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Speaker 1: My son, Indy has reached a stage where he is

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Speaker 1: he's eight years old now, and nothing makes him happier

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Speaker 1: than swearing. And so, you know, I've always had like

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Speaker 1: what I thought was a very cool, like attitude about this,

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Speaker 1: which is like Indy, Mom and I don't care. Like

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Speaker 1: we swear sometimes when you know ourselves, So you can

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Speaker 1: swear around us, but just don't do it around other

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Speaker 1: kids or you know, school or like anywhere where it's

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Speaker 1: inappropriate or your grandparents. You know, like my parents don't care.

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Speaker 1: But I know Alex's parents as cool as they are,

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Speaker 1: like they're still kind of old school in New York, like,

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Speaker 1: you know, they don't like it. So we have this

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Speaker 1: kind of agreement. But what now that that means is

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Speaker 1: that he wants to swear around us all the time,

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Speaker 1: to like let it out and like make a scene

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Speaker 1: out of it. And so he he this morning, we're

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Speaker 1: driving in the car and he had recently seen the

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Speaker 1: Super Mario Brothers movie and he's like, Dad, the funniest song.

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Speaker 1: There's a character named Bowser. I didn't see the movie.

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Speaker 1: So he's like, the character named Bowser and he's like,

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Speaker 1: it's played by Jack Black, and he sings a song,

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Speaker 1: and so we find this song, you know, and here's

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Speaker 1: a little side note, Jack Black. Can we just have

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Speaker 1: a moment of Jack Black appreciation unbelievably? You know, I

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Speaker 1: didn't quite realize it until you have a kid and

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Speaker 1: you start seeing like between Jumanji, the Goosebumps films, the

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Speaker 1: School of Rock. He he is like my son's Tom Hanks,

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Speaker 1: like he my son thinks he and he is. He's

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Speaker 1: so brilliant because he plays like villains in these movies

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Speaker 1: and yet he's so likable and so funny, and my

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Speaker 1: kid just loves Jack. But anyway, so we played He's.

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Speaker 2: Probably gonna win an Oscar for Best Song.

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Speaker 1: It's like, yeah, Peaches is hysterical. So we play Peaches

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Speaker 1: and then I'm like, well, you know, Jack Black has

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Speaker 1: a band, and he's like what, So I go immediately

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Speaker 1: to Tenacious D. Man. Did I not realize I clicked

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Speaker 1: on the wrong song. And it was just like F

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Speaker 1: bomb boom and F bomb boom and I'm gonna F

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Speaker 1: you and F I was like, and he loved it,

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Speaker 1: and he's just like arms in the air, like what

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Speaker 1: did he say?

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Speaker 3: And it's like it's it's so over the top swearing.

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Speaker 1: I could not. I was like, you know, basically this

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Speaker 1: song exists for Jack Black to just saywork, oh my good,

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Speaker 1: huge parenting fail.

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Speaker 2: Oh my gosh, I know that way.

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Speaker 1: I'm gonna pick him uprom school today and all he's

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Speaker 1: gonna be is like, put on that song.

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Speaker 2: How's he been doing with not using it? And like,

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Speaker 2: how does he do then? With not using it in

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Speaker 2: front of grandparents? Are at school? How does that go?

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Speaker 1: He's okay, you know, he heats up occasionally. No, he

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Speaker 1: likes to push the envelope, so he likes to in

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Speaker 1: front of like another kid will be like if I'm

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Speaker 1: hanging out with him and a friend, he'll be like mother.

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Speaker 1: He knows all those wear words and he wants to

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Speaker 1: like insinuate them in front of his friends. And I

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Speaker 1: think he wants to show off to his friends that

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Speaker 1: he can do it in front of me. And it's

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Speaker 1: just like whatever, It's just so funny because it's like,

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Speaker 1: you know, a year ago, it was anything to do

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Speaker 1: with farting and pooping, right, like that was still funny.

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Speaker 1: And he goes through phases and it evolves. Now it's

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Speaker 1: just like pure awful swear words. As much as he

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Speaker 1: can throw into and it's like, how did you even

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Speaker 1: learn this? Like I don't say half of these things

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Speaker 1: in front of him, you know. But right, Danielle, did

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Speaker 1: you grow up swearing in.

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Speaker 3: Front of your parents?

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Speaker 2: No?

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Speaker 3: Never. I was wondering if it was an East Coast

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Speaker 3: West coast thing, because we did. We had we had

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Speaker 3: soap in our mouth. Oh you got your mouth? Oh

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Speaker 3: my god, man, we got the bars open our mouth.

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Speaker 3: Absolutely the seventies.

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Speaker 4: It was the seventies back East man.

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Speaker 2: Oh no, it's I had a bar of soap shoved

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Speaker 2: in my mouth. It wasn't for saying about word. It

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Speaker 2: was just for being mouthy. Yeah, and you want to know, Yeah,

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Speaker 2: I was really mouthy and I was so I was.

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Speaker 2: You want to hear the story. It's actually really funny.

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Speaker 2: This will give you a sense of Danielle, like young Danielle,

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Speaker 2: the little terror that was young Danielle. So I don't

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Speaker 2: remember what I was being mauthy about, but I had

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Speaker 2: come home from school and was just mouthing back to

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Speaker 2: my mom and my dad was out of town because

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Speaker 2: my dad used to travel a lot for work, and

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Speaker 2: my mom called him and said, I just don't know

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Speaker 2: what to do with her. She's so mouthy, and she's

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Speaker 2: constantly challenging me, and at a certain point, like I

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Speaker 2: just don't know what to do. And so she had

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Speaker 2: sent me to my room, and I think I was

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Speaker 2: upstairs like screaming or slamming things or whatever. And my

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Speaker 2: dad was like, wash her mouth, that was sop. Try that.

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Speaker 2: You've never done that. You've never you know, they didn't

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Speaker 2: spank us, they didn't do anything like that, but my

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Speaker 2: dad was like, wash her mouth was soap. So my

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Speaker 2: mom was like, okay. So she goes upstairs and she

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Speaker 2: goes into the bathroom and I hear her from my room.

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Speaker 2: I can hear her that she's going into the bathroom,

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Speaker 2: and I actually thought to myself, Oh good, she's gonna apologize.

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Speaker 2: And she said, Danielle, I mean this whole story is

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Speaker 2: gonna be like, yeah, you're a mauthy kid. So I

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Speaker 2: think to myself, she's gonna apologize. So I get quiet, Danielle,

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Speaker 2: can you I'm in here, please? And I opened the

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Speaker 2: door quietly, calmly walk into the bathroom. And the minute

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Speaker 2: I step into the bathroom, she grabs me by the

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Speaker 2: back of the head and shoves a bar of soap

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Speaker 2: into my mouth and I start, I start fighting, and

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Speaker 2: then realize, oh, this is much better if I don't fight,

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Speaker 2: So I don't fight it. I just left the bar

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Speaker 2: of soap sit in my mouth. She has her hand

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Speaker 2: over my mouth and it sits there for a little

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Speaker 2: bit and then she takes it out and I spit

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Speaker 2: in the sink and she goes, so I go. Wasn't

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Speaker 2: as bad as I thought.

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Speaker 3: It is such a story wanted.

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Speaker 2: I could see in her eyeballs like this, this was

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Speaker 2: going to be the thing. This was This was what

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Speaker 2: I had, and I just in the middle of it realized,

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Speaker 2: like what could be the worst thing I could do?

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Speaker 2: Just not really care that much?

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Speaker 4: Yeah, just decided to do that.

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Speaker 3: There We had the famous fam famous Udell family story

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Speaker 3: with my older brother Greg, who was not a good kid,

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Speaker 3: and he was saying the F word and so my

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Speaker 3: parents put a bar a bar of soap in his mouth.

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Speaker 3: He did the same thing. She took it out and

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Speaker 3: he looked at it and he went I like it

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Speaker 3: and walked out of the room.

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Speaker 4: And it's I mean, it's like, what do you do

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Speaker 4: to get back?

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Speaker 3: At that point?

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Speaker 1: The worst? The worst is like the impulse as a

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Speaker 1: parent is to punish them. Uh, but you end up

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Speaker 1: punishing them with things that you want as a parent.

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Speaker 1: Like We'll be like, right, no TV, but then I

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Speaker 1: actually have to parent you for the next four days

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Speaker 1: or whatever.

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Speaker 3: You know. You're like, we're taking that away for this

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Speaker 3: entire vacation.

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Speaker 1: You're like, but then we can't.

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Speaker 2: But then I don't have a break exactly.

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Speaker 1: So classics, you have to you have to stay strong.

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Speaker 1: Oh it's hard.

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Speaker 2: Oh boy, Will.

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Speaker 3: I'm not saying anything. I'm not saying anything. I'm just

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Speaker 3: going to sleep to eleven tomorrow and enjoy my morning.

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Speaker 3: I'm not saying anything.

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Speaker 2: Welcome to Pod Meets World. I'm Daniel Fishl, I'm Rader Strong,

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Speaker 2: and I'm Wilfredell. I'm actually mouthy Daniel Fishle. So this

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Speaker 2: episode of Pod Meets World, we are recapping season two,

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Speaker 2: episode nineteen, Wrong Side of the Tracks. It originally aired

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Speaker 2: February twenty fourth, nineteen ninety five, and the synopsis is

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Speaker 2: after being dumped by a popular posh girl, Sean becomes

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Speaker 2: obsessed with the idea that he is trailer trash. When

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Speaker 2: he decides he should join Harley's gang of thugs, Corey

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Speaker 2: and mister Turner try to scare him straight. Also, Eric

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Speaker 2: learns how to ice skate in his sleep like you do.

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Speaker 2: It was directed by Jeff McCracken, was written by Susan

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Speaker 2: Estelle Jansen. Guest starring Jason Marsden as Jason Marsden, Blake

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Speaker 2: Soper as Joseph Joey the Rat Epstein, Ethan Sipple as

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Speaker 2: Frankie Stacchino, and introducing Kenny Johnston as Harley Kiner for

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Speaker 2: this one.

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Speaker 3: Episode episode one episode.

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Speaker 2: So it has arrived the week that Danny came to

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Speaker 2: the table read and wasn't able to make it through

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Speaker 2: the I almost said the podcast.

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Speaker 3: Yeah, well for show in the podcast now are just

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Speaker 3: kind of one and the same.

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Speaker 2: It's just the same now. So, yeah, Danny wasn't able

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Speaker 2: to make it through the table read and ended up

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Speaker 2: being hospitalized, and they spur the moment cast Kenny Johnston

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Speaker 2: to come in.

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Speaker 1: Which I would have assumed was like after Danny and

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Speaker 1: the guys had been on our show for two seasons

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Speaker 1: at least, like in my memory, they were such a

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Speaker 1: huge part of the show by the time that this happened.

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Speaker 1: So the fact that this episode is already here is

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Speaker 1: shocking to me.

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Speaker 3: I know really quick that I had that epiphany. I

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Speaker 3: also had the wow, Jason did a lot more episodes

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Speaker 3: than I thought, epiphany in this one. And uh, and

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Speaker 3: then we'll get into the whole Harley thing because a

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Speaker 3: bunch of things are going through my mind during that scene.

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Speaker 1: Yeah, this is this seems like a seminal episode. This

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Speaker 1: is like a turning point. I think, so a few ways.

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Speaker 3: I agree there. I saw one tiny little one for

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Speaker 3: Danielle too that I want to pick up because it's

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Speaker 3: right in the beginning and is something that I thought

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Speaker 3: was really interesting. It's the first time I saw it,

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Speaker 3: so I think I know what you're going to do.

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Speaker 1: I think I know what you're going to talk about,

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Speaker 1: because I was the same. I wrote down something that

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Speaker 1: I was like, Okay.

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Speaker 3: Let's see, let's see all right, go ahead, Wow, okay.

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Speaker 2: It's then starring Christy Clark as Valerie, who played the

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Speaker 2: battery operated daughter in those weird dur Selkomer shoals where

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Speaker 2: they look like puppets.

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Speaker 1: Oh, I don't remember those.

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Speaker 3: Remember we talked about that. That's right, we talked about

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Speaker 3: Christy and I talked about how she did. You don't

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Speaker 3: remember the Dura Cel ads with the really weird, creepy

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Speaker 3: kind of robot family.

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Speaker 1: No.

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Speaker 3: Oh yeah, it was a whole campaign that was like

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Speaker 3: super creepy, but it's really popular.

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Speaker 2: Also, the woman who played.

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Speaker 3: She was Nebula.

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Speaker 2: She was Nebby.

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Speaker 3: Yeah, she was Nebby. So yeah, this is they brought

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Speaker 3: her back as it was curly.

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Speaker 2: When she was Nebula and then straight here which made

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Speaker 2: her look apparently totally different.

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Speaker 3: Yeah. Google, yeah, writer, eventually you know, google the images

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Speaker 3: of that durro cell family. It's like, whoa, it's like

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Speaker 3: max hedroomish weird.

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Speaker 1: Yeah.

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Speaker 3: Cool.

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Speaker 2: It's also guest starring Rebecca Herbst as Jill Hollinger. She

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Speaker 2: has went on to be in over two thousand episodes

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Speaker 2: of General Hospital.

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Speaker 3: Oh man, wow, that's almost two years worth of General Hospital.

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Speaker 5: That's a couple of weeks.

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Speaker 1: That's so. I didn't know that.

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Speaker 2: Yeah, And then Shane asked her as Mindy Barney is.

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Speaker 1: Yes, so was she Mindy in the last one or

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Speaker 1: does she even have so?

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Speaker 2: I don't think she had a name though. She was

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Speaker 2: also an earnest scared stupid Ye.

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Speaker 1: About such a great title.

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Speaker 2: And last but not least, Nancy Caragan as a Nancy

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Speaker 2: Caragan Nancy. So to jump into our recap, we start

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Speaker 2: in the school hallway. We see new character Jill Hollinger

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Speaker 2: saying yes to a date with Sean and he keeps

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Speaker 2: asking her to say it again and again with his

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Speaker 2: name now, and Sean appears rather smitten. Writer, you're shaking

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Speaker 2: your head.

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Speaker 1: It is a weird scene.

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Speaker 3: I don't know.

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Speaker 1: I just scene made me uncomfortable. I was like, I

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Speaker 1: don't know, your best was on point is on point.

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Speaker 2: And her wardrobe in this.

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Speaker 1: Whole episodes, she must have ye second.

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Speaker 4: One was a little weird where she just looked like the.

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Speaker 2: Bandjacket I love really.

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Speaker 1: Majorrette drum like.

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Speaker 3: It was like, this is Argan Cooper.

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Speaker 2: Yeah, I think that was Sarah Markowitz dressing her the

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Speaker 2: way Sarah Markowitz like to be dressed like the way.

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Speaker 1: It was just awesome.

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Speaker 2: I have a great picture of Sarah and also a

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Speaker 2: band style jacket like that. And then when Jill leaves,

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Speaker 2: Corey comes over and says that Jill is a new

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Speaker 2: type of girl for Sean, and Sean says, yeah, she

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Speaker 2: has style, elegance and parents. Then Eric walks up alongside

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Speaker 2: the self titled Jason Marsden and calls them baby geeks,

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Speaker 2: discovering the female species. Sean says he doesn't see Eric

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Speaker 2: or Jason with any girls, and Eric says they only

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Speaker 2: hunt when they need to hunt. And then Eric he's

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Speaker 2: another new character, alert Valerie and uh he walks over

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Speaker 2: to ask her out. Right after, Jason says, ha, ha, season.

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Speaker 3: Another wardrobe thing that I really like that Sarah started

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Speaker 3: to do more than we did in the first season.

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Speaker 4: She's having us re wear the clothes like normal life,

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Speaker 4: you know, almost.

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Speaker 3: Sweater a couple times where it's instead of you're in

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Speaker 3: you know, different clothes every single episode, which is so unreal.

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Speaker 4: It's you know, we were wearing the same stuff, which

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Speaker 4: is cool.

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Speaker 1: I mean, that's what you do.

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Speaker 3: And it was also cool just knowing Jason's you know,

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Speaker 3: proclivity for voiceover hearing him.

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Speaker 1: Oh that he's doing cartoon voices. Cartoon voices, yeah, because

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Speaker 1: he did that one episode where he was like doing

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Speaker 1: like a superhero thing too, where he's like, I'm so boy,

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Speaker 1: I heard the call.

