WEBVTT - Q&A Time!

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<v Speaker 1>And that's what you really missed with Jenna.

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<v Speaker 2>And Kevin An iHeartRadio podcast.

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<v Speaker 1>Welcome to you, and that's what you really miss podcast.

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<v Speaker 2>I love these days Q and A j No because

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<v Speaker 2>I got to spend them with you, Jenna.

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<v Speaker 1>Liar and a Q hire any Q and a Jay.

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<v Speaker 2>I Look, the more Q and A's we do, the

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<v Speaker 2>more creative you have to get with the questions you're asking.

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<v Speaker 2>And it's it's working.

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<v Speaker 1>You're coming like it hot, like that's I'm really I'm

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<v Speaker 1>here for it. I'm ready to go. I want to

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<v Speaker 1>do as many as we possibly can.

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<v Speaker 2>Okay, rapid fire. So our friend Santanna's Breadstick gave us

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<v Speaker 2>some really hot ones. So we're gonna let's just go

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<v Speaker 2>through these real quick. Shout out to Santana's bread Stick.

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<v Speaker 2>If you don't follow her on Twitter, get on it.

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<v Speaker 2>So the first question some cast members release music or

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<v Speaker 2>albums during their time on the show, show we're all

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<v Speaker 2>over interested in making your own soul music during the show, Kevin,

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<v Speaker 2>you were, Yes, I was interested. I did record like

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<v Speaker 2>forty songs. Oh that's crazy with Columbia one summer because

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<v Speaker 2>I made like two songs that they really liked. Keep

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<v Speaker 2>going and we all Denia did, Darren did, Leah did.

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<v Speaker 2>Obviously she put out albums Amber, Amber, But what happened

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<v Speaker 2>was for a lot of us was that we didn't

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<v Speaker 2>have the time to commit to promoting the music if

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<v Speaker 2>it ever were to come out, So then they didn't

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<v Speaker 2>necessarily want to invest in doing that. I think Lea

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<v Speaker 2>being like a big star, there was obviously more draw, Yeah,

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<v Speaker 2>more draw and so like they were willing to do that,

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<v Speaker 2>and she could work it out scheduling wise, but yes,

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<v Speaker 2>we all tried for a bit. Didn't necessarily work out

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<v Speaker 2>for all of us, but it was a great experience.

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<v Speaker 2>Learned a lot, and I have a lot of demos

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<v Speaker 2>that I listened to that nobody will ever hear.

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<v Speaker 1>I need to hear more of these. I didn't think

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<v Speaker 1>I knew about your forty songs.

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<v Speaker 2>I mean a lot of them are not good. Well,

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<v Speaker 2>you know, you got to just keep making music. It

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<v Speaker 2>was just not I was finding I was singing about girls.

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<v Speaker 2>I remember paying a various song and he was like, oh,

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<v Speaker 2>it's a good song, but yeah, I don't know what

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<v Speaker 2>I'm doing right.

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<v Speaker 1>Right, right, Okay, we'll scratch those When doing duets or

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<v Speaker 1>group songs, were able to hear how others did their parts,

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<v Speaker 1>and did that ever make you change the way you

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<v Speaker 1>sang your part to match their vibe. No. We all

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<v Speaker 1>recorded very separately at very different times, and the first

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<v Speaker 1>time we usually heard each other's solos or recordings was

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<v Speaker 1>when we hear the final mix. Yes, we would record

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<v Speaker 1>to the demo singers right. Unfortunately, it probably would have

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<v Speaker 1>affected it a little bit. We didn't have the time

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<v Speaker 1>right exactly exactly.

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<v Speaker 2>Yeah, so we matched. We matched our demo singers who

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<v Speaker 2>were perfectly laid out to match their demo singers. And

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<v Speaker 2>I'll just put together like a beautiful puzzle. It was

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<v Speaker 2>a machine, not a question. But I do think y'all

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<v Speaker 2>should go on the amazing race. We've talked about this

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<v Speaker 2>before we're down.

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<v Speaker 1>We're down.

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<v Speaker 2>I would do it with Jenna in a heartbeat.

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<v Speaker 1>I would do it with Kevin. I'd be scared because I

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<v Speaker 1>don't know where I am ever, really really good with directions, see,

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<v Speaker 1>and then maybe we would be a good Okay, you

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<v Speaker 1>are really good directions, so you never have to look

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<v Speaker 1>at your GPS, but.

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<v Speaker 2>I'm not good at anything else.

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<v Speaker 1>Kevin needs like eight and a half hours of sleep

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<v Speaker 1>with like a full stomach, like.

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<v Speaker 2>Yeah, I get really angry, don't do well.

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<v Speaker 1>But like I hear on the Amazing Race, I have

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<v Speaker 1>friends who did it who have lost who lost like

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<v Speaker 1>a lot of weight on it, and like we're very

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<v Speaker 1>stressed and it was like very stressful. So I don't know. Okay,

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<v Speaker 1>Why are some studio versions of songs different from the

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<v Speaker 1>TV version? For example, Puck sing's on the TV version

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<v Speaker 1>of Get What You Get, but the studio were released

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<v Speaker 1>for It's Chord interesting.

