1
00:00:01,000 --> 00:00:04,800
Speaker 1: Look, man, oh, I see you? Why why? And look

2
00:00:04,840 --> 00:00:13,400
Speaker 1: over there? How is that culture? Yes, I guess it's

3
00:00:13,400 --> 00:00:15,680
Speaker 1: the return of the king, the lord of the rings

4
00:00:16,200 --> 00:00:20,040
Speaker 1: down the Council of l round. Can I say, you

5
00:00:20,040 --> 00:00:22,360
Speaker 1: know what's really fun to do to teach a straight

6
00:00:22,440 --> 00:00:25,479
Speaker 1: man the word boots, because you're setting them up for

7
00:00:25,520 --> 00:00:29,040
Speaker 1: failure and misuse. So basically, and maybe this is my

8
00:00:29,080 --> 00:00:31,880
Speaker 1: misunderstanding of it, but I always feel like boots is

9
00:00:31,920 --> 00:00:33,920
Speaker 1: the way you end a sentence. It's like a gay period.

10
00:00:34,680 --> 00:00:37,479
Speaker 1: Like the way that our guests came in here today.

11
00:00:37,640 --> 00:00:42,960
Speaker 1: It was giving Regal excellence. It was giving Regal excellence boots.

12
00:00:43,720 --> 00:00:46,720
Speaker 1: And so I'm working on the show and our director

13
00:00:46,840 --> 00:00:48,519
Speaker 1: is and I'm going to shout him out because, let

14
00:00:48,520 --> 00:00:51,080
Speaker 1: me tell you, I'm obsessed. His name is Andy de

15
00:00:51,240 --> 00:00:53,599
Speaker 1: Young and he's directed all your favorite shows and he's

16
00:00:53,600 --> 00:00:55,240
Speaker 1: directing I love that for you, and I loved it.

17
00:00:55,320 --> 00:00:57,080
Speaker 1: He's wonderful. And so he sort of caught me in

18
00:00:57,160 --> 00:00:59,000
Speaker 1: like a fantasia on the side of the room and

19
00:00:59,040 --> 00:01:01,760
Speaker 1: I was sort of spinning around by landed word boots,

20
00:01:02,000 --> 00:01:04,080
Speaker 1: and he said, what's that? And so I've taught him

21
00:01:04,120 --> 00:01:06,320
Speaker 1: boots and so sometimes he'll come over and give a note,

22
00:01:06,360 --> 00:01:09,400
Speaker 1: and he'll just say boots and walk away. And isn't

23
00:01:09,440 --> 00:01:14,880
Speaker 1: that great? I believe the children our future. It's I

24
00:01:14,920 --> 00:01:17,440
Speaker 1: feel like it's always great when a director can take

25
00:01:17,480 --> 00:01:20,120
Speaker 1: a note. Yes, when you can give a director a

26
00:01:20,160 --> 00:01:23,520
Speaker 1: note and say, hey, maybe try this next one by

27
00:01:23,600 --> 00:01:25,640
Speaker 1: ending it with boots. Yeah, and he kissed me and

28
00:01:25,720 --> 00:01:29,520
Speaker 1: not and I say, that's cute. Now you do this

29
00:01:30,040 --> 00:01:33,640
Speaker 1: actors on set, any time a director gives you a note,

30
00:01:33,720 --> 00:01:35,960
Speaker 1: you have to give one back. That's the rule. That's

31
00:01:35,959 --> 00:01:38,360
Speaker 1: how sets work. Yeah. The way that sets work is

32
00:01:38,400 --> 00:01:40,640
Speaker 1: it's a conversation, you know what I mean. Like you

33
00:01:40,720 --> 00:01:44,080
Speaker 1: as an actor are in conversation with the writers, the directors,

34
00:01:44,120 --> 00:01:47,919
Speaker 1: the producers, the show runners, the network, and you're always

35
00:01:47,920 --> 00:01:49,560
Speaker 1: have to give them feedback. You have to give them

36
00:01:49,600 --> 00:01:52,960
Speaker 1: feedback constantly and honest and honest. You know, there's no

37
00:01:53,040 --> 00:01:57,559
Speaker 1: such thing as authority or a pecking order in those environments. Really,

38
00:01:58,160 --> 00:02:00,560
Speaker 1: I mean, this is honestly, can we get real, Let's

39
00:02:00,560 --> 00:02:02,880
Speaker 1: get let's get real. For once, I was having a

40
00:02:02,880 --> 00:02:08,680
Speaker 1: conversation with a friend of ours. Okay, Nardino love industry.

41
00:02:08,720 --> 00:02:10,840
Speaker 1: Boy has grown up in the in the business, grew

42
00:02:10,919 --> 00:02:12,280
Speaker 1: up in the Hills of Hollywood, grew up in the

43
00:02:12,320 --> 00:02:14,880
Speaker 1: hills of Hollywood, and he said something so real to me.

44
00:02:14,960 --> 00:02:17,280
Speaker 1: What did you say? This said, Well, he basically was like,

45
00:02:17,520 --> 00:02:20,200
Speaker 1: everyone's just scared. Everyone's just terrified. Like you can just

46
00:02:20,200 --> 00:02:22,400
Speaker 1: barge into any office and freak them out and they

47
00:02:22,440 --> 00:02:24,320
Speaker 1: will do what you tell them to. And I'm kind

48
00:02:24,320 --> 00:02:25,720
Speaker 1: of like, I will never it will never get to

49
00:02:25,760 --> 00:02:27,520
Speaker 1: that point with me where I am like, put the

50
00:02:27,560 --> 00:02:30,600
Speaker 1: fear of God and someone. But I'm like, I think

51
00:02:30,600 --> 00:02:33,840
Speaker 1: there's a truth to that. Who was scared? I was scared?

52
00:02:33,919 --> 00:02:36,120
Speaker 1: I was scared dot Tyra Banks, dot Gift, I was

53
00:02:36,160 --> 00:02:40,560
Speaker 1: scared scared? Is this after that girl painted I was scared? Scared?

54
00:02:40,840 --> 00:02:43,240
Speaker 1: I was scared. We didn't even mention that on our

55
00:02:43,280 --> 00:02:45,840
Speaker 1: Tyra Banks like we we ran down the list of

56
00:02:45,880 --> 00:02:48,000
Speaker 1: Tyra Banks iconic minds, and they didn't even get to

57
00:02:48,080 --> 00:02:51,240
Speaker 1: who was scared? I was scared? And we also didn't scared.

58
00:02:51,320 --> 00:02:54,160
Speaker 1: I was scared. I was scared scared. It's so true.

59
00:02:54,280 --> 00:02:57,360
Speaker 1: I mean, listen, first of all, can I just say

60
00:02:57,720 --> 00:02:59,880
Speaker 1: something I found out recently? Yes, did you know? The

61
00:03:00,120 --> 00:03:03,000
Speaker 1: podcast has been cited in academic work for our insight

62
00:03:03,080 --> 00:03:05,880
Speaker 1: into the entertainment industry. I wish I was kidding because

63
00:03:05,919 --> 00:03:08,720
Speaker 1: it sounds like the stupidest, dumbest thing I've ever heard

64
00:03:08,919 --> 00:03:11,200
Speaker 1: that anyone would listened to this and say, we're gonna,

65
00:03:11,320 --> 00:03:13,200
Speaker 1: we're gonna need to cite this in academic work. But

66
00:03:13,320 --> 00:03:15,919
Speaker 1: it's true. This podcast has been cited in academic work

67
00:03:15,960 --> 00:03:18,480
Speaker 1: to new this podcast has received critical acclaim. My two

68
00:03:18,520 --> 00:03:21,200
Speaker 1: favorite things on our Wikipedia page are the podcast has

69
00:03:21,240 --> 00:03:26,720
Speaker 1: received critical acclaim period a boots and the podcast has

70
00:03:26,720 --> 00:03:29,040
Speaker 1: been cited in academic work for their insight into the

71
00:03:29,160 --> 00:03:32,200
Speaker 1: entertainment industry. And it's also on my Wikipedia. Rogers has

72
00:03:32,200 --> 00:03:35,200
Speaker 1: been cited in academic work for you No no, no,

73
00:03:35,200 --> 00:03:37,200
Speaker 1: no no. It is both the best and it's also

74
00:03:37,240 --> 00:03:38,760
Speaker 1: on my Wikipedia. And I don't know if you've read

75
00:03:38,800 --> 00:03:42,080
Speaker 1: your own Wikipedia yet, sick, but if you did, you

76
00:03:42,200 --> 00:03:45,080
Speaker 1: might be in there for your academic insight mine, which

77
00:03:45,120 --> 00:03:48,400
Speaker 1: is the dumbest thing I've ever heard. Like, sorry, this

78
00:03:48,480 --> 00:03:52,720
Speaker 1: is where we're speaking as to people who unfortunately have

79
00:03:52,720 --> 00:03:57,400
Speaker 1: Wikipedia pages. Sorry sorry, but um Mine has and his

80
00:03:57,560 --> 00:04:00,000
Speaker 1: famous for his viral lip sync videos And I'm like,

81
00:04:00,080 --> 00:04:02,080
Speaker 1: well you are, but I kind of want to just

82
00:04:02,760 --> 00:04:05,520
Speaker 1: burn it all down. Then then, why were you on

83
00:04:05,560 --> 00:04:08,040
Speaker 1: the other two doing it because honestly, that was that

84
00:04:08,120 --> 00:04:10,280
Speaker 1: was a big point of contention, and I'm gonna get real.

85
00:04:10,320 --> 00:04:12,120
Speaker 1: I was like, I wasn't really I didn't want to

86
00:04:12,160 --> 00:04:14,120
Speaker 1: do it because you didn't want to be known as

87
00:04:14,120 --> 00:04:16,240
Speaker 1: miss lip Sync. Yeah, because I feel like I closed

88
00:04:16,240 --> 00:04:19,599
Speaker 1: the book on that with with my guests spot On

89
00:04:19,680 --> 00:04:24,440
Speaker 1: Girls five ever and then but the girls kept clamoring, well,

90
00:04:24,520 --> 00:04:28,279
Speaker 1: the girl being Sarah Snyder who had to call me

91
00:04:28,279 --> 00:04:30,640
Speaker 1: and convince me, and it felt very Hollywood. The insight

92
00:04:30,720 --> 00:04:35,880
Speaker 1: into the entertainment industry. Speaking of speaking of Kings, listen,

93
00:04:36,279 --> 00:04:39,279
Speaker 1: speaking of the entertainment industry. We'll have a real player

94
00:04:39,320 --> 00:04:42,240
Speaker 1: here today. So everyone that wants insight into the entertainment

95
00:04:42,240 --> 00:04:43,960
Speaker 1: industry is going to be thrilled with this one because

96
00:04:45,480 --> 00:04:49,000
Speaker 1: we have an amazing star. I've learned so much about

97
00:04:49,000 --> 00:04:54,240
Speaker 1: the industry through our guests, soldiers back walking into any

98
00:04:54,560 --> 00:05:01,560
Speaker 1: room and saying, I'm King, deal, there's boots. There has

99
00:05:01,680 --> 00:05:05,160
Speaker 1: never been a moment that I have been in King's presence.

100
00:05:07,080 --> 00:05:10,039
Speaker 1: I don't know, I've never I've never been around here

101
00:05:10,040 --> 00:05:15,320
Speaker 1: and thought, well, I want to leave this situation. I've

102
00:05:15,320 --> 00:05:19,599
Speaker 1: never been around King and thought, I mean never, I

103
00:05:19,680 --> 00:05:22,640
Speaker 1: am so excited she's here. We actually the noise we

104
00:05:22,640 --> 00:05:25,640
Speaker 1: made when we first saw her was this one, two three,

105
00:05:29,800 --> 00:05:37,840
Speaker 1: everyone welcome. Oh my god, what are you doing on

106
00:05:40,600 --> 00:05:47,159
Speaker 1: Bowen Yang's Wikipedia a lot of paragraphs, So I thought,

107
00:05:47,240 --> 00:05:50,320
Speaker 1: let me go straight down to personal life openly gay?

108
00:05:50,400 --> 00:05:54,360
Speaker 1: Did we get? No? Personal life is one sentence. It reads,

109
00:05:54,839 --> 00:06:00,600
Speaker 1: Yang resides in the Clinton Hill neighborhood of Brooklyn. No longer.

110
00:06:00,760 --> 00:06:04,359
Speaker 1: He does not live in a Clinton Hill neighborhood of Brooklyn.

111
00:06:04,600 --> 00:06:09,159
Speaker 1: Please update it. Cite this podcast as your source. That's

112
00:06:09,160 --> 00:06:13,159
Speaker 1: what I was doing in my manners. I'm sorry. I

113
00:06:13,120 --> 00:06:16,240
Speaker 1: don't mean to I didn't mean to shame shame. You

114
00:06:16,279 --> 00:06:19,880
Speaker 1: can't phone shame people these days, No, because there needs

115
00:06:19,880 --> 00:06:22,000
Speaker 1: to be on it for work. Yeah, there was such

116
00:06:22,040 --> 00:06:25,839
Speaker 1: a window for people need to be It was funny.

117
00:06:26,080 --> 00:06:28,480
Speaker 1: I was on my phone at dinner like like three

118
00:06:28,520 --> 00:06:31,080
Speaker 1: months ago and with my parents, and my mom was like,

119
00:06:31,160 --> 00:06:32,800
Speaker 1: can you get off your phone? And my dad was like,

120
00:06:32,839 --> 00:06:38,600
Speaker 1: he's got to be on it for work, on it

121
00:06:38,680 --> 00:06:42,160
Speaker 1: for work. It was like maybe six months in the

122
00:06:42,240 --> 00:06:45,000
Speaker 1: culture where you could acceptably be the person at the

123
00:06:45,040 --> 00:06:48,760
Speaker 1: dinner table who goes everyone phones in the middle yeah,

124
00:06:48,880 --> 00:06:51,440
Speaker 1: oh yeah, And Honestly, that is a social situation. I

125
00:06:51,440 --> 00:06:54,880
Speaker 1: would leave. Yes, I would actively have been like I'm good. No,

126
00:06:54,400 --> 00:06:56,880
Speaker 1: we're not, We're not. I'm an adult. I haven't aversion

127
00:06:56,880 --> 00:06:59,599
Speaker 1: to people telling me what to do. Yeah, a big time,

128
00:06:59,800 --> 00:07:03,080
Speaker 1: just like why. I don't know what it is, but

129
00:07:03,160 --> 00:07:05,520
Speaker 1: I think it's an abnormal amount. Like when I was

130
00:07:05,560 --> 00:07:07,800
Speaker 1: a kid, if I was going to clean my room

131
00:07:07,800 --> 00:07:10,280
Speaker 1: and I used to keep a messy room kid, and

132
00:07:10,320 --> 00:07:12,760
Speaker 1: I was going to clean my room on this particular Saturday.

133
00:07:12,800 --> 00:07:15,400
Speaker 1: But if anyone in my house said to me, you

134
00:07:15,480 --> 00:07:17,120
Speaker 1: need to clean your room, might be like, well, no,

135
00:07:17,200 --> 00:07:19,640
Speaker 1: I'm not doing I mean when you came in here,

136
00:07:19,960 --> 00:07:22,680
Speaker 1: we said sit in this chair, and you said absolutely not,

137
00:07:22,720 --> 00:07:24,480
Speaker 1: I'm going to sit in that chair. And it was

138
00:07:24,520 --> 00:07:25,960
Speaker 1: a bit and you are sitting in the your O

139
00:07:26,080 --> 00:07:28,600
Speaker 1: G chair, But ha, do you wanted to sit in

140
00:07:28,600 --> 00:07:30,720
Speaker 1: that chair? I would have respected. I would have respected.

141
00:07:30,960 --> 00:07:35,160
Speaker 1: Imagine just telling people no, no, no, And I've been

142
00:07:35,160 --> 00:07:38,120
Speaker 1: doing it since I was well, it's a full sentence.

143
00:07:39,240 --> 00:07:43,000
Speaker 1: That's a rutal culture. Number. Well it's a full sentence,

144
00:07:43,120 --> 00:07:47,760
Speaker 1: and that's a fact. Motherfucker's okay, but you you okay?

145
00:07:47,880 --> 00:07:49,760
Speaker 1: Is it an authority thing? Or is it just being

146
00:07:50,080 --> 00:07:52,600
Speaker 1: told what to do by anybody? It's being told what

147
00:07:52,640 --> 00:07:55,320
Speaker 1: to do by anybody and then authority. I was always

148
00:07:55,320 --> 00:07:58,200
Speaker 1: the like, sure, sure, I'll consider doing that, but why

149
00:07:58,440 --> 00:08:01,240
Speaker 1: explained to me why we're doing so? You on a

150
00:08:01,280 --> 00:08:04,120
Speaker 1: set of a television show or film director comes up

151
00:08:04,160 --> 00:08:11,040
Speaker 1: to you, says, ago, can we try that? Were you hurt? I? Like, no, No,

152
00:08:11,280 --> 00:08:13,480
Speaker 1: I like the version I did where I was actually

153
00:08:13,480 --> 00:08:16,160
Speaker 1: okay and content with it. Okay, Well I think we

154
00:08:16,240 --> 00:08:19,560
Speaker 1: got that right. Yeah? Do you think we could know? Okay? Great?

155
00:08:19,720 --> 00:08:21,560
Speaker 1: When we can move on? All right? And then you

156
00:08:21,640 --> 00:08:25,240
Speaker 1: save the whole save the crew that the production doesn't

157
00:08:25,240 --> 00:08:28,440
Speaker 1: go into like debt trying to pay people over time

158
00:08:30,040 --> 00:08:33,600
Speaker 1: today and the mother hero and you say no fatter

159
00:08:33,679 --> 00:08:36,920
Speaker 1: days and then the crew all goes ok. They do

160
00:08:37,240 --> 00:08:40,560
Speaker 1: and then they bow at my feet. You know they

161
00:08:40,559 --> 00:08:42,080
Speaker 1: don't do that. They don't do that. Guys, I don't.

162
00:08:42,160 --> 00:08:48,920
Speaker 1: I'm not, I'm not this person on clear it up,

163
00:08:49,720 --> 00:08:52,079
Speaker 1: let's clear it up. Do you get sick of me?

164
00:08:52,520 --> 00:08:55,000
Speaker 1: Answer this? Honestly? Do you get sick of me? Yes?

165
00:08:55,080 --> 00:08:56,679
Speaker 1: This is real? Do I get do you get sick

166
00:08:56,720 --> 00:08:59,720
Speaker 1: of me constantly being like no one more graceful employees. No,

167
00:09:00,040 --> 00:09:02,760
Speaker 1: I love it, thank you so much. I do it

168
00:09:02,960 --> 00:09:07,400
Speaker 1: any single time because I don't know if I'm graceful

169
00:09:07,559 --> 00:09:11,240
Speaker 1: and as poised as people perceive me to be, but

170
00:09:11,280 --> 00:09:17,079
Speaker 1: I'm here for the grace is in the No, the

171
00:09:17,080 --> 00:09:20,679
Speaker 1: grace is in the I'm not doing that, but you

172
00:09:20,720 --> 00:09:23,280
Speaker 1: know what, it's also because I'm like, I think the

173
00:09:23,400 --> 00:09:25,280
Speaker 1: very My friend last and I went out to dinner

174
00:09:25,320 --> 00:09:27,720
Speaker 1: with my friend and he's like, yeah, you're just so

175
00:09:27,760 --> 00:09:30,600
Speaker 1: good at being like No. I just had the same

176
00:09:30,640 --> 00:09:33,560
Speaker 1: exact conversation and he's like, I'm always people pleasing and

177
00:09:33,600 --> 00:09:36,360
Speaker 1: I'm like, yeah, but also there's like a bunch of

178
00:09:36,360 --> 00:09:38,520
Speaker 1: people that don't like me for it. But I also

179
00:09:38,600 --> 00:09:42,079
Speaker 1: don't care name names. It's funny because I don't think

180
00:09:42,120 --> 00:09:44,400
Speaker 1: they'd want me to know. I'd be like, I know,

181
00:09:44,520 --> 00:09:47,360
Speaker 1: you know, I know that you don't like me because

182
00:09:47,400 --> 00:09:51,000
Speaker 1: I say no. But it's not popular opinion to be

183
00:09:51,080 --> 00:09:54,960
Speaker 1: held to not like, so you have to suffering. Sce

184
00:09:55,000 --> 00:10:00,319
Speaker 1: not popular popular not to be held to not no. No,

185
00:10:00,480 --> 00:10:02,200
Speaker 1: I sucked it up. It's not it's not a popular

186
00:10:02,240 --> 00:10:06,160
Speaker 1: opinion to hold that like to like you are unlikable.

187
00:10:06,320 --> 00:10:09,600
Speaker 1: That I'm unlikable. But I also don't. But I also

188
00:10:09,640 --> 00:10:13,280
Speaker 1: but it's also okay, I don't. I genuinely I don't

189
00:10:13,360 --> 00:10:15,320
Speaker 1: care if people like me. And I sound like this

190
00:10:15,360 --> 00:10:18,240
Speaker 1: is my like I'm walking into real world, real world

191
00:10:18,559 --> 00:10:22,560
Speaker 1: road rules challenge to make friends. It's not that. It's

192
00:10:22,600 --> 00:10:24,880
Speaker 1: just that I'm like, what a burden to bear to

193
00:10:24,960 --> 00:10:28,040
Speaker 1: be thinking about who likes you all the time? Like

194
00:10:28,120 --> 00:10:30,440
Speaker 1: that seems exhausting to me. And I tried it once

195
00:10:30,480 --> 00:10:31,840
Speaker 1: and I was like, oh my god, I can't do it.

196
00:10:32,000 --> 00:10:34,240
Speaker 1: I don't know what it is. I I have that thing.