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Speaker 3: Yeah, yes, so he can throw in his cartoon voices where.

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Speaker 2: He can did you guys notice? And I thought that

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Speaker 2: maybe the blocking did end up kind of making sense,

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Speaker 2: But she walks by the hallway and then apparently just

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Speaker 2: does a full loop and goes.

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Speaker 4: Back to that back and around to the bench.

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Speaker 2: The only thing I thought of is if her locker

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Speaker 2: is right over there, and she very quickly opened her locker,

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Speaker 2: threw something in, and then made it back to the bench.

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Speaker 2: But I thought, knowing the way that's set up, and

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Speaker 2: the fact that she walks by this way and then

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Speaker 2: ends up going this direction is very funny.

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Speaker 3: Blocking They also try to allude to the fact that

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Speaker 3: the schools a lot bigger than we think, because she's

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Speaker 3: a student at the school and she's heard of him,

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Speaker 3: but they haven't met, right, Whereas you know where I

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Speaker 3: grew up, the five hundred and six hundred kids in

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Speaker 3: the school, you know everybody, everybody. Yeah, there's two three

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Speaker 3: thousand kids in the school, and then the thirty extras

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Speaker 3: that are.

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Speaker 1: And Corey is the most famous persons. The beginning of

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Speaker 1: school and Radio President is the I mean, he's a

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Speaker 1: super popular kid.

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Speaker 2: So before he can even say it, she predicts that

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Speaker 2: Eric was going to ask her out, but she can't

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Speaker 2: because she spends all her free time at the ice

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Speaker 2: skating rink. There's no time for boys. Jason jumps in

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Speaker 2: and says that sure is a coincidence because Eric sc

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Speaker 2: as well. Valerie loves this and invites Eric to skate

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Speaker 2: together on Friday, and Jason says yes for him. Basically, Jill,

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Speaker 2: Eric is full idiot.

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Speaker 4: By now he's full, He's full.

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Speaker 3: Idiot, Like I can't think I'm it just it took

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Speaker 3: like three episodes and all of a sudden, he's just.

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Speaker 3: It's And I've heard some of the writers like Bark

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Speaker 3: Bluman and people like that say that I was involved

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Speaker 3: in helping to make the character an idiot, and I

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Speaker 3: don't disagree with that, especially later in the episode. But

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Speaker 3: I didn't do anything in three episodes all of a

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Speaker 3: sudden turn him dumb.

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Speaker 2: So it is funny.

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Speaker 3: Oh, I have no problem.

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Speaker 1: I think it the dynamics with Jason too, Like this

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Speaker 1: is probably one of my favorite episodes with Jason, and

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Speaker 1: I think it's because he's in the driver's seat and

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Speaker 1: you know, he's the sort of straight man. I feel

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Speaker 1: like before he was kind of the comic relief and

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Speaker 1: you were supposed to be the straight man and they

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Speaker 1: this is like by now it's completely reverted. So he's

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Speaker 1: the one who puts you in the situation by like line,

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Speaker 1: and then he also is the one that gets you

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Speaker 1: out of it. But he could still be funny. But

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Speaker 1: you're ridiculous, do you know what I mean? Like, you know,

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Speaker 1: I don't hear more absurd And I think that that's

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Speaker 1: dynamic fast. Yeah, but it works. It's better.

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Speaker 3: Oh, I think so too. It just happened real quick,

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Speaker 3: like they kind of went.

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Speaker 2: Oh no, it didn't kind of happened overnight.

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Speaker 1: Yeah, hey man, that's the way shows were, right, I mean, ye.

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Speaker 2: Yeah, you do it in one episode and it works,

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Speaker 2: and then you go, let's keep it going. And if

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Speaker 2: it keeps working, you've now done and you're.

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Speaker 3: On nine your's head. Yeah, yeah, definitely.

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Speaker 2: So Eric breaks the news to Jason that he doesn't

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Speaker 2: skate at all, and Jason says, Canadians skate? How hard

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Speaker 2: can it be?

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Speaker 1: Hard?

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Speaker 3: Can it be?

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Speaker 2: What a diss to our neighbors.

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Speaker 1: To the north.

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Speaker 3: I mean, we never diss anybody. I can't wait to

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Speaker 3: see you guys in Connecticut soon.

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Speaker 1: But then I love this moment where you agree with

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Speaker 1: him as.

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Speaker 2: That, and then I love that Eric goes one way

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Speaker 2: and Jason the other.

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Speaker 3: Way.

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Speaker 2: You guys even just continued it on with like now

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Speaker 2: we both split up. It's very cute. Your your dynamic

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Speaker 2: is the this.

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Speaker 1: Is I noted that. I was like, oh, Will is

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Speaker 1: having so much fun and just sort of owning it,

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Speaker 1: you know, like the scene has ended and then you

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Speaker 1: continue it with a beat, And that's my note for later.

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Speaker 1: I don't know if the same thing you noticed. Well, yes,

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Speaker 1: because Danielle does the same, Ya improvs and like has

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Speaker 1: a moment and it's like, oh my gosh, we are.

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Speaker 3: All so like comfortable and natural and comfortable and wrote this.

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Speaker 1: So it's so funny because you had this moment, Jason,

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Speaker 1: and then she did it the next seat. I was like,

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Speaker 1: oh my god, we've all like arrived where we're it's

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Speaker 1: just like in front of the audience having a good time.

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Speaker 1: It's so cool.

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Speaker 2: Absolutely, yep, I agree, it was really fun. Well, we're

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Speaker 2: in mister Turner's classroom and a new class project to

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Speaker 2: Panga says she is writing a biography on someone she

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Speaker 2: really admires, Katie Couric. Corey mocks Katie Couric for being

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Speaker 2: perky and phony, and Corey says he's writing about Captain

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Speaker 2: James T. Kirk of the USS Enterprise to.

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Speaker 3: Say, just as a nerd, I love that because they

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Speaker 3: easily in the nineties, Star Trek the next generation was

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Speaker 3: hugely popular, but they were old school star Trek, which.

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Speaker 2: Is right USX Enterprise.

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Speaker 1: Yes, Welly, like, have we established a court? I mean no,

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Speaker 1: in like baseball all ye that He's like they went

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Speaker 1: dar Trek guy, Like, is really not.

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Speaker 3: That doesn't make any sense to love anyone old school,

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Speaker 3: love anyone old school.

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Speaker 1: I mean I like the reverence. I think it's funny

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Speaker 1: that he has, like, you know, this fictional. I just

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Speaker 1: thought it was a weird and this episode Corey kind

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Speaker 1: of felt weird to me, Like I feel like we're

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Speaker 1: discovering a new Corey. Like I don't know, he was

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Speaker 1: less likable in this episode than he has been in

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Speaker 1: the past, and I'm not sure what that was. Yeah,

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Speaker 1: I mean, maybe it's just me taking.

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Speaker 3: Sean loved the dynamic of the two together. Yeah really,

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Speaker 3: because oh yeah, I thought it was great.

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Speaker 1: I don't know. This is this is definitely like the

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Speaker 1: beginning of Shawn's new thing. Like I feel like this

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Speaker 1: is the turning point where it's like, oh, Shawn's now

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Speaker 1: in a soap opera and we are going to go

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Speaker 1: down this path.

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00:17:42,520 --> 00:17:44,480
Speaker 3: Yes, yeah, But it was also the kind of thing

402
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Speaker 3: that the dynamic that you've talked about how much you

403
00:17:46,480 --> 00:17:49,600
Speaker 3: like where it's look, I'm I'm Corey, You're Sean. That's

404
00:17:49,640 --> 00:17:51,520
Speaker 3: all we need to know about each other, in each

405
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Speaker 3: other's lives, and that's all we need. So I thought

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Speaker 3: I liked that.

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00:17:54,640 --> 00:17:56,119
Speaker 1: I thought I guess it just came out. I mean

408
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Speaker 1: Corey always. I like Corey lighthearted, you know what I mean? Like,

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Speaker 1: I like Corey as the sort of innocent and like

410
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Speaker 1: there's a level of like I don't want to say anger,

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Speaker 1: but intensity that Corey's bringing to like helping Sean in

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Speaker 1: this episode. That sure, it felt kind of negative to me.

413
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Speaker 1: It felt like I just didn't like it as much.

414
00:18:13,359 --> 00:18:15,600
Speaker 1: I was like, oh, oh so dramatic.

415
00:18:15,880 --> 00:18:19,680
Speaker 2: Yeah him, he made it about him. But I think

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Speaker 2: I think a lot of that is. One of the

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Speaker 2: things I did really like about this episode is that

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Speaker 2: we've talked about it a lot, how as a kid

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Speaker 2: you look to external sources to tell you who you are,

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Speaker 2: and Sean has felt comfortable. You've been nothing but comfortable

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Speaker 2: in your own skin all this time until someone says

422
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Speaker 2: to you, what you are isn't good enough for me,

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Speaker 2: and I don't like it, And all of a sudden

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Speaker 2: you go, wait a minute, should I not be confident?

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Speaker 2: Should I not be comfortable? And Corey doesn't see that

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Speaker 2: it has everything to do with your internal state. He goes,

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Speaker 2: why is he taking it out on me? What did

428
00:18:54,160 --> 00:18:55,200
Speaker 2: I do? What about me?

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Speaker 3: Me? Me? Me?

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Speaker 2: And it's not until his dad says, he's not mad

431
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Speaker 2: at you, he's mad at himself, and he's taking it

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00:19:02,040 --> 00:19:05,040
Speaker 2: out on you because he really needs you so, which

433
00:19:05,080 --> 00:19:06,919
Speaker 2: is also a very kid thing to do. You you

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Speaker 2: instantly somebody treats you bad, and you go, well, what

435
00:19:09,000 --> 00:19:09,440
Speaker 2: did I do?

436
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Speaker 3: Why?

437
00:19:10,160 --> 00:19:10,200
Speaker 5: Me?

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00:19:10,520 --> 00:19:13,320
Speaker 2: And it really has nothing to do with your right

439
00:19:13,359 --> 00:19:17,880
Speaker 2: What did I do? Exactly? So I really actually liked

440
00:19:17,880 --> 00:19:21,560
Speaker 2: that aspect of it. I felt like that's all that's

441
00:19:21,920 --> 00:19:26,600
Speaker 2: kid logic was really strong in this right. So, mister Turner,

442
00:19:26,840 --> 00:19:30,040
Speaker 2: who's in a very colorful tie, it's somewhat comic book looking.

443
00:19:30,080 --> 00:19:31,760
Speaker 2: It looked almost like comic strips.

444
00:19:32,119 --> 00:19:32,400
Speaker 3: Was cool.

445
00:19:33,320 --> 00:19:35,560
Speaker 2: Uh tries to tell Corey to pick someone real, but

446
00:19:35,640 --> 00:19:38,200
Speaker 2: Corey makes loud noises and covers his ears to drown

447
00:19:38,280 --> 00:19:41,439
Speaker 2: it out. La la la, Turner says Corey doesn't have

448
00:19:41,480 --> 00:19:44,160
Speaker 2: to pick someone famous, just someone he likes. So Corey

449
00:19:44,200 --> 00:19:47,119
Speaker 2: picks Sean, and Sean picks Corey to Panga tells Turner

450
00:19:47,160 --> 00:19:50,320
Speaker 2: he walked right into that one, and Turner agrees, and yes,

451
00:19:50,400 --> 00:19:52,560
Speaker 2: I do a little ad lib. That was terrible because

452
00:19:52,560 --> 00:19:55,479
Speaker 2: I just say yes, yes, terrible.

453
00:19:57,600 --> 00:19:58,320
Speaker 1: Just know each other.

454
00:19:58,480 --> 00:20:00,760
Speaker 2: And that's what I liked about. I liked that it

455
00:20:00,800 --> 00:20:04,680
Speaker 2: was very much like uh, Turner and Topanga have after

456
00:20:04,960 --> 00:20:07,040
Speaker 2: episode after episode, by the way of Tapanga not even

457
00:20:07,080 --> 00:20:09,800
Speaker 2: being in Turner's class I like that it felt very

458
00:20:09,880 --> 00:20:13,760
Speaker 2: much like Turner and Topanga are the adults in the classroom,

459
00:20:14,000 --> 00:20:15,679
Speaker 2: certainly at least as far as the Cory and the

460
00:20:15,680 --> 00:20:18,160
Speaker 2: Shawn are concerned. So I thought that was really cute. Yes,

461
00:20:19,160 --> 00:20:21,520
Speaker 2: then we're in the school cafeteria. Corey is asking Sean

462
00:20:21,560 --> 00:20:25,080
Speaker 2: where he's from for his biography. I'm from here, and

463
00:20:25,119 --> 00:20:28,480
Speaker 2: then Corey writes down that Sean was raised by wolves,

464
00:20:28,600 --> 00:20:30,720
Speaker 2: and Sean Howel's in response.

465
00:20:30,800 --> 00:20:37,399
Speaker 3: In a huge, huge shirt which one no Rider shirt

466
00:20:37,440 --> 00:20:40,040
Speaker 3: is enormous. It's absolutely enormous.

467
00:20:40,960 --> 00:20:44,480
Speaker 2: Shirt is so huge, two of them down to his knees.

468
00:20:45,160 --> 00:20:47,880
Speaker 1: Honestly bought large shirts until I was twenty something because

469
00:20:47,920 --> 00:20:49,720
Speaker 1: I thought you I thought that's what you did. You

470
00:20:49,920 --> 00:20:51,480
Speaker 1: were supposed to do size large.

471
00:20:51,880 --> 00:20:54,600
Speaker 2: Well, now that's very in, because oversized is very in.

472
00:20:54,800 --> 00:20:56,240
Speaker 1: Thank Really we've gone back.

473
00:20:56,320 --> 00:20:58,120
Speaker 3: Huh oh yeah, that's why.

474
00:20:58,160 --> 00:21:00,760
Speaker 2: That's why all my clothes are so oversized. Now comfortable,

475
00:21:01,200 --> 00:21:01,800
Speaker 2: so comfortable.

476
00:21:02,040 --> 00:21:04,120
Speaker 1: That's why it's not because it's the most comfortable way

477
00:21:04,160 --> 00:21:05,000
Speaker 1: to dress.

478
00:21:05,400 --> 00:21:08,600
Speaker 2: Because it's so coolish. It's so coolish. I have good

479
00:21:08,680 --> 00:21:11,960
Speaker 2: street style, guys, I.

480
00:21:11,920 --> 00:21:13,760
Speaker 1: Have a good robe style all the time.

481
00:21:16,960 --> 00:21:19,679
Speaker 2: Jill comes over in a very cute band jacket, I

482
00:21:19,760 --> 00:21:22,080
Speaker 2: just love it and tells Sean she can't go out

483
00:21:22,080 --> 00:21:25,000
Speaker 2: with him Friday or Saturday, but she doesn't give him

484
00:21:25,040 --> 00:21:28,240
Speaker 2: a reason, and Sewan and Corey are confused as to

485
00:21:28,280 --> 00:21:32,240
Speaker 2: what happened. So Corey walks over to yet another new character,

486
00:21:32,320 --> 00:21:35,679
Speaker 2: alert Mindy, and asks what's wrong the.

487
00:21:35,840 --> 00:21:39,520
Speaker 1: Same unless it's Shay Plain, unless it was Mindy in

488
00:21:39,560 --> 00:21:41,119
Speaker 1: the episode that she was.

489
00:21:41,119 --> 00:21:44,360
Speaker 2: In before, right, it could have been maybe but in.

490
00:21:44,320 --> 00:21:48,200
Speaker 3: The last episode because she's just like Kicky, or that

491
00:21:48,320 --> 00:21:50,600
Speaker 3: she's the one who came forward about Sean saying girls

492
00:21:50,640 --> 00:21:53,400
Speaker 3: were icky. Right, Okay, so she must have had a name.

493
00:21:53,480 --> 00:21:56,600
Speaker 1: Then I don't know. Yeah, she had a different the.

494
00:21:56,600 --> 00:21:59,679
Speaker 3: Same because didn't she she walked off with Sean to

495
00:21:59,800 --> 00:22:00,880
Speaker 3: just cheeseburger.

496
00:22:00,960 --> 00:22:03,520
Speaker 4: Yeah, so she wouldn't be that anti Sean.

497
00:22:03,680 --> 00:22:05,359
Speaker 3: I think it has to be different.