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<v Speaker 2>I would think it would be because story wise, they

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<v Speaker 2>needed a certain character to do something and right, yeah,

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<v Speaker 2>and maybe Chord recorded the I don't usually it's about story. No,

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<v Speaker 2>it didn't happen often, but if it did, it was

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<v Speaker 2>usually story related, and so the version would be done

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<v Speaker 2>like Chord would have recorded his version because sometimes you know,

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<v Speaker 2>the music department and this I don't know, the writing

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<v Speaker 2>departments are not in full communication over those nuances, right,

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<v Speaker 2>And so it could have been a thing too where

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<v Speaker 2>like in hindsight, Mark could have been liftinking to Chord's

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<v Speaker 2>part because they realized they needed Buck to be singing

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<v Speaker 2>that and then gone it into just record it and

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<v Speaker 2>just use it for the TV version because the other

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<v Speaker 2>version was locked. I don't know, but usually it was

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<v Speaker 2>story related. Did y'all ever coordinate outfits for events because

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<v Speaker 2>it always looked like we're going to different events in

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<v Speaker 2>the early days.

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<v Speaker 1>No, that's why. Yeah, we also like didn't have the

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<v Speaker 1>money to like hire stylists and things, so it was

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<v Speaker 1>like usually coming out of our closet or like the

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<v Speaker 1>cheapest thing you can find at Bloomingdals. So all of

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<v Speaker 1>our questions, Our outfits on ric carvers were questionable, especially

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<v Speaker 1>in the beginning, but continued after that.

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<v Speaker 2>For sure, Ryan tried to help. Ryan tried to help

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<v Speaker 2>influence Lou who did costume. She tried to help guide us,

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<v Speaker 2>but you know, it was like we were we didn't

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<v Speaker 2>know what we were doing.

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<v Speaker 1>Now we're getting into all the questions that you guys

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<v Speaker 1>released and wrote in kiss Mary Kill Season one, Tina,

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<v Speaker 1>Season three, Tina Season FOURTEENA.

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<v Speaker 2>Oh, I think Mary season three, Tina Kill Season one Tina,

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<v Speaker 2>and kiss Mary season Fourteina. Yeah, that's right, Love season

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<v Speaker 2>one Tina. But she can't get it. That's a different person.

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<v Speaker 2>What's an inside joke the whole cast had? Wouldn't the

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<v Speaker 2>inside joke? If I told you, I will say so.

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<v Speaker 2>In the Glease episode, Mercedes comes in and is talking

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<v Speaker 2>to Rachel and says the oh, you guys should go

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<v Speaker 2>backstage because you guys are gonna love the show because

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<v Speaker 2>the kids are singing sound and we got zound from

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<v Speaker 2>is it? Leah and Groff?

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<v Speaker 1>Yeah, yeah, I think so.

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<v Speaker 2>They would always say zund instead of down and in

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<v Speaker 2>the show several times. Yeah, we said it to each

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<v Speaker 2>other all the time.

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<v Speaker 1>I love that.

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<v Speaker 2>Someone said I was five when I first watched the show.

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<v Speaker 2>How do you feel about kids watching? I think that's

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<v Speaker 2>up to the parents. Yeah, there's obviously things that are

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<v Speaker 2>not appropriate for children. So wow.

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<v Speaker 1>I think the musical numbers, like most of them you

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<v Speaker 1>could watch on their own, and then you save the

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<v Speaker 1>storylines for when they're grown and they can decide on

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<v Speaker 1>their own if they want to watch the show.

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<v Speaker 2>Jenna, would you want to do Broadway again?

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<v Speaker 1>Totally? Duh?

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<v Speaker 2>What show would you want to do?

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<v Speaker 1>It's hard to say because everything now is so it's chaotic.

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<v Speaker 1>Broadway is chaotic, like there's nothing that makes sense. There's

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<v Speaker 1>every type of musical right now, but they're all like

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<v Speaker 1>it's like back to the futures. On and Water for

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<v Speaker 1>Elephants is on, and I don't know the notebook. It

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<v Speaker 1>just feels like there's a lot of new content, which

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<v Speaker 1>is good, but it's also based on movies and a

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<v Speaker 1>lot of IP like nothing original, and so I don't know.

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<v Speaker 1>I actually don't know, and I haven't seen anything recently,

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<v Speaker 1>so I don't even know if there's something like recently

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<v Speaker 1>that I would do. But I'm also aged out of

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<v Speaker 1>a lot of the ones that I used to want

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<v Speaker 1>to do because I'm old.

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<v Speaker 2>You are really mm hmm. Someone said favorite voice Amber.

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<v Speaker 1>Yeah, Naya close Like I.

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<v Speaker 2>I met someone the other day, Jenna, Asian woman, and

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<v Speaker 2>she said that she was upset that you didn't get

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<v Speaker 2>to sing more because she was really proud to have

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<v Speaker 2>like an Asian girl on the show. Yeah, And I

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<v Speaker 2>was like, the thing is Jenna can sing her face off.

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<v Speaker 2>She's like, I know, like we got to hear her

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<v Speaker 2>she sang her face off. She did, It's very nice.

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<v Speaker 2>You can. Really your voice is one of my favorites.

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<v Speaker 2>What it is? You don't crazy?

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<v Speaker 1>No, I don't. I actually talked at that. No, but thanks,

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<v Speaker 1>I get to play I'm my one of my first

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<v Speaker 1>Glee songs. The other day, my daughter she's obsessed with

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<v Speaker 1>the ABC's right now. I played her no and afterwards

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<v Speaker 1>she's like ABC really Yeah? She says ABC all the time,

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<v Speaker 1>so it's not like that did it. But I played

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<v Speaker 1>ABC for her in the car and she's like, ABC.

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<v Speaker 2>Did she dance to it? Yes, she does the shoulder dance.

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<v Speaker 2>She's too young to understand that that's you, right. Yeah.

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<v Speaker 1>I've tried to show her before and she doesn't quite understand.

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<v Speaker 1>She understands like photos, Now, okay, what was your favorite

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<v Speaker 1>food from the craft table? On sat? Those doubled eggs

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<v Speaker 1>in the mornings.

