1 00:00:01,000 --> 00:00:03,600 Speaker 1: Bridgewater is a production of I Heart Radio three D 2 00:00:03,680 --> 00:00:07,560 Speaker 1: audio and Grim and Mild from Aaron Mankey for full exposure. 3 00:00:07,720 --> 00:00:28,920 Speaker 1: Listen with headphones. Listener discretion advised. Phippen, MA bad? That bad? 4 00:00:33,840 --> 00:00:39,640 Speaker 1: You're a right Bradshaw? No, no, I'm not well. I'm 5 00:00:39,640 --> 00:00:41,199 Speaker 1: about to make a day a little better. I just 6 00:00:41,240 --> 00:00:43,520 Speaker 1: picked up the celest files from and this is really 7 00:00:43,520 --> 00:00:49,600 Speaker 1: not a good time. Where are you hackamck? Why Hippen? 8 00:00:51,080 --> 00:00:53,280 Speaker 1: Pippin was here this morning following up on the carvings 9 00:00:53,280 --> 00:00:55,720 Speaker 1: and he called and I don't know something happened and 10 00:00:55,800 --> 00:01:01,360 Speaker 1: he was attacked or no, that's really not you don't okay, okay, 11 00:01:01,560 --> 00:01:39,399 Speaker 1: thank you. That's bad, Bippen, Bippen, bip been. I can't 12 00:01:39,400 --> 00:01:43,160 Speaker 1: hear your buddy, I'm coming hang on. Are you okay? 13 00:01:43,640 --> 00:01:50,320 Speaker 1: Oh whipping? Are you hurt? Are you? Oh God? Is 14 00:01:50,360 --> 00:01:54,720 Speaker 1: it bad? Ah? No? No, no no, no, You're gonna 15 00:01:54,720 --> 00:01:57,480 Speaker 1: be fine. Everything's gonna be fine. Do you think you 16 00:01:57,520 --> 00:02:14,840 Speaker 1: can move? Yeah? I think so. Hello? Who's that? And hello? 17 00:02:17,280 --> 00:02:25,160 Speaker 1: And Wippen? Uh did you see anything? You know? What 18 00:02:25,240 --> 00:02:35,840 Speaker 1: attacked you? Lights? Lights? There were lights, someone's eyes. Hello? 19 00:02:37,160 --> 00:02:43,480 Speaker 1: But we gotta we gotta get going good? What the hell, 20 00:02:45,080 --> 00:02:51,760 Speaker 1: oh god, put your arms around my neck? What just 21 00:02:51,880 --> 00:02:55,560 Speaker 1: do it? Look at me, buddy, who you gotta get movie, 22 00:02:56,600 --> 00:03:03,800 Speaker 1: don't look over there, just look at me. Don't look 23 00:03:05,760 --> 00:03:12,680 Speaker 1: Come on, hey, there you are and run Jeremy, Jeremy, 24 00:03:12,720 --> 00:03:15,799 Speaker 1: what I'm doing it? Don't look at that thing? What? 25 00:03:15,800 --> 00:03:20,600 Speaker 1: What thing? Is? He? Okay? Was he conscious when you 26 00:03:20,639 --> 00:03:22,920 Speaker 1: got here? Yeah? He was? He he must have just 27 00:03:23,000 --> 00:03:25,800 Speaker 1: passed out. Okay, all right, we'll come on. Let's get 28 00:03:25,880 --> 00:03:33,840 Speaker 1: him to a hospital. And there's something yeah, yeah, right, 29 00:03:33,880 --> 00:03:47,360 Speaker 1: we gotta get him to the hospital. Did you notice 30 00:03:47,400 --> 00:03:49,560 Speaker 1: any symbols on the trees and the clearing or were 31 00:03:49,600 --> 00:03:52,120 Speaker 1: you looking for him? Yeah? I was a little bit 32 00:03:52,120 --> 00:03:57,240 Speaker 1: focused on other things. Did you actually notice any carvings? Oh? 33 00:03:57,400 --> 00:04:00,160 Speaker 1: You bet your ass. I did what I can out 34 00:04:00,160 --> 00:04:02,320 Speaker 1: of at least seven scattered throughout the swamp. I didn't 35 00:04:02,320 --> 00:04:04,360 Speaker 1: exactly stop and take pictures, but I think I could 36 00:04:04,440 --> 00:04:07,520 Speaker 1: probably find them again. Off, I'll go back there once 37 00:04:07,560 --> 00:04:10,320 Speaker 1: we know the boys. All right? No, I don't. I 38 00:04:10,360 --> 00:04:16,400 Speaker 1: don't think that's wise. Uh. Don't you want to know 39 00:04:16,440 --> 00:04:18,640 Speaker 1: what happened to him? I mean the answers might be 40 00:04:18,680 --> 00:04:23,599 Speaker 1: in no symbols, but it isn't safe and so you can't. 41 00:04:24,279 --> 00:04:26,520 Speaker 1: Excuse me, you just can't go back in there. Okay, 42 00:04:26,520 --> 00:04:29,160 Speaker 1: you have to promise me that you won't go back, Jeremy. 43 00:04:29,200 --> 00:04:31,360 Speaker 1: I have spent hundreds of hours in that swamp. Yeah. 44 00:04:31,400 --> 00:04:33,839 Speaker 1: And the other night you nearly broke your leg. Yes, 45 00:04:33,880 --> 00:04:36,000 Speaker 1: and this time I'll be more prepared. Yeah, but there 46 00:04:36,080 --> 00:04:39,880 Speaker 1: is no way to prepare for what's in there, Jeremy. 47 00:04:40,720 --> 00:04:47,760 Speaker 1: What did you see? Nothing? I just nothing, Jeremy. I 48 00:04:47,760 --> 00:04:51,240 Speaker 1: don't know. It doesn't make any sense. I don't There 49 00:04:51,279 --> 00:04:57,359 Speaker 1: was a dog, a dog, yeah, and it was it 50 00:04:57,480 --> 00:05:02,479 Speaker 1: was huge, Anne, it was bigger than it didn't make 51 00:05:02,520 --> 00:05:06,440 Speaker 1: any sense, and its eyes. Excuse me? You brought in 52 00:05:06,560 --> 00:05:11,240 Speaker 1: Mr Karna? Correct? Yeah, Hi, I'm Jeremy, Bradshawn. This is 53 00:05:11,920 --> 00:05:14,640 Speaker 1: and Becker. How's he doing. He's going to be just fine. 54 00:05:15,279 --> 00:05:17,760 Speaker 1: He lost some blood and has a mild concussion, but 55 00:05:17,920 --> 00:05:23,520 Speaker 1: he's okay. Thank god. Were there any other injuries beyond 56 00:05:23,520 --> 00:05:25,440 Speaker 1: the ones that were on his head other than the 57 00:05:25,520 --> 00:05:29,000 Speaker 1: lacerations on his skull. He's in tip top shape. These 58 00:05:29,040 --> 00:05:31,880 Speaker 1: types of injuries are rare but can be fatal. Your 59 00:05:31,880 --> 00:05:34,600 Speaker 1: friend is lucky. What do you mean by these types 60 00:05:34,640 --> 00:05:40,839 Speaker 1: of injuries? All attacks? What excuse me. Like I said, unusual, 61 00:05:41,000 --> 00:05:44,239 Speaker 1: but not unheard of. Maybe he happened upon a nest 62 00:05:44,360 --> 00:05:47,920 Speaker 1: or something birds can get territorial. It was an owl attack. 63 00:05:48,400 --> 00:05:51,760 Speaker 1: Seen it before. I would recognize it anywhere. We're running 64 00:05:51,800 --> 00:05:54,159 Speaker 1: some blood tests to check for infection, but we've given 65 00:05:54,240 --> 00:05:56,680 Speaker 1: him a raby shot to be safe. It was an 66 00:05:56,680 --> 00:06:01,960 Speaker 1: owl attack. Thank you, Thank you. Doctor. Does he live 67 00:06:02,000 --> 00:06:09,840 Speaker 1: with anyone Bradshaw? Uh? Sorry, no, no, I don't think 68 00:06:09,839 --> 00:06:12,920 Speaker 1: he does. Could someone keep an eye on him just 69 00:06:13,000 --> 00:06:15,359 Speaker 1: for the next twenty four hours. What should we be 70 00:06:15,400 --> 00:06:20,039 Speaker 1: looking for? Any confusion, dizziness, vomiting, if he has a 71 00:06:20,040 --> 00:06:22,839 Speaker 1: hard time waking up, But just have him rest for 72 00:06:22,880 --> 00:06:24,719 Speaker 1: the next day or so and he should be able 73 00:06:24,760 --> 00:06:27,880 Speaker 1: to get back to things soon enough. Thank you doctor. 