498
00:22:05,480 --> 00:22:07,919
Speaker 2: I think she's supposed to be a different character character.

499
00:22:08,040 --> 00:22:09,840
Speaker 3: Yeah, I think so too. We had two hours in

500
00:22:09,880 --> 00:22:10,600
Speaker 3: this episode.

501
00:22:11,080 --> 00:22:14,320
Speaker 2: I mean, Mindy is dressed well, she's wearing a pearl

502
00:22:14,359 --> 00:22:17,119
Speaker 2: necklace and a button down blazer. I know it really is.

503
00:22:17,160 --> 00:22:21,080
Speaker 2: She looks like Chelsea Clinton. She said it's pretty obvious

504
00:22:21,280 --> 00:22:23,640
Speaker 2: her parents have a problem with Sean, and she says

505
00:22:23,720 --> 00:22:26,040
Speaker 2: Jill and Sean don't belong in the same circle because

506
00:22:26,040 --> 00:22:29,600
Speaker 2: of where Sean's family lives and what they do. And

507
00:22:29,680 --> 00:22:32,560
Speaker 2: when Corey rejoins Sean, Sean says he shouldn't have ever

508
00:22:32,600 --> 00:22:34,560
Speaker 2: asked her out, and Corey says she doesn't know what

509
00:22:34,600 --> 00:22:36,200
Speaker 2: Mindy is talking about. She's a snob.

510
00:22:36,680 --> 00:22:39,000
Speaker 3: Well before that, here's the one thing I didn't understand.

511
00:22:39,560 --> 00:22:42,800
Speaker 3: So she says, you know, you can't possibly think they'd

512
00:22:42,840 --> 00:22:44,320
Speaker 3: want to go out because where Sean's from.

513
00:22:44,440 --> 00:22:47,560
Speaker 4: Can I go? And Ben's like, yeah, go, and the

514
00:22:47,640 --> 00:22:48,720
Speaker 4: audience laughs.

515
00:22:50,440 --> 00:22:50,640
Speaker 2: Right.

516
00:22:50,880 --> 00:22:53,240
Speaker 3: It reminded me of the from the room where he

517
00:22:53,280 --> 00:22:55,720
Speaker 3: tells a horrible story. He's like, great story, Mark where

518
00:22:55,760 --> 00:22:57,720
Speaker 3: it's like, wow, you didn't hear what I just said

519
00:22:57,760 --> 00:23:00,879
Speaker 3: at all? Right, So they had like this tramatic scene

520
00:23:01,080 --> 00:23:03,040
Speaker 3: and the audio there was a laugh from the audience.

521
00:23:03,040 --> 00:23:05,600
Speaker 1: It was like, this is the laugh that we're so obnoxious?

522
00:23:05,760 --> 00:23:09,199
Speaker 1: Like maybe is it just very odd?

523
00:23:09,280 --> 00:23:10,879
Speaker 3: Maybe it was at the reading. I don't know, but

524
00:23:10,920 --> 00:23:14,000
Speaker 3: it just it was a very misplaced last last.

525
00:23:13,840 --> 00:23:16,520
Speaker 1: And it's a laugh after Ben says yeah you can go.

526
00:23:16,680 --> 00:23:19,120
Speaker 3: Yeah, she's She's like yeah go, like and it wasn't

527
00:23:19,119 --> 00:23:20,280
Speaker 3: like a funny yeah go. It was like you just

528
00:23:20,359 --> 00:23:22,520
Speaker 3: insulted my friend. You played it really dramatically like yeah go,

529
00:23:22,640 --> 00:23:24,159
Speaker 3: and there was like a laugh. It was like that

530
00:23:24,320 --> 00:23:27,399
Speaker 3: was straight huh. Yeah, it was really weird. It was

531
00:23:27,400 --> 00:23:28,080
Speaker 3: really weird.

532
00:23:28,800 --> 00:23:30,960
Speaker 2: Sean says he's never had a shot because he lives

533
00:23:30,960 --> 00:23:32,879
Speaker 2: in a trailer park, and Corey says, but it's a

534
00:23:32,960 --> 00:23:36,199
Speaker 2: nice trailer park. It even has a pool when it rains.

535
00:23:37,560 --> 00:23:39,840
Speaker 2: And then we are in the Matthew's kitchen. It starts

536
00:23:39,840 --> 00:23:42,760
Speaker 2: in the backyard side yard. Eric says he needs Jason's

537
00:23:42,800 --> 00:23:46,440
Speaker 2: help since he told Valerie he can skate. Jason says,

538
00:23:46,440 --> 00:23:48,720
Speaker 2: I always come up with something, don't I And Eric

539
00:23:48,800 --> 00:23:52,119
Speaker 2: says no, and Jason says, then I'm due, and uh.

540
00:23:52,240 --> 00:23:55,800
Speaker 2: I noticed in this episode again a lot of different

541
00:23:55,920 --> 00:23:58,679
Speaker 2: blocking that I loved, like in the cafeteria when you

542
00:23:58,760 --> 00:24:02,320
Speaker 2: had your back Jeff mccaron and great, great blocking. I

543
00:24:02,359 --> 00:24:06,000
Speaker 2: love Jason saying that I'm dou as he's like literally

544
00:24:06,200 --> 00:24:08,880
Speaker 2: inches away from walking into the door. It was really great.

545
00:24:09,200 --> 00:24:11,560
Speaker 3: I also prefer and they had it in this episode.

546
00:24:11,920 --> 00:24:17,000
Speaker 3: I prefer more shorter scenes than fewer, longer scenes.

547
00:24:17,359 --> 00:24:17,639
Speaker 1: Really.

548
00:24:17,640 --> 00:24:20,960
Speaker 3: In this episode, yeah, it seemed like there was kind

549
00:24:21,000 --> 00:24:23,159
Speaker 3: of like one pager here, a two pager here, a

550
00:24:23,200 --> 00:24:25,159
Speaker 3: three pager here. I like the way that.

551
00:24:25,520 --> 00:24:26,280
Speaker 4: Broke it up.

552
00:24:26,760 --> 00:24:29,320
Speaker 3: It just seemed like a lot more happened in this episode.

553
00:24:29,480 --> 00:24:31,160
Speaker 3: That's one eleven page scene.

554
00:24:31,240 --> 00:24:34,280
Speaker 1: That's funny. I think I like the play scenes, you know,

555
00:24:34,600 --> 00:24:36,159
Speaker 1: and first season had a few more of those. I

556
00:24:36,200 --> 00:24:38,320
Speaker 1: feel like we had we had less characters, right, so

557
00:24:38,359 --> 00:24:40,679
Speaker 1: it was and it was more just focused on Corey,

558
00:24:40,760 --> 00:24:42,960
Speaker 1: so they would be like that that basketball scene where

559
00:24:42,960 --> 00:24:44,639
Speaker 1: he plays basketball fan that was like a ten to

560
00:24:44,680 --> 00:24:46,040
Speaker 1: twelve page scene.

561
00:24:45,960 --> 00:24:48,560
Speaker 3: Yeah, there's much to do about nothing with the one

562
00:24:48,600 --> 00:24:51,680
Speaker 3: door opening, another door shutting, very farcical, faulty tower keeps

563
00:24:51,680 --> 00:24:54,080
Speaker 3: it moving. This is starting and we're going to hear

564
00:24:54,119 --> 00:24:56,480
Speaker 3: picking up this scene and we're starting outside. Like I

565
00:24:56,600 --> 00:24:59,240
Speaker 3: like that kind of the movement that this episode had.

566
00:24:59,400 --> 00:24:59,840
Speaker 1: That's cool.

567
00:25:00,359 --> 00:25:02,200
Speaker 4: And then when we go end up outside with Nancy

568
00:25:02,280 --> 00:25:03,960
Speaker 4: Kerrigan is a whole nother level to it.

569
00:25:04,000 --> 00:25:06,240
Speaker 3: And it's just kind of the parking lot at the end,

570
00:25:06,320 --> 00:25:08,280
Speaker 3: Like it just felt like there was a lot going on,

571
00:25:08,760 --> 00:25:10,440
Speaker 3: but it was. There was a through line through the

572
00:25:10,480 --> 00:25:12,560
Speaker 3: whole thing that I really liked. So yeah, a lot

573
00:25:12,600 --> 00:25:13,600
Speaker 3: of energy. Thought it was good.

574
00:25:14,359 --> 00:25:16,199
Speaker 2: Well, they walked through the kitchen to where Amy and

575
00:25:16,240 --> 00:25:18,880
Speaker 2: Alan are and so is Sean, Corey and Morgan. They're

576
00:25:18,880 --> 00:25:21,239
Speaker 2: sitting at the kitchen table. Eric and Jason make their

577
00:25:21,280 --> 00:25:23,720
Speaker 2: way upstairs. As we hear Eric to Claire, he is

578
00:25:23,760 --> 00:25:26,399
Speaker 2: not wearing spandex.

579
00:25:26,720 --> 00:25:29,160
Speaker 3: And that was Amy, right, It wasn't Olivia Newton John.

580
00:25:29,359 --> 00:25:30,960
Speaker 3: I know, like Olivia Newton John.

581
00:25:31,080 --> 00:25:34,119
Speaker 2: She had the he and her hair. Yeah, I know,

582
00:25:34,280 --> 00:25:35,959
Speaker 2: Look she had a little flash dance going on.

583
00:25:36,119 --> 00:25:37,680
Speaker 3: Did She's a maniac.

584
00:25:37,960 --> 00:25:40,320
Speaker 2: So, Corey, Shawn, and Morgan are looking at old pictures

585
00:25:40,359 --> 00:25:44,400
Speaker 2: for the school assignment and perusing his privilege via photos

586
00:25:44,520 --> 00:25:47,040
Speaker 2: Sean asks if Corey has always lived in a house.

587
00:25:47,520 --> 00:25:49,960
Speaker 2: He also notes that while Corey was playing in a sandbox,

588
00:25:50,040 --> 00:25:52,200
Speaker 2: Sean used to play in the burnt out old Chevy

589
00:25:52,240 --> 00:25:54,840
Speaker 2: back by the septic tanks. Sean says he's not going

590
00:25:54,920 --> 00:25:57,240
Speaker 2: to stay, but he invites Corey to his place for dinner.

591
00:25:57,600 --> 00:25:59,800
Speaker 2: Corey gives a disgusted look when he asks if Shann's

592
00:25:59,840 --> 00:26:01,960
Speaker 2: dead his broiling fish on the engine of his pick

593
00:26:02,040 --> 00:26:05,320
Speaker 2: up again. Sean, upset thought that Corey liked the fish

594
00:26:05,400 --> 00:26:09,159
Speaker 2: last time. Corey clearly didn't. Ben Sean leaves angry and

595
00:26:09,200 --> 00:26:11,600
Speaker 2: pointing out all the nice stuff Corey has. When asked

596
00:26:11,600 --> 00:26:14,280
Speaker 2: about helping Corey with the biography, he says, I lived,

597
00:26:14,359 --> 00:26:18,520
Speaker 2: I died, No big deal, and he exits struggle.

598
00:26:19,040 --> 00:26:22,000
Speaker 1: Yeah. So this is I mean, it's it's it's that

599
00:26:22,280 --> 00:26:25,119
Speaker 1: you know, we I guess season one had that the

600
00:26:25,840 --> 00:26:28,320
Speaker 1: Christmas episode where Sean didon you know, Dad's got fired

601
00:26:28,320 --> 00:26:31,640
Speaker 1: and all that. But but then we've basically since then

602
00:26:31,960 --> 00:26:36,400
Speaker 1: been making the jokes abo trailer park poverty, right or

603
00:26:36,480 --> 00:26:40,000
Speaker 1: you know, all the guidance counselor the poem about Yeah.

604
00:26:40,040 --> 00:26:42,880
Speaker 1: So this is interesting too that this is the episode

605
00:26:42,920 --> 00:26:46,320
Speaker 1: where it all kind of starts to turn, yeah, into

606
00:26:46,320 --> 00:26:48,760
Speaker 1: the drama, and I think it's gonna stay there. Like,

607
00:26:48,800 --> 00:26:50,879
Speaker 1: I mean, I guess there's still jokes about uncles, and

608
00:26:51,560 --> 00:26:53,760
Speaker 1: but it's interesting that this turn starts happening.

609
00:26:54,800 --> 00:26:57,639
Speaker 2: Yeah, Yeah, I mean I think, really, I wonder if

610
00:26:57,680 --> 00:26:59,320
Speaker 2: it had a lot to do with them starting to

611
00:26:59,359 --> 00:27:01,399
Speaker 2: think about you know, we're nearing the end of season

612
00:27:01,440 --> 00:27:04,919
Speaker 2: two and they're probably starting, Yeah, they're thinking, how do

613
00:27:05,000 --> 00:27:07,360
Speaker 2: we make this seven seasons? And what is it going

614
00:27:07,359 --> 00:27:09,119
Speaker 2: to be? Is it going to be what is their

615
00:27:09,119 --> 00:27:11,159
Speaker 2: friendship dynamic going to be? Is it going to be

616
00:27:11,880 --> 00:27:13,679
Speaker 2: the friend who's from the wrong side of the tracks?

617
00:27:13,680 --> 00:27:15,600
Speaker 2: And how do you keep how do you maintain a

618
00:27:15,600 --> 00:27:18,679
Speaker 2: friendship when you're from different places? And so, you know,

619
00:27:18,840 --> 00:27:20,359
Speaker 2: I mean, it's smart to set that up.

620
00:27:20,520 --> 00:27:22,760
Speaker 3: Yeah, And I have a question since this is now

621
00:27:22,760 --> 00:27:24,800
Speaker 3: episode WHENY is that right?

622
00:27:24,920 --> 00:27:26,960
Speaker 2: Nineteen twenty or twenty one nineteen, So.

623
00:27:26,920 --> 00:27:28,640
Speaker 3: We're coming towards the end of the season. I think

624
00:27:28,640 --> 00:27:30,320
Speaker 3: we've talked about this before, but I'm not sure we

625
00:27:30,359 --> 00:27:33,520
Speaker 3: ever got a definitive answer. Do you think they know

626
00:27:33,720 --> 00:27:36,119
Speaker 3: yet that we've been picked up for a third season?

627
00:27:36,359 --> 00:27:39,600
Speaker 6: No, I don't think they ever knew no, no, not Michael,

628
00:27:39,680 --> 00:27:40,320
Speaker 6: nobody at the top.

629
00:27:40,400 --> 00:27:42,120
Speaker 4: You don't think anybody knew at this point.

630
00:27:42,240 --> 00:27:44,080
Speaker 1: No, But I think they are setting up probably some

631
00:27:44,119 --> 00:27:47,320
Speaker 1: cliffhanger moments in order to ensure it in case, because

632
00:27:47,560 --> 00:27:50,920
Speaker 1: clearly this is the beginning of the Sean Turner dynamic.

633
00:27:51,000 --> 00:27:52,919
Speaker 1: And I think this season ends with me moving in

634
00:27:52,960 --> 00:27:55,000
Speaker 1: with Turner if I remember correctly, or because it's close

635
00:27:55,000 --> 00:27:57,080
Speaker 1: to it, or me running away from home. I think

636
00:27:57,119 --> 00:28:00,760
Speaker 1: that this season. So they they, they they're starting to

637
00:28:00,760 --> 00:28:03,239
Speaker 1: connect those dots, which is great, you know, like, and

638
00:28:03,280 --> 00:28:05,520
Speaker 1: that's I think that's mostly what this episode is about,

639
00:28:05,560 --> 00:28:09,000
Speaker 1: is setting up that potential for for Sean and Turner

640
00:28:09,000 --> 00:28:11,560
Speaker 1: to have their relationship, which will carry into season three.

641
00:28:12,400 --> 00:28:24,800
Speaker 2: Right, and then we're in the school hallway. Sean already

642
00:28:24,840 --> 00:28:27,520
Speaker 2: missed first period and said he had a conflict. Mister

643
00:28:27,560 --> 00:28:28,400
Speaker 2: Feenie was a man.

644
00:28:28,440 --> 00:28:32,439
Speaker 1: Am I loving rubbing my hands? I have a plan,

645
00:28:33,119 --> 00:28:36,440
Speaker 1: I've done something. I did Jesus.

646
00:28:36,880 --> 00:28:40,720
Speaker 2: I also noticed the change in wardrobe, the cameo pants

647
00:28:40,880 --> 00:28:42,160
Speaker 2: and striped Sure.

