1 00:00:00,840 --> 00:00:03,280 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:03,360 --> 00:00:06,280 Speaker 1: am in my tuxedo hoodie. Let's talk about the Oscars 3 00:00:06,320 --> 00:00:08,879 Speaker 1: last night. Biggest surprise was that a Nora swept. Didn't 4 00:00:08,880 --> 00:00:11,879 Speaker 1: really see that coming. I didn't feel confident in one 5 00:00:11,960 --> 00:00:14,360 Speaker 1: movie to dominate. I thought it was going to be 6 00:00:14,360 --> 00:00:16,520 Speaker 1: more scattered all over the place. If I had to 7 00:00:16,560 --> 00:00:19,160 Speaker 1: pick a heavy hitter going into the night, I thought 8 00:00:19,160 --> 00:00:22,520 Speaker 1: it was going to be The Brutalist. But the way 9 00:00:22,560 --> 00:00:24,840 Speaker 1: the Academy voted, I feel was a little bit more 10 00:00:24,880 --> 00:00:28,080 Speaker 1: progressive this year. Sometimes they just go with the movie 11 00:00:28,120 --> 00:00:31,479 Speaker 1: like The Brutalist because of what the movie stands for 12 00:00:31,680 --> 00:00:33,920 Speaker 1: and all those things that they look for in the movie. 13 00:00:34,320 --> 00:00:37,920 Speaker 1: I just thought that the momentum that Anra had from 14 00:00:37,960 --> 00:00:40,800 Speaker 1: the fans wasn't going to carry over into the voting. 15 00:00:41,280 --> 00:00:44,519 Speaker 1: I was wrong. It dominated. The other surprising thing to 16 00:00:44,560 --> 00:00:47,839 Speaker 1: me is I did not realize Sean Baker, the director 17 00:00:47,840 --> 00:00:51,600 Speaker 1: of Anora, was that much of a charismatic person. And 18 00:00:51,640 --> 00:00:53,479 Speaker 1: I think it's because a lot of his movies are 19 00:00:53,560 --> 00:00:57,800 Speaker 1: so sad and they have a very gloomy demeanor. It's 20 00:00:57,840 --> 00:01:00,960 Speaker 1: hard to see him up there except the Wars being 21 00:01:01,000 --> 00:01:03,160 Speaker 1: so joyful and I was like, oh man, I started 22 00:01:03,240 --> 00:01:07,319 Speaker 1: rooting for him, Like to see him win for Best 23 00:01:07,440 --> 00:01:11,720 Speaker 1: Director from Quentin Tarantino, one of the best directors of 24 00:01:11,760 --> 00:01:15,600 Speaker 1: all time. I have to imagine that was an awesome 25 00:01:15,640 --> 00:01:18,960 Speaker 1: moment for him, for anybody, like seeing Mikey Madison after 26 00:01:19,959 --> 00:01:23,640 Speaker 1: taking a picture with a glass of champagne and her oscar. 27 00:01:24,520 --> 00:01:28,039 Speaker 1: That is such a cool feeling. So I don't have 28 00:01:28,080 --> 00:01:31,039 Speaker 1: any connection to these people, but I think that's why 29 00:01:31,080 --> 00:01:33,399 Speaker 1: I love the Oscars, just because it's so hard to 30 00:01:33,480 --> 00:01:37,600 Speaker 1: win an Oscar out of all the award shows. Winning 31 00:01:37,640 --> 00:01:41,800 Speaker 1: an Oscar is like winning the MVP in the super Bowl, 32 00:01:41,840 --> 00:01:44,920 Speaker 1: Like a lot of people have Super Bowl rings, but 33 00:01:45,000 --> 00:01:47,760 Speaker 1: to get that MVP that's given out once a year 34 00:01:47,880 --> 00:01:50,880 Speaker 1: or so, to win the Oscar for Best Actor or 35 00:01:50,880 --> 00:01:54,360 Speaker 1: Best Actress that is given out to one person. I 36 00:01:54,520 --> 00:01:57,320 Speaker 1: was happy for everybody involved in Anora. But let's talk 37 00:01:57,360 --> 00:02:00,560 Speaker 1: about my predictions. How well I did. I was kind 38 00:02:00,560 --> 00:02:03,360 Speaker 1: of scattered all over the place. Hour one. I went perfect, 39 00:02:04,080 --> 00:02:06,680 Speaker 1: but I put so much of my eggs in the 40 00:02:06,840 --> 00:02:09,320 Speaker 1: brutalist basket because that's how I thought the Academy was 41 00:02:09,320 --> 00:02:13,240 Speaker 1: going to vote. Initially, I had the substance winning for 42 00:02:13,360 --> 00:02:16,840 Speaker 1: Best Picture, Honora took it home. It won five of 43 00:02:16,880 --> 00:02:21,160 Speaker 1: its six categories dominant, and I think for me, I 44 00:02:21,360 --> 00:02:23,919 Speaker 1: wanted The Substance to win so bad. I still love 45 00:02:23,960 --> 00:02:27,880 Speaker 1: that movie. I had a tier of movies in this 46 00:02:28,040 --> 00:02:31,760 Speaker 1: voting period that I really enjoyed, the Brutalist, and I 47 00:02:31,760 --> 00:02:33,919 Speaker 1: got behind that one more because that's