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Speaker 1: Are you leave the I you wanna way back home?

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Speaker 1: Either way, we want to be there.

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Speaker 2: Doesn't matter how much baggage you claim and give us

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Speaker 2: time and a terminol and gage.

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Speaker 3: We want to send you off instile.

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Speaker 4: We wanna welcome you back home.

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Speaker 2: Tell us all about it. We scared her?

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Speaker 1: Was it fine?

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Speaker 5: Malborn? Do you need to ride?

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Speaker 2: Do you need to ride?

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Speaker 1: Do you need to ride?

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Speaker 2: Do you need to ride? Do you need to ride?

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Speaker 3: Do your need to ride.

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Speaker 4: With Karen and Chris welcome to Do you need a ride?

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Speaker 4: This is Chris.

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Speaker 1: Fairbanks, yes, and this is Karen Tilgareff.

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Speaker 4: And I like, I appreciate you pausing before your name

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Speaker 4: just to make it sound like I didn't do a weird.

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Speaker 2: Pause, Matchie. This is how we do it, NATCHI, matchie.

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Speaker 4: We are both wearing the same shirt and same little

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Speaker 4: Donald Duck sea hat.

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Speaker 2: That is true. We could lie and say anything to

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Speaker 2: these people about what we're wearing, what we're looking at.

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Speaker 1: They have to trust us.

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Speaker 4: No, we've been lying, is what Karen meant to say.

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Speaker 4: We dress the same every episode, and just don't talk

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Speaker 4: about how I am pantiless with a sailor suit. I

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Speaker 4: have a Donald duck hat with a baby blue sash. Yeah,

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Speaker 4: and uh, Karen, whar's the same.

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Speaker 2: I feel compelled to show support because Chris has a

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Speaker 2: lot of hate.

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Speaker 4: Yeah, I'm really going out on a limb, especially with

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Speaker 4: the no pants choice. Yeah, but if Donald Duck can

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Speaker 4: do it, I've always said.

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Speaker 2: You've always said, if a fictional Duck from the thirties

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Speaker 2: can do it, why can't I.

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Speaker 4: Donald, You're a veteran of the navy, put on some pants.

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Speaker 4: I've changed my mind. I just realized how ridiculous it is.

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Speaker 4: What kind of a message is that?

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Speaker 1: What level do you think he got to in the Navy?

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Speaker 2: Do you think he was like a you know, like

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Speaker 2: I was gonna say colonel, But I don't think that's

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Speaker 2: a boat senior staff member, right.

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Speaker 4: I just think he castin kind of a yes man,

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Speaker 4: a grunt. Yeah, that was wanting to express himself.

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Speaker 2: He was like the radar O'Reilly just having to kind

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Speaker 2: of more serve than lead.

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Speaker 4: Yeah, it's because I'm trying really hard to figure out.

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Speaker 4: I don't think I know anything about Donald Duck's personality.

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Speaker 2: Oh, he gets frustrated very easily. I do relate to

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Speaker 2: Donald Duck. You can't understand a fucking word he saying.

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Speaker 4: Ever, he's mad about a speech impediment.

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Speaker 1: He's very frustrated with a speech impediment. And then with who.

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Speaker 2: Makes his life hell? Because it's very hard. Right now,

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Speaker 2: that's a Disney thing. But then there's the Warner Brothers gang.

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Speaker 2: Much easier to talk about, right, Porky Pig or bugs Bunny.

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Speaker 2: I know them better.

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Speaker 4: It's very strange that I don't know anything about Donald Duck.

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Speaker 4: I'm really trying hard.

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Speaker 2: You mean, like just digging up any of his the

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Speaker 2: canon information about Donald.

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Speaker 4: Yeah, his friends, it's family, this single storyline. But I

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Speaker 4: have his outfit, Yeah, you have every morning I lay

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Speaker 4: it out like a flat person on my bed.

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Speaker 2: His girlfriend's name is Daisy.

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Speaker 4: Oh yeah, Daisy Duke. Sorry, duck Duck. Yeah, because that's

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Speaker 4: a type of denim short.

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Speaker 2: That what you just said there, Daisy Duke, Sorry, Daisy

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Speaker 2: Duck is the only time you've ever sounded like a

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Speaker 2: skateboarder to me. And that was so skateboardery of you,

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Speaker 2: the way, Jay z D.

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Speaker 4: Sorry, sorry Daisy Duck Duck. But a skateboarder from a

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Speaker 4: eighties movie where their skateboarders only stop skating to spray

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Speaker 4: paint rad on a wall.

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Speaker 1: Or talk about Disney Carton.

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Speaker 4: Yeah, because there are always some level of high Yes,

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Speaker 4: do you think donald Like they're laying against the ramp.

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Speaker 4: One of them has dreads. They both have a you

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Speaker 4: know they do no research. No, they can't and by

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Speaker 4: day I mean wardrobe.

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Speaker 1: They can't.

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Speaker 2: They have an abusive stepfather, so they can't hang around

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Speaker 2: long enough to look anything up.

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Speaker 4: It's funny because I brought myself to watch Gleaming the Cube,

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Speaker 4: the only main stream blockbuster because it had Christian Slater

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Speaker 4: in it that was about skateboarding, had skateboarders in it,

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Speaker 4: Tony Hawk was in it, and it holds up. It's

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Speaker 4: a good action movie. I caught up in the story

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Speaker 4: he was he hadn't adopted brother. They talked and it

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Speaker 4: was the Asian mafia situation and they went deep into that.

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Speaker 4: It was It's all what I forgot about because I

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Speaker 4: was waiting for the sweet, sweet skate footage.

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Speaker 2: Can I ask, how does a skateboarder who I assume

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Speaker 2: is a high schooler get caught up in the Asian

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Speaker 2: mafia or not?

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Speaker 4: He fancied a girl at school and started dating like

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Speaker 4: a preppy.

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Speaker 1: Wait, does the British movie.

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Speaker 4: It is heed He fancied Alast Yes, yes, and to

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Speaker 4: impress her he quit skating and his hair and then

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Speaker 4: you know what, I kind of don't remember. Yes for real,

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Speaker 4: I think he was going to church too. Yes, very

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Speaker 4: strict family anyone. But he liked her. But he also

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Speaker 4: was trying to figure out why his his uh step

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Speaker 4: brother was murdered and they were dating, so he kind

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Speaker 4: of was started dating. I'm just now realizing it's coming

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Speaker 4: to me. He started dating his his deceased brother's girlfriend

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Speaker 4: to get closer figure out why he got murdered. And

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Speaker 4: boy does he find out?

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Speaker 2: Does he?

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Speaker 3: Yes?

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Speaker 1: He gets all the way on there and what was it?

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Speaker 2: Drugs?

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Speaker 4: It drugs were involved? Bull Saw video was involved. I

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Speaker 4: only know because every time I draw drive by the

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Speaker 4: Bolsa exit, I think I'm bull Saw Video. I think

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Speaker 4: I'm pronouncing it like it was in the movie.

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Speaker 1: Can you spell it bol s A oh Bolsa Oh? Yeah, okay,

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Speaker 1: I've never I've never heard.

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Speaker 4: It's just it's one of those many like when I

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Speaker 4: drive by Delon Pray Street, I think at Delon Prey

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Speaker 4: Dan and from mister ch Oh. There's just certain words

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Speaker 4: that you see were grabbed from a sign as the

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Speaker 4: screenwriter was driving.

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Speaker 1: Absolutely all around this town.

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Speaker 4: Yes, for sure, and uh anyway, it ends, of course

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Speaker 4: with a man kidnapping the girl. He has a gun,

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Speaker 4: and of course Christian Slater goes under a semi doesn't

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Speaker 4: all a free Oh he does, he ali, he grabs

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Speaker 4: front side, and then they have another shot where he's

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Speaker 4: suddenly grabbing backside into the air and knocks the gun

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Speaker 4: out of the man's hand. And it was laughable back then,

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Speaker 4: but still it's enjoyable.

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Speaker 1: Could you switch from front side to backside like that

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Speaker 1: in the air?

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Speaker 4: I mean it's not likely. Maybe on a snowboard, I

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Speaker 4: can't let go of the board. And then with the

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Speaker 4: other hand, I suppose people do it.

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Speaker 1: People do it with bikes.

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Speaker 4: They do. You're right.

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Speaker 2: I've watched so much trick bike footage because that was

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Speaker 2: one of the main things that Pete shop for your

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Speaker 2: TV channel.

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Speaker 4: Oh more bmxdent scape.

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Speaker 3: Oh my god, just just like these children get paid

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Speaker 3: to travel the world and ride their fucking bike.

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Speaker 4: I know, and they do jealous, but there is keep

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Speaker 4: it rest easy, knowing there's no retirement plan.

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Speaker 2: Oh well, you have to start your own pho and

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Speaker 2: kay and get real smart about that.

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Speaker 4: Ye some guys do it, other guys don't.

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Speaker 2: Other guys don't. And the oh look at the bignyer truck.

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Speaker 2: Look at that. Hey, how's your new sweet tooth feel?

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Speaker 4: Do you care about bign I think it's luck but

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Speaker 4: we could try and open it.

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Speaker 2: On the other side.

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Speaker 4: Oh, it's a food truck. I thought it was a

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Speaker 4: delivery vehicle. I mean it seems like a powdered Uh

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Speaker 4: what is aigne?

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Speaker 2: It is exactly what you're thinking of, like a It's

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Speaker 2: almost like a croissant with less folds and it's like

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Speaker 2: a square and they put so much powdered sugar on it.

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Speaker 4: Is it like filo dough?

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Speaker 1: It is more Uh, it's more donut.

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Speaker 4: Ye Oh, I think I've had one. It's they're nuts

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Speaker 4: in it. No, but there's definitely powdered sugar. As the photo.

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Speaker 2: Yeah, I think you're thinking of the Mediterranean dessert.

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Speaker 4: Yeah, baklava. I love.

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Speaker 1: This is more of like basically a French donut.

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Speaker 2: So there's I guess the reason I said croissant is

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Speaker 2: because it's real airy and fluffy, right, But it's like

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Speaker 2: a light it's a croissant donut.

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Speaker 4: Maybe on the way back I will be starving.

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Speaker 2: I mean we could also just get coffee and go

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Speaker 2: to a place where we can get all those things

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Speaker 2: and more.

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Speaker 4: Oh yeah, this is our solo episode.

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Speaker 2: Yeah, we can fill it up with little kinds of

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Speaker 2: fucking errands. That's why I got excited about the benetra.

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Speaker 4: In the back of my head, it is a little

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Speaker 4: worried about my brain because I couldn't remember whose stick

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Speaker 4: today's guest was.

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Speaker 2: It's me.

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Speaker 4: Well, thank you for having thank you for coming and

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Speaker 4: for having me.

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Speaker 2: Yes, that's how it works.

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Speaker 4: I drove back from Big Bear today and I there

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Speaker 4: was a person tailgating me down that windy road. Now,

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Speaker 4: people that live up in the mountains, they are tired

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Speaker 4: of going up and down that windy road, and they

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Speaker 4: don't have time for someone unfamiliar with the turns to

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Speaker 4: go cautiously sure honking. There was a truck in front

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Speaker 4: of me too, there was nowhere for me to go,

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Speaker 4: laying on the horn. And I looked back and it

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Speaker 4: was a little old lady with gray hair flipping me

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Speaker 4: off while weighing on the horn.

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Speaker 1: What did she want you to do?

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Speaker 4: I knew what she didn't want me to do, and

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Speaker 4: that is basically slam on the brakes, which you did it.

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Speaker 4: I'm afraid I did it. I'm not proud of it.

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Speaker 4: I came to almost a complete stop, and then I'd

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Speaker 4: go a little further, she'd land the horn more, I

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Speaker 4: would come to a stop again. I if she did

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Speaker 4: hit my car, she would be in the wrong. I

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Speaker 4: also wanted to make her nerve. I'm not proud of

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Speaker 4: this behavior. I'm just saying it. I think that our

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Speaker 4: fans support my unhinged dad and think. And then I

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Speaker 4: started flipping her off. This is a little old lady

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Speaker 4: with gray hair, by the way. But then I thought,

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Speaker 4: what if she's saying a rush she U it has

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Speaker 4: to go to the hospital. She feels palpitation. She I

212
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Speaker 4: pulled over. Finally she flipped me off again, as did

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Speaker 4: the little old lady in the past her seat. And

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Speaker 4: then they proceeded to honk the person and that was

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Speaker 4: in front of me. They were just unhinged. I wouldn't

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Speaker 4: you're on her side. No, no, no, I can tell

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Speaker 4: you're on her side.