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<v Speaker 2>Yeah, it sounds gross because they're probably sitting out for

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<v Speaker 2>having it.

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<v Speaker 1>But no, because it was breakfast. They had them and

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<v Speaker 1>they came from Costco, I think, and they were so

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<v Speaker 1>I was like, ohways, so chilled when they had them.

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<v Speaker 2>I love them. What was it like filming songs and

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<v Speaker 2>two times of speed? It was just really hard. You

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<v Speaker 2>had to do that a lot, Kevin, Yeah, it was difficult,

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<v Speaker 2>but the challenge was exciting and really fun and I

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<v Speaker 2>loved doing it because I felt if I could get it,

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<v Speaker 2>I felt very proud of myself because it was it's

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<v Speaker 2>almost impossible. Yeah, it's really crazy. Depending on the genre

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<v Speaker 2>and you know, the artists. It's very hard on a

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<v Speaker 2>lot of words. If it's very wordy. What happens when

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<v Speaker 2>an actor directs an episode, but they also have to

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<v Speaker 2>be in the scene. It's a very good question. They're

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<v Speaker 2>in the scene and somebody usually watches it for them,

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<v Speaker 2>and it kind of says because like a director has

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<v Speaker 2>like set the scene, they've blocked it out, they know

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<v Speaker 2>what it looks like, and then they are in it

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<v Speaker 2>and they you know, they probably get to watch it

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<v Speaker 2>also outside and now you have replay, which we didn't

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<v Speaker 2>always have ongly, so you can either replay it or

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<v Speaker 2>you just have somebody trusted there that was like and

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<v Speaker 2>then hopefully while they're in the scene, they're like, oh,

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<v Speaker 2>that one felt really good, you know, and their instinctually

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<v Speaker 2>I think we yeah, what we need and I think

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<v Speaker 2>they have a relationship with the DPS, the director of

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<v Speaker 2>photography probably script yeah, and script coordinator if there may

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<v Speaker 2>be a writer or producer on set. So between that

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<v Speaker 2>little team people are looking out. If the Trouble Tones reunited,

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<v Speaker 2>what would your dream number, oh god be to see

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<v Speaker 2>them do my god, honest, I would love to see

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<v Speaker 2>them do anything from renaissance. I would like to see

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<v Speaker 2>them do something from Calbert Carter an't to be honest, Yeah,

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<v Speaker 2>I think maybe just a Beyonce act one an act

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<v Speaker 2>to Medley would be really great for me. Yes, I

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<v Speaker 2>would not be mad at that. I also love the

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<v Speaker 2>past couple guests we've had on when you ask them

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<v Speaker 2>about people who worked on the show, you asked them

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<v Speaker 2>about their favorite things. The trouble Tones have come up

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<v Speaker 2>every single time.

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<v Speaker 1>Literally, I feel like we all knew this but it

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<v Speaker 1>was kind of unspoken. But now it's just justice for.

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<v Speaker 2>Trouble Tones truly.

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<v Speaker 1>Did you get the script for season four and season

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<v Speaker 1>five the full script or only the Ohio scenes?

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<v Speaker 2>The full script? Yeah? Would we read the whole thing?

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<v Speaker 2>It's a different story. Probably not because usually, I mean

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<v Speaker 2>it was two shows New York rarely ever had anything

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<v Speaker 2>to do with my month clip flip flop. What was

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<v Speaker 2>your favorite moment from one of the many interviews that

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<v Speaker 2>we had to do. Wow. I usually liked when we

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<v Speaker 2>would get grouped together, like if me, Jenna, Amber and Chris.

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<v Speaker 2>There's there's a couple from the UK, like our first

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<v Speaker 2>trip to the UK where we're just being influenced.

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<v Speaker 1>There's good comic con ones. I like those because you

0:12:37.360 --> 0:12:42.120
<v Speaker 1>all did those together. And then I also look obviously Oprah.

0:12:42.320 --> 0:12:47.120
<v Speaker 2>Oprah was so special. I also think the when we

0:12:47.240 --> 0:12:50.440
<v Speaker 2>went on Alan Carr together in the UK was really fun.

0:12:50.960 --> 0:12:54.600
<v Speaker 1>Also, so on tour there was a tour Oh the

0:12:54.720 --> 0:13:00.199
<v Speaker 1>movie Press. You put us all in a room. They

0:13:00.360 --> 0:13:03.880
<v Speaker 1>broke Yeah, they broke us up into two and threes,

0:13:03.960 --> 0:13:05.920
<v Speaker 1>and so sometimes just me and Kevin. Sometimes you meet

0:13:05.960 --> 0:13:08.880
<v Speaker 1>Kevin and like Amber and they put us in a

0:13:08.880 --> 0:13:12.840
<v Speaker 1>hotel room. It was a very like small, poorly ventilated

0:13:12.880 --> 0:13:16.600
<v Speaker 1>hotel room, and then the journalists would come in and out.

0:13:16.640 --> 0:13:18.680
<v Speaker 1>So you would just sit there the whole day and

0:13:18.840 --> 0:13:21.600
<v Speaker 1>journalists would come in and out, and you start to

0:13:21.640 --> 0:13:26.080
<v Speaker 1>go absolutely crazy. We had some real moments on that

0:13:26.160 --> 0:13:27.640
<v Speaker 1>one that was fun. I like those.

