1
00:00:01,760 --> 00:00:04,439
Speaker 1: And that's what you really missed with Jenna.

2
00:00:04,480 --> 00:00:07,119
Speaker 2: And Kevin An iHeartRadio podcast.

3
00:00:09,360 --> 00:00:12,040
Speaker 1: Welcome to you, and that's what you really miss podcast.

4
00:00:13,720 --> 00:00:17,319
Speaker 2: I love these days Q and A j No because

5
00:00:17,360 --> 00:00:18,880
Speaker 2: I got to spend them with you, Jenna.

6
00:00:20,320 --> 00:00:24,440
Speaker 1: Liar and a Q hire any Q and a Jay.

7
00:00:25,440 --> 00:00:28,680
Speaker 2: I Look, the more Q and A's we do, the

8
00:00:28,680 --> 00:00:31,360
Speaker 2: more creative you have to get with the questions you're asking.

9
00:00:31,440 --> 00:00:32,640
Speaker 2: And it's it's working.

10
00:00:32,920 --> 00:00:38,560
Speaker 1: You're coming like it hot, like that's I'm really I'm

11
00:00:38,560 --> 00:00:40,839
Speaker 1: here for it. I'm ready to go. I want to

12
00:00:40,840 --> 00:00:42,240
Speaker 1: do as many as we possibly can.

13
00:00:42,640 --> 00:00:47,000
Speaker 2: Okay, rapid fire. So our friend Santanna's Breadstick gave us

14
00:00:47,040 --> 00:00:49,040
Speaker 2: some really hot ones. So we're gonna let's just go

15
00:00:49,120 --> 00:00:52,280
Speaker 2: through these real quick. Shout out to Santana's bread Stick.

16
00:00:52,360 --> 00:00:55,000
Speaker 2: If you don't follow her on Twitter, get on it.

17
00:00:55,640 --> 00:00:58,560
Speaker 2: So the first question some cast members release music or

18
00:00:58,600 --> 00:01:01,040
Speaker 2: albums during their time on the show, show we're all

19
00:01:01,040 --> 00:01:03,920
Speaker 2: over interested in making your own soul music during the show, Kevin,

20
00:01:03,960 --> 00:01:08,880
Speaker 2: you were, Yes, I was interested. I did record like

21
00:01:09,040 --> 00:01:14,320
Speaker 2: forty songs. Oh that's crazy with Columbia one summer because

22
00:01:14,360 --> 00:01:17,040
Speaker 2: I made like two songs that they really liked. Keep

23
00:01:17,080 --> 00:01:22,399
Speaker 2: going and we all Denia did, Darren did, Leah did.

24
00:01:22,440 --> 00:01:28,120
Speaker 2: Obviously she put out albums Amber, Amber, But what happened

25
00:01:28,440 --> 00:01:32,679
Speaker 2: was for a lot of us was that we didn't

26
00:01:32,720 --> 00:01:35,520
Speaker 2: have the time to commit to promoting the music if

27
00:01:35,520 --> 00:01:37,720
Speaker 2: it ever were to come out, So then they didn't

28
00:01:37,760 --> 00:01:40,960
Speaker 2: necessarily want to invest in doing that. I think Lea

29
00:01:41,080 --> 00:01:45,360
Speaker 2: being like a big star, there was obviously more draw, Yeah,

30
00:01:45,400 --> 00:01:47,760
Speaker 2: more draw and so like they were willing to do that,

31
00:01:47,840 --> 00:01:50,560
Speaker 2: and she could work it out scheduling wise, but yes,

32
00:01:50,640 --> 00:01:52,680
Speaker 2: we all tried for a bit. Didn't necessarily work out

33
00:01:52,720 --> 00:01:54,440
Speaker 2: for all of us, but it was a great experience.

34
00:01:54,680 --> 00:01:56,240
Speaker 2: Learned a lot, and I have a lot of demos

35
00:01:56,240 --> 00:01:57,680
Speaker 2: that I listened to that nobody will ever hear.

36
00:01:58,800 --> 00:02:01,160
Speaker 1: I need to hear more of these. I didn't think

37
00:02:01,200 --> 00:02:03,240
Speaker 1: I knew about your forty songs.

38
00:02:03,840 --> 00:02:06,400
Speaker 2: I mean a lot of them are not good. Well,

39
00:02:06,520 --> 00:02:09,520
Speaker 2: you know, you got to just keep making music. It

40
00:02:09,560 --> 00:02:13,000
Speaker 2: was just not I was finding I was singing about girls.

41
00:02:13,360 --> 00:02:15,239
Speaker 2: I remember paying a various song and he was like, oh,

42
00:02:15,240 --> 00:02:18,000
Speaker 2: it's a good song, but yeah, I don't know what

43
00:02:18,040 --> 00:02:19,400
Speaker 2: I'm doing right.

44
00:02:19,200 --> 00:02:22,480
Speaker 1: Right, right, Okay, we'll scratch those When doing duets or

45
00:02:22,520 --> 00:02:24,880
Speaker 1: group songs, were able to hear how others did their parts,

46
00:02:24,880 --> 00:02:26,920
Speaker 1: and did that ever make you change the way you

47
00:02:26,960 --> 00:02:29,200
Speaker 1: sang your part to match their vibe. No. We all

48
00:02:29,240 --> 00:02:33,520
Speaker 1: recorded very separately at very different times, and the first

49
00:02:33,520 --> 00:02:39,400
Speaker 1: time we usually heard each other's solos or recordings was

50
00:02:39,480 --> 00:02:42,800
Speaker 1: when we hear the final mix. Yes, we would record

51
00:02:42,840 --> 00:02:47,079
Speaker 1: to the demo singers right. Unfortunately, it probably would have

52
00:02:47,120 --> 00:02:50,799
Speaker 1: affected it a little bit. We didn't have the time

53
00:02:51,000 --> 00:02:53,480
Speaker 1: right exactly exactly.

54
00:02:53,600 --> 00:02:56,400
Speaker 2: Yeah, so we matched. We matched our demo singers who

55
00:02:56,400 --> 00:02:59,760
Speaker 2: were perfectly laid out to match their demo singers. And

56
00:03:00,040 --> 00:03:02,560
Speaker 2: I'll just put together like a beautiful puzzle. It was

57
00:03:02,600 --> 00:03:06,839
Speaker 2: a machine, not a question. But I do think y'all

58
00:03:06,840 --> 00:03:09,000
Speaker 2: should go on the amazing race. We've talked about this

59
00:03:09,040 --> 00:03:11,120
Speaker 2: before we're down.

60
00:03:11,440 --> 00:03:11,880
Speaker 1: We're down.

61
00:03:12,320 --> 00:03:13,800
Speaker 2: I would do it with Jenna in a heartbeat.