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Speaker 2: Well, I like to Devil's advocate because you start stories

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Speaker 2: like that in the middle and then I'm like, what

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Speaker 2: was the.

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Speaker 4: In It's good storytelling. It's like Christopher Nolan, Yeah, I

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Speaker 4: started in the middle, arguable, Yes.

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Speaker 2: Did you when she first started honking? It was it

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Speaker 2: totally out of the blue.

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Speaker 4: I start going faster, and then I'm like, this is

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Speaker 4: getting dangerous. I can't go as fast as this this

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Speaker 4: person wants me to go. That's when I saw some

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Speaker 4: old lady flipping me off, and I'm like, maybe she

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Speaker 4: doesn't see that. I'm tailgating a truck in front of me.

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Speaker 4: Windy road. There's rocks, there's patches of ice. We're up

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Speaker 4: in the mountains. It was there are two types of

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Speaker 4: people that moved to these mountain communities. Those who enjoy

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Speaker 4: nature I suppose or want to be skiers, and those

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Speaker 4: who are unhinged and can't deal with society. Yes, and

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Speaker 4: or have murdered and they're like, I gotta get a cabin.

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Speaker 1: They're doing a hideout.

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Speaker 4: I keep killing people in the city. I don't know which,

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Speaker 4: but this didn't seem like an outdoors outdoorsy lady Grandma murders.

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Speaker 2: It could have absolutely been a serial killing team.

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Speaker 4: They were the Golden Girls of Golden State Killers. They

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Speaker 4: were they were. I don't know. I have so many questions,

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Speaker 4: but I let them go. I decided not to follow

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Speaker 4: them one.

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Speaker 2: You have decided to stop trying to teach them a

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Speaker 2: lesson by getting them to rerend you.

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Speaker 4: Now, I know you and I both have started following

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Speaker 4: people that have upset us on the road. And then

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Speaker 4: and then we're like, what are we doing? What are

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Speaker 4: we going to do when we catch up to this person.

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Speaker 1: I've never done that.

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Speaker 4: I know you've waited. You've told me how you've waited

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Speaker 4: outside at homes, and I'm like, your secret safe with me,

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Speaker 4: I've said, and then I've shared with you how I've

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Speaker 4: done the same.

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Speaker 1: I just like our Donald Dug outfits same same.

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Speaker 4: Yeah. Yeah, I thought that maybe I had something on

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Speaker 4: the roof of my car. I thought maybe she was

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Speaker 4: warning me.

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Speaker 1: Yeah, that's what I was thinking, Like, there's gotta be

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Speaker 1: a reason.

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Speaker 4: She was just really angry.

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Speaker 2: She was furious. Could she could she have been also

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Speaker 2: snowboarding that day and maybe you cut her off at

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Speaker 2: the old ski lift or something.

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Speaker 4: I thought of it. I thought maybe I thought I

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Speaker 4: couldn't figure it out. And the cars behind her also

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Speaker 4: were bad at me, and they were going so fast.

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Speaker 4: I was driving like a normal person, certainly above the

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Speaker 4: speed limit, but downhill a mountain road, I'm not gonna

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Speaker 4: push the pedal to the metal.

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Speaker 2: Well, also, you can't if there's a truck in front it,

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Speaker 2: you can only go.

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Speaker 1: I'm on.

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Speaker 4: And everything I've described is I'm not bending any details. Okay, Yes,

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Speaker 4: it was a bizarre behavior. And I have a fear

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Speaker 4: of getting you in tailgated, and especially by a senior.

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Speaker 4: Oh my god, what an embarrassing story. No one's going

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Speaker 4: to be on your side.

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Speaker 2: And someone's grandma shot me in the face because I

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Speaker 2: would not accelerate.

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Speaker 4: Well, I love my grandma. They're gonna mean to take

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Speaker 4: the grandma side.

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Speaker 2: Everybody's on a grandma side. Yeah, that's why I was

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Speaker 2: trying to question you, because I was like, did you

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Speaker 2: do something to the grandma first?

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Speaker 1: But it doesn't sound like it. No, No, it really doesn't.

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Speaker 4: I thank you. It was bizarre behavior.

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Speaker 2: Crazy, I mean that is you know. That is what

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Speaker 2: this whole podcast is about. The ship that happens on

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Speaker 2: the road. Most of it you wouldn't.

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Speaker 4: Believe, right, And and the one the version I've talked

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Speaker 4: about because it was it had we were just starting

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Speaker 4: the podcast ten eleven years ago, right after this had happened,

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Speaker 4: that rear ending where I was, Me and my girlfriend

295
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Speaker 4: were both in trapped in a smash car, a car

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Speaker 4: that the tow truck place thought, oh, for sure these

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Speaker 4: are deceased people because the backseat, you know. Yeah, it's

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Speaker 4: it's a theme that that comes back often.

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Speaker 1: Yeah.

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Speaker 4: So I know that that person that hit us kind

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Speaker 4: of evaded the situation, was uninsured and left town because

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Speaker 4: I followed him on Twitter, but I always check in.

303
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Speaker 4: I'm like, how it's this person doing. I don't know why.

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Speaker 4: I'm not going to ever say hey, why did you not?

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Speaker 4: You know, we had to be interrogated by the insurance

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Speaker 4: and all these things because all he did is not

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Speaker 4: answer the phone, and then they're like, well we're going

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Speaker 4: to go after you. Then no one hears that story.

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Speaker 1: Well they do both sides.

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Speaker 4: I found out yesterday he died in twenty twenty. Yeah, god, damn,

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Speaker 4: I'm sorry. Is this a bad story? The reason I'm

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Speaker 4: bringing why, don't you know the reason I'm bringing it up.

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Speaker 4: I want to know why. I want to know how.

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Speaker 4: I went to his appreciation page. I'm like, ah, there's

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00:16:59,800 --> 00:17:03,000
Speaker 4: no clues in the comments, I'm like, what is it?

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00:17:03,160 --> 00:17:07,840
Speaker 4: Was it COVID? Was he in a car wreck? The

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00:17:07,880 --> 00:17:12,000
Speaker 4: only clue I saw was someone put be careful who

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Speaker 4: your friends are. No one's talking about it, be careful

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Speaker 4: who your friends are. Plus no one mentioning anything had

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Speaker 4: to be a drug overdose.

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Speaker 1: Yeah, I was just gonna say the same thing.

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Speaker 4: See, that's why I brought it up. Now it's a

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Speaker 4: fun conversation.

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Speaker 2: Well fun, that is generous, But I feel bad.

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Speaker 4: What if it all started the drugs and everything because

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Speaker 4: the insurance came after him and he had to pay

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Speaker 4: that money, and then you know, all the fitness career

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Speaker 4: and everything he is into went by the wayside. Barbituates

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Speaker 4: took over this.

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Speaker 1: That's why the saying is don't do drugs.

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Speaker 2: That's the whole thing about it is there is actually

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Speaker 2: the reason they say it is not just to be

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Speaker 2: a bummer, but it's because it sucks your life up.

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Speaker 4: I just wanted to bring it up because we were

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Speaker 4: talking before about how people that have wronged me have

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Speaker 4: perished in the past, and do I have a special

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Speaker 4: and it happened once again. That's all I'm bringing.

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Speaker 2: Those are the kind of the things that were floating

339
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Speaker 2: in the air. You felt like they needed to get I.

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Speaker 4: Feel bad, you know, I feel guilty. What have I

341
00:18:11,680 --> 00:18:14,200
Speaker 4: had something to do with this? Anyway?

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Speaker 2: It's a fun, lighthearted borderline suicide and or overdosed right.

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Speaker 4: Right, Yeah, it's a mystery. I like solving things.

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Speaker 2: Yeah, let us know.

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Speaker 4: Definitely that a cliffhanger updates with little theme music.

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Speaker 1: Yeah, any kind of a death you might want to

347
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Speaker 1: talk about, bring it up.

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Speaker 4: Sure, make light of it. Bring it up, and the

349
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Speaker 4: nervousness will cause the jokes to double when talking about

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Speaker 4: the sensitive stuff.

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Speaker 2: That's right.

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Speaker 1: I'm over here just waiting with baited breath. What kind

353
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Speaker 1: of news are you going to break? The best or

354
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Speaker 1: the worst?

355
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Speaker 4: By baited breath? Do you mean like when people go

356
00:18:51,840 --> 00:18:53,160
Speaker 4: fishing with a sardine?

357
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Speaker 2: Do you have that?

358
00:18:55,960 --> 00:18:59,879
Speaker 4: No? I just thoughts on a's an opportunity baited.

359
00:19:00,400 --> 00:19:01,200
Speaker 2: Are we drunk?

360
00:19:01,560 --> 00:19:02,639
Speaker 4: Yeah, I'm wasted.

361
00:19:04,840 --> 00:19:08,480
Speaker 1: This has a real day drinking. Oh my god, this is.

362
00:19:08,520 --> 00:19:14,280
Speaker 4: Day a year and one day. Oh my god, of

363
00:19:14,320 --> 00:19:15,720
Speaker 4: no drinking in my life.

364
00:19:15,760 --> 00:19:19,000
Speaker 2: Congratulations, Chris Fairbanks. That's a huge accomplishment.

365
00:19:19,040 --> 00:19:21,040
Speaker 4: Why I brought it up and to distract us from

366
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Speaker 4: the previous topic, which was questionable.

367
00:19:25,240 --> 00:19:27,960
Speaker 2: Then I won't say the thing I was about to say,

368
00:19:28,400 --> 00:19:30,280
Speaker 2: which was in praise of day drinking.

369
00:19:32,440 --> 00:19:33,920
Speaker 4: Let's fall off the wagon.

370
00:19:34,680 --> 00:19:39,159
Speaker 2: I just as an alcoholic myself, and the things that

371
00:19:39,240 --> 00:19:43,959
Speaker 2: I love about drinking, they're all kind of like false

372
00:19:44,040 --> 00:19:48,479
Speaker 2: memories essentially, because when you tell yourself, I wish I

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00:19:48,560 --> 00:19:50,920
Speaker 2: was doing this again, or I should be doing this again,

374
00:19:52,200 --> 00:19:56,240
Speaker 2: it's actually just a kind of like reflection of a

375
00:19:56,359 --> 00:20:01,560
Speaker 2: time where you were younger, hotter, more popular, right, whatever

376
00:20:01,800 --> 00:20:05,679
Speaker 2: the case might be, and you're basically going, oh, it

377
00:20:05,760 --> 00:20:08,920
Speaker 2: was still like that, yeah, and so, but I find

378
00:20:08,920 --> 00:20:11,959
Speaker 2: myself always putting that on, like God, day drinking is

379
00:20:12,000 --> 00:20:16,680
Speaker 2: so fun, except it's four drinks in you're fucked because

380
00:20:16,800 --> 00:20:17,240
Speaker 2: it's like to.

381
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Speaker 4: Sleep yep, and it ruins that day, it ruins the

382
00:20:20,480 --> 00:20:21,000
Speaker 4: next day.

383
00:20:21,200 --> 00:20:22,879
Speaker 2: If you think you're gonna be able to do your

384
00:20:22,920 --> 00:20:25,720
Speaker 2: set that night, you're wrong. Like you're gonna do it,

385
00:20:25,840 --> 00:20:26,920
Speaker 2: but it won't be.

386
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Speaker 4: Good, right exactly.

387
00:20:28,920 --> 00:20:31,240
Speaker 1: It never helped, It never helps.

388
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Speaker 4: And I always, even to this day, I'm like, oh,

389
00:20:33,640 --> 00:20:35,760
Speaker 4: I don't go to parties anymore. It was so fun

390
00:20:35,760 --> 00:20:38,679
Speaker 4: at parties because I my memory is me, you know,

391
00:20:38,800 --> 00:20:41,600
Speaker 4: dancing with a lampshade, on my head and everyone laughing

392
00:20:41,720 --> 00:20:45,240
Speaker 4: like why is Chris so fun? But really, in reality

393
00:20:45,280 --> 00:20:48,320
Speaker 4: that night I probably said the wrong thing, sure, or

394
00:20:48,359 --> 00:20:51,719
Speaker 4: got upset or ranted about someone that is wrong to

395
00:20:51,720 --> 00:20:55,760
Speaker 4: me or the elderly things that I don't do anymore.

396
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Speaker 1: Except for except for on this podcast.

397
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Speaker 4: Well, yes, but you know, when I'm not podcast as

398
00:21:04,480 --> 00:21:08,600
Speaker 4: a life practice, yes, as it's sometimes I say their

399
00:21:08,600 --> 00:21:10,879
Speaker 4: own thing because that's part of my podcast character.

400
00:21:10,960 --> 00:21:11,560
Speaker 2: Oh that's right.

