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Speaker 1: He is drinks chess, motherfucking podcast man.

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Speaker 2: He's a legendary queens rapper. He ain't segreed that your

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Speaker 2: boy in O R E. He's a Miami hip hop ioneer.

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Speaker 2: What ups dj E f N? Together they drink it

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Speaker 2: up with some of the biggest players, you know what

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Speaker 2: I mean, And.

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Speaker 3: The most professional unprofessional podcast and your number one source

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Speaker 3: for drunk drinks chans. Mothers Day is New Year's c

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Speaker 3: That's it's time for drink champs.

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Speaker 2: Drink up, motherfucker? Would good be hoping you put it?

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Speaker 2: You bet your boy in O R E? What up

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Speaker 2: is d J E f N? And this drink chaps

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Speaker 2: motherfuck man.

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Speaker 4: Now, when we talk about you know, interviewing legends and

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Speaker 4: interviewing icons and interview and people who changed the game,

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Speaker 4: this man has been a part of, you know, an

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Speaker 4: album that changed my life. This man has been classic

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Speaker 4: after classic, you know what I mean, lyric who after

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Speaker 4: I'm listening to his listography. You can't find a whack

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Speaker 4: bar nowhere. Like when you talk about lyricism, you talk

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Speaker 4: about a man who stood this test of time, did it,

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Speaker 4: was a part of the most legendary group ever.

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Speaker 2: And we're gonna talk about that.

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Speaker 4: He is here, new album on the way or probably

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Speaker 4: out by the time we dropped this. In case you

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Speaker 4: don't know, we're talking about the one, the only so.

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Speaker 2: That we've been trying to get you for eight years.

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Speaker 4: Man, you are one of the most requested guests because

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Speaker 4: every time we get a guest and that's say, well

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Speaker 4: you ain't getting easy yet.

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Speaker 3: Yeah, So tell us what's been going on in your life?

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Speaker 3: Hey man? Just trying to figure it out, you know

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Speaker 3: what I mean. Took a step back for a few years,

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Speaker 3: you know, and watch the game transition to this technology

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Speaker 3: then you know, the social media and putting a few

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Speaker 3: songs out, waiting to get into the white mind frame.

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Speaker 2: To put albums out.

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Speaker 3: So twenty twenty one, I dropped Door dot two. That

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Speaker 3: was a great thing for me, and now I'm on

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Speaker 3: the next album. Yeah, and this is independent, all independent fact.

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Speaker 4: Yeah, what's the difference from you? Because you know, first

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Speaker 4: time we ever heard you we heard you on Life's

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Speaker 4: a Bitch on not Ill matters a major label and

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Speaker 4: I believe if I'm not if I'm incorrect, I believe

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Speaker 4: you signed to EMI after that. Facts, So tell us,

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Speaker 4: tell us what was that transition like, well, me.

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Speaker 3: Me, I wasn't trying to get on I just met nads.

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Speaker 2: To a phone call, you know what I mean.

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Speaker 3: It's crazy, I don't know for somebody I don't know, Jambo,

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Speaker 3: you know, yeah, yea my man his man and my

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Speaker 3: man Brooklyn betting your man the Queens type of thing.

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Speaker 5: Right.

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Speaker 2: So we was on the phone.

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Speaker 3: I think I was on the phone with a lot

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Speaker 3: of rappers and me and and now it's kind of

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Speaker 3: more or less click because we was talking that ship,

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Speaker 3: you know what I mean, And we stayed on the phone.

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Speaker 3: I necessarily wasn't looking for a deal. I was like,

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Speaker 3: if it happened to happen, you know what I mean.

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Speaker 3: And it took about a year before I saw Nas

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Speaker 3: and went to the studio and he was halfway through

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Speaker 3: Illmatic and I was just dead supporting, you know what

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Speaker 3: I mean, coming through showing love. And probably the last

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Speaker 3: song was Life's a Bitch and and l E. S

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Speaker 3: Was in there put it on and I'm in there vibbing.

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Speaker 3: I'm like, I'm rapping, like yo, let me hear that.

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Speaker 3: And I did it and I'm like the fuck out here, man,

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Speaker 3: you popping like you love? Right, already because I think

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Speaker 3: halftime was out. You know, for me, I'm not that

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Speaker 3: confident at the end of the day. So when I

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Speaker 3: did it, you know, the crew was in there, they

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Speaker 3: went crazy. I figured just you know, they're showing love.

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Speaker 3: Was I'm there whatever. A week a week later, he

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Speaker 3: came back and said, yo, I turned the album. Men.

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Speaker 3: I was like, world, uh, he's like, and I kept

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Speaker 3: life to bitch on it. I was like, oh, ship okay,

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Speaker 3: but I still felt the ways. I'm like, you know,

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Speaker 3: I ain't even like my voice at the time or whatever,

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Speaker 3: right when you hear yourself for the first time. But

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Speaker 3: when it came out, motherfuckers went crazy.

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Speaker 2: Yeah, it went crazy.

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Speaker 3: And then wait, wait for it. From there, every label

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Speaker 3: came at me. Yeah, every label. But I was trying

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Speaker 3: to figure it out. Ian mindn't have a lot of

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Speaker 3: artists that they had Gang Star at the time, you know,

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Speaker 3: and gang Star, you know, they put their work in,

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Speaker 3: but I know it wasn't like klutted. So I wanted

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Speaker 3: to come over there and be like the nucleus of

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Speaker 3: what was going on. So I signed with them and

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Speaker 3: then you have it. Okay, So but let's all right,

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Speaker 3: So you saying that this started from a false carse

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Speaker 3: like like just playing around, like yo, a man from Brooklyn.

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Speaker 3: Nice and you had you had it laiden versus prior

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Speaker 3: to that, I was I was never was in an

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Speaker 3: official studio, like I'm bullshited.

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Speaker 5: Here and there, you know what I mean, yourself an

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Speaker 5: like you were just you were just bullshiting.

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Speaker 2: We all love rap, you know.

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Speaker 3: I mean, I'm sure everybody here think they could rap,

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Speaker 3: you know what I mean? So I could rap, I wasn't.

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Speaker 5: I mean, you was different, man, You're a little different

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Speaker 5: than just now in hindsight.

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Speaker 3: But then I was like, nah, you gotta you gotta

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Speaker 3: understand halftimes out he's already the streets talking. I'm just

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Speaker 3: a motherfucker from Brooklyn, you know what I mean. Try

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Speaker 3: to figure it out. So it was good when when

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Speaker 3: when I did get the love, so I know I

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Speaker 3: had what it took, you know what I mean at

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Speaker 3: the end of the day.

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Speaker 4: Okay, so you hadn't really officially been in the studios.

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Speaker 4: He said, he invites you to the studio. I had

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Speaker 4: met each other at shut it out like yeah, you

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Speaker 4: know na. I was like, yo, man, you know this

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Speaker 4: is Hypothetha. My brother got shot. I'm like, damn, my

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Speaker 4: man just got shot. Your mother man got locked up,

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Speaker 4: your mother man got killed. We had the same similar stories,

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Speaker 4: you know what I mean. So I wasn't beat to

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Speaker 4: go to the studio.

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Speaker 6: I don't.