74 00:06:27,880 --> 00:06:33,279 Speaker 1: We've got it from here. It's a fucking owl. Yeah. 75 00:06:33,320 --> 00:06:36,200 Speaker 1: I've heard that one before. I have lived here in 76 00:06:36,240 --> 00:06:38,680 Speaker 1: my whole life, and I have never known anyone to 77 00:06:38,720 --> 00:06:41,599 Speaker 1: be genuinely attacked by a goddamn ow. If that is 78 00:06:41,640 --> 00:06:44,800 Speaker 1: what the doctor said, it was, well, doctor say a 79 00:06:44,839 --> 00:06:49,080 Speaker 1: lot of things, yeah, usually things that are right. It 80 00:06:49,160 --> 00:06:53,720 Speaker 1: is the most rational explanation. All right, come on, let's 81 00:06:53,720 --> 00:06:55,680 Speaker 1: do whatever paperwork we need to do. To bring that 82 00:06:55,680 --> 00:07:11,360 Speaker 1: boy home. I told you, and I really don't know 83 00:07:11,400 --> 00:07:14,080 Speaker 1: what I saw. When you said there was a giant 84 00:07:14,120 --> 00:07:16,720 Speaker 1: black dog red eyes. You know what that sounds like. 85 00:07:17,360 --> 00:07:19,840 Speaker 1: It sounds like my eyes were playing tricks on me. Okay, 86 00:07:19,880 --> 00:07:22,400 Speaker 1: you said you didn't see anything. Yeah, but but that 87 00:07:22,440 --> 00:07:24,440 Speaker 1: thing was so fast? What do you mean that thing? 88 00:07:25,760 --> 00:07:28,640 Speaker 1: Back when I first joined the force, there were reports 89 00:07:28,680 --> 00:07:32,120 Speaker 1: reports of a giant black dog with red eyes terrorizing 90 00:07:32,160 --> 00:07:36,040 Speaker 1: locals and a man had his horses ripped into. Well, 91 00:07:36,160 --> 00:07:40,200 Speaker 1: that explains it, then, yeah, okay, yeah, thank you. No 92 00:07:40,840 --> 00:07:44,440 Speaker 1: explains why I would hallucinate a black dog with red eyes. 93 00:07:44,440 --> 00:07:46,600 Speaker 1: I'm sure that I overheard my dad talking about that 94 00:07:46,640 --> 00:07:48,920 Speaker 1: case when I was a kid, or oh, I don't. 95 00:07:49,000 --> 00:07:51,520 Speaker 1: I came across any of my research and something just 96 00:07:51,560 --> 00:07:54,280 Speaker 1: stuck in my head. You know, all the reading I've 97 00:07:54,280 --> 00:07:57,000 Speaker 1: been doing, and the adrenaline of worrying about VIPPING and 98 00:07:57,160 --> 00:08:01,680 Speaker 1: my exhaustion, and it's all just cause my brain to 99 00:08:01,720 --> 00:08:06,640 Speaker 1: glitch out. Do you honestly believe that? Of course I do. 100 00:08:07,680 --> 00:08:10,040 Speaker 1: The doctor said it was an owl attack, and that 101 00:08:10,120 --> 00:08:16,160 Speaker 1: makes perfect sense. I don't know what I was thinking earlier. 102 00:08:16,160 --> 00:08:21,120 Speaker 1: I completely overreacted. No, you were finally thinking straight. Bradshaw, 103 00:08:21,520 --> 00:08:24,680 Speaker 1: you saw something your books and your research couldn't explain, 104 00:08:25,240 --> 00:08:27,880 Speaker 1: and that's where you're wrong. My books and my research 105 00:08:27,960 --> 00:08:30,440 Speaker 1: they do explain this. This is exactly what all of 106 00:08:30,480 --> 00:08:35,120 Speaker 1: it is about. People creating stories to justify things. Our 107 00:08:35,160 --> 00:08:40,800 Speaker 1: brains they're just imperfect. And I saw a shadow or 108 00:08:40,920 --> 00:08:42,840 Speaker 1: or a fox or I don't know what, and my 109 00:08:42,880 --> 00:08:47,560 Speaker 1: mind just turned it in to this monster. I feel foolish. 