WEBVTT - The Breakfast Club Talks With 50 Cent, Tink & Hitmaka

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<v Speaker 1>Time to wake up Jack Instantially and Charlomagne the Doctor

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<v Speaker 1>to Breakfast Club Bitch the voice of the culture. People

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<v Speaker 1>watch The Breakfast Club for like news and really be

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<v Speaker 1>tuned in. It's one of my favorite shows to do,

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<v Speaker 1>just because y'all always keep you one hunting, y'all keep

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<v Speaker 1>your real. They might not watch the news, but they're

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<v Speaker 1>on Twitter, they're on Facebook, they're you know, they're listening

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<v Speaker 1>to The Breakfast the Brother Club. Get your ass yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo. Good morning angela ye damn Money

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<v Speaker 1>d'zmby Charlomagne the Guy. Piece to the planet is Friday,

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<v Speaker 1>and you are listening to the last days of the

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<v Speaker 1>Breakfast Club. As you know it. We have that in

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<v Speaker 1>the drop yet not yet, Oh we do oh today

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<v Speaker 1>today were getting the drop. Okay, how y'all feel this morning?

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<v Speaker 1>I feel good? How you feeling? I feel good? But

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<v Speaker 1>I feel tender, man, I feel tender. I feel tender

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<v Speaker 1>this morning, but in a good way. I probably need

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<v Speaker 1>to call my therapist to get in because I didn't

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<v Speaker 1>have an appointment set up for the day. But I

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<v Speaker 1>Do I feel tender this morning? In a good way?

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<v Speaker 1>It's tender? Like is it like? Like? What's tender about you?

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<v Speaker 1>My heart feels tender, my soul feels tender. Okay, I

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<v Speaker 1>think it's something to do at the moon. It's one

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<v Speaker 1>of those days if I I'm sure when I drink

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<v Speaker 1>to Kila at some point this weekend, I'll cry for

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<v Speaker 1>no reason. Hug. No, I don't want to hug. I said,

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<v Speaker 1>I feel tendered in a good way. Man, ain't sad, Okay,

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<v Speaker 1>I'm happy. Actually, I feel good. Just feel tender this morning.

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<v Speaker 1>How you feeling? Do you feel tendered? Tender? Could go

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<v Speaker 1>either way? No, I don't. I'm in Martha's vinyards still.

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<v Speaker 1>But I'm coming home today finally. So I've been out

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<v Speaker 1>here doing some things with the Rockets African American Film Week,

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<v Speaker 1>and I actually did a pan on yesterday with Regina Hall.

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<v Speaker 1>She is hilarious, is she? But she has her own

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<v Speaker 1>production company now, yeah, yep, yep, yep, yep, she sure does.

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<v Speaker 1>That is that is fact? That is a fact. Who

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<v Speaker 1>we got on the show today, man, because today we

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<v Speaker 1>actually have a couple of our favorites that's on the

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<v Speaker 1>show today, like a couple of my favorite individuals, favorite talent,

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<v Speaker 1>Tink and hit Maker. You know, young Burg and Tink

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<v Speaker 1>will be joining us this morning. Hit Maker isn't one

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<v Speaker 1>of those favorite people that I'm talking about. Tinking drops

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<v Speaker 1>bombs with Tink, okay, and I appreciate I appreciate hit Maker.

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<v Speaker 1>I'm just being honest, like you know you I said

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<v Speaker 1>two of my favorites, my personal favorites I want. Tink

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<v Speaker 1>is one of them, and I appreciate hit Maker. But

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<v Speaker 1>this other person that we have on the show this morning,

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<v Speaker 1>that's I'm talking about, fifty cent will be joining us

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<v Speaker 1>this morning. Fifth but Curtis fifty cent Jack Curtis said,

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<v Speaker 1>we're joining us this morning. Let me tell you something.

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<v Speaker 1>You know, had plenty of conversations with Fifth, you know,

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<v Speaker 1>worked with a Fifth on his TV show and stuff

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<v Speaker 1>like that before. But you know, I don't know why.

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<v Speaker 1>Yesterday I was just it hit me like fifty cent

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<v Speaker 1>is like a different level of legend. It is like

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<v Speaker 1>there there's levels to this legend thing. Like we throw

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<v Speaker 1>the word legend around and there are legends, but there's

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<v Speaker 1>different there's levels to legends. He's a flab with number

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<v Speaker 1>one seed when it comes to being a leged Absolutely,

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<v Speaker 1>he moves different. Yeah, he just moves different. Fifth moves different.

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<v Speaker 1>Everything from you know, you know the music is unquestionable, right,

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<v Speaker 1>but then you just think about what everybody's doing now

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<v Speaker 1>as far as like the Internet and rappers being personalities.

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<v Speaker 1>Fifth kind of started all of that. Yeah, think about it. Yeah,

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<v Speaker 1>he kind of started all of that way way back.

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<v Speaker 1>But this is fifty and all of that stuff like that,

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<v Speaker 1>so and yeah, and everything he's doing in television and

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<v Speaker 1>just who he is. Man, he's different. It's only one

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<v Speaker 1>fifty guy. Yes, he's definitely different. So we're gonna be

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<v Speaker 1>kicking it with fifty. But let's get the show cracking

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<v Speaker 1>front page news. What we're talking about. Yes, let's talk

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<v Speaker 1>about it. The NBA they're gonna be honoring Bill Russell.

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<v Speaker 1>They're retiring the number six across the entire league. Okay,

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<v Speaker 1>we'll get it to that. Next, it's the Breakfast Cloud

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<v Speaker 1>Go Morning Morning. Everybody is DJ v Angela Yee, Charlemagne

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<v Speaker 1>the guy we are to Breakfast Club. Let's getting some

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<v Speaker 1>front page news now. In sports, Bill Russell's number six

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<v Speaker 1>to be retired across the NDA following the legend's death. So, uh,

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<v Speaker 1>they're gonna retire the number six jersey, not for everybody,

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<v Speaker 1>though seventeen players still get to keep it. Lebron James

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<v Speaker 1>is one of them. I don't know how they pick

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<v Speaker 1>and choose who gets to still wear to jersey. I'm

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<v Speaker 1>sure people who have, but they just can't issue it again. Yea,

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<v Speaker 1>they just won't be You can continue to wear it,

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<v Speaker 1>but they number can't be issued again. Oh got you?

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<v Speaker 1>Got you? And I'm sure I'm sure that they retire

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<v Speaker 1>Michael Jordan's jersey twenty three the same way. I wonder

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<v Speaker 1>why the think they haven't done They haven't Michaelath for Michael.

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<v Speaker 1>I don't know why Michael Jordan not the logo of

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<v Speaker 1>the league absulutely. But you know, I mean people say

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<v Speaker 1>Kobe too for sentimental reasons, but you know, we're being

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<v Speaker 1>an objective. Michael Jordan should be the logo to the

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<v Speaker 1>He might own it, might not want it. He got

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<v Speaker 1>his own, that's true. But salute Bill Russell. Absolutely. The

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<v Speaker 1>first time the NBA has done this, m you know there,

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<v Speaker 1>because I think that in the Major League Baseball they

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<v Speaker 1>only did it for Jackie Robinson, right, that's the only

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<v Speaker 1>one that's totally retired. I think Jackie Robinson and in

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<v Speaker 1>the NHL they've done that for Wayne Gretzky. Wayne Gretzky. Yeah, okay,

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<v Speaker 1>what else we got? Easy? All right, Well, let's talk

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<v Speaker 1>about Donald Trump. So the Attorney General, Mary Garland said

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<v Speaker 1>he is the person that decided to do this search

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<v Speaker 1>warrant that Donald Trump keeps on saying has been a

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<v Speaker 1>witch hunt for him. And Donald Trump also said yesterday

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<v Speaker 1>that he would not oppose actually making the warrant public

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<v Speaker 1>so we can see exactly what was going on and

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<v Speaker 1>what was sees. Here is Mary Garland speaking on that decision. First,

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<v Speaker 1>I personally approved the decision to seek a search warrant

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<v Speaker 1>in this matter. Second, the Department does not take such

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<v Speaker 1>a decision lightly. The former president publicly confirmed the search

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<v Speaker 1>that evening, as is his right. I will not stand

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<v Speaker 1>by silently when their integrity is unfairly attacked. They protect

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<v Speaker 1>the American people from violent crime, terrorism, and other threats

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<v Speaker 1>to their safety while safeguarding our civil rights. They do

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<v Speaker 1>so at great personal sacrifice and risk to themselves. You know,

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<v Speaker 1>when he says things like that, yeah, we might be right,

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<v Speaker 1>but we have to address the history of the FBI

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<v Speaker 1>because the FBI has not been that for black people

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<v Speaker 1>in black civil rights movements. It was actually weaponized against

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<v Speaker 1>those civil rights figures in those civil rights movements. You

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<v Speaker 1>know what I mean. When I hear him say that,

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<v Speaker 1>I'm like, you're not talking to us. And I thought

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<v Speaker 1>about this right because we talked about this on my

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<v Speaker 1>talk show last night, a hell of a week on

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<v Speaker 1>Comedy Central. The FBI is not moving on this case

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<v Speaker 1>like they do everyone else. All I've seen in my

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<v Speaker 1>whole life is that when the Feds come, it's hopeful, correct.

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<v Speaker 1>When the fans raid your house, when the fans pull

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<v Speaker 1>up on you, they got you. The fact that the

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<v Speaker 1>FEDS raided Magalago and no arrest were made lets me

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<v Speaker 1>know they're not moving with the same energy that they

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<v Speaker 1>do everybody else. They don't know how to point it

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<v Speaker 1>whiteness in this country because those institutions like the FBI

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<v Speaker 1>were not created the punished whiteness. They were created the

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<v Speaker 1>punishing police marching the lives communities people like us. Well,

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<v Speaker 1>Donald Trump said, not only will I not oppose the

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<v Speaker 1>release of documents related to the Unamerican unwarranted and unnecessary

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<v Speaker 1>rate and breaking of my home in Palm beats Florida Marlago.

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<v Speaker 1>I am going to step further by encouraging the immediate

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<v Speaker 1>release of those documents. If he got them, put them

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<v Speaker 1>on put them on true social that's the social media platform.

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<v Speaker 1>But you know another reason that you said that is

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<v Speaker 1>most of the time when the Feds come in, they

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<v Speaker 1>have to make sure the issues right because now they're

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<v Speaker 1>dealing with you know, somebody that's a billionaire that can

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<v Speaker 1>fight them back. But that's my point. When they when

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<v Speaker 1>they pull up on your house, like, they ain't got billions,

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<v Speaker 1>so they can pretty much do what they want to do.

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<v Speaker 1>But usually they already got the case. You're right when

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<v Speaker 1>the when the feds come, they're not coming to ask questions.

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<v Speaker 1>The fans already got you. They've been monitoring you, watching you.

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<v Speaker 1>They got the evidence they need. You're going to jail,

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<v Speaker 1>and they kind of which is crazy, they kind of

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<v Speaker 1>gotta walk on the eggshelves with with with Donald Trump

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<v Speaker 1>because they because because he's powerful, and he's white, correct

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<v Speaker 1>and he's rich. Correct. And once again, these institutions were

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<v Speaker 1>not created to punish old white men like him. They

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<v Speaker 1>were created to punish people like us. Absolutely, they don't

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<v Speaker 1>even know what to do with him. How do you

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<v Speaker 1>punish white they don't even know, they don't even know.

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<v Speaker 1>There was like, damn, we know he did something wrong,

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<v Speaker 1>but we're not used to doing this. We don't even

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<v Speaker 1>be locking his type up. He made us feel bad.

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<v Speaker 1>He was like, they broke it tobody safe. I was like,

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<v Speaker 1>oh my goodness, don't not the same. We don't want

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<v Speaker 1>to set this precedent now right, we're gonna start locking

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<v Speaker 1>up a rich, old white privilege men now in America.

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<v Speaker 1>All right, well that is your front page news. That's

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<v Speaker 1>all I'm saying. I'm gonna throw them a hand up

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<v Speaker 1>in there and get it off your chest. I think

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<v Speaker 1>got me feeling I'm like I'm crazy. I'm like, I

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<v Speaker 1>know I'm not crazy. Eight hundred five eight five one

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<v Speaker 1>on five one. If you need to vent, phone line

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<v Speaker 1>to wide open again eight hundred five eight five one

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<v Speaker 1>on five one, and don't forget fifty cent, I'll be

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<v Speaker 1>joining us this morning. Also Tink and heat Maker's Breakfast

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<v Speaker 1>Love com one the Breakfast Club, Holly, this is your

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<v Speaker 1>time to get it off your chest, whether you're mad

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<v Speaker 1>or blessed. Eight five one. We want to hear from

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<v Speaker 1>you on the breakfast club. Hello, who's this deric? Are

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<v Speaker 1>we're doing? How we're doing? What's up? Broking it off

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<v Speaker 1>your chests? Okay, so listen, y'all gotta give me a

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<v Speaker 1>minute because I'm about to get it all off. But

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<v Speaker 1>I'm gonna be quick and swift food and make it

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<v Speaker 1>real clear. So Booms was a term driver ten years

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<v Speaker 1>decided to get that up. People don't pay attention on

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<v Speaker 1>the roads, wind up getting in the four and they're

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<v Speaker 1>doing ten hours shifts ten plus, so they do damn

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<v Speaker 1>there eleft right now. At some point they didn't drop

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<v Speaker 1>the all the restrictions for COVID. You know, COVID still

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<v Speaker 1>a thing. We get that, we understand that, but come

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<v Speaker 1>on now, you're working us to death like we're coming

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<v Speaker 1>back tomorrow. Don't keep your strong hold on us like that.

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<v Speaker 1>Somebody got to come in tell may push it back there.

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<v Speaker 1>You know, everybody just can't be puppets. So my team

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<v Speaker 1>with that is some people love some people don't. They

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<v Speaker 1>need to take a poll or something. You understand. I'm

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<v Speaker 1>saying absolutely. I saw that yesterday the CDC. So the

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<v Speaker 1>CDC ended UH test to stay for schools and they

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<v Speaker 1>relaxed COVID rules. What does that mean? Exactly like we

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<v Speaker 1>gotta we don't have to test everywhere we go. Now,

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<v Speaker 1>some places he require if it's if it's an individually

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<v Speaker 1>owned institutions, they own rules, just like people are. Just

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<v Speaker 1>like institutions or establishments to require mass or something. Then

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<v Speaker 1>some only follow the CDC guidelines. Some had their own guideline.

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<v Speaker 1>I am very upset about this because yesterday we had

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<v Speaker 1>a very very important guest that I wanted to sit

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<v Speaker 1>down and have a conversation with, and we couldn't have

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<v Speaker 1>her up because somebody and her entourage chest the positive

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<v Speaker 1>for COVID and I said, so what bring her up?

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<v Speaker 1>And they wouldn't bring her up. Okay, I'm upset about

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<v Speaker 1>this now, let me get this off my chest. H Angel,

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<v Speaker 1>Angel Louise. I'm gonna miss you. I'm gonna miss you.

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<v Speaker 1>I'm gonna tune me and tell all your all your

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<v Speaker 1>new upcoming adventures, and we wish you the best here

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<v Speaker 1>in the day. You know, we always root for you.

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<v Speaker 1>We see you around here a lot. We know you

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<v Speaker 1>party with us, so we always stip our hat to you. Charlemagne.

0:11:13.480 --> 0:11:15.559
<v Speaker 1>I need a book from you, brother, I got you

0:11:15.600 --> 0:11:17.480
<v Speaker 1>I'm gonna get your address and we'll send you something. Brother,

0:11:17.800 --> 0:11:20.840
<v Speaker 1>All right, now, you and you, hey, when Angela leave

0:11:21.360 --> 0:11:25.040
<v Speaker 1>you and DJ Mvy cut on that funny business out man, man,

0:11:28.480 --> 0:11:31.480
<v Speaker 1>funny business are you talking about? Funny is the key word?

0:11:31.600 --> 0:11:34.200
<v Speaker 1>Oh no, no, listen, listen, I'm gonna tell y'all something.

0:11:34.480 --> 0:11:36.439
<v Speaker 1>I'm gonna get the address. I'm saying something, so of

0:11:36.520 --> 0:11:39.400
<v Speaker 1>other causes to get through, we take this out. Yeah, yeah, yeah,

0:11:39.400 --> 0:11:40.839
<v Speaker 1>because I'm want to send the book. I'm trying to

0:11:40.880 --> 0:11:45.920
<v Speaker 1>build myself. Take us out. Both of y'all are almost

0:11:46.000 --> 0:11:50.520
<v Speaker 1>like consider political figures, right, So when you y'all, y'all

0:11:50.559 --> 0:11:54.280
<v Speaker 1>almost considered like political figure. You're not politically, not not

0:11:54.400 --> 0:11:58.280
<v Speaker 1>in a politician type way. But people admire y'all. Y'all.

0:11:58.320 --> 0:12:02.319
<v Speaker 1>They listen to y'all, especially you or charlottelady, because you're

0:12:02.520 --> 0:12:04.839
<v Speaker 1>well into mental health and people look up to that.

0:12:04.920 --> 0:12:07.120
<v Speaker 1>So when y'all do that funny business thing, man, you

0:12:07.200 --> 0:12:10.880
<v Speaker 1>confuse the funniest of all the funny business is good

0:12:10.880 --> 0:12:12.760
<v Speaker 1>for my mental health. I love loving on my brother.

0:12:12.800 --> 0:12:14.880
<v Speaker 1>We should be able to love on each other without

0:12:14.960 --> 0:12:18.480
<v Speaker 1>you know, anybody thinking anything funny. But yeah, you got

0:12:18.559 --> 0:12:20.760
<v Speaker 1>to remember you at work. I mean I know you

0:12:20.960 --> 0:12:29.520
<v Speaker 1>at work. Hold on, well, they say you gotta remember

0:12:29.559 --> 0:12:32.400
<v Speaker 1>you at work. You're that in your free time, not

0:12:32.640 --> 0:12:34.920
<v Speaker 1>at work. You know what it is? Toxic masculinity has

0:12:35.000 --> 0:12:37.280
<v Speaker 1>ranged supreme so much that when you see a black

0:12:37.360 --> 0:12:39.280
<v Speaker 1>man loving on another black man, you think they're gay.

0:12:39.640 --> 0:12:43.200
<v Speaker 1>And they might be, but so white. Getn't know if

0:12:43.280 --> 0:12:45.920
<v Speaker 1>your chest eight hundred five eight five one on five one.

0:12:45.920 --> 0:12:47.160
<v Speaker 1>If you need to vent, hit this up now. It

0:12:47.240 --> 0:12:54.360
<v Speaker 1>was The Breakfast Club, Good Morning, The Breakfast Club Power

0:12:54.679 --> 0:12:57.760
<v Speaker 1>one on five one, The Breakfast Club Your Morning's will

0:12:57.880 --> 0:13:01.719
<v Speaker 1>never be the same. That's program is sponsored by Better Help.

0:13:02.040 --> 0:13:03.920
<v Speaker 1>You have a lot on your mind. Better Help makes

0:13:03.920 --> 0:13:06.560
<v Speaker 1>it easy to find a license therapist suited to your needs.

0:13:06.880 --> 0:13:09.280
<v Speaker 1>Get ten percent off your first month of online therapy

0:13:09.440 --> 0:13:12.280
<v Speaker 1>at b E T T E R H E LP

0:13:12.679 --> 0:13:23.679
<v Speaker 1>dot com. Slash the Breakfast Club listen. Oh, it's a club.