62
00:03:13,880 --> 00:03:17,440
Speaker 1: I would do it with Kevin. I'd be scared because I

63
00:03:17,919 --> 00:03:21,800
Speaker 1: don't know where I am ever, really really good with directions, see,

64
00:03:21,880 --> 00:03:23,720
Speaker 1: and then maybe we would be a good Okay, you

65
00:03:23,880 --> 00:03:25,640
Speaker 1: are really good directions, so you never have to look

66
00:03:25,680 --> 00:03:26,799
Speaker 1: at your GPS, but.

67
00:03:26,760 --> 00:03:27,920
Speaker 2: I'm not good at anything else.

68
00:03:31,639 --> 00:03:33,799
Speaker 1: Kevin needs like eight and a half hours of sleep

69
00:03:33,840 --> 00:03:35,200
Speaker 1: with like a full stomach, like.

70
00:03:36,200 --> 00:03:39,880
Speaker 2: Yeah, I get really angry, don't do well.

71
00:03:40,520 --> 00:03:41,960
Speaker 1: But like I hear on the Amazing Race, I have

72
00:03:42,040 --> 00:03:44,320
Speaker 1: friends who did it who have lost who lost like

73
00:03:44,680 --> 00:03:47,200
Speaker 1: a lot of weight on it, and like we're very

74
00:03:47,240 --> 00:03:52,080
Speaker 1: stressed and it was like very stressful. So I don't know. Okay,

75
00:03:52,520 --> 00:03:55,320
Speaker 1: Why are some studio versions of songs different from the

76
00:03:55,320 --> 00:03:57,720
Speaker 1: TV version? For example, Puck sing's on the TV version

77
00:03:57,720 --> 00:03:59,880
Speaker 1: of Get What You Get, but the studio were released

78
00:03:59,880 --> 00:04:02,600
Speaker 1: for It's Chord interesting.

79
00:04:03,800 --> 00:04:06,680
Speaker 2: I would think it would be because story wise, they

80
00:04:06,760 --> 00:04:14,920
Speaker 2: needed a certain character to do something and right, yeah,

81
00:04:14,960 --> 00:04:21,560
Speaker 2: and maybe Chord recorded the I don't usually it's about story. No,

82
00:04:21,640 --> 00:04:23,200
Speaker 2: it didn't happen often, but if it did, it was

83
00:04:23,279 --> 00:04:26,679
Speaker 2: usually story related, and so the version would be done

84
00:04:27,400 --> 00:04:31,280
Speaker 2: like Chord would have recorded his version because sometimes you know,

85
00:04:31,360 --> 00:04:34,360
Speaker 2: the music department and this I don't know, the writing

86
00:04:34,480 --> 00:04:39,440
Speaker 2: departments are not in full communication over those nuances, right,

87
00:04:39,520 --> 00:04:41,760
Speaker 2: And so it could have been a thing too where

88
00:04:41,760 --> 00:04:47,279
Speaker 2: like in hindsight, Mark could have been liftinking to Chord's

89
00:04:47,320 --> 00:04:49,599
Speaker 2: part because they realized they needed Buck to be singing

90
00:04:49,640 --> 00:04:51,359
Speaker 2: that and then gone it into just record it and

91
00:04:51,400 --> 00:04:54,120
Speaker 2: just use it for the TV version because the other

92
00:04:54,200 --> 00:04:56,480
Speaker 2: version was locked. I don't know, but usually it was

93
00:04:56,480 --> 00:05:01,040
Speaker 2: story related. Did y'all ever coordinate outfits for events because

94
00:05:01,080 --> 00:05:03,599
Speaker 2: it always looked like we're going to different events in

95
00:05:03,640 --> 00:05:04,440
Speaker 2: the early days.

96
00:05:04,600 --> 00:05:07,400
Speaker 1: No, that's why. Yeah, we also like didn't have the

97
00:05:07,440 --> 00:05:09,400
Speaker 1: money to like hire stylists and things, so it was

98
00:05:09,440 --> 00:05:11,479
Speaker 1: like usually coming out of our closet or like the

99
00:05:11,520 --> 00:05:16,120
Speaker 1: cheapest thing you can find at Bloomingdals. So all of

100
00:05:16,160 --> 00:05:19,240
Speaker 1: our questions, Our outfits on ric carvers were questionable, especially

101
00:05:19,240 --> 00:05:21,280
Speaker 1: in the beginning, but continued after that.

102
00:05:21,320 --> 00:05:24,520
Speaker 2: For sure, Ryan tried to help. Ryan tried to help

103
00:05:24,560 --> 00:05:27,640
Speaker 2: influence Lou who did costume. She tried to help guide us,

104
00:05:27,839 --> 00:05:30,240
Speaker 2: but you know, it was like we were we didn't

105
00:05:30,240 --> 00:05:30,880
Speaker 2: know what we were doing.

106
00:05:31,320 --> 00:05:34,599
Speaker 1: Now we're getting into all the questions that you guys

107
00:05:34,839 --> 00:05:40,440
Speaker 1: released and wrote in kiss Mary Kill Season one, Tina,

108
00:05:40,960 --> 00:05:44,200
Speaker 1: Season three, Tina Season FOURTEENA.

109
00:05:45,560 --> 00:05:52,320
Speaker 2: Oh, I think Mary season three, Tina Kill Season one Tina,

110
00:05:52,920 --> 00:05:59,440
Speaker 2: and kiss Mary season Fourteina. Yeah, that's right, Love season

111
00:05:59,440 --> 00:06:02,359
Speaker 2: one Tina. But she can't get it. That's a different person.

112
00:06:03,000 --> 00:06:06,200
Speaker 2: What's an inside joke the whole cast had? Wouldn't the

113
00:06:06,240 --> 00:06:09,520
Speaker 2: inside joke? If I told you, I will say so.

114
00:06:09,720 --> 00:06:15,440
Speaker 2: In the Glease episode, Mercedes comes in and is talking

115
00:06:15,480 --> 00:06:19,560
Speaker 2: to Rachel and says the oh, you guys should go

116
00:06:19,600 --> 00:06:21,839
Speaker 2: backstage because you guys are gonna love the show because

117
00:06:22,000 --> 00:06:26,159
Speaker 2: the kids are singing sound and we got zound from

118
00:06:26,520 --> 00:06:27,680
Speaker 2: is it? Leah and Groff?

119
00:06:28,080 --> 00:06:29,120
Speaker 1: Yeah, yeah, I think so.

120
00:06:29,440 --> 00:06:33,680
Speaker 2: They would always say zund instead of down and in

121
00:06:33,760 --> 00:06:36,160
Speaker 2: the show several times. Yeah, we said it to each

122
00:06:36,160 --> 00:06:38,360
Speaker 2: other all the time.

123
00:06:38,600 --> 00:06:39,120
Speaker 1: I love that.

124
00:06:39,480 --> 00:06:42,160
Speaker 2: Someone said I was five when I first watched the show.

125
00:06:42,200 --> 00:06:44,960
Speaker 2: How do you feel about kids watching? I think that's

126
00:06:45,040 --> 00:06:48,800
Speaker 2: up to the parents. Yeah, there's obviously things that are

127
00:06:48,800 --> 00:06:51,440
Speaker 2: not appropriate for children. So wow.

