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Speaker 1: Hey everyone, So before we get into this episode, we're

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Speaker 1: going to be talking about the infamous vapor orbscene, but

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Speaker 1: just want to give you a trigger warning and heads

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Speaker 1: up that we will be talking about it and using

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Speaker 1: the verbiage that is used in the show and within

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Speaker 1: the context of the show. So we just want to

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Speaker 1: acknowledge that we are not minimizing the real meaning of

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Speaker 1: the words that are used in this episode and the

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Speaker 1: following episode. Thanks for listening.

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Speaker 2: And That's What You Really Missed with Jenna.

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Speaker 1: And Kevin and iHeartRadio podcast.

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Speaker 2: Welcome to and That's What You Really miss podcast. Today

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Speaker 2: is a Diva Season one, Jenna Day season. We're episode thirteen.

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Speaker 2: This is Diva. We've been seeing a lot of Tina

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Speaker 2: lately and I just this is the I think this

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Speaker 2: is the climax of Tina's Tina's life. Ugly, this is it.

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Speaker 2: This is where she peaks.

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Speaker 1: There's been a lot of Tina. You know, I can

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Speaker 1: never have enough Tina. I'm all about it. And just

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Speaker 1: like in this episode, just when I think, oh oh man,

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Speaker 1: no more Tina, there's more.

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Speaker 2: There's always there.

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Speaker 1: Is a pink leotard. She steps cuckoo crazy and I

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Speaker 1: love it. Most of it.

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Speaker 2: Yeah, yeah, yeah, for sure. Okay, great, give that. Uh,

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Speaker 2: this was a fun episode. I have a lot of memories,

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Speaker 2: and there's also a lot of other memories other than

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Speaker 2: just Tina, so we have to get into it. This

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Speaker 2: air done February seventh, twenty thirteen, and the number one

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Speaker 2: song was Thriftshop by Matthlamore and Ryan Lewis. Again.

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Speaker 1: Number one movie was Warm Bodies. I remember this movie,

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Speaker 1: but I didn't see it. Same okay, And shockingly, there's

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Speaker 1: no Glean news this week because you know what, thank god. Yeah,

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Speaker 1: I think we were just working and I think you

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Speaker 1: probably happened.

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Speaker 2: And there were a lot of there's probably like an

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Speaker 2: old I mean no, there wasn't. Probably there was an

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Speaker 2: oversaturation of Glee people everywhere all the time in the news,

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Speaker 2: and you know what, for once, there isn't. So you

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Speaker 2: know what, I'm glad the people got a break and

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Speaker 2: we got a break.

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Speaker 1: Then It's true. I think we had that tour, we

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Speaker 1: had that movie come out that nobody really saw, and

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Speaker 1: I reached that point of like we've had enough.

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Speaker 2: Yeah, let's kids go away, let us go. This was

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Speaker 2: directed by the one and only Paris Barklay. And I

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Speaker 2: couldn't be more thrilled. But I had an episode that

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Speaker 2: was Paris directly right. Oh what a drink.

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Speaker 1: So there was a lot of music and a lot

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Speaker 1: of really good music. Yes, Diva by the one in

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Speaker 1: on Levia and Say.

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Speaker 2: That was a fun one. Don't Stop Me Now by.

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Speaker 1: Queen Nutbush, City Limits by Katina Turner.

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Speaker 2: Make No Mistake by Barbara Streisand and King Karnes.

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Speaker 1: Bring Him Home by the Cast of Limits.

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Speaker 2: Hung Up by Madonna.

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Speaker 1: And Girl on Fire by Alicia Keys, which is really

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Speaker 1: funny because Nya and I had inside jokes about this song,

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Speaker 1: and then she got this song, which was hilarious. Obviously

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Speaker 1: she sang it incredibly well. Oh and it's like a

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Speaker 1: very serious scene, but like funny, very funny. She'd send

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Speaker 1: me voice notes of singing this song. We would like

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Speaker 1: sing it off key to each other all the time.

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Speaker 2: I will never forget it. It's ingrained in my brain.

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Speaker 1: Seeing some of the crew, like what I worked with

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Speaker 1: Jane a couple of years ago. She came up to me,

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Speaker 1: She's like, remember Girl on Fire.

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Speaker 2: Stop That's that's really funny. There's some fun facts about

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Speaker 2: this episode. So the one on Oi Paris Parclay was

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Speaker 2: nominated at the sixty fifth Primetime Emmy Awards for a

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Speaker 2: Primetime Emmy Award for Outstanding Directing for a Comedy Series

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Speaker 2: for this episode.

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Speaker 1: Paris is a legend in the TV business. Like I

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Speaker 1: don't know if anybody like I mean, we've talked about it,

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Speaker 1: We talked to him, but like I cannot overstate how

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Speaker 1: much of a legend he is. So he directs he

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Speaker 1: gets nominated. Yeah, this is the eighth time an episode

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Speaker 1: has a song of the same name in it. So

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Speaker 1: the first seven We're Home, dreamond Silly Love Songs, Blaming

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Speaker 1: on the Alcohol, Born This Way, I Kissed a Girl,

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Speaker 1: and Extraordinary Merry Christmas all featured songs with the same

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Speaker 1: name as the title as.

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Speaker 2: Well, and an eighth song, Dancing on My Own by

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Speaker 2: Robin one of my favorite songs of all time, was

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Speaker 2: going to be sung by Brittany but was caught and

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Speaker 2: I'll never forget.

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Speaker 1: It, never forget it. There was mass disappointment when we

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Speaker 1: found out that this got cut. Yeah, and I think

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Speaker 1: because we were all so upset, like what is a

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Speaker 1: better song for like the Britanna storyline. Then Dancing on

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Speaker 1: My Own by Robin. They did put out the audio

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Speaker 1: on YouTube. I think, so you can't go listen to it,

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Speaker 1: but I want to see that performance so badly.

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Speaker 2: I would have killed to see that performance. I was

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Speaker 2: so thrilled when that was in the page, and then

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Speaker 2: when we got the vision, I was like, what happened?

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Speaker 1: No, it makes no sense, because nothing made more sense

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Speaker 1: ever in the history of Glee than Heather doing dance.

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Speaker 2: They're doing that. Yeah. Yeah. This is the second time

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Speaker 2: that a diva off occurred in the thirteenth episode of

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Speaker 2: a season, the first being come Back, where they featured

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Speaker 2: a diva off between Rachel and Mercedes in season two.

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Speaker 2: I love a diva off. They always work well.

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Speaker 1: Yes, this is the first and only episode where Santana

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Speaker 1: Singk's two solos and the same episode.

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Speaker 2: Wow, huh interesting. Darren said that Don't Stop Me Now

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Speaker 2: is probably the hardest number he'd ever did, ugly because

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Speaker 2: he had one hundred and three degree fever while filming.

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Speaker 1: Oh so he was actually sick.

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Speaker 2: Yeah, yeah, for sure, And he loved this song so much.

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Speaker 2: And I know he campaigned to do this song for

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Speaker 2: a while. So then you finally get to do it

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Speaker 2: and you're ill, like ill it sucks or guy.

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Speaker 1: Yeah, and also it's such a hard song to sing.

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Speaker 2: Yeah, I mean he's he's running everywhere.

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Speaker 1: It's happened to Michael Jackson songs with me.

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Speaker 2: M m hm.

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Speaker 1: And it's so disappointing because like, you're on the show,

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Speaker 1: you're getting to showcase what you love and then you're

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Speaker 1: sick and out of all the days.

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Speaker 2: To be sick exactly, that's so annoying.

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Speaker 1: But he still crushed it.

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Speaker 2: Yes.

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Speaker 1: Rachel discusses auditioning for the long awaited revival of Funny Girl,

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Speaker 1: and of course, Leah ended up playing Fanny Brice on

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Speaker 1: Broadway in the revival of Funny Girl. I R L

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Speaker 1: I R Art Imitating Life or Life Imitating Art. Fox

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Speaker 1: publicity summary for this was Finn challenges the Glee club

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Speaker 1: members to find their inner powerhouses for Diva Week. Emma

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Speaker 1: prepairs for her upcoming wedding. Again, Finn likes you getting

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Speaker 1: recommendations for what he should do with the club thanks

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Speaker 1: to another teacher.

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Speaker 2: But that's fine, he's not a real's a theme. There's

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Speaker 2: a theme. Yeah, you know.

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Speaker 1: There's a lot that happens in this episode, a lot. Jenna,

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Speaker 1: I want you to walk us through when you get

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Speaker 1: this script, Oh my god, because like, yeah, you and

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Speaker 1: I spent two full years living together. They delivered the

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Speaker 1: script st our homes. We'd sit down and read them

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Speaker 1: together if we were together, so we're usually always together. Yeah,

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Speaker 1: this point, we weren't. I don't think were we. I

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Speaker 1: don't know. It doesn't matter what were your initial thoughts.

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Speaker 2: We're on our way to not It was close. It

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Speaker 2: was close, well, okay, I said. I was thrilled that

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Speaker 2: it was Paris because it's always so nice to have

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Speaker 2: a director that you know and you love and you

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Speaker 2: trust when you're going into an episode that is so

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Speaker 2: large for your character, especially when you don't get a

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Speaker 2: ton of like huge storylines like this, like for props

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Speaker 2: I had Ian. We had Paris for Wheels, which was

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Speaker 2: the first time we had worked with Harris, but I

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Speaker 2: mean he came in and it was like you'd known

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Speaker 2: him forever, right. And then luckily, like all of the

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Speaker 2: episodes that I've had really big storylines, I've always had

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Speaker 2: like a really great experience with the directors. I mean

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Speaker 2: generally across the board, we had pretty good experiences with

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Speaker 2: all our directors, but like it was always to have

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Speaker 2: somebody you really really trust. So having Paris there was like,

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Speaker 2: I'm in good hands. He's gonna make me like the

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Speaker 2: best I possibly can, and I trust him. I was thrilled.

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Speaker 2: I was overwhelmed that I had to do Hung Up

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Speaker 2: like Madonna song. It's not like it's not who I

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Speaker 2: would have picked or thought they would have the song

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Speaker 2: they would have given me. That's like, to me, like

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Speaker 2: a Heather song. It's a lot of performance, a lot

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Speaker 2: of dancing. So it just wasn't what I thought I

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Speaker 2: was going to get. But I was very excited about it.

