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Speaker 1: Come back to the eighty five South. So am my

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Speaker 1: South show. I've been smoking on them backwoods backstage. You

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Speaker 1: know we're backstage, We're backwoods in the lounge. Carlos Miller,

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Speaker 1: I'm renee straight from the A. And of course we

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Speaker 1: got another dope performer that just hit the stage here

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Speaker 1: at one music fest.

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Speaker 2: Hey, I don't know if y'all know this, but this

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Speaker 2: is one of the busiest artists in the game. I

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Speaker 2: have booked this guy to come and be on the

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Speaker 2: show twenty two times. He got photo shoots, he got flights,

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Speaker 2: he got video shoots, He on tour in the studio,

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Speaker 2: he's working. Man, How does it feel to be over here,

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Speaker 2: man at one music fest, hitting the stage and blessing

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Speaker 2: the crowd with them hits, man.

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Speaker 3: Shit, I FORLK. I love Atlanta? You feel me? So?

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Speaker 4: One music fist called, It's like my manager just told

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Speaker 4: me the other day that Atlanta like my top streaming city.

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Speaker 3: Come on all that, so you feel me? Hold, look,

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Speaker 3: we're gonna.

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Speaker 2: Celebrate everything in lint, everything you're landing around him. So man,

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Speaker 2: this is one of them cities that when they like you,

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Speaker 2: they love you.

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Speaker 3: Man.

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Speaker 2: So what does that feel like? To be at a

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Speaker 2: home away from home and still get the same love

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Speaker 2: and respect as an artist.

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Speaker 4: You know, this ship feels just like Saint Louis, Bro.

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Speaker 4: Like Atlanta, it's just bigger, you know, a bigger city,

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Speaker 4: but it's it's fire bro.

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Speaker 3: As far as black love, it's a little different. Like

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Speaker 3: when your own fuck with you two you hear me?

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Speaker 4: Yeah, Like niggas can go all around the world and ship,

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Speaker 4: but like you come back to your niggas like and

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Speaker 4: they fuck with you.

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Speaker 3: That's like the highest honor them.

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Speaker 2: Me.

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Speaker 1: Straight up, I want to say, as an artist, is

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Speaker 1: that important to you for Atlanta to fuck with you

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Speaker 1: and rock with you because it.

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Speaker 5: Is represented by so many blacks in the culture.

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Speaker 3: Yeah? Yeah, top market for sure for so from here. Yeah,

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Speaker 3: I love.

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Speaker 5: You, not love when you fall in love with What

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Speaker 5: was that.

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Speaker 3: Moment for you when that niggas start singing up like that? Bro?

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Speaker 2: Like, I had him on the show and I asked

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Speaker 2: him who Barbara was? You know what Barbara he was

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Speaker 2: talking about? Barbara Bush?

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Speaker 3: Wow. He said he just felt like she be tatted

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Speaker 3: up and nobody would know.

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Speaker 5: That's crazy.

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Speaker 3: I'm thinking Barbara, some lady he dealing with. This is

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Speaker 3: the old white lady.

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Speaker 5: I thought it was his grandma name. That's my name.

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Speaker 3: What I thought, the.

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Speaker 2: Old lady, you know, because that's everybody's favorite for I

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Speaker 2: asked him Barbara Bush, no hesitation, man, nigga special.

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Speaker 3: Bro, really legend he is.

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Speaker 2: I don't want to say a man scot because I

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Speaker 2: don't want this like, but he is like the image

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Speaker 2: that I think of when I think of Atlanta.

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Speaker 3: He is so Atlanta Bro.

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Speaker 4: I feel that. I definitely second it. I feel that

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Speaker 4: dfol like, oh.

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Speaker 3: God straight, I love that part.

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Speaker 4: I got a song, one of my biggest songs called

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Speaker 4: z fol Z fo well because it's like, you know,

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Speaker 4: I loved him.

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Speaker 3: I love about me. Man. What's what's one of your

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Speaker 3: favorite defoil songs?

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Speaker 5: Bro?

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Speaker 4: I mean my favorite defoil songs. Laughty tappy bro laughing tap.

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Speaker 2: You remember the impact that that one had when it

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Speaker 2: when it came out in it overnight everything was snapped then.

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Speaker 4: Snap music in general. Yeah, I miss snap music. Hey man,

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Speaker 4: y'all producers starts saying snap beats bro, all them Atlanta producers, Man,

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Speaker 4: y'all need to bring that Snap music ship back.

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Speaker 3: Man.

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Speaker 4: The world got the dance ship. Man, y'all need to

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Speaker 4: bring y'all damn ship bring Yeah. I think I think

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Speaker 4: that's gonna say the world.

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Speaker 3: Bro. Niggas ain't dancing like like me gonna say the world.

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Speaker 1: Bro.

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Speaker 3: We need to snap music back side of the world. Now.

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Speaker 2: You know, we had a lot of local snap hits

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Speaker 2: you too, that didn't never get to the city, but

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Speaker 2: it was popping in the clubs in Atlanta.

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Speaker 3: Remember get Away Boys, she wanted.

