WEBVTT - Episode 1: Breaking In (Start Here)

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<v Speaker 1>Yeah, I feel one coming on right now, another panic

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<v Speaker 1>attack inside, climbing up in my throat, and I'm starting

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<v Speaker 1>to hyperventively all the classic science. Man, I gotta get

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<v Speaker 1>out of my head and pay attention or I'll miss

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<v Speaker 1>my transfer. I think I'm all worked up because it

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<v Speaker 1>was coming up tonight. I thought i'd be excited, but

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<v Speaker 1>it's just it's just too much. You know, what the

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<v Speaker 1>hell am I inbuts oh god, God cool yo, Ruben,

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<v Speaker 1>It's all in my head. I know this, I know this,

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<v Speaker 1>but it feels so real. Sometimes it's overwhelming and I

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<v Speaker 1>cannot have an attack like this night. It will ruin

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<v Speaker 1>everything Marko and I have planned, Ruben. See, no one

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<v Speaker 1>wants to be a Hollywood celebrity anymore, no one my

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<v Speaker 1>age anyway. I mean, we want to be Internet famous.

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<v Speaker 1>We want to be influencers, motivating our peers to become

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<v Speaker 1>followers of what's trending on Twitter, TikTok or Instagram. We

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<v Speaker 1>areddinkted to our follows and our likes. Man, I should know.

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<v Speaker 1>I remember when I was nine, I created a profile

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<v Speaker 1>on Vine. Remember ye that it doesn't matter, kind of

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<v Speaker 1>like Instagram, but with just video. Anyway, I posted a

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<v Speaker 1>video and nearly broke the internet. Outloaded the post to

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<v Speaker 1>me freestyling off of Hello Marco, what man, are you

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<v Speaker 1>ready for tonight? My best friend Marco has a mischievous grind.

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<v Speaker 1>Oh he sees his upside. Try my best not to frown,

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<v Speaker 1>Try my best to mirror his expression. Yeah, I'm ready

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<v Speaker 1>as I'll ever be. Believe it, bro, you gotta kill

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<v Speaker 1>it tonight. Trust me, my head is still in the

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<v Speaker 1>clouds when I try to focus on Marco was asking

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<v Speaker 1>me about I can't believe of really doing this. He

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<v Speaker 1>grabs me by the shoulders and stares me dead in

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<v Speaker 1>the eyes. Hey, I wanted you in this with me specifically.

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<v Speaker 1>You got this. Are you sure you don't want to

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<v Speaker 1>be on MIC for the interview yourself? You got the crid,

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<v Speaker 1>You're the quote unquote influencer. Now I'm just a goof

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<v Speaker 1>making dumb TikTok videos. Man, this is bigger than that.

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<v Speaker 1>It's got to be its own brand. You got the depth.

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<v Speaker 1>You're practically an artist yourself. I see you lost in

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<v Speaker 1>your head all the time, scribbling your ideas out in class.

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<v Speaker 1>You need an outlet, let those creative juices flow. I

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<v Speaker 1>know you can connect here. Trust me. You're a guy

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<v Speaker 1>for this. I do trust Marco, but I am nervous

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<v Speaker 1>as hell. All I really want to do is put

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<v Speaker 1>my headphones on and yeah, I get lost in my thoughts.

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<v Speaker 1>I don't want to think about doing an interview tonight.

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<v Speaker 1>I can't believe I'm sneaking into the city, lying to

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<v Speaker 1>my parents and doing what I've dreamed of doing forever.

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<v Speaker 1>Too sick when you think about it. I'm tripping, fraid

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<v Speaker 1>I can't do this. No, no, no, no no. Marco

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<v Speaker 1>was right, No need to psych myself out there. There's

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<v Speaker 1>no turning back now. Did you tell your parents you're

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<v Speaker 1>staying at my place tonight? Yeah? They think they know,

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<v Speaker 1>They don't know. Jack Jack, Jack Jack. Hey, congrats man,

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<v Speaker 1>it's been a hell of a summer. We live large.

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<v Speaker 1>Now on to bigger and better things, right, meet me

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<v Speaker 1>back at the train station at seven. That's gonna be huge?

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<v Speaker 1>Will it be huge? What if I mess up? Ship?

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<v Speaker 1>I'm more afraid of it being huge. And if it's

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<v Speaker 1>just some dumb, hoppy me and my friend of doom?

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<v Speaker 1>What did I get myself into? Okay, let's let me

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<v Speaker 1>stop tripping. I put in my earbuds and force myself

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<v Speaker 1>to focus on something other than myself. Doubt ready or not,

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<v Speaker 1>here it comes to break, of course, I'd be Marco

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<v Speaker 1>back to the train station. He's always mad late, It's

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<v Speaker 1>like clockwork. And while I'm stuck waiting, my mind dripped

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<v Speaker 1>back to the same old training thought. The video that

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<v Speaker 1>blew up on Vine just me freestyling over a Kanye

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<v Speaker 1>type beat I found on YouTube. After I posted that video,

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<v Speaker 1>my likes my shares, they went through the roof. Next

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<v Speaker 1>day at school, everybody stopped me in the hall in

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<v Speaker 1>class Wherever asked me to take selfies with him. The

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<v Speaker 1>biggest hip hop law share my post on their pages.

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<v Speaker 1>I was famous overnight in that famous anyways. I gained

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<v Speaker 1>fifty k followers in less than forty eight hours. Parents

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<v Speaker 1>didn't quite understanding the oven until Ellen, Yes, Dad, Ellen,

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<v Speaker 1>the one with the TV show shared my video on

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<v Speaker 1>national television. Ellen itself didn't invited me on, but my

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<v Speaker 1>parents thought I was too young. They wouldn't allow me

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<v Speaker 1>to fly out to Los Angeles to be a guest

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<v Speaker 1>on the new shows at Ellen or or anyone else

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<v Speaker 1>hosted on television, radio or even podcasts. Parts right, my

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<v Speaker 1>parents thought my freestyle was cute, but they freaked out

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<v Speaker 1>it all the attention I was getting, some of which

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<v Speaker 1>was negative. After monitoring the comments over the weekend, my

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<v Speaker 1>parents to leading my account on Monday morning before they

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<v Speaker 1>dropped me off as school. They were afraid of me

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<v Speaker 1>being cyper bullied or distracted by internet fame or worse.