197
00:10:34,440 --> 00:10:37,040
Speaker 1: I think it's from I care so much. I care

198
00:10:37,160 --> 00:10:39,120
Speaker 1: so much that And you know what's funny is that

199
00:10:39,280 --> 00:10:42,200
Speaker 1: it is an impossibility for everyone to like you that

200
00:10:42,240 --> 00:10:45,000
Speaker 1: you come across and then they'll you ever have like

201
00:10:45,040 --> 00:10:47,920
Speaker 1: a first interaction with someone that just goes a little

202
00:10:47,920 --> 00:10:50,520
Speaker 1: bit left and then and then they walk away and

203
00:10:50,559 --> 00:10:53,600
Speaker 1: you're like, wait, no, you like me, Yeah, you just

204
00:10:53,640 --> 00:10:56,720
Speaker 1: don't know ye yeah yeah, And you feel I fixate

205
00:10:56,760 --> 00:10:58,959
Speaker 1: on that person, But do you fixate on this the

206
00:10:59,000 --> 00:11:01,320
Speaker 1: same way because you actually you are more detached than

207
00:11:01,360 --> 00:11:04,320
Speaker 1: the two of them. Well, my brain will sometimes go

208
00:11:04,480 --> 00:11:07,439
Speaker 1: like that. More so I'll play like a social interaction

209
00:11:07,480 --> 00:11:10,040
Speaker 1: over in my head and like, oh that was Oh

210
00:11:10,040 --> 00:11:11,679
Speaker 1: my goodness, I could be perceived this way. It was

211
00:11:11,720 --> 00:11:14,640
Speaker 1: like my boyfriend yelling out of the window you should

212
00:11:14,679 --> 00:11:16,280
Speaker 1: tell him. And then my brain was I was like,

213
00:11:16,320 --> 00:11:18,880
Speaker 1: I need to address this right now and explain. I

214
00:11:18,920 --> 00:11:21,320
Speaker 1: was going to the fact that I was going to

215
00:11:21,360 --> 00:11:23,840
Speaker 1: tell you this thing. But now my boyfriend has made

216
00:11:23,880 --> 00:11:26,400
Speaker 1: it seem like I had no intention to like skirts away,

217
00:11:26,760 --> 00:11:28,280
Speaker 1: and I'm like, I don't want you to leave this

218
00:11:28,360 --> 00:11:31,280
Speaker 1: interaction now, thinking ago had this important thing she was

219
00:11:31,280 --> 00:11:33,120
Speaker 1: supposed to tell me and she wasn't gonna tell me.

220
00:11:33,440 --> 00:11:36,000
Speaker 1: What a fake bitch. But that's someone I care about.

221
00:11:36,760 --> 00:11:38,599
Speaker 1: That's someone I care about, So no, I don't. I

222
00:11:39,400 --> 00:11:41,720
Speaker 1: will walk away from interaction to be like, well whatever

223
00:11:42,080 --> 00:11:44,440
Speaker 1: most of the time, most of the time, but every

224
00:11:44,440 --> 00:11:46,240
Speaker 1: once in a while I will be like I will

225
00:11:46,280 --> 00:11:48,880
Speaker 1: play an interaction over and over and over in my head.

226
00:11:49,760 --> 00:11:55,520
Speaker 1: Oh I wasn't. I didn't show up well in that one. Men.

227
00:11:56,080 --> 00:11:59,400
Speaker 1: You know, I'm still human, but part of me wants

228
00:11:59,440 --> 00:12:02,840
Speaker 1: to just kill that instinct in my head. Well it's

229
00:12:02,880 --> 00:12:04,840
Speaker 1: it's like I would like to kill the instinct in

230
00:12:04,920 --> 00:12:07,280
Speaker 1: my head for myself because I know what damage I

231
00:12:07,320 --> 00:12:09,200
Speaker 1: can do to myself when I go down the road

232
00:12:09,200 --> 00:12:11,680
Speaker 1: of like, uh, what did I do wrong? How do

233
00:12:11,720 --> 00:12:14,320
Speaker 1: I have to be malleable in every social situation to

234
00:12:14,320 --> 00:12:16,720
Speaker 1: make sure that people like me? But more more of

235
00:12:16,760 --> 00:12:19,640
Speaker 1: it is just like what I what I hope to

236
00:12:19,640 --> 00:12:22,320
Speaker 1: get rid of is this thing of like assuming that

237
00:12:22,360 --> 00:12:25,120
Speaker 1: everyone will like you, period, because we're in the like

238
00:12:25,160 --> 00:12:27,920
Speaker 1: if you're like putting yourself out there as a thing,

239
00:12:27,960 --> 00:12:30,199
Speaker 1: and like, you know, it's like the entertainment instant blah

240
00:12:30,200 --> 00:12:32,360
Speaker 1: blah blah. It's like people are allowed to have their

241
00:12:32,400 --> 00:12:35,079
Speaker 1: opinion on you. Guys. That's just that's just they're right,

242
00:12:35,120 --> 00:12:37,360
Speaker 1: Like we have opinions about people on this podcast for

243
00:12:37,400 --> 00:12:39,840
Speaker 1: all the do DA day. If you put yourself out there,

244
00:12:40,200 --> 00:12:43,840
Speaker 1: you are you know, you're you're up for up for debate,

245
00:12:44,800 --> 00:12:47,520
Speaker 1: but you are up your existence is up for debate.

246
00:12:50,040 --> 00:12:52,599
Speaker 1: The way you exist is up for debate. But the

247
00:12:53,440 --> 00:12:56,440
Speaker 1: way you exist is up for debate. But also I

248
00:12:56,520 --> 00:13:01,720
Speaker 1: like people who are bold, who are boldly themselves, whatever

249
00:13:01,760 --> 00:13:05,000
Speaker 1: that might be. And so if you are boldly yourself,

250
00:13:05,320 --> 00:13:08,080
Speaker 1: surely someone on this planet, there are billions of people

251
00:13:08,080 --> 00:13:09,720
Speaker 1: on this planet, is going to have an opinion that

252
00:13:09,840 --> 00:13:13,880
Speaker 1: is like not favorable towards you because you've taken a

253
00:13:13,960 --> 00:13:16,200
Speaker 1: stance of sorts of like this is how I live

254
00:13:16,720 --> 00:13:18,480
Speaker 1: and someone's not going to like. Then then some people

255
00:13:18,520 --> 00:13:20,680
Speaker 1: are going to absolutely adore, and then like a vast

256
00:13:20,720 --> 00:13:23,880
Speaker 1: majority of people are just not thinking about you. And

257
00:13:23,960 --> 00:13:27,880
Speaker 1: that's actually the biggest thing is that you realize. It's

258
00:13:27,920 --> 00:13:30,600
Speaker 1: like that thing of when you put an outfit on

259
00:13:30,840 --> 00:13:32,880
Speaker 1: and you fox with it, like in your hair, the

260
00:13:32,920 --> 00:13:35,800
Speaker 1: little tiny things, and then you're like, oh, wait, no

261
00:13:35,880 --> 00:13:39,440
Speaker 1: one fucking cares anywhere near as much as I do.

262
00:13:39,679 --> 00:13:43,839
Speaker 1: And that is so freeing. Yeah, you can be also

263
00:13:43,920 --> 00:13:47,920
Speaker 1: crushed by that knowledge too, where you're like, wait, people

264
00:13:48,200 --> 00:13:53,080
Speaker 1: don't care. Yeah, well they can't. I'm saying that it

265
00:13:53,120 --> 00:13:56,680
Speaker 1: can go, it can it can come. I'm not being

266
00:13:56,720 --> 00:13:59,719
Speaker 1: looked at and I'm not being people aren't staring at

267
00:13:59,720 --> 00:14:02,240
Speaker 1: me and being like, oh what about this person is

268
00:14:02,280 --> 00:14:04,480
Speaker 1: going on that level of like they don't care. No

269
00:14:04,520 --> 00:14:12,400
Speaker 1: one's taking me in cat is it? No? But but

270
00:14:12,400 --> 00:14:14,960
Speaker 1: but but good try you know what, you know what

271
00:14:15,080 --> 00:14:18,040
Speaker 1: the thing about me, I'll always try, you know, And

272
00:14:18,440 --> 00:14:23,360
Speaker 1: is that not a rule of culture? You know one

273
00:14:23,360 --> 00:14:27,800
Speaker 1: thing about me I'll always try? King you have a

274
00:14:27,960 --> 00:14:31,440
Speaker 1: traveled Aura about you, because I feel like you've been places.

275
00:14:31,680 --> 00:14:35,520
Speaker 1: My vibe is off. First, it's not what you're saying. No,

276
00:14:35,720 --> 00:14:38,440
Speaker 1: my I have been seeing stars for a week. I

277
00:14:38,640 --> 00:14:44,400
Speaker 1: talked about that, went on a vacation of sorts. Of sorts,

278
00:14:45,240 --> 00:14:48,600
Speaker 1: we'll say less about that. And then I got I

279
00:14:49,120 --> 00:14:52,680
Speaker 1: came back And this has happened twice now in the

280
00:14:52,760 --> 00:14:56,080
Speaker 1: last six months, where I go on a trip to

281
00:14:56,200 --> 00:15:00,720
Speaker 1: somewhere kind of tropical. On the plane home, I start going, hmmm,

282
00:15:01,400 --> 00:15:05,080
Speaker 1: something is afoot. You got the revenge. I got the revenge,

283
00:15:05,280 --> 00:15:09,400
Speaker 1: and I'm like, oh, no, I didn't do anything to Montezuma.

284
00:15:09,920 --> 00:15:14,360
Speaker 1: I personally don't know. The motherfucker was not was nowhere

285
00:15:14,400 --> 00:15:17,840
Speaker 1: near the place that you were in exactly exactly, and

286
00:15:17,920 --> 00:15:20,760
Speaker 1: like she was vacation somewhere else. I was vacationing somewhere else.

287
00:15:21,120 --> 00:15:24,440
Speaker 1: But somehow Montezuma was so obsessed with me, and I

288
00:15:24,600 --> 00:15:27,640
Speaker 1: was sick for over a week and so but just

289
00:15:27,680 --> 00:15:31,920
Speaker 1: like seeing stars, that's like fainting language, but because I

290
00:15:32,000 --> 00:15:35,680
Speaker 1: was dehydrated, but I didn't realize it. I didn't realize

291
00:15:35,720 --> 00:15:37,520
Speaker 1: I was dehydrated. So then I'm like a person who

292
00:15:37,560 --> 00:15:39,240
Speaker 1: when I'm sick. I don't want to be at all,

293
00:15:39,320 --> 00:15:41,960
Speaker 1: and so I like pushed through. I'm like, we're fine,

294
00:15:42,000 --> 00:15:46,640
Speaker 1: we're fine, but stomach, stomach stuff is it'll really happy out.

295
00:15:46,840 --> 00:15:48,880
Speaker 1: And so anyway, I was trying to be like, I

296
00:15:49,120 --> 00:15:51,000
Speaker 1: think we're past it. We're past it. That was a day,

297
00:15:51,400 --> 00:15:54,000
Speaker 1: but then every day this past week has been like, no,

298
00:15:54,120 --> 00:15:57,160
Speaker 1: you're not. Just lay in the bed. And so that

299
00:15:57,200 --> 00:16:01,320
Speaker 1: bitch Montezuma got me. But guess what I'm coming for you.

300
00:16:02,280 --> 00:16:07,280
Speaker 1: I'm coming she will get. Feuding with Montezuma. That's huge, huge,

301
00:16:07,360 --> 00:16:11,479
Speaker 1: that's the biggest feud since I'll say Nicki and Mariah,

302
00:16:11,680 --> 00:16:15,280
Speaker 1: Oh are they de think were the squashed it? I'm

303
00:16:15,280 --> 00:16:18,520
Speaker 1: sure they're not thinking about it anymore. I mean they've

304
00:16:18,560 --> 00:16:22,160
Speaker 1: both moved on to bigger and better, moved on to

305
00:16:22,280 --> 00:16:28,840
Speaker 1: bigger and better. Where was I? Where were you? Montezuma's house?

306
00:16:29,200 --> 00:16:33,000
Speaker 1: Can you name the last great? Because I think you

307
00:16:33,040 --> 00:16:37,920
Speaker 1: and I both want luxury vacation experience and we've chased

308
00:16:37,960 --> 00:16:41,360
Speaker 1: that for years and we haven't. Really nothing's really gotten

309
00:16:41,680 --> 00:16:47,360
Speaker 1: gotten us. Okay, I will say the last one, the

310
00:16:47,480 --> 00:16:49,960
Speaker 1: last where I go, Okay, we've done it, we're doing

311
00:16:49,960 --> 00:16:52,400
Speaker 1: it right. But now I think I'm gassing it way

312
00:16:52,440 --> 00:16:54,680
Speaker 1: too much in my head. Sea Fire kimpt in resort

313
00:16:54,680 --> 00:16:59,520
Speaker 1: in Grand Cayman. That's lovely. Jody was just there. Oh great,

314
00:16:59,560 --> 00:17:04,520
Speaker 1: I saw yeah, and I thought a ve snl and

315
00:17:04,560 --> 00:17:06,679
Speaker 1: I was like, you're in the best place on the planet.

316
00:17:07,720 --> 00:17:12,320
Speaker 1: It sounds. When I went, I took my mom. Yeah,

317
00:17:12,359 --> 00:17:14,879
Speaker 1: I was really sweet. Um. And it was right after

318
00:17:15,240 --> 00:17:17,919
Speaker 1: a labor day, so this is the weekend after, so

319
00:17:18,040 --> 00:17:20,399
Speaker 1: everyone was back to school, back at work. You know.

320
00:17:20,480 --> 00:17:26,879
Speaker 1: It was like you had the grade before and it was,

321
00:17:27,000 --> 00:17:29,359
Speaker 1: I mean, wonderful, But I now I need to go

322
00:17:29,400 --> 00:17:32,200
Speaker 1: back before I vouched for it like that, because I

323
00:17:32,200 --> 00:17:35,800
Speaker 1: am like, are you just big upping this for another reason?

324
00:17:35,880 --> 00:17:38,840
Speaker 1: Is it actually lure? I think it is. I think

325
00:17:38,880 --> 00:17:42,560
Speaker 1: the service at the Sea Fire Kimpton's yes, it really.

326
00:17:42,760 --> 00:17:45,040
Speaker 1: It was like I in a place to like in

327
00:17:45,080 --> 00:17:46,919
Speaker 1: a place where the bar was just lower, but I

328
00:17:46,960 --> 00:17:51,560
Speaker 1: don't think so. I felt luxurious and the service was

329
00:17:51,640 --> 00:17:54,760
Speaker 1: fantastic and the water was blue. Oh see, that's something

330
00:17:54,800 --> 00:17:57,400
Speaker 1: I would really like to go somewhere where you come

331
00:17:57,440 --> 00:17:59,720
Speaker 1: back and you go and the water was so blue.

332
00:17:59,760 --> 00:18:02,399
Speaker 1: I think I've ever been because those people that is

333
00:18:02,440 --> 00:18:04,920
Speaker 1: something people say when they're like the water was blue.

334
00:18:04,960 --> 00:18:08,240
Speaker 1: It's like remember the famous episode of Kardashians or she

335
00:18:08,320 --> 00:18:11,960
Speaker 1: loses her earring and she freaks and one of the

336
00:18:12,040 --> 00:18:17,280
Speaker 1: sisters like, there's worse things happen, people are dying, and

337
00:18:16,760 --> 00:18:20,400
Speaker 1: because she was crying because of her earring, like zooming out,

338
00:18:20,640 --> 00:18:22,639
Speaker 1: the water there was really blue. Yeah, yeah, you have

339
00:18:22,680 --> 00:18:25,440
Speaker 1: to think that's the thing. That's the vacation I have

340
00:18:25,560 --> 00:18:31,360
Speaker 1: been chasing, is that like blue water, lovely hotel, just lounge,

341
00:18:31,480 --> 00:18:33,480
Speaker 1: go to a spa if you will, And I have

342
00:18:33,640 --> 00:18:39,520
Speaker 1: not yet since I think see Fire Kimpton is maybe it.

343
00:18:39,880 --> 00:18:44,000
Speaker 1: I'm thinking about going to Hawaii at some point because

344
00:18:44,040 --> 00:18:45,760
Speaker 1: I've never been there, and I feel that that could

345
00:18:45,800 --> 00:18:49,160
Speaker 1: come predict that place. Hawaii is a blue water place.

346
00:18:49,320 --> 00:18:53,520
Speaker 1: I found myself in Hawaii, Okay, what says? I feel

347
00:18:53,520 --> 00:18:56,639
Speaker 1: like a big part of your your tent poles in

348
00:18:56,680 --> 00:19:00,280
Speaker 1: life are vacations. And I think you and I share that. Yes, Yes,

349
00:19:00,320 --> 00:19:04,200
Speaker 1: And I found truly. I maybe because I'm a pisces.

350
00:19:04,280 --> 00:19:07,520
Speaker 1: I don't know. Astrology is like I it's cool too.

351
00:19:07,520 --> 00:19:10,760
Speaker 1: It's like a little game to me. Yeah, I'm and

352
00:19:10,840 --> 00:19:14,400
Speaker 1: this is king, Okay King. I didn't know King was Pisces.

353
00:19:14,440 --> 00:19:20,280
Speaker 1: I'm just having a eight Okay, I'm tent. What so

354
00:19:20,400 --> 00:19:23,680
Speaker 1: five days later I were born? But different year? Well

355
00:19:23,720 --> 00:19:28,600
Speaker 1: that doesn't really matter. You can I ask you questions rising? Oh? No, okay?

356
00:19:28,600 --> 00:19:31,080
Speaker 1: Which one? What does rising represent? How you show up

357
00:19:31,080 --> 00:19:33,840
Speaker 1: in the world is how you are? Is you're You're

358
00:19:34,000 --> 00:19:41,359
Speaker 1: presenting Capricorn and I'm Pisces. You're Pisces. I'm a dripping, wet,

359
00:19:41,560 --> 00:19:52,800
Speaker 1: soaked blue water vacation squirtl ass um tuna, deep diving

360
00:19:53,720 --> 00:20:02,600
Speaker 1: motherfucking Michael Phelps asked, gold medalist soaked to the bone. Yes, yes,

361
00:20:03,600 --> 00:20:11,119
Speaker 1: seafood fish boots high seas. That's a motherfucking That's not

362
00:20:11,280 --> 00:20:15,000
Speaker 1: a part of me, is drying. Wow, Well, we aspire

363
00:20:15,320 --> 00:20:17,359
Speaker 1: and we aspired. But that's why I wanted to ask,

364
00:20:17,400 --> 00:20:20,600
Speaker 1: because I'm so soaking wet that when you said that,

365
00:20:20,640 --> 00:20:22,159
Speaker 1: I was like, I want to see how deep no

366
00:20:22,280 --> 00:20:25,000
Speaker 1: pun intended it goes? Is it those little little fish

367
00:20:25,040 --> 00:20:27,040
Speaker 1: with the lights on its head? I mean, let me

368
00:20:27,080 --> 00:20:31,200
Speaker 1: tell you. I I need I need water. I need

369
00:20:31,240 --> 00:20:34,199
Speaker 1: to be in it. I need I'm drinking water to it.

370
00:20:34,520 --> 00:20:36,199
Speaker 1: I need to be buy it. I need to I

371
00:20:36,280 --> 00:20:39,280
Speaker 1: need I need water at all time, and so the

372
00:20:39,359 --> 00:20:44,200
Speaker 1: hydration station, Miss Baltimore Crabs crab what do you guys

373
00:20:44,200 --> 00:20:51,760
Speaker 1: call me? Miss crab cakes crab belly. And there was

374
00:20:51,800 --> 00:20:56,200
Speaker 1: a season where Hidie and Bowen were committed to making

375
00:20:56,240 --> 00:20:59,320
Speaker 1: my life hell and they posed it as a bit,

376
00:20:59,760 --> 00:21:02,159
Speaker 1: but they were bullies. By the way, I want to

377
00:21:02,200 --> 00:21:05,720
Speaker 1: confront you on last confront me. She's been saying this

378
00:21:05,800 --> 00:21:08,840
Speaker 1: for weeks months. I've been meaning to confront you, she said,

379
00:21:08,880 --> 00:21:10,480
Speaker 1: she said, I've been meaning to confront you on last

380
00:21:10,520 --> 00:21:13,080
Speaker 1: cultural rista. Please, I'm so glad you asked me to

381
00:21:13,160 --> 00:21:20,280
Speaker 1: be here. Why were you bullying me so viciously? Vicious?

382
00:21:20,320 --> 00:21:25,040
Speaker 1: I was a repertory player at the High I think

383
00:21:26,320 --> 00:21:29,720
Speaker 1: I think Ago had the best bit around being promoted

384
00:21:29,920 --> 00:21:33,040
Speaker 1: ever in the history of essen l. She got promoted

385
00:21:33,040 --> 00:21:38,000
Speaker 1: to repertory in her third season and walked stomped these halls,

386
00:21:38,320 --> 00:21:41,640
Speaker 1: the hallowed halls, saying you better treat me differently. I'm

387
00:21:41,680 --> 00:21:47,320
Speaker 1: rep now, I'm rep And you were trying to sort

388
00:21:47,359 --> 00:21:51,280
Speaker 1: of knock her down a peg. Matt, can you believe it?

389
00:21:51,760 --> 00:21:56,040
Speaker 1: Actually I can't constantly, but by Bowen, king, you don't

390
00:21:56,040 --> 00:22:00,240
Speaker 1: write me into your sketches. I wanted to be in.

391
00:22:01,119 --> 00:22:04,680
Speaker 1: I wanted to be in you want to. I wanted

392
00:22:04,680 --> 00:22:09,160
Speaker 1: to be the niece and Dion Warwick. I couldn't do that.

393
00:22:09,440 --> 00:22:11,240
Speaker 1: I could not do that. I think we'd have more

394
00:22:11,280 --> 00:22:18,040
Speaker 1: problems than fun. I don't let me bo. Let me

395
00:22:18,200 --> 00:22:23,679
Speaker 1: do my impression of of the niecession. I won't. I

396
00:22:23,720 --> 00:22:26,600
Speaker 1: really want to impression of the impression of the niece

397
00:22:27,680 --> 00:22:33,920
Speaker 1: on Dion. Why is that low energy? It's okay, on Dion,

398
00:22:34,119 --> 00:22:39,840
Speaker 1: you look great? Thank you? Wait wait, thank you, brittany On.