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Speaker 2: And then to be also in Diva and then to

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Speaker 2: have the storyline with Blaine, which at the time, I

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Speaker 2: don't think I realized what that was. I just like

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Speaker 2: I knew it was a big scene, right, and I

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Speaker 2: was like, Okay, let me prepare for this. I don't

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Speaker 2: know how it's going to be stage. I had no idea.

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Speaker 2: It didn't say in the script like she's gonna get

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Speaker 2: on top of him, like, it didn't say any of that.

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Speaker 1: Oh wow.

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Speaker 2: So I had no idea going in what this was

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Speaker 2: going to be. All I saw was like, okay, like

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Speaker 2: Tina gets to be vulnerable and honest and it's like

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Speaker 2: a more dramatic scene. So I was, you know, I

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Speaker 2: was like immediately like highlighting and getting ready and memorizing

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Speaker 2: ahead of time because I just wanted to be prepared

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Speaker 2: and ready.

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Speaker 1: So the episodes, obviously, like we said, starts with Finn

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Speaker 1: giving us the assignment of Diva week. Tina takes it

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Speaker 1: upon herself to help Blaine because he's sick, and so

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Speaker 1: she prepares, which is also very Jenna.

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Speaker 2: It is it is I would make a care package

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Speaker 2: for somebody who is sick.

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Speaker 1: I'm sure you had taken care of me many times

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Speaker 1: when I.

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Speaker 2: Was sick, for sure. For sure. Yeah, go to Whole Foods,

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Speaker 2: do the whole package.

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Speaker 1: Yes, you know, but it continues the good chemistry that

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Speaker 1: you and Darren have on screen. What was that like,

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Speaker 1: like getting like hallways one on one scenes? I always

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Speaker 1: feel like are always so fun to.

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Speaker 2: Do, so much fun I'm working with There was always

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Speaker 2: such like so easy. It was very easy for us.

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Speaker 2: And yeah, there wasn't like it wasn't like a huge challenge,

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Speaker 2: you know what I mean, like the acting in it,

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Speaker 2: and it was really fun and we got to be

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Speaker 2: our characters like at their most extreme. So I love

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Speaker 2: Hollway scenes. It's always nice because they're actually shorter and

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Speaker 2: you get a little bit more time and you get

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Speaker 2: to like really just be one on one with people

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Speaker 2: and the director versus like being in the huge choir

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Speaker 2: room where you're sitting in those seats for eighteen hours

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Speaker 2: waiting to be like, say, you're one line and then

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Speaker 2: like we move on, right. Yeah, So Tina makes a

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Speaker 2: Tina makes a care package for Blaine, and then she

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Speaker 2: decides that she's gonna really dig into and find her

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Speaker 2: in Nadiva, and Blaine's gonna help her do that.

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Speaker 1: Speaking of which, you both were in the Diva number,

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Speaker 1: which I get jealous every now and then of not

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Speaker 1: you remember, oh Diva.

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Speaker 2: Yes, I will never get over it. That was a

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Speaker 2: fun one. That was a fun one.

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Speaker 1: I remember seeing like, I don't know if you were

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Speaker 1: texting me or like seeing pictures from it or hearing

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Speaker 1: about it, and I was just like, mm hmmm, for you.

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Speaker 2: Guys, Wild Days well number one, Alex Nowle on that song, Yes,

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Speaker 2: thank you.

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Speaker 1: But I asked her more alex Nole. I received more

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Speaker 1: Alex Nole exactly.

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Speaker 2: You manifested that one. I remember seeing the runway for

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Speaker 2: the first time being like oh okay, okay, and then

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Speaker 2: the dresses were ridiculous and the hair got to we

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Speaker 2: all got to play, and then being able to do

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Speaker 2: the catwalk it was very much like freeform rock out.

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Speaker 2: There wasn't there was the whole like chorus of choreography

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Speaker 2: that we had to get, but the catwalk was so

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Speaker 2: much fun. They had the crane and we got to

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Speaker 2: kind of just do what we wanted. They played the

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Speaker 2: music and we just we.

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Speaker 1: Went for it, liberating. How long do you think you

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Speaker 1: did that? Like did that take?

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Speaker 2: Oh a full half day, probably from morning until lunch,

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Speaker 2: maybe a little bit after. It was a big one

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Speaker 2: because there's so many people. And then Brooke I remember,

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Speaker 2: and Brittany were working on that one and they were

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Speaker 2: the ones there with us on set and they did

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Speaker 2: the catwalk too, So everybody did the cat walk. Yeah,

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Speaker 2: it was fun goods.

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Speaker 1: Reminded me of the Vogue thing we did in Manchester

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Speaker 1: fashion that out.

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Speaker 2: Yes, that's right.

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Speaker 1: Everybody looked great as well, and there was also like

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Speaker 1: some really funny shit with like Becca just being a

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Speaker 1: damn fool on. There was so funny.

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Speaker 2: Yeah, I was like, Kitty wasn't really in that prior

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Speaker 2: conversation about the divas and then she shows up. Yeah.

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Speaker 1: I also had a question about the like, was it

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Speaker 1: a fever dream? Was it like a collective dream? Did

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Speaker 1: it happen because Emma's going on this rant right and

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Speaker 1: then it's back and everybody's there, it's a fever dream.

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Speaker 2: It was definitely a fever dream for sure.

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Speaker 1: But it's so satisfying. I love that parison, like the camera,

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Speaker 1: like the stills happening and the flash is happening.

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Speaker 2: Yes.

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Speaker 1: And also one of our favorite things ever is watching

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Speaker 1: Heather stomp down a runway.

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Speaker 2: There's nothing I love more than watching her put one.

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Speaker 1: Truly, like I want to see her in the highest

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Speaker 1: still little possible and stomp down a runway.

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Speaker 2: Give me that hip, Give me that hip. It's really

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Speaker 2: crazy iconic. It's iconic, Like the first out.

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Speaker 1: Of her walking down the run road is like, oh,

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Speaker 1: and then when you guys are all lined up doing

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Speaker 1: remember at the front of the stage, like, oh.

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Speaker 2: Yes, it was so much fun. That was a fun

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Speaker 2: one to do.

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Speaker 1: I love that number. And I also love that it's

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Speaker 1: not like a straightforward cover of Diva. It's sort of

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Speaker 1: like this disco.

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Speaker 2: Mix thing that is great, right, Yeah, we had a

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Speaker 2: good time.

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Speaker 1: And you singing Beyonce Jenna.

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Speaker 2: I don't know about that.

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Speaker 1: I like it.

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Speaker 2: You got the whole bridge. I did get the whole

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Speaker 2: I was like, is she get the whole thing? And

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Speaker 2: you kept going like she got the whole thing? Why

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Speaker 2: are you giving me this whole bridge? But it is

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Speaker 2: Tina's time to shine, it is. I loved it.

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Speaker 1: I was like, she's getting two gigantic pop songs.

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Speaker 2: Very different kind of pop songs, but two different Yeah,

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Speaker 2: two of them.

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Speaker 1: How was it recording that? Do you remember?

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Speaker 2: Mmmm? It was fast. I remember being really fast. I

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Speaker 2: think I did it in the same day as I

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Speaker 2: was just doing hung Up. I remember correctly, which is

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Speaker 2: a lot because hung Up is a lot on its own,

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Speaker 2: just because Solo's always took a little bit longer. But yeah,

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Speaker 2: I remember it being like fast and being like that

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Speaker 2: sounded good.

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Speaker 1: They make it sound good, they do.

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Speaker 2: They do, especially for something like high glamour, high fever

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Speaker 2: dream kind of right. You know, it's it's not that

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Speaker 2: like stripped down kind of thing that you want. You want,

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Speaker 2: you want it to be overproduced. I wanted it to

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Speaker 2: be overproduced a little bit.

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Speaker 1: But it came out great, so you'd make this care

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Speaker 1: package for Blaine. Blaine says he's sick, He's really sick,

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Speaker 1: not good, and then he goes and performs Don't Stop

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Speaker 1: Me Now, which is like incredib like incredible and not sick.

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Speaker 2: And Darren was actually sick. Yes, Yes, that was such

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Speaker 2: a fun one to watch. Yeah, do you remember that day.

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Speaker 2: I remember that day very very vividly. He cared very

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Speaker 2: deeply about the way that he shot that Paris did Darren.

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Speaker 2: I don't remember that he was so worried about it,

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Speaker 2: but probably because we didn't. I don't even think I

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Speaker 2: knew he was sick at the time. But he really

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Speaker 2: wanted to get this one right. He really wanted to

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Speaker 2: get this one right. I think he's been waiting for seasons,

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Speaker 2: three seasons to do this number. Yeah, and then again,

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Speaker 2: like you said, it's like so devastating when it's like

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Speaker 2: you're sick and you're not at your fall one hundred percent.

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Speaker 2: But he's he I mean he was, he really was funnyasy. No,

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Speaker 2: hopefully he wasn't sick while he was recording it. It's

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Speaker 2: actually more important too, like, yeah, you have a voice,

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Speaker 2: but he's.

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Speaker 1: Usually recording its right, so like you probably are still sick.

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Speaker 2: No, it's pretty incredible. It's pretty pretty incredible. But I

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Speaker 2: was very fast specific about it.

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Speaker 1: I remember like, yeah, I think you see like all

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Speaker 1: of our reactions to all of these numbers, if we're

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Speaker 1: in the audience. We were having a ball this whole week.

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Speaker 2: We really were. And it was also really fun to

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Speaker 2: do a number where you're doing backups where you know

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Speaker 2: the song.

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Speaker 1: Yes, I knew the song incredibly well to McFly because

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Speaker 1: I becampussed with the McFly version.

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Speaker 2: Oh that's funny. This is one of my favorite Queen numbers.

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Speaker 2: And I it's always easy or when you're like, oh,

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Speaker 2: I know this song, I can do this.

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Speaker 1: It didn't happen a lot right where we already knew

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Speaker 1: the backgrounds this.