128
00:06:52,480 --> 00:06:54,520
Speaker 1: I think the musical numbers, like most of them you

129
00:06:54,560 --> 00:06:57,520
Speaker 1: could watch on their own, and then you save the

130
00:06:57,560 --> 00:07:00,279
Speaker 1: storylines for when they're grown and they can decide on

131
00:07:00,320 --> 00:07:01,600
Speaker 1: their own if they want to watch the show.

132
00:07:09,680 --> 00:07:11,200
Speaker 2: Jenna, would you want to do Broadway again?

133
00:07:12,200 --> 00:07:14,200
Speaker 1: Totally? Duh?

134
00:07:14,280 --> 00:07:15,600
Speaker 2: What show would you want to do?

135
00:07:17,160 --> 00:07:21,520
Speaker 1: It's hard to say because everything now is so it's chaotic.

136
00:07:21,880 --> 00:07:26,360
Speaker 1: Broadway is chaotic, like there's nothing that makes sense. There's

137
00:07:26,360 --> 00:07:28,920
Speaker 1: every type of musical right now, but they're all like

138
00:07:29,040 --> 00:07:30,960
Speaker 1: it's like back to the futures. On and Water for

139
00:07:31,040 --> 00:07:34,760
Speaker 1: Elephants is on, and I don't know the notebook. It

140
00:07:34,840 --> 00:07:37,920
Speaker 1: just feels like there's a lot of new content, which

141
00:07:37,960 --> 00:07:40,160
Speaker 1: is good, but it's also based on movies and a

142
00:07:40,160 --> 00:07:43,840
Speaker 1: lot of IP like nothing original, and so I don't know.

143
00:07:43,920 --> 00:07:47,640
Speaker 1: I actually don't know, and I haven't seen anything recently,

144
00:07:47,720 --> 00:07:49,440
Speaker 1: so I don't even know if there's something like recently

145
00:07:49,480 --> 00:07:52,800
Speaker 1: that I would do. But I'm also aged out of

146
00:07:52,840 --> 00:07:54,680
Speaker 1: a lot of the ones that I used to want

147
00:07:54,720 --> 00:07:57,920
Speaker 1: to do because I'm old.

148
00:07:58,400 --> 00:08:04,560
Speaker 2: You are really mm hmm. Someone said favorite voice Amber.

149
00:08:05,240 --> 00:08:14,320
Speaker 1: Yeah, Naya close Like I.

150
00:08:11,520 --> 00:08:15,880
Speaker 2: I met someone the other day, Jenna, Asian woman, and

151
00:08:15,920 --> 00:08:18,040
Speaker 2: she said that she was upset that you didn't get

152
00:08:18,080 --> 00:08:20,680
Speaker 2: to sing more because she was really proud to have

153
00:08:20,720 --> 00:08:23,400
Speaker 2: like an Asian girl on the show. Yeah, And I

154
00:08:23,480 --> 00:08:27,200
Speaker 2: was like, the thing is Jenna can sing her face off.

155
00:08:28,000 --> 00:08:30,840
Speaker 2: She's like, I know, like we got to hear her

156
00:08:31,560 --> 00:08:34,440
Speaker 2: she sang her face off. She did, It's very nice.

157
00:08:34,559 --> 00:08:36,600
Speaker 2: You can. Really your voice is one of my favorites.

158
00:08:37,600 --> 00:08:40,120
Speaker 2: What it is? You don't crazy?

159
00:08:40,720 --> 00:08:44,280
Speaker 1: No, I don't. I actually talked at that. No, but thanks,

160
00:08:44,600 --> 00:08:47,080
Speaker 1: I get to play I'm my one of my first

161
00:08:47,679 --> 00:08:51,760
Speaker 1: Glee songs. The other day, my daughter she's obsessed with

162
00:08:51,800 --> 00:08:57,200
Speaker 1: the ABC's right now. I played her no and afterwards

163
00:08:57,240 --> 00:09:01,600
Speaker 1: she's like ABC really Yeah? She says ABC all the time,

164
00:09:01,640 --> 00:09:03,920
Speaker 1: so it's not like that did it. But I played

165
00:09:03,960 --> 00:09:06,040
Speaker 1: ABC for her in the car and she's like, ABC.

166
00:09:06,640 --> 00:09:09,600
Speaker 2: Did she dance to it? Yes, she does the shoulder dance.

167
00:09:10,920 --> 00:09:13,640
Speaker 2: She's too young to understand that that's you, right. Yeah.

168
00:09:13,679 --> 00:09:17,080
Speaker 1: I've tried to show her before and she doesn't quite understand.

169
00:09:17,160 --> 00:09:20,200
Speaker 1: She understands like photos, Now, okay, what was your favorite

170
00:09:20,240 --> 00:09:23,760
Speaker 1: food from the craft table? On sat? Those doubled eggs

171
00:09:23,800 --> 00:09:25,280
Speaker 1: in the mornings.

172
00:09:26,200 --> 00:09:29,960
Speaker 2: Yeah, it sounds gross because they're probably sitting out for

173
00:09:30,040 --> 00:09:30,559
Speaker 2: having it.

174
00:09:30,559 --> 00:09:32,719
Speaker 1: But no, because it was breakfast. They had them and

175
00:09:32,760 --> 00:09:34,760
Speaker 1: they came from Costco, I think, and they were so

176
00:09:35,000 --> 00:09:37,400
Speaker 1: I was like, ohways, so chilled when they had them.

177
00:09:38,000 --> 00:09:42,720
Speaker 2: I love them. What was it like filming songs and

178
00:09:42,720 --> 00:09:45,520
Speaker 2: two times of speed? It was just really hard. You

179
00:09:45,559 --> 00:09:48,200
Speaker 2: had to do that a lot, Kevin, Yeah, it was difficult,

180
00:09:48,360 --> 00:09:52,800
Speaker 2: but the challenge was exciting and really fun and I

181
00:09:52,880 --> 00:09:55,360
Speaker 2: loved doing it because I felt if I could get it,

182
00:09:55,400 --> 00:09:59,120
Speaker 2: I felt very proud of myself because it was it's

183
00:09:59,120 --> 00:10:03,400
Speaker 2: almost impossible. Yeah, it's really crazy. Depending on the genre

184
00:10:03,520 --> 00:10:06,640
Speaker 2: and you know, the artists. It's very hard on a

185
00:10:06,640 --> 00:10:11,000
Speaker 2: lot of words. If it's very wordy. What happens when

186
00:10:11,000 --> 00:10:12,640
Speaker 2: an actor directs an episode, but they also have to

187
00:10:12,679 --> 00:10:15,120
Speaker 2: be in the scene. It's a very good question. They're

188
00:10:15,160 --> 00:10:18,360
Speaker 2: in the scene and somebody usually watches it for them,