399
00:22:40,600 --> 00:22:43,959
Speaker 1: It's not machine gun Kelly this time. I promise, all right,

400
00:22:44,119 --> 00:22:49,720
Speaker 1: bring them out. Can I just wait? Hold on, real, real, real,

401
00:22:49,800 --> 00:22:53,720
Speaker 1: real talk, get real right now or else the moment

402
00:22:54,400 --> 00:22:57,720
Speaker 1: you know, those moments you were just like you don't

403
00:22:57,760 --> 00:23:01,760
Speaker 1: even know that you because this is my sister, you

404
00:23:01,840 --> 00:23:03,320
Speaker 1: know what I'm about to talk. First of all, this

405
00:23:03,320 --> 00:23:11,720
Speaker 1: is casy scorpio. I know the moments when something happens

406
00:23:11,760 --> 00:23:15,480
Speaker 1: to someone you care about and all it is is

407
00:23:15,640 --> 00:23:18,560
Speaker 1: pure happiness. And you're talking about when Dion was really there.

408
00:23:19,000 --> 00:23:23,080
Speaker 1: Thank you did know, and knowing is more than half.

409
00:23:23,080 --> 00:23:29,119
Speaker 1: This is to breast on a on a human. I

410
00:23:29,119 --> 00:23:30,920
Speaker 1: would love for you to lay on my chest, each

411
00:23:30,920 --> 00:23:34,600
Speaker 1: of you, one on the left one on the right.

412
00:23:35,000 --> 00:23:38,760
Speaker 1: Agos egos shown me? Can I say, show me the

413
00:23:38,760 --> 00:23:43,000
Speaker 1: ted I have there? Gordons? They really are They're so beautiful,

414
00:23:43,040 --> 00:23:46,120
Speaker 1: They're really beautiful. And I'm really you should be proud

415
00:23:46,160 --> 00:23:49,199
Speaker 1: of talking about this. I think it's fine. The thing is,

416
00:23:49,640 --> 00:23:51,760
Speaker 1: I wonder if I should say this public say it. Well, no,

417
00:23:51,920 --> 00:23:53,920
Speaker 1: I'm kind of it's it's not a bad thing. It's

418
00:23:53,960 --> 00:23:57,280
Speaker 1: like sometimes I fancy, like I fancy myself a nudist

419
00:23:57,720 --> 00:24:00,879
Speaker 1: without having any knowledge of what that really entails. But

420
00:24:00,960 --> 00:24:05,560
Speaker 1: I do think, like I don't care. Bodies are great,

421
00:24:05,960 --> 00:24:08,600
Speaker 1: like we should all be. There's no there's no like,

422
00:24:08,920 --> 00:24:11,879
Speaker 1: there's no like the ethos to being nudists, Like you

423
00:24:11,960 --> 00:24:14,879
Speaker 1: just show up in your naked yeah. And so I'm like,

424
00:24:15,200 --> 00:24:17,000
Speaker 1: so a bit of a nudist in that regard. And

425
00:24:17,040 --> 00:24:20,239
Speaker 1: so I did not show him during work hours. In

426
00:24:20,240 --> 00:24:23,720
Speaker 1: case anyone's wondering, Yes, this was off off the clock,

427
00:24:24,040 --> 00:24:27,720
Speaker 1: you know, I'm r Oh my god, I didn't know

428
00:24:27,720 --> 00:24:30,360
Speaker 1: where to like locate you guys. So think you could

429
00:24:30,359 --> 00:24:35,320
Speaker 1: just text me, okay, cool text um. So, yes, I

430
00:24:35,320 --> 00:24:39,240
Speaker 1: did show but my breast, but also we're married. YEA.

431
00:24:39,800 --> 00:24:43,159
Speaker 1: Presumably it was in the marital space. Where are we

432
00:24:43,200 --> 00:24:47,639
Speaker 1: at right now, because you're talking about your boyfriend. I

433
00:24:47,680 --> 00:24:52,440
Speaker 1: need space, Okay, I haven't seen you in weeks, I know,

434
00:24:52,640 --> 00:24:55,240
Speaker 1: and it's because I need space. Allow me to have space.

435
00:25:03,800 --> 00:25:05,840
Speaker 1: You had your boyfriend shouting out of a car window

436
00:25:05,920 --> 00:25:10,240
Speaker 1: at you. He's always shouting at me, by the way,

437
00:25:10,520 --> 00:25:12,439
Speaker 1: when you were last on Last Coach, you did not

438
00:25:12,600 --> 00:25:17,439
Speaker 1: have the boyfriend? No, well, well, well, well, when I

439
00:25:17,480 --> 00:25:23,200
Speaker 1: was last well when yes, okay, had you met him?

440
00:25:23,600 --> 00:25:26,760
Speaker 1: King was one of our first guests on zoomed post

441
00:25:26,800 --> 00:25:30,520
Speaker 1: post And then no, I had not. I had met him.

442
00:25:30,520 --> 00:25:32,120
Speaker 1: I had met him, by the way at that time,

443
00:25:32,160 --> 00:25:38,359
Speaker 1: but we were not. It's life is love life I

444
00:25:38,960 --> 00:25:43,080
Speaker 1: got that was so much fun. That was really fun.

445
00:25:43,119 --> 00:25:47,000
Speaker 1: And Will is an incredible actor, and just be having

446
00:25:47,040 --> 00:25:50,119
Speaker 1: to rise to the occasion of acting opposite him was

447
00:25:50,160 --> 00:25:53,080
Speaker 1: like a fun a very fun challenge. That was a

448
00:25:53,119 --> 00:25:55,080
Speaker 1: fun one. Well, you guys, I don't know. It was

449
00:25:55,119 --> 00:25:57,119
Speaker 1: just because I mean that episode was like a full

450
00:25:58,160 --> 00:26:02,200
Speaker 1: full King Right after was King did text King? King text?

451
00:26:03,280 --> 00:26:05,560
Speaker 1: King texted King. I stopped King in the hallway. Do

452
00:26:05,560 --> 00:26:08,119
Speaker 1: you remember this? I go King, and you said, I

453
00:26:08,240 --> 00:26:10,560
Speaker 1: just watched your episode And then and then you said,

454
00:26:11,240 --> 00:26:12,880
Speaker 1: a lot of people are going to be praising your

455
00:26:12,880 --> 00:26:15,520
Speaker 1: work in that, but I want you to know that

456
00:26:15,640 --> 00:26:18,800
Speaker 1: I think your hack your hack. You're not good at

457
00:26:18,840 --> 00:26:22,399
Speaker 1: what you do. And I didn't believe a single moment.

458
00:26:22,640 --> 00:26:26,160
Speaker 1: That's what she said. And then I said, okay, Bowen, thanks.

459
00:26:26,359 --> 00:26:33,280
Speaker 1: I say, hey, mama, stick to sketch, stick to the world. Yeah,

460
00:26:33,280 --> 00:26:35,880
Speaker 1: it looked cute card. That's where that's where your eyelan

461
00:26:35,960 --> 00:26:38,200
Speaker 1: is going to be. Stick to the cute cards. Don't

462
00:26:38,200 --> 00:26:40,439
Speaker 1: try any of this other stuff. You know. He was

463
00:26:40,880 --> 00:26:44,399
Speaker 1: very sweet, very sweet and complimentary. It was hard left.

464
00:26:44,600 --> 00:26:46,520
Speaker 1: We went hard left. So you had met You had

465
00:26:46,560 --> 00:26:51,119
Speaker 1: met him, I had met him. We don't have to

466
00:26:51,119 --> 00:26:54,879
Speaker 1: talk about him. We would want to talk. Do you

467
00:26:54,880 --> 00:26:59,080
Speaker 1: know about what we come through? Can we? I love him,

468
00:26:59,119 --> 00:27:02,080
Speaker 1: by the way him, he's amazing, but in general, but

469
00:27:02,440 --> 00:27:04,040
Speaker 1: King and I have King and I have checked in

470
00:27:04,119 --> 00:27:10,280
Speaker 1: just in general terms with our growth. Yes, I mean

471
00:27:10,560 --> 00:27:13,679
Speaker 1: since she's been on the pod, we've both been on

472
00:27:13,840 --> 00:27:18,000
Speaker 1: separate journeys because we both would lament and and just

473
00:27:18,040 --> 00:27:21,520
Speaker 1: really like commiserate with each other about how it's so

474
00:27:21,600 --> 00:27:25,399
Speaker 1: crazy how neither of us have been smanged in these

475
00:27:25,400 --> 00:27:31,600
Speaker 1: relations but yet but you were getting smanged. Not really.

476
00:27:32,080 --> 00:27:36,880
Speaker 1: Oh and you want to know something, sang bang smushed

477
00:27:36,920 --> 00:27:41,439
Speaker 1: in bankshed smashed and bang bang bars on the floor.

478
00:27:41,800 --> 00:27:45,080
Speaker 1: That's like, it's like it would you human beings need

479
00:27:45,160 --> 00:27:46,880
Speaker 1: to do that, some of them you're in a long

480
00:27:47,000 --> 00:27:50,720
Speaker 1: term relations so I was. And so this is why

481
00:27:50,760 --> 00:27:53,320
Speaker 1: I haven't I haven't seen you that one. That one

482
00:27:54,000 --> 00:27:59,080
Speaker 1: uh ended but very amicably and well, um, but you

483
00:27:59,119 --> 00:28:01,399
Speaker 1: know sort of what happens when a relationship ends is

484
00:28:01,440 --> 00:28:03,280
Speaker 1: that it gives opportunity to go out and get as

485
00:28:03,320 --> 00:28:07,680
Speaker 1: you guys say, smang, which I love, okay, we love that, Okay, okay,

486
00:28:07,720 --> 00:28:10,480
Speaker 1: but we have grown. I feel like since I can

487
00:28:10,520 --> 00:28:14,120
Speaker 1: actually chart the growth and the evolution a little bit

488
00:28:14,600 --> 00:28:18,840
Speaker 1: of of the three kings. I certainly know you. I

489
00:28:18,880 --> 00:28:20,600
Speaker 1: know about your journey, but I don't know whether you're

490
00:28:20,600 --> 00:28:23,560
Speaker 1: sharing the journey. I are we sharing the journey? We

491
00:28:23,640 --> 00:28:27,399
Speaker 1: maybe shouldn't share the journey, okay, because because it's it's

492
00:28:27,440 --> 00:28:29,600
Speaker 1: the journey is a big question mark. And then then

493
00:28:29,640 --> 00:28:32,320
Speaker 1: the journey is not over. And that's one thing about journeys. Well,

494
00:28:32,359 --> 00:28:38,040
Speaker 1: the journey never ends, and that's a fendi fact. But

495
00:28:38,480 --> 00:28:41,080
Speaker 1: I just think I think that's rule of culture. Actually

496
00:28:43,040 --> 00:28:48,600
Speaker 1: the journey never ends. And that's a Fendi factory. What's

497
00:28:48,640 --> 00:28:50,120
Speaker 1: your label of choice? What do you do? You want

498
00:28:50,120 --> 00:28:53,920
Speaker 1: a Fendi thing, you want a Gucci product? I want

499
00:28:53,920 --> 00:29:03,160
Speaker 1: a Jimmy Chew Jimmy Chew Bonobos of course. But did

500
00:29:03,160 --> 00:29:06,200
Speaker 1: you drink any high school? I did not. I didn't

501
00:29:06,200 --> 00:29:08,400
Speaker 1: even really drink in high school. I was like a

502
00:29:08,400 --> 00:29:17,560
Speaker 1: good kid. I was a little thing. But I also

503
00:29:17,680 --> 00:29:20,880
Speaker 1: I feel like, yeah, I'm like I grew up in

504
00:29:20,920 --> 00:29:23,600
Speaker 1: the suburbs, but I feel like the suburbs kids are parties.

505
00:29:23,720 --> 00:29:25,360
Speaker 1: I look at you for you high and I'm like,

506
00:29:25,720 --> 00:29:28,840
Speaker 1: not my high school. Can you imagine that show being reality?

507
00:29:28,920 --> 00:29:32,280
Speaker 1: Like it is so psycho that they that they exist

508
00:29:32,320 --> 00:29:34,320
Speaker 1: in the world in that space. I'm like, there's no

509
00:29:34,720 --> 00:29:36,920
Speaker 1: I don't even think there was any Like I can't

510
00:29:36,960 --> 00:29:39,080
Speaker 1: say anyone in my high school. I went to public school.

511
00:29:39,280 --> 00:29:42,160
Speaker 1: But I'm like, I just if there were anyone in

512
00:29:42,240 --> 00:29:48,240
Speaker 1: my high school like those children, I'm just like, even

513
00:29:48,360 --> 00:29:50,920
Speaker 1: one person, I think we all would have known and

514
00:29:50,960 --> 00:29:54,000
Speaker 1: it would have been such a such a scandal. I

515
00:29:54,040 --> 00:29:57,560
Speaker 1: mean that that's a lot going on there that school.

516
00:29:57,760 --> 00:30:00,440
Speaker 1: I watched the pilot. I watched the first episode What Summer,

517
00:30:01,960 --> 00:30:04,840
Speaker 1: and I freaked at my head such a crazy response

518
00:30:04,880 --> 00:30:07,760
Speaker 1: to it because I was like, I feel fully anty,

519
00:30:08,000 --> 00:30:10,880
Speaker 1: I feel like developmentally stunted because that wasn't high school

520
00:30:10,880 --> 00:30:12,600
Speaker 1: for me. I watched that first episode and I was like,

521
00:30:12,800 --> 00:30:18,000
Speaker 1: I guess that's what high school should have been, Like No, no,

522
00:30:18,200 --> 00:30:22,960
Speaker 1: because you'd be living a very different, hard, fastened day.

523
00:30:23,080 --> 00:30:25,080
Speaker 1: I watched that show and I thought, well, I guess

524
00:30:25,160 --> 00:30:28,640
Speaker 1: everyone else's high school experience was like this, accept mine

525
00:30:29,000 --> 00:30:31,440
Speaker 1: and I'm started making this about me, And I thought

526
00:30:31,440 --> 00:30:35,240
Speaker 1: that was my response to think. I think in consuming anything,

527
00:30:35,280 --> 00:30:36,600
Speaker 1: you're going to make it a little bit about you

528
00:30:36,640 --> 00:30:38,880
Speaker 1: because you're consuming it. And so when you see this

529
00:30:39,080 --> 00:30:42,719
Speaker 1: insane high school of the dress Designer, they come in

530
00:30:43,160 --> 00:30:52,480
Speaker 1: there absolutely fighting and bleeding, geting, cruising, crushing, sting, shooting, shooting,

531
00:30:52,760 --> 00:30:56,560
Speaker 1: like living, dyeing, come back to life, held hostage in

532
00:30:56,600 --> 00:31:01,520
Speaker 1: like the grossest apartment you've ever the most insane, so insane,

533
00:31:01,600 --> 00:31:05,040
Speaker 1: and like, these are not high schoolers. These are grown

534
00:31:05,080 --> 00:31:08,720
Speaker 1: people living in a very specific place. Not and I

535
00:31:08,840 --> 00:31:13,040
Speaker 1: also they're just not high school, okay, but that specific

536
00:31:13,080 --> 00:31:17,080
Speaker 1: place being l a and like, honestly, between watching Euphoria

537
00:31:17,240 --> 00:31:20,520
Speaker 1: and fucking like licorice pizza like through the decades. I'm like,

538
00:31:21,000 --> 00:31:23,880
Speaker 1: growing up here in the city of Los Angeles is

539
00:31:24,280 --> 00:31:28,680
Speaker 1: fucked up. I gotta say, yeah, it's not. The kids

540
00:31:28,680 --> 00:31:30,520
Speaker 1: should not grow up here. Well, I want to raise

541
00:31:30,560 --> 00:31:33,480
Speaker 1: our children here, so you and me? Yeah and l A, Yeah,

542
00:31:33,640 --> 00:31:36,040
Speaker 1: I don't want that. We we have to discuss this offline.

543
00:31:36,720 --> 00:31:39,280
Speaker 1: Will you guys have a natural child? Will you guys

544
00:31:39,320 --> 00:31:43,400
Speaker 1: have sex? Or will you do Petri dish? Well, go ahead,

545
00:31:43,480 --> 00:31:47,560
Speaker 1: We fucked and nothing's happened. Nothing came out, nothing came out.

546
00:31:47,800 --> 00:31:52,160
Speaker 1: Did you enjoy it sex together? I feel like it

547
00:31:52,200 --> 00:31:54,720
Speaker 1: was we had We had a choreographer in the room, yeah,

548
00:31:54,760 --> 00:31:58,200
Speaker 1: and an intimacy coordinator, but was not We weren't shooting

549
00:31:58,200 --> 00:32:05,000
Speaker 1: anything either. We were to make sure that everyone was respective.

550
00:32:05,720 --> 00:32:12,520
Speaker 1: But we're still sex. You penetrated, Yeah, you. I I

551
00:32:12,720 --> 00:32:15,520
Speaker 1: enjoyed it. Nothing came out, but I enjoyed it. About

552
00:32:17,320 --> 00:32:19,800
Speaker 1: kept telling me you have to take my word for it.

553
00:32:19,880 --> 00:32:25,560
Speaker 1: I enjoyed it. I enjoyed it during during the act. Yeah,

554
00:32:25,600 --> 00:32:27,960
Speaker 1: And I was like, I don't want to take your word.

555
00:32:28,000 --> 00:32:30,760
Speaker 1: Your body will say that you're enjoying it. Yeah, it

556
00:32:30,840 --> 00:32:34,280
Speaker 1: can't just sex. Isn't about like taking my word, you know,

557
00:32:35,080 --> 00:32:40,400
Speaker 1: life episode for yeah, exactly, sex, it's not about taking

558
00:32:40,440 --> 00:32:43,600
Speaker 1: my word. And I think either you or I or

559
00:32:43,640 --> 00:32:47,360
Speaker 1: we both blacked out during it. We both stressed. Yeah,

560
00:32:47,360 --> 00:32:49,480
Speaker 1: we got stressed and were blacked out. So but we're

561
00:32:49,520 --> 00:32:52,160
Speaker 1: still able to maintain a friendship. And that's what matters.

562
00:32:52,360 --> 00:32:57,400
Speaker 1: That's not a marriage. That's not a marriage. That's I think. No,

563
00:32:57,520 --> 00:33:00,400
Speaker 1: But I think all good marriages are based in friendship. Yeah,

564
00:33:00,440 --> 00:33:03,800
Speaker 1: but ultimately your body has to tell you okay, well

565
00:33:03,840 --> 00:33:09,000
Speaker 1: all right, well then off offline as a friend, as

566
00:33:09,000 --> 00:33:15,680
Speaker 1: the third king, I'm worried about you, guys, okay, offline, offline, offline, offline,

567
00:33:16,320 --> 00:33:22,280
Speaker 1: I can we hold on? Both of you have dated friends? Yeah,

568
00:33:22,360 --> 00:33:25,160
Speaker 1: and I think that is that is what I want,

569
00:33:25,520 --> 00:33:29,000
Speaker 1: And I can't. I can't go through my list friends

570
00:33:30,280 --> 00:33:32,360
Speaker 1: you've no, I don't. I don't. I can't think of

571
00:33:32,360 --> 00:33:34,200
Speaker 1: a friend. But I'm saying that's where it has to start.

572
00:33:34,240 --> 00:33:37,360
Speaker 1: I have to date a friend because I don't want

573
00:33:37,360 --> 00:33:39,640
Speaker 1: to meet someone new and have that be like the

574
00:33:40,040 --> 00:33:42,840
Speaker 1: I think that the dating friend thing gets confusing. Though,

575
00:33:42,920 --> 00:33:45,719
Speaker 1: just to actually say this, it's like when you have

576
00:33:45,760 --> 00:33:48,440
Speaker 1: a friend and it becomes more then you have to

577
00:33:48,520 --> 00:33:51,200
Speaker 1: like negotiate like sex with them. You're like, whoa, I

578
00:33:51,200 --> 00:33:53,880
Speaker 1: haven't really necessarily thought of you this way, and then

579
00:33:53,880 --> 00:33:56,520
Speaker 1: all of a sudden, here we go, let's just say,

580
00:33:56,680 --> 00:34:01,040
Speaker 1: breaching the subject um. And but it's it's foundational. I

581
00:34:01,080 --> 00:34:04,200
Speaker 1: don't think it's like totally compromise. I think it's like

582
00:34:04,400 --> 00:34:06,280
Speaker 1: I don't know, because you and you and your boyfriend

583
00:34:06,280 --> 00:34:09,279
Speaker 1: started out as friends, yes, but like barely acquaintances. We

584
00:34:09,320 --> 00:34:11,719
Speaker 1: didn't have any real friendship. Like we went to a

585
00:34:11,719 --> 00:34:14,919
Speaker 1: party together platonically he invited me, and then and and

586
00:34:14,960 --> 00:34:18,359
Speaker 1: now we're together, but we neither of us saw each other.

587
00:34:18,360 --> 00:34:21,080
Speaker 1: Because I feel like if I'm friends with you for

588
00:34:21,080 --> 00:34:24,080
Speaker 1: an extended period of time, my brain just shuts down

589
00:34:24,120 --> 00:34:27,440
Speaker 1: even the possibilities. But I'm like, no, yeah, like it

590
00:34:27,440 --> 00:34:29,319
Speaker 1: could be the most handsome person on the planet. And

591
00:34:29,360 --> 00:34:32,400
Speaker 1: I'm like, my brain is like you're my friend, Like

592
00:34:32,600 --> 00:34:35,040
Speaker 1: you're my friend. I wouldn't want to ever bump. So

593
00:34:35,080 --> 00:34:37,360
Speaker 1: then you think so then you think you got in

594
00:34:37,400 --> 00:34:40,520
Speaker 1: there right on time with with with with yes, yes,

595
00:34:40,560 --> 00:34:43,040
Speaker 1: but well because I'm like we didn't, we didn't actually

596
00:34:43,040 --> 00:34:45,960
Speaker 1: like establish any friendship. It's like went to this party,

597
00:34:46,239 --> 00:34:49,359
Speaker 1: and then a year and a half later connected and

598
00:34:49,400 --> 00:34:55,440
Speaker 1: it was like, yeah, and that's all I want is

599
00:34:55,480 --> 00:34:58,000
Speaker 1: from my real life to reflect love life. I mean,

600
00:34:58,160 --> 00:35:00,000
Speaker 1: don't you though, Like every time I watched that show

601
00:35:00,360 --> 00:35:03,440
Speaker 1: and I watched the first season in one day, in

602
00:35:03,440 --> 00:35:07,280
Speaker 1: the second season in one day, I guess my favorite show. Um,

603
00:35:07,320 --> 00:35:10,680
Speaker 1: but I always it ends and I'm always like I

604
00:35:10,760 --> 00:35:13,479
Speaker 1: kind of want my story. I want my story told

605
00:35:13,520 --> 00:35:17,480
Speaker 1: and want and to live my story, to live my

606
00:35:17,560 --> 00:35:21,280
Speaker 1: story and to have it end happy at twenty nine happily.