0:13:27.880 --> 0:13:32.080
<v Speaker 2>You know, it's been lightning. If you follow any like

0:13:32.200 --> 0:13:36.280
<v Speaker 2>entertainment journalists or movie reviewers on TikTok, you see that

0:13:36.640 --> 0:13:40.360
<v Speaker 2>because you'll see all the different people who interviewers who

0:13:40.360 --> 0:13:42.800
<v Speaker 2>go into the journalists who go into the junkets. You

0:13:42.880 --> 0:13:45.120
<v Speaker 2>see the people were in the movie or TV shows

0:13:45.080 --> 0:13:47.679
<v Speaker 2>sitting in the same spot, and you see how people

0:13:47.760 --> 0:13:52.839
<v Speaker 2>start to get a little there and crazy. But I

0:13:52.840 --> 0:13:54.719
<v Speaker 2>feel like it's a really good window into it. It's

0:13:54.760 --> 0:13:59.040
<v Speaker 2>a very good representation of how it feels. And yeah,

0:13:59.120 --> 0:14:01.160
<v Speaker 2>I mean there's a really great one. Oh God, I

0:14:01.160 --> 0:14:04.440
<v Speaker 2>forgot Allison who now hosts Bakeoff I believe her name is,

0:14:04.679 --> 0:14:07.240
<v Speaker 2>and she interviewed Harrison Ford and Ryan Gosling a couple

0:14:07.240 --> 0:14:10.120
<v Speaker 2>of years ago and has interviewed Ryan since and they

0:14:10.160 --> 0:14:12.840
<v Speaker 2>have this really good report and like things always go

0:14:12.960 --> 0:14:15.400
<v Speaker 2>off the rails and it's great.

0:14:16.040 --> 0:14:16.520
<v Speaker 1>I love that.

0:14:17.320 --> 0:14:19.960
<v Speaker 2>Howard, are you feeling any type of way about recapping

0:14:20.000 --> 0:14:20.640
<v Speaker 2>season four.

0:14:22.120 --> 0:14:24.600
<v Speaker 1>I'm enjoying it so far.

0:14:25.040 --> 0:14:27.560
<v Speaker 2>I'm enjoying it, and I think since the breakup, I'm

0:14:27.640 --> 0:14:32.840
<v Speaker 2>just it unlocked some emotional things for me. Or I

0:14:32.840 --> 0:14:35.840
<v Speaker 2>think I'm just like on the verge. I feel the

0:14:35.880 --> 0:14:38.680
<v Speaker 2>same the entire time, and I don't know why I

0:14:38.720 --> 0:14:42.040
<v Speaker 2>feel the same. I totally get it weird. Why is

0:14:42.080 --> 0:14:44.320
<v Speaker 2>that because there are earlier seasons I didn't have a problem.

0:14:44.680 --> 0:14:46.600
<v Speaker 2>We're getting close, That's why I think.

0:14:46.640 --> 0:14:46.720
<v Speaker 1>So.

0:14:47.240 --> 0:14:49.600
<v Speaker 2>I know this sounds really dark, but it's close.

0:14:50.200 --> 0:14:51.000
<v Speaker 1>It is what it is.

0:14:51.240 --> 0:14:54.920
<v Speaker 2>When is Ryan coming back? He will be back. We've

0:14:54.920 --> 0:14:56.480
<v Speaker 2>talked to him, we're trying to get him back, but

0:14:56.560 --> 0:15:00.600
<v Speaker 2>he's filming about eighteen different shows right now, so he'll

0:15:00.640 --> 0:15:01.040
<v Speaker 2>be back.

0:15:01.560 --> 0:15:04.120
<v Speaker 1>Luckily, character would win in the Hunger Games if put

0:15:04.160 --> 0:15:07.440
<v Speaker 1>into oh.

0:15:07.080 --> 0:15:10.160
<v Speaker 2>Man, I want to say Santana or Brittany.

0:15:10.800 --> 0:15:13.880
<v Speaker 1>I was thinking Heather, Yeah, like Heather.

0:15:14.200 --> 0:15:18.440
<v Speaker 2>Harry, Oh Harry.

0:15:18.640 --> 0:15:20.320
<v Speaker 1>I don't know. I think Carrie.

0:15:21.440 --> 0:15:27.200
<v Speaker 2>Yeah, Harry might if they'd be unbeatable. Yeah, yeah, it

0:15:27.320 --> 0:15:29.240
<v Speaker 2>is Chris coming back for the episode. He wrote, we

0:15:29.280 --> 0:15:32.080
<v Speaker 2>should ask him. We have an ask for sure. We'll see. Also,

0:15:32.160 --> 0:15:34.560
<v Speaker 2>Chris has another book coming out. Make sure you can

0:15:34.640 --> 0:15:39.800
<v Speaker 2>look for it. It's like twifty or something. Yeah. Oh,

0:15:39.880 --> 0:15:42.200
<v Speaker 2>what drink do you think your characters would theoretically order

0:15:42.240 --> 0:15:42.640
<v Speaker 2>at a bar?

0:15:43.920 --> 0:15:45.800
<v Speaker 1>Do you get like a long Island? I hear something

0:15:45.840 --> 0:15:46.960
<v Speaker 1>stupid like cat.

0:15:49.080 --> 0:16:01.160
<v Speaker 2>You know, I think Artie would get Oh yeah, I

0:16:01.880 --> 0:16:06.840
<v Speaker 2>feel like he would like dark liquor. Yeah, not because

0:16:06.840 --> 0:16:09.120
<v Speaker 2>he necessarily would enjoy, but because he thinks he should.

0:16:18.360 --> 0:16:24.880
<v Speaker 2>What's the most frustrating memory from set? Honestly, I think

0:16:24.960 --> 0:16:28.000
<v Speaker 2>the perception of how we all feel about it now

0:16:28.040 --> 0:16:33.720
<v Speaker 2>is frustrating. I think there's a perception that if we

0:16:33.760 --> 0:16:36.120
<v Speaker 2>say anything critical about the show, people think we don't

0:16:36.200 --> 0:16:39.200
<v Speaker 2>like the show. If we say anything critical about the show,

0:16:39.200 --> 0:16:41.920
<v Speaker 2>people think we're shitting on people that were on the show.