189
00:10:19,360 --> 00:10:22,240
Speaker 2: and it kind of says because like a director has

190
00:10:22,320 --> 00:10:26,000
Speaker 2: like set the scene, they've blocked it out, they know

191
00:10:26,080 --> 00:10:29,040
Speaker 2: what it looks like, and then they are in it

192
00:10:29,080 --> 00:10:30,680
Speaker 2: and they you know, they probably get to watch it

193
00:10:30,720 --> 00:10:35,000
Speaker 2: also outside and now you have replay, which we didn't

194
00:10:35,520 --> 00:10:39,400
Speaker 2: always have ongly, so you can either replay it or

195
00:10:40,120 --> 00:10:43,160
Speaker 2: you just have somebody trusted there that was like and

196
00:10:43,200 --> 00:10:45,200
Speaker 2: then hopefully while they're in the scene, they're like, oh,

197
00:10:45,200 --> 00:10:47,880
Speaker 2: that one felt really good, you know, and their instinctually

198
00:10:47,920 --> 00:10:49,240
Speaker 2: I think we yeah, what we need and I think

199
00:10:49,240 --> 00:10:51,839
Speaker 2: they have a relationship with the DPS, the director of

200
00:10:51,880 --> 00:10:57,880
Speaker 2: photography probably script yeah, and script coordinator if there may

201
00:10:57,920 --> 00:11:00,280
Speaker 2: be a writer or producer on set. So between that

202
00:11:00,320 --> 00:11:04,559
Speaker 2: little team people are looking out. If the Trouble Tones reunited,

203
00:11:04,640 --> 00:11:07,680
Speaker 2: what would your dream number, oh god be to see

204
00:11:07,720 --> 00:11:12,320
Speaker 2: them do my god, honest, I would love to see

205
00:11:12,360 --> 00:11:15,440
Speaker 2: them do anything from renaissance. I would like to see

206
00:11:15,440 --> 00:11:18,040
Speaker 2: them do something from Calbert Carter an't to be honest, Yeah,

207
00:11:18,120 --> 00:11:21,760
Speaker 2: I think maybe just a Beyonce act one an act

208
00:11:21,800 --> 00:11:27,200
Speaker 2: to Medley would be really great for me. Yes, I

209
00:11:27,240 --> 00:11:31,040
Speaker 2: would not be mad at that. I also love the

210
00:11:31,080 --> 00:11:34,040
Speaker 2: past couple guests we've had on when you ask them

211
00:11:34,080 --> 00:11:36,040
Speaker 2: about people who worked on the show, you asked them

212
00:11:36,040 --> 00:11:38,120
Speaker 2: about their favorite things. The trouble Tones have come up

213
00:11:38,200 --> 00:11:39,040
Speaker 2: every single time.

214
00:11:39,760 --> 00:11:43,680
Speaker 1: Literally, I feel like we all knew this but it

215
00:11:43,720 --> 00:11:47,400
Speaker 1: was kind of unspoken. But now it's just justice for.

216
00:11:47,440 --> 00:11:49,720
Speaker 2: Trouble Tones truly.

217
00:11:50,600 --> 00:11:52,400
Speaker 1: Did you get the script for season four and season

218
00:11:52,440 --> 00:11:55,079
Speaker 1: five the full script or only the Ohio scenes?

219
00:11:56,240 --> 00:11:59,960
Speaker 2: The full script? Yeah? Would we read the whole thing?

220
00:12:00,800 --> 00:12:05,280
Speaker 2: It's a different story. Probably not because usually, I mean

221
00:12:05,280 --> 00:12:07,720
Speaker 2: it was two shows New York rarely ever had anything

222
00:12:07,720 --> 00:12:11,599
Speaker 2: to do with my month clip flip flop. What was

223
00:12:11,640 --> 00:12:15,920
Speaker 2: your favorite moment from one of the many interviews that

224
00:12:15,960 --> 00:12:22,559
Speaker 2: we had to do. Wow. I usually liked when we

225
00:12:22,559 --> 00:12:27,600
Speaker 2: would get grouped together, like if me, Jenna, Amber and Chris.

226
00:12:28,240 --> 00:12:30,920
Speaker 2: There's there's a couple from the UK, like our first

227
00:12:30,920 --> 00:12:33,959
Speaker 2: trip to the UK where we're just being influenced.

228
00:12:35,200 --> 00:12:37,320
Speaker 1: There's good comic con ones. I like those because you

229
00:12:37,360 --> 00:12:42,120
Speaker 1: all did those together. And then I also look obviously Oprah.

230
00:12:42,320 --> 00:12:47,120
Speaker 2: Oprah was so special. I also think the when we

231
00:12:47,240 --> 00:12:50,440
Speaker 2: went on Alan Carr together in the UK was really fun.

232
00:12:50,960 --> 00:12:54,600
Speaker 1: Also, so on tour there was a tour Oh the

233
00:12:54,720 --> 00:13:00,199
Speaker 1: movie Press. You put us all in a room. They

234
00:13:00,360 --> 00:13:03,880
Speaker 1: broke Yeah, they broke us up into two and threes,

235
00:13:03,960 --> 00:13:05,920
Speaker 1: and so sometimes just me and Kevin. Sometimes you meet

236
00:13:05,960 --> 00:13:08,880
Speaker 1: Kevin and like Amber and they put us in a

237
00:13:08,880 --> 00:13:12,840
Speaker 1: hotel room. It was a very like small, poorly ventilated

238
00:13:12,880 --> 00:13:16,600
Speaker 1: hotel room, and then the journalists would come in and out.

239
00:13:16,640 --> 00:13:18,680
Speaker 1: So you would just sit there the whole day and

240
00:13:18,840 --> 00:13:21,600
Speaker 1: journalists would come in and out, and you start to

241
00:13:21,640 --> 00:13:26,080
Speaker 1: go absolutely crazy. We had some real moments on that

242
00:13:26,160 --> 00:13:27,640
Speaker 1: one that was fun. I like those.

243
00:13:27,880 --> 00:13:32,080
Speaker 2: You know, it's been lightning. If you follow any like

244
00:13:32,200 --> 00:13:36,280
Speaker 2: entertainment journalists or movie reviewers on TikTok, you see that

245
00:13:36,640 --> 00:13:40,360
Speaker 2: because you'll see all the different people who interviewers who

246
00:13:40,360 --> 00:13:42,800
Speaker 2: go into the journalists who go into the junkets. You

247
00:13:42,880 --> 00:13:45,120
Speaker 2: see the people were in the movie or TV shows

248
00:13:45,080 --> 00:13:47,679
Speaker 2: sitting in the same spot, and you see how people

249
00:13:47,760 --> 00:13:52,839
Speaker 2: start to get a little there and crazy. But I

250
00:13:52,840 --> 00:13:54,719
Speaker 2: feel like it's a really good window into it. It's

251
00:13:54,760 --> 00:13:59,040
Speaker 2: a very good representation of how it feels. And yeah,

252
00:13:59,120 --> 00:14:01,160
Speaker 2: I mean there's a really great one. Oh God, I

253
00:14:01,160 --> 00:14:04,440
Speaker 2: forgot Allison who now hosts Bakeoff I believe her name is,

254
00:14:04,679 --> 00:14:07,240
Speaker 2: and she interviewed Harrison Ford and Ryan Gosling a couple

255
00:14:07,240 --> 00:14:10,120
Speaker 2: of years ago and has interviewed Ryan since and they

256
00:14:10,160 --> 00:14:12,840
Speaker 2: have this really good report and like things always go

257
00:14:12,960 --> 00:14:15,400
Speaker 2: off the rails and it's great.

