1 00:00:00,040 --> 00:00:02,600 Speaker 1: I don't care if it's emotional abuse, I will destroy 2 00:00:02,680 --> 00:00:05,360 Speaker 1: my daughter's bedroom door. Am I the a hole? Like 3 00:00:05,400 --> 00:00:10,760 Speaker 1: the kool aid Man? It's like, oh yeah, oh yeah, 4 00:00:10,920 --> 00:00:14,840 Speaker 1: you think you deserve your privacy? Oh yeah, you don't parenting. 5 00:00:17,800 --> 00:00:20,560 Speaker 1: That's definitely how I'm gonna parent, Kool aid Man style. 6 00:00:20,680 --> 00:00:26,680 Speaker 1: Oh yeah, like vegetable. Oh yeah, that's my version of 7 00:00:26,840 --> 00:00:30,040 Speaker 1: And that's why you don't slam your doors. I love 8 00:00:30,440 --> 00:00:34,600 Speaker 1: I love that or Arrested Development. I'm rewatching the whole series. 9 00:00:35,840 --> 00:00:38,919 Speaker 1: It's such great, the jokes they just keep building. It's insane, 10 00:00:39,040 --> 00:00:41,120 Speaker 1: it's incredible. It's a shame that they ruined like the 11 00:00:41,200 --> 00:00:43,760 Speaker 1: last couple of seasons. I still liked it. You did, 12 00:00:43,840 --> 00:00:46,600 Speaker 1: but it wasn't. I wasn't like, it wasn't the freaking og. 13 00:00:46,960 --> 00:00:49,240 Speaker 1: It felt like I tried watching it and I couldn't. 14 00:00:49,240 --> 00:00:51,720 Speaker 1: I couldn't get through. Oh yeah, do you recommend? Like yeah, 15 00:00:51,800 --> 00:00:53,640 Speaker 1: I I so. I when it first came out, I 16 00:00:53,640 --> 00:00:55,160 Speaker 1: tried and it didn't work. And then like a few 17 00:00:55,200 --> 00:00:56,840 Speaker 1: years later, I watched it and I and I enjoyed 18 00:00:56,840 --> 00:00:59,320 Speaker 1: It's okay, Yeah, yeah, I give it another shot, Like watch 19 00:00:59,360 --> 00:01:03,440 Speaker 1: all the funk previous seasons and old build. So I 20 00:01:03,520 --> 00:01:07,320 Speaker 1: forty female, have three kids, Maggie fourteen female, Levi twelve male, 21 00:01:07,400 --> 00:01:09,880 Speaker 1: and Charles ten male. Levi and Charlie share a bedroom 22 00:01:09,920 --> 00:01:12,679 Speaker 1: and Maggie has her own room as the eldest. Hant 23 00:01:12,800 --> 00:01:16,360 Speaker 1: my only girl living live in large over there, big 24 00:01:16,680 --> 00:01:18,640 Speaker 1: all on your role. Meggie's a great kid if he 25 00:01:18,640 --> 00:01:21,160 Speaker 1: does her homework, helps the chores without too much complaint, 26 00:01:21,200 --> 00:01:24,640 Speaker 1: doesn't bug her brothers too much. The issue is that 27 00:01:24,720 --> 00:01:28,880 Speaker 1: she will not stop slamming her bedroom door. That sounds 28 00:01:28,880 --> 00:01:32,080 Speaker 1: like such a mom thing. Yeah, Like like sometimes they'll 29 00:01:32,080 --> 00:01:35,640 Speaker 1: close the door and it'll be a little loud, you know, like, sweetheart, 30 00:01:35,840 --> 00:01:40,920 Speaker 1: please stop slamming your door. Can you please stop slamming it? 31 00:01:40,920 --> 00:01:43,000 Speaker 1: And I'm like, Mom, I'm just closing my door, and 32 00:01:43,000 --> 00:01:46,360 Speaker 1: it's like, excuse me, don't pop back to me. I 33 00:01:46,400 --> 00:01:49,680 Speaker 1: had you in my stomach for fourteen months for this, Yeah, 34 00:01:49,720 --> 00:01:52,560 Speaker 1: for fourteen months. That's what the joke in my family is. 35 00:01:52,600 --> 00:01:55,000 Speaker 1: Like every time my mom like says that phrase, a 36 00:01:55,080 --> 00:01:58,120 Speaker 1: month is added to it, like it's been it's twenty 37 00:01:58,280 --> 00:02:04,200 Speaker 1: nine months. You'll see, You'll see God. When she gets 38 00:02:04,240 --> 00:02:06,520 Speaker 1: up to use the bathroom at night, she slams her 39 00:02:06,560 --> 00:02:10,560 Speaker 1: bedroom door on her way out and back in on purpose. Ah. 40 00:02:10,800 --> 00:02:16,160 Speaker 1: She wants everyone to hear her poops. That's right here, speakiness. Yeah, 41 00:02:16,200 --> 00:02:18,080 Speaker 1: without a care in the world. When she gets up 42 00:02:18,120 --> 00:02:19,920 Speaker 1: in the morning or goes to bed at night, she 43 00:02:19,919 --> 00:02:22,919 Speaker 1: slams it. Pretty much anytime she enters her exits her room, 44 00:02:23,040 --> 00:02:25,440 Speaker 1: the door gets slammed. And it's only her door. None 45 00:02:25,480 --> 00:02:27,320 Speaker 1: of the other doors in the house do this. Maybe 46 00:02:27,320 --> 00:02:29,799 Speaker 1: it's the door. You ever thought about that? Mom? Maybe 47 00:02:29,840 --> 00:02:32,000 Speaker 1: you gotta maybe you gotta fix your door. Maybe you 48 00:02:32,000 --> 00:02:34,399 Speaker 1: gotta put pads on the door. Wow, mom, Wait wait 49 00:02:34,440 --> 00:02:37,480 Speaker 1: a gaslight? Me? Yeah, wait, a gaslight my door? Come on. 50 00:02:37,960 --> 00:02:40,400 Speaker 1: Maybe put some like like foam on the door so 51 00:02:40,480 --> 00:02:44,440 Speaker 1: it like stifles it. That's what I'm saying, Like simple solutions, 52 00:02:44,480 --> 00:02:46,840 Speaker 1: but as we know, this is reddit, so it will escalate. 53 00:02:46,919 --> 00:02:50,040 Speaker 1: No no, No, actually shakes the walls and frequently wakes up 54 00:02:50,120 --> 00:02:52,440 Speaker 1: everyone else in the house. Is she like a power lifter. 55 00:02:52,960 --> 00:02:57,760 Speaker 1: She's like, oh, I'm so sorry, I'm just so huge. 56 00:02:57,919 --> 00:03:01,360 Speaker 1: I slam all these doors. She's just like freaking like 57 00:03:01,440 --> 00:03:07,080 Speaker 1: dragon balls, Like, oh my mom, I'm practicing for the 58 00:03:07,200 --> 00:03:10,400 Speaker 1: door closing Olympic. Come on, you don't want me to 59 00:03:10,440 --> 00:03:13,640 Speaker 1: win and be successful. Stop stamping on my dreams, mom, 60 00:03:13,880 --> 00:03:17,000 Speaker 1: Stop gas lighting my door slaving dreams. Mother. They say, 61 00:03:17,040 --> 00:03:20,480 Speaker 1: when one door closes, another door opens. But you're not 62 00:03:20,639 --> 00:03:23,560 Speaker 1: letting me have any of those offerd today. Oh man. 63 00:03:25,080 --> 00:03:27,760 Speaker 1: Her brother's room also shares a wall. Her brother's room 64 00:03:27,800 --> 00:03:30,640 Speaker 1: shares a wall with hers, and our bedroom is directly 65 00:03:30,720 --> 00:03:33,080 Speaker 1: above there. We talked to her about it and asked 66 00:03:33,080 --> 00:03:35,640 Speaker 1: her very politely to please be more mindful about it 67 00:03:35,720 --> 00:03:38,040 Speaker 1: because it's disturbing the rest of us. But it's in 68 00:03:38,120 --> 00:03:40,920 Speaker 1: one ear and out the other. Teenage is what are 69 00:03:40,920 --> 00:03:43,480 Speaker 1: you gonna do? What are you gonna do? Except maybe 70 00:03:43,520 --> 00:03:45,960 Speaker 1: you sleep up, except you wake up with a door 71 00:03:46,040 --> 00:03:49,520 Speaker 1: knob in your bed. Yeah, maybe a gouple of fishes. 