110 00:08:47,600 --> 00:08:52,280 Speaker 1: I it was a it was an owl, and I 111 00:08:52,360 --> 00:09:00,599 Speaker 1: really thought it really looked bad and vip and he 112 00:09:00,800 --> 00:09:05,040 Speaker 1: was limp a lot all over his face and it 113 00:09:05,160 --> 00:09:11,240 Speaker 1: was my fault. Just fear, just that's all. It was 114 00:09:12,880 --> 00:09:19,480 Speaker 1: fear and adrenaline. Those are the real monsters. Why don't 115 00:09:19,520 --> 00:09:37,560 Speaker 1: we go ask Vippen what the real monsters are? Hey, Hippin, 116 00:09:38,960 --> 00:09:44,960 Speaker 1: here's some tea, Thank you. How are you feeling? Ah, 117 00:09:45,480 --> 00:09:50,280 Speaker 1: like I got attacked by an owl? Catch is a 118 00:09:50,360 --> 00:09:54,520 Speaker 1: completely ridiculous thing to say. All the good news is 119 00:09:54,520 --> 00:09:59,160 Speaker 1: he gonna be okay. Yeah, And you shouldn't feel too ridiculous, because, 120 00:10:00,440 --> 00:10:03,400 Speaker 1: believe it or not, the doctor said that this isn't 121 00:10:03,400 --> 00:10:05,679 Speaker 1: the first time she's seen something like this. I know, 122 00:10:06,200 --> 00:10:11,680 Speaker 1: I know, I just I just feel stupid? Are you 123 00:10:11,760 --> 00:10:15,120 Speaker 1: and me both? Wait? What do you have to feel 124 00:10:15,120 --> 00:10:22,079 Speaker 1: stupid about? Did you see the owl? No? It um, 125 00:10:22,400 --> 00:10:25,320 Speaker 1: it just it moved too fast. I think I heard 126 00:10:25,320 --> 00:10:30,240 Speaker 1: it though there was something? Well? Uh, what am I 127 00:10:30,240 --> 00:10:33,360 Speaker 1: trying to say? It felt like something was following me 128 00:10:33,480 --> 00:10:37,240 Speaker 1: through the swamp. I know that's not true, it can't 129 00:10:37,320 --> 00:10:43,560 Speaker 1: be true. But what what did you see? I didn't 130 00:10:43,960 --> 00:10:50,959 Speaker 1: see anything at first? I just heard it. There was something. 131 00:10:51,040 --> 00:10:55,720 Speaker 1: It was just rustling at first, always right behind me. 132 00:10:56,200 --> 00:10:58,280 Speaker 1: But I would turn around and and and there would 133 00:10:58,280 --> 00:11:04,240 Speaker 1: be nothing. But but there was a voice, a voice. 134 00:11:04,559 --> 00:11:10,120 Speaker 1: Did you recognize it? No, No, it wasn't. I'm I'm 135 00:11:10,120 --> 00:11:12,840 Speaker 1: not sure it was a human voice. I mean like 136 00:11:13,600 --> 00:11:17,199 Speaker 1: I have sometimes a cat crying from far away. It 137 00:11:17,240 --> 00:11:22,240 Speaker 1: sounds like a baby, yeah, sort of, except this was close. 138 00:11:22,960 --> 00:11:33,840 Speaker 1: What was it saying? Ewa chew, chew. Isn't that it's 139 00:11:33,880 --> 00:11:36,800 Speaker 1: probably just an animal? No, no, Jeremy, it didn't sound 140 00:11:36,880 --> 00:11:39,680 Speaker 1: like an animal. You said it didn't sound human. I 141 00:11:39,720 --> 00:11:44,400 Speaker 1: know what I said. Okay, why don't we let you 142 00:11:44,840 --> 00:11:47,480 Speaker 1: rest up? Vipp and you're still concussed. We shouldn't be 143 00:11:47,520 --> 00:11:50,760 Speaker 1: bothering you with all this. I'm fine, I'm fine. I 144 00:11:50,760 --> 00:11:52,800 Speaker 1: I have a little bit of a headache, but but 145 00:11:52,880 --> 00:11:57,640 Speaker 1: I'm thinking clearly. Okay, Well, but it doesn't sound like 146 00:11:57,720 --> 00:12:00,160 Speaker 1: you are. You've had a traumatizing day. No, you you 147 00:12:00,400 --> 00:12:04,320 Speaker 1: I know what I saw, Hipping. You just said you 148 00:12:04,480 --> 00:12:08,560 Speaker 1: heard something, and now you're saying you saw something. I 149 00:12:08,600 --> 00:12:11,560 Speaker 1: was trying to tell you on the phone, but that's 150 00:12:11,559 --> 00:12:15,360 Speaker 1: when something attacked me. An owl attack you sure and owl? 151 00:12:15,559 --> 00:12:20,160 Speaker 1: Maybe I know not Maybe I'm sorry, Hipping, but we 152 00:12:20,200 --> 00:12:23,679 Speaker 1: shouldn't be indulging in these fantasies. Hey, would you stop 153 00:12:23,720 --> 00:12:26,520 Speaker 1: insulting the boy Bradshaw. I mean, if he's saying then 154 00:12:26,600 --> 00:12:29,640 Speaker 1: he saw something, then he saw something. Hey, this really 155 00:12:29,679 --> 00:12:32,560 Speaker 1: isn't any of your business. And well, you know you 156 00:12:32,559 --> 00:12:34,320 Speaker 1: don't seem to be handling it very well in your 157 00:12:34,320 --> 00:12:37,240 Speaker 1: own What if that's supposed to mean you're too blinded 158 00:12:37,320 --> 00:12:39,640 Speaker 1: by your rationality to see what is right in front 159 00:12:39,640 --> 00:12:42,400 Speaker 1: of you. I'm too blinded. You can't see past this 160 00:12:42,480 --> 00:12:45,600 Speaker 1: absurd notion that there's something supernatural and how there is 161 00:12:45,760 --> 00:12:50,679 Speaker 1: something supernatural in Hawka Mox whipping. Stop, No, everyone just 162 00:12:50,760 --> 00:12:57,400 Speaker 1: shut up for one second. Light, Okay, there were orbs 163 00:12:58,160 --> 00:13:04,320 Speaker 1: of light. What are you talking about? The voice it 164 00:13:04,440 --> 00:13:09,800 Speaker 1: was whispering, and then out of the trees came these lights. 165 00:13:10,840 --> 00:13:15,960 Speaker 1: Floating lights. Yes, yes, wait, how do you know they 166 00:13:15,960 --> 00:13:22,720 Speaker 1: were floating? Jeremy, See this sounds exactly like what Daniel experienced. 167 00:13:23,000 --> 00:13:26,000 Speaker 1: My mother said something about floating lights, and I told 168 00:13:26,040 --> 00:13:29,520 Speaker 1: you that Vipen And she said that you and you 169 00:13:29,800 --> 00:13:32,440 Speaker 1: used to talk about floating lights in the forest. Me. 170 00:13:32,720 --> 00:13:35,920 Speaker 1: That wasn't me, No, that was your father on one 171 00:13:35,920 --> 00:13:38,000 Speaker 1: of his patrols of Freetown Force. He said that there 172 00:13:38,040 --> 00:13:41,280 Speaker 1: were strange lights that appeared. No way, my dad didn't 173 00:13:41,280 --> 00:13:43,560 Speaker 1: believe in this crap. No, I've told you this before 174 00:13:43,559 --> 00:13:45,960 Speaker 1: and I'll keep telling you. Yes he did. Your mother 175 00:13:46,000 --> 00:13:48,480 Speaker 1: has it all backwards. I wasn't trying to convince him 176 00:13:48,480 --> 00:13:51,440 Speaker 1: of something, honey, he was trying to convince me. And 177 00:13:51,559 --> 00:13:56,680 Speaker 1: what did he say? The lights looked like about this big? Yeah, yeah, 178 00:13:56,720 --> 00:13:58,880 Speaker 1: he said the size of a