401
00:21:11,640 --> 00:21:15,560
Speaker 4: But off when we're not recording, you know, I'm very

402
00:21:15,720 --> 00:21:16,679
Speaker 4: it's almost boring.

403
00:21:17,119 --> 00:21:19,040
Speaker 1: Oh my god, how accurate you always are?

404
00:21:19,200 --> 00:21:21,000
Speaker 4: Yeah? Em politically correct.

405
00:21:20,800 --> 00:21:22,600
Speaker 1: Yes for sure, Yeah, definitely.

406
00:21:23,320 --> 00:21:29,399
Speaker 2: But yeah, so my story was But I think because

407
00:21:29,440 --> 00:21:33,040
Speaker 2: I gave it that free limb what I just said,

408
00:21:33,240 --> 00:21:38,320
Speaker 2: I can still tell it without being without Where are.

409
00:21:38,119 --> 00:21:38,920
Speaker 4: We right now?

410
00:21:39,400 --> 00:21:44,480
Speaker 6: I turned down the street just to get off of Ventura,

411
00:21:44,960 --> 00:21:47,679
Speaker 6: right and thinking it would loop us back, i'd be

412
00:21:47,720 --> 00:21:50,000
Speaker 6: able to go over and oh maybe I still can

413
00:21:50,760 --> 00:21:51,320
Speaker 6: cam Rio.

414
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Speaker 1: Hell yeah, right, I thought this was a dead end.

415
00:21:54,920 --> 00:21:58,600
Speaker 4: No, this is kind of an exciting, uh like road

416
00:21:58,640 --> 00:22:01,880
Speaker 4: that goes along the river, I believe. Well, it comes

417
00:22:01,880 --> 00:22:03,160
Speaker 4: to a complete stop.

418
00:22:02,880 --> 00:22:05,320
Speaker 1: Here, I guess, Well, we'll see, it'll loop us back.

419
00:22:05,480 --> 00:22:10,600
Speaker 2: Yes, at least it's nice. So I was. And you

420
00:22:10,720 --> 00:22:14,639
Speaker 2: remember our good friend Zach Noy Towers, who was a

421
00:22:14,680 --> 00:22:18,000
Speaker 2: guest on the show. He and I like a weekend

422
00:22:18,040 --> 00:22:22,600
Speaker 2: or two weekends ago, were out doing stuff during.

423
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Speaker 1: The day and then we're like, hey, should we eat lunch?

424
00:22:24,560 --> 00:22:27,760
Speaker 2: We were both realized we were hungry, so we went

425
00:22:27,800 --> 00:22:30,600
Speaker 2: to this Mexican restaurant. Yes, And it was like one

426
00:22:30,640 --> 00:22:35,440
Speaker 2: o'clock and there were it wasn't that crowded, but there

427
00:22:35,480 --> 00:22:39,040
Speaker 2: was like three people sitting at the bar and it

428
00:22:39,080 --> 00:22:42,040
Speaker 2: was like the way the light was coming in through

429
00:22:42,080 --> 00:22:45,479
Speaker 2: the window and the music and this and that. I

430
00:22:45,560 --> 00:22:49,119
Speaker 2: was like, I just personally inside, I was like I

431
00:22:49,119 --> 00:22:52,239
Speaker 2: would fucking kill to be sitting at that bar day

432
00:22:52,320 --> 00:22:53,280
Speaker 2: drinking today.

433
00:22:53,080 --> 00:22:57,080
Speaker 4: With a margarita. Yeah, I don't know why I want margarita's.

434
00:22:57,200 --> 00:23:00,880
Speaker 2: Yeah, because they mean party, they mean like fun times.

435
00:23:00,960 --> 00:23:03,560
Speaker 2: The taste is like someone handing it to you, like

436
00:23:03,760 --> 00:23:04,360
Speaker 2: here we go.

437
00:23:04,760 --> 00:23:08,240
Speaker 4: Yeah. The margaritas have a reputation for like it's okay,

438
00:23:08,280 --> 00:23:09,200
Speaker 4: it's a margarita.

439
00:23:09,440 --> 00:23:11,919
Speaker 2: Yes, it's it's like oh, or what are you at

440
00:23:11,920 --> 00:23:15,200
Speaker 2: a bachelorette party? Are you? Is it your birthday? It

441
00:23:15,320 --> 00:23:18,640
Speaker 2: must be a celebration because it's a margarita. So we're

442
00:23:18,680 --> 00:23:21,200
Speaker 2: sitting there and then I say it where I'm like, god,

443
00:23:21,240 --> 00:23:27,360
Speaker 2: I've really really over romanced day drinking. And then Zach

444
00:23:27,480 --> 00:23:30,439
Speaker 2: was like, oh, I loved day drinking. The waiter walks

445
00:23:30,520 --> 00:23:32,960
Speaker 2: up and puts two shots in front of each of

446
00:23:33,040 --> 00:23:35,600
Speaker 2: us and goes, these are for you guys.

447
00:23:35,840 --> 00:23:36,640
Speaker 4: Oh wow.

448
00:23:37,040 --> 00:23:39,359
Speaker 1: And then Zach looks up and goes, do they have

449
00:23:39,440 --> 00:23:40,240
Speaker 1: alcohol in him?

450
00:23:40,240 --> 00:23:42,480
Speaker 2: And he was like and then the waiter just takes

451
00:23:42,520 --> 00:23:44,639
Speaker 2: him back and walks away. It was so funny.

452
00:23:44,760 --> 00:23:46,720
Speaker 4: That's Zach also doesn't drink.

453
00:23:46,760 --> 00:23:49,680
Speaker 2: He does not he's been sober for a long time. Yeah,

454
00:23:49,720 --> 00:23:53,080
Speaker 2: oh wow, okay, yes, And it was it was as

455
00:23:53,119 --> 00:23:56,520
Speaker 2: if that waiter could feel the vibe that we were

456
00:23:56,600 --> 00:23:59,480
Speaker 2: definitely giving off, but that we did we didn't want

457
00:23:59,520 --> 00:23:59,720
Speaker 2: to be.

458
00:23:59,760 --> 00:24:03,680
Speaker 4: It was a subtle double vibe. Yes, I'm gonna go out.

459
00:24:03,800 --> 00:24:05,800
Speaker 4: I'm gonna go out on a limb here with this,

460
00:24:06,119 --> 00:24:09,840
Speaker 4: and I see that that was the wrong limb. Goodbye, thanks, goodbye.

461
00:24:09,880 --> 00:24:10,720
Speaker 4: That's perfect.

462
00:24:10,840 --> 00:24:12,919
Speaker 1: Never takes his fingers off the shot glass.

463
00:24:12,960 --> 00:24:16,239
Speaker 2: It was and it was a bright pink shot, so

464
00:24:16,400 --> 00:24:20,120
Speaker 2: like I was like, what's in there? This is wonderful, delicious,

465
00:24:20,480 --> 00:24:21,840
Speaker 2: Oh wow, what could it be?

466
00:24:22,359 --> 00:24:23,119
Speaker 1: We will never know.

467
00:24:24,200 --> 00:24:29,280
Speaker 4: Yeah, that that I wouldn't have taken it. But it's

468
00:24:29,280 --> 00:24:34,159
Speaker 4: one of those situations like what if the timing happens,

469
00:24:34,280 --> 00:24:38,160
Speaker 4: you know, things happened that day, I had a certain week,

470
00:24:38,280 --> 00:24:40,679
Speaker 4: and then all of a sudden someone puts those in

471
00:24:40,720 --> 00:24:42,600
Speaker 4: front of me, Maybe then I would.

472
00:24:42,680 --> 00:24:45,400
Speaker 2: Well, but it doesn't sound like it sounds like you're

473
00:24:45,600 --> 00:24:49,240
Speaker 2: on a track that makes internal sense as opposed to

474
00:24:49,440 --> 00:24:52,440
Speaker 2: I have to do this from the external reason, right.

475
00:24:52,800 --> 00:24:57,160
Speaker 4: My reason for stopping has built up over time. Initially

476
00:24:57,200 --> 00:25:00,440
Speaker 4: it wasn't I'm like I need to recover. H It's

477
00:25:00,480 --> 00:25:03,440
Speaker 4: just like, wait a minute, this feels good, and it's

478
00:25:03,480 --> 00:25:07,440
Speaker 4: starting to feel better. What an interesting experiment this is.

479
00:25:08,119 --> 00:25:12,280
Speaker 4: And now I'm like, well, i'd be very disappointed in myself, right,

480
00:25:12,840 --> 00:25:17,560
Speaker 4: but I do enjoy, uh, you know, buying drinks for

481
00:25:17,640 --> 00:25:21,320
Speaker 4: other people and watching them get a little sloppy, just

482
00:25:21,600 --> 00:25:25,960
Speaker 4: so I can test my ability to act, because you know,

483
00:25:25,960 --> 00:25:28,000
Speaker 4: I'm a thesbian deep at heart.

484
00:25:28,040 --> 00:25:28,480
Speaker 1: That's true.

485
00:25:28,640 --> 00:25:31,000
Speaker 4: Act drunk also, Well, it's fun.

486
00:25:31,119 --> 00:25:34,040
Speaker 2: I always noticed because in the beginning I could not

487
00:25:34,240 --> 00:25:36,359
Speaker 2: go to bars with my friends because I was just

488
00:25:36,400 --> 00:25:38,040
Speaker 2: like I just want to drink.

489
00:25:38,040 --> 00:25:40,359
Speaker 4: And this is torture, right. I'm still having trouble with

490
00:25:40,440 --> 00:25:40,760
Speaker 4: it yet.

491
00:25:40,840 --> 00:25:44,880
Speaker 1: I mean because bars, that's just so it's dedicated and specific.

492
00:25:45,119 --> 00:25:50,400
Speaker 2: But then when I felt more stable and I would go,

493
00:25:50,800 --> 00:25:52,639
Speaker 2: I would like be sitting in a booth with my

494
00:25:52,680 --> 00:25:55,000
Speaker 2: friends and three of us would be getting drunk and

495
00:25:55,320 --> 00:25:58,040
Speaker 2: two of us would not. But I swear to God

496
00:25:58,520 --> 00:26:01,359
Speaker 2: like as we would talk and laugh and riff, I

497
00:26:01,520 --> 00:26:03,840
Speaker 2: was like, now I feel drunk. I thought I was

498
00:26:03,880 --> 00:26:07,440
Speaker 2: getting like my brain was basically going, eh, you are

499
00:26:07,560 --> 00:26:12,040
Speaker 2: kind of drunk, right, I mean that's the kind of

500
00:26:12,080 --> 00:26:16,800
Speaker 2: Ellie driving you just can't do right. The guy that

501
00:26:17,080 --> 00:26:19,640
Speaker 2: needs to you need to go around the bus, right,

502
00:26:19,960 --> 00:26:20,800
Speaker 2: I know you need.

503
00:26:21,080 --> 00:26:22,520
Speaker 1: That's why I fucking stopped.

504
00:26:22,680 --> 00:26:24,080
Speaker 2: I'm not going to stay here forever.

505
00:26:24,760 --> 00:26:25,560
Speaker 4: Go fool.

506
00:26:25,800 --> 00:26:27,080
Speaker 1: I gave you the opening.

507
00:26:27,280 --> 00:26:29,840
Speaker 4: Were you behind me wearing a wig today? A Big Bear?

508
00:26:32,640 --> 00:26:39,720
Speaker 2: Me and my sister. I think at that age you're

509
00:26:39,760 --> 00:26:41,240
Speaker 2: only hanging out with your siblings.

510
00:26:41,680 --> 00:26:47,160
Speaker 4: Yes, yeah, I think, or a mountain housemate.

511
00:26:47,600 --> 00:26:55,760
Speaker 2: As they call lesbians up in Big Bear. I'd love

512
00:26:55,800 --> 00:26:59,840
Speaker 2: to meet your mountain housemate if if you felt comfortable introducing.

513
00:26:59,320 --> 00:27:04,080
Speaker 4: Me, yeah, yes, yes, And they're dressed in the same outfit.

514
00:27:04,240 --> 00:27:08,680
Speaker 1: Mm hmmm, Donald Duck Don Duck boom.

515
00:27:08,800 --> 00:27:13,879
Speaker 4: Yeah, I'll I am. I really did bring that up

516
00:27:13,920 --> 00:27:17,639
Speaker 4: because I was disappointed in my own I should have

517
00:27:17,680 --> 00:27:20,400
Speaker 4: just pulled over, like, look, go be crazy somewhere else

518
00:27:20,480 --> 00:27:23,320
Speaker 4: and not think about it for another second. But instead

519
00:27:23,359 --> 00:27:24,200
Speaker 4: I wanted to fight.