how I thought 48 00:02:34,280 --> 00:02:38,280 Speaker 1: the Academy would vote. I love The Substance. The two 49 00:02:38,360 --> 00:02:42,160 Speaker 1: movies I feel from the category of Best Pictures that 50 00:02:42,200 --> 00:02:43,919 Speaker 1: are going to go on and have a big wife, 51 00:02:43,960 --> 00:02:45,960 Speaker 1: that are people are going to actually come back to, 52 00:02:46,560 --> 00:02:49,040 Speaker 1: and some might even call it their favorite movies. It's 53 00:02:49,080 --> 00:02:53,000 Speaker 1: going to be The Substance and Anora. Now, the Substance 54 00:02:53,760 --> 00:02:56,800 Speaker 1: had a lot just against it is because the Academy 55 00:02:56,919 --> 00:02:59,400 Speaker 1: just doesn't vote for horror movies. So just for it 56 00:02:59,400 --> 00:03:03,359 Speaker 1: to get nominated, it was an honor in itself, really 57 00:03:03,400 --> 00:03:05,520 Speaker 1: hard for it to win, and I think at the 58 00:03:05,600 --> 00:03:07,079 Speaker 1: end of the day that is what held it back 59 00:03:07,080 --> 00:03:11,000 Speaker 1: from winning. So justice for horror movies, Justice for Demi Moore. 60 00:03:11,720 --> 00:03:16,400 Speaker 1: That is when I got wrong. Best Actor. I said 61 00:03:16,560 --> 00:03:18,440 Speaker 1: there was no contest there. It was going to be 62 00:03:18,440 --> 00:03:21,560 Speaker 1: Adrian and Brody. If you look at everybody else here, 63 00:03:21,680 --> 00:03:26,760 Speaker 1: they all did great performances. Now they all did good performances. 64 00:03:26,919 --> 00:03:29,440 Speaker 1: He did a great performance. I feel as a whole 65 00:03:30,600 --> 00:03:34,120 Speaker 1: the best actor in a leading role was pretty weak 66 00:03:34,240 --> 00:03:38,680 Speaker 1: this year. There wasn't one person who totally dominated a 67 00:03:38,800 --> 00:03:43,400 Speaker 1: role aside from Adrian and Brody that I thought deserved it. 68 00:03:43,960 --> 00:03:46,640 Speaker 1: Even the clips they played a Timothy Shalomey as Bob 69 00:03:46,720 --> 00:03:51,040 Speaker 1: Dylan throughout the show that made me enjoy that character less. 70 00:03:51,160 --> 00:03:52,520 Speaker 1: When I watched the movie, I thought he did a 71 00:03:52,560 --> 00:03:54,720 Speaker 1: pretty good job. I said, there were moments where you 72 00:03:54,800 --> 00:03:57,920 Speaker 1: could tell it was Timothy Schallomag and that bled through 73 00:03:57,960 --> 00:04:00,520 Speaker 1: a lot and kind of broke the illusion that became 74 00:04:01,040 --> 00:04:03,680 Speaker 1: Bob Dylan. But the clips they played, I was like, 75 00:04:03,680 --> 00:04:06,160 Speaker 1: oh man, could they have not picked better clips? Isolated? 76 00:04:06,480 --> 00:04:09,480 Speaker 1: He didn't seem as strong in that performance. But I 77 00:04:09,560 --> 00:04:13,720 Speaker 1: love how passionate he was about that and stressing that 78 00:04:13,880 --> 00:04:17,120 Speaker 1: he spent five years of his life doing that, so 79 00:04:17,880 --> 00:04:21,760 Speaker 1: he'll get there again. I think a biopick. You don't 80 00:04:21,760 --> 00:04:24,040 Speaker 1: want to win it with a biopick. You want to 81 00:04:24,040 --> 00:04:27,400 Speaker 1: win it with just like your your performance, your own 82 00:04:27,400 --> 00:04:30,800 Speaker 1: interpretation of a character. He's gonna get there someday. Not 83 00:04:30,960 --> 00:04:34,080 Speaker 1: here went to Adrian Brodie. I said that was easy. 84 00:04:34,720 --> 00:04:38,599 Speaker 1: Best Actress. Ah, Again, my heart wanted the substance to 85 00:04:38,640 --> 00:04:42,159 Speaker 1: win more. I wanted Demi Moore to have that moment. 86 00:04:42,240 --> 00:04:44,680 Speaker 1: She got it at the Golden Globes. But I could 87 00:04:44,720 --> 00:04:49,640 Speaker 1: just imagine her getting up there accepting that award after 88 00:04:49,760 --> 00:04:53,719 Speaker 1: a career of not winning any awards, being told she 89 00:04:53,839 --> 00:04:57,599 Speaker 1: was just a popcorn actress, which she still got her bag, 90 00:04:57,680 --> 00:05:00,719 Speaker 1: but still to have an award to really put a 91 00:05:00,760 --> 00:05:03,800 Speaker 1: stamp on your career. I wanted that for but for 92 00:05:03,920 --> 00:05:07,080 Speaker 1: Mikey Madison, being as young as she is, not even 93 00:05:07,120 --> 00:05:10,480 Speaker 1: having that many leading roles, for this to be her 94 00:05:10,600 --> 00:05:16,200 Speaker 1: Oscar win her first for Best Actress. That's amazing and 95 00:05:16,279 --> 00:05:18,279 Speaker 1: you can't help but root for her. You can't really 96 00:05:18,279 --> 00:05:22,040 Speaker 1: help but root for everybody behind the Nora. So wasn't 97 00:05:22,080 --> 00:05:25,159 Speaker 1: my pick, but I was really felt good about her winning. 