WEBVTT - Chapter 7: The Real Monsters

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<v Speaker 1>Bridgewater is a production of I Heart Radio three D

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<v Speaker 1>audio and Grim and Mild from Aaron Mankey for full exposure.

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<v Speaker 1>Listen with headphones. Listener discretion advised. Phippen, MA bad? That bad?

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<v Speaker 1>You're a right Bradshaw? No, no, I'm not well. I'm

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<v Speaker 1>about to make a day a little better. I just

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<v Speaker 1>picked up the celest files from and this is really

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<v Speaker 1>not a good time. Where are you hackamck? Why Hippen?

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<v Speaker 1>Pippin was here this morning following up on the carvings

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<v Speaker 1>and he called and I don't know something happened and

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<v Speaker 1>he was attacked or no, that's really not you don't okay, okay,

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<v Speaker 1>thank you. That's bad, Bippen, Bippen, bip been. I can't

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<v Speaker 1>hear your buddy, I'm coming hang on. Are you okay?

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<v Speaker 1>Oh whipping? Are you hurt? Are you? Oh God? Is

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<v Speaker 1>it bad? Ah? No? No, no no, no, You're gonna

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<v Speaker 1>be fine. Everything's gonna be fine. Do you think you

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<v Speaker 1>can move? Yeah? I think so. Hello? Who's that? And hello?

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<v Speaker 1>And Wippen? Uh did you see anything? You know? What

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<v Speaker 1>attacked you? Lights? Lights? There were lights, someone's eyes. Hello?

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<v Speaker 1>But we gotta we gotta get going good? What the hell,

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<v Speaker 1>oh god, put your arms around my neck? What just

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<v Speaker 1>do it? Look at me, buddy, who you gotta get movie,

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<v Speaker 1>don't look over there, just look at me. Don't look

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<v Speaker 1>Come on, hey, there you are and run Jeremy, Jeremy,

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<v Speaker 1>what I'm doing it? Don't look at that thing? What?

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<v Speaker 1>What thing? Is? He? Okay? Was he conscious when you

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<v Speaker 1>got here? Yeah? He was? He he must have just

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<v Speaker 1>passed out. Okay, all right, we'll come on. Let's get

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<v Speaker 1>him to a hospital. And there's something yeah, yeah, right,

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<v Speaker 1>we gotta get him to the hospital. Did you notice

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<v Speaker 1>any symbols on the trees and the clearing or were

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<v Speaker 1>you looking for him? Yeah? I was a little bit

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<v Speaker 1>focused on other things. Did you actually notice any carvings? Oh?

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<v Speaker 1>You bet your ass. I did what I can out

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<v Speaker 1>of at least seven scattered throughout the swamp. I didn't

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<v Speaker 1>exactly stop and take pictures, but I think I could

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<v Speaker 1>probably find them again. Off, I'll go back there once

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<v Speaker 1>we know the boys. All right? No, I don't. I

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<v Speaker 1>don't think that's wise. Uh. Don't you want to know

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<v Speaker 1>what happened to him? I mean the answers might be

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<v Speaker 1>in no symbols, but it isn't safe and so you can't.

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<v Speaker 1>Excuse me, you just can't go back in there. Okay,

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<v Speaker 1>you have to promise me that you won't go back, Jeremy.

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<v Speaker 1>I have spent hundreds of hours in that swamp. Yeah.

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<v Speaker 1>And the other night you nearly broke your leg. Yes,

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<v Speaker 1>and this time I'll be more prepared. Yeah, but there

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<v Speaker 1>is no way to prepare for what's in there, Jeremy.

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<v Speaker 1>What did you see? Nothing? I just nothing, Jeremy. I

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<v Speaker 1>don't know. It doesn't make any sense. I don't There

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<v Speaker 1>was a dog, a dog, yeah, and it was it

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<v Speaker 1>was huge, Anne, it was bigger than it didn't make

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<v Speaker 1>any sense, and its eyes. Excuse me? You brought in

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<v Speaker 1>Mr Karna? Correct? Yeah, Hi, I'm Jeremy, Bradshawn. This is

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<v Speaker 1>and Becker. How's he doing. He's going to be just fine.