520
00:27:24,480 --> 00:27:25,919
Speaker 1: That's a harder thing.

521
00:27:26,560 --> 00:27:29,560
Speaker 2: It makes sense to me that, like, you're gonna do

522
00:27:29,600 --> 00:27:30,639
Speaker 2: it piece by piece.

523
00:27:30,800 --> 00:27:33,480
Speaker 1: First, the drinking is gonna get sidelined.

524
00:27:33,000 --> 00:27:37,200
Speaker 2: Right right. Then you're gonna get real used to more

525
00:27:37,240 --> 00:27:40,359
Speaker 2: than one year and one day, yes, real, used to

526
00:27:41,560 --> 00:27:43,960
Speaker 2: unadjusted feelings.

527
00:27:44,800 --> 00:27:47,880
Speaker 1: And then like in fucking eleven years.

528
00:27:47,800 --> 00:27:50,480
Speaker 2: Hey, we passed that Rolls Royce on the other on

529
00:27:50,520 --> 00:27:55,280
Speaker 2: the way going really yeah, literally almost in the same spot.

530
00:27:55,480 --> 00:27:58,080
Speaker 4: Well, I'm gren there's been a few things like that,

531
00:27:58,200 --> 00:27:59,800
Speaker 4: and I don't know that you noticed. When we were

532
00:27:59,840 --> 00:28:02,119
Speaker 4: going down that street and we're like, where are we

533
00:28:02,240 --> 00:28:05,280
Speaker 4: right now? A girl with a dog was walking And

534
00:28:05,320 --> 00:28:07,560
Speaker 4: then we went around the block and I swear it

535
00:28:07,640 --> 00:28:11,719
Speaker 4: was the same girl with a different dog walking in

536
00:28:11,800 --> 00:28:14,800
Speaker 4: the same direction from a different time. It was a

537
00:28:15,040 --> 00:28:16,240
Speaker 4: like that cat.

538
00:28:16,440 --> 00:28:18,280
Speaker 2: I'm going to tell you this in that movie with

539
00:28:18,400 --> 00:28:19,600
Speaker 2: Keanu Reeves.

540
00:28:19,240 --> 00:28:20,240
Speaker 1: In Los Angeles.

541
00:28:20,560 --> 00:28:24,879
Speaker 4: Oh, I don't like the phrase glitch and the matrix. Yeah,

542
00:28:24,920 --> 00:28:27,960
Speaker 4: it's but it can't be replaced. It just comes out

543
00:28:28,000 --> 00:28:30,880
Speaker 4: of all our of our mouths. Right, everyone knows what

544
00:28:30,920 --> 00:28:33,080
Speaker 4: it means. Yeah, and I'm there I've said.

545
00:28:33,080 --> 00:28:35,880
Speaker 2: But I will say this here in Los Angeles, all

546
00:28:35,880 --> 00:28:37,679
Speaker 2: the actresses kind of do look alike.

547
00:28:39,040 --> 00:28:44,400
Speaker 4: I we just saw someone in their stunt double and

548
00:28:44,440 --> 00:28:46,400
Speaker 4: a dog and a stunt dog, and.

549
00:28:46,360 --> 00:28:48,440
Speaker 2: They got into an argument and they walked away with

550
00:28:48,480 --> 00:28:49,240
Speaker 2: two different dogs.

551
00:28:49,320 --> 00:28:50,080
Speaker 4: Yeah, exactly.

552
00:28:51,040 --> 00:28:53,240
Speaker 2: But I was just going to tell you the thing

553
00:28:53,360 --> 00:28:56,520
Speaker 2: of getting mad at people or like road rage, right,

554
00:28:57,080 --> 00:29:01,040
Speaker 2: I have really bad road rage and like really like

555
00:29:01,360 --> 00:29:06,280
Speaker 2: really bad like not letting people in to punish them

556
00:29:06,360 --> 00:29:08,440
Speaker 2: because they did it wrong and et cetera.

557
00:29:08,600 --> 00:29:10,880
Speaker 4: That's why this is a good podcast. Let's go on.

558
00:29:11,000 --> 00:29:13,640
Speaker 2: It's the lifeblood of this project.

559
00:29:13,720 --> 00:29:13,920
Speaker 4: Yeah.

560
00:29:14,360 --> 00:29:18,320
Speaker 2: But you know when you're drunk that you're drunk, right,

561
00:29:18,400 --> 00:29:20,320
Speaker 2: So then you're like, oh, I fucked all this up

562
00:29:20,320 --> 00:29:22,320
Speaker 2: And you can just take that element out of your

563
00:29:22,800 --> 00:29:25,960
Speaker 2: life with difficulty sometimes, but it can be gone.

564
00:29:26,400 --> 00:29:28,240
Speaker 1: You can't ever get rid of your feelings.

565
00:29:28,560 --> 00:29:34,680
Speaker 4: Yeah. Uh, that's one thing my my reaction with sudden

566
00:29:35,000 --> 00:29:38,480
Speaker 4: anger that I used to think was maybe my brain

567
00:29:39,280 --> 00:29:41,640
Speaker 4: has something wrong with that, maybe I was born with it.

568
00:29:42,360 --> 00:29:45,440
Speaker 4: That was one of the things I realized after not

569
00:29:45,560 --> 00:29:49,040
Speaker 4: drinking for a while, because it kind of just sits there. Yes,

570
00:29:49,120 --> 00:29:52,560
Speaker 4: because it wasn't happening just when I was. Did you

571
00:29:52,640 --> 00:29:57,560
Speaker 4: know ilcohol something known as a depressant. Yes, sometimes depression

572
00:29:58,320 --> 00:29:59,560
Speaker 4: acts out as anger.

573
00:30:00,400 --> 00:30:05,920
Speaker 1: Yes, I think I do know this thing. It took

574
00:30:06,000 --> 00:30:06,440
Speaker 1: you a year.

575
00:30:11,640 --> 00:30:18,080
Speaker 4: Is it very famous place to get Margarita's oh cosa vega? Yep?

576
00:30:18,800 --> 00:30:26,400
Speaker 4: You know it from what movies? Well, something in Hollywood?

577
00:30:27,640 --> 00:30:31,080
Speaker 2: Yeah, I feel like I know it from in the

578
00:30:31,200 --> 00:30:35,320
Speaker 2: days where they were still making the show Friends. I

579
00:30:35,360 --> 00:30:37,880
Speaker 2: always heard the Friends would go there to party after work,

580
00:30:38,560 --> 00:30:41,480
Speaker 2: so there would be people like I took my sister

581
00:30:41,520 --> 00:30:43,360
Speaker 2: there one time when she came to visit me, just

582
00:30:43,440 --> 00:30:46,880
Speaker 2: in case we got to see like Jennifer Aniston in

583
00:30:46,960 --> 00:30:47,800
Speaker 2: the wild.

584
00:30:47,760 --> 00:30:51,680
Speaker 4: So funny and you might laugh in my face. But

585
00:30:51,800 --> 00:30:56,920
Speaker 4: it wasn't until right now that I realized New York

586
00:30:56,960 --> 00:31:00,479
Speaker 4: City and Central Perk and everything was not in I

587
00:31:00,520 --> 00:31:03,720
Speaker 4: thought they were New York actors. Really there's you could

588
00:31:03,760 --> 00:31:09,120
Speaker 4: be a cop show or you know, a soap opera

589
00:31:09,240 --> 00:31:11,760
Speaker 4: or Friends. That's why I thought the New York acting

590
00:31:11,840 --> 00:31:15,560
Speaker 4: jobs were But of course I know Central Perk was honest.

591
00:31:15,720 --> 00:31:18,640
Speaker 4: I even went I saw it on a studio lot once.

592
00:31:18,720 --> 00:31:21,080
Speaker 4: I'm like, oh, there's a friend's coffee.

593
00:31:21,400 --> 00:31:25,080
Speaker 1: But in your mind the reality, yes of it.

594
00:31:25,600 --> 00:31:27,400
Speaker 4: I thought they were New York actors.

595
00:31:27,440 --> 00:31:30,640
Speaker 2: Well, and did you know that Seinfeld was also in?

596
00:31:31,240 --> 00:31:33,600
Speaker 2: Like they've filmed that right down here at Radford.

597
00:31:33,800 --> 00:31:36,840
Speaker 4: It's kind of and I'm admitting that's now also a

598
00:31:36,840 --> 00:31:41,320
Speaker 4: little bit of a surprise even though I knew. I knew,

599
00:31:42,240 --> 00:31:46,600
Speaker 4: but yes, of course, yeah, yeah, well, well I like

600
00:31:46,680 --> 00:31:48,440
Speaker 4: the idea that they all hung out together.

601
00:31:49,360 --> 00:31:53,440
Speaker 1: I know, I think that's very sweet. Yes, but I

602
00:31:53,520 --> 00:31:54,520
Speaker 1: never watched that show.

603
00:31:55,720 --> 00:32:00,720
Speaker 4: No, it didn't. It didn't age well, I feel, yeah,

604
00:32:00,880 --> 00:32:01,880
Speaker 4: a number of reasons.

605
00:32:01,960 --> 00:32:03,640
Speaker 2: I think I just thought I was punk rock and

606
00:32:03,680 --> 00:32:06,520
Speaker 2: I was like, I'd rather watch a black and white film.

607
00:32:07,280 --> 00:32:10,600
Speaker 4: Yeah, for me, I was into it. We would have

608
00:32:10,680 --> 00:32:13,400
Speaker 4: like a friend's night in Bendorg and I lived in

609
00:32:13,440 --> 00:32:17,200
Speaker 4: this house with just snowboarder dudes, and we were way

610
00:32:17,200 --> 00:32:20,160
Speaker 4: into it because it was just on the verge of

611
00:32:20,280 --> 00:32:24,320
Speaker 4: the Ross and Rachel characters getting together. Yeah, and something

612
00:32:24,360 --> 00:32:27,360
Speaker 4: about that was like exciting for us.

613
00:32:27,480 --> 00:32:29,080
Speaker 1: Everybody loves romance.

614
00:32:29,400 --> 00:32:31,280
Speaker 4: I had a picture and I think I've told you

615
00:32:31,360 --> 00:32:36,760
Speaker 4: this of Jennifer Andison on my wall along with Perriet Wheeler. Sundays,

616
00:32:36,800 --> 00:32:40,480
Speaker 4: Oh yeah, too little. I was listening to the Sundays

617
00:32:41,080 --> 00:32:47,880
Speaker 4: just today and I still think you could front a

618
00:32:48,040 --> 00:32:55,040
Speaker 4: Sunday's like band, And I think you have a similar voice.

619
00:32:54,040 --> 00:32:55,760
Speaker 2: And I think you'd be the only person in the

620
00:32:55,800 --> 00:32:57,480
Speaker 2: audience if we if we went.

621
00:32:57,400 --> 00:33:01,400
Speaker 4: Ahead and fly back, Oh no, no, Shgayzy dream pop

622
00:33:01,600 --> 00:33:05,000
Speaker 4: is is still there's a huge following.

623
00:33:05,080 --> 00:33:05,480
Speaker 2: Are you sure?

624
00:33:05,800 --> 00:33:09,440
Speaker 4: And you could you know, you could have a modern twist.

625
00:33:10,520 --> 00:33:14,280
Speaker 2: Just you mean, like update Sunday songs, maybe put like

626
00:33:14,320 --> 00:33:17,040
Speaker 2: a DJ track behind them.

627
00:33:16,840 --> 00:33:20,600
Speaker 4: If you went like today, if the Cocktail Twins I

628
00:33:20,680 --> 00:33:25,360
Speaker 4: put them in the same category, had like a concert,

629
00:33:25,640 --> 00:33:30,320
Speaker 4: it would be more packed than a smash Mouth show.

630
00:33:31,120 --> 00:33:35,120
Speaker 4: Those those audiences stick around. You're right there ready for

631
00:33:35,200 --> 00:33:41,520
Speaker 4: you to do original new Sunday's songs. And I know

632
00:33:41,600 --> 00:33:42,880
Speaker 4: you are and.

633
00:33:45,120 --> 00:33:47,080
Speaker 1: Dev and something like that.

634
00:33:47,240 --> 00:33:51,920
Speaker 4: Yes, but that everyone, that is just Karen's podcast singing voice.

635
00:33:52,040 --> 00:33:54,120
Speaker 4: That to make me feel better.

636
00:33:55,720 --> 00:33:58,120
Speaker 2: I'm doing a character of a voice. I mean, that's

637
00:33:58,160 --> 00:34:01,720
Speaker 2: my character. Maureen Wheeler, Harriet Wheeler's younger sister.