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Speaker 2: I just ain't give a fuck, you know what I mean.

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Speaker 3: So I guess like it had to be about a

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Speaker 3: year about He's like, yo, man, we had at chun

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Speaker 3: King when I was down there on Canal Street. Yeah yeah,

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Speaker 3: so I was like, fucking, I ain't doing nothing. I'm

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Speaker 3: gonna come through. And you know I went through. You know,

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Speaker 3: have a thousand niggas in there. But it was all

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Speaker 3: good and it was a good vibe because when I

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Speaker 3: saw him, I was like, this is your first time,

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Speaker 3: my first time, my height, my statup, waves fly, nigga,

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Speaker 3: bunch of wolves around us is like you know what

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Speaker 3: I mean. It was like, okay, that's like my brother,

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Speaker 3: you know what I mean. And it was a good rob.

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Speaker 4: You have to drinks up me and my this is

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Speaker 4: my man dreamed he battle on who who who can

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Speaker 4: quote the best of So I'm he and tell us.

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Speaker 2: You gotta hold o Bron't tell me there that's just

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Speaker 2: what best. Yeah, I can't hold on b.

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Speaker 6: Fishing lodges were real.

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Speaker 7: Listens, We're like relax Bality muscles the badage, the first

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Speaker 7: the status of real su have my mon Sality gets

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Speaker 7: money over to Ken you.

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Speaker 2: Other Listen, there's a little more.

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Speaker 6: The people have ever.

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Speaker 3: Made it this year.

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Speaker 2: We won't forget it, said the God. This it's all

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Speaker 2: of us.

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Speaker 7: Jesu satisfic said that we need turning the car addition

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Speaker 7: good good opening the Westerns the vidment inside of the

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Speaker 7: guys feb We don't think about your own had to go.

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Speaker 2: We ain't long we leave people if we leave it

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Speaker 2: once got the door you Kennedy.

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Speaker 7: Reciting turned the papers, seeing Monday for me somewhere sacking

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Speaker 7: Kenny players Fee and real Masa.

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Speaker 2: Getting I'm gonna tell you, I know I when that round.

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Speaker 5: I know.

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Speaker 2: The fact of course I didn't. I always knew how

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Speaker 2: ill that verse was.

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Speaker 4: But I'm literally in dfy when this album comes out,

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Speaker 4: and this album made me one of the right rhymes.

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Speaker 4: But I'm sitting there and I did not know who

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Speaker 4: easy he was by, and.

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Speaker 2: I'm like, who is this guy? And you're not from

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Speaker 2: the Bridge neither.

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Speaker 3: I'm right, yeah, yeah, yeah, I'm thinking like I'm thinking,

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Speaker 3: who the hell does it? And then it was in

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Speaker 3: Brooklyn kids from me, Jamel Simon and Jamal. I forgot

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Speaker 3: Jamal's last name, and they were both from East New

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Speaker 3: York and boy were they so happy.

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Speaker 2: They were like New York man, this is Do you

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Speaker 2: know that's probably one of the most prolific features in

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Speaker 2: hip hop?

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Speaker 3: That's real? Real?

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Speaker 2: Did you know that?

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Speaker 6: Oh?

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Speaker 2: Yeah, that's real, that's real.

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Speaker 4: Yeah, man, I ain't gonna lie to you, bro, like

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Speaker 4: you like that was that was a mark? So let's

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Speaker 4: talk about because after that, everyone that's all the rumors

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Speaker 4: was you gotta get a Z is.

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Speaker 2: The next guy? Now?

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Speaker 3: Is that pressure on you or you expected that because

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Speaker 3: I know you said you wasn't really rapping, But do

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Speaker 3: you expect all these people to come at you after this?

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Speaker 2: Everybody coming at you quick.

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Speaker 3: Pressure to an extent because you want to You want

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Speaker 3: to make all the right moves right. You hear the

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Speaker 3: stories of you know, even now telling me a situations

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Speaker 3: where he was signed. You know, you know what I

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Speaker 3: mean already, and then you hit through being in you

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Speaker 3: know life. You hear artists and they come and go.

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Speaker 3: You want to kind of make the right decisions. But

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Speaker 3: the pressure probably came where I have to do album

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Speaker 3: now I got I only got a few verses. I

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Speaker 3: gotta write twelve songs, three versus per song.

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Speaker 2: Little pressure right there for me, right and being branded

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Speaker 2: on the game. So I just had to do it.

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Speaker 3: Picked the right producers, right because here I am trying

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Speaker 3: to follow up with whatever already came out the gate,

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Speaker 3: which was Illmatic. I got to follow up with that.

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Speaker 3: Then you heard all the other artists for my era

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Speaker 3: coming out, So you know what I mean, a little pressure,

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Speaker 3: little pressure, but I'm away from where I was right

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Speaker 3: from somewhere else. Now, I'm good, cool, I take that

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Speaker 3: pressure now?

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Speaker 2: Was it? Was it?

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Speaker 4: Because because remember I felt like everything was going through

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Speaker 4: like Sony at that time, like Stout was pushing like

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Speaker 4: everyone kind of like I believe the firm and then

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Speaker 4: but then the firm winded up in the scope.

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Speaker 2: So was it like was it different?

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Speaker 3: Well, you're saying, you're saying, you're saying my album because

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Speaker 3: that that firm came two years after, two years after,

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Speaker 3: so we went from my album and went from from

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Speaker 3: you know, being on Illmatic to my album to Nods.

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Speaker 3: It was written to the firm right, So that was

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Speaker 3: the whole stout came in, came in. It was game

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Speaker 3: Man after the fag, yeah after So so let's.

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Speaker 2: Talk about the firm. How did you? How did what

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Speaker 2: was this idea.

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Speaker 3: That that was on my album More Money, More Motile

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Speaker 3: the Firm?

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Speaker 2: Rid you want me?

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Speaker 3: He was talking about it. You know, we're seeing everybody.

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Speaker 3: You know, We're seeing you know what the woo doing.

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Speaker 3: We're hearing what you know, thesion.

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Speaker 2: You know, we're hearing things.

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Speaker 3: So we want to put our ship together, you know

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Speaker 3: what I mean. I knew Fox. One of one of

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Speaker 3: the homies introduced me to Fox, but I've.

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Speaker 2: Been to her brothers.

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Speaker 3: I lived around the corner like a year before I

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Speaker 3: moved to the East. I lived around the corner from Fox.

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Speaker 3: I knew Gavin, you know what I mean. So met

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Speaker 3: Fox whatever through the Hombies introduced Hard and Nas you

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Speaker 3: know what I mean, And I was like, all right,

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Speaker 3: let's do this. You know, I mean, she was heating

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Speaker 3: up on her own, so everything was like divine intervention.

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Speaker 4: To be honest, this is at the time where Big

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Speaker 4: had Little Kim a radio or not yet.

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Speaker 3: All this is yo, this ship is this ship is

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Speaker 3: all TRANSI like this is like, ain't no time to think,

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Speaker 3: you know what I mean?

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Speaker 2: Now my most be fox.

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Speaker 3: You working to cool your binger students' doing. She's not

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Speaker 3: defy ho she she's cool. It's starts, it's just moving

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Speaker 3: like that. So yeah, she she she she's n cann all.