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<v Speaker 1>He lost some blood and has a mild concussion, but

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<v Speaker 1>he's okay. Thank god. Were there any other injuries beyond

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<v Speaker 1>the ones that were on his head other than the

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<v Speaker 1>lacerations on his skull. He's in tip top shape. These

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<v Speaker 1>types of injuries are rare but can be fatal. Your

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<v Speaker 1>friend is lucky. What do you mean by these types

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<v Speaker 1>of injuries? All attacks? What excuse me. Like I said, unusual,

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<v Speaker 1>but not unheard of. Maybe he happened upon a nest

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<v Speaker 1>or something birds can get territorial. It was an owl attack.

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<v Speaker 1>Seen it before. I would recognize it anywhere. We're running

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<v Speaker 1>some blood tests to check for infection, but we've given

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<v Speaker 1>him a raby shot to be safe. It was an

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<v Speaker 1>owl attack. Thank you, Thank you. Doctor. Does he live

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<v Speaker 1>with anyone Bradshaw? Uh? Sorry, no, no, I don't think

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<v Speaker 1>he does. Could someone keep an eye on him just

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<v Speaker 1>for the next twenty four hours. What should we be

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<v Speaker 1>looking for? Any confusion, dizziness, vomiting, if he has a

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<v Speaker 1>hard time waking up, But just have him rest for

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<v Speaker 1>the next day or so and he should be able

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<v Speaker 1>to get back to things soon enough. Thank you doctor.

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<v Speaker 1>We've got it from here. It's a fucking owl. Yeah.

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<v Speaker 1>I've heard that one before. I have lived here in

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<v Speaker 1>my whole life, and I have never known anyone to

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<v Speaker 1>be genuinely attacked by a goddamn ow. If that is

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<v Speaker 1>what the doctor said, it was, well, doctor say a

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<v Speaker 1>lot of things, yeah, usually things that are right. It

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<v Speaker 1>is the most rational explanation. All right, come on, let's

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<v Speaker 1>do whatever paperwork we need to do. To bring that

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<v Speaker 1>boy home. I told you, and I really don't know

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<v Speaker 1>what I saw. When you said there was a giant

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<v Speaker 1>black dog red eyes. You know what that sounds like.

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<v Speaker 1>It sounds like my eyes were playing tricks on me. Okay,

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<v Speaker 1>you said you didn't see anything. Yeah, but but that

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<v Speaker 1>thing was so fast? What do you mean that thing?

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<v Speaker 1>Back when I first joined the force, there were reports

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<v Speaker 1>reports of a giant black dog with red eyes terrorizing

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<v Speaker 1>locals and a man had his horses ripped into. Well,

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<v Speaker 1>that explains it, then, yeah, okay, yeah, thank you. No

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<v Speaker 1>explains why I would hallucinate a black dog with red eyes.

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<v Speaker 1>I'm sure that I overheard my dad talking about that

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<v Speaker 1>case when I was a kid, or oh, I don't.

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<v Speaker 1>I came across any of my research and something just

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<v Speaker 1>stuck in my head. You know, all the reading I've

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<v Speaker 1>been doing, and the adrenaline of worrying about VIPPING and

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<v Speaker 1>my exhaustion, and it's all just cause my brain to

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<v Speaker 1>glitch out. Do you honestly believe that? Of course I do.

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<v Speaker 1>The doctor said it was an owl attack, and that

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<v Speaker 1>makes perfect sense. I don't know what I was thinking earlier.

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<v Speaker 1>I completely overreacted. No, you were finally thinking straight. Bradshaw,

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<v Speaker 1>you saw something your books and your research couldn't explain,

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<v Speaker 1>and that's where you're wrong. My books and my research

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<v Speaker 1>they do explain this. This is exactly what all of

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<v Speaker 1>it is about. People creating stories to justify things. Our

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<v Speaker 1>brains they're just imperfect. And I saw a shadow or

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<v Speaker 1>or a fox or I don't know what, and my

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<v Speaker 1>mind just turned it in to this monster. I feel foolish.

