 1>equipped with a smeezlu love vitel um. In the first

0:33:47.400 --> 0:33:49.280
<v Speaker 1>part of the movie. They have it on their chest

0:33:49.320 --> 0:33:51.720
<v Speaker 1>and this is the translator box. You remember that before

0:33:52.600 --> 0:33:55.600
<v Speaker 1>so it was translating the whistles and the gestures of

0:33:55.600 --> 0:33:59.200
<v Speaker 1>the robots so that they could speak. But apparently they

0:33:59.280 --> 0:34:02.360
<v Speaker 1>used this in the first half in Moscow Cassiopeia, and

0:34:02.440 --> 0:34:05.560
<v Speaker 1>it allows them to translate the words of aliens or

0:34:05.560 --> 0:34:09.960
<v Speaker 1>even animals. Uh. That some kind of Google Translate type machine,

0:34:10.040 --> 0:34:14.560
<v Speaker 1>Georgia says. Now, you remember the press conference scene where

0:34:14.719 --> 0:34:18.040
<v Speaker 1>there is Biff Wayned, You remember him with the the

0:34:18.120 --> 0:34:22.640
<v Speaker 1>yellow turtleneck and the cool leather jacket. Well, Georgia says

0:34:22.760 --> 0:34:27.160
<v Speaker 1>the French journalist from peef Viante. That might be a

0:34:27.200 --> 0:34:31.279
<v Speaker 1>translation of that might be through which we got the translation.

0:34:31.360 --> 0:34:35.000
<v Speaker 1>Biff Wayuned also appears in the first part. Apparently he

0:34:35.080 --> 0:34:39.640
<v Speaker 1>doesn't change even after twenty seven years have passed. He

0:34:39.800 --> 0:34:41.920
<v Speaker 1>is also a sort of spy as he tries to

0:34:41.960 --> 0:34:44.680
<v Speaker 1>make some shots with his mini camera in the first film.

0:34:45.400 --> 0:34:49.440
<v Speaker 1>Huh uh. And then this part was interesting finally about

0:34:49.480 --> 0:34:52.440
<v Speaker 1>the music that makes the humanoids go nuts. You remember

0:34:52.480 --> 0:34:55.360
<v Speaker 1>the crazy scramble horns and the bass and the drums

0:34:55.400 --> 0:34:58.680
<v Speaker 1>that were the sonic weapon that draw drove Agapit out

0:34:58.680 --> 0:35:01.839
<v Speaker 1>of his mind. Um to my mind, it sounds like

0:35:01.920 --> 0:35:05.120
<v Speaker 1>that sort of corrupting music from the capitalistic world you

0:35:05.120 --> 0:35:08.640
<v Speaker 1>would hear in Soviet propaganda about the poisonous influence of

0:35:08.680 --> 0:35:13.239
<v Speaker 1>the Western music or dance moves. It certainly does. And yes,

0:35:13.360 --> 0:35:16.200
<v Speaker 1>I do think that apart from being an entertainment, the

0:35:16.200 --> 0:35:19.360
<v Speaker 1>movie is definitely trying to get across its message about

0:35:19.400 --> 0:35:23.320
<v Speaker 1>teens being our future, their role in bringing the society forward,

0:35:23.520 --> 0:35:27.960
<v Speaker 1>about friendship, support, etcetera, etcetera. This message about the bad

0:35:28.000 --> 0:35:30.520
<v Speaker 1>influence of the West on the youth was such a

0:35:30.600 --> 0:35:33.920
<v Speaker 1>commonplace back then. It looks almost as organic in this

0:35:34.000 --> 0:35:37.000
<v Speaker 1>film as the Red Square and the obligatory salute to

0:35:37.080 --> 0:35:41.279
<v Speaker 1>Lennon's mausoleum. That the Pioneers a much more politicized group

0:35:41.320 --> 0:35:43.800
<v Speaker 1>than your Scouts. By the way, that was the second

0:35:43.880 --> 0:35:47.960
<v Speaker 1>step in the ideological education of a Soviet citizen, after

0:35:48.239 --> 0:35:52.760
<v Speaker 1>Octia Briannoch derived from October for the very small children.