607
00:35:21,320 --> 00:35:23,640
Speaker 1: Ever act, That's the thing about it is like that's

608
00:35:23,680 --> 00:35:26,919
Speaker 1: not real, that those parts are not real. Where it's

609
00:35:26,960 --> 00:35:28,759
Speaker 1: like and it wraps, it gets all wrapped up in

610
00:35:28,800 --> 00:35:32,279
Speaker 1: a bow. It's all look look how good and clean

611
00:35:32,360 --> 00:35:36,280
Speaker 1: and pure it is, and like it's rom calm. I understand,

612
00:35:36,360 --> 00:35:39,960
Speaker 1: but we're misleading people. No, I think you can give

613
00:35:40,000 --> 00:35:42,400
Speaker 1: them home. You know my favorite movie? What were you

614
00:35:42,400 --> 00:35:44,480
Speaker 1: about to say? Though? I was gonna say, well, it's

615
00:35:44,560 --> 00:35:46,200
Speaker 1: name your favorite movie first, and then I'll say one

616
00:35:46,239 --> 00:35:48,719
Speaker 1: of my favorite movies. This is Sick is Blue Valentine,

617
00:35:49,040 --> 00:35:53,960
Speaker 1: I like my favorite movie. It's giving reality. It's giving reality,

618
00:35:54,000 --> 00:35:56,839
Speaker 1: it's giving life is not all clean lines and you know,

619
00:35:57,239 --> 00:36:01,560
Speaker 1: and it's mess that song in Blue Out, Yes that

620
00:36:01,680 --> 00:36:11,200
Speaker 1: you and me, You and me, Shell Williams is Yes, absolutely,

621
00:36:11,280 --> 00:36:14,080
Speaker 1: Like honestly, the scene where she's like, okay, you want

622
00:36:14,080 --> 00:36:15,560
Speaker 1: to have sex, Okay, just suck me. He's like, well,

623
00:36:15,560 --> 00:36:18,560
Speaker 1: I don't want you like that, and just negotiating like

624
00:36:18,680 --> 00:36:21,239
Speaker 1: what they what he wants for six and her she's like,

625
00:36:21,280 --> 00:36:22,920
Speaker 1: I just want you to shut the funk up and

626
00:36:23,480 --> 00:36:26,800
Speaker 1: leave me alone. The shower scene when he tries to

627
00:36:26,800 --> 00:36:28,239
Speaker 1: start it up in the shower and she's like not

628
00:36:28,360 --> 00:36:30,319
Speaker 1: into it, It's like, oh god, Like I don't know.

629
00:36:30,400 --> 00:36:32,960
Speaker 1: That felt very voyeuristic to me in the way that

630
00:36:33,040 --> 00:36:35,880
Speaker 1: was like makes you go cross side because you you

631
00:36:35,920 --> 00:36:37,960
Speaker 1: can recognize some of it and you're like, oh god,

632
00:36:38,680 --> 00:36:40,440
Speaker 1: I can't believe there was a room full of people

633
00:36:40,520 --> 00:36:44,839
Speaker 1: like recording this. That is also a thing like with

634
00:36:45,000 --> 00:36:47,520
Speaker 1: I've done now, is it a spoiler if I say

635
00:36:47,560 --> 00:36:49,800
Speaker 1: I've done a love scene now? So in Vire Island

636
00:36:49,840 --> 00:36:53,200
Speaker 1: I had a scene like that and obviously you did

637
00:36:53,200 --> 00:36:56,480
Speaker 1: too on Love Life. Um so you know, like with

638
00:36:56,520 --> 00:36:58,719
Speaker 1: the intimacy coordinator of it all, and like what a

639
00:36:58,840 --> 00:37:01,040
Speaker 1: what a process that is? Did I have a question

640
00:37:01,040 --> 00:37:03,080
Speaker 1: for you. When you were having the conversation with the

641
00:37:03,080 --> 00:37:08,680
Speaker 1: animacy coordinator, did you feel emotional? I didn't. Well, yes,

642
00:37:08,840 --> 00:37:13,000
Speaker 1: I mean what my most I felt remarkably vulnerable, and

643
00:37:13,040 --> 00:37:15,040
Speaker 1: that felt and then I was like taken back to

644
00:37:15,480 --> 00:37:17,719
Speaker 1: I want to say, quite childhood in it anyway, But

645
00:37:17,719 --> 00:37:19,759
Speaker 1: it was just sort of like, Oh, I'm I really

646
00:37:19,760 --> 00:37:21,759
Speaker 1: have to have this conversation with this person I don't know,

647
00:37:21,920 --> 00:37:23,439
Speaker 1: and I have to tell them what I feel safe

648
00:37:23,520 --> 00:37:26,440
Speaker 1: with and what works, and like hear what the director's

649
00:37:26,560 --> 00:37:29,120
Speaker 1: vision for this is and I'm like, oh, I don't know,

650
00:37:29,560 --> 00:37:31,080
Speaker 1: and like do you have my back? So I felt

651
00:37:31,160 --> 00:37:33,920
Speaker 1: very I felt vulnerable just even in my conversation with her,

652
00:37:34,160 --> 00:37:36,719
Speaker 1: and that felt like mildly scary, and I like to

653
00:37:36,719 --> 00:37:39,160
Speaker 1: do things and make me scared anyway. But so I

654
00:37:39,239 --> 00:37:42,200
Speaker 1: was like, whoa, this is a bizarre experience. How about you. Well,

655
00:37:43,080 --> 00:37:47,600
Speaker 1: the the scene that um happens in the movie that's

656
00:37:47,600 --> 00:37:49,640
Speaker 1: not out yet, so no one knows what I'm talking about,

657
00:37:49,719 --> 00:37:51,799
Speaker 1: was I'll be vague, is it's it's it's a very

658
00:37:51,840 --> 00:37:56,320
Speaker 1: specific circumstance. And so I was surprised because I loved

659
00:37:56,320 --> 00:37:58,400
Speaker 1: the animacy coordinator I worked with right away and she

660
00:37:58,480 --> 00:38:00,200
Speaker 1: sat down like cross leg and on the on in

661
00:38:00,239 --> 00:38:02,040
Speaker 1: front of me was like, okay, like slapped her slap

662
00:38:02,120 --> 00:38:04,239
Speaker 1: slaped legs, was like, let's talk about it. And then

663
00:38:04,719 --> 00:38:07,160
Speaker 1: she asked wonder at the same one because she is

664
00:38:07,680 --> 00:38:12,480
Speaker 1: I loved her, but basically like during the conversation, like

665
00:38:12,920 --> 00:38:15,080
Speaker 1: she was asking questions about what she thinks the character

666
00:38:15,160 --> 00:38:18,359
Speaker 1: was feeling, and I, despite myself, I don't know where

667
00:38:18,360 --> 00:38:21,640
Speaker 1: I came from. I started to get emotional and upset

668
00:38:21,840 --> 00:38:24,120
Speaker 1: and I said to her, I was like, I'm getting upset.

669
00:38:24,360 --> 00:38:26,239
Speaker 1: And she sat there and she said, this happens all

670
00:38:26,239 --> 00:38:29,560
Speaker 1: the time, and I started to really cry, and I

671
00:38:29,600 --> 00:38:32,319
Speaker 1: was like, I'm really sorry. It's just it's not because

672
00:38:32,320 --> 00:38:34,560
Speaker 1: I feel uncomfortable doing it. It's just because I'm thinking

673
00:38:34,560 --> 00:38:37,840
Speaker 1: about what it is and etcetera. And she said, I

674
00:38:37,880 --> 00:38:41,120
Speaker 1: want you to know this happens all the time. And

675
00:38:41,160 --> 00:38:43,759
Speaker 1: I thought to myself, like when now, whenever I watch

676
00:38:43,760 --> 00:38:45,799
Speaker 1: a love scene, I'm like, you know, what is really

677
00:38:45,840 --> 00:38:49,000
Speaker 1: vulnerable because you are being watched and perceived. Also you

678
00:38:49,040 --> 00:38:51,160
Speaker 1: have to embody whatever it is going on in the scene,

679
00:38:51,200 --> 00:38:53,920
Speaker 1: and sometimes, like you know, sex is very complicated and

680
00:38:53,920 --> 00:38:56,000
Speaker 1: emotional and it brings up a lot of different things,

681
00:38:56,000 --> 00:38:59,520
Speaker 1: and so I really do think like that that was

682
00:38:59,560 --> 00:39:03,200
Speaker 1: like a really interesting challenge. Wasn't performing that because and

683
00:39:03,239 --> 00:39:05,919
Speaker 1: I didn't expect it because you think you hear about

684
00:39:05,960 --> 00:39:08,440
Speaker 1: how choreographed it is, and you hear about how unemotional

685
00:39:08,520 --> 00:39:11,160
Speaker 1: is unattached, but not really because you still have to

686
00:39:11,239 --> 00:39:17,440
Speaker 1: perform it. As like as a young person watching whatever,

687
00:39:17,800 --> 00:39:20,400
Speaker 1: so much younger than I am now watching Blue Valentine,

688
00:39:20,400 --> 00:39:23,320
Speaker 1: I remember being like, I think they're actually having sex

689
00:39:23,320 --> 00:39:25,200
Speaker 1: and my sister being like, there's no way they're actually

690
00:39:25,200 --> 00:39:28,719
Speaker 1: having sex, and I'm like it, I think they're I

691
00:39:28,760 --> 00:39:30,800
Speaker 1: think they went for it because I was like, Derrek

692
00:39:30,800 --> 00:39:33,480
Speaker 1: st in France is like a unique director and he

693
00:39:33,640 --> 00:39:36,839
Speaker 1: had Brian lived with Eva Mendez in the house where

694
00:39:36,880 --> 00:39:38,359
Speaker 1: they did place me on the pines for a while

695
00:39:38,560 --> 00:39:41,200
Speaker 1: from months together, so I was like, maybe they got

696
00:39:41,239 --> 00:39:42,640
Speaker 1: they came to the two of them came to some

697
00:39:42,680 --> 00:39:45,000
Speaker 1: agreement like well we will fuck, because I was like

698
00:39:45,040 --> 00:39:48,279
Speaker 1: this just looks so real, like the emotion in both

699
00:39:48,360 --> 00:39:52,040
Speaker 1: of them, and so yeah, I read the script for

700
00:39:52,120 --> 00:39:54,480
Speaker 1: Love Life and I knew what it was going to entail,

701
00:39:54,920 --> 00:39:57,279
Speaker 1: and I do remember reading in being very moved by it.

702
00:39:57,320 --> 00:39:59,440
Speaker 1: But then also going, oh, that means I would have

703
00:39:59,480 --> 00:40:03,320
Speaker 1: to be in vulnerable position. Um, and then yeah you

704
00:40:03,320 --> 00:40:04,879
Speaker 1: you go and you do it and you're like, I

705
00:40:04,920 --> 00:40:08,760
Speaker 1: feel So we did our We did our our sex scenes.

706
00:40:08,880 --> 00:40:12,319
Speaker 1: First first day was like what nice to me? It

707
00:40:12,400 --> 00:40:14,920
Speaker 1: was literally that was those were the first scenes we did.

708
00:40:15,440 --> 00:40:20,920
Speaker 1: Go and I was like, oh, do you And I

709
00:40:21,000 --> 00:40:23,000
Speaker 1: was like, would I love to do this at the

710
00:40:23,120 --> 00:40:25,239
Speaker 1: end of the week with you? Because now I know you.

711
00:40:25,520 --> 00:40:28,200
Speaker 1: Familiarity is so important that the person I do the

712
00:40:28,239 --> 00:40:31,200
Speaker 1: scene with I was close to at that point because

713
00:40:31,239 --> 00:40:33,560
Speaker 1: we had done a lot together and I can't imagine

714
00:40:33,600 --> 00:40:37,480
Speaker 1: having just like okay, and like Will is so wonderful

715
00:40:37,560 --> 00:40:41,680
Speaker 1: and was and it's remarkably respectful, and everyone on set

716
00:40:41,719 --> 00:40:45,680
Speaker 1: was incredibly respectful. Couldn't really ask if you have to

717
00:40:45,680 --> 00:40:48,760
Speaker 1: do it for on the first day, a better situation,

718
00:40:48,800 --> 00:40:51,440
Speaker 1: a better group of people. But it still felt like, oh,

719
00:40:51,480 --> 00:40:53,839
Speaker 1: we're starting here, we're gonna go for it, and then

720
00:40:53,880 --> 00:40:57,799
Speaker 1: we're gonna it was a close set. It was a

721
00:40:57,800 --> 00:41:00,840
Speaker 1: close set, but it's so crazy. You're like, as an actor,

722
00:41:01,440 --> 00:41:03,400
Speaker 1: these are the things you don't say enjoy watching, but

723
00:41:03,440 --> 00:41:05,400
Speaker 1: you're like, it's real. This is like a slice of life.

724
00:41:05,480 --> 00:41:08,040
Speaker 1: But then when you actually have to perform it yourself

725
00:41:08,239 --> 00:41:10,600
Speaker 1: on a set in front of people, because even though

726
00:41:10,640 --> 00:41:12,600
Speaker 1: close set, that's you know, the DP is still there,

727
00:41:12,640 --> 00:41:16,280
Speaker 1: the director is still um standing by your and someone's

728
00:41:16,280 --> 00:41:19,680
Speaker 1: watching the monitor. Someone's are watching the monitor. You're like,

729
00:41:19,680 --> 00:41:22,000
Speaker 1: oh my gosh, this, I don't want you guys to

730
00:41:22,000 --> 00:41:23,960
Speaker 1: know what I look like when I'm I don't want

731
00:41:23,960 --> 00:41:26,560
Speaker 1: to hear the words marking rehearsal before I pretend to

732
00:41:26,600 --> 00:41:33,080
Speaker 1: come just sort of how I feel. But it's just

733
00:41:33,200 --> 00:41:35,960
Speaker 1: it's just like it's it is a thing. And so

734
00:41:36,000 --> 00:41:38,080
Speaker 1: now every time I watch a sexy and having like

735
00:41:38,760 --> 00:41:41,360
Speaker 1: I haven't been involved in it, it's and especially with

736
00:41:41,400 --> 00:41:44,879
Speaker 1: something like Blue Valentine, which like famously pretty much got

737
00:41:44,880 --> 00:41:47,120
Speaker 1: an NC seventeen at first and then they have become

738
00:41:47,560 --> 00:41:50,080
Speaker 1: There was a thing with the ratings. I remember what

739
00:41:50,120 --> 00:41:53,440
Speaker 1: it was was there's a scene of like him performing

740
00:41:53,520 --> 00:41:56,720
Speaker 1: oral sex on her and there was a controversy because

741
00:41:56,840 --> 00:41:59,480
Speaker 1: it was like we see blow jobs happen all the time,

742
00:41:59,520 --> 00:42:02,279
Speaker 1: like women performing sex sex on men, and often it's

743
00:42:02,320 --> 00:42:06,120
Speaker 1: like pirt but a woman is being pleasured by a man,

744
00:42:06,320 --> 00:42:08,640
Speaker 1: And it was like Britain with an NC seventeen rating

745
00:42:08,640 --> 00:42:10,960
Speaker 1: it felt too much, and that was a whole you know,

746
00:42:11,080 --> 00:42:14,960
Speaker 1: conversation about you know, like feminism in terms of this

747
00:42:15,040 --> 00:42:18,680
Speaker 1: whole thing. But they went in on those sex scenes.

748
00:42:18,680 --> 00:42:21,640
Speaker 1: There's that shot of him like like from her like

749
00:42:21,800 --> 00:42:26,040
Speaker 1: perspective of him sucking her, and it's like, yeah, I

750
00:42:25,640 --> 00:42:28,960
Speaker 1: I truly to this day that I'm like I watched him, like,

751
00:42:29,040 --> 00:42:32,879
Speaker 1: they're not you still don't know. I'm grown as hell,

752
00:42:32,920 --> 00:42:36,560
Speaker 1: and I go, are they are? They really not? Fucking

753
00:42:37,760 --> 00:42:40,200
Speaker 1: I mean, there's a question they went for it, and

754
00:42:40,320 --> 00:42:43,319
Speaker 1: I had so many things like this would be my

755
00:42:43,480 --> 00:42:46,319
Speaker 1: this will be my first intimate scene. And I'm at

756
00:42:46,360 --> 00:42:48,000
Speaker 1: the stage of matt in my career, and I'm like,

757
00:42:48,239 --> 00:42:50,400
Speaker 1: you don't want to go. I don't personally want to

758
00:42:50,400 --> 00:42:53,320
Speaker 1: go all out for the first thing I do. I

759
00:42:53,800 --> 00:42:56,719
Speaker 1: don't want to unless it's I mean, yeah, it just

760
00:42:56,840 --> 00:42:59,319
Speaker 1: didn't feel like the time and even And that's what's

761
00:42:59,320 --> 00:43:02,840
Speaker 1: also strange as a like self proclaimed nudist of sorts

762
00:43:03,000 --> 00:43:05,839
Speaker 1: being like, well not, but my thing is my thing

763
00:43:05,920 --> 00:43:09,160
Speaker 1: is around like sexualizing my body, So like as soon

764
00:43:09,200 --> 00:43:11,359
Speaker 1: as that happens, I'm like, well, no, that's not nude,

765
00:43:11,480 --> 00:43:14,239
Speaker 1: that's not the version I want. Can't we all just

766
00:43:14,280 --> 00:43:18,200
Speaker 1: walk around naked and not be like and now, yeah

767
00:43:18,200 --> 00:43:20,920
Speaker 1: I see your naked and I'm getting turned on, you know.

768
00:43:21,080 --> 00:43:24,759
Speaker 1: So um but anyway, I felt just I was like,

769
00:43:24,800 --> 00:43:26,560
Speaker 1: this is not the time I want to do this

770
00:43:26,680 --> 00:43:28,600
Speaker 1: version of it. So I did have a sort of

771
00:43:28,640 --> 00:43:31,440
Speaker 1: like very open conversation about like, this is what I'm

772
00:43:31,480 --> 00:43:34,040
Speaker 1: comfortable with, this is what at this stage in my career,

773
00:43:34,239 --> 00:43:35,640
Speaker 1: this is what I want to do. And you know,

774
00:43:36,200 --> 00:43:38,600
Speaker 1: because it also would be weird to be like, yeah,

775
00:43:38,719 --> 00:43:41,440
Speaker 1: given full frontal and then go and be on SNL

776
00:43:42,800 --> 00:43:45,359
Speaker 1: a couple of years and be like and I want

777
00:43:45,400 --> 00:43:49,120
Speaker 1: you to think of me as goofy Like I don't. Yeah,

778
00:43:49,360 --> 00:43:54,000
Speaker 1: I was like, that just feels too exposed to me. Um. Yeah,

779
00:43:54,040 --> 00:43:57,719
Speaker 1: I feel like and this might sound weird, but I

780
00:43:57,760 --> 00:44:00,640
Speaker 1: feel like you hold both of those things very well

781
00:44:00,680 --> 00:44:03,520
Speaker 1: at the same time. Thank you, right, And like what

782
00:44:03,600 --> 00:44:06,640
Speaker 1: I was gonna say earlier was like, I feel like

783
00:44:06,719 --> 00:44:09,800
Speaker 1: you this this isn't what I meant to say, but

784
00:44:09,800 --> 00:44:11,600
Speaker 1: I like, you better get used to it, because you're

785
00:44:11,600 --> 00:44:13,319
Speaker 1: gonna be doing wrong. Guys. I feel like you are

786
00:44:13,400 --> 00:44:16,800
Speaker 1: rom con queen. If you want to be right, okay,

787
00:44:16,840 --> 00:44:19,719
Speaker 1: I mean you had you had it That's that's why

788
00:44:19,760 --> 00:44:21,879
Speaker 1: I was That's why I was like so excited when

789
00:44:21,960 --> 00:44:24,640
Speaker 1: after I watched it, because I was like, wow, I

790
00:44:24,640 --> 00:44:26,960
Speaker 1: just love it. Then I see the future if that's

791
00:44:27,000 --> 00:44:29,799
Speaker 1: what you want. Like, I love it when people that

792
00:44:29,800 --> 00:44:32,000
Speaker 1: that we know from es and now, like yourself, like

793
00:44:32,040 --> 00:44:34,399
Speaker 1: a Dy, like Cecily, like like so many like Bow

794
00:44:34,480 --> 00:44:36,960
Speaker 1: and like so many people, when they get an opportunity

795
00:44:37,000 --> 00:44:40,560
Speaker 1: to show the dynamic nature of themselves as a performer.