98 00:05:25,800 --> 00:05:29,359 Speaker 1: As opposed to Best Actor. The Best Actress category was stacked. 99 00:05:29,760 --> 00:05:34,200 Speaker 1: Everybody had amazing performances in that category. That was tough. 100 00:05:34,520 --> 00:05:36,880 Speaker 1: I wish they did. I know no award shows do this, 101 00:05:37,279 --> 00:05:39,880 Speaker 1: but if I could see some numbers, see the tallies 102 00:05:39,920 --> 00:05:43,279 Speaker 1: of how many votes that one actor had over the other, 103 00:05:43,320 --> 00:05:45,440 Speaker 1: I would like to see how close that was, much 104 00:05:45,520 --> 00:05:48,240 Speaker 1: like to do for the President show us the percentages. 105 00:05:48,520 --> 00:05:51,200 Speaker 1: And I know a lot of people were complaining about 106 00:05:51,440 --> 00:05:54,920 Speaker 1: how long the speeches were. Adrian Brodie's was very long. 107 00:05:54,960 --> 00:05:58,960 Speaker 1: He had the world's record for the longest award show 108 00:05:59,000 --> 00:06:01,760 Speaker 1: speech at the Oscar. Five and a half minutes. Is 109 00:06:01,839 --> 00:06:05,120 Speaker 1: what I believe I would say, if they want to 110 00:06:05,120 --> 00:06:07,400 Speaker 1: move the show along, if they want to make this 111 00:06:07,440 --> 00:06:10,040 Speaker 1: a little bit more like sport, to make the entire 112 00:06:10,080 --> 00:06:13,120 Speaker 1: show move a little bit faster. Because shows started an 113 00:06:13,160 --> 00:06:16,279 Speaker 1: hour earlier than it usually did, still went pretty long. 114 00:06:16,520 --> 00:06:20,119 Speaker 1: Was about started here Central time at six, didn't endntill 115 00:06:20,160 --> 00:06:24,040 Speaker 1: about nine forty five. That's a long show. If they 116 00:06:24,080 --> 00:06:26,520 Speaker 1: really want to move it along, what if they put 117 00:06:26,560 --> 00:06:27,920 Speaker 1: a shot clock up there. What if they put a 118 00:06:27,960 --> 00:06:31,039 Speaker 1: play clock where once you get up there, the first 119 00:06:31,120 --> 00:06:34,120 Speaker 1: word you say that clock starts, you get forty five 120 00:06:34,160 --> 00:06:38,120 Speaker 1: seconds for I say, anybody in a technical award, which 121 00:06:38,560 --> 00:06:40,560 Speaker 1: no disrespect to them, it is cool to see those 122 00:06:40,600 --> 00:06:44,440 Speaker 1: people actually be celebrated, the people who are behind the 123 00:06:44,520 --> 00:06:46,400 Speaker 1: scenes so much get a chance to go up there 124 00:06:46,400 --> 00:06:49,560 Speaker 1: and accept their awards. But also you have to move 125 00:06:49,600 --> 00:06:51,159 Speaker 1: things along. You have to make the show a little 126 00:06:51,160 --> 00:06:54,039 Speaker 1: bit more entertaining. You also have to make the show quicker, 127 00:06:54,360 --> 00:06:56,800 Speaker 1: like six to nine would have been great, but they 128 00:06:56,880 --> 00:07:00,479 Speaker 1: kept going and going. Whenever it got to about that 129 00:07:00,560 --> 00:07:02,360 Speaker 1: last hour, I'm like, there's no way they're gonna get 130 00:07:02,360 --> 00:07:05,640 Speaker 1: all these awards in. Get the person up there. Technical 131 00:07:05,680 --> 00:07:08,520 Speaker 1: awards you get forty five seconds. The big awards at 132 00:07:08,520 --> 00:07:10,400 Speaker 1: the end of the night. I would say, the Big 133 00:07:10,440 --> 00:07:13,080 Speaker 1: five you get a minute and a half. First word 134 00:07:13,160 --> 00:07:16,400 Speaker 1: you say, that clock starts, and then if you don't 135 00:07:16,400 --> 00:07:18,400 Speaker 1: get it in a time, you get a penalty. If 136 00:07:18,400 --> 00:07:21,040 Speaker 1: you get a penalty, if your movie keeps getting penalties, 137 00:07:21,560 --> 00:07:25,560 Speaker 1: then whoever is behind you in votes, they suddenly get 138 00:07:25,560 --> 00:07:27,120 Speaker 1: a shot, and if they can get up there, get 139 00:07:27,160 --> 00:07:29,840 Speaker 1: their speech out faster than you can get it in 140 00:07:29,920 --> 00:07:33,000 Speaker 1: before that plate clock expires, they win the Oscar. I 141 00:07:33,040 --> 00:07:36,080 Speaker 1: know this will take away from the artistry of the Oscars, 142 00:07:36,080 --> 00:07:38,360 Speaker 1: but it would make the show more entertaining. It would 143 00:07:38,360 --> 00:07:41,240 Speaker 1: get people up there and get through their speeches quicker. 