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Speaker 4: And you gotta make a snap music playlist. So like

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Speaker 4: the people that don't know, like the people that like

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Speaker 4: you know that Atlanta the real Atlanta ship, Like I

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Speaker 4: don't know, I don't know. I'm saying I want to

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Speaker 4: know about that, Like you know what I'm saying, snapship y'all.

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Speaker 3: Like when y'all was at the Port this type shit.

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Speaker 1: You got some new artists that's trying to do that

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Speaker 1: now like with Deuce, it's more on the crunk side.

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Speaker 2: And I feel you on that because that that music

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Speaker 2: was easy to listen to. The song could be about

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Speaker 2: anything long as you could it.

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Speaker 5: To it. It would save for everybody.

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Speaker 2: The kids, they are the ones who really made it go.

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Speaker 1: Yeah, oh god, are there any other Atlanta artists that

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Speaker 1: you would love to collaborate with or work with. It

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Speaker 1: could be somebody that's not doing nothing now, or like

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Speaker 1: an og in the game, or somebody recent.

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Speaker 4: You put me on the spot. I don't even know

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Speaker 4: off top right now, I ain't gonna even hold you.

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Speaker 4: But I for sure want to work with Andre three

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Speaker 4: thousand one day. But that's everybody probably gonna say that

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Speaker 4: one Andre.

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Speaker 5: To make some music.

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Speaker 2: At this point, I would listen to Ready three thousand

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Speaker 2: on the whole album playing that flute. Oh god, whatever

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Speaker 2: that instrument is that he walks around out, he gotta

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Speaker 2: make an album of that.

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Speaker 3: For sure. He got like an African flute like something,

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Speaker 3: yeah win or oh bo or something. He's probably about

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Speaker 3: to drop one. Amen. Social media loves you and your music, bro.

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Speaker 2: What does it feel like to be one of those

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Speaker 2: ones they got handpicked by such a tough crowd.

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Speaker 3: Damn that shit crazy. I don't know.

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Speaker 4: That's it's random, like because anytime I'll ever go viral

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Speaker 4: for shit, or like anytime some shit happened, like I

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Speaker 4: never was like trying to go viral or make a video.

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Speaker 3: You know how people make videos and they go good, Like.

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Speaker 4: I'll just be doing some shit and it just I

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Speaker 4: think that shit just can't happening. The niggas like, oh

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Speaker 4: this nigga cool for real?

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Speaker 2: Yea, hey, man, Saint Louis is breaking through man, y'all

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Speaker 2: the six them broke through it and really shined the

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Speaker 2: light on the city. And we're seeing that a lot

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Speaker 2: of artists are taking advantage of you know, Saint Louis

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Speaker 2: been in the spotlight. What's the music scened like in

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Speaker 2: Saint Louis? Are the artists supporting each other? Are they

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Speaker 2: working with each other? Is you know because Atlanta, we're

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Speaker 2: so used to seeing shit. It's small. Were running to people,

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Speaker 2: so everybody fuck with everybody?

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Speaker 5: What is that?

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Speaker 2: Yeah?

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Speaker 3: What is say? This is very right now moment.

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Speaker 4: I don't live in Saint Louis, but anytime, like I'm

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Speaker 4: seeing how you know, everything coming out and like all

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Speaker 4: the new ship and the artists that I'm finding out about,

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Speaker 4: it's like, damn, like it's a different type of nigga.

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Speaker 4: Every time you feel me like you got a cister

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Speaker 4: read then you got like me. And this is short

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Speaker 4: and not like Blake Yanna or something like that, say

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Speaker 4: she just did the song with him.

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Speaker 3: But it's a lot of artists just this hard.

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Speaker 4: You feel me, Jordan Ward he from Saint Louis and

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Speaker 4: here R and b artists, but he hell a, you

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Speaker 4: feel me like SIZZM and cole Syna them and shit,

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Speaker 4: you feel me.

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Speaker 3: So I think I think everybody being their own.

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Speaker 4: World, like when they make it, like the people that

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Speaker 4: make it out the lou being their own world with

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Speaker 4: it more so then being like you feel me, Yeah,

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Speaker 4: because everybody got their own sound different, dynamic and ship

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Speaker 4: like that.

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Speaker 3: So yeah, Saint Louis a little different.

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Speaker 2: Now, you know, Saint Louis had his own dance movement

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Speaker 2: for the longest. To give us an update on that, they're.

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Speaker 3: Still hitting it in Saint Louis. I mean, Nigga from Louis,

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Speaker 3: chicken Head whatever you.

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Speaker 4: Like, the chicken here. It's called the Monastery for real.

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Speaker 4: This monastery is really the Monastery, cause that's the.

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Speaker 3: Club that they start doing it at.

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Speaker 2: I know, you know, you know, I know, I've been

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Speaker 2: crossed that bridge really going.

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Speaker 3: It's Nina Pop. But most definitely shout out to the

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Speaker 3: whole name. Yeah, hold are you here, come in dirty

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Speaker 3: let all that.

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Speaker 4: That's that's what is like real, that's hard, Like Saint

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Speaker 4: Louis turn that wild Lewis says, she was just saying,

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Speaker 4: Saint Louis ship and that should be going platinum.