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Speaker 2: Because they were creating them a lot for that's true.

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Speaker 1: Yeah, yeah the Queen, they've already created the best backgrounds possible.

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Speaker 2: Yeah, you can't recreate something, you just have to like yeah.

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Speaker 1: I'm sure other people don't notice, but it was a full,

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Speaker 1: like palpable change for me watching us, it's like, oh,

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Speaker 1: we're enjoying this, we love this song.

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Speaker 2: This episode was really fun to shoot. Oh yeah, and

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Speaker 2: it was like I remember sometimes I would feel stressed

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Speaker 2: because like when you don't have a lot of episodes,

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Speaker 2: I'll say that a lot this time in this episode,

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Speaker 2: but like you you just want to get everything right

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Speaker 2: and you want it to look good, and you wanted

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Speaker 2: to feel good, and you just wanted to really to work.

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Speaker 2: And it was such a relaxed environment that I think

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Speaker 2: that we just were having fun that it wasn't It

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Speaker 2: didn't feel like stressful to me like some other episodes

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Speaker 2: have felt before.

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Speaker 1: I think by this point season four, if you compare

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Speaker 1: it to where we were a season prior, we were

358
00:19:12,240 --> 00:19:14,840
Speaker 1: like the wheels were starting to come off and there

359
00:19:14,880 --> 00:19:18,280
Speaker 1: was so much pressure, so much stack of sleep. I

360
00:19:18,280 --> 00:19:20,800
Speaker 1: don't know what was happening, right. We talked about it extensively,

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Speaker 1: like especially when we get to the Michael episode, where

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Speaker 1: by this episode it did feel like the pressure was

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00:19:28,040 --> 00:19:32,879
Speaker 1: often a way of we have our system so down.

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Speaker 1: Nothing changed, like we were fully locked in, Like the

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00:19:37,400 --> 00:19:40,120
Speaker 1: new kids were brought into the system, they had adjusted

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Speaker 1: to the system. Yes, recording was always going to be

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Speaker 1: the same way. Learning the dances was always going to

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Speaker 1: be the same way.

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Speaker 2: Numbers were going to be.

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Speaker 1: Yeah, it was a full conveyor. Yeah, and you're there.

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Speaker 1: I don't know what exactly shifted. I don't know what

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Speaker 1: it was, but there was a shift, and I think

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Speaker 1: you just said it perfectly, where like you could feel it,

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Speaker 1: like you were allowed to just like have fun and

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Speaker 1: be relaxing.

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00:20:05,119 --> 00:20:10,080
Speaker 2: Yeah. Yeah, Well, speaking of relaxed, Blaine invites Tina over

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Speaker 2: to come help him. He's made a compilation playlist for

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00:20:13,480 --> 00:20:17,440
Speaker 2: her to find her energyva for options for her song,

379
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Speaker 2: and she goes over and Blaine has I guess been

380
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Speaker 2: a driller or something like that to help him sleep,

381
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Speaker 2: and he makes him sleepy and he falls asleep, and

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Speaker 2: Tina then decides that she's going to be honest and

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Speaker 2: be her true self and tell Blaine how she feels.

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Speaker 2: And then I guess put vapo rub on his chest

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Speaker 2: and straddle him while he's sleeping, which would never fly

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00:20:46,119 --> 00:20:53,040
Speaker 2: these days and shouldn't. And at the time when I

387
00:20:53,160 --> 00:20:58,840
Speaker 2: was filming this, it didn't feel strange. I don't think

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Speaker 2: I realized or I wouldn't have done.

389
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Speaker 1: It, And the context of the crazy shit we'd done

390
00:21:04,280 --> 00:21:06,359
Speaker 1: on the show just felt like part for the course,

391
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Speaker 1: like sure, yeah, yeah, like whatever.

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Speaker 2: Yeah, I just don't think it would have been such

393
00:21:13,640 --> 00:21:17,439
Speaker 2: a big thing. I don't think that, like like the

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Speaker 2: vapor rape term.

395
00:21:19,800 --> 00:21:22,720
Speaker 1: I mean, I also think it was because, like you

396
00:21:22,800 --> 00:21:25,439
Speaker 1: just said that at the top of this episode, that

397
00:21:25,520 --> 00:21:26,760
Speaker 1: it wasn't scripted that way.

398
00:21:28,040 --> 00:21:28,760
Speaker 2: No, it wasn't.

399
00:21:29,119 --> 00:21:33,000
Speaker 1: And so the blocking of it, of you straddling him, yeah,

400
00:21:33,720 --> 00:21:35,920
Speaker 1: I think adds extra layer.

401
00:21:36,000 --> 00:21:40,640
Speaker 2: But it's also very Ryan Murphy totally. It's not out

402
00:21:40,640 --> 00:21:43,760
Speaker 2: of the world. It's not completely crazy. It's just crazy.

403
00:21:44,160 --> 00:21:47,680
Speaker 1: Yeah, or like this happened and it wasn't.

404
00:21:47,720 --> 00:21:52,719
Speaker 2: Okay, Yeah, anyway, she she hadn't been stubline. He's sleeping,

405
00:21:52,800 --> 00:21:55,639
Speaker 2: she doesn't know, and then he's and then she she

406
00:21:55,800 --> 00:22:00,359
Speaker 2: cries and I don't know, and she rubs vapory rub

407
00:22:00,400 --> 00:22:02,760
Speaker 2: on his chest and then she lays on his chest

408
00:22:02,800 --> 00:22:04,440
Speaker 2: and he's sleeping the whole time.

409
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Speaker 1: How was it filming that?

410
00:22:05,640 --> 00:22:08,720
Speaker 2: Though? Honestly didn't feel like that. It just felt like

411
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Speaker 2: a nice, sweet scene. Didn't feel creepy at all. I

412
00:22:13,000 --> 00:22:15,520
Speaker 2: swear to you, I wouldn't have done it that way.

413
00:22:16,640 --> 00:22:18,919
Speaker 1: Just like, let me just straddle a sleeping boy and

414
00:22:19,080 --> 00:22:20,120
Speaker 1: I couldn't see it.

415
00:22:20,200 --> 00:22:22,240
Speaker 2: I couldn't see it from the outside of you.

416
00:22:23,720 --> 00:22:25,480
Speaker 1: Well, You're like in it, you're trying to make your day.

417
00:22:25,520 --> 00:22:26,760
Speaker 1: You're trying to It.

418
00:22:26,760 --> 00:22:30,680
Speaker 2: Was a little awkward, I would say, but it wasn't

419
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Speaker 2: like that, you know. I like the repercussions I faced

420
00:22:33,800 --> 00:22:38,560
Speaker 2: Tina faced afterwards. And also it was like I was

421
00:22:38,640 --> 00:22:41,080
Speaker 2: just trying to get my lines out and stay emotional

422
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Speaker 2: and be real and do the thing that I write

423
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Speaker 2: I'm supposed to do, right, which is make it work.

424
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Speaker 2: That was my sleep that literally, that was my job

425
00:22:51,840 --> 00:22:54,920
Speaker 2: was to like make it work. And you're like, okay,

426
00:22:55,280 --> 00:22:58,639
Speaker 2: here I go, just gonna make it work. It's not

427
00:22:58,720 --> 00:23:01,160
Speaker 2: as bad as I remember when we we've been talking

428
00:23:01,200 --> 00:23:03,240
Speaker 2: about it. It's been building up, and then we watched

429
00:23:03,240 --> 00:23:05,120
Speaker 2: it and I was like, oh no, I'm not gonna

430
00:23:05,119 --> 00:23:13,600
Speaker 2: watch it. Yeah for sure. But then Blaine the next

431
00:23:13,720 --> 00:23:16,399
Speaker 2: day feels much better and he's like, not, let me

432
00:23:16,400 --> 00:23:20,000
Speaker 2: feel better, and Tine is like, what the heck? I

433
00:23:20,000 --> 00:23:24,520
Speaker 2: think she's feeling a little underappreciated, and so she breaks

434
00:23:24,560 --> 00:23:29,080
Speaker 2: into hung Up and I get to do hung Up

435
00:23:29,119 --> 00:23:33,159
Speaker 2: in the in the in the Madonna leotard, and then

436
00:23:33,200 --> 00:23:40,120
Speaker 2: she has looks like I got a full costume change

437
00:23:40,359 --> 00:23:42,879
Speaker 2: in the middle of a number, talk about a quick change.

438
00:23:45,680 --> 00:23:49,240
Speaker 2: That was fun. Hung Up was really fun. It was ridiculous,

439
00:23:49,440 --> 00:23:55,560
Speaker 2: and it was a very specific recording session, just because

440
00:23:55,560 --> 00:23:58,440
Speaker 2: she's so specific the way that she records and her

441
00:23:58,520 --> 00:24:02,440
Speaker 2: sound and just getting it all.

442
00:24:03,920 --> 00:24:04,160
Speaker 1: Right.

443
00:24:04,240 --> 00:24:09,520
Speaker 2: I mean, that's yeah. I don't think I realized how

444
00:24:09,520 --> 00:24:14,239
Speaker 2: many like people like my nieces love this song. I

445
00:24:14,240 --> 00:24:16,360
Speaker 2: never would have been like, oh I love hung Up,

446
00:24:16,520 --> 00:24:17,440
Speaker 2: that's Tina's song.

447
00:24:18,040 --> 00:24:21,000
Speaker 1: I mean, as we're getting into this, I'm just discovering

448
00:24:21,320 --> 00:24:25,760
Speaker 1: more and more music that I forgot about, like our

449
00:24:25,840 --> 00:24:30,240
Speaker 1: versions of things. And totally this was such an excellent surprise,

450
00:24:30,840 --> 00:24:34,040
Speaker 1: and you're so good in it, Jenna. It's so it

451
00:24:34,119 --> 00:24:36,160
Speaker 1: was so enjoyable to watch and like you go out

452
00:24:36,160 --> 00:24:39,640
Speaker 1: and you're like you're stretching on my wheelchair and you go.

453
00:24:39,640 --> 00:24:41,560
Speaker 2: Up there, crazy looks in her eyes. She had the

454
00:24:41,560 --> 00:24:43,800
Speaker 2: crazy look she did.