0:13:26.040 --> 0:13:29.360
<v Speaker 1>But R Kelly's a long time living girlfriend who allegedly

0:13:29.440 --> 0:13:32.480
<v Speaker 1>might be his fiance. Joycelyn Savage is going to be

0:13:32.559 --> 0:13:35.760
<v Speaker 1>writing a tella book about her relationship with R. Kelly,

0:13:36.160 --> 0:13:38.120
<v Speaker 1>and an email to the Post, she did confirm the

0:13:38.160 --> 0:13:40.839
<v Speaker 1>book will be called Love and Joy of Robert and

0:13:40.960 --> 0:13:45.400
<v Speaker 1>it will be published tomorrow on Saturday. She said, all

0:13:45.440 --> 0:13:47.160
<v Speaker 1>I can say is that it is about Robert, the

0:13:47.200 --> 0:13:49.880
<v Speaker 1>beginning of my life and Robert's shadow, where things began

0:13:49.960 --> 0:13:53.640
<v Speaker 1>to take off and where they are currently going. Okay,

0:13:53.800 --> 0:13:55.599
<v Speaker 1>so we don't know whether or not they're engaged, but

0:13:55.679 --> 0:14:01.640
<v Speaker 1>she said everything will be answered in her book. Okay, yeah,

0:14:01.760 --> 0:14:04.040
<v Speaker 1>she should be interesting. I'll try to make sure I

0:14:04.160 --> 0:14:06.200
<v Speaker 1>get my hands on it this weekend so we can

0:14:06.240 --> 0:14:09.560
<v Speaker 1>talk about it Monday, all right. And people are upset

0:14:09.559 --> 0:14:12.839
<v Speaker 1>about Britney Spears for a post that she wrote to

0:14:13.120 --> 0:14:17.640
<v Speaker 1>Kevin Federline, her ex, and you know, he had posted

0:14:17.720 --> 0:14:22.440
<v Speaker 1>these recordings of their two sons together of Britney Spears

0:14:22.560 --> 0:14:25.440
<v Speaker 1>arguing with them, and she attempted to give an explanation

0:14:25.520 --> 0:14:28.120
<v Speaker 1>of why. And in the post she was just talking

0:14:28.160 --> 0:14:31.040
<v Speaker 1>about teenagers who are just hard to deal with at

0:14:31.080 --> 0:14:33.080
<v Speaker 1>that age. They were eleven and twelve at the time,

0:14:33.600 --> 0:14:35.400
<v Speaker 1>and she said, but come on, there's being rude, then

0:14:35.440 --> 0:14:38.120
<v Speaker 1>there's being hateful. They would visit me walking the door,

0:14:38.240 --> 0:14:40.800
<v Speaker 1>go straight to their room and lock the door. And

0:14:40.920 --> 0:14:42.760
<v Speaker 1>so then she goes on to say that she would

0:14:42.760 --> 0:14:45.480
<v Speaker 1>ask to see the kids and wouldn't get a response

0:14:45.560 --> 0:14:47.880
<v Speaker 1>for us sometimes two or three days. But the part

0:14:47.960 --> 0:14:51.600
<v Speaker 1>that people are upset about is she's talking about how

0:14:52.120 --> 0:14:55.360
<v Speaker 1>there's a lot of weed being smoked at Kevin Federline's

0:14:55.400 --> 0:14:59.720
<v Speaker 1>house and she said we will She said, when can

0:14:59.760 --> 0:15:03.320
<v Speaker 1>we you so as much as so as much of

0:15:03.440 --> 0:15:06.120
<v Speaker 1>you watch what he refers to as his family, as

0:15:06.160 --> 0:15:08.960
<v Speaker 1>a perfect Brady Bruns family. I can guarantee you that

0:15:09.080 --> 0:15:12.200
<v Speaker 1>house has more weed than Ludacris, fifty cent jay Z

0:15:12.400 --> 0:15:15.840
<v Speaker 1>and Puff Daddy combined. I was offended by that she

0:15:15.960 --> 0:15:18.400
<v Speaker 1>named dropped all these black people. I was offended by

0:15:18.440 --> 0:15:20.680
<v Speaker 1>that because she ain't named nobody that's a notorious smoker.

0:15:20.760 --> 0:15:23.160
<v Speaker 1>She ain't say Snoop Dog, she ain't say Winds Khalifa.

0:15:23.360 --> 0:15:27.800
<v Speaker 1>When do we associate weed with Ludacris, fifty jay Z

0:15:28.000 --> 0:15:31.120
<v Speaker 1>and did he? Yeah? That doesn't right knocking off. That's

0:15:31.120 --> 0:15:33.120
<v Speaker 1>what offended me more than anything like damn at least

0:15:33.160 --> 0:15:36.760
<v Speaker 1>no yea himpop That sounds dumb. Now she just said

0:15:36.760 --> 0:15:39.680
<v Speaker 1>Snooped have been like if she said Snooper Winds, I understand,

0:15:39.800 --> 0:15:43.000
<v Speaker 1>like those people are anonymous with marijuana currency, like you

0:15:43.080 --> 0:15:46.400
<v Speaker 1>just name You just named four random people that aren't

0:15:46.400 --> 0:15:51.720
<v Speaker 1>even associated with marijuana, like stop. Yeah. So people were like, oh,

0:15:51.720 --> 0:15:53.520
<v Speaker 1>you can send and name all these black people, all

0:15:53.520 --> 0:15:57.760
<v Speaker 1>these black rappers seem like all right, And Kathy Hilton

0:15:57.920 --> 0:16:03.280
<v Speaker 1>has tattoo apologize and explain why she mistook Lizzo for Precious.

0:16:04.040 --> 0:16:06.720
<v Speaker 1>And this was while she was on Watch What Happens

0:16:06.800 --> 0:16:10.520
<v Speaker 1>Live with Andy Cohen And here is what happened during

0:16:10.560 --> 0:16:23.240
<v Speaker 1>that instant. I feel like I do precious. No, she

0:16:23.360 --> 0:16:26.360
<v Speaker 1>as precious. Now, Lizza's precious. That's like what I call her.

0:16:26.640 --> 0:16:32.800
<v Speaker 1>Lizz is precious to me. Yes, now Lizzo is precious.

0:16:34.840 --> 0:16:37.800
<v Speaker 1>M hmm. All right. Well her explanation, she said, the

0:16:37.880 --> 0:16:40.240
<v Speaker 1>screen was so far away and my vision is terrible.

0:16:40.600 --> 0:16:42.800
<v Speaker 1>If you recall, I couldn't even make it who Justin

0:16:42.880 --> 0:16:46.240
<v Speaker 1>Timberlake or Melissa Ethridge was. I don't think she was

0:16:46.280 --> 0:16:48.480
<v Speaker 1>trying to be funny. You he really thought she was precious.

0:16:48.520 --> 0:16:51.160
<v Speaker 1>I think she really made an honest mistake. And the

0:16:51.240 --> 0:16:53.600
<v Speaker 1>worst part about that mistake is that, well, I guess not.

0:16:53.720 --> 0:16:55.920
<v Speaker 1>She don't know that gaps. She don't know Gabbery cidaby.

0:16:56.280 --> 0:16:58.680
<v Speaker 1>She only knows her ass precious, you know what I mean?

0:16:59.240 --> 0:17:01.840
<v Speaker 1>Maybe if she would have said Gabay citabaiting. People probably

0:17:01.880 --> 0:17:06.240
<v Speaker 1>wouldn't have been so offended by it. People people were offended, right,

0:17:06.240 --> 0:17:09.480
<v Speaker 1>It was backlash. People are plenty. Yeah. I think if

0:17:09.560 --> 0:17:11.879
<v Speaker 1>I think if she would have said Gabberrey Citabay, it

0:17:11.960 --> 0:17:16.280
<v Speaker 1>would have been precious. Yeah. And I think what she

0:17:16.359 --> 0:17:18.080
<v Speaker 1>said precious, it comes off as a joke, but she

0:17:18.119 --> 0:17:20.119
<v Speaker 1>probably don't know that. She don't know gaberts to the

0:17:20.160 --> 0:17:23.040
<v Speaker 1>Bay's real name, all precious his real name? What you know?

0:17:23.080 --> 0:17:25.560
<v Speaker 1>What the hell I mean? All right? Now, our pastor

0:17:25.640 --> 0:17:29.480
<v Speaker 1>in North Carolina is upset about Beyonce's song Church a

0:17:29.560 --> 0:17:32.040
<v Speaker 1>Girl and to discernment about it. I saw that she

0:17:32.119 --> 0:17:33.919
<v Speaker 1>got some backlash, but then I also saw a lot

0:17:34.000 --> 0:17:37.280
<v Speaker 1>of positivity, people saying, you know, I had some issues

0:17:37.480 --> 0:17:40.879
<v Speaker 1>and I was thinking about, like, you know, church and

0:17:41.160 --> 0:17:43.960
<v Speaker 1>what I do and judgment and all of that. So

0:17:44.080 --> 0:17:46.359
<v Speaker 1>some people say that song really help him. But this

0:17:46.520 --> 0:17:48.960
<v Speaker 1>pastor is saying that that song is trash. Here's what

0:17:49.040 --> 0:17:51.800
<v Speaker 1>he had to say. The only thing I can account

0:17:51.920 --> 0:17:54.280
<v Speaker 1>for some of this stuff is somebody that sold their

0:17:54.320 --> 0:17:57.000
<v Speaker 1>soul to the devil. Now, all I can say to

0:17:57.119 --> 0:17:59.560
<v Speaker 1>you is this, when you're saying your soul to the devil,

0:17:59.800 --> 0:18:03.400
<v Speaker 1>you get the short end of the stick because you would.

0:18:03.520 --> 0:18:06.360
<v Speaker 1>You're not gonna live but solo. And when you leave here,

0:18:06.480 --> 0:18:09.960
<v Speaker 1>when you're going, you're going to be that forever. It's

0:18:10.080 --> 0:18:12.639
<v Speaker 1>not a good deal. I don't care when it gives you.

0:18:12.880 --> 0:18:19.760
<v Speaker 1>But this piece of shrash, that's release. And she named

0:18:19.880 --> 0:18:25.119
<v Speaker 1>it church Girl. Now. I had thought to try to

0:18:25.200 --> 0:18:28.679
<v Speaker 1>read the lyrics to you, but I struggle to listen

0:18:28.760 --> 0:18:32.200
<v Speaker 1>to them. It's too bad. It's too bad. It's not

0:18:32.440 --> 0:18:39.320
<v Speaker 1>for public consumption. I drop it like dropping, like knocking

0:18:39.359 --> 0:18:41.479
<v Speaker 1>off path through. What is he talking about it? That's

0:18:41.480 --> 0:18:44.000
<v Speaker 1>why when people say only God can judge me, I say, yeah, right,

0:18:44.080 --> 0:18:48.440
<v Speaker 1>that's all humans do is judge, especially religious folks. Yeah,

0:18:48.480 --> 0:18:50.280
<v Speaker 1>that's the whole point of the song. I g to

0:18:51.000 --> 0:18:53.920
<v Speaker 1>not be judged. Church girls acting a little bad girls act.

0:18:53.960 --> 0:18:56.520
<v Speaker 1>The snotty took that ass like you came up from

0:18:56.560 --> 0:19:02.239
<v Speaker 1>the South, dropping like like about it and shut up, man,

0:19:02.560 --> 0:19:05.159
<v Speaker 1>you're messing up the song, singing it all slow like

0:19:05.240 --> 0:19:07.040
<v Speaker 1>you you've been in Houston too long? Are you chopping

0:19:07.080 --> 0:19:09.359
<v Speaker 1>the screw in the song? Listen? Religious folks are so

0:19:09.520 --> 0:19:12.080
<v Speaker 1>damn judgmental. Do not judge, or you two will be

0:19:12.240 --> 0:19:14.920
<v Speaker 1>judged Matthew seven one two religious folks don't give a

0:19:14.960 --> 0:19:17.240
<v Speaker 1>damn about that scripture. And crazy part about that song

0:19:17.720 --> 0:19:20.280
<v Speaker 1>is Beyonce is showing the whole totality of people. We

0:19:20.400 --> 0:19:23.000
<v Speaker 1>are all the perfect balance of ratchetness and righteousness. And

0:19:23.160 --> 0:19:25.280
<v Speaker 1>I saw church girls in real life. I didn't told

0:19:25.320 --> 0:19:27.920
<v Speaker 1>y'all this story. Bishop td Jake sixty fifth B Day

0:19:27.920 --> 0:19:30.200
<v Speaker 1>Party dropping on the clues box with Bishop td Jakes. Okay,

0:19:30.720 --> 0:19:32.600
<v Speaker 1>those folks at depart the house, girl, how to get down?

0:19:32.640 --> 0:19:35.040
<v Speaker 1>You hear me? When? When when d Knights played, uh

0:19:35.920 --> 0:19:39.040
<v Speaker 1>blow the whistle by two s my favorite folks know

0:19:39.119 --> 0:19:42.000
<v Speaker 1>what truth your favorite world was? And guess what, that's fine.

0:19:42.680 --> 0:19:45.840
<v Speaker 1>We all the perfect balance of ratchness and rightness. Who perfect?

0:19:46.920 --> 0:19:48.919
<v Speaker 1>And that's not even being imperfect just because you want

0:19:48.960 --> 0:19:50.280
<v Speaker 1>to drop it like I thought it, dropping it like

0:19:50.359 --> 0:19:53.520
<v Speaker 1>I thought it. Hey, hey, hey, all right, all right, right,

0:19:53.600 --> 0:19:55.840
<v Speaker 1>well that is your report. Play the song. Let's play

0:19:55.880 --> 0:19:58.879
<v Speaker 1>this song. Play an entirety, lay the song. Can we

0:19:58.920 --> 0:20:00.919
<v Speaker 1>play it in this entirety? Why not? Can you? Can

0:20:00.920 --> 0:20:02.960
<v Speaker 1>you put a song come dropped the next Drake record?

0:20:03.000 --> 0:20:04.520
<v Speaker 1>I know that's a job. No, No, we're about to play.

0:20:04.520 --> 0:20:06.440
<v Speaker 1>We're about to play Beyonce. I know, but you probably

0:20:06.440 --> 0:20:08.359
<v Speaker 1>had another Drake record your had scheduled to play this

0:20:08.520 --> 0:20:12.840
<v Speaker 1>little Baby. Okay, come on, Church Girl wants us to

0:20:12.840 --> 0:20:16.119
<v Speaker 1>play this record this morning the Breakfast Club. Your mornings

0:20:16.160 --> 0:20:19.479
<v Speaker 1>will never be the same. What it's time to get

0:20:19.520 --> 0:20:21.639
<v Speaker 1>with someone special. The best way to do it is

0:20:21.680 --> 0:20:25.399
<v Speaker 1>with Magnum large size condoms. That gold foil rapper is

0:20:25.400 --> 0:20:27.960
<v Speaker 1>a badge of honor, and it means you're protected and

0:20:28.119 --> 0:20:31.000
<v Speaker 1>you take care of things with comfort. Accept no substitute.

0:20:31.000 --> 0:20:34.119
<v Speaker 1>So bring the pleasure with the gold standard Magnum large

0:20:34.160 --> 0:20:38.880
<v Speaker 1>sized condoms. Hey, the line I love in that record

0:20:38.960 --> 0:20:41.600
<v Speaker 1>nobody can judge me but me. But that's not true always.

0:20:41.600 --> 0:20:43.680
<v Speaker 1>But people will judge you all day long. We'll just

0:20:43.720 --> 0:20:47.359
<v Speaker 1>remember judgmental folks. Judging a person does not define who

0:20:47.400 --> 0:20:50.399
<v Speaker 1>they are, defines who you are. All right? I love

0:20:50.480 --> 0:20:53.200
<v Speaker 1>that record. Man with a perfect balance of ratchetness and righteousness.

0:20:53.400 --> 0:20:55.240
<v Speaker 1>All right, well we are to Breakfast Club. Let's getting

0:20:55.240 --> 0:21:05.480
<v Speaker 1>some ropes. Yeah, you know me, guy's crazy. All right, Well,

0:21:05.520 --> 0:21:07.960
<v Speaker 1>let's talk about you know, we still do have COVID

0:21:08.080 --> 0:21:11.680
<v Speaker 1>nineteen and the CDC has announced that they are going

0:21:11.800 --> 0:21:15.199
<v Speaker 1>to be loosening these restrictions. So as first the guidance

0:21:15.240 --> 0:21:19.320
<v Speaker 1>for quarantines and social distancing, they no longer recommend individuals

0:21:19.359 --> 0:21:21.280
<v Speaker 1>stay at least six feet apart to reduce the risk

0:21:21.359 --> 0:21:24.560
<v Speaker 1>of exposure. The guidance was someplace since the start of

0:21:24.600 --> 0:21:28.920
<v Speaker 1>the pandemic, but because of widespread vaccination or previous infection,

0:21:29.000 --> 0:21:30.840
<v Speaker 1>they believe that most of the United States has at

0:21:30.880 --> 0:21:34.040
<v Speaker 1>least some immunity, so no more of those six feet

0:21:34.040 --> 0:21:37.719
<v Speaker 1>apart rules now. They also said the new guidelines dictate

0:21:37.800 --> 0:21:41.359
<v Speaker 1>that contact tracing only needs to be enforced at hospitals

0:21:41.480 --> 0:21:44.520
<v Speaker 1>or at high risk population living situations like nursing homes.

0:21:45.160 --> 0:21:47.159
<v Speaker 1>So some of the guidances is saying like, if you

0:21:47.240 --> 0:21:50.879
<v Speaker 1>come into contact with somebody who tested positive for COVID,

0:21:51.080 --> 0:21:53.520
<v Speaker 1>then you go ahead and get tested too. But when

0:21:53.560 --> 0:21:56.600
<v Speaker 1>it comes to quarantining, people who have been exposed but

0:21:56.640 --> 0:21:59.359
<v Speaker 1>are not infected do not need to quarantine. And if

0:21:59.400 --> 0:22:01.760
<v Speaker 1>you have test positive you should stay home at least

0:22:01.800 --> 0:22:04.720
<v Speaker 1>five days, but if you have more moderate or severe cases,

0:22:04.800 --> 0:22:07.600
<v Speaker 1>isolate for ten days. So it's over, y'all, got it,

0:22:07.960 --> 0:22:10.440
<v Speaker 1>It's over, y'all. So what are they saying, I don't

0:22:10.440 --> 0:22:11.800
<v Speaker 1>have to stay in six feet away and if I

0:22:11.880 --> 0:22:15.399
<v Speaker 1>catch COVID? What I gotta do? If you have it,

0:22:15.640 --> 0:22:18.040
<v Speaker 1>if you're if it's not too severe, stay home for

0:22:18.160 --> 0:22:21.240
<v Speaker 1>five days. If it is. If it is severe or moderate,

0:22:21.680 --> 0:22:25.480
<v Speaker 1>then ten days. It's overall. We've moved on. If you're

0:22:25.520 --> 0:22:29.000
<v Speaker 1>exposed and you're negative, you don't need to quarantine. We've

0:22:29.080 --> 0:22:32.360
<v Speaker 1>moved You don't have to quarantine up, man, We just man. Listen, hey,

0:22:32.400 --> 0:22:34.920
<v Speaker 1>if you're narrative, it's so all right. We've moved on.

0:22:35.200 --> 0:22:37.359
<v Speaker 1>The social experiment is done. They know y'all don't care,

0:22:37.440 --> 0:22:38.800
<v Speaker 1>so we don't have to test it the more to

0:22:38.840 --> 0:22:41.479
<v Speaker 1>come up here when the last time you to come,

0:22:42.920 --> 0:22:44.879
<v Speaker 1>don't test. Now. I'm so mad about that guest that

0:22:44.920 --> 0:22:47.320
<v Speaker 1>couldn't come up here yesterday because it's as stupid ass

0:22:47.359 --> 0:22:50.399
<v Speaker 1>COVID protocol. Okay, if we've lost out on such a

0:22:50.480 --> 0:22:53.359
<v Speaker 1>phenomenal guest yesterday, at least phenomenal to me. Okay, the

0:22:53.440 --> 0:22:55.639
<v Speaker 1>guests didn't have COVID, but somebody with them did and

0:22:55.760 --> 0:22:58.040
<v Speaker 1>we couldn't let him up. But they didn't schedule that, Eddie.

0:22:58.280 --> 0:22:59.560
<v Speaker 1>If that was the case, we would let him up

0:22:59.560 --> 0:23:05.280
<v Speaker 1>there for soon. Okay, all right, soon soon, listen, please

0:23:05.320 --> 0:23:07.600
<v Speaker 1>iPhone stop sending me that dumb ass notification that I

0:23:07.680 --> 0:23:09.680
<v Speaker 1>came in contact with people with COVID. All right, it

0:23:09.720 --> 0:23:11.720
<v Speaker 1>clearly doesn't matter no more, the CDC said, So they

0:23:11.800 --> 0:23:14.639
<v Speaker 1>dropped restrictions like a thoughty, thoughty, anybody asking you to

0:23:14.680 --> 0:23:16.760
<v Speaker 1>do COVID test now they just flirting, especially if it's

0:23:16.760 --> 0:23:20.680
<v Speaker 1>the anal swap, all right. And mortgage rates are above

0:23:20.760 --> 0:23:24.200
<v Speaker 1>five percent once again after dipping below that the first

0:23:24.240 --> 0:23:26.480
<v Speaker 1>time in months a week earlier. So right now, the

0:23:26.600 --> 0:23:29.040
<v Speaker 1>thirty year fixed rate mortgage is about five point twenty

0:23:29.080 --> 0:23:32.199
<v Speaker 1>two percent, and that's up from four point nine nine

0:23:32.280 --> 0:23:38.720
<v Speaker 1>percent the week before. So, you know, still kind of high,

0:23:39.119 --> 0:23:43.760
<v Speaker 1>very high for people who are looking about you. People

0:23:43.760 --> 0:23:45.960
<v Speaker 1>are still buying, all right, Well that is your Yeah,

0:23:46.000 --> 0:23:47.680
<v Speaker 1>people are still buying if you can listen, if you

0:23:47.680 --> 0:23:49.159
<v Speaker 1>can get a great deal, a great deal, it's a

0:23:49.200 --> 0:23:50.920
<v Speaker 1>great deal no matter what. Yeah, people are still looking

0:23:50.920 --> 0:23:52.960
<v Speaker 1>for housing. There's still a shortage of housing, so people

0:23:52.960 --> 0:23:55.280
<v Speaker 1>are still buying. Interest rates are still high, but you can,

0:23:55.400 --> 0:23:57.199
<v Speaker 1>you know, still find some some good deals right now.

0:23:57.240 --> 0:23:58.840
<v Speaker 1>Prices are coming down a little bit. Drop her like

0:23:58.880 --> 0:24:01.240
<v Speaker 1>a thoughty, drop her like it out of Hey, Chryst

0:24:01.320 --> 0:24:05.160
<v Speaker 1>is dropping like I thought all right when we come back,

0:24:05.200 --> 0:24:07.840
<v Speaker 1>fifty cent oill be joining us to go legend, so

0:24:07.960 --> 0:24:11.400
<v Speaker 1>don't move. It's the Breakfast Club. Good morning, the Breakfast

0:24:11.480 --> 0:24:18.840
<v Speaker 1>Club one five one, the Breakfast Club. Your morning's will

0:24:19.000 --> 0:24:24.400
<v Speaker 1>never be the same morning. Everybody's DJ Envy Angela Yee,

0:24:24.520 --> 0:24:27.000
<v Speaker 1>Charlemagne the guy. We are the Breakfast Club. We got

0:24:27.080 --> 0:24:31.200
<v Speaker 1>a special guest in the building, fifty cent. It got

0:24:31.280 --> 0:24:34.439
<v Speaker 1>me up bright and early. What's going on? Many thing?