0:35:52.880 --> 0:35:57.760
<v Speaker 1>Preceding the third. Uh comes some mulletz for the youth

0:35:57.880 --> 0:36:01.239
<v Speaker 1>and eventually being a member of the part. Uh the

0:36:01.680 --> 0:36:05.400
<v Speaker 1>and oh, sorry, this is a there's a big parenthetical

0:36:05.480 --> 0:36:07.840
<v Speaker 1>in the middle of that sentence. So apparently the Pioneers

0:36:07.840 --> 0:36:11.360
<v Speaker 1>in the first movie, Uh, they salute Lennon's mausoleum in

0:36:11.360 --> 0:36:15.720
<v Speaker 1>in Russia before they depart for Alpha Cassiopeia. But anyway,

0:36:15.719 --> 0:36:17.920
<v Speaker 1>Georgia wraps this up, saying I might have forgotten some

0:36:17.960 --> 0:36:19.839
<v Speaker 1>of the points. It's getting too long. Anyway, I hope

0:36:19.880 --> 0:36:22.839
<v Speaker 1>this email was not as boring as it looks. Keep

0:36:22.880 --> 0:36:25.719
<v Speaker 1>on investigating into the Soviet realm of weird movies. We

0:36:25.760 --> 0:36:28.480
<v Speaker 1>have so many of them, and even weirder than the

0:36:28.520 --> 0:36:33.359
<v Speaker 1>one you've just seen best, Georgia, Uh, well, sounds promising. Yeah,

0:36:33.480 --> 0:36:35.799
<v Speaker 1>I'm excited. Thank you for all of this context. This

0:36:35.880 --> 0:36:38.880
<v Speaker 1>was deep. Yeah, yeah, this was this really answered a

0:36:38.880 --> 0:36:41.959
<v Speaker 1>lot of questions and raise new questions, and and also

0:36:42.040 --> 0:36:44.200
<v Speaker 1>presenting some new movies for us to check out. So

0:36:44.360 --> 0:36:46.719
<v Speaker 1>I'm excited. Yeah, I definitely want to check out the

0:36:46.719 --> 0:36:55.920
<v Speaker 1>Story of Voyages and that awesome one too. Yeah. Alright,

0:36:56.160 --> 0:36:58.719
<v Speaker 1>let's wrap up with one last message here. This is UH,

0:36:59.200 --> 0:37:02.080
<v Speaker 1>also about weird Cinema. This is from Brian. Brian says, Hey,

0:37:02.160 --> 0:37:04.560
<v Speaker 1>Joe and Rob. I wanted to write in and say

0:37:04.600 --> 0:37:07.120
<v Speaker 1>how much I've been enjoying Weird House cinema. Not to

0:37:07.160 --> 0:37:09.440
<v Speaker 1>say I don't enjoy everything you do, because I do,

0:37:09.520 --> 0:37:11.959
<v Speaker 1>but there's something fascinating to me about how you both

0:37:11.960 --> 0:37:14.759
<v Speaker 1>explore and discuss these films. I haven't seen any of

0:37:14.840 --> 0:37:17.640
<v Speaker 1>the films discussed so far, but somehow, after listening, it's

0:37:17.680 --> 0:37:21.680
<v Speaker 1>like I've always loved them and feel a kind of nostalgia. Anyway,

0:37:21.719 --> 0:37:23.839
<v Speaker 1>there were two films I wanted to throw out since

0:37:23.880 --> 0:37:26.480
<v Speaker 1>I'm already emailing. Keep in mind I was born in

0:37:26.600 --> 0:37:29.480
<v Speaker 1>nineteen ninety and I am far from a film buff.

0:37:29.520 --> 0:37:33.040
<v Speaker 1>First is the film Planet of the Dinosaurs. When I

0:37:33.080 --> 0:37:35.960
<v Speaker 1>was a child, my grandmother had a VHS copy of

0:37:35.960 --> 0:37:38.520
<v Speaker 1>this movie, and I have memories of watching it over

0:37:38.560 --> 0:37:41.600
<v Speaker 1>and over. The intro music always gave me the creeps

0:37:41.640 --> 0:37:44.680
<v Speaker 1>and the film overall terrified me, but I still liked it.

