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Speaker 1: Welcome to pod meets Twirled, the Dancing with the Stars

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Speaker 1: recap hosted by two guys who can't dance, don't want

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Speaker 1: to dance, and have now seen exactly four episodes of

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Speaker 1: Dancing with the Stars. But since our best friend Danielle

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Speaker 1: has joined the cast for season thirty four, we're going

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Speaker 1: all in. We are Wilfredell and Ryder Strong aka the

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Speaker 1: two dudes standing next to Tapanga aka Danielle of Fishal's

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Speaker 1: backup aka the Daniettes. Yes, Hello, Will Daniette, Hello Rider

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Speaker 1: dan Yette.

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Speaker 2: How are you?

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Speaker 1: I'm pretty exhausted.

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Speaker 2: Not gonna lie in exhausted, Pavid, I have no idea

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Speaker 2: what's going on?

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Speaker 1: Yeah, yeah, there's a lot happen. You're back east right now.

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Speaker 2: I'm back east on arguably the squeakiest chair perfect that

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Speaker 2: has ever been podcasted.

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Speaker 1: In little Podcasting.

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Speaker 2: Awoke in this morning by hearing my parents going, oh

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Speaker 2: my god, downstairs because a giant bear was on our

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Speaker 2: deck looking in our door. Really, yep, that's so cool.

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Speaker 2: I guess they have. I didn't see it by the time.

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Speaker 2: I was like, yeah, they're fine, Uh yeah, but apparently

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Speaker 2: he ate our pumpkins because my dad likes to decorate

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Speaker 2: for Halloween. So it came in and ate the pumpkins

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Speaker 2: and was on our door and that was it.

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Speaker 1: That's so cool.

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Speaker 2: I love their sit in back East, my friend, right, they're.

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Speaker 1: Still around, I'm nevewhere Yeah, all right, shall we get

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Speaker 1: right into Disney night on Dancing with the Stars.

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Speaker 2: I don't know if I have the bandwidth for this.

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Speaker 2: Last night was so I was like, so anxious and

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Speaker 2: nervous and it was the worst. I don't know if

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Speaker 2: I'm going to be able to make it to the

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Speaker 2: end of this series.

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Speaker 1: I'll what was making you nervous, but the fact that

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Speaker 1: Danielle was in the bottom three and then I don't

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Speaker 1: need that.

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Speaker 2: I don't know if she's going home now. That's the

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Speaker 2: other thing I was going to ask. I don't know

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Speaker 2: if anybody knows Danielle or can't get in touch with

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Speaker 2: somebody in her management, but I'd love to get a

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Speaker 2: quote from her about what it feels like to be

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Speaker 2: up there, you know, thinking you might go home, because

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Speaker 2: there was a shot that she could go home last

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Speaker 2: nightka Crop but Alex kept.

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Speaker 1: Asking, She's like, does that mean she's in the bottom three?

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Speaker 1: And I was like, no, yes, very clearly state no, yes,

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Speaker 1: say not necessarily the bottom three.

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Speaker 2: So no, they said the bottom three, not necessarily in

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Speaker 2: any order as well, they said even Danielle texted last

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Speaker 2: night and said I was in the bottom three. That

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Speaker 2: will never happen to me again.

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Speaker 1: Tara, can you weigh in on this. The three people

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Speaker 1: standing on the stage are the lowest three votes.

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Speaker 2: But it doesn't mean votes wise.

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Speaker 3: She is in the bottom three that used to be

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Speaker 3: previously on Dancing with the Stars, where they used to

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Speaker 3: be an actual bottom three bottom two elimination. They don't

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Speaker 3: do that, so there could be someone else who was safe,

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Speaker 3: who had lower scores all around than Danielle.

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Speaker 1: Are you sure about this? Yes?

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Speaker 2: Because last night.

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Speaker 3: Last night I was actually asked Pasha myself because I

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Speaker 3: was so confused by it.

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Speaker 2: Yeah, because Danielle texted me last night and said bottom

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Speaker 2: three never again.

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Speaker 1: Well she yeah, she doesn't want to be there ever again.

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Speaker 2: But right, But so you're saying that she could have

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Speaker 2: had the top scores of the night and still ended

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Speaker 2: up on that stage with the other two couples.

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Speaker 1: Yeah, I think so. See, I think they could. They're

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Speaker 1: playing mind games with us, man.

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Speaker 2: I know they're playing mind games. But they also always

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Speaker 2: seem to be the three couples you think they're going

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Speaker 2: to be or close to it. But'llcased on scoring.

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Speaker 1: But to be fair, she may she is one of

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Speaker 1: the lower scores as far as the judges go. That's

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Speaker 1: what I'm saying. You just look at you know, the

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Speaker 1: bottom of like last night scores, she was at the

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Speaker 1: bottom three. So this is a call to everybody out

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Speaker 1: there listening who is a fan of Daniel Fischer and

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Speaker 1: thinks she deserves to stay on the show and keep

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Speaker 1: learning how to ballroom dance. Vote for her. Get out

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Speaker 1: and vote.

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Speaker 2: We did. We all noted, my mom, my, dad, everybody,

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Speaker 2: we all voted last night.

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Speaker 1: Yeah, so I think it's you know, I think it's

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Speaker 1: a it's a call to arms. Vote.

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Speaker 2: Also also shows the difference in in going first, like

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Speaker 2: being one of the first couples. I still think is

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Speaker 2: a huge detriment to whoever's dancing. Now we can get

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Speaker 2: into it. Dylan kind of broke that mold a little bit.

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Speaker 1: I know, he was great.

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Speaker 2: I so when I well, we'll get to it. We'll

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Speaker 2: get when we get to Danielle, we'll get to it. Okay,

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Speaker 2: all right, all right.

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Speaker 1: All right. So he started with the big birthday cake

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Speaker 1: on stage and Disney characters everywhere, and all I could

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Speaker 1: think about is the poor luony air guy who had

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Speaker 1: to keep his arms up otherwise he burned the place down.

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Speaker 2: Oh god great.

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Speaker 1: I'm like, oh my god, the poor guy. I like,

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Speaker 1: my arms started hurting for him, and I'm like, he

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Speaker 1: can't put those down. He might take somebody's face off. Yeah,

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Speaker 1: this is one of the curses when you're around the beast. Yeah. Yeah.

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Speaker 1: The whole Disney thing, it was it was a little

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Speaker 1: much for me. I have to say, like, you know,

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Speaker 1: we're applauding Disney characters appearing. I'm like, really, okay, this

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Speaker 1: is what we're gonna do.

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Speaker 2: Perfectly, rider like it was all these things that bring joy, like,

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Speaker 2: we'll do it for me, you know what.

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Speaker 1: It just felt here. It felt a little pander into me.

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Speaker 1: It was like, what is what is Disney? What? You know?

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Speaker 1: And then everybody had the same story about going to Disneyland.

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Speaker 1: It was like by the third person being like, I

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Speaker 1: came here when I was a kid. Now I come

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Speaker 1: here with my kids and it's fun. They just kind of.

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Speaker 2: Somebody was like, no, I never come here it's ridiculously expensive.

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Speaker 2: Have you seen the lines?

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Speaker 1: I mean, that's part of you know, it's It's Last

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Speaker 1: night was when I was, you know, because getting into

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Speaker 1: this show and watching it, you know, it's been a

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Speaker 1: trip for me because I don't watch the shows like

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Speaker 1: this that often. And like that was when I was like,

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Speaker 1: come on, let's do some real stuff because it all

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Speaker 1: felt so scripted and sort of planned, and like all

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Speaker 1: the clips of Disney you know, I prefer seeing them

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Speaker 1: struggling in the studio, like trying to learn how to dance,

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Speaker 1: Like I feel like that's the that's the those are

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Speaker 1: the real moments that I want to see. And instead

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Speaker 1: the show just kind of started, like last week's TikTok

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Speaker 1: commercials started to feel like a big Disneyland commercial and yeah,

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Speaker 1: we all love Disneyland. I get it. Yes, great, we

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Speaker 1: don't have to keep it hitting this over the head

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Speaker 1: over and over again whatever on Disney Night.

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Speaker 2: All right, give us the show.

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Speaker 1: Second, we never heard the second week in a row

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Speaker 1: where they announced that they are breaking records on voting.

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Speaker 2: Yeah, forty million, I think they said, is amazing.

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Speaker 1: Yeah, I mean, and that speaks to, you know, the

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Speaker 1: star power of people like Danielle on this show, and

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Speaker 1: I agree. I think you know, having not seen any

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Speaker 1: other season, I'm I'm assuming this is a great season.

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Speaker 1: This is a really Now I have a question for you.

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Speaker 2: Do you think it's closer to forty million people voting

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Speaker 2: once or do you think it's closer to two million

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Speaker 2: people voting twenty times?

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Speaker 1: I have no idea.

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Speaker 2: You'd have to check the ratings of the actual show,

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Speaker 2: right right, because I don't think I have no ratings

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Speaker 2: on any TV show or big anymore. Like the biggest

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Speaker 2: thing you get is two, three, four to five thousand,

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Speaker 2: So everybody's voting ten times, that's what I mean ten,

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Speaker 2: But twenty you get, you get ten texting and ten.

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Speaker 2: So it's like, are two million people voting twenty times

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Speaker 2: or five million people? I can't do the math, but

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Speaker 2: you know what I mean, Like, I'm curious.

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Speaker 1: All right, let's get into the dances, okay, Dylan and

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Speaker 1: Daniella up first always seems like the worst position to

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Speaker 1: go in. But these two I thought they did great.

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Speaker 2: They killed it.

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Speaker 1: They killed it.

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Speaker 2: I don't understand why he was doing cars while dressed

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Speaker 2: like Woody from a toy story, I know.

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Speaker 1: But it made no sense to me. But I I

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Speaker 1: gotta say, first of all, let let's talk to Disneyland

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Speaker 1: for a second. Cars ride wonderful ride, awesome, I mean,

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Speaker 1: just fantastic. I am not a fan of the Cars movies.

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Speaker 1: It's like a huge miss for me when it comes

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Speaker 1: to pisar.

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Speaker 2: Oh the first one was great.

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Speaker 1: Really, it makes sense to you that cars sitting in

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Speaker 1: an audience to watch other cars go in circles, that

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Speaker 1: who's riding them, who's inside the cars? It doesn't make

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Speaker 1: any sense. What's the point of these cars? Isn't that

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Speaker 1: the equivalent of people standing around watching people race without cars?

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Speaker 2: They're watching people run around a track.

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Speaker 1: Isn't that brack and field? You know what? Good? Point? Good?

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Speaker 1: I will concede that point, good sir. But it's still

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Speaker 1: just like, why do they need gus? What has happened?

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Speaker 1: I just don't know why these things exist? It's my

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Speaker 1: brain just melted the first time I saw cars. I

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Speaker 1: don't understand it anyway, But a lovely ride at Disneyland's

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Speaker 1: streat more fun than I expected. Great ride, hate on

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Speaker 1: the movie.

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Speaker 2: The whole the whole world over there, the Cars world

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Speaker 2: over there is a cool world to run around and

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Speaker 2: I'm just you know, I've.

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Speaker 1: Said it since the beginning. I think Daniella is the

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Speaker 1: best dancer in this entire thing. Great, She's amazing. And

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Speaker 1: I just love Dylan. I love him, you loved him.

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Speaker 1: I'm like, I want to be I want to be

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Speaker 1: on a road trip with him after this. I'm like, Dank,

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Speaker 1: you like, I'm not going to rock climb, but I'll

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Speaker 1: watch you, and you know, we just to.

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Speaker 2: He's so likable. He's just like this guy like smiling

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Speaker 2: the whole time, and the smiles fully genuine.

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Speaker 1: And working hard, like he's learning how to dance. He's

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Speaker 1: getting great. Yeah, this is he's like having the journey

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Speaker 1: that exactly what you're supposed to on this show, you

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Speaker 1: know what I mean. Who maybe is physically active, but

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Speaker 1: it's never danced and you're watching him go through this journey.

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Speaker 1: It's wonderful. So they did the quick Step to Life

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Speaker 1: as a highway fun song. I thought it was pretty

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Speaker 1: pretty fantastic.

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Speaker 2: To strong start, really strong start to the.

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Speaker 1: Night, no notes. It was interesting. Derek commented on his

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Speaker 1: head like not snapping enough, and I thought, like, well

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Speaker 1: that's a good note. It's a call they gave him seven,

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Speaker 1: eight and eight. I think it should have been eight's

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Speaker 1: across the board. I don't disagree. I think carry Anne

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Speaker 1: was a little harsh tonight. I do too.

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Speaker 2: I think she was a little stingy with the paddle tonight.

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Speaker 2: And there's nothing worse than spending a night with the

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Speaker 2: warring stingy with the paddle. So you know it's uh yeah,

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Speaker 2: she's I thought so too. I thought she pulled it

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Speaker 2: back a little bit this week and was the one

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Speaker 2: who a couple times I did not agree with her

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Speaker 2: scoring I'm with.