455
00:24:45,119 --> 00:24:47,560
Speaker 1: And like full choreo and we got some more lex

456
00:24:47,640 --> 00:24:51,240
Speaker 1: D dancers were there doing like break dancing and things.

457
00:24:50,960 --> 00:24:54,320
Speaker 2: And the coffee grinders, like it's.

458
00:24:54,080 --> 00:24:59,600
Speaker 1: So good and like break like best break answer ever.

459
00:25:01,640 --> 00:25:05,000
Speaker 2: Yeah, it was just it's a really hot and sunny

460
00:25:05,040 --> 00:25:06,400
Speaker 2: day that day.

461
00:25:06,280 --> 00:25:08,280
Speaker 1: But it was like also the perfect place to do

462
00:25:08,320 --> 00:25:10,800
Speaker 1: that number. It looked great. Like that space I don't

463
00:25:10,800 --> 00:25:14,080
Speaker 1: think had ever been utilized as well as during that number.

464
00:25:15,520 --> 00:25:18,359
Speaker 2: Loved it. A lot of people, a lot of dancers.

465
00:25:18,640 --> 00:25:21,080
Speaker 1: Yes, and the fast Jaima was there.

466
00:25:21,920 --> 00:25:22,440
Speaker 2: That's right.

467
00:25:22,920 --> 00:25:25,120
Speaker 1: I think that's the day Jama and I were debating

468
00:25:25,119 --> 00:25:27,679
Speaker 1: who was a more expensive extra?

469
00:25:28,280 --> 00:25:30,560
Speaker 2: Got it? Got it? Yeah, you guys probably were just

470
00:25:30,640 --> 00:25:31,879
Speaker 2: chilling for a while.

471
00:25:32,040 --> 00:25:32,960
Speaker 1: Oh I had nothing to do.

472
00:25:33,680 --> 00:25:35,880
Speaker 2: It was a hot day too. It was a hot day.

473
00:25:38,080 --> 00:25:38,240
Speaker 1: Well.

474
00:25:38,280 --> 00:25:40,480
Speaker 2: Hungko was really fun. That was a fun one.

475
00:25:40,720 --> 00:25:42,040
Speaker 1: That was like learning that dance.

476
00:25:42,200 --> 00:25:45,280
Speaker 2: It looked hard, No, it was quick. I remember learning

477
00:25:45,280 --> 00:25:50,040
Speaker 2: that really fast too, but I was plugged into it.

478
00:25:50,080 --> 00:25:52,359
Speaker 2: I remember coming into the Powerhouse because we were in

479
00:25:52,359 --> 00:25:55,760
Speaker 2: the Powerhouse by that point and they had all done

480
00:25:55,800 --> 00:25:59,040
Speaker 2: it Ze Powerhouse. They did it, and they were like, Okay,

481
00:25:59,040 --> 00:26:01,240
Speaker 2: this is it. Just learn it and it was like

482
00:26:01,240 --> 00:26:03,960
Speaker 2: one of those christ and Channel with numbers. We were like, hey,

483
00:26:04,240 --> 00:26:08,240
Speaker 2: learn it really, yeah, get it done. Everybody else knows

484
00:26:08,240 --> 00:26:10,800
Speaker 2: this already, so it's a little bit of pressure there.

485
00:26:10,800 --> 00:26:14,720
Speaker 2: But again they're like, you're that you could do whatever

486
00:26:14,760 --> 00:26:16,240
Speaker 2: you want. If you want to just stop for a second,

487
00:26:16,280 --> 00:26:18,040
Speaker 2: you can stop. Like you don't have it does not

488
00:26:18,119 --> 00:26:19,919
Speaker 2: a group number where you have to like be in

489
00:26:20,040 --> 00:26:21,240
Speaker 2: unison with everybody else.

490
00:26:21,320 --> 00:26:25,320
Speaker 1: I will point out that they did not cut around you.

491
00:26:25,320 --> 00:26:28,480
Speaker 1: You are dancing a lot in a wide shot with everybody,

492
00:26:28,560 --> 00:26:31,600
Speaker 1: because you know when we didn't have it together, they

493
00:26:31,680 --> 00:26:34,280
Speaker 1: just cut to around. They didn't do that.

494
00:26:34,760 --> 00:26:37,399
Speaker 2: They didn't do that. And then the spray paint was

495
00:26:37,440 --> 00:26:39,640
Speaker 2: crazy too. I think I had one take to do

496
00:26:39,760 --> 00:26:41,560
Speaker 2: that where I do the X on him, and I

497
00:26:41,600 --> 00:26:45,560
Speaker 2: was so nervous about it, but I guess it worked. Whatever.

498
00:26:45,680 --> 00:26:49,000
Speaker 1: I love the quick change absolutely insane.

499
00:26:49,320 --> 00:26:50,960
Speaker 2: Stupid, so stupid.

500
00:26:51,080 --> 00:26:54,160
Speaker 1: Why why because you can?

501
00:26:54,359 --> 00:26:58,040
Speaker 2: Yeah, because that is a diva move. It's a quick

502
00:26:58,160 --> 00:26:59,800
Speaker 2: change in the middle of a number.

503
00:27:00,240 --> 00:27:01,880
Speaker 1: And then they say how good you were, and you're

504
00:27:01,920 --> 00:27:04,080
Speaker 1: like and you just walk off.

505
00:27:07,280 --> 00:27:10,800
Speaker 2: And then Tina wins that I was not expecting in

506
00:27:10,840 --> 00:27:17,199
Speaker 2: the script. That was very sweet. She whatever, except she's

507
00:27:17,280 --> 00:27:20,280
Speaker 2: gonna win, and so for her to actually get a

508
00:27:20,320 --> 00:27:23,520
Speaker 2: win a w y n is a big thing.

509
00:27:24,880 --> 00:27:30,400
Speaker 1: I think Brittany's character sums it up. She never wins anything.

510
00:27:31,680 --> 00:27:33,480
Speaker 1: I'm like, I can't tell if that was scripted or

511
00:27:33,480 --> 00:27:35,200
Speaker 1: if that's a Heather aut right.

512
00:27:35,640 --> 00:27:40,880
Speaker 2: Literally, it felt so weird to shoot. You're like, Tina's

513
00:27:41,000 --> 00:27:44,960
Speaker 2: winning what's the catch, right, what's the catch is she's

514
00:27:44,960 --> 00:27:48,399
Speaker 2: about to be yet like blood dropped on her. No,

515
00:27:48,440 --> 00:27:50,040
Speaker 2: that's a later season. Don't worry.

516
00:27:51,400 --> 00:27:53,080
Speaker 1: Oh it was so nice. You deserve it.

517
00:27:53,520 --> 00:27:56,879
Speaker 2: Thanks. Tina did deserve that. She needed that, she needed

518
00:27:56,920 --> 00:28:01,280
Speaker 2: that to continue on in the Glee series. Maybe she'll

519
00:28:01,320 --> 00:28:06,280
Speaker 2: calm down now. I don't don't count on it. No,

520
00:28:06,600 --> 00:28:09,440
Speaker 2: I won't. There's a lot of other things that happened

521
00:28:10,200 --> 00:28:14,439
Speaker 2: also in Diva Week, which is that Santana God Bless

522
00:28:14,600 --> 00:28:16,760
Speaker 2: is back in town. Last week, we were left with

523
00:28:16,760 --> 00:28:19,800
Speaker 2: a teaser that she might New York might be the

524
00:28:19,800 --> 00:28:23,359
Speaker 2: place for her. She comes to perform for Diva Week,

525
00:28:23,520 --> 00:28:27,960
Speaker 2: they bring in invites her. I will never forget not

526
00:28:28,080 --> 00:28:30,280
Speaker 2: bushed in city limits when they came to shoot this.

527
00:28:30,480 --> 00:28:34,120
Speaker 2: I will never forget it. I will never forget it

528
00:28:36,200 --> 00:28:37,920
Speaker 2: my memory, like.

529
00:28:39,880 --> 00:28:43,640
Speaker 1: I don't have the words. Because also, like we hadn't

530
00:28:43,640 --> 00:28:47,640
Speaker 1: seen Naya that much, right, and she shows up just

531
00:28:47,640 --> 00:28:50,840
Speaker 1: like in the episode, she shows up and then shows

532
00:28:50,840 --> 00:28:51,400
Speaker 1: the fuck.

533
00:28:51,280 --> 00:28:56,920
Speaker 2: Out I was. I will never forget that shooting that.

534
00:28:57,640 --> 00:29:01,320
Speaker 1: No, our reactions again so real.

535
00:29:02,880 --> 00:29:05,960
Speaker 2: Very very because it was so nice to see her again.

536
00:29:06,360 --> 00:29:09,960
Speaker 1: What a star like that was a showcase that was

537
00:29:10,000 --> 00:29:15,280
Speaker 1: a masterclass. That was an absolute masterclass and a single

538
00:29:15,320 --> 00:29:20,120
Speaker 1: level of performance, vocal dancing, parography.

539
00:29:19,840 --> 00:29:24,640
Speaker 2: Performance, it was all there. She looked great, she sounded great.

540
00:29:25,440 --> 00:29:32,800
Speaker 2: She should have no. I honestly like I think the

541
00:29:32,840 --> 00:29:35,680
Speaker 2: rehearsal happened. We hadn't seen eye very much. She comes

542
00:29:35,680 --> 00:29:39,280
Speaker 2: in the door and you're like, oh.

543
00:29:38,120 --> 00:29:40,040
Speaker 1: And she's in like a different cheerleading uniform. He had

544
00:29:40,280 --> 00:29:41,840
Speaker 1: her hair down.

545
00:29:43,080 --> 00:29:44,960
Speaker 2: I was yes, I was there for it. I was

546
00:29:44,960 --> 00:29:46,240
Speaker 2: definitely there for all of it.

547
00:29:46,480 --> 00:29:47,440
Speaker 1: And it was just.

548
00:29:50,520 --> 00:29:53,600
Speaker 2: So good. So she comes to confront Brittany about dating

549
00:29:53,600 --> 00:29:56,200
Speaker 2: Sam because she found out. How did she find out?