basketball, and that there 179 00:13:58,880 --> 00:14:01,160 Speaker 1: were three of them, yes, three of them. They were 180 00:14:01,160 --> 00:14:04,760 Speaker 1: sitting in a triangle with two on top. Right. But 181 00:14:04,920 --> 00:14:07,160 Speaker 1: he said that he saw him in Freetown forest, not 182 00:14:07,280 --> 00:14:10,360 Speaker 1: in hock a mock swamp. Did you guys ever figure 183 00:14:10,400 --> 00:14:14,560 Speaker 1: out what they were? Well, he thought that maybe something 184 00:14:14,559 --> 00:14:17,000 Speaker 1: to do with puckages. But and I think you should go. 185 00:14:17,880 --> 00:14:21,160 Speaker 1: Excuse me, Vippin needs to rest. I don't need you 186 00:14:21,200 --> 00:14:22,960 Speaker 1: to speak for me. I'm fine, and you don't need 187 00:14:23,000 --> 00:14:25,360 Speaker 1: to go. Thank you for your help. And I think 188 00:14:25,400 --> 00:14:30,200 Speaker 1: you should go. Okay, Brad, But I'm really sorry that 189 00:14:30,200 --> 00:14:32,480 Speaker 1: this stuff makes you feel uncomfortable. But I think we 190 00:14:32,560 --> 00:14:36,920 Speaker 1: need to talk about it. We don't. You need to 191 00:14:37,000 --> 00:14:41,600 Speaker 1: let it go. This has gotten completely out of hand. 192 00:14:42,160 --> 00:14:45,120 Speaker 1: People are getting hurt and I'm not going to indulge 193 00:14:45,120 --> 00:14:49,200 Speaker 1: it any longer. What are you saying. I'm saying that 194 00:14:49,240 --> 00:14:53,560 Speaker 1: whatever this has been, this investigation, or whatever you're doing 195 00:14:53,600 --> 00:14:57,280 Speaker 1: into my dad, it's over. No, we still don't have 196 00:14:57,320 --> 00:14:59,920 Speaker 1: any answers, which is the same as it's always been. 197 00:15:00,040 --> 00:15:03,040 Speaker 1: But my dad's badge didn't appear because of lights in 198 00:15:03,080 --> 00:15:07,480 Speaker 1: the woods or because of some giant dog it washed up. 199 00:15:08,240 --> 00:15:10,880 Speaker 1: How do you explain the lack of wear and tear 200 00:15:10,960 --> 00:15:14,560 Speaker 1: on it? It doesn't matter, None of it matters. It 201 00:15:14,640 --> 00:15:17,480 Speaker 1: just doesn't change anything. There is a rational explanation for it, 202 00:15:17,520 --> 00:15:19,240 Speaker 1: regardless of whether we find it or not. I don't 203 00:15:19,360 --> 00:15:22,000 Speaker 1: give up, Jeremy, Well, I am giving up. I'm giving 204 00:15:22,040 --> 00:15:25,000 Speaker 1: up on this. What about the messages. Huh, how do 205 00:15:25,000 --> 00:15:28,880 Speaker 1: you explain that what weird voicemails that you think are 206 00:15:28,920 --> 00:15:31,360 Speaker 1: my dad? They're nothing, Anne, You can barely even tell 207 00:15:31,360 --> 00:15:33,680 Speaker 1: that as a man at all. What if I could 208 00:15:33,720 --> 00:15:38,400 Speaker 1: prove that it's Thomas? Sure? Cool? Yeah. If you can 209 00:15:38,520 --> 00:15:41,600 Speaker 1: prove that my dad is sending you voicemails from beyond 210 00:15:41,600 --> 00:15:44,480 Speaker 1: the grave, go for it. Good luck with that project. 