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Speaker 1: Time to wake up Jack Instantially and Charlomagne the Doctor

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Speaker 1: to Breakfast Club Bitch the voice of the culture. People

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Speaker 1: watch The Breakfast Club for like news and really be

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Speaker 1: tuned in. It's one of my favorite shows to do,

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Speaker 1: just because y'all always keep you one hunting, y'all keep

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Speaker 1: your real. They might not watch the news, but they're

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Speaker 1: on Twitter, they're on Facebook, they're you know, they're listening

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Speaker 1: to The Breakfast the Brother Club. Get your ass yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo. Good morning angela ye damn Money

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Speaker 1: d'zmby Charlomagne the Guy. Piece to the planet is Friday,

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Speaker 1: and you are listening to the last days of the

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Speaker 1: Breakfast Club. As you know it. We have that in

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Speaker 1: the drop yet not yet, Oh we do oh today

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Speaker 1: today were getting the drop. Okay, how y'all feel this morning?

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Speaker 1: I feel good? How you feeling? I feel good? But

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Speaker 1: I feel tender, man, I feel tender. I feel tender

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Speaker 1: this morning, but in a good way. I probably need

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Speaker 1: to call my therapist to get in because I didn't

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Speaker 1: have an appointment set up for the day. But I

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Speaker 1: Do I feel tender this morning? In a good way?

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Speaker 1: It's tender? Like is it like? Like? What's tender about you?

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Speaker 1: My heart feels tender, my soul feels tender. Okay, I

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Speaker 1: think it's something to do at the moon. It's one

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Speaker 1: of those days if I I'm sure when I drink

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Speaker 1: to Kila at some point this weekend, I'll cry for

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Speaker 1: no reason. Hug. No, I don't want to hug. I said,

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Speaker 1: I feel tendered in a good way. Man, ain't sad, Okay,

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Speaker 1: I'm happy. Actually, I feel good. Just feel tender this morning.

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Speaker 1: How you feeling? Do you feel tendered? Tender? Could go

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Speaker 1: either way? No, I don't. I'm in Martha's vinyards still.

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Speaker 1: But I'm coming home today finally. So I've been out

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Speaker 1: here doing some things with the Rockets African American Film Week,

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Speaker 1: and I actually did a pan on yesterday with Regina Hall.

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Speaker 1: She is hilarious, is she? But she has her own

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Speaker 1: production company now, yeah, yep, yep, yep, yep, she sure does.

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Speaker 1: That is that is fact? That is a fact. Who

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Speaker 1: we got on the show today, man, because today we

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Speaker 1: actually have a couple of our favorites that's on the

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Speaker 1: show today, like a couple of my favorite individuals, favorite talent,

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Speaker 1: Tink and hit Maker. You know, young Burg and Tink

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Speaker 1: will be joining us this morning. Hit Maker isn't one

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Speaker 1: of those favorite people that I'm talking about. Tinking drops

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Speaker 1: bombs with Tink, okay, and I appreciate I appreciate hit Maker.

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Speaker 1: I'm just being honest, like you know you I said

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Speaker 1: two of my favorites, my personal favorites I want. Tink

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Speaker 1: is one of them, and I appreciate hit Maker. But

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Speaker 1: this other person that we have on the show this morning,

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Speaker 1: that's I'm talking about, fifty cent will be joining us

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Speaker 1: this morning. Fifth but Curtis fifty cent Jack Curtis said,

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Speaker 1: we're joining us this morning. Let me tell you something.

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Speaker 1: You know, had plenty of conversations with Fifth, you know,

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Speaker 1: worked with a Fifth on his TV show and stuff

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Speaker 1: like that before. But you know, I don't know why.

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Speaker 1: Yesterday I was just it hit me like fifty cent

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Speaker 1: is like a different level of legend. It is like

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Speaker 1: there there's levels to this legend thing. Like we throw

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Speaker 1: the word legend around and there are legends, but there's

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Speaker 1: different there's levels to legends. He's a flab with number

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Speaker 1: one seed when it comes to being a leged Absolutely,

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Speaker 1: he moves different. Yeah, he just moves different. Fifth moves different.

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Speaker 1: Everything from you know, you know the music is unquestionable, right,

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Speaker 1: but then you just think about what everybody's doing now

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Speaker 1: as far as like the Internet and rappers being personalities.

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Speaker 1: Fifth kind of started all of that. Yeah, think about it. Yeah,

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Speaker 1: he kind of started all of that way way back.

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Speaker 1: But this is fifty and all of that stuff like that,

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Speaker 1: so and yeah, and everything he's doing in television and

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Speaker 1: just who he is. Man, he's different. It's only one

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Speaker 1: fifty guy. Yes, he's definitely different. So we're gonna be

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Speaker 1: kicking it with fifty. But let's get the show cracking

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Speaker 1: front page news. What we're talking about. Yes, let's talk

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Speaker 1: about it. The NBA they're gonna be honoring Bill Russell.

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Speaker 1: They're retiring the number six across the entire league. Okay,

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Speaker 1: we'll get it to that. Next, it's the Breakfast Cloud

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Speaker 1: Go Morning Morning. Everybody is DJ v Angela Yee, Charlemagne

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Speaker 1: the guy we are to Breakfast Club. Let's getting some

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Speaker 1: front page news now. In sports, Bill Russell's number six

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Speaker 1: to be retired across the NDA following the legend's death. So, uh,

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Speaker 1: they're gonna retire the number six jersey, not for everybody,

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Speaker 1: though seventeen players still get to keep it. Lebron James

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Speaker 1: is one of them. I don't know how they pick

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Speaker 1: and choose who gets to still wear to jersey. I'm

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Speaker 1: sure people who have, but they just can't issue it again. Yea,

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Speaker 1: they just won't be You can continue to wear it,

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Speaker 1: but they number can't be issued again. Oh got you?

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Speaker 1: Got you? And I'm sure I'm sure that they retire

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Speaker 1: Michael Jordan's jersey twenty three the same way. I wonder

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Speaker 1: why the think they haven't done They haven't Michaelath for Michael.

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Speaker 1: I don't know why Michael Jordan not the logo of

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Speaker 1: the league absulutely. But you know, I mean people say

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Speaker 1: Kobe too for sentimental reasons, but you know, we're being

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Speaker 1: an objective. Michael Jordan should be the logo to the

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Speaker 1: He might own it, might not want it. He got

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Speaker 1: his own, that's true. But salute Bill Russell. Absolutely. The

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Speaker 1: first time the NBA has done this, m you know there,

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Speaker 1: because I think that in the Major League Baseball they

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Speaker 1: only did it for Jackie Robinson, right, that's the only

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Speaker 1: one that's totally retired. I think Jackie Robinson and in

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Speaker 1: the NHL they've done that for Wayne Gretzky. Wayne Gretzky. Yeah, okay,

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Speaker 1: what else we got? Easy? All right, Well, let's talk

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Speaker 1: about Donald Trump. So the Attorney General, Mary Garland said

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Speaker 1: he is the person that decided to do this search

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Speaker 1: warrant that Donald Trump keeps on saying has been a

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Speaker 1: witch hunt for him. And Donald Trump also said yesterday

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Speaker 1: that he would not oppose actually making the warrant public

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Speaker 1: so we can see exactly what was going on and

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Speaker 1: what was sees. Here is Mary Garland speaking on that decision. First,

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Speaker 1: I personally approved the decision to seek a search warrant

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Speaker 1: in this matter. Second, the Department does not take such

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Speaker 1: a decision lightly. The former president publicly confirmed the search

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Speaker 1: that evening, as is his right. I will not stand

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Speaker 1: by silently when their integrity is unfairly attacked. They protect

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Speaker 1: the American people from violent crime, terrorism, and other threats

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Speaker 1: to their safety while safeguarding our civil rights. They do

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Speaker 1: so at great personal sacrifice and risk to themselves. You know,

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Speaker 1: when he says things like that, yeah, we might be right,

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Speaker 1: but we have to address the history of the FBI

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Speaker 1: because the FBI has not been that for black people

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Speaker 1: in black civil rights movements. It was actually weaponized against

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Speaker 1: those civil rights figures in those civil rights movements. You

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Speaker 1: know what I mean. When I hear him say that,

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Speaker 1: I'm like, you're not talking to us. And I thought

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Speaker 1: about this right because we talked about this on my

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Speaker 1: talk show last night, a hell of a week on

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Speaker 1: Comedy Central. The FBI is not moving on this case

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Speaker 1: like they do everyone else. All I've seen in my

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Speaker 1: whole life is that when the Feds come, it's hopeful, correct.

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Speaker 1: When the fans raid your house, when the fans pull

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Speaker 1: up on you, they got you. The fact that the

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Speaker 1: FEDS raided Magalago and no arrest were made lets me

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Speaker 1: know they're not moving with the same energy that they

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Speaker 1: do everybody else. They don't know how to point it

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Speaker 1: whiteness in this country because those institutions like the FBI

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Speaker 1: were not created the punished whiteness. They were created the

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Speaker 1: punishing police marching the lives communities people like us. Well,

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Speaker 1: Donald Trump said, not only will I not oppose the

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Speaker 1: release of documents related to the Unamerican unwarranted and unnecessary

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Speaker 1: rate and breaking of my home in Palm beats Florida Marlago.

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Speaker 1: I am going to step further by encouraging the immediate

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Speaker 1: release of those documents. If he got them, put them

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Speaker 1: on put them on true social that's the social media platform.

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Speaker 1: But you know another reason that you said that is

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Speaker 1: most of the time when the Feds come in, they

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Speaker 1: have to make sure the issues right because now they're

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Speaker 1: dealing with you know, somebody that's a billionaire that can

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Speaker 1: fight them back. But that's my point. When they when

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Speaker 1: they pull up on your house, like, they ain't got billions,

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Speaker 1: so they can pretty much do what they want to do.

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Speaker 1: But usually they already got the case. You're right when

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Speaker 1: the when the feds come, they're not coming to ask questions.

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Speaker 1: The fans already got you. They've been monitoring you, watching you.

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Speaker 1: They got the evidence they need. You're going to jail,

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Speaker 1: and they kind of which is crazy, they kind of

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Speaker 1: gotta walk on the eggshelves with with with Donald Trump

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Speaker 1: because they because because he's powerful, and he's white, correct

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Speaker 1: and he's rich. Correct. And once again, these institutions were

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Speaker 1: not created to punish old white men like him. They

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Speaker 1: were created to punish people like us. Absolutely, they don't

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Speaker 1: even know what to do with him. How do you

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Speaker 1: punish white they don't even know, they don't even know.

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Speaker 1: There was like, damn, we know he did something wrong,

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Speaker 1: but we're not used to doing this. We don't even

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Speaker 1: be locking his type up. He made us feel bad.

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Speaker 1: He was like, they broke it tobody safe. I was like,

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Speaker 1: oh my goodness, don't not the same. We don't want

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Speaker 1: to set this precedent now right, we're gonna start locking

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Speaker 1: up a rich, old white privilege men now in America.

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Speaker 1: All right, well that is your front page news. That's

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Speaker 1: all I'm saying. I'm gonna throw them a hand up

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Speaker 1: in there and get it off your chest. I think

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Speaker 1: got me feeling I'm like I'm crazy. I'm like, I

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Speaker 1: know I'm not crazy. Eight hundred five eight five one

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Speaker 1: on five one. If you need to vent, phone line

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Speaker 1: to wide open again eight hundred five eight five one

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Speaker 1: on five one, and don't forget fifty cent, I'll be

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Speaker 1: joining us this morning. Also Tink and heat Maker's Breakfast

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Speaker 1: Love com one the Breakfast Club, Holly, this is your

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Speaker 1: time to get it off your chest, whether you're mad

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Speaker 1: or blessed. Eight five one. We want to hear from

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Speaker 1: you on the breakfast club. Hello, who's this deric? Are

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Speaker 1: we're doing? How we're doing? What's up? Broking it off

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Speaker 1: your chests? Okay, so listen, y'all gotta give me a

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Speaker 1: minute because I'm about to get it all off. But

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Speaker 1: I'm gonna be quick and swift food and make it

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Speaker 1: real clear. So Booms was a term driver ten years

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Speaker 1: decided to get that up. People don't pay attention on

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Speaker 1: the roads, wind up getting in the four and they're

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Speaker 1: doing ten hours shifts ten plus, so they do damn

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Speaker 1: there eleft right now. At some point they didn't drop

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Speaker 1: the all the restrictions for COVID. You know, COVID still

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Speaker 1: a thing. We get that, we understand that, but come

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Speaker 1: on now, you're working us to death like we're coming

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Speaker 1: back tomorrow. Don't keep your strong hold on us like that.

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Speaker 1: Somebody got to come in tell may push it back there.

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Speaker 1: You know, everybody just can't be puppets. So my team

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Speaker 1: with that is some people love some people don't. They

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Speaker 1: need to take a poll or something. You understand. I'm

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Speaker 1: saying absolutely. I saw that yesterday the CDC. So the

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Speaker 1: CDC ended UH test to stay for schools and they

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Speaker 1: relaxed COVID rules. What does that mean? Exactly like we

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Speaker 1: gotta we don't have to test everywhere we go. Now,

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Speaker 1: some places he require if it's if it's an individually

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Speaker 1: owned institutions, they own rules, just like people are. Just

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Speaker 1: like institutions or establishments to require mass or something. Then

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Speaker 1: some only follow the CDC guidelines. Some had their own guideline.

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Speaker 1: I am very upset about this because yesterday we had

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Speaker 1: a very very important guest that I wanted to sit

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Speaker 1: down and have a conversation with, and we couldn't have

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Speaker 1: her up because somebody and her entourage chest the positive

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Speaker 1: for COVID and I said, so what bring her up?

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Speaker 1: And they wouldn't bring her up. Okay, I'm upset about

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Speaker 1: this now, let me get this off my chest. H Angel,

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Speaker 1: Angel Louise. I'm gonna miss you. I'm gonna miss you.

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Speaker 1: I'm gonna tune me and tell all your all your

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Speaker 1: new upcoming adventures, and we wish you the best here

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Speaker 1: in the day. You know, we always root for you.

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Speaker 1: We see you around here a lot. We know you

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Speaker 1: party with us, so we always stip our hat to you. Charlemagne.

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Speaker 1: I need a book from you, brother, I got you

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Speaker 1: I'm gonna get your address and we'll send you something. Brother,

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Speaker 1: All right, now, you and you, hey, when Angela leave

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Speaker 1: you and DJ Mvy cut on that funny business out man, man,

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Speaker 1: funny business are you talking about? Funny is the key word?

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Speaker 1: Oh no, no, listen, listen, I'm gonna tell y'all something.

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Speaker 1: I'm gonna get the address. I'm saying something, so of

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Speaker 1: other causes to get through, we take this out. Yeah, yeah, yeah,

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Speaker 1: because I'm want to send the book. I'm trying to

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Speaker 1: build myself. Take us out. Both of y'all are almost

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Speaker 1: like consider political figures, right, So when you y'all, y'all

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Speaker 1: almost considered like political figure. You're not politically, not not

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Speaker 1: in a politician type way. But people admire y'all. Y'all.

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Speaker 1: They listen to y'all, especially you or charlottelady, because you're

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Speaker 1: well into mental health and people look up to that.

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Speaker 1: So when y'all do that funny business thing, man, you

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Speaker 1: confuse the funniest of all the funny business is good

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Speaker 1: for my mental health. I love loving on my brother.

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Speaker 1: We should be able to love on each other without

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Speaker 1: you know, anybody thinking anything funny. But yeah, you got

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Speaker 1: to remember you at work. I mean I know you

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Speaker 1: at work. Hold on, well, they say you gotta remember

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Speaker 1: you at work. You're that in your free time, not

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Speaker 1: at work. You know what it is? Toxic masculinity has

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Speaker 1: ranged supreme so much that when you see a black

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Speaker 1: man loving on another black man, you think they're gay.

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Speaker 1: And they might be, but so white. Getn't know if

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Speaker 1: your chest eight hundred five eight five one on five one.

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Speaker 1: If you need to vent, hit this up now. It

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Speaker 1: was The Breakfast Club, Good Morning, The Breakfast Club Power

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Speaker 1: one on five one, The Breakfast Club Your Morning's will

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Speaker 1: never be the same. That's program is sponsored by Better Help.

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Speaker 1: You have a lot on your mind. Better Help makes

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Speaker 1: dot com. Slash the Breakfast Club listen. Oh, it's a club.

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Speaker 1: But R Kelly's a long time living girlfriend who allegedly

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Speaker 1: might be his fiance. Joycelyn Savage is going to be

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Speaker 1: writing a tella book about her relationship with R. Kelly,

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Speaker 1: and an email to the Post, she did confirm the

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Speaker 1: book will be called Love and Joy of Robert and

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Speaker 1: it will be published tomorrow on Saturday. She said, all

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Speaker 1: I can say is that it is about Robert, the

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Speaker 1: beginning of my life and Robert's shadow, where things began

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Speaker 1: to take off and where they are currently going. Okay,

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Speaker 1: so we don't know whether or not they're engaged, but

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Speaker 1: she said everything will be answered in her book. Okay, yeah,

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Speaker 1: she should be interesting. I'll try to make sure I

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Speaker 1: get my hands on it this weekend so we can

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Speaker 1: talk about it Monday, all right. And people are upset

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Speaker 1: about Britney Spears for a post that she wrote to

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Speaker 1: Kevin Federline, her ex, and you know, he had posted

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Speaker 1: these recordings of their two sons together of Britney Spears

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Speaker 1: arguing with them, and she attempted to give an explanation

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Speaker 1: of why. And in the post she was just talking

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Speaker 1: about teenagers who are just hard to deal with at

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Speaker 1: that age. They were eleven and twelve at the time,

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Speaker 1: and she said, but come on, there's being rude, then

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Speaker 1: there's being hateful. They would visit me walking the door,

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Speaker 1: go straight to their room and lock the door. And

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Speaker 1: so then she goes on to say that she would

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Speaker 1: ask to see the kids and wouldn't get a response

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Speaker 1: for us sometimes two or three days. But the part

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Speaker 1: that people are upset about is she's talking about how

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Speaker 1: there's a lot of weed being smoked at Kevin Federline's

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Speaker 1: house and she said we will She said, when can

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Speaker 1: we you so as much as so as much of

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Speaker 1: you watch what he refers to as his family, as

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Speaker 1: a perfect Brady Bruns family. I can guarantee you that

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Speaker 1: house has more weed than Ludacris, fifty cent jay Z

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Speaker 1: and Puff Daddy combined. I was offended by that she

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Speaker 1: named dropped all these black people. I was offended by

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Speaker 1: that because she ain't named nobody that's a notorious smoker.

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Speaker 1: She ain't say Snoop Dog, she ain't say Winds Khalifa.

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Speaker 1: When do we associate weed with Ludacris, fifty jay Z

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Speaker 1: and did he? Yeah? That doesn't right knocking off. That's

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Speaker 1: what offended me more than anything like damn at least

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Speaker 1: no yea himpop That sounds dumb. Now she just said

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Speaker 1: Snooped have been like if she said Snooper Winds, I understand,

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Speaker 1: like those people are anonymous with marijuana currency, like you

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Speaker 1: just name You just named four random people that aren't

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Speaker 1: even associated with marijuana, like stop. Yeah. So people were like, oh,

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Speaker 1: you can send and name all these black people, all

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Speaker 1: these black rappers seem like all right, And Kathy Hilton

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Speaker 1: has tattoo apologize and explain why she mistook Lizzo for Precious.

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Speaker 1: And this was while she was on Watch What Happens

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Speaker 1: Live with Andy Cohen And here is what happened during

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Speaker 1: that instant. I feel like I do precious. No, she

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Speaker 1: as precious. Now, Lizza's precious. That's like what I call her.

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Speaker 1: Lizz is precious to me. Yes, now Lizzo is precious.

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Speaker 1: M hmm. All right. Well her explanation, she said, the

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Speaker 1: screen was so far away and my vision is terrible.

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Speaker 1: If you recall, I couldn't even make it who Justin

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Speaker 1: Timberlake or Melissa Ethridge was. I don't think she was

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Speaker 1: trying to be funny. You he really thought she was precious.

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Speaker 1: I think she really made an honest mistake. And the

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Speaker 1: worst part about that mistake is that, well, I guess not.