0:24:34.560 --> 0:24:36.360
<v Speaker 1>Good man? No complaints? How I feel? Will be back

0:24:36.359 --> 0:24:38.879
<v Speaker 1>in New York Man, feel good man? The city, The

0:24:38.920 --> 0:24:41.160
<v Speaker 1>city is good. Don't you ain't watching YouTube to see

0:24:41.200 --> 0:24:44.240
<v Speaker 1>the news clips about every more? Things is going on

0:24:44.359 --> 0:24:46.280
<v Speaker 1>out here. You look like you got back in the

0:24:46.359 --> 0:24:48.520
<v Speaker 1>gym heavy brom I back. You know this said was

0:24:48.560 --> 0:24:55.959
<v Speaker 1>fat super Bowl man, because I was like, what are

0:24:55.960 --> 0:24:57.800
<v Speaker 1>you talking about? I'm not fat? Like I got pick

0:24:57.840 --> 0:24:59.800
<v Speaker 1>I'm gonna show you a picture I took with Jamie.

0:25:00.680 --> 0:25:02.240
<v Speaker 1>You know, I guess it's the angle because I was

0:25:02.280 --> 0:25:04.560
<v Speaker 1>coming up so you see like it looked a little

0:25:04.600 --> 0:25:07.359
<v Speaker 1>wider and then they got they got that and they

0:25:07.440 --> 0:25:09.200
<v Speaker 1>ran with it. But you know, like I'm I'm looking

0:25:09.240 --> 0:25:13.240
<v Speaker 1>like now. I fluctuated a lot throughout mind my run,

0:25:13.400 --> 0:25:14.960
<v Speaker 1>you know what I'm saying, And it's just my body

0:25:15.040 --> 0:25:17.800
<v Speaker 1>time I can be security. Bro would be too big

0:25:19.000 --> 0:25:21.240
<v Speaker 1>and it's sorry. You know. I started training and working

0:25:21.280 --> 0:25:23.800
<v Speaker 1>out stuff but regular stuff, but I just made sure

0:25:23.840 --> 0:25:26.679
<v Speaker 1>I did it every morning because they said that to me. Now,

0:25:26.760 --> 0:25:28.520
<v Speaker 1>how's it back on the road? You know, the last

0:25:28.520 --> 0:25:31.120
<v Speaker 1>two three years you've been doing nothing but movies and shows,

0:25:31.240 --> 0:25:33.000
<v Speaker 1>and now you're back on the road. How does that

0:25:33.040 --> 0:25:35.719
<v Speaker 1>feel to be out perform like you know, look, hip

0:25:35.800 --> 0:25:37.720
<v Speaker 1>hop is now old enough for them to start to

0:25:37.760 --> 0:25:41.960
<v Speaker 1>treat us like we treated the real pop stars, you know,

0:25:42.160 --> 0:25:44.879
<v Speaker 1>like we're Princeton and Mike and them. When they was

0:25:45.359 --> 0:25:48.840
<v Speaker 1>they would just say I'm performing today and the show

0:25:48.880 --> 0:25:50.840
<v Speaker 1>would go up and sell out that day, you know

0:25:50.880 --> 0:25:53.000
<v Speaker 1>what I'm saying. Like, and then and the nationally, I'm

0:25:53.040 --> 0:25:56.359
<v Speaker 1>getting an old response to the things like everything so

0:25:56.560 --> 0:25:58.320
<v Speaker 1>out like when I went out there, like and it's

0:25:58.359 --> 0:26:00.760
<v Speaker 1>because I laid the groundwork, like during Get Richard Die

0:26:00.840 --> 0:26:04.400
<v Speaker 1>Trying and the Massacre those projects. Was taking two years

0:26:04.480 --> 0:26:05.920
<v Speaker 1>for me to come with the next album because I

0:26:06.000 --> 0:26:09.119
<v Speaker 1>spent the whole year after I released it touring, you know,

0:26:09.280 --> 0:26:13.119
<v Speaker 1>so because I was going everywhere like Croatia, moved by

0:26:13.240 --> 0:26:17.000
<v Speaker 1>India like Coast of Old Like I was everywhere, you

0:26:17.080 --> 0:26:19.000
<v Speaker 1>know what I'm saying, Like everywhere that they would. I

0:26:19.119 --> 0:26:21.119
<v Speaker 1>wanted all of the flags that m had on that

0:26:21.440 --> 0:26:24.720
<v Speaker 1>Marsha Maters album, that plaque. So I was like, I know,

0:26:24.760 --> 0:26:26.280
<v Speaker 1>I'm gonna have to go do the door to get it,

0:26:26.400 --> 0:26:30.560
<v Speaker 1>but I'm gonna go in the association to em help,

0:26:31.200 --> 0:26:33.119
<v Speaker 1>you know what I'm saying. So I was like, I

0:26:33.200 --> 0:26:34.680
<v Speaker 1>went out there and did all of that, but now

0:26:34.760 --> 0:26:36.359
<v Speaker 1>now it feels good because I'm able to go out

0:26:36.400 --> 0:26:39.399
<v Speaker 1>there and do those things and people really responded to it,

0:26:39.520 --> 0:26:44.639
<v Speaker 1>and I'm so seasoned the performance now it's like it's easy,

0:26:45.840 --> 0:26:47.320
<v Speaker 1>you know what I'm saying. Like I'm running out and

0:26:47.359 --> 0:26:49.680
<v Speaker 1>it's like ol boom. I'm like, yeah, I'll get do

0:26:49.720 --> 0:26:53.320
<v Speaker 1>it again tonight. DoD it make you feel celebrated and

0:26:53.400 --> 0:26:56.080
<v Speaker 1>appreciated because fifth you were, you a different type of legend,

0:26:56.440 --> 0:26:58.960
<v Speaker 1>like this levels the legends, you know, a different type

0:26:58.960 --> 0:27:01.440
<v Speaker 1>of legend. You gotta change. You can't do the same way.

0:27:01.960 --> 0:27:03.320
<v Speaker 1>You know what I'm saying, Like I'm looking at going

0:27:03.600 --> 0:27:06.200
<v Speaker 1>the things that I got off phone in the beginning,

0:27:06.280 --> 0:27:10.399
<v Speaker 1>charl it changed dramatically like now, look, the simplicity and

0:27:10.520 --> 0:27:13.360
<v Speaker 1>writing music is a key to it. So like go short,

0:27:13.440 --> 0:27:15.639
<v Speaker 1>it's your birthday, is what comes what I'm feeling when

0:27:15.680 --> 0:27:18.160
<v Speaker 1>I'm hearing the record. And then the reason is where

0:27:18.200 --> 0:27:21.760
<v Speaker 1>people have a specific reason they want to enjoy themselves

0:27:21.800 --> 0:27:24.200
<v Speaker 1>when it's your birthday and we're here, we want to

0:27:24.240 --> 0:27:26.200
<v Speaker 1>have a good time. So I'll put that in it.

0:27:26.359 --> 0:27:29.200
<v Speaker 1>But when you think about it and television is it's

0:27:29.200 --> 0:27:32.119
<v Speaker 1>almost never right the first time, Like they write it

0:27:32.200 --> 0:27:34.480
<v Speaker 1>and then they get the notes from the executives and

0:27:34.520 --> 0:27:36.440
<v Speaker 1>it comes down with different so it kind of morphs

0:27:36.480 --> 0:27:39.280
<v Speaker 1>into something different. And it's choices. So if creatively, if

0:27:39.280 --> 0:27:41.600
<v Speaker 1>you make if you go okay, I'm going left here

0:27:42.000 --> 0:27:44.400
<v Speaker 1>and they're gonna you could have went right, and you see,

0:27:44.560 --> 0:27:46.720
<v Speaker 1>I could have did that, but it was a creative choice.

0:27:47.240 --> 0:27:49.840
<v Speaker 1>But that example, if they don't give you that example

0:27:49.960 --> 0:27:52.920
<v Speaker 1>what you could have did. They don't know why they're

0:27:52.960 --> 0:27:56.280
<v Speaker 1>receiving there by they're being paid, so they give you

0:27:56.359 --> 0:27:58.800
<v Speaker 1>that example and then the artists change it and it

0:27:58.920 --> 0:28:01.359
<v Speaker 1>just changes. So it makes me not creatively want to

0:28:01.400 --> 0:28:04.240
<v Speaker 1>be a part of the writing process because it's a

0:28:04.400 --> 0:28:06.960
<v Speaker 1>it's a very tedious process, you got to know so

0:28:07.080 --> 0:28:10.040
<v Speaker 1>many details about the story before you get started that

0:28:10.160 --> 0:28:14.320
<v Speaker 1>it's like I'd rather feed the writer information to be

0:28:14.400 --> 0:28:17.679
<v Speaker 1>a part of the you know, the whole creative idea,

0:28:17.880 --> 0:28:20.560
<v Speaker 1>but let them handle that part because there's so many

0:28:20.680 --> 0:28:23.440
<v Speaker 1>changes and stuff until it works. Then you start to

0:28:23.440 --> 0:28:26.479
<v Speaker 1>see less and less notes as the project is more

0:28:26.480 --> 0:28:33.640
<v Speaker 1>and more successful. But do you feel celebrated? Fifth, that's

0:28:35.359 --> 0:28:38.040
<v Speaker 1>see you guys have for a long time. I answer

0:28:38.120 --> 0:28:40.840
<v Speaker 1>how I want to answer, and I come back and

0:28:41.360 --> 0:28:43.560
<v Speaker 1>I want to say, so you look at you go now,

0:28:43.600 --> 0:28:46.880
<v Speaker 1>I do feel celebrated, even when you see the new versions,

0:28:46.920 --> 0:28:49.440
<v Speaker 1>like when you see like Dirt and these these other

0:28:49.560 --> 0:28:52.600
<v Speaker 1>artists that come out that have that um like the

0:28:52.680 --> 0:28:55.720
<v Speaker 1>element that is coming straight out of the environment, you

0:28:55.800 --> 0:28:57.360
<v Speaker 1>know what I'm saying. And then you look like and

0:28:57.440 --> 0:28:59.760
<v Speaker 1>this pure Chicago. Would you would you get from them?

0:28:59.800 --> 0:29:01.760
<v Speaker 1>You know what I'm saying. So I'm looking at him

0:29:01.800 --> 0:29:04.360
<v Speaker 1>like and I was turned onto them so early because

0:29:04.480 --> 0:29:08.960
<v Speaker 1>I remember I was crazy about Chief keep ye Chiki

0:29:09.080 --> 0:29:11.720
<v Speaker 1>first came. They thought Chief he wouldn't retard. He just

0:29:11.760 --> 0:29:14.160
<v Speaker 1>didn't know. You didn't know what I was talking about.

0:29:14.200 --> 0:29:16.280
<v Speaker 1>It was like yo, nah, like what they're talking about,

0:29:17.040 --> 0:29:19.640
<v Speaker 1>you know, the environment, how to survive and function there,

0:29:20.160 --> 0:29:22.600
<v Speaker 1>and it was in a whole new world with this

0:29:22.800 --> 0:29:24.479
<v Speaker 1>this actual business. You know what I'm saying. But once

0:29:24.520 --> 0:29:26.680
<v Speaker 1>you get a chance to kind of know them, you

0:29:26.840 --> 0:29:29.720
<v Speaker 1>you start to like them because they're not like the music.

0:29:29.800 --> 0:29:31.920
<v Speaker 1>What the music is saying is not who they actually are.

0:29:32.120 --> 0:29:33.719
<v Speaker 1>Like that's and it's the same thing with me too,

0:29:33.840 --> 0:29:36.280
<v Speaker 1>or you wouldn't be able to grow past those points.

0:29:36.560 --> 0:29:40.320
<v Speaker 1>He would just look the guy who does exactly what

0:29:40.440 --> 0:29:44.760
<v Speaker 1>I'm saying and does is that it's not successful. Are

0:29:44.760 --> 0:29:46.440
<v Speaker 1>you doing? Are you doing another album? Heard that you

0:29:46.560 --> 0:29:48.920
<v Speaker 1>might be doing one last album? Heard you working on

0:29:49.040 --> 0:29:50.520
<v Speaker 1>Is they any true to that? Yeah? I started working

0:29:50.560 --> 0:29:53.120
<v Speaker 1>on some things like the last one, though it may

0:29:53.160 --> 0:29:56.280
<v Speaker 1>not be the last album and maybe broken up into

0:29:56.560 --> 0:29:58.800
<v Speaker 1>something that goes out with one of the television shows.

0:29:59.360 --> 0:30:01.440
<v Speaker 1>You see what I'm say. But creatively, I just said,

0:30:01.480 --> 0:30:03.640
<v Speaker 1>now I want to do something, and I got all

0:30:03.680 --> 0:30:06.560
<v Speaker 1>the vehicles that I needed to do twenty five television show,

0:30:07.000 --> 0:30:09.480
<v Speaker 1>so I could just put here's the EP connected to

0:30:09.600 --> 0:30:13.400
<v Speaker 1>this and let it rock without having the pressure of

0:30:13.480 --> 0:30:16.280
<v Speaker 1>it being a full album and and all that. Because

0:30:16.280 --> 0:30:18.240
<v Speaker 1>like look, if you look when the last time you've

0:30:18.240 --> 0:30:21.320
<v Speaker 1>seen the actual numbers on the sales of record, like

0:30:21.600 --> 0:30:24.640
<v Speaker 1>you see Kanye say, you put it on something device, yea,

0:30:25.480 --> 0:30:27.680
<v Speaker 1>So you can't see the actual number the numbers, right,

0:30:28.320 --> 0:30:30.840
<v Speaker 1>And that that's because if you see the number, you go, oh, wait,

0:30:30.920 --> 0:30:33.480
<v Speaker 1>minute doing it? How did you use to? Yeah? You

0:30:33.560 --> 0:30:36.560
<v Speaker 1>know what, especially when you have a huge successful sales record.

0:30:37.120 --> 0:30:39.880
<v Speaker 1>So they're avoiding that number by putting it on a

0:30:39.960 --> 0:30:43.560
<v Speaker 1>device or putting it through title or through somewhere else,

0:30:43.600 --> 0:30:45.640
<v Speaker 1>so you can't actually see what's happening with it. But

0:30:46.160 --> 0:30:49.560
<v Speaker 1>the record, they're bigger stars within the culture because they've

0:30:49.560 --> 0:30:51.920
<v Speaker 1>been here longer and developed their brands. I don't even

0:30:51.920 --> 0:30:53.320
<v Speaker 1>thin get mad at them more. Be honestly, they did

0:30:53.360 --> 0:30:55.719
<v Speaker 1>what three hundred something, and people will be like, oh,

0:30:55.800 --> 0:30:57.920
<v Speaker 1>it's her lower sales weekend. I'm like, gives you twenty

0:30:57.960 --> 0:31:00.520
<v Speaker 1>five years in. I mean, it's just how many kids

0:31:00.560 --> 0:31:05.960
<v Speaker 1>you got three married, married, married with three kids and

0:31:06.320 --> 0:31:10.840
<v Speaker 1>it's supposed to be the same sex, right, Like, I mean,

0:31:11.040 --> 0:31:13.800
<v Speaker 1>it's a different energy there. And then our audience has

0:31:13.840 --> 0:31:17.360
<v Speaker 1>grown the grown folks. You gotta look and say, I'd

0:31:17.400 --> 0:31:19.960
<v Speaker 1>say between two thousand and three and two thousand and five,

0:31:20.440 --> 0:31:23.360
<v Speaker 1>views in college. You my core audience, you know what

0:31:23.400 --> 0:31:25.960
<v Speaker 1>I'm saying, because that's when you're having your adult experience

0:31:26.040 --> 0:31:28.120
<v Speaker 1>for the first time, when you party in every available

0:31:28.200 --> 0:31:33.200
<v Speaker 1>moment possible. And those those people the material impacted the

0:31:33.280 --> 0:31:35.440
<v Speaker 1>hardest because it's the theme music to their life at

0:31:35.520 --> 0:31:39.000
<v Speaker 1>that point, when it's smoking, hottest, brand new, it's just

0:31:39.120 --> 0:31:41.400
<v Speaker 1>happening at that point. And then you look, love music

0:31:41.440 --> 0:31:43.600
<v Speaker 1>don't get old. So Beyonce that she ain't going nowhere

0:31:43.800 --> 0:31:46.720
<v Speaker 1>like Shell, there'll be a reason for you to want

0:31:46.760 --> 0:31:49.320
<v Speaker 1>to listen to Beyonce. Like you know what I'm saying.

0:31:49.480 --> 0:31:51.520
<v Speaker 1>It's just when you look at R and B music,

0:31:52.440 --> 0:31:54.600
<v Speaker 1>music require buttons. At some point you had to be

0:31:54.640 --> 0:31:58.040
<v Speaker 1>a gentleman. Now you look up, they got the same tattoos.

0:31:58.080 --> 0:32:00.400
<v Speaker 1>The hip hop parts got there saying the same they're

0:32:00.400 --> 0:32:02.960
<v Speaker 1>singing the lyrics the hip hop artists would say in

0:32:03.040 --> 0:32:04.720
<v Speaker 1>the in the verse, all right, we got more with

0:32:04.760 --> 0:32:06.680
<v Speaker 1>fifty cent when we come back, don't move. It's the

0:32:06.720 --> 0:32:11.560
<v Speaker 1>breakfast club, Good morning morning. Everybody's DJ Envy Angela Yee,

0:32:11.720 --> 0:32:13.960
<v Speaker 1>Charlemagne the guy. We are the breakfast club. We're still

0:32:14.000 --> 0:32:16.360
<v Speaker 1>kicking it with fifty cent. Charlemagne is there anybody fifty

0:32:16.400 --> 0:32:20.160
<v Speaker 1>cent fists. Ever, historically in life, all of the situations,

0:32:20.200 --> 0:32:22.239
<v Speaker 1>if you don't have fear, then you're not Then you're

0:32:22.280 --> 0:32:27.640
<v Speaker 1>just not acknowledging danger a point. Nah yeah, but you're

0:32:27.640 --> 0:32:31.600
<v Speaker 1>just not stupid. Then you're not scared enough. You watch

0:32:31.720 --> 0:32:34.480
<v Speaker 1>that guy that just has a zero fear and say, yeah,

0:32:34.480 --> 0:32:36.160
<v Speaker 1>we can get him. He's tough. We're gonna have a

0:32:36.200 --> 0:32:38.160
<v Speaker 1>hard time chewing on him, but we're gonna get him.

0:32:38.800 --> 0:32:41.120
<v Speaker 1>We get him. Like other than that, you just gotta

0:32:41.160 --> 0:32:43.920
<v Speaker 1>pay attention to its surrounded. They's just going on like

0:32:43.960 --> 0:32:48.640
<v Speaker 1>and you say never never saying the toughest guy. I

0:32:48.720 --> 0:32:51.120
<v Speaker 1>just I'm gonna do what I want to do and

0:32:51.280 --> 0:32:53.600
<v Speaker 1>then if I die in the process, I was doing

0:32:53.680 --> 0:32:56.600
<v Speaker 1>what I wanted to do. Even the themes, look it's

0:32:56.640 --> 0:32:59.520
<v Speaker 1>power the dollar, Yeah, I get hit, I come back,

0:32:59.720 --> 0:33:02.680
<v Speaker 1>get rich, or die trying. Yeah, right, and the proces

0:33:02.720 --> 0:33:05.040
<v Speaker 1>because that's already but I'm feeling like I'm going to

0:33:05.120 --> 0:33:06.920
<v Speaker 1>do it. I'm in the process. It's the greatest thing

0:33:07.440 --> 0:33:09.520
<v Speaker 1>is to watch me because either I'm going to get

0:33:09.600 --> 0:33:12.320
<v Speaker 1>rich or I'm gonna die in the process. And this

0:33:12.400 --> 0:33:13.840
<v Speaker 1>is what I'm gonna call the record. So it was

0:33:13.920 --> 0:33:17.000
<v Speaker 1>the massacre, you projecting all the pain you felt on

0:33:17.080 --> 0:33:19.720
<v Speaker 1>everybody else. I was supposed to go, but that album

0:33:19.840 --> 0:33:22.560
<v Speaker 1>was supposed to come out February eight, supposed to be

0:33:22.640 --> 0:33:25.960
<v Speaker 1>the same Valentire's days. It pushed it back because we

0:33:26.120 --> 0:33:29.040
<v Speaker 1>was doing too good with games record, and I'm like, yo,

0:33:29.160 --> 0:33:31.640
<v Speaker 1>like you gotta think. In the scope was when East

0:33:31.680 --> 0:33:34.280
<v Speaker 1>Coast West Coast was going on. In the scope was

0:33:34.360 --> 0:33:38.480
<v Speaker 1>the West Coast. So there's some uncomfortability with me being

0:33:38.560 --> 0:33:41.680
<v Speaker 1>from the East Coast. Yeah, that I'm not even conscious of. Initially,

0:33:41.720 --> 0:33:43.760
<v Speaker 1>I'm going like yo. They're like Yo, they love that,

0:33:44.760 --> 0:33:46.920
<v Speaker 1>they're doing extremely well like that, but they're going to

0:33:46.960 --> 0:33:49.800
<v Speaker 1>damn why we can't have one like from here? You

0:33:49.880 --> 0:33:52.560
<v Speaker 1>see what I'm saying, Like from Drake's perspective, it's why

0:33:52.680 --> 0:33:56.280
<v Speaker 1>why we can't have one from the West coast like that?