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<v Speaker 1>I it was a it was an owl, and I

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<v Speaker 1>really thought it really looked bad and vip and he

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<v Speaker 1>was limp a lot all over his face and it

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<v Speaker 1>was my fault. Just fear, just that's all. It was

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<v Speaker 1>fear and adrenaline. Those are the real monsters. Why don't

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<v Speaker 1>we go ask Vippen what the real monsters are? Hey, Hippin,

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<v Speaker 1>here's some tea, Thank you. How are you feeling? Ah,

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<v Speaker 1>like I got attacked by an owl? Catch is a

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<v Speaker 1>completely ridiculous thing to say. All the good news is

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<v Speaker 1>he gonna be okay. Yeah, And you shouldn't feel too ridiculous, because,

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<v Speaker 1>believe it or not, the doctor said that this isn't

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<v Speaker 1>the first time she's seen something like this. I know,

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<v Speaker 1>I know, I just I just feel stupid? Are you

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<v Speaker 1>and me both? Wait? What do you have to feel

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<v Speaker 1>stupid about? Did you see the owl? No? It um,

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<v Speaker 1>it just it moved too fast. I think I heard

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<v Speaker 1>it though there was something? Well? Uh, what am I

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<v Speaker 1>trying to say? It felt like something was following me

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<v Speaker 1>through the swamp. I know that's not true, it can't

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<v Speaker 1>be true. But what what did you see? I didn't

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<v Speaker 1>see anything at first? I just heard it. There was something.

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<v Speaker 1>It was just rustling at first, always right behind me.

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<v Speaker 1>But I would turn around and and and there would

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<v Speaker 1>be nothing. But but there was a voice, a voice.

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<v Speaker 1>Did you recognize it? No, No, it wasn't. I'm I'm

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<v Speaker 1>not sure it was a human voice. I mean like

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<v Speaker 1>I have sometimes a cat crying from far away. It

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<v Speaker 1>sounds like a baby, yeah, sort of, except this was close.

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<v Speaker 1>What was it saying? Ewa chew, chew. Isn't that it's

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<v Speaker 1>probably just an animal? No, no, Jeremy, it didn't sound

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<v Speaker 1>like an animal. You said it didn't sound human. I

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<v Speaker 1>know what I said. Okay, why don't we let you

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<v Speaker 1>rest up? Vipp and you're still concussed. We shouldn't be

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<v Speaker 1>bothering you with all this. I'm fine, I'm fine. I

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<v Speaker 1>I have a little bit of a headache, but but

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<v Speaker 1>I'm thinking clearly. Okay, Well, but it doesn't sound like

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<v Speaker 1>you are. You've had a traumatizing day. No, you you

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<v Speaker 1>I know what I saw, Hipping. You just said you

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<v Speaker 1>heard something, and now you're saying you saw something. I

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<v Speaker 1>was trying to tell you on the phone, but that's

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<v Speaker 1>when something attacked me. An owl attack you sure and owl?

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<v Speaker 1>Maybe I know not Maybe I'm sorry, Hipping, but we

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<v Speaker 1>shouldn't be indulging in these fantasies. Hey, would you stop

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<v Speaker 1>insulting the boy Bradshaw. I mean, if he's saying then

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<v Speaker 1>he saw something, then he saw something. Hey, this really

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<v Speaker 1>isn't any of your business. And well, you know you

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<v Speaker 1>don't seem to be handling it very well in your

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<v Speaker 1>own What if that's supposed to mean you're too blinded

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<v Speaker 1>by your rationality to see what is right in front

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<v Speaker 1>of you. I'm too blinded. You can't see past this

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<v Speaker 1>absurd notion that there's something supernatural and how there is

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<v Speaker 1>something supernatural in Hawka Mox whipping. Stop, No, everyone just

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<v Speaker 1>shut up for one second. Light, Okay, there were orbs

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<v Speaker 1>of light. What are you talking about? The voice it

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<v Speaker 1>was whispering, and then out of the trees came these lights.