638
00:34:01,880 --> 00:34:08,080
Speaker 4: Yeah yeah, arts and crafts teacher if yeah, but get

639
00:34:08,120 --> 00:34:11,879
Speaker 4: you in the studio with some cans. Sorry, oh boy,

640
00:34:12,000 --> 00:34:14,040
Speaker 4: sorry sir. It was not happy.

641
00:34:14,120 --> 00:34:15,080
Speaker 1: I should have let him go.

642
00:34:15,640 --> 00:34:17,880
Speaker 4: Oh no, think about it. Think about starting a band

643
00:34:18,520 --> 00:34:20,000
Speaker 4: the other way.

644
00:34:22,640 --> 00:34:24,759
Speaker 2: I mean that would it would be super fun I

645
00:34:24,840 --> 00:34:28,640
Speaker 2: feel like, and not comedy just separate.

646
00:34:29,320 --> 00:34:31,799
Speaker 1: Yeah, not a comedy thing. I would not be trying

647
00:34:31,840 --> 00:34:32,440
Speaker 1: to be funny.

648
00:34:32,520 --> 00:34:36,200
Speaker 4: It would be hard to do comedy shoegaz Yes, it

649
00:34:36,239 --> 00:34:38,239
Speaker 4: would be irritating. I think to do that.

650
00:34:38,480 --> 00:34:41,560
Speaker 2: Yes, well, but you know Brian Cook does the show

651
00:34:41,840 --> 00:34:44,960
Speaker 2: where there's he does the cover band.

652
00:34:45,280 --> 00:34:46,719
Speaker 4: Yes, and who did you do?

653
00:34:47,480 --> 00:34:49,840
Speaker 2: I have done on the cover band show the Go Gos.

654
00:34:50,080 --> 00:34:53,680
Speaker 2: I have done PJ Harvey which.

655
00:34:53,440 --> 00:34:54,680
Speaker 4: PJ Harvey song?

656
00:34:54,840 --> 00:34:56,439
Speaker 1: Oh we did?

657
00:34:58,080 --> 00:35:03,439
Speaker 2: No, we did? We did it duet with Nick Cave,

658
00:35:03,719 --> 00:35:09,080
Speaker 2: me and Rick Brandy's boyfriend Rick, the real Nick Cave PJ.

659
00:35:09,200 --> 00:35:12,840
Speaker 2: Harvey did it with the real Nick Cave, Rick Brandy's boyfriend.

660
00:35:12,920 --> 00:35:14,400
Speaker 4: Do you thank you? Okay? Gotcha?

661
00:35:14,520 --> 00:35:20,080
Speaker 2: Gotcham And then we did the song I picked that

662
00:35:20,120 --> 00:35:23,040
Speaker 2: I was really excited about was Kamakazi, which was so

663
00:35:23,239 --> 00:35:27,120
Speaker 2: fucking hard to do because it was in six.

664
00:35:27,320 --> 00:35:30,040
Speaker 1: It was in six eight time, I think they said.

665
00:35:30,040 --> 00:35:35,520
Speaker 2: Which is like like basically for jazz musicians, like very difficult.

666
00:35:35,880 --> 00:35:39,399
Speaker 2: The count in like it goes dun dun dun dun dunk,

667
00:35:39,480 --> 00:35:41,879
Speaker 2: starts over like in this very strange way.

668
00:35:42,120 --> 00:35:44,200
Speaker 4: I can only assume there's a setting on a record

669
00:35:44,280 --> 00:35:48,480
Speaker 4: player just for this. I don't know what you're talking about.

670
00:35:48,560 --> 00:35:48,879
Speaker 4: I don't.

671
00:35:48,880 --> 00:35:52,040
Speaker 2: I just sing karaoke in a band, you know, when

672
00:35:52,040 --> 00:35:54,480
Speaker 2: they say four or four time and that is like

673
00:35:54,640 --> 00:35:56,560
Speaker 2: one two three four one.

674
00:35:56,719 --> 00:35:57,120
Speaker 4: I don't know.

675
00:35:57,120 --> 00:35:59,560
Speaker 2: I'mtually at least could probably explain this way better because

676
00:35:59,560 --> 00:36:01,279
Speaker 2: she yes, yes, so.

677
00:36:02,680 --> 00:36:05,760
Speaker 7: Four four six eight is actually closer to like a waltz.

678
00:36:06,280 --> 00:36:08,680
Speaker 7: It kind of feels, but it's it's in double time,

679
00:36:08,800 --> 00:36:11,279
Speaker 7: so it's like rather than like one two three one

680
00:36:11,400 --> 00:36:14,839
Speaker 7: two three, it's like one two three one two three

681
00:36:14,840 --> 00:36:16,759
Speaker 7: one two, it's like it's six divided by two.

682
00:36:16,880 --> 00:36:18,759
Speaker 2: Yeah, okay, and that's what it was like. It was

683
00:36:18,840 --> 00:36:21,560
Speaker 2: so hard because it's a fast okay, anyway, go ahead.

684
00:36:24,320 --> 00:36:24,680
Speaker 5: Sorry.

685
00:36:24,880 --> 00:36:33,840
Speaker 4: I was like, that's that's it, that's it. Yeah, wow, yeah, Well,

686
00:36:34,440 --> 00:36:39,160
Speaker 4: if I think if there's another chance, I'm sorry getting

687
00:36:39,200 --> 00:36:42,759
Speaker 4: sidetracked by by what I would sing what would make

688
00:36:42,760 --> 00:36:44,680
Speaker 4: it about me? I mean, I want you to do

689
00:36:44,719 --> 00:36:47,600
Speaker 4: Sundays next time. I always knew it today that it's

690
00:36:47,640 --> 00:36:53,440
Speaker 4: still so good, bonded on, and I remember it just

691
00:36:53,520 --> 00:36:58,400
Speaker 4: being a you know, my mom would mail in the

692
00:36:58,480 --> 00:37:02,720
Speaker 4: Columbia Record Club, literally putting a stamp on a piece

693
00:37:02,719 --> 00:37:05,640
Speaker 4: of paper. It's such a vague memory.

694
00:37:05,719 --> 00:37:08,200
Speaker 1: But what about taping a penny?

695
00:37:09,360 --> 00:37:11,960
Speaker 2: Right, remember that where they're like, for just a penny,

696
00:37:11,960 --> 00:37:13,560
Speaker 2: you can have all these things. And then it's like,

697
00:37:13,600 --> 00:37:16,640
Speaker 2: so you tape a penny to a postcard and send

698
00:37:16,640 --> 00:37:20,640
Speaker 2: it in and then you're supposed to get twenty cassette

699
00:37:20,680 --> 00:37:24,560
Speaker 2: tapes or however many they promised, But of course it

700
00:37:24,640 --> 00:37:26,799
Speaker 2: wasn't just a penny. Then you had to start paying them.

701
00:37:26,800 --> 00:37:28,839
Speaker 2: It was like a subscription cassette tape.

702
00:37:29,160 --> 00:37:32,400
Speaker 4: Yes, it was something my mom fell for and I

703
00:37:33,760 --> 00:37:37,399
Speaker 4: kind of reaped the benefits. But I remember ordering It's

704
00:37:37,440 --> 00:37:41,680
Speaker 4: one of my first CDs, like and you pay with

705
00:37:41,840 --> 00:37:45,360
Speaker 4: like Sonic Youth and some you know, Chili Peppers or

706
00:37:45,440 --> 00:37:49,640
Speaker 4: something I don't listen to at all anymore. Sundays I randomly,

707
00:37:50,320 --> 00:37:53,000
Speaker 4: I didn't know much about it. It was in the alternative

708
00:37:53,080 --> 00:37:56,880
Speaker 4: section and I was immediately mesmerized, and it kind of

709
00:37:56,960 --> 00:38:01,719
Speaker 4: set the tone for all the music I would secretly like,

710
00:38:01,880 --> 00:38:06,200
Speaker 4: without telling all my skater dude friends, you totally talk

711
00:38:06,360 --> 00:38:09,360
Speaker 4: like this. I love the new Sepultura.

712
00:38:10,600 --> 00:38:13,440
Speaker 2: I like the first time I tried to talk to

713
00:38:13,480 --> 00:38:17,719
Speaker 2: Brian Posain about that band, I was like, have you

714
00:38:17,760 --> 00:38:21,040
Speaker 2: ever seen Sepultra live? And he was like, Sepultura. He

715
00:38:21,120 --> 00:38:23,960
Speaker 2: got so mad. Yeah, yeah, it was hilarious.

716
00:38:24,000 --> 00:38:26,040
Speaker 1: But I'm like, I've only ever read it. I've never

717
00:38:26,120 --> 00:38:26,520
Speaker 1: talked to.

718
00:38:26,480 --> 00:38:28,960
Speaker 4: An actual fan, right, Yeah, it.

719
00:38:30,360 --> 00:38:35,239
Speaker 2: Sounds like somebody mispronouncing it. It does Supultra maybe, and

720
00:38:35,280 --> 00:38:36,200
Speaker 2: I was just basing that on.

721
00:38:36,640 --> 00:38:43,520
Speaker 4: It's a very Los Angeles yeah reaction to Sepultura. When

722
00:38:43,680 --> 00:38:46,719
Speaker 4: I moved here, of course because of that band, I

723
00:38:46,800 --> 00:38:51,120
Speaker 4: called it Sepulveda. Yeah the street and then Henry Henry

724
00:38:51,160 --> 00:38:53,680
Speaker 4: Phillips laughed in my face, and.

725
00:38:53,600 --> 00:38:55,800
Speaker 1: Then you did it on stage.

726
00:38:55,920 --> 00:38:58,000
Speaker 4: And then we became such good friends that I used

727
00:38:58,040 --> 00:39:00,600
Speaker 4: to sleep over at his house and had my own

728
00:39:00,640 --> 00:39:05,440
Speaker 4: Futon mattress under his bed. We would watch YouTube videos

729
00:39:05,480 --> 00:39:08,520
Speaker 4: into the night. Alcohol was a big part of it,

730
00:39:08,960 --> 00:39:16,520
Speaker 4: and it all started with him correcting my pronunciation of yeah,

731
00:39:16,600 --> 00:39:19,080
Speaker 4: I only knew Sepulter because I had a friend who

732
00:39:19,640 --> 00:39:22,400
Speaker 4: would a skater friend who listened. He had two cassette

733
00:39:22,400 --> 00:39:24,840
Speaker 4: tapes and that was one of them, and I listened

734
00:39:24,880 --> 00:39:27,440
Speaker 4: to it so often that I kind of got into it.

735
00:39:27,760 --> 00:39:31,560
Speaker 4: And the other one was It's Mooth Operator.

736
00:39:32,200 --> 00:39:32,359
Speaker 5: Uh.

737
00:39:32,800 --> 00:39:37,320
Speaker 4: No, it was another metal band which I can't.

738
00:39:37,080 --> 00:39:38,280
Speaker 1: Remember, Minor Threat.

739
00:39:39,040 --> 00:39:49,920
Speaker 4: Uh that's that's hardcore. Oh the Anthrax is, Yes, it is. Yes,

740
00:39:49,960 --> 00:39:51,680
Speaker 4: it's great that you brought that up, because that's a

741
00:39:51,719 --> 00:39:54,600
Speaker 4: perfect combination. I would call that hardcore new metal or

742
00:39:54,640 --> 00:40:00,800
Speaker 4: not new metal. That's like wrapping. That's Liam Biscuit went away.

743
00:40:00,960 --> 00:40:04,919
Speaker 8: Yeah, new metal was in you metal? Right, it's it's yes,

744
00:40:06,160 --> 00:40:11,600
Speaker 8: worst case scenario. Oh man, what band would you want

745
00:40:11,880 --> 00:40:14,680
Speaker 8: to cover for a.

746
00:40:14,640 --> 00:40:15,279
Speaker 1: Show like that?

747
00:40:15,440 --> 00:40:19,440
Speaker 4: It's funny because I there are some Fishbone songs that

748
00:40:19,640 --> 00:40:24,040
Speaker 4: I can very much nail and in a way that

749
00:40:24,200 --> 00:40:27,239
Speaker 4: people maybe don't expect until it hits a certain note.

750
00:40:27,280 --> 00:40:31,879
Speaker 4: But we'll changed the song a little sure. And there

751
00:40:32,040 --> 00:40:35,920
Speaker 4: was a night where Angelo Moore was part of that show.