0:33:56.480 --> 0:34:01.560
<v Speaker 1>And it's that's the assignment game started moving. They was like, wait, wait,

0:34:01.640 --> 0:34:04.320
<v Speaker 1>wait to build that, Like, what's that that record is

0:34:04.360 --> 0:34:06.719
<v Speaker 1>out in the selling They're going, wait, we don't want

0:34:06.760 --> 0:34:09.160
<v Speaker 1>to cut the legs off of this, And You're going,

0:34:09.760 --> 0:34:13.040
<v Speaker 1>but that's rearranging my presentation what I'm doing. So now

0:34:13.560 --> 0:34:16.160
<v Speaker 1>I wouldn't have given him things. It was so good

0:34:16.200 --> 0:34:17.920
<v Speaker 1>if I felt like it was going all to what

0:34:18.040 --> 0:34:20.359
<v Speaker 1>I'm doing, you know what I'm saying, Like I did

0:34:20.480 --> 0:34:24.120
<v Speaker 1>my first record so fast, like the second record, my attempted.

0:34:24.160 --> 0:34:26.640
<v Speaker 1>The first record went was done in the weekend, so

0:34:26.920 --> 0:34:30.960
<v Speaker 1>just get rich. No, the second the massacre, and that

0:34:31.400 --> 0:34:33.279
<v Speaker 1>the attempt that was done in the weekend turns in

0:34:33.360 --> 0:34:37.239
<v Speaker 1>the games out you regret giving game, you regretted to

0:34:37.320 --> 0:34:40.000
<v Speaker 1>love it. This is how we do. Look, it's just

0:34:40.120 --> 0:34:42.799
<v Speaker 1>the way things are. Like when I look, I don't

0:34:42.800 --> 0:34:46.200
<v Speaker 1>I don't see anyone who's who hasn't um, who hasn't

0:34:46.239 --> 0:34:51.480
<v Speaker 1>helped other artists and haven't had it recipitated. Probably, like

0:34:51.680 --> 0:34:54.879
<v Speaker 1>that's what every everybody, you know what I'm saying, Even

0:34:54.920 --> 0:34:58.160
<v Speaker 1>with Koda, you see him with jack Boy, the things

0:34:58.239 --> 0:35:01.120
<v Speaker 1>that these guys come together, Like I'm talking cot that

0:35:01.200 --> 0:35:03.359
<v Speaker 1>he go yo, But I didn't know we was going

0:35:03.400 --> 0:35:06.239
<v Speaker 1>to go through that. It's too hard, Like it's too

0:35:06.320 --> 0:35:08.680
<v Speaker 1>hard to get here for us to go through that sod.

0:35:08.719 --> 0:35:10.800
<v Speaker 1>But no, that's the same thing as what we experienced.

0:35:11.560 --> 0:35:14.839
<v Speaker 1>We looked down for like when they're not right under

0:35:14.880 --> 0:35:17.400
<v Speaker 1>you because they're in a different area, it's easy to

0:35:17.480 --> 0:35:21.200
<v Speaker 1>persuade them like, this is also how Jimmy Hinchman felt,

0:35:22.200 --> 0:35:25.120
<v Speaker 1>this is what drive what how game was behaving because

0:35:25.160 --> 0:35:28.040
<v Speaker 1>he also had his whole management team is going, Yo,

0:35:28.120 --> 0:35:30.320
<v Speaker 1>you don't need them from you got a whole coast,

0:35:31.160 --> 0:35:32.959
<v Speaker 1>you got the whole West coast, Like you don't gotta

0:35:33.000 --> 0:35:35.920
<v Speaker 1>be down with them. When he's just gave him the record,

0:35:37.360 --> 0:35:39.320
<v Speaker 1>you know what I'm saying, and then they gold, he

0:35:39.440 --> 0:35:41.800
<v Speaker 1>flips out. I'm like, oh okay, but it is a

0:35:41.880 --> 0:35:44.600
<v Speaker 1>reflection of you see how the Jimmy Hinchman thing turned out,

0:35:45.200 --> 0:35:47.239
<v Speaker 1>like the eight turns into real street stuff, you know

0:35:47.239 --> 0:35:49.719
<v Speaker 1>what I'm saying. So you're going he was feeling that

0:35:49.800 --> 0:35:53.480
<v Speaker 1>way along before, Yeah, I mean, and then then it

0:35:53.600 --> 0:35:56.360
<v Speaker 1>just was like did full on we could do everything

0:35:56.440 --> 0:35:59.680
<v Speaker 1>we want to do vice first because Chris really his

0:36:00.160 --> 0:36:02.560
<v Speaker 1>was with Chris. But Chris, Lady, That's why I don't

0:36:02.560 --> 0:36:06.640
<v Speaker 1>like James Cruise. Why yeah, I don't like I don't

0:36:06.680 --> 0:36:08.600
<v Speaker 1>like him at all, Like because he's a sucker. Like

0:36:08.680 --> 0:36:10.919
<v Speaker 1>the whole time he was like he was still going

0:36:11.000 --> 0:36:15.000
<v Speaker 1>to go see Jimmy hanging out. Meanwhile, Jimmy's getting Mike

0:36:15.080 --> 0:36:17.600
<v Speaker 1>Ldy cut in the back of the head and everything

0:36:17.640 --> 0:36:19.560
<v Speaker 1>else in the shooting and everything else is going. He's

0:36:19.560 --> 0:36:21.879
<v Speaker 1>a punk. Like when you see people that like they're

0:36:21.920 --> 0:36:25.400
<v Speaker 1>just fear full of We said, respect come from admiration

0:36:25.440 --> 0:36:28.480
<v Speaker 1>of fear. One of the dollars, right, His respect for

0:36:28.600 --> 0:36:31.239
<v Speaker 1>Jimmy comes from fear. So he's a sucker in my eyes,

0:36:31.400 --> 0:36:32.719
<v Speaker 1>you know what I'm saying. And then he does all

0:36:32.760 --> 0:36:35.160
<v Speaker 1>of this talk about things that went on with Chris

0:36:35.280 --> 0:36:37.560
<v Speaker 1>Lydy that I'm like, Yo, wait, why are you even

0:36:37.640 --> 0:36:40.120
<v Speaker 1>talking about what I'm doing? What comes from me? You?

0:36:40.880 --> 0:36:43.400
<v Speaker 1>You was like you were in the meeting. You didn't

0:36:43.440 --> 0:36:45.600
<v Speaker 1>actually make no deals. He I thought he said he

0:36:45.680 --> 0:36:48.160
<v Speaker 1>managed you at one point. He never had no agreement

0:36:48.200 --> 0:36:51.080
<v Speaker 1>with me to manage me in anyway or any capacity.

0:36:51.160 --> 0:36:54.120
<v Speaker 1>So when he say that, it irritates me. You know

0:36:54.160 --> 0:36:56.839
<v Speaker 1>what I'm saying. It didn't like later he's just he's

0:36:56.880 --> 0:36:59.080
<v Speaker 1>a sucker. I didn't understand why Chris wanted them a

0:37:00.000 --> 0:37:01.560
<v Speaker 1>know what I'm saying, Like when the shooting happened with

0:37:02.680 --> 0:37:06.439
<v Speaker 1>little Kim d hating him, Yo, come out from behind

0:37:06.480 --> 0:37:10.040
<v Speaker 1>the red car. They got us. That's what he was doing,

0:37:10.800 --> 0:37:14.719
<v Speaker 1>you know what I'm saying. Like, watch sitting around and

0:37:14.800 --> 0:37:17.680
<v Speaker 1>the Chris was like like dealing with him because he had,

0:37:18.120 --> 0:37:20.279
<v Speaker 1>you know, like a background. He was because he had

0:37:20.320 --> 0:37:23.120
<v Speaker 1>a radio background. He always looked like he should get

0:37:23.160 --> 0:37:25.640
<v Speaker 1>a piece. But if you're getting the best deal for me,

0:37:25.719 --> 0:37:28.600
<v Speaker 1>why you feel like somebody should give your people? That's

0:37:28.600 --> 0:37:30.000
<v Speaker 1>the way I look at it. I look like if

0:37:30.000 --> 0:37:32.160
<v Speaker 1>you go to somebody else to say, yo, you should

0:37:32.200 --> 0:37:33.440
<v Speaker 1>get me a watch, or you should give me this.

0:37:34.000 --> 0:37:35.719
<v Speaker 1>That's that was his thing. You know what I'm saying

0:37:35.719 --> 0:37:37.720
<v Speaker 1>that I'm like, but if you're asking them for watchton

0:37:37.800 --> 0:37:39.719
<v Speaker 1>you felt like you gave him a deal to then

0:37:39.800 --> 0:37:41.680
<v Speaker 1>you didn't get me the best deal if you if

0:37:41.719 --> 0:37:43.920
<v Speaker 1>he owes your watch for the deal. You see what

0:37:43.960 --> 0:37:46.680
<v Speaker 1>I'm saying. And then it's like they act like they

0:37:46.719 --> 0:37:49.439
<v Speaker 1>don't understand why I don't like it. Between Diddian crews,

0:37:49.480 --> 0:37:51.759
<v Speaker 1>I don't think you'd have worked on Bad Boy. I

0:37:51.760 --> 0:37:54.960
<v Speaker 1>don't think it terrible, but you know what, I look

0:37:55.040 --> 0:37:56.799
<v Speaker 1>at that point, I would have probably did the deal.

0:37:57.000 --> 0:38:01.160
<v Speaker 1>So there was no other like that point. Jennifer who

0:38:01.239 --> 0:38:05.560
<v Speaker 1>told puff to work with me okay because she her

0:38:05.640 --> 0:38:08.560
<v Speaker 1>first album, want to Sing Boy. Rooney was the executive producer.

0:38:09.000 --> 0:38:12.719
<v Speaker 1>Borey Rooney was my executive producer for Power of the Doubt.

0:38:13.200 --> 0:38:15.719
<v Speaker 1>So we had the relationship from Queens and everything coming

0:38:15.800 --> 0:38:18.239
<v Speaker 1>out that they put us in the same circles. And

0:38:18.320 --> 0:38:21.520
<v Speaker 1>then Jennifer was telling Yo, he is dope. You work

0:38:21.600 --> 0:38:25.160
<v Speaker 1>with him like he's gonna it's gonna eventually it's gonna happen,

0:38:25.920 --> 0:38:28.000
<v Speaker 1>you know. And then Puff, that's what Puff is calling me.

0:38:28.080 --> 0:38:31.439
<v Speaker 1>That down to do it. But Puff can't even hear hit. See,

0:38:32.080 --> 0:38:35.480
<v Speaker 1>I know he can't. He couldn't. Puff can't hear a hit.

0:38:35.560 --> 0:38:38.560
<v Speaker 1>That's kind of crazy. He still hear things from back

0:38:38.640 --> 0:38:43.120
<v Speaker 1>then that time. Oh can't buy the right. He can't.

0:38:43.120 --> 0:38:45.239
<v Speaker 1>You play for him right now and it's hot, he

0:38:45.360 --> 0:38:47.560
<v Speaker 1>can't buy it. This is why he fighting Drake when

0:38:47.640 --> 0:38:50.239
<v Speaker 1>you hit Drake because he used the beat that he

0:38:50.360 --> 0:38:53.319
<v Speaker 1>didn't actually right, you know what I'm saying. So if

0:38:53.360 --> 0:38:55.600
<v Speaker 1>he like he heard it and he heard Drake used it,

0:38:55.680 --> 0:38:57.520
<v Speaker 1>but it wasn't a hit yet until Drake put the

0:38:57.600 --> 0:39:01.359
<v Speaker 1>thing the lines are and he's upset about that because

0:39:01.400 --> 0:39:03.080
<v Speaker 1>he can't hear it. But he felt like he took

0:39:03.120 --> 0:39:06.520
<v Speaker 1>something from and you know there's something to him for that,

0:39:06.719 --> 0:39:08.719
<v Speaker 1>did Tara Marie, I would pay you all your money

0:39:08.760 --> 0:39:14.839
<v Speaker 1>yet she's still how much just loved that. I think

0:39:14.880 --> 0:39:18.400
<v Speaker 1>it's like fifty something thousand now I thought it was

0:39:18.400 --> 0:39:20.520
<v Speaker 1>twenty five. Yeah, and it keep going up because she

0:39:20.680 --> 0:39:23.920
<v Speaker 1>keeps delaying and moving around like she gonna feel like

0:39:24.040 --> 0:39:26.640
<v Speaker 1>she went to college. Man, it's clearly the principle with

0:39:26.719 --> 0:39:30.160
<v Speaker 1>you because it's not the money. Why though, because I

0:39:30.280 --> 0:39:32.440
<v Speaker 1>have to set examples so people don't keep coming to

0:39:32.480 --> 0:39:34.680
<v Speaker 1>play with me. See, look, this is Lisa Bloe. I

0:39:34.719 --> 0:39:39.319
<v Speaker 1>don't I don't think nobody played at but I don't

0:39:39.360 --> 0:39:42.640
<v Speaker 1>think nobody plays with They say me too, I say

0:39:42.760 --> 0:39:46.160
<v Speaker 1>not me. I tell people all the time, you know

0:39:46.200 --> 0:39:48.160
<v Speaker 1>what I'm saying. When they say me too, I say

0:39:48.239 --> 0:39:51.479
<v Speaker 1>not me. I'm not involved with that. So when she comes,

0:39:51.520 --> 0:39:55.360
<v Speaker 1>she was upset because I said something about Trey Trey songs.

0:39:55.400 --> 0:39:57.080
<v Speaker 1>Had the situation that was going on one of the

0:39:57.160 --> 0:40:00.319
<v Speaker 1>girls that was around in the actual house set. Nah,

0:40:00.400 --> 0:40:03.239
<v Speaker 1>he didn't hit her that particular situation. He didn't hit

0:40:03.280 --> 0:40:05.040
<v Speaker 1>her it he put out out the house, but the

0:40:05.120 --> 0:40:06.759
<v Speaker 1>way he said it and he did it made her

0:40:06.840 --> 0:40:11.400
<v Speaker 1>feel like she felt like he slapped her right. And

0:40:11.800 --> 0:40:16.080
<v Speaker 1>that's later she said that he hit her. And I'm like,

0:40:16.239 --> 0:40:18.680
<v Speaker 1>because the other female that I knew it was there

0:40:19.120 --> 0:40:20.959
<v Speaker 1>said that to me. I was like, nah, I don't

0:40:20.960 --> 0:40:23.680
<v Speaker 1>believe he did that. And then she was like, don't

0:40:23.719 --> 0:40:29.680
<v Speaker 1>be uh, but she's shaming the girl that UM wanted

0:40:29.680 --> 0:40:33.960
<v Speaker 1>her clients, shaming on her clients. And I'm like, no, no,

0:40:34.200 --> 0:40:36.160
<v Speaker 1>like I'm not victims shaman. I'm just saying I don't

0:40:36.160 --> 0:40:39.520
<v Speaker 1>believe her. And then the next available thing that she

0:40:39.600 --> 0:40:42.680
<v Speaker 1>could come with, she was, oh, yes, yeah, jumped on

0:40:42.880 --> 0:40:45.680
<v Speaker 1>Tiara Marie. Think because she's gonna come, she gonna service me, right,

0:40:45.719 --> 0:40:49.040
<v Speaker 1>she gonna because the climate is all me too. That

0:40:49.200 --> 0:40:51.880
<v Speaker 1>when you bring a female and you said you've done something.

0:40:52.960 --> 0:40:56.279
<v Speaker 1>You see what I'm saying, They felt like oh yeah, yeah,

0:40:56.560 --> 0:41:00.200
<v Speaker 1>you're finished, buddy. And then when it don't work out,

0:41:00.360 --> 0:41:03.480
<v Speaker 1>they think it just goes away. You can't say everything

0:41:03.880 --> 0:41:05.960
<v Speaker 1>that's not you see when they came. But that was

0:41:06.000 --> 0:41:08.520
<v Speaker 1>a great I understand. I understand exactly why he's doing

0:41:08.560 --> 0:41:11.040
<v Speaker 1>it ten times. I get it ten times because they

0:41:11.080 --> 0:41:13.120
<v Speaker 1>would hold it to you, yes, yes, and then you

0:41:13.280 --> 0:41:14.719
<v Speaker 1>know what they would do to you, like just based

0:41:14.760 --> 0:41:17.640
<v Speaker 1>on those circumstances, like you go in an Indian entire

0:41:17.719 --> 0:41:20.400
<v Speaker 1>career and you go so that's what you was attempting

0:41:20.480 --> 0:41:22.680
<v Speaker 1>to do at that point, or you want it, she

0:41:23.239 --> 0:41:25.160
<v Speaker 1>said to a friend. Now I'm trying to get the bag.

0:41:25.280 --> 0:41:27.200
<v Speaker 1>You know what I'm saying that. I'm like, okay, so

0:41:27.440 --> 0:41:29.320
<v Speaker 1>now I'm gonna make you feel like you went to college.

0:41:29.680 --> 0:41:31.440
<v Speaker 1>We got more with fifty when we come back, let's

0:41:31.480 --> 0:41:33.600
<v Speaker 1>get into a little fifty cent mini mix. Let me

0:41:33.680 --> 0:41:35.160
<v Speaker 1>know what you want to hear. It's the Breakfast Club.

0:41:35.200 --> 0:41:38.720
<v Speaker 1>Good morning, it's a Friday, damnit, and everybody it's DJ Envy,

0:41:38.920 --> 0:41:41.480
<v Speaker 1>Angela Yee. Charlemagne, the guy we are the Breakfast Club

0:41:41.520 --> 0:41:44.200
<v Speaker 1>was still kicking him with fifty. Why Cyrus, are you

0:41:44.280 --> 0:41:46.360
<v Speaker 1>gonna help me get into acting? You want to do

0:41:46.440 --> 0:41:48.520
<v Speaker 1>some acting? Anyone? He was up there. He said that

0:41:48.520 --> 0:41:50.960
<v Speaker 1>you was supposed to put him in power. To put

0:41:51.000 --> 0:41:53.839
<v Speaker 1>him in power, So the good guy. It's a personality,

0:41:53.840 --> 0:41:57.040
<v Speaker 1>I think, a bigger personality than than an artist, like

0:41:57.120 --> 0:41:59.600
<v Speaker 1>as a songwriter and stuff like that, because when you

0:41:59.680 --> 0:42:01.680
<v Speaker 1>watch him, like when I see him one of the

0:42:01.840 --> 0:42:03.959
<v Speaker 1>clips and stuff like that. Now he liked that in person.

0:42:04.239 --> 0:42:06.960
<v Speaker 1>It's a ton of personality there. So you know, well,

0:42:07.000 --> 0:42:09.319
<v Speaker 1>we find the right thing and get him. So we're

0:42:09.320 --> 0:42:12.440
<v Speaker 1>talking about rumors and you know when you google his name,

0:42:12.480 --> 0:42:14.960
<v Speaker 1>there's a rumor that pops up that he was did

0:42:15.040 --> 0:42:19.520
<v Speaker 1>he's boy to right? Wait, so this is so Charlotmagne

0:42:19.560 --> 0:42:21.480
<v Speaker 1>says it's not true. But I told after he brought

0:42:21.560 --> 0:42:22.480
<v Speaker 1>up the stuff with you, I said, you know what

0:42:22.520 --> 0:42:24.520
<v Speaker 1>Fifthy is gonna say when he meet you? Oh no,

0:42:24.640 --> 0:42:26.640
<v Speaker 1>I don't know that that was going on. You know,

0:42:26.880 --> 0:42:29.120
<v Speaker 1>I can't wait to running him what you're gonna say

0:42:29.160 --> 0:42:31.520
<v Speaker 1>to him? He was playing with your booty in Miami?

0:42:34.360 --> 0:42:37.520
<v Speaker 1>You know it was in Miami. Yo, Look that's for

0:42:37.680 --> 0:42:41.200
<v Speaker 1>James Cruisers said all the time, Miami, Miami. He's like, Miami.

0:42:41.239 --> 0:42:44.960
<v Speaker 1>I'm like what you're talking? Abou happened in Miami? We

0:42:45.480 --> 0:42:48.839
<v Speaker 1>playing the audio? Man, I missed the fifth year? Good man? Yeah,

0:42:48.960 --> 0:42:50.440
<v Speaker 1>he gonna go we were in and worse with it

0:42:50.520 --> 0:42:53.320
<v Speaker 1>still he gonna you know, we're just being Yeah, but

0:42:53.600 --> 0:42:55.120
<v Speaker 1>come here. You know what fifty gonna say to you

0:42:55.160 --> 0:42:57.920
<v Speaker 1>when he sees I heard did he touch you button? Man?

0:43:00.040 --> 0:43:05.360
<v Speaker 1>You know yeah? Wa until I see him, until I

0:43:05.440 --> 0:43:09.439
<v Speaker 1>seem like, yo, that he got a good relationship though, right, Yeah,

0:43:09.600 --> 0:43:12.040
<v Speaker 1>I'm gonna yeah, like do you see I got coin

0:43:12.120 --> 0:43:14.759
<v Speaker 1>season raised in Canaan. Oh that's true. Oh yeah, yeah,

0:43:14.840 --> 0:43:17.879
<v Speaker 1>yeah yeah, point talented and and I want to get

0:43:18.520 --> 0:43:20.560
<v Speaker 1>Justin and something. How did that go to? Do you do?