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<v Speaker 1>Floating lights. Yes, yes, wait, how do you know they

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<v Speaker 1>were floating? Jeremy, See this sounds exactly like what Daniel experienced.

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<v Speaker 1>My mother said something about floating lights, and I told

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<v Speaker 1>you that Vipen And she said that you and you

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<v Speaker 1>used to talk about floating lights in the forest. Me.

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<v Speaker 1>That wasn't me, No, that was your father on one

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<v Speaker 1>of his patrols of Freetown Force. He said that there

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<v Speaker 1>were strange lights that appeared. No way, my dad didn't

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<v Speaker 1>believe in this crap. No, I've told you this before

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<v Speaker 1>and I'll keep telling you. Yes he did. Your mother

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<v Speaker 1>has it all backwards. I wasn't trying to convince him

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<v Speaker 1>of something, honey, he was trying to convince me. And

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<v Speaker 1>what did he say? The lights looked like about this big? Yeah, yeah,

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<v Speaker 1>he said the size of a basketball, and that there

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<v Speaker 1>were three of them, yes, three of them. They were

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<v Speaker 1>sitting in a triangle with two on top. Right. But

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<v Speaker 1>he said that he saw him in Freetown forest, not

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<v Speaker 1>in hock a mock swamp. Did you guys ever figure

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<v Speaker 1>out what they were? Well, he thought that maybe something

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<v Speaker 1>to do with puckages. But and I think you should go.

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<v Speaker 1>Excuse me, Vippin needs to rest. I don't need you

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<v Speaker 1>to speak for me. I'm fine, and you don't need

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<v Speaker 1>to go. Thank you for your help. And I think

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<v Speaker 1>you should go. Okay, Brad, But I'm really sorry that

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<v Speaker 1>this stuff makes you feel uncomfortable. But I think we

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<v Speaker 1>need to talk about it. We don't. You need to

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<v Speaker 1>let it go. This has gotten completely out of hand.

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<v Speaker 1>People are getting hurt and I'm not going to indulge

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<v Speaker 1>it any longer. What are you saying. I'm saying that

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<v Speaker 1>whatever this has been, this investigation, or whatever you're doing

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<v Speaker 1>into my dad, it's over. No, we still don't have

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<v Speaker 1>any answers, which is the same as it's always been.

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<v Speaker 1>But my dad's badge didn't appear because of lights in

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<v Speaker 1>the woods or because of some giant dog it washed up.

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<v Speaker 1>How do you explain the lack of wear and tear

0:15:10.960 --> 0:15:14.560
<v Speaker 1>on it? It doesn't matter, None of it matters. It

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<v Speaker 1>just doesn't change anything. There is a rational explanation for it,

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<v Speaker 1>regardless of whether we find it or not. I don't

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<v Speaker 1>give up, Jeremy, Well, I am giving up. I'm giving

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<v Speaker 1>up on this. What about the messages. Huh, how do

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<v Speaker 1>you explain that what weird voicemails that you think are

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<v Speaker 1>my dad? They're nothing, Anne, You can barely even tell

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<v Speaker 1>that as a man at all. What if I could

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<v Speaker 1>prove that it's Thomas? Sure? Cool? Yeah. If you can

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<v Speaker 1>prove that my dad is sending you voicemails from beyond

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<v Speaker 1>the grave, go for it. Good luck with that project.

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<v Speaker 1>But until that happens, I think it's best that we

0:15:47.360 --> 0:16:08.720
<v Speaker 1>go our separate ways before someone else gets hurt. I

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<v Speaker 1>really appreciate you spending your Sunday afternoon helping an old

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<v Speaker 1>woman out. Are you kidding? This is the most interesting

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<v Speaker 1>thing I've done all week? Oh, then you need to

0:16:17.320 --> 0:16:20.960
<v Speaker 1>get out more. Kid, seriously, creepy voicemails on both your

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<v Speaker 1>home and cell phone, old police tapes. This is like

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<v Speaker 1>one of those mysteries in a box you can subscribe to.