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Speaker 1: She don't know that gaps. She don't know Gabbery cidaby.

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Speaker 1: She only knows her ass precious, you know what I mean?

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Speaker 1: Maybe if she would have said Gabay citabaiting. People probably

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Speaker 1: wouldn't have been so offended by it. People people were offended, right,

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Speaker 1: It was backlash. People are plenty. Yeah. I think if

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Speaker 1: I think if she would have said Gabberrey Citabay, it

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Speaker 1: would have been precious. Yeah. And I think what she

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Speaker 1: said precious, it comes off as a joke, but she

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Speaker 1: probably don't know that. She don't know gaberts to the

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Speaker 1: Bay's real name, all precious his real name? What you know?

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Speaker 1: What the hell I mean? All right? Now, our pastor

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Speaker 1: in North Carolina is upset about Beyonce's song Church a

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Speaker 1: Girl and to discernment about it. I saw that she

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Speaker 1: got some backlash, but then I also saw a lot

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Speaker 1: of positivity, people saying, you know, I had some issues

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Speaker 1: and I was thinking about, like, you know, church and

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Speaker 1: what I do and judgment and all of that. So

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Speaker 1: some people say that song really help him. But this

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Speaker 1: pastor is saying that that song is trash. Here's what

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Speaker 1: he had to say. The only thing I can account

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Speaker 1: for some of this stuff is somebody that sold their

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Speaker 1: soul to the devil. Now, all I can say to

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Speaker 1: you is this, when you're saying your soul to the devil,

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Speaker 1: you get the short end of the stick because you would.

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Speaker 1: You're not gonna live but solo. And when you leave here,

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Speaker 1: when you're going, you're going to be that forever. It's

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Speaker 1: not a good deal. I don't care when it gives you.

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Speaker 1: But this piece of shrash, that's release. And she named

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Speaker 1: it church Girl. Now. I had thought to try to

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Speaker 1: read the lyrics to you, but I struggle to listen

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Speaker 1: to them. It's too bad. It's too bad. It's not

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Speaker 1: for public consumption. I drop it like dropping, like knocking

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Speaker 1: off path through. What is he talking about it? That's

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Speaker 1: why when people say only God can judge me, I say, yeah, right,

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Speaker 1: that's all humans do is judge, especially religious folks. Yeah,

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Speaker 1: that's the whole point of the song. I g to

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Speaker 1: not be judged. Church girls acting a little bad girls act.

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Speaker 1: The snotty took that ass like you came up from

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Speaker 1: the South, dropping like like about it and shut up, man,

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Speaker 1: you're messing up the song, singing it all slow like

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Speaker 1: you you've been in Houston too long? Are you chopping

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Speaker 1: the screw in the song? Listen? Religious folks are so

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Speaker 1: damn judgmental. Do not judge, or you two will be

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Speaker 1: judged Matthew seven one two religious folks don't give a

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Speaker 1: damn about that scripture. And crazy part about that song

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Speaker 1: is Beyonce is showing the whole totality of people. We

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Speaker 1: are all the perfect balance of ratchetness and righteousness. And

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Speaker 1: I saw church girls in real life. I didn't told

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Speaker 1: y'all this story. Bishop td Jake sixty fifth B Day

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Speaker 1: Party dropping on the clues box with Bishop td Jakes. Okay,

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Speaker 1: those folks at depart the house, girl, how to get down?

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Speaker 1: You hear me? When? When when d Knights played, uh

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Speaker 1: blow the whistle by two s my favorite folks know

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Speaker 1: what truth your favorite world was? And guess what, that's fine.

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Speaker 1: We all the perfect balance of ratchness and rightness. Who perfect?

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Speaker 1: And that's not even being imperfect just because you want

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Speaker 1: to drop it like I thought it, dropping it like

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Speaker 1: I thought it. Hey, hey, hey, all right, all right, right,

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Speaker 1: well that is your report. Play the song. Let's play

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Speaker 1: this song. Play an entirety, lay the song. Can we

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Speaker 1: play it in this entirety? Why not? Can you? Can

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Speaker 1: you put a song come dropped the next Drake record?

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Speaker 1: I know that's a job. No, No, we're about to play.

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Speaker 1: We're about to play Beyonce. I know, but you probably

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Speaker 1: had another Drake record your had scheduled to play this

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Speaker 1: little Baby. Okay, come on, Church Girl wants us to

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Speaker 1: play this record this morning the Breakfast Club. Your mornings

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Speaker 1: will never be the same. What it's time to get

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Speaker 1: with someone special. The best way to do it is

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Speaker 1: with Magnum large size condoms. That gold foil rapper is

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Speaker 1: a badge of honor, and it means you're protected and

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Speaker 1: you take care of things with comfort. Accept no substitute.

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Speaker 1: So bring the pleasure with the gold standard Magnum large

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Speaker 1: sized condoms. Hey, the line I love in that record

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Speaker 1: nobody can judge me but me. But that's not true always.

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Speaker 1: But people will judge you all day long. We'll just

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Speaker 1: remember judgmental folks. Judging a person does not define who

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Speaker 1: they are, defines who you are. All right? I love

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Speaker 1: that record. Man with a perfect balance of ratchetness and righteousness.

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Speaker 1: All right, well we are to Breakfast Club. Let's getting

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Speaker 1: some ropes. Yeah, you know me, guy's crazy. All right, Well,

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Speaker 1: let's talk about you know, we still do have COVID

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Speaker 1: nineteen and the CDC has announced that they are going

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Speaker 1: to be loosening these restrictions. So as first the guidance

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Speaker 1: for quarantines and social distancing, they no longer recommend individuals

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Speaker 1: stay at least six feet apart to reduce the risk

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Speaker 1: of exposure. The guidance was someplace since the start of

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Speaker 1: the pandemic, but because of widespread vaccination or previous infection,

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Speaker 1: they believe that most of the United States has at

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Speaker 1: least some immunity, so no more of those six feet

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Speaker 1: apart rules now. They also said the new guidelines dictate

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Speaker 1: that contact tracing only needs to be enforced at hospitals

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Speaker 1: or at high risk population living situations like nursing homes.

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Speaker 1: So some of the guidances is saying like, if you

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Speaker 1: come into contact with somebody who tested positive for COVID,

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Speaker 1: then you go ahead and get tested too. But when

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Speaker 1: it comes to quarantining, people who have been exposed but

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Speaker 1: are not infected do not need to quarantine. And if

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Speaker 1: you have test positive you should stay home at least

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Speaker 1: five days, but if you have more moderate or severe cases,

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Speaker 1: isolate for ten days. So it's over, y'all, got it,

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Speaker 1: It's over, y'all. So what are they saying, I don't

421
00:22:10,440 --> 00:22:11,800
Speaker 1: have to stay in six feet away and if I

422
00:22:11,880 --> 00:22:15,399
Speaker 1: catch COVID? What I gotta do? If you have it,

423
00:22:15,640 --> 00:22:18,040
Speaker 1: if you're if it's not too severe, stay home for

424
00:22:18,160 --> 00:22:21,240
Speaker 1: five days. If it is. If it is severe or moderate,

425
00:22:21,680 --> 00:22:25,480
Speaker 1: then ten days. It's overall. We've moved on. If you're

426
00:22:25,520 --> 00:22:29,000
Speaker 1: exposed and you're negative, you don't need to quarantine. We've

427
00:22:29,080 --> 00:22:32,360
Speaker 1: moved You don't have to quarantine up, man, We just man. Listen, hey,

428
00:22:32,400 --> 00:22:34,920
Speaker 1: if you're narrative, it's so all right. We've moved on.

429
00:22:35,200 --> 00:22:37,359
Speaker 1: The social experiment is done. They know y'all don't care,

430
00:22:37,440 --> 00:22:38,800
Speaker 1: so we don't have to test it the more to

431
00:22:38,840 --> 00:22:41,479
Speaker 1: come up here when the last time you to come,

432
00:22:42,920 --> 00:22:44,879
Speaker 1: don't test. Now. I'm so mad about that guest that

433
00:22:44,920 --> 00:22:47,320
Speaker 1: couldn't come up here yesterday because it's as stupid ass

434
00:22:47,359 --> 00:22:50,399
Speaker 1: COVID protocol. Okay, if we've lost out on such a

435
00:22:50,480 --> 00:22:53,359
Speaker 1: phenomenal guest yesterday, at least phenomenal to me. Okay, the

436
00:22:53,440 --> 00:22:55,639
Speaker 1: guests didn't have COVID, but somebody with them did and

437
00:22:55,760 --> 00:22:58,040
Speaker 1: we couldn't let him up. But they didn't schedule that, Eddie.

438
00:22:58,280 --> 00:22:59,560
Speaker 1: If that was the case, we would let him up

439
00:22:59,560 --> 00:23:05,280
Speaker 1: there for soon. Okay, all right, soon soon, listen, please

440
00:23:05,320 --> 00:23:07,600
Speaker 1: iPhone stop sending me that dumb ass notification that I

441
00:23:07,680 --> 00:23:09,680
Speaker 1: came in contact with people with COVID. All right, it

442
00:23:09,720 --> 00:23:11,720
Speaker 1: clearly doesn't matter no more, the CDC said, So they

443
00:23:11,800 --> 00:23:14,639
Speaker 1: dropped restrictions like a thoughty, thoughty, anybody asking you to

444
00:23:14,680 --> 00:23:16,760
Speaker 1: do COVID test now they just flirting, especially if it's

445
00:23:16,760 --> 00:23:20,680
Speaker 1: the anal swap, all right. And mortgage rates are above

446
00:23:20,760 --> 00:23:24,200
Speaker 1: five percent once again after dipping below that the first

447
00:23:24,240 --> 00:23:26,480
Speaker 1: time in months a week earlier. So right now, the

448
00:23:26,600 --> 00:23:29,040
Speaker 1: thirty year fixed rate mortgage is about five point twenty

449
00:23:29,080 --> 00:23:32,199
Speaker 1: two percent, and that's up from four point nine nine

450
00:23:32,280 --> 00:23:38,720
Speaker 1: percent the week before. So, you know, still kind of high,

451
00:23:39,119 --> 00:23:43,760
Speaker 1: very high for people who are looking about you. People

452
00:23:43,760 --> 00:23:45,960
Speaker 1: are still buying, all right, Well that is your Yeah,

453
00:23:46,000 --> 00:23:47,680
Speaker 1: people are still buying if you can listen, if you

454
00:23:47,680 --> 00:23:49,159
Speaker 1: can get a great deal, a great deal, it's a

455
00:23:49,200 --> 00:23:50,920
Speaker 1: great deal no matter what. Yeah, people are still looking

456
00:23:50,920 --> 00:23:52,960
Speaker 1: for housing. There's still a shortage of housing, so people

457
00:23:52,960 --> 00:23:55,280
Speaker 1: are still buying. Interest rates are still high, but you can,

458
00:23:55,400 --> 00:23:57,199
Speaker 1: you know, still find some some good deals right now.

459
00:23:57,240 --> 00:23:58,840
Speaker 1: Prices are coming down a little bit. Drop her like

460
00:23:58,880 --> 00:24:01,240
Speaker 1: a thoughty, drop her like it out of Hey, Chryst

461
00:24:01,320 --> 00:24:05,160
Speaker 1: is dropping like I thought all right when we come back,

462
00:24:05,200 --> 00:24:07,840
Speaker 1: fifty cent oill be joining us to go legend, so

463
00:24:07,960 --> 00:24:11,400
Speaker 1: don't move. It's the Breakfast Club. Good morning, the Breakfast

464
00:24:11,480 --> 00:24:18,840
Speaker 1: Club one five one, the Breakfast Club. Your morning's will

465
00:24:19,000 --> 00:24:24,400
Speaker 1: never be the same morning. Everybody's DJ Envy Angela Yee,

466
00:24:24,520 --> 00:24:27,000
Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got

467
00:24:27,080 --> 00:24:31,200
Speaker 1: a special guest in the building, fifty cent. It got

468
00:24:31,280 --> 00:24:34,439
Speaker 1: me up bright and early. What's going on? Many thing?

469
00:24:34,560 --> 00:24:36,360
Speaker 1: Good man? No complaints? How I feel? Will be back

470
00:24:36,359 --> 00:24:38,879
Speaker 1: in New York Man, feel good man? The city, The

471
00:24:38,920 --> 00:24:41,160
Speaker 1: city is good. Don't you ain't watching YouTube to see

472
00:24:41,200 --> 00:24:44,240
Speaker 1: the news clips about every more? Things is going on

473
00:24:44,359 --> 00:24:46,280
Speaker 1: out here. You look like you got back in the

474
00:24:46,359 --> 00:24:48,520
Speaker 1: gym heavy brom I back. You know this said was

475
00:24:48,560 --> 00:24:55,959
Speaker 1: fat super Bowl man, because I was like, what are

476
00:24:55,960 --> 00:24:57,800
Speaker 1: you talking about? I'm not fat? Like I got pick

477
00:24:57,840 --> 00:24:59,800
Speaker 1: I'm gonna show you a picture I took with Jamie.

478
00:25:00,680 --> 00:25:02,240
Speaker 1: You know, I guess it's the angle because I was

479
00:25:02,280 --> 00:25:04,560
Speaker 1: coming up so you see like it looked a little

480
00:25:04,600 --> 00:25:07,359
Speaker 1: wider and then they got they got that and they

481
00:25:07,440 --> 00:25:09,200
Speaker 1: ran with it. But you know, like I'm I'm looking

482
00:25:09,240 --> 00:25:13,240
Speaker 1: like now. I fluctuated a lot throughout mind my run,

483
00:25:13,400 --> 00:25:14,960
Speaker 1: you know what I'm saying, And it's just my body

484
00:25:15,040 --> 00:25:17,800
Speaker 1: time I can be security. Bro would be too big

485
00:25:19,000 --> 00:25:21,240
Speaker 1: and it's sorry. You know. I started training and working

486
00:25:21,280 --> 00:25:23,800
Speaker 1: out stuff but regular stuff, but I just made sure

487
00:25:23,840 --> 00:25:26,679
Speaker 1: I did it every morning because they said that to me. Now,

488
00:25:26,760 --> 00:25:28,520
Speaker 1: how's it back on the road? You know, the last

489
00:25:28,520 --> 00:25:31,120
Speaker 1: two three years you've been doing nothing but movies and shows,

490
00:25:31,240 --> 00:25:33,000
Speaker 1: and now you're back on the road. How does that

491
00:25:33,040 --> 00:25:35,719
Speaker 1: feel to be out perform like you know, look, hip

492
00:25:35,800 --> 00:25:37,720
Speaker 1: hop is now old enough for them to start to

493
00:25:37,760 --> 00:25:41,960
Speaker 1: treat us like we treated the real pop stars, you know,

494
00:25:42,160 --> 00:25:44,879
Speaker 1: like we're Princeton and Mike and them. When they was

495
00:25:45,359 --> 00:25:48,840
Speaker 1: they would just say I'm performing today and the show

496
00:25:48,880 --> 00:25:50,840
Speaker 1: would go up and sell out that day, you know

497
00:25:50,880 --> 00:25:53,000
Speaker 1: what I'm saying. Like, and then and the nationally, I'm

498
00:25:53,040 --> 00:25:56,359
Speaker 1: getting an old response to the things like everything so

499
00:25:56,560 --> 00:25:58,320
Speaker 1: out like when I went out there, like and it's

500
00:25:58,359 --> 00:26:00,760
Speaker 1: because I laid the groundwork, like during Get Richard Die

501
00:26:00,840 --> 00:26:04,400
Speaker 1: Trying and the Massacre those projects. Was taking two years

502
00:26:04,480 --> 00:26:05,920
Speaker 1: for me to come with the next album because I

503
00:26:06,000 --> 00:26:09,119
Speaker 1: spent the whole year after I released it touring, you know,

504
00:26:09,280 --> 00:26:13,119
Speaker 1: so because I was going everywhere like Croatia, moved by

505
00:26:13,240 --> 00:26:17,000
Speaker 1: India like Coast of Old Like I was everywhere, you

506
00:26:17,080 --> 00:26:19,000
Speaker 1: know what I'm saying, Like everywhere that they would. I

507
00:26:19,119 --> 00:26:21,119
Speaker 1: wanted all of the flags that m had on that

508
00:26:21,440 --> 00:26:24,720
Speaker 1: Marsha Maters album, that plaque. So I was like, I know,

509
00:26:24,760 --> 00:26:26,280
Speaker 1: I'm gonna have to go do the door to get it,

510
00:26:26,400 --> 00:26:30,560
Speaker 1: but I'm gonna go in the association to em help,

511
00:26:31,200 --> 00:26:33,119
Speaker 1: you know what I'm saying. So I was like, I

512
00:26:33,200 --> 00:26:34,680
Speaker 1: went out there and did all of that, but now

513
00:26:34,760 --> 00:26:36,359
Speaker 1: now it feels good because I'm able to go out

514
00:26:36,400 --> 00:26:39,399
Speaker 1: there and do those things and people really responded to it,

515
00:26:39,520 --> 00:26:44,639
Speaker 1: and I'm so seasoned the performance now it's like it's easy,

516
00:26:45,840 --> 00:26:47,320
Speaker 1: you know what I'm saying. Like I'm running out and

517
00:26:47,359 --> 00:26:49,680
Speaker 1: it's like ol boom. I'm like, yeah, I'll get do

518
00:26:49,720 --> 00:26:53,320
Speaker 1: it again tonight. DoD it make you feel celebrated and

519
00:26:53,400 --> 00:26:56,080
Speaker 1: appreciated because fifth you were, you a different type of legend,

520
00:26:56,440 --> 00:26:58,960
Speaker 1: like this levels the legends, you know, a different type

521
00:26:58,960 --> 00:27:01,440
Speaker 1: of legend. You gotta change. You can't do the same way.

522
00:27:01,960 --> 00:27:03,320
Speaker 1: You know what I'm saying, Like I'm looking at going

523
00:27:03,600 --> 00:27:06,200
Speaker 1: the things that I got off phone in the beginning,

524
00:27:06,280 --> 00:27:10,399
Speaker 1: charl it changed dramatically like now, look, the simplicity and

525
00:27:10,520 --> 00:27:13,360
Speaker 1: writing music is a key to it. So like go short,

526
00:27:13,440 --> 00:27:15,639
Speaker 1: it's your birthday, is what comes what I'm feeling when

527
00:27:15,680 --> 00:27:18,160
Speaker 1: I'm hearing the record. And then the reason is where

528
00:27:18,200 --> 00:27:21,760
Speaker 1: people have a specific reason they want to enjoy themselves

529
00:27:21,800 --> 00:27:24,200
Speaker 1: when it's your birthday and we're here, we want to

530
00:27:24,240 --> 00:27:26,200
Speaker 1: have a good time. So I'll put that in it.

531
00:27:26,359 --> 00:27:29,200
Speaker 1: But when you think about it and television is it's

532
00:27:29,200 --> 00:27:32,119
Speaker 1: almost never right the first time, Like they write it

533
00:27:32,200 --> 00:27:34,480
Speaker 1: and then they get the notes from the executives and

534
00:27:34,520 --> 00:27:36,440
Speaker 1: it comes down with different so it kind of morphs

535
00:27:36,480 --> 00:27:39,280
Speaker 1: into something different. And it's choices. So if creatively, if

536
00:27:39,280 --> 00:27:41,600
Speaker 1: you make if you go okay, I'm going left here

537
00:27:42,000 --> 00:27:44,400
Speaker 1: and they're gonna you could have went right, and you see,

538
00:27:44,560 --> 00:27:46,720
Speaker 1: I could have did that, but it was a creative choice.