550
00:29:56,760 --> 00:30:01,080
Speaker 2: She found out? You? Oh, I told her? Yeah, worst

551
00:30:01,160 --> 00:30:03,320
Speaker 2: Tina told her. She calls her up.

552
00:30:04,000 --> 00:30:06,200
Speaker 1: Like you say something like on a Reddit forum, like.

553
00:30:06,280 --> 00:30:09,520
Speaker 2: Just it's right that she calls her, Yeah, you're.

554
00:30:09,400 --> 00:30:11,440
Speaker 1: A mess, You're a full mess.

555
00:30:11,840 --> 00:30:13,880
Speaker 2: Well she won day of a week, so or whatever.

556
00:30:14,280 --> 00:30:21,920
Speaker 1: I just don't understand, Like Nutbush City Limits is a

557
00:30:22,960 --> 00:30:24,480
Speaker 1: perfect performance.

558
00:30:25,400 --> 00:30:28,680
Speaker 2: It really is, And I remember with missing it when

559
00:30:28,680 --> 00:30:32,320
Speaker 2: it happened in person, and it wasn't I'll never forget.

560
00:30:31,960 --> 00:30:33,560
Speaker 1: It, do you remember. I feel like they shot it

561
00:30:33,600 --> 00:30:36,920
Speaker 1: pretty quickly, probably because she nailed it every take but

562
00:30:37,000 --> 00:30:39,160
Speaker 1: I feel like it happened fairly quickly.

563
00:30:38,880 --> 00:30:42,920
Speaker 2: Really fast. I agree, very fast. Yeah, we didn't get

564
00:30:43,000 --> 00:30:43,400
Speaker 2: enough of that.

565
00:30:43,600 --> 00:30:44,360
Speaker 1: It was not enough.

566
00:30:44,720 --> 00:30:45,720
Speaker 2: No, it was not enough.

567
00:30:46,280 --> 00:30:49,640
Speaker 1: I also a confession, had never heard of Nutbush City

568
00:30:49,680 --> 00:30:51,120
Speaker 1: Limits before this performance.

569
00:30:51,880 --> 00:30:58,920
Speaker 2: Really, yes, and then you've obviously now corrected. Yes, your mistake.

570
00:30:59,000 --> 00:30:59,960
Speaker 2: Everybody makes mistake.

571
00:31:00,320 --> 00:31:03,760
Speaker 1: Yeah, I'm now well versed in the Tina Turner catalog.

572
00:31:04,560 --> 00:31:06,840
Speaker 2: But oh my god.

573
00:31:07,360 --> 00:31:10,840
Speaker 1: Also it's finding that proper lane of like where people's

574
00:31:10,920 --> 00:31:16,720
Speaker 1: voices fit perfectly, Like she's never sounded better doing everything

575
00:31:16,760 --> 00:31:18,200
Speaker 1: to their voice.

576
00:31:20,160 --> 00:31:21,960
Speaker 2: It was a difference Santannah that came home.

577
00:31:24,240 --> 00:31:30,880
Speaker 1: I felt, it's so stupid, how talented. I was infuriating

578
00:31:31,560 --> 00:31:33,400
Speaker 1: like that. You know, some of these performances make me

579
00:31:33,440 --> 00:31:38,120
Speaker 1: emotional and like sure, they're hard to watch, they're sad.

580
00:31:38,800 --> 00:31:42,760
Speaker 1: This one made me angry.

581
00:31:43,040 --> 00:31:44,800
Speaker 2: I get that. I get that.

582
00:31:44,760 --> 00:31:45,640
Speaker 1: I just pissed.

583
00:31:46,120 --> 00:31:48,400
Speaker 2: Yeah, it's like, do you see how good? This is?

584
00:31:49,520 --> 00:31:50,160
Speaker 2: Such a joke?

585
00:31:51,560 --> 00:31:56,080
Speaker 1: Everybody go watch the performance of Nutbush City Limits.

586
00:31:56,240 --> 00:31:59,800
Speaker 2: Again and again, like just it is.

587
00:32:00,360 --> 00:32:02,400
Speaker 1: You have to see it. It's amazing to listen to,

588
00:32:02,440 --> 00:32:03,480
Speaker 1: but you have to see it.

589
00:32:03,720 --> 00:32:05,320
Speaker 2: You have to see it. I see it in my

590
00:32:05,360 --> 00:32:07,120
Speaker 2: mind every time I listened to it, to be honest.

591
00:32:07,200 --> 00:32:08,320
Speaker 1: Oh yeah, So.

592
00:32:08,360 --> 00:32:14,160
Speaker 2: Her and Sam have this little uh conversation in the

593
00:32:14,160 --> 00:32:17,680
Speaker 2: theater in the auditorium about Danny Brittany.

594
00:32:17,960 --> 00:32:21,360
Speaker 1: They had this little standoff on the stage and they

595
00:32:21,400 --> 00:32:23,719
Speaker 1: break into a duet, which is right, I think, a

596
00:32:23,760 --> 00:32:27,160
Speaker 1: wild choice, but sort of love it.

597
00:32:26,760 --> 00:32:30,560
Speaker 2: Right because I would not expect that, but I didn't.

598
00:32:30,800 --> 00:32:33,480
Speaker 2: I didn't. I did appreciate their performance.

599
00:32:33,920 --> 00:32:37,720
Speaker 1: Yes, it's an acting challenge on this week which.

600
00:32:37,560 --> 00:32:42,600
Speaker 2: Both both san and Santana can uh rose to the occasion.

601
00:32:43,040 --> 00:32:45,880
Speaker 1: Yes, and I it's like, this is if I'm thinking

602
00:32:45,880 --> 00:32:50,280
Speaker 1: confrontation diva. I'm not thinking of this song necessarily.

603
00:32:49,840 --> 00:32:56,160
Speaker 2: No, not at all, not at all, But I want

604
00:32:56,200 --> 00:32:57,560
Speaker 2: to writ the song came from.

605
00:32:57,440 --> 00:32:59,760
Speaker 1: I think, you know, sandwiched in between some high energy

606
00:32:59,800 --> 00:33:02,120
Speaker 1: and I'm this was really satisfying and nice.

607
00:33:02,320 --> 00:33:04,920
Speaker 2: Yeah, totally. And I liked seeing them together.

608
00:33:05,120 --> 00:33:15,640
Speaker 1: Yeah, Yes, chemistry No chord has chemistry with the wall again.

609
00:33:13,440 --> 00:33:14,400
Speaker 2: And it's crazy.

610
00:33:14,880 --> 00:33:17,080
Speaker 1: I don't know if people know this. In the year

611
00:33:17,160 --> 00:33:20,760
Speaker 1: twenty twenty four, the rise of movie star Glenn Powell,

612
00:33:21,320 --> 00:33:24,000
Speaker 1: Oh my god, who also has chemistry with a wall

613
00:33:24,040 --> 00:33:27,760
Speaker 1: with a wall. They used to be roommates they are

614
00:33:27,840 --> 00:33:32,760
Speaker 1: still are Yeah, they still Glenn there it is to

615
00:33:32,880 --> 00:33:35,840
Speaker 1: La moved in with Chord, Oh my god. And we

616
00:33:35,880 --> 00:33:37,520
Speaker 1: all became friends with Glenn.

617
00:33:37,600 --> 00:33:41,520
Speaker 2: Yess roommate, yes, and in a superstar.

618
00:33:41,960 --> 00:33:44,680
Speaker 1: But the fact that two of the most charming human

619
00:33:44,720 --> 00:33:50,960
Speaker 1: beings on the planet are best friends then and now roommates, correct,

620
00:33:51,080 --> 00:33:54,600
Speaker 1: is mind boggling, Like can we get them in a

621
00:33:54,600 --> 00:33:56,000
Speaker 1: buddy comedy?

622
00:33:56,280 --> 00:33:56,840
Speaker 2: Where is that?

623
00:33:57,600 --> 00:33:58,280
Speaker 1: I don't know.

624
00:33:58,280 --> 00:34:00,000
Speaker 2: Because I was going to write it. Where is that?

625
00:34:00,520 --> 00:34:01,520
Speaker 1: Glenn has to write it?

626
00:34:03,600 --> 00:34:07,240
Speaker 2: Like what is? Because that would be the stupidest.

627
00:34:06,640 --> 00:34:08,200
Speaker 1: And I mean that in the best way possible.

628
00:34:08,480 --> 00:34:09,920
Speaker 2: I love that idea.

629
00:34:09,680 --> 00:34:11,240
Speaker 1: The stupidest thing possible.

630
00:34:12,000 --> 00:34:13,520
Speaker 2: I love that idea.

631
00:34:14,200 --> 00:34:14,480
Speaker 1: Like it.

632
00:34:14,520 --> 00:34:17,360
Speaker 2: You gotta get that. I get on that and text them, Okay,

633
00:34:17,480 --> 00:34:29,000
Speaker 2: text them right now, please, I will. Okay. So, finishing

634
00:34:29,040 --> 00:34:32,880
Speaker 2: up this Santana storyline because nothing really matters after not

635
00:34:32,960 --> 00:34:36,680
Speaker 2: pushing the limits? Should we find out that Santana in

636
00:34:36,800 --> 00:34:40,000
Speaker 2: C's office has dropped out of college about a month ago,

637
00:34:40,800 --> 00:34:43,279
Speaker 2: and she's looking for something else to offers her a

638
00:34:43,360 --> 00:34:48,400
Speaker 2: job to uh head the Cheerios like Finn is doing

639
00:34:48,920 --> 00:34:55,080
Speaker 2: four new directions, But we get another wonderful solo from

640
00:34:55,160 --> 00:35:01,680
Speaker 2: Santana in Girl on Fire as she he makes it

641
00:35:01,680 --> 00:35:03,840
Speaker 2: to New York and I remember watching her shoot this

642
00:35:03,920 --> 00:35:07,440
Speaker 2: because they shout it out on New York Street? Did they?

643
00:35:07,560 --> 00:35:10,800
Speaker 2: I was gonna ask they did. There's a subway stop

644
00:35:10,840 --> 00:35:12,680
Speaker 2: on New York Street and I remember her in that

645
00:35:12,680 --> 00:35:13,239
Speaker 2: green dress.