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<v Speaker 1>I mean, I thought I was just having fun and

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<v Speaker 1>being myself. It's never my intention to go viral or whatever,

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<v Speaker 1>but I did. But man, when it happened, what a rush.

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<v Speaker 1>I just I never quite stopped chasing that feeling. Fast

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<v Speaker 1>forward eight years later to the here and now. My

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<v Speaker 1>friend Marco was a self made social media influencer and

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<v Speaker 1>he's only seventeen years old. He doesn't follow trends. He

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<v Speaker 1>sets him height beast monitors his social media pages for direction.

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<v Speaker 1>Dude has been a tastemaker his whole life without even trying.

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<v Speaker 1>Marco has a soil of three hundred thousand followers. He

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<v Speaker 1>gets invited to these exclusive events in the city and

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<v Speaker 1>he's not even old enough to drink yet. Man, tonight

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<v Speaker 1>is one of those events. He got two tickets to

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<v Speaker 1>see Levega Jolie live at the Brooklyn Bowl. I mean,

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<v Speaker 1>this show was sold out leves from Newark, so you

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<v Speaker 1>already know the love of cool kids gonna be in

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<v Speaker 1>the building. Not that would even get closer to the the

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<v Speaker 1>stage to see her performance, probably won't even get to

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<v Speaker 1>shake her hand and meet her. But Marco's big ideas

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<v Speaker 1>to maneuver our way onto the press list and score

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<v Speaker 1>an interview with her tonight. My doubts had me scrambling

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<v Speaker 1>for a way out. I can't deny that Marco knows me.

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<v Speaker 1>He knows what makes me tick. He knows I want

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<v Speaker 1>that rush the rest of he gets all the time,

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<v Speaker 1>one post, one sound bite, one selfie blowing up that

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<v Speaker 1>next level rush. I do a gut check on my

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<v Speaker 1>nerves and to show this closer and closer. We're on

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<v Speaker 1>the train now heading into Brooklyn from our queen's neighborhood

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<v Speaker 1>and far rockaway into the A tram. Once we arrived

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<v Speaker 1>at the Brooklyn Bowl, Marco gives the woman behind the

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<v Speaker 1>ticket count of our names. She asked if we're on

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<v Speaker 1>the press list. Mirco gives her a slick smile and responds, yes,

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<v Speaker 1>my stomach is doing backflips. This is the moment of truth.

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<v Speaker 1>The ticket lady frowned and she looks through the papers

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<v Speaker 1>on the clipboard, shaking her head, ready to turn us down.

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<v Speaker 1>I feel my throat tighten again. My head is dizzy.

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<v Speaker 1>Ship ship ship not now, man, not now. I can't

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<v Speaker 1>the race, and thoughts start flying around my mind. I mean,

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<v Speaker 1>what if she kicks us out for lying about the

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<v Speaker 1>press list? What if I have an anxiety attack right

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<v Speaker 1>here in the lobby. Okay, I gotta chill. She want

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<v Speaker 1>to call my parents to take me home, which is

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<v Speaker 1>humiliating enough, But then they'll find out we're doing this.

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<v Speaker 1>I'll be crowning from not telling them in this podcast

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<v Speaker 1>interview we have planned would be over before it begins.

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<v Speaker 1>When I get caught up like this, I can see

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<v Speaker 1>the oncoming crash, and I feel like there's no turning

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<v Speaker 1>away Marco Joseph. If it's not there, then there's been

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<v Speaker 1>a mistake. Just like Marco, this dude is too smooth. Meanwhile,

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<v Speaker 1>I'm trying not to throw up the ticket. Lady calls

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<v Speaker 1>Neveta's rep, who comes up front to greet us, and

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<v Speaker 1>without hesitation, Marco introduces himself with me. At least he

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<v Speaker 1>recognizes Marco's name, special Influencer, inviting all I'm still focusing

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<v Speaker 1>on my breath, playing it cool and trying to hide

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<v Speaker 1>the fear of my eyes. Let it. Marco leads, really,

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<v Speaker 1>this is my creative partner, Ruben Robinson, my schedule to

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<v Speaker 1>an interview Nevea. But it looks like we're left off

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<v Speaker 1>the press list. Vea's rep looks amused, probably thinking these

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<v Speaker 1>kids got balls or we're out of our damn minds.

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<v Speaker 1>There's a long pause. You're right, you're not on the list.

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<v Speaker 1>I checked my hands to make sure they aren't shaken.

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<v Speaker 1>I don't. We're about to get kicked out. I know it,

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<v Speaker 1>and if he sees my nerves, it'll be my fault.

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<v Speaker 1>I can't let Marco down like this, but I like

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<v Speaker 1>your hustle follow me. A sense of really floods my

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<v Speaker 1>veins like a cold shower. I held it together barely

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<v Speaker 1>because we walked through the crowd. The rep asked if

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<v Speaker 1>we want to meet an available before the show. She's

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<v Speaker 1>got a few minutes and it will be our only chance.

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<v Speaker 1>The rep is talking about a meet and Greece, so

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<v Speaker 1>I kind of have to force the subject of the interview,

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<v Speaker 1>even in the green room. But of course we respond

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<v Speaker 1>yes in a nonchalant tone. Like it isn't a big deal.

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<v Speaker 1>MARCOA makes small talk smoothly drops that we got a podcast,

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<v Speaker 1>and the rep loves the name. Here comes the break,

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<v Speaker 1>Only we don't have a podcast, not yet anyway. The

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<v Speaker 1>rep looks at us, smiles slightly. He's clearly amused with Marco.

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<v Speaker 1>My stomach has stopped doing flips, but now it feels

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<v Speaker 1>like there's a lead brick in there. I didn't think

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<v Speaker 1>this will work, but now we're here and there is

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<v Speaker 1>no turning back. I'm seventeen and about an interview one

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<v Speaker 1>of the hottest up and coming artists in the city.