258
00:14:16,040 --> 00:14:16,520
Speaker 1: I love that.

259
00:14:17,320 --> 00:14:19,960
Speaker 2: Howard, are you feeling any type of way about recapping

260
00:14:20,000 --> 00:14:20,640
Speaker 2: season four.

261
00:14:22,120 --> 00:14:24,600
Speaker 1: I'm enjoying it so far.

262
00:14:25,040 --> 00:14:27,560
Speaker 2: I'm enjoying it, and I think since the breakup, I'm

263
00:14:27,640 --> 00:14:32,840
Speaker 2: just it unlocked some emotional things for me. Or I

264
00:14:32,840 --> 00:14:35,840
Speaker 2: think I'm just like on the verge. I feel the

265
00:14:35,880 --> 00:14:38,680
Speaker 2: same the entire time, and I don't know why I

266
00:14:38,720 --> 00:14:42,040
Speaker 2: feel the same. I totally get it weird. Why is

267
00:14:42,080 --> 00:14:44,320
Speaker 2: that because there are earlier seasons I didn't have a problem.

268
00:14:44,680 --> 00:14:46,600
Speaker 2: We're getting close, That's why I think.

269
00:14:46,640 --> 00:14:46,720
Speaker 1: So.

270
00:14:47,240 --> 00:14:49,600
Speaker 2: I know this sounds really dark, but it's close.

271
00:14:50,200 --> 00:14:51,000
Speaker 1: It is what it is.

272
00:14:51,240 --> 00:14:54,920
Speaker 2: When is Ryan coming back? He will be back. We've

273
00:14:54,920 --> 00:14:56,480
Speaker 2: talked to him, we're trying to get him back, but

274
00:14:56,560 --> 00:15:00,600
Speaker 2: he's filming about eighteen different shows right now, so he'll

275
00:15:00,640 --> 00:15:01,040
Speaker 2: be back.

276
00:15:01,560 --> 00:15:04,120
Speaker 1: Luckily, character would win in the Hunger Games if put

277
00:15:04,160 --> 00:15:07,440
Speaker 1: into oh.

278
00:15:07,080 --> 00:15:10,160
Speaker 2: Man, I want to say Santana or Brittany.

279
00:15:10,800 --> 00:15:13,880
Speaker 1: I was thinking Heather, Yeah, like Heather.

280
00:15:14,200 --> 00:15:18,440
Speaker 2: Harry, Oh Harry.

281
00:15:18,640 --> 00:15:20,320
Speaker 1: I don't know. I think Carrie.

282
00:15:21,440 --> 00:15:27,200
Speaker 2: Yeah, Harry might if they'd be unbeatable. Yeah, yeah, it

283
00:15:27,320 --> 00:15:29,240
Speaker 2: is Chris coming back for the episode. He wrote, we

284
00:15:29,280 --> 00:15:32,080
Speaker 2: should ask him. We have an ask for sure. We'll see. Also,

285
00:15:32,160 --> 00:15:34,560
Speaker 2: Chris has another book coming out. Make sure you can

286
00:15:34,640 --> 00:15:39,800
Speaker 2: look for it. It's like twifty or something. Yeah. Oh,

287
00:15:39,880 --> 00:15:42,200
Speaker 2: what drink do you think your characters would theoretically order

288
00:15:42,240 --> 00:15:42,640
Speaker 2: at a bar?

289
00:15:43,920 --> 00:15:45,800
Speaker 1: Do you get like a long Island? I hear something

290
00:15:45,840 --> 00:15:46,960
Speaker 1: stupid like cat.

291
00:15:49,080 --> 00:16:01,160
Speaker 2: You know, I think Artie would get Oh yeah, I

292
00:16:01,880 --> 00:16:06,840
Speaker 2: feel like he would like dark liquor. Yeah, not because

293
00:16:06,840 --> 00:16:09,120
Speaker 2: he necessarily would enjoy, but because he thinks he should.

294
00:16:18,360 --> 00:16:24,880
Speaker 2: What's the most frustrating memory from set? Honestly, I think

295
00:16:24,960 --> 00:16:28,000
Speaker 2: the perception of how we all feel about it now

296
00:16:28,040 --> 00:16:33,720
Speaker 2: is frustrating. I think there's a perception that if we

297
00:16:33,760 --> 00:16:36,120
Speaker 2: say anything critical about the show, people think we don't

298
00:16:36,200 --> 00:16:39,200
Speaker 2: like the show. If we say anything critical about the show,

299
00:16:39,200 --> 00:16:41,920
Speaker 2: people think we're shitting on people that were on the show.

300
00:16:46,120 --> 00:16:50,840
Speaker 2: So many people that were on that show loved being

301
00:16:50,880 --> 00:16:53,520
Speaker 2: on that show. And I don't know how many times

302
00:16:53,520 --> 00:16:56,600
Speaker 2: we've said it, but will continue to say it. Just yes,

303
00:16:56,600 --> 00:16:59,080
Speaker 2: there were hard times as the show went on, but

304
00:16:59,280 --> 00:17:05,359
Speaker 2: we all loved doing that and we made great friendships

305
00:17:05,400 --> 00:17:09,600
Speaker 2: with crew and cast and got to see the world

306
00:17:09,640 --> 00:17:14,160
Speaker 2: and do unimaginable things together. And obviously there was tragedy

307
00:17:14,200 --> 00:17:18,560
Speaker 2: and darkness you know, that did happen, but that happens,

308
00:17:19,000 --> 00:17:24,800
Speaker 2: and we've only grown closer from it and shooting that show,

309
00:17:24,800 --> 00:17:27,560
Speaker 2: which is so special, Like, we loved doing it and

310
00:17:27,680 --> 00:17:30,359
Speaker 2: we love the show. It's not perfect, who cares?

311
00:17:30,920 --> 00:17:31,640
Speaker 1: Who cares?

312
00:17:32,000 --> 00:17:32,640
Speaker 2: No show is.

313
00:17:33,040 --> 00:17:40,280
Speaker 1: It was overall mostly joyful, yeah, and all just it's

314
00:17:40,280 --> 00:17:41,359
Speaker 1: so so overshadowed.