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Speaker 1: You, man, Yeah, she was having an off night for me,

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Speaker 1: all right. Next up Danielle and Pasha. This was great.

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Speaker 1: They did, I think the best song of the night.

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Speaker 1: I want to be like you. Wow, OK, so what really? Really?

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Speaker 1: You don't love this song?

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Speaker 2: I'm a I'm a big Life as a Highway fan,

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Speaker 2: so I thought they started pretty pretty strong with Life

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Speaker 2: as a Highway. But yeah, no, I very much liked

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Speaker 2: the song. I would have been there would have been

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Speaker 2: something really great and I had to google it to

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Speaker 2: make sure. I thought there was a chance because jungle

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Speaker 2: Book didn't. The Sherman Brothers write some of the music

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Speaker 2: for jungle Book. Yeah, yeah, so I thought Danielle dancing

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Speaker 2: to a jungle book song written by the Sherman Brothers,

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Speaker 2: where Jeffrey Sherman has been on our show and was

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Speaker 2: one of the writers. That would have been a cool

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Speaker 2: kind of synergy.

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Speaker 1: But great song. Now you can't beat this like upbeat,

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Speaker 1: especially great for the quick step. This was they I

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Speaker 1: felt like, Wow, they finally had some really good production

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Speaker 1: design because you know, everybody else has had all these

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Speaker 1: sets and done more sort of interpretive story based dancing,

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Speaker 1: whereas Danielle and Pasha have kept a pretty standard up

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Speaker 1: until now. So I love seeing them in a set,

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Speaker 1: jumping around, uh being bringing more character. And yeah, it

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Speaker 1: was great. I thought it was super fun.

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Speaker 2: When I first watched it last night, I did not

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Speaker 2: think it was as good as Dylan's dance.

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Speaker 1: Yeah.

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Speaker 2: I could tell that her legs got a little smurgy there,

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Speaker 2: which they pointed out she she messed up a semer

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Speaker 2: a technical dance. It is, well, I try to stay

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Speaker 2: as technical with the dance terms as I can. They

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Speaker 2: got a little skmergye.

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Speaker 1: See I didn't really notice, you know, I was just

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Speaker 1: like in it, and then when they pointed it out,

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Speaker 1: I was like, oh, right, I guess she did get

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Speaker 1: out of time or whatever.

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Speaker 2: But yeah, I was like, oh, it was okay, But

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Speaker 2: then I watched it again this morning with fresh eyes,

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Speaker 2: and it was great. It really Yes, she she did

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Speaker 2: one step out of step, Okay, great it was.

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Speaker 1: You know it's driving her crazy right now. Oh amazed

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Speaker 1: if she could sleep last night, but she was. It

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Speaker 1: was there.

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Speaker 2: How between last week and this week and again, maybe

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Speaker 2: not the best dance, but how she hasn't gotten an

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Speaker 2: eight yet I don't think is fair. Yeah, and I

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Speaker 2: know we're biased, but last night she could have gotten

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Speaker 2: an eight on energy and stage presence alone, could have

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Speaker 2: gotten an eight. And it feels like they're judging her

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Speaker 2: harsher than they're judging some of the other contestants.

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Speaker 1: Well, I think they probably know that she's a beloved figure.

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Speaker 1: You know that she's getting a lot of the popular vote. Yeah,

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Speaker 1: and I also think you know, they probably they I

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Speaker 1: think they're Here's here's why I think next week, Danielle

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Speaker 1: and Pasha should do something very technically difficult, you know

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Speaker 1: what I mean, right, like, because I feel like they

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Speaker 1: did the classy dances, the more sort of straightforward they

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Speaker 1: showcased her abilities. Then this week was about entertainment and

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Speaker 1: character and personality. Now I think they should do something

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Speaker 1: that really shows off that she's learning and that she's

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Speaker 1: working hard on the dance side of things. And I

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Speaker 1: think that that would go a long way to sort

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Speaker 1: of showing the judges like, yes, I got out of

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Speaker 1: you know time last week, but I was just in

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Speaker 1: it and I was feeling the dance. Now let me

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Speaker 1: show you that I can do. You know this this

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Speaker 1: very tech. That's my take. I don't know if she'll

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Speaker 1: listen to me.

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Speaker 2: I think I think she's a bit in her head.

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Speaker 2: And we know Danielle. Again, we've talked about Danielle's personality.

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Speaker 2: She not only wants to win because she she's a

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Speaker 2: competitive person, but she anything she tries, she wants to

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Speaker 2: be great at. That's just Danielle. So I think she's

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Speaker 2: in her head about every step and doing this. And

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Speaker 2: I think I've said this, I said this in our

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Speaker 2: very first episode or second episode, I can't remember, but

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Speaker 2: the week when Danielle just lets it all go is

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Speaker 2: going to be a week where people are like, oh

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Speaker 2: my god, look what she just did.

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Speaker 1: So you don't think this was that week, huh? You

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Speaker 1: think she don't too okay, it was a good move

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Speaker 1: to she let it go more. For sure, she definitely

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Speaker 1: let it go more.

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Speaker 2: But to me, in the beginning, it started a little

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Speaker 2: rough with her by herself, you know, when she jumps

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Speaker 2: down from the chair and she's not with Pasha and

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Speaker 2: it was just her doing a move or two alone.

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Speaker 2: They were a little stiff for me, like she was

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Speaker 2: warming up a little bit. And so there's gonna be

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Speaker 2: that week, and I God hope she stays because she

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Speaker 2: deserves it. And the idea that she got the same

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Speaker 2: scores this week that she got last week, to me,

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Speaker 2: is ridiculous because it shows they're saying she hasn't grown,

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Speaker 2: and I disagree with that one thousand percent. But so

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Speaker 2: when she puts that week together, and god if she

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Speaker 2: can do it next week, which they've announced, so we

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Speaker 2: can talk about when Bill Daniel's mister Feenie is there,

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Speaker 2: she'll bring the house down. She'll bring the house down.

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Speaker 2: And I think a bunch of her Boy Mets World

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Speaker 2: castmates are going to be there. I don't know if

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Speaker 2: we'll get the invite because we don't know her all

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Speaker 2: that well, but I know a bunch of them are

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Speaker 2: going to be there. Uh and so yeah, it was

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Speaker 2: She'll bring the.

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Speaker 1: House down, that's all.

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Speaker 2: I gotta say.

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Speaker 1: Seven's across the board, which was the same scores last week.

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Speaker 2: Yeah, I thought that there could be.

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Speaker 3: There.

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Speaker 1: Before we move on, you know, we have to.

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Speaker 2: Do will history be of Dance, which you know I

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Speaker 2: have an encyclopacknowledge of all things dance and I like

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Speaker 2: to let people know a little bit of the history

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Speaker 2: of the dance that Danielle particularly does.

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Speaker 1: This week, I am also I was very proud.

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Speaker 2: I I came up with the idea where I'm every

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Speaker 2: week it's going to be sponsored by a very small

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Speaker 2: company that needs to be up and coming that i'd

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Speaker 2: like to work with. So this week's History of Dance

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Speaker 2: a sponsor a company called Lamborghini.

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Speaker 1: Oh little yes car company.

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Speaker 2: We're a little car company, up and coming, Yes, And

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Speaker 2: I think if they sent me a car they'd be happy.

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Speaker 2: But right now we're talking about the quick step, which

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Speaker 2: is what daniel did writer and it involved in the twenties.

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Speaker 1: Oh I guess okay, no, go go yeah, yeah, no,

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Speaker 1: it's fine.

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Speaker 2: No, I'm just picking a company, a small just trying

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Speaker 2: to give me a break.

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Speaker 1: Yeah, they need your help. I'm trying. Let me guess.

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Speaker 1: Quick step is about stepping quickly. You can we have it?

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Speaker 2: Yes, no, but it's from the twenties. It's actually a

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Speaker 2: combination writer of the fox Trot to Charleston, the shag,

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Speaker 2: the peabody and the one step. It's English in origin

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Speaker 2: and stand up when we get there.

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Speaker 1: Not going to jump in, but you're not going to

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Speaker 1: tell me about the people? Would you like to know?

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Speaker 2: So? Soon after the induction of the fox Trot nineteen fourteen,

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Speaker 2: two variations developed a slow version done it about forty

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Speaker 2: measures per minute.

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Speaker 1: That's the peabody. Would you like me to keep going?

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Speaker 1: Or no? No, no, no, that's okay, okay.

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Speaker 2: That's fine. So it's English nineteen twenty seven it evolved

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Speaker 2: from the fox trot. The quick step now is it's

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Speaker 2: quite separate writer. Unlike the modern fox trot, the leader

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Speaker 2: often closes his feet, and syncopated steps are regular occurrences,

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Speaker 2: as in the case of the fox trot. Three characteristic

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Speaker 2: dance figures of the quick step are the chasse where

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Speaker 2: the feet are brought together, the quarter turns, and the lockstep.

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Speaker 2: I just thought kind of fun.

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Speaker 1: God, let you mean's going on. You could have just

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Speaker 1: been using Star Wars terms for me, you know, like,

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Speaker 1: but you would have understood Star Wars term. You know.

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Speaker 1: Those kicks were a little sithy this week, a little sitthy,

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Speaker 1: I mean, little ky Crystal. See, do you think the

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Speaker 1: judges have all of this stuff in their head? It's

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Speaker 1: just like because I mean they threw out terms this

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Speaker 1: week that I.

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Speaker 2: Was just like what I would say, you're artists too,

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Speaker 2: I mean, would you know, would you know the equivalent

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Speaker 2: lingo of theater?

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Speaker 1: I think so maybe that's what I'm saying. I think so.

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Speaker 1: I think it's probably the same or film.

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Speaker 2: I think it's the same thing where you're talking about

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Speaker 2: dps and the one eighty eighty rule and eye lines

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Speaker 2: and stuff. Some people might not know exactly what you're

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Speaker 2: talking about, but you do because this is your world.

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Speaker 2: So yeah, they probably have this right at their fingertips.

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Speaker 2: It's crazy, yeah, all right.

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Speaker 1: Next up, we had Scott Hoyne and Riley Arnold. He

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Speaker 1: is apparently a Disney fanatic, goes to Disneyland all the time.

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Speaker 1: I'm really glad that he has stuck around because I

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Speaker 1: am liking him more and more and I'm liking watching

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Speaker 1: them down.

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Speaker 2: You didn't at first?

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Speaker 1: Nope, not at all. Yeah, I was like, why agreed?

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Speaker 1: You know, and I think you know, they talk about

399
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Speaker 1: it on the show. They talk about him coming out

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Speaker 1: of his shell and yeah, it's worked. Like I'm totally

401
00:17:44,320 --> 00:17:47,800
Speaker 1: like great man, Like you're you're killing it. So they

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Speaker 1: danced the salsa to Bop to the top and yeah,

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Speaker 1: I thought he was great. I think he's just getting

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Speaker 1: better and better and like it's merging the sort of

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Speaker 1: expressiveness that he has discovered. And it seemed technically great

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Speaker 1: to me. So I thought this was really fun. They

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Speaker 1: got a little a little knotted in their arms.

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Speaker 2: They did she got she she tucked under and had

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Speaker 2: to do everything.

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Speaker 1: It was it. It was like what what that was

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Speaker 1: that a mistake? Yes, that was definitely that was a mistake.

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Speaker 1: They're twisting and like folding.

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Speaker 2: But and they were doing high school musical right, which

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Speaker 2: I thought was kind of interesting at seeing that Dylan

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Speaker 2: didn't do high school musical with his brother, which he

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Speaker 2: talks about right and and and then they're doing high

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Speaker 2: school musical but they're doing shar Pei. So I mean,

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Speaker 2: it's it was a fun tongue in cheek, if you know,

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Speaker 2: High School Musical. You would have loved this dance kind

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Speaker 2: of moment. They both had the microphones, like even though

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Speaker 2: they weren't singing, they had the mics that they wore

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Speaker 2: in the movie, So.

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Speaker 1: It was it was movie. So I don't know. And

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Speaker 1: then like when they were like talking over each other afterwards,

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Speaker 1: that's like a reference to the movie.

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Speaker 2: Yeah, they were, there was actual that was that's the

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Speaker 2: the brother So there's a brother, sister and team in

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Speaker 2: the High School Musical movies that are kind of kind

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Speaker 2: of steal the movies, especially the woman Sharpey, who are

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Speaker 2: just as Ashley Tisdale's character. So yeah, they're great, but

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Speaker 2: they were. I couldn't agree with you more. By the way,

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Speaker 2: At first, I was like, ooh, this guy, he's very robotic,

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Speaker 2: very mechanical. I don't find anything particularly engaging about him,

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Speaker 2: even during his packages. And then now I really like

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Speaker 2: him when I do the same thing, I really like him.