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<v Speaker 1>I've been waiting my whole life for this moment. I've

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<v Speaker 1>loved hip hop since I was little. I remember being

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<v Speaker 1>real young, like six, and hearing beats bleed through the

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<v Speaker 1>walls from my parents room. It was my dad who

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<v Speaker 1>introduced me the legendary artists like jay Z and Naas,

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<v Speaker 1>who told me the stories behind each track, about their

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<v Speaker 1>lives growing up, fast money cars and beasts that cost

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<v Speaker 1>mcs like Biggie and packed their lives. He taught me

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<v Speaker 1>the hip hop was born in the South Bronx. He

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<v Speaker 1>exposed me the cool Hurt Run DMC and African Bambiden

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<v Speaker 1>through Death Jam and the rise of Gangster Rapp. They're

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<v Speaker 1>never in the story. I was obsessed with hip hop.

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<v Speaker 1>I wanted to meet my favorite artists, dive into the culture,

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<v Speaker 1>and spread the gospel. The minute I started getting the platform,

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<v Speaker 1>my parents just shut all that down. I see my

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<v Speaker 1>parents frowning and alarmed at the side of the amount

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<v Speaker 1>of followers I gained overnight. I'm reminded of my parents discouragement.

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<v Speaker 1>I get it on some level, particularly from my mom,

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<v Speaker 1>who's always extra alert to the dangers of me putting

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<v Speaker 1>myself out there as a young black man. She might

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<v Speaker 1>not disapprove this podcast I did now that I'm seventeen,

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<v Speaker 1>but she definitely won't be cool with me and Marco

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<v Speaker 1>sneaking into the city and night behind her back. I

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<v Speaker 1>can feel the tightness in my chest, the stack of

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<v Speaker 1>breathing as I pull out my phone to review the

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<v Speaker 1>questions I prepared to ask Nova if we actually got

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<v Speaker 1>this far as if you couldn't tell. I have anxiety.

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<v Speaker 1>I was diagnosed with it at ten years old. I've

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<v Speaker 1>been taking medication ever since. Sometimes it works better than

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<v Speaker 1>other times. Honestly, until the night, I never thought of

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<v Speaker 1>my angsty diagnosis that's connected to my board of fifteen

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<v Speaker 1>minutes of fame. But moments like this are triggering. I

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<v Speaker 1>should feel exhilarated, proud, and excited, but I'm preparing for

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<v Speaker 1>the worst. Something bad will happen, something will ruin this

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<v Speaker 1>moment for me, or maybe I'll ruin it for myself.

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<v Speaker 1>In a weird way, I want that to happen to

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<v Speaker 1>take the pressure off. I know that on some level,

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<v Speaker 1>the real reason Marco insists that I joined him on

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<v Speaker 1>this adventure is because he wants to have a reason

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<v Speaker 1>to keep hanging out. My parents arranged for a transfer

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<v Speaker 1>to a stem Magnet school booker t Washington High when

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<v Speaker 1>school starts. Marco and I don't want to lose our friendship,

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<v Speaker 1>and keep telling myself tonight doesn't have to be about

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<v Speaker 1>anything bigger than that we arrived closer in the Vedas

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<v Speaker 1>green room, Marco little ship that he is locked size

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<v Speaker 1>and smiles at those who aren't getting access backstage like

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<v Speaker 1>we are. We're being treated like v I peace and

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<v Speaker 1>it feels electric For a short shining moment, I don't

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<v Speaker 1>feel like a snowball careening downhill. I feel all the

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<v Speaker 1>way up, like fat Joe and Remy my. The door

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<v Speaker 1>opens and the publicist woman needs Marco went out into

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<v Speaker 1>the green room and I swallowed the rise and pit

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<v Speaker 1>in my stomach. Novella. Great to see you, Marco, Joseph

0:13:25.440 --> 0:14:00.360
<v Speaker 1>Ruben Robinson, we're here for the interview. Holy shit, there's

0:14:00.360 --> 0:14:03.360
<v Speaker 1>that adrenaline rush. When the ride a home. Marco can't

0:14:03.360 --> 0:14:06.160
<v Speaker 1>stop help the photos of us. When the he writes,

0:14:06.200 --> 0:14:09.880
<v Speaker 1>teasing captains to read a night to remember and new

0:14:09.920 --> 0:14:14.440
<v Speaker 1>project coming soon. Marcot was crazy. I'm happy you had

0:14:14.480 --> 0:14:16.920
<v Speaker 1>a great time, but I'm just trying to save her

0:14:16.960 --> 0:14:19.560
<v Speaker 1>every bit of day. Endorphin high and filing after that interview,

0:14:24.240 --> 0:14:26.200
<v Speaker 1>but as we get back to town and head back

0:14:26.240 --> 0:14:29.760
<v Speaker 1>to Marco's place, I feel sad. All of a sudden,

0:14:31.200 --> 0:14:34.040
<v Speaker 1>the closest we've ever been tonight. But what if this

0:14:34.080 --> 0:14:36.960
<v Speaker 1>is the last time it's like this? What if changing

0:14:37.000 --> 0:14:40.720
<v Speaker 1>schools changes us. It's like on the trip home, I've

0:14:40.720 --> 0:14:44.400
<v Speaker 1>been able to fly all the stresses and fixations that

0:14:44.560 --> 0:14:47.400
<v Speaker 1>was lashing onto in my panic. I left them way

0:14:47.400 --> 0:14:50.600
<v Speaker 1>down below me on the ground. All those issues seem

0:14:50.720 --> 0:14:54.120
<v Speaker 1>so small and manageable. All of a sudden, the thing,

0:14:54.840 --> 0:15:00.920
<v Speaker 1>the actual thing, the interview, We got it, but I'm

0:15:00.960 --> 0:15:04.640
<v Speaker 1>coming back to earth. Marco and I both knowing but

0:15:04.760 --> 0:15:06.720
<v Speaker 1>not saying that this is the end of an era,

0:15:08.200 --> 0:15:11.840
<v Speaker 1>knowing but not saying this podcast it's our best shot

0:15:11.880 --> 0:15:15.120
<v Speaker 1>to make this the start of something new and great instead.