211 00:15:44,720 --> 00:15:47,080 Speaker 1: But until that happens, I think it's best that we 212 00:15:47,360 --> 00:16:08,720 Speaker 1: go our separate ways before someone else gets hurt. I 213 00:16:08,800 --> 00:16:11,760 Speaker 1: really appreciate you spending your Sunday afternoon helping an old 214 00:16:11,760 --> 00:16:14,160 Speaker 1: woman out. Are you kidding? This is the most interesting 215 00:16:14,200 --> 00:16:17,320 Speaker 1: thing I've done all week? Oh, then you need to 216 00:16:17,320 --> 00:16:20,960 Speaker 1: get out more. Kid, seriously, creepy voicemails on both your 217 00:16:21,000 --> 00:16:23,240 Speaker 1: home and cell phone, old police tapes. This is like 218 00:16:23,240 --> 00:16:25,400 Speaker 1: one of those mysteries in a box you can subscribe to. 219 00:16:26,480 --> 00:16:31,160 Speaker 1: What's a mystery in a box? Never mind? Um, how's 220 00:16:31,240 --> 00:16:34,840 Speaker 1: it been doing. I talked to Jeremy this morning. He's 221 00:16:34,840 --> 00:16:38,120 Speaker 1: doing just fine. Good. That's good. I'm glad he's okay. 222 00:16:38,160 --> 00:16:44,920 Speaker 1: He's a nice guy. Yeah, yeah, he is. You should 223 00:16:44,920 --> 00:16:47,600 Speaker 1: be hanging more with kids your own age. So are 224 00:16:47,640 --> 00:16:50,600 Speaker 1: you trying to set me up on a plate, trying 225 00:16:50,640 --> 00:16:54,120 Speaker 1: to prevent you from turning into me. There are worse 226 00:16:54,200 --> 00:16:58,160 Speaker 1: things in the world. That's certainly true. But maybe right 227 00:16:58,920 --> 00:17:00,560 Speaker 1: I'll text him see if you wants to hang out 228 00:17:00,560 --> 00:17:05,000 Speaker 1: when he's feeling better. We just won't go hiking. No kidding, 229 00:17:05,640 --> 00:17:10,840 Speaker 1: an owl attack, whould have thought? Mm hmm. I take 230 00:17:10,920 --> 00:17:15,040 Speaker 1: it you don't buy that it was an owl. Uh. Look, kid, 231 00:17:15,200 --> 00:17:17,560 Speaker 1: I know that you don't believe in the Bridgewater Triangle, 232 00:17:17,720 --> 00:17:20,000 Speaker 1: so you've been around the block seeing stuff like I 233 00:17:20,080 --> 00:17:23,080 Speaker 1: know I've gotten this speech before. I'm just saying that 234 00:17:23,160 --> 00:17:26,360 Speaker 1: you and your technology, you rely on it too much. 235 00:17:26,720 --> 00:17:29,040 Speaker 1: You think it can tell you everything, but the answers 236 00:17:29,080 --> 00:17:31,639 Speaker 1: aren't in there. Oh yeah, so you don't want me 237 00:17:31,680 --> 00:17:35,480 Speaker 1: to keep preparing this audio? All right? Yeah, there's some 238 00:17:35,560 --> 00:17:39,600 Speaker 1: answers in there, but it isn't the solution to everything. 239 00:17:40,280 --> 00:17:42,480 Speaker 1: I know that. But just because there are some things 240 00:17:42,480 --> 00:17:48,480 Speaker 1: that are hard to explain doesn't mean it's ghosts or monsters. Okay, 241 00:17:48,640 --> 00:17:50,199 Speaker 1: I think I've cleaned up this audio as well as 242 00:17:50,200 --> 00:17:58,800 Speaker 1: I can can I hear it? Yeah, and you need 243 00:17:58,880 --> 00:18:04,440 Speaker 1: to help mm hmm, Lee, You are right, it isn't 244 00:18:04,720 --> 00:18:09,480 Speaker 1: what it seems it's happening again and it will hold 245 00:18:09,920 --> 00:18:21,959 Speaker 1: end this time one way or another. Nana, that's that's him, 246 00:18:21,960 --> 00:18:26,479 Speaker 1: that's my Thomas. I are you sure i'd know that 247 00:18:26,560 --> 00:18:31,840 Speaker 1: voice anywhere. Let's compare to the tapes. I can't believe it. 248 00:18:33,880 --> 00:18:40,480 Speaker 1: There up that one. Hold on, mom, Hey, Mom, just 249 00:18:41,000 --> 00:18:42,879 Speaker 1: you can tell her that I'll have you back before dinner. 