539
00:27:47,240 --> 00:27:49,840
Speaker 1: But that example, if they don't give you that example

540
00:27:49,960 --> 00:27:52,920
Speaker 1: what you could have did. They don't know why they're

541
00:27:52,960 --> 00:27:56,280
Speaker 1: receiving there by they're being paid, so they give you

542
00:27:56,359 --> 00:27:58,800
Speaker 1: that example and then the artists change it and it

543
00:27:58,920 --> 00:28:01,359
Speaker 1: just changes. So it makes me not creatively want to

544
00:28:01,400 --> 00:28:04,240
Speaker 1: be a part of the writing process because it's a

545
00:28:04,400 --> 00:28:06,960
Speaker 1: it's a very tedious process, you got to know so

546
00:28:07,080 --> 00:28:10,040
Speaker 1: many details about the story before you get started that

547
00:28:10,160 --> 00:28:14,320
Speaker 1: it's like I'd rather feed the writer information to be

548
00:28:14,400 --> 00:28:17,679
Speaker 1: a part of the you know, the whole creative idea,

549
00:28:17,880 --> 00:28:20,560
Speaker 1: but let them handle that part because there's so many

550
00:28:20,680 --> 00:28:23,440
Speaker 1: changes and stuff until it works. Then you start to

551
00:28:23,440 --> 00:28:26,479
Speaker 1: see less and less notes as the project is more

552
00:28:26,480 --> 00:28:33,640
Speaker 1: and more successful. But do you feel celebrated? Fifth, that's

553
00:28:35,359 --> 00:28:38,040
Speaker 1: see you guys have for a long time. I answer

554
00:28:38,120 --> 00:28:40,840
Speaker 1: how I want to answer, and I come back and

555
00:28:41,360 --> 00:28:43,560
Speaker 1: I want to say, so you look at you go now,

556
00:28:43,600 --> 00:28:46,880
Speaker 1: I do feel celebrated, even when you see the new versions,

557
00:28:46,920 --> 00:28:49,440
Speaker 1: like when you see like Dirt and these these other

558
00:28:49,560 --> 00:28:52,600
Speaker 1: artists that come out that have that um like the

559
00:28:52,680 --> 00:28:55,720
Speaker 1: element that is coming straight out of the environment, you

560
00:28:55,800 --> 00:28:57,360
Speaker 1: know what I'm saying. And then you look like and

561
00:28:57,440 --> 00:28:59,760
Speaker 1: this pure Chicago. Would you would you get from them?

562
00:28:59,800 --> 00:29:01,760
Speaker 1: You know what I'm saying. So I'm looking at him

563
00:29:01,800 --> 00:29:04,360
Speaker 1: like and I was turned onto them so early because

564
00:29:04,480 --> 00:29:08,960
Speaker 1: I remember I was crazy about Chief keep ye Chiki

565
00:29:09,080 --> 00:29:11,720
Speaker 1: first came. They thought Chief he wouldn't retard. He just

566
00:29:11,760 --> 00:29:14,160
Speaker 1: didn't know. You didn't know what I was talking about.

567
00:29:14,200 --> 00:29:16,280
Speaker 1: It was like yo, nah, like what they're talking about,

568
00:29:17,040 --> 00:29:19,640
Speaker 1: you know, the environment, how to survive and function there,

569
00:29:20,160 --> 00:29:22,600
Speaker 1: and it was in a whole new world with this

570
00:29:22,800 --> 00:29:24,479
Speaker 1: this actual business. You know what I'm saying. But once

571
00:29:24,520 --> 00:29:26,680
Speaker 1: you get a chance to kind of know them, you

572
00:29:26,840 --> 00:29:29,720
Speaker 1: you start to like them because they're not like the music.

573
00:29:29,800 --> 00:29:31,920
Speaker 1: What the music is saying is not who they actually are.

574
00:29:32,120 --> 00:29:33,719
Speaker 1: Like that's and it's the same thing with me too,

575
00:29:33,840 --> 00:29:36,280
Speaker 1: or you wouldn't be able to grow past those points.

576
00:29:36,560 --> 00:29:40,320
Speaker 1: He would just look the guy who does exactly what

577
00:29:40,440 --> 00:29:44,760
Speaker 1: I'm saying and does is that it's not successful. Are

578
00:29:44,760 --> 00:29:46,440
Speaker 1: you doing? Are you doing another album? Heard that you

579
00:29:46,560 --> 00:29:48,920
Speaker 1: might be doing one last album? Heard you working on

580
00:29:49,040 --> 00:29:50,520
Speaker 1: Is they any true to that? Yeah? I started working

581
00:29:50,560 --> 00:29:53,120
Speaker 1: on some things like the last one, though it may

582
00:29:53,160 --> 00:29:56,280
Speaker 1: not be the last album and maybe broken up into

583
00:29:56,560 --> 00:29:58,800
Speaker 1: something that goes out with one of the television shows.

584
00:29:59,360 --> 00:30:01,440
Speaker 1: You see what I'm say. But creatively, I just said,

585
00:30:01,480 --> 00:30:03,640
Speaker 1: now I want to do something, and I got all

586
00:30:03,680 --> 00:30:06,560
Speaker 1: the vehicles that I needed to do twenty five television show,

587
00:30:07,000 --> 00:30:09,480
Speaker 1: so I could just put here's the EP connected to

588
00:30:09,600 --> 00:30:13,400
Speaker 1: this and let it rock without having the pressure of

589
00:30:13,480 --> 00:30:16,280
Speaker 1: it being a full album and and all that. Because

590
00:30:16,280 --> 00:30:18,240
Speaker 1: like look, if you look when the last time you've

591
00:30:18,240 --> 00:30:21,320
Speaker 1: seen the actual numbers on the sales of record, like

592
00:30:21,600 --> 00:30:24,640
Speaker 1: you see Kanye say, you put it on something device, yea,

593
00:30:25,480 --> 00:30:27,680
Speaker 1: So you can't see the actual number the numbers, right,

594
00:30:28,320 --> 00:30:30,840
Speaker 1: And that that's because if you see the number, you go, oh, wait,

595
00:30:30,920 --> 00:30:33,480
Speaker 1: minute doing it? How did you use to? Yeah? You

596
00:30:33,560 --> 00:30:36,560
Speaker 1: know what, especially when you have a huge successful sales record.

597
00:30:37,120 --> 00:30:39,880
Speaker 1: So they're avoiding that number by putting it on a

598
00:30:39,960 --> 00:30:43,560
Speaker 1: device or putting it through title or through somewhere else,

599
00:30:43,600 --> 00:30:45,640
Speaker 1: so you can't actually see what's happening with it. But

600
00:30:46,160 --> 00:30:49,560
Speaker 1: the record, they're bigger stars within the culture because they've

601
00:30:49,560 --> 00:30:51,920
Speaker 1: been here longer and developed their brands. I don't even

602
00:30:51,920 --> 00:30:53,320
Speaker 1: thin get mad at them more. Be honestly, they did

603
00:30:53,360 --> 00:30:55,719
Speaker 1: what three hundred something, and people will be like, oh,

604
00:30:55,800 --> 00:30:57,920
Speaker 1: it's her lower sales weekend. I'm like, gives you twenty

605
00:30:57,960 --> 00:31:00,520
Speaker 1: five years in. I mean, it's just how many kids

606
00:31:00,560 --> 00:31:05,960
Speaker 1: you got three married, married, married with three kids and

607
00:31:06,320 --> 00:31:10,840
Speaker 1: it's supposed to be the same sex, right, Like, I mean,

608
00:31:11,040 --> 00:31:13,800
Speaker 1: it's a different energy there. And then our audience has

609
00:31:13,840 --> 00:31:17,360
Speaker 1: grown the grown folks. You gotta look and say, I'd

610
00:31:17,400 --> 00:31:19,960
Speaker 1: say between two thousand and three and two thousand and five,

611
00:31:20,440 --> 00:31:23,360
Speaker 1: views in college. You my core audience, you know what

612
00:31:23,400 --> 00:31:25,960
Speaker 1: I'm saying, because that's when you're having your adult experience

613
00:31:26,040 --> 00:31:28,120
Speaker 1: for the first time, when you party in every available

614
00:31:28,200 --> 00:31:33,200
Speaker 1: moment possible. And those those people the material impacted the

615
00:31:33,280 --> 00:31:35,440
Speaker 1: hardest because it's the theme music to their life at

616
00:31:35,520 --> 00:31:39,000
Speaker 1: that point, when it's smoking, hottest, brand new, it's just

617
00:31:39,120 --> 00:31:41,400
Speaker 1: happening at that point. And then you look, love music

618
00:31:41,440 --> 00:31:43,600
Speaker 1: don't get old. So Beyonce that she ain't going nowhere

619
00:31:43,800 --> 00:31:46,720
Speaker 1: like Shell, there'll be a reason for you to want

620
00:31:46,760 --> 00:31:49,320
Speaker 1: to listen to Beyonce. Like you know what I'm saying.

621
00:31:49,480 --> 00:31:51,520
Speaker 1: It's just when you look at R and B music,

622
00:31:52,440 --> 00:31:54,600
Speaker 1: music require buttons. At some point you had to be

623
00:31:54,640 --> 00:31:58,040
Speaker 1: a gentleman. Now you look up, they got the same tattoos.

624
00:31:58,080 --> 00:32:00,400
Speaker 1: The hip hop parts got there saying the same they're

625
00:32:00,400 --> 00:32:02,960
Speaker 1: singing the lyrics the hip hop artists would say in

626
00:32:03,040 --> 00:32:04,720
Speaker 1: the in the verse, all right, we got more with

627
00:32:04,760 --> 00:32:06,680
Speaker 1: fifty cent when we come back, don't move. It's the

628
00:32:06,720 --> 00:32:11,560
Speaker 1: breakfast club, Good morning morning. Everybody's DJ Envy Angela Yee,

629
00:32:11,720 --> 00:32:13,960
Speaker 1: Charlemagne the guy. We are the breakfast club. We're still

630
00:32:14,000 --> 00:32:16,360
Speaker 1: kicking it with fifty cent. Charlemagne is there anybody fifty

631
00:32:16,400 --> 00:32:20,160
Speaker 1: cent fists. Ever, historically in life, all of the situations,

632
00:32:20,200 --> 00:32:22,239
Speaker 1: if you don't have fear, then you're not Then you're

633
00:32:22,280 --> 00:32:27,640
Speaker 1: just not acknowledging danger a point. Nah yeah, but you're

634
00:32:27,640 --> 00:32:31,600
Speaker 1: just not stupid. Then you're not scared enough. You watch

635
00:32:31,720 --> 00:32:34,480
Speaker 1: that guy that just has a zero fear and say, yeah,

636
00:32:34,480 --> 00:32:36,160
Speaker 1: we can get him. He's tough. We're gonna have a

637
00:32:36,200 --> 00:32:38,160
Speaker 1: hard time chewing on him, but we're gonna get him.

638
00:32:38,800 --> 00:32:41,120
Speaker 1: We get him. Like other than that, you just gotta

639
00:32:41,160 --> 00:32:43,920
Speaker 1: pay attention to its surrounded. They's just going on like

640
00:32:43,960 --> 00:32:48,640
Speaker 1: and you say never never saying the toughest guy. I

641
00:32:48,720 --> 00:32:51,120
Speaker 1: just I'm gonna do what I want to do and

642
00:32:51,280 --> 00:32:53,600
Speaker 1: then if I die in the process, I was doing

643
00:32:53,680 --> 00:32:56,600
Speaker 1: what I wanted to do. Even the themes, look it's

644
00:32:56,640 --> 00:32:59,520
Speaker 1: power the dollar, Yeah, I get hit, I come back,

645
00:32:59,720 --> 00:33:02,680
Speaker 1: get rich, or die trying. Yeah, right, and the proces

646
00:33:02,720 --> 00:33:05,040
Speaker 1: because that's already but I'm feeling like I'm going to

647
00:33:05,120 --> 00:33:06,920
Speaker 1: do it. I'm in the process. It's the greatest thing

648
00:33:07,440 --> 00:33:09,520
Speaker 1: is to watch me because either I'm going to get

649
00:33:09,600 --> 00:33:12,320
Speaker 1: rich or I'm gonna die in the process. And this

650
00:33:12,400 --> 00:33:13,840
Speaker 1: is what I'm gonna call the record. So it was

651
00:33:13,920 --> 00:33:17,000
Speaker 1: the massacre, you projecting all the pain you felt on

652
00:33:17,080 --> 00:33:19,720
Speaker 1: everybody else. I was supposed to go, but that album

653
00:33:19,840 --> 00:33:22,560
Speaker 1: was supposed to come out February eight, supposed to be

654
00:33:22,640 --> 00:33:25,960
Speaker 1: the same Valentire's days. It pushed it back because we

655
00:33:26,120 --> 00:33:29,040
Speaker 1: was doing too good with games record, and I'm like, yo,

656
00:33:29,160 --> 00:33:31,640
Speaker 1: like you gotta think. In the scope was when East

657
00:33:31,680 --> 00:33:34,280
Speaker 1: Coast West Coast was going on. In the scope was

658
00:33:34,360 --> 00:33:38,480
Speaker 1: the West Coast. So there's some uncomfortability with me being

659
00:33:38,560 --> 00:33:41,680
Speaker 1: from the East Coast. Yeah, that I'm not even conscious of. Initially,

660
00:33:41,720 --> 00:33:43,760
Speaker 1: I'm going like yo. They're like Yo, they love that,

661
00:33:44,760 --> 00:33:46,920
Speaker 1: they're doing extremely well like that, but they're going to

662
00:33:46,960 --> 00:33:49,800
Speaker 1: damn why we can't have one like from here? You

663
00:33:49,880 --> 00:33:52,560
Speaker 1: see what I'm saying, Like from Drake's perspective, it's why

664
00:33:52,680 --> 00:33:56,280
Speaker 1: why we can't have one from the West coast like that?

665
00:33:56,480 --> 00:34:01,560
Speaker 1: And it's that's the assignment game started moving. They was like, wait, wait,

666
00:34:01,640 --> 00:34:04,320
Speaker 1: wait to build that, Like, what's that that record is

667
00:34:04,360 --> 00:34:06,719
Speaker 1: out in the selling They're going, wait, we don't want

668
00:34:06,760 --> 00:34:09,160
Speaker 1: to cut the legs off of this, And You're going,

669
00:34:09,760 --> 00:34:13,040
Speaker 1: but that's rearranging my presentation what I'm doing. So now

670
00:34:13,560 --> 00:34:16,160
Speaker 1: I wouldn't have given him things. It was so good

671
00:34:16,200 --> 00:34:17,920
Speaker 1: if I felt like it was going all to what

672
00:34:18,040 --> 00:34:20,359
Speaker 1: I'm doing, you know what I'm saying, Like I did

673
00:34:20,480 --> 00:34:24,120
Speaker 1: my first record so fast, like the second record, my attempted.

674
00:34:24,160 --> 00:34:26,640
Speaker 1: The first record went was done in the weekend, so

675
00:34:26,920 --> 00:34:30,960
Speaker 1: just get rich. No, the second the massacre, and that

676
00:34:31,400 --> 00:34:33,279
Speaker 1: the attempt that was done in the weekend turns in

677
00:34:33,360 --> 00:34:37,239
Speaker 1: the games out you regret giving game, you regretted to

678
00:34:37,320 --> 00:34:40,000
Speaker 1: love it. This is how we do. Look, it's just

679
00:34:40,120 --> 00:34:42,799
Speaker 1: the way things are. Like when I look, I don't

680
00:34:42,800 --> 00:34:46,200
Speaker 1: I don't see anyone who's who hasn't um, who hasn't

681
00:34:46,239 --> 00:34:51,480
Speaker 1: helped other artists and haven't had it recipitated. Probably, like

682
00:34:51,680 --> 00:34:54,879
Speaker 1: that's what every everybody, you know what I'm saying, Even

683
00:34:54,920 --> 00:34:58,160
Speaker 1: with Koda, you see him with jack Boy, the things

684
00:34:58,239 --> 00:35:01,120
Speaker 1: that these guys come together, Like I'm talking cot that

685
00:35:01,200 --> 00:35:03,359
Speaker 1: he go yo, But I didn't know we was going

686
00:35:03,400 --> 00:35:06,239
Speaker 1: to go through that. It's too hard, Like it's too

687
00:35:06,320 --> 00:35:08,680
Speaker 1: hard to get here for us to go through that sod.

688
00:35:08,719 --> 00:35:10,800
Speaker 1: But no, that's the same thing as what we experienced.

689
00:35:11,560 --> 00:35:14,839
Speaker 1: We looked down for like when they're not right under

690
00:35:14,880 --> 00:35:17,400
Speaker 1: you because they're in a different area, it's easy to

691
00:35:17,480 --> 00:35:21,200
Speaker 1: persuade them like, this is also how Jimmy Hinchman felt,

692
00:35:22,200 --> 00:35:25,120
Speaker 1: this is what drive what how game was behaving because

693
00:35:25,160 --> 00:35:28,040
Speaker 1: he also had his whole management team is going, Yo,

694
00:35:28,120 --> 00:35:30,320
Speaker 1: you don't need them from you got a whole coast,

695
00:35:31,160 --> 00:35:32,959
Speaker 1: you got the whole West coast, Like you don't gotta

696
00:35:33,000 --> 00:35:35,920
Speaker 1: be down with them. When he's just gave him the record,

697
00:35:37,360 --> 00:35:39,320
Speaker 1: you know what I'm saying, and then they gold, he

698
00:35:39,440 --> 00:35:41,800
Speaker 1: flips out. I'm like, oh okay, but it is a

699
00:35:41,880 --> 00:35:44,600
Speaker 1: reflection of you see how the Jimmy Hinchman thing turned out,

700
00:35:45,200 --> 00:35:47,239
Speaker 1: like the eight turns into real street stuff, you know

701
00:35:47,239 --> 00:35:49,719
Speaker 1: what I'm saying. So you're going he was feeling that

702
00:35:49,800 --> 00:35:53,480
Speaker 1: way along before, Yeah, I mean, and then then it

703
00:35:53,600 --> 00:35:56,360
Speaker 1: just was like did full on we could do everything

704
00:35:56,440 --> 00:35:59,680
Speaker 1: we want to do vice first because Chris really his

705
00:36:00,160 --> 00:36:02,560
Speaker 1: was with Chris. But Chris, Lady, That's why I don't

706
00:36:02,560 --> 00:36:06,640
Speaker 1: like James Cruise. Why yeah, I don't like I don't

707
00:36:06,680 --> 00:36:08,600
Speaker 1: like him at all, Like because he's a sucker. Like

708
00:36:08,680 --> 00:36:10,919
Speaker 1: the whole time he was like he was still going

709
00:36:11,000 --> 00:36:15,000
Speaker 1: to go see Jimmy hanging out. Meanwhile, Jimmy's getting Mike

710
00:36:15,080 --> 00:36:17,600
Speaker 1: Ldy cut in the back of the head and everything

711
00:36:17,640 --> 00:36:19,560
Speaker 1: else in the shooting and everything else is going. He's

712
00:36:19,560 --> 00:36:21,879
Speaker 1: a punk. Like when you see people that like they're

713
00:36:21,920 --> 00:36:25,400
Speaker 1: just fear full of We said, respect come from admiration

714
00:36:25,440 --> 00:36:28,480
Speaker 1: of fear. One of the dollars, right, His respect for

715
00:36:28,600 --> 00:36:31,239
Speaker 1: Jimmy comes from fear. So he's a sucker in my eyes,

716
00:36:31,400 --> 00:36:32,719
Speaker 1: you know what I'm saying. And then he does all

717
00:36:32,760 --> 00:36:35,160
Speaker 1: of this talk about things that went on with Chris

718
00:36:35,280 --> 00:36:37,560
Speaker 1: Lydy that I'm like, Yo, wait, why are you even

719
00:36:37,640 --> 00:36:40,120
Speaker 1: talking about what I'm doing? What comes from me? You?

720
00:36:40,880 --> 00:36:43,400
Speaker 1: You was like you were in the meeting. You didn't

721
00:36:43,440 --> 00:36:45,600
Speaker 1: actually make no deals. He I thought he said he

722
00:36:45,680 --> 00:36:48,160
Speaker 1: managed you at one point. He never had no agreement

723
00:36:48,200 --> 00:36:51,080
Speaker 1: with me to manage me in anyway or any capacity.