0:37:45.040 --> 0:37:48.280
<v Speaker 1>After listening to a Weird House episode, I attempted watching

0:37:48.320 --> 0:37:51.040
<v Speaker 1>it available on Prime and was pleased to see My

0:37:51.120 --> 0:37:54.160
<v Speaker 1>six year old son was also terrified by the intro music,

0:37:54.400 --> 0:37:58.920
<v Speaker 1>and my wife made me turn it off. Um, this

0:37:59.040 --> 0:38:01.279
<v Speaker 1>to me feels like a house film, but you are

0:38:01.320 --> 0:38:03.600
<v Speaker 1>the experts. Well, I looked it up and it looks

0:38:03.719 --> 0:38:06.440
<v Speaker 1>very promising, Brian. It's got some very cheesy looking I

0:38:06.440 --> 0:38:10.760
<v Speaker 1>think stop motion dinosaurs kind of had a slight remind

0:38:11.080 --> 0:38:14.239
<v Speaker 1>slight similarity to The Daytime Ended, which is a movie

0:38:14.280 --> 0:38:17.120
<v Speaker 1>we might have to get into someday. Yeah. Yeah, but

0:38:17.160 --> 0:38:20.920
<v Speaker 1>this looks great Planet of the Dinosaurs. Brian goes on

0:38:21.000 --> 0:38:24.759
<v Speaker 1>to say the second film I'm not sure fits quite

0:38:24.800 --> 0:38:26.839
<v Speaker 1>as well, but I wanted to mention it anyway. And

0:38:26.920 --> 0:38:30.480
<v Speaker 1>it is troll Hunter or troll Yagharon. This is a

0:38:30.560 --> 0:38:34.400
<v Speaker 1>Norwegian film from two thousand ten and I love it. However,

0:38:34.560 --> 0:38:37.279
<v Speaker 1>everyone I ever attempted to show it to hated it.

0:38:37.800 --> 0:38:39.799
<v Speaker 1>Uh that that's the best kind of film to love,

0:38:39.800 --> 0:38:44.360
<v Speaker 1>a film you can love alone. Long story short, It

0:38:44.480 --> 0:38:47.920
<v Speaker 1>is filmed cam quarter style and they hunt massive trolls

0:38:48.000 --> 0:38:51.520
<v Speaker 1>and get into some dangerous situations kind of scary, very fun.

0:38:51.640 --> 0:38:54.560
<v Speaker 1>Ha ha, Brian, I have seen this movie and I

0:38:54.560 --> 0:38:57.560
<v Speaker 1>will tell you I liked it, so maybe I I

0:38:57.600 --> 0:38:59.640
<v Speaker 1>love Troll Hunter when it came out. Yeah, this one

0:39:00.040 --> 0:39:02.680
<v Speaker 1>for if if anyone out there's not familiar with it,

0:39:02.680 --> 0:39:05.720
<v Speaker 1>don't let the cam quarter style thing throw you, because

0:39:05.719 --> 0:39:07.960
<v Speaker 1>I know a lot of us got kind of over

0:39:08.239 --> 0:39:11.959
<v Speaker 1>the found footage sort of approach to filmmaking. Uh. Troll

0:39:12.040 --> 0:39:15.120
<v Speaker 1>Hunters really great and it has so much wonderful monster

0:39:15.239 --> 0:39:18.799
<v Speaker 1>science already just baked into the film itself, like they

0:39:18.880 --> 0:39:22.959
<v Speaker 1>really thought out this whole troll thing and troll petrification. Yeah,

0:39:23.000 --> 0:39:27.000
<v Speaker 1>it's it's a great flight. I highly recommend. Yeah. But finally,

0:39:27.040 --> 0:39:29.719
<v Speaker 1>Brian says sorry for the long email, But lastly, I

0:39:29.760 --> 0:39:31.960
<v Speaker 1>love you guys and all your work. I came across

0:39:32.040 --> 0:39:34.359
<v Speaker 1>your podcast as well as stuff you should know three

0:39:34.400 --> 0:39:37.080
<v Speaker 1>years ago while my daughter was in the hospital having

0:39:37.120 --> 0:39:40.400
<v Speaker 1>corrective heart surgery. Needless to say, I needed some distraction

0:39:40.440 --> 0:39:44.920
<v Speaker 1>at that time, and you helped provide it. Thanks so much, Brian. PS.