0:16:46.120 --> 0:16:50.840
<v Speaker 2>So many people that were on that show loved being

0:16:50.880 --> 0:16:53.520
<v Speaker 2>on that show. And I don't know how many times

0:16:53.520 --> 0:16:56.600
<v Speaker 2>we've said it, but will continue to say it. Just yes,

0:16:56.600 --> 0:16:59.080
<v Speaker 2>there were hard times as the show went on, but

0:16:59.280 --> 0:17:05.359
<v Speaker 2>we all loved doing that and we made great friendships

0:17:05.400 --> 0:17:09.600
<v Speaker 2>with crew and cast and got to see the world

0:17:09.640 --> 0:17:14.160
<v Speaker 2>and do unimaginable things together. And obviously there was tragedy

0:17:14.200 --> 0:17:18.560
<v Speaker 2>and darkness you know, that did happen, but that happens,

0:17:19.000 --> 0:17:24.800
<v Speaker 2>and we've only grown closer from it and shooting that show,

0:17:24.800 --> 0:17:27.560
<v Speaker 2>which is so special, Like, we loved doing it and

0:17:27.680 --> 0:17:30.359
<v Speaker 2>we love the show. It's not perfect, who cares?

0:17:30.920 --> 0:17:31.640
<v Speaker 1>Who cares?

0:17:32.000 --> 0:17:32.640
<v Speaker 2>No show is.

0:17:33.040 --> 0:17:40.280
<v Speaker 1>It was overall mostly joyful, yeah, and all just it's

0:17:40.280 --> 0:17:41.359
<v Speaker 1>so so overshadowed.

0:17:42.400 --> 0:17:45.640
<v Speaker 2>Yeah, I think people really just like latched on too, like, oh,

0:17:45.640 --> 0:17:47.760
<v Speaker 2>there was so much drama and there was so many

0:17:47.840 --> 0:17:50.840
<v Speaker 2>like there's a curse, Like, no, that's not how we

0:17:50.880 --> 0:17:54.359
<v Speaker 2>think about the show. I think people who involved in

0:17:54.400 --> 0:17:55.800
<v Speaker 2>the show do not think about the show in that

0:17:55.840 --> 0:17:58.439
<v Speaker 2>way now. And if you listened to any of the

0:17:58.440 --> 0:18:02.080
<v Speaker 2>interviews and people have come on here that you'll know, Yeah,

0:18:02.080 --> 0:18:04.200
<v Speaker 2>exactly that's just not how it is. That's other people

0:18:04.200 --> 0:18:07.080
<v Speaker 2>who had nothing to do with the show making up.

0:18:07.040 --> 0:18:07.600
<v Speaker 1>Who don't know.

0:18:07.800 --> 0:18:08.560
<v Speaker 2>That's frustrated.

0:18:08.560 --> 0:18:12.359
<v Speaker 1>I don't know, you don't know. On a lighter note,

0:18:12.400 --> 0:18:14.439
<v Speaker 1>how do you think the lead characters would have reacted

0:18:14.440 --> 0:18:17.040
<v Speaker 1>to the new Wicked trailer? Well, you know that the

0:18:17.040 --> 0:18:20.600
<v Speaker 1>whole Lea cast would have been at that premiere. Oh fully,

0:18:20.920 --> 0:18:22.960
<v Speaker 1>everyone would have loved it. Hell or high water. I

0:18:22.960 --> 0:18:26.240
<v Speaker 1>will be it. I will be in a theater on

0:18:26.400 --> 0:18:26.960
<v Speaker 1>release day?

0:18:27.920 --> 0:18:28.920
<v Speaker 2>Did you love that trailer?

0:18:30.960 --> 0:18:36.680
<v Speaker 1>I I cannot explain the excitement I feel and how

0:18:36.720 --> 0:18:39.280
<v Speaker 1>beautiful it looks and how good they sound, and like

0:18:40.320 --> 0:18:46.720
<v Speaker 1>the joy I felt. I there's nobody better suited to

0:18:46.800 --> 0:18:48.320
<v Speaker 1>direct that film than John.

0:18:49.160 --> 0:18:52.200
<v Speaker 2>Yeah, I'm really I'm just really really excited.

0:18:52.280 --> 0:18:54.560
<v Speaker 1>Like it is in the best hands. Are you kidding? Like?

0:18:54.680 --> 0:18:56.399
<v Speaker 1>I have no doubt in my mind this is going

0:18:56.480 --> 0:18:57.520
<v Speaker 1>to be spectacular.

0:18:57.880 --> 0:19:00.000
<v Speaker 2>And you cast like a bunch of musical theater nerds

0:19:00.080 --> 0:19:03.080
<v Speaker 2>in it, and that like, who's going to respect those

0:19:03.160 --> 0:19:05.880
<v Speaker 2>roles more than the people who are obsessed with them?

0:19:06.359 --> 0:19:09.000
<v Speaker 1>I love it. There was like a little trailer that

0:19:09.000 --> 0:19:13.720
<v Speaker 1>I watched of like John revealing to Ariana and to Cynthia.

0:19:13.320 --> 0:19:15.280
<v Speaker 2>That they is the most ective thing ever.

0:19:15.600 --> 0:19:20.040
<v Speaker 1>Brilliant, but also like at the stage in their careers

0:19:20.400 --> 0:19:23.320
<v Speaker 1>to cry or to get so excited about a role.