752
00:40:36,280 --> 00:40:40,640
Speaker 4: Oh right, yeah, and I was on it but couldn't

753
00:40:40,760 --> 00:40:46,120
Speaker 4: do it because of a road gig, And I to

754
00:40:46,200 --> 00:40:50,960
Speaker 4: this day will I for days to come I almost

755
00:40:50,960 --> 00:40:53,840
Speaker 4: wanted to tell Angelo Moore when I saw him in

756
00:40:53,920 --> 00:40:58,719
Speaker 4: the Costco parking lot in you know, going He was

757
00:40:58,800 --> 00:41:01,279
Speaker 4: just going into a chase band and I skated by

758
00:41:01,320 --> 00:41:03,279
Speaker 4: him and I'm like, I'm a big fan of who

759
00:41:03,320 --> 00:41:07,520
Speaker 4: you are, and he just smiled.

760
00:41:07,120 --> 00:41:09,960
Speaker 2: And said get out of here, and has.

761
00:41:09,800 --> 00:41:13,479
Speaker 4: The exact same face as he did many many years ago.

762
00:41:13,880 --> 00:41:18,759
Speaker 4: He just looks the same. But I also have all

763
00:41:18,800 --> 00:41:22,479
Speaker 4: these songs that I've been singing with that band, whether

764
00:41:22,560 --> 00:41:24,560
Speaker 4: or not we do that again. I got pretty good

765
00:41:24,560 --> 00:41:26,920
Speaker 4: at some of those songs. Yeah, so I could do

766
00:41:27,080 --> 00:41:31,040
Speaker 4: Dinosaur Junior or Descendants, but that doesn't really say who

767
00:41:31,040 --> 00:41:34,080
Speaker 4: I am. I would rather do a Sunday song in

768
00:41:34,120 --> 00:41:37,480
Speaker 4: your voice. That's what I want to sing. It's so

769
00:41:37,560 --> 00:41:41,120
Speaker 4: funny when you're a kid and first listening to music,

770
00:41:41,320 --> 00:41:44,759
Speaker 4: Like when i'd listened to like orchestral maneuvers in the

771
00:41:44,880 --> 00:41:48,959
Speaker 4: Dark or dirty Rotten Imbeciles, whatever it was, I would

772
00:41:49,000 --> 00:41:54,719
Speaker 4: imagine my stay and yeah, OMD D tm I. But

773
00:41:54,840 --> 00:41:57,040
Speaker 4: I kept it. You know, my friends were listening to

774
00:41:57,280 --> 00:42:00,440
Speaker 4: Poison and bon Jovi, so I had my fringe music

775
00:42:00,640 --> 00:42:03,120
Speaker 4: a secret. Turns out this whole time I was right,

776
00:42:03,239 --> 00:42:04,080
Speaker 4: you were wrong.

777
00:42:04,480 --> 00:42:08,800
Speaker 2: I kind of feel that when like so much of

778
00:42:09,480 --> 00:42:13,240
Speaker 2: the eighties music that I loved is still being played,

779
00:42:13,280 --> 00:42:16,319
Speaker 2: like truly The Cure, the idea that like boys Don't

780
00:42:16,320 --> 00:42:20,680
Speaker 2: Cry gets played on like if you're in CBS, those

781
00:42:20,719 --> 00:42:22,480
Speaker 2: are the songs that come up where I'm like, this

782
00:42:22,680 --> 00:42:23,560
Speaker 2: is strange to me.

783
00:42:23,880 --> 00:42:26,400
Speaker 1: Yeah, this was alternative music in the eighties.

784
00:42:26,560 --> 00:42:30,000
Speaker 2: You had to like hunt around to the special FM

785
00:42:30,080 --> 00:42:31,319
Speaker 2: radio station that had it.

786
00:42:31,760 --> 00:42:34,239
Speaker 1: Yeah, and like now it's like here this is what

787
00:42:34,280 --> 00:42:35,000
Speaker 1: everyone likes.

788
00:42:35,239 --> 00:42:40,160
Speaker 4: Yeah, it's it's I can't explain it sometimes, like like

789
00:42:40,280 --> 00:42:46,640
Speaker 4: Morrissey's popularity with Latino crowds, like there's it's just awesome.

790
00:42:46,800 --> 00:42:49,440
Speaker 4: And I don't know why, because when I listen to

791
00:42:49,520 --> 00:42:51,680
Speaker 4: The Cure, people made fun of it because he had

792
00:42:51,880 --> 00:42:54,000
Speaker 4: his voice was different and they weren't ready for it

793
00:42:54,120 --> 00:42:58,399
Speaker 4: or it was too a lipstick. Yeah, yes, and and

794
00:42:59,560 --> 00:43:01,560
Speaker 4: but I would pretend to be him when I'd sing

795
00:43:01,600 --> 00:43:06,399
Speaker 4: those songs. Well, I'm going to ask to do that.

796
00:43:06,440 --> 00:43:10,000
Speaker 4: Show you shouldn't because it's fun to do.

797
00:43:10,560 --> 00:43:13,480
Speaker 2: It's kind of cool because drummers kind of have no

798
00:43:13,600 --> 00:43:16,560
Speaker 2: choice but to be loud. Like I remember somebody playing

799
00:43:16,640 --> 00:43:20,680
Speaker 2: us playing like a quiet song at something sometime and

800
00:43:20,719 --> 00:43:23,319
Speaker 2: my friends are really good drummers. Like I'm trying to

801
00:43:23,320 --> 00:43:24,280
Speaker 2: be as quiet as possible.

802
00:43:24,360 --> 00:43:28,320
Speaker 4: Right our drummer, his arms are the size of my legs.

803
00:43:28,840 --> 00:43:31,880
Speaker 4: He does not work out as far as I know,

804
00:43:32,040 --> 00:43:35,359
Speaker 4: and since cology has gotten more and more muscular, so

805
00:43:35,400 --> 00:43:39,960
Speaker 4: he has no choice. Yeah, he can't not be strong.

806
00:43:40,080 --> 00:43:43,400
Speaker 2: He has to shred, he has to rip it up.

807
00:43:43,560 --> 00:43:46,239
Speaker 4: Yes, because that's what his arms are doing on their own,

808
00:43:46,520 --> 00:43:47,680
Speaker 4: scredden and rip it.

809
00:43:47,680 --> 00:43:48,520
Speaker 2: It's pretty cool.

810
00:43:49,040 --> 00:43:51,240
Speaker 4: Yeah, to have big musclely arms.

811
00:43:51,680 --> 00:43:55,320
Speaker 1: Yeah, I know, and have gotten them from rhythm.

812
00:43:55,680 --> 00:43:59,680
Speaker 4: Yes, yes, there's no story. I love muscles with no

813
00:43:59,719 --> 00:44:00,440
Speaker 4: back story.

814
00:44:00,560 --> 00:44:02,880
Speaker 2: I mean just like, Oh, it's because I work at

815
00:44:02,920 --> 00:44:03,600
Speaker 2: the junkyard.

816
00:44:03,800 --> 00:44:08,960
Speaker 4: Yes, these old abs. Welcome back to these old abs,

817
00:44:09,080 --> 00:44:13,640
Speaker 4: these old abs. Today we're going to talk about a

818
00:44:13,680 --> 00:44:20,120
Speaker 4: garbage man. A garbage boy really appears to be eighteen

819
00:44:20,239 --> 00:44:24,520
Speaker 4: or nineteen in my area in Echo Park. I've seen

820
00:44:24,560 --> 00:44:33,680
Speaker 4: him multiple times because very handsome, very in shape, has

821
00:44:33,880 --> 00:44:37,360
Speaker 4: a like horn, rim glasses and a nice neat haircut,

822
00:44:38,000 --> 00:44:41,560
Speaker 4: a perfectly white shirt with no spots on it, tucked

823
00:44:41,600 --> 00:44:46,919
Speaker 4: in and just car hearts. It looks like it does

824
00:44:46,960 --> 00:44:52,480
Speaker 4: not work for the city, but it it's just a

825
00:44:52,560 --> 00:44:57,520
Speaker 4: very unlikely garbage man, mainly mainly because he's super clean cut.

826
00:44:58,880 --> 00:45:01,480
Speaker 4: And then I yeah, I'm just every time I'm like,

827
00:45:01,600 --> 00:45:04,960
Speaker 4: why is that young? Does not seem old enough to

828
00:45:05,000 --> 00:45:08,920
Speaker 4: even have a job. And I'm not exaggerating, I'm painting

829
00:45:09,000 --> 00:45:14,920
Speaker 4: the exact picture this kid. So explain that. Explain those

830
00:45:15,000 --> 00:45:16,360
Speaker 4: muscles also muscular.

831
00:45:16,680 --> 00:45:19,040
Speaker 2: So wait, he's and you've seen him in the act

832
00:45:19,040 --> 00:45:19,799
Speaker 2: of doing the job.

833
00:45:19,960 --> 00:45:24,680
Speaker 4: Yeah, he's a garbage truck guy. He's taken the cansies.

834
00:45:25,120 --> 00:45:27,160
Speaker 1: Well, i'll tell you. I'll tell you exactly what's going

835
00:45:27,160 --> 00:45:27,560
Speaker 1: on there.

836
00:45:27,640 --> 00:45:31,560
Speaker 5: It's a good job with benefits, and he has OCD

837
00:45:31,840 --> 00:45:36,200
Speaker 5: so he cannot stop tide penning that shirt because he's

838
00:45:36,239 --> 00:45:38,040
Speaker 5: handling garbage left, right and center.

839
00:45:38,200 --> 00:45:41,360
Speaker 4: You know what I was thinking, maybe is the smell,

840
00:45:41,440 --> 00:45:45,200
Speaker 4: which would bother most of us. It's the reason I

841
00:45:45,200 --> 00:45:46,640
Speaker 4: don't do the job, the only reason.

842
00:45:46,719 --> 00:45:47,560
Speaker 1: That's the only reason.

843
00:45:47,719 --> 00:45:50,560
Speaker 4: Yes, but fluids, everything that's in there, we don't even

844
00:45:50,600 --> 00:45:52,560
Speaker 4: want to talk about it, diapers, I could go on

845
00:45:52,640 --> 00:45:52,960
Speaker 4: and on.

846
00:45:53,040 --> 00:45:55,200
Speaker 1: Yeah, you don't need to name items of garbage.

847
00:45:55,560 --> 00:46:02,200
Speaker 4: Vomit snot bags of snot sanitary napkin used and old

848
00:46:02,239 --> 00:46:03,080
Speaker 4: and new.

849
00:46:04,120 --> 00:46:06,160
Speaker 2: Where did the bag of snock come from. Just tell

850
00:46:06,200 --> 00:46:09,040
Speaker 2: me really quick who did that?

851
00:46:09,160 --> 00:46:12,759
Speaker 4: And how you hanging up to keep bugs away during

852
00:46:12,800 --> 00:46:16,440
Speaker 4: a picnic? So this kid who filled.

853
00:46:16,120 --> 00:46:18,239
Speaker 1: It, how did you fill it? How long did it

854
00:46:18,360 --> 00:46:19,000
Speaker 1: take to fill?

855
00:46:19,239 --> 00:46:24,480
Speaker 4: Man? Old man mucus to the neighbor keeps the bugs away.

856
00:46:25,960 --> 00:46:29,759
Speaker 4: But I was thinking maybe this kid had COVID and

857
00:46:29,880 --> 00:46:32,480
Speaker 4: still hasn't got a sense of smellback. And he's like,

858
00:46:32,560 --> 00:46:35,160
Speaker 4: might as well take advantage of it because he does

859
00:46:35,239 --> 00:46:39,000
Speaker 4: not even WinCE. I've seen him deal with unspeakable things.

860
00:46:39,239 --> 00:46:42,759
Speaker 4: I know it seems like I'm spying on this. I

861
00:46:42,800 --> 00:46:46,200
Speaker 4: always drive down the road and he's working. The garbage

862
00:46:46,239 --> 00:46:48,920
Speaker 4: cans are in the streets. They're not in the alleys.

863
00:46:48,960 --> 00:46:50,960
Speaker 4: I'm not lurking in my alley. I know that's what

864
00:46:51,000 --> 00:46:53,799
Speaker 4: you're thinking. Well, this is out in the open. He

865
00:46:53,880 --> 00:46:55,959
Speaker 4: gets out of the truck a lot because he cares

866
00:46:56,000 --> 00:46:59,359
Speaker 4: about his job. He's making sure everything's secure. He's doing

867
00:46:59,400 --> 00:47:01,600
Speaker 4: a lot. You know how you see a lot of

868
00:47:01,640 --> 00:47:08,600
Speaker 4: garbage folks that are really rely on the mechanical arms

869
00:47:08,640 --> 00:47:11,920
Speaker 4: and they just shake it. There's like sure cleanex or something,

870
00:47:12,800 --> 00:47:15,480
Speaker 4: and it won't come loose, and they're just jiggling and

871
00:47:15,760 --> 00:47:18,080
Speaker 4: the and the can is cracking, why.