0:43:20.600 --> 0:43:22.520
<v Speaker 1>You do? You have talked about that he stay out,

0:43:22.640 --> 0:43:24.239
<v Speaker 1>stays out of that. You know what we're talking about

0:43:24.239 --> 0:43:26.920
<v Speaker 1>that we was more it's more that's about his talent though,

0:43:26.960 --> 0:43:29.080
<v Speaker 1>that's not about like he read, he read for that,

0:43:29.239 --> 0:43:31.279
<v Speaker 1>he killed it, you know what I'm saying. I think

0:43:31.360 --> 0:43:33.360
<v Speaker 1>like and I called him to tell him that, like

0:43:33.400 --> 0:43:35.680
<v Speaker 1>you ain't got to do with you that it's really

0:43:35.680 --> 0:43:38.759
<v Speaker 1>about the work he put in. Right now, now, why

0:43:38.800 --> 0:43:40.600
<v Speaker 1>did you pass on Jay Coole before? That's before we

0:43:40.640 --> 0:43:41.800
<v Speaker 1>get to the new stuff? Why do you pass on

0:43:41.920 --> 0:43:44.279
<v Speaker 1>Jay Coole? That was so early? Bro? Like like this

0:43:44.480 --> 0:43:48.160
<v Speaker 1>is before Like I think, look, there's a difference, you know.

0:43:48.400 --> 0:43:50.400
<v Speaker 1>I think when at that point we didn't have a

0:43:50.440 --> 0:43:53.520
<v Speaker 1>lot of representation on the street, then like we were

0:43:53.800 --> 0:43:57.680
<v Speaker 1>the representation at that point, and you know they're they're

0:43:57.719 --> 0:44:01.960
<v Speaker 1>cringing for something else this whatever it is, that to me.

0:44:02.200 --> 0:44:08.560
<v Speaker 1>J cole Um, Kendrick Lamar, these artists existed early on

0:44:08.640 --> 0:44:10.840
<v Speaker 1>when I fell in love with hip hop, But it

0:44:11.040 --> 0:44:15.239
<v Speaker 1>was Tyler quality. Yeah, it was most deaf trapical Quest,

0:44:15.600 --> 0:44:19.800
<v Speaker 1>It's trip cold Quest. It was like it was Tyler

0:44:20.040 --> 0:44:23.760
<v Speaker 1>most common sense, you know what I'm saying. And they

0:44:23.920 --> 0:44:26.600
<v Speaker 1>really as dope as they are, like that they are.

0:44:26.920 --> 0:44:31.520
<v Speaker 1>It's like the smarter rap, smarter music. The logic can

0:44:31.719 --> 0:44:36.000
<v Speaker 1>sit down, be humble, We're supposed to already know to

0:44:36.080 --> 0:44:39.000
<v Speaker 1>sit down and be home. They put that there. It's

0:44:39.080 --> 0:44:42.680
<v Speaker 1>it's it's almost the conscious side of of it. And

0:44:42.800 --> 0:44:44.439
<v Speaker 1>I looked and I'm like, oh no, I was cool,

0:44:44.520 --> 0:44:47.320
<v Speaker 1>but I didn't really know if everybody was ready for

0:44:47.400 --> 0:44:49.640
<v Speaker 1>it because of how strong it was embracing what we

0:44:49.760 --> 0:44:53.920
<v Speaker 1>were doing. A lot of people say that when you

0:44:54.040 --> 0:44:57.040
<v Speaker 1>and Kanye went head up, and that's what that was.

0:44:57.800 --> 0:44:59.840
<v Speaker 1>When you when you sold more, it shifted from the

0:45:00.000 --> 0:45:04.600
<v Speaker 1>streets to when you do Look, they just wanted that anyway.

0:45:05.080 --> 0:45:08.400
<v Speaker 1>Look at the best new artists, thirteen million records. On

0:45:08.520 --> 0:45:11.120
<v Speaker 1>the first album, you got to have a double CD

0:45:11.200 --> 0:45:15.359
<v Speaker 1>and Die to Go Diamond Tupac or Eyes on Me. Yeah.

0:45:15.480 --> 0:45:17.839
<v Speaker 1>Prior to my album Come and Give It to Die Try,

0:45:17.920 --> 0:45:21.080
<v Speaker 1>you had to have a double CD and Die. I

0:45:21.120 --> 0:45:24.239
<v Speaker 1>think those are the only two albums that they sold

0:45:24.280 --> 0:45:27.759
<v Speaker 1>that many copies. So when you come and and and

0:45:28.040 --> 0:45:33.240
<v Speaker 1>you're having that much success, you will see. Uh. Diana

0:45:33.320 --> 0:45:35.879
<v Speaker 1>Ross was on on the award panels saying, you don't

0:45:35.960 --> 0:45:38.640
<v Speaker 1>have to be like this, Like you don't have to

0:45:38.719 --> 0:45:41.719
<v Speaker 1>be like like they're afraid their kids go want to

0:45:42.880 --> 0:45:46.239
<v Speaker 1>if they acknowledge the material, so they don't give you

0:45:46.280 --> 0:45:49.480
<v Speaker 1>the trophies. I got the checks I didn't get. Jake

0:45:49.520 --> 0:45:52.520
<v Speaker 1>got all of my trophies. Man, that's because he signed

0:45:52.560 --> 0:45:59.319
<v Speaker 1>that contract. No, if you don't sign, you don't give

0:45:59.440 --> 0:46:04.640
<v Speaker 1>him a trophy. She ain't coming. They needed in the seats. Now,

0:46:04.719 --> 0:46:06.960
<v Speaker 1>come on, you know Beyonce that ran down on you

0:46:07.040 --> 0:46:09.040
<v Speaker 1>once fifth Come on? She did. She did work. She

0:46:09.120 --> 0:46:12.000
<v Speaker 1>jumped up in the thing off collect I was like, oh,

0:46:12.280 --> 0:46:14.880
<v Speaker 1>I didn't really know what to do. And it was

0:46:14.960 --> 0:46:18.399
<v Speaker 1>worth situations where he was like whoa he says to Jay,

0:46:18.600 --> 0:46:23.480
<v Speaker 1>says Jay, he'll look at you and go No, that happened.

0:46:24.719 --> 0:46:27.120
<v Speaker 1>Beyonce jumped down on you. She jumped out. She was

0:46:27.160 --> 0:46:29.440
<v Speaker 1>like on a window sill. Right. It was in Vegas.

0:46:29.719 --> 0:46:31.759
<v Speaker 1>She said, come on, I'm talking to her. She jumped out.

0:46:31.800 --> 0:46:33.759
<v Speaker 1>She was like, and I'm like, wait, what did you

0:46:33.880 --> 0:46:37.600
<v Speaker 1>doing that stuff? That's me and Jay stuff. This ain't

0:46:37.600 --> 0:46:39.239
<v Speaker 1>got nothing to do with you, girl, don't come to

0:46:39.360 --> 0:46:42.800
<v Speaker 1>Hold wasn't there hit me? I'm talking to Jail. I

0:46:42.880 --> 0:46:44.640
<v Speaker 1>talked to Jay. She jumped down, come over and I said,

0:46:45.600 --> 0:46:49.759
<v Speaker 1>about to jump you lucky so Lange wasn't. I would

0:46:49.800 --> 0:46:56.560
<v Speaker 1>have had a reboot like that elevator like it was

0:46:56.680 --> 0:47:02.720
<v Speaker 1>nothing some gas going on, Jake, nothing, what the bay?

0:47:02.920 --> 0:47:05.080
<v Speaker 1>She was just staring at you. Nah, she can't, like

0:47:05.200 --> 0:47:09.520
<v Speaker 1>she was ready, like something was gonna happen. And I'm like, yo, whoa, whoa,

0:47:11.800 --> 0:47:14.440
<v Speaker 1>she's throwing me off now because I don't know what

0:47:14.520 --> 0:47:20.000
<v Speaker 1>exactly how to responded. You are still Beyonce. You know,

0:47:20.120 --> 0:47:23.600
<v Speaker 1>she brought all of the sexy over that jumped off,

0:47:23.640 --> 0:47:28.160
<v Speaker 1>and I'm like, what the oh I'm seeing all this.

0:47:30.000 --> 0:47:32.239
<v Speaker 1>I'm like, wait, what happened? I look at Jay. He

0:47:32.320 --> 0:47:36.400
<v Speaker 1>goes nah, But y'all knew each other. For you though

0:47:36.400 --> 0:47:42.239
<v Speaker 1>you had you had the thugs on. I want that's

0:47:42.239 --> 0:47:44.279
<v Speaker 1>the cap you know that Beyonce back fifty down? You

0:47:44.360 --> 0:47:47.239
<v Speaker 1>know that. I thought people do that. People. Oh she

0:47:47.400 --> 0:47:49.880
<v Speaker 1>did jump down. I didn't even know how to respond

0:47:49.920 --> 0:47:51.520
<v Speaker 1>to that. I just looked at Jay. He was looking

0:47:51.520 --> 0:47:55.719
<v Speaker 1>at He was like, all right, whatever, I don't know

0:47:55.800 --> 0:48:00.080
<v Speaker 1>what because we really I'm just saying what's up, but

0:48:00.160 --> 0:48:02.239
<v Speaker 1>she's feeling my energy come over because we do say

0:48:02.320 --> 0:48:05.160
<v Speaker 1>things about each other. It's a competitive nature, that's it. Yeah,

0:48:05.520 --> 0:48:07.719
<v Speaker 1>hip hop a battle. It's not like I want to

0:48:07.760 --> 0:48:10.040
<v Speaker 1>do something, more like we don't want to do something,

0:48:10.680 --> 0:48:12.400
<v Speaker 1>not to each other. Y'all gotta go. Y'll still got

0:48:12.440 --> 0:48:16.000
<v Speaker 1>y'all got a good relationship, right if you look. I

0:48:16.120 --> 0:48:19.320
<v Speaker 1>think if you don't have, if you don't have people

0:48:19.360 --> 0:48:21.600
<v Speaker 1>that you're competing with, I don't know where you get

0:48:21.600 --> 0:48:26.560
<v Speaker 1>your right. I don't think people realize what you're doing

0:48:27.440 --> 0:48:29.359
<v Speaker 1>at stars like I don't think people I don't even

0:48:29.440 --> 0:48:32.080
<v Speaker 1>realize how unprecedented that is. Like how much programming are

0:48:32.080 --> 0:48:35.279
<v Speaker 1>you responsible for over there? Like fifty Well yeah there

0:48:35.400 --> 0:48:38.960
<v Speaker 1>was say of it, and it's like probably of what

0:48:39.080 --> 0:48:42.479
<v Speaker 1>the viewership is into. Wow, at that point you post,

0:48:42.560 --> 0:48:45.279
<v Speaker 1>they put post supposed to be an executive up there something,

0:48:47.280 --> 0:48:49.920
<v Speaker 1>then they're going. If you're going with the confusion everything

0:48:49.960 --> 0:48:53.520
<v Speaker 1>that you see me talk about being upset about, I

0:48:53.640 --> 0:48:55.640
<v Speaker 1>think you don't see anywhere else, like you don't see

0:48:55.680 --> 0:48:59.680
<v Speaker 1>other networks having the television show link. Yeah you don't

0:48:59.719 --> 0:49:01.319
<v Speaker 1>see you know what I'm saying, like when they talk

0:49:01.320 --> 0:49:08.600
<v Speaker 1>about a programming for specific demographic, then you go, uh,

0:49:09.040 --> 0:49:11.640
<v Speaker 1>like those go premium woman is the man. When you

0:49:11.719 --> 0:49:14.960
<v Speaker 1>do that, you go, okay, well, I mean, but that

0:49:15.040 --> 0:49:19.200
<v Speaker 1>ain't what your hits are because Powell wasn't premium woman,

0:49:20.200 --> 0:49:23.520
<v Speaker 1>and all four the spinoffs are not premium women. So

0:49:23.680 --> 0:49:25.400
<v Speaker 1>now you're saying you can't have the hit that you

0:49:25.520 --> 0:49:28.759
<v Speaker 1>had to beget this drawing people here because you just

0:49:28.880 --> 0:49:32.400
<v Speaker 1>created a new man. Date this away from the success

0:49:32.480 --> 0:49:35.040
<v Speaker 1>you're having, right, and I'm going away. So it's this.

0:49:35.680 --> 0:49:37.480
<v Speaker 1>Can you explain that to me a little further so

0:49:37.560 --> 0:49:39.440
<v Speaker 1>I understand exactly what it is. Because I can produce

0:49:39.520 --> 0:49:41.560
<v Speaker 1>what you need. I just gotta understand exactly what it

0:49:41.719 --> 0:49:45.320
<v Speaker 1>is because what does when you see me in Variety

0:49:45.520 --> 0:49:48.800
<v Speaker 1>or the Rap or Hollywood Reporter and stuff like that,

0:49:49.160 --> 0:49:51.120
<v Speaker 1>that does nothing from my phone goes further than the

0:49:51.160 --> 0:49:57.080
<v Speaker 1>Hollywood Reporter and Variety I could just right. So when

0:49:57.200 --> 0:50:00.719
<v Speaker 1>when you think about what those things, dude, those things

0:50:01.920 --> 0:50:04.680
<v Speaker 1>speak directly the business inside that says, if you have

0:50:04.840 --> 0:50:06.799
<v Speaker 1>this project and you want to sell it, you should

0:50:06.840 --> 0:50:10.320
<v Speaker 1>come to fifties so we can sell it and I

0:50:10.480 --> 0:50:13.000
<v Speaker 1>get additional things. But but I can look at these

0:50:13.080 --> 0:50:16.279
<v Speaker 1>things and see if they work for the network. When

0:50:16.320 --> 0:50:18.200
<v Speaker 1>you understand the mandate, you know what I'm saying, So

0:50:18.640 --> 0:50:20.719
<v Speaker 1>I'm going I can find what you need, if what

0:50:20.880 --> 0:50:23.480
<v Speaker 1>you want, and bring it in and produce it for you.

0:50:23.560 --> 0:50:27.839
<v Speaker 1>If you don't. If there's a once this clarity, it's clear,

0:50:27.920 --> 0:50:33.000
<v Speaker 1>but they're looking and using it for their own identity,

0:50:33.160 --> 0:50:34.759
<v Speaker 1>Well you better do the right thing because you know

0:50:35.200 --> 0:50:40.200
<v Speaker 1>there's no reason to watch stars if it's a fact.

0:50:40.280 --> 0:50:44.920
<v Speaker 1>We appreciate you for joining us. August twenty fifth, out

0:50:45.000 --> 0:50:47.120
<v Speaker 1>in Houston. I'll be out there and host to others.

0:50:47.160 --> 0:50:49.239
<v Speaker 1>Make sure you get your tickets. There's so many things

0:50:49.280 --> 0:50:53.480
<v Speaker 1>from pool parties, clubs, to charity events to comedy shows, performances.

0:50:53.840 --> 0:50:55.920
<v Speaker 1>Make sure you're part of it. And we see raise

0:50:56.000 --> 0:51:01.480
<v Speaker 1>the chaining coming soon, right Oaks fourteen and one isn't true?

0:51:01.480 --> 0:51:03.360
<v Speaker 1>They asked you to be on the Murdering Doc. No,

0:51:03.640 --> 0:51:08.759
<v Speaker 1>they wasn't name who. To try and clear I get

0:51:08.840 --> 0:51:12.399
<v Speaker 1>money for the Supreme thing. Oh okay, okaybody, they asked

0:51:12.400 --> 0:51:24.120
<v Speaker 1>you to be on the Doctor? Did you clear? It's

0:51:24.160 --> 0:51:34.719
<v Speaker 1>the Breakfast Cloud Good Morning Before with Angela ye Well

0:51:34.800 --> 0:51:38.640
<v Speaker 1>on the latest episode of Karsia Please. On Revolt, she

0:51:38.840 --> 0:51:41.160
<v Speaker 1>had JT on her other half of the City Girls

0:51:41.239 --> 0:51:44.000
<v Speaker 1>and Saucy Santana. You know, all of them are BFFs,

0:51:44.520 --> 0:51:46.759
<v Speaker 1>and one of the things they talked about was JT

0:51:47.080 --> 0:51:50.120
<v Speaker 1>describing her experience being locked up as the City Girls

0:51:50.200 --> 0:51:52.759
<v Speaker 1>were on the rise. So when I was in jail,

0:51:52.760 --> 0:51:55.680
<v Speaker 1>I did fifteen months, and my first six six months

0:51:55.880 --> 0:51:58.680
<v Speaker 1>was very, very hard. I didn't really go outside and much.

0:51:58.800 --> 0:52:00.600
<v Speaker 1>I didn't really want to talk to people that much

0:52:00.719 --> 0:52:02.719
<v Speaker 1>because we had a big like there was like a

0:52:02.880 --> 0:52:04.600
<v Speaker 1>breakout moment, so a lot of people would be like

0:52:04.680 --> 0:52:06.560
<v Speaker 1>that is so it is h So I heard it.

0:52:06.560 --> 0:52:09.080
<v Speaker 1>Didn't never want to go outside. And then I think

0:52:09.160 --> 0:52:11.520
<v Speaker 1>like after my six months, it kind of got easy

0:52:11.840 --> 0:52:14.160
<v Speaker 1>and it was just like start feeling like school a

0:52:14.200 --> 0:52:16.640
<v Speaker 1>little bit because I started getting you to my surroundings.

0:52:16.719 --> 0:52:20.040
<v Speaker 1>You basically getting control every single day, like get up,

0:52:20.120 --> 0:52:22.880
<v Speaker 1>go to sleep. And then because of who I was,

0:52:23.560 --> 0:52:26.680
<v Speaker 1>some guards feel like I gotta show this speech like

0:52:26.760 --> 0:52:28.840
<v Speaker 1>you know, just seems to be being meeting. So it

0:52:29.000 --> 0:52:34.920
<v Speaker 1>was just like a transition, all right. In addition to that,

0:52:35.239 --> 0:52:37.480
<v Speaker 1>but both of them know that they're stronger together as

0:52:37.520 --> 0:52:39.880
<v Speaker 1>a group as a City Girls. Even though you can

0:52:39.920 --> 0:52:42.799
<v Speaker 1>do your own individual things. Here is what JT had

0:52:42.840 --> 0:52:45.480
<v Speaker 1>to say and Karasia about knowing they're stronger that way.

0:52:45.800 --> 0:52:48.359
<v Speaker 1>I'm not thinking like, oh, I'm gonna do j That's

0:52:48.360 --> 0:52:50.160
<v Speaker 1>not my intentionous, that's not what I'm on. I feel

0:52:50.160 --> 0:52:52.360
<v Speaker 1>like people, it's a group and we scroll heads, we

0:52:52.440 --> 0:52:54.960
<v Speaker 1>shrunk with together, and now we always had a conversation

0:52:55.080 --> 0:52:59.200
<v Speaker 1>like it's just like I think, I think that, and

0:52:59.280 --> 0:53:02.759
<v Speaker 1>that's what I was saying earlier. JT is out of

0:53:02.760 --> 0:53:06.480
<v Speaker 1>the way and me being your friend, it frustrates me

0:53:06.600 --> 0:53:09.440
<v Speaker 1>sometimes as I'm like, Crisia, got Cresia please, and she

0:53:09.480 --> 0:53:11.239
<v Speaker 1>could do she could do all that stuff, and I'm like, JT,

0:53:11.400 --> 0:53:14.720
<v Speaker 1>you so it's so wrong why you won't do nothing?

0:53:15.160 --> 0:53:18.799
<v Speaker 1>And she it's just that's not her personality. He's gonna

0:53:18.840 --> 0:53:23.520
<v Speaker 1>tell me I'm not doing nothing. She's gonna see JT

0:53:23.760 --> 0:53:27.160
<v Speaker 1>not doing nothing. J is doing a lot. Man. I

0:53:27.280 --> 0:53:32.080
<v Speaker 1>love JT Youngmi herself though, like outside of being in

0:53:32.160 --> 0:53:36.040
<v Speaker 1>the group, you know, she has her own show. Yeah again,

0:53:37.960 --> 0:53:40.640
<v Speaker 1>all right, now, as far as JT being the princess

0:53:40.760 --> 0:53:43.080
<v Speaker 1>of a rap, listen to this, how do you feel

0:53:43.080 --> 0:53:45.879
<v Speaker 1>about how people calling me prince? It's a rap? Because

0:53:45.880 --> 0:53:47.960
<v Speaker 1>I really really really like you one of my favorite

0:53:48.040 --> 0:53:51.600
<v Speaker 1>rappers in generation. I agree in this generation, like every

0:53:51.719 --> 0:53:54.120
<v Speaker 1>time when we do a song and you see a

0:53:54.280 --> 0:53:56.319
<v Speaker 1>very step, I'd be like, I don't white no home. Yeah,

0:53:56.520 --> 0:53:58.279
<v Speaker 1>I don't know. I didn't know people was calling me that.