72 00:03:49,640 --> 00:03:53,200 Speaker 1: You know, we maybe don't get the message. No, you're 73 00:03:53,240 --> 00:03:55,840 Speaker 1: trying to be a wise guy, obie. Hey, you know 74 00:03:56,080 --> 00:03:59,240 Speaker 1: you know what wise guys get. They get extra sleepy. 75 00:03:59,440 --> 00:04:02,040 Speaker 1: Oh good. You know, maybe they get some heavy shoes. 76 00:04:02,080 --> 00:04:04,520 Speaker 1: Maybe those shoes think them to the bottom of the ocean. 77 00:04:05,320 --> 00:04:09,480 Speaker 1: Maybe they're so far down the ocean that they can't 78 00:04:09,480 --> 00:04:13,320 Speaker 1: attend their door slamming Olympic contests. You know, maybe you 79 00:04:13,480 --> 00:04:16,520 Speaker 1: tied to a very nice door that you love very much, 80 00:04:16,560 --> 00:04:19,719 Speaker 1: and you just keep sinking down to you can't stop. 81 00:04:19,880 --> 00:04:23,920 Speaker 1: Maybe the thing between the door and the door frame 82 00:04:24,120 --> 00:04:27,560 Speaker 1: that stops all the slamming is your fucking head mate. 83 00:04:27,320 --> 00:04:31,919 Speaker 1: Oh yeah, maybe try slamming the door when you when you, 84 00:04:32,120 --> 00:04:36,480 Speaker 1: when you break your skull. Kinda hard boss, that's a 85 00:04:36,520 --> 00:04:40,279 Speaker 1: tough one. I'm a tough guy. Sam's just the mob 86 00:04:40,279 --> 00:04:43,440 Speaker 1: boss on his idiot accomplie. It's like, well, that sounds 87 00:04:43,480 --> 00:04:48,200 Speaker 1: like a good player, boss, you win the best. Now. 88 00:04:48,360 --> 00:04:50,840 Speaker 1: We tried being more forceful about it, saying that if 89 00:04:50,880 --> 00:04:53,320 Speaker 1: she wants to continue to slam her door, there will 90 00:04:53,320 --> 00:04:55,880 Speaker 1: be consequences. Do you think she's doing this on purpose? 91 00:04:56,120 --> 00:04:59,599 Speaker 1: Like she can't be? Is she like secretly angry? I don't. 92 00:04:59,640 --> 00:05:01,719 Speaker 1: I think fifty to fifty. I think I think she 93 00:05:01,800 --> 00:05:05,479 Speaker 1: might be. That's I could see that being a little thing. Still, 94 00:05:05,960 --> 00:05:08,760 Speaker 1: nothing changes. It all came to a head the other 95 00:05:08,880 --> 00:05:11,320 Speaker 1: night when she got up to use the bathroom and 96 00:05:11,400 --> 00:05:14,279 Speaker 1: all four of us were woken up by the slamming. 