646
00:35:13,920 --> 00:35:14,040
Speaker 1: Uh.

647
00:35:14,680 --> 00:35:17,120
Speaker 2: She comes out with the subway singing. I think I

648
00:35:17,160 --> 00:35:18,879
Speaker 2: was with Lly and we went and watched it because

649
00:35:18,920 --> 00:35:21,920
Speaker 2: I think I was shooting something after that and she

650
00:35:22,040 --> 00:35:24,400
Speaker 2: comes out and she's singing this song and I'm like, oh,

651
00:35:24,480 --> 00:35:28,760
Speaker 2: that sounds really good. She's She's on fire.

652
00:35:28,880 --> 00:35:35,480
Speaker 1: And the rise of Tina and Santana together in these

653
00:35:35,480 --> 00:35:39,160
Speaker 1: different ways where you both are sounding better than ever.

654
00:35:39,560 --> 00:35:41,520
Speaker 1: I mean, I'm so happy she's going to be in

655
00:35:41,520 --> 00:35:43,520
Speaker 1: New York. Love that she just shows about the.

656
00:35:43,560 --> 00:35:50,839
Speaker 2: Law, very exciting. There's much to come. There much to come, I.

657
00:35:50,760 --> 00:35:56,640
Speaker 1: Will say as well. This was also the start of, like,

658
00:35:58,760 --> 00:36:00,640
Speaker 1: I feel like this is the real art of the

659
00:36:00,719 --> 00:36:02,160
Speaker 1: two different.

660
00:36:02,640 --> 00:36:06,040
Speaker 2: Shows, because yeah, Abbat.

661
00:36:05,920 --> 00:36:08,080
Speaker 1: Naya was with Leah and Chris.

662
00:36:08,320 --> 00:36:12,760
Speaker 2: Yes, there's like even dispersement and like, yeah.

663
00:36:12,360 --> 00:36:15,600
Speaker 1: Like she's there every day, but we had nothing to

664
00:36:15,640 --> 00:36:17,879
Speaker 1: do with them, and we never got to like see

665
00:36:17,880 --> 00:36:20,320
Speaker 1: them or work with them, and it's like Santana's not

666
00:36:20,360 --> 00:36:22,680
Speaker 1: coming back to McKinley now, she's going to be in

667
00:36:22,680 --> 00:36:25,160
Speaker 1: New York. And so it was sort of this like

668
00:36:25,320 --> 00:36:29,920
Speaker 1: weird farewell that we didn't know was happening. Yes, and

669
00:36:30,000 --> 00:36:31,880
Speaker 1: for the next you know, three years, two and a

670
00:36:31,920 --> 00:36:35,080
Speaker 1: half years, Oh my god, it was like this whole

671
00:36:35,080 --> 00:36:37,680
Speaker 1: different faction totally.

672
00:36:37,840 --> 00:36:41,920
Speaker 2: I imagine, like I just remember like Adam Lambert coming and

673
00:36:41,960 --> 00:36:44,879
Speaker 2: Demi Levado coming and like that whole world over there

674
00:36:44,880 --> 00:36:46,680
Speaker 2: that we didn't really know what was happening, but they

675
00:36:46,680 --> 00:36:48,719
Speaker 2: were in half of our songs, right.

676
00:36:50,800 --> 00:36:53,279
Speaker 1: I keep forgetting Adam was on the show. I see

677
00:36:53,320 --> 00:36:56,800
Speaker 1: Adam all the time. Oh really, like last weekend out, yes,

678
00:36:57,800 --> 00:37:02,160
Speaker 1: and like we're always friendly and I I was talking

679
00:37:02,160 --> 00:37:03,359
Speaker 1: to my parents to the day. I was like, oh, yeah,

680
00:37:03,400 --> 00:37:05,960
Speaker 1: this is Adam Lambert and I'm like, yeah, you know

681
00:37:05,960 --> 00:37:09,000
Speaker 1: we met years ago. Completely forgot he was ugly.

682
00:37:09,600 --> 00:37:10,279
Speaker 2: He's on the show.

683
00:37:11,000 --> 00:37:13,040
Speaker 1: Yes, we've never got to work with him. Speaking of

684
00:37:13,080 --> 00:37:15,640
Speaker 1: a talented freak, like he is so good.

685
00:37:16,080 --> 00:37:19,440
Speaker 2: It's I can't wait they come on soon. Sooner than

686
00:37:19,480 --> 00:37:24,600
Speaker 2: you'd think. What a voice, what a talent.

687
00:37:26,960 --> 00:37:30,759
Speaker 1: He performed at Pride in Weho and I saw him

688
00:37:30,800 --> 00:37:33,560
Speaker 1: after his performance and he's like, the last song started

689
00:37:33,640 --> 00:37:35,799
Speaker 1: and I started singing in the wrong key, and I

690
00:37:35,840 --> 00:37:39,319
Speaker 1: looked around, like what's going on. I'm like, Adam, first

691
00:37:39,320 --> 00:37:42,000
Speaker 1: of all, I'm sure you corrected it. In two seconds

692
00:37:42,280 --> 00:37:44,120
Speaker 1: I did. I was like, yeah, no one's going to

693
00:37:44,239 --> 00:37:46,960
Speaker 1: notice you, Like, are you kidding me?

694
00:37:48,160 --> 00:37:52,400
Speaker 2: He's amazing, amazing. Okay. So we also have Will and

695
00:37:52,400 --> 00:37:55,880
Speaker 2: Emma and their wedding is in ten days, which feels

696
00:37:55,920 --> 00:37:59,880
Speaker 2: crazy since Will's not here. He just Will's passing legislation

697
00:38:00,200 --> 00:38:05,239
Speaker 2: and DC hopefully, and Finn and Emma kind of have

698
00:38:05,360 --> 00:38:08,520
Speaker 2: this little support going on. Finn's helping her with making

699
00:38:08,719 --> 00:38:15,320
Speaker 2: like last minute decisions and validating her choices, and Emma's

700
00:38:15,360 --> 00:38:19,160
Speaker 2: helping Finn with kind of feeling like finding like the

701
00:38:19,200 --> 00:38:22,640
Speaker 2: diva energy. She's the one who suggests obviously the diva lesson.

702
00:38:24,160 --> 00:38:26,399
Speaker 1: He feels alone, he wants to have a relationship. He

703
00:38:26,560 --> 00:38:28,160
Speaker 1: talks to her, she talks.

704
00:38:28,239 --> 00:38:31,000
Speaker 2: Yeah. They like confide in each other. They're both like,

705
00:38:31,080 --> 00:38:33,120
Speaker 2: don't really have anybody in.

706
00:38:33,600 --> 00:38:36,080
Speaker 1: Misreading the cues though, Let's be clear, because he's like,

707
00:38:36,880 --> 00:38:39,920
Speaker 1: I'm a kid, what is like, you know? With Emma's

708
00:38:39,920 --> 00:38:42,520
Speaker 1: suggestions of like going out and meeting women. He's like,

709
00:38:42,600 --> 00:38:44,279
Speaker 1: older women aren't going to want anything to do with me,

710
00:38:45,600 --> 00:38:48,200
Speaker 1: and he gets this look in his eye, which is

711
00:38:48,280 --> 00:38:55,040
Speaker 1: the magic of Corey's acting ability of looking at Emma's like, oh.

712
00:38:56,360 --> 00:39:02,720
Speaker 2: I just want to know why this has to happen.

713
00:39:03,960 --> 00:39:10,040
Speaker 2: I know, I don't love it. It feels strange, it

714
00:39:10,080 --> 00:39:15,720
Speaker 2: makes me uncomfortable, but it happens. And e was freaking

715
00:39:15,719 --> 00:39:18,600
Speaker 2: out about the wedding. She's going into a full panic.

716
00:39:19,160 --> 00:39:21,520
Speaker 2: Finn is going to go into like let me help

717
00:39:21,680 --> 00:39:25,120
Speaker 2: mode because that's what he does. He misreads the signs

718
00:39:25,200 --> 00:39:26,040
Speaker 2: and they kiss.

719
00:39:26,400 --> 00:39:29,399
Speaker 1: That panic was really scary. That was really well done.

720
00:39:29,480 --> 00:39:31,960
Speaker 2: Well kudos to Jamin because she's the best actor on

721
00:39:32,040 --> 00:39:32,640
Speaker 2: the show.

722
00:39:33,400 --> 00:39:34,000
Speaker 1: She really is.

723
00:39:34,160 --> 00:39:39,800
Speaker 2: Jama's unreal hands down. It makes it looks so easy, like, Okay,

724
00:39:39,840 --> 00:39:43,120
Speaker 2: I believe this moment. I believed it. Honestly, I would

725
00:39:43,160 --> 00:39:46,040
Speaker 2: have like, I believe why Finn did it, but I

726
00:39:46,120 --> 00:39:48,040
Speaker 2: don't love it, but he did.

727
00:39:48,960 --> 00:39:51,000
Speaker 1: It's one of those instances where it's like, this is crazy.

728
00:39:51,040 --> 00:39:53,800
Speaker 1: This is all in the same show. How Paris shot

729
00:39:53,800 --> 00:39:57,880
Speaker 1: It was super effective. Obviously Jama's acting and Corey's acting

730
00:39:57,880 --> 00:40:04,640
Speaker 1: were incredible, but yeah, you know, Steva Week and everyone's

731
00:40:04,640 --> 00:40:09,120
Speaker 1: on Singing Diva by Beyonce exactly exactly.

732
00:40:09,840 --> 00:40:12,120
Speaker 2: I mean, there's not much else there to be honest

733
00:40:12,200 --> 00:40:16,080
Speaker 2: until we find the rep russions of what happens.

734
00:40:17,680 --> 00:40:20,080
Speaker 1: So this is one of my favorite New York storylines

735
00:40:20,160 --> 00:40:24,120
Speaker 1: so far. Really, I love a Diva off. I love

736
00:40:24,160 --> 00:40:27,760
Speaker 1: this stupid shit. And because it feels a little high school,

737
00:40:28,000 --> 00:40:29,759
Speaker 1: it feels like McKinley in New York.