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Speaker 1: I feel like he's just gotten comfortable and and he's

437
00:19:18,320 --> 00:19:19,560
Speaker 1: just enjoying the process, you know.

438
00:19:19,640 --> 00:19:22,720
Speaker 2: Yeah, And now I have a question. Do you think

439
00:19:23,160 --> 00:19:25,760
Speaker 2: this dance was better than Danielle's dance?

440
00:19:28,280 --> 00:19:31,480
Speaker 1: Hmmm, No, I think it was about the same.

441
00:19:31,880 --> 00:19:32,280
Speaker 2: I agree.

442
00:19:32,280 --> 00:19:34,720
Speaker 1: And didn't they get an eight? No? No, they got

443
00:19:34,720 --> 00:19:36,760
Speaker 1: sevens Oh they did? Okay, good, Then this is not

444
00:19:36,800 --> 00:19:37,000
Speaker 1: the one.

445
00:19:37,000 --> 00:19:38,359
Speaker 2: There's another one where they gave him an eight, and

446
00:19:38,359 --> 00:19:39,840
Speaker 2: I was like, how the hell is that better than

447
00:19:39,840 --> 00:19:40,600
Speaker 2: what Danielle did?

448
00:19:40,720 --> 00:19:43,840
Speaker 1: Right right? No, this one I felt like, you know,

449
00:19:43,880 --> 00:19:45,920
Speaker 1: I think they're about the same level. I would say,

450
00:19:45,960 --> 00:19:48,080
Speaker 1: you know, like in terms of their journey, Like I

451
00:19:48,080 --> 00:19:51,600
Speaker 1: feel like, yeah, I can see that. Yeah, so yeah, no,

452
00:19:51,640 --> 00:19:54,320
Speaker 1: it seemed fair to me. Seven seven, seven, Okay, that's fair.

453
00:19:54,400 --> 00:19:56,000
Speaker 2: Yeah, this is not the one I was thinking about then.

454
00:19:56,080 --> 00:19:59,639
Speaker 2: And again, she's you can watch I can watch her

455
00:19:59,680 --> 00:20:04,879
Speaker 2: do anything. She's adorable. Riley is just such a fun dancer,

456
00:20:04,960 --> 00:20:07,360
Speaker 2: big smile. I mean, she looks like I'm not trying

457
00:20:07,359 --> 00:20:08,760
Speaker 2: to insult her, but I know she's very young, but

458
00:20:08,760 --> 00:20:10,679
Speaker 2: she looks like a little kid, like having fun dancing

459
00:20:10,880 --> 00:20:13,000
Speaker 2: right right, and it's it's very engaging.

460
00:20:13,760 --> 00:20:17,760
Speaker 1: Next up Alex and val This was she was gonna

461
00:20:17,800 --> 00:20:21,120
Speaker 1: be a Villain. They did a Viennese waltz to Once

462
00:20:21,200 --> 00:20:25,439
Speaker 1: Upon a Dream. It was all Maleficent themed. Say that

463
00:20:25,520 --> 00:20:26,359
Speaker 1: three times.

464
00:20:27,040 --> 00:20:29,560
Speaker 2: I love this. This was dancing the night for me

465
00:20:29,560 --> 00:20:29,920
Speaker 2: me too.

466
00:20:30,280 --> 00:20:33,480
Speaker 1: Yeah, I just you know, it's funny because I've realized

467
00:20:33,600 --> 00:20:37,879
Speaker 1: what I am most engaged by is storytelling, you know,

468
00:20:38,040 --> 00:20:40,199
Speaker 1: like I still kind of want a dance to be

469
00:20:40,440 --> 00:20:43,560
Speaker 1: a play or to you know, and they really got

470
00:20:43,560 --> 00:20:47,000
Speaker 1: into the characters and the storytelling, and I just felt like,

471
00:20:47,520 --> 00:20:51,520
Speaker 1: I don't know, I felt like I was reading, you know,

472
00:20:52,160 --> 00:20:54,600
Speaker 1: between the lines of like this relationship. And I mean

473
00:20:54,640 --> 00:20:56,000
Speaker 1: she even talked about it like, oh, we want it

474
00:20:56,040 --> 00:20:59,280
Speaker 1: to be a toxic relationship, and man, I just thought

475
00:20:59,280 --> 00:21:02,040
Speaker 1: it was so great. Me too. Yeah.

476
00:21:02,080 --> 00:21:05,200
Speaker 2: Even the little flicks of her wrist to control him

477
00:21:05,240 --> 00:21:09,840
Speaker 2: were like precise and coordinated. It was, I thought, a

478
00:21:09,880 --> 00:21:11,600
Speaker 2: really cool dance all the way through and I thought, yeah,

479
00:21:11,640 --> 00:21:12,720
Speaker 2: definitely dance of the night for me.

480
00:21:13,000 --> 00:21:15,320
Speaker 1: It was so expressive. And you know, I also just

481
00:21:15,359 --> 00:21:17,760
Speaker 1: think it's more my style, you know, a little darker,

482
00:21:17,880 --> 00:21:19,720
Speaker 1: a little like, I don't know, it's just great.

483
00:21:20,119 --> 00:21:22,399
Speaker 2: Costumes were great, by the way, I got some I

484
00:21:22,440 --> 00:21:25,560
Speaker 2: got some ish as the kids say, yeah, last week

485
00:21:25,600 --> 00:21:28,800
Speaker 2: for criticizing Danielle's dress, stand by that criticism hundredercent. She

486
00:21:28,840 --> 00:21:31,800
Speaker 2: looked amazing tonight, Danielle. Yeah, I thought, But since we're

487
00:21:31,800 --> 00:21:34,640
Speaker 2: talking about costumes, because this maleficent costume and VAL's costume.

488
00:21:35,119 --> 00:21:39,960
Speaker 1: They were great, okay, okay, but the makeup way too much.

489
00:21:40,440 --> 00:21:43,320
Speaker 2: Like when people were coming you mean her, no every yet,

490
00:21:43,800 --> 00:21:48,480
Speaker 2: like the mouse came out, I was like, I'm uncomfortable, Like.

491
00:21:49,080 --> 00:21:51,720
Speaker 1: It was like the makeup was too good. It was

492
00:21:51,760 --> 00:21:54,920
Speaker 1: like they completely transformed the dancers. I couldn't recognize them,

493
00:21:54,960 --> 00:21:58,159
Speaker 1: you know, like the Aladdin the Genie it did. I

494
00:21:58,280 --> 00:22:00,679
Speaker 1: was like, you look too much like a human mouse,

495
00:22:00,840 --> 00:22:01,840
Speaker 1: Like it's so crazy.

496
00:22:02,320 --> 00:22:03,720
Speaker 2: I don't disagree as a lot, right.

497
00:22:03,920 --> 00:22:05,800
Speaker 1: And then the alien, I was like, I don't even

498
00:22:05,840 --> 00:22:08,320
Speaker 1: know who the alien was. I can't recognize it was like,

499
00:22:08,600 --> 00:22:11,120
Speaker 1: and at one point they complimented the makeup. I'm like, no,

500
00:22:11,400 --> 00:22:13,600
Speaker 1: they actually went a little too far for me, Like,

501
00:22:13,800 --> 00:22:16,120
Speaker 1: especially when you have Disney characters with their big Disney

502
00:22:16,119 --> 00:22:18,720
Speaker 1: cartoony heads, I'm like, what do we have to actually

503
00:22:18,800 --> 00:22:22,600
Speaker 1: make them look like on camera they're actually a human

504
00:22:22,920 --> 00:22:31,440
Speaker 1: rat hybrid? Like no, anyway, right along to uh Hilaria,

505
00:22:31,840 --> 00:22:33,320
Speaker 1: wait what did they get? What did they get?

506
00:22:33,400 --> 00:22:33,560
Speaker 2: Oh?

507
00:22:33,600 --> 00:22:34,600
Speaker 1: They got eight?

508
00:22:35,119 --> 00:22:36,840
Speaker 2: Yeah, I could have been a nine in there for me,

509
00:22:37,040 --> 00:22:38,920
Speaker 2: A great I could have sworn it was gonna be

510
00:22:38,920 --> 00:22:40,040
Speaker 2: the first nine we saw them too.

511
00:22:40,200 --> 00:22:41,960
Speaker 1: For me, to that, and I think if they had

512
00:22:42,000 --> 00:22:44,560
Speaker 1: gone later, they probably would have gotten Yes, yeah, what

513
00:22:44,800 --> 00:22:47,760
Speaker 1: is that? Yeah? No, it was like because because when

514
00:22:47,760 --> 00:22:49,720
Speaker 1: the nine came out later in the night, I was like,

515
00:22:49,760 --> 00:22:52,360
Speaker 1: really because Alex Bellow is still kind of my favorite.

516
00:22:52,960 --> 00:22:55,520
Speaker 2: Yeah. Do you think the dancers know? Like do you

517
00:22:55,560 --> 00:22:57,520
Speaker 2: think they get their list of where they're coming and

518
00:22:57,560 --> 00:23:00,760
Speaker 2: they see their one or two and they're like, ugh, wait,

519
00:23:00,800 --> 00:23:02,960
Speaker 2: what do you mean Like when they when they find

520
00:23:02,960 --> 00:23:05,440
Speaker 2: out the order they're going to dance it for that week?

521
00:23:05,480 --> 00:23:07,560
Speaker 2: Do you think they know professionally?

522
00:23:07,720 --> 00:23:09,439
Speaker 1: We talked about this early on. I would also like

523
00:23:09,520 --> 00:23:11,000
Speaker 1: to go first, to get it out of the way, right,

524
00:23:11,000 --> 00:23:13,320
Speaker 1: Like I would hate. So there's got to be a

525
00:23:13,359 --> 00:23:15,320
Speaker 1: balance where you're like, Okay, at least I go early

526
00:23:15,359 --> 00:23:17,199
Speaker 1: in the night and then I can just relax, right,

527
00:23:17,640 --> 00:23:19,639
Speaker 1: But yeah, but you don't get scored as high.

528
00:23:19,840 --> 00:23:21,760
Speaker 2: I know, it doesn't seem I think if she went

529
00:23:21,800 --> 00:23:24,359
Speaker 2: I think if Danielle went later, and again, this podcast

530
00:23:24,359 --> 00:23:26,280
Speaker 2: at the end of the day is about Danielle. If

531
00:23:26,359 --> 00:23:28,480
Speaker 2: Danielle went later, there would have been an eight I

532
00:23:28,520 --> 00:23:30,600
Speaker 2: think in her in her performance.

533
00:23:30,880 --> 00:23:34,600
Speaker 1: All right, HILARI On GLEB they chose to do the

534
00:23:34,640 --> 00:23:40,480
Speaker 1: Star Wars Cantina song, which was a weird choice. Weird

535
00:23:41,040 --> 00:23:43,480
Speaker 1: you know choice. It's like one of those songs you

536
00:23:43,480 --> 00:23:47,120
Speaker 1: can like for about fifteen seconds ago, oh yeah, that's cool,

537
00:23:47,200 --> 00:23:49,199
Speaker 1: but then to have to watch a whole dance of it,

538
00:23:49,320 --> 00:23:51,600
Speaker 1: I was like, song, song doesn't really go anywhere?

539
00:23:51,600 --> 00:23:52,560
Speaker 2: Does the longest?

540
00:23:55,800 --> 00:23:58,800
Speaker 1: I know? And I like Star Wars a lot. I

541
00:23:58,840 --> 00:24:01,199
Speaker 1: could tell that she does, and it seems like a

542
00:24:01,240 --> 00:24:03,639
Speaker 1: fun idea, but like, I don't know what else you

543
00:24:03,680 --> 00:24:04,400
Speaker 1: could do though.

544
00:24:04,600 --> 00:24:08,320
Speaker 2: What you could Star Wars with John Williams music some

545
00:24:08,359 --> 00:24:11,679
Speaker 2: of the most iconic music in the history that the

546
00:24:11,760 --> 00:24:12,200
Speaker 2: song you.

547
00:24:12,160 --> 00:24:13,919
Speaker 1: Pick, I know, but it's the only one that you

548
00:24:13,920 --> 00:24:16,800
Speaker 1: could really do like an up beat a quick step to. Yeah,

549
00:24:16,800 --> 00:24:17,159
Speaker 1: that's the thing.

550
00:24:17,160 --> 00:24:18,640
Speaker 2: If you have to do something up be it would

551
00:24:18,680 --> 00:24:20,360
Speaker 2: have been difficult to do. Now, if you you want

552
00:24:20,359 --> 00:24:22,080
Speaker 2: to bring the house down and you do Luke's theme

553
00:24:22,119 --> 00:24:23,920
Speaker 2: and you're doing like a tango to Luke's theme or

554
00:24:24,000 --> 00:24:25,640
Speaker 2: something like that, that would be amazing.

555
00:24:26,160 --> 00:24:34,159
Speaker 1: I mean, like I'm trying to imagine, yeah, no, no, no, no, oh.