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Speaker 2: Is it true? You Jay and Biggie went to school together?

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Speaker 3: No, me and me and me and Jay went to

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Speaker 3: school together first with I and my They closed that

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Speaker 3: down because that was there was like, uh the lean

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Speaker 3: on music, it was off the hook put it like that.

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Speaker 2: Then I think he went to Westernhouse.

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Speaker 3: I'm at Big.

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Speaker 2: But you and Jay was in school together. Yeah, facts,

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Speaker 2: so jay Z Brooklyn schools Manz was in What kind

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Speaker 2: of school was this high school? This is it was?

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Speaker 3: It was hot.

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Speaker 2: He was there.

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Speaker 3: He was there definitely before me because one of the

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Speaker 3: homies introduced me to him. He's like, oo, this cad

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Speaker 3: get busy world up, you know what I mean? Like okay,

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Speaker 3: and then you know ce j here and that when

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Speaker 3: he come to school, we've been in lunch from fucking around,

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Speaker 3: you know what I mean? Did you have a battle

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Speaker 3: of the battle we rapped?

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Speaker 2: No battle. Jay probably was the same as he is

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Speaker 2: now he was then you know what I mean, it's

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Speaker 2: not like you ain't get the better one or that

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Speaker 2: you under saying. He was fucking with jazz, that was

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Speaker 2: that was nice, speed rapping, was traveling.

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Speaker 3: They was to well, I guess probably right at that

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Speaker 3: time because I'm ninth grade, you know, but he was

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Speaker 3: more in the mix of me.

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Speaker 2: Put it like that, so he don't have the better up.

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Speaker 2: How about Buster Mims. You went to the school Buster

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Speaker 2: that's that's that's big and bust and all of them.

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Speaker 2: What's that one?

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Speaker 3: Yeah, I don't know what that w big, Buster and Biggie.

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Speaker 3: I'm nice and one of them a western house, one

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Speaker 3: of one of it's a smart schools too, a smart

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Speaker 3: school A smart I was going to six hundred school.

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Speaker 3: I wasn't allowed. So so what you like better writing

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Speaker 3: the music or performing the music? I like writing first.

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Speaker 3: Performing I love now you know mean, but right? And

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Speaker 3: then you know it's therapeutic. Maybe put your put your

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Speaker 3: thoughts on on paper. It's a beautiful thing.

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Speaker 4: So let's take it back to the first album. You

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Speaker 4: got to pick this first single, but you want l

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Speaker 4: e s is in the studio? How does this record

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Speaker 4: come about?

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Speaker 3: And then in the world, I want to put that

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Speaker 3: record out, not that record, not everybody's pushing. Yeah, I

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Speaker 3: don't want to put that record outwits my over.

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Speaker 2: That speak about drink up. I'm ready to give my drinks.

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Speaker 2: You're good.

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Speaker 8: You want some shap Parkad, give us some shap pargainne man,

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Speaker 8: your own body, your own bottle.

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Speaker 2: You know what I'm saying. Because we celebrating you today.

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Speaker 2: You know what I mean?

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Speaker 3: What was the question I was saying you before that

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Speaker 3: this single, get back to that, but show it's about

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Speaker 3: giving people they flowers, man, you know what I mean.

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Speaker 3: So we want to give you your flowers off top brother,

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Speaker 3: fake the face, man and man, tell you how great.

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Speaker 2: You are saying Snoop said, it's like a gravy. You

306
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Speaker 2: know what I'm saying.

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Speaker 3: So yes, yes, yeah, yes, Holy moly, there'll be some

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Speaker 3: ship and.

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Speaker 2: I wanted to bring you some flowers too, but somebody

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Speaker 2: did that. It's about you, my brother.

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Speaker 9: Good.

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Speaker 4: So I'm all right, because damn, I would have never

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Speaker 4: thought that to me as outside of looking at that's

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Speaker 4: probably the inside of that is looking out. But when

315
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Speaker 4: I'm looking at what y'all doing from Ellmatic to your album.

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Speaker 3: This looks like it's perfect to me, So sugar Hill perfect,

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Speaker 3: You know, it didn't because we street motherfuckers and we

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Speaker 3: thinking about rapping.

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Speaker 2: I'm not thinking about the business of it. Yo. Man,

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Speaker 2: you got record.

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Speaker 3: You put the B side for the street niggas and

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Speaker 3: then put the single because it was.

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Speaker 2: The B side money it was rather unique, Okay, so

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Speaker 2: put that out.

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Speaker 3: So it was so me, I'm happy with that. I'm

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Speaker 3: happy with just I want to I want to develop

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Speaker 3: my staff. I want to speak to my people's management, like, oh,

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Speaker 3: come on, bro, we got it. We got mixed myths. Man,

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Speaker 3: you know what I mean. You see what's going on

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Speaker 3: out there, you know, big at the juicy and things

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Speaker 3: of that nature.

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Speaker 2: And it's a differentiation of.

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Speaker 3: You know, you speak to the cats, you speak to

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Speaker 3: the women and women by vackings. So it's a whole

335
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Speaker 3: new knowledge coming in there, Like Okay, it ain't just

336
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Speaker 3: battling and rapping and trying to show them the livest

337
00:16:26,120 --> 00:16:29,720
Speaker 3: women want to get down. Okay, yeah, let's play, you

338
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Speaker 3: know what I mean.

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Speaker 2: So, sugar Hell, you didn't like this.

340
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Speaker 3: I didn't like it? Why? I just told you it

341
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Speaker 3: was a dance record commercial. But but what was told

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Speaker 3: to me which made it fly, like spit some real

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Speaker 3: ship on its it's all beers, the ladies could dance.

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Speaker 2: You spit the real ship. The nigga's gonna like it.

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Speaker 2: You're good. So that concept got me, like, you know it,

346
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Speaker 2: mind fucked me, but it worked.

347
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Speaker 3: Recordbody was coming through busting their guns on it for

348
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Speaker 3: T shirt.

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Speaker 2: You know what I mean.

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Speaker 3: I don't want to get all suited and boo at

351
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Speaker 3: that time. I didn't, but it was being ahead of

352
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Speaker 3: the game right in reality because it was like, all right,

353
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Speaker 3: I got.

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Speaker 2: I got a big budget, got a lot of big.

355
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Speaker 3: Budget, big budget, a big budget. Your fake look on

356
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Speaker 3: you said that big budget we got. We gotta recoup

357
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Speaker 3: right because now it's the business. So I mean, they

358
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Speaker 3: got me good in that zone to really uh write

359
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Speaker 3: it how I wrote it and delivered it and and

360
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Speaker 3: it worked right.

361
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Speaker 2: Now, you learning the business?

362
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Speaker 4: Was that a shock to you because you know, most

363
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Speaker 4: of the time, most of us will probably do this

364
00:17:43,840 --> 00:17:46,399
Speaker 4: because I'm good for fun. But then you got to

365
00:17:46,400 --> 00:17:48,720
Speaker 4: realize you got to feed the feed your family. And

366
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Speaker 4: when was the time that you realized that this was

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Speaker 4: a business.

368
00:17:53,040 --> 00:17:54,959
Speaker 3: When I got that check first check, I said, oh,

369
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Speaker 3: Ship is real. First check made it real?