648
00:28:42,040 --> 00:28:43,720
Speaker 4: I couldn't see you from the waist down.

649
00:28:43,840 --> 00:28:45,040
Speaker 1: It disappeared.

650
00:28:46,040 --> 00:28:48,240
Speaker 2: I thought it definitely seemed like somebody who was up

651
00:28:48,280 --> 00:28:52,360
Speaker 2: to no good, up to no good. Mister Feoenie walks

652
00:28:52,360 --> 00:28:54,440
Speaker 2: down the hall in rain boots and warns students that

653
00:28:54,480 --> 00:28:57,000
Speaker 2: the lower hallway is flooded and the library is only

654
00:28:57,040 --> 00:29:00,360
Speaker 2: accessible by canoe. Phoene says the school is sink and

655
00:29:00,360 --> 00:29:04,280
Speaker 2: calls for Janitor Bud to get his big mop. I

656
00:29:04,320 --> 00:29:08,720
Speaker 2: love thinking to Janitor Bud and how much they poor

657
00:29:08,800 --> 00:29:12,200
Speaker 2: life dealing with these children. Sean says he also freed

658
00:29:12,240 --> 00:29:14,800
Speaker 2: the rats in the biology lab and turned all the

659
00:29:14,880 --> 00:29:17,880
Speaker 2: clocks ahead twelve hours, and then a bell goes off.

660
00:29:18,720 --> 00:29:21,800
Speaker 1: Yeah right now, what I say, like, yeah sure or whatever?

661
00:29:21,840 --> 00:29:23,440
Speaker 3: Yes, yes, sure.

662
00:29:24,800 --> 00:29:28,000
Speaker 2: He casually has caused tens of thousands of dollars in

663
00:29:28,240 --> 00:29:31,760
Speaker 2: angry pranks. Cory asks what Sean is doing, and he

664
00:29:31,760 --> 00:29:34,040
Speaker 2: says he's giving Corey good stuff for his bio. Sean

665
00:29:34,080 --> 00:29:38,080
Speaker 2: says he realized he's trailer trash. Corey asks if this

666
00:29:38,120 --> 00:29:40,600
Speaker 2: is because of Jill, but Sean says no, she actually

667
00:29:40,640 --> 00:29:43,000
Speaker 2: did him a favor and she showed him where he belongs.

668
00:29:43,600 --> 00:29:50,240
Speaker 2: And then we reveal Harley the new actor. A new

669
00:29:50,360 --> 00:29:54,520
Speaker 2: Harley comes walking over with Joey and Frankie and they

670
00:29:54,560 --> 00:29:58,000
Speaker 2: say they're not impressed with what Sean is doing. Blake

671
00:29:58,720 --> 00:29:59,959
Speaker 2: is so incredible.

672
00:30:00,240 --> 00:30:04,680
Speaker 3: He's so funny with everything this whole episode, whole episode.

673
00:30:04,720 --> 00:30:06,840
Speaker 3: He's so good.

674
00:30:07,400 --> 00:30:09,600
Speaker 1: It is such a weird choice to me to just

675
00:30:09,680 --> 00:30:11,120
Speaker 1: replace the actor and keep it the same.

676
00:30:13,200 --> 00:30:17,000
Speaker 3: It's just make any sense. It wasn't the night before shooting.

677
00:30:17,120 --> 00:30:21,120
Speaker 3: We had a whole week. Why not just remove the character,

678
00:30:21,160 --> 00:30:24,640
Speaker 3: which he they've done before and just have Frankie and

679
00:30:24,720 --> 00:30:27,200
Speaker 3: Joey and say Harley's off doing so. I mean, it's

680
00:30:27,240 --> 00:30:29,680
Speaker 3: one line. It would either way they did with with

681
00:30:29,800 --> 00:30:31,640
Speaker 3: you Rider when they got rid of the third best

682
00:30:31,640 --> 00:30:33,800
Speaker 3: Friend and just gave you all the lines. They could

683
00:30:33,800 --> 00:30:35,640
Speaker 3: have given one of them or broken it up between

684
00:30:35,680 --> 00:30:37,440
Speaker 3: the two of them, given them the lines or.

685
00:30:37,400 --> 00:30:39,320
Speaker 1: You just say Harley's not here this and that would be.

686
00:30:39,320 --> 00:30:40,880
Speaker 1: Part of the thing, is that I want to be Harley,

687
00:30:41,000 --> 00:30:42,200
Speaker 1: or like I want to be in the game.

688
00:30:42,280 --> 00:30:45,040
Speaker 4: It's like it could have so out of the show

689
00:30:45,120 --> 00:30:47,640
Speaker 4: to go, wait, that's now Harley.

690
00:30:48,080 --> 00:30:50,600
Speaker 1: It's a confusing choice. I would love to know more

691
00:30:50,600 --> 00:30:54,480
Speaker 1: about what went into but I mean, yeah, because because

692
00:30:54,720 --> 00:30:56,640
Speaker 1: you know, we talked about this before. But I really

693
00:30:56,640 --> 00:30:58,800
Speaker 1: do think there was just an assumption that people didn't

694
00:30:58,840 --> 00:31:02,080
Speaker 1: rewatch shows and that you could just insert a different

695
00:31:02,120 --> 00:31:06,080
Speaker 1: actor and nobody would really care or notice enough for

696
00:31:06,120 --> 00:31:08,480
Speaker 1: it to be a big deal. And it's just by the.

697
00:31:08,480 --> 00:31:11,160
Speaker 2: Way, Kenny Johnston's actually really good.

698
00:31:11,520 --> 00:31:13,000
Speaker 1: He is most completely different.

699
00:31:13,160 --> 00:31:14,160
Speaker 3: It's a totally different take.

700
00:31:14,320 --> 00:31:16,280
Speaker 2: It's a totally different take, but it's he's.

701
00:31:16,120 --> 00:31:18,680
Speaker 1: Still like a funny, charming like.

702
00:31:19,000 --> 00:31:21,320
Speaker 2: He didn't do him any favors because like, if he

703
00:31:21,440 --> 00:31:24,560
Speaker 2: was just a different character, you may have liked him

704
00:31:24,760 --> 00:31:27,680
Speaker 2: like that. You're like, exactly, they brought in another character.

705
00:31:27,720 --> 00:31:29,719
Speaker 4: I mean they did this. Why, It's like, why not

706
00:31:29,840 --> 00:31:30,120
Speaker 4: do that?

707
00:31:30,160 --> 00:31:32,880
Speaker 1: It's a bummer because like when he says baboon, you're

708
00:31:32,920 --> 00:31:36,080
Speaker 1: just like upset that it's not Danny's delivery. There's like

709
00:31:36,080 --> 00:31:38,680
Speaker 1: a couple of moments where I was like, I feel

710
00:31:38,760 --> 00:31:41,240
Speaker 1: bad for Kenny because I'm like judging the delivery. But

711
00:31:41,240 --> 00:31:44,560
Speaker 1: that's only because I have such Danny.

712
00:31:44,800 --> 00:31:48,160
Speaker 5: You know, you just hear it's written for Danny, either

713
00:31:48,200 --> 00:31:51,520
Speaker 5: of them exactly know, you know, it's it's like he's

714
00:31:51,560 --> 00:31:54,720
Speaker 5: doing the best he can, but it's yeah, we as

715
00:31:54,720 --> 00:31:57,560
Speaker 5: an audience are so aware of how it should be delivered, right,

716
00:31:57,960 --> 00:31:59,280
Speaker 5: and they didn't change it enough.

717
00:31:59,280 --> 00:32:00,520
Speaker 1: It's it's a bizarre choice.

718
00:32:00,640 --> 00:32:02,320
Speaker 2: It was such a bizarre choice, I know.

719
00:32:02,440 --> 00:32:04,720
Speaker 3: Going back to Blake, he says a line here that

720
00:32:04,800 --> 00:32:08,080
Speaker 3: I forgot that we said over and over we.

721
00:32:08,040 --> 00:32:10,400
Speaker 2: Ain't impressed with your piddly little monkey shine.

722
00:32:10,720 --> 00:32:15,120
Speaker 3: Little monkey shines. We said that for like five yearslyle

723
00:32:15,160 --> 00:32:16,680
Speaker 3: monkey monkey shine.

724
00:32:17,440 --> 00:32:20,880
Speaker 2: He says, everything just so fun I mean, this whole episode.

725
00:32:20,960 --> 00:32:22,640
Speaker 2: I was just again blown away by him.

726
00:32:23,360 --> 00:32:25,200
Speaker 1: Biscuits later, Oh my god.

727
00:32:25,080 --> 00:32:27,160
Speaker 3: Oh my favorite was still you gotta slouch a little,

728
00:32:27,200 --> 00:32:31,280
Speaker 3: a little bit, a little bit, so.

729
00:32:31,080 --> 00:32:34,960
Speaker 2: Good, so funny. Harley says they always need to look

730
00:32:34,960 --> 00:32:37,040
Speaker 2: out for new talent, and they offer him a spot

731
00:32:37,080 --> 00:32:40,520
Speaker 2: in their Bully internship program. Harley invites Sean to sit

732
00:32:40,560 --> 00:32:42,400
Speaker 2: in the parking lot with them, and Sean starts to

733
00:32:42,440 --> 00:32:44,760
Speaker 2: make his way into his new role. Just then the

734
00:32:44,760 --> 00:32:47,520
Speaker 2: bell rings and mister Turner says class is starting. Corey

735
00:32:47,560 --> 00:32:49,840
Speaker 2: tries to stop Sean from ditching class and hanging out

736
00:32:49,880 --> 00:32:53,280
Speaker 2: with Harley's gang, but Sean ends up walking out anyway.

737
00:32:53,480 --> 00:32:57,760
Speaker 1: All right, so now this Tony's tie, I was trying

738
00:32:57,760 --> 00:33:00,200
Speaker 1: to figure it off.

739
00:33:00,240 --> 00:33:02,680
Speaker 4: The top is blue and then there's stuff at the bottom.

740
00:33:02,760 --> 00:33:04,920
Speaker 1: I thought. All I could think is that they look

741
00:33:05,080 --> 00:33:08,400
Speaker 1: like ice pine cones. That's all I can see. I

742
00:33:08,440 --> 00:33:11,120
Speaker 1: was like, I'm trying to describe what these shapes are

743
00:33:11,160 --> 00:33:14,920
Speaker 1: and there I think they're blue ice colored pine cones.

744
00:33:15,000 --> 00:33:17,120
Speaker 1: I don't know, it's beautiful. But I was like, I

745
00:33:17,240 --> 00:33:19,760
Speaker 1: just want high death. I want all of these ties

746
00:33:19,840 --> 00:33:21,920
Speaker 1: like in a museum so we can walk around and

747
00:33:22,200 --> 00:33:25,000
Speaker 1: serious appreciate the worry I do.

748
00:33:25,080 --> 00:33:26,560
Speaker 2: I want a picture of all them. And you know

749
00:33:26,800 --> 00:33:28,920
Speaker 2: she took them. I mean I doubt she still hasn't,

750
00:33:28,920 --> 00:33:30,959
Speaker 2: but you know, as part of wardrobe, they take polaroids

751
00:33:30,960 --> 00:33:34,040
Speaker 2: of everything you're wearing. Oh wo, so we should you

752
00:33:34,080 --> 00:33:36,600
Speaker 2: know what, I need to contact Sarah Markowitz and ask

753
00:33:36,640 --> 00:33:39,000
Speaker 2: her if she has turned by any chance, any of

754
00:33:39,040 --> 00:33:42,080
Speaker 2: those Turner tie polaroids. That would be amazing. Then we're

755
00:33:42,120 --> 00:33:44,720
Speaker 2: in the Matthew's backyard. Corey asks mister Feenie if he

756
00:33:44,720 --> 00:33:47,280
Speaker 2: can ask him something, and mister Feenie assumes it's to

757
00:33:47,320 --> 00:33:49,280
Speaker 2: write about him for the biography assignment.

758
00:33:49,440 --> 00:33:51,880
Speaker 1: This first beat with Bill behind the fence, that was

759
00:33:51,920 --> 00:33:54,480
Speaker 1: great because it was like it was so funny him

760
00:33:54,520 --> 00:34:01,280
Speaker 1: just like, oh god, and because it's like we can

761
00:34:01,320 --> 00:34:03,800
Speaker 1: now comment on that this is the trope that the

762
00:34:03,840 --> 00:34:06,480
Speaker 1: show knows has to happen when Actually, it hasn't happened

763
00:34:06,520 --> 00:34:09,799
Speaker 1: this entire season. We've not had a Cory Phoenie over

764
00:34:09,840 --> 00:34:12,320
Speaker 1: the fence moment we've had. I think we've had Feenie

765
00:34:12,320 --> 00:34:13,440
Speaker 1: and Allan over the fence.

766
00:34:13,719 --> 00:34:16,040
Speaker 3: You know, we've had this maybe. Yeah, it's so great

767
00:34:16,040 --> 00:34:17,880
Speaker 3: Phoenie and Turner. I think I might have even had

768
00:34:17,880 --> 00:34:18,879
Speaker 3: a fen scene this year.

769
00:34:19,239 --> 00:34:20,879
Speaker 2: Yeah, but yeah, you're right they did.

770
00:34:21,320 --> 00:34:23,040
Speaker 1: I never thought about it. But it is also a

771
00:34:23,080 --> 00:34:26,640
Speaker 1: home improvement thing, right, Yeah, do you remember Wilson, Yeah,

772
00:34:26,640 --> 00:34:27,680
Speaker 1: of course Wilson.

773
00:34:27,800 --> 00:34:31,080
Speaker 3: Yeah, absolutely, he went from being on home improvement to

774
00:34:31,120 --> 00:34:32,760
Speaker 3: being a volleyball Tom Hanks.

775
00:34:33,560 --> 00:34:37,160
Speaker 2: So Bill starts talking about himself as mister Feenie. A

776
00:34:37,160 --> 00:34:39,520
Speaker 2: lot of people think I was born in Boston. Corey

777
00:34:39,520 --> 00:34:41,560
Speaker 2: inter reps and says he's not writing about Phoenie, He's

778
00:34:41,560 --> 00:34:45,200
Speaker 2: writing about Sean, and Phoene says, yes, that's the obvious choice.

779
00:34:45,239 --> 00:34:48,200
Speaker 2: Falling somewhere between Gandhi and Soupy Sales.

780
00:34:48,560 --> 00:34:51,600
Speaker 3: Sure, hello, Supe Sales got a reference in our show

781
00:34:51,640 --> 00:34:52,000
Speaker 3: and then.

782
00:34:51,960 --> 00:34:53,040
Speaker 1: Came on our show.

783
00:34:53,520 --> 00:34:56,840
Speaker 2: Listen we had, we had? It is no surprise where

784
00:34:56,920 --> 00:34:59,719
Speaker 2: those guest stars came from, directly from the minds of

785
00:34:59,760 --> 00:35:01,080
Speaker 2: our writers of our writers.

786
00:35:01,280 --> 00:35:03,040
Speaker 1: I think I think we should make a T shirt that's,

787
00:35:03,120 --> 00:35:05,560
Speaker 1: you know, like Harley shirt, but it's just sean somewhere

788
00:35:05,600 --> 00:35:06,680
Speaker 1: between soupy sale.

789
00:35:08,200 --> 00:35:08,719
Speaker 3: Exactly.

790
00:35:09,640 --> 00:35:12,800
Speaker 2: That's funny. Cory asks if people turn out a certain

791
00:35:12,840 --> 00:35:14,560
Speaker 2: way because of where they come from and who their

792
00:35:14,600 --> 00:35:17,440
Speaker 2: parents are, but phoene says he believes a man, no

793
00:35:17,440 --> 00:35:20,760
Speaker 2: matter where he comes from, chooses his own path. Amy

794
00:35:20,800 --> 00:35:22,920
Speaker 2: calls for Corey to dinner, and he responds, I'll come

795
00:35:22,960 --> 00:35:25,440
Speaker 2: in when I choose to, but Amy tells him to

796
00:35:25,480 --> 00:35:28,280
Speaker 2: get his butt in the house, and feoene and Corey

797
00:35:28,320 --> 00:35:30,359
Speaker 2: realize that Phoeney's idea bites.