872
00:47:17,920 --> 00:47:18,759
Speaker 2: Not go back to the bag?

873
00:47:18,800 --> 00:47:21,440
Speaker 1: It's not that's that's you know.

874
00:47:25,480 --> 00:47:27,759
Speaker 4: It was. I knew it, and I let it pass by.

875
00:47:27,920 --> 00:47:31,520
Speaker 4: I knew it was a perfect not bad called back situation.

876
00:47:31,960 --> 00:47:34,879
Speaker 2: When you have the opportunity to do this not bad

877
00:47:34,960 --> 00:47:37,240
Speaker 2: callback and you're not gonna do it if.

878
00:47:37,080 --> 00:47:40,920
Speaker 4: It's so obvious, you know, I'm gonna go single cleanex

879
00:47:43,760 --> 00:47:45,799
Speaker 4: But yeah, a lot of these guys are just shake it.

880
00:47:45,880 --> 00:47:50,120
Speaker 4: Like you'll see trash bins sometimes just shattered to pieces

881
00:47:50,880 --> 00:47:53,120
Speaker 4: because someone doesn't want to get out of the truck

882
00:47:53,560 --> 00:47:58,640
Speaker 4: and to make an adjustment. And I'm not pointing fingers here.

883
00:47:58,560 --> 00:48:02,920
Speaker 2: Although I find that in memory of seeing garbage men

884
00:48:03,000 --> 00:48:05,320
Speaker 2: in New York City, they're always out of the truck.

885
00:48:06,160 --> 00:48:06,319
Speaker 4: LA.

886
00:48:06,480 --> 00:48:08,840
Speaker 2: It's so la of LA garbage men to be like,

887
00:48:08,880 --> 00:48:11,000
Speaker 2: we can handle this from inside the truck, which I

888
00:48:11,000 --> 00:48:15,560
Speaker 2: believe they can. I've never seen my garbage man out

889
00:48:15,600 --> 00:48:16,120
Speaker 2: of the truck.

890
00:48:16,320 --> 00:48:18,200
Speaker 4: Yeah, it's no one walks in LA.

891
00:48:18,480 --> 00:48:18,840
Speaker 1: Yeah.

892
00:48:18,960 --> 00:48:21,920
Speaker 4: Yeah, stay in the cars. Not this kid.

893
00:48:22,120 --> 00:48:25,919
Speaker 2: No, he's out about. Here's the other thing. He might

894
00:48:26,000 --> 00:48:28,920
Speaker 2: not be a garbage man. He might love garbage and

895
00:48:28,960 --> 00:48:30,080
Speaker 2: he's just hanging.

896
00:48:29,840 --> 00:48:31,680
Speaker 4: Out and they let him drive the truck.

897
00:48:32,239 --> 00:48:33,279
Speaker 1: Oh you've seen him driving.

898
00:48:33,600 --> 00:48:36,960
Speaker 4: God, he's a guy. He's getting out, he's focused.

899
00:48:36,520 --> 00:48:38,640
Speaker 2: He's like, he's the only he looks.

900
00:48:38,440 --> 00:48:42,000
Speaker 4: Like Connor McNutt. Do you know that he's a comic

901
00:48:42,280 --> 00:48:48,200
Speaker 4: with a that is also surprisingly muscly, and he's a

902
00:48:48,280 --> 00:48:51,520
Speaker 4: skater comic that moved to New York and just came back.

903
00:48:51,560 --> 00:48:55,840
Speaker 4: He's he's a funny Okay, this guy looks like Connor

904
00:48:55,880 --> 00:48:58,879
Speaker 4: of your listening, you got got a trash man doppelganger

905
00:48:59,840 --> 00:49:02,480
Speaker 4: and I it's it's one of those things where it's

906
00:49:02,520 --> 00:49:05,040
Speaker 4: like when you see a young who was that famous

907
00:49:05,160 --> 00:49:13,279
Speaker 4: kid that was a bodybuilder mister Oh, he was a

908
00:49:13,360 --> 00:49:19,319
Speaker 4: tiny boy in the nineties that was like the strongest boy.

909
00:49:19,440 --> 00:49:26,880
Speaker 4: It was after the Strongest Boy, little mister Universe or something.

910
00:49:26,960 --> 00:49:30,520
Speaker 4: He was like and his dad was like abusively, it

911
00:49:30,640 --> 00:49:32,359
Speaker 4: was like go to the GM every day. And then

912
00:49:32,440 --> 00:49:36,080
Speaker 4: later he became a normal boy and quit working out Pinocchio.

913
00:49:36,520 --> 00:49:43,239
Speaker 9: He his dad molded him to be muscular and then

914
00:49:43,680 --> 00:49:47,200
Speaker 9: he stopped lying and God gotsoft.

915
00:49:47,400 --> 00:49:50,480
Speaker 2: So he was kind of like, uh, I see what

916
00:49:50,520 --> 00:49:53,520
Speaker 2: you mean. Like it was on a bunch of human interest,

917
00:49:53,880 --> 00:49:57,160
Speaker 2: like real people type stories of like this next child

918
00:49:57,239 --> 00:49:59,560
Speaker 2: is loves weightlifting. And then it turned out he was

919
00:49:59,600 --> 00:50:01,160
Speaker 2: being four every day.

920
00:50:01,080 --> 00:50:04,400
Speaker 4: And you could tell he was. But that wasn't the story, No,

921
00:50:04,800 --> 00:50:07,839
Speaker 4: of course, it was like, look how muscular he is

922
00:50:07,840 --> 00:50:11,080
Speaker 4: for a kid. That's this garbage boy from my neighborhood.

923
00:50:11,080 --> 00:50:12,600
Speaker 1: He's grown up to be a garbage man.

924
00:50:12,800 --> 00:50:18,040
Speaker 4: It doesn't fit his age or face that he's this strong.

925
00:50:18,280 --> 00:50:21,000
Speaker 2: Since you're already stalking him, why not take a picture

926
00:50:21,040 --> 00:50:21,440
Speaker 2: next to him.

927
00:50:21,520 --> 00:50:24,440
Speaker 4: He's out in the streets. And okay, I'll show you

928
00:50:24,480 --> 00:50:28,000
Speaker 4: the already existing photos on my phone. I just want

929
00:50:28,040 --> 00:50:29,560
Speaker 4: you to know I'm not in an alley.

930
00:50:31,000 --> 00:50:32,400
Speaker 2: This is from your roof.

931
00:50:32,680 --> 00:50:32,920
Speaker 7: M h.

932
00:50:33,640 --> 00:50:37,720
Speaker 4: Laying yes, flat down on a blanket like a sniper.

933
00:50:37,400 --> 00:50:39,120
Speaker 1: With a telephoto lens.

934
00:50:39,280 --> 00:50:48,560
Speaker 4: Yes. Great, I'm like Michael Fastbender in that movie We're Yeah,

935
00:50:48,600 --> 00:50:52,560
Speaker 4: he's a sniper, a killer. I think it's called Killer. Oh.

936
00:50:52,640 --> 00:50:55,040
Speaker 4: I tried to watch that, except I'm just trying to

937
00:50:55,080 --> 00:51:01,120
Speaker 4: take killer photos of the garbage boy. I got my tripod,

938
00:51:01,239 --> 00:51:02,240
Speaker 4: my blanket.

939
00:51:02,520 --> 00:51:05,760
Speaker 2: Oh, so you like him, young, I didn't know I'm

940
00:51:06,760 --> 00:51:09,960
Speaker 2: I did this is I just am surprised.

941
00:51:11,360 --> 00:51:15,320
Speaker 4: I am there. I have no ill will or ulterior motives.

942
00:51:16,120 --> 00:51:18,919
Speaker 4: He's just the most interesting garbage man I've every se.

943
00:51:20,920 --> 00:51:24,400
Speaker 2: Could it be just purely his youth making his shirt

944
00:51:24,400 --> 00:51:26,960
Speaker 2: look so clean? And really you're just kind of like, oh,

945
00:51:27,040 --> 00:51:27,839
Speaker 2: the beauty of youth.

946
00:51:28,120 --> 00:51:32,120
Speaker 4: Every time I've seen him, I'm like, wow, how is

947
00:51:32,120 --> 00:51:36,200
Speaker 4: that shirt so white? Why is it tucked in? Why?

948
00:51:36,239 --> 00:51:39,640
Speaker 4: He's got everything about him is clean and proper, And

949
00:51:39,680 --> 00:51:41,960
Speaker 4: he's like, and he does it on purpose because he's like,

950
00:51:43,160 --> 00:51:45,239
Speaker 4: this is a dirty job, but I'm going to do

951
00:51:45,280 --> 00:51:48,279
Speaker 4: it in a you know, in a clean way, in

952
00:51:48,320 --> 00:51:52,120
Speaker 4: a clean, mister Clean way. He's basically dressed like mister Clean,

953
00:51:53,800 --> 00:51:56,560
Speaker 4: except I've yet to see him in white pants.

954
00:51:56,239 --> 00:52:01,080
Speaker 1: But I you know, and is he muscular like mister Clean? Yes, okay,

955
00:52:01,120 --> 00:52:02,800
Speaker 1: but he's young, he's.

956
00:52:03,000 --> 00:52:05,680
Speaker 4: See now you're starting to see the pictures. Yes, I

957
00:52:06,239 --> 00:52:09,800
Speaker 4: wish I had these photos on hand. They're at the developers.

958
00:52:10,760 --> 00:52:12,919
Speaker 1: Well, how about the portrait you're painting of him?

959
00:52:14,600 --> 00:52:17,680
Speaker 4: He won't stand still long enough. He works so hard.

960
00:52:18,960 --> 00:52:20,440
Speaker 1: Don't go all the way out into the traffic to

961
00:52:20,480 --> 00:52:21,080
Speaker 1: prove a point.

962
00:52:21,480 --> 00:52:24,040
Speaker 4: I'm sorry, yeah, sorry, I'm on the hood.

963
00:52:24,320 --> 00:52:24,720
Speaker 2: Sorry.

964
00:52:24,880 --> 00:52:26,400
Speaker 1: He's also smoking a big joint.

965
00:52:26,800 --> 00:52:30,680
Speaker 4: He is smoking a big joint, big old joint. Yeah, Oh,

966
00:52:30,719 --> 00:52:33,120
Speaker 4: this guy's gonna be key wonting to make people get

967
00:52:33,440 --> 00:52:37,279
Speaker 4: he's a suit. Oh that was a joint. Some of

968
00:52:37,280 --> 00:52:44,520
Speaker 4: that's un into the car everybody. Wow. Oh whoops, Okay,

969
00:52:44,680 --> 00:52:45,200
Speaker 4: it happens.

970
00:52:45,320 --> 00:52:51,680
Speaker 2: Your dog's in there, fucking weirdo. I am sorry that

971
00:52:51,680 --> 00:52:55,600
Speaker 2: that one I don't like. How about leave your dogs alone?

972
00:52:55,840 --> 00:52:56,400
Speaker 1: How about that?

973
00:52:57,239 --> 00:52:58,600
Speaker 4: Well, leave them alone.

974
00:52:58,800 --> 00:53:01,359
Speaker 2: They don't want to wear a little, they don't want

975
00:53:01,400 --> 00:53:03,560
Speaker 2: to go with you. They don't want.

976
00:53:03,400 --> 00:53:09,759
Speaker 4: To be baby. Ye that's not And normally you walk

977
00:53:09,840 --> 00:53:14,160
Speaker 4: dogs so they can get exercise. And that's just a

978
00:53:14,239 --> 00:53:17,240
Speaker 4: dog and a bonnet. It's cause playing as a baby

979
00:53:17,280 --> 00:53:20,840
Speaker 4: for you, so that people come and go you and

980
00:53:20,880 --> 00:53:22,919
Speaker 4: they're like, what a beautiful baby, and then they get

981
00:53:22,920 --> 00:53:28,759
Speaker 4: bit that's kind of baby at all?

982
00:53:29,760 --> 00:53:33,440
Speaker 1: Your baby bit me, ma'am.

983
00:53:33,719 --> 00:53:36,319
Speaker 4: Well, anyway, I hope I didn't talk too long about that, kid.

984
00:53:36,680 --> 00:53:37,520
Speaker 2: No, I liked it.

985
00:53:37,920 --> 00:53:42,600
Speaker 4: Okay, good, it's interesting. I just I will keep driving

986
00:53:42,640 --> 00:53:45,520
Speaker 4: something home until you jump on board. I've kind of

987
00:53:45,560 --> 00:53:46,120
Speaker 4: I've done that.