144 00:07:41,400 --> 00:07:43,760 Speaker 1: But just my idea to make it a little bit 145 00:07:43,760 --> 00:07:46,160 Speaker 1: more entertaining, but take away from the value of the art. 146 00:07:46,560 --> 00:07:49,480 Speaker 1: But I was glad to see Mikey win four Best 147 00:07:49,560 --> 00:07:51,920 Speaker 1: Actor in a Supporting Role. I got that one right. 148 00:07:52,000 --> 00:07:55,200 Speaker 1: Karen Kolkin, he was the standout here. To me, I 149 00:07:55,200 --> 00:07:58,120 Speaker 1: believe he is now halfway to an egot. I loved 150 00:07:58,120 --> 00:08:01,360 Speaker 1: his speech. He is very kere and holkan in all 151 00:08:01,400 --> 00:08:04,360 Speaker 1: of his speeches, much like his character in The Real Pain. 152 00:08:04,440 --> 00:08:07,240 Speaker 1: I feel like he is that a little bit off camera, 153 00:08:08,000 --> 00:08:10,320 Speaker 1: but him telling his wife and not bringing it up 154 00:08:10,400 --> 00:08:13,040 Speaker 1: until that moment, Like hey said, if I won an Oscar, 155 00:08:14,120 --> 00:08:16,640 Speaker 1: we could have another kid. So hopefully they have that 156 00:08:16,720 --> 00:08:19,480 Speaker 1: fourst kid if they're up for it. Best Actress in 157 00:08:19,520 --> 00:08:22,920 Speaker 1: a Supporting Role, I got that one. Rise always Alnana. 158 00:08:23,000 --> 00:08:27,360 Speaker 1: I feel this category was probably the easiest to pick 159 00:08:28,320 --> 00:08:31,720 Speaker 1: just because the only person who came close to Zoe. 160 00:08:33,400 --> 00:08:36,240 Speaker 1: I don't think anybody came close there. No, Yeah, that 161 00:08:36,320 --> 00:08:39,199 Speaker 1: one was really easy. That was her first time being nominated. 162 00:08:39,520 --> 00:08:42,839 Speaker 1: She was very emotional in her speech to the point 163 00:08:42,840 --> 00:08:44,520 Speaker 1: that I realized, Oh, I can tell why she is 164 00:08:44,559 --> 00:08:46,400 Speaker 1: an actor because she got up there and poured her 165 00:08:46,440 --> 00:08:49,960 Speaker 1: soul out. Went pretty hard on that. That was pretty 166 00:08:50,000 --> 00:08:53,640 Speaker 1: much Amelia Perez's only win. They also won for song, 167 00:08:54,720 --> 00:08:58,240 Speaker 1: but for being nominated the most only taken home a 168 00:08:58,280 --> 00:09:01,600 Speaker 1: couple of awards during the big shit. That's what I said. Man, 169 00:09:01,880 --> 00:09:04,040 Speaker 1: just because you get the most nominations doesn't mean you're 170 00:09:04,040 --> 00:09:06,199 Speaker 1: gonna get up there and dominate. You're just probably of 171 00:09:06,320 --> 00:09:08,959 Speaker 1: campaign the most, which I think that movie was all 172 00:09:09,000 --> 00:09:12,920 Speaker 1: campaign and not a great campaign because you have your 173 00:09:13,000 --> 00:09:15,800 Speaker 1: main person at the award show and it feels kind 174 00:09:15,800 --> 00:09:18,920 Speaker 1: of awkward. But I feel of all the movies nominated 175 00:09:18,920 --> 00:09:21,240 Speaker 1: for Best Picture, that is one that's just gonna kinda 176 00:09:21,320 --> 00:09:24,440 Speaker 1: be forgotten about down the line, So it just feels 177 00:09:24,440 --> 00:09:27,520 Speaker 1: like a campaign run for that one. For Best Director, 178 00:09:28,120 --> 00:09:31,320 Speaker 1: I had Corey le Farjah for The Substance, got that 179 00:09:31,360 --> 00:09:34,080 Speaker 1: one wrong again. I was really just pulling for the 180 00:09:34,080 --> 00:09:37,679 Speaker 1: Substance in all these categories. But it went to Sean 181 00:09:37,720 --> 00:09:41,040 Speaker 1: Baker for a norm. He got up there, accepted that 182 00:09:41,120 --> 00:09:45,320 Speaker 1: award from Quentin Tarantino. Huge for him to see him 183 00:09:45,360 --> 00:09:48,560 Speaker 1: win his first Oscar of the night and then keep 184 00:09:48,600 --> 00:09:52,000 Speaker 1: going up there time and time again all the way 185 00:09:52,080 --> 00:09:55,240 Speaker 1: leading up to a Best Picture. I imagine he partied 186 00:09:55,240 --> 00:09:59,319 Speaker 1: pretty hard last night because he is a really innovative director. 