724
00:36:51,160 --> 00:36:54,120
Speaker 1: So when he say that, it irritates me. You know

725
00:36:54,160 --> 00:36:56,839
Speaker 1: what I'm saying. It didn't like later he's just he's

726
00:36:56,880 --> 00:36:59,080
Speaker 1: a sucker. I didn't understand why Chris wanted them a

727
00:37:00,000 --> 00:37:01,560
Speaker 1: know what I'm saying, Like when the shooting happened with

728
00:37:02,680 --> 00:37:06,439
Speaker 1: little Kim d hating him, Yo, come out from behind

729
00:37:06,480 --> 00:37:10,040
Speaker 1: the red car. They got us. That's what he was doing,

730
00:37:10,800 --> 00:37:14,719
Speaker 1: you know what I'm saying. Like, watch sitting around and

731
00:37:14,800 --> 00:37:17,680
Speaker 1: the Chris was like like dealing with him because he had,

732
00:37:18,120 --> 00:37:20,279
Speaker 1: you know, like a background. He was because he had

733
00:37:20,320 --> 00:37:23,120
Speaker 1: a radio background. He always looked like he should get

734
00:37:23,160 --> 00:37:25,640
Speaker 1: a piece. But if you're getting the best deal for me,

735
00:37:25,719 --> 00:37:28,600
Speaker 1: why you feel like somebody should give your people? That's

736
00:37:28,600 --> 00:37:30,000
Speaker 1: the way I look at it. I look like if

737
00:37:30,000 --> 00:37:32,160
Speaker 1: you go to somebody else to say, yo, you should

738
00:37:32,200 --> 00:37:33,440
Speaker 1: get me a watch, or you should give me this.

739
00:37:34,000 --> 00:37:35,719
Speaker 1: That's that was his thing. You know what I'm saying

740
00:37:35,719 --> 00:37:37,720
Speaker 1: that I'm like, but if you're asking them for watchton

741
00:37:37,800 --> 00:37:39,719
Speaker 1: you felt like you gave him a deal to then

742
00:37:39,800 --> 00:37:41,680
Speaker 1: you didn't get me the best deal if you if

743
00:37:41,719 --> 00:37:43,920
Speaker 1: he owes your watch for the deal. You see what

744
00:37:43,960 --> 00:37:46,680
Speaker 1: I'm saying. And then it's like they act like they

745
00:37:46,719 --> 00:37:49,439
Speaker 1: don't understand why I don't like it. Between Diddian crews,

746
00:37:49,480 --> 00:37:51,759
Speaker 1: I don't think you'd have worked on Bad Boy. I

747
00:37:51,760 --> 00:37:54,960
Speaker 1: don't think it terrible, but you know what, I look

748
00:37:55,040 --> 00:37:56,799
Speaker 1: at that point, I would have probably did the deal.

749
00:37:57,000 --> 00:38:01,160
Speaker 1: So there was no other like that point. Jennifer who

750
00:38:01,239 --> 00:38:05,560
Speaker 1: told puff to work with me okay because she her

751
00:38:05,640 --> 00:38:08,560
Speaker 1: first album, want to Sing Boy. Rooney was the executive producer.

752
00:38:09,000 --> 00:38:12,719
Speaker 1: Borey Rooney was my executive producer for Power of the Doubt.

753
00:38:13,200 --> 00:38:15,719
Speaker 1: So we had the relationship from Queens and everything coming

754
00:38:15,800 --> 00:38:18,239
Speaker 1: out that they put us in the same circles. And

755
00:38:18,320 --> 00:38:21,520
Speaker 1: then Jennifer was telling Yo, he is dope. You work

756
00:38:21,600 --> 00:38:25,160
Speaker 1: with him like he's gonna it's gonna eventually it's gonna happen,

757
00:38:25,920 --> 00:38:28,000
Speaker 1: you know. And then Puff, that's what Puff is calling me.

758
00:38:28,080 --> 00:38:31,439
Speaker 1: That down to do it. But Puff can't even hear hit. See,

759
00:38:32,080 --> 00:38:35,480
Speaker 1: I know he can't. He couldn't. Puff can't hear a hit.

760
00:38:35,560 --> 00:38:38,560
Speaker 1: That's kind of crazy. He still hear things from back

761
00:38:38,640 --> 00:38:43,120
Speaker 1: then that time. Oh can't buy the right. He can't.

762
00:38:43,120 --> 00:38:45,239
Speaker 1: You play for him right now and it's hot, he

763
00:38:45,360 --> 00:38:47,560
Speaker 1: can't buy it. This is why he fighting Drake when

764
00:38:47,640 --> 00:38:50,239
Speaker 1: you hit Drake because he used the beat that he

765
00:38:50,360 --> 00:38:53,319
Speaker 1: didn't actually right, you know what I'm saying. So if

766
00:38:53,360 --> 00:38:55,600
Speaker 1: he like he heard it and he heard Drake used it,

767
00:38:55,680 --> 00:38:57,520
Speaker 1: but it wasn't a hit yet until Drake put the

768
00:38:57,600 --> 00:39:01,359
Speaker 1: thing the lines are and he's upset about that because

769
00:39:01,400 --> 00:39:03,080
Speaker 1: he can't hear it. But he felt like he took

770
00:39:03,120 --> 00:39:06,520
Speaker 1: something from and you know there's something to him for that,

771
00:39:06,719 --> 00:39:08,719
Speaker 1: did Tara Marie, I would pay you all your money

772
00:39:08,760 --> 00:39:14,839
Speaker 1: yet she's still how much just loved that. I think

773
00:39:14,880 --> 00:39:18,400
Speaker 1: it's like fifty something thousand now I thought it was

774
00:39:18,400 --> 00:39:20,520
Speaker 1: twenty five. Yeah, and it keep going up because she

775
00:39:20,680 --> 00:39:23,920
Speaker 1: keeps delaying and moving around like she gonna feel like

776
00:39:24,040 --> 00:39:26,640
Speaker 1: she went to college. Man, it's clearly the principle with

777
00:39:26,719 --> 00:39:30,160
Speaker 1: you because it's not the money. Why though, because I

778
00:39:30,280 --> 00:39:32,440
Speaker 1: have to set examples so people don't keep coming to

779
00:39:32,480 --> 00:39:34,680
Speaker 1: play with me. See, look, this is Lisa Bloe. I

780
00:39:34,719 --> 00:39:39,319
Speaker 1: don't I don't think nobody played at but I don't

781
00:39:39,360 --> 00:39:42,640
Speaker 1: think nobody plays with They say me too, I say

782
00:39:42,760 --> 00:39:46,160
Speaker 1: not me. I tell people all the time, you know

783
00:39:46,200 --> 00:39:48,160
Speaker 1: what I'm saying. When they say me too, I say

784
00:39:48,239 --> 00:39:51,479
Speaker 1: not me. I'm not involved with that. So when she comes,

785
00:39:51,520 --> 00:39:55,360
Speaker 1: she was upset because I said something about Trey Trey songs.

786
00:39:55,400 --> 00:39:57,080
Speaker 1: Had the situation that was going on one of the

787
00:39:57,160 --> 00:40:00,319
Speaker 1: girls that was around in the actual house set. Nah,

788
00:40:00,400 --> 00:40:03,239
Speaker 1: he didn't hit her that particular situation. He didn't hit

789
00:40:03,280 --> 00:40:05,040
Speaker 1: her it he put out out the house, but the

790
00:40:05,120 --> 00:40:06,759
Speaker 1: way he said it and he did it made her

791
00:40:06,840 --> 00:40:11,400
Speaker 1: feel like she felt like he slapped her right. And

792
00:40:11,800 --> 00:40:16,080
Speaker 1: that's later she said that he hit her. And I'm like,

793
00:40:16,239 --> 00:40:18,680
Speaker 1: because the other female that I knew it was there

794
00:40:19,120 --> 00:40:20,959
Speaker 1: said that to me. I was like, nah, I don't

795
00:40:20,960 --> 00:40:23,680
Speaker 1: believe he did that. And then she was like, don't

796
00:40:23,719 --> 00:40:29,680
Speaker 1: be uh, but she's shaming the girl that UM wanted

797
00:40:29,680 --> 00:40:33,960
Speaker 1: her clients, shaming on her clients. And I'm like, no, no,

798
00:40:34,200 --> 00:40:36,160
Speaker 1: like I'm not victims shaman. I'm just saying I don't

799
00:40:36,160 --> 00:40:39,520
Speaker 1: believe her. And then the next available thing that she

800
00:40:39,600 --> 00:40:42,680
Speaker 1: could come with, she was, oh, yes, yeah, jumped on

801
00:40:42,880 --> 00:40:45,680
Speaker 1: Tiara Marie. Think because she's gonna come, she gonna service me, right,

802
00:40:45,719 --> 00:40:49,040
Speaker 1: she gonna because the climate is all me too. That

803
00:40:49,200 --> 00:40:51,880
Speaker 1: when you bring a female and you said you've done something.

804
00:40:52,960 --> 00:40:56,279
Speaker 1: You see what I'm saying, They felt like oh yeah, yeah,

805
00:40:56,560 --> 00:41:00,200
Speaker 1: you're finished, buddy. And then when it don't work out,

806
00:41:00,360 --> 00:41:03,480
Speaker 1: they think it just goes away. You can't say everything

807
00:41:03,880 --> 00:41:05,960
Speaker 1: that's not you see when they came. But that was

808
00:41:06,000 --> 00:41:08,520
Speaker 1: a great I understand. I understand exactly why he's doing

809
00:41:08,560 --> 00:41:11,040
Speaker 1: it ten times. I get it ten times because they

810
00:41:11,080 --> 00:41:13,120
Speaker 1: would hold it to you, yes, yes, and then you

811
00:41:13,280 --> 00:41:14,719
Speaker 1: know what they would do to you, like just based

812
00:41:14,760 --> 00:41:17,640
Speaker 1: on those circumstances, like you go in an Indian entire

813
00:41:17,719 --> 00:41:20,400
Speaker 1: career and you go so that's what you was attempting

814
00:41:20,480 --> 00:41:22,680
Speaker 1: to do at that point, or you want it, she

815
00:41:23,239 --> 00:41:25,160
Speaker 1: said to a friend. Now I'm trying to get the bag.

816
00:41:25,280 --> 00:41:27,200
Speaker 1: You know what I'm saying that. I'm like, okay, so

817
00:41:27,440 --> 00:41:29,320
Speaker 1: now I'm gonna make you feel like you went to college.

818
00:41:29,680 --> 00:41:31,440
Speaker 1: We got more with fifty when we come back, let's

819
00:41:31,480 --> 00:41:33,600
Speaker 1: get into a little fifty cent mini mix. Let me

820
00:41:33,680 --> 00:41:35,160
Speaker 1: know what you want to hear. It's the Breakfast Club.

821
00:41:35,200 --> 00:41:38,720
Speaker 1: Good morning, it's a Friday, damnit, and everybody it's DJ Envy,

822
00:41:38,920 --> 00:41:41,480
Speaker 1: Angela Yee. Charlemagne, the guy we are the Breakfast Club

823
00:41:41,520 --> 00:41:44,200
Speaker 1: was still kicking him with fifty. Why Cyrus, are you

824
00:41:44,280 --> 00:41:46,360
Speaker 1: gonna help me get into acting? You want to do

825
00:41:46,440 --> 00:41:48,520
Speaker 1: some acting? Anyone? He was up there. He said that

826
00:41:48,520 --> 00:41:50,960
Speaker 1: you was supposed to put him in power. To put

827
00:41:51,000 --> 00:41:53,839
Speaker 1: him in power, So the good guy. It's a personality,

828
00:41:53,840 --> 00:41:57,040
Speaker 1: I think, a bigger personality than than an artist, like

829
00:41:57,120 --> 00:41:59,600
Speaker 1: as a songwriter and stuff like that, because when you

830
00:41:59,680 --> 00:42:01,680
Speaker 1: watch him, like when I see him one of the

831
00:42:01,840 --> 00:42:03,959
Speaker 1: clips and stuff like that. Now he liked that in person.

832
00:42:04,239 --> 00:42:06,960
Speaker 1: It's a ton of personality there. So you know, well,

833
00:42:07,000 --> 00:42:09,319
Speaker 1: we find the right thing and get him. So we're

834
00:42:09,320 --> 00:42:12,440
Speaker 1: talking about rumors and you know when you google his name,

835
00:42:12,480 --> 00:42:14,960
Speaker 1: there's a rumor that pops up that he was did

836
00:42:15,040 --> 00:42:19,520
Speaker 1: he's boy to right? Wait, so this is so Charlotmagne

837
00:42:19,560 --> 00:42:21,480
Speaker 1: says it's not true. But I told after he brought

838
00:42:21,560 --> 00:42:22,480
Speaker 1: up the stuff with you, I said, you know what

839
00:42:22,520 --> 00:42:24,520
Speaker 1: Fifthy is gonna say when he meet you? Oh no,

840
00:42:24,640 --> 00:42:26,640
Speaker 1: I don't know that that was going on. You know,

841
00:42:26,880 --> 00:42:29,120
Speaker 1: I can't wait to running him what you're gonna say

842
00:42:29,160 --> 00:42:31,520
Speaker 1: to him? He was playing with your booty in Miami?

843
00:42:34,360 --> 00:42:37,520
Speaker 1: You know it was in Miami. Yo, Look that's for

844
00:42:37,680 --> 00:42:41,200
Speaker 1: James Cruisers said all the time, Miami, Miami. He's like, Miami.

845
00:42:41,239 --> 00:42:44,960
Speaker 1: I'm like what you're talking? Abou happened in Miami? We

846
00:42:45,480 --> 00:42:48,839
Speaker 1: playing the audio? Man, I missed the fifth year? Good man? Yeah,

847
00:42:48,960 --> 00:42:50,440
Speaker 1: he gonna go we were in and worse with it

848
00:42:50,520 --> 00:42:53,320
Speaker 1: still he gonna you know, we're just being Yeah, but

849
00:42:53,600 --> 00:42:55,120
Speaker 1: come here. You know what fifty gonna say to you

850
00:42:55,160 --> 00:42:57,920
Speaker 1: when he sees I heard did he touch you button? Man?

851
00:43:00,040 --> 00:43:05,360
Speaker 1: You know yeah? Wa until I see him, until I

852
00:43:05,440 --> 00:43:09,439
Speaker 1: seem like, yo, that he got a good relationship though, right, Yeah,

853
00:43:09,600 --> 00:43:12,040
Speaker 1: I'm gonna yeah, like do you see I got coin

854
00:43:12,120 --> 00:43:14,759
Speaker 1: season raised in Canaan. Oh that's true. Oh yeah, yeah,

855
00:43:14,840 --> 00:43:17,879
Speaker 1: yeah yeah, point talented and and I want to get

856
00:43:18,520 --> 00:43:20,560
Speaker 1: Justin and something. How did that go to? Do you do?

857
00:43:20,600 --> 00:43:22,520
Speaker 1: You do? You have talked about that he stay out,

858
00:43:22,640 --> 00:43:24,239
Speaker 1: stays out of that. You know what we're talking about

859
00:43:24,239 --> 00:43:26,920
Speaker 1: that we was more it's more that's about his talent though,

860
00:43:26,960 --> 00:43:29,080
Speaker 1: that's not about like he read, he read for that,

861
00:43:29,239 --> 00:43:31,279
Speaker 1: he killed it, you know what I'm saying. I think

862
00:43:31,360 --> 00:43:33,360
Speaker 1: like and I called him to tell him that, like

863
00:43:33,400 --> 00:43:35,680
Speaker 1: you ain't got to do with you that it's really

864
00:43:35,680 --> 00:43:38,759
Speaker 1: about the work he put in. Right now, now, why

865
00:43:38,800 --> 00:43:40,600
Speaker 1: did you pass on Jay Coole before? That's before we

866
00:43:40,640 --> 00:43:41,800
Speaker 1: get to the new stuff? Why do you pass on

867
00:43:41,920 --> 00:43:44,279
Speaker 1: Jay Coole? That was so early? Bro? Like like this

868
00:43:44,480 --> 00:43:48,160
Speaker 1: is before Like I think, look, there's a difference, you know.

869
00:43:48,400 --> 00:43:50,400
Speaker 1: I think when at that point we didn't have a

870
00:43:50,440 --> 00:43:53,520
Speaker 1: lot of representation on the street, then like we were

871
00:43:53,800 --> 00:43:57,680
Speaker 1: the representation at that point, and you know they're they're

872
00:43:57,719 --> 00:44:01,960
Speaker 1: cringing for something else this whatever it is, that to me.

873
00:44:02,200 --> 00:44:08,560
Speaker 1: J cole Um, Kendrick Lamar, these artists existed early on

874
00:44:08,640 --> 00:44:10,840
Speaker 1: when I fell in love with hip hop, But it

875
00:44:11,040 --> 00:44:15,239
Speaker 1: was Tyler quality. Yeah, it was most deaf trapical Quest,

876
00:44:15,600 --> 00:44:19,800
Speaker 1: It's trip cold Quest. It was like it was Tyler

877
00:44:20,040 --> 00:44:23,760
Speaker 1: most common sense, you know what I'm saying. And they

878
00:44:23,920 --> 00:44:26,600
Speaker 1: really as dope as they are, like that they are.

879
00:44:26,920 --> 00:44:31,520
Speaker 1: It's like the smarter rap, smarter music. The logic can

880
00:44:31,719 --> 00:44:36,000
Speaker 1: sit down, be humble, We're supposed to already know to

881
00:44:36,080 --> 00:44:39,000
Speaker 1: sit down and be home. They put that there. It's

882
00:44:39,080 --> 00:44:42,680
Speaker 1: it's it's almost the conscious side of of it. And

883
00:44:42,800 --> 00:44:44,439
Speaker 1: I looked and I'm like, oh no, I was cool,

884
00:44:44,520 --> 00:44:47,320
Speaker 1: but I didn't really know if everybody was ready for

885
00:44:47,400 --> 00:44:49,640
Speaker 1: it because of how strong it was embracing what we

886
00:44:49,760 --> 00:44:53,920
Speaker 1: were doing. A lot of people say that when you

887
00:44:54,040 --> 00:44:57,040
Speaker 1: and Kanye went head up, and that's what that was.

888
00:44:57,800 --> 00:44:59,840
Speaker 1: When you when you sold more, it shifted from the

889
00:45:00,000 --> 00:45:04,600
Speaker 1: streets to when you do Look, they just wanted that anyway.

890
00:45:05,080 --> 00:45:08,400
Speaker 1: Look at the best new artists, thirteen million records. On

891
00:45:08,520 --> 00:45:11,120
Speaker 1: the first album, you got to have a double CD

892
00:45:11,200 --> 00:45:15,359
Speaker 1: and Die to Go Diamond Tupac or Eyes on Me. Yeah.

893
00:45:15,480 --> 00:45:17,839
Speaker 1: Prior to my album Come and Give It to Die Try,

894
00:45:17,920 --> 00:45:21,080
Speaker 1: you had to have a double CD and Die. I

895
00:45:21,120 --> 00:45:24,239
Speaker 1: think those are the only two albums that they sold

896
00:45:24,280 --> 00:45:27,759
Speaker 1: that many copies. So when you come and and and

897
00:45:28,040 --> 00:45:33,240
Speaker 1: you're having that much success, you will see. Uh. Diana

898
00:45:33,320 --> 00:45:35,879
Speaker 1: Ross was on on the award panels saying, you don't

899
00:45:35,960 --> 00:45:38,640
Speaker 1: have to be like this, Like you don't have to

900
00:45:38,719 --> 00:45:41,719
Speaker 1: be like like they're afraid their kids go want to

901
00:45:42,880 --> 00:45:46,239
Speaker 1: if they acknowledge the material, so they don't give you

902
00:45:46,280 --> 00:45:49,480
Speaker 1: the trophies. I got the checks I didn't get. Jake

903
00:45:49,520 --> 00:45:52,520
Speaker 1: got all of my trophies. Man, that's because he signed

904
00:45:52,560 --> 00:45:59,319
Speaker 1: that contract. No, if you don't sign, you don't give

905
00:45:59,440 --> 00:46:04,640
Speaker 1: him a trophy. She ain't coming. They needed in the seats. Now,

906
00:46:04,719 --> 00:46:06,960
Speaker 1: come on, you know Beyonce that ran down on you

907
00:46:07,040 --> 00:46:09,040
Speaker 1: once fifth Come on? She did. She did work. She

908
00:46:09,120 --> 00:46:12,000
Speaker 1: jumped up in the thing off collect I was like, oh,

909
00:46:12,280 --> 00:46:14,880
Speaker 1: I didn't really know what to do. And it was

910
00:46:14,960 --> 00:46:18,399
Speaker 1: worth situations where he was like whoa he says to Jay,

911
00:46:18,600 --> 00:46:23,480
Speaker 1: says Jay, he'll look at you and go No, that happened.