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Speaker 2: You know how I knew she was raised around some

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Speaker 2: old ass ladies. I'm gonna tell y'all how I knew

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Speaker 2: Sexy Red was raised around some old ass ladies. When

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Speaker 2: she said, my son need a new pathy. That let

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Speaker 2: me know right then, because those young people don't even

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Speaker 2: know what a pathy is. Bernie Mack to Pappy Man,

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Speaker 2: what you got coming up next?

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Speaker 3: Man? What can we look forward to? You look forward?

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Speaker 2: You know, to in the future, because twenty three almost over. Yeah,

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Speaker 2: this shit it's a rap. It came and went so fast.

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Speaker 2: So how you closing out the year? How you're gonna

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Speaker 2: start off the top of twenty four?

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Speaker 4: Bro, I'm trying to like branch out into other shit

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Speaker 4: outside the music, on some business shit. So I've been

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Speaker 4: just on my businessman ship, like all the shit I

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Speaker 4: don't want to talk about necessarily right now, but like

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Speaker 4: I want to like be partnering with companies and like

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Speaker 4: making my company go up more too. But musically I

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Speaker 4: got more. I'm going right back to the studio. Obviously,

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Speaker 4: we're gonna do some more shit.

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Speaker 3: Keep going. That's what's up man.

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Speaker 1: You know how Loos was talking about how social media

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Speaker 1: has showed you so much love even from the beginning

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Speaker 1: and you popping on there. But do you, as a

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Speaker 1: new artist or artist in the game, feel the pressure

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Speaker 1: nowadays to create music for it to pop on social

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Speaker 1: media or do you think about the club or do

203
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Speaker 1: you think about like where do you come from or

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Speaker 1: draw the inspiration like I wanted to pop here or

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Speaker 1: I needed to go there?

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Speaker 5: Or do you just create what you like?

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Speaker 3: Yeah, I just I'll just be trying to do what

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Speaker 3: I like.

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Speaker 4: But on some real shit, like I'm aware, Like I'm

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Speaker 4: aware that there certain type of sounds that people like.

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Speaker 4: So I think I'm naturally like drawn to shit because

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Speaker 4: I like the shit too.

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Speaker 3: I like the ship.

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Speaker 4: Everybody like we It's the reason everybody likes it. I

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Speaker 4: like the shit too, so I'd be like, I will

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Speaker 4: implement that shit in my own way. And I'm also

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Speaker 4: just like a nigga, so they come off when I'm

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Speaker 4: being artistic and all that shit.

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Speaker 3: You feel me?

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Speaker 2: So, yoh, bro, I'm gonna call your bluff and I'm

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Speaker 2: gonna have some snap beats sitting over there to you

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Speaker 2: from some authentic Snap producers that I know.

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Speaker 3: Try me, I bet say, listen, y'all heard it here first.

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Speaker 2: This is a Backwoods backstage lounge exclusive. Were about to

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Speaker 2: bring the Snap movement back all you over there earlier

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Speaker 2: with them boys from Earth Gang, and I know they'll

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Speaker 2: they'll go crazy on shit on what's up.

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Speaker 3: Bro? Them boys on another level.

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Speaker 2: They came on the show and talked some good ship

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Speaker 2: with me too. That's why we're looking forward to getting

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Speaker 2: you on the eighty five SETH.

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Speaker 3: Show Man here, y'all watch this shit all the time,

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Speaker 3: but it's only right that we make some history.

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Speaker 4: Bro, I said. I was like, y'all, y'all remind me

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Speaker 4: y'all being together. Y'all probably hear this, but like y'all,

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Speaker 4: Mimmy and the King of Comedy.

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Speaker 3: Man, we appreciate that's a huge company, y'all.

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Speaker 4: Niggas like together and y'all actually funny, you feel me?

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Speaker 3: That's the determining factor, actually funny.

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Speaker 2: Yeah, Well, look, we really appreciate you stopping through the

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Speaker 2: back Woods Lounge and just keeping us up the speed

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Speaker 2: of what's going on. We got a gang of people

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Speaker 2: watching this right now. If they have not heard of smino.

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Speaker 2: Where would you tell them to start? If you had

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Speaker 2: to give them one song to start with? What would

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Speaker 2: you tell him? I say, don't listen to wild Irish Roses,

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Speaker 2: Wild Irish rose Okay, sure, well, look here, man, we

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Speaker 2: could literally do this all night. We ain't gonna hold

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Speaker 2: you no longer, and we gotta go catch a few

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Speaker 2: performances too.

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Speaker 4: Oh yeah, you feel me. I'm about to go see

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Speaker 4: teams man to get over there.

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Speaker 3: How are you gonna be singing with? Alright?

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Speaker 2: She might have that Janet Jackson effect where thugs be

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Speaker 2: out here crying. Look here, man, we appreciate you stopping

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Speaker 2: through here. Eighty five South Show, Backwoods Backstage loungere Renee

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Speaker 2: straight

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Speaker 3: From the eighth Hey, man, were out of here,