187 00:09:59,360 --> 00:10:02,160 Speaker 1: He has made movies for I believe they made a 188 00:10:02,200 --> 00:10:06,880 Speaker 1: Nora for eight million dollars, So that kind of shows 189 00:10:06,920 --> 00:10:09,680 Speaker 1: you that just have that vision, you have that passion 190 00:10:09,760 --> 00:10:12,920 Speaker 1: for filmmaking, you can go on to win an Oscar. 191 00:10:13,440 --> 00:10:16,240 Speaker 1: Like giving me some inspiration there. I think that is 192 00:10:16,280 --> 00:10:20,080 Speaker 1: what inspired me the most of how passionate he was 193 00:10:20,120 --> 00:10:24,520 Speaker 1: about independent filmmaking. Best Cinematography. I got that one wrong. 194 00:10:25,400 --> 00:10:27,400 Speaker 1: I thought no Saratu would win for that. I thought 195 00:10:27,440 --> 00:10:29,120 Speaker 1: they would win something, but I think they went on 196 00:10:29,440 --> 00:10:33,400 Speaker 1: empty handed the Brutalist one for that, and I thought 197 00:10:33,440 --> 00:10:36,120 Speaker 1: the cinematography and the Brutalist was good, but I guess 198 00:10:36,160 --> 00:10:40,000 Speaker 1: it was those shots, like the upside down Statue of 199 00:10:40,040 --> 00:10:42,160 Speaker 1: Liberty shot, the one shot that was used a lot 200 00:10:42,160 --> 00:10:45,960 Speaker 1: in the promotional material with Adrian Brody and the sparks 201 00:10:46,000 --> 00:10:49,439 Speaker 1: and him looking into it. That was a great image. 202 00:10:49,600 --> 00:10:52,959 Speaker 1: The craziest thing about that scene that wasn't even like 203 00:10:53,000 --> 00:10:55,440 Speaker 1: a big part of the movie. It was kind of 204 00:10:55,480 --> 00:10:58,679 Speaker 1: just this thing of him passing by very early on 205 00:10:58,720 --> 00:11:00,840 Speaker 1: in the film, and that was like, they're one shot, 206 00:11:01,120 --> 00:11:04,280 Speaker 1: an amazing shot. I honestly think that shot and the 207 00:11:04,320 --> 00:11:08,400 Speaker 1: Statue of Liberty shot one. I'm that Oscar for Best 208 00:11:08,440 --> 00:11:12,160 Speaker 1: International Film. I thought Amelia Perez would get this, just 209 00:11:12,200 --> 00:11:15,080 Speaker 1: because I knew they were nominated for a lot, and 210 00:11:15,160 --> 00:11:17,599 Speaker 1: I didn't think they were gonna win too many awards. 211 00:11:17,880 --> 00:11:19,560 Speaker 1: They weren't gonna win the big ones. I thought this 212 00:11:19,600 --> 00:11:21,360 Speaker 1: would be the one. They were like, Okay, we'll give 213 00:11:21,400 --> 00:11:24,680 Speaker 1: them this award. We won't give them anything else. I'm 214 00:11:24,720 --> 00:11:27,120 Speaker 1: still here one and it should have won. That movie 215 00:11:27,280 --> 00:11:31,480 Speaker 1: was so powerful. I'm still thinking about that movie for 216 00:11:31,559 --> 00:11:34,640 Speaker 1: a minute after it won International Film. I thought it 217 00:11:34,720 --> 00:11:37,480 Speaker 1: had the potential to win for Best Picture. If you 218 00:11:37,480 --> 00:11:41,040 Speaker 1: have not seen it and you're hesitant about international movies, 219 00:11:41,040 --> 00:11:44,559 Speaker 1: which I am glad that they're now called international films 220 00:11:44,600 --> 00:11:46,800 Speaker 1: and not just foreign language films, because when you think 221 00:11:46,800 --> 00:11:50,800 Speaker 1: about it, our films to any other country would be 222 00:11:50,840 --> 00:11:53,880 Speaker 1: a quote unquote foreign language film, which we don't really 223 00:11:53,960 --> 00:11:56,840 Speaker 1: label our movies that when we ship them out, Hey, 224 00:11:56,600 --> 00:11:59,240 Speaker 1: here's some superhero movies. Here, all the Marvel movies, here's 225 00:11:59,240 --> 00:12:02,480 Speaker 1: the fast and inferior movies. To you, their foreign language films. 226 00:12:02,520 --> 00:12:04,040 Speaker 1: I mean a lot of the times they translate them 227 00:12:04,040 --> 00:12:08,480 Speaker 1: into other languages. But I like international film. That feels 228 00:12:08,480 --> 00:12:11,440 Speaker 1: a little bit less, Like I could convince somebody who 229 00:12:11,520 --> 00:12:14,960 Speaker 1: was against watching movies with subtitles a chance to watch 230 00:12:15,080 --> 00:12:18,160 Speaker 1: a movie that you probably would not have watched otherwise. 