556
00:24:34,040 --> 00:24:38,280
Speaker 2: That'd be great too. But yeah, the quick step to that.

557
00:24:38,440 --> 00:24:42,640
Speaker 2: So I found this entire thing. The song you're dancing

558
00:24:42,960 --> 00:24:45,080
Speaker 2: and all of it I found really weird. This week.

559
00:24:45,160 --> 00:24:47,280
Speaker 1: It was just uh yeah, it was just like, oh,

560
00:24:47,320 --> 00:24:50,600
Speaker 1: that's cute, and then it just kept going. Yes, I

561
00:24:50,680 --> 00:24:52,960
Speaker 1: know that she was dancing well, like I could, I

562
00:24:52,960 --> 00:24:55,520
Speaker 1: could tell, but I just it's just not not for me.

563
00:24:55,640 --> 00:24:57,760
Speaker 2: I could see why people didn't like it. I really

564
00:24:57,800 --> 00:24:59,679
Speaker 2: could see why people didn't like it. This week I

565
00:24:59,760 --> 00:25:01,280
Speaker 2: found it was just very odd.

566
00:25:01,680 --> 00:25:03,640
Speaker 1: The judges were pretty kind though. They gave them yes

567
00:25:03,720 --> 00:25:05,560
Speaker 1: eight so seven, eight and eight.

568
00:25:06,680 --> 00:25:09,560
Speaker 2: I this is the one and I'm sorry, this is

569
00:25:09,560 --> 00:25:12,120
Speaker 2: the one. They get two eights for this and Danielle

570
00:25:12,160 --> 00:25:12,920
Speaker 2: gets three seven.

571
00:25:13,040 --> 00:25:15,679
Speaker 1: I think I think there was some technical step stuff

572
00:25:15,720 --> 00:25:18,600
Speaker 1: that she is good, she's good at Hilaria can can

573
00:25:18,680 --> 00:25:20,280
Speaker 1: do it, and so I think that they wanted to

574
00:25:20,320 --> 00:25:25,520
Speaker 1: reward her for that. But in terms of entertainment, like no,

575
00:25:25,880 --> 00:25:27,639
Speaker 1: like it just felt I don't know.

576
00:25:28,480 --> 00:25:30,159
Speaker 2: I would love to talk to a judge. Do you

577
00:25:30,200 --> 00:25:32,880
Speaker 2: think and I know they probably have to be there.

578
00:25:32,920 --> 00:25:34,879
Speaker 2: They're trying to be as unbiased as possible, but do

579
00:25:34,880 --> 00:25:37,120
Speaker 2: you think they have their favorites so that they try

580
00:25:37,160 --> 00:25:38,480
Speaker 2: to keep people in the competition.

581
00:25:38,600 --> 00:25:42,520
Speaker 1: Well, I also wonder how much they're playing like against

582
00:25:42,680 --> 00:25:45,120
Speaker 1: or with the popular vote, Like, how much did they

583
00:25:45,200 --> 00:25:48,399
Speaker 1: know about the popular vote? In other words, do they like,

584
00:25:48,440 --> 00:25:51,439
Speaker 1: if somebody that they like is they know not getting

585
00:25:51,440 --> 00:25:53,800
Speaker 1: well scored in terms of the popular vote, could they

586
00:25:53,800 --> 00:25:55,800
Speaker 1: boost them a little bit? Right? Do they jack out

587
00:25:55,840 --> 00:25:58,359
Speaker 1: up or do they not tell the judges the popular

588
00:25:58,440 --> 00:26:00,280
Speaker 1: vote results? I mean that seems the most fit to

589
00:26:00,320 --> 00:26:02,320
Speaker 1: me is that. Yeah, but you kind of know, right,

590
00:26:02,359 --> 00:26:04,439
Speaker 1: you kind of get this feeling. It's because Hilaria was

591
00:26:04,440 --> 00:26:07,400
Speaker 1: in the bottom three last week, so you assume like, oh,

592
00:26:07,440 --> 00:26:10,960
Speaker 1: she might be on the bubble. So maybe they were like, well,

593
00:26:11,040 --> 00:26:12,680
Speaker 1: she might be going home tonight, let's give her a

594
00:26:12,680 --> 00:26:13,280
Speaker 1: couple eights.

595
00:26:13,520 --> 00:26:16,080
Speaker 2: I wonder. Yeah, I don't know how that worked, because again,

596
00:26:16,880 --> 00:26:19,520
Speaker 2: very good dancer, she's technically very good. We've talked about

597
00:26:19,520 --> 00:26:22,320
Speaker 2: this before. But how that's two eights and Daniel's three sevens.

598
00:26:22,359 --> 00:26:26,440
Speaker 2: I Daniel was so much more enjoyable to watch, right,

599
00:26:27,160 --> 00:26:29,000
Speaker 2: So yeah, that was that. This was the one where

600
00:26:29,040 --> 00:26:29,240
Speaker 2: I was.

601
00:26:29,240 --> 00:26:32,040
Speaker 1: Like, really, two eights for this and Daniel got three sevens.

602
00:26:32,119 --> 00:26:33,560
Speaker 2: Yeah, totally biased, but I get it.

603
00:26:34,680 --> 00:26:40,240
Speaker 1: Next up, Andy Richter and Emma Slater of course, just

604
00:26:40,280 --> 00:26:40,880
Speaker 1: love this guy.

605
00:26:42,160 --> 00:26:44,240
Speaker 2: Are you a ratitudey fan? The rat is the rat

606
00:26:44,240 --> 00:26:46,159
Speaker 2: cooking okay, while the car's racing is not.

607
00:26:47,280 --> 00:26:50,000
Speaker 1: You know, I've come around on Ratitude a little bit.

608
00:26:50,000 --> 00:26:52,400
Speaker 1: I didn't. I didn't used to like it. I found

609
00:26:52,440 --> 00:26:54,920
Speaker 1: it a little but I watched it recently with Indy

610
00:26:55,000 --> 00:26:56,320
Speaker 1: and I was like, this is a this is a

611
00:26:56,359 --> 00:26:58,720
Speaker 1: cute movie. This is a cute movie. I like, yeah,

612
00:26:58,800 --> 00:27:02,040
Speaker 1: I mean yeah, the ending and he actually the critic

613
00:27:02,119 --> 00:27:04,040
Speaker 1: comes and eats the Ratitude and it goes to the

614
00:27:04,080 --> 00:27:07,040
Speaker 1: flashback of him. It's amazing. I mean that's a great storytelling. Yeah,

615
00:27:07,240 --> 00:27:11,080
Speaker 1: I mean yeah, So this they did the Viennese waltz

616
00:27:12,600 --> 00:27:16,520
Speaker 1: and it was the ratitudey song. This was fine.

617
00:27:16,840 --> 00:27:17,000
Speaker 2: You know.

618
00:27:17,040 --> 00:27:19,880
Speaker 1: There was a moment when we're watching it and Alex goes,

619
00:27:19,960 --> 00:27:24,480
Speaker 1: he's just walking yeah, and I was true, Yeah, it's true.

620
00:27:25,080 --> 00:27:30,520
Speaker 1: And like I said, Mouse makeup where Mouse is comfortable.

621
00:27:30,800 --> 00:27:32,080
Speaker 2: It's my favorite quote of the night.

622
00:27:32,160 --> 00:27:35,879
Speaker 1: Yeah, don't don't do that. It was like it was

623
00:27:35,880 --> 00:27:42,679
Speaker 1: an uncanny valley mouse Land not happy. I think, you know,

624
00:27:42,800 --> 00:27:44,120
Speaker 1: here's somebody who's clear.

625
00:27:44,119 --> 00:27:45,560
Speaker 2: And I'm not going to say skating by, because that's

626
00:27:45,600 --> 00:27:47,320
Speaker 2: not This is exactly how the show works and how

627
00:27:47,400 --> 00:27:48,920
Speaker 2: that show is supposed to work. But this is somebody

628
00:27:48,920 --> 00:27:51,359
Speaker 2: who's clearly just getting by every week because people like

629
00:27:51,440 --> 00:27:53,760
Speaker 2: him and it's the popular vote. I think, yeah, we've

630
00:27:53,840 --> 00:27:57,480
Speaker 2: probably seen the progression of his dancing. I don't think

631
00:27:57,480 --> 00:28:01,320
Speaker 2: you're gonna get much more. Who knows. Maybe he comes

632
00:28:01,320 --> 00:28:03,240
Speaker 2: out and kills it one week, it does something where

633
00:28:03,240 --> 00:28:04,200
Speaker 2: everyone's like, oh my god.

634
00:28:04,240 --> 00:28:06,239
Speaker 1: But I don't think so. I think he's not going

635
00:28:06,280 --> 00:28:08,320
Speaker 1: to be doing the quick step. No, And I.

636
00:28:08,280 --> 00:28:11,840
Speaker 2: Think it's kind of every week is going to be

637
00:28:11,880 --> 00:28:13,399
Speaker 2: kind of him moving around a bit, holding on to

638
00:28:13,440 --> 00:28:16,600
Speaker 2: his partner who dances around him. And he's hugely likable

639
00:28:16,600 --> 00:28:18,560
Speaker 2: when he does it, and you want to see him

640
00:28:18,560 --> 00:28:22,199
Speaker 2: every week. But I think if it's this is the

641
00:28:22,200 --> 00:28:23,919
Speaker 2: thing that Jensen said to us, if you vote for

642
00:28:23,960 --> 00:28:26,200
Speaker 2: your the worst dancer, he goes home. If you vote

643
00:28:26,240 --> 00:28:27,720
Speaker 2: for your favorite dancer, he stays.

644
00:28:28,640 --> 00:28:30,840
Speaker 1: So I don't think he's lasting more than a week.

645
00:28:30,920 --> 00:28:33,480
Speaker 1: I think he's gone next week. You think, yeah, because

646
00:28:33,480 --> 00:28:35,800
Speaker 1: the competition is just two fierce now. It starts too

647
00:28:35,840 --> 00:28:38,720
Speaker 1: many other likable people who are who are getting better

648
00:28:38,960 --> 00:28:42,280
Speaker 1: good technical dancing. Yeah, and then there are just flat

649
00:28:42,320 --> 00:28:45,000
Speaker 1: out amazing dancers. Right, Yeah, you've got because the professional

650
00:28:45,080 --> 00:28:48,440
Speaker 1: dancer Whitney. These people are like clearly going to be

651
00:28:48,520 --> 00:28:51,360
Speaker 1: in the top three, and so I think, I think,

652
00:28:51,480 --> 00:28:53,280
Speaker 1: just we're getting to the point where we can't just

653
00:28:53,440 --> 00:28:58,440
Speaker 1: keep having you know, Andy along for the ride. I know,

654
00:28:59,160 --> 00:29:01,720
Speaker 1: all right, next time up. Robert Irwin. Oh wait, what

655
00:29:01,800 --> 00:29:04,600
Speaker 1: did they get? Oh? They got sixes, which I thought

656
00:29:04,640 --> 00:29:04,920
Speaker 1: was fair.

657
00:29:04,960 --> 00:29:07,280
Speaker 2: Again Yeah, again, I don't think they've gotten They've never

658
00:29:07,320 --> 00:29:09,560
Speaker 2: gotten a seven. I don't believe they had five. All

659
00:29:09,560 --> 00:29:11,320
Speaker 2: five's the first week and all sixes ever since.

660
00:29:11,400 --> 00:29:13,360
Speaker 1: I think I think that's I think that's as high

661
00:29:13,400 --> 00:29:14,360
Speaker 1: as they can get.

662
00:29:14,520 --> 00:29:15,200
Speaker 2: I think so too.

663
00:29:15,960 --> 00:29:21,840
Speaker 1: Yeah, Robert Irwin, Whitney, Carson Zootopia and they got to see.

664
00:29:21,680 --> 00:29:24,720
Speaker 2: It, and he's likes so bad.

665
00:29:24,840 --> 00:29:26,840
Speaker 1: I know, Well, I didn't quite understand that because.

666
00:29:26,600 --> 00:29:28,400
Speaker 2: I think he's I think they made a character for

667
00:29:28,480 --> 00:29:29,960
Speaker 2: him in the movie. I think, isn't that what they're

668
00:29:29,960 --> 00:29:31,959
Speaker 2: saying is that? I think, did they or did they

669
00:29:32,040 --> 00:29:33,280
Speaker 2: just do that as like a one off?

670
00:29:33,360 --> 00:29:35,120
Speaker 1: Like in the movie we.

671
00:29:35,080 --> 00:29:37,760
Speaker 3: Were he voices a character in the new movie.

672
00:29:37,560 --> 00:29:39,600
Speaker 2: Coming out to see There you go? He gets to

673
00:29:39,800 --> 00:29:40,920
Speaker 2: he's also in it.

674
00:29:41,240 --> 00:29:44,959
Speaker 1: Wow, good for him, that's awesome. Yeah. Cool. Well, I

675
00:29:45,040 --> 00:29:47,120
Speaker 1: was jealous of them getting to watch. Yeah, of course

676
00:29:47,160 --> 00:29:49,720
Speaker 1: me too. What did you think of the dance?