0:15:16.480 --> 0:15:19.800
<v Speaker 1>Marco may be in Internet sensation, but I'm the one

0:15:19.840 --> 0:15:23.280
<v Speaker 1>getting into a private stem school starting next week. He'll

0:15:23.320 --> 0:15:26.520
<v Speaker 1>still be back in public school in some ways. He

0:15:26.560 --> 0:15:29.680
<v Speaker 1>needs to pop more than I do. You know, Marco

0:15:29.800 --> 0:15:32.800
<v Speaker 1>is addicted to every hit on his social media accounts.

0:15:33.800 --> 0:15:37.040
<v Speaker 1>That's just the world he lives in. I always tol

0:15:37.120 --> 0:15:39.840
<v Speaker 1>him that this goes well, and as if he's reading

0:15:39.880 --> 0:15:43.760
<v Speaker 1>my mind, he turns to me and says, hey, Ben,

0:15:44.440 --> 0:15:47.320
<v Speaker 1>thanks for doing this with me. Thanks for pushing me. Man.

0:15:49.840 --> 0:15:52.360
<v Speaker 1>When we get back to Marco's house, it's at it

0:15:52.360 --> 0:15:55.720
<v Speaker 1>in time. It's pretty late and his parents are already asleep,

0:15:55.760 --> 0:15:59.160
<v Speaker 1>so we raided the catchen for snacks, takis and prettzels

0:15:59.200 --> 0:16:01.720
<v Speaker 1>and the red Bull. Each we rush up the stairs

0:16:01.720 --> 0:16:04.040
<v Speaker 1>to Marco's room so we could dig into the Neva interview.

0:16:04.640 --> 0:16:07.600
<v Speaker 1>Keep on riding that high. Yeah, and it's the last

0:16:07.600 --> 0:16:09.880
<v Speaker 1>weekend of the summer, so if we want to, we

0:16:09.920 --> 0:16:12.920
<v Speaker 1>could stay up till dawn and sleep tomorrow away. I

0:16:13.000 --> 0:16:14.880
<v Speaker 1>was turning the interview over in my head on the

0:16:14.920 --> 0:16:17.160
<v Speaker 1>train ride back while Marcot was on his phone, So

0:16:17.880 --> 0:16:21.160
<v Speaker 1>once we're safely in his bedroom, we immediately snapped back

0:16:21.160 --> 0:16:24.880
<v Speaker 1>into mind. Mailed Mark, just leaving some of the casual

0:16:24.920 --> 0:16:28.320
<v Speaker 1>stuff on either end. Help things feel real intimate. Oh,

0:16:28.360 --> 0:16:30.400
<v Speaker 1>we're gonna want to score the opening and closing with

0:16:30.440 --> 0:16:31.840
<v Speaker 1>the tight beat for now the job. On the girl

0:16:31.920 --> 0:16:34.080
<v Speaker 1>group question, she really opened up about her mom, and

0:16:34.120 --> 0:16:39.080
<v Speaker 1>I'm bringing the closer we get to complete in the pot,

0:16:39.560 --> 0:16:42.280
<v Speaker 1>the more I start to feel my anxiety return, just

0:16:42.720 --> 0:16:47.720
<v Speaker 1>bubbling up from within me. Oh shit, I just realized

0:16:47.720 --> 0:16:50.520
<v Speaker 1>I forgot to take my meds. I've been so distracted

0:16:50.560 --> 0:16:53.280
<v Speaker 1>that it didn't even cross my mind. And to be honest,

0:16:53.320 --> 0:16:55.120
<v Speaker 1>my Clopin could put me to sleep, which I've been

0:16:55.120 --> 0:16:58.160
<v Speaker 1>too busy for. While the audio file renders, I pulled

0:16:58.200 --> 0:16:59.720
<v Speaker 1>the pill, bought a lot of my bag and duck

0:16:59.720 --> 0:17:07.760
<v Speaker 1>out to the bathroom and wash one down. When I

0:17:07.760 --> 0:17:10.560
<v Speaker 1>step back into the room, Marco was pulling the microphone

0:17:10.600 --> 0:17:12.480
<v Speaker 1>from his closet and hooking it up to his laptop.

0:17:13.880 --> 0:17:16.600
<v Speaker 1>What are we recording? You've got to introduce yourself to

0:17:16.600 --> 0:17:18.640
<v Speaker 1>the masses. Bro queue up the interview with an intro

0:17:18.720 --> 0:17:23.719
<v Speaker 1>in a sign off. Damn, he's right. I've been so

0:17:23.760 --> 0:17:26.199
<v Speaker 1>focused on the interview itself. But there's another part of this.

0:17:26.280 --> 0:17:30.360
<v Speaker 1>I hadn't thought through the big picture. I don't want

0:17:30.359 --> 0:17:32.720
<v Speaker 1>to tell my parents, but if I'm the face of

0:17:32.760 --> 0:17:35.280
<v Speaker 1>this project, then it gets the audience we want. I

0:17:35.280 --> 0:17:37.200
<v Speaker 1>can't keep pretending this is just gonna be a fun

0:17:37.280 --> 0:17:40.879
<v Speaker 1>amateur poty with my friend. If it hits, we're not

0:17:40.920 --> 0:17:43.840
<v Speaker 1>gonna be business man. We're gonna be a business man.

0:17:44.920 --> 0:17:48.320
<v Speaker 1>I can't hide that from my parents forever. The combination

0:17:48.359 --> 0:17:50.560
<v Speaker 1>of the long night in the city, the head trip

0:17:50.600 --> 0:17:53.360
<v Speaker 1>of success, the lack of sleep, and Miss Mad's it's

0:17:53.400 --> 0:17:57.000
<v Speaker 1>got me tripping, and without thinking, I blurt out, can

0:17:57.040 --> 0:18:02.080
<v Speaker 1>we disguise my voice? Marco throws some serious I what, no, man,

0:18:02.119 --> 0:18:04.199
<v Speaker 1>We have to lay effects back over the whole interview.