231 00:12:18,640 --> 00:12:21,960 Speaker 1: But I'm still here, based on a true story takes 232 00:12:21,960 --> 00:12:26,680 Speaker 1: place in Brazil. I really enjoyed that movie. If there's 233 00:12:26,720 --> 00:12:30,960 Speaker 1: one movie you miss from the Best Picture category, definitely 234 00:12:31,080 --> 00:12:34,760 Speaker 1: check that one out. Best Animated Feature, got that one right, 235 00:12:34,880 --> 00:12:37,640 Speaker 1: Flow wild At That movie is an hour and a 236 00:12:37,679 --> 00:12:40,400 Speaker 1: half and no words are spoken. It's all about the 237 00:12:40,520 --> 00:12:43,520 Speaker 1: journey of a cat, kind of like Homeward Bound, but 238 00:12:43,679 --> 00:12:46,840 Speaker 1: animated in a really beautiful way. Although when you put 239 00:12:46,840 --> 00:12:49,320 Speaker 1: it up next to the Wild Robot, that animation looks 240 00:12:49,360 --> 00:12:53,680 Speaker 1: really similar. But the filmmakers behind that were really cool. 241 00:12:53,720 --> 00:12:56,240 Speaker 1: They were really excited to win that the first one 242 00:12:56,280 --> 00:12:59,120 Speaker 1: for their country. That is a tough category because the 243 00:12:59,160 --> 00:13:01,760 Speaker 1: other two anime movies that feel like had a shot 244 00:13:02,600 --> 00:13:06,000 Speaker 1: Wild Robot in Inside Out too. I almost feel their 245 00:13:06,080 --> 00:13:09,480 Speaker 1: financial success at the box office holds them back a 246 00:13:09,480 --> 00:13:12,679 Speaker 1: little bit because Wild Robot was really good. Inside Out 247 00:13:12,720 --> 00:13:14,560 Speaker 1: two is really good, and I almost feel like those 248 00:13:14,559 --> 00:13:19,080 Speaker 1: movies that have the box office success get nominated just 249 00:13:19,120 --> 00:13:22,880 Speaker 1: as like Here You Go. But good for Flow Best 250 00:13:22,880 --> 00:13:25,920 Speaker 1: Original Song. I mentioned that when earlier Amelia Perez did 251 00:13:26,040 --> 00:13:28,960 Speaker 1: win for that, I didn't want that song to win 252 00:13:29,440 --> 00:13:31,920 Speaker 1: a musical with all bad songs, and that one wins. 253 00:13:32,679 --> 00:13:35,360 Speaker 1: I was hoping Sing Sing would win for something last night, 254 00:13:36,120 --> 00:13:38,240 Speaker 1: but they did not win. There got that one wrong. 255 00:13:38,360 --> 00:13:42,760 Speaker 1: Best Original Score. I was surprised Conclave didn't win. The 256 00:13:42,880 --> 00:13:47,000 Speaker 1: score in Conclave drove that movie. Out of all the 257 00:13:47,000 --> 00:13:50,680 Speaker 1: movies nominated Conclave, Amelia Perez, The Brutalist, The Wild Robot, 258 00:13:50,760 --> 00:13:54,600 Speaker 1: and Wicked, it was the Conclave score that stuck out 259 00:13:54,640 --> 00:13:58,640 Speaker 1: to me. That menacing, just driving music that made that 260 00:13:58,679 --> 00:14:01,559 Speaker 1: movie at times feel like, ah, a movie. You took 261 00:14:01,600 --> 00:14:04,960 Speaker 1: a movie just about people voting on things and putting 262 00:14:05,040 --> 00:14:09,319 Speaker 1: pieces of paper and voting on who's gonna be the Pope. 263 00:14:09,480 --> 00:14:13,120 Speaker 1: It was that music, that score that made everything seem 264 00:14:13,200 --> 00:14:16,240 Speaker 1: more impactful and made it seem like, oh, something serious 265 00:14:16,280 --> 00:14:17,599 Speaker 1: is happening here, when it was just a bunch of 266 00:14:17,640 --> 00:14:23,560 Speaker 1: dudes voting. But that went to the Brutalist. Thinking back 267 00:14:23,600 --> 00:14:26,920 Speaker 1: on that score, I mean I was more infatuated with 268 00:14:26,960 --> 00:14:31,040 Speaker 1: the cinematography than the score. Best Makeup I got that 269 00:14:31,080 --> 00:14:33,280 Speaker 1: one right, the substance. How could you not give it 270 00:14:33,280 --> 00:14:37,280 Speaker 1: to the substance for Best Makeup? That was what that 271 00:14:37,360 --> 00:14:41,360 Speaker 1: movie just built up to all throughout, just man, not 272 00:14:41,440 --> 00:14:45,960 Speaker 1: even just the accomplishment of the makeup used, but also 273 00:14:46,040 --> 00:14:48,440 Speaker 1: the actors to have to go through that. I'm glad 274 00:14:48,440 --> 00:14:50,680 Speaker 1: they didn't go home empty handed. I guess some