796
00:44:40,560 --> 00:44:42,360
Speaker 1: And I was really happy that you got that. And

797
00:44:42,520 --> 00:44:45,000
Speaker 1: I was really also really liked when you're because I

798
00:44:45,280 --> 00:44:48,120
Speaker 1: texted you before. But when your character comes back at

799
00:44:48,120 --> 00:44:49,759
Speaker 1: the end of the season and you find out you

800
00:44:49,800 --> 00:44:53,759
Speaker 1: find out playwriting is like kind of bad? Are not

801
00:44:53,800 --> 00:44:55,760
Speaker 1: even kind of bad? So bad? How did you feel

802
00:44:55,760 --> 00:44:57,799
Speaker 1: when you found out she was bad? I was like, oh,

803
00:44:57,800 --> 00:45:00,640
Speaker 1: well that's inbar. I was like, I'm glad I didn't know,

804
00:45:00,760 --> 00:45:04,040
Speaker 1: because I was originally supposed to do one episode and

805
00:45:04,080 --> 00:45:06,120
Speaker 1: then there's this like you might do a second one

806
00:45:06,320 --> 00:45:08,480
Speaker 1: and this season, and I was like, great, So all

807
00:45:08,520 --> 00:45:10,719
Speaker 1: I have because they were still working on what that

808
00:45:10,760 --> 00:45:14,239
Speaker 1: second episode might be is the context of like for

809
00:45:14,360 --> 00:45:17,719
Speaker 1: this play right, and she seems like and she takes

810
00:45:17,719 --> 00:45:22,800
Speaker 1: herself seriously and like and then like you know, mama,

811
00:45:22,960 --> 00:45:25,640
Speaker 1: like for a writing fellowship of sorts or a workshop,

812
00:45:25,719 --> 00:45:30,880
Speaker 1: and then to have that be the It was a

813
00:45:30,920 --> 00:45:34,840
Speaker 1: horrible play right, and it makes it I mean at

814
00:45:35,080 --> 00:45:39,279
Speaker 1: last boy also that she liked her own line, that

815
00:45:39,400 --> 00:45:41,359
Speaker 1: she said it up to put it in her play,

816
00:45:41,400 --> 00:45:46,560
Speaker 1: like she walked away being like, hell yeah, she is

817
00:45:46,719 --> 00:45:48,879
Speaker 1: kind of toxic. It is a person. I do think

818
00:45:48,880 --> 00:45:51,120
Speaker 1: people were like rooting for her and then by the

819
00:45:51,200 --> 00:45:55,520
Speaker 1: end be like, no, she's a message to I think

820
00:45:55,560 --> 00:45:57,960
Speaker 1: that she'll win the Pulitzer Prize. And I also think

821
00:45:58,000 --> 00:45:59,799
Speaker 1: it was so funny the way you played it, like

822
00:45:59,800 --> 00:46:03,400
Speaker 1: when you were so smugging about like yeah, got you,

823
00:46:03,760 --> 00:46:06,040
Speaker 1: I published my play and here it is and got you,

824
00:46:07,040 --> 00:46:09,719
Speaker 1: got you good? Got you good? Like it was a

825
00:46:09,760 --> 00:46:11,680
Speaker 1: scene where it was like I think he calls you

826
00:46:11,719 --> 00:46:13,120
Speaker 1: out on it and you're like, I don't know what

827
00:46:13,120 --> 00:46:19,720
Speaker 1: you're talking jazz lighting queen so insane. And then my

828
00:46:19,719 --> 00:46:21,719
Speaker 1: my new boyfriend being like I was there when she

829
00:46:21,719 --> 00:46:27,759
Speaker 1: wrote it's not about you, like the perch are you

830
00:46:27,920 --> 00:46:31,480
Speaker 1: talking about? Just the weird This the strangest interaction. But

831
00:46:31,520 --> 00:46:32,960
Speaker 1: that was very fun to get to come back and

832
00:46:33,000 --> 00:46:35,480
Speaker 1: I feel like be like a little more playful than

833
00:46:35,520 --> 00:46:39,800
Speaker 1: that scene. Yea, perhaps otherwise, but yeah, you know I'm

834
00:46:39,800 --> 00:46:44,400
Speaker 1: gonna be rom com queen. Well okay, I guess someone

835
00:46:45,320 --> 00:46:49,040
Speaker 1: who said it. Someone was like, there, we're gonna be Oh.

836
00:46:49,120 --> 00:46:51,120
Speaker 1: I was whatever, this is so gross. I had a

837
00:46:51,160 --> 00:46:53,520
Speaker 1: meeting where like this guy was like, well, we're about

838
00:46:53,560 --> 00:46:55,759
Speaker 1: to be like flooded with rom coms, and I was like,

839
00:46:55,960 --> 00:47:07,360
Speaker 1: I think you're right. Yeah, we're speaking right now in

840
00:47:07,640 --> 00:47:10,960
Speaker 1: the moment, like we're recording this the weekend that Marry

841
00:47:11,000 --> 00:47:13,279
Speaker 1: Me Mary comes out. So and this is what I think,

842
00:47:13,320 --> 00:47:15,040
Speaker 1: like if anyone is going to bring it back in

843
00:47:15,080 --> 00:47:17,279
Speaker 1: like a major mainstream way, it will be j Lo

844
00:47:17,719 --> 00:47:21,120
Speaker 1: because Jlo is four quadrant. J Loo is you know

845
00:47:21,160 --> 00:47:23,759
Speaker 1: you're gonna be entertained. It's a throwback. And also it

846
00:47:23,800 --> 00:47:26,600
Speaker 1: feels now, you know what I mean? And so even

847
00:47:26,680 --> 00:47:29,640
Speaker 1: a plot as dumb as Marry Me and I love

848
00:47:29,680 --> 00:47:32,560
Speaker 1: that it knows how dumb is like, but it's committed to.

849
00:47:32,960 --> 00:47:36,560
Speaker 1: We need more of that. That really that that magical realism,

850
00:47:36,600 --> 00:47:40,120
Speaker 1: I guess like that's surreal magreeds surreal type of romantic

851
00:47:40,160 --> 00:47:42,239
Speaker 1: situation that we can just go for the ride on

852
00:47:42,280 --> 00:47:43,840
Speaker 1: the way we go for the ride on these like

853
00:47:43,880 --> 00:47:49,160
Speaker 1: superhero movies. Yes, here for it, here, absolutely here for it.

854
00:47:49,480 --> 00:47:52,799
Speaker 1: I want more rom coms. I'm like, I want King

855
00:47:52,920 --> 00:47:55,560
Speaker 1: and more rom com Put me in rom coms. Industry

856
00:47:55,600 --> 00:48:00,520
Speaker 1: listens to this industry put me in rom coms. Academia

857
00:48:00,560 --> 00:48:05,799
Speaker 1: listens to this critical acclaim. It has been cited an

858
00:48:05,800 --> 00:48:12,200
Speaker 1: academic word. As you wait, can we pull up your

859
00:48:12,480 --> 00:48:15,960
Speaker 1: your Wikipedia real quick? Do it? Okay? And also do

860
00:48:16,040 --> 00:48:18,279
Speaker 1: you ever read it? I don't, I don't. I don't know,

861
00:48:18,440 --> 00:48:20,200
Speaker 1: so you've never seen it. I've seen it one time.

862
00:48:20,239 --> 00:48:21,600
Speaker 1: I've seen I have seen it one time. I'm not

863
00:48:21,640 --> 00:48:23,839
Speaker 1: gonna lie to it. I have seen it, honey, moons ago,

864
00:48:23,880 --> 00:48:25,400
Speaker 1: but I don't read it. I don't read it. I

865
00:48:25,400 --> 00:48:27,680
Speaker 1: don't know what's on there. So I almost started to

866
00:48:27,719 --> 00:48:30,279
Speaker 1: look myself to try to beat you to it, to

867
00:48:30,320 --> 00:48:32,560
Speaker 1: be like, don't say anything, but I want to know

868
00:48:32,600 --> 00:48:34,960
Speaker 1: what it has under personal life. That's always the most

869
00:48:34,960 --> 00:48:40,240
Speaker 1: fascinating thing. Mind says Rogers is openly gay, okay, And

870
00:48:39,880 --> 00:48:43,680
Speaker 1: he said mind says he is color blind, and they

871
00:48:43,680 --> 00:48:48,120
Speaker 1: can cite it because they need a citation. In two six,

872
00:48:49,120 --> 00:48:53,359
Speaker 1: who is of Nigerian heritage graduated from Eastern Technical High

873
00:48:53,400 --> 00:48:57,839
Speaker 1: School in Essex, Maryland near Baltimore, received a biology degree

874
00:48:57,880 --> 00:49:00,000
Speaker 1: from University of Southern California, and decided to be Okay

875
00:49:00,040 --> 00:49:02,400
Speaker 1: and then and it's basically your story. Yeah, I have

876
00:49:02,640 --> 00:49:06,839
Speaker 1: I take issue with Maryland near Baltimore. So I grew

877
00:49:06,920 --> 00:49:11,480
Speaker 1: up in Baltimore County. So it's Baltimore. There's Baltimore City,

878
00:49:11,719 --> 00:49:15,200
Speaker 1: and there's Baltimore County. And I went to a Baltimore

879
00:49:15,239 --> 00:49:19,239
Speaker 1: County public school, Eastern Technical High School. So when people

880
00:49:19,280 --> 00:49:22,480
Speaker 1: say near Baltimore, I'm like, but it is Baltimore. So

881
00:49:22,680 --> 00:49:26,239
Speaker 1: that's I take issue with my Wikipedia. Someone fixes someone it.

882
00:49:26,400 --> 00:49:30,920
Speaker 1: This is the thing exerts in any city, the places

883
00:49:30,960 --> 00:49:32,719
Speaker 1: that are kind of in the city, kind of not

884
00:49:33,440 --> 00:49:35,320
Speaker 1: they're part of the city. They're part of the city.

885
00:49:35,400 --> 00:49:38,600
Speaker 1: No one, no one has like the local pride enough

886
00:49:38,640 --> 00:49:41,480
Speaker 1: to be like no, no, no, no no, no, I'm from Aurora, Colorado.

887
00:49:41,520 --> 00:49:44,800
Speaker 1: I'm never gonna say I'm from Aurora, Colorado over Denver,

888
00:49:45,200 --> 00:49:48,799
Speaker 1: because who gives a ship? Yeah, I mean, that's that's

889
00:49:49,360 --> 00:49:51,920
Speaker 1: with Long Island. It's like that. Usually just say I'm

890
00:49:51,960 --> 00:49:57,279
Speaker 1: from right because who cares? Who cares? You have to

891
00:49:57,360 --> 00:50:00,839
Speaker 1: give people in Okay, that's all I'm saying. That's all

892
00:50:00,880 --> 00:50:03,600
Speaker 1: I'm saying. So that's I was thinking it might say

893
00:50:03,600 --> 00:50:10,160
Speaker 1: something about our relationship and it doesn't. And boyfriends you

894
00:50:10,200 --> 00:50:14,479
Speaker 1: were rumored with Jeremy O. Harris before. Okay, so many

895
00:50:14,480 --> 00:50:20,920
Speaker 1: people I cannot confirm, nor denye oh. How often do

896
00:50:21,000 --> 00:50:25,560
Speaker 1: I show up in Mr roh Harris's coronavirus mixtapes? Not

897
00:50:25,640 --> 00:50:27,920
Speaker 1: that much, You're right, I mean read between the lines, people,

898
00:50:28,239 --> 00:50:31,920
Speaker 1: between the lines. Jeremy took a polaroid photo of me

899
00:50:32,040 --> 00:50:36,080
Speaker 1: and my boyfriend this summer at a g Q not

900
00:50:36,320 --> 00:50:39,160
Speaker 1: quite g Q party. But no, no, no, it was no,

901
00:50:39,200 --> 00:50:41,160
Speaker 1: I'm trying. I realized that when I said g I

902
00:50:41,200 --> 00:50:43,319
Speaker 1: was like, it wasn't a g Q party. Two be like,

903
00:50:43,360 --> 00:50:45,400
Speaker 1: she's never been invited to one of our parties, but

904
00:50:45,440 --> 00:50:47,799
Speaker 1: it was a g Q adjacent Like invite go to

905
00:50:47,880 --> 00:50:50,799
Speaker 1: your party. No, it's fine, you don't have to. But

906
00:50:51,040 --> 00:50:53,920
Speaker 1: he took a polaroid into this damn Like, where is

907
00:50:53,920 --> 00:50:57,239
Speaker 1: the polaroid? What has he done with? No? I know,

908
00:50:57,280 --> 00:50:59,280
Speaker 1: I'm sure nothing bad. I think it was it was cool,

909
00:50:59,320 --> 00:51:02,080
Speaker 1: but I was, where is it? Where is the I was?

910
00:51:02,360 --> 00:51:03,879
Speaker 1: You know, you take a polaroid I'm like, I want

911
00:51:03,880 --> 00:51:05,840
Speaker 1: to say, I want to have it. I don't trust

912
00:51:05,880 --> 00:51:08,319
Speaker 1: the polaroid. Polaroids can go either. Why polaroids can even

913
00:51:08,360 --> 00:51:13,439
Speaker 1: be classic forever or absolute garbage? Well, they're very forgiving, yeah,

914
00:51:13,640 --> 00:51:17,239
Speaker 1: and so I feel your wise and then if they're bad,

915
00:51:17,280 --> 00:51:19,600
Speaker 1: and they're bad and there's no saving it, you know

916
00:51:19,600 --> 00:51:21,840
Speaker 1: what I'm saying. Well, because like it's not like you

917
00:51:21,880 --> 00:51:23,760
Speaker 1: can't you can't go like you can with an iPhone

918
00:51:23,760 --> 00:51:26,960
Speaker 1: boop poopoop poop poop. Taking many photos of polaroid really

919
00:51:27,200 --> 00:51:31,520
Speaker 1: is a moment you get your exposures. Yeah, I want

920
00:51:31,600 --> 00:51:34,640
Speaker 1: us to do a nudist sketch. Okay, let's do it

921
00:51:34,719 --> 00:51:38,160
Speaker 1: on NBC. I think there's the way to do it. Okay,

922
00:51:38,239 --> 00:51:41,479
Speaker 1: where we're but ass naked. I'm not even I'm looking

923
00:51:41,520 --> 00:51:44,120
Speaker 1: at you in the eyes. I'm gonna write where if

924
00:51:44,200 --> 00:51:46,080
Speaker 1: you want to be on it with me, I want

925
00:51:46,120 --> 00:51:50,759
Speaker 1: to do it. Go King won't write with me and

926
00:51:50,960 --> 00:51:53,920
Speaker 1: s now No, Here's I was just gonna bring up

927
00:51:55,560 --> 00:51:59,560
Speaker 1: nodding eye contact and nodding. Do you want to talk

928
00:51:59,600 --> 00:52:03,200
Speaker 1: about talk about him? The sketch. The sketchy wrote that

929
00:52:03,760 --> 00:52:06,880
Speaker 1: ate fucking ship. It was a table read that a

930
00:52:06,920 --> 00:52:09,160
Speaker 1: lot of things, a lot of things, but I think

931
00:52:10,000 --> 00:52:12,319
Speaker 1: ours really did. And can I just say I didn't

932
00:52:12,360 --> 00:52:16,080
Speaker 1: deserve to because you know why. Okay, So I might

933
00:52:16,120 --> 00:52:19,000
Speaker 1: have mentioned this before, but Ago and I were at

934
00:52:19,080 --> 00:52:22,600
Speaker 1: the host dinner and you know, you have little side conversations,

935
00:52:22,600 --> 00:52:25,000
Speaker 1: and Ago and I were talking about some something, and

936
00:52:25,040 --> 00:52:28,960
Speaker 1: then you, me and Chloe maybe talked about the time

937
00:52:29,040 --> 00:52:32,919
Speaker 1: when on the tire Banks show she came out one

938
00:52:33,000 --> 00:52:36,400
Speaker 1: day and pretended to have rabies. Yes, and then this

939
00:52:37,640 --> 00:52:41,760
Speaker 1: culture and I was like, she's barking, barking, barker and

940
00:52:41,840 --> 00:52:44,480
Speaker 1: basically like kind of explaining all the beats to the

941
00:52:44,520 --> 00:52:47,719
Speaker 1: table and to you. And then do you remember this? Yeah? Yeah,

942
00:52:48,200 --> 00:52:51,879
Speaker 1: I turned and I see Lauren laughing like I've never

943
00:52:51,920 --> 00:52:54,640
Speaker 1: seen him laughing, true laughter at the at at this

944
00:52:54,800 --> 00:52:58,160
Speaker 1: at this premise of tire Banks barking and flombing at

945
00:52:58,160 --> 00:53:01,400
Speaker 1: the mouth, pretending like thinking that having rabies turns you

946
00:53:01,440 --> 00:53:06,320
Speaker 1: into a dog. And Lauren laughed like, We've never I've

947
00:53:06,400 --> 00:53:08,360
Speaker 1: never seen never seen it, I've never seen it in

948
00:53:08,400 --> 00:53:10,640
Speaker 1: a host dinner. And so then I was like, well,

949
00:53:10,640 --> 00:53:16,279
Speaker 1: we have to write it. Daddy loves it, Daddy loves it.

950
00:53:16,520 --> 00:53:20,080
Speaker 1: We have to do it, we do it. We do it,

951
00:53:20,120 --> 00:53:22,279
Speaker 1: and it eats absolutely ship because and you know what

952
00:53:22,320 --> 00:53:24,160
Speaker 1: you want to know. I want to know my theory

953
00:53:24,160 --> 00:53:26,880
Speaker 1: of why about it? I told you that already because

954
00:53:26,880 --> 00:53:29,880
Speaker 1: we named we wrote this with Will Stephen King Will Stephen,

955
00:53:31,080 --> 00:53:32,880
Speaker 1: and we we were like, what should what should this

956
00:53:32,920 --> 00:53:34,080
Speaker 1: talk show? We called it was like give me like

957
00:53:34,120 --> 00:53:37,080
Speaker 1: a Regius and Cathy kind of talk show. Two people

958
00:53:37,160 --> 00:53:45,279
Speaker 1: having a talk show we named chaotic Sis and Sissy

959
00:53:45,440 --> 00:53:52,560
Speaker 1: where my name was Sis short for Sismann, and your

960
00:53:52,640 --> 00:53:55,719
Speaker 1: your name was Sissy. And I think I think the

961
00:53:55,800 --> 00:53:58,000
Speaker 1: room kind of like really tensed up because they saw

962
00:53:58,000 --> 00:53:59,880
Speaker 1: the words sis and they were like, oh, what's this

963
00:54:00,000 --> 00:54:02,800
Speaker 1: going to be about? Also they did I think they?

964
00:54:02,800 --> 00:54:05,080
Speaker 1: I think they maybe did. I can't tell if we're

965
00:54:05,080 --> 00:54:08,040
Speaker 1: giving ourselves too much credit or not enough, but I

966
00:54:08,080 --> 00:54:11,719
Speaker 1: do think you're right. We also have to say that,

967
00:54:11,800 --> 00:54:16,680
Speaker 1: like the room is now they of the rumor favor

968
00:54:16,760 --> 00:54:20,359
Speaker 1: that kind of thing. Well, absolutely would not, absolutely would not.

969
00:54:20,440 --> 00:54:22,840
Speaker 1: We did not take that into account. We've been stopping

970
00:54:22,880 --> 00:54:25,160
Speaker 1: this short of like pulling it up and reading it.

971
00:54:25,560 --> 00:54:28,359
Speaker 1: I mean, let's read it, shall we perform it, Let's

972
00:54:28,360 --> 00:54:31,040
Speaker 1: do to page, Let's do one page of it. The

973
00:54:31,080 --> 00:54:33,719
Speaker 1: sketch should be heard. Let's just do one page and

974
00:54:33,719 --> 00:54:35,520
Speaker 1: then see and then and then we'll do Okay, I

975
00:54:35,560 --> 00:54:37,160
Speaker 1: can pull it up. Do you need me to read

976
00:54:37,320 --> 00:54:41,400
Speaker 1: stage directions? Ulous? This is no okay? Can we do what?

977
00:54:41,440 --> 00:54:45,920
Speaker 1: We'll cut around this to that it's very clean, right, Doug? Okay? Um,

978
00:54:46,000 --> 00:54:51,040
Speaker 1: are you emailing it? Hold on? I need to save

979
00:54:51,080 --> 00:54:54,640
Speaker 1: this as hold on, hold on, hold is worth it.

980
00:54:55,200 --> 00:54:58,960
Speaker 1: I love you. You guys have pretty much decided you

981
00:54:59,040 --> 00:55:02,600
Speaker 1: know why bombs and now you're bravely going to perform

982
00:55:02,680 --> 00:55:04,719
Speaker 1: it on the podcast. And the readers are gonna tell

983
00:55:04,840 --> 00:55:08,360
Speaker 1: us if a bomb because Sissy or if the sketch

984
00:55:08,440 --> 00:55:11,640
Speaker 1: was bad. I think this sketch is bad. Okay, we're

985
00:55:11,640 --> 00:55:16,520
Speaker 1: gonna because we're gonna do it can be both, you know, okay.

986
00:55:16,719 --> 00:55:19,800
Speaker 1: Siss and Sissy Show open on Talk Show Package Music

987
00:55:19,920 --> 00:55:25,280
Speaker 1: Daytime Talk Show Applause Today on Siss and Sissy Peloton

988
00:55:25,360 --> 00:55:29,840
Speaker 1: instructor Cody rigsby human rights activists Seema Gaudry and a

989
00:55:29,880 --> 00:55:32,840
Speaker 1: performance by R and B Trio W E B. The

990
00:55:33,000 --> 00:55:38,279
Speaker 1: Girls to live talk shows and here they are the

991
00:55:38,440 --> 00:55:46,719
Speaker 1: Daytime Duke and Duchess Siss Berman and Sissy do twat

992
00:55:46,960 --> 00:55:52,720
Speaker 1: interrupt and low energy. Hi everyone, guys, Yeah, yeah, Hi guys. Wow, Okay,

993
00:55:53,480 --> 00:55:56,319
Speaker 1: get a big show today. See mc gaudry is here

994
00:55:56,320 --> 00:56:00,880
Speaker 1: in studio. This girl built libraries for indigenous children and Suedan.

995
00:56:01,120 --> 00:56:03,279
Speaker 1: We love that, don't We give it out and give

996
00:56:03,320 --> 00:56:07,000
Speaker 1: it incredible? Okay, just a heads up. We're a little

997
00:56:07,000 --> 00:56:10,600
Speaker 1: out of sorts. We had a crazy morning. Sismon and

998
00:56:10,600 --> 00:56:13,560
Speaker 1: I were getting milk Bobo's before the show, as we do,

999
00:56:13,960 --> 00:56:18,200
Speaker 1: and boom a poodle in the parking lot, totally unhinged,

1000
00:56:18,560 --> 00:56:22,000
Speaker 1: lunges right at us, mouthful of teeth and hand to god,

1001
00:56:22,400 --> 00:56:24,759
Speaker 1: bites me in the box. He sunk his teeth in

1002
00:56:24,840 --> 00:56:29,440
Speaker 1: that thing. I was screaming, kicking the dog everywhere. It

1003
00:56:29,560 --> 00:56:33,040
Speaker 1: was a true nightmare. Oh my lord, I thought poodles

1004
00:56:33,040 --> 00:56:35,440
Speaker 1: had manners. Are you too? Okay, totally fine. We went

1005
00:56:35,480 --> 00:56:38,239
Speaker 1: to Urgent Care. I did test positive for a little

1006
00:56:38,239 --> 00:56:40,520
Speaker 1: bit of rabies, but I'm all good and I got

1007
00:56:40,560 --> 00:56:43,200
Speaker 1: my box totally stitched up. Give it up for Urgent care.