0:53:59.440 --> 0:54:02.160
<v Speaker 1>I don't even like. I just I felt like both

0:54:02.200 --> 0:54:03.719
<v Speaker 1>of us is the same way when it coming, Like

0:54:03.960 --> 0:54:06.000
<v Speaker 1>even the industry, I think we just enjoy it, Like

0:54:06.719 --> 0:54:08.960
<v Speaker 1>I don't come to be I'm not competitive. I don't care,

0:54:09.239 --> 0:54:11.520
<v Speaker 1>like I'm not in it for the competition, Like I

0:54:11.560 --> 0:54:13.839
<v Speaker 1>don't care who's being called the Princess rap. I don't.

0:54:14.040 --> 0:54:15.560
<v Speaker 1>I know that I'm tired that I'm know I'm good

0:54:15.600 --> 0:54:18.080
<v Speaker 1>at it, but if I'm trying to go for a title, no,

0:54:18.400 --> 0:54:21.200
<v Speaker 1>like I think the people are thinking they got the

0:54:21.280 --> 0:54:25.279
<v Speaker 1>title sucks. I love JT and Young Miami. I feel

0:54:25.320 --> 0:54:26.960
<v Speaker 1>the bestage you have to come from the City Girls.

0:54:27.000 --> 0:54:28.960
<v Speaker 1>They haven't even scratched the surface of who and what

0:54:29.120 --> 0:54:31.279
<v Speaker 1>they are, and they're doing more than just rapping. I

0:54:31.360 --> 0:54:37.200
<v Speaker 1>mean the executive producing on Rap, the EPs on that show,

0:54:37.320 --> 0:54:40.399
<v Speaker 1>along with a coach K and P soh. Yeah, they're

0:54:40.400 --> 0:54:44.360
<v Speaker 1>doing anything. City Girls doing anything all right now? Jo

0:54:44.600 --> 0:54:48.200
<v Speaker 1>Rule has commented after that recent Drink Champs episode with

0:54:48.280 --> 0:54:50.839
<v Speaker 1>him and IRV Gatty where people feel like he did

0:54:50.920 --> 0:54:54.160
<v Speaker 1>not come to Ashanti's defense enough. There were a lot

0:54:54.200 --> 0:54:57.080
<v Speaker 1>of talk about that, so he posted Brotherly Love. The

0:54:57.160 --> 0:54:59.080
<v Speaker 1>last few days have been very turbulent for me, but

0:54:59.160 --> 0:55:01.640
<v Speaker 1>it's time to ling plane. I love my sis, I

0:55:01.719 --> 0:55:03.840
<v Speaker 1>love my bro but I do not condone or agree

0:55:03.880 --> 0:55:06.480
<v Speaker 1>with the behavior nor the way Gotti handled things on

0:55:06.640 --> 0:55:09.520
<v Speaker 1>Drink Champs. I hope you'll understand how comfortable this is

0:55:09.600 --> 0:55:11.279
<v Speaker 1>for me being in the middle of something I wish

0:55:11.320 --> 0:55:13.719
<v Speaker 1>to not be going forward or I ask us to

0:55:13.800 --> 0:55:17.919
<v Speaker 1>be left out of this. Please and thank you, sincerely, Switzerland. Bennett, Well,

0:55:18.680 --> 0:55:23.520
<v Speaker 1>a little Birdie told me that absolutely positively did check them.

0:55:23.600 --> 0:55:25.600
<v Speaker 1>They did have a conversation, told him it wasn't right.

0:55:26.360 --> 0:55:29.600
<v Speaker 1>They took a little bath from break during little and

0:55:29.680 --> 0:55:32.040
<v Speaker 1>then you come back and you see IRB apologize. So

0:55:32.160 --> 0:55:35.040
<v Speaker 1>he says, joh, absolutely positively did check him with you.

0:55:35.120 --> 0:55:38.160
<v Speaker 1>If anybody watches the full interview, you can ask the

0:55:38.239 --> 0:55:41.480
<v Speaker 1>apology who is the birdie and you yep, okay, then

0:55:41.520 --> 0:55:43.480
<v Speaker 1>why do you say say nor dropping a clue? Bob

0:55:43.520 --> 0:55:46.560
<v Speaker 1>for nor Man snoop to the whole drink Champs. I

0:55:46.600 --> 0:55:48.919
<v Speaker 1>wanted to be known as a little birdie, okay, because

0:55:49.080 --> 0:55:52.839
<v Speaker 1>when you're calling him a little bit, I'm not nor

0:55:53.360 --> 0:56:00.200
<v Speaker 1>would say that himself talking about got you. Sorry, Nori

0:56:00.440 --> 0:56:03.880
<v Speaker 1>broke that crack depression. No, you broke so easily. That

0:56:04.000 --> 0:56:09.880
<v Speaker 1>was too easy. Yep. Yeah, make sure y'all listen to

0:56:09.920 --> 0:56:12.200
<v Speaker 1>the Drink Chance podcast. Subscribes to the Drink Chance podcast

0:56:12.280 --> 0:56:14.840
<v Speaker 1>on the Black Effect I Heart Radio Podcast Network. Sorry,

0:56:14.920 --> 0:56:20.920
<v Speaker 1>Noray queens, I know you just got your life and

0:56:22.040 --> 0:56:27.000
<v Speaker 1>a body, a body, A little birdie mean a little birdie, Nori. Yeah,

0:56:27.400 --> 0:56:33.719
<v Speaker 1>and old Noriega shot. Wow, that was proud of you.

0:56:33.760 --> 0:56:36.520
<v Speaker 1>Stop it. You know what he did. But why would

0:56:36.520 --> 0:56:37.880
<v Speaker 1>you just say that? You guys can't just say that

0:56:37.920 --> 0:56:42.359
<v Speaker 1>with no context. No shots didn't have you weary? Did

0:56:42.400 --> 0:56:46.319
<v Speaker 1>you help raid maglogo the other day? Check this dude

0:56:46.360 --> 0:56:48.480
<v Speaker 1>for why what's up with this guy? This morning? Man?

0:56:48.560 --> 0:56:52.920
<v Speaker 1>I definitely would have rated Magalogo. No, it's not called Magalogo.

0:56:53.160 --> 0:56:57.279
<v Speaker 1>It's not no maga. It's called marg Mago. I like Magalogo.

0:56:57.320 --> 0:56:59.880
<v Speaker 1>It's magalog Just can't make words, I can, that's all.

0:57:01.080 --> 0:57:04.960
<v Speaker 1>I don't know. It's not mag Magalogo. It's not magalogo.

0:57:05.160 --> 0:57:08.840
<v Speaker 1>It's like Marge Simpson magalogo. It's like March, like Margos magalogo.

0:57:09.320 --> 0:57:12.560
<v Speaker 1>I don't know Marge Simpson laggo. What's it called magalogo?

0:57:14.200 --> 0:57:20.840
<v Speaker 1>Murlago merlolago? Guys, was it magalogo? I'm going with Magalogo.

0:57:21.320 --> 0:57:22.600
<v Speaker 1>I told you that from the beginning. I don't know

0:57:22.640 --> 0:57:24.200
<v Speaker 1>why we had to go through this old dance. Right,

0:57:25.560 --> 0:57:27.240
<v Speaker 1>what are you giving your dog? Get ma? Man? Four

0:57:27.240 --> 0:57:29.360
<v Speaker 1>after the hour? Man, there's no reason for button neckd

0:57:29.440 --> 0:57:31.080
<v Speaker 1>men to be faced down ass up in the screetchs

0:57:31.080 --> 0:57:33.240
<v Speaker 1>to Florida. But we'll talk about it four after the hour, Okay.

0:57:33.760 --> 0:57:35.800
<v Speaker 1>I know it's Friday and that sounds like a good time.

0:57:35.920 --> 0:57:38.560
<v Speaker 1>We do not need button naked men face down ass

0:57:38.680 --> 0:57:41.439
<v Speaker 1>up on the streets of Florida, all right, don't don't

0:57:41.440 --> 0:57:43.720
<v Speaker 1>threaten Some people would have been talking about it after

0:57:43.760 --> 0:57:50.560
<v Speaker 1>the hour at my house. Boy, I can't wait till

0:57:50.560 --> 0:58:00.080
<v Speaker 1>you leave. What so breakfast club your morning zone. That

0:58:00.240 --> 0:58:02.840
<v Speaker 1>would be the saying leaving a child in a hot

0:58:02.920 --> 0:58:05.560
<v Speaker 1>vehicle can lead to their death, very quickly said, cell

0:58:05.560 --> 0:58:07.640
<v Speaker 1>phone reminders or play something you'll need in the back

0:58:07.680 --> 0:58:10.160
<v Speaker 1>seat so you don't forget your child is in the car.

0:58:10.520 --> 0:58:13.000
<v Speaker 1>Look for your baby before you lock paid for it

0:58:13.040 --> 0:58:15.680
<v Speaker 1>by Nitza. Craziest people in America come from the Bronx

0:58:15.760 --> 0:58:20.520
<v Speaker 1>and all of Florida. Yes, you are a donkey. A

0:58:20.600 --> 0:58:24.080
<v Speaker 1>Florida man at tapped and ATM for a very strange reason.

0:58:24.240 --> 0:58:26.520
<v Speaker 1>It gave him too much money. Florida man is arrested

0:58:26.560 --> 0:58:28.560
<v Speaker 1>after definitely say he rigged the board to his home

0:58:28.600 --> 0:58:30.520
<v Speaker 1>and an attempt to a much of his predet likes.

0:58:30.560 --> 0:58:33.840
<v Speaker 1>Police arrested in Orlando man for talking a Familia to

0:58:33.920 --> 0:58:37.000
<v Speaker 1>Breakfast club Bitchy Donkey of the Day with Sharlamine a

0:58:37.080 --> 0:58:39.600
<v Speaker 1>guy I don't know why y'all keeping get y'all. Yes,

0:58:39.800 --> 0:58:41.920
<v Speaker 1>Donkey to Day for Friday, August twelve goes to a

0:58:42.000 --> 0:58:44.640
<v Speaker 1>man named Brandon Right. Brandon Right is a Florida man,

0:58:44.760 --> 0:58:47.680
<v Speaker 1>Ladies and gentlemen. And what did your uncle Sharla always say?

0:58:51.680 --> 0:58:57.560
<v Speaker 1>Oh you just go play man nigga man? Oh what

0:58:57.720 --> 0:58:59.919
<v Speaker 1>did your uncle Shalla always say about the great state

0:59:00.040 --> 0:59:02.440
<v Speaker 1>to Florida. The craziest people in America come from the

0:59:02.480 --> 0:59:05.120
<v Speaker 1>Bronx and all the Florida. And this morning is no exception. Okay,

0:59:05.160 --> 0:59:07.600
<v Speaker 1>But I'm gonna tell you something that right this one

0:59:07.600 --> 0:59:09.840
<v Speaker 1>I understand. I tell y'all all the time, every day

0:59:09.880 --> 0:59:12.200
<v Speaker 1>of our lives, we are just trying to avoid crazy.

0:59:12.280 --> 0:59:15.240
<v Speaker 1>But right now it's hard to avoid what some people

0:59:15.280 --> 0:59:18.360
<v Speaker 1>would call crazy, all right, because the gap between the

0:59:18.440 --> 0:59:20.919
<v Speaker 1>halves and have notches so wider. Right, the have notch

0:59:21.240 --> 0:59:23.520
<v Speaker 1>are coming for the halves. And when I say has,

0:59:23.560 --> 0:59:26.720
<v Speaker 1>I don't mean extra wealthy, I don't mean super rich.

0:59:26.840 --> 0:59:30.840
<v Speaker 1>I mean simply you have something that I don't. Okay,

0:59:30.960 --> 0:59:34.160
<v Speaker 1>I'm talking about simple. You just simply have something that

0:59:34.240 --> 0:59:36.880
<v Speaker 1>I don't. I might be hungry and you got a bagel, Okay,

0:59:37.080 --> 0:59:39.439
<v Speaker 1>therefore you are a hal I ever have not Okay.

0:59:39.480 --> 0:59:42.280
<v Speaker 1>In this case I'm talking about it was simply close.

0:59:42.800 --> 0:59:45.080
<v Speaker 1>What do you mean ocause Charlotte close. Was somebody stunting

0:59:45.080 --> 0:59:50.680
<v Speaker 1>in some Gucci or some Louis or some Versese Argino

0:59:51.240 --> 0:59:55.920
<v Speaker 1>was Faragino or Gamah, Yeah, Paul Masson, No, that's liquor.

0:59:56.040 --> 0:59:59.040
<v Speaker 1>What's the one that's Paul something? I don't know. I

0:59:59.080 --> 1:00:01.000
<v Speaker 1>don't know what guy you think because the marl of

1:00:01.040 --> 1:00:03.520
<v Speaker 1>the story is Okay, it wasn't no designer, all right.

1:00:03.600 --> 1:00:06.120
<v Speaker 1>There was simply a man in Florida named Brandon Wright

1:00:06.360 --> 1:00:09.760
<v Speaker 1>who was walking around the streets of Florida butt booty naked.

1:00:09.800 --> 1:00:12.320
<v Speaker 1>All right. When I say butt bootynked, I mean butt

1:00:12.360 --> 1:00:15.760
<v Speaker 1>assnket Did y'all see the video? Show envy the video, Angelie,

1:00:15.760 --> 1:00:18.080
<v Speaker 1>you should google Brandon, right, I mean button naked. The

1:00:18.160 --> 1:00:20.680
<v Speaker 1>only thing he had on him, who you started typing fast?

1:00:21.080 --> 1:00:23.800
<v Speaker 1>The only thing he had on him wasn't machetti? Okay,

1:00:24.160 --> 1:00:28.120
<v Speaker 1>a big long sharp blade all right? And he ran

1:00:28.240 --> 1:00:32.000
<v Speaker 1>down on another man and simply demanded that man's close.

1:00:32.800 --> 1:00:34.320
<v Speaker 1>I can't make this kind of stuff up. Do we

1:00:34.360 --> 1:00:36.960
<v Speaker 1>have audio from the police helicopter? All right? I got

1:00:37.000 --> 1:00:39.040
<v Speaker 1>the visual on the mail. He is naked, yelling at

1:00:39.080 --> 1:00:45.640
<v Speaker 1>people in the parking lot, very animated black mail, athletic,

1:00:45.720 --> 1:00:48.400
<v Speaker 1>thick build. It's like a got He's now walking out

1:00:48.440 --> 1:00:52.400
<v Speaker 1>to traffic on Beersfort. That all traffic, yelling at people

1:00:52.440 --> 1:00:57.320
<v Speaker 1>who he's still walking. He spent on Beersfort, across the

1:00:57.320 --> 1:00:59.800
<v Speaker 1>street to the Sick Good now still kind of stationary,

1:01:00.000 --> 1:01:02.240
<v Speaker 1>all the roads, still push ups at the entrance at

1:01:02.240 --> 1:01:06.640
<v Speaker 1>the third store here. That's what's wild. Dude is in shape.

1:01:06.680 --> 1:01:09.400
<v Speaker 1>You heard what they said athletic thick build. You know

1:01:09.440 --> 1:01:13.040
<v Speaker 1>what I'm saying. Listen, we are failing people in this country.

1:01:13.080 --> 1:01:14.840
<v Speaker 1>We live in a country that has money for war

1:01:14.920 --> 1:01:17.240
<v Speaker 1>but can't feed the poor. Word in Tupac. All right.

1:01:17.320 --> 1:01:19.360
<v Speaker 1>Not only are we not putting money in people's pockets,

1:01:19.400 --> 1:01:22.040
<v Speaker 1>we are not providing them with things they need, like healthcare.

1:01:22.120 --> 1:01:24.880
<v Speaker 1>When I say healthcare, I'm not just talking physical. I'm

1:01:24.960 --> 1:01:28.640
<v Speaker 1>talking mental. Yeah. When y'all say things like all Charlemagne

1:01:28.680 --> 1:01:31.560
<v Speaker 1>does is talk about mental health, that's true because mental health,

1:01:31.920 --> 1:01:34.680
<v Speaker 1>just like your herpes, isn't going anywhere. All right. This

1:01:34.840 --> 1:01:37.960
<v Speaker 1>brother right here was suffering from either poverty, drug use,

1:01:38.040 --> 1:01:40.920
<v Speaker 1>all battling with mental health issues maybe all three, but

1:01:41.200 --> 1:01:44.160
<v Speaker 1>definitely wanted it two And until this country does something

1:01:44.200 --> 1:01:45.760
<v Speaker 1>about it, we are going to continue to have these

1:01:45.840 --> 1:01:49.920
<v Speaker 1>kind of situations happen. Now. This buttonnecking man was driving

1:01:49.920 --> 1:01:52.240
<v Speaker 1>a white Dodge Challenger, so it was probably drugs and

1:01:52.320 --> 1:01:54.000
<v Speaker 1>mental health issues that he was dealing with. But the

1:01:54.080 --> 1:01:58.040
<v Speaker 1>moral of the story is we must help all right

1:01:58.120 --> 1:02:01.160
<v Speaker 1>in all capitals. All right, h elp, all right, what

1:02:01.240 --> 1:02:03.520
<v Speaker 1>do they say? No one is useless in this world?

1:02:03.800 --> 1:02:07.960
<v Speaker 1>Who lightens the burden the burdens of others? Right, right now.

1:02:08.040 --> 1:02:09.680
<v Speaker 1>So many of us are useless because we are not

1:02:09.720 --> 1:02:11.880
<v Speaker 1>attempting to lighten the burdens of others. You don't have

1:02:11.960 --> 1:02:13.720
<v Speaker 1>to be rich to do that. You just need to

1:02:13.800 --> 1:02:15.920
<v Speaker 1>have more than the next person. Think about it. Some

1:02:16.000 --> 1:02:18.880
<v Speaker 1>of y'all right now, got a bunch of clothes, okay,

1:02:19.000 --> 1:02:21.120
<v Speaker 1>shoes you don't even wear anymore. They're just in the closet,

1:02:21.200 --> 1:02:23.760
<v Speaker 1>messy all over the place. I'm talking about me right now.

1:02:23.760 --> 1:02:25.240
<v Speaker 1>My wife will call me a hypocrite if I don't

1:02:25.240 --> 1:02:26.320
<v Speaker 1>say that. But that's what I do. When I got

1:02:26.360 --> 1:02:28.440
<v Speaker 1>all these clothes, I don't wear anymore, okay, because I

1:02:28.480 --> 1:02:29.920
<v Speaker 1>wear the same thing all the time. Anyway, I put

1:02:29.960 --> 1:02:32.400
<v Speaker 1>stuff in bags and that I give them the good will. Okay,

1:02:32.560 --> 1:02:34.840
<v Speaker 1>any and all of us can do that, I promise.

1:02:35.080 --> 1:02:36.800
<v Speaker 1>You may not think you have a lot, but to

1:02:36.960 --> 1:02:40.920
<v Speaker 1>somebody who has less than you, trust me, you have everything,

1:02:41.280 --> 1:02:44.720
<v Speaker 1>all right. This brother, Brandon Wright, has prior convictions for kidnapping,

1:02:45.440 --> 1:02:48.920
<v Speaker 1>gun possession by a felon, battery on a law enforcement officer,

1:02:49.200 --> 1:02:52.640
<v Speaker 1>cocaine possession, and resisting arrest. Now he's in custody without

1:02:52.680 --> 1:02:56.080
<v Speaker 1>bond and some so called correctional facility that is not

1:02:56.240 --> 1:03:01.360
<v Speaker 1>providing any type of correction. Please remember that this weekend

1:03:01.600 --> 1:03:04.000
<v Speaker 1>when you see someone in need, all right, because it

1:03:04.080 --> 1:03:06.680
<v Speaker 1>sounds to me like this brother needed help, and he's

1:03:06.680 --> 1:03:09.440
<v Speaker 1>needed to help his whole life and clearly hasn't gotten it,

1:03:09.680 --> 1:03:11.800
<v Speaker 1>all right, So please remember this weekend when you see

1:03:11.880 --> 1:03:14.440
<v Speaker 1>someone in need, all right, that you can be of

1:03:14.480 --> 1:03:17.560
<v Speaker 1>assistance to that person. The real road of compassion is

1:03:17.680 --> 1:03:21.080
<v Speaker 1>giving and helping, assistance and community service. That is a

1:03:21.200 --> 1:03:25.560
<v Speaker 1>road that can be set and declared as your life's purpose. Please,

1:03:26.480 --> 1:03:29.600
<v Speaker 1>if not, you could be on the receiving end of

1:03:29.720 --> 1:03:33.840
<v Speaker 1>somebody's machete. Please get Brandon right, the biggest he hull

1:03:37.760 --> 1:03:40.920
<v Speaker 1>that was big. You see him right, lay out on

1:03:40.960 --> 1:03:43.000
<v Speaker 1>the street, face down, the ass up thick diesel you

1:03:43.040 --> 1:03:46.080
<v Speaker 1>saw on me. That's what they described him as in

1:03:46.120 --> 1:03:49.480
<v Speaker 1>the helicopter thing play that play. That's what they described him.

1:03:49.720 --> 1:03:52.560
<v Speaker 1>They didn't hit See here, y'all got the visual on

1:03:52.600 --> 1:03:54.840
<v Speaker 1>the mail. He is naked yelling at people in the

1:03:54.880 --> 1:04:01.360
<v Speaker 1>park of Monty, very animated black mail, athletic, thick build.