315
00:17:42,400 --> 00:17:45,640
Speaker 2: Yeah, I think people really just like latched on too, like, oh,

316
00:17:45,640 --> 00:17:47,760
Speaker 2: there was so much drama and there was so many

317
00:17:47,840 --> 00:17:50,840
Speaker 2: like there's a curse, Like, no, that's not how we

318
00:17:50,880 --> 00:17:54,359
Speaker 2: think about the show. I think people who involved in

319
00:17:54,400 --> 00:17:55,800
Speaker 2: the show do not think about the show in that

320
00:17:55,840 --> 00:17:58,439
Speaker 2: way now. And if you listened to any of the

321
00:17:58,440 --> 00:18:02,080
Speaker 2: interviews and people have come on here that you'll know, Yeah,

322
00:18:02,080 --> 00:18:04,200
Speaker 2: exactly that's just not how it is. That's other people

323
00:18:04,200 --> 00:18:07,080
Speaker 2: who had nothing to do with the show making up.

324
00:18:07,040 --> 00:18:07,600
Speaker 1: Who don't know.

325
00:18:07,800 --> 00:18:08,560
Speaker 2: That's frustrated.

326
00:18:08,560 --> 00:18:12,359
Speaker 1: I don't know, you don't know. On a lighter note,

327
00:18:12,400 --> 00:18:14,439
Speaker 1: how do you think the lead characters would have reacted

328
00:18:14,440 --> 00:18:17,040
Speaker 1: to the new Wicked trailer? Well, you know that the

329
00:18:17,040 --> 00:18:20,600
Speaker 1: whole Lea cast would have been at that premiere. Oh fully,

330
00:18:20,920 --> 00:18:22,960
Speaker 1: everyone would have loved it. Hell or high water. I

331
00:18:22,960 --> 00:18:26,240
Speaker 1: will be it. I will be in a theater on

332
00:18:26,400 --> 00:18:26,960
Speaker 1: release day?

333
00:18:27,920 --> 00:18:28,920
Speaker 2: Did you love that trailer?

334
00:18:30,960 --> 00:18:36,680
Speaker 1: I I cannot explain the excitement I feel and how

335
00:18:36,720 --> 00:18:39,280
Speaker 1: beautiful it looks and how good they sound, and like

336
00:18:40,320 --> 00:18:46,720
Speaker 1: the joy I felt. I there's nobody better suited to

337
00:18:46,800 --> 00:18:48,320
Speaker 1: direct that film than John.

338
00:18:49,160 --> 00:18:52,200
Speaker 2: Yeah, I'm really I'm just really really excited.

339
00:18:52,280 --> 00:18:54,560
Speaker 1: Like it is in the best hands. Are you kidding? Like?

340
00:18:54,680 --> 00:18:56,399
Speaker 1: I have no doubt in my mind this is going

341
00:18:56,480 --> 00:18:57,520
Speaker 1: to be spectacular.

342
00:18:57,880 --> 00:19:00,000
Speaker 2: And you cast like a bunch of musical theater nerds

343
00:19:00,080 --> 00:19:03,080
Speaker 2: in it, and that like, who's going to respect those

344
00:19:03,160 --> 00:19:05,880
Speaker 2: roles more than the people who are obsessed with them?

345
00:19:06,359 --> 00:19:09,000
Speaker 1: I love it. There was like a little trailer that

346
00:19:09,000 --> 00:19:13,720
Speaker 1: I watched of like John revealing to Ariana and to Cynthia.

347
00:19:13,320 --> 00:19:15,280
Speaker 2: That they is the most ective thing ever.

348
00:19:15,600 --> 00:19:20,040
Speaker 1: Brilliant, but also like at the stage in their careers

349
00:19:20,400 --> 00:19:23,320
Speaker 1: to cry or to get so excited about a role.

350
00:19:23,880 --> 00:19:28,480
Speaker 1: I was like, Okay, they they really care like their role,

351
00:19:28,680 --> 00:19:30,360
Speaker 1: Like they're going to take really good care and they're

352
00:19:30,359 --> 00:19:33,520
Speaker 1: gonna work really hard, and I respect that. I was like,

353
00:19:33,800 --> 00:19:36,960
Speaker 1: that is genuine to me. If you haven't seen that,

354
00:19:37,000 --> 00:19:37,600
Speaker 1: go watch it.

355
00:19:37,640 --> 00:19:40,200
Speaker 2: And it's like that's going to obviously like play into

356
00:19:40,200 --> 00:19:41,719
Speaker 2: how we viewed the film when we see it.

357
00:19:41,760 --> 00:19:44,240
Speaker 1: When you just forgot it was a two parter, I'm just,

358
00:19:44,400 --> 00:19:49,120
Speaker 1: I know, disappoint because of course you know it's gonna

359
00:19:49,200 --> 00:19:50,720
Speaker 1: end w find gravity. Are you kidding?

360
00:19:50,920 --> 00:19:52,080
Speaker 2: Yeah.

361
00:19:52,240 --> 00:19:54,040
Speaker 1: I can't wait for the people who don't know that

362
00:19:54,040 --> 00:19:57,560
Speaker 1: it's a two parter to go like that's it and

363
00:19:57,600 --> 00:20:01,280
Speaker 1: then black that's it. That was like when we went

364
00:20:01,320 --> 00:20:04,720
Speaker 1: to see the Harry Potter films and it was Deathly

365
00:20:04,720 --> 00:20:06,840
Speaker 1: Hollows Part one. I had never seen any of the

366
00:20:06,840 --> 00:20:09,719
Speaker 1: other films. I knew nothing about the books, yet I

367
00:20:09,840 --> 00:20:13,479
Speaker 1: didn't know anything about its part one and then the

368
00:20:13,520 --> 00:20:16,760
Speaker 1: wand into the you know, sky and the lightning, and

369
00:20:16,800 --> 00:20:18,640
Speaker 1: I was like, that's the end of this movie.

370
00:20:20,119 --> 00:20:20,560
Speaker 2: Jenna.

371
00:20:21,320 --> 00:20:23,760
Speaker 1: If I could go back in time, I would read

372
00:20:23,800 --> 00:20:25,639
Speaker 1: all the books and watch them in real time because

373
00:20:25,680 --> 00:20:31,880
Speaker 1: I'm just so disappointed to myself. Yeah, please please go Kevin.

374
00:20:31,920 --> 00:20:33,480
Speaker 1: What is your favorite thing that Austin is beached for

375
00:20:33,520 --> 00:20:35,960
Speaker 1: you thus far in this very long relationship.

376
00:20:37,560 --> 00:20:41,680
Speaker 2: Oh my god, he has created the perfect chocolate cake.

377
00:20:41,760 --> 00:20:44,240
Speaker 2: Oh my god, that's all the perfect chocolate cake. And

378
00:20:44,280 --> 00:20:46,760
Speaker 2: he made it for my birthday one year. It looked ugly,

379
00:20:47,640 --> 00:20:54,119
Speaker 2: He's not great on my but the taste unbelievable. So

380
00:20:54,160 --> 00:20:57,040
Speaker 2: now he has like refined it and has made it better.