912
00:46:24,719 --> 00:46:27,120
Speaker 1: Beyonce jumped down on you. She jumped out. She was

913
00:46:27,160 --> 00:46:29,440
Speaker 1: like on a window sill. Right. It was in Vegas.

914
00:46:29,719 --> 00:46:31,759
Speaker 1: She said, come on, I'm talking to her. She jumped out.

915
00:46:31,800 --> 00:46:33,759
Speaker 1: She was like, and I'm like, wait, what did you

916
00:46:33,880 --> 00:46:37,600
Speaker 1: doing that stuff? That's me and Jay stuff. This ain't

917
00:46:37,600 --> 00:46:39,239
Speaker 1: got nothing to do with you, girl, don't come to

918
00:46:39,360 --> 00:46:42,800
Speaker 1: Hold wasn't there hit me? I'm talking to Jail. I

919
00:46:42,880 --> 00:46:44,640
Speaker 1: talked to Jay. She jumped down, come over and I said,

920
00:46:45,600 --> 00:46:49,759
Speaker 1: about to jump you lucky so Lange wasn't. I would

921
00:46:49,800 --> 00:46:56,560
Speaker 1: have had a reboot like that elevator like it was

922
00:46:56,680 --> 00:47:02,720
Speaker 1: nothing some gas going on, Jake, nothing, what the bay?

923
00:47:02,920 --> 00:47:05,080
Speaker 1: She was just staring at you. Nah, she can't, like

924
00:47:05,200 --> 00:47:09,520
Speaker 1: she was ready, like something was gonna happen. And I'm like, yo, whoa, whoa,

925
00:47:11,800 --> 00:47:14,440
Speaker 1: she's throwing me off now because I don't know what

926
00:47:14,520 --> 00:47:20,000
Speaker 1: exactly how to responded. You are still Beyonce. You know,

927
00:47:20,120 --> 00:47:23,600
Speaker 1: she brought all of the sexy over that jumped off,

928
00:47:23,640 --> 00:47:28,160
Speaker 1: and I'm like, what the oh I'm seeing all this.

929
00:47:30,000 --> 00:47:32,239
Speaker 1: I'm like, wait, what happened? I look at Jay. He

930
00:47:32,320 --> 00:47:36,400
Speaker 1: goes nah, But y'all knew each other. For you though

931
00:47:36,400 --> 00:47:42,239
Speaker 1: you had you had the thugs on. I want that's

932
00:47:42,239 --> 00:47:44,279
Speaker 1: the cap you know that Beyonce back fifty down? You

933
00:47:44,360 --> 00:47:47,239
Speaker 1: know that. I thought people do that. People. Oh she

934
00:47:47,400 --> 00:47:49,880
Speaker 1: did jump down. I didn't even know how to respond

935
00:47:49,920 --> 00:47:51,520
Speaker 1: to that. I just looked at Jay. He was looking

936
00:47:51,520 --> 00:47:55,719
Speaker 1: at He was like, all right, whatever, I don't know

937
00:47:55,800 --> 00:48:00,080
Speaker 1: what because we really I'm just saying what's up, but

938
00:48:00,160 --> 00:48:02,239
Speaker 1: she's feeling my energy come over because we do say

939
00:48:02,320 --> 00:48:05,160
Speaker 1: things about each other. It's a competitive nature, that's it. Yeah,

940
00:48:05,520 --> 00:48:07,719
Speaker 1: hip hop a battle. It's not like I want to

941
00:48:07,760 --> 00:48:10,040
Speaker 1: do something, more like we don't want to do something,

942
00:48:10,680 --> 00:48:12,400
Speaker 1: not to each other. Y'all gotta go. Y'll still got

943
00:48:12,440 --> 00:48:16,000
Speaker 1: y'all got a good relationship, right if you look. I

944
00:48:16,120 --> 00:48:19,320
Speaker 1: think if you don't have, if you don't have people

945
00:48:19,360 --> 00:48:21,600
Speaker 1: that you're competing with, I don't know where you get

946
00:48:21,600 --> 00:48:26,560
Speaker 1: your right. I don't think people realize what you're doing

947
00:48:27,440 --> 00:48:29,359
Speaker 1: at stars like I don't think people I don't even

948
00:48:29,440 --> 00:48:32,080
Speaker 1: realize how unprecedented that is. Like how much programming are

949
00:48:32,080 --> 00:48:35,279
Speaker 1: you responsible for over there? Like fifty Well yeah there

950
00:48:35,400 --> 00:48:38,960
Speaker 1: was say of it, and it's like probably of what

951
00:48:39,080 --> 00:48:42,479
Speaker 1: the viewership is into. Wow, at that point you post,

952
00:48:42,560 --> 00:48:45,279
Speaker 1: they put post supposed to be an executive up there something,

953
00:48:47,280 --> 00:48:49,920
Speaker 1: then they're going. If you're going with the confusion everything

954
00:48:49,960 --> 00:48:53,520
Speaker 1: that you see me talk about being upset about, I

955
00:48:53,640 --> 00:48:55,640
Speaker 1: think you don't see anywhere else, like you don't see

956
00:48:55,680 --> 00:48:59,680
Speaker 1: other networks having the television show link. Yeah you don't

957
00:48:59,719 --> 00:49:01,319
Speaker 1: see you know what I'm saying, like when they talk

958
00:49:01,320 --> 00:49:08,600
Speaker 1: about a programming for specific demographic, then you go, uh,

959
00:49:09,040 --> 00:49:11,640
Speaker 1: like those go premium woman is the man. When you

960
00:49:11,719 --> 00:49:14,960
Speaker 1: do that, you go, okay, well, I mean, but that

961
00:49:15,040 --> 00:49:19,200
Speaker 1: ain't what your hits are because Powell wasn't premium woman,

962
00:49:20,200 --> 00:49:23,520
Speaker 1: and all four the spinoffs are not premium women. So

963
00:49:23,680 --> 00:49:25,400
Speaker 1: now you're saying you can't have the hit that you

964
00:49:25,520 --> 00:49:28,759
Speaker 1: had to beget this drawing people here because you just

965
00:49:28,880 --> 00:49:32,400
Speaker 1: created a new man. Date this away from the success

966
00:49:32,480 --> 00:49:35,040
Speaker 1: you're having, right, and I'm going away. So it's this.

967
00:49:35,680 --> 00:49:37,480
Speaker 1: Can you explain that to me a little further so

968
00:49:37,560 --> 00:49:39,440
Speaker 1: I understand exactly what it is. Because I can produce

969
00:49:39,520 --> 00:49:41,560
Speaker 1: what you need. I just gotta understand exactly what it

970
00:49:41,719 --> 00:49:45,320
Speaker 1: is because what does when you see me in Variety

971
00:49:45,520 --> 00:49:48,800
Speaker 1: or the Rap or Hollywood Reporter and stuff like that,

972
00:49:49,160 --> 00:49:51,120
Speaker 1: that does nothing from my phone goes further than the

973
00:49:51,160 --> 00:49:57,080
Speaker 1: Hollywood Reporter and Variety I could just right. So when

974
00:49:57,200 --> 00:50:00,719
Speaker 1: when you think about what those things, dude, those things

975
00:50:01,920 --> 00:50:04,680
Speaker 1: speak directly the business inside that says, if you have

976
00:50:04,840 --> 00:50:06,799
Speaker 1: this project and you want to sell it, you should

977
00:50:06,840 --> 00:50:10,320
Speaker 1: come to fifties so we can sell it and I

978
00:50:10,480 --> 00:50:13,000
Speaker 1: get additional things. But but I can look at these

979
00:50:13,080 --> 00:50:16,279
Speaker 1: things and see if they work for the network. When

980
00:50:16,320 --> 00:50:18,200
Speaker 1: you understand the mandate, you know what I'm saying, So

981
00:50:18,640 --> 00:50:20,719
Speaker 1: I'm going I can find what you need, if what

982
00:50:20,880 --> 00:50:23,480
Speaker 1: you want, and bring it in and produce it for you.

983
00:50:23,560 --> 00:50:27,839
Speaker 1: If you don't. If there's a once this clarity, it's clear,

984
00:50:27,920 --> 00:50:33,000
Speaker 1: but they're looking and using it for their own identity,

985
00:50:33,160 --> 00:50:34,759
Speaker 1: Well you better do the right thing because you know

986
00:50:35,200 --> 00:50:40,200
Speaker 1: there's no reason to watch stars if it's a fact.

987
00:50:40,280 --> 00:50:44,920
Speaker 1: We appreciate you for joining us. August twenty fifth, out

988
00:50:45,000 --> 00:50:47,120
Speaker 1: in Houston. I'll be out there and host to others.

989
00:50:47,160 --> 00:50:49,239
Speaker 1: Make sure you get your tickets. There's so many things

990
00:50:49,280 --> 00:50:53,480
Speaker 1: from pool parties, clubs, to charity events to comedy shows, performances.

991
00:50:53,840 --> 00:50:55,920
Speaker 1: Make sure you're part of it. And we see raise

992
00:50:56,000 --> 00:51:01,480
Speaker 1: the chaining coming soon, right Oaks fourteen and one isn't true?

993
00:51:01,480 --> 00:51:03,360
Speaker 1: They asked you to be on the Murdering Doc. No,

994
00:51:03,640 --> 00:51:08,759
Speaker 1: they wasn't name who. To try and clear I get

995
00:51:08,840 --> 00:51:12,399
Speaker 1: money for the Supreme thing. Oh okay, okaybody, they asked

996
00:51:12,400 --> 00:51:24,120
Speaker 1: you to be on the Doctor? Did you clear? It's

997
00:51:24,160 --> 00:51:34,719
Speaker 1: the Breakfast Cloud Good Morning Before with Angela ye Well

998
00:51:34,800 --> 00:51:38,640
Speaker 1: on the latest episode of Karsia Please. On Revolt, she

999
00:51:38,840 --> 00:51:41,160
Speaker 1: had JT on her other half of the City Girls

1000
00:51:41,239 --> 00:51:44,000
Speaker 1: and Saucy Santana. You know, all of them are BFFs,

1001
00:51:44,520 --> 00:51:46,759
Speaker 1: and one of the things they talked about was JT

1002
00:51:47,080 --> 00:51:50,120
Speaker 1: describing her experience being locked up as the City Girls

1003
00:51:50,200 --> 00:51:52,759
Speaker 1: were on the rise. So when I was in jail,

1004
00:51:52,760 --> 00:51:55,680
Speaker 1: I did fifteen months, and my first six six months

1005
00:51:55,880 --> 00:51:58,680
Speaker 1: was very, very hard. I didn't really go outside and much.

1006
00:51:58,800 --> 00:52:00,600
Speaker 1: I didn't really want to talk to people that much

1007
00:52:00,719 --> 00:52:02,719
Speaker 1: because we had a big like there was like a

1008
00:52:02,880 --> 00:52:04,600
Speaker 1: breakout moment, so a lot of people would be like

1009
00:52:04,680 --> 00:52:06,560
Speaker 1: that is so it is h So I heard it.

1010
00:52:06,560 --> 00:52:09,080
Speaker 1: Didn't never want to go outside. And then I think

1011
00:52:09,160 --> 00:52:11,520
Speaker 1: like after my six months, it kind of got easy

1012
00:52:11,840 --> 00:52:14,160
Speaker 1: and it was just like start feeling like school a

1013
00:52:14,200 --> 00:52:16,640
Speaker 1: little bit because I started getting you to my surroundings.

1014
00:52:16,719 --> 00:52:20,040
Speaker 1: You basically getting control every single day, like get up,

1015
00:52:20,120 --> 00:52:22,880
Speaker 1: go to sleep. And then because of who I was,

1016
00:52:23,560 --> 00:52:26,680
Speaker 1: some guards feel like I gotta show this speech like

1017
00:52:26,760 --> 00:52:28,840
Speaker 1: you know, just seems to be being meeting. So it

1018
00:52:29,000 --> 00:52:34,920
Speaker 1: was just like a transition, all right. In addition to that,

1019
00:52:35,239 --> 00:52:37,480
Speaker 1: but both of them know that they're stronger together as

1020
00:52:37,520 --> 00:52:39,880
Speaker 1: a group as a City Girls. Even though you can

1021
00:52:39,920 --> 00:52:42,799
Speaker 1: do your own individual things. Here is what JT had

1022
00:52:42,840 --> 00:52:45,480
Speaker 1: to say and Karasia about knowing they're stronger that way.

1023
00:52:45,800 --> 00:52:48,359
Speaker 1: I'm not thinking like, oh, I'm gonna do j That's

1024
00:52:48,360 --> 00:52:50,160
Speaker 1: not my intentionous, that's not what I'm on. I feel

1025
00:52:50,160 --> 00:52:52,360
Speaker 1: like people, it's a group and we scroll heads, we

1026
00:52:52,440 --> 00:52:54,960
Speaker 1: shrunk with together, and now we always had a conversation

1027
00:52:55,080 --> 00:52:59,200
Speaker 1: like it's just like I think, I think that, and

1028
00:52:59,280 --> 00:53:02,759
Speaker 1: that's what I was saying earlier. JT is out of

1029
00:53:02,760 --> 00:53:06,480
Speaker 1: the way and me being your friend, it frustrates me

1030
00:53:06,600 --> 00:53:09,440
Speaker 1: sometimes as I'm like, Crisia, got Cresia please, and she

1031
00:53:09,480 --> 00:53:11,239
Speaker 1: could do she could do all that stuff, and I'm like, JT,

1032
00:53:11,400 --> 00:53:14,720
Speaker 1: you so it's so wrong why you won't do nothing?

1033
00:53:15,160 --> 00:53:18,799
Speaker 1: And she it's just that's not her personality. He's gonna

1034
00:53:18,840 --> 00:53:23,520
Speaker 1: tell me I'm not doing nothing. She's gonna see JT

1035
00:53:23,760 --> 00:53:27,160
Speaker 1: not doing nothing. J is doing a lot. Man. I

1036
00:53:27,280 --> 00:53:32,080
Speaker 1: love JT Youngmi herself though, like outside of being in

1037
00:53:32,160 --> 00:53:36,040
Speaker 1: the group, you know, she has her own show. Yeah again,

1038
00:53:37,960 --> 00:53:40,640
Speaker 1: all right, now, as far as JT being the princess

1039
00:53:40,760 --> 00:53:43,080
Speaker 1: of a rap, listen to this, how do you feel

1040
00:53:43,080 --> 00:53:45,879
Speaker 1: about how people calling me prince? It's a rap? Because

1041
00:53:45,880 --> 00:53:47,960
Speaker 1: I really really really like you one of my favorite

1042
00:53:48,040 --> 00:53:51,600
Speaker 1: rappers in generation. I agree in this generation, like every

1043
00:53:51,719 --> 00:53:54,120
Speaker 1: time when we do a song and you see a

1044
00:53:54,280 --> 00:53:56,319
Speaker 1: very step, I'd be like, I don't white no home. Yeah,

1045
00:53:56,520 --> 00:53:58,279
Speaker 1: I don't know. I didn't know people was calling me that.

1046
00:53:59,440 --> 00:54:02,160
Speaker 1: I don't even like. I just I felt like both

1047
00:54:02,200 --> 00:54:03,719
Speaker 1: of us is the same way when it coming, Like

1048
00:54:03,960 --> 00:54:06,000
Speaker 1: even the industry, I think we just enjoy it, Like

1049
00:54:06,719 --> 00:54:08,960
Speaker 1: I don't come to be I'm not competitive. I don't care,

1050
00:54:09,239 --> 00:54:11,520
Speaker 1: like I'm not in it for the competition, Like I

1051
00:54:11,560 --> 00:54:13,839
Speaker 1: don't care who's being called the Princess rap. I don't.

1052
00:54:14,040 --> 00:54:15,560
Speaker 1: I know that I'm tired that I'm know I'm good

1053
00:54:15,600 --> 00:54:18,080
Speaker 1: at it, but if I'm trying to go for a title, no,

1054
00:54:18,400 --> 00:54:21,200
Speaker 1: like I think the people are thinking they got the

1055
00:54:21,280 --> 00:54:25,279
Speaker 1: title sucks. I love JT and Young Miami. I feel

1056
00:54:25,320 --> 00:54:26,960
Speaker 1: the bestage you have to come from the City Girls.

1057
00:54:27,000 --> 00:54:28,960
Speaker 1: They haven't even scratched the surface of who and what

1058
00:54:29,120 --> 00:54:31,279
Speaker 1: they are, and they're doing more than just rapping. I

1059
00:54:31,360 --> 00:54:37,200
Speaker 1: mean the executive producing on Rap, the EPs on that show,

1060
00:54:37,320 --> 00:54:40,399
Speaker 1: along with a coach K and P soh. Yeah, they're

1061
00:54:40,400 --> 00:54:44,360
Speaker 1: doing anything. City Girls doing anything all right now? Jo

1062
00:54:44,600 --> 00:54:48,200
Speaker 1: Rule has commented after that recent Drink Champs episode with

1063
00:54:48,280 --> 00:54:50,839
Speaker 1: him and IRV Gatty where people feel like he did

1064
00:54:50,920 --> 00:54:54,160
Speaker 1: not come to Ashanti's defense enough. There were a lot

1065
00:54:54,200 --> 00:54:57,080
Speaker 1: of talk about that, so he posted Brotherly Love. The

1066
00:54:57,160 --> 00:54:59,080
Speaker 1: last few days have been very turbulent for me, but

1067
00:54:59,160 --> 00:55:01,640
Speaker 1: it's time to ling plane. I love my sis, I

1068
00:55:01,719 --> 00:55:03,840
Speaker 1: love my bro but I do not condone or agree

1069
00:55:03,880 --> 00:55:06,480
Speaker 1: with the behavior nor the way Gotti handled things on

1070
00:55:06,640 --> 00:55:09,520
Speaker 1: Drink Champs. I hope you'll understand how comfortable this is

1071
00:55:09,600 --> 00:55:11,279
Speaker 1: for me being in the middle of something I wish

1072
00:55:11,320 --> 00:55:13,719
Speaker 1: to not be going forward or I ask us to

1073
00:55:13,800 --> 00:55:17,919
Speaker 1: be left out of this. Please and thank you, sincerely, Switzerland. Bennett, Well,

1074
00:55:18,680 --> 00:55:23,520
Speaker 1: a little Birdie told me that absolutely positively did check them.

1075
00:55:23,600 --> 00:55:25,600
Speaker 1: They did have a conversation, told him it wasn't right.

1076
00:55:26,360 --> 00:55:29,600
Speaker 1: They took a little bath from break during little and

1077
00:55:29,680 --> 00:55:32,040
Speaker 1: then you come back and you see IRB apologize. So

1078
00:55:32,160 --> 00:55:35,040
Speaker 1: he says, joh, absolutely positively did check him with you.

1079
00:55:35,120 --> 00:55:38,160
Speaker 1: If anybody watches the full interview, you can ask the

1080
00:55:38,239 --> 00:55:41,480
Speaker 1: apology who is the birdie and you yep, okay, then

1081
00:55:41,520 --> 00:55:43,480
Speaker 1: why do you say say nor dropping a clue? Bob

1082
00:55:43,520 --> 00:55:46,560
Speaker 1: for nor Man snoop to the whole drink Champs. I

1083
00:55:46,600 --> 00:55:48,919
Speaker 1: wanted to be known as a little birdie, okay, because

1084
00:55:49,080 --> 00:55:52,839
Speaker 1: when you're calling him a little bit, I'm not nor

1085
00:55:53,360 --> 00:56:00,200
Speaker 1: would say that himself talking about got you. Sorry, Nori

1086
00:56:00,440 --> 00:56:03,880
Speaker 1: broke that crack depression. No, you broke so easily. That

1087
00:56:04,000 --> 00:56:09,880
Speaker 1: was too easy. Yep. Yeah, make sure y'all listen to

1088
00:56:09,920 --> 00:56:12,200
Speaker 1: the Drink Chance podcast. Subscribes to the Drink Chance podcast

1089
00:56:12,280 --> 00:56:14,840
Speaker 1: on the Black Effect I Heart Radio Podcast Network. Sorry,

1090
00:56:14,920 --> 00:56:20,920
Speaker 1: Noray queens, I know you just got your life and

1091
00:56:22,040 --> 00:56:27,000
Speaker 1: a body, a body, A little birdie mean a little birdie, Nori. Yeah,

1092
00:56:27,400 --> 00:56:33,719
Speaker 1: and old Noriega shot. Wow, that was proud of you.