370
00:17:59,720 --> 00:18:02,840
Speaker 2: The check and what happened? Would you would you? Would you?

371
00:18:02,920 --> 00:18:05,480
Speaker 2: It was the first second from though from from im I.

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Speaker 3: Remember, prior to me signing, I went on the tour

373
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Speaker 3: with nas right for the Automatic tour and Ship.

374
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Speaker 2: I was happy just going for the education right learning.

375
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Speaker 3: I ain't in the hood, fucking I'm fucking I mean,

376
00:18:18,600 --> 00:18:20,359
Speaker 3: I'm in Queen's now, I'm fucking with that zone.

377
00:18:20,600 --> 00:18:20,719
Speaker 10: Right.

378
00:18:21,440 --> 00:18:24,320
Speaker 3: So when we finished the tour, you know, I was

379
00:18:24,840 --> 00:18:27,639
Speaker 3: with all everybody coming to the table. I decided to

380
00:18:27,640 --> 00:18:29,800
Speaker 3: go to Imari. They gave him my check. But then

381
00:18:29,920 --> 00:18:32,440
Speaker 3: you know, now it's called like, yo, man, yo, they's

382
00:18:32,480 --> 00:18:33,879
Speaker 3: coming on the tour. I'm like, all right, cool, I

383
00:18:33,880 --> 00:18:35,240
Speaker 3: got a little money for I was like, all right, cool,

384
00:18:35,320 --> 00:18:37,200
Speaker 3: und or whatever. I hear an't know I signed. I

385
00:18:37,280 --> 00:18:38,680
Speaker 3: was gonna tell him, but he beat me to the points.

386
00:18:38,720 --> 00:18:40,440
Speaker 3: I was like, I got a little four five dollars

387
00:18:40,480 --> 00:18:41,400
Speaker 3: for four five hundred.

388
00:18:41,440 --> 00:18:43,600
Speaker 2: I was like, oh, okay, cool, that's cool man better no,

389
00:18:43,640 --> 00:18:45,920
Speaker 2: I don't care. So he started laughing, like yo, you

390
00:18:46,119 --> 00:18:49,040
Speaker 2: crazy me. I got about ten fifteen you know what

391
00:18:49,080 --> 00:18:49,400
Speaker 2: I'm saying.

392
00:18:49,480 --> 00:18:52,200
Speaker 3: But cool, And like I said, the whole thing was

393
00:18:52,240 --> 00:18:54,200
Speaker 3: like a blessing and a lesson at the same time.

394
00:18:54,280 --> 00:18:56,120
Speaker 3: You know what I mean, Right, Okay, I've been wanting

395
00:18:56,160 --> 00:19:01,760
Speaker 3: to ask you this question forever, Right, okay, you said

396
00:19:02,880 --> 00:19:05,639
Speaker 3: on the phone tap because I felt like there was

397
00:19:05,800 --> 00:19:07,320
Speaker 3: racist towards Latinos.

398
00:19:07,359 --> 00:19:09,520
Speaker 2: And then I realized you you're Dominicans, so it can't be.

399
00:19:09,600 --> 00:19:12,800
Speaker 3: Racist because you're gonna start wrapping your Dominican.

400
00:19:12,520 --> 00:19:18,480
Speaker 2: Side to We're gonna get the record.

401
00:19:23,119 --> 00:19:26,720
Speaker 3: But I always thought this lie because you said I

402
00:19:26,840 --> 00:19:28,000
Speaker 3: caught him sleeping.

403
00:19:28,000 --> 00:19:34,640
Speaker 2: The Spanish Harlem Puerto Ricans court, sleeping from the Puerto

404
00:19:34,720 --> 00:19:38,639
Speaker 2: Ricans Spanish Harlem. But then you said that deacon off.

405
00:19:38,520 --> 00:19:42,920
Speaker 3: The deggon Spanish Harlem and the deacon not that close,

406
00:19:43,640 --> 00:19:44,520
Speaker 3: who's doing all of that?

407
00:19:47,680 --> 00:19:58,080
Speaker 2: Start doing that? You can get this beast home the fact.

408
00:19:59,760 --> 00:20:02,440
Speaker 5: That's god.

409
00:20:05,280 --> 00:20:11,240
Speaker 3: Mm hmm. That's a classic record. Phone Tapa in the studio,

410
00:20:12,800 --> 00:20:14,560
Speaker 3: your phone was tapped. He was like, let's just make

411
00:20:14,600 --> 00:20:15,320
Speaker 3: a noise.

412
00:20:15,080 --> 00:20:17,640
Speaker 2: About it now.

413
00:20:17,680 --> 00:20:21,159
Speaker 3: We always were always just be in that zone, like

414
00:20:21,400 --> 00:20:23,520
Speaker 3: I guess threw our lyrics, well my lyrics, I can say,

415
00:20:23,520 --> 00:20:25,800
Speaker 3: I just try to throw a jewel in there too,

416
00:20:25,920 --> 00:20:28,879
Speaker 3: for I know, I know the hood listening, so like

417
00:20:28,960 --> 00:20:31,320
Speaker 3: we always on our phones. So just just be mindful,

418
00:20:31,400 --> 00:20:34,600
Speaker 3: right because we all take ship for granted. And every

419
00:20:34,680 --> 00:20:36,159
Speaker 3: time I write it was just life a bitch. I

420
00:20:36,200 --> 00:20:37,840
Speaker 3: would trying to throw I speak that street ship, but

421
00:20:37,840 --> 00:20:41,400
Speaker 3: I thowt jeweling. So phone tap, it was just that zone.

422
00:20:41,440 --> 00:20:43,920
Speaker 3: When d throw that beat on it, it just came

423
00:20:43,960 --> 00:20:47,000
Speaker 3: to life. And you know, now it came up with

424
00:20:47,320 --> 00:20:49,480
Speaker 3: the hook. The concept was more or less mine's right.

425
00:20:49,400 --> 00:20:52,760
Speaker 2: Like say that to a phone sound talking on the phone.

426
00:20:52,880 --> 00:20:53,399
Speaker 2: You know what I mean.

427
00:20:53,480 --> 00:20:57,560
Speaker 3: But we always throw ideas back and forth in the studio,

428
00:20:57,640 --> 00:21:00,160
Speaker 3: you know what I mean. So it came out good

429
00:21:00,200 --> 00:21:02,320
Speaker 3: everything come on, good me him touched. It had come

430
00:21:02,359 --> 00:21:04,080
Speaker 3: out good old time all the time.

431
00:21:04,440 --> 00:21:06,200
Speaker 4: When you look at the Firm album, when you look

432
00:21:06,240 --> 00:21:12,520
Speaker 4: at you know, this was a collective force of individuals

433
00:21:12,600 --> 00:21:13,359
Speaker 4: that came together.

434
00:21:14,000 --> 00:21:17,520
Speaker 2: Do you did you understand what I was doing back then? No,

435
00:21:18,880 --> 00:21:20,480
Speaker 2: I was trying and we were trying to.