0:19:23.880 --> 0:19:28.480
<v Speaker 1>I was like, Okay, they they really care like their role,

0:19:28.680 --> 0:19:30.360
<v Speaker 1>Like they're going to take really good care and they're

0:19:30.359 --> 0:19:33.520
<v Speaker 1>gonna work really hard, and I respect that. I was like,

0:19:33.800 --> 0:19:36.960
<v Speaker 1>that is genuine to me. If you haven't seen that,

0:19:37.000 --> 0:19:37.600
<v Speaker 1>go watch it.

0:19:37.640 --> 0:19:40.200
<v Speaker 2>And it's like that's going to obviously like play into

0:19:40.200 --> 0:19:41.719
<v Speaker 2>how we viewed the film when we see it.

0:19:41.760 --> 0:19:44.240
<v Speaker 1>When you just forgot it was a two parter, I'm just,

0:19:44.400 --> 0:19:49.120
<v Speaker 1>I know, disappoint because of course you know it's gonna

0:19:49.200 --> 0:19:50.720
<v Speaker 1>end w find gravity. Are you kidding?

0:19:50.920 --> 0:19:52.080
<v Speaker 2>Yeah.

0:19:52.240 --> 0:19:54.040
<v Speaker 1>I can't wait for the people who don't know that

0:19:54.040 --> 0:19:57.560
<v Speaker 1>it's a two parter to go like that's it and

0:19:57.600 --> 0:20:01.280
<v Speaker 1>then black that's it. That was like when we went

0:20:01.320 --> 0:20:04.720
<v Speaker 1>to see the Harry Potter films and it was Deathly

0:20:04.720 --> 0:20:06.840
<v Speaker 1>Hollows Part one. I had never seen any of the

0:20:06.840 --> 0:20:09.719
<v Speaker 1>other films. I knew nothing about the books, yet I

0:20:09.840 --> 0:20:13.479
<v Speaker 1>didn't know anything about its part one and then the

0:20:13.520 --> 0:20:16.760
<v Speaker 1>wand into the you know, sky and the lightning, and

0:20:16.800 --> 0:20:18.640
<v Speaker 1>I was like, that's the end of this movie.

0:20:20.119 --> 0:20:20.560
<v Speaker 2>Jenna.

0:20:21.320 --> 0:20:23.760
<v Speaker 1>If I could go back in time, I would read

0:20:23.800 --> 0:20:25.639
<v Speaker 1>all the books and watch them in real time because

0:20:25.680 --> 0:20:31.880
<v Speaker 1>I'm just so disappointed to myself. Yeah, please please go Kevin.

0:20:31.920 --> 0:20:33.480
<v Speaker 1>What is your favorite thing that Austin is beached for

0:20:33.520 --> 0:20:35.960
<v Speaker 1>you thus far in this very long relationship.

0:20:37.560 --> 0:20:41.680
<v Speaker 2>Oh my god, he has created the perfect chocolate cake.

0:20:41.760 --> 0:20:44.240
<v Speaker 2>Oh my god, that's all the perfect chocolate cake. And

0:20:44.280 --> 0:20:46.760
<v Speaker 2>he made it for my birthday one year. It looked ugly,

0:20:47.640 --> 0:20:54.119
<v Speaker 2>He's not great on my but the taste unbelievable. So

0:20:54.160 --> 0:20:57.040
<v Speaker 2>now he has like refined it and has made it better.

0:20:59.240 --> 0:21:04.160
<v Speaker 2>But it is the perfect chocolate cake. He also, during

0:21:05.160 --> 0:21:09.480
<v Speaker 2>quarantine was baking all the time and made these like

0:21:09.520 --> 0:21:14.600
<v Speaker 2>peanut butter and jelly cookies, cookies with like a jelly pocket.

0:21:14.280 --> 0:21:15.760
<v Speaker 1>And I need it, I need it.

0:21:16.280 --> 0:21:17.320
<v Speaker 2>They were unbelievable.

0:21:17.400 --> 0:21:22.960
<v Speaker 1>It's a glee Caska. Matching tatoos. Would you, well, that's

0:21:23.000 --> 0:21:27.440
<v Speaker 1>already happened, matching tattoos. Did you ever improvise minds? If so,

0:21:27.480 --> 0:21:31.440
<v Speaker 1>who did the most? No? I have to say everybody

0:21:31.520 --> 0:21:35.040
<v Speaker 1>is pretty word perfect and if you weren't word perfect,

0:21:35.560 --> 0:21:39.720
<v Speaker 1>our script supervisor. It changed over the years. But like

0:21:39.840 --> 0:21:44.440
<v Speaker 1>Babs in particular, like she knew that these writers were

0:21:44.480 --> 0:21:48.919
<v Speaker 1>actually pretty set on how how the dialogue went and

0:21:48.960 --> 0:21:53.080
<v Speaker 1>it's Ryan Murphy dialogue, like okay, yeah, and so they

0:21:53.119 --> 0:21:54.920
<v Speaker 1>really correct you, and you really do your best to

0:21:54.920 --> 0:21:57.040
<v Speaker 1>get them as close to as perfect as possible or

0:21:57.040 --> 0:21:59.600
<v Speaker 1>as close to the page as possible, because you know,

0:21:59.640 --> 0:22:01.920
<v Speaker 1>there's some shows that are like oh, or even auditions,

0:22:01.920 --> 0:22:04.199
<v Speaker 1>they're like do one on the from the page and

0:22:04.240 --> 0:22:06.000
<v Speaker 1>then you can go off and like do another one

0:22:06.040 --> 0:22:08.640
<v Speaker 1>that's like kind of improvised and have fun and make

0:22:08.680 --> 0:22:11.399
<v Speaker 1>it your own but not ugly. There's also like not

0:22:11.440 --> 0:22:13.080
<v Speaker 1>a really time for it, like you just have to

0:22:13.119 --> 0:22:15.920
<v Speaker 1>tell the story and then like make a joke to

0:22:16.040 --> 0:22:20.800
<v Speaker 1>get out of there. But Heather is the answer, right,

0:22:20.880 --> 0:22:23.879
<v Speaker 1>and that would also be like Ryan spewing lines at her.