1008
00:56:43,280 --> 00:56:47,080
Speaker 1: Y'all good for you guys, And you're sure you're okay

1009
00:56:47,120 --> 00:56:49,200
Speaker 1: to do the show. Yeah, totally totally. I'm I'm just

1010
00:56:49,239 --> 00:56:53,040
Speaker 1: a little tired, kind of worn down right now, is sweetie? Actually, yeah,

1011
00:56:53,080 --> 00:56:56,319
Speaker 1: that'd be great. Sorry, just one second long silence as

1012
00:56:56,320 --> 00:56:58,920
Speaker 1: Ego walks in her still the back of the sets,

1013
00:56:59,200 --> 00:57:02,240
Speaker 1: at least since my bottle of water, milking the moment.

1014
00:57:02,480 --> 00:57:05,040
Speaker 1: What a professional, what a fighter? Right? Give it up

1015
00:57:05,080 --> 00:57:09,680
Speaker 1: for Sissy? Do twatch Rodney? How was your weekend? Actually,

1016
00:57:09,760 --> 00:57:12,400
Speaker 1: Sissy was great. I had the kids, we made pigs

1017
00:57:12,400 --> 00:57:19,240
Speaker 1: in a blanket and watched Michael Clayton. It was chilling. Okay,

1018
00:57:19,320 --> 00:57:22,760
Speaker 1: I'm okay, I'm back, ready to do a show. Okay,

1019
00:57:22,800 --> 00:57:25,440
Speaker 1: you go girl, all right. You know I'm from Peloton,

1020
00:57:25,600 --> 00:57:28,280
Speaker 1: dancing with the stars and getting COVID three times. It's

1021
00:57:28,320 --> 00:57:31,520
Speaker 1: Cody Rigsby. He's like walking on Mikey inters Cody. He's

1022
00:57:31,520 --> 00:57:34,160
Speaker 1: the muscular what's up, chi, Cody? Is so good to

1023
00:57:34,200 --> 00:57:36,880
Speaker 1: see you now. Peloton is getting into scripted content, right,

1024
00:57:36,920 --> 00:57:39,439
Speaker 1: you have your own streaming series I do. It's called

1025
00:57:39,560 --> 00:57:42,640
Speaker 1: Hit and Run. It's about a divorced teacher's mission to

1026
00:57:42,640 --> 00:57:46,840
Speaker 1: bring clean water to Jackson Hole. So I'm sorry, is Cissy? Okay?

1027
00:57:49,000 --> 00:57:54,200
Speaker 1: I goes convulsing, starting im sorry starting it's the rabies.

1028
00:57:56,640 --> 00:58:00,280
Speaker 1: She's barking like a dog, Sissy. No, she's foaming dear

1029
00:58:00,400 --> 00:58:03,400
Speaker 1: lord holder still but one tries to pin her down.

1030
00:58:03,520 --> 00:58:05,840
Speaker 1: She's fully foaming at the mouth. Bissy, it's me, your

1031
00:58:05,880 --> 00:58:13,919
Speaker 1: bfmost a show together? Sissy out? Oh my god, Sis,

1032
00:58:14,080 --> 00:58:18,520
Speaker 1: is that you? Where? Where am I? I wasn't turning

1033
00:58:18,520 --> 00:58:20,960
Speaker 1: into a dog? Was I are? You? Were? Sissy? The

1034
00:58:21,040 --> 00:58:25,120
Speaker 1: rabies took hold of you know, I knew it. I

1035
00:58:25,160 --> 00:58:28,400
Speaker 1: don't think that's how rabies works. But you could be

1036
00:58:28,560 --> 00:58:32,000
Speaker 1: demon possessed and that you can't do much about it. Now.

1037
00:58:32,040 --> 00:58:35,240
Speaker 1: I'm pretty sure it's my rabies, Rodney, I should know

1038
00:58:35,440 --> 00:58:39,320
Speaker 1: I have it. Okay, God, Cody, Ricky, it's so good

1039
00:58:39,320 --> 00:58:41,680
Speaker 1: to see you. Hey, that was definitely a demon. Cody,

1040
00:58:41,800 --> 00:58:44,520
Speaker 1: drop it. Sissy has rabies. She's turning into a dog.

1041
00:58:44,600 --> 00:58:46,880
Speaker 1: It's fine. We have a show to do. Thank you.

1042
00:58:47,280 --> 00:58:49,920
Speaker 1: Our next guest is nominated for the Nobel Peace Prize

1043
00:58:49,920 --> 00:58:51,840
Speaker 1: for her literacy. Hold on, I need that water. I

1044
00:58:51,880 --> 00:58:53,760
Speaker 1: think I caught some of Sissy's foam in my mouth.

1045
00:58:53,920 --> 00:58:56,600
Speaker 1: Oh no, this could be really, really, really bad. I'm

1046
00:58:56,600 --> 00:58:58,240
Speaker 1: going to be fine. I just need a sip of water.

1047
00:58:59,440 --> 00:59:02,680
Speaker 1: Oh my god, Sis not sick. I'm okay? Really what

1048
00:59:03,240 --> 00:59:07,160
Speaker 1: la everywhere? He didn't even get bit Jesus Christ, my

1049
00:59:07,280 --> 00:59:09,720
Speaker 1: box gave sis rabies a. We're gonna get out and

1050
00:59:09,760 --> 00:59:13,080
Speaker 1: live with that guilt. I cannot wait. I lost my place.

1051
00:59:14,080 --> 00:59:17,480
Speaker 1: You're filming, okay, it's a sign that we could stop.

1052
00:59:19,400 --> 00:59:26,880
Speaker 1: Keep going now, no mat madness both stage, mommy my

1053
00:59:27,080 --> 00:59:30,240
Speaker 1: ass right now? Okay? Oh no? I felt that coming

1054
00:59:30,280 --> 00:59:35,520
Speaker 1: back to climbing on the table and on the floor

1055
00:59:35,600 --> 00:59:39,560
Speaker 1: behaving like dogs. Can I help? Should I go? Yeah?

1056
00:59:39,640 --> 00:59:42,040
Speaker 1: Go right now. I think we're entering the end game here.

1057
00:59:42,080 --> 00:59:44,080
Speaker 1: I might have to shoot him. Oh my garters, we

1058
00:59:44,160 --> 00:59:46,920
Speaker 1: went rabid, folks, What is going on? I think I'm

1059
00:59:46,960 --> 00:59:49,880
Speaker 1: having trauma flashbacks. All I remember is tappy okay and

1060
00:59:49,920 --> 00:59:52,080
Speaker 1: brown milk. Thank god, you guys were okay. I was

1061
00:59:52,120 --> 00:59:55,360
Speaker 1: gonna kill you both on hair. My god, that's all

1062
00:59:55,400 --> 00:59:57,960
Speaker 1: the time we have today. Everyone. Apologies to see mcgaudrey,

1063
00:59:58,000 --> 01:00:00,800
Speaker 1: who flew here on her own dime. But don't worry.

1064
01:00:00,880 --> 01:00:03,680
Speaker 1: She's not leaving her empty handed. We're sending her home

1065
01:00:03,760 --> 01:00:06,880
Speaker 1: with the CIS and Cissy wine opener. That thing is cute.

1066
01:00:07,160 --> 01:00:09,040
Speaker 1: You know. I'm getting air just to lick my own ass.

1067
01:00:09,160 --> 01:00:11,000
Speaker 1: I think we should cut to commercials that UR didn't

1068
01:00:11,000 --> 01:00:18,080
Speaker 1: care sout out all right, let's just let's there's something here,

1069
01:00:18,200 --> 01:00:21,640
Speaker 1: there's something here, Okay, it wasn't. And honestly, Matt, I

1070
01:00:21,880 --> 01:00:24,959
Speaker 1: appreciate you stage momming me and being like you keep going,

1071
01:00:25,120 --> 01:00:26,840
Speaker 1: you keep going, what were we going to do? Stop

1072
01:00:26,920 --> 01:00:29,200
Speaker 1: before that line about her going back on her own dime.

1073
01:00:29,320 --> 01:00:31,800
Speaker 1: Believe in your jokes. You're so right, you're so right,

1074
01:00:32,000 --> 01:00:34,880
Speaker 1: you're so right. I thought that was honestly, did not

1075
01:00:35,120 --> 01:00:37,840
Speaker 1: deserve the full bomb that it was at table, I mean,

1076
01:00:37,960 --> 01:00:41,400
Speaker 1: played too literal silence, silence. It was like we were

1077
01:00:41,480 --> 01:00:46,160
Speaker 1: doing a dramatic piece, a moving dramatic piece, silence, and

1078
01:00:46,480 --> 01:00:50,520
Speaker 1: the only voices were our own. You wouldn't you wouldn't

1079
01:00:50,520 --> 01:00:53,720
Speaker 1: look because you knew you would look. I wouldn't. I wouldn't,

1080
01:00:53,720 --> 01:00:55,680
Speaker 1: I said, I don't want to. I felt like it

1081
01:00:55,840 --> 01:01:00,360
Speaker 1: was his faulted bomb. You kind of bailed a point.

1082
01:01:00,400 --> 01:01:02,600
Speaker 1: I'm kidding. I'm kidding. You know you didn't bail. I'm kidding,

1083
01:01:02,680 --> 01:01:06,920
Speaker 1: I'm genuinely, I'm hurt. Bail. There's nothing to bail on

1084
01:01:08,360 --> 01:01:10,720
Speaker 1: any week, I would write with you, well, let's do

1085
01:01:10,840 --> 01:01:13,800
Speaker 1: it this this well, well, I would assume you guys

1086
01:01:13,800 --> 01:01:16,840
Speaker 1: write together all the time. You don't we should we should?

1087
01:01:16,920 --> 01:01:20,200
Speaker 1: It just depends, but would make the weird No, it wouldn't.

1088
01:01:20,240 --> 01:01:23,000
Speaker 1: What I sometimes think is like people, I'm gonna say

1089
01:01:23,160 --> 01:01:26,120
Speaker 1: no because since you said, I can't stop thinking. I

1090
01:01:26,240 --> 01:01:28,760
Speaker 1: kind of think people are like, okay, guys cute like

1091
01:01:32,440 --> 01:01:34,800
Speaker 1: that's but like not ill intended. I don't think they're

1092
01:01:34,840 --> 01:01:37,200
Speaker 1: ill intended in and I don't genuinely don't think they

1093
01:01:37,240 --> 01:01:38,760
Speaker 1: think about us a ton, but I do think when

1094
01:01:38,800 --> 01:01:41,040
Speaker 1: it's like, all right, we're about to do a two hander,

1095
01:01:41,120 --> 01:01:46,560
Speaker 1: they're like, okay, king this king, I don't know, but

1096
01:01:46,600 --> 01:01:48,560
Speaker 1: it's like what you said, It's like it's yeah, I

1097
01:01:48,640 --> 01:01:52,000
Speaker 1: don't think that's No. One's like rooting against us. They

1098
01:01:52,080 --> 01:01:55,080
Speaker 1: just feel you feel that they're over it. Feel like

1099
01:01:55,480 --> 01:01:58,480
Speaker 1: we've seen it. We know, we know, yeah, but we

1100
01:01:58,600 --> 01:02:02,160
Speaker 1: the audience needs to know. I'm an audience and I

1101
01:02:02,240 --> 01:02:04,520
Speaker 1: have to say something. I don't feel like SNL caters

1102
01:02:04,560 --> 01:02:07,280
Speaker 1: to me as an audience. That I don't think they do.

1103
01:02:07,680 --> 01:02:11,080
Speaker 1: I think whenever you guys are in pieces, they're catering

1104
01:02:11,120 --> 01:02:14,280
Speaker 1: to me. But but other than that, I don't know. Yeah,

1105
01:02:14,720 --> 01:02:17,520
Speaker 1: I mean, listen, let's try to write together some more.

1106
01:02:18,280 --> 01:02:21,920
Speaker 1: People are like I think we just we got to

1107
01:02:22,040 --> 01:02:24,800
Speaker 1: keep repeating it until it breaks. You need to do

1108
01:02:24,960 --> 01:02:28,520
Speaker 1: this sketch every week. You need to bring us to

1109
01:02:28,560 --> 01:02:30,320
Speaker 1: the table every week and make it a thing. I'm sorry.

1110
01:02:30,320 --> 01:02:32,080
Speaker 1: I feel like we need an intimacy coordinator in this

1111
01:02:32,200 --> 01:02:34,320
Speaker 1: room because I do feel very vulnerable that we read that.

1112
01:02:34,920 --> 01:02:38,520
Speaker 1: I do. While we were half okay, thank you, I

1113
01:02:38,760 --> 01:02:41,920
Speaker 1: want halfway through you know, I was, I was laughing.

1114
01:02:42,120 --> 01:02:45,479
Speaker 1: He was laughing halfway through and we were all laughing.

1115
01:02:45,720 --> 01:02:47,520
Speaker 1: But halfway through, I was like, we didn't ask Will,

1116
01:02:47,640 --> 01:02:51,560
Speaker 1: but I don't think we'll take No, He's fine, Will

1117
01:02:51,720 --> 01:02:53,600
Speaker 1: will it. Will doesn't care. He's gonna love it. The

1118
01:02:53,680 --> 01:02:58,960
Speaker 1: sketch got performed on Lost Culture. It went, it went,

1119
01:02:59,240 --> 01:03:02,520
Speaker 1: It went. It went as the sketch went, sketch went,

1120
01:03:02,680 --> 01:03:05,120
Speaker 1: it's going, it went, it went, And tell us what

1121
01:03:05,240 --> 01:03:09,720
Speaker 1: you think about it and they will, Yeah, yeah, they will.

1122
01:03:09,800 --> 01:03:13,000
Speaker 1: We love Will anyway. How do you feel? I think

1123
01:03:13,080 --> 01:03:17,760
Speaker 1: you feel hangover, honorable, but I feel alive. I felt

1124
01:03:17,880 --> 01:03:19,880
Speaker 1: I thought this and wait, if we're going to return

1125
01:03:19,960 --> 01:03:22,439
Speaker 1: to the topic of was it Sis and Sissy show?

1126
01:03:23,600 --> 01:03:28,120
Speaker 1: I think that maybe maybe there might be a moment

1127
01:03:28,200 --> 01:03:31,640
Speaker 1: where they said at the top, Sis, I'm nervous. But

1128
01:03:32,000 --> 01:03:35,040
Speaker 1: the fact is, it wasn't that. It wasn't that. But

1129
01:03:35,120 --> 01:03:38,040
Speaker 1: I also feel like this is just something that like you,

1130
01:03:38,840 --> 01:03:42,680
Speaker 1: that I think is very apparent in any kind of performance.

1131
01:03:42,960 --> 01:03:45,000
Speaker 1: All it takes is one thing to be a little

1132
01:03:45,080 --> 01:03:47,920
Speaker 1: off and then everyone gets nervous. Yeah, yeah, yeah, if

1133
01:03:47,920 --> 01:03:50,480
Speaker 1: there are if anything, just it could be the smallest thing.

1134
01:03:50,640 --> 01:03:52,560
Speaker 1: So they I don't even think they were open to

1135
01:03:52,720 --> 01:03:56,000
Speaker 1: enjoying the rest. I think, what a stupid premise, like

1136
01:03:56,120 --> 01:04:00,200
Speaker 1: in a good way, like a stupid silly premise. And

1137
01:04:00,840 --> 01:04:03,440
Speaker 1: they I don't know. But also energy at table matters

1138
01:04:03,440 --> 01:04:07,080
Speaker 1: because they're like, you can literally submit the same exact

1139
01:04:07,160 --> 01:04:09,720
Speaker 1: sketch a year and a half from now. All of

1140
01:04:09,800 --> 01:04:11,920
Speaker 1: a sudden, it's like the funniest thing. Well, you know

1141
01:04:11,960 --> 01:04:14,160
Speaker 1: what you have to do, just change the name cis

1142
01:04:14,320 --> 01:04:18,520
Speaker 1: and do it again next week with Milaney, with Milany.

1143
01:04:19,080 --> 01:04:21,280
Speaker 1: Is that? Who think that's timely? That's the time, they comment,

1144
01:04:21,320 --> 01:04:23,120
Speaker 1: take that out. No, no, no, no, it's final. Already

1145
01:04:23,120 --> 01:04:25,440
Speaker 1: have happened. But it happened, and now and you the

1146
01:04:25,480 --> 01:04:27,919
Speaker 1: audience will know if the Cyst and Sisty show or whatever,

1147
01:04:27,960 --> 01:04:29,880
Speaker 1: since his name is going to be actually got in.

1148
01:04:30,000 --> 01:04:32,120
Speaker 1: I think that you know, John Laney would make an

1149
01:04:32,160 --> 01:04:36,200
Speaker 1: absolutely stunning Cody absolutely absolutely What do you think went

1150
01:04:36,280 --> 01:04:40,480
Speaker 1: wrong with t s A? Oh my god, this one

1151
01:04:40,520 --> 01:04:42,920
Speaker 1: went to dress rehearsals. So Ago and I wrote a

1152
01:04:43,000 --> 01:04:47,720
Speaker 1: sketch with Alison Gates Alex English that was around Thanksgiving

1153
01:04:48,520 --> 01:04:50,840
Speaker 1: and it was me, don't have to tell, don't tell

1154
01:04:50,920 --> 01:04:53,360
Speaker 1: because we might do it one day. Okay, So we're

1155
01:04:53,360 --> 01:04:54,920
Speaker 1: not going to read that one. No, no, we're not

1156
01:04:54,960 --> 01:05:00,960
Speaker 1: gonna that, We're not. You really are feeling vulnerable. I'm scared.

1157
01:05:01,560 --> 01:05:03,880
Speaker 1: All I will say. All I will say is that

1158
01:05:04,360 --> 01:05:07,919
Speaker 1: it was a crush or at table. Yes, really crushed. Yes,

1159
01:05:08,320 --> 01:05:12,360
Speaker 1: I don't feel any sort of qualms about did a

1160
01:05:12,360 --> 01:05:14,480
Speaker 1: great job and then something and then there was just

1161
01:05:14,560 --> 01:05:16,800
Speaker 1: a lot of technical there's a lot of business. There

1162
01:05:16,880 --> 01:05:21,840
Speaker 1: was a lot of business. Whenever they come to me

1163
01:05:21,920 --> 01:05:26,400
Speaker 1: on set and they have a lot of props, I'm like, animize, okay,

1164
01:05:26,440 --> 01:05:28,280
Speaker 1: saying with me on sets, I feel like I go

1165
01:05:28,440 --> 01:05:31,200
Speaker 1: when they're like and you're gonna start your line here

1166
01:05:31,320 --> 01:05:33,320
Speaker 1: and then you're gonna want to land here to finish

1167
01:05:33,360 --> 01:05:34,600
Speaker 1: the second part of the line and then you're gonna

1168
01:05:34,600 --> 01:05:36,919
Speaker 1: grab and I'm like okay, no, no, now we dance

1169
01:05:37,000 --> 01:05:39,280
Speaker 1: in and it's too much. It's landing on a mark,

1170
01:05:39,400 --> 01:05:42,320
Speaker 1: one of your skills. They put the tape on the ground,

1171
01:05:42,360 --> 01:05:44,720
Speaker 1: and I think I'm getting really good at I think

1172
01:05:44,800 --> 01:05:47,320
Speaker 1: I'm getting there. I just I just shot a bunch

1173
01:05:47,400 --> 01:05:50,880
Speaker 1: of commercials and it required a lot of like what

1174
01:05:51,040 --> 01:05:56,040
Speaker 1: I just described technical technical business dancing and here's this

1175
01:05:56,240 --> 01:05:59,160
Speaker 1: and then you're going to do this and I that's

1176
01:05:59,200 --> 01:06:01,280
Speaker 1: literally someone tell you what to do yes, and I

1177
01:06:01,400 --> 01:06:04,040
Speaker 1: go no. So we were there all day where we

1178
01:06:04,120 --> 01:06:06,760
Speaker 1: were fighting back the camera can follow me, Yeah, the

1179
01:06:06,840 --> 01:06:08,960
Speaker 1: camera's going to do what I want. But I landed.

1180
01:06:09,360 --> 01:06:11,040
Speaker 1: I was getting really good at it. By the end

1181
01:06:11,080 --> 01:06:12,720
Speaker 1: of it. I was like the landing on the market,

1182
01:06:12,800 --> 01:06:14,840
Speaker 1: not looking down at it and just being like, Okay,

1183
01:06:15,000 --> 01:06:18,680
Speaker 1: it feels like it's around, But it's a skill. I'm

1184
01:06:18,720 --> 01:06:24,320
Speaker 1: guessing at SNL that's really important. Huh No, not totally,

1185
01:06:24,680 --> 01:06:30,280
Speaker 1: Like people try to minimize that on during the blocking process. Yeah,

1186
01:06:30,480 --> 01:06:32,120
Speaker 1: and then you're like trying to get to your mark.

1187
01:06:32,200 --> 01:06:34,280
Speaker 1: You're also getting to your mark. Oftentimes, I feel like

1188
01:06:34,320 --> 01:06:37,400
Speaker 1: when you're not on camera too, So that's true. So

1189
01:06:37,480 --> 01:06:39,240
Speaker 1: you have time to set and you're like okay, yep,

1190
01:06:39,320 --> 01:06:42,080
Speaker 1: I see it and I was like, easy, Yeah, I

1191
01:06:42,160 --> 01:06:44,520
Speaker 1: think it's cute cards and you get to set your mark.

1192
01:06:44,960 --> 01:06:46,720
Speaker 1: It's easy, and we work one day a week. Yeah,

1193
01:06:46,800 --> 01:06:49,040
Speaker 1: for sure, you work one day a week. They set

1194
01:06:49,080 --> 01:06:51,000
Speaker 1: your marks for you have you have minutes to get there.

1195
01:06:51,440 --> 01:06:54,400
Speaker 1: You have big que cards with huge legible writing, you

1196
01:06:54,480 --> 01:06:58,280
Speaker 1: have amazing professional actors that come into home exactly, exactly

1197
01:07:01,400 --> 01:07:04,160
Speaker 1: wait on our last sketch that got cut the last show.