1:04:02.680 --> 1:04:06.200
<v Speaker 1>He's now walking out to traffic on beers first that

1:04:06.360 --> 1:04:10.000
<v Speaker 1>all traffic yelling at people. He's still walking. He's found

1:04:10.000 --> 1:04:13.560
<v Speaker 1>on beers first across the street to the Sicco. Now

1:04:13.760 --> 1:04:17.160
<v Speaker 1>it's still kind of station push ups at the entrance

1:04:17.200 --> 1:04:20.720
<v Speaker 1>of the that that helicopter operty something turned on. Why

1:04:20.720 --> 1:04:23.800
<v Speaker 1>don't you describe that man like that? He's like athletic.

1:04:24.240 --> 1:04:27.880
<v Speaker 1>They got big build. Oh he's doing push ups now

1:04:30.960 --> 1:04:33.440
<v Speaker 1>he did. Then they had him face down, ass up

1:04:33.480 --> 1:04:38.400
<v Speaker 1>on the concrete, button necking with his hands behind his back. Oh, oh,

1:04:38.520 --> 1:04:41.760
<v Speaker 1>what you are right, I'm saying all like, I'm disgusted

1:04:41.800 --> 1:04:46.200
<v Speaker 1>by the police people. You'll have to stop. You thought

1:04:46.200 --> 1:04:49.160
<v Speaker 1>you released something the last days of the Breakfast Club

1:04:49.280 --> 1:04:53.520
<v Speaker 1>as we know it, right, Jesus Christ, Why did it

1:04:53.560 --> 1:04:58.120
<v Speaker 1>awkward because he said I didn't not say there's nothing

1:04:58.240 --> 1:05:02.400
<v Speaker 1>else that he he heard it. You could have said it. Damn,

1:05:02.400 --> 1:05:12.040
<v Speaker 1>it's messed up your thank you. Next, Tink hit Maker's

1:05:12.080 --> 1:05:14.400
<v Speaker 1>gonna be joined luth Take, I Love Take all right,

1:05:14.440 --> 1:05:16.200
<v Speaker 1>We're gonna talk to Tink and hit Maker when we

1:05:16.240 --> 1:05:18.960
<v Speaker 1>come back as the Breakfast Club. God Morning, the Breakfast Club.

1:05:21.440 --> 1:05:25.200
<v Speaker 1>It's no power one O five one the Breakfast Club

1:05:25.560 --> 1:05:29.680
<v Speaker 1>en angela Ye and Charlomagne the Guard Morning. Everybody is

1:05:29.840 --> 1:05:33.400
<v Speaker 1>DJ Envy and angela Ye, Charlomagne the guy. We are

1:05:33.440 --> 1:05:35.800
<v Speaker 1>the Breakfast Club. He got a specially guess joining us today.

1:05:36.000 --> 1:05:37.760
<v Speaker 1>We got who we got, We got a hit maker

1:05:37.920 --> 1:05:42.320
<v Speaker 1>and Tink, big Tink, not the little take. What's happening?

1:05:43.000 --> 1:05:45.920
<v Speaker 1>What's up, y'all? How's it going? Think you little pregnant?

1:05:46.040 --> 1:05:47.360
<v Speaker 1>Just want to throw that out there right off the

1:05:47.400 --> 1:05:51.560
<v Speaker 1>top of everybody was saying she was pregnant online. Okay,

1:05:51.560 --> 1:05:54.600
<v Speaker 1>well I didn't even know that because everybody's been thinking

1:05:54.920 --> 1:05:57.000
<v Speaker 1>I've been bregning for a while, and I'm glad you

1:05:57.120 --> 1:05:59.520
<v Speaker 1>said at that. Some days we're just a little bloated.

1:06:01.040 --> 1:06:03.600
<v Speaker 1>Trust me, I know nobody said I was pregny today.

1:06:04.320 --> 1:06:06.120
<v Speaker 1>We got to start with you. You know, when we

1:06:06.160 --> 1:06:08.000
<v Speaker 1>first started the Breakfast Club, I don't even know, twelve

1:06:08.080 --> 1:06:10.680
<v Speaker 1>years ago and Timberland played this U as an artist,

1:06:10.760 --> 1:06:12.840
<v Speaker 1>we don't fell in love a long time, A long time,

1:06:13.160 --> 1:06:15.960
<v Speaker 1>long time fan of team super duper successful. When you

1:06:16.000 --> 1:06:18.720
<v Speaker 1>went through the ups and downs and now you're here now.

1:06:18.800 --> 1:06:21.800
<v Speaker 1>So for people that don't know who Tinks, explain to

1:06:21.920 --> 1:06:24.280
<v Speaker 1>who who Tink is, how you got your first start

1:06:24.360 --> 1:06:27.360
<v Speaker 1>and to where you are now. Yeah, Tink, y'all know me.

1:06:27.600 --> 1:06:30.480
<v Speaker 1>I've been making music for a long time. I'm from Chicago.

1:06:31.240 --> 1:06:34.400
<v Speaker 1>Since twenty twelve, I've been dropping mixtapes when it's diary,

1:06:35.040 --> 1:06:37.400
<v Speaker 1>you know. I got signed with Timberland and twenty fifteen

1:06:38.120 --> 1:06:40.040
<v Speaker 1>we made some really dupe music, but it didn't really

1:06:40.080 --> 1:06:42.280
<v Speaker 1>work out, you know, the way I wanted it too,

1:06:42.840 --> 1:06:46.040
<v Speaker 1>but didn't work out. I just felt like the situation

1:06:46.200 --> 1:06:48.200
<v Speaker 1>wasn't a fit for me. I had a lot of

1:06:48.280 --> 1:06:51.120
<v Speaker 1>people on a label that were kind of like hovering

1:06:51.160 --> 1:06:53.800
<v Speaker 1>over my situation, so I felt like I wasn't as

1:06:53.840 --> 1:06:56.760
<v Speaker 1>creative anymore and we had a lot of disagreements. That's all.

1:06:57.040 --> 1:07:01.320
<v Speaker 1>That album was classic Charlotte Magne heart album. It didn't

1:07:01.360 --> 1:07:03.680
<v Speaker 1>come out it was Think Tink. So that was in

1:07:03.720 --> 1:07:07.160
<v Speaker 1>twenty fifteen, so, you know, it's just the label situations.

1:07:07.360 --> 1:07:09.480
<v Speaker 1>A lot of people in the office were having you know,

1:07:09.640 --> 1:07:12.400
<v Speaker 1>silent beefs, and it trickled down on the artists. But

1:07:12.480 --> 1:07:17.840
<v Speaker 1>I became independent in eighteen easy, easy to hope, not

1:07:17.960 --> 1:07:19.840
<v Speaker 1>at all. I really had to, like sighten up. I

1:07:19.920 --> 1:07:22.160
<v Speaker 1>had to go and get an attorney, switch attorneys, you know,

1:07:22.240 --> 1:07:24.560
<v Speaker 1>you got to talk to your accountants and just switched

1:07:24.600 --> 1:07:26.920
<v Speaker 1>the whole team up on the business side. So that

1:07:27.040 --> 1:07:29.440
<v Speaker 1>took some time. It took like years, so that's why

1:07:29.440 --> 1:07:31.800
<v Speaker 1>I took a break. In twenty seventeen, I backed off

1:07:32.000 --> 1:07:34.760
<v Speaker 1>a music completely just to go get my life right.

1:07:35.760 --> 1:07:38.720
<v Speaker 1>And yeah, in eighteen, I was finally, you know, released,

1:07:39.080 --> 1:07:42.040
<v Speaker 1>so we had to do some negotiating behind the scenes,

1:07:42.400 --> 1:07:44.080
<v Speaker 1>but you know, Tim, he let me go and do

1:07:44.200 --> 1:07:47.080
<v Speaker 1>my thing, and yeah, I became independent. I saw my

1:07:47.160 --> 1:07:49.840
<v Speaker 1>distribution deal with Empires, so I'm able to just really

1:07:49.920 --> 1:07:53.560
<v Speaker 1>like release whatever I want free again. And yeah, I've

1:07:53.560 --> 1:07:55.680
<v Speaker 1>been making albums ever since and it's really just been

1:07:55.760 --> 1:07:57.920
<v Speaker 1>turning up. And you got Gazi and hit make It

1:07:58.000 --> 1:08:01.320
<v Speaker 1>Here with You Today. That's big listening gods in the

1:08:01.360 --> 1:08:05.000
<v Speaker 1>building too. I didn't even see guys shot out saying fire.

1:08:05.200 --> 1:08:07.400
<v Speaker 1>You think people always say they Tim, Tim might have

1:08:07.480 --> 1:08:10.040
<v Speaker 1>oversold you, like comparing you to the Alias and the

1:08:10.160 --> 1:08:12.560
<v Speaker 1>Lauren Hills. Do you think that had a negative impact?

1:08:12.720 --> 1:08:15.120
<v Speaker 1>I do. It was a lot, like I called, a

1:08:15.160 --> 1:08:18.280
<v Speaker 1>lot of backlash, you know, I dropped the record billion

1:08:18.800 --> 1:08:20.519
<v Speaker 1>and it was a really dope song. But I felt

1:08:20.560 --> 1:08:22.519
<v Speaker 1>like with him kind of like comparing me to her

1:08:22.720 --> 1:08:25.840
<v Speaker 1>and you know, telling people I'm the next Aliyah. You

1:08:25.920 --> 1:08:28.120
<v Speaker 1>can't play with legends like that. And I had a

1:08:28.160 --> 1:08:29.519
<v Speaker 1>lot of work to do at the time, so it

1:08:29.680 --> 1:08:32.400
<v Speaker 1>wasn't really necessary. And I remember we dropped the record

1:08:32.439 --> 1:08:40.200
<v Speaker 1>with Jay Z and Rick Ross. It's actually y'all premier that. Yeah, yeah, yes,

1:08:40.320 --> 1:08:44.080
<v Speaker 1>y'all got him in big trouble. But yeah, it was

1:08:44.120 --> 1:08:45.560
<v Speaker 1>just a lot of things on the business end that

1:08:45.600 --> 1:08:48.160
<v Speaker 1>weren't tight and it kind of just affected everything. It's

1:08:48.160 --> 1:08:50.479
<v Speaker 1>like a snowball effect. And how does that affect you

1:08:50.520 --> 1:08:52.840
<v Speaker 1>as far as like wanting to sign somewhere else? Again,

1:08:53.400 --> 1:08:56.040
<v Speaker 1>I'm really careful with with all my deals now, like

1:08:56.160 --> 1:08:58.840
<v Speaker 1>I really had to get a new attorney. I'm looking

1:08:58.880 --> 1:09:02.080
<v Speaker 1>through my contracts now, I'm actually reading them worried for word.

1:09:02.240 --> 1:09:04.200
<v Speaker 1>I think when I was younger, I was like nineteen,

1:09:04.280 --> 1:09:06.519
<v Speaker 1>so I was just signing. So now I'm on top

1:09:06.600 --> 1:09:08.479
<v Speaker 1>of it. Oh that's a great question, because you go,

1:09:08.880 --> 1:09:10.840
<v Speaker 1>I think it's very selective because over the years, I've

1:09:10.880 --> 1:09:13.080
<v Speaker 1>hit think a million times like yo, think this person

1:09:13.120 --> 1:09:14.800
<v Speaker 1>won't talk to you, this person won't talk you wanna

1:09:14.800 --> 1:09:17.519
<v Speaker 1>talk to you? And I was going through things, Charlotta Magne.

1:09:18.120 --> 1:09:20.760
<v Speaker 1>I'm really like, you know, I'm really personable, but like

1:09:20.840 --> 1:09:24.080
<v Speaker 1>when you locked into a situation you can't really talk

1:09:24.120 --> 1:09:27.040
<v Speaker 1>to anyone at the time, Like I was in deals

1:09:27.120 --> 1:09:29.840
<v Speaker 1>and I couldn't really move at the time, so that's

1:09:29.840 --> 1:09:32.640
<v Speaker 1>all that was, you know, you know, how to make

1:09:33.280 --> 1:09:35.280
<v Speaker 1>So I'm an Empire. I have been with Empire for

1:09:35.400 --> 1:09:38.559
<v Speaker 1>like some years and he recently last year came to Empire. Yes,

1:09:39.200 --> 1:09:41.519
<v Speaker 1>so we linked at the studio. It was real organic,

1:09:41.680 --> 1:09:46.120
<v Speaker 1>like I met him in San Francisco. Yeah, I liked

1:09:46.160 --> 1:09:49.479
<v Speaker 1>the process with him, like you make it fun. It's

1:09:49.520 --> 1:09:53.280
<v Speaker 1>not no pressure because it wasn't like that off the rip,

1:09:53.320 --> 1:09:55.519
<v Speaker 1>you know what I'm saying. Charlotmagagne already gonna say that,

1:09:55.600 --> 1:09:58.120
<v Speaker 1>you know what I'm saying. You know, she's very very

1:09:58.240 --> 1:10:02.559
<v Speaker 1>b I was introduced to her, you know, just because guys,

1:10:02.600 --> 1:10:05.280
<v Speaker 1>he really believed in me. Like last time I was here,

1:10:05.720 --> 1:10:08.400
<v Speaker 1>I said, I actually got my gig with Atlantic Records

1:10:08.439 --> 1:10:11.600
<v Speaker 1>from speaking on you know records, because you know, I

1:10:11.800 --> 1:10:14.680
<v Speaker 1>was speaking things to exist there and then um, I

1:10:14.800 --> 1:10:16.960
<v Speaker 1>got my my gig and I was running into trials

1:10:17.000 --> 1:10:19.000
<v Speaker 1>and trip relations at Atlantic because I sold so many

1:10:19.080 --> 1:10:23.000
<v Speaker 1>records for them, multiple number one records. Kind of felt underappreciated,

1:10:23.080 --> 1:10:25.920
<v Speaker 1>and guys, he came and like scooped me up and

1:10:26.000 --> 1:10:27.400
<v Speaker 1>it was a big deal for me, and it was

1:10:27.439 --> 1:10:29.760
<v Speaker 1>like yeah, because leaving Atlantic and doing all these huge

1:10:29.800 --> 1:10:32.280
<v Speaker 1>records or whatever to go in the empire, people would

1:10:32.280 --> 1:10:34.120
<v Speaker 1>look at it like maybe you're going to You're going

1:10:34.160 --> 1:10:36.240
<v Speaker 1>to an independent, like yeah, it's gonna be rougher for you.

1:10:36.560 --> 1:10:38.800
<v Speaker 1>But actually I got in there a linked with Tink.

1:10:39.120 --> 1:10:41.479
<v Speaker 1>We did the last album. Charlottagne actually opened up the

1:10:41.560 --> 1:10:44.040
<v Speaker 1>last album. Appreciate for doing that, and then you know

1:10:44.200 --> 1:10:48.400
<v Speaker 1>I've done badest Chris Brown Blue two Chains by your

1:10:48.439 --> 1:10:50.880
<v Speaker 1>boy Peru. I was able to orchestrate that record and

1:10:50.920 --> 1:10:53.040
<v Speaker 1>have involved in that, so we're rocking. I don't think

1:10:53.080 --> 1:10:55.160
<v Speaker 1>people realize how talented Think is. Man. I don't know.

1:10:55.320 --> 1:11:00.320
<v Speaker 1>She the best, Thank you man. Yes, I want to

1:11:00.360 --> 1:11:02.760
<v Speaker 1>give up with everything that you were going through, like

1:11:02.840 --> 1:11:05.760
<v Speaker 1>you know that. Yes, all the time. I took a

1:11:05.840 --> 1:11:08.200
<v Speaker 1>break and I was really like my moment while I

1:11:08.280 --> 1:11:09.680
<v Speaker 1>was like, I don't know if I really need to

1:11:09.720 --> 1:11:11.720
<v Speaker 1>be doing this. I'm not in the right space. It

1:11:11.840 --> 1:11:14.000
<v Speaker 1>was messing with me mentally and I'm trying to take

1:11:14.040 --> 1:11:16.200
<v Speaker 1>care of things at home. You know, I'm still in Chicago,

1:11:16.840 --> 1:11:18.880
<v Speaker 1>so there's a lot I always you know, what did

1:11:18.880 --> 1:11:22.560
<v Speaker 1>you do during their moments to be honest, I was

1:11:22.640 --> 1:11:25.160
<v Speaker 1>more so to myself. I kind of like stayed in

1:11:25.200 --> 1:11:27.439
<v Speaker 1>the house for a long time, and you know, I

1:11:27.520 --> 1:11:30.080
<v Speaker 1>started approaching my records again like how I would do

1:11:30.200 --> 1:11:33.160
<v Speaker 1>before I got signed. So that's like writing in Chicago

1:11:33.320 --> 1:11:35.720
<v Speaker 1>righting at home. I just went back to what you know,

1:11:36.520 --> 1:11:39.200
<v Speaker 1>my home grounds and kind of just had to tighten

1:11:39.320 --> 1:11:41.800
<v Speaker 1>up everything. But you've never stopped me getting money off

1:11:41.880 --> 1:11:45.080
<v Speaker 1>music though you do shows, man. Yeah, And that's the

1:11:45.240 --> 1:11:47.200
<v Speaker 1>that's the best thing. Like my fans, they really like

1:11:47.320 --> 1:11:50.040
<v Speaker 1>hold me down from way back, like day one fans.

1:11:50.800 --> 1:11:52.840
<v Speaker 1>So during that time period, they were still waiting and

1:11:52.960 --> 1:11:56.000
<v Speaker 1>ready to support. So and y'all got directed Goofy. It

1:11:56.040 --> 1:11:58.559
<v Speaker 1>isn't goofy like fighting words in Chicago you get shot

1:11:58.600 --> 1:12:00.960
<v Speaker 1>from called somebody and goofy and Chicago. Yeah, you gotta

1:12:01.000 --> 1:12:03.960
<v Speaker 1>hear the song, though, I was saying more so like

1:12:04.000 --> 1:12:06.439
<v Speaker 1>I'm crazy and love when I thought about it, when

1:12:06.439 --> 1:12:07.840
<v Speaker 1>I when I hear it back, and now that you

1:12:07.920 --> 1:12:09.799
<v Speaker 1>know people are reacting to it, I'm like, man, goofy

1:12:09.960 --> 1:12:12.760
<v Speaker 1>is a strong word. But I guess I'm saying, like y'all,

1:12:12.800 --> 1:12:16.240
<v Speaker 1>I'm being Sometimes we crazy and love. We make decisions

1:12:16.280 --> 1:12:20.240
<v Speaker 1>that we normally wouldn't when we really love somebody. So yeah,

1:12:20.360 --> 1:12:22.599
<v Speaker 1>sometimes it can can come up like we being goofy.

1:12:22.960 --> 1:12:25.400
<v Speaker 1>Is it hard for you to find love Teink because

1:12:25.439 --> 1:12:29.200
<v Speaker 1>you are Tink. Yeah, it's a real thing. Like it's

1:12:29.240 --> 1:12:32.360
<v Speaker 1>so hard beating people that understand this, I guess lifestyle

1:12:32.560 --> 1:12:34.880
<v Speaker 1>or and just me as a person, I'm so I'm

1:12:34.880 --> 1:12:38.160
<v Speaker 1>an intellectual, you know me. I'm a thinker, very mature.

1:12:39.240 --> 1:12:41.439
<v Speaker 1>So yeah, this generation, it's it's a little weird. It's

1:12:41.479 --> 1:12:43.920
<v Speaker 1>like people don't really be on my same when people

1:12:43.920 --> 1:12:46.040
<v Speaker 1>lived like that. So who's the guy that's gonna hear

1:12:46.080 --> 1:12:47.600
<v Speaker 1>this record and be like, oh, she's talking about me.

1:12:47.680 --> 1:12:50.040
<v Speaker 1>I made her. I made her a goofy. Oh lord,

1:12:50.160 --> 1:12:51.800
<v Speaker 1>I hate to think of it like that. That's giving

1:12:51.840 --> 1:12:55.240
<v Speaker 1>people too much, but it's it's all of us. It

1:12:55.320 --> 1:12:56.800
<v Speaker 1>could be for a lot of people not like that,

1:12:56.880 --> 1:12:58.519
<v Speaker 1>but it could be for a lot of guys, like

1:12:58.880 --> 1:13:01.400
<v Speaker 1>I speak for all the women. You're gonna tell me true,

1:13:01.439 --> 1:13:08.760
<v Speaker 1>I'm assuming this based bro like that. You know something, Nah,

1:13:08.920 --> 1:13:11.200
<v Speaker 1>as far as Goofy, And that's what the funny thing is,

1:13:11.280 --> 1:13:13.240
<v Speaker 1>you know what I'm saying. Like we actually had the

1:13:13.280 --> 1:13:15.920
<v Speaker 1>pleasure to work with Rico love and collaborate on this record,

1:13:16.040 --> 1:13:18.000
<v Speaker 1>and we were playing to beat him. We was vibe

1:13:18.040 --> 1:13:20.280
<v Speaker 1>into it, and he came in and kind of like saying,

1:13:20.720 --> 1:13:23.360
<v Speaker 1>he wrote that got the goofy part, and I was

1:13:23.840 --> 1:13:29.800
<v Speaker 1>so that throughout the first and she just went in, Okay,

1:13:30.080 --> 1:13:31.880
<v Speaker 1>please say you got that reference track list in case

1:13:31.920 --> 1:13:40.760
<v Speaker 1>we ever need the black mask Nigel about now, y'all

1:13:40.800 --> 1:13:47.240
<v Speaker 1>got some some quotables in these streets. We got more

1:13:47.320 --> 1:13:49.720
<v Speaker 1>with Tink and Young Burger hit Maker. Where we come back,

1:13:49.800 --> 1:13:52.599
<v Speaker 1>Let's get into the single. It's cater featuring two Chains.