436
00:21:22,600 --> 00:21:24,640
Speaker 3: That was that was that was a power move right there,

437
00:21:24,760 --> 00:21:26,879
Speaker 3: right because it was just an idea of trying to

438
00:21:26,920 --> 00:21:30,000
Speaker 3: make it happen. So with Dray being involved, you know,

439
00:21:30,119 --> 00:21:32,600
Speaker 3: track mess was hot as hell. Uh and and and

440
00:21:33,040 --> 00:21:34,639
Speaker 3: we had now on the album to it was crazy

441
00:21:35,400 --> 00:21:40,520
Speaker 3: yeah yeah Half yeah brother.

442
00:21:42,000 --> 00:21:47,320
Speaker 2: But so the thought was, okay, cool menas Fox cool right.

443
00:21:48,440 --> 00:21:49,160
Speaker 2: I wanted to Half.

444
00:21:49,200 --> 00:21:51,280
Speaker 3: I'm bringing Half to the table right because he was

445
00:21:51,320 --> 00:21:55,480
Speaker 3: just he was just lyrically mackling son.

446
00:21:55,520 --> 00:21:57,639
Speaker 2: I was like, okay, well, I'm being Mega. Mega just

447
00:21:57,680 --> 00:21:58,320
Speaker 2: came home.

448
00:21:58,440 --> 00:22:02,600
Speaker 3: At the time. I'm trusting, you know, no judgment, which

449
00:22:02,680 --> 00:22:04,560
Speaker 3: is cool, you know what I mean? So we that's

450
00:22:04,600 --> 00:22:07,879
Speaker 3: the force to me? Is it actually really? Because I

451
00:22:07,960 --> 00:22:10,800
Speaker 3: think I think Half came after the fact, so me

452
00:22:11,440 --> 00:22:16,440
Speaker 3: nas Mega. And then somewhere along the line, you know,

453
00:22:16,720 --> 00:22:20,119
Speaker 3: the lines got blurred. It becomes I think it's business. Right,

454
00:22:20,480 --> 00:22:23,560
Speaker 3: It's not a it's not a talent thing. It becomes

455
00:22:23,600 --> 00:22:24,239
Speaker 3: a business thing.

456
00:22:24,359 --> 00:22:24,479
Speaker 2: Right.

457
00:22:24,560 --> 00:22:27,800
Speaker 3: This person signing, this management, this person is regularly these

458
00:22:27,840 --> 00:22:31,239
Speaker 3: people are in control of certain things. And and that's

459
00:22:31,320 --> 00:22:32,680
Speaker 3: why there's no firm too.

460
00:22:34,160 --> 00:22:37,159
Speaker 4: I mean, you seem like you cooler than the whistle man,

461
00:22:37,240 --> 00:22:40,800
Speaker 4: like well, like you seem like the other side of

462
00:22:40,840 --> 00:22:41,240
Speaker 4: the pillow.

463
00:22:41,800 --> 00:22:44,840
Speaker 2: But we all noticed this famous thing that happened, right.

464
00:22:44,880 --> 00:22:47,840
Speaker 4: I was actually in the studio when I don't know

465
00:22:47,880 --> 00:22:49,760
Speaker 4: what happened with with the Mega side, but I was

466
00:22:49,800 --> 00:22:56,520
Speaker 4: dead when nature actually did the freestyle and no one

467
00:22:56,680 --> 00:22:59,640
Speaker 4: asked him to do that. But you how did you feel,

468
00:22:59,680 --> 00:23:03,440
Speaker 4: because like because on one hand, you use guys working.

469
00:23:03,280 --> 00:23:05,359
Speaker 2: For cor Mega and it was like it was like

470
00:23:05,440 --> 00:23:07,520
Speaker 2: they switched it and now you've got to work with Nature.

471
00:23:07,840 --> 00:23:09,520
Speaker 2: Did you have a relationship with nature? How did that?

472
00:23:10,560 --> 00:23:12,600
Speaker 3: I met Mega first, you know what I mean? Me

473
00:23:12,640 --> 00:23:15,360
Speaker 3: and Me and Mega bond official, you know what I mean.

474
00:23:17,119 --> 00:23:18,960
Speaker 3: I met Nature after the fact, but I knew it

475
00:23:19,080 --> 00:23:21,320
Speaker 3: was it was it was a business move, right, but

476
00:23:21,800 --> 00:23:23,920
Speaker 3: it was out of my control to an extent. I

477
00:23:24,000 --> 00:23:26,879
Speaker 3: really couldn't right, right, it was like I had the

478
00:23:26,960 --> 00:23:30,080
Speaker 3: power to really I could. I gave my say so

479
00:23:30,200 --> 00:23:33,800
Speaker 3: to an extent, like what's going on? You know now

480
00:23:33,840 --> 00:23:35,600
Speaker 3: I know that you know he signed over here, he

481
00:23:35,680 --> 00:23:37,600
Speaker 3: signed over here, he don't want to sign gonna do that.

482
00:23:37,640 --> 00:23:39,200
Speaker 3: So it was that type of ship, right that I

483
00:23:39,240 --> 00:23:41,359
Speaker 3: think always take place when it when with a lot

484
00:23:41,400 --> 00:23:46,280
Speaker 3: of people involved. You know, I'm neutral with everything, right,

485
00:23:46,880 --> 00:23:52,359
Speaker 3: that's just me, right, But that was what I'm gonna do.

486
00:23:52,480 --> 00:23:55,840
Speaker 2: Like that's and that's some queen ship. That's that's some

487
00:23:55,920 --> 00:23:56,400
Speaker 2: freend ship.

488
00:23:56,640 --> 00:23:59,680
Speaker 3: I get it right, they're fuck around, fight, get back together.

489
00:24:05,160 --> 00:24:06,439
Speaker 2: That's some real So.

490
00:24:10,200 --> 00:24:12,520
Speaker 3: The guys finally formed this group. Right, you go to

491
00:24:12,760 --> 00:24:15,960
Speaker 3: l A right, doctor Dre is involved, because was it

492
00:24:16,040 --> 00:24:19,040
Speaker 3: signed that doctor Dre or or it was a collective?

493
00:24:19,560 --> 00:24:23,280
Speaker 3: I think it was yeah, yeah, after mad fact.

494
00:24:23,640 --> 00:24:25,119
Speaker 2: So you're getting the studio with doctor Dre.

495
00:24:25,359 --> 00:24:28,760
Speaker 3: Right, what is that like, that's a beautiful thing, that's right, right,

496
00:24:28,880 --> 00:24:32,199
Speaker 3: But it's on the heels of him believing death roll.

497
00:24:32,320 --> 00:24:34,879
Speaker 3: So it's still like there's a lot of ship going

498
00:24:34,920 --> 00:24:36,320
Speaker 3: on the time, and it was there. It's a lot

499
00:24:36,359 --> 00:24:39,400
Speaker 3: of energy, right, energy was everything? Right now the energy

500
00:24:39,480 --> 00:24:42,639
Speaker 3: is it's subtle, but back then the energy was very serious.

501
00:24:42,720 --> 00:24:44,560
Speaker 3: But it was good to fuck with Dre from his

502
00:24:45,520 --> 00:24:47,639
Speaker 3: discography and the ship he put in it and then

503
00:24:47,800 --> 00:24:51,679
Speaker 3: him and now was making that acquaintance. Let's get busy, right,

504
00:24:51,720 --> 00:24:55,240
Speaker 3: that's my mom said, whatever, let's get busy, Like i

505
00:24:55,320 --> 00:24:57,320
Speaker 3: can't think too much about lots going on. I'm trying

506
00:24:57,359 --> 00:24:59,360
Speaker 3: to hit the target all the time.