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<v Speaker 1>What's a mystery in a box? Never mind? Um, how's

0:16:31.240 --> 0:16:34.840
<v Speaker 1>it been doing. I talked to Jeremy this morning. He's

0:16:34.840 --> 0:16:38.120
<v Speaker 1>doing just fine. Good. That's good. I'm glad he's okay.

0:16:38.160 --> 0:16:44.920
<v Speaker 1>He's a nice guy. Yeah, yeah, he is. You should

0:16:44.920 --> 0:16:47.600
<v Speaker 1>be hanging more with kids your own age. So are

0:16:47.640 --> 0:16:50.600
<v Speaker 1>you trying to set me up on a plate, trying

0:16:50.640 --> 0:16:54.120
<v Speaker 1>to prevent you from turning into me. There are worse

0:16:54.200 --> 0:16:58.160
<v Speaker 1>things in the world. That's certainly true. But maybe right

0:16:58.920 --> 0:17:00.560
<v Speaker 1>I'll text him see if you wants to hang out

0:17:00.560 --> 0:17:05.000
<v Speaker 1>when he's feeling better. We just won't go hiking. No kidding,

0:17:05.640 --> 0:17:10.840
<v Speaker 1>an owl attack, whould have thought? Mm hmm. I take

0:17:10.920 --> 0:17:15.040
<v Speaker 1>it you don't buy that it was an owl. Uh. Look, kid,

0:17:15.200 --> 0:17:17.560
<v Speaker 1>I know that you don't believe in the Bridgewater Triangle,

0:17:17.720 --> 0:17:20.000
<v Speaker 1>so you've been around the block seeing stuff like I

0:17:20.080 --> 0:17:23.080
<v Speaker 1>know I've gotten this speech before. I'm just saying that

0:17:23.160 --> 0:17:26.360
<v Speaker 1>you and your technology, you rely on it too much.

0:17:26.720 --> 0:17:29.040
<v Speaker 1>You think it can tell you everything, but the answers

0:17:29.080 --> 0:17:31.639
<v Speaker 1>aren't in there. Oh yeah, so you don't want me

0:17:31.680 --> 0:17:35.480
<v Speaker 1>to keep preparing this audio? All right? Yeah, there's some

0:17:35.560 --> 0:17:39.600
<v Speaker 1>answers in there, but it isn't the solution to everything.

0:17:40.280 --> 0:17:42.480
<v Speaker 1>I know that. But just because there are some things

0:17:42.480 --> 0:17:48.480
<v Speaker 1>that are hard to explain doesn't mean it's ghosts or monsters. Okay,

0:17:48.640 --> 0:17:50.199
<v Speaker 1>I think I've cleaned up this audio as well as

0:17:50.200 --> 0:17:58.800
<v Speaker 1>I can can I hear it? Yeah, and you need

0:17:58.880 --> 0:18:04.440
<v Speaker 1>to help mm hmm, Lee, You are right, it isn't

0:18:04.720 --> 0:18:09.480
<v Speaker 1>what it seems it's happening again and it will hold

0:18:09.920 --> 0:18:21.959
<v Speaker 1>end this time one way or another. Nana, that's that's him,

0:18:21.960 --> 0:18:26.479
<v Speaker 1>that's my Thomas. I are you sure i'd know that

0:18:26.560 --> 0:18:31.840
<v Speaker 1>voice anywhere. Let's compare to the tapes. I can't believe it.

0:18:33.880 --> 0:18:40.480
<v Speaker 1>There up that one. Hold on, mom, Hey, Mom, just

0:18:41.000 --> 0:18:42.879
<v Speaker 1>you can tell her that I'll have you back before dinner.