0:22:24.119 --> 0:22:27.480
<v Speaker 2>You like say this, say that Backstreet Boys are in sync.

0:22:28.400 --> 0:22:30.480
<v Speaker 2>Oh my god, don't make me choos.

0:22:31.119 --> 0:22:33.960
<v Speaker 1>I was a really big in Sync fan growing up,

0:22:34.560 --> 0:22:38.320
<v Speaker 1>and then I turned Backstreet Boys, and I find myself

0:22:38.480 --> 0:22:42.800
<v Speaker 1>now in my old age listening more to Backstreet Boys.

0:22:43.160 --> 0:22:47.040
<v Speaker 2>Really, yes, I'm gonna in sync, is my answer. But

0:22:47.160 --> 0:22:50.600
<v Speaker 2>I do love the Backshee Boys and specifically Aj Aj.

0:22:50.800 --> 0:22:56.080
<v Speaker 2>Of course, AJ's voice is stupid. Do you think John

0:22:56.119 --> 0:22:59.119
<v Speaker 2>mulaney could have guest start for sure? Yes, and divs

0:22:59.119 --> 0:22:59.960
<v Speaker 2>on him being my brother.

0:23:00.960 --> 0:23:02.960
<v Speaker 1>Oh my god, that would have been perfect.

0:23:03.320 --> 0:23:11.119
<v Speaker 2>Who hooked up with who? Nobody? We've never even touched. No, Kevin,

0:23:11.160 --> 0:23:12.919
<v Speaker 2>please confirm that you and your boy band were in

0:23:12.920 --> 0:23:14.240
<v Speaker 2>the Brats movie? Yes?

0:23:14.600 --> 0:23:17.239
<v Speaker 1>Oh my god, you were? Were you in it? Are

0:23:17.320 --> 0:23:19.320
<v Speaker 1>your voices were in it? We performed a number?

0:23:19.480 --> 0:23:22.159
<v Speaker 2>No? We performed? Yeah?

0:23:23.359 --> 0:23:24.880
<v Speaker 1>What what year is this?

0:23:25.720 --> 0:23:31.480
<v Speaker 2>Don't worry about it, Kevin Brat No, put your fingers down,

0:23:31.520 --> 0:23:33.120
<v Speaker 2>stop typing them into YouTube.

0:23:32.800 --> 0:23:35.320
<v Speaker 1>Just something I didn't know about you guys. That is

0:23:35.400 --> 0:23:37.280
<v Speaker 1>so crazy.

0:23:39.960 --> 0:23:41.040
<v Speaker 2>I should have left that one.

0:23:41.119 --> 0:23:42.600
<v Speaker 1>That's a good one. Do you ever use the word

0:23:42.640 --> 0:23:46.240
<v Speaker 1>glee in regular connotations or is the word completely rooined

0:23:46.240 --> 0:23:50.000
<v Speaker 1>for you never use it in real life? I have

0:23:51.440 --> 0:23:52.880
<v Speaker 1>like you use the word gleeful.

0:23:53.680 --> 0:23:59.080
<v Speaker 2>Yeah, I try to say it really quickly if I do.

0:24:00.040 --> 0:24:02.240
<v Speaker 2>Someone said, is there ever a song that you always skip?

0:24:03.359 --> 0:24:05.400
<v Speaker 2>At least time you've done that? You always skip? Yeah,

0:24:05.560 --> 0:24:09.560
<v Speaker 2>don't stop exactly always just no fence. It's a great song.

0:24:09.600 --> 0:24:11.880
<v Speaker 2>It's a great song, can't do it? One of the best.

0:24:12.040 --> 0:24:17.840
<v Speaker 2>It's now the highest selling single of all time. What Yeah?

0:24:18.480 --> 0:24:22.760
<v Speaker 1>Ever, Ever, that's not possible. Taylor has to pass us.

0:24:22.800 --> 0:24:23.359
<v Speaker 1>Are you kidding?

0:24:23.760 --> 0:24:26.639
<v Speaker 2>But no, Taylor's not even in the No, no, No.

0:24:26.480 --> 0:24:30.000
<v Speaker 1>No, Elvis, Michael, any of these people.

0:24:30.280 --> 0:24:34.000
<v Speaker 2>The top song, I believe previously was Candle in the Wind,

0:24:35.160 --> 0:24:38.320
<v Speaker 2>John Well, what the hell that deserves to be at

0:24:38.320 --> 0:24:49.520
<v Speaker 2>the top. Yeah, lord check me, I believe that's true now.

0:24:49.600 --> 0:24:51.840
<v Speaker 2>But even if it's close to being trip, it's really crazy.

0:24:52.040 --> 0:24:55.600
<v Speaker 2>It's just my head around style. No, it's a it's

0:24:55.640 --> 0:25:01.160
<v Speaker 2>a phenomenal song. Everybody loves that song. Our version, No,

0:25:01.359 --> 0:25:06.520
<v Speaker 2>not our version, the song in general. Okay, god blast Okay, yeah,

0:25:06.800 --> 0:25:10.000
<v Speaker 2>okay that our version can tried it to it because

0:25:10.040 --> 0:25:10.960
<v Speaker 2>it's a cover of it.

0:25:11.359 --> 0:25:16.680
<v Speaker 1>For sure? For sure? They I okay, I'm feeling better.