1198
01:07:05,360 --> 01:07:07,480
Speaker 1: I like, I feel like a lot of people were

1199
01:07:07,520 --> 01:07:10,560
Speaker 1: like fumbling for whatever reason on the on the last show,

1200
01:07:10,880 --> 01:07:16,120
Speaker 1: at least during dress. During dress whoever was writing the cards,

1201
01:07:16,240 --> 01:07:18,520
Speaker 1: God bless. I don't know, because I know there was

1202
01:07:18,560 --> 01:07:21,440
Speaker 1: a word that was totally mushed together, like you know,

1203
01:07:21,480 --> 01:07:24,240
Speaker 1: when you're like running out of lines, you go, I

1204
01:07:24,280 --> 01:07:26,360
Speaker 1: could just write this, like I can mush it together.

1205
01:07:26,400 --> 01:07:28,520
Speaker 1: It's one thing. It's if it's a journal entry, but

1206
01:07:28,640 --> 01:07:30,880
Speaker 1: it's a cute card. I was like, I don't know

1207
01:07:31,160 --> 01:07:34,800
Speaker 1: what that says. Ed Hidie was in Hidie sketch and

1208
01:07:35,000 --> 01:07:37,200
Speaker 1: I said I apologized her after She's like, no, I

1209
01:07:37,240 --> 01:07:38,720
Speaker 1: could see the thing you were trying to read. And

1210
01:07:38,800 --> 01:07:42,240
Speaker 1: I also was like, what the is she's supposed to read? This?

1211
01:07:43,000 --> 01:07:46,560
Speaker 1: Just letters? Mushed together, and I thought, dear God. I

1212
01:07:46,680 --> 01:07:48,520
Speaker 1: was like, I cannot read this, but like my line

1213
01:07:48,560 --> 01:07:50,960
Speaker 1: is supposed to be such a throwaway. We've been on

1214
01:07:51,080 --> 01:07:55,400
Speaker 1: me for way too long. Like I literally I was

1215
01:07:55,720 --> 01:08:00,040
Speaker 1: doing and I mean, like this, maybe that word it

1216
01:08:00,240 --> 01:08:02,400
Speaker 1: matter ago just read the next word and hope that

1217
01:08:02,520 --> 01:08:05,240
Speaker 1: that one word isn't gonna make a break the line.

1218
01:08:05,360 --> 01:08:09,360
Speaker 1: I was like, I don't know what that says. It's

1219
01:08:09,440 --> 01:08:12,520
Speaker 1: hard and I get nervous. But we've only done it once.

1220
01:08:12,560 --> 01:08:16,080
Speaker 1: Because I've only done it. It's to night Show when

1221
01:08:16,160 --> 01:08:18,200
Speaker 1: they flipped the card and it goes away so fast.

1222
01:08:18,240 --> 01:08:21,000
Speaker 1: And also the thing was it was Bone and I

1223
01:08:21,160 --> 01:08:23,720
Speaker 1: doing it together, and so they made it so that

1224
01:08:24,200 --> 01:08:26,320
Speaker 1: one of us was read and one of us was green.

1225
01:08:28,680 --> 01:08:31,439
Speaker 1: I was like, I have to tell you, girlfriend, I

1226
01:08:31,560 --> 01:08:34,400
Speaker 1: don't know the difference between those. And so then that

1227
01:08:34,520 --> 01:08:36,320
Speaker 1: was like and then and then they were like, oh, well,

1228
01:08:36,360 --> 01:08:37,880
Speaker 1: you should have said that we're gonna have to change it,

1229
01:08:37,920 --> 01:08:40,040
Speaker 1: and I'm like, I should have said that. How would

1230
01:08:40,080 --> 01:08:42,760
Speaker 1: you have known that that's what was going to happen? Like, hey,

1231
01:08:42,960 --> 01:08:45,000
Speaker 1: just so you know, like I'm colorblind, don't pick these

1232
01:08:45,040 --> 01:08:49,240
Speaker 1: two colors, like also just pick opposite colors. Yeah, it

1233
01:08:49,400 --> 01:08:55,479
Speaker 1: was tonight was a blessed and it comes from the top. Okay,

1234
01:08:56,080 --> 01:08:59,880
Speaker 1: and he's a he's attacking Lauren. I'm attacking Lauren. Like

1235
01:09:00,200 --> 01:09:03,000
Speaker 1: on the podcast, it comes from the top. It's an

1236
01:09:03,080 --> 01:09:07,240
Speaker 1: ablest atmosphere, ablest atmosphere towards the vision. I'd say it is.

1237
01:09:08,240 --> 01:09:09,400
Speaker 1: I'd say it is, and it's all I have to

1238
01:09:09,439 --> 01:09:11,080
Speaker 1: time in and say, tell you what. Could not read

1239
01:09:11,080 --> 01:09:16,640
Speaker 1: those words words and the sketch because it did get cut,

1240
01:09:16,720 --> 01:09:18,360
Speaker 1: but it was not because of that. It was such

1241
01:09:18,400 --> 01:09:20,439
Speaker 1: a good sketch, but I also didn't want it was.

1242
01:09:20,640 --> 01:09:22,200
Speaker 1: It was such a good and funny sketch, but they

1243
01:09:22,200 --> 01:09:27,599
Speaker 1: had to change their whole premise also the table Yeah,

1244
01:09:27,680 --> 01:09:30,680
Speaker 1: literally because it was like too much penis content in

1245
01:09:30,760 --> 01:09:33,280
Speaker 1: this episode. Can you change your entire premise of this?

1246
01:09:33,400 --> 01:09:35,840
Speaker 1: And it was like, well, anything they say now is

1247
01:09:35,880 --> 01:09:39,000
Speaker 1: just not is funny. Is like he has a weird dick.

1248
01:09:39,280 --> 01:09:42,559
Speaker 1: That note is always really frustrating where it's like there's

1249
01:09:42,600 --> 01:09:45,080
Speaker 1: too much of this thing, and so you are We've

1250
01:09:45,200 --> 01:09:47,040
Speaker 1: chosen you. You're the one that's like you need to

1251
01:09:47,120 --> 01:09:49,320
Speaker 1: change it, and I'm like, I but they could change

1252
01:09:49,400 --> 01:09:52,160
Speaker 1: that one joke in there's and that other. Do you

1253
01:09:52,160 --> 01:09:56,920
Speaker 1: ever think about saying as a false sentence, no, I

1254
01:09:57,160 --> 01:10:02,040
Speaker 1: have said no at the workplace I had, I've said it,

1255
01:10:02,600 --> 01:10:08,120
Speaker 1: You've said you yourself credit, I've said it. And are

1256
01:10:08,200 --> 01:10:12,280
Speaker 1: we going here? Okay, okay, I'm just saying, y'all are

1257
01:10:12,320 --> 01:10:15,479
Speaker 1: going in, and I'm ob fest me as a fan upset.

1258
01:10:15,640 --> 01:10:17,720
Speaker 1: We are pulling back the curtain. I'm sorry we have.

1259
01:10:17,840 --> 01:10:22,680
Speaker 1: We literally read a no that was iconic and show

1260
01:10:22,720 --> 01:10:25,479
Speaker 1: is the best thing that's ever Firstly, I think the

1261
01:10:25,720 --> 01:10:27,800
Speaker 1: title of the show, we could change it. But I

1262
01:10:27,880 --> 01:10:30,479
Speaker 1: do think, like I like the Sistant Sissy Show. Like

1263
01:10:31,160 --> 01:10:33,200
Speaker 1: his name is sis Berman, so his full name is

1264
01:10:33,280 --> 01:10:36,760
Speaker 1: Sissman Berman. Yeah, I think that's so funny. Yeah, I

1265
01:10:36,840 --> 01:10:38,880
Speaker 1: think it is too. I think it's funny too, and

1266
01:10:39,000 --> 01:10:41,679
Speaker 1: I'm not and I'm wondering if it should be changed.

1267
01:10:41,800 --> 01:10:43,920
Speaker 1: I don't think it should. But wait, you think it's funny.

1268
01:10:44,000 --> 01:10:46,560
Speaker 1: I think that's a social experiment. If you came in

1269
01:10:46,720 --> 01:10:50,040
Speaker 1: and you said, like, it's the Beavist and Sissy Show

1270
01:10:50,640 --> 01:10:52,960
Speaker 1: and then they were just like and they were like,

1271
01:10:53,040 --> 01:10:55,479
Speaker 1: oh my god, I fucking loved that. I got it.

1272
01:10:56,120 --> 01:10:58,400
Speaker 1: And they didn't get the Sistant Show because they were

1273
01:10:58,479 --> 01:11:04,240
Speaker 1: like literally panic because before yeah, and they think it's bad.

1274
01:11:04,479 --> 01:11:07,640
Speaker 1: Yeah they did, They're like, what's it's the guilt. The

1275
01:11:07,680 --> 01:11:12,040
Speaker 1: guilt will also keep people from laughing. I can say yes, yes,

1276
01:11:12,720 --> 01:11:15,960
Speaker 1: black female body, I go, oh, we can laugh about this,

1277
01:11:16,080 --> 01:11:19,280
Speaker 1: but you feel guilty and it's barring you. That is

1278
01:11:19,400 --> 01:11:24,200
Speaker 1: a stupid thing, right, yeah, it is. It's yeah, it's frustrating. Anyway.

1279
01:11:32,880 --> 01:11:35,400
Speaker 1: I think it's time. I think it's time for the

1280
01:11:35,479 --> 01:11:38,439
Speaker 1: segment on the podcast called say it with Me, I

1281
01:11:38,560 --> 01:11:40,719
Speaker 1: Don't Think so Honey. It's one of the most famous

1282
01:11:40,760 --> 01:11:44,840
Speaker 1: segments in pop culture podcast history. The podcast has received

1283
01:11:44,880 --> 01:11:48,720
Speaker 1: critical acclaim and been cited in academic work. Matt and

1284
01:11:48,800 --> 01:11:52,240
Speaker 1: Bowen will often perform I Don't Think So Honey, a

1285
01:11:52,320 --> 01:11:54,840
Speaker 1: segment from the podcast, as a live show all around

1286
01:11:54,880 --> 01:11:57,680
Speaker 1: the country, with fifty local comedians each taking to the

1287
01:11:57,800 --> 01:12:01,760
Speaker 1: stage to say in one minute, a rant on pop

1288
01:12:01,840 --> 01:12:05,720
Speaker 1: culture that successfully ends in the words I don't think

1289
01:12:05,760 --> 01:12:08,720
Speaker 1: so honey, and has therefore fully dragged the subject. I

1290
01:12:09,120 --> 01:12:13,200
Speaker 1: do have something. Okay, I'm very excited. This is Matt Rodgers.

1291
01:12:13,280 --> 01:12:15,240
Speaker 1: I don't think so Many time starts now I don't

1292
01:12:15,280 --> 01:12:17,960
Speaker 1: Think so Honey. Thirst traps in the morning when I

1293
01:12:18,080 --> 01:12:19,640
Speaker 1: wake up and I look at my phone and I

1294
01:12:19,720 --> 01:12:22,000
Speaker 1: see that you've tried. You've tried to put thirst traps

1295
01:12:22,080 --> 01:12:24,360
Speaker 1: up in the morning. This keeps me in the bed

1296
01:12:24,800 --> 01:12:26,920
Speaker 1: because then I feel like I have to take care

1297
01:12:26,960 --> 01:12:29,599
Speaker 1: of business. No thirst traps in the morning, post them

1298
01:12:29,640 --> 01:12:31,560
Speaker 1: in the afternoon. I'm trying to get up, get a

1299
01:12:31,600 --> 01:12:33,360
Speaker 1: coffee in me and start the day. But when I

1300
01:12:33,520 --> 01:12:34,920
Speaker 1: roll over and look at my phone and I see

1301
01:12:34,960 --> 01:12:37,840
Speaker 1: thirst traps in the morning, I'm there forty five minutes longer,

1302
01:12:38,160 --> 01:12:40,880
Speaker 1: And yes, what are you doing? Just jerking off? Baby?

1303
01:12:41,200 --> 01:12:43,840
Speaker 1: I jerk off. I'm a man and I'm thirty one,

1304
01:12:44,200 --> 01:12:46,680
Speaker 1: and I jerk off. I do it. I love it,

1305
01:12:46,880 --> 01:12:48,439
Speaker 1: but I don't want to do it in the morning

1306
01:12:48,720 --> 01:12:51,280
Speaker 1: because then you can't do it at night. And guess

1307
01:12:51,360 --> 01:12:53,240
Speaker 1: what not that you can't do it at night, But

1308
01:12:53,400 --> 01:12:56,000
Speaker 1: when you get into your thirties, everyone, so it's hard

1309
01:12:56,080 --> 01:12:58,160
Speaker 1: to jack off again and again and again and again

1310
01:12:58,360 --> 01:13:01,280
Speaker 1: and then be ready to go. And so me, someone

1311
01:13:01,360 --> 01:13:03,760
Speaker 1: with a famous lack of self control, don't want to

1312
01:13:03,760 --> 01:13:06,400
Speaker 1: see your thirst traps in the morning. And you might say, Matt,

1313
01:13:06,520 --> 01:13:08,400
Speaker 1: put your phone away, this is your problem, this is

1314
01:13:08,439 --> 01:13:11,120
Speaker 1: not my problem. Sure, but I don't want to take

1315
01:13:11,160 --> 01:13:13,639
Speaker 1: responsibility for it, So stop with your hot and little

1316
01:13:13,640 --> 01:13:15,599
Speaker 1: sexy thirstraps in the morning. I don't think so, honey,

1317
01:13:15,640 --> 01:13:18,680
Speaker 1: get my dick out of my hand. I'm sorry, I

1318
01:13:18,760 --> 01:13:22,679
Speaker 1: cut you off. That's okay. On a minute, something happens

1319
01:13:23,360 --> 01:13:27,639
Speaker 1: when you're physiologically it's it's as if I'm having sex

1320
01:13:27,760 --> 01:13:31,000
Speaker 1: with Ago, because on the third masturbation of the day,

1321
01:13:31,200 --> 01:13:34,320
Speaker 1: nothing's coming out. Well, nothing's coming out, And that's what

1322
01:13:34,479 --> 01:13:38,439
Speaker 1: it's like to sleep with me, with me, you know,

1323
01:13:38,920 --> 01:13:43,720
Speaker 1: with that, if you're sleeping with us, nothing that's coming out.

1324
01:13:43,920 --> 01:13:47,840
Speaker 1: You know. The thing is like I I am like

1325
01:13:47,920 --> 01:13:50,040
Speaker 1: a horny person in the morning. That's just kind of

1326
01:13:50,160 --> 01:13:54,800
Speaker 1: my thing. And when I'm not with anyone else, it

1327
01:13:54,960 --> 01:13:57,679
Speaker 1: feels like, am I gonna do this right now? Because

1328
01:13:57,760 --> 01:14:01,000
Speaker 1: I'd love to have the juice for later? And I

1329
01:14:01,120 --> 01:14:04,240
Speaker 1: often get in trouble for this because out of boredom

1330
01:14:04,360 --> 01:14:07,160
Speaker 1: or out of just susceptibility to thirst traps in the morning,

1331
01:14:07,680 --> 01:14:13,360
Speaker 1: I will sort of indulge, and then you know, there

1332
01:14:13,439 --> 01:14:19,720
Speaker 1: needs to be a way around getting up in the morning. Look, look, look,

1333
01:14:19,840 --> 01:14:21,800
Speaker 1: this is a scenario. You get up in the morning

1334
01:14:22,280 --> 01:14:26,559
Speaker 1: next to your partner, sure your horn you're both horny. Yeah,

1335
01:14:27,000 --> 01:14:31,600
Speaker 1: but morning breath, morning breath. And also for for at

1336
01:14:31,680 --> 01:14:33,960
Speaker 1: least I can speak to the for the gay experience,

1337
01:14:34,040 --> 01:14:36,760
Speaker 1: it's harder to have sex in the morning. Not that

1338
01:14:36,920 --> 01:14:39,479
Speaker 1: you have to, you know, take it up the butt

1339
01:14:39,680 --> 01:14:41,880
Speaker 1: as it were, every time you have sex. That's not

1340
01:14:42,040 --> 01:14:45,160
Speaker 1: that's not necessarily sex like your sex is your sex.

1341
01:14:45,560 --> 01:14:49,320
Speaker 1: But if if if, if the if the mood feels

1342
01:14:49,400 --> 01:14:52,280
Speaker 1: the same, that way, been wonderful. But it's just like

1343
01:14:52,680 --> 01:14:55,720
Speaker 1: so many things, so much baggage in the morning. But

1344
01:14:55,800 --> 01:14:59,679
Speaker 1: I'm that's when I'm so, what's a lot of baggage

1345
01:14:59,720 --> 01:15:02,160
Speaker 1: in them? Morning breath? Thing is real, that's real. How

1346
01:15:02,200 --> 01:15:04,120
Speaker 1: do we how do we fix that? It's got to

1347
01:15:04,200 --> 01:15:07,880
Speaker 1: be like a surgery, surgery or by doing like the

1348
01:15:08,040 --> 01:15:10,040
Speaker 1: old like the ladies did in the old days, where

1349
01:15:10,040 --> 01:15:12,320
Speaker 1: you creep out of bed in the morning while your

1350
01:15:12,360 --> 01:15:14,720
Speaker 1: man is still asleep, and you sort of brush your

1351
01:15:14,760 --> 01:15:17,080
Speaker 1: teeth and put a full beat on and you wait

1352
01:15:17,120 --> 01:15:19,360
Speaker 1: and you lay in the bed like this. Describe what

1353
01:15:19,400 --> 01:15:22,720
Speaker 1: I'm doing. He's laying chin and chin is in the air,

1354
01:15:22,880 --> 01:15:27,439
Speaker 1: eyes are closed, kind of coming to slowly. Oh my god,

1355
01:15:29,120 --> 01:15:38,200
Speaker 1: some bed. Yeah, lip yes, smiling, winking, really really pointing

1356
01:15:38,840 --> 01:15:41,840
Speaker 1: kind of a meet you meet you, okay, blow job

1357
01:15:43,920 --> 01:15:49,719
Speaker 1: and then motoro motor mooting something getting a rail putting

1358
01:15:51,520 --> 01:15:58,880
Speaker 1: coming something I wanted. I haven't had sex really well, guys,

1359
01:15:59,000 --> 01:16:03,840
Speaker 1: slide into bow and there's no one while you're here

1360
01:16:03,840 --> 01:16:05,920
Speaker 1: in l A that you can head up. I've been

1361
01:16:05,960 --> 01:16:10,840
Speaker 1: too tired. They've been too tired. Alright, time to go,

1362
01:16:11,720 --> 01:16:14,280
Speaker 1: do you have? I don't think well, that sounds really

1363
01:16:14,439 --> 01:16:18,640
Speaker 1: like a fun idea. All right, so this, honey, his

1364
01:16:18,760 --> 01:16:21,799
Speaker 1: time starts now. I don't think so, honey, chrome Cast,

1365
01:16:22,439 --> 01:16:24,760
Speaker 1: you're gonna have me in front of some friends I

1366
01:16:24,920 --> 01:16:28,559
Speaker 1: have over and make me look like a damn fool

1367
01:16:28,640 --> 01:16:31,680
Speaker 1: trying to scrub a dub dub on the episode of

1368
01:16:31,880 --> 01:16:36,160
Speaker 1: the thing, the film what have you? And there's always

1369
01:16:36,240 --> 01:16:39,040
Speaker 1: the lag, there's always the spinning wheel that's telling you,

1370
01:16:39,280 --> 01:16:42,200
Speaker 1: that's laughing at you in the face, saying no, no, no,

1371
01:16:42,439 --> 01:16:44,800
Speaker 1: I'm not going to show you where you fast forwarded to.

1372
01:16:45,000 --> 01:16:48,400
Speaker 1: Just yet. Let me think for about forty five more seconds. Okay,

1373
01:16:49,320 --> 01:16:53,560
Speaker 1: chrome Cast, I feel like you are designed to humiliate

1374
01:16:53,680 --> 01:16:56,200
Speaker 1: the user, and that we're we are past that in

1375
01:16:56,280 --> 01:17:00,000
Speaker 1: technology right now, and the UI and U X excuse

1376
01:17:00,000 --> 01:17:03,799
Speaker 1: orians is to feel humiliated, and I don't want it anymore.

1377
01:17:04,479 --> 01:17:07,479
Speaker 1: I want to say no, no crume cast, give me

1378
01:17:07,840 --> 01:17:12,560
Speaker 1: an Apple TV and every screen I encounter, give me

1379
01:17:12,640 --> 01:17:16,599
Speaker 1: an Apple TV in every hotel I to in my office. Really,

1380
01:17:17,040 --> 01:17:18,920
Speaker 1: I need an Apple TV so I can use the

1381
01:17:19,000 --> 01:17:23,240
Speaker 1: little gum stick remote to actually have precision control. And

1382
01:17:23,360 --> 01:17:27,320
Speaker 1: that's one minute. It really is frustration station when you

1383
01:17:27,400 --> 01:17:32,000
Speaker 1: are trying to screen throw screen throw yeah, and then

1384
01:17:32,160 --> 01:17:35,320
Speaker 1: you get that that because it's it's false advertising. It's like,

1385
01:17:35,439 --> 01:17:37,519
Speaker 1: this is not what's happening on my screen. In fact,

1386
01:17:39,200 --> 01:17:41,519
Speaker 1: I don't know. I just think. I just think we're

1387
01:17:41,560 --> 01:17:45,519
Speaker 1: being like someone's watching us and laughing at us. God, God,

1388
01:17:45,680 --> 01:17:47,479
Speaker 1: or the people in the room, or someone at Google

1389
01:17:47,680 --> 01:17:56,160
Speaker 1: is watching us saying spinning their wheels going insanee. I

1390
01:17:56,280 --> 01:17:59,200
Speaker 1: have to say, like like when you when you have

1391
01:17:59,360 --> 01:18:01,320
Speaker 1: something up there and then like it's going doing the

1392
01:18:01,360 --> 01:18:04,360
Speaker 1: stop and start. You miss every joke in a comedic piece,

1393
01:18:04,920 --> 01:18:08,439
Speaker 1: you miss every intentional dramatic beats. It's just you can't

1394
01:18:08,520 --> 01:18:11,000
Speaker 1: you can't be doing it. I would rather have a

1395
01:18:11,080 --> 01:18:13,280
Speaker 1: bunch of people over and we watched something on my

1396
01:18:13,400 --> 01:18:16,200
Speaker 1: computer in front of us on the table than to screen,

1397
01:18:16,280 --> 01:18:18,439
Speaker 1: throw it up there because it's just it's just wrong.