677
00:29:50,080 --> 00:29:50,360
Speaker 3: Uh?

678
00:29:50,680 --> 00:29:53,120
Speaker 1: Boring? Yes, I like this.

679
00:29:53,240 --> 00:29:55,560
Speaker 2: He's falling off a little bit the last I think

680
00:29:55,600 --> 00:29:57,560
Speaker 2: he's opened the door for other people to come in.

681
00:29:57,760 --> 00:30:00,800
Speaker 1: I love this song actually, and there's it was nice

682
00:30:00,800 --> 00:30:03,640
Speaker 1: to see them sort of you know, dial back the

683
00:30:03,720 --> 00:30:08,280
Speaker 1: like fireworks again, but like I don't know, right, and yeah,

684
00:30:08,320 --> 00:30:11,880
Speaker 1: and you know this is this is the problem with

685
00:30:11,920 --> 00:30:15,640
Speaker 1: coming out so hot that first episode. Yes, we kind

686
00:30:15,640 --> 00:30:18,120
Speaker 1: of have high expectations. He's he is great. He's a

687
00:30:18,120 --> 00:30:21,360
Speaker 1: good dancer, ye, man, like you got to blow it

688
00:30:21,400 --> 00:30:24,200
Speaker 1: out now every time. And like I remember talking after

689
00:30:24,240 --> 00:30:27,160
Speaker 1: the first episode and being like, you know, that was amazing,

690
00:30:27,160 --> 00:30:29,320
Speaker 1: He's the best. And then I think it was Jensen

691
00:30:29,400 --> 00:30:31,360
Speaker 1: was like, yeah, but where do you go to here?

692
00:30:31,440 --> 00:30:33,880
Speaker 1: And it's true, like it is it's part of this.

693
00:30:34,240 --> 00:30:36,920
Speaker 1: Part of the fun of this show is watching someone progress,

694
00:30:37,000 --> 00:30:40,800
Speaker 1: watching someone do somebody something different. And it didn't This

695
00:30:40,960 --> 00:30:43,000
Speaker 1: just felt like a step like it was I don't know,

696
00:30:43,160 --> 00:30:45,040
Speaker 1: if you have done the first week's dance, this would

697
00:30:45,040 --> 00:30:46,920
Speaker 1: probably have been like, oh, he's great, he's great.

698
00:30:47,040 --> 00:30:49,680
Speaker 2: I also think the pre the pre dance package let

699
00:30:49,720 --> 00:30:52,120
Speaker 2: him down because they cut to him at one point

700
00:30:52,200 --> 00:30:54,080
Speaker 2: right before they start going, like he's going, I'm not

701
00:30:54,080 --> 00:30:55,960
Speaker 2: gonna do the accent, but like it's me and so

702
00:30:56,040 --> 00:30:57,600
Speaker 2: of course, you know it's gonna be high energy and

703
00:30:57,600 --> 00:30:59,200
Speaker 2: we're gonna go out there and do our thing. And

704
00:30:59,240 --> 00:31:01,560
Speaker 2: then it wasn't high energy at all. And because he

705
00:31:01,560 --> 00:31:03,400
Speaker 2: says that, it's like and then when Shakira kicks in,

706
00:31:03,760 --> 00:31:05,640
Speaker 2: you know whe're going. I was like, oh, man, so

707
00:31:05,720 --> 00:31:07,520
Speaker 2: when she starts singing, they're really going to pick it up.

708
00:31:07,520 --> 00:31:10,360
Speaker 2: And then they didn't pick it up, and I was like, oh, okay.

709
00:31:10,400 --> 00:31:13,120
Speaker 1: You know, you go from ripping your shirt off the

710
00:31:13,160 --> 00:31:16,120
Speaker 1: next week, you're going to like try and button up

711
00:31:16,120 --> 00:31:20,160
Speaker 1: a little bit more. He felt I think he felt

712
00:31:20,200 --> 00:31:22,320
Speaker 1: a little like he had gone too far. He felt

713
00:31:22,360 --> 00:31:24,320
Speaker 1: a little too free, so he was holding back a

714
00:31:24,320 --> 00:31:27,920
Speaker 1: little bit with their you know, decisions this week. And

715
00:31:28,520 --> 00:31:31,400
Speaker 1: all right, so they got seven, seven and eight. I

716
00:31:31,440 --> 00:31:33,520
Speaker 1: actually thought they could have had another eight in there.

717
00:31:33,440 --> 00:31:36,239
Speaker 2: Because I thought it was I don't disagree, but I

718
00:31:36,280 --> 00:31:38,760
Speaker 2: agree with you that it was. You know, technically, it

719
00:31:38,800 --> 00:31:41,320
Speaker 2: seems he's he now seems like he's working on dancing,

720
00:31:41,400 --> 00:31:43,200
Speaker 2: like a technically becoming a better dancer.

721
00:31:43,800 --> 00:31:44,160
Speaker 1: But it was.

722
00:31:44,200 --> 00:31:45,320
Speaker 2: I found it a little more.

723
00:31:58,160 --> 00:32:00,840
Speaker 1: All right. Then we had Elaine Hendrix and Alan Burston.

724
00:32:01,800 --> 00:32:04,200
Speaker 1: So cool that she's the voice of Or she was

725
00:32:04,240 --> 00:32:06,440
Speaker 1: one of the actors is the part of the Space

726
00:32:06,480 --> 00:32:09,280
Speaker 1: Mountain pre show package, and that was cool. I love that.

727
00:32:09,760 --> 00:32:12,120
Speaker 1: I would love to be one of those people before

728
00:32:12,560 --> 00:32:15,160
Speaker 1: a ride, wouldn't Isn't that like an accomplishment as an actor?

729
00:32:15,440 --> 00:32:17,680
Speaker 1: Like I didn't you did? For of course?

730
00:32:17,720 --> 00:32:20,160
Speaker 2: That My my rap song, the Nickelodeon Rap Song, was

731
00:32:20,200 --> 00:32:22,400
Speaker 2: on the tour at Universal when you go through Nickelodeon

732
00:32:22,440 --> 00:32:24,160
Speaker 2: before you get on the ride, on there rapping to

733
00:32:24,200 --> 00:32:25,560
Speaker 2: you and then you go you go from there.

734
00:32:25,640 --> 00:32:28,400
Speaker 1: Yeah, that's so cool man. Oh it was great. Yeah,

735
00:32:28,400 --> 00:32:29,520
Speaker 1: it was great, awesome.

736
00:32:29,840 --> 00:32:32,320
Speaker 2: And you remember our most famous boy, metrold Alum who

737
00:32:32,320 --> 00:32:34,200
Speaker 2: did it was for the Back to the Future ride.

738
00:32:34,360 --> 00:32:38,000
Speaker 2: Was the right turner's Turner's girlfriend. Now I can't remember

739
00:32:38,040 --> 00:32:40,400
Speaker 2: who played Kat Thompson, but I can't remember her name. Yeah,

740
00:32:40,520 --> 00:32:43,760
Speaker 2: she was and came perfectly exactly. She came on pod too,

741
00:32:43,800 --> 00:32:46,720
Speaker 2: but yes she was. You go to to the Back

742
00:32:46,760 --> 00:32:49,400
Speaker 2: to the Future ride and there's her giant, giant crowds

743
00:32:49,440 --> 00:32:50,880
Speaker 2: watching her do her thing. It's so neat.

744
00:32:51,000 --> 00:32:55,880
Speaker 1: That was so cool. They were dancing to the song

745
00:32:55,960 --> 00:32:59,160
Speaker 1: from Space Mountain. I didn't know there was what I

746
00:32:59,200 --> 00:33:04,080
Speaker 1: didn't know there was Nope. I think she is an

747
00:33:04,160 --> 00:33:08,000
Speaker 1: excellent dancer. I just this was just kind of not

748
00:33:08,080 --> 00:33:14,160
Speaker 1: my style, right, So I fel like, yeah, you enjoyed it. Yeah, yeah,

749
00:33:14,200 --> 00:33:14,520
Speaker 1: I mean.

750
00:33:14,440 --> 00:33:17,120
Speaker 2: Again, it was I think also coming off of Robert

751
00:33:17,160 --> 00:33:20,040
Speaker 2: Irwin where I was I was a little let down,

752
00:33:20,240 --> 00:33:22,840
Speaker 2: I guess, with expecting some excitement and some stuff, and

753
00:33:22,840 --> 00:33:24,120
Speaker 2: it was just kind of like, oh, they're dancing and

754
00:33:24,160 --> 00:33:26,720
Speaker 2: it's okay. This was a nice change of pace. I

755
00:33:26,720 --> 00:33:29,360
Speaker 2: thought the Space mountainey aspect of it, where it was

756
00:33:29,440 --> 00:33:33,280
Speaker 2: like it was alien and stuff, but almost from the sixties. Yeah,

757
00:33:33,360 --> 00:33:34,840
Speaker 2: so there's that kind of almost go go.

758
00:33:34,880 --> 00:33:36,160
Speaker 1: Vibe to it, which I thought was cool.

759
00:33:36,200 --> 00:33:38,080
Speaker 2: I liked the light show at the beginning, so I

760
00:33:39,040 --> 00:33:41,480
Speaker 2: was in I thought this question, and she's she's another

761
00:33:41,480 --> 00:33:45,120
Speaker 2: one who's so likable, right that you're kind of rooting

762
00:33:45,160 --> 00:33:45,480
Speaker 2: for her.

763
00:33:45,680 --> 00:33:47,680
Speaker 1: It's funny because, like you know, I could tell by

764
00:33:47,720 --> 00:33:50,560
Speaker 1: the way the audience reacted and by the judges who

765
00:33:50,800 --> 00:33:54,400
Speaker 1: they gave them eight's across the board. I was like, oh,

766
00:33:54,480 --> 00:33:56,800
Speaker 1: this is really good. It's just not for me. Like

767
00:33:56,960 --> 00:33:59,400
Speaker 1: there's this kind of campy approach to dancing and this

768
00:33:59,520 --> 00:34:02,440
Speaker 1: kind of like bouncy thing happening that I was just like, uh,

769
00:34:02,640 --> 00:34:05,440
Speaker 1: you know, like this is just isn't my style. But

770
00:34:05,600 --> 00:34:08,799
Speaker 1: that has nothing to do with their actual capabilities or

771
00:34:08,960 --> 00:34:13,160
Speaker 1: you know, talent, because they clearly have it. So yeah,

772
00:34:13,200 --> 00:34:16,359
Speaker 1: that was great and yeah good high score.

773
00:34:16,120 --> 00:34:19,560
Speaker 2: Yeah, high score and high score. She's gotten so far,

774
00:34:19,600 --> 00:34:22,080
Speaker 2: I think, yeah, yeah.

775
00:34:21,600 --> 00:34:24,239
Speaker 1: And deservedly so, like she's gotten even better like week

776
00:34:24,280 --> 00:34:26,359
Speaker 1: to week, so I think, you know.

777
00:34:26,360 --> 00:34:28,960
Speaker 2: Yeah, another one progressing. But that's one of the things

778
00:34:28,960 --> 00:34:30,480
Speaker 2: I'm gonna go back to my best friend. Sorry, this

779
00:34:30,560 --> 00:34:32,520
Speaker 2: is what I'm what we're here for. That's one of

780
00:34:32,560 --> 00:34:34,319
Speaker 2: the things that upset me about last night is because

781
00:34:34,320 --> 00:34:36,680
Speaker 2: by giving Danielle three sevens again, they're saying you have

782
00:34:36,800 --> 00:34:38,719
Speaker 2: not progressed from last week. And I don't buy that.

783
00:34:39,080 --> 00:34:41,760
Speaker 2: I don't. I don't think that's accurate. She has gotten

784
00:34:41,800 --> 00:34:44,560
Speaker 2: better from the first week to now, and they're not

785
00:34:45,080 --> 00:34:46,520
Speaker 2: showing that in the scoring at all.

786
00:34:46,400 --> 00:34:51,000
Speaker 1: In my opinion. Okay, next up Whitney and Mark.

787
00:34:51,760 --> 00:34:54,040
Speaker 2: Two professional dancers on a dance show.

788
00:34:55,040 --> 00:34:56,840
Speaker 1: I mean, this was truly amazing.

789
00:34:57,000 --> 00:35:01,560
Speaker 2: Of course, of course it was Yeah, virtuoso pianist playing

790
00:35:01,600 --> 00:35:02,080
Speaker 2: the piano.