507
00:24:59,640 --> 00:25:01,879
Speaker 2: That's a if you to do a firm part too, right, now,

508
00:25:02,240 --> 00:25:07,200
Speaker 2: who would you pick? What the fuck that means? We

509
00:25:07,400 --> 00:25:10,359
Speaker 2: mean the four members, all five or six members? Are

510
00:25:10,359 --> 00:25:11,520
Speaker 2: you trying to say pick anybody?

511
00:25:11,920 --> 00:25:15,200
Speaker 3: Let let's spose let's spose everyone came and said, your a.

512
00:25:16,000 --> 00:25:18,000
Speaker 2: We want to do the firm. You're the closest to

513
00:25:18,080 --> 00:25:20,560
Speaker 2: the to the streets. You you have the mind.

514
00:25:20,720 --> 00:25:24,119
Speaker 3: We want you to lead this four hat Who's the

515
00:25:24,160 --> 00:25:28,520
Speaker 3: people you would pick if it's your choice? Same before?

516
00:25:29,119 --> 00:25:31,399
Speaker 2: Which one? Because two different firms?

517
00:25:31,440 --> 00:25:31,560
Speaker 10: Now?

518
00:25:34,600 --> 00:25:37,800
Speaker 3: Everybody, Yo, listen, man, listen, man, let me play.

519
00:25:39,400 --> 00:25:45,399
Speaker 2: No, I don't got to right pick a size.

520
00:25:45,480 --> 00:25:45,600
Speaker 5: Right.

521
00:25:45,920 --> 00:25:48,920
Speaker 3: I'm the type that I let it pick itself, that

522
00:25:49,000 --> 00:25:50,720
Speaker 3: type of person. I'm bringing it back to the table.

523
00:25:50,800 --> 00:25:52,040
Speaker 2: Listening. We got some paper on the table.

524
00:25:52,160 --> 00:25:56,560
Speaker 3: What's going on, what we're doing, what we're eagle getting

525
00:25:56,560 --> 00:25:58,399
Speaker 3: away or or we can't do nothing? That's them that

526
00:25:58,640 --> 00:26:00,119
Speaker 3: X they cell FU. But I don't bring aboy to

527
00:26:00,200 --> 00:26:00,480
Speaker 3: the table.

528
00:26:02,160 --> 00:26:04,000
Speaker 2: I said they can't. He said that you can't do it.

529
00:26:06,000 --> 00:26:08,920
Speaker 3: I said he could pick any group, sir' seem that

530
00:26:08,960 --> 00:26:17,600
Speaker 3: you want to and yeah, sometimes let problems solve theyself, right,

531
00:26:17,960 --> 00:26:19,520
Speaker 3: Because I don't really I know that I know.

532
00:26:21,040 --> 00:26:22,840
Speaker 2: The surface of the I know. I don't know the in.

533
00:26:22,880 --> 00:26:24,120
Speaker 3: Depth because it would be more ship.

534
00:26:24,200 --> 00:26:25,159
Speaker 2: I don't know. I'm people one.

535
00:26:25,280 --> 00:26:25,680
Speaker 3: I don't know.

536
00:26:26,040 --> 00:26:29,000
Speaker 2: I know like everybody good. Now I'm there's you know

537
00:26:29,040 --> 00:26:30,359
Speaker 2: what I'm saying but I don't know. I didn't know

538
00:26:30,440 --> 00:26:30,840
Speaker 2: the in depth.

539
00:26:30,880 --> 00:26:32,919
Speaker 3: I'm sure probably was deeper than yo, I'm signed over here.

540
00:26:32,920 --> 00:26:34,760
Speaker 3: I won't sign these papers. But then they probably got

541
00:26:34,800 --> 00:26:36,879
Speaker 3: message somewhere that I don't know because I wasn't in

542
00:26:37,000 --> 00:26:38,040
Speaker 3: the I was in the bridge.

543
00:26:38,080 --> 00:26:39,679
Speaker 2: I wasn't there. They were seeing each other on their

544
00:26:39,680 --> 00:26:41,240
Speaker 2: own time, you know what I mean. So I don't know.

545
00:26:41,440 --> 00:26:45,439
Speaker 3: Really, but as men, you know, they they straightened it out,

546
00:26:45,520 --> 00:26:48,080
Speaker 3: like you said, like we're all grown now, you know

547
00:26:48,119 --> 00:26:50,480
Speaker 3: what I mean. Like, I'm sure a lot of people

548
00:26:50,520 --> 00:26:53,280
Speaker 3: got ill the stories. That story was light work.

549
00:26:54,400 --> 00:26:56,840
Speaker 2: Yeah, everybody got the paper, got some shine.

550
00:26:57,400 --> 00:26:59,320
Speaker 3: They couldn't figure it out. They went their way. Everybody

551
00:26:59,359 --> 00:27:00,000
Speaker 3: did they ding.

552
00:27:01,359 --> 00:27:04,119
Speaker 2: You know, SI get deep and other other cruise a

553
00:27:04,160 --> 00:27:07,360
Speaker 2: lot of deep, you know what I'm saying. So cool

554
00:27:07,400 --> 00:27:07,600
Speaker 2: with it.

555
00:27:08,280 --> 00:27:11,680
Speaker 3: Now we've seen the picture of you right posted or

556
00:27:11,760 --> 00:27:14,880
Speaker 3: Foxy Brown daughter, Oh my bad? Oh yes, yes, yes,

557
00:27:14,920 --> 00:27:16,440
Speaker 3: I went to check up on fox. I try to

558
00:27:16,480 --> 00:27:18,440
Speaker 3: I try to dialogue. Well right, I'm gonna keep it

559
00:27:18,440 --> 00:27:20,719
Speaker 3: one hundred. I don't speak the nature right at all,

560
00:27:20,840 --> 00:27:21,800
Speaker 3: no no contact.

561
00:27:21,840 --> 00:27:22,639
Speaker 2: I see him here and there.

562
00:27:22,840 --> 00:27:26,320
Speaker 3: I dialogue right, I speak the Mega periodically. I speak

563
00:27:26,359 --> 00:27:28,920
Speaker 3: the Fox periodically. I speak the nods periodically, right, so

564
00:27:29,960 --> 00:27:31,440
Speaker 3: you know, this is fifty years of hip hop.

565
00:27:33,240 --> 00:27:34,760
Speaker 2: I'm a Fox, get us shine, you know what.

566
00:27:34,760 --> 00:27:35,160
Speaker 5: I'm sorry.

567
00:27:35,760 --> 00:27:37,879
Speaker 3: You know our applaud nods for bringing me out at

568
00:27:37,920 --> 00:27:39,560
Speaker 3: the garden. That was a great thing, you know what

569
00:27:39,560 --> 00:27:44,080
Speaker 3: I mean. But she being a part of the culture

570
00:27:44,119 --> 00:27:46,240
Speaker 3: in the era, I want, you know, we check up

571
00:27:46,280 --> 00:27:48,680
Speaker 3: on her. I want to check up on her. She

572
00:27:48,880 --> 00:27:51,960
Speaker 3: wasn't there, but you know, lose baby, she was there.