381
00:20:59,240 --> 00:21:04,160
Speaker 2: But it is the perfect chocolate cake. He also, during

382
00:21:05,160 --> 00:21:09,480
Speaker 2: quarantine was baking all the time and made these like

383
00:21:09,520 --> 00:21:14,600
Speaker 2: peanut butter and jelly cookies, cookies with like a jelly pocket.

384
00:21:14,280 --> 00:21:15,760
Speaker 1: And I need it, I need it.

385
00:21:16,280 --> 00:21:17,320
Speaker 2: They were unbelievable.

386
00:21:17,400 --> 00:21:22,960
Speaker 1: It's a glee Caska. Matching tatoos. Would you, well, that's

387
00:21:23,000 --> 00:21:27,440
Speaker 1: already happened, matching tattoos. Did you ever improvise minds? If so,

388
00:21:27,480 --> 00:21:31,440
Speaker 1: who did the most? No? I have to say everybody

389
00:21:31,520 --> 00:21:35,040
Speaker 1: is pretty word perfect and if you weren't word perfect,

390
00:21:35,560 --> 00:21:39,720
Speaker 1: our script supervisor. It changed over the years. But like

391
00:21:39,840 --> 00:21:44,440
Speaker 1: Babs in particular, like she knew that these writers were

392
00:21:44,480 --> 00:21:48,919
Speaker 1: actually pretty set on how how the dialogue went and

393
00:21:48,960 --> 00:21:53,080
Speaker 1: it's Ryan Murphy dialogue, like okay, yeah, and so they

394
00:21:53,119 --> 00:21:54,920
Speaker 1: really correct you, and you really do your best to

395
00:21:54,920 --> 00:21:57,040
Speaker 1: get them as close to as perfect as possible or

396
00:21:57,040 --> 00:21:59,600
Speaker 1: as close to the page as possible, because you know,

397
00:21:59,640 --> 00:22:01,920
Speaker 1: there's some shows that are like oh, or even auditions,

398
00:22:01,920 --> 00:22:04,199
Speaker 1: they're like do one on the from the page and

399
00:22:04,240 --> 00:22:06,000
Speaker 1: then you can go off and like do another one

400
00:22:06,040 --> 00:22:08,640
Speaker 1: that's like kind of improvised and have fun and make

401
00:22:08,680 --> 00:22:11,399
Speaker 1: it your own but not ugly. There's also like not

402
00:22:11,440 --> 00:22:13,080
Speaker 1: a really time for it, like you just have to

403
00:22:13,119 --> 00:22:15,920
Speaker 1: tell the story and then like make a joke to

404
00:22:16,040 --> 00:22:20,800
Speaker 1: get out of there. But Heather is the answer, right,

405
00:22:20,880 --> 00:22:23,879
Speaker 1: and that would also be like Ryan spewing lines at her.

406
00:22:24,119 --> 00:22:27,480
Speaker 2: You like say this, say that Backstreet Boys are in sync.

407
00:22:28,400 --> 00:22:30,480
Speaker 2: Oh my god, don't make me choos.

408
00:22:31,119 --> 00:22:33,960
Speaker 1: I was a really big in Sync fan growing up,

409
00:22:34,560 --> 00:22:38,320
Speaker 1: and then I turned Backstreet Boys, and I find myself

410
00:22:38,480 --> 00:22:42,800
Speaker 1: now in my old age listening more to Backstreet Boys.

411
00:22:43,160 --> 00:22:47,040
Speaker 2: Really, yes, I'm gonna in sync, is my answer. But

412
00:22:47,160 --> 00:22:50,600
Speaker 2: I do love the Backshee Boys and specifically Aj Aj.

413
00:22:50,800 --> 00:22:56,080
Speaker 2: Of course, AJ's voice is stupid. Do you think John

414
00:22:56,119 --> 00:22:59,119
Speaker 2: mulaney could have guest start for sure? Yes, and divs

415
00:22:59,119 --> 00:22:59,960
Speaker 2: on him being my brother.

416
00:23:00,960 --> 00:23:02,960
Speaker 1: Oh my god, that would have been perfect.

417
00:23:03,320 --> 00:23:11,119
Speaker 2: Who hooked up with who? Nobody? We've never even touched. No, Kevin,

418
00:23:11,160 --> 00:23:12,919
Speaker 2: please confirm that you and your boy band were in

419
00:23:12,920 --> 00:23:14,240
Speaker 2: the Brats movie? Yes?

420
00:23:14,600 --> 00:23:17,239
Speaker 1: Oh my god, you were? Were you in it? Are

421
00:23:17,320 --> 00:23:19,320
Speaker 1: your voices were in it? We performed a number?

422
00:23:19,480 --> 00:23:22,159
Speaker 2: No? We performed? Yeah?

423
00:23:23,359 --> 00:23:24,880
Speaker 1: What what year is this?

424
00:23:25,720 --> 00:23:31,480
Speaker 2: Don't worry about it, Kevin Brat No, put your fingers down,

425
00:23:31,520 --> 00:23:33,120
Speaker 2: stop typing them into YouTube.

426
00:23:32,800 --> 00:23:35,320
Speaker 1: Just something I didn't know about you guys. That is

427
00:23:35,400 --> 00:23:37,280
Speaker 1: so crazy.

428
00:23:39,960 --> 00:23:41,040
Speaker 2: I should have left that one.

429
00:23:41,119 --> 00:23:42,600
Speaker 1: That's a good one. Do you ever use the word

430
00:23:42,640 --> 00:23:46,240
Speaker 1: glee in regular connotations or is the word completely rooined

431
00:23:46,240 --> 00:23:50,000
Speaker 1: for you never use it in real life? I have

432
00:23:51,440 --> 00:23:52,880
Speaker 1: like you use the word gleeful.

433
00:23:53,680 --> 00:23:59,080
Speaker 2: Yeah, I try to say it really quickly if I do.

434
00:24:00,040 --> 00:24:02,240
Speaker 2: Someone said, is there ever a song that you always skip?

435
00:24:03,359 --> 00:24:05,400
Speaker 2: At least time you've done that? You always skip? Yeah,

436
00:24:05,560 --> 00:24:09,560
Speaker 2: don't stop exactly always just no fence. It's a great song.

437
00:24:09,600 --> 00:24:11,880
Speaker 2: It's a great song, can't do it? One of the best.

438
00:24:12,040 --> 00:24:17,840
Speaker 2: It's now the highest selling single of all time. What Yeah?

439
00:24:18,480 --> 00:24:22,760
Speaker 1: Ever, Ever, that's not possible. Taylor has to pass us.

440
00:24:22,800 --> 00:24:23,359
Speaker 1: Are you kidding?

441
00:24:23,760 --> 00:24:26,639
Speaker 2: But no, Taylor's not even in the No, no, No.