of 275 00:14:50,680 --> 00:14:52,680 Speaker 1: these were a little bit easier to guess. But Best 276 00:14:52,680 --> 00:14:57,320 Speaker 1: Costume Design got that right too with Wicked. Best Visual Effects, 277 00:14:57,360 --> 00:15:00,640 Speaker 1: I got that one right with Dune Part two. Best 278 00:15:00,720 --> 00:15:04,160 Speaker 1: Adapted Screenplay. I wanted single thing to win something, so 279 00:15:04,240 --> 00:15:07,160 Speaker 1: it got that one wrong. It went to Conclave Best 280 00:15:07,240 --> 00:15:12,440 Speaker 1: Original Screenplay. Man. I wanted Jesse Eisenberg to win. I 281 00:15:12,480 --> 00:15:15,920 Speaker 1: saw him sitting there behind Kiaren Colkin. I feel like 282 00:15:16,000 --> 00:15:20,480 Speaker 1: this whole award show run. He's just been like, I 283 00:15:20,600 --> 00:15:22,680 Speaker 1: want to win. I put a lot of my heart 284 00:15:22,720 --> 00:15:25,520 Speaker 1: and soul into writing this movie. I just wanted that 285 00:15:25,560 --> 00:15:27,760 Speaker 1: for him. That whole movie was all in the writing. 286 00:15:27,960 --> 00:15:30,640 Speaker 1: The performance is too, but I just feel like that 287 00:15:30,760 --> 00:15:33,080 Speaker 1: was the heart and soul in this movie. And I 288 00:15:33,080 --> 00:15:36,440 Speaker 1: could almost see the disappointment in his face when he 289 00:15:36,480 --> 00:15:39,400 Speaker 1: didn't win, so I felt bad for him there. I 290 00:15:39,400 --> 00:15:42,440 Speaker 1: wanted him to win so bad, but it went to Anora. 291 00:15:43,560 --> 00:15:48,320 Speaker 1: Diane Warren continued her streak of not winning an Oscar 292 00:15:49,120 --> 00:15:54,560 Speaker 1: sixteen consecutive losses as another big surprise of the night. Overall, 293 00:15:54,640 --> 00:15:57,920 Speaker 1: I thought the award show was pretty subpar, and I 294 00:15:57,960 --> 00:16:02,160 Speaker 1: love the Oscars, Like, there was never any momentum aside 295 00:16:02,200 --> 00:16:06,560 Speaker 1: from the very first opening number with Ariana Grande Cynthia 296 00:16:06,680 --> 00:16:11,160 Speaker 1: Revo doing the Wicked Songs, Like that was the most like, Okay, 297 00:16:11,160 --> 00:16:14,080 Speaker 1: we're here, this show is gonna be awesome. I thought 298 00:16:14,200 --> 00:16:17,440 Speaker 1: Conan was all right, Like, if I had to give 299 00:16:17,520 --> 00:16:21,920 Speaker 1: Conan a score, I would probably overall give him a 300 00:16:21,960 --> 00:16:24,920 Speaker 1: three out of five. He had some good jokes here 301 00:16:24,920 --> 00:16:27,120 Speaker 1: in there, but I feel like some of the bits, 302 00:16:27,160 --> 00:16:30,360 Speaker 1: like a whole song about him not wasting time, I 303 00:16:30,440 --> 00:16:33,600 Speaker 1: didn't think that was funny. His best bit came from 304 00:16:33,640 --> 00:16:36,480 Speaker 1: his interaction with Adam Sandler in the crowd. And I 305 00:16:36,560 --> 00:16:38,560 Speaker 1: like Conan. I think he's one of the funniest people, 306 00:16:39,240 --> 00:16:42,520 Speaker 1: especially on his podcast, but I almost feel like he 307 00:16:42,680 --> 00:16:44,760 Speaker 1: wasn't right for that job, Like it's almost a little 308 00:16:44,760 --> 00:16:47,960 Speaker 1: bit too big for him. Not that he hasn't handled 309 00:16:48,000 --> 00:16:49,800 Speaker 1: stuff like that before. I mean, he had a freaking 310 00:16:49,880 --> 00:16:53,640 Speaker 1: late night talk show. He is a larger than life personality. 311 00:16:54,600 --> 00:16:57,200 Speaker 1: I just feel it's hard to look good while hosting 312 00:16:57,200 --> 00:17:01,000 Speaker 1: an award show, so I kind of wanted them to 313 00:17:01,000 --> 00:17:02,480 Speaker 1: switch it up a little bit. But I felt like 314 00:17:02,520 --> 00:17:04,520 Speaker 1: everything he did was a little bit safe. It was 315 00:17:04,600 --> 00:17:07,240 Speaker 1: kind of exactly what I thought it was going to be. 316 00:17:07,760 --> 00:17:10,879 Speaker 1: I did like the Nick Offerman voiceover. They had a 317 00:17:10,920 --> 00:17:14,119 Speaker 1: little bit together. I thought that was good. Overall, his 318 00:17:14,280 --> 00:17:18,960 Speaker 1: opening monologue was just very long, a lot of decent 319 00:17:19,080 --> 00:17:21,800 Speaker 1: jokes in there. I think his better jokes came later 320 00:17:21,840 --> 00:17:24,879 Speaker 1: in the night, but