97 00:05:14,920 --> 00:05:16,719 Speaker 1: I have to be up at five am for work, 98 00:05:16,760 --> 00:05:19,680 Speaker 1: and I'd had enough of them, and I've had I 99 00:05:19,760 --> 00:05:21,440 Speaker 1: have to be up at five am for work, and 100 00:05:21,520 --> 00:05:24,720 Speaker 1: I'd had enough of broken sleep. So I came downstairs 101 00:05:24,800 --> 00:05:32,479 Speaker 1: and knocked on her door. She opened it and said, oh, mam, 102 00:05:32,520 --> 00:05:36,320 Speaker 1: I'm getting to see She said it with such attitude 103 00:05:36,360 --> 00:05:38,720 Speaker 1: it took a lot of self control not to start 104 00:05:38,800 --> 00:05:41,320 Speaker 1: yelling at her. I told her as calmly as I 105 00:05:41,360 --> 00:05:44,719 Speaker 1: could that if she slammed that door one more time, 106 00:05:44,960 --> 00:05:48,560 Speaker 1: she was going to come home and find it gone dang, 107 00:05:49,120 --> 00:05:51,280 Speaker 1: pulling out the big guns over here to replace it 108 00:05:51,320 --> 00:05:54,400 Speaker 1: with some fancy beads or something. Yeah. Yeah, it's a 109 00:05:54,440 --> 00:05:59,200 Speaker 1: mystical guarded come on, foxy mama. She proceeded to yell 110 00:05:59,240 --> 00:06:02,120 Speaker 1: at me to lee her alone, and then slammed it. 111 00:06:02,200 --> 00:06:05,719 Speaker 1: Lead me alone, mom. Then she slammed it five times 112 00:06:05,720 --> 00:06:08,719 Speaker 1: in a row as hard as she could. That's a 113 00:06:08,760 --> 00:06:11,240 Speaker 1: teenager thing to do, dude. That's that's like, Oh you 114 00:06:11,279 --> 00:06:18,080 Speaker 1: don't like when I slammed this door, you know? Like that? Well, 115 00:06:18,240 --> 00:06:21,120 Speaker 1: the next day, Friday, she went to school, and my 116 00:06:21,240 --> 00:06:23,560 Speaker 1: husband and I both had the day off, so we 117 00:06:23,640 --> 00:06:27,680 Speaker 1: took the door off the frame man and installed a 118 00:06:27,720 --> 00:06:31,200 Speaker 1: curtain rod and a nice heavy curtain over the door instead. 119 00:06:31,240 --> 00:06:33,360 Speaker 1: I love how she's like dressing up this curt like, oh, 120 00:06:33,360 --> 00:06:40,520 Speaker 1: it's a nice velvet deep, daylight blacking, soundproof, velvet curtain delicious, 121 00:06:40,600 --> 00:06:43,760 Speaker 1: the color compliments the room so top of the line. 122 00:06:44,880 --> 00:06:48,440 Speaker 1: We're just We're just a curtain salesman. It's a car ram. 123 00:06:49,120 --> 00:06:52,640 Speaker 1: She came home and freaked the f out. She said 124 00:06:52,839 --> 00:06:56,360 Speaker 1: that we're being emotionally abusive. I don't know why that's funny, 125 00:06:56,960 --> 00:07:00,880 Speaker 1: and taking away her right to privacy to that door. 126 00:07:00,920 --> 00:07:05,000 Speaker 1: Baby goodness, she'd made abusing that door for way too long. 127 00:07:05,960 --> 00:07:11,560 Speaker 1: That door has had enough. Stop it, door daddy, what 128 00:07:11,600 --> 00:07:15,160 Speaker 1: are you doing in door? Mommy? Honestly, this story's kind 129 00:07:15,160 --> 00:07:23,520 Speaker 1: of unhised, unindredded inhredded stories taking doors on the children's 130 00:07:24,080 --> 00:07:28,200 Speaker 1: rooms firs Its twenty twenty one. Uh, the door is 131 00:07:28,280 --> 00:07:32,880 Speaker 1: closed on all possible resolutions. You're just opening a whole 132 00:07:32,920 --> 00:07:37,160 Speaker 1: can of whoopass. She sulked all weekend and won't talk 133 00:07:37,200 --> 00:07:39,080 Speaker 1: to us now. My mother says that I'm the a 134 00:07:39,160 --> 00:07:42,320 Speaker 1: hole because I overreacted, But she doesn't have to deal 135 