1093
00:56:33,760 --> 00:56:36,520
Speaker 1: Stop it. You know what he did. But why would

1094
00:56:36,520 --> 00:56:37,880
Speaker 1: you just say that? You guys can't just say that

1095
00:56:37,920 --> 00:56:42,359
Speaker 1: with no context. No shots didn't have you weary? Did

1096
00:56:42,400 --> 00:56:46,319
Speaker 1: you help raid maglogo the other day? Check this dude

1097
00:56:46,360 --> 00:56:48,480
Speaker 1: for why what's up with this guy? This morning? Man?

1098
00:56:48,560 --> 00:56:52,920
Speaker 1: I definitely would have rated Magalogo. No, it's not called Magalogo.

1099
00:56:53,160 --> 00:56:57,279
Speaker 1: It's not no maga. It's called marg Mago. I like Magalogo.

1100
00:56:57,320 --> 00:56:59,880
Speaker 1: It's magalog Just can't make words, I can, that's all.

1101
00:57:01,080 --> 00:57:04,960
Speaker 1: I don't know. It's not mag Magalogo. It's not magalogo.

1102
00:57:05,160 --> 00:57:08,840
Speaker 1: It's like Marge Simpson magalogo. It's like March, like Margos magalogo.

1103
00:57:09,320 --> 00:57:12,560
Speaker 1: I don't know Marge Simpson laggo. What's it called magalogo?

1104
00:57:14,200 --> 00:57:20,840
Speaker 1: Murlago merlolago? Guys, was it magalogo? I'm going with Magalogo.

1105
00:57:21,320 --> 00:57:22,600
Speaker 1: I told you that from the beginning. I don't know

1106
00:57:22,640 --> 00:57:24,200
Speaker 1: why we had to go through this old dance. Right,

1107
00:57:25,560 --> 00:57:27,240
Speaker 1: what are you giving your dog? Get ma? Man? Four

1108
00:57:27,240 --> 00:57:29,360
Speaker 1: after the hour? Man, there's no reason for button neckd

1109
00:57:29,440 --> 00:57:31,080
Speaker 1: men to be faced down ass up in the screetchs

1110
00:57:31,080 --> 00:57:33,240
Speaker 1: to Florida. But we'll talk about it four after the hour, Okay.

1111
00:57:33,760 --> 00:57:35,800
Speaker 1: I know it's Friday and that sounds like a good time.

1112
00:57:35,920 --> 00:57:38,560
Speaker 1: We do not need button naked men face down ass

1113
00:57:38,680 --> 00:57:41,439
Speaker 1: up on the streets of Florida, all right, don't don't

1114
00:57:41,440 --> 00:57:43,720
Speaker 1: threaten Some people would have been talking about it after

1115
00:57:43,760 --> 00:57:50,560
Speaker 1: the hour at my house. Boy, I can't wait till

1116
00:57:50,560 --> 00:58:00,080
Speaker 1: you leave. What so breakfast club your morning zone. That

1117
00:58:00,240 --> 00:58:02,840
Speaker 1: would be the saying leaving a child in a hot

1118
00:58:02,920 --> 00:58:05,560
Speaker 1: vehicle can lead to their death, very quickly said, cell

1119
00:58:05,560 --> 00:58:07,640
Speaker 1: phone reminders or play something you'll need in the back

1120
00:58:07,680 --> 00:58:10,160
Speaker 1: seat so you don't forget your child is in the car.

1121
00:58:10,520 --> 00:58:13,000
Speaker 1: Look for your baby before you lock paid for it

1122
00:58:13,040 --> 00:58:15,680
Speaker 1: by Nitza. Craziest people in America come from the Bronx

1123
00:58:15,760 --> 00:58:20,520
Speaker 1: and all of Florida. Yes, you are a donkey. A

1124
00:58:20,600 --> 00:58:24,080
Speaker 1: Florida man at tapped and ATM for a very strange reason.

1125
00:58:24,240 --> 00:58:26,520
Speaker 1: It gave him too much money. Florida man is arrested

1126
00:58:26,560 --> 00:58:28,560
Speaker 1: after definitely say he rigged the board to his home

1127
00:58:28,600 --> 00:58:30,520
Speaker 1: and an attempt to a much of his predet likes.

1128
00:58:30,560 --> 00:58:33,840
Speaker 1: Police arrested in Orlando man for talking a Familia to

1129
00:58:33,920 --> 00:58:37,000
Speaker 1: Breakfast club Bitchy Donkey of the Day with Sharlamine a

1130
00:58:37,080 --> 00:58:39,600
Speaker 1: guy I don't know why y'all keeping get y'all. Yes,

1131
00:58:39,800 --> 00:58:41,920
Speaker 1: Donkey to Day for Friday, August twelve goes to a

1132
00:58:42,000 --> 00:58:44,640
Speaker 1: man named Brandon Right. Brandon Right is a Florida man,

1133
00:58:44,760 --> 00:58:47,680
Speaker 1: Ladies and gentlemen. And what did your uncle Sharla always say?

1134
00:58:51,680 --> 00:58:57,560
Speaker 1: Oh you just go play man nigga man? Oh what

1135
00:58:57,720 --> 00:58:59,919
Speaker 1: did your uncle Shalla always say about the great state

1136
00:59:00,040 --> 00:59:02,440
Speaker 1: to Florida. The craziest people in America come from the

1137
00:59:02,480 --> 00:59:05,120
Speaker 1: Bronx and all the Florida. And this morning is no exception. Okay,

1138
00:59:05,160 --> 00:59:07,600
Speaker 1: But I'm gonna tell you something that right this one

1139
00:59:07,600 --> 00:59:09,840
Speaker 1: I understand. I tell y'all all the time, every day

1140
00:59:09,880 --> 00:59:12,200
Speaker 1: of our lives, we are just trying to avoid crazy.

1141
00:59:12,280 --> 00:59:15,240
Speaker 1: But right now it's hard to avoid what some people

1142
00:59:15,280 --> 00:59:18,360
Speaker 1: would call crazy, all right, because the gap between the

1143
00:59:18,440 --> 00:59:20,919
Speaker 1: halves and have notches so wider. Right, the have notch

1144
00:59:21,240 --> 00:59:23,520
Speaker 1: are coming for the halves. And when I say has,

1145
00:59:23,560 --> 00:59:26,720
Speaker 1: I don't mean extra wealthy, I don't mean super rich.

1146
00:59:26,840 --> 00:59:30,840
Speaker 1: I mean simply you have something that I don't. Okay,

1147
00:59:30,960 --> 00:59:34,160
Speaker 1: I'm talking about simple. You just simply have something that

1148
00:59:34,240 --> 00:59:36,880
Speaker 1: I don't. I might be hungry and you got a bagel, Okay,

1149
00:59:37,080 --> 00:59:39,439
Speaker 1: therefore you are a hal I ever have not Okay.

1150
00:59:39,480 --> 00:59:42,280
Speaker 1: In this case I'm talking about it was simply close.

1151
00:59:42,800 --> 00:59:45,080
Speaker 1: What do you mean ocause Charlotte close. Was somebody stunting

1152
00:59:45,080 --> 00:59:50,680
Speaker 1: in some Gucci or some Louis or some Versese Argino

1153
00:59:51,240 --> 00:59:55,920
Speaker 1: was Faragino or Gamah, Yeah, Paul Masson, No, that's liquor.

1154
00:59:56,040 --> 00:59:59,040
Speaker 1: What's the one that's Paul something? I don't know. I

1155
00:59:59,080 --> 01:00:01,000
Speaker 1: don't know what guy you think because the marl of

1156
01:00:01,040 --> 01:00:03,520
Speaker 1: the story is Okay, it wasn't no designer, all right.

1157
01:00:03,600 --> 01:00:06,120
Speaker 1: There was simply a man in Florida named Brandon Wright

1158
01:00:06,360 --> 01:00:09,760
Speaker 1: who was walking around the streets of Florida butt booty naked.

1159
01:00:09,800 --> 01:00:12,320
Speaker 1: All right. When I say butt bootynked, I mean butt

1160
01:00:12,360 --> 01:00:15,760
Speaker 1: assnket Did y'all see the video? Show envy the video, Angelie,

1161
01:00:15,760 --> 01:00:18,080
Speaker 1: you should google Brandon, right, I mean button naked. The

1162
01:00:18,160 --> 01:00:20,680
Speaker 1: only thing he had on him, who you started typing fast?

1163
01:00:21,080 --> 01:00:23,800
Speaker 1: The only thing he had on him wasn't machetti? Okay,

1164
01:00:24,160 --> 01:00:28,120
Speaker 1: a big long sharp blade all right? And he ran

1165
01:00:28,240 --> 01:00:32,000
Speaker 1: down on another man and simply demanded that man's close.

1166
01:00:32,800 --> 01:00:34,320
Speaker 1: I can't make this kind of stuff up. Do we

1167
01:00:34,360 --> 01:00:36,960
Speaker 1: have audio from the police helicopter? All right? I got

1168
01:00:37,000 --> 01:00:39,040
Speaker 1: the visual on the mail. He is naked, yelling at

1169
01:00:39,080 --> 01:00:45,640
Speaker 1: people in the parking lot, very animated black mail, athletic,

1170
01:00:45,720 --> 01:00:48,400
Speaker 1: thick build. It's like a got He's now walking out

1171
01:00:48,440 --> 01:00:52,400
Speaker 1: to traffic on Beersfort. That all traffic, yelling at people

1172
01:00:52,440 --> 01:00:57,320
Speaker 1: who he's still walking. He spent on Beersfort, across the

1173
01:00:57,320 --> 01:00:59,800
Speaker 1: street to the Sick Good now still kind of stationary,

1174
01:01:00,000 --> 01:01:02,240
Speaker 1: all the roads, still push ups at the entrance at

1175
01:01:02,240 --> 01:01:06,640
Speaker 1: the third store here. That's what's wild. Dude is in shape.

1176
01:01:06,680 --> 01:01:09,400
Speaker 1: You heard what they said athletic thick build. You know

1177
01:01:09,440 --> 01:01:13,040
Speaker 1: what I'm saying. Listen, we are failing people in this country.

1178
01:01:13,080 --> 01:01:14,840
Speaker 1: We live in a country that has money for war

1179
01:01:14,920 --> 01:01:17,240
Speaker 1: but can't feed the poor. Word in Tupac. All right.

1180
01:01:17,320 --> 01:01:19,360
Speaker 1: Not only are we not putting money in people's pockets,

1181
01:01:19,400 --> 01:01:22,040
Speaker 1: we are not providing them with things they need, like healthcare.

1182
01:01:22,120 --> 01:01:24,880
Speaker 1: When I say healthcare, I'm not just talking physical. I'm

1183
01:01:24,960 --> 01:01:28,640
Speaker 1: talking mental. Yeah. When y'all say things like all Charlemagne

1184
01:01:28,680 --> 01:01:31,560
Speaker 1: does is talk about mental health, that's true because mental health,

1185
01:01:31,920 --> 01:01:34,680
Speaker 1: just like your herpes, isn't going anywhere. All right. This

1186
01:01:34,840 --> 01:01:37,960
Speaker 1: brother right here was suffering from either poverty, drug use,

1187
01:01:38,040 --> 01:01:40,920
Speaker 1: all battling with mental health issues maybe all three, but

1188
01:01:41,200 --> 01:01:44,160
Speaker 1: definitely wanted it two And until this country does something

1189
01:01:44,200 --> 01:01:45,760
Speaker 1: about it, we are going to continue to have these

1190
01:01:45,840 --> 01:01:49,920
Speaker 1: kind of situations happen. Now. This buttonnecking man was driving

1191
01:01:49,920 --> 01:01:52,240
Speaker 1: a white Dodge Challenger, so it was probably drugs and

1192
01:01:52,320 --> 01:01:54,000
Speaker 1: mental health issues that he was dealing with. But the

1193
01:01:54,080 --> 01:01:58,040
Speaker 1: moral of the story is we must help all right

1194
01:01:58,120 --> 01:02:01,160
Speaker 1: in all capitals. All right, h elp, all right, what

1195
01:02:01,240 --> 01:02:03,520
Speaker 1: do they say? No one is useless in this world?

1196
01:02:03,800 --> 01:02:07,960
Speaker 1: Who lightens the burden the burdens of others? Right, right now.

1197
01:02:08,040 --> 01:02:09,680
Speaker 1: So many of us are useless because we are not

1198
01:02:09,720 --> 01:02:11,880
Speaker 1: attempting to lighten the burdens of others. You don't have

1199
01:02:11,960 --> 01:02:13,720
Speaker 1: to be rich to do that. You just need to

1200
01:02:13,800 --> 01:02:15,920
Speaker 1: have more than the next person. Think about it. Some

1201
01:02:16,000 --> 01:02:18,880
Speaker 1: of y'all right now, got a bunch of clothes, okay,

1202
01:02:19,000 --> 01:02:21,120
Speaker 1: shoes you don't even wear anymore. They're just in the closet,

1203
01:02:21,200 --> 01:02:23,760
Speaker 1: messy all over the place. I'm talking about me right now.

1204
01:02:23,760 --> 01:02:25,240
Speaker 1: My wife will call me a hypocrite if I don't

1205
01:02:25,240 --> 01:02:26,320
Speaker 1: say that. But that's what I do. When I got

1206
01:02:26,360 --> 01:02:28,440
Speaker 1: all these clothes, I don't wear anymore, okay, because I

1207
01:02:28,480 --> 01:02:29,920
Speaker 1: wear the same thing all the time. Anyway, I put

1208
01:02:29,960 --> 01:02:32,400
Speaker 1: stuff in bags and that I give them the good will. Okay,

1209
01:02:32,560 --> 01:02:34,840
Speaker 1: any and all of us can do that, I promise.

1210
01:02:35,080 --> 01:02:36,800
Speaker 1: You may not think you have a lot, but to

1211
01:02:36,960 --> 01:02:40,920
Speaker 1: somebody who has less than you, trust me, you have everything,

1212
01:02:41,280 --> 01:02:44,720
Speaker 1: all right. This brother, Brandon Wright, has prior convictions for kidnapping,

1213
01:02:45,440 --> 01:02:48,920
Speaker 1: gun possession by a felon, battery on a law enforcement officer,

1214
01:02:49,200 --> 01:02:52,640
Speaker 1: cocaine possession, and resisting arrest. Now he's in custody without

1215
01:02:52,680 --> 01:02:56,080
Speaker 1: bond and some so called correctional facility that is not

1216
01:02:56,240 --> 01:03:01,360
Speaker 1: providing any type of correction. Please remember that this weekend

1217
01:03:01,600 --> 01:03:04,000
Speaker 1: when you see someone in need, all right, because it

1218
01:03:04,080 --> 01:03:06,680
Speaker 1: sounds to me like this brother needed help, and he's

1219
01:03:06,680 --> 01:03:09,440
Speaker 1: needed to help his whole life and clearly hasn't gotten it,

1220
01:03:09,680 --> 01:03:11,800
Speaker 1: all right, So please remember this weekend when you see

1221
01:03:11,880 --> 01:03:14,440
Speaker 1: someone in need, all right, that you can be of

1222
01:03:14,480 --> 01:03:17,560
Speaker 1: assistance to that person. The real road of compassion is

1223
01:03:17,680 --> 01:03:21,080
Speaker 1: giving and helping, assistance and community service. That is a

1224
01:03:21,200 --> 01:03:25,560
Speaker 1: road that can be set and declared as your life's purpose. Please,

1225
01:03:26,480 --> 01:03:29,600
Speaker 1: if not, you could be on the receiving end of

1226
01:03:29,720 --> 01:03:33,840
Speaker 1: somebody's machete. Please get Brandon right, the biggest he hull

1227
01:03:37,760 --> 01:03:40,920
Speaker 1: that was big. You see him right, lay out on

1228
01:03:40,960 --> 01:03:43,000
Speaker 1: the street, face down, the ass up thick diesel you

1229
01:03:43,040 --> 01:03:46,080
Speaker 1: saw on me. That's what they described him as in

1230
01:03:46,120 --> 01:03:49,480
Speaker 1: the helicopter thing play that play. That's what they described him.

1231
01:03:49,720 --> 01:03:52,560
Speaker 1: They didn't hit See here, y'all got the visual on

1232
01:03:52,600 --> 01:03:54,840
Speaker 1: the mail. He is naked yelling at people in the

1233
01:03:54,880 --> 01:04:01,360
Speaker 1: park of Monty, very animated black mail, athletic, thick build.

1234
01:04:02,680 --> 01:04:06,200
Speaker 1: He's now walking out to traffic on beers first that

1235
01:04:06,360 --> 01:04:10,000
Speaker 1: all traffic yelling at people. He's still walking. He's found

1236
01:04:10,000 --> 01:04:13,560
Speaker 1: on beers first across the street to the Sicco. Now

1237
01:04:13,760 --> 01:04:17,160
Speaker 1: it's still kind of station push ups at the entrance

1238
01:04:17,200 --> 01:04:20,720
Speaker 1: of the that that helicopter operty something turned on. Why

1239
01:04:20,720 --> 01:04:23,800
Speaker 1: don't you describe that man like that? He's like athletic.

1240
01:04:24,240 --> 01:04:27,880
Speaker 1: They got big build. Oh he's doing push ups now

1241
01:04:30,960 --> 01:04:33,440
Speaker 1: he did. Then they had him face down, ass up

1242
01:04:33,480 --> 01:04:38,400
Speaker 1: on the concrete, button necking with his hands behind his back. Oh, oh,

1243
01:04:38,520 --> 01:04:41,760
Speaker 1: what you are right, I'm saying all like, I'm disgusted

1244
01:04:41,800 --> 01:04:46,200
Speaker 1: by the police people. You'll have to stop. You thought

1245
01:04:46,200 --> 01:04:49,160
Speaker 1: you released something the last days of the Breakfast Club

1246
01:04:49,280 --> 01:04:53,520
Speaker 1: as we know it, right, Jesus Christ, Why did it

1247
01:04:53,560 --> 01:04:58,120
Speaker 1: awkward because he said I didn't not say there's nothing

1248
01:04:58,240 --> 01:05:02,400
Speaker 1: else that he he heard it. You could have said it. Damn,

1249
01:05:02,400 --> 01:05:12,040
Speaker 1: it's messed up your thank you. Next, Tink hit Maker's

1250
01:05:12,080 --> 01:05:14,400
Speaker 1: gonna be joined luth Take, I Love Take all right,

1251
01:05:14,440 --> 01:05:16,200
Speaker 1: We're gonna talk to Tink and hit Maker when we

1252
01:05:16,240 --> 01:05:18,960
Speaker 1: come back as the Breakfast Club. God Morning, the Breakfast Club.

1253
01:05:21,440 --> 01:05:25,200
Speaker 1: It's no power one O five one the Breakfast Club

1254
01:05:25,560 --> 01:05:29,680
Speaker 1: en angela Ye and Charlomagne the Guard Morning. Everybody is

1255
01:05:29,840 --> 01:05:33,400
Speaker 1: DJ Envy and angela Ye, Charlomagne the guy. We are

1256
01:05:33,440 --> 01:05:35,800
Speaker 1: the Breakfast Club. He got a specially guess joining us today.

1257
01:05:36,000 --> 01:05:37,760
Speaker 1: We got who we got, We got a hit maker

1258
01:05:37,920 --> 01:05:42,320
Speaker 1: and Tink, big Tink, not the little take. What's happening?

1259
01:05:43,000 --> 01:05:45,920
Speaker 1: What's up, y'all? How's it going? Think you little pregnant?

1260
01:05:46,040 --> 01:05:47,360
Speaker 1: Just want to throw that out there right off the

1261
01:05:47,400 --> 01:05:51,560
Speaker 1: top of everybody was saying she was pregnant online. Okay,

1262
01:05:51,560 --> 01:05:54,600
Speaker 1: well I didn't even know that because everybody's been thinking

1263
01:05:54,920 --> 01:05:57,000
Speaker 1: I've been bregning for a while, and I'm glad you

1264
01:05:57,120 --> 01:05:59,520
Speaker 1: said at that. Some days we're just a little bloated.