442
00:24:26,480 --> 00:24:30,000
Speaker 1: No, Elvis, Michael, any of these people.

443
00:24:30,280 --> 00:24:34,000
Speaker 2: The top song, I believe previously was Candle in the Wind,

444
00:24:35,160 --> 00:24:38,320
Speaker 2: John Well, what the hell that deserves to be at

445
00:24:38,320 --> 00:24:49,520
Speaker 2: the top. Yeah, lord check me, I believe that's true now.

446
00:24:49,600 --> 00:24:51,840
Speaker 2: But even if it's close to being trip, it's really crazy.

447
00:24:52,040 --> 00:24:55,600
Speaker 2: It's just my head around style. No, it's a it's

448
00:24:55,640 --> 00:25:01,160
Speaker 2: a phenomenal song. Everybody loves that song. Our version, No,

449
00:25:01,359 --> 00:25:06,520
Speaker 2: not our version, the song in general. Okay, god blast Okay, yeah,

450
00:25:06,800 --> 00:25:10,000
Speaker 2: okay that our version can tried it to it because

451
00:25:10,040 --> 00:25:10,960
Speaker 2: it's a cover of it.

452
00:25:11,359 --> 00:25:16,680
Speaker 1: For sure? For sure? They I okay, I'm feeling better.

453
00:25:17,680 --> 00:25:19,879
Speaker 2: You thought our version was the biggest selling single of

454
00:25:19,920 --> 00:25:20,400
Speaker 2: all time.

455
00:25:20,760 --> 00:25:23,359
Speaker 1: That's why I had a really hard time, right, can't

456
00:25:23,400 --> 00:25:23,840
Speaker 1: be right?

457
00:25:24,320 --> 00:25:27,320
Speaker 2: What are you? Because? No?

458
00:25:27,560 --> 00:25:32,080
Speaker 1: But that you're the numbers and the music guy and

459
00:25:32,119 --> 00:25:33,919
Speaker 1: the tarts and all of that, Like I you know,

460
00:25:33,920 --> 00:25:35,360
Speaker 1: I don't word for it.

461
00:25:35,800 --> 00:25:37,840
Speaker 2: Oh wow, but.

462
00:25:37,880 --> 00:25:41,439
Speaker 1: That really took me through a for a ride.

463
00:25:42,359 --> 00:25:46,040
Speaker 2: So in January of this year, the RIAA, which is

464
00:25:46,040 --> 00:25:48,520
Speaker 2: when it certifies all these things Recording Industry Association of

465
00:25:48,520 --> 00:25:53,280
Speaker 2: America certified Don't Stop Believing as eighteen times platinum, meaning

466
00:25:53,320 --> 00:25:58,439
Speaker 2: it sold eighteen million singles, and then Forbes declared it

467
00:25:58,560 --> 00:26:03,600
Speaker 2: the biggest song of all time. However, White Christmas has

468
00:26:03,600 --> 00:26:08,680
Speaker 2: sold fifty million physical copies, so I don't understand, So okay,

469
00:26:08,920 --> 00:26:13,200
Speaker 2: and let me just say something else. I do think

470
00:26:13,280 --> 00:26:16,960
Speaker 2: for like these records and things that come out nowadays,

471
00:26:17,200 --> 00:26:21,440
Speaker 2: there should be an asterisk because like when Thriller came out,

472
00:26:21,720 --> 00:26:24,159
Speaker 2: all those albums White Christmas, people had to get up

473
00:26:24,200 --> 00:26:27,000
Speaker 2: out of their house, go to the store, go buy

474
00:26:27,080 --> 00:26:30,000
Speaker 2: this thing. That's right. That is very different than sitting

475
00:26:30,040 --> 00:26:34,000
Speaker 2: at home, just like clicking right. Yeah, And so like

476
00:26:34,200 --> 00:26:38,560
Speaker 2: selling I don't know, five million albums now, it doesn't

477
00:26:38,560 --> 00:26:40,480
Speaker 2: feel like its equivalent to the effort it would take

478
00:26:40,480 --> 00:26:42,840
Speaker 2: to sell five million albums in the past.

479
00:26:43,359 --> 00:26:47,760
Speaker 1: But that's just me anobu shitting limits is coming, get ready.

480
00:26:48,359 --> 00:26:52,560
Speaker 1: I'm so excited that that's coming soon. Couldn't be more

481
00:26:52,560 --> 00:26:56,359
Speaker 1: excited about that. Sorry, it wasn't a question, but I'm

482
00:26:56,480 --> 00:26:59,520
Speaker 1: very very excited. No, but I'm very excited. So okay,

483
00:27:00,200 --> 00:27:04,560
Speaker 1: one last question. Yes, our producer Sam has suggested one

484
00:27:04,560 --> 00:27:07,600
Speaker 1: and I think she's right. Has the feeling that Glee

485
00:27:07,680 --> 00:27:11,760
Speaker 1: leaves you with change in starting this podcast, I think

486
00:27:11,760 --> 00:27:16,520
Speaker 1: it has deepened how I feel. Yes, yes, it's also healed,

487
00:27:16,880 --> 00:27:20,000
Speaker 1: so maybe it has transformed it for me. I think

488
00:27:20,040 --> 00:27:24,320
Speaker 1: the overall feeling never really changed for me, like when

489
00:27:24,320 --> 00:27:28,960
Speaker 1: I actually look at it from you know, outside, But

490
00:27:30,000 --> 00:27:30,720
Speaker 1: it's become.

491
00:27:30,600 --> 00:27:37,600
Speaker 2: Clearer, yes, definitely, and deepened, and I've really just enjoyed it,

492
00:27:37,600 --> 00:27:40,200
Speaker 2: to be honest, No, for sure. Thank you. Thank you

493
00:27:40,280 --> 00:27:42,160
Speaker 2: everyone for writing in. Thank you for taking the time

494
00:27:42,200 --> 00:27:45,520
Speaker 2: to think of these things. New questions, different questions. They

495
00:27:45,520 --> 00:27:47,879
Speaker 2: were good. Yeah, sorry we didn't get to answer all

496
00:27:47,880 --> 00:27:50,240
Speaker 2: of them. They were a lot. You guys rock and

497
00:27:50,240 --> 00:27:52,679
Speaker 2: thank you again for listening. If you're every week, this

498
00:27:52,760 --> 00:27:54,760
Speaker 2: is your first time, whatever it is, thank you so much.

499
00:27:55,240 --> 00:27:57,760
Speaker 2: We appreciate you listening. And that's what you really missed.

500
00:27:57,760 --> 00:28:00,760
Speaker 2: See you next time. Thanks for listening, and follow us

501
00:28:00,800 --> 00:28:03,520
Speaker 2: on Instagram at and that's what you really miss pod.

502
00:28:03,800 --> 00:28:05,680
Speaker 2: Make sure to write us a review and leave us

503
00:28:05,680 --> 00:28:07,200
Speaker 2: five stars. See you next time.