988
00:53:46,280 --> 00:53:47,640
Speaker 1: Exhausted you brought me around.

989
00:53:47,680 --> 00:53:49,640
Speaker 2: No, you really did well. Because I think I needed

990
00:53:49,680 --> 00:53:54,040
Speaker 2: a better description. I let go early of the weightlifting

991
00:53:54,120 --> 00:53:56,799
Speaker 2: thing because of the clean shirts right right, and it

992
00:53:57,120 --> 00:53:58,920
Speaker 2: took over and then I was seeing him as kind

993
00:53:58,920 --> 00:53:59,879
Speaker 2: of a lanky.

994
00:54:00,200 --> 00:54:05,960
Speaker 4: Imagine a kid that is doing selfie fitness.

995
00:54:06,080 --> 00:54:08,360
Speaker 9: You know a lot of people tell you need to

996
00:54:08,360 --> 00:54:10,160
Speaker 9: eat low fat to get abs.

997
00:54:10,320 --> 00:54:15,520
Speaker 4: That's not true. Relicorp produces belly fat, and that order

998
00:54:15,600 --> 00:54:17,640
Speaker 4: my plant. He seems like that kid.

999
00:54:17,920 --> 00:54:19,720
Speaker 1: The kid that's selling belly fat.

1000
00:54:19,840 --> 00:54:22,799
Speaker 4: He's a fool by the bag. It's either that or

1001
00:54:22,840 --> 00:54:28,400
Speaker 4: a bushel. It's not he's oh got that, uh yeah,

1002
00:54:28,719 --> 00:54:34,600
Speaker 4: to be a garbage man behind a liposuction clinic. Oh sorry, Anyway,

1003
00:54:34,800 --> 00:54:38,120
Speaker 4: The point is, I know we'll have that stricken from

1004
00:54:38,200 --> 00:54:43,239
Speaker 4: the record. It just doesn't It's very unlikely.

1005
00:54:43,520 --> 00:54:46,080
Speaker 2: Yeah, it is for sure. I think I've told you

1006
00:54:46,120 --> 00:54:50,000
Speaker 2: about my my garbage man, who I like to get

1007
00:54:50,040 --> 00:54:53,240
Speaker 2: up in the morning and walk my dogs looking about

1008
00:54:53,280 --> 00:54:57,879
Speaker 2: as disheveled as I possibly can, like truly insane, hair,

1009
00:54:58,080 --> 00:55:03,640
Speaker 2: often unwashed, never put anything on my face, crazy glasses, whatever,

1010
00:55:04,280 --> 00:55:10,719
Speaker 2: dirty clothes, the old nine yards. And there's a the

1011
00:55:11,160 --> 00:55:14,439
Speaker 2: garbage man that I've seen on my street will give

1012
00:55:14,480 --> 00:55:18,440
Speaker 2: me the like Heidi Hoe tip of the hat, and

1013
00:55:18,480 --> 00:55:22,280
Speaker 2: it's so thrilling where it's like truly at this discuss

1014
00:55:22,360 --> 00:55:25,799
Speaker 2: like crusty eyed moment in my life. You're going to

1015
00:55:25,800 --> 00:55:27,759
Speaker 2: be like, hey girl, I see you. It's just like that.

1016
00:55:27,880 --> 00:55:29,040
Speaker 4: It's like your time in Italy.

1017
00:55:29,480 --> 00:55:32,000
Speaker 1: Really it really is, it really is.

1018
00:55:32,320 --> 00:55:32,920
Speaker 4: Yeah.

1019
00:55:33,000 --> 00:55:34,560
Speaker 2: It makes me want to kind of go out and

1020
00:55:34,600 --> 00:55:36,320
Speaker 2: be in the streets when the garbage comes.

1021
00:55:36,600 --> 00:55:40,919
Speaker 4: Yeah. It's funny because every time I've said garbage man,

1022
00:55:41,280 --> 00:55:45,640
Speaker 4: I feel like I'm saying out of date. I'm like,

1023
00:55:45,800 --> 00:55:48,520
Speaker 4: I've said it with hesitation, like garbage tech is what

1024
00:55:48,560 --> 00:55:51,560
Speaker 4: we're supposed to. Yeah, I know that we're being inappropriate,

1025
00:55:52,120 --> 00:55:56,080
Speaker 4: but I feel like, but garbage boy, that's isn't that

1026
00:55:56,160 --> 00:55:56,640
Speaker 4: thing yet?

1027
00:55:56,800 --> 00:56:00,760
Speaker 2: No, that's that hasn't started. No, but it's all ready illegal.

1028
00:56:01,000 --> 00:56:05,799
Speaker 4: Yes, garbage boy, I expose in certain places there are

1029
00:56:05,880 --> 00:56:06,799
Speaker 4: laws against it.

1030
00:56:07,239 --> 00:56:13,239
Speaker 2: What is that woman doing, ma'am? Just being cautious, just

1031
00:56:13,920 --> 00:56:18,200
Speaker 2: cautious by staying in the intersection, y yep, good.

1032
00:56:18,200 --> 00:56:22,160
Speaker 4: Lo oh, it's the design of that. It's always because

1033
00:56:22,200 --> 00:56:23,160
Speaker 4: of this parking lot.

1034
00:56:23,800 --> 00:56:26,799
Speaker 1: So definitely come to a full stop and just hang out.

1035
00:56:26,960 --> 00:56:29,320
Speaker 4: I'm sorry, but that parking lot has so much blood

1036
00:56:29,360 --> 00:56:29,919
Speaker 4: on its hands.

1037
00:56:30,239 --> 00:56:31,600
Speaker 1: I mean, that parking lot isn't sane.

1038
00:56:31,640 --> 00:56:33,040
Speaker 4: It's a terrible design.

1039
00:56:33,360 --> 00:56:34,759
Speaker 1: Yeah, it's not good.

1040
00:56:34,880 --> 00:56:37,880
Speaker 4: There's a few of them like that. I've seen a

1041
00:56:37,920 --> 00:56:46,960
Speaker 4: couple we just turned to do dads in their front yards.

1042
00:56:47,120 --> 00:56:50,000
Speaker 1: Jack Lemon and Walter Mathow wrapping up this podcast.

1043
00:56:50,040 --> 00:56:55,200
Speaker 4: Yeah, held, oh, it's true. It's true.

1044
00:56:55,920 --> 00:56:57,799
Speaker 1: You know what. It's springtime.

1045
00:56:58,120 --> 00:56:59,160
Speaker 4: It is springtime.

1046
00:56:59,320 --> 00:56:59,680
Speaker 2: It is.

1047
00:57:00,040 --> 00:57:02,560
Speaker 1: It's getting warmer and nicer by the day.

1048
00:57:02,640 --> 00:57:05,239
Speaker 4: It's funny because I yeah, I went to Big Bear

1049
00:57:05,280 --> 00:57:10,240
Speaker 4: and I brought my snow boarding clothes which are warm

1050
00:57:11,200 --> 00:57:14,080
Speaker 4: and it. I don't know how it works, but there

1051
00:57:14,160 --> 00:57:16,640
Speaker 4: is snow up there. I think as they make it,

1052
00:57:16,760 --> 00:57:20,200
Speaker 4: spray it on the some of the natural snow. But

1053
00:57:20,280 --> 00:57:23,560
Speaker 4: it is fully winter up there, but also fifty five

1054
00:57:23,600 --> 00:57:26,400
Speaker 4: degree like I was sweating it.

1055
00:57:26,960 --> 00:57:30,240
Speaker 1: Oh you know how they do it, global warming. Yes,

1056
00:57:30,440 --> 00:57:31,000
Speaker 1: that's how they.

1057
00:57:30,880 --> 00:57:35,760
Speaker 4: Do Thank you Albert Gore, and thank you Tipper for

1058
00:57:35,920 --> 00:57:41,040
Speaker 4: making some of the raunchy rap lyrics a little more tolerable,

1059
00:57:43,520 --> 00:57:50,040
Speaker 4: Tipper Gore. Tipper Gore getting after the two Live crew

1060
00:57:51,440 --> 00:58:00,360
Speaker 4: so we could focus on things like trying down. We've

1061
00:58:00,400 --> 00:58:04,920
Speaker 4: done it again, the leaf blower of economics. Let someone

1062
00:58:04,920 --> 00:58:07,600
Speaker 4: else deal with it. See that one's pretty good.

1063
00:58:07,680 --> 00:58:08,320
Speaker 2: It was pretty good.

1064
00:58:08,440 --> 00:58:11,320
Speaker 4: Yeah, there's some political people that would chuckled at that one.

1065
00:58:11,400 --> 00:58:13,160
Speaker 1: They were like, oh my god.

1066
00:58:13,680 --> 00:58:24,560
Speaker 2: Bill Maher was like, this guy's biting my area.

1067
00:58:25,280 --> 00:58:29,440
Speaker 4: Oh that was great. Well, well, anything to promote. Yes,

1068
00:58:30,000 --> 00:58:31,840
Speaker 4: it's been a while since we didn't have a guest.

1069
00:58:31,880 --> 00:58:33,840
Speaker 4: I don't know how to act around you I have.

1070
00:58:34,240 --> 00:58:37,600
Speaker 2: I would love people to listen to all the other

1071
00:58:37,680 --> 00:58:40,760
Speaker 2: podcasts on this podcast network. They're really good.

1072
00:58:41,080 --> 00:58:46,840
Speaker 4: Yeah, and check out the merch and give ourselves give

1073
00:58:46,920 --> 00:58:48,640
Speaker 4: your give yourselves a review.

1074
00:58:48,960 --> 00:58:53,480
Speaker 2: How about this? Here's a teaser, an upcomer upcoming teaser.

1075
00:58:54,560 --> 00:58:57,400
Speaker 2: Chris Fairbanks has designed a new shirt and it is

1076
00:58:57,480 --> 00:59:00,440
Speaker 2: based on suggestions that you all made to us on

1077
00:59:00,480 --> 00:59:03,800
Speaker 2: social media that he set up a little pool, and

1078
00:59:03,880 --> 00:59:06,840
Speaker 2: so he made the shirt that you suggested a reality.

1079
00:59:07,000 --> 00:59:09,280
Speaker 2: And when I tell you this is going to be

1080
00:59:09,280 --> 00:59:11,640
Speaker 2: a great shirt, like you just won't believe it.

1081
00:59:11,720 --> 00:59:14,919
Speaker 4: Oh thanks, I'm excited about it too. I worked hard

1082
00:59:14,960 --> 00:59:18,080
Speaker 4: on it because I'm out of practice, and the first

1083
00:59:18,280 --> 00:59:20,600
Speaker 4: versions I was like what am I doing? I don't

1084
00:59:20,640 --> 00:59:24,280
Speaker 4: know how. You just have to practice, yes, drawing all

1085
00:59:24,320 --> 00:59:25,920
Speaker 4: the time for it to come easy, and so I

1086
00:59:26,080 --> 00:59:30,280
Speaker 4: was like starting and erasing it. Anyway, I like how

1087
00:59:30,320 --> 00:59:31,160
Speaker 4: it ended up.

1088
00:59:31,160 --> 00:59:34,320
Speaker 1: And were you able to do timelines.

1089
00:59:34,440 --> 00:59:36,520
Speaker 4: I will work. I'm going to work on that. And

1090
00:59:36,560 --> 00:59:39,320
Speaker 4: that's that's another teaser. Look out for this next thing.

1091
00:59:39,400 --> 00:59:41,360
Speaker 4: We've given no hints or details about.

1092
00:59:41,560 --> 00:59:43,680
Speaker 1: It's all vague art based.

1093
00:59:44,720 --> 00:59:47,200
Speaker 4: Yeah, we can't expose too much, just art.

1094
00:59:47,280 --> 00:59:49,200
Speaker 2: It's art for you by Chris.

1095
00:59:49,680 --> 00:59:52,960
Speaker 4: Thank you for listening to this very mysterious episode of

1096
00:59:53,040 --> 01:00:04,120
Speaker 4: Do You Need a Ride? Do You Yet aar? This

1097
01:00:04,240 --> 01:00:06,040
Speaker 4: has been an exactly Right.

1098
01:00:06,000 --> 01:00:10,800
Speaker 2: Production produced by Annalise Nelson, mixed by Edson Choi. Our

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Speaker 2: talent booker is Patrick Kottner.

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Speaker 4: Theme song by Karen Kilgarrett.

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Speaker 1: Artwork by Chris Fairbanks.

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Speaker 2: Follow the show on Instagram, Twitter, and Facebook at dinar

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Speaker 2: podcast That's d y nar Podcast.

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Speaker 4: For more information, go to Exactlyrightmedia dot com.

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Speaker 1: Thank you, Oh You're welcome