250 00:18:44,440 --> 00:18:54,840 Speaker 1: What what what do you need? Our second, we interviewed 251 00:18:54,840 --> 00:18:59,359 Speaker 1: several witnesses over a China farms after the commutilation of 252 00:18:59,400 --> 00:19:05,280 Speaker 1: the horses measuring five feet for it just high. Despite 253 00:19:05,320 --> 00:19:09,840 Speaker 1: being double reinforced, the northwest corner of defense has been 254 00:19:10,000 --> 00:19:15,320 Speaker 1: up through Nana, it just went Sep. Well, I mean, 255 00:19:15,359 --> 00:19:18,600 Speaker 1: did you hear it? It's the same voice. It's Thomas. 256 00:19:18,840 --> 00:19:21,520 Speaker 1: I don't know how, why, or what it means, but 257 00:19:21,520 --> 00:19:24,560 Speaker 1: but that's Thomas's voice on my answering machine. Nana, that 258 00:19:24,680 --> 00:19:29,280 Speaker 1: was Mom live. What is it? It's Ethan. He was 259 00:19:29,320 --> 00:19:31,560 Speaker 1: out camping this weekend with his boy Scout troop in 260 00:19:31,640 --> 00:19:34,440 Speaker 1: Freetown forest right. Yeah. Mom went to go pick him 261 00:19:34,480 --> 00:19:39,000 Speaker 1: up this afternoon and Nana, he wasn't with his troop. Well, 262 00:19:39,160 --> 00:19:41,359 Speaker 1: what do you mean? What are you? What are you saying? Ethan? 263 00:19:41,480 --> 00:19:43,280 Speaker 1: Wasn't with his troop when they woke up, and they've 264 00:19:43,280 --> 00:19:47,080 Speaker 1: been looking for him all day, and Live Nanny, He's Missing. 265 00:19:59,000 --> 00:20:02,600 Speaker 1: Bridgewater was created by Aaron Manky and written and directed 266 00:20:02,640 --> 00:20:07,280 Speaker 1: by Lauren Shippen, with executive producers Aaron Manky, Misha Collins, 267 00:20:07,400 --> 00:20:12,359 Speaker 1: Matt Frederick and Alex Williams, supervising producer Trevor Young, editing 268 00:20:12,440 --> 00:20:15,639 Speaker 1: and sound designed by Trevor Young and Matt Stillo, and 269 00:20:15,800 --> 00:20:20,399 Speaker 1: music by Chad Lawson, starring Misha Collins as Jeremy Bradshaw, 270 00:20:20,520 --> 00:20:24,760 Speaker 1: Melissa Ponzio as Anne Becker, Karen Sony as Vipen Corona, 271 00:20:25,119 --> 00:20:29,919 Speaker 1: Laurie Allen as Nancy Collins, Cheryl Umania as Officer Bautista, 272 00:20:30,359 --> 00:20:34,399 Speaker 1: Victoria Grace as Katie, Frank's Will Wheaton as Captain Haddock, 273 00:20:34,720 --> 00:20:39,840 Speaker 1: Hillary Burton Morgan as Shelley Hoskins, Jonathan Joss as Joseph Hoskins, 274 00:20:40,080 --> 00:20:44,840 Speaker 1: Sabra May as Olivia Hoskins, Samuel Marty as Ethan Hoskins, 275 00:20:45,119 --> 00:20:49,600 Speaker 1: Kristin Bauer as Celeste, and Nathan Fillion as Thomas Bradshaw, 276 00:20:50,119 --> 00:20:54,600 Speaker 1: with additional voice acting by brigand Snow, Andrew Nowak, Julia 277 00:20:54,720 --> 00:21:01,400 Speaker 1: Mauritzawa Jarvis Johnson and Brielle Bresnan, Kristen Demcurio, James Oliva 278 00:21:01,640 --> 00:21:05,880 Speaker 1: and Leron Amil. Learn more about the show over at 279 00:21:05,920 --> 00:21:09,560 Speaker 1: Grimm and Mild dot com slash Bridgewater, and find more 280 00:21:09,600 --> 00:21:12,680 Speaker 1: podcasts from I Heart Radio on the I heart Radio app, 281 00:21:12,760 --> 00:21:16,240 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows, 282 00:21:16,800 --> 00:21:19,160 Speaker 1: and as always, thanks for listening.