738
00:40:30,400 --> 00:40:32,800
Speaker 2: And yeah, it's quintessential Glee.

739
00:40:33,040 --> 00:40:36,200
Speaker 1: It's quintessential Glee. And like, we love Rachel when she's

740
00:40:36,640 --> 00:40:40,200
Speaker 1: being wild, like she's wilding out and she needs her

741
00:40:40,200 --> 00:40:44,840
Speaker 1: people to Oh, she's being crazy and people are obsessed

742
00:40:44,840 --> 00:40:47,959
Speaker 1: over her. She's drinking the kool aid of herself and

743
00:40:48,160 --> 00:40:51,800
Speaker 1: Kurt is like, hm, hmm, listen here, you got to

744
00:40:51,800 --> 00:40:53,279
Speaker 1: get it together, you got to rein it in. She's

745
00:40:53,320 --> 00:40:58,200
Speaker 1: like no, and then he confesses that he threw defying

746
00:40:58,239 --> 00:41:03,680
Speaker 1: Gravity crazy and she didn't know. I love that scene

747
00:41:03,719 --> 00:41:08,880
Speaker 1: because it meant so much to her, and it fully

748
00:41:09,160 --> 00:41:12,920
Speaker 1: like brings a house of cards down because you can

749
00:41:13,080 --> 00:41:17,480
Speaker 1: sort of see how like I buy that everything after

750
00:41:17,680 --> 00:41:21,200
Speaker 1: the fine gravity built the Rachel we know in New York,

751
00:41:22,040 --> 00:41:25,960
Speaker 1: and it just came like crumbling down before her eyes,

752
00:41:27,040 --> 00:41:28,440
Speaker 1: Like I love how stupid that is.

753
00:41:29,880 --> 00:41:32,560
Speaker 2: That's you're right. I didn't even think about it that way.

754
00:41:32,600 --> 00:41:32,920
Speaker 2: That's right.

755
00:41:32,960 --> 00:41:34,279
Speaker 1: And then it was like this, you know this like

756
00:41:34,360 --> 00:41:38,040
Speaker 1: Secret Challenger. They're gonna have a diva midnight midnight mad

757
00:41:38,120 --> 00:41:40,880
Speaker 1: nights and Nada tradition, and they're gonna sneak into a

758
00:41:40,880 --> 00:41:44,440
Speaker 1: classroom at midnight and everyone it's gonna silent, silently clap

759
00:41:44,920 --> 00:41:47,680
Speaker 1: and vote for who they think is the winner, and

760
00:41:47,719 --> 00:41:49,160
Speaker 1: they don't know what the song is a.

761
00:41:51,320 --> 00:41:52,000
Speaker 2: Kind of love it.

762
00:41:52,840 --> 00:41:54,840
Speaker 1: I was like, this feels the right show.

763
00:41:55,280 --> 00:41:59,080
Speaker 2: I like this, Yeah, totally. Yeah. I didn't mind this

764
00:41:59,160 --> 00:42:02,840
Speaker 2: storyline at all, aside from like Rachel being a little

765
00:42:03,160 --> 00:42:06,959
Speaker 2: like not a little crazy. It's fun to have Kurt

766
00:42:07,000 --> 00:42:09,359
Speaker 2: at Nyata now, Yes it is.

767
00:42:09,440 --> 00:42:12,920
Speaker 1: And also notice a new set. There's new hallways that

768
00:42:12,960 --> 00:42:15,640
Speaker 1: did not exist before, and they are using those hallways

769
00:42:16,400 --> 00:42:16,759
Speaker 1: so much.

770
00:42:16,800 --> 00:42:19,520
Speaker 2: Everything can't take place in this one dance room.

771
00:42:19,719 --> 00:42:22,719
Speaker 1: Yeah, there's always a little delay. Must Yeah, so like

772
00:42:22,760 --> 00:42:25,120
Speaker 1: we're on episode it even works, Yes, exactly, We're in

773
00:42:25,160 --> 00:42:30,360
Speaker 1: episode thirteen, so you're introducing New York. The first few episodes.

774
00:42:30,400 --> 00:42:33,080
Speaker 1: I was like, okay, we're gonna stay here. I think

775
00:42:33,120 --> 00:42:35,280
Speaker 1: we like this, Let's get the budget approved to build.

776
00:42:35,280 --> 00:42:37,440
Speaker 1: You got to plan and build, and now by episode

777
00:42:37,800 --> 00:42:39,920
Speaker 1: thirteen we have some new sets.

778
00:42:42,880 --> 00:42:45,200
Speaker 2: The song being bring Him Home couldn't be better. It

779
00:42:45,560 --> 00:42:49,200
Speaker 2: fits both of their marranges really, really well. It is

780
00:42:50,000 --> 00:42:58,719
Speaker 2: Broadway at its finest. I love this midnight madness. I

781
00:42:58,760 --> 00:43:04,359
Speaker 2: love how they silent collap. It's very, very funny. They

782
00:43:04,360 --> 00:43:08,759
Speaker 2: both sounded great on this number. They really did, and

783
00:43:08,800 --> 00:43:15,719
Speaker 2: it was shot so beautifully, very aura define gravity, which

784
00:43:15,760 --> 00:43:23,120
Speaker 2: was also exactly let's go full circle and ker wins

785
00:43:24,400 --> 00:43:27,520
Speaker 2: love he had to, he had to.

786
00:43:28,360 --> 00:43:30,719
Speaker 1: This makes me want to see more of New York.

787
00:43:31,160 --> 00:43:34,600
Speaker 2: It helps drive us into like when Sanatana arrives. It

788
00:43:35,040 --> 00:43:37,840
Speaker 2: makes me want to watch New York even more. And

789
00:43:37,920 --> 00:43:41,160
Speaker 2: I'm curious what the feedback they were getting with New

790
00:43:41,239 --> 00:43:45,359
Speaker 2: York at this point from the fans, because either they

791
00:43:45,400 --> 00:43:48,040
Speaker 2: added Santana because they were like, this is really working,

792
00:43:48,120 --> 00:43:50,200
Speaker 2: let's make it even better, or they like this needs

793
00:43:50,200 --> 00:43:52,719
Speaker 2: a or this needs a bump. What do we do?

794
00:43:53,320 --> 00:43:55,040
Speaker 1: Either way, if you're adding Naya to it's just going

795
00:43:55,120 --> 00:43:58,480
Speaker 1: to make it better. I think you need Naya on

796
00:43:58,600 --> 00:44:01,800
Speaker 1: the show regularly, and I think it made.

797
00:44:01,760 --> 00:44:03,279
Speaker 2: Right, which we see a lot more of her now.

798
00:44:03,360 --> 00:44:04,759
Speaker 1: Yeah, it made more sense to have her in New

799
00:44:04,840 --> 00:44:08,040
Speaker 1: York than at McKinley. We already have Finn at McKinley,

800
00:44:08,080 --> 00:44:11,160
Speaker 1: who's graduated. Puck was coming back every now and then,

801
00:44:12,000 --> 00:44:26,400
Speaker 1: so that makes more sense. I really think you and

802
00:44:26,520 --> 00:44:31,600
Speaker 1: Leah are really good at playing crazy.

803
00:44:32,080 --> 00:44:36,000
Speaker 2: Hmm. I love playing crazy because you both do it

804
00:44:36,239 --> 00:44:36,960
Speaker 2: this episode.

805
00:44:37,280 --> 00:44:41,440
Speaker 1: Yeah, and like you both are having a ball. We

806
00:44:41,760 --> 00:44:44,960
Speaker 1: love it, like Kurt talking about like the was it

807
00:44:45,000 --> 00:44:47,839
Speaker 1: Maria Kalis of it all like her, like you can

808
00:44:47,920 --> 00:44:51,360
Speaker 1: see her just like being a clown in a great way,

809
00:44:51,520 --> 00:44:52,880
Speaker 1: and same we see you, like when you get the

810
00:44:52,920 --> 00:44:54,560
Speaker 1: crazy in your eyes, You're like, oh, I'm just gonna

811
00:44:55,040 --> 00:44:55,880
Speaker 1: I'm just going for it.

812
00:44:56,160 --> 00:44:58,680
Speaker 2: To go with it. It's just steels so out of

813
00:44:59,680 --> 00:45:02,200
Speaker 2: so beyond that you're like, I just got to go there.

814
00:45:02,360 --> 00:45:04,000
Speaker 2: Maybe it's a theater in US. I don't know.

815
00:45:04,480 --> 00:45:08,000
Speaker 1: Maybe it just works so well. I like you two aspect.

816
00:45:08,080 --> 00:45:11,279
Speaker 1: I just I love it. I love watching That may

817
00:45:11,320 --> 00:45:13,680
Speaker 1: also be like the gay predisposition, where we love to

818
00:45:13,719 --> 00:45:16,080
Speaker 1: watch a strong female just go off.

819
00:45:18,680 --> 00:45:24,680
Speaker 2: And fair no, fair enough, but we also both enjoy

820
00:45:24,719 --> 00:45:26,919
Speaker 2: it so much. So like I feel like audiences enjoy

821
00:45:26,960 --> 00:45:29,800
Speaker 2: when you're enjoying it, when you're having fun, they're having fun.

822
00:45:29,680 --> 00:45:32,960
Speaker 1: Like I really enjoyed the montage of her just like

823
00:45:33,560 --> 00:45:34,440
Speaker 1: becoming a monster.

824
00:45:35,280 --> 00:45:37,280
Speaker 2: Cool Yeah, acting a fool?

825
00:45:37,480 --> 00:45:39,280
Speaker 1: Yeah, well done, Jenna.

826
00:45:40,280 --> 00:45:43,839
Speaker 2: Oh thanks, it was a fun one. I'll never forget it.

827
00:45:45,760 --> 00:45:49,520
Speaker 2: If you want to write some songs, yes please, let's

828
00:45:49,560 --> 00:45:50,080
Speaker 2: do Diva.

829
00:45:50,840 --> 00:45:57,800
Speaker 1: Okay, so this is the performance regrading the performances. Diva

830
00:45:59,360 --> 00:45:59,920
Speaker 1: A plus.