791
00:35:02,600 --> 00:35:07,520
Speaker 1: Yeah, And they were doing Hamilton the rate where it happens,

792
00:35:08,200 --> 00:35:11,560
Speaker 1: which again for me, had this storytelling component that I

793
00:35:11,640 --> 00:35:14,400
Speaker 1: just love. Yea, you know, I'm just clearly more of

794
00:35:14,440 --> 00:35:17,600
Speaker 1: a like a musical type of person, like I want

795
00:35:17,600 --> 00:35:19,800
Speaker 1: there to be characters. I want to know what's happening,

796
00:35:20,560 --> 00:35:22,560
Speaker 1: and like, you know, when she shot him at the end,

797
00:35:22,600 --> 00:35:24,600
Speaker 1: I was like, oh my god, this is amazing. It

798
00:35:25,000 --> 00:35:28,160
Speaker 1: like captured the essence of Hamilton, told us a sort

799
00:35:28,160 --> 00:35:30,000
Speaker 1: of story and struggle between.

800
00:35:29,719 --> 00:35:32,320
Speaker 2: Them, And do you think it was fair using Hamilton

801
00:35:33,640 --> 00:35:36,120
Speaker 2: because it's the only thing Disney is that Disney licensed

802
00:35:36,120 --> 00:35:37,440
Speaker 2: it to put it on Disney Plus.

803
00:35:37,520 --> 00:35:37,840
Speaker 1: Yeah.

804
00:35:37,880 --> 00:35:40,480
Speaker 2: So I mean there's nothing Disney about Hamilton at all

805
00:35:40,480 --> 00:35:42,480
Speaker 2: other than you can watch it on the Disney platform.

806
00:35:43,000 --> 00:35:44,360
Speaker 2: So is this kind of a cheat?

807
00:35:44,640 --> 00:35:47,279
Speaker 1: But who cares? Like, I know, I'm just curious. It's like,

808
00:35:47,360 --> 00:35:52,160
Speaker 1: you know, it's there's nothing Disney about Hamilton, right, I mean,

809
00:35:52,200 --> 00:35:54,200
Speaker 1: I guess when I think about the idea that like

810
00:35:54,320 --> 00:35:57,960
Speaker 1: other people were choosing rides and the theme songs from a

811
00:35:58,120 --> 00:36:01,600
Speaker 1: ride from when they clearly just chose a song they

812
00:36:01,640 --> 00:36:03,479
Speaker 1: wanted to do and a story they wanted to tell.

813
00:36:03,960 --> 00:36:06,319
Speaker 1: I guess it is, But like, I mean, do they

814
00:36:06,400 --> 00:36:08,240
Speaker 1: stop people from choosing other things?

815
00:36:08,600 --> 00:36:10,840
Speaker 2: Like, I don't know. I still know who chooses because

816
00:36:10,840 --> 00:36:14,520
Speaker 2: in some of the pre show packages, the uh, celebrity

817
00:36:14,560 --> 00:36:16,200
Speaker 2: is going and this week where dancing to it. In

818
00:36:16,280 --> 00:36:18,480
Speaker 2: other ones it's the professional saying, hey, this week, guess

819
00:36:18,480 --> 00:36:20,200
Speaker 2: what we're dancing too. So I still don't know who

820
00:36:20,200 --> 00:36:20,600
Speaker 2: picks it.

821
00:36:20,719 --> 00:36:22,920
Speaker 1: I see. I mean, because you know, Disney, could you

822
00:36:22,960 --> 00:36:25,600
Speaker 1: could do Marvel, you could do right, I mean they

823
00:36:25,600 --> 00:36:27,279
Speaker 1: could have done somebody could have done a Guardians of

824
00:36:27,280 --> 00:36:31,399
Speaker 1: the Galaxy thing, right, which doesn't feel Disney, but it

825
00:36:31,440 --> 00:36:34,360
Speaker 1: is technically Disney Company. I don't know, man, that's a

826
00:36:34,360 --> 00:36:35,880
Speaker 1: good point. I don't know. I'm curious.

827
00:36:36,000 --> 00:36:38,120
Speaker 2: I mean, Disney is also ABC. Could somebody have danced

828
00:36:38,160 --> 00:36:39,359
Speaker 2: to the Boy Meets World theme song?

829
00:36:39,600 --> 00:36:45,400
Speaker 1: That would have been great? Just this boom, it's that

830
00:36:45,440 --> 00:36:48,440
Speaker 1: would well? This was I thought, this was truly amazing.

831
00:36:48,520 --> 00:36:51,840
Speaker 1: And of course it was there with with Alex and

832
00:36:52,040 --> 00:36:56,720
Speaker 1: Val doing the Maleficent dance, and this got the first

833
00:36:56,880 --> 00:37:00,759
Speaker 1: nine of the season agreed with it too. It was yeah,

834
00:37:00,840 --> 00:37:03,200
Speaker 1: I agreed, but I still in retrospect, I would have

835
00:37:03,200 --> 00:37:04,359
Speaker 1: given Alex and Vaalen nine.

836
00:37:04,560 --> 00:37:06,839
Speaker 2: So I think So too still wasn't my favorite dance

837
00:37:06,840 --> 00:37:08,480
Speaker 2: of the night. Alex and val were still my favorite

838
00:37:08,520 --> 00:37:12,600
Speaker 2: dance of the night. But this is again it's I'm

839
00:37:12,640 --> 00:37:14,600
Speaker 2: not gonna keep harping on the professional thing. I mean,

840
00:37:14,719 --> 00:37:16,440
Speaker 2: this is she should be on so you think you

841
00:37:16,480 --> 00:37:19,680
Speaker 2: can dance, not Dancing with the Stars. So so you

842
00:37:19,719 --> 00:37:21,520
Speaker 2: think you can dance? I think is professional dancers and

843
00:37:21,560 --> 00:37:23,200
Speaker 2: people that have been struggling to dance her whole life

844
00:37:23,280 --> 00:37:24,680
Speaker 2: now getting a break to try to dance.

845
00:37:25,239 --> 00:37:27,680
Speaker 1: Oh that's not Hey, we're celebrities.

846
00:37:27,719 --> 00:37:30,759
Speaker 2: Who's gonna teach No, we're gonna teach you how to dance,

847
00:37:30,760 --> 00:37:32,520
Speaker 2: Which clearly you don't have to teach her how to dance.

848
00:37:32,560 --> 00:37:34,560
Speaker 1: She's a professionals dancer needs to dance.

849
00:37:34,920 --> 00:37:38,360
Speaker 2: Yeah, so, and she's great at it. She's she's easy

850
00:37:38,400 --> 00:37:41,719
Speaker 2: to look at, she dresses amazingly, she's personable, she got

851
00:37:41,760 --> 00:37:43,279
Speaker 2: a big smile on her face, she's obviously having a

852
00:37:43,320 --> 00:37:43,719
Speaker 2: ton of fun.

853
00:37:43,719 --> 00:37:46,239
Speaker 1: I'm not trying, not holding anything against her, she's just

854
00:37:46,560 --> 00:37:51,480
Speaker 1: on the wrong show. Yeah, uh, next up, Jordan and Ezra.

855
00:37:52,840 --> 00:37:53,960
Speaker 1: I just love her so much.

856
00:37:54,120 --> 00:37:54,560
Speaker 2: Let me too.

857
00:37:55,760 --> 00:37:58,440
Speaker 1: I was excited to see that. And I also like,

858
00:37:58,680 --> 00:38:02,160
Speaker 1: cannot believe the height difference between these two, Like did

859
00:38:02,200 --> 00:38:03,000
Speaker 1: you keep noticing this?

860
00:38:03,200 --> 00:38:06,440
Speaker 2: Like it's huge, it's huge, and she's fine.

861
00:38:06,520 --> 00:38:08,400
Speaker 1: She's really she's really small. So I don't, you know,

862
00:38:08,480 --> 00:38:11,680
Speaker 1: I knew they were just like okay, but they still

863
00:38:11,719 --> 00:38:15,560
Speaker 1: make it work. I thought they were great. They danced

864
00:38:16,080 --> 00:38:20,759
Speaker 1: to special Spice. I have never seen the movie The

865
00:38:20,920 --> 00:38:26,719
Speaker 1: Frog Princess, so what have you no? Okay? And so

866
00:38:26,960 --> 00:38:32,560
Speaker 1: this by you Adventure. This is the rebrand of of

867
00:38:32,880 --> 00:38:36,120
Speaker 1: Splash Mountain. Okay, Oh is that what it is? Yeah?

868
00:38:36,160 --> 00:38:37,760
Speaker 1: I think it's just Splash and they just took.

869
00:38:37,640 --> 00:38:41,000
Speaker 3: They re themed it to Princess and The Frog.

870
00:38:41,880 --> 00:38:45,720
Speaker 1: South is one of the shameful moments in Disney history.

871
00:38:46,160 --> 00:38:49,600
Speaker 1: So yeah, yeah, okay, moving right along.

872
00:38:50,719 --> 00:38:50,839
Speaker 2: Uh.

873
00:38:51,760 --> 00:38:55,279
Speaker 1: I thought this wall that they started behind was a

874
00:38:55,360 --> 00:38:59,080
Speaker 1: little weird yep, and getting out of it took like

875
00:38:59,160 --> 00:39:01,440
Speaker 1: an extra couple of you know, she kind of threw

876
00:39:01,520 --> 00:39:03,440
Speaker 1: him over and he jumped over, but then she had

877
00:39:03,440 --> 00:39:05,279
Speaker 1: to get out and I was like, guys, that was

878
00:39:05,360 --> 00:39:09,080
Speaker 1: just an awkward choice. And then also as much as

879
00:39:09,160 --> 00:39:12,799
Speaker 1: her dress was beautiful, it kind of hurt the quick

880
00:39:12,840 --> 00:39:13,480
Speaker 1: step factor.

881
00:39:14,840 --> 00:39:15,680
Speaker 2: Yeah, I can see that.

882
00:39:16,040 --> 00:39:17,239
Speaker 1: It was like she would you know, she had the

883
00:39:17,280 --> 00:39:20,359
Speaker 1: big ballroom princess dress, but then it was a quick step,

884
00:39:20,680 --> 00:39:22,840
Speaker 1: so I wanted to see her quick legs. And I

885
00:39:22,920 --> 00:39:25,040
Speaker 1: know she was doing it right, and they scored her well,

886
00:39:25,560 --> 00:39:27,160
Speaker 1: and but I was just like, you know, I don't

887
00:39:27,160 --> 00:39:28,879
Speaker 1: know if that was the best choice. So I feel

888
00:39:28,920 --> 00:39:32,240
Speaker 1: like some production choices, like if they had not started

889
00:39:32,280 --> 00:39:34,640
Speaker 1: with that wall or the you know, the porch that

890
00:39:34,719 --> 00:39:36,759
Speaker 1: she was on and the gate in front of her,

891
00:39:37,000 --> 00:39:39,920
Speaker 1: and then chosen or found a way for us to

892
00:39:39,960 --> 00:39:42,560
Speaker 1: be able to see her legs better, I think it

893
00:39:42,840 --> 00:39:45,360
Speaker 1: would have probably gotten a nine from at least one

894
00:39:45,400 --> 00:39:45,960
Speaker 1: of the judges.

895
00:39:47,040 --> 00:39:49,800
Speaker 2: But yeah, she's another one totally likable that she I

896
00:39:49,920 --> 00:39:52,719
Speaker 2: thought last week Robert opened the door for her to

897
00:39:53,440 --> 00:39:56,640
Speaker 2: take the top spot. Yeah, but there's a couple people

898
00:39:56,719 --> 00:39:59,719
Speaker 2: now that I think could really jump into that top role.

899
00:40:00,840 --> 00:40:01,480
Speaker 1: And I agree with you.

900
00:40:01,520 --> 00:40:03,920
Speaker 2: If you take again one of my guys, Michael Flatley,

901
00:40:03,920 --> 00:40:05,160
Speaker 2: Lord of the Dance, and put him in a long

902
00:40:05,280 --> 00:40:08,080
Speaker 2: dress so you can't see his feet moving independently of

903
00:40:08,120 --> 00:40:11,840
Speaker 2: his body, then what's the point. But she's she's and

904
00:40:11,920 --> 00:40:14,520
Speaker 2: it's it's so funny that you mentioned the height difference

905
00:40:14,560 --> 00:40:19,239
Speaker 2: because Scott and his partner definitely have a height disadvantage too,

906
00:40:19,360 --> 00:40:21,560
Speaker 2: and it was so noticeable in the first couple of weeks.

907
00:40:21,680 --> 00:40:24,040
Speaker 2: Now it seems like they're kind of dancing better together,

908
00:40:24,560 --> 00:40:26,920
Speaker 2: whereas you never really noticed it with Jordan and her.

909
00:40:27,000 --> 00:40:29,200
Speaker 1: Jordan, No, not while they're dancing. It's only when they're

910
00:40:29,200 --> 00:40:31,880
Speaker 1: standing next to each other before and after that, I'm like, oh,

911
00:40:32,080 --> 00:40:35,440
Speaker 1: but when they're dancing, I'm totally on. Like that's it's

912
00:40:35,520 --> 00:40:37,399
Speaker 1: really a tribute to them that they're making at work,

913
00:40:37,440 --> 00:40:38,680
Speaker 1: and it makes it feel natural.