00:07:42,400 --> 00:07:45,720 Speaker 1: with the house shaking mom. I love how her own 136 00:07:45,760 --> 00:07:51,600 Speaker 1: mom is like getting into just a mommal. Yeah, problem 137 00:07:51,720 --> 00:07:54,200 Speaker 1: solving here. Yeah. I want to add that we completely 138 00:07:54,280 --> 00:07:56,400 Speaker 1: respect each other's privacy in our house, which is why 139 00:07:56,480 --> 00:07:58,680 Speaker 1: we hung up a heavy curtain and made sure that 140 00:07:58,800 --> 00:08:02,040 Speaker 1: we couldn't see very Yes, so oh you got just 141 00:08:02,160 --> 00:08:06,760 Speaker 1: just freaking just two tons. She can still train for 142 00:08:06,840 --> 00:08:10,080 Speaker 1: the door to closing olympics of that curtain. Don't you worry. 143 00:08:10,520 --> 00:08:14,960 Speaker 1: It's like it's like, you know, the rope exercises closing 144 00:08:15,040 --> 00:08:16,800 Speaker 1: the curtain. She can't even get out of her room. 145 00:08:20,040 --> 00:08:23,000 Speaker 1: We even put little velcrow pieces on the wall so 146 00:08:23,160 --> 00:08:25,480 Speaker 1: the curtain can stay in place. She still has her 147 00:08:25,560 --> 00:08:29,840 Speaker 1: physical privacy, which she is absolutely entitled, but she can't 148 00:08:29,920 --> 00:08:34,040 Speaker 1: slam a piece of fabric. We also never and still don't, 149 00:08:34,160 --> 00:08:36,720 Speaker 1: just go into a room unannounced, and we still knock 150 00:08:36,760 --> 00:08:39,000 Speaker 1: on the wall to ask permission to enter. We've told 151 00:08:39,040 --> 00:08:41,160 Speaker 1: her that will happily put her door back once she 152 00:08:41,280 --> 00:08:45,320 Speaker 1: agrees to respect the no slamming rule. Edit to add 153 00:08:45,640 --> 00:08:48,360 Speaker 1: the curtain is an industrial type of that block sound 154 00:08:48,520 --> 00:08:50,640 Speaker 1: and light. It's probably like the one that we have here. 155 00:08:50,840 --> 00:08:53,400 Speaker 1: The curtain is only meant as a temporary measure. As 156 00:08:53,440 --> 00:08:55,560 Speaker 1: soon as she agrees to stop slamming and be respectful 157 00:08:55,600 --> 00:08:57,240 Speaker 1: of the shared space, we'll put it right back on 158 00:08:57,440 --> 00:09:00,959 Speaker 1: and the door isn't broken or malfunctioning. Anyway, there's just 159 00:09:01,240 --> 00:09:04,760 Speaker 1: no draft causing it to swing shut. So called one 160 00:09:04,840 --> 00:09:08,599 Speaker 1: eight hundred curtain in order for three easy pavements of 161 00:09:08,720 --> 00:09:12,920 Speaker 1: nineteen ninety nine, so your house is slam free. Turns 162 00:09:12,960 --> 00:09:17,280 Speaker 1: out we're agents of the curtain industrial complex poisoning your mind. 163 00:09:18,600 --> 00:09:23,600 Speaker 1: What is who through more anti door to the max. 164 00:09:24,080 --> 00:09:26,600 Speaker 1: All of a sudden you start seeing like anti door 165 00:09:26,720 --> 00:09:33,320 Speaker 1: policies like a door shut, shut the door, big door, Yeah, 166 00:09:34,559 --> 00:09:37,599 Speaker 1: welcome curtains into your life. This is this is this 167 00:09:37,800 --> 00:09:41,199 Speaker 1: is insane. Honestly, I want to know what everyone else 168 00:09:41,360 --> 00:09:43,360 Speaker 1: they to put it in the comments, but like I 169 00:09:43,559 --> 00:09:46,439 Speaker 1: feel like, just get like some foam to stop the 170 00:09:47,040 --> 00:09:49,600 Speaker 1: or something to make that's my question. Like there must 171 00:09:49,679 --> 00:09:52,719 Speaker 1: be besides like removing the whole door. There must be 172 00:09:52,800 --> 00:09:55,559 Speaker 1: a way to like make the door a little softer 173 00:09:55,760 --> 00:09:57,800 Speaker 1: upon close. You know what else you could do? And 174 00:09:58,120 --> 00:10:00,719 Speaker 1: I guess maybe one art counter argument could be like, 175 00:10:00,840 --> 00:10:03,000 Speaker 1: oh you have to like go, well, she paid for 176 00:10:03,080 --> 00:10:05,319 Speaker 1: this nice fancy curtain, so she'd have to pay for 177 00:10:05,400 --> 00:10:08,520 Speaker 1: something anyways. But you know, in like in buildings, it 178 00:10:08,600 --> 00:10:10,760 Speaker 1: has those like little air compressors that like slow the 179 00:10:10,840 --> 00:10:14,280 Speaker 1: door down. Yeah, install that she literally can't slam unless 180 00:10:14,320 --> 00:10:17,640 Speaker 1: she like breaks it. I mean maybe she should. Yeah, 181 00:10:18,160 --> 00:10:23,440 Speaker 1: the Olympics skills. I feel like there are better solutions 182 00:10:23,480 --> 00:10:26,000 Speaker 1: than removing her door, for sure, Yeah for sure. And 183 00:10:26,120 --> 00:10:29,160 Speaker 1: I can't imagine, like besides the time that she slammed 184 00:10:29,200 --> 00:10:31,920 Speaker 1: it five times, Like I can't imagine she's trying to 185 00:10:32,040 --> 00:10:34,160 Speaker 1: slam the door and wake everyone up. Probably not, but 186 00:10:34,480 --> 00:10:37,199 Speaker 1: I could see it happening. But I don't think that's 187 00:10:37,200 --> 00:10:39,760 Speaker 1: what's happened. But if she is, then there's probably a reason, 188 00:10:39,880 --> 00:10:41,880 Speaker 1: like like like get to the source, like why, Like 189 00:10:42,080 --> 00:10:44,520 Speaker 1: what's what is wrong that you feel the need to 190 00:10:44,559 --> 00:10:47,439 Speaker 1: slam all these doors? Yeah? Mom, wait wait wait, hold on, 191 00:10:47,520 --> 00:10:49,800 Speaker 1: I gotta play it real quick. Uh. But you know 192 00:10:49,920 --> 00:10:51,599 Speaker 1: that that music like it's like no no no no 193 00:10:51,640 --> 00:10:53,959 Speaker 1: no no no no man, it's like no no no 194 00:10:54,040 --> 00:10:59,400 Speaker 1: no no no no no non TikTok like exposed song. 195 00:10:59,679 --> 00:11:02,079 Speaker 1: It's like when someone turns around and it's like no 196 00:11:02,240 --> 00:11:03,640 Speaker 1: no no no no no no no no no no 197 00:11:03,760 --> 00:11:05,079 Speaker 1: no no no no no no no no no no 198 00:11:05,200 --> 00:11:06,679 Speaker 1: no no no no no no no no no no 199 00:11:06,800 --> 00:11:12,280 Speaker 1: no no. Girlfriend, she's upset. She's talking about I give up, 200 00:11:13,720 --> 00:11:16,040 Speaker 1: all right, but don't give up on us. Tell us 201 00:11:16,080 --> 00:11:18,240 Speaker 1: what you think in the comments below, and we'll see 202 00:11:18,320 --> 00:11:20,240 Speaker 1: you in this next story. Yep.