798
00:35:31,200 --> 00:35:33,920
Speaker 3: That was a good, a good little little coupling at

799
00:35:33,920 --> 00:35:35,600
Speaker 3: the end there for that, yeah.

800
00:35:35,239 --> 00:35:38,480
Speaker 2: Yeah, and the two of them, I'm thinking, I'm yacky.

801
00:35:39,080 --> 00:35:41,279
Speaker 2: And then we're in the school hallway. Jason gives Eric

802
00:35:41,320 --> 00:35:43,400
Speaker 2: a tape to learn how to skate in his sleep,

803
00:35:43,560 --> 00:35:47,960
Speaker 2: but Eric says, I don't want to skate my sleep.

804
00:35:47,880 --> 00:35:52,360
Speaker 1: Which he does. By the way, you're doing it, the.

805
00:35:52,400 --> 00:35:53,400
Speaker 3: Legs going exactly.

806
00:35:54,120 --> 00:35:57,320
Speaker 2: Jason says, you're lucky you have that cute smile. Jason

807
00:35:57,360 --> 00:35:59,520
Speaker 2: says he dubbed over his mom's weight loss tape and

808
00:35:59,520 --> 00:36:02,279
Speaker 2: it worked for Eric says, no, it didn't. Your mom

809
00:36:02,360 --> 00:36:05,360
Speaker 2: is huge, and Jason says yeah, and in only eight weeks,

810
00:36:06,480 --> 00:36:09,040
Speaker 2: which I don't get. I don't get it.

811
00:36:09,440 --> 00:36:13,400
Speaker 3: There's there's nothing to get. It's just it's funny words

812
00:36:13,400 --> 00:36:15,640
Speaker 3: next to each other. I think it's pretty much just what.

813
00:36:15,600 --> 00:36:18,480
Speaker 1: A funny rep parte? That doesn't okay?

814
00:36:18,840 --> 00:36:21,920
Speaker 2: Okay, sure. Eric says this is a stupid idea and

815
00:36:21,960 --> 00:36:24,480
Speaker 2: he's just gonna tell Valerie he can't skate, but then

816
00:36:24,960 --> 00:36:28,800
Speaker 2: she walks by having a conversation that ice skating skirts

817
00:36:28,840 --> 00:36:32,279
Speaker 2: are getting shorter and shorter and pretty soon she won't

818
00:36:32,320 --> 00:36:33,799
Speaker 2: be wearing anything.

819
00:36:34,320 --> 00:36:40,200
Speaker 3: It's sorceled again, ladies, It's sorceled again. I have lost

820
00:36:40,280 --> 00:36:41,879
Speaker 3: the ability to breathe on my own.

821
00:36:42,000 --> 00:36:44,640
Speaker 1: So what happened? Do you think they just they came

822
00:36:44,760 --> 00:36:46,799
Speaker 1: up with this bit like what what? What came first?

823
00:36:46,880 --> 00:36:48,880
Speaker 1: Nancy Kerrigan? And then they had to write an episode

824
00:36:48,920 --> 00:36:52,120
Speaker 1: around it? Or like I'm so curious what they were thinking,

825
00:36:52,239 --> 00:36:54,440
Speaker 1: Like because this is a storyline, I think it's hysterical.

826
00:36:54,520 --> 00:36:56,480
Speaker 1: Like I like the idea that you lie and you

827
00:36:56,520 --> 00:36:58,120
Speaker 1: have to skate, and then I like the idea of

828
00:36:58,160 --> 00:37:01,040
Speaker 1: like the tape and the food stuff but it's pretty funny.

829
00:37:01,360 --> 00:37:04,160
Speaker 1: But I wondered, what, like was it to have a

830
00:37:04,239 --> 00:37:06,560
Speaker 1: dream sequence? Is Nancy Kragan I rationalize having her on

831
00:37:06,640 --> 00:37:09,280
Speaker 1: the show? Or did they come up with a skating

832
00:37:09,320 --> 00:37:12,320
Speaker 1: pitch first and then like maybe we could have the

833
00:37:12,400 --> 00:37:14,560
Speaker 1: dream sequence be the most famous skater of the world.

834
00:37:14,640 --> 00:37:16,759
Speaker 3: Like, it's a good question. I honestly have no idea.

835
00:37:16,800 --> 00:37:19,040
Speaker 3: Who knows strong storyline?

836
00:37:19,080 --> 00:37:25,400
Speaker 1: And Kendall we should ask? I'm so because it's either

837
00:37:26,040 --> 00:37:28,360
Speaker 1: that it's just a great pitch, right, like a tape

838
00:37:28,360 --> 00:37:30,400
Speaker 1: that teaches you how to to skate in your sleep

839
00:37:30,440 --> 00:37:34,640
Speaker 1: and then who's that's funny? Or it's that the writers

840
00:37:34,640 --> 00:37:37,960
Speaker 1: were just really good at taking the challenge of how

841
00:37:38,000 --> 00:37:40,319
Speaker 1: do we write Nancy Kerrigan into the show and then

842
00:37:40,400 --> 00:37:43,280
Speaker 1: worked backwards and came up with a great like B storyline.

843
00:37:43,280 --> 00:37:46,200
Speaker 1: It's really strong and funny. Yeah, I don't know either way.

844
00:37:46,239 --> 00:37:48,080
Speaker 3: It's cool, but I'm sorry, I'm texturing him right now.

845
00:37:48,080 --> 00:37:52,560
Speaker 2: I just get the answer, please. So Eric then changes

846
00:37:52,560 --> 00:37:55,200
Speaker 2: his mind, of course because he's ensourceld, and he clarifies

847
00:37:55,200 --> 00:37:57,000
Speaker 2: with Jason, So I just played the tape while I

848
00:37:57,080 --> 00:38:00,600
Speaker 2: sleep nearby, Joey is showing Sean how to be like

849
00:38:00,680 --> 00:38:03,960
Speaker 2: them by just sitting and pouting, and then they send

850
00:38:04,040 --> 00:38:06,480
Speaker 2: him to go get the bagels. And this little scene

851
00:38:06,560 --> 00:38:11,040
Speaker 2: with you and Blake is so great, good, so funny.

852
00:38:11,480 --> 00:38:13,040
Speaker 1: Yeah, we could have they could have been a whole

853
00:38:13,080 --> 00:38:15,359
Speaker 1: episode of just Sean trying to fit in with them,

854
00:38:15,480 --> 00:38:18,240
Speaker 1: Like it would have been Ethan and Blake and Sean

855
00:38:18,280 --> 00:38:20,520
Speaker 1: and would have been so many great scenes. Yeah, but

856
00:38:20,520 --> 00:38:22,680
Speaker 1: this is Yeah, it's.

857
00:38:22,320 --> 00:38:24,080
Speaker 2: Just this little bit of it we get. I wanted

858
00:38:24,160 --> 00:38:24,680
Speaker 2: so much more.

859
00:38:24,800 --> 00:38:26,880
Speaker 3: Favorite moment of the whole episode is that just a

860
00:38:26,880 --> 00:38:31,160
Speaker 3: little bit, that's just the way, a little bit a

861
00:38:31,280 --> 00:38:31,759
Speaker 3: lit and.

862
00:38:31,640 --> 00:38:35,040
Speaker 4: He's like, look a little bit, like, oh, it's so good.

863
00:38:35,239 --> 00:38:35,919
Speaker 3: It's so good.

864
00:38:35,960 --> 00:38:36,960
Speaker 1: Blake is so timitted.

865
00:38:37,160 --> 00:38:39,880
Speaker 3: Makes me want to have just again. And having nothing

866
00:38:40,480 --> 00:38:43,319
Speaker 3: against Kenny, but just having the two of them there

867
00:38:43,360 --> 00:38:46,480
Speaker 3: with you would have been as good without being jarring

868
00:38:46,520 --> 00:38:49,200
Speaker 3: at all. And it was just really kind of jarring.

869
00:38:49,440 --> 00:38:52,520
Speaker 2: Writer, you did this mouthing. Do you remember when you

870
00:38:52,600 --> 00:38:54,560
Speaker 2: jumped down off the thing you like, did you notice

871
00:38:54,560 --> 00:38:57,080
Speaker 2: that you wiped your mouth before you went to go speak.

872
00:38:57,320 --> 00:38:59,320
Speaker 2: I was trying to figure out if it had something

873
00:38:59,360 --> 00:39:01,160
Speaker 2: to do with you know, sometimes you're in a scene

874
00:39:01,200 --> 00:39:03,520
Speaker 2: and you have to do something like he was making

875
00:39:03,520 --> 00:39:05,759
Speaker 2: your mouth pout, and then you realize you have like

876
00:39:06,520 --> 00:39:08,200
Speaker 2: you have something on your face, but you're in the

877
00:39:08,200 --> 00:39:09,840
Speaker 2: middle of the scene, and so you try to like

878
00:39:09,920 --> 00:39:12,520
Speaker 2: make it natural that you fix you did something where

879
00:39:12,560 --> 00:39:14,879
Speaker 2: you like went like this, like right before you went

880
00:39:14,920 --> 00:39:15,040
Speaker 2: to the.

881
00:39:15,120 --> 00:39:18,960
Speaker 3: Man's spittle, where you occasionally.

882
00:39:18,640 --> 00:39:19,399
Speaker 2: Yeah, that's what I said.

883
00:39:19,719 --> 00:39:21,200
Speaker 1: It is good.

884
00:39:21,480 --> 00:39:21,920
Speaker 3: It happens.

885
00:39:21,920 --> 00:39:24,799
Speaker 2: So Sean runs into Corey, and Corey asks where he's been,

886
00:39:24,840 --> 00:39:29,160
Speaker 2: and Sean says, nowhere, man, And then Sewan starts nice impression.

887
00:39:29,280 --> 00:39:33,960
Speaker 1: That was a great read. Can we talk about something.

888
00:39:34,000 --> 00:39:35,799
Speaker 1: I don't know how to describe this exactly, but this

889
00:39:35,880 --> 00:39:39,239
Speaker 1: is like the classic boy meets World thing and it's

890
00:39:39,239 --> 00:39:41,640
Speaker 1: going to become and it was big and girl meets World,

891
00:39:41,719 --> 00:39:44,520
Speaker 1: but it's going to become a recurring like I don't

892
00:39:44,560 --> 00:39:47,479
Speaker 1: know what to call it, like a law of Boy

893
00:39:47,520 --> 00:39:52,280
Speaker 1: meets World dynamics, like which is a character being aware

894
00:39:52,320 --> 00:39:56,920
Speaker 1: of themselves as a character and making decisions based on that. So,

895
00:39:57,000 --> 00:39:58,920
Speaker 1: like this whole episode is built around this idea that

896
00:39:58,960 --> 00:40:02,759
Speaker 1: Sean is supposed to be trailer trash, is supposed to

897
00:40:02,800 --> 00:40:05,920
Speaker 1: be a bad kid, and he's saying that out loud

898
00:40:06,000 --> 00:40:09,359
Speaker 1: as a character and then making choices, and it's kind

899
00:40:09,360 --> 00:40:13,520
Speaker 1: of it's a very strange storytelling technique that we will

900
00:40:13,560 --> 00:40:16,520
Speaker 1: spend a lot of boy Me's world time on like, yeah,

901
00:40:16,840 --> 00:40:19,719
Speaker 1: every companion will always be like we were supposed to

902
00:40:19,719 --> 00:40:22,759
Speaker 1: be together. You're my core You're where we actively talk

903
00:40:22,800 --> 00:40:26,000
Speaker 1: about the sort of laws of the world of the

904
00:40:26,080 --> 00:40:30,040
Speaker 1: show as if they're like things that we would ever

905
00:40:30,239 --> 00:40:31,839
Speaker 1: know or think about in real way.

906
00:40:31,960 --> 00:40:36,399
Speaker 2: It's an incredible self awareness that normal people don't have

907
00:40:36,840 --> 00:40:40,520
Speaker 2: until they have decades to look back and they that's

908
00:40:40,560 --> 00:40:43,120
Speaker 2: why I that's why I was attracted to that certain

909
00:40:43,160 --> 00:40:47,160
Speaker 2: type of person, because I tell myself this story, Yeah.

910
00:40:47,000 --> 00:40:49,480
Speaker 3: I wasn't supposed to go to college. I'm supposed to

911
00:40:48,800 --> 00:40:51,120
Speaker 3: be I'm supposed to be whatever.

912
00:40:51,280 --> 00:40:53,160
Speaker 1: We haven't done it that much yet, have we, Like,

913
00:40:53,200 --> 00:40:55,600
Speaker 1: I feel like until they get into it, because this episode,

914
00:40:55,680 --> 00:40:58,400
Speaker 1: like when I leave that the kitchen scene and I'm like, no, no, no,

915
00:40:58,800 --> 00:41:01,120
Speaker 1: I'm supposed to be this way is like one of

916
00:41:01,160 --> 00:41:03,279
Speaker 1: the first times I feel like we've really hit that,

917
00:41:03,760 --> 00:41:05,879
Speaker 1: because it's one thing to have, like the Corey Sean

918
00:41:06,200 --> 00:41:09,640
Speaker 1: dynamic where Corey's freaking out and Sean says, no, you're Corey,

919
00:41:09,719 --> 00:41:12,040
Speaker 1: I'm Sean, we're supposed to be framing like, that's different.

920
00:41:12,480 --> 00:41:16,160
Speaker 1: This is a character self consciously making decisions and changing

921
00:41:16,200 --> 00:41:19,680
Speaker 1: their behavior based on their awareness of themselves as a

922
00:41:19,719 --> 00:41:21,000
Speaker 1: certain type of character.

923
00:41:21,320 --> 00:41:25,160
Speaker 7: And it's just like this strange meta thing that I

924
00:41:25,160 --> 00:41:27,200
Speaker 7: don't you know, and I felt it happening in this

925
00:41:27,239 --> 00:41:29,359
Speaker 7: episode and then like the memory came back, like, Oh,

926
00:41:29,360 --> 00:41:31,200
Speaker 7: we're going to be We're gonna be doing this a lot,

927
00:41:31,280 --> 00:41:32,440
Speaker 7: like and I know, what's.

928
00:41:32,400 --> 00:41:36,080
Speaker 2: One of the things that people love so much about

929
00:41:36,120 --> 00:41:38,560
Speaker 2: it is because it started to make people think of

930
00:41:38,600 --> 00:41:41,600
Speaker 2: their own lives that way, Like is this why I

931
00:41:41,760 --> 00:41:44,400
Speaker 2: feel this way? Because I see myself in this person

932
00:41:44,760 --> 00:41:47,239
Speaker 2: and I see what they're thinking and they're saying right,

933
00:41:47,320 --> 00:41:49,680
Speaker 2: just outright, Well, the reason I'm doing this is because

934
00:41:50,120 --> 00:41:52,359
Speaker 2: my family is different. I comes from this different place.

935
00:41:52,440 --> 00:41:53,399
Speaker 2: I'm supposed to be this.

936
00:41:53,440 --> 00:41:55,680
Speaker 3: It's my face anyway. So I mean, that's exactly what

937
00:41:55,719 --> 00:41:58,359
Speaker 3: Sean says. It's like he gets to let me get there. Now.

938
00:41:58,600 --> 00:42:01,359
Speaker 1: It's like a weird form of ideasy politics, right, It's

939
00:42:01,360 --> 00:42:04,160
Speaker 1: like a weird sense of awareness about your identity in

940
00:42:04,200 --> 00:42:05,600
Speaker 1: the world and how other people.

941
00:42:05,320 --> 00:42:06,520
Speaker 2: Perceive how you play into it.

942
00:42:06,760 --> 00:42:09,680
Speaker 1: Now, you play into it and then making decisions either

943
00:42:10,040 --> 00:42:13,400
Speaker 1: falling into that or working against it, and the choices

944
00:42:13,440 --> 00:42:15,759
Speaker 1: you make. Yeah, it's a I don't know. I don't

945
00:42:15,760 --> 00:42:17,000
Speaker 1: know what to call it or how to think about it,

946
00:42:17,000 --> 00:42:19,040
Speaker 1: but it's something we should keep an eye on because

947
00:42:19,040 --> 00:42:21,000
Speaker 1: it's going to keep happening. It is the show in

948
00:42:21,040 --> 00:42:23,840
Speaker 1: a lot of ways. It's a defining, defining characteristic of

949
00:42:23,840 --> 00:42:24,320
Speaker 1: our writing.