914
00:40:39,080 --> 00:40:42,040
Speaker 2: And you just see her athleticism. She's obviously so comfortable

915
00:40:42,040 --> 00:40:43,560
Speaker 2: in her body and knows what she's doing and knows

916
00:40:43,600 --> 00:40:45,000
Speaker 2: how to move it and is great.

917
00:40:45,280 --> 00:40:50,399
Speaker 1: Yeah, all right, Jan and Jehan closing out the night

918
00:40:51,560 --> 00:40:59,239
Speaker 1: with Aladdin a friend like me, This was again not

919
00:40:59,360 --> 00:41:03,720
Speaker 1: comfortable with the up. I thought this was okay.

920
00:41:04,280 --> 00:41:07,719
Speaker 2: Did you see the confetti afterwards? All stuck to his body? Yeah,

921
00:41:08,080 --> 00:41:11,720
Speaker 2: stuck to the blue paint's.

922
00:41:13,040 --> 00:41:15,480
Speaker 1: But I thought this was very fun and expressive and

923
00:41:15,680 --> 00:41:19,000
Speaker 1: like character based for them, which is cool. But you know,

924
00:41:19,120 --> 00:41:22,160
Speaker 1: when she like did her like walk over or back

925
00:41:22,239 --> 00:41:24,759
Speaker 1: walk over and stuff, I don't know I just I

926
00:41:24,880 --> 00:41:28,399
Speaker 1: was kind of like, what, I guess, it's okay, it's

927
00:41:28,520 --> 00:41:30,879
Speaker 1: it's a jazz dance, which is this is the first

928
00:41:31,000 --> 00:41:33,600
Speaker 1: jazz we've seen. And like halfway through, I was like, so,

929
00:41:33,719 --> 00:41:35,560
Speaker 1: jazz just means kind of whatever you want to do

930
00:41:36,360 --> 00:41:40,680
Speaker 1: when you listen to jazz, exactly what it is to

931
00:41:40,800 --> 00:41:42,839
Speaker 1: dance too. Is it like the idea that you can

932
00:41:42,880 --> 00:41:44,520
Speaker 1: incorporate kind of steps from anything.

933
00:41:44,960 --> 00:41:48,400
Speaker 2: I guess, well, I know, of course, I know, and

934
00:41:48,480 --> 00:41:50,399
Speaker 2: we'll get into that when we get into the history. Sure,

935
00:41:50,680 --> 00:41:52,520
Speaker 2: but I don't want to give that away now until

936
00:41:52,600 --> 00:41:55,160
Speaker 2: Danielle has to do it. But yes, I to me,

937
00:41:55,280 --> 00:41:57,160
Speaker 2: this was a little bit of a wa wah end

938
00:41:57,200 --> 00:41:59,000
Speaker 2: to the night where I was like, Okay, that's kind

939
00:41:59,040 --> 00:42:00,200
Speaker 2: of okay, we're just done now.

940
00:42:01,160 --> 00:42:02,720
Speaker 1: It was it wasn't my least favorite.

941
00:42:02,880 --> 00:42:05,319
Speaker 2: The least favorite was still the weird Star Wars canteena dance,

942
00:42:05,400 --> 00:42:07,400
Speaker 2: but this was this was a close second to my

943
00:42:07,520 --> 00:42:10,000
Speaker 2: least favorite dance of the night. Right, So, and she's

944
00:42:10,040 --> 00:42:11,920
Speaker 2: adorable and you want to see her dance and they're

945
00:42:11,960 --> 00:42:14,840
Speaker 2: they're great together, even if he's in his strange blue makeup,

946
00:42:14,920 --> 00:42:18,759
Speaker 2: which was off putting. But yeah, it was just kind

947
00:42:18,800 --> 00:42:20,880
Speaker 2: of okay, and they got.

948
00:42:20,840 --> 00:42:25,440
Speaker 1: Seven, eight and eight. Uh, I would have can't one

949
00:42:25,520 --> 00:42:26,759
Speaker 1: more on the seven side of things?

950
00:42:26,840 --> 00:42:31,399
Speaker 2: Yeah, yeah, that gets two eight and Danielle gets three sevens. Yeah,

951
00:42:31,440 --> 00:42:32,000
Speaker 2: I didn't get it.

952
00:42:32,400 --> 00:42:35,040
Speaker 1: That's the comparison that I would say is makes it

953
00:42:35,040 --> 00:42:37,359
Speaker 1: seem a little unfair that Danielle only got sevens. Yes,

954
00:42:38,080 --> 00:42:41,600
Speaker 1: I agree. I think we're biased, all right. And we

955
00:42:41,719 --> 00:42:46,680
Speaker 1: came to the elimination round, uh, which was very depressing

956
00:42:46,760 --> 00:42:49,160
Speaker 1: to see Danielle and racketing.

957
00:42:49,320 --> 00:42:51,480
Speaker 2: I couldn't imagine standing up there.

958
00:42:51,640 --> 00:42:55,080
Speaker 1: I know they're you know, they're pulling on our heart strings,

959
00:42:55,120 --> 00:42:57,279
Speaker 1: they're manipulating us. They're you know, making sure that we

960
00:42:57,360 --> 00:43:01,200
Speaker 1: get out and vote and keep supporting our favorites.

961
00:43:01,320 --> 00:43:03,560
Speaker 2: So well, now it's a tough question for you because

962
00:43:03,640 --> 00:43:05,279
Speaker 2: apparently I was wrong. I thought she was in the

963
00:43:05,280 --> 00:43:07,759
Speaker 2: bottom three, so I guess maybe she wasn't. Do you

964
00:43:07,840 --> 00:43:09,439
Speaker 2: think she was in the bottom three of voting.

965
00:43:09,600 --> 00:43:12,360
Speaker 1: I don't think so. Okay, I think I think that

966
00:43:12,480 --> 00:43:16,560
Speaker 1: they are. I think she's in the bottom of the judges.

967
00:43:16,719 --> 00:43:19,560
Speaker 1: But I think the popular vote people, I know, people

968
00:43:19,640 --> 00:43:22,600
Speaker 1: love Danielle, you know, and like she know this, people

969
00:43:22,680 --> 00:43:25,920
Speaker 1: are going to keep voting for her just you know,

970
00:43:26,040 --> 00:43:30,279
Speaker 1: her personality and how hard she's working. So I don't

971
00:43:30,280 --> 00:43:32,040
Speaker 1: think she actually is in the bottom three, but I

972
00:43:32,080 --> 00:43:34,200
Speaker 1: think it was a little reminder to be like, it's

973
00:43:34,239 --> 00:43:37,279
Speaker 1: not always going to be easy, and it is really

974
00:43:37,320 --> 00:43:40,279
Speaker 1: stiff competition this year. Like huge that I say this year,

975
00:43:40,320 --> 00:43:43,239
Speaker 1: like I've watched other years, but it seems like, I mean,

976
00:43:43,320 --> 00:43:45,719
Speaker 1: it's always this hard, but it just seems like, you know, yeah,

977
00:43:45,800 --> 00:43:48,640
Speaker 1: I like almost everybody, now, do you know what I mean? Like,

978
00:43:48,800 --> 00:43:51,800
Speaker 1: I'm like, everybody deserves to be here, yeah, you know,

979
00:43:51,960 --> 00:43:55,160
Speaker 1: for for different reasons, but they're like that that I'm like,

980
00:43:55,320 --> 00:43:57,400
Speaker 1: Andy is the only one. I'm like, buddy, you got

981
00:43:57,520 --> 00:43:59,200
Speaker 1: to get out of the way now, because right, it

982
00:43:59,280 --> 00:44:01,319
Speaker 1: was awesome, but she got to get out of the way.

983
00:44:01,440 --> 00:44:01,560
Speaker 2: Yes.

984
00:44:01,719 --> 00:44:04,280
Speaker 1: But then when I start looking at you know who's left,

985
00:44:04,960 --> 00:44:07,400
Speaker 1: you know now that Hilaria because that was the result,

986
00:44:07,480 --> 00:44:10,400
Speaker 1: Hilaria and Gleb We're voted off, which I kind of

987
00:44:10,520 --> 00:44:13,320
Speaker 1: expected me too, I guess, because maybe I thought it

988
00:44:13,400 --> 00:44:15,520
Speaker 1: was going to happen last week. But then when the

989
00:44:15,640 --> 00:44:19,239
Speaker 1: dance this week was just kind of I was like, oh,

990
00:44:19,320 --> 00:44:22,799
Speaker 1: well that, you know, maybe they could they had had

991
00:44:22,840 --> 00:44:23,839
Speaker 1: a better dance this week.

992
00:44:26,480 --> 00:44:28,439
Speaker 2: Then who would they know because I don't think she says.

993
00:44:28,520 --> 00:44:30,719
Speaker 2: I don't think she's getting It's exactly what you said

994
00:44:30,760 --> 00:44:32,680
Speaker 2: with the judges. She's not getting the popular vote like

995
00:44:32,800 --> 00:44:33,880
Speaker 2: daniel or Andy you're getting there.

996
00:44:33,960 --> 00:44:36,400
Speaker 1: She's getting the judges vote like she has way more judges,

997
00:44:36,600 --> 00:44:38,960
Speaker 1: like Hilaria was doing way better in terms of the

998
00:44:39,040 --> 00:44:42,120
Speaker 1: judges than Danielle. Yeah, so this was just a popular

999
00:44:42,200 --> 00:44:42,960
Speaker 1: vote decision.

1000
00:44:43,400 --> 00:44:45,520
Speaker 2: And did you see all of all of the talent,

1001
00:44:45,600 --> 00:44:47,880
Speaker 2: by the way, except Danielle. I don't think Danielle said it,

1002
00:44:47,920 --> 00:44:49,960
Speaker 2: but a lot of them were talking about basically, if

1003
00:44:50,000 --> 00:44:51,919
Speaker 2: you keep me around next week, wait till you see

1004
00:44:51,960 --> 00:44:54,359
Speaker 2: what I have in store for you next week, right right,

1005
00:44:54,480 --> 00:44:56,080
Speaker 2: which is the first time I've heard that. I've never

1006
00:44:56,160 --> 00:44:58,439
Speaker 2: heard the other I mean, Dylan said that. A couple

1007
00:44:58,440 --> 00:45:00,360
Speaker 2: of people said that where it's and a it was

1008
00:45:00,360 --> 00:45:01,520
Speaker 2: one of them where it was I think she was

1009
00:45:01,560 --> 00:45:03,919
Speaker 2: going to dance with Alec Baldlin next week, And people

1010
00:45:03,960 --> 00:45:05,319
Speaker 2: are like, yeah, that's that's all.

1011
00:45:05,280 --> 00:45:09,000
Speaker 1: Right, all right. Well, luckily Danielle did not get eliminated,

1012
00:45:09,360 --> 00:45:12,000
Speaker 1: thank god. I didn't really think it was gonna happen, but.

1013
00:45:12,680 --> 00:45:16,520
Speaker 2: I didn't know. I truly didn't know, because again I'm like,

1014
00:45:16,719 --> 00:45:18,799
Speaker 2: I don't. I still don't get the scoring. I still

1015
00:45:18,800 --> 00:45:21,000
Speaker 2: don't get the judging. I still don't get how they're

1016
00:45:21,040 --> 00:45:23,759
Speaker 2: picking these numbers. So I was nervous because I was like,

1017
00:45:23,880 --> 00:45:25,840
Speaker 2: I don't. I don't understand how. And it's the not

1018
00:45:26,040 --> 00:45:28,080
Speaker 2: knowing that makes me so nervous because I'm like, don't,

1019
00:45:28,080 --> 00:45:29,520
Speaker 2: I don't know how they're scoring this. I don't know

1020
00:45:29,520 --> 00:45:29,960
Speaker 2: what's going on.

1021
00:45:31,080 --> 00:45:33,759
Speaker 1: Yeah, it was rough, all right, you got a question

1022
00:45:33,880 --> 00:45:34,080
Speaker 1: for me?