573
00:27:52,760 --> 00:27:54,080
Speaker 2: And this is like I saw.

574
00:27:54,440 --> 00:27:57,720
Speaker 3: I went to visit Fox when she first had her

575
00:27:57,720 --> 00:27:59,719
Speaker 3: in the hospital, but this is the second time, my son,

576
00:27:59,800 --> 00:28:00,359
Speaker 3: she's now.

577
00:28:00,359 --> 00:28:02,680
Speaker 2: I was like Ship and she looks just like you

578
00:28:02,760 --> 00:28:05,960
Speaker 2: know what I mean. I was like, call Red Fox.

579
00:28:07,280 --> 00:28:09,720
Speaker 2: That's crazy. That's what they do. They call her Red Fox.

580
00:28:09,800 --> 00:28:15,480
Speaker 3: Wow, that's yes, yes, yes, yes, yes, that's crazy. Yeah.

581
00:28:15,600 --> 00:28:17,040
Speaker 2: Because you didn't get to see Fox.

582
00:28:17,440 --> 00:28:19,800
Speaker 3: I didn't get to see her. I spoke to her

583
00:28:20,000 --> 00:28:22,120
Speaker 3: after the fact, right, I don't know, she's running around

584
00:28:22,200 --> 00:28:25,560
Speaker 3: or whatever, telling her like, come on, man, come get

585
00:28:25,560 --> 00:28:26,960
Speaker 3: this money, get your shine back.

586
00:28:27,000 --> 00:28:27,480
Speaker 2: You know what I mean.

587
00:28:29,200 --> 00:28:31,800
Speaker 3: I got some cigars for you, brother, Yeah, get you

588
00:28:31,840 --> 00:28:32,680
Speaker 3: get your shining back.

589
00:28:33,320 --> 00:28:36,760
Speaker 2: And I appreciate it. You know what I mean. Oh,

590
00:28:37,000 --> 00:28:39,680
Speaker 2: I got blunts in here and anything. This is, this

591
00:28:39,800 --> 00:28:43,720
Speaker 2: is this is okay just ca yeah yeah yeah.

592
00:28:45,760 --> 00:28:47,160
Speaker 3: Yeah, just in case you show me, you show you

593
00:28:47,520 --> 00:28:50,080
Speaker 3: know what I'm saying. You know me, it's my personal stash. Man.

594
00:28:50,440 --> 00:28:52,200
Speaker 3: I want you to feel good because you know why,

595
00:28:52,760 --> 00:28:53,360
Speaker 3: you're a legend.

596
00:28:53,440 --> 00:28:53,560
Speaker 2: Man.

597
00:28:53,600 --> 00:28:56,320
Speaker 4: You deserve your flowers, you deserve your respect, you deserve

598
00:28:56,360 --> 00:28:56,760
Speaker 4: your love.

599
00:28:57,680 --> 00:28:58,200
Speaker 2: You're a pillow.

600
00:28:58,520 --> 00:29:02,480
Speaker 3: This hip hop ship and your fans is relentless.

601
00:29:02,960 --> 00:29:07,640
Speaker 2: I don't know. Yeah, I had to come here, yeah, relentless.

602
00:29:07,800 --> 00:29:10,640
Speaker 4: Like there's people telling me I told you, motherfucker. I

603
00:29:10,760 --> 00:29:14,440
Speaker 4: was like, looking like, it's like I told you mother,

604
00:29:14,880 --> 00:29:16,520
Speaker 4: and then they be blaming us for having other people

605
00:29:16,600 --> 00:29:17,080
Speaker 4: when it's not you.

606
00:29:17,200 --> 00:29:23,560
Speaker 2: I'm like, y'all keeping it all? Is that something? That

607
00:29:23,720 --> 00:29:23,960
Speaker 2: that that?

608
00:29:24,040 --> 00:29:27,040
Speaker 3: Because you know, we're all into the game. I really

609
00:29:27,240 --> 00:29:30,120
Speaker 3: into the game when I was like eighteen nineteen.

610
00:29:30,960 --> 00:29:33,760
Speaker 4: And I have some fans who actually grew up with me,

611
00:29:33,840 --> 00:29:37,000
Speaker 4: who's actually old motherfuckers, right, and they're like they they

612
00:29:37,040 --> 00:29:39,320
Speaker 4: went with me through all my little ship. It's differently,

613
00:29:39,840 --> 00:29:42,000
Speaker 4: is there fans that went with you through this whole journey?

614
00:29:42,040 --> 00:29:42,200
Speaker 5: Yeah?

615
00:29:42,240 --> 00:29:45,440
Speaker 3: Yah yeah, hell yeah yeah fans that that dugged it out, man,

616
00:29:45,480 --> 00:29:48,120
Speaker 3: even when I like fell back for a minute trying

617
00:29:48,120 --> 00:29:49,320
Speaker 3: to figure it out. You know, the game was just

618
00:29:49,480 --> 00:29:53,200
Speaker 3: changing so fast and no sonically and you know, from

619
00:29:53,720 --> 00:29:56,520
Speaker 3: CDs to digital, just so much shit going on.

620
00:29:56,680 --> 00:29:58,840
Speaker 2: Like I'm trying to staying, you know what I mean.

621
00:29:58,760 --> 00:30:00,840
Speaker 3: Without without playing my off getting caught up in no

622
00:30:00,920 --> 00:30:03,320
Speaker 3: sucking shit right, because it can happen, right, you know

623
00:30:03,360 --> 00:30:05,479
Speaker 3: what I mean, when you're trying to do You can

624
00:30:05,520 --> 00:30:07,160
Speaker 3: try to do something, but you lose points trying to

625
00:30:07,200 --> 00:30:09,200
Speaker 3: get points, right, So I got to sit and cut

626
00:30:09,320 --> 00:30:14,160
Speaker 3: like this and until I could strike. So fans they

627
00:30:14,280 --> 00:30:16,880
Speaker 3: bought because they're still showing love, right, Like, look, how

628
00:30:16,920 --> 00:30:19,120
Speaker 3: many years later, I'm still I'm putting albums out and

629
00:30:19,160 --> 00:30:22,640
Speaker 3: getting love like she is incredible, man, incredible.

630
00:30:22,880 --> 00:30:22,960
Speaker 10: Now.

631
00:30:23,040 --> 00:30:26,840
Speaker 4: One of the very first questions people saying is when

632
00:30:26,920 --> 00:30:28,520
Speaker 4: the fuck is a Z and I was gonna do

633
00:30:28,720 --> 00:30:29,400
Speaker 4: a double U.

634
00:30:31,800 --> 00:30:33,479
Speaker 3: I want everybody know, you know that man got all

635
00:30:33,520 --> 00:30:35,360
Speaker 3: the power in the world. Man, I want to ask

636
00:30:35,440 --> 00:30:38,880
Speaker 3: that man. I'm right here. I'm so ja war at

637
00:30:38,960 --> 00:30:40,840
Speaker 3: old times. He got all the power in the world.