1265
01:06:01,040 --> 01:06:03,600
Speaker 1: Trust me, I know nobody said I was pregny today.

1266
01:06:04,320 --> 01:06:06,120
Speaker 1: We got to start with you. You know, when we

1267
01:06:06,160 --> 01:06:08,000
Speaker 1: first started the Breakfast Club, I don't even know, twelve

1268
01:06:08,080 --> 01:06:10,680
Speaker 1: years ago and Timberland played this U as an artist,

1269
01:06:10,760 --> 01:06:12,840
Speaker 1: we don't fell in love a long time, A long time,

1270
01:06:13,160 --> 01:06:15,960
Speaker 1: long time fan of team super duper successful. When you

1271
01:06:16,000 --> 01:06:18,720
Speaker 1: went through the ups and downs and now you're here now.

1272
01:06:18,800 --> 01:06:21,800
Speaker 1: So for people that don't know who Tinks, explain to

1273
01:06:21,920 --> 01:06:24,280
Speaker 1: who who Tink is, how you got your first start

1274
01:06:24,360 --> 01:06:27,360
Speaker 1: and to where you are now. Yeah, Tink, y'all know me.

1275
01:06:27,600 --> 01:06:30,480
Speaker 1: I've been making music for a long time. I'm from Chicago.

1276
01:06:31,240 --> 01:06:34,400
Speaker 1: Since twenty twelve, I've been dropping mixtapes when it's diary,

1277
01:06:35,040 --> 01:06:37,400
Speaker 1: you know. I got signed with Timberland and twenty fifteen

1278
01:06:38,120 --> 01:06:40,040
Speaker 1: we made some really dupe music, but it didn't really

1279
01:06:40,080 --> 01:06:42,280
Speaker 1: work out, you know, the way I wanted it too,

1280
01:06:42,840 --> 01:06:46,040
Speaker 1: but didn't work out. I just felt like the situation

1281
01:06:46,200 --> 01:06:48,200
Speaker 1: wasn't a fit for me. I had a lot of

1282
01:06:48,280 --> 01:06:51,120
Speaker 1: people on a label that were kind of like hovering

1283
01:06:51,160 --> 01:06:53,800
Speaker 1: over my situation, so I felt like I wasn't as

1284
01:06:53,840 --> 01:06:56,760
Speaker 1: creative anymore and we had a lot of disagreements. That's all.

1285
01:06:57,040 --> 01:07:01,320
Speaker 1: That album was classic Charlotte Magne heart album. It didn't

1286
01:07:01,360 --> 01:07:03,680
Speaker 1: come out it was Think Tink. So that was in

1287
01:07:03,720 --> 01:07:07,160
Speaker 1: twenty fifteen, so, you know, it's just the label situations.

1288
01:07:07,360 --> 01:07:09,480
Speaker 1: A lot of people in the office were having you know,

1289
01:07:09,640 --> 01:07:12,400
Speaker 1: silent beefs, and it trickled down on the artists. But

1290
01:07:12,480 --> 01:07:17,840
Speaker 1: I became independent in eighteen easy, easy to hope, not

1291
01:07:17,960 --> 01:07:19,840
Speaker 1: at all. I really had to, like sighten up. I

1292
01:07:19,920 --> 01:07:22,160
Speaker 1: had to go and get an attorney, switch attorneys, you know,

1293
01:07:22,240 --> 01:07:24,560
Speaker 1: you got to talk to your accountants and just switched

1294
01:07:24,600 --> 01:07:26,920
Speaker 1: the whole team up on the business side. So that

1295
01:07:27,040 --> 01:07:29,440
Speaker 1: took some time. It took like years, so that's why

1296
01:07:29,440 --> 01:07:31,800
Speaker 1: I took a break. In twenty seventeen, I backed off

1297
01:07:32,000 --> 01:07:34,760
Speaker 1: a music completely just to go get my life right.

1298
01:07:35,760 --> 01:07:38,720
Speaker 1: And yeah, in eighteen, I was finally, you know, released,

1299
01:07:39,080 --> 01:07:42,040
Speaker 1: so we had to do some negotiating behind the scenes,

1300
01:07:42,400 --> 01:07:44,080
Speaker 1: but you know, Tim, he let me go and do

1301
01:07:44,200 --> 01:07:47,080
Speaker 1: my thing, and yeah, I became independent. I saw my

1302
01:07:47,160 --> 01:07:49,840
Speaker 1: distribution deal with Empires, so I'm able to just really

1303
01:07:49,920 --> 01:07:53,560
Speaker 1: like release whatever I want free again. And yeah, I've

1304
01:07:53,560 --> 01:07:55,680
Speaker 1: been making albums ever since and it's really just been

1305
01:07:55,760 --> 01:07:57,920
Speaker 1: turning up. And you got Gazi and hit make It

1306
01:07:58,000 --> 01:08:01,320
Speaker 1: Here with You Today. That's big listening gods in the

1307
01:08:01,360 --> 01:08:05,000
Speaker 1: building too. I didn't even see guys shot out saying fire.

1308
01:08:05,200 --> 01:08:07,400
Speaker 1: You think people always say they Tim, Tim might have

1309
01:08:07,480 --> 01:08:10,040
Speaker 1: oversold you, like comparing you to the Alias and the

1310
01:08:10,160 --> 01:08:12,560
Speaker 1: Lauren Hills. Do you think that had a negative impact?

1311
01:08:12,720 --> 01:08:15,120
Speaker 1: I do. It was a lot, like I called, a

1312
01:08:15,160 --> 01:08:18,280
Speaker 1: lot of backlash, you know, I dropped the record billion

1313
01:08:18,800 --> 01:08:20,519
Speaker 1: and it was a really dope song. But I felt

1314
01:08:20,560 --> 01:08:22,519
Speaker 1: like with him kind of like comparing me to her

1315
01:08:22,720 --> 01:08:25,840
Speaker 1: and you know, telling people I'm the next Aliyah. You

1316
01:08:25,920 --> 01:08:28,120
Speaker 1: can't play with legends like that. And I had a

1317
01:08:28,160 --> 01:08:29,519
Speaker 1: lot of work to do at the time, so it

1318
01:08:29,680 --> 01:08:32,400
Speaker 1: wasn't really necessary. And I remember we dropped the record

1319
01:08:32,439 --> 01:08:40,200
Speaker 1: with Jay Z and Rick Ross. It's actually y'all premier that. Yeah, yeah, yes,

1320
01:08:40,320 --> 01:08:44,080
Speaker 1: y'all got him in big trouble. But yeah, it was

1321
01:08:44,120 --> 01:08:45,560
Speaker 1: just a lot of things on the business end that

1322
01:08:45,600 --> 01:08:48,160
Speaker 1: weren't tight and it kind of just affected everything. It's

1323
01:08:48,160 --> 01:08:50,479
Speaker 1: like a snowball effect. And how does that affect you

1324
01:08:50,520 --> 01:08:52,840
Speaker 1: as far as like wanting to sign somewhere else? Again,

1325
01:08:53,400 --> 01:08:56,040
Speaker 1: I'm really careful with with all my deals now, like

1326
01:08:56,160 --> 01:08:58,840
Speaker 1: I really had to get a new attorney. I'm looking

1327
01:08:58,880 --> 01:09:02,080
Speaker 1: through my contracts now, I'm actually reading them worried for word.

1328
01:09:02,240 --> 01:09:04,200
Speaker 1: I think when I was younger, I was like nineteen,

1329
01:09:04,280 --> 01:09:06,519
Speaker 1: so I was just signing. So now I'm on top

1330
01:09:06,600 --> 01:09:08,479
Speaker 1: of it. Oh that's a great question, because you go,

1331
01:09:08,880 --> 01:09:10,840
Speaker 1: I think it's very selective because over the years, I've

1332
01:09:10,880 --> 01:09:13,080
Speaker 1: hit think a million times like yo, think this person

1333
01:09:13,120 --> 01:09:14,800
Speaker 1: won't talk to you, this person won't talk you wanna

1334
01:09:14,800 --> 01:09:17,519
Speaker 1: talk to you? And I was going through things, Charlotta Magne.

1335
01:09:18,120 --> 01:09:20,760
Speaker 1: I'm really like, you know, I'm really personable, but like

1336
01:09:20,840 --> 01:09:24,080
Speaker 1: when you locked into a situation you can't really talk

1337
01:09:24,120 --> 01:09:27,040
Speaker 1: to anyone at the time, Like I was in deals

1338
01:09:27,120 --> 01:09:29,840
Speaker 1: and I couldn't really move at the time, so that's

1339
01:09:29,840 --> 01:09:32,640
Speaker 1: all that was, you know, you know, how to make

1340
01:09:33,280 --> 01:09:35,280
Speaker 1: So I'm an Empire. I have been with Empire for

1341
01:09:35,400 --> 01:09:38,559
Speaker 1: like some years and he recently last year came to Empire. Yes,

1342
01:09:39,200 --> 01:09:41,519
Speaker 1: so we linked at the studio. It was real organic,

1343
01:09:41,680 --> 01:09:46,120
Speaker 1: like I met him in San Francisco. Yeah, I liked

1344
01:09:46,160 --> 01:09:49,479
Speaker 1: the process with him, like you make it fun. It's

1345
01:09:49,520 --> 01:09:53,280
Speaker 1: not no pressure because it wasn't like that off the rip,

1346
01:09:53,320 --> 01:09:55,519
Speaker 1: you know what I'm saying. Charlotmagagne already gonna say that,

1347
01:09:55,600 --> 01:09:58,120
Speaker 1: you know what I'm saying. You know, she's very very

1348
01:09:58,240 --> 01:10:02,559
Speaker 1: b I was introduced to her, you know, just because guys,

1349
01:10:02,600 --> 01:10:05,280
Speaker 1: he really believed in me. Like last time I was here,

1350
01:10:05,720 --> 01:10:08,400
Speaker 1: I said, I actually got my gig with Atlantic Records

1351
01:10:08,439 --> 01:10:11,600
Speaker 1: from speaking on you know records, because you know, I

1352
01:10:11,800 --> 01:10:14,680
Speaker 1: was speaking things to exist there and then um, I

1353
01:10:14,800 --> 01:10:16,960
Speaker 1: got my my gig and I was running into trials

1354
01:10:17,000 --> 01:10:19,000
Speaker 1: and trip relations at Atlantic because I sold so many

1355
01:10:19,080 --> 01:10:23,000
Speaker 1: records for them, multiple number one records. Kind of felt underappreciated,

1356
01:10:23,080 --> 01:10:25,920
Speaker 1: and guys, he came and like scooped me up and

1357
01:10:26,000 --> 01:10:27,400
Speaker 1: it was a big deal for me, and it was

1358
01:10:27,439 --> 01:10:29,760
Speaker 1: like yeah, because leaving Atlantic and doing all these huge

1359
01:10:29,800 --> 01:10:32,280
Speaker 1: records or whatever to go in the empire, people would

1360
01:10:32,280 --> 01:10:34,120
Speaker 1: look at it like maybe you're going to You're going

1361
01:10:34,160 --> 01:10:36,240
Speaker 1: to an independent, like yeah, it's gonna be rougher for you.

1362
01:10:36,560 --> 01:10:38,800
Speaker 1: But actually I got in there a linked with Tink.

1363
01:10:39,120 --> 01:10:41,479
Speaker 1: We did the last album. Charlottagne actually opened up the

1364
01:10:41,560 --> 01:10:44,040
Speaker 1: last album. Appreciate for doing that, and then you know

1365
01:10:44,200 --> 01:10:48,400
Speaker 1: I've done badest Chris Brown Blue two Chains by your

1366
01:10:48,439 --> 01:10:50,880
Speaker 1: boy Peru. I was able to orchestrate that record and

1367
01:10:50,920 --> 01:10:53,040
Speaker 1: have involved in that, so we're rocking. I don't think

1368
01:10:53,080 --> 01:10:55,160
Speaker 1: people realize how talented Think is. Man. I don't know.

1369
01:10:55,320 --> 01:11:00,320
Speaker 1: She the best, Thank you man. Yes, I want to

1370
01:11:00,360 --> 01:11:02,760
Speaker 1: give up with everything that you were going through, like

1371
01:11:02,840 --> 01:11:05,760
Speaker 1: you know that. Yes, all the time. I took a

1372
01:11:05,840 --> 01:11:08,200
Speaker 1: break and I was really like my moment while I

1373
01:11:08,280 --> 01:11:09,680
Speaker 1: was like, I don't know if I really need to

1374
01:11:09,720 --> 01:11:11,720
Speaker 1: be doing this. I'm not in the right space. It

1375
01:11:11,840 --> 01:11:14,000
Speaker 1: was messing with me mentally and I'm trying to take

1376
01:11:14,040 --> 01:11:16,200
Speaker 1: care of things at home. You know, I'm still in Chicago,

1377
01:11:16,840 --> 01:11:18,880
Speaker 1: so there's a lot I always you know, what did

1378
01:11:18,880 --> 01:11:22,560
Speaker 1: you do during their moments to be honest, I was

1379
01:11:22,640 --> 01:11:25,160
Speaker 1: more so to myself. I kind of like stayed in

1380
01:11:25,200 --> 01:11:27,439
Speaker 1: the house for a long time, and you know, I

1381
01:11:27,520 --> 01:11:30,080
Speaker 1: started approaching my records again like how I would do

1382
01:11:30,200 --> 01:11:33,160
Speaker 1: before I got signed. So that's like writing in Chicago

1383
01:11:33,320 --> 01:11:35,720
Speaker 1: righting at home. I just went back to what you know,

1384
01:11:36,520 --> 01:11:39,200
Speaker 1: my home grounds and kind of just had to tighten

1385
01:11:39,320 --> 01:11:41,800
Speaker 1: up everything. But you've never stopped me getting money off

1386
01:11:41,880 --> 01:11:45,080
Speaker 1: music though you do shows, man. Yeah, And that's the

1387
01:11:45,240 --> 01:11:47,200
Speaker 1: that's the best thing. Like my fans, they really like

1388
01:11:47,320 --> 01:11:50,040
Speaker 1: hold me down from way back, like day one fans.

1389
01:11:50,800 --> 01:11:52,840
Speaker 1: So during that time period, they were still waiting and

1390
01:11:52,960 --> 01:11:56,000
Speaker 1: ready to support. So and y'all got directed Goofy. It

1391
01:11:56,040 --> 01:11:58,559
Speaker 1: isn't goofy like fighting words in Chicago you get shot

1392
01:11:58,600 --> 01:12:00,960
Speaker 1: from called somebody and goofy and Chicago. Yeah, you gotta

1393
01:12:01,000 --> 01:12:03,960
Speaker 1: hear the song, though, I was saying more so like

1394
01:12:04,000 --> 01:12:06,439
Speaker 1: I'm crazy and love when I thought about it, when

1395
01:12:06,439 --> 01:12:07,840
Speaker 1: I when I hear it back, and now that you

1396
01:12:07,920 --> 01:12:09,799
Speaker 1: know people are reacting to it, I'm like, man, goofy

1397
01:12:09,960 --> 01:12:12,760
Speaker 1: is a strong word. But I guess I'm saying, like y'all,

1398
01:12:12,800 --> 01:12:16,240
Speaker 1: I'm being Sometimes we crazy and love. We make decisions

1399
01:12:16,280 --> 01:12:20,240
Speaker 1: that we normally wouldn't when we really love somebody. So yeah,

1400
01:12:20,360 --> 01:12:22,599
Speaker 1: sometimes it can can come up like we being goofy.

1401
01:12:22,960 --> 01:12:25,400
Speaker 1: Is it hard for you to find love Teink because

1402
01:12:25,439 --> 01:12:29,200
Speaker 1: you are Tink. Yeah, it's a real thing. Like it's

1403
01:12:29,240 --> 01:12:32,360
Speaker 1: so hard beating people that understand this, I guess lifestyle

1404
01:12:32,560 --> 01:12:34,880
Speaker 1: or and just me as a person, I'm so I'm

1405
01:12:34,880 --> 01:12:38,160
Speaker 1: an intellectual, you know me. I'm a thinker, very mature.

1406
01:12:39,240 --> 01:12:41,439
Speaker 1: So yeah, this generation, it's it's a little weird. It's

1407
01:12:41,479 --> 01:12:43,920
Speaker 1: like people don't really be on my same when people

1408
01:12:43,920 --> 01:12:46,040
Speaker 1: lived like that. So who's the guy that's gonna hear

1409
01:12:46,080 --> 01:12:47,600
Speaker 1: this record and be like, oh, she's talking about me.

1410
01:12:47,680 --> 01:12:50,040
Speaker 1: I made her. I made her a goofy. Oh lord,

1411
01:12:50,160 --> 01:12:51,800
Speaker 1: I hate to think of it like that. That's giving

1412
01:12:51,840 --> 01:12:55,240
Speaker 1: people too much, but it's it's all of us. It

1413
01:12:55,320 --> 01:12:56,800
Speaker 1: could be for a lot of people not like that,

1414
01:12:56,880 --> 01:12:58,519
Speaker 1: but it could be for a lot of guys, like

1415
01:12:58,880 --> 01:13:01,400
Speaker 1: I speak for all the women. You're gonna tell me true,

1416
01:13:01,439 --> 01:13:08,760
Speaker 1: I'm assuming this based bro like that. You know something, Nah,

1417
01:13:08,920 --> 01:13:11,200
Speaker 1: as far as Goofy, And that's what the funny thing is,

1418
01:13:11,280 --> 01:13:13,240
Speaker 1: you know what I'm saying. Like we actually had the

1419
01:13:13,280 --> 01:13:15,920
Speaker 1: pleasure to work with Rico love and collaborate on this record,

1420
01:13:16,040 --> 01:13:18,000
Speaker 1: and we were playing to beat him. We was vibe

1421
01:13:18,040 --> 01:13:20,280
Speaker 1: into it, and he came in and kind of like saying,

1422
01:13:20,720 --> 01:13:23,360
Speaker 1: he wrote that got the goofy part, and I was

1423
01:13:23,840 --> 01:13:29,800
Speaker 1: so that throughout the first and she just went in, Okay,

1424
01:13:30,080 --> 01:13:31,880
Speaker 1: please say you got that reference track list in case

1425
01:13:31,920 --> 01:13:40,760
Speaker 1: we ever need the black mask Nigel about now, y'all

1426
01:13:40,800 --> 01:13:47,240
Speaker 1: got some some quotables in these streets. We got more

1427
01:13:47,320 --> 01:13:49,720
Speaker 1: with Tink and Young Burger hit Maker. Where we come back,

1428
01:13:49,800 --> 01:13:52,599
Speaker 1: Let's get into the single. It's cater featuring two Chains.

1429
01:13:52,800 --> 01:13:56,680
Speaker 1: It's the breakfast Club, Good Morning. It's DJ Envy Angela Yee,

1430
01:13:56,800 --> 01:13:59,000
Speaker 1: Charlemagne the guy. We are the breakfast Club. We will

1431
01:13:59,040 --> 01:14:01,479
Speaker 1: keep getting with Tink and Maker. When Burg was out,

1432
01:14:01,560 --> 01:14:03,560
Speaker 1: there was still was a five thousand dollars Birg, a

1433
01:14:03,640 --> 01:14:05,479
Speaker 1: ten thousand dollar bird now to where you're at now.