0:18:44.440 --> 0:18:54.840
<v Speaker 1>What what what do you need? Our second, we interviewed

0:18:54.840 --> 0:18:59.359
<v Speaker 1>several witnesses over a China farms after the commutilation of

0:18:59.400 --> 0:19:05.280
<v Speaker 1>the horses measuring five feet for it just high. Despite

0:19:05.320 --> 0:19:09.840
<v Speaker 1>being double reinforced, the northwest corner of defense has been

0:19:10.000 --> 0:19:15.320
<v Speaker 1>up through Nana, it just went Sep. Well, I mean,

0:19:15.359 --> 0:19:18.600
<v Speaker 1>did you hear it? It's the same voice. It's Thomas.

0:19:18.840 --> 0:19:21.520
<v Speaker 1>I don't know how, why, or what it means, but

0:19:21.520 --> 0:19:24.560
<v Speaker 1>but that's Thomas's voice on my answering machine. Nana, that

0:19:24.680 --> 0:19:29.280
<v Speaker 1>was Mom live. What is it? It's Ethan. He was

0:19:29.320 --> 0:19:31.560
<v Speaker 1>out camping this weekend with his boy Scout troop in

0:19:31.640 --> 0:19:34.440
<v Speaker 1>Freetown forest right. Yeah. Mom went to go pick him

0:19:34.480 --> 0:19:39.000
<v Speaker 1>up this afternoon and Nana, he wasn't with his troop. Well,

0:19:39.160 --> 0:19:41.359
<v Speaker 1>what do you mean? What are you? What are you saying? Ethan?

0:19:41.480 --> 0:19:43.280
<v Speaker 1>Wasn't with his troop when they woke up, and they've

0:19:43.280 --> 0:19:47.080
<v Speaker 1>been looking for him all day, and Live Nanny, He's Missing.

0:19:59.000 --> 0:20:02.600
<v Speaker 1>Bridgewater was created by Aaron Manky and written and directed

0:20:02.640 --> 0:20:07.280
<v Speaker 1>by Lauren Shippen, with executive producers Aaron Manky, Misha Collins,

0:20:07.400 --> 0:20:12.359
<v Speaker 1>Matt Frederick and Alex Williams, supervising producer Trevor Young, editing

0:20:12.440 --> 0:20:15.639
<v Speaker 1>and sound designed by Trevor Young and Matt Stillo, and

0:20:15.800 --> 0:20:20.399
<v Speaker 1>music by Chad Lawson, starring Misha Collins as Jeremy Bradshaw,

0:20:20.520 --> 0:20:24.760
<v Speaker 1>Melissa Ponzio as Anne Becker, Karen Sony as Vipen Corona,

0:20:25.119 --> 0:20:29.919
<v Speaker 1>Laurie Allen as Nancy Collins, Cheryl Umania as Officer Bautista,

0:20:30.359 --> 0:20:34.399
<v Speaker 1>Victoria Grace as Katie, Frank's Will Wheaton as Captain Haddock,

0:20:34.720 --> 0:20:39.840
<v Speaker 1>Hillary Burton Morgan as Shelley Hoskins, Jonathan Joss as Joseph Hoskins,

0:20:40.080 --> 0:20:44.840
<v Speaker 1>Sabra May as Olivia Hoskins, Samuel Marty as Ethan Hoskins,

0:20:45.119 --> 0:20:49.600
<v Speaker 1>Kristin Bauer as Celeste, and Nathan Fillion as Thomas Bradshaw,

0:20:50.119 --> 0:20:54.600
<v Speaker 1>with additional voice acting by brigand Snow, Andrew Nowak, Julia

0:20:54.720 --> 0:21:01.400
<v Speaker 1>Mauritzawa Jarvis Johnson and Brielle Bresnan, Kristen Demcurio, James Oliva

0:21:01.640 --> 0:21:05.880
<v Speaker 1>and Leron Amil. Learn more about the show over at

0:21:05.920 --> 0:21:09.560
<v Speaker 1>Grimm and Mild dot com slash Bridgewater, and find more

0:21:09.600 --> 0:21:12.680
<v Speaker 1>podcasts from I Heart Radio on the I heart Radio app,

0:21:12.760 --> 0:21:16.240
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows,

0:21:16.800 --> 0:21:19.160
<v Speaker 1>and as always, thanks for listening.