1398
01:18:18,600 --> 01:18:20,880
Speaker 1: It's just wrong, and you're it's just it's just like

1399
01:18:21,320 --> 01:18:26,479
Speaker 1: clicking along that line. So awful. Okay, that's it. It's time.

1400
01:18:26,960 --> 01:18:30,200
Speaker 1: Any thoughts on chrome Cast before we start. I am

1401
01:18:30,320 --> 01:18:33,759
Speaker 1: a neutral party as far as chrome Cast is concerned. However,

1402
01:18:33,960 --> 01:18:39,040
Speaker 1: Chromecast has hurt King, and thus now I've got beef

1403
01:18:39,080 --> 01:18:42,960
Speaker 1: with chrome Cast. Yeah, your beef is my beef, and

1404
01:18:44,120 --> 01:18:50,080
Speaker 1: beef is my beef and my babe. Mean it was.

1405
01:18:54,040 --> 01:18:57,160
Speaker 1: People need to know that King is a singer. But

1406
01:18:57,360 --> 01:19:00,760
Speaker 1: no am I No? Are you a singer? No? You

1407
01:19:00,880 --> 01:19:08,040
Speaker 1: just matched pitch? Oh did I? If? And if you

1408
01:19:08,200 --> 01:19:11,360
Speaker 1: match pitch, that means a singer. It's time for ego wodims.

1409
01:19:11,360 --> 01:19:15,800
Speaker 1: I don't think so, honey. Okay, I do believe I'm

1410
01:19:16,240 --> 01:19:18,639
Speaker 1: red teeth. This is bodis. I don't think so, honey.

1411
01:19:18,680 --> 01:19:21,639
Speaker 1: Her time starts now. I don't think so, honey. Asking

1412
01:19:21,760 --> 01:19:24,320
Speaker 1: me where I am? You don't need to know where

1413
01:19:24,439 --> 01:19:28,960
Speaker 1: I am. Don't ask me where I am. I I'm

1414
01:19:29,000 --> 01:19:30,880
Speaker 1: where I'm supposed to be. Where the funk are you

1415
01:19:31,120 --> 01:19:33,719
Speaker 1: worry about that? I mean, if you have a question

1416
01:19:33,760 --> 01:19:35,519
Speaker 1: and invite you want to send my way. Just do that.

1417
01:19:35,840 --> 01:19:37,519
Speaker 1: Just go ahead and do that. Don't ask me where

1418
01:19:37,520 --> 01:19:40,400
Speaker 1: I am. That such a business. You're not my parole officer.

1419
01:19:40,479 --> 01:19:43,640
Speaker 1: I'm not on parole. There you go. I've still got

1420
01:19:43,920 --> 01:19:46,280
Speaker 1: a significant amount of time to pop off about people

1421
01:19:46,320 --> 01:19:48,200
Speaker 1: asking me where I am. Don't slide in the d

1422
01:19:48,400 --> 01:19:50,519
Speaker 1: M s with it. Don't send a text, don't send

1423
01:19:50,560 --> 01:19:52,800
Speaker 1: an email. I actually don't like any of those forms

1424
01:19:52,840 --> 01:19:55,800
Speaker 1: of communication as well. But that's not about this right now.

1425
01:19:56,560 --> 01:19:58,880
Speaker 1: I'm where I need to be. You send the invitation.

1426
01:19:59,200 --> 01:20:01,439
Speaker 1: I could be in bed, I could be in the shower,

1427
01:20:01,720 --> 01:20:03,280
Speaker 1: I could be at the gym. I could be at

1428
01:20:03,320 --> 01:20:07,720
Speaker 1: your daddy's house. Doesn't matter, doesn't matter what is the

1429
01:20:07,880 --> 01:20:10,479
Speaker 1: order of business? What do you need from me? I'm

1430
01:20:10,520 --> 01:20:12,880
Speaker 1: allowed to be where I want to be. Where Where

1431
01:20:12,920 --> 01:20:14,960
Speaker 1: are you? Is what i'd say? Where are you? You

1432
01:20:15,040 --> 01:20:18,120
Speaker 1: are out your damn mind is what it is. Ask

1433
01:20:18,200 --> 01:20:20,960
Speaker 1: me where I am? I do not think so, honey, Honestly,

1434
01:20:21,360 --> 01:20:24,200
Speaker 1: it is no more rude question than without a hay

1435
01:20:24,360 --> 01:20:26,280
Speaker 1: or hello. Just you're looking down at your phone and

1436
01:20:26,320 --> 01:20:29,160
Speaker 1: seeing the words where are you? Shut the funk up?

1437
01:20:29,320 --> 01:20:32,320
Speaker 1: Are you nuts? You better go fuck yourself? You were

1438
01:20:32,400 --> 01:20:35,719
Speaker 1: at my daddy's house. I wasn't your daddy's crib. Okay,

1439
01:20:36,320 --> 01:20:41,679
Speaker 1: and listen, context matters, but just a cold where are you? Terrible?

1440
01:20:42,200 --> 01:20:47,479
Speaker 1: Never ever ever gonna work for me? So awful, and

1441
01:20:47,640 --> 01:20:51,320
Speaker 1: especially when they do where just the letter are? Just

1442
01:20:51,520 --> 01:20:54,560
Speaker 1: the letter you? I'm sorry? Do it? Yeah? Are you?

1443
01:20:54,800 --> 01:20:56,400
Speaker 1: You're out of your mind? It was where you are?

1444
01:20:56,680 --> 01:20:59,320
Speaker 1: That's that's what I have to say about that respectable space.

1445
01:20:59,400 --> 01:21:00,880
Speaker 1: You can be where ever you want to be. If

1446
01:21:00,920 --> 01:21:02,439
Speaker 1: I have an invitation for your bone, I'm going to

1447
01:21:02,520 --> 01:21:05,040
Speaker 1: send you the invitation. If I want you to know

1448
01:21:05,120 --> 01:21:07,840
Speaker 1: where I am, I will give you the drop pit. Yeah,

1449
01:21:07,880 --> 01:21:10,599
Speaker 1: I will drop the adie and drop the addie, share

1450
01:21:10,720 --> 01:21:14,200
Speaker 1: the location. Shit, Yeah, where am I? Where am I?

1451
01:21:14,760 --> 01:21:18,960
Speaker 1: You know what's a good way to go about this? Hey? Yes, okay,

1452
01:21:20,840 --> 01:21:23,920
Speaker 1: and then be like I was wondering what you were doing.

1453
01:21:24,080 --> 01:21:27,479
Speaker 1: I'm here. Now we have some common ground. Now we

1454
01:21:27,520 --> 01:21:31,800
Speaker 1: can start a conversation. Don't command any information for me. No,

1455
01:21:32,120 --> 01:21:34,200
Speaker 1: it's not okay, because you're going to take where I

1456
01:21:34,240 --> 01:21:37,599
Speaker 1: am to mean that means I'm available or I'm into

1457
01:21:37,680 --> 01:21:40,600
Speaker 1: whatever you're about to pitch me. Just give me the

1458
01:21:40,720 --> 01:21:44,360
Speaker 1: information and they're allowed to decide also where are you?

1459
01:21:44,800 --> 01:21:47,840
Speaker 1: Sort of there's something in it that that says you're

1460
01:21:47,960 --> 01:21:50,760
Speaker 1: not You're not where you're supposed to be. Like when

1461
01:21:50,800 --> 01:21:52,439
Speaker 1: I get a Texas is where are you? I'm like,

1462
01:21:53,200 --> 01:21:56,080
Speaker 1: am I supposed to be somewhere else? Yeah? No, no,

1463
01:21:56,320 --> 01:21:58,600
Speaker 1: And that's it's it's so stressful. It's like, let's say that,

1464
01:21:58,800 --> 01:22:00,360
Speaker 1: it's like the equipment of like we need to talk

1465
01:22:02,000 --> 01:22:03,880
Speaker 1: and I love to send we need to talk text

1466
01:22:03,960 --> 01:22:08,880
Speaker 1: to my friend as a joke, as a joke. That

1467
01:22:09,120 --> 01:22:11,680
Speaker 1: is actually no, King, that's not accepted. No, I don't, no, no,

1468
01:22:11,760 --> 01:22:14,880
Speaker 1: it's acceptable's except because he knows I never have to

1469
01:22:14,920 --> 01:22:18,479
Speaker 1: talk to But what about when you actually need to

1470
01:22:18,520 --> 01:22:21,680
Speaker 1: talk to them? I'll just say, hey, I'd love to

1471
01:22:23,120 --> 01:22:25,200
Speaker 1: your boyfriend. No, no, no, my friend. I don't do

1472
01:22:25,240 --> 01:22:27,200
Speaker 1: it to my boyfriend. My boyfriend would truly be like

1473
01:22:28,400 --> 01:22:30,599
Speaker 1: we need to do that with your end the bit

1474
01:22:30,680 --> 01:22:32,400
Speaker 1: with my friend my friend Patrick, I do this bit

1475
01:22:32,600 --> 01:22:36,559
Speaker 1: we need to talk, period. I've sent him that text

1476
01:22:36,680 --> 01:22:38,360
Speaker 1: multiple times. What about when you actually need to talk

1477
01:22:38,360 --> 01:22:40,000
Speaker 1: to him? I'm sorry, But if I actually need to

1478
01:22:40,000 --> 01:22:42,479
Speaker 1: talk to Patrick, I'll just call I'll just call her,

1479
01:22:42,479 --> 01:22:44,720
Speaker 1: I'll text you know what I say I'll say the

1480
01:22:44,840 --> 01:22:47,360
Speaker 1: thing what else I hate that when I talk about

1481
01:22:47,360 --> 01:22:49,479
Speaker 1: it is just when you get a random text that's

1482
01:22:49,560 --> 01:22:56,000
Speaker 1: just hey and nothing else. No, they both hands up

1483
01:22:56,120 --> 01:22:58,880
Speaker 1: at the same time. They threw their hands at the

1484
01:22:58,920 --> 01:23:02,439
Speaker 1: same time. But I feel on that not hey hey,

1485
01:23:02,880 --> 01:23:07,680
Speaker 1: and then you're like, um, hi, even because it's such

1486
01:23:07,720 --> 01:23:10,639
Speaker 1: an easy because even like even just saying like hey,

1487
01:23:10,800 --> 01:23:15,679
Speaker 1: what's up? Like hey, like hey, thinking of just hey,

1488
01:23:16,160 --> 01:23:20,200
Speaker 1: I'm just like there's there's there's like a bit of

1489
01:23:20,240 --> 01:23:23,720
Speaker 1: a sociopathy to that. I would say, like, hey, but

1490
01:23:23,840 --> 01:23:26,120
Speaker 1: where thank you for starting this conversation on where are you?

1491
01:23:26,160 --> 01:23:28,439
Speaker 1: Because it you know, what else it is is not

1492
01:23:28,600 --> 01:23:30,200
Speaker 1: only do you have to give them the answer or

1493
01:23:30,400 --> 01:23:33,240
Speaker 1: do they expect you to give them the answer on

1494
01:23:33,400 --> 01:23:36,439
Speaker 1: like a location, but then you kind of have to

1495
01:23:36,600 --> 01:23:39,639
Speaker 1: give the story behind it. I'm at this place because

1496
01:23:39,720 --> 01:23:43,640
Speaker 1: of this reason. Sure, yeah, because yeah, you're sort of like,

1497
01:23:43,720 --> 01:23:45,880
Speaker 1: are you okay? Are you trying to invite me to somewhere?

1498
01:23:46,040 --> 01:23:48,880
Speaker 1: Am I somewhere? I'm I'm not supposed to be right now,

1499
01:23:49,439 --> 01:23:52,320
Speaker 1: But it's like you have information you want, but you

1500
01:23:52,439 --> 01:23:54,639
Speaker 1: want to have the upper hand here by the first

1501
01:23:54,720 --> 01:23:56,439
Speaker 1: hearing where I am and I just answer to you

1502
01:23:57,080 --> 01:24:00,080
Speaker 1: like you're my mother or something, and I don't have

1503
01:24:00,200 --> 01:24:01,880
Speaker 1: to do that. I'm going to text you that every week.

1504
01:24:01,920 --> 01:24:04,400
Speaker 1: Where are you? Where are you? Where are you? But

1505
01:24:04,800 --> 01:24:06,479
Speaker 1: you guys have a reason to do because you're at

1506
01:24:06,520 --> 01:24:09,200
Speaker 1: work together, like, hey, where are you? Like that's exactly

1507
01:24:09,240 --> 01:24:11,200
Speaker 1: I'm like. There are versions of like you wanting to

1508
01:24:11,280 --> 01:24:14,040
Speaker 1: give me something, or I've wanted to hand something over

1509
01:24:14,040 --> 01:24:15,599
Speaker 1: to you and gone to your dressing room you're not there.

1510
01:24:15,640 --> 01:24:17,200
Speaker 1: It might be like, hey, where are you? But I

1511
01:24:17,280 --> 01:24:20,519
Speaker 1: also would probably be like probably I can't say with

1512
01:24:20,680 --> 01:24:23,880
Speaker 1: full certainty, be like I have something like like and

1513
01:24:24,040 --> 01:24:26,840
Speaker 1: literally I've done this so many times where I've gone

1514
01:24:26,880 --> 01:24:28,800
Speaker 1: over to your dressing room, knocked on your door, no answer.

1515
01:24:28,840 --> 01:24:31,280
Speaker 1: I just walk away. I'll get her later. Yeah, yeah,

1516
01:24:31,840 --> 01:24:35,880
Speaker 1: wait a minute. You gave me a gift. No, I did,

1517
01:24:36,120 --> 01:24:37,920
Speaker 1: and I opened it and I was so happy to

1518
01:24:38,000 --> 01:24:41,439
Speaker 1: get it. It was truly it was boy Smells candles

1519
01:24:41,560 --> 01:24:43,760
Speaker 1: from their collection, and I freaked. I was like, oh

1520
01:24:43,880 --> 01:24:45,640
Speaker 1: my god, thank you so and then you this is

1521
01:24:45,640 --> 01:24:47,519
Speaker 1: what you said. You remember you said? What did I say?

1522
01:24:47,720 --> 01:24:49,400
Speaker 1: You don't have to pretend to like I was like,

1523
01:24:49,560 --> 01:24:56,160
Speaker 1: I'm not pretending candles are my favorite. They gave me

1524
01:24:56,360 --> 01:25:03,880
Speaker 1: a gift. Got can I say, say, Bowen got two

1525
01:25:04,280 --> 01:25:09,400
Speaker 1: thera guns? Got one? Wait, you gave me your? I

1526
01:25:09,479 --> 01:25:11,439
Speaker 1: did the same. You get you gave the extra theragon

1527
01:25:11,520 --> 01:25:14,320
Speaker 1: we got to Ego. Okay, I'm calling you out. I

1528
01:25:14,400 --> 01:25:16,280
Speaker 1: did the same thing to Joel. No, no, no, this

1529
01:25:16,400 --> 01:25:19,200
Speaker 1: is what happened. Yes, yes, I show up to work

1530
01:25:19,240 --> 01:25:21,920
Speaker 1: one day and there's a thera gun. The first of all,

1531
01:25:21,960 --> 01:25:25,200
Speaker 1: they gave everybody a their like a mini theragun for Christmas. Sure,

1532
01:25:27,320 --> 01:25:29,200
Speaker 1: I can give you mine, let me have that one,

1533
01:25:30,680 --> 01:25:33,559
Speaker 1: but let me have that one. Eighty wouldn't mind if

1534
01:25:33,600 --> 01:25:36,400
Speaker 1: I said this. Eighty and nine both got these special

1535
01:25:36,640 --> 01:25:42,880
Speaker 1: edition gold theraguns with like and with a note saying

1536
01:25:42,960 --> 01:25:48,160
Speaker 1: there's only five hundred of these that we make. Guess

1537
01:25:48,200 --> 01:25:51,400
Speaker 1: how much it costs man? Two thousand dollars one th dollars.

1538
01:25:51,920 --> 01:25:54,800
Speaker 1: That's insane, insane. And I was like, I don't I

1539
01:25:54,840 --> 01:25:57,760
Speaker 1: don't want this, But then what do you mean? And

1540
01:25:57,800 --> 01:25:59,880
Speaker 1: then so that it was sitting in my dressing room

1541
01:25:59,920 --> 01:26:01,080
Speaker 1: for like a full week and a half, and then

1542
01:26:01,120 --> 01:26:02,880
Speaker 1: Ago comes and visits me and she goes, she does,

1543
01:26:02,960 --> 01:26:06,760
Speaker 1: what's this? It's this crazy? It's something a gift or no,

1544
01:26:07,360 --> 01:26:09,680
Speaker 1: it wasn't even know. It was very transparent, like I

1545
01:26:09,760 --> 01:26:11,160
Speaker 1: was like, I don't know, like as I guess how

1546
01:26:11,240 --> 01:26:13,160
Speaker 1: much this costs King? And she was like uh and

1547
01:26:13,240 --> 01:26:19,800
Speaker 1: I think she also said to that prices that pis

1548
01:26:19,840 --> 01:26:24,200
Speaker 1: we guess the same price? Yeah. Time. Anyway, I gave

1549
01:26:24,240 --> 01:26:25,439
Speaker 1: it to King. But then I was doing I was

1550
01:26:25,479 --> 01:26:28,160
Speaker 1: doing a bit where I kept being like, oh, like

1551
01:26:28,400 --> 01:26:30,519
Speaker 1: what's like, what's this part in the box? Like oh,

1552
01:26:30,600 --> 01:26:31,880
Speaker 1: and I'm like, do you want it back? You want

1553
01:26:31,920 --> 01:26:33,680
Speaker 1: to you don't realize that you gave me And he's like, no,

1554
01:26:33,960 --> 01:26:36,240
Speaker 1: I'm fine, like a note in it and he's like,

1555
01:26:36,680 --> 01:26:40,760
Speaker 1: what's the note saying do you want a thing back?

1556
01:26:40,840 --> 01:26:43,439
Speaker 1: And eventually the bit just escalated where I would like

1557
01:26:43,960 --> 01:26:48,200
Speaker 1: snatch the box right away, like I'll never see you again. Well,

1558
01:26:48,240 --> 01:26:51,479
Speaker 1: Bowen didn't do gifts this year. He no, he let

1559
01:26:51,520 --> 01:26:54,760
Speaker 1: me know he wasn't doing Christmas for me. For me, well,

1560
01:26:54,800 --> 01:26:57,600
Speaker 1: I don't think I really did give I did I did? Do?

1561
01:26:57,880 --> 01:27:00,120
Speaker 1: I mean I the candle candle I did I gave you?

1562
01:27:00,240 --> 01:27:03,640
Speaker 1: And hiding the candles, which is so nice look at me,

1563
01:27:04,640 --> 01:27:06,640
Speaker 1: But but there is a sent in there that I

1564
01:27:06,800 --> 01:27:10,559
Speaker 1: really really loved the blue one. Yeah, yeah, I love

1565
01:27:10,640 --> 01:27:13,840
Speaker 1: that sense so much. Um, but I am I go.

1566
01:27:14,240 --> 01:27:16,240
Speaker 1: You should be able to go either way. I was

1567
01:27:16,320 --> 01:27:19,080
Speaker 1: informed in December from Bible and that I would not

1568
01:27:19,160 --> 01:27:21,960
Speaker 1: be getting a gift this year. I didn't say that,

1569
01:27:22,120 --> 01:27:23,400
Speaker 1: you did. You told me I didn't get you a

1570
01:27:23,439 --> 01:27:24,920
Speaker 1: gift this year. I'm just telling you. And I was like,

1571
01:27:25,000 --> 01:27:27,639
Speaker 1: that's fine. I didn't get you anything either. I did. Okay,

1572
01:27:27,880 --> 01:27:32,920
Speaker 1: you had gotten him something because oh my god. But

1573
01:27:33,040 --> 01:27:35,200
Speaker 1: you know what though, for your birthday, I did send

1574
01:27:35,200 --> 01:27:37,160
Speaker 1: you a pair of ear rings and they never got

1575
01:27:37,240 --> 01:27:39,639
Speaker 1: to They never got to your apartment. And they were expensive.

1576
01:27:40,760 --> 01:27:42,640
Speaker 1: I was really annoyed by that. They were They were

1577
01:27:42,680 --> 01:27:44,439
Speaker 1: like Gucci ear rings, and I sent them to you

1578
01:27:44,640 --> 01:27:48,439
Speaker 1: and they never got very nice, very nice. That's okay.

1579
01:27:48,880 --> 01:27:53,120
Speaker 1: What do you want for your birthday? Um? I want

1580
01:27:53,360 --> 01:27:59,200
Speaker 1: a leather jacket. Yeah I have, Okay, just give me mats.

1581
01:27:59,760 --> 01:28:01,479
Speaker 1: So what do you want for your birthday? What I

1582
01:28:01,520 --> 01:28:05,599
Speaker 1: want for my birthday? He has a great birthday. He has, don't. Oh,

1583
01:28:05,840 --> 01:28:07,960
Speaker 1: I'm I'm having a lot of fun on my birthday.

1584
01:28:07,960 --> 01:28:12,280
Speaker 1: I'm going to see Katie Perry and Vegas with thousand gays.

1585
01:28:13,439 --> 01:28:16,600
Speaker 1: It's gonna be like this to nine. I'm working on that,

1586
01:28:18,000 --> 01:28:21,200
Speaker 1: I'm looking on It's gonna be okay, Okay, I love it.

1587
01:28:22,800 --> 01:28:25,960
Speaker 1: Thank you for so much for this was King, and

1588
01:28:26,040 --> 01:28:30,320
Speaker 1: we talked about intimacy. Yeah, we talked about the business.

1589
01:28:31,320 --> 01:28:34,800
Speaker 1: I'm cited in academic work, and talk about rom com aspiration.

1590
01:28:34,920 --> 01:28:38,519
Speaker 1: We read a sketch every episode with the song okay

1591
01:28:39,880 --> 01:28:44,920
Speaker 1: so nine, I'm look I'm ge