0:18:04.240 --> 0:18:07.720
<v Speaker 1>The sun's coming up. It'll be worth it. Maybe it's

0:18:07.720 --> 0:18:11.400
<v Speaker 1>part of a stage name, a persona. The anonymity could

0:18:11.440 --> 0:18:14.359
<v Speaker 1>give us a little mistique. Okay, okay, that's interesting what

0:18:14.480 --> 0:18:18.160
<v Speaker 1>you're having in mind. I scrambled for an idea, jittery

0:18:18.320 --> 0:18:21.320
<v Speaker 1>winging it, I suggested this out of panic, But now

0:18:21.359 --> 0:18:23.480
<v Speaker 1>I gotta keep my nerves about me and back it up.

0:18:26.480 --> 0:18:29.600
<v Speaker 1>How about mask on like a play on futures. Mask

0:18:29.680 --> 0:18:32.240
<v Speaker 1>Off could be a play on Corona culture too. I mean,

0:18:32.720 --> 0:18:35.880
<v Speaker 1>you know all right, it has potential. If I start

0:18:35.880 --> 0:18:37.720
<v Speaker 1>on divorce distortion as soon as we lock down the

0:18:37.760 --> 0:18:40.399
<v Speaker 1>intro on autro, we could still post it today. And

0:18:40.600 --> 0:18:43.080
<v Speaker 1>I gotta record the central and noutre before that climb

0:18:43.119 --> 0:18:45.600
<v Speaker 1>up and kicks in the fact I fell off my

0:18:45.640 --> 0:18:47.680
<v Speaker 1>med schedule on his own and starting to freak me out.

0:18:48.080 --> 0:18:50.679
<v Speaker 1>You can throw off my mood for days. Not what

0:18:50.760 --> 0:18:53.440
<v Speaker 1>I need right now. I got a family dinner celebrateing

0:18:53.440 --> 0:18:57.680
<v Speaker 1>Mynday school tomorrow. Marcos starts to take with a tap

0:18:57.680 --> 0:19:02.639
<v Speaker 1>on his track pad. Okay, mask On, step up to

0:19:02.680 --> 0:19:05.679
<v Speaker 1>the mic. We'll so we's set out there, podcast world.

0:19:05.680 --> 0:19:07.600
<v Speaker 1>We are coming at you, fresh from the van of

0:19:07.680 --> 0:19:10.800
<v Speaker 1>Joel Show at the Brooklyn Bowl after wrapping up an

0:19:10.800 --> 0:19:14.040
<v Speaker 1>interview with one of the hottest new artists in the game.

0:19:14.840 --> 0:19:17.479
<v Speaker 1>She's fly too. That's what we do here and here

0:19:17.520 --> 0:19:20.280
<v Speaker 1>comes to break. You get used to that. I'm your

0:19:20.280 --> 0:19:23.199
<v Speaker 1>host mask on, and that's what those earbuds in and

0:19:23.320 --> 0:19:27.480
<v Speaker 1>enjoy our exclusive interview with Nevea Jolie. I don't know

0:19:27.520 --> 0:19:30.560
<v Speaker 1>where it comes from, but I feel way less anxious

0:19:30.560 --> 0:19:33.600
<v Speaker 1>and more confident behind this PERSONA killer first take and

0:19:33.640 --> 0:19:36.920
<v Speaker 1>I'll try to outro. That's our interview with the Veta. Hey,

0:19:36.920 --> 0:19:40.879
<v Speaker 1>the show was amazing. Showing some love like follow and

0:19:40.920 --> 0:19:44.560
<v Speaker 1>subscribe to the artist feeds our feeds links in the description,

0:19:44.960 --> 0:19:47.600
<v Speaker 1>I'm mask on. This is your place for the hottest

0:19:47.640 --> 0:19:51.000
<v Speaker 1>and breaking new artists. Ready or not, here it comes

0:19:51.000 --> 0:19:55.040
<v Speaker 1>to break. Oh you're a natural. We don't have a

0:19:55.080 --> 0:19:57.560
<v Speaker 1>second episode lined up. The plug you worked around it.

0:19:57.640 --> 0:20:00.840
<v Speaker 1>Don't sweat it for now. I'll here comes to break

0:20:00.880 --> 0:20:04.480
<v Speaker 1>official accounts, cross posts on my accounts. We'll have artists

0:20:04.520 --> 0:20:06.960
<v Speaker 1>coming to us once we hit some real numbers, and

0:20:07.040 --> 0:20:09.080
<v Speaker 1>until then, we just gotta step up our hustle going

0:20:09.080 --> 0:20:17.040
<v Speaker 1>out to shows rollsoving me like a wave. This thing

0:20:17.240 --> 0:20:21.320
<v Speaker 1>is real. Now the thought scares me. It's rattling around

0:20:21.320 --> 0:20:24.840
<v Speaker 1>my brain, throwing the elbows and the climb up and

0:20:24.880 --> 0:20:27.800
<v Speaker 1>still doesn't feel like it's kicking in. Suddenly have a

0:20:27.840 --> 0:20:32.720
<v Speaker 1>panic thought and check my book back again. Shit, I

0:20:32.800 --> 0:20:36.240
<v Speaker 1>brought the wrong pill bottle. This is my adderall I

0:20:36.280 --> 0:20:38.920
<v Speaker 1>took an adderall by mistake. Oh, there's no way I'm

0:20:38.920 --> 0:20:40.760
<v Speaker 1>getting any sleep. Now, I'm going to be up all

0:20:40.840 --> 0:20:44.000
<v Speaker 1>day and walking in the family dinner tonight with raw nerves.

0:20:44.040 --> 0:20:46.200
<v Speaker 1>The big celebration to me starting a book of t

0:20:46.440 --> 0:20:48.960
<v Speaker 1>and I'll be lucky if I'm a zombie on type

0:20:48.960 --> 0:20:51.360
<v Speaker 1>of line to them about why was tonight? Now I'm

0:20:51.359 --> 0:20:54.159
<v Speaker 1>gonna have to cover up my exhaustion and adrenaline and

0:20:54.200 --> 0:20:56.520
<v Speaker 1>they're gonna see if right through it. Oh, the voice

0:20:56.520 --> 0:20:58.640
<v Speaker 1>whispers inside of me. Oh no, here it comes all

0:20:58.680 --> 0:21:02.200
<v Speaker 1>my anxieties. They're coming together, and that big familiar blob

0:21:02.359 --> 0:21:06.800
<v Speaker 1>of fear. Now, Yo, Reuben, it's time to work. I

0:21:06.880 --> 0:21:10.560
<v Speaker 1>step up to the mic. Adrenaline anxiety coursing through me.