638
00:30:40,880 --> 00:30:43,480
Speaker 3: That's my brother, though, you know whatever it is, he listened,

639
00:30:43,480 --> 00:30:45,120
Speaker 3: he opened the door for me, So it can never

640
00:30:45,200 --> 00:30:46,680
Speaker 3: I could never go left right, and.

641
00:30:47,080 --> 00:30:49,600
Speaker 2: And you know, you know, like like you right, we

642
00:30:49,760 --> 00:30:50,320
Speaker 2: were in the games.

643
00:30:50,320 --> 00:30:52,040
Speaker 3: Everybody got lanes to take, you know what I mean,

644
00:30:52,120 --> 00:30:55,880
Speaker 3: So everybody take their lanes. And he got things he

645
00:30:55,960 --> 00:30:58,840
Speaker 3: need to accomplish. He has visions that he needs to accomplish,

646
00:30:58,880 --> 00:30:59,440
Speaker 3: and that's what he do.

647
00:30:59,560 --> 00:31:01,400
Speaker 2: And me, I get my ship.

648
00:31:01,480 --> 00:31:02,320
Speaker 3: You don't mean no point.

649
00:31:02,400 --> 00:31:07,440
Speaker 2: So yeah, but you kind of got an album together.

650
00:31:07,520 --> 00:31:09,920
Speaker 3: If you put on the features I got, you do that, yeah,

651
00:31:10,320 --> 00:31:12,880
Speaker 3: I mean, I mean if you was put that together,

652
00:31:12,960 --> 00:31:17,440
Speaker 3: make a compilation, what would you call that? I couldn't

653
00:31:17,440 --> 00:31:19,040
Speaker 3: even I got that that. I gotta sit back on

654
00:31:19,120 --> 00:31:19,440
Speaker 3: that one.

655
00:31:19,760 --> 00:31:21,760
Speaker 2: That's some deadly You can't just want you to call that.

656
00:31:22,000 --> 00:31:27,600
Speaker 2: That's some deadly ship. Right there? Come on, you ain't

657
00:31:27,600 --> 00:31:29,240
Speaker 2: gonna get drunk. You can still be on point.

658
00:31:31,680 --> 00:31:33,480
Speaker 5: But we need something new from that. It couldn't be

659
00:31:33,560 --> 00:31:36,680
Speaker 5: a I mean, complation older. It gotta be something brand new.

660
00:31:36,920 --> 00:31:37,480
Speaker 2: Yeah of course.

661
00:31:37,520 --> 00:31:39,760
Speaker 4: But I'm just saying for people that don't know, like

662
00:31:40,000 --> 00:31:42,840
Speaker 4: they like they got those many records together, she can

663
00:31:42,920 --> 00:31:43,640
Speaker 4: be called an album.

664
00:31:44,760 --> 00:31:45,000
Speaker 6: Huh.

665
00:31:47,640 --> 00:31:49,240
Speaker 4: But if you was to be able to get in

666
00:31:49,600 --> 00:31:52,960
Speaker 4: and record an album, who producers you would pick.

667
00:31:53,160 --> 00:31:57,080
Speaker 3: Wow, that's Fly, that's Fly. That's a good one. That's

668
00:31:57,120 --> 00:31:59,360
Speaker 3: a good one. I'll try to bring the heavy hitters

669
00:31:59,400 --> 00:32:02,280
Speaker 3: and bring a primo doctor Dre.

670
00:32:05,560 --> 00:32:07,400
Speaker 2: Man. I can hear you guys in Justice League production.

671
00:32:07,640 --> 00:32:08,800
Speaker 2: That's this league, man.

672
00:32:10,680 --> 00:32:13,960
Speaker 3: I still get some from Kanye. Yeah, busy with the music.

673
00:32:15,440 --> 00:32:20,480
Speaker 3: Leave the door open for what else? Yeah, that'd be crazy. Yeah, yeah,

674
00:32:20,920 --> 00:32:21,560
Speaker 3: that'd be crazy.

675
00:32:22,280 --> 00:32:22,400
Speaker 5: L E.

676
00:32:22,600 --> 00:32:25,560
Speaker 3: S L L definitely you know L been damn l

677
00:32:26,080 --> 00:32:28,200
Speaker 3: L being around from day one. Man L brought a

678
00:32:28,240 --> 00:32:30,920
Speaker 3: lot of classics to the table. Man shout out to L. E.

679
00:32:31,080 --> 00:32:35,840
Speaker 2: S Man rolled up. Yeah, God damn it. Let's let's

680
00:32:36,200 --> 00:32:37,280
Speaker 2: what other producers you think?

681
00:32:37,920 --> 00:32:40,880
Speaker 5: You said Primo, right, we said Pete Rock.

682
00:32:40,880 --> 00:32:45,160
Speaker 3: Yeah, period, y'all bunk always the album?

683
00:32:45,320 --> 00:32:49,480
Speaker 2: Yeah, tip tip, tip, your tip, tip definitely tip.

684
00:32:49,640 --> 00:32:49,800
Speaker 8: Yeah.

685
00:32:50,000 --> 00:32:52,480
Speaker 2: Who's your favorite goal to producer? For you? For yourself?

686
00:32:55,200 --> 00:32:55,520
Speaker 11: Thank you?

687
00:32:57,480 --> 00:32:59,600
Speaker 3: Try to try to fuck with those I like, I mean,

688
00:32:59,600 --> 00:33:03,040
Speaker 3: everybody deal with I. I like that been on my albums.

689
00:33:03,160 --> 00:33:06,320
Speaker 3: That's that I still funk with right now. This album,

690
00:33:07,000 --> 00:33:09,160
Speaker 3: the Truth Be Told album, Buck did the whole album

691
00:33:09,200 --> 00:33:13,840
Speaker 3: Buck Wow. Wow, Yeah, he's the whole album. But like

692
00:33:13,920 --> 00:33:16,360
Speaker 3: you said, always got Pete. They always always got you know,

693
00:33:17,040 --> 00:33:20,520
Speaker 3: Primo dr period they always did. You know what I mean?

694
00:33:21,360 --> 00:33:21,920
Speaker 10: What is this?

695
00:33:22,240 --> 00:33:25,120
Speaker 4: This this trend with every people doing the whole albums?

696
00:33:25,400 --> 00:33:27,520
Speaker 4: Is that something that is more comfortable.

697
00:33:27,160 --> 00:33:29,360
Speaker 3: Working with I've noticed that that it is right, But

698
00:33:29,440 --> 00:33:31,240
Speaker 3: it's been going on for time, like track masters, this

699
00:33:31,880 --> 00:33:37,520
Speaker 3: piece of album albums, whole album. Yeah, Primo did all

700
00:33:37,600 --> 00:33:39,720
Speaker 3: Google album like it's been going on, Doctor Drake did all.

701
00:33:39,920 --> 00:33:42,000
Speaker 2: Definitely like it been going on. But it's more comfortable.

702
00:33:42,080 --> 00:33:43,880
Speaker 3: You ain't gonna go shot for beats and all that ship,

703
00:33:43,880 --> 00:33:45,239
Speaker 3: you know what I mean? Like, and then you can

704
00:33:45,280 --> 00:33:47,000
Speaker 3: just get a whole bunch and figured out.

705
00:33:46,960 --> 00:33:50,920