831
00:46:00,480 --> 00:46:05,319
Speaker 2: Oh wow, I was gonna go like A okay, A yeah, hey,

832
00:46:07,400 --> 00:46:11,839
Speaker 2: don't stop me now, A A. I I would give

833
00:46:11,840 --> 00:46:16,680
Speaker 2: it a half A plus a half plus okay, okay.

834
00:46:17,400 --> 00:46:18,879
Speaker 2: I just feel like we have to build from here.

835
00:46:19,000 --> 00:46:21,720
Speaker 1: A plus plus and that bush is Yeah, we're maxing

836
00:46:21,719 --> 00:46:23,839
Speaker 1: out the pluses. I don't know what it is. It's

837
00:46:23,920 --> 00:46:25,520
Speaker 1: A plus infinity.

838
00:46:25,520 --> 00:46:31,359
Speaker 2: Grat got it, make one, no mistake, A B plus yes,

839
00:46:32,880 --> 00:46:41,279
Speaker 2: hung Up A A plus wow, Growing Fire plus. Oh

840
00:46:42,520 --> 00:46:44,279
Speaker 2: we swapped on it. Hung Up and Growing Fire.

841
00:46:44,400 --> 00:46:48,080
Speaker 1: It's because it's the performance, I think, the the vocals

842
00:46:48,080 --> 00:46:49,080
Speaker 1: and A plus.

843
00:46:48,800 --> 00:46:50,759
Speaker 2: Yeah, yeah, yeah for sure. Okay, I see what you're saying.

844
00:46:50,800 --> 00:46:53,200
Speaker 2: See what you're saying. Okay, fair enough, let's do some

845
00:46:53,239 --> 00:46:55,720
Speaker 2: party take springing moments.

846
00:46:56,840 --> 00:47:07,880
Speaker 1: But I just remember girl. This is fine, oh god.

847
00:47:08,200 --> 00:47:16,200
Speaker 2: Okay, the aucheese named by Paris, the vapor rape, vapor rape,

848
00:47:16,440 --> 00:47:19,080
Speaker 2: and thankus, I am you know.

849
00:47:19,320 --> 00:47:22,640
Speaker 1: I would like to also bring attention to Tina calling

850
00:47:22,760 --> 00:47:30,040
Speaker 1: Unique Wade. I don't know where Unique stands on that right,

851
00:47:30,239 --> 00:47:34,400
Speaker 1: not seen. However, it did look like it was an

852
00:47:34,440 --> 00:47:36,280
Speaker 1: intentional disc to throw in Wade.

853
00:47:36,560 --> 00:47:44,680
Speaker 2: So right, fine, Tina, No, no, no, back as coffee

854
00:47:44,680 --> 00:47:47,640
Speaker 2: grinder or no, it was the worm. It was the worm.

855
00:47:47,719 --> 00:47:52,960
Speaker 1: Sorry, the worm. Yeah, and not Bush and all of

856
00:47:53,040 --> 00:47:55,000
Speaker 1: nut Bush. I also think you did some great dancing

857
00:47:55,040 --> 00:47:55,799
Speaker 1: and hung up.

858
00:47:56,440 --> 00:47:59,800
Speaker 2: I don't fine, but I don't think it really.

859
00:48:00,400 --> 00:48:02,080
Speaker 1: Mentioned the leg shretch on the wheelchair.

860
00:48:02,680 --> 00:48:10,560
Speaker 2: Okay, fine, best song Bush, best performance by a prop

861
00:48:11,880 --> 00:48:12,480
Speaker 2: the runway?

862
00:48:13,000 --> 00:48:13,680
Speaker 1: Is that a prop?

863
00:48:15,200 --> 00:48:20,440
Speaker 2: Yes? That's good, Okay, that's really good. But also the

864
00:48:20,520 --> 00:48:22,879
Speaker 2: vast line rub, I mean paper rub.

865
00:48:23,320 --> 00:48:23,480
Speaker 1: Oh?

866
00:48:23,560 --> 00:48:24,719
Speaker 2: Yeah, I don't know.

867
00:48:26,960 --> 00:48:29,960
Speaker 1: Best line, It's ok there's a lot.

868
00:48:29,800 --> 00:48:31,600
Speaker 2: So many of them today, Okay.

869
00:48:32,200 --> 00:48:38,040
Speaker 1: I distinctly remember Jama saying this. I don't know why

870
00:48:38,560 --> 00:48:40,799
Speaker 1: such a clear memory of her, Probably because I was

871
00:48:40,840 --> 00:48:41,600
Speaker 1: so excited that she.

872
00:48:41,600 --> 00:48:44,200
Speaker 2: Was in, because we were, because we were also laughing

873
00:48:44,239 --> 00:48:46,360
Speaker 2: and we couldn't hold it together when she said this line.

874
00:48:46,840 --> 00:48:51,680
Speaker 1: She was out of her mind. It is perfectly delivered.

875
00:48:52,360 --> 00:48:56,960
Speaker 1: The online are defines Diva as a fierce, often temperamental

876
00:48:57,000 --> 00:49:00,160
Speaker 1: singer who comes correct. She's not a trick ass so

877
00:49:00,760 --> 00:49:05,640
Speaker 1: and she does not sweat to haters. We couldn't keep

878
00:49:05,680 --> 00:49:06,880
Speaker 1: it together.

879
00:49:07,600 --> 00:49:09,440
Speaker 2: We also hadn't seen Jamon in a while, so it

880
00:49:09,520 --> 00:49:13,080
Speaker 2: was exciting to see her, and then also for that

881
00:49:13,160 --> 00:49:17,120
Speaker 2: to be the first thing. This was so great. I'm

882
00:49:17,280 --> 00:49:22,560
Speaker 2: very distinctly remember that as well. Performance MVP.

883
00:49:24,200 --> 00:49:24,840
Speaker 1: You Jenna.

884
00:49:25,440 --> 00:49:27,279
Speaker 2: No, I got it like two weeks ago.

885
00:49:28,520 --> 00:49:32,239
Speaker 1: Okay, can I make it a tie between you and Nya? Well,

886
00:49:32,239 --> 00:49:37,680
Speaker 1: it's very kind, yes, because I felt like you had story,

887
00:49:39,000 --> 00:49:42,080
Speaker 1: you had a lot going on, and you had multiple

888
00:49:42,160 --> 00:49:43,480
Speaker 1: musical numbers, and.

889
00:49:43,560 --> 00:49:48,799
Speaker 2: Nya came in and just gave it, literally just gave it. Yeah, No,

890
00:49:49,040 --> 00:49:50,759
Speaker 2: for sure, it's very fair.

891
00:49:51,440 --> 00:49:55,160
Speaker 1: Oh my god, God, So I think it's a tie

892
00:49:55,160 --> 00:49:55,960
Speaker 1: between the two of you.

893
00:49:56,400 --> 00:49:58,440
Speaker 2: Okay, great, I'll take it, thank you.

894
00:49:59,239 --> 00:50:02,960
Speaker 1: Okay. Shit, we found on TikTok. This is timely because

895
00:50:03,440 --> 00:50:08,880
Speaker 1: it is the Olympics and this is an Olympian in

896
00:50:09,160 --> 00:50:14,279
Speaker 1: the USA like track suit and it is fully Sue

897
00:50:14,320 --> 00:50:19,239
Speaker 1: Sylvester and she she says what this Olympic fit is

898
00:50:19,280 --> 00:50:21,920
Speaker 1: giving and it's the.

899
00:50:21,840 --> 00:50:27,560
Speaker 2: Full wow looks like a sorry, it's a full so

900
00:50:27,719 --> 00:50:36,360
Speaker 2: Sylvester monologue and it's incredible, amazing, Yeah yeah, yeah, literally

901
00:50:36,400 --> 00:50:37,480
Speaker 2: an Olympian.

902
00:50:37,520 --> 00:50:41,880
Speaker 1: Ilona mar she's on Team USA Olympian and she's a

903
00:50:41,920 --> 00:50:45,080
Speaker 1: rugby player and this is incredible. Thank you for posting this.

904
00:50:47,360 --> 00:50:51,360
Speaker 1: Shout out Lauren for making a very so Sylvester track suit.

905
00:50:52,840 --> 00:50:57,520
Speaker 1: I just I can't believe it. It also has so many.

906
00:50:57,440 --> 00:51:01,960
Speaker 2: Views, very special, especially I love the Olympics, so this

907
00:51:02,000 --> 00:51:03,640
Speaker 2: is a very big deal. I can't wait.

908
00:51:05,680 --> 00:51:06,640
Speaker 1: We have a wedding next week.

909
00:51:06,680 --> 00:51:16,040
Speaker 2: Jenna, I don't really remember this episode, if I'm being

910
00:51:16,080 --> 00:51:19,960
Speaker 2: completely honest, but I do remember being very ill during

911
00:51:20,000 --> 00:51:20,799
Speaker 2: this episode.

912
00:51:21,440 --> 00:51:25,279
Speaker 1: Great actually, and you know why because you're working with

913
00:51:25,360 --> 00:51:27,640
Speaker 1: Darren while he was sick and then you got sick.

914
00:51:28,520 --> 00:51:33,120
Speaker 2: Correct. Okay, I do remember some of this episode, but

915
00:51:33,160 --> 00:51:34,640
Speaker 2: I was also in like fever dream.

916
00:51:35,200 --> 00:51:38,600
Speaker 1: Yes, I remember you being very sick, very because I

917
00:51:38,640 --> 00:51:42,719
Speaker 1: was probably avoiding you. Yeah, exactly, a bit of a hypochondriac.

918
00:51:42,840 --> 00:51:43,879
Speaker 2: All right, we'll talk about it.

919
00:51:44,080 --> 00:51:46,719
Speaker 1: Okay, Well that's what you really missed. Thanks for joining us,

920
00:51:47,239 --> 00:51:50,400
Speaker 1: Thanks for listening and follow us on Instagram at and

921
00:51:50,480 --> 00:51:52,719
Speaker 1: that's what you really miss POD. Make sure to write

922
00:51:52,760 --> 00:51:55,040
Speaker 1: us a review and leave us five stars. See you

923
00:51:55,040 --> 00:51:55,439
Speaker 1: next time.