0:21:11.520 --> 0:21:17.280
<v Speaker 1>Let's screw it. Here calms the break. We'll be right

0:21:17.320 --> 0:21:37.120
<v Speaker 1>back and now back to the show. In an industry

0:21:37.119 --> 0:21:39.440
<v Speaker 1>that is constantly trying to define artists, can you tell

0:21:39.440 --> 0:21:42.320
<v Speaker 1>our listeners in your own words? Who is Novea Joe

0:21:42.400 --> 0:21:49.840
<v Speaker 1>Lee h Who is Novejoli Novego Lee. I am an artist,

0:21:50.359 --> 0:21:58.119
<v Speaker 1>a full on creative, crazy person, singer, songwriter, actress, future entrepreneur.

0:21:58.920 --> 0:22:01.800
<v Speaker 1>I do a lot, but I'm still defining myself every day.

0:22:01.840 --> 0:22:06.679
<v Speaker 1>You get my own words. Wow wow okay, okay. You

0:22:06.680 --> 0:22:09.560
<v Speaker 1>know every artist has that when they step into a room,

0:22:09.640 --> 0:22:12.959
<v Speaker 1>when they walk, the way they dress, speak, sing. How

0:22:13.000 --> 0:22:17.280
<v Speaker 1>do you maintain to develop that? WHOA? My number one

0:22:17.359 --> 0:22:20.040
<v Speaker 1>role is to always keep it playing, so you know,

0:22:20.320 --> 0:22:24.840
<v Speaker 1>I gotta stick to that definitely, and just being yourself

0:22:24.880 --> 0:22:28.520
<v Speaker 1>as an artist. The goal is to be entertaining, but

0:22:28.640 --> 0:22:31.560
<v Speaker 1>the goal is also to be able to express yourself

0:22:31.560 --> 0:22:34.880
<v Speaker 1>and the best way you can. So if people are

0:22:35.119 --> 0:22:38.480
<v Speaker 1>digging it, they're gonna dig it. You just gotta be

0:22:38.680 --> 0:22:43.200
<v Speaker 1>you keep it playing. Okay, Okay, I feel I feel

0:22:43.200 --> 0:22:44.879
<v Speaker 1>you and you go right. And so you were eight

0:22:44.960 --> 0:22:47.280
<v Speaker 1>years old, So tell me what road is writing playing

0:22:47.320 --> 0:22:52.920
<v Speaker 1>your life? Writing is my expressions, my voice, pen and paper,

0:22:53.560 --> 0:22:56.720
<v Speaker 1>just typing it out and my notes is it's getting

0:22:56.720 --> 0:22:59.879
<v Speaker 1>that emotion out. It started off with a little colone

0:23:00.480 --> 0:23:03.760
<v Speaker 1>little songs. Since I was eight, I carried around a

0:23:03.920 --> 0:23:07.119
<v Speaker 1>journal and I just whenever I thought of something, I

0:23:07.240 --> 0:23:10.200
<v Speaker 1>just wrote it down. It's kind of like just a release.

0:23:10.720 --> 0:23:13.400
<v Speaker 1>If I have built up energy, I can't sit on it.

0:23:13.560 --> 0:23:16.199
<v Speaker 1>I need it to get out of my system. So

0:23:16.240 --> 0:23:20.359
<v Speaker 1>I write every day, just trying to express myself. Did

0:23:20.400 --> 0:23:24.680
<v Speaker 1>you view it as a film a therapy? Definitely? Definitely.

0:23:25.600 --> 0:23:29.080
<v Speaker 1>It's processing. It's ways to get out an emotion you

0:23:29.080 --> 0:23:31.919
<v Speaker 1>you have and you can't necessarily say it, you know

0:23:31.920 --> 0:23:35.000
<v Speaker 1>what I'm saying, Like, I'm not the best at articulating

0:23:35.200 --> 0:23:38.480
<v Speaker 1>my thoughts, so I'll have to write it out. I'll

0:23:38.480 --> 0:23:42.600
<v Speaker 1>have to because I'm better with that. The switching gears here.

0:23:42.640 --> 0:23:46.399
<v Speaker 1>How how have you built your following, especially on social media? Well,

0:23:47.240 --> 0:23:51.200
<v Speaker 1>it's been it's been, you know, going up these past

0:23:51.320 --> 0:23:56.159
<v Speaker 1>like two years, and I've just been building relationships with

0:23:56.240 --> 0:24:00.440
<v Speaker 1>my plays and it's dope. It's dope. I really just

0:24:00.560 --> 0:24:04.400
<v Speaker 1>try to stay true to myself, try to post relatable content,

0:24:05.040 --> 0:24:07.240
<v Speaker 1>just try to reach out to people, talk to people,

0:24:07.400 --> 0:24:10.919
<v Speaker 1>go live and just really use my platform to not

0:24:11.040 --> 0:24:14.240
<v Speaker 1>only advertise my music and advertise what I'm doing, but

0:24:14.359 --> 0:24:17.560
<v Speaker 1>just to be there for people, you know, and to

0:24:17.600 --> 0:24:21.160
<v Speaker 1>connect about current events like Black Lives Matter. Yeah, that's

0:24:21.200 --> 0:24:24.080
<v Speaker 1>what that's That's what it's there for. Definitely speaking about it.

0:24:25.040 --> 0:24:27.320
<v Speaker 1>Tell me, how how are you personally coping with all

0:24:27.320 --> 0:24:30.960
<v Speaker 1>the civil own rest. Well, it's always been there and

0:24:31.000 --> 0:24:34.960
<v Speaker 1>always been a problem. It's literally one of my only

0:24:35.000 --> 0:24:38.560
<v Speaker 1>triggers that make me like angry or make me flustered.