950
00:42:24,719 --> 00:42:27,520
Speaker 2: You're absolutely right. We'll come up with the name for that,

951
00:42:27,560 --> 00:42:29,279
Speaker 2: because you're right, we're going to want to refer to

952
00:42:29,320 --> 00:42:40,160
Speaker 2: it a lot, I think so.

953
00:42:40,160 --> 00:42:40,279
Speaker 3: So.

954
00:42:40,320 --> 00:42:42,480
Speaker 2: Sean starts to compare the differences in his life to

955
00:42:42,560 --> 00:42:44,960
Speaker 2: Corey's and says he knows how he's going to end up,

956
00:42:45,000 --> 00:42:48,200
Speaker 2: so he might as well get there now. Sean leaves

957
00:42:48,239 --> 00:42:51,840
Speaker 2: and Corey follows. After punching a locker and mister Turner

958
00:42:51,840 --> 00:42:54,520
Speaker 2: approaches Harley and says to cut Sean a break. Turner

959
00:42:54,520 --> 00:42:57,120
Speaker 2: says this is not what Sean needs right now. Harley

960
00:42:57,160 --> 00:43:00,279
Speaker 2: basically tells Turner to mind his business, which leads mister

961
00:43:00,320 --> 00:43:02,560
Speaker 2: Turner to threaten Harley by saying he's going to get

962
00:43:02,560 --> 00:43:04,759
Speaker 2: a lot more than a speech if Sean isn't back

963
00:43:04,760 --> 00:43:05,600
Speaker 2: in his classroom.

964
00:43:06,440 --> 00:43:11,120
Speaker 3: Quick update from David Kendall. Disney had Nancy on some

965
00:43:11,120 --> 00:43:12,839
Speaker 3: sort of a deal and wanted her on as many

966
00:43:12,880 --> 00:43:15,040
Speaker 3: shows as possible. We were asked to find a way

967
00:43:15,080 --> 00:43:17,279
Speaker 3: to incorporate her. It was a whole thing. I had

968
00:43:17,280 --> 00:43:19,600
Speaker 3: to pitch her manager whom she later married, on the

969
00:43:19,640 --> 00:43:22,560
Speaker 3: dream sequence idea in a phone call. But we ended

970
00:43:22,640 --> 00:43:23,920
Speaker 3: up shooting something very funny.

971
00:43:24,040 --> 00:43:24,560
Speaker 1: That's great.

972
00:43:24,880 --> 00:43:27,960
Speaker 3: So it was they backed into a really funny.

973
00:43:27,680 --> 00:43:29,879
Speaker 2: Storyline, a really great storyline.

974
00:43:30,320 --> 00:43:33,239
Speaker 1: That's cool. That's so cool. I yeah, that makes me

975
00:43:33,280 --> 00:43:35,279
Speaker 1: feel good about our writing staff. You know that they

976
00:43:35,280 --> 00:43:36,960
Speaker 1: had to, like they have this challenge, like how do

977
00:43:37,000 --> 00:43:39,200
Speaker 1: we getance A Karragan on our show? Yeah, and they

978
00:43:39,400 --> 00:43:40,959
Speaker 1: came up with a very funny.

979
00:43:40,600 --> 00:43:42,719
Speaker 2: Creator, like, we have Nancy Kerrigan, so we're going to

980
00:43:42,800 --> 00:43:44,640
Speaker 2: use her in a dream sequence. Yes, how does this

981
00:43:44,719 --> 00:43:46,120
Speaker 2: tie into Eric dating?

982
00:43:46,360 --> 00:43:52,080
Speaker 1: Yes, exactly. The sleeping the subliminal message tape such a thing.

983
00:43:52,239 --> 00:43:55,040
Speaker 1: Oh god, it was so funny. When she's becomes the

984
00:43:55,080 --> 00:43:59,759
Speaker 1: tape turnover to the sitting next favorite. I just love

985
00:43:59,760 --> 00:44:02,759
Speaker 1: her because she says it's so earnestly, like committed. This

986
00:44:02,840 --> 00:44:04,359
Speaker 1: is the end of side of the end of side one.

987
00:44:04,480 --> 00:44:06,319
Speaker 1: You're like, oh god, it's so cool.

988
00:44:06,360 --> 00:44:07,440
Speaker 3: That's cool. That's what that was.

989
00:44:07,680 --> 00:44:10,480
Speaker 2: That is cool. So Turner leaves, and Harley says he

990
00:44:10,560 --> 00:44:14,120
Speaker 2: now has the perfect initiation idea for Sean. And then

991
00:44:14,160 --> 00:44:16,400
Speaker 2: we are in Corey and Eric's bedroom. Eric is asleep

992
00:44:16,400 --> 00:44:18,600
Speaker 2: listening to the tape that Jason gave him. It's a

993
00:44:18,640 --> 00:44:21,720
Speaker 2: weight loss tape, but with words like ice, skate and skate,

994
00:44:21,760 --> 00:44:22,360
Speaker 2: real good.

995
00:44:24,600 --> 00:44:28,760
Speaker 3: Real good, feel good again Jason mars and voiceover.

996
00:44:30,560 --> 00:44:33,680
Speaker 2: As he listens, Eric dreams of Olympic figure skater and

997
00:44:33,800 --> 00:44:37,280
Speaker 2: recent assault victim Nancy Kerrigan, grabbing his hand and pulling

998
00:44:37,360 --> 00:44:39,480
Speaker 2: him onto an ice drink in the middle of a

999
00:44:39,520 --> 00:44:44,040
Speaker 2: big wintery scene. Nancy says she will help Eric skate

1000
00:44:44,160 --> 00:44:47,160
Speaker 2: right into Valerie's heart, even though his last time he

1001
00:44:47,200 --> 00:44:49,560
Speaker 2: was he skated was at a third grade party where

1002
00:44:49,600 --> 00:44:51,600
Speaker 2: he fell and split his lips.

1003
00:44:51,760 --> 00:44:53,879
Speaker 4: Lips, lips.

1004
00:44:54,200 --> 00:44:58,560
Speaker 3: I always say my lip right on Eric lips.

1005
00:44:58,560 --> 00:45:01,239
Speaker 2: My lips, split his lips. He couldn't even eat the cake.

1006
00:45:01,560 --> 00:45:03,760
Speaker 4: We were in lake They took us to Lake Placid.

1007
00:45:03,800 --> 00:45:06,799
Speaker 3: They flew I was with Kendall and Karen McCain and

1008
00:45:07,719 --> 00:45:12,160
Speaker 3: flew us to Lake Placid and it was freezing cold.

1009
00:45:12,320 --> 00:45:16,600
Speaker 2: Oh gosh, freezing, freezing, so beautiful. Though, Kendall then directed

1010
00:45:16,680 --> 00:45:17,919
Speaker 2: this whole scene, right he did.

1011
00:45:17,960 --> 00:45:19,920
Speaker 3: He directed the entire dream sequence. I think that's the

1012
00:45:19,920 --> 00:45:22,880
Speaker 3: first time he ever directed me, and he directed the

1013
00:45:22,880 --> 00:45:25,560
Speaker 3: whole dream sequence. And Okay, so I can finally tell

1014
00:45:25,600 --> 00:45:29,320
Speaker 3: you we had some amazing stories going into this about

1015
00:45:29,680 --> 00:45:31,719
Speaker 3: recording all this stuff. But I'm not going to tell

1016
00:45:31,760 --> 00:45:36,160
Speaker 3: you now because next week Nancy Kerrigan is on our podcast.

1017
00:45:36,640 --> 00:45:37,800
Speaker 1: She is coming on.

1018
00:45:37,680 --> 00:45:40,359
Speaker 3: Herself and we will be able to talk about all

1019
00:45:40,400 --> 00:45:42,520
Speaker 3: this cool stuff and uh and more So, I don't

1020
00:45:42,520 --> 00:45:45,040
Speaker 3: want to ruin anything because we want to talk about

1021
00:45:45,040 --> 00:45:46,960
Speaker 3: it with Nancy. But there are some great stories and

1022
00:45:47,040 --> 00:45:49,359
Speaker 3: some some you know, stuff that we went through while

1023
00:45:49,360 --> 00:45:51,600
Speaker 3: over there. But it was it was really fun. It was.

1024
00:45:53,400 --> 00:45:56,520
Speaker 6: I'm so excited and as I was rewatching, it's just

1025
00:45:56,560 --> 00:45:59,200
Speaker 6: another thing that the show has allowed me to do

1026
00:45:59,440 --> 00:46:01,080
Speaker 6: and the industry has allowed me to do where you

1027
00:46:01,080 --> 00:46:04,680
Speaker 6: have these moments where it's you know, at the time,

1028
00:46:04,800 --> 00:46:07,879
Speaker 6: arguably the greatest figure skater in the world and I'm

1029
00:46:07,880 --> 00:46:10,600
Speaker 6: sitting there on a private lake, private frozen lake, as she.

1030
00:46:10,600 --> 00:46:13,200
Speaker 3: Skates around me, and it's just like, where else do

1031
00:46:13,280 --> 00:46:16,160
Speaker 3: you get to experience something like that? I mean, it's

1032
00:46:16,200 --> 00:46:16,800
Speaker 3: so cool.

1033
00:46:16,960 --> 00:46:19,560
Speaker 1: I was also reminded, will didn't you date a professional

1034
00:46:19,600 --> 00:46:22,600
Speaker 1: skater for a while, like after this, Yeah.

1035
00:46:22,440 --> 00:46:25,800
Speaker 3: No, she wasn't professional. She was she was the runner

1036
00:46:25,920 --> 00:46:28,600
Speaker 3: up national figure skating champion of Canada, but yeah, for

1037
00:46:28,719 --> 00:46:32,360
Speaker 3: years she was. She was the skating double in a

1038
00:46:32,400 --> 00:46:34,600
Speaker 3: movie I did with Matt Lawrence called so Skating.

1039
00:46:34,320 --> 00:46:36,640
Speaker 1: Cut Oh And then they needed them. So skating kind

1040
00:46:36,680 --> 00:46:37,760
Speaker 1: of became a part of your life.

1041
00:46:37,840 --> 00:46:40,359
Speaker 3: Skating did, and it was their because when the whole

1042
00:46:40,400 --> 00:46:42,520
Speaker 3: episode where she was like, Hey, I can't really have

1043
00:46:42,560 --> 00:46:44,520
Speaker 3: boys in my life because I spend the whole time

1044
00:46:44,520 --> 00:46:46,000
Speaker 3: at skating, some people were like, oh, come on, who

1045
00:46:46,040 --> 00:46:48,120
Speaker 3: does that? But when you've seen the world, that's what

1046
00:46:48,160 --> 00:46:51,440
Speaker 3: it's like. I mean, Kila was her name was Kila

1047
00:46:51,480 --> 00:46:53,879
Speaker 3: Ohs the skater that I did. Shoutout Quila. I haven't

1048
00:46:53,880 --> 00:46:56,640
Speaker 3: seen her in years, but very sweet girl. And that

1049
00:46:56,800 --> 00:46:59,200
Speaker 3: was her life. I mean, she went to school and

1050
00:46:59,239 --> 00:47:00,960
Speaker 3: she skated. That was it.

1051
00:47:01,320 --> 00:47:03,279
Speaker 4: And when she wasn't skating, she was working out.

1052
00:47:03,880 --> 00:47:04,600
Speaker 3: That's it was.

1053
00:47:05,360 --> 00:47:06,000
Speaker 1: It was her life.

1054
00:47:06,160 --> 00:47:08,239
Speaker 3: That's what she did. And it was, as you know,

1055
00:47:08,880 --> 00:47:11,000
Speaker 3: blood sweat and tears. To get to that level of

1056
00:47:11,680 --> 00:47:15,160
Speaker 3: any competitive excellence and that's what her life was, so

1057
00:47:15,200 --> 00:47:17,360
Speaker 3: that that resonated when she was like, I'm sorry, I

1058
00:47:17,360 --> 00:47:21,480
Speaker 3: can't date you skating, that's that's real. But sitting there,

1059
00:47:21,520 --> 00:47:23,680
Speaker 3: it was just that moment of I'm sitting here in

1060
00:47:23,800 --> 00:47:27,120
Speaker 3: Lake Placid watching Nancy Kerrigan skate around.

1061
00:47:26,920 --> 00:47:30,319
Speaker 1: Me really cool obviously or was that you?

1062
00:47:30,920 --> 00:47:31,560
Speaker 3: That was all me?

1063
00:47:32,160 --> 00:47:34,439
Speaker 1: A lot of people don't know that. I'm also again,

1064
00:47:34,520 --> 00:47:37,000
Speaker 1: this is where we're glad we don't have high death because.

1065
00:47:39,560 --> 00:47:41,760
Speaker 3: I changed my last name to Fudell. I was actually

1066
00:47:41,800 --> 00:47:44,040
Speaker 3: born Will Kpaids. A lot of people don't know that.

1067
00:47:44,400 --> 00:47:44,960
Speaker 1: I don't get.

1068
00:47:47,920 --> 00:47:49,080
Speaker 3: There, you go anyway.

1069
00:47:49,120 --> 00:47:51,920
Speaker 2: So Nancy says, not to put barriers up, and you

1070
00:47:52,000 --> 00:47:54,680
Speaker 2: just need to believe in yourself. She says, hush, take

1071
00:47:54,719 --> 00:47:57,680
Speaker 2: my hand, and then she does an incredible like mini

1072
00:47:57,800 --> 00:48:02,280
Speaker 2: routine as you just stand there in awe. Eric then suddenly,

1073
00:48:02,640 --> 00:48:05,480
Speaker 2: though slow at first, knows how to perfectly ice skate

1074
00:48:05,640 --> 00:48:07,280
Speaker 2: and he has jumps and turns.

1075
00:48:07,719 --> 00:48:09,600
Speaker 1: The music tells you how to feel so like when

1076
00:48:09,600 --> 00:48:15,560
Speaker 1: you first start, the music is literally turned swells into

1077
00:48:15,600 --> 00:48:17,680
Speaker 1: this beautiful orchestoral.

1078
00:48:17,120 --> 00:48:20,960
Speaker 2: Moment yep, and then you do a triple lots LUTs,

1079
00:48:21,160 --> 00:48:25,759
Speaker 2: double axle sow cow and uh, the stunt double is

1080
00:48:26,000 --> 00:48:28,120
Speaker 2: like two miles away, so we don't see his face.

1081
00:48:28,160 --> 00:48:29,759
Speaker 2: They also made sure you had a hat and a

1082
00:48:29,840 --> 00:48:32,120
Speaker 2: scarf on so that you know when he was tucked in,

1083
00:48:32,200 --> 00:48:35,400
Speaker 2: you couldn't even see him. Eric says he never wants

1084
00:48:35,440 --> 00:48:38,080
Speaker 2: this to end, but Nancy says it must and then

1085
00:48:38,160 --> 00:48:41,239
Speaker 2: tells him to turn the tape over. Eric wakes up

1086
00:48:41,239 --> 00:48:43,600
Speaker 2: from his dream as Nancy was actually saying what the

1087
00:48:43,640 --> 00:48:46,360
Speaker 2: tape is repeating. He gets out of bed and excitedly

1088
00:48:46,360 --> 00:48:49,480
Speaker 2: says he can skate now, and food has no power

1089
00:48:49,560 --> 00:48:51,759
Speaker 2: over me, power over me.

1090
00:48:51,880 --> 00:48:57,880
Speaker 1: And Den's face after one of the best eyebrows the

1091
00:48:57,920 --> 00:49:00,319
Speaker 1: other thing I wrote down, and I obviously understand why

1092
00:49:00,360 --> 00:49:01,359
Speaker 1: they have to do it this way.

1093
00:49:01,440 --> 00:49:04,160
Speaker 3: But every television show, along with pushing the food on

1094
00:49:04,160 --> 00:49:07,759
Speaker 3: your plate, everybody sleeps on their back. H huh oh, yes,

1095
00:49:08,080 --> 00:49:10,359
Speaker 3: there's never There's never a scene where you come up

1096
00:49:10,440 --> 00:49:12,759
Speaker 3: and the person sleeping on their side or sleeping on

1097
00:49:12,800 --> 00:49:16,120
Speaker 3: their stuff face. Never a thing. It's always everyone sleeps

1098
00:49:16,160 --> 00:49:19,040
Speaker 3: like this all the time in every television show.