1434
01:14:05,520 --> 01:14:07,360
Speaker 1: So do those people still come to you that knew

1435
01:14:07,400 --> 01:14:09,559
Speaker 1: you back then and be like I need that old

1436
01:14:09,640 --> 01:14:12,920
Speaker 1: bird price, But you're like that doesn't exist anymore. I'm

1437
01:14:13,000 --> 01:14:14,680
Speaker 1: hit making that. No, I'm not even gonna lie like

1438
01:14:14,840 --> 01:14:17,920
Speaker 1: right now, I haven't really been taking like too many advances,

1439
01:14:17,920 --> 01:14:19,960
Speaker 1: and I have song deals with every company that's in

1440
01:14:20,040 --> 01:14:22,080
Speaker 1: the business. So it's like it's a slated fee. And

1441
01:14:22,120 --> 01:14:23,640
Speaker 1: if I really like you and I rock with you,

1442
01:14:23,720 --> 01:14:25,559
Speaker 1: I probably won't charge you because it's like when i'm

1443
01:14:25,560 --> 01:14:27,479
Speaker 1: gonna tell you, like Buster Rhymes has a new single

1444
01:14:27,520 --> 01:14:29,800
Speaker 1: that I just did with bea coming out, I can't

1445
01:14:29,880 --> 01:14:31,880
Speaker 1: charge Buster what I'm saying, you'll pay me sixty gram,

1446
01:14:32,000 --> 01:14:34,040
Speaker 1: pay me my rate, like and Buster is a legend

1447
01:14:34,479 --> 01:14:36,599
Speaker 1: the same way y'all see me with Terrace Squad chains,

1448
01:14:36,600 --> 01:14:38,360
Speaker 1: Like I can never charge Fat Joe. You know what

1449
01:14:38,400 --> 01:14:42,680
Speaker 1: I'm saying. So Tink, I don't charge Tink. You know

1450
01:14:42,720 --> 01:14:44,760
Speaker 1: what I'm saying. You know it's it's a vibe. I

1451
01:14:45,520 --> 01:14:54,960
Speaker 1: gonnae it was early. It was early. Now we gotta

1452
01:14:55,000 --> 01:14:57,960
Speaker 1: understanding and we're partners and hug we like we so

1453
01:14:58,200 --> 01:15:00,160
Speaker 1: locked in with everything we got going on this My

1454
01:15:00,240 --> 01:15:02,120
Speaker 1: partner like, I ain't gonna lie like she involved with

1455
01:15:02,200 --> 01:15:04,679
Speaker 1: my career. I'm involved with her career. We're making decisions together.

1456
01:15:04,720 --> 01:15:07,439
Speaker 1: I'm bossing up together. Do you write for other artists too?

1457
01:15:07,880 --> 01:15:10,080
Speaker 1: I do. Actually people don't know this, but I was

1458
01:15:10,120 --> 01:15:12,920
Speaker 1: writing for Rihanna's camp. I knew that I haven't really

1459
01:15:13,200 --> 01:15:15,760
Speaker 1: written lately because I've been so focused. But when I

1460
01:15:15,840 --> 01:15:17,840
Speaker 1: take my breaks, and you know, there's periods of time

1461
01:15:17,880 --> 01:15:19,920
Speaker 1: where I'm not dropping a lot of music. I'm still

1462
01:15:20,000 --> 01:15:22,760
Speaker 1: working in shopping records. I had an argument with an

1463
01:15:22,800 --> 01:15:24,880
Speaker 1: executive one time because you know, they were seeing how

1464
01:15:25,200 --> 01:15:27,240
Speaker 1: dope you all blogs and black, and they literally said

1465
01:15:27,280 --> 01:15:29,800
Speaker 1: to me, but I just don't think she'll pop because

1466
01:15:29,800 --> 01:15:32,640
Speaker 1: she dogskin what. Yeah, I'm not gonna ever say the

1467
01:15:32,680 --> 01:15:35,240
Speaker 1: person's name. You know, I'm not even surprised to hear that.

1468
01:15:35,400 --> 01:15:37,559
Speaker 1: That's the way of this industry out. It's it's really

1469
01:15:38,240 --> 01:15:40,280
Speaker 1: it's sad to hear it, but at the same time,

1470
01:15:40,360 --> 01:15:43,600
Speaker 1: like whatever, we hear that all the time, and to me,

1471
01:15:43,840 --> 01:15:45,960
Speaker 1: that's what makes me even more dope because it's like, man,

1472
01:15:46,080 --> 01:15:48,639
Speaker 1: people really like me for my talent. I actually said,

1473
01:15:48,680 --> 01:15:51,240
Speaker 1: didn't know. That's the reason she would because she represents

1474
01:15:51,280 --> 01:15:53,080
Speaker 1: for a whole group of people that see all that

1475
01:15:53,200 --> 01:15:56,920
Speaker 1: melan and they're like, oh, okay, but it's a new

1476
01:15:57,000 --> 01:15:59,080
Speaker 1: day now. You know, people got to really come get

1477
01:15:59,120 --> 01:16:01,280
Speaker 1: around me and see what's going on now, so she

1478
01:16:01,320 --> 01:16:03,720
Speaker 1: gets tell the truth. Executive hitmaker, you hear things like

1479
01:16:03,800 --> 01:16:08,680
Speaker 1: that right about not necessarily about skin color whatever, but

1480
01:16:08,880 --> 01:16:12,200
Speaker 1: I've just seen people make so many wrong decisions, and

1481
01:16:12,360 --> 01:16:15,880
Speaker 1: even with my departure from Atlantic Records, like this is

1482
01:16:15,920 --> 01:16:18,640
Speaker 1: what happens. La Read offered me a label deal, and

1483
01:16:19,240 --> 01:16:21,439
Speaker 1: I came back to Craig and I was just like, yo, like,

1484
01:16:21,640 --> 01:16:23,599
Speaker 1: I know I work for y'all, but this guy want

1485
01:16:23,600 --> 01:16:25,599
Speaker 1: to give me a label deal? Is this big amount

1486
01:16:25,640 --> 01:16:27,120
Speaker 1: of money? You know? Let me go get my bag.

1487
01:16:27,360 --> 01:16:29,360
Speaker 1: You know, I'll still create the hits and do whatever

1488
01:16:29,360 --> 01:16:31,600
Speaker 1: I need to do. And he was like, Nah, you

1489
01:16:31,720 --> 01:16:34,000
Speaker 1: can't do that. You can't do that. And then they

1490
01:16:34,200 --> 01:16:36,920
Speaker 1: offer me a deal. And I don't think that they

1491
01:16:37,000 --> 01:16:39,320
Speaker 1: gave me the deal because they wanted they believed in

1492
01:16:39,400 --> 01:16:41,160
Speaker 1: me to get the deal. They just gave me the

1493
01:16:41,280 --> 01:16:43,320
Speaker 1: deal to keep me in that system and keep me

1494
01:16:43,439 --> 01:16:46,120
Speaker 1: locked in or whatever and just passify me in the situation.

1495
01:16:46,240 --> 01:16:48,320
Speaker 1: And I wanted to grow and elevate and work with

1496
01:16:48,439 --> 01:16:51,200
Speaker 1: up and coming artists and work with different people, sign people,

1497
01:16:51,320 --> 01:16:53,360
Speaker 1: work with artists like ten because I was thinking, la

1498
01:16:53,479 --> 01:16:55,720
Speaker 1: Read it offered me like, man, like, you could just

1499
01:16:55,800 --> 01:16:57,880
Speaker 1: work with whatever artists in its label and if it

1500
01:16:57,960 --> 01:17:00,040
Speaker 1: works out, we'll put them under your banner. You know

1501
01:17:00,080 --> 01:17:02,560
Speaker 1: what I'm saying? Similar to game in fifty cent or

1502
01:17:02,600 --> 01:17:04,519
Speaker 1: something like that. How he has all these different acts

1503
01:17:04,520 --> 01:17:06,839
Speaker 1: that were signed. So I was really trying to elevate.

1504
01:17:06,880 --> 01:17:08,400
Speaker 1: But I think that the game, man is gonna be

1505
01:17:08,479 --> 01:17:10,519
Speaker 1: the game. Look at me, I'm young Burg, I'm Iceberg,

1506
01:17:10,600 --> 01:17:12,479
Speaker 1: I'm hit maker. I got a documentary, I got all

1507
01:17:12,520 --> 01:17:14,680
Speaker 1: types of stuff coming soon. So if you stay in

1508
01:17:14,760 --> 01:17:16,519
Speaker 1: it long enough, man, you're gonna see a lot man

1509
01:17:17,160 --> 01:17:20,560
Speaker 1: wrapping it all. You miss it. Hell no, it's a

1510
01:17:20,680 --> 01:17:23,600
Speaker 1: dangerous job. It's more dangerous than ever right now. And

1511
01:17:23,760 --> 01:17:26,320
Speaker 1: then not only that, it's a self serving like probably

1512
01:17:26,360 --> 01:17:28,519
Speaker 1: like an ego thing stroke ego. While I would want

1513
01:17:28,560 --> 01:17:30,599
Speaker 1: to do that right now or rap like, I honestly

1514
01:17:30,680 --> 01:17:32,640
Speaker 1: want to be behind the people that's really doing and

1515
01:17:32,800 --> 01:17:35,200
Speaker 1: killing it because I've experienced it, and I think there's

1516
01:17:35,240 --> 01:17:38,680
Speaker 1: not enough executives that have actually been artists before and

1517
01:17:38,800 --> 01:17:41,120
Speaker 1: been on the other side to really know and appreciate

1518
01:17:41,200 --> 01:17:42,840
Speaker 1: the artists and know where the artist is coming from

1519
01:17:42,840 --> 01:17:44,760
Speaker 1: and actually being the trenches making the records with him.

1520
01:17:45,320 --> 01:17:48,720
Speaker 1: Work with RSVP, I already did as no boys they

1521
01:17:48,800 --> 01:17:51,280
Speaker 1: got one, and then I guess it's the funniest because ever,

1522
01:17:51,400 --> 01:17:53,640
Speaker 1: like yo, when y'all have a Breakfast Club with ray

1523
01:17:53,720 --> 01:17:56,160
Speaker 1: Ja and all them boy y'all go, it's gonna be.

1524
01:17:56,200 --> 01:17:58,280
Speaker 1: It's going down in history. It's gonna be like er

1525
01:17:58,400 --> 01:18:01,479
Speaker 1: Gotty Dream Champs like it's gonna be. It's gonna be.

1526
01:18:01,880 --> 01:18:06,360
Speaker 1: J is a marketing genius. There's nothing dumb about Raj.

1527
01:18:06,520 --> 01:18:09,080
Speaker 1: Anybody who thinks that's a goddamn fool je. No, it's

1528
01:18:09,080 --> 01:18:11,280
Speaker 1: exactly what he's doing at all times. And I cannot

1529
01:18:11,320 --> 01:18:14,320
Speaker 1: wait to see how he rolls out RSVP exactly. Now,

1530
01:18:14,560 --> 01:18:16,880
Speaker 1: what about A one Bentley? He said, you don't make

1531
01:18:16,920 --> 01:18:18,840
Speaker 1: your own beats and you rely on other producers like

1532
01:18:18,880 --> 01:18:23,280
Speaker 1: og parkin Smash David. How you respond to that? I don't.

1533
01:18:23,920 --> 01:18:27,080
Speaker 1: I don't make this. I'm a curator of everything. You

1534
01:18:27,160 --> 01:18:29,200
Speaker 1: know what I'm saying, Like, I come up with the ideas.

1535
01:18:29,240 --> 01:18:31,040
Speaker 1: I'm the person that says, you know what, He's like,

1536
01:18:31,200 --> 01:18:33,120
Speaker 1: I want to, But yeah, I want to. I want

1537
01:18:33,160 --> 01:18:35,160
Speaker 1: to sample this, and I have a guy that replays

1538
01:18:35,240 --> 01:18:37,880
Speaker 1: everything for me. And it's similar to cater or. I

1539
01:18:38,000 --> 01:18:39,439
Speaker 1: want to do this and I want to do that,

1540
01:18:39,600 --> 01:18:41,080
Speaker 1: and I get with the right people, and I put

1541
01:18:41,120 --> 01:18:43,240
Speaker 1: the right people in the room. I'll write the record

1542
01:18:43,280 --> 01:18:45,599
Speaker 1: with the people. As you can see on my Instagram

1543
01:18:45,720 --> 01:18:48,280
Speaker 1: or whatever. But I don't program beats. Have I program

1544
01:18:48,360 --> 01:18:51,439
Speaker 1: beats before? Absolutely? On songs that have came out before,

1545
01:18:51,439 --> 01:18:54,240
Speaker 1: they have plaques to him. Absolutely, But when you're working

1546
01:18:54,320 --> 01:18:57,439
Speaker 1: with this heavy valume or whatever, like no one man

1547
01:18:57,560 --> 01:19:00,280
Speaker 1: could sit there and lie like, oh I did everything myself.

1548
01:19:00,320 --> 01:19:02,880
Speaker 1: So even if a person that programs beats, he didn't

1549
01:19:02,880 --> 01:19:06,040
Speaker 1: do everything. Timberland had danger and Scott Storch and everything.

1550
01:19:06,160 --> 01:19:08,280
Speaker 1: So I think that that's the dirt they thrown you

1551
01:19:08,360 --> 01:19:10,200
Speaker 1: when you get real successful and then it's like, oh,

1552
01:19:10,240 --> 01:19:11,679
Speaker 1: well you don't do this and do that and shout

1553
01:19:11,680 --> 01:19:15,040
Speaker 1: out to a one a man you don't make no

1554
01:19:15,160 --> 01:19:16,720
Speaker 1: beats at all, or you do make beats, you just

1555
01:19:16,760 --> 01:19:18,920
Speaker 1: don't make all of You Know what I do is,

1556
01:19:19,160 --> 01:19:22,120
Speaker 1: I'm the producer behind the whole session. I'm the person

1557
01:19:22,200 --> 01:19:24,479
Speaker 1: that brings in everything. You know what I'm saying. I'm

1558
01:19:24,520 --> 01:19:26,920
Speaker 1: the orchestrate, I'm the Quincy Jones and you know what

1559
01:19:27,000 --> 01:19:29,120
Speaker 1: I'm saying. So I know the right people to work with.

1560
01:19:29,240 --> 01:19:31,120
Speaker 1: I know the right people to pull in. I know

1561
01:19:31,240 --> 01:19:32,920
Speaker 1: what drum loop I want to use. I want to

1562
01:19:32,960 --> 01:19:35,120
Speaker 1: know what top line I want to use, what music

1563
01:19:35,200 --> 01:19:37,800
Speaker 1: bed I want to put behind this. I actually facility.

1564
01:19:39,320 --> 01:19:41,800
Speaker 1: They don't sit there themselves. And like they've always said

1565
01:19:41,800 --> 01:19:45,680
Speaker 1: that about Duty. Yeah, Kali, you hear that about Dred

1566
01:19:45,800 --> 01:19:49,880
Speaker 1: sometime since that's a great company. Yeah, I didn't put

1567
01:19:49,920 --> 01:19:56,719
Speaker 1: you in that company other people. Here's a quick example,

1568
01:19:57,000 --> 01:19:58,439
Speaker 1: because I want to give it back the team, like

1569
01:19:58,520 --> 01:20:01,120
Speaker 1: forgive me a boogie, look back at it. The song

1570
01:20:01,320 --> 01:20:03,599
Speaker 1: was six minutes long when they had it. They gave

1571
01:20:03,680 --> 01:20:05,560
Speaker 1: me that song. I went to Hawaii with boogie. He

1572
01:20:05,560 --> 01:20:07,639
Speaker 1: gave me all the fouls. I shortened the song, added

1573
01:20:07,680 --> 01:20:09,240
Speaker 1: to snap and turned them to a three minute and

1574
01:20:09,320 --> 01:20:11,960
Speaker 1: thirty second record and rearranged the whole song. And that's

1575
01:20:12,000 --> 01:20:13,920
Speaker 1: the song that y'all got from a six minute record.

1576
01:20:14,000 --> 01:20:15,880
Speaker 1: So if that ain't produced, and I don't know what

1577
01:20:16,040 --> 01:20:20,920
Speaker 1: producing is now when we talked, I don't know. Was

1578
01:20:21,000 --> 01:20:37,320
Speaker 1: here my first Yeah she was, so she was just like,

1579
01:20:37,439 --> 01:20:40,120
Speaker 1: oh no, this is big, y'all know. I'm just a calm,

1580
01:20:40,280 --> 01:20:44,080
Speaker 1: chill girl. Thank you. You gonna cry in the cab man,

1581
01:20:46,800 --> 01:20:48,519
Speaker 1: I'm glad you're standing next to think like this man.

1582
01:20:48,680 --> 01:20:52,120
Speaker 1: Ronald applaud you because think she's been and the best

1583
01:20:52,320 --> 01:20:54,400
Speaker 1: is yet to come for her. And he's glad to

1584
01:20:54,680 --> 01:20:57,120
Speaker 1: trust me. It's Hipmaker, It's Tink. It's the Breakfast Club

1585
01:20:57,160 --> 01:21:07,200
Speaker 1: to the Breakfast Club Morning. Everybody is DJ Envy, Angeline, Charlomagne,

1586
01:21:07,200 --> 01:21:09,960
Speaker 1: the guy. We are the Breakfast Club. Now again. I

1587
01:21:10,080 --> 01:21:12,639
Speaker 1: have one week left for my car show. To Drive

1588
01:21:12,680 --> 01:21:15,479
Speaker 1: your Dreams Car Show. It's the North Verst to South

1589
01:21:15,840 --> 01:21:19,080
Speaker 1: Houston versus New York, New Jersey, Philly. So it's gonna

1590
01:21:19,080 --> 01:21:21,240
Speaker 1: be a bunch of celebrity cars from Lynn of course, Turkey, Lang,

1591
01:21:21,320 --> 01:21:22,920
Speaker 1: Hunt and Trade the Truth. They're bringing them Houston cars,

1592
01:21:22,960 --> 01:21:25,599
Speaker 1: some country cars down then also we got cars from

1593
01:21:25,600 --> 01:21:30,720
Speaker 1: fifty cent Fabulous, Little Kim, Jim Jones, Fat Joe, meek Mill,

1594
01:21:30,880 --> 01:21:33,240
Speaker 1: Little Oozy Vert, and a host to others. It's a

1595
01:21:33,360 --> 01:21:35,800
Speaker 1: family fund days for kids fiving under a free There's

1596
01:21:35,880 --> 01:21:38,839
Speaker 1: ride for the kids, roller skating rink. There's a BMX

1597
01:21:39,000 --> 01:21:41,160
Speaker 1: bike show where they'll be doing flips and teaching the

1598
01:21:41,200 --> 01:21:44,360
Speaker 1: kids how to willie. There's also South to Souflow Willie

1599
01:21:44,360 --> 01:21:47,200
Speaker 1: School out in Florida that actually bringing some motorcycles up

1600
01:21:47,200 --> 01:21:50,240
Speaker 1: and teaching people how to do willies or motorcycles. They

1601
01:21:50,320 --> 01:21:51,800
Speaker 1: have like a big mattress on the back so you

1602
01:21:51,840 --> 01:21:53,680
Speaker 1: can't fall and hurt yourself. So it's gonna be a

1603
01:21:53,760 --> 01:21:55,839
Speaker 1: big family fund day. The weather's supposed to be amazing.

1604
01:21:55,960 --> 01:21:58,280
Speaker 1: So if you haven't got your tickets, get your tickets.

1605
01:21:58,320 --> 01:22:01,320
Speaker 1: And I can't wait to see you guys Saturday. Yes,

1606
01:22:01,439 --> 01:22:03,800
Speaker 1: and once again, man, if you missed what I said,

1607
01:22:03,880 --> 01:22:06,400
Speaker 1: you know, do the scheduling conflicts in the programming lineup

1608
01:22:06,439 --> 01:22:09,480
Speaker 1: the Black Effect you know podcast festival, it's gonna be postponed,

1609
01:22:10,040 --> 01:22:14,000
Speaker 1: you know until a later date. All right, We're looking

1610
01:22:14,080 --> 01:22:16,720
Speaker 1: forward to you know doing it right, So I just

1611
01:22:16,800 --> 01:22:19,639
Speaker 1: want to reiterate that, you know, if you need updated

1612
01:22:19,680 --> 01:22:22,519
Speaker 1: festival information, including the new date, it'll be shared at

1613
01:22:22,640 --> 01:22:26,160
Speaker 1: www dot Black Effect dot com and via all Black

1614
01:22:26,200 --> 01:22:30,080
Speaker 1: Effects social media platforms. And all tickets purchase through dice

1615
01:22:30,160 --> 01:22:34,080
Speaker 1: dot fm will be automatically refunded and please allow time

1616
01:22:34,120 --> 01:22:36,439
Speaker 1: for that the process and all other purchases please contact

1617
01:22:36,479 --> 01:22:40,640
Speaker 1: your point of sale all right now? Um, yes, the

1618
01:22:40,680 --> 01:22:43,519
Speaker 1: positive notice this what God sends you will arrive in clarity,

1619
01:22:43,800 --> 01:22:47,439
Speaker 1: not confusion. Breakfast club you know, finish or y'all dumb