0:24:39.480 --> 0:24:44.120
<v Speaker 1>Just racism, police brutality, all that nonsense. My first fight ever,

0:24:44.560 --> 0:24:47.720
<v Speaker 1>my first fight that I ever got into, was on

0:24:47.760 --> 0:24:52.159
<v Speaker 1>that topic and um, I got body slammed by a dude.

0:24:53.000 --> 0:24:57.320
<v Speaker 1>It was in the army program in my high school. Yeah,

0:24:57.600 --> 0:25:01.000
<v Speaker 1>I'm just very passionate about that type stuff. And it's

0:25:01.000 --> 0:25:05.800
<v Speaker 1>so tiring. It's just tiring, it's exhausting. It's not gonna

0:25:05.840 --> 0:25:09.920
<v Speaker 1>stop anytime soon unless people actually wanted to and make

0:25:09.960 --> 0:25:12.080
<v Speaker 1>a difference. So you were in your first girl group

0:25:12.119 --> 0:25:14.840
<v Speaker 1>of tend called the Perfect Storm. When lessons did you

0:25:14.920 --> 0:25:23.119
<v Speaker 1>learn from that experience? Oh, my gosh, rhythm definitely. Rhythm. Wow.

0:25:23.680 --> 0:25:26.399
<v Speaker 1>I was doing like choreography at ten and it would

0:25:26.440 --> 0:25:30.160
<v Speaker 1>get me so frustrated, but it helped. It helped a lot,

0:25:31.160 --> 0:25:34.080
<v Speaker 1>and it just it got me used to positive and

0:25:34.200 --> 0:25:37.680
<v Speaker 1>negative feedback, people telling you how it is to your

0:25:37.680 --> 0:25:41.359
<v Speaker 1>face as a kid, like I'm getting nose left and right.

0:25:41.400 --> 0:25:44.400
<v Speaker 1>Because I used to audition for stuff on the side too,

0:25:44.400 --> 0:25:47.960
<v Speaker 1>because I was also acting. So I would just catch

0:25:48.040 --> 0:25:50.360
<v Speaker 1>the train to New York with my mom every day,

0:25:50.359 --> 0:25:53.240
<v Speaker 1>every weekend, anytime she got off of work, and it

0:25:53.320 --> 0:25:56.119
<v Speaker 1>was just audition after audition, So it just taught me

0:25:56.119 --> 0:25:58.280
<v Speaker 1>a lot about the industry, you know, But it was

0:25:58.320 --> 0:26:01.760
<v Speaker 1>just me and my mom was not like the most

0:26:01.800 --> 0:26:05.720
<v Speaker 1>extreme mamager ever. But when I said that I wanted

0:26:05.760 --> 0:26:07.960
<v Speaker 1>to do music, she was like, if you want to

0:26:07.960 --> 0:26:10.920
<v Speaker 1>do it, we gotta get you on vocal lessons, we

0:26:11.000 --> 0:26:13.639
<v Speaker 1>gotta do this, we gotta get you doing theater, we

0:26:13.720 --> 0:26:16.760
<v Speaker 1>gotta do this that that. Well, what are getting that

0:26:16.800 --> 0:26:19.640
<v Speaker 1>support from your mom? Meaning you and mental lot? At

0:26:19.640 --> 0:26:21.879
<v Speaker 1>first I wanted to be a scientist and she was

0:26:21.960 --> 0:26:25.240
<v Speaker 1>like super for that. But when I was like, Okay, no,

0:26:25.400 --> 0:26:28.040
<v Speaker 1>I really want to do this music thing. We've been

0:26:28.040 --> 0:26:30.440
<v Speaker 1>doing it for real, Let's do it for real, for real,

0:26:31.000 --> 0:26:32.919
<v Speaker 1>of course she was going to support me. I was

0:26:32.960 --> 0:26:35.680
<v Speaker 1>just so eager. There was no way that she was

0:26:35.720 --> 0:26:37.840
<v Speaker 1>going to stop me. You know what I'm saying. She

0:26:37.960 --> 0:26:40.399
<v Speaker 1>had to be there for it, and she believed in

0:26:40.440 --> 0:26:43.439
<v Speaker 1>me entirely, and she still believes in me now and

0:26:43.480 --> 0:26:47.359
<v Speaker 1>she's definitely rooting for me. So that's amazing. What advice

0:26:47.400 --> 0:26:49.399
<v Speaker 1>would you get the families and parents about supporting a

0:26:49.440 --> 0:26:52.040
<v Speaker 1>teenager that wants to pursue the arts. If you see

0:26:52.080 --> 0:26:55.000
<v Speaker 1>their dedicated and you see that they really mean it

0:26:55.200 --> 0:26:59.280
<v Speaker 1>in their grades are good, then my thing doing, man,

0:27:00.000 --> 0:27:02.480
<v Speaker 1>I don't do it. Man. I kept my honor roll.

0:27:02.840 --> 0:27:06.480
<v Speaker 1>But this is for all y'all aspiring artists. Keep your

0:27:06.480 --> 0:27:08.960
<v Speaker 1>grades good. If you're trying to convince your parents that

0:27:09.119 --> 0:27:13.880
<v Speaker 1>you got your life, figure it out. Keep your grades decent,

0:27:15.040 --> 0:27:17.639
<v Speaker 1>and then they'll they'll believe you. They'll believe your promise.

0:27:20.119 --> 0:27:22.160
<v Speaker 1>Keep your grades good. That's a going, that's a going.