1099
00:49:19,160 --> 00:49:21,279
Speaker 1: Actually, his arms behind him.

1100
00:49:22,000 --> 00:49:26,239
Speaker 3: It's just like naturally sleeping sound asleep like you do

1101
00:49:26,440 --> 00:49:28,840
Speaker 3: all night long while the person next to you also

1102
00:49:28,920 --> 00:49:31,880
Speaker 3: sleeps like this all night long. Yeah, it's so funny.

1103
00:49:32,040 --> 00:49:32,560
Speaker 3: It was great.

1104
00:49:33,200 --> 00:49:35,800
Speaker 2: Well, then we're in the Matthew's kitchen. Corey pours orange

1105
00:49:35,880 --> 00:49:38,800
Speaker 2: juice and in his cereal instead of milk, and Alan

1106
00:49:38,920 --> 00:49:42,320
Speaker 2: notices that something is wrong. Corey tells Alan that Sean

1107
00:49:42,360 --> 00:49:44,520
Speaker 2: doesn't want to be his friend anymore, since Sean thinks

1108
00:49:44,520 --> 00:49:46,400
Speaker 2: they're going to grow up and not be friends, so

1109
00:49:46,440 --> 00:49:49,160
Speaker 2: he wants to stop now, all because of where he

1110
00:49:49,200 --> 00:49:50,920
Speaker 2: lives and what a snobby girl thinks.

1111
00:49:51,400 --> 00:49:55,200
Speaker 1: Rusty's response is just so great. He has something he's

1112
00:49:55,239 --> 00:49:58,000
Speaker 1: like since when. Like the way he said the phrase

1113
00:49:58,040 --> 00:50:01,040
Speaker 1: since when was so I don't know. It's also like

1114
00:50:01,040 --> 00:50:02,960
Speaker 1: a Yeah, it was so real and earnest, and it

1115
00:50:03,040 --> 00:50:05,600
Speaker 1: was just like the best dad thing he could have done,

1116
00:50:05,640 --> 00:50:07,719
Speaker 1: you know what I mean. There's no judgment, there was

1117
00:50:07,760 --> 00:50:09,520
Speaker 1: no it was just like, please tell me more.

1118
00:50:09,560 --> 00:50:11,239
Speaker 3: I want to like, it was just it was I'm

1119
00:50:11,360 --> 00:50:13,560
Speaker 3: starting to get a little miffed though, and it's just

1120
00:50:13,600 --> 00:50:17,200
Speaker 3: my own personal thing that now every time we see him,

1121
00:50:17,239 --> 00:50:19,080
Speaker 3: it's just a small scene in the kitchen because he's

1122
00:50:19,080 --> 00:50:21,080
Speaker 3: so good. He's so good that I want and I

1123
00:50:21,120 --> 00:50:22,560
Speaker 3: know that they're trying to work him in. I get

1124
00:50:22,560 --> 00:50:24,560
Speaker 3: that we now have a bunch of character shifting is.

1125
00:50:24,520 --> 00:50:25,600
Speaker 1: The way it's going to be for the rest of

1126
00:50:25,600 --> 00:50:27,920
Speaker 1: the show. I know he's so good.

1127
00:50:27,760 --> 00:50:30,360
Speaker 3: That I just want to see both of them more

1128
00:50:30,480 --> 00:50:33,600
Speaker 3: and more because every time he comes down and gets

1129
00:50:33,600 --> 00:50:37,640
Speaker 3: a pie and it's five sentences, it's just so engaging

1130
00:50:37,680 --> 00:50:40,440
Speaker 3: and so good and so real, and man, I just

1131
00:50:40,480 --> 00:50:42,399
Speaker 3: want to see twenty minutes of that. I know we can't,

1132
00:50:42,440 --> 00:50:44,200
Speaker 3: and I get it it's my own personal thing, but

1133
00:50:44,600 --> 00:50:45,560
Speaker 3: he's just so good that I.

1134
00:50:45,600 --> 00:50:46,440
Speaker 1: Just want those.

1135
00:50:46,600 --> 00:50:48,200
Speaker 2: I know, I do want more of it. I want

1136
00:50:48,200 --> 00:50:49,720
Speaker 2: the show to be an hour so that it's.

1137
00:50:49,840 --> 00:50:54,360
Speaker 3: Yeah, like the Ben the Corey Allen scenes are just

1138
00:50:54,440 --> 00:50:56,239
Speaker 3: so good. They've kind of taken over for the Corey

1139
00:50:56,280 --> 00:50:57,399
Speaker 3: Feenie scenes.

1140
00:50:57,239 --> 00:50:59,080
Speaker 1: They have and they're great.

1141
00:50:59,320 --> 00:51:01,560
Speaker 3: They're just so engaging and like you said, they're so

1142
00:51:01,640 --> 00:51:04,160
Speaker 3: real that you're just there, you're mesmerized.

1143
00:51:04,400 --> 00:51:06,560
Speaker 2: I also want to acknowledge that we've talked about how

1144
00:51:06,600 --> 00:51:09,880
Speaker 2: some of our episodes have come before Seinfeld episodes, before

1145
00:51:09,960 --> 00:51:13,799
Speaker 2: certain Friends episodes, and this storyline here and Corey break

1146
00:51:13,840 --> 00:51:15,600
Speaker 2: it down. I was like, this is a real band,

1147
00:51:15,640 --> 00:51:17,759
Speaker 2: she's of inassurance, this is the real band. She's of

1148
00:51:17,800 --> 00:51:22,360
Speaker 2: Inassured episode.

1149
00:51:20,239 --> 00:51:25,200
Speaker 3: Years ahead of It's.

1150
00:51:22,960 --> 00:51:25,920
Speaker 2: A great movie. Will you have to watch it? Incredible

1151
00:51:26,760 --> 00:51:29,200
Speaker 2: farrel just truly incredible.

1152
00:51:30,440 --> 00:51:34,000
Speaker 3: It's really is it animates are their wizards? No?

1153
00:51:34,280 --> 00:51:37,120
Speaker 2: No, okay, but it's very funny. It is a funny.

1154
00:51:37,160 --> 00:51:39,400
Speaker 1: It's dark, but it's funny, a dark.

1155
00:51:39,320 --> 00:51:42,920
Speaker 2: Dark comedy. Yeah. So Alan says, Sean probably isn't really

1156
00:51:42,960 --> 00:51:45,320
Speaker 2: mad at Corey, and people tend to push them. People

1157
00:51:45,360 --> 00:51:47,320
Speaker 2: tend to push you away when they need you the most.

1158
00:51:47,440 --> 00:51:50,480
Speaker 2: And I thought, what a really beautiful way, exactly like

1159
00:51:50,520 --> 00:51:52,600
Speaker 2: you said writer the minute, he says, since when you

1160
00:51:52,680 --> 00:51:56,439
Speaker 2: know he's invested, interested and concerned.

1161
00:51:56,000 --> 00:51:56,879
Speaker 1: The best at ever.

1162
00:51:57,800 --> 00:52:01,359
Speaker 3: Also, we've also established that he was Shawne, so that's

1163
00:52:01,360 --> 00:52:03,080
Speaker 3: the other thing he's coming at it from a place

1164
00:52:03,160 --> 00:52:04,040
Speaker 3: of he's been.

1165
00:52:05,360 --> 00:52:06,959
Speaker 1: It would have been nice to have a little hint

1166
00:52:06,960 --> 00:52:09,879
Speaker 1: to that, a little bit, but we don't have time.

1167
00:52:10,200 --> 00:52:13,640
Speaker 3: Yeah, So it's we've already established that he's probably did

1168
00:52:13,640 --> 00:52:15,399
Speaker 3: that to his best friend at one point. So yeah,

1169
00:52:15,400 --> 00:52:15,839
Speaker 3: I love that.

1170
00:52:16,200 --> 00:52:18,160
Speaker 2: So then we're in the school parking lot. Harley is

1171
00:52:18,200 --> 00:52:21,080
Speaker 2: sitting on Turner's Harley while Joey holds a baseball bat

1172
00:52:21,400 --> 00:52:23,799
Speaker 2: Frankie says, it's so clean you could eat it, but

1173
00:52:23,880 --> 00:52:25,840
Speaker 2: Joey corrects him, you mean you can eat off it,

1174
00:52:25,920 --> 00:52:27,640
Speaker 2: And Frankie says, I said what I said.

1175
00:52:27,680 --> 00:52:28,479
Speaker 3: I said what I said.

1176
00:52:29,120 --> 00:52:31,319
Speaker 1: There's a couple. I mean this is okay. So I

1177
00:52:31,360 --> 00:52:34,840
Speaker 1: mean Ethan's whole role in this scene is like food jokes,

1178
00:52:35,120 --> 00:52:37,080
Speaker 1: I know, and it's a bummer, like because we also

1179
00:52:37,120 --> 00:52:39,680
Speaker 1: we didn't talk about it, but in the the you know,

1180
00:52:39,880 --> 00:52:41,400
Speaker 1: when they go to the movie theater and he like

1181
00:52:41,719 --> 00:52:43,319
Speaker 1: has to get out of the thing because he.

1182
00:52:43,320 --> 00:52:44,360
Speaker 2: Does to get the snack.

1183
00:52:44,719 --> 00:52:46,160
Speaker 3: It's all wait, it's all about it.

1184
00:52:46,160 --> 00:52:47,920
Speaker 1: It's all weight jokes, which must have been a bummer

1185
00:52:47,960 --> 00:52:50,600
Speaker 1: for him, you know, like her to have to, Like

1186
00:52:50,840 --> 00:52:52,640
Speaker 1: I don't think they would make these jokes these days,

1187
00:52:52,719 --> 00:52:54,480
Speaker 1: you know, I don't think shows do this anymore, but

1188
00:52:54,520 --> 00:52:56,280
Speaker 1: like back then it would have been, and in fact,

1189
00:52:56,400 --> 00:53:00,560
Speaker 1: we probably didn't do you know, wait the way other

1190
00:53:00,600 --> 00:53:02,439
Speaker 1: shows would have Like I feel like back in the day,

1191
00:53:02,560 --> 00:53:06,080
Speaker 1: like old I don't know, you know, making fun of

1192
00:53:06,480 --> 00:53:09,719
Speaker 1: kids teenagers are being overweight was like standard fair. It

1193
00:53:09,800 --> 00:53:12,000
Speaker 1: was like it was just part of part of comedy

1194
00:53:12,440 --> 00:53:15,400
Speaker 1: you watch, like goonies, and and that's like what they're doing,

1195
00:53:16,280 --> 00:53:18,200
Speaker 1: so in a weird way, like we were probably more

1196
00:53:18,200 --> 00:53:20,840
Speaker 1: restrained or more clever, Like these are clever lines, like

1197
00:53:20,880 --> 00:53:23,640
Speaker 1: I said, I mean, but it's still kind of a bummer.

1198
00:53:23,680 --> 00:53:25,760
Speaker 1: I feel. I feel, I felt, you know, especially haring

1199
00:53:25,800 --> 00:53:28,000
Speaker 1: what he has gone through, you know, like that this

1200
00:53:28,040 --> 00:53:31,520
Speaker 1: contributor in his personal life. Yeah, like it's just hard man.

1201
00:53:32,200 --> 00:53:34,960
Speaker 2: Yeah, I mean, we've talked about it with our guest

1202
00:53:34,960 --> 00:53:37,120
Speaker 2: with our guests too, like when you get put into

1203
00:53:37,160 --> 00:53:39,439
Speaker 2: a certain box and then you just you get those

1204
00:53:39,440 --> 00:53:43,719
Speaker 2: same jokes in general, same same jokes just fed back

1205
00:53:43,719 --> 00:53:45,640
Speaker 2: to you in different ways. It really takes.

1206
00:53:47,120 --> 00:53:49,760
Speaker 3: But again, had they not brought on the new Harley

1207
00:53:50,000 --> 00:53:53,919
Speaker 3: and given part of those storylines, we wouldn't needed that,

1208
00:53:54,080 --> 00:53:55,680
Speaker 3: you wouldn't have needed any of that kind of stuff

1209
00:53:55,680 --> 00:53:57,279
Speaker 3: because he wouldn't have just been the one line guy

1210
00:53:57,320 --> 00:53:58,520
Speaker 3: here or there. He would have been one of the

1211
00:53:58,520 --> 00:54:02,000
Speaker 3: people driving the whole scene. So it just was unnecessary

1212
00:54:02,040 --> 00:54:04,640
Speaker 3: to bring this poor actor in to fill a role

1213
00:54:04,920 --> 00:54:06,200
Speaker 3: nobody could at that point.

1214
00:54:06,000 --> 00:54:06,160
Speaker 1: I know.

1215
00:54:06,360 --> 00:54:07,400
Speaker 3: Just yeah, it was crazy.

1216
00:54:07,640 --> 00:54:09,399
Speaker 2: So Sean asks what they're going to do with the bike,

1217
00:54:09,440 --> 00:54:11,480
Speaker 2: and Harley tells Sean that he's actually going to hit

1218
00:54:11,520 --> 00:54:14,160
Speaker 2: the motorcycle. It appears to be an initiation of sorts.

1219
00:54:14,400 --> 00:54:17,719
Speaker 2: Frankie suggests starting with the headlight. Sean misses with his

1220
00:54:17,760 --> 00:54:18,799
Speaker 2: first swing and asking we.

1221
00:54:18,760 --> 00:54:20,360
Speaker 1: Talk about how beautiful the motorcycle is.

1222
00:54:20,400 --> 00:54:21,400
Speaker 2: Probably gorgeous.

1223
00:54:21,960 --> 00:54:25,000
Speaker 1: It's gorgeous. I didn't remember that, like the color. I

1224
00:54:25,040 --> 00:54:26,840
Speaker 1: was like, yes, that might be.

1225
00:54:27,040 --> 00:54:28,920
Speaker 3: I could be wrong and I could just be making

1226
00:54:28,920 --> 00:54:32,120
Speaker 3: this up. That might be one of Michael Jacob's actual motorcycles.

1227
00:54:32,520 --> 00:54:33,759
Speaker 1: Michael motorcycles.

1228
00:54:33,800 --> 00:54:37,080
Speaker 3: Oh yeah, Michael's a big motorcycle rider. Absolutely so that.

1229
00:54:37,200 --> 00:54:40,040
Speaker 1: Oh yeah, I knew Rusty had a beautiful bike. Rusty

1230
00:54:40,080 --> 00:54:42,640
Speaker 1: had like a cool old Harley, but he had like

1231
00:54:42,680 --> 00:54:45,040
Speaker 1: a small handlebar situation he had.

1232
00:54:45,320 --> 00:54:47,399
Speaker 3: His was like the Cafe La, but this was I'm

1233
00:54:47,560 --> 00:54:50,719
Speaker 3: I'm pretty this could have been one of Michael's bikes. Wow. No,

1234
00:54:50,840 --> 00:54:51,840
Speaker 3: Michael was a big rider.

1235
00:54:51,920 --> 00:54:52,600
Speaker 1: I didn't know that.

1236
00:54:52,960 --> 00:54:55,200
Speaker 2: Sean asks for a couple of practice hits, but Joey

1237
00:54:55,239 --> 00:54:57,399
Speaker 2: and Frankie call him a chicken, and again we get

1238
00:54:57,440 --> 00:55:01,680
Speaker 2: an absolutely genius read from joe and uh Aka Blake.

1239
00:55:01,680 --> 00:55:03,520
Speaker 2: And this time I pulled a clip, so let's play

1240
00:55:03,600 --> 00:55:03,960
Speaker 2: thank you.

1241
00:55:04,320 --> 00:55:05,480
Speaker 3: Yeah, I'm just smelling chicken.

1242
00:55:05,680 --> 00:55:08,200
Speaker 1: A big one extra Crispy, I said, we think him

1243
00:55:08,200 --> 00:55:10,759
Speaker 1: to the current, go pluck you, frya and serve you

1244
00:55:10,800 --> 00:55:15,920
Speaker 1: in a bucket with biscuits. Biscuits. It is so musical.

1245
00:55:17,280 --> 00:55:22,560
Speaker 1: He's basically reciting a poem. He's like, oh my gosh,

1246
00:55:22,640 --> 00:55:23,600
Speaker 1: it's so beautiful.

1247
00:55:23,880 --> 00:55:25,840
Speaker 2: I love it. I couldn't even I couldn't even just

1248
00:55:25,840 --> 00:55:27,120
Speaker 2: write it down. I was like, we have to just

1249
00:55:27,239 --> 00:55:28,120
Speaker 2: it's just incredible.