1:13:52.800 --> 1:13:56.680
<v Speaker 1>It's the breakfast Club, Good Morning. It's DJ Envy Angela Yee,

1:13:56.800 --> 1:13:59.000
<v Speaker 1>Charlemagne the guy. We are the breakfast Club. We will

1:13:59.040 --> 1:14:01.479
<v Speaker 1>keep getting with Tink and Maker. When Burg was out,

1:14:01.560 --> 1:14:03.560
<v Speaker 1>there was still was a five thousand dollars Birg, a

1:14:03.640 --> 1:14:05.479
<v Speaker 1>ten thousand dollar bird now to where you're at now.

1:14:05.520 --> 1:14:07.360
<v Speaker 1>So do those people still come to you that knew

1:14:07.400 --> 1:14:09.559
<v Speaker 1>you back then and be like I need that old

1:14:09.640 --> 1:14:12.920
<v Speaker 1>bird price, But you're like that doesn't exist anymore. I'm

1:14:13.000 --> 1:14:14.680
<v Speaker 1>hit making that. No, I'm not even gonna lie like

1:14:14.840 --> 1:14:17.920
<v Speaker 1>right now, I haven't really been taking like too many advances,

1:14:17.920 --> 1:14:19.960
<v Speaker 1>and I have song deals with every company that's in

1:14:20.040 --> 1:14:22.080
<v Speaker 1>the business. So it's like it's a slated fee. And

1:14:22.120 --> 1:14:23.640
<v Speaker 1>if I really like you and I rock with you,

1:14:23.720 --> 1:14:25.559
<v Speaker 1>I probably won't charge you because it's like when i'm

1:14:25.560 --> 1:14:27.479
<v Speaker 1>gonna tell you, like Buster Rhymes has a new single

1:14:27.520 --> 1:14:29.800
<v Speaker 1>that I just did with bea coming out, I can't

1:14:29.880 --> 1:14:31.880
<v Speaker 1>charge Buster what I'm saying, you'll pay me sixty gram,

1:14:32.000 --> 1:14:34.040
<v Speaker 1>pay me my rate, like and Buster is a legend

1:14:34.479 --> 1:14:36.599
<v Speaker 1>the same way y'all see me with Terrace Squad chains,

1:14:36.600 --> 1:14:38.360
<v Speaker 1>Like I can never charge Fat Joe. You know what

1:14:38.400 --> 1:14:42.680
<v Speaker 1>I'm saying. So Tink, I don't charge Tink. You know

1:14:42.720 --> 1:14:44.760
<v Speaker 1>what I'm saying. You know it's it's a vibe. I

1:14:45.520 --> 1:14:54.960
<v Speaker 1>gonnae it was early. It was early. Now we gotta

1:14:55.000 --> 1:14:57.960
<v Speaker 1>understanding and we're partners and hug we like we so

1:14:58.200 --> 1:15:00.160
<v Speaker 1>locked in with everything we got going on this My

1:15:00.240 --> 1:15:02.120
<v Speaker 1>partner like, I ain't gonna lie like she involved with

1:15:02.200 --> 1:15:04.679
<v Speaker 1>my career. I'm involved with her career. We're making decisions together.

1:15:04.720 --> 1:15:07.439
<v Speaker 1>I'm bossing up together. Do you write for other artists too?

1:15:07.880 --> 1:15:10.080
<v Speaker 1>I do. Actually people don't know this, but I was

1:15:10.120 --> 1:15:12.920
<v Speaker 1>writing for Rihanna's camp. I knew that I haven't really

1:15:13.200 --> 1:15:15.760
<v Speaker 1>written lately because I've been so focused. But when I

1:15:15.840 --> 1:15:17.840
<v Speaker 1>take my breaks, and you know, there's periods of time

1:15:17.880 --> 1:15:19.920
<v Speaker 1>where I'm not dropping a lot of music. I'm still

1:15:20.000 --> 1:15:22.760
<v Speaker 1>working in shopping records. I had an argument with an

1:15:22.800 --> 1:15:24.880
<v Speaker 1>executive one time because you know, they were seeing how

1:15:25.200 --> 1:15:27.240
<v Speaker 1>dope you all blogs and black, and they literally said

1:15:27.280 --> 1:15:29.800
<v Speaker 1>to me, but I just don't think she'll pop because

1:15:29.800 --> 1:15:32.640
<v Speaker 1>she dogskin what. Yeah, I'm not gonna ever say the

1:15:32.680 --> 1:15:35.240
<v Speaker 1>person's name. You know, I'm not even surprised to hear that.

1:15:35.400 --> 1:15:37.559
<v Speaker 1>That's the way of this industry out. It's it's really

1:15:38.240 --> 1:15:40.280
<v Speaker 1>it's sad to hear it, but at the same time,

1:15:40.360 --> 1:15:43.600
<v Speaker 1>like whatever, we hear that all the time, and to me,

1:15:43.840 --> 1:15:45.960
<v Speaker 1>that's what makes me even more dope because it's like, man,

1:15:46.080 --> 1:15:48.639
<v Speaker 1>people really like me for my talent. I actually said,

1:15:48.680 --> 1:15:51.240
<v Speaker 1>didn't know. That's the reason she would because she represents

1:15:51.280 --> 1:15:53.080
<v Speaker 1>for a whole group of people that see all that

1:15:53.200 --> 1:15:56.920
<v Speaker 1>melan and they're like, oh, okay, but it's a new

1:15:57.000 --> 1:15:59.080
<v Speaker 1>day now. You know, people got to really come get

1:15:59.120 --> 1:16:01.280
<v Speaker 1>around me and see what's going on now, so she

1:16:01.320 --> 1:16:03.720
<v Speaker 1>gets tell the truth. Executive hitmaker, you hear things like

1:16:03.800 --> 1:16:08.680
<v Speaker 1>that right about not necessarily about skin color whatever, but

1:16:08.880 --> 1:16:12.200
<v Speaker 1>I've just seen people make so many wrong decisions, and

1:16:12.360 --> 1:16:15.880
<v Speaker 1>even with my departure from Atlantic Records, like this is

1:16:15.920 --> 1:16:18.640
<v Speaker 1>what happens. La Read offered me a label deal, and

1:16:19.240 --> 1:16:21.439
<v Speaker 1>I came back to Craig and I was just like, yo, like,

1:16:21.640 --> 1:16:23.599
<v Speaker 1>I know I work for y'all, but this guy want

1:16:23.600 --> 1:16:25.599
<v Speaker 1>to give me a label deal? Is this big amount

1:16:25.640 --> 1:16:27.120
<v Speaker 1>of money? You know? Let me go get my bag.

1:16:27.360 --> 1:16:29.360
<v Speaker 1>You know, I'll still create the hits and do whatever

1:16:29.360 --> 1:16:31.600
<v Speaker 1>I need to do. And he was like, Nah, you

1:16:31.720 --> 1:16:34.000
<v Speaker 1>can't do that. You can't do that. And then they

1:16:34.200 --> 1:16:36.920
<v Speaker 1>offer me a deal. And I don't think that they

1:16:37.000 --> 1:16:39.320
<v Speaker 1>gave me the deal because they wanted they believed in

1:16:39.400 --> 1:16:41.160
<v Speaker 1>me to get the deal. They just gave me the

1:16:41.280 --> 1:16:43.320
<v Speaker 1>deal to keep me in that system and keep me

1:16:43.439 --> 1:16:46.120
<v Speaker 1>locked in or whatever and just passify me in the situation.

1:16:46.240 --> 1:16:48.320
<v Speaker 1>And I wanted to grow and elevate and work with

1:16:48.439 --> 1:16:51.200
<v Speaker 1>up and coming artists and work with different people, sign people,

1:16:51.320 --> 1:16:53.360
<v Speaker 1>work with artists like ten because I was thinking, la

1:16:53.479 --> 1:16:55.720
<v Speaker 1>Read it offered me like, man, like, you could just

1:16:55.800 --> 1:16:57.880
<v Speaker 1>work with whatever artists in its label and if it

1:16:57.960 --> 1:17:00.040
<v Speaker 1>works out, we'll put them under your banner. You know

1:17:00.080 --> 1:17:02.560
<v Speaker 1>what I'm saying? Similar to game in fifty cent or

1:17:02.600 --> 1:17:04.519
<v Speaker 1>something like that. How he has all these different acts

1:17:04.520 --> 1:17:06.839
<v Speaker 1>that were signed. So I was really trying to elevate.

1:17:06.880 --> 1:17:08.400
<v Speaker 1>But I think that the game, man is gonna be

1:17:08.479 --> 1:17:10.519
<v Speaker 1>the game. Look at me, I'm young Burg, I'm Iceberg,

1:17:10.600 --> 1:17:12.479
<v Speaker 1>I'm hit maker. I got a documentary, I got all

1:17:12.520 --> 1:17:14.680
<v Speaker 1>types of stuff coming soon. So if you stay in

1:17:14.760 --> 1:17:16.519
<v Speaker 1>it long enough, man, you're gonna see a lot man

1:17:17.160 --> 1:17:20.560
<v Speaker 1>wrapping it all. You miss it. Hell no, it's a

1:17:20.680 --> 1:17:23.600
<v Speaker 1>dangerous job. It's more dangerous than ever right now. And

1:17:23.760 --> 1:17:26.320
<v Speaker 1>then not only that, it's a self serving like probably

1:17:26.360 --> 1:17:28.519
<v Speaker 1>like an ego thing stroke ego. While I would want

1:17:28.560 --> 1:17:30.599
<v Speaker 1>to do that right now or rap like, I honestly

1:17:30.680 --> 1:17:32.640
<v Speaker 1>want to be behind the people that's really doing and

1:17:32.800 --> 1:17:35.200
<v Speaker 1>killing it because I've experienced it, and I think there's

1:17:35.240 --> 1:17:38.680
<v Speaker 1>not enough executives that have actually been artists before and

1:17:38.800 --> 1:17:41.120
<v Speaker 1>been on the other side to really know and appreciate

1:17:41.200 --> 1:17:42.840
<v Speaker 1>the artists and know where the artist is coming from

1:17:42.840 --> 1:17:44.760
<v Speaker 1>and actually being the trenches making the records with him.

1:17:45.320 --> 1:17:48.720
<v Speaker 1>Work with RSVP, I already did as no boys they

1:17:48.800 --> 1:17:51.280
<v Speaker 1>got one, and then I guess it's the funniest because ever,

1:17:51.400 --> 1:17:53.640
<v Speaker 1>like yo, when y'all have a Breakfast Club with ray

1:17:53.720 --> 1:17:56.160
<v Speaker 1>Ja and all them boy y'all go, it's gonna be.

1:17:56.200 --> 1:17:58.280
<v Speaker 1>It's going down in history. It's gonna be like er

1:17:58.400 --> 1:18:01.479
<v Speaker 1>Gotty Dream Champs like it's gonna be. It's gonna be.

1:18:01.880 --> 1:18:06.360
<v Speaker 1>J is a marketing genius. There's nothing dumb about Raj.

1:18:06.520 --> 1:18:09.080
<v Speaker 1>Anybody who thinks that's a goddamn fool je. No, it's

1:18:09.080 --> 1:18:11.280
<v Speaker 1>exactly what he's doing at all times. And I cannot

1:18:11.320 --> 1:18:14.320
<v Speaker 1>wait to see how he rolls out RSVP exactly. Now,

1:18:14.560 --> 1:18:16.880
<v Speaker 1>what about A one Bentley? He said, you don't make

1:18:16.920 --> 1:18:18.840
<v Speaker 1>your own beats and you rely on other producers like

1:18:18.880 --> 1:18:23.280
<v Speaker 1>og parkin Smash David. How you respond to that? I don't.

1:18:23.920 --> 1:18:27.080
<v Speaker 1>I don't make this. I'm a curator of everything. You

1:18:27.160 --> 1:18:29.200
<v Speaker 1>know what I'm saying, Like, I come up with the ideas.

1:18:29.240 --> 1:18:31.040
<v Speaker 1>I'm the person that says, you know what, He's like,

1:18:31.200 --> 1:18:33.120
<v Speaker 1>I want to, But yeah, I want to. I want

1:18:33.160 --> 1:18:35.160
<v Speaker 1>to sample this, and I have a guy that replays

1:18:35.240 --> 1:18:37.880
<v Speaker 1>everything for me. And it's similar to cater or. I

1:18:38.000 --> 1:18:39.439
<v Speaker 1>want to do this and I want to do that,

1:18:39.600 --> 1:18:41.080
<v Speaker 1>and I get with the right people, and I put

1:18:41.120 --> 1:18:43.240
<v Speaker 1>the right people in the room. I'll write the record

1:18:43.280 --> 1:18:45.599
<v Speaker 1>with the people. As you can see on my Instagram

1:18:45.720 --> 1:18:48.280
<v Speaker 1>or whatever. But I don't program beats. Have I program

1:18:48.360 --> 1:18:51.439
<v Speaker 1>beats before? Absolutely? On songs that have came out before,

1:18:51.439 --> 1:18:54.240
<v Speaker 1>they have plaques to him. Absolutely, But when you're working

1:18:54.320 --> 1:18:57.439
<v Speaker 1>with this heavy valume or whatever, like no one man

1:18:57.560 --> 1:19:00.280
<v Speaker 1>could sit there and lie like, oh I did everything myself.

1:19:00.320 --> 1:19:02.880
<v Speaker 1>So even if a person that programs beats, he didn't

1:19:02.880 --> 1:19:06.040
<v Speaker 1>do everything. Timberland had danger and Scott Storch and everything.

1:19:06.160 --> 1:19:08.280
<v Speaker 1>So I think that that's the dirt they thrown you

1:19:08.360 --> 1:19:10.200
<v Speaker 1>when you get real successful and then it's like, oh,

1:19:10.240 --> 1:19:11.679
<v Speaker 1>well you don't do this and do that and shout

1:19:11.680 --> 1:19:15.040
<v Speaker 1>out to a one a man you don't make no

1:19:15.160 --> 1:19:16.720
<v Speaker 1>beats at all, or you do make beats, you just

1:19:16.760 --> 1:19:18.920
<v Speaker 1>don't make all of You Know what I do is,

1:19:19.160 --> 1:19:22.120
<v Speaker 1>I'm the producer behind the whole session. I'm the person

1:19:22.200 --> 1:19:24.479
<v Speaker 1>that brings in everything. You know what I'm saying. I'm

1:19:24.520 --> 1:19:26.920
<v Speaker 1>the orchestrate, I'm the Quincy Jones and you know what

1:19:27.000 --> 1:19:29.120
<v Speaker 1>I'm saying. So I know the right people to work with.

1:19:29.240 --> 1:19:31.120
<v Speaker 1>I know the right people to pull in. I know

1:19:31.240 --> 1:19:32.920
<v Speaker 1>what drum loop I want to use. I want to

1:19:32.960 --> 1:19:35.120
<v Speaker 1>know what top line I want to use, what music

1:19:35.200 --> 1:19:37.800
<v Speaker 1>bed I want to put behind this. I actually facility.

1:19:39.320 --> 1:19:41.800
<v Speaker 1>They don't sit there themselves. And like they've always said

1:19:41.800 --> 1:19:45.680
<v Speaker 1>that about Duty. Yeah, Kali, you hear that about Dred

1:19:45.800 --> 1:19:49.880
<v Speaker 1>sometime since that's a great company. Yeah, I didn't put

1:19:49.920 --> 1:19:56.719
<v Speaker 1>you in that company other people. Here's a quick example,

1:19:57.000 --> 1:19:58.439
<v Speaker 1>because I want to give it back the team, like

1:19:58.520 --> 1:20:01.120
<v Speaker 1>forgive me a boogie, look back at it. The song

1:20:01.320 --> 1:20:03.599
<v Speaker 1>was six minutes long when they had it. They gave

1:20:03.680 --> 1:20:05.560
<v Speaker 1>me that song. I went to Hawaii with boogie. He

1:20:05.560 --> 1:20:07.639
<v Speaker 1>gave me all the fouls. I shortened the song, added

1:20:07.680 --> 1:20:09.240
<v Speaker 1>to snap and turned them to a three minute and

1:20:09.320 --> 1:20:11.960
<v Speaker 1>thirty second record and rearranged the whole song. And that's

1:20:12.000 --> 1:20:13.920
<v Speaker 1>the song that y'all got from a six minute record.

1:20:14.000 --> 1:20:15.880
<v Speaker 1>So if that ain't produced, and I don't know what

1:20:16.040 --> 1:20:20.920
<v Speaker 1>producing is now when we talked, I don't know. Was

1:20:21.000 --> 1:20:37.320
<v Speaker 1>here my first Yeah she was, so she was just like,

1:20:37.439 --> 1:20:40.120
<v Speaker 1>oh no, this is big, y'all know. I'm just a calm,

1:20:40.280 --> 1:20:44.080
<v Speaker 1>chill girl. Thank you. You gonna cry in the cab man,

1:20:46.800 --> 1:20:48.519
<v Speaker 1>I'm glad you're standing next to think like this man.

1:20:48.680 --> 1:20:52.120
<v Speaker 1>Ronald applaud you because think she's been and the best

1:20:52.320 --> 1:20:54.400
<v Speaker 1>is yet to come for her. And he's glad to

1:20:54.680 --> 1:20:57.120
<v Speaker 1>trust me. It's Hipmaker, It's Tink. It's the Breakfast Club

1:20:57.160 --> 1:21:07.200
<v Speaker 1>to the Breakfast Club Morning. Everybody is DJ Envy, Angeline, Charlomagne,

1:21:07.200 --> 1:21:09.960
<v Speaker 1>the guy. We are the Breakfast Club. Now again. I

1:21:10.080 --> 1:21:12.639
<v Speaker 1>have one week left for my car show. To Drive

1:21:12.680 --> 1:21:15.479
<v Speaker 1>your Dreams Car Show. It's the North Verst to South

1:21:15.840 --> 1:21:19.080
<v Speaker 1>Houston versus New York, New Jersey, Philly. So it's gonna

1:21:19.080 --> 1:21:21.240
<v Speaker 1>be a bunch of celebrity cars from Lynn of course, Turkey, Lang,

1:21:21.320 --> 1:21:22.920
<v Speaker 1>Hunt and Trade the Truth. They're bringing them Houston cars,

1:21:22.960 --> 1:21:25.599
<v Speaker 1>some country cars down then also we got cars from

1:21:25.600 --> 1:21:30.720
<v Speaker 1>fifty cent Fabulous, Little Kim, Jim Jones, Fat Joe, meek Mill,

1:21:30.880 --> 1:21:33.240
<v Speaker 1>Little Oozy Vert, and a host to others. It's a

1:21:33.360 --> 1:21:35.800
<v Speaker 1>family fund days for kids fiving under a free There's

1:21:35.880 --> 1:21:38.839
<v Speaker 1>ride for the kids, roller skating rink. There's a BMX

1:21:39.000 --> 1:21:41.160
<v Speaker 1>bike show where they'll be doing flips and teaching the

1:21:41.200 --> 1:21:44.360
<v Speaker 1>kids how to willie. There's also South to Souflow Willie

1:21:44.360 --> 1:21:47.200
<v Speaker 1>School out in Florida that actually bringing some motorcycles up

1:21:47.200 --> 1:21:50.240
<v Speaker 1>and teaching people how to do willies or motorcycles. They

1:21:50.320 --> 1:21:51.800
<v Speaker 1>have like a big mattress on the back so you

1:21:51.840 --> 1:21:53.680
<v Speaker 1>can't fall and hurt yourself. So it's gonna be a

1:21:53.760 --> 1:21:55.839
<v Speaker 1>big family fund day. The weather's supposed to be amazing.

1:21:55.960 --> 1:21:58.280
<v Speaker 1>So if you haven't got your tickets, get your tickets.

1:21:58.320 --> 1:22:01.320
<v Speaker 1>And I can't wait to see you guys Saturday. Yes,

1:22:01.439 --> 1:22:03.800
<v Speaker 1>and once again, man, if you missed what I said,

1:22:03.880 --> 1:22:06.400
<v Speaker 1>you know, do the scheduling conflicts in the programming lineup

1:22:06.439 --> 1:22:09.480
<v Speaker 1>the Black Effect you know podcast festival, it's gonna be postponed,

1:22:10.040 --> 1:22:14.000
<v Speaker 1>you know until a later date. All right, We're looking

1:22:14.080 --> 1:22:16.720
<v Speaker 1>forward to you know doing it right, So I just

1:22:16.800 --> 1:22:19.639
<v Speaker 1>want to reiterate that, you know, if you need updated

1:22:19.680 --> 1:22:22.519
<v Speaker 1>festival information, including the new date, it'll be shared at

1:22:22.640 --> 1:22:26.160
<v Speaker 1>www dot Black Effect dot com and via all Black

1:22:26.200 --> 1:22:30.080
<v Speaker 1>Effects social media platforms. And all tickets purchase through dice

1:22:30.160 --> 1:22:34.080
<v Speaker 1>dot fm will be automatically refunded and please allow time

1:22:34.120 --> 1:22:36.439
<v Speaker 1>for that the process and all other purchases please contact

1:22:36.479 --> 1:22:40.640
<v Speaker 1>your point of sale all right now? Um, yes, the

1:22:40.680 --> 1:22:43.519
<v Speaker 1>positive notice this what God sends you will arrive in clarity,

1:22:43.800 --> 1:22:47.439
<v Speaker 1>not confusion. Breakfast club you know, finish or y'all dumb