overall, I just didn't think it 321 00:17:24,960 --> 00:17:28,479 Speaker 1: made the show a whole lot more fun. So overall 322 00:17:28,520 --> 00:17:31,600 Speaker 1: the show was all right. It's just hard when you 323 00:17:31,640 --> 00:17:36,120 Speaker 1: don't have musical performances in an award show. Like if 324 00:17:36,200 --> 00:17:39,959 Speaker 1: I was behind that show, I would just do a 325 00:17:40,000 --> 00:17:43,840 Speaker 1: celebration of music and movies and not just your traditional 326 00:17:43,840 --> 00:17:45,560 Speaker 1: movies that you would expect. There was a moment I 327 00:17:45,560 --> 00:17:47,480 Speaker 1: was like, you know, what, would it be great here 328 00:17:47,600 --> 00:17:50,320 Speaker 1: a little Shrek number? Because they started talking about other 329 00:17:51,080 --> 00:17:55,520 Speaker 1: impactful movies. You have people from historic movies coming out, 330 00:17:55,720 --> 00:17:57,800 Speaker 1: like why not honor movies like Shrek? Like you have 331 00:17:57,920 --> 00:18:01,360 Speaker 1: somebody come and cover Smash Mouth, have somebody come out 332 00:18:01,359 --> 00:18:04,400 Speaker 1: and cover Counting Crows. If you're not going to get 333 00:18:04,520 --> 00:18:08,080 Speaker 1: people in with movies that a lot of people have watched, 334 00:18:08,080 --> 00:18:09,880 Speaker 1: because I think if you look at the category here, 335 00:18:10,160 --> 00:18:12,200 Speaker 1: a lot of people haven't seen these movies. General public 336 00:18:12,240 --> 00:18:14,959 Speaker 1: has not seen the substance, probably hasn't even heard of it. 337 00:18:15,320 --> 00:18:17,840 Speaker 1: You have to bring in movies that people do know 338 00:18:17,960 --> 00:18:20,800 Speaker 1: of them, Shrek. I just announced that it's getting Shrek five. 339 00:18:20,880 --> 00:18:23,960 Speaker 1: Why not throw a tribute to Shrek in there, attribute 340 00:18:24,000 --> 00:18:28,960 Speaker 1: to Forrest Gum, music from other important movies, not just 341 00:18:29,800 --> 00:18:32,560 Speaker 1: to the Oscars, but to pop culture. I think that 342 00:18:32,640 --> 00:18:35,119 Speaker 1: would have a little bit more weight. Get some people in, 343 00:18:35,240 --> 00:18:38,159 Speaker 1: bring some artists in that people care about, bring in 344 00:18:38,200 --> 00:18:41,879 Speaker 1: some older legacy acts to do songs from old movies 345 00:18:41,880 --> 00:18:44,520 Speaker 1: like I think that would be great. And unfortunately that 346 00:18:44,520 --> 00:18:47,000 Speaker 1: would mean you'd have to take out some of the categories, 347 00:18:47,480 --> 00:18:49,560 Speaker 1: which I think we're kind of at that point. And 348 00:18:49,600 --> 00:18:52,080 Speaker 1: I love all these categories. I love seeing these people 349 00:18:53,240 --> 00:18:56,720 Speaker 1: being celebrated that don't normally get celebrated. But I also 350 00:18:56,800 --> 00:18:59,280 Speaker 1: realize it is a business. It is an award show, 351 00:19:00,040 --> 00:19:02,160 Speaker 1: and if you're not getting people to watch it, then 352 00:19:02,280 --> 00:19:06,520 Speaker 1: you don't have a product here. So again we start 353 00:19:06,520 --> 00:19:08,640 Speaker 1: the play clock. If you can't get it in time, 354 00:19:09,320 --> 00:19:11,960 Speaker 1: next movie up, get the chance to get it in time. 355 00:19:12,080 --> 00:19:14,359 Speaker 1: They win the Oscar, and then we just got to 356 00:19:14,400 --> 00:19:17,200 Speaker 1: make the stuff in between a little bit better because 357 00:19:17,200 --> 00:19:19,600 Speaker 1: I can't think you can rely because I don't think 358 00:19:19,640 --> 00:19:22,000 Speaker 1: you can rely on the comedy anymore. If you have Conan, 359 00:19:22,320 --> 00:19:26,080 Speaker 1: one of the funniest people in America, not really able 360 00:19:26,160 --> 00:19:28,960 Speaker 1: to make the show much funnier because the whole format 361 00:19:29,040 --> 00:19:32,800 Speaker 1: of an award show is so old, dated and stale. 362 00:19:33,080 --> 00:19:35,199 Speaker 1: You got to bring in more musical acts. So that 363 00:19:35,320 --> 00:19:38,439 Speaker 1: is my Oscar recap. Thank you for listening, thank you 364 00:19:38,480 --> 00:19:41,440 Speaker 1: for watching, and until next time, go out and watch 365 00:19:41,480 --> 00:19:44,280 Speaker 1: good movies and I will talk to you there