0:39:45.000 --> 0:39:47.160
<v Speaker 1>My daughter is as normal as any other three year

0:39:47.160 --> 0:39:50.160
<v Speaker 1>old these days and in great health. Uh and so

0:39:50.640 --> 0:39:53.440
<v Speaker 1>I'm really happy to hear that, Brian, thanks for the note. Yeah,

0:39:53.719 --> 0:39:55.640
<v Speaker 1>and I'm glad that the guy that we could help

0:39:55.640 --> 0:39:57.920
<v Speaker 1>you out in some small way through a hard time.

0:39:57.960 --> 0:40:00.759
<v Speaker 1>I know what it's like being in the hospital with

0:40:00.800 --> 0:40:03.920
<v Speaker 1>a kiddo. Uh So, uh yeah, that was good. That

0:40:04.239 --> 0:40:05.680
<v Speaker 1>was a great one to hear. And now we have

0:40:05.719 --> 0:40:08.120
<v Speaker 1>two other well at least one other movie. I don't

0:40:08.160 --> 0:40:10.560
<v Speaker 1>know if Troll Hunter, I don't know. If it's it's

0:40:10.920 --> 0:40:14.360
<v Speaker 1>weird cinema, weird house cinema might be too recent. Is

0:40:14.400 --> 0:40:17.000
<v Speaker 1>that is that past our cutoff point? What do you think? Um?

0:40:17.080 --> 0:40:19.400
<v Speaker 1>I don't know that it's too recent. I just feel

0:40:19.440 --> 0:40:22.520
<v Speaker 1>like I don't know like it. It kind of like

0:40:22.560 --> 0:40:24.640
<v Speaker 1>I couldn't really talk about the monster science of it

0:40:24.719 --> 0:40:26.680
<v Speaker 1>because they do it so well in the film itself.

0:40:26.760 --> 0:40:29.239
<v Speaker 1>You know. Um, I don't know, it's it's it's a

0:40:29.239 --> 0:40:31.600
<v Speaker 1>weird it's a weird, like it's definitely a weird film.

0:40:31.640 --> 0:40:34.239
<v Speaker 1>I just don't know, um, what we could say about

0:40:34.280 --> 0:40:36.560
<v Speaker 1>it really other than it's good and people should see it.

0:40:36.719 --> 0:40:41.120
<v Speaker 1>So I highly recommended. All right, Well we're gonna go

0:40:41.160 --> 0:40:44.959
<v Speaker 1>ahead and uh tell Carnie the mail bot that's gonna

0:40:44.960 --> 0:40:47.520
<v Speaker 1>be it. For today, but hey, we'll be back next

0:40:47.560 --> 0:40:50.880
<v Speaker 1>week with another round of listener mail. We'd love to

0:40:50.920 --> 0:40:54.080
<v Speaker 1>hear from everyone out there about uh, you know, current

0:40:54.120 --> 0:40:56.879
<v Speaker 1>recent episodes of Stuff to Blow Your Mind, recent artifacts,

0:40:57.560 --> 0:41:00.520
<v Speaker 1>recent episodes of Weird House Cinema, also suggests for the

0:41:00.560 --> 0:41:03.600
<v Speaker 1>future on any of these, uh these product types that

0:41:03.600 --> 0:41:06.400
<v Speaker 1>we're putting out. Also, if you have thoughts regarding a

0:41:06.480 --> 0:41:09.480
<v Speaker 1>Vault episode that we've republished, we'd love to hear about that,

0:41:09.640 --> 0:41:13.080
<v Speaker 1>Or if you have a response to a particular listener

0:41:13.120 --> 0:41:17.399
<v Speaker 1>mail that we've featured on listener Mail, that's open game

0:41:17.440 --> 0:41:20.360
<v Speaker 1>as well. Huge thanks as always to our excellent audio

0:41:20.400 --> 0:41:23.120
<v Speaker 1>producer Seth Nicholas Johnson. If you would like to get

0:41:23.120 --> 0:41:25.320
<v Speaker 1>in touch with us with feedback on this episode or

0:41:25.360 --> 0:41:27.640
<v Speaker 1>any other, to suggest a topic for the future, just

0:41:27.680 --> 0:41:30.319
<v Speaker 1>to say hello, you can email us at contact at

0:41:30.320 --> 0:41:39.960
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0:41:40.000 --> 0:41:42.320
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