0:27:22.960 --> 0:27:25.400
<v Speaker 1>I know you're in the guide in meditation and drawing

0:27:25.480 --> 0:27:28.240
<v Speaker 1>and painting. What does your wellness routine look like if

0:27:28.280 --> 0:27:31.520
<v Speaker 1>you have them. I don't really have a routine. I

0:27:31.600 --> 0:27:35.160
<v Speaker 1>try to meditate as much as I can, like every day,

0:27:35.160 --> 0:27:37.840
<v Speaker 1>every other day. I try to draw a little bit

0:27:37.880 --> 0:27:40.960
<v Speaker 1>in my journal, right, a little bit of poetry or

0:27:41.359 --> 0:27:44.879
<v Speaker 1>a song. And final question, what would you like your

0:27:44.920 --> 0:27:49.800
<v Speaker 1>legacy to be? Maybe just having a good personality, like

0:27:49.880 --> 0:27:52.720
<v Speaker 1>just being a good person. I just I just want

0:27:52.760 --> 0:27:57.240
<v Speaker 1>to be you know that cool old lady you know

0:27:58.080 --> 0:28:02.240
<v Speaker 1>everybody remembers. Well, I'm sure your jeans are great. You know,

0:28:02.440 --> 0:28:04.040
<v Speaker 1>I'm not gonna look like an old lady once you

0:28:04.080 --> 0:28:07.679
<v Speaker 1>become an old lady. You're right, I'm gonna still be

0:28:07.720 --> 0:28:11.520
<v Speaker 1>on tour like Shoot, I'm gonna be out here yoke.

0:28:11.840 --> 0:28:14.199
<v Speaker 1>That was our interview and the Vega has blessed us

0:28:14.240 --> 0:28:16.200
<v Speaker 1>with the fresh track to break through you right here

0:28:16.280 --> 0:28:18.640
<v Speaker 1>on here It comes to Break. That's coming right up.

0:28:18.920 --> 0:28:21.960
<v Speaker 1>This is mask On, get your listen on and now

0:28:22.040 --> 0:28:49.680
<v Speaker 1>an exclusive track from The Vega Jolie Chad Shine, Hold Shine,

0:28:50.240 --> 0:29:07.560
<v Speaker 1>I didn't see right, oh shone high. Spending all this

0:29:07.760 --> 0:29:12.840
<v Speaker 1>time to get you, but there's nothing better thing you baby,

0:29:13.080 --> 0:29:17.520
<v Speaker 1>ground my face and fool me clothes and ba my ways.

0:29:17.720 --> 0:29:23.160
<v Speaker 1>I feel saying anything change when I'm looking out to

0:29:23.280 --> 0:29:25.800
<v Speaker 1>see the stars in the night on the feeling in

0:29:25.960 --> 0:29:29.560
<v Speaker 1>my heart and staring me a fire. You to fight

0:29:29.720 --> 0:29:38.960
<v Speaker 1>on my spy, just one shine, check you on you

0:29:42.920 --> 0:29:49.640
<v Speaker 1>hold on Shine Shy and I feel like I mention

0:29:49.800 --> 0:29:56.400
<v Speaker 1>my vibe. Tell me want to feel like Oh shone

0:29:56.520 --> 0:30:35.760
<v Speaker 1>by try f of your love and me to tell

0:30:36.400 --> 0:30:40.360
<v Speaker 1>now I felt this way for now. You want to

0:30:40.440 --> 0:30:44.800
<v Speaker 1>shout another side love man, want to say a little

0:30:45.040 --> 0:30:50.160
<v Speaker 1>more said you know, felt a lovely showhead to tell

0:30:50.440 --> 0:30:57.200
<v Speaker 1>the world, try to have good night. I just want

0:30:57.200 --> 0:31:23.640
<v Speaker 1>to try take you one word Shy. Here Comes to

0:31:23.680 --> 0:31:26.120
<v Speaker 1>Break is produced by Double Elvis and partnership with I

0:31:26.280 --> 0:31:30.160
<v Speaker 1>Heart Radio. Executive produced by Deaf Jam Recordings. Executive produced

0:31:30.240 --> 0:31:33.680
<v Speaker 1>by and starring Asanti Black Is Ruben, Produced by Danielle

0:31:33.760 --> 0:31:37.680
<v Speaker 1>Perkins who plays Janelle, Bobby cus Is Marco, Christopher V.

0:31:37.920 --> 0:31:41.600
<v Speaker 1>Edwards as Dad, Raymie Cornell is Mom, and Taylor Bettinson.

0:31:41.800 --> 0:31:45.000
<v Speaker 1>Written by Taylor Bettinson and the Kia Hill Artist Interviews

0:31:45.040 --> 0:31:49.280
<v Speaker 1>conducted by Nikia Hill, directed by Christopher V. Edwards, mixed

0:31:49.320 --> 0:31:52.280
<v Speaker 1>and edited by Matt Ta Hainey, Sound recording by Colin

0:31:52.360 --> 0:31:56.680
<v Speaker 1>Fleming Music Elements and production by Ryan Spreaker. Additional production

0:31:56.680 --> 0:32:00.720
<v Speaker 1>support by Jamie Demons. Executive produced by Jake and Brady

0:32:00.760 --> 0:32:05.440
<v Speaker 1>Sadler for Double Elvis Special Thanks to Rain Rosenbaum, Shelby Shankman,

0:32:05.800 --> 0:32:09.480
<v Speaker 1>Sarah Kane and Jordan Gerrellic at United Talent Agency, be

0:32:09.640 --> 0:32:13.880
<v Speaker 1>Comedian Marketing, Barack Muffatt and Universal Music Group, Rich Isaacson,

0:32:14.200 --> 0:32:19.479
<v Speaker 1>Lind Gonzalez, Charlene Thomas, Merissa Pizarro, Gabriel To Serrierio, Jessica

0:32:19.560 --> 0:32:23.680
<v Speaker 1>Manarino and Nya Fleming at Deaf GYM Recordings and Conald Burn,

0:32:24.040 --> 0:32:27.760
<v Speaker 1>Carrie Lieberman, Will Pearson, Noel Brown and the entire I

0:32:27.880 --> 0:32:30.720
<v Speaker 1>Heeart Media team to hear bonus content, meet the cast,

0:32:30.880 --> 0:32:32.760
<v Speaker 1>and go behind the scenes of Here It Comes to Break.

0:32:32.960 --> 0:32:35.840
<v Speaker 1>Follow with double Elvis on Instagram or visit double elvis

0:32:35.920 --> 0:32:36.320
<v Speaker 1>dot com.