0:25:17.680 --> 0:25:19.879
<v Speaker 2>You thought our version was the biggest selling single of

0:25:19.920 --> 0:25:20.400
<v Speaker 2>all time.

0:25:20.760 --> 0:25:23.359
<v Speaker 1>That's why I had a really hard time, right, can't

0:25:23.400 --> 0:25:23.840
<v Speaker 1>be right?

0:25:24.320 --> 0:25:27.320
<v Speaker 2>What are you? Because? No?

0:25:27.560 --> 0:25:32.080
<v Speaker 1>But that you're the numbers and the music guy and

0:25:32.119 --> 0:25:33.919
<v Speaker 1>the tarts and all of that, Like I you know,

0:25:33.920 --> 0:25:35.360
<v Speaker 1>I don't word for it.

0:25:35.800 --> 0:25:37.840
<v Speaker 2>Oh wow, but.

0:25:37.880 --> 0:25:41.439
<v Speaker 1>That really took me through a for a ride.

0:25:42.359 --> 0:25:46.040
<v Speaker 2>So in January of this year, the RIAA, which is

0:25:46.040 --> 0:25:48.520
<v Speaker 2>when it certifies all these things Recording Industry Association of

0:25:48.520 --> 0:25:53.280
<v Speaker 2>America certified Don't Stop Believing as eighteen times platinum, meaning

0:25:53.320 --> 0:25:58.439
<v Speaker 2>it sold eighteen million singles, and then Forbes declared it

0:25:58.560 --> 0:26:03.600
<v Speaker 2>the biggest song of all time. However, White Christmas has

0:26:03.600 --> 0:26:08.680
<v Speaker 2>sold fifty million physical copies, so I don't understand, So okay,

0:26:08.920 --> 0:26:13.200
<v Speaker 2>and let me just say something else. I do think

0:26:13.280 --> 0:26:16.960
<v Speaker 2>for like these records and things that come out nowadays,

0:26:17.200 --> 0:26:21.440
<v Speaker 2>there should be an asterisk because like when Thriller came out,

0:26:21.720 --> 0:26:24.159
<v Speaker 2>all those albums White Christmas, people had to get up

0:26:24.200 --> 0:26:27.000
<v Speaker 2>out of their house, go to the store, go buy

0:26:27.080 --> 0:26:30.000
<v Speaker 2>this thing. That's right. That is very different than sitting

0:26:30.040 --> 0:26:34.000
<v Speaker 2>at home, just like clicking right. Yeah, And so like

0:26:34.200 --> 0:26:38.560
<v Speaker 2>selling I don't know, five million albums now, it doesn't

0:26:38.560 --> 0:26:40.480
<v Speaker 2>feel like its equivalent to the effort it would take

0:26:40.480 --> 0:26:42.840
<v Speaker 2>to sell five million albums in the past.

0:26:43.359 --> 0:26:47.760
<v Speaker 1>But that's just me anobu shitting limits is coming, get ready.

0:26:48.359 --> 0:26:52.560
<v Speaker 1>I'm so excited that that's coming soon. Couldn't be more

0:26:52.560 --> 0:26:56.359
<v Speaker 1>excited about that. Sorry, it wasn't a question, but I'm

0:26:56.480 --> 0:26:59.520
<v Speaker 1>very very excited. No, but I'm very excited. So okay,

0:27:00.200 --> 0:27:04.560
<v Speaker 1>one last question. Yes, our producer Sam has suggested one

0:27:04.560 --> 0:27:07.600
<v Speaker 1>and I think she's right. Has the feeling that Glee

0:27:07.680 --> 0:27:11.760
<v Speaker 1>leaves you with change in starting this podcast, I think

0:27:11.760 --> 0:27:16.520
<v Speaker 1>it has deepened how I feel. Yes, yes, it's also healed,

0:27:16.880 --> 0:27:20.000
<v Speaker 1>so maybe it has transformed it for me. I think

0:27:20.040 --> 0:27:24.320
<v Speaker 1>the overall feeling never really changed for me, like when

0:27:24.320 --> 0:27:28.960
<v Speaker 1>I actually look at it from you know, outside, But

0:27:30.000 --> 0:27:30.720
<v Speaker 1>it's become.

0:27:30.600 --> 0:27:37.600
<v Speaker 2>Clearer, yes, definitely, and deepened, and I've really just enjoyed it,

0:27:37.600 --> 0:27:40.200
<v Speaker 2>to be honest, No, for sure. Thank you. Thank you

0:27:40.280 --> 0:27:42.160
<v Speaker 2>everyone for writing in. Thank you for taking the time

0:27:42.200 --> 0:27:45.520
<v Speaker 2>to think of these things. New questions, different questions. They

0:27:45.520 --> 0:27:47.879
<v Speaker 2>were good. Yeah, sorry we didn't get to answer all

0:27:47.880 --> 0:27:50.240
<v Speaker 2>of them. They were a lot. You guys rock and

0:27:50.240 --> 0:27:52.679
<v Speaker 2>thank you again for listening. If you're every week, this

0:27:52.760 --> 0:27:54.760
<v Speaker 2>is your first time, whatever it is, thank you so much.

0:27:55.240 --> 0:27:57.760
<v Speaker 2>We appreciate you listening. And that's what you really missed.

0:27:57.760 --> 0:28:00.760
<v Speaker 2>See you next time. Thanks for listening, and follow us

0:28:00.800 --> 0:28:03.520
<v Speaker 2>on Instagram at and that's what you really miss pod.

0:28:03.800 --> 0:28:05.680
<v Speaker 2>Make sure to write us a review and leave us

0:28:05.680 --> 0:28:07.200
<v Speaker 2>five stars. See you next time.