1023
00:45:34,440 --> 00:45:36,920
Speaker 2: I do, of course, As you know, every week we

1024
00:45:37,400 --> 00:45:40,239
Speaker 2: are going for our little segment that we like to

1025
00:45:40,280 --> 00:45:42,359
Speaker 2: call the strong incentive, and that's what it would take

1026
00:45:42,400 --> 00:45:44,120
Speaker 2: to get right or strong to be a contestant on

1027
00:45:44,239 --> 00:45:46,600
Speaker 2: Dancing with the Stars. Now, if everybody recalls and they've

1028
00:45:46,600 --> 00:45:48,879
Speaker 2: been with us every week, the first week, somebody showed

1029
00:45:48,920 --> 00:45:50,640
Speaker 2: up at his house with a case filled with five

1030
00:45:50,719 --> 00:45:53,680
Speaker 2: hundred thousand dollars in cash, straight up cash riders said,

1031
00:45:53,760 --> 00:45:58,240
Speaker 2: get off my porch, I'm armed. Second week, we added

1032
00:45:58,400 --> 00:46:00,440
Speaker 2: to that five hundred thousand dollars in cash with a

1033
00:46:00,840 --> 00:46:05,000
Speaker 2: brand new Airstream sprinter van. I think it was came

1034
00:46:05,040 --> 00:46:06,840
Speaker 2: to us. It was an Atlas sprinter van with the

1035
00:46:06,960 --> 00:46:10,200
Speaker 2: extended cab which was went through Ryder entirely, but it

1036
00:46:10,760 --> 00:46:12,440
Speaker 2: was over a three hundred thousand dollars value, where at

1037
00:46:12,480 --> 00:46:15,000
Speaker 2: eight hundred thousand dollars of cash and prizes, and Rider

1038
00:46:15,080 --> 00:46:16,520
Speaker 2: was still in his porch with a shotgun.

1039
00:46:17,480 --> 00:46:20,480
Speaker 1: Third week, quite armed, making me a great question. Rider.

1040
00:46:20,560 --> 00:46:21,399
Speaker 1: We'll talk about that later.

1041
00:46:21,480 --> 00:46:27,239
Speaker 2: Third week, somebody found Sean's original leather jacket and threw

1042
00:46:27,320 --> 00:46:28,960
Speaker 2: that into the mix, and that was tough, going for

1043
00:46:29,080 --> 00:46:29,799
Speaker 2: a soft.

1044
00:46:29,640 --> 00:46:31,080
Speaker 1: Turn under against the fans.

1045
00:46:32,400 --> 00:46:34,640
Speaker 2: Hey, I didn't turn you against anything. I'm just making offers,

1046
00:46:34,680 --> 00:46:35,040
Speaker 2: my friend.

1047
00:46:35,200 --> 00:46:37,160
Speaker 1: And now I have to wear the leather jacket on

1048
00:46:37,320 --> 00:46:38,200
Speaker 1: Dancing with the Stars.

1049
00:46:38,440 --> 00:46:43,799
Speaker 2: Ugh, no, god, All right, this week, Rider, we're going

1050
00:46:43,840 --> 00:46:47,360
Speaker 2: to see how well I know you, because now that

1051
00:46:47,480 --> 00:46:49,800
Speaker 2: you're once again on your porch and another box arrives

1052
00:46:49,960 --> 00:46:53,560
Speaker 2: and you open it up and it's your in mint

1053
00:46:53,640 --> 00:46:58,400
Speaker 2: condition original magic cards that you heard from back in

1054
00:46:58,480 --> 00:47:04,680
Speaker 2: the day, with a perfect condition black Lotus card thrown in.

1055
00:47:05,320 --> 00:47:07,600
Speaker 1: Wait a minute, how much is a black Lotus worth?

1056
00:47:08,000 --> 00:47:09,680
Speaker 1: I think the last one just sold for six hundred

1057
00:47:09,719 --> 00:47:17,960
Speaker 1: thousand dollars. Oh my god, you're so mean. Okay, so

1058
00:47:18,040 --> 00:47:20,719
Speaker 1: what would my what like all my original cars from

1059
00:47:20,880 --> 00:47:21,360
Speaker 1: like when.

1060
00:47:21,280 --> 00:47:25,040
Speaker 2: I was in every card you owned from your beta,

1061
00:47:25,320 --> 00:47:26,319
Speaker 2: alpha and beta decks.

1062
00:47:26,400 --> 00:47:28,239
Speaker 1: Yeah, so, oh no, it would be my unlimited deck.

1063
00:47:28,280 --> 00:47:31,400
Speaker 1: It would have volcanic eruption in it. It would have

1064
00:47:31,760 --> 00:47:34,040
Speaker 1: slight of My whole thing was that I use. It

1065
00:47:34,160 --> 00:47:36,680
Speaker 1: was white and blue and I used sleight of hand

1066
00:47:37,040 --> 00:47:40,800
Speaker 1: and yeah, sleight of hand, and what is it I

1067
00:47:40,840 --> 00:47:45,799
Speaker 1: could change the color terms and the color color color

1068
00:47:45,840 --> 00:47:48,239
Speaker 1: of prism. No, it was they were in the car,

1069
00:47:48,320 --> 00:47:51,040
Speaker 1: somebody casts something. I could like change which color they

1070
00:47:51,080 --> 00:47:53,440
Speaker 1: were targeting or whatever. It was like it was like

1071
00:47:53,640 --> 00:47:57,320
Speaker 1: super manipulative deck and then it was all like white

1072
00:47:57,560 --> 00:48:01,560
Speaker 1: like nights and like very like uh yeah, oh man

1073
00:48:02,000 --> 00:48:05,040
Speaker 1: and a black Lotus card. Oh you know what was

1074
00:48:05,080 --> 00:48:06,440
Speaker 1: in that deck that I would have had. It was

1075
00:48:06,520 --> 00:48:09,440
Speaker 1: Blaze of Glory, which was great, which is an instant

1076
00:48:09,480 --> 00:48:11,319
Speaker 1: that would make it so that everybody had to block

1077
00:48:11,360 --> 00:48:13,759
Speaker 1: one creature. So I would boost up one creature and

1078
00:48:13,840 --> 00:48:19,400
Speaker 1: make everybody block. Oh no, not worth it, not worth no,

1079
00:48:20,040 --> 00:48:22,560
Speaker 1: you know, because A I don't collect magic cards for

1080
00:48:22,680 --> 00:48:24,960
Speaker 1: the value of the cards. I don't. I don't. I've

1081
00:48:25,040 --> 00:48:28,640
Speaker 1: never been into collecting, So I would I would, I

1082
00:48:28,640 --> 00:48:31,000
Speaker 1: would appreciate. I would actually if they weren't in mint condition,

1083
00:48:31,040 --> 00:48:33,000
Speaker 1: I would actually be more tempted if they were like

1084
00:48:33,080 --> 00:48:36,320
Speaker 1: the original cards that I've lost, like born and you know,

1085
00:48:37,120 --> 00:48:39,480
Speaker 1: covered in dirt from you know, when I would play

1086
00:48:39,520 --> 00:48:43,960
Speaker 1: in the ground at coffeecats in Sebastopol. No, I'm not

1087
00:48:44,040 --> 00:48:45,920
Speaker 1: going to do it. It's not worth it. It's not

1088
00:48:46,000 --> 00:48:49,320
Speaker 1: worth it. I at the embarrassment of me dancing and

1089
00:48:49,440 --> 00:48:53,160
Speaker 1: the self consciousness. I love you, my magic cards, but

1090
00:48:53,400 --> 00:48:54,080
Speaker 1: you just now.

1091
00:48:54,640 --> 00:48:57,520
Speaker 2: Yeah, we're at about two million dollars worth of stuff.

1092
00:48:59,440 --> 00:49:03,759
Speaker 1: For the red Yeah, you threw in the blacklow. It's

1093
00:49:03,840 --> 00:49:05,960
Speaker 1: just to just to really stick it to me. But

1094
00:49:06,040 --> 00:49:07,680
Speaker 1: I think you knew I would say no. You knew

1095
00:49:07,680 --> 00:49:08,200
Speaker 1: I would say no.

1096
00:49:08,400 --> 00:49:10,560
Speaker 2: I can't have I can't pick something every week to

1097
00:49:10,640 --> 00:49:12,960
Speaker 2: where it's like, oh, he's definitely going, because there's a

1098
00:49:12,960 --> 00:49:15,080
Speaker 2: couple that I know for a fact the second I say,

1099
00:49:15,120 --> 00:49:16,360
Speaker 2: you'd be like, okay, I'd have to do it. And

1100
00:49:16,480 --> 00:49:18,719
Speaker 2: so I'm obviously holding those to the very end.

1101
00:49:18,680 --> 00:49:21,920
Speaker 1: Right right right, just the torture of this though it

1102
00:49:21,960 --> 00:49:22,400
Speaker 1: would be you.

1103
00:49:22,440 --> 00:49:25,440
Speaker 2: Know, it's magical, Oh freedom, you're.

1104
00:49:25,280 --> 00:49:28,800
Speaker 1: Sing, hold on. Have we asked, like, would you do

1105
00:49:28,960 --> 00:49:32,279
Speaker 1: this show ever. No, right, but I would it's not

1106
00:49:32,360 --> 00:49:35,200
Speaker 1: for you, adourisement. But what about the would you do

1107
00:49:35,239 --> 00:49:36,439
Speaker 1: it for five hundred thousand dollars?

1108
00:49:36,960 --> 00:49:39,279
Speaker 2: No, because I just there's no I've said this from

1109
00:49:39,280 --> 00:49:41,960
Speaker 2: the beginning. There's not a dance instructor in the world

1110
00:49:42,160 --> 00:49:44,360
Speaker 2: that could actually teach me how to dance well and

1111
00:49:45,560 --> 00:49:49,160
Speaker 2: way better dancer than I am, and I don't think so. Man.

1112
00:49:49,480 --> 00:49:51,440
Speaker 1: We did a dance on Boy Meets World and I

1113
00:49:51,520 --> 00:49:52,960
Speaker 1: remember and go back and watch it.

1114
00:49:53,040 --> 00:49:55,520
Speaker 2: It's awful and I'm staring at you guys the whole time,

1115
00:49:55,600 --> 00:49:58,040
Speaker 2: and I'm like just trying to get my feet underneath me.

1116
00:49:58,160 --> 00:50:01,160
Speaker 1: No, I think you could look at it as a

1117
00:50:01,520 --> 00:50:03,719
Speaker 1: as an acting job, like you could get into your

1118
00:50:03,760 --> 00:50:05,520
Speaker 1: head like I am playing a role this week and

1119
00:50:05,600 --> 00:50:10,280
Speaker 1: that role is you know, the dance for this Yeah. Yeah, Really, Honestly,

1120
00:50:10,320 --> 00:50:12,240
Speaker 1: I think that's how you could get into it, because

1121
00:50:12,280 --> 00:50:16,040
Speaker 1: I think you can do physical comedy incredibly well. And

1122
00:50:16,160 --> 00:50:17,920
Speaker 1: I think that if you just looked at it as

1123
00:50:18,000 --> 00:50:21,000
Speaker 1: like I'm playing this part this week, whether that's you know,

1124
00:50:21,280 --> 00:50:23,919
Speaker 1: the guy leading this great ballroom dance or the person

1125
00:50:23,920 --> 00:50:26,720
Speaker 1: who's expressing this thing through a quick step. I don't

1126
00:50:26,719 --> 00:50:28,399
Speaker 1: think that would work. Yeah, I don't think it could work.

1127
00:50:28,760 --> 00:50:30,600
Speaker 2: And by second week I just ripped my shirt off

1128
00:50:30,680 --> 00:50:33,600
Speaker 2: and instantly be voted off the show. They'd like, stop

1129
00:50:33,680 --> 00:50:35,680
Speaker 2: me mid dance, like whoa who whoa, whoa, whoa whoa?

1130
00:50:35,840 --> 00:50:39,239
Speaker 1: Shut this down. Let's get this guy a robe. God,

1131
00:50:40,840 --> 00:50:43,759
Speaker 1: you're so hard on yourself. Man, I love it. All right.

1132
00:50:43,840 --> 00:50:46,120
Speaker 1: That's it for this episode of Pod Meets Twirled. Join

1133
00:50:46,200 --> 00:50:48,600
Speaker 1: us next week as we continue watching season thirty four

1134
00:50:48,640 --> 00:50:51,040
Speaker 1: of Dancing with the Stars. We may not know a

1135
00:50:51,120 --> 00:50:53,520
Speaker 1: Lindy Hop from a Bunny hop, but we know what

1136
00:50:53,640 --> 00:50:57,120
Speaker 1: we learned way back in Phoene's class. Daniel Fischel is

1137
00:50:57,239 --> 00:51:01,560
Speaker 1: the star of the show. Podmeets World is an iHeart

1138
00:51:01,640 --> 00:51:05,160
Speaker 1: podcast producer hosted by Danielle Fischel, Wilfridell and Ryder Strong

1139
00:51:05,360 --> 00:51:08,799
Speaker 1: executive producers Jensen Karp and Amy Sugarman, Executive in charge

1140
00:51:08,840 --> 00:51:12,600
Speaker 1: of production, Danielle Romo, producer and editor Taras Subasch, producer,

1141
00:51:12,719 --> 00:51:15,960
Speaker 1: Maddi Moore, engineer and boy meets World superman Easton Allen.

1142
00:51:16,080 --> 00:51:19,200
Speaker 1: Our theme song is by Kyle Morton of Typhoon. Follow

1143
00:51:19,320 --> 00:51:22,080
Speaker 1: us on Instagram at Podmeats World Show or email us

1144
00:51:22,160 --> 00:51:24,799
Speaker 1: at Podmeats World Show at gmail dot com.