1250
00:55:28,400 --> 00:55:30,319
Speaker 3: Why do we fall in love so much with all

1251
00:55:30,360 --> 00:55:34,320
Speaker 3: these characters they get rid of every single time, every time.

1252
00:55:35,040 --> 00:55:38,120
Speaker 2: So Frankie then leaves and the bashing is about to start,

1253
00:55:38,160 --> 00:55:40,560
Speaker 2: but then Corey walks out right at the perfect time.

1254
00:55:40,680 --> 00:55:43,320
Speaker 2: Sean tells Corey to leave. Corey tries to grab the

1255
00:55:43,360 --> 00:55:45,680
Speaker 2: bat from Sean, but Sean says Corey doesn't belong there.

1256
00:55:45,840 --> 00:55:48,640
Speaker 2: Harley calls Cory a baboon, and that's when it felt

1257
00:55:48,719 --> 00:55:54,239
Speaker 2: extra They Harry Les don't have him say that, and

1258
00:55:54,280 --> 00:55:57,360
Speaker 2: he suggests he walks away. Corey stands up to Harley,

1259
00:55:57,400 --> 00:56:00,200
Speaker 2: but then his reality kicks in. He makes an amazingly

1260
00:56:00,320 --> 00:56:02,840
Speaker 2: cute face and laughs. I thought Ben's reaction to this

1261
00:56:02,920 --> 00:56:05,920
Speaker 2: when he's like, your greasy hair and your rat face thing.

1262
00:56:05,960 --> 00:56:07,520
Speaker 2: And then Harley just stares at him, and he goes,

1263
00:56:08,400 --> 00:56:09,480
Speaker 2: he is so cute.

1264
00:56:10,400 --> 00:56:11,200
Speaker 3: Little response.

1265
00:56:13,320 --> 00:56:15,920
Speaker 2: Right as Harley is getting ready to hit Corey and responds,

1266
00:56:15,960 --> 00:56:20,640
Speaker 2: mister turn Mister Turner walks out again with impeccable timing.

1267
00:56:20,840 --> 00:56:22,320
Speaker 4: Runs.

1268
00:56:23,160 --> 00:56:26,000
Speaker 2: He's been looking out that window and running down I

1269
00:56:26,000 --> 00:56:27,520
Speaker 2: don't know thirty six flights of stairs.

1270
00:56:28,080 --> 00:56:29,799
Speaker 4: He's been running half a mile to get there.

1271
00:56:30,680 --> 00:56:33,200
Speaker 2: He thanks Corey for protecting his bike. I saw from

1272
00:56:33,200 --> 00:56:35,320
Speaker 2: my window that it looked like some clowns are about

1273
00:56:35,320 --> 00:56:39,360
Speaker 2: to mess it up. The bullies a little intimidated walk away. Turner,

1274
00:56:39,480 --> 00:56:41,759
Speaker 2: now angry, asks why Sean wants to hang out with

1275
00:56:41,800 --> 00:56:43,520
Speaker 2: Harley and his thugs when he has a good friend

1276
00:56:43,560 --> 00:56:45,840
Speaker 2: like Corey looking out for him, and Sean says, this

1277
00:56:45,960 --> 00:56:48,719
Speaker 2: is where he belongs. Sean says he doesn't know who

1278
00:56:48,719 --> 00:56:51,160
Speaker 2: he is, but Corey says he does. He read he

1279
00:56:51,280 --> 00:56:53,759
Speaker 2: reads it in his biography. He wrote the entire biography

1280
00:56:53,760 --> 00:56:56,640
Speaker 2: about him. Turner tells Sean deep down he's all right,

1281
00:56:56,680 --> 00:56:59,239
Speaker 2: and Sean keeps asking Turner if he thinks he'll be

1282
00:56:59,280 --> 00:57:02,400
Speaker 2: all right, referring to mister Turner. Turner says, if he

1283
00:57:02,440 --> 00:57:09,040
Speaker 2: stays away from this Harley and that, then yes, Tony is.

1284
00:57:09,040 --> 00:57:12,960
Speaker 1: So good in this scene, which is drama, really witches

1285
00:57:13,040 --> 00:57:17,040
Speaker 1: to drama perfectly and just yeah, And this is that

1286
00:57:17,160 --> 00:57:19,480
Speaker 1: dynamic between Sewn and Turner, which I guess we're going

1287
00:57:19,520 --> 00:57:19,920
Speaker 1: to see.

1288
00:57:19,760 --> 00:57:22,880
Speaker 2: A lot YEP. It's foreshadowing this relationship between the two

1289
00:57:22,960 --> 00:57:25,640
Speaker 2: of you big time, and it is beautiful.

1290
00:57:25,880 --> 00:57:26,440
Speaker 3: Yeah.

1291
00:57:26,600 --> 00:57:29,520
Speaker 2: Sean goes back inside and Corey asks Turner if he

1292
00:57:29,600 --> 00:57:32,720
Speaker 2: really thinks Sean will be okay, and he says sure,

1293
00:57:33,160 --> 00:57:36,720
Speaker 2: and then Tony flips a bat to sad music and.

1294
00:57:36,640 --> 00:57:39,200
Speaker 1: That isn't it. That's the beginning. That's the moment where

1295
00:57:39,200 --> 00:57:41,240
Speaker 1: it's like every other episode of Boyme's World where you

1296
00:57:41,240 --> 00:57:44,360
Speaker 1: would have had this situation would have probably resolved it.

1297
00:57:44,800 --> 00:57:48,120
Speaker 1: But having Tony give that look back where it's like,

1298
00:57:48,280 --> 00:57:51,400
Speaker 1: maybe Sean's not going to be all right is such

1299
00:57:51,400 --> 00:57:54,200
Speaker 1: a nice touch and it's such a like, you know,

1300
00:57:54,680 --> 00:57:56,160
Speaker 1: in a weird way. It reminded me of the like

1301
00:57:56,200 --> 00:57:58,080
Speaker 1: I Miss Wendy when he looks at her socks at

1302
00:57:58,120 --> 00:58:00,480
Speaker 1: the end of the Wendy episode. It's like the sort

1303
00:58:00,480 --> 00:58:02,560
Speaker 1: of lingering like letting.

1304
00:58:02,800 --> 00:58:03,920
Speaker 2: Jeff McCracken episode.

1305
00:58:03,920 --> 00:58:07,200
Speaker 4: By the way, oh interesting, playing the little beats.

1306
00:58:07,520 --> 00:58:09,640
Speaker 1: I think it's it's like this sense that we don't

1307
00:58:09,680 --> 00:58:12,480
Speaker 1: need a joke, these characters are going to continue to it.

1308
00:58:12,480 --> 00:58:14,280
Speaker 3: You're right, that's such a great point.

1309
00:58:14,360 --> 00:58:15,320
Speaker 1: I never thought about that.

1310
00:58:15,360 --> 00:58:18,080
Speaker 3: And the last Jeff McCracken episode we also talked about

1311
00:58:18,080 --> 00:58:20,880
Speaker 3: how Eric was starting to add lib a little bit

1312
00:58:20,920 --> 00:58:22,560
Speaker 3: and jump over the walls and it was kind of

1313
00:58:22,560 --> 00:58:24,440
Speaker 3: there was a freedom to it, and that same kind

1314
00:58:24,440 --> 00:58:26,760
Speaker 3: of thing happened with you, Danielle, with ad libbing a

1315
00:58:26,800 --> 00:58:30,120
Speaker 3: little bit in the scene and it's just yeah.

1316
00:58:30,320 --> 00:58:32,960
Speaker 2: Yeah, but writer, to your point, I actually love that

1317
00:58:33,080 --> 00:58:35,080
Speaker 2: even the way it is in the dialogue, the fact

1318
00:58:35,160 --> 00:58:40,320
Speaker 2: that the way he even says, you know, there's nothing

1319
00:58:40,400 --> 00:58:44,240
Speaker 2: that's even the word sure sure isn't yeah sure feels

1320
00:58:44,240 --> 00:58:48,120
Speaker 2: a little like maybe yeah, And so I loved that

1321
00:58:48,120 --> 00:58:51,120
Speaker 2: that that it was very much like it could still

1322
00:58:51,160 --> 00:58:53,280
Speaker 2: go either way. Yeah, And it's a lot of it's

1323
00:58:53,360 --> 00:58:55,480
Speaker 2: up to you, and it depends on how badly you

1324
00:58:55,560 --> 00:58:58,680
Speaker 2: want to change the trajectory of your life or can

1325
00:58:58,800 --> 00:59:02,160
Speaker 2: you know it is it's it's so great. And then

1326
00:59:02,280 --> 00:59:04,439
Speaker 2: we are in the tag in the ice skating rank,

1327
00:59:04,520 --> 00:59:06,840
Speaker 2: Valerie asks why Eric didn't tell her he was such

1328
00:59:06,880 --> 00:59:09,240
Speaker 2: a good ice skater, and Eric says he didn't think

1329
00:59:09,280 --> 00:59:11,920
Speaker 2: she would believe him. She asks Eric to Chubby's, but

1330
00:59:12,040 --> 00:59:14,480
Speaker 2: Eric says food has no power over him. And I thought,

1331
00:59:14,560 --> 00:59:17,560
Speaker 2: this is such a great this is a great callback.

1332
00:59:17,760 --> 00:59:20,120
Speaker 3: It was it was fun. It was that the whole

1333
00:59:20,120 --> 00:59:24,080
Speaker 3: storyline was absurd and fun and crazy. And by the way,

1334
00:59:24,200 --> 00:59:26,160
Speaker 3: why did you run out of your room when you

1335
00:59:26,200 --> 00:59:27,880
Speaker 3: woke up in the middle of night when you're going

1336
00:59:27,920 --> 00:59:29,160
Speaker 3: to ice skate at midnight?

1337
00:59:29,800 --> 00:59:31,000
Speaker 1: I just realized that now I'm.

1338
00:59:30,920 --> 00:59:32,920
Speaker 3: Like the skating thing out of like trying to get

1339
00:59:33,080 --> 00:59:34,760
Speaker 3: skating on the floor, like trying to get out of

1340
00:59:34,760 --> 00:59:35,000
Speaker 3: the room.

1341
00:59:35,360 --> 00:59:36,720
Speaker 1: It makes a great beat.

1342
00:59:36,760 --> 00:59:39,560
Speaker 3: But of course not, no, no, of course not.

1343
00:59:40,520 --> 00:59:41,120
Speaker 1: Oh my god.

1344
00:59:42,440 --> 00:59:44,240
Speaker 2: So then when she says, well, would you like to

1345
00:59:44,280 --> 00:59:46,320
Speaker 2: just watch me eat? You can order dessert, he says

1346
00:59:46,320 --> 00:59:48,560
Speaker 2: it'll go right to his hips. He can't even save

1347
00:59:48,680 --> 00:59:51,720
Speaker 2: food even though he's trying to. It's that darn weight

1348
00:59:51,840 --> 00:59:54,560
Speaker 2: loss tape. Jason comes over and shoves a hot dog

1349
00:59:54,600 --> 00:59:57,480
Speaker 2: in Eric's face, and Eric runs away, and then in

1350
00:59:57,520 --> 01:00:00,520
Speaker 2: his absence, Jason sits next to Valerie and offers her

1351
01:00:00,560 --> 01:00:02,680
Speaker 2: a hot dog and then tells her he taught Eric

1352
01:00:02,720 --> 01:00:05,920
Speaker 2: how to skate. Eric's face pops up from a closed

1353
01:00:05,920 --> 01:00:08,440
Speaker 2: door and he does that little puffer fish face you

1354
01:00:08,720 --> 01:00:09,400
Speaker 2: like on the door.

1355
01:00:09,680 --> 01:00:11,200
Speaker 3: I used to do that all the time, and Michael

1356
01:00:11,360 --> 01:00:13,520
Speaker 3: remember puff puffer fish thing. I was like, all right,

1357
01:00:13,560 --> 01:00:15,320
Speaker 3: I'll do that, and I'm the second the first take,

1358
01:00:15,360 --> 01:00:17,640
Speaker 3: I just got up and ran out, and Michael, I think,

1359
01:00:17,640 --> 01:00:20,080
Speaker 3: gave me there was like, could you flip off? So yeah,

1360
01:00:20,080 --> 01:00:21,880
Speaker 3: I flipped off the gun. Ah and then he's like

1361
01:00:22,680 --> 01:00:24,840
Speaker 3: and then the note he gave me I'll never forget

1362
01:00:24,840 --> 01:00:27,240
Speaker 3: it was perfect. He goes, as he's coming at you

1363
01:00:27,280 --> 01:00:30,240
Speaker 3: with the hot dog, I want you to be Frankenstein's

1364
01:00:30,280 --> 01:00:34,040
Speaker 3: monster being chased by the villagers with the torches. It's like,

1365
01:00:37,560 --> 01:00:41,200
Speaker 3: which is a great way to say it. So it was, Yeah,

1366
01:00:41,280 --> 01:00:42,320
Speaker 3: that's that's we incorporate.

1367
01:00:42,360 --> 01:00:48,480
Speaker 1: It's like a family with a cross right right. Yeah, So.

1368
01:00:50,600 --> 01:00:53,240
Speaker 2: Eric appears to now be allergic to hot dogs or

1369
01:00:53,320 --> 01:00:59,640
Speaker 2: food in general. Awhere, that's the end of our episode.

1370
01:01:00,160 --> 01:01:04,160
Speaker 2: Uh really really a pivotal episode.

1371
01:01:03,720 --> 01:01:05,480
Speaker 3: I think so, and a good episode.

1372
01:01:05,680 --> 01:01:05,919
Speaker 2: Yeah.

1373
01:01:05,960 --> 01:01:07,919
Speaker 4: I thought that was a fun episode. Yeah I did too.

1374
01:01:08,080 --> 01:01:08,960
Speaker 1: I did too, I did too.

1375
01:01:09,040 --> 01:01:09,200
Speaker 3: Well.

1376
01:01:09,280 --> 01:01:11,800
Speaker 2: Join us for our next recap, season two episode twenty

1377
01:01:11,840 --> 01:01:14,880
Speaker 2: pop Quiz, which originally aired March tenth nineteen ninety five,

1378
01:01:15,200 --> 01:01:19,800
Speaker 2: but most importantly next week, as will revealed, we are

1379
01:01:19,960 --> 01:01:23,440
Speaker 2: talking to Nancy Caragan, so make sure you check that

1380
01:01:23,520 --> 01:01:25,880
Speaker 2: episode out. Thank you guys for joining us. You can

1381
01:01:25,880 --> 01:01:28,440
Speaker 2: follow us on Instagram pod Meets World Show, send us

1382
01:01:28,480 --> 01:01:31,400
Speaker 2: your emails at Pod Meets World Show at gmail dot com,

1383
01:01:31,440 --> 01:01:32,640
Speaker 2: and we have merch.

1384
01:01:33,240 --> 01:01:35,880
Speaker 4: Frankly my merch, I don't give a damn.

1385
01:01:36,720 --> 01:01:39,760
Speaker 2: Podmeetsworldshow dot com will send us out.

1386
01:01:40,200 --> 01:01:44,880
Speaker 3: We love you all, pod dismissed. Pod Meets World is

1387
01:01:44,880 --> 01:01:48,240
Speaker 3: an iHeart podcast produced and hosted by Danielle Fischel, Wilfredell

1388
01:01:48,320 --> 01:01:51,600
Speaker 3: and Ryder Strong executive producers, Jensen Karp and Amy Sugarman,

1389
01:01:51,760 --> 01:01:54,880
Speaker 3: Executive in charge of production, Danielle Romo, producer and editor,

1390
01:01:54,920 --> 01:01:58,520
Speaker 3: Taras Sudbach, producer, Jackie Rodriguez, engineer and Boy Meets World

1391
01:01:58,600 --> 01:02:01,040
Speaker 3: super fan Easton Allen. Tar theme song is by Kyle

1392
01:02:01,120 --> 01:02:03,440
Speaker 3: Morton of Typhoon, and you can follow us on Instagram

1393
01:02:03,520 --> 01:02:07,280
Speaker 3: at Podmeets World Show or email us at Podmeets worldshowat

1394
01:02:07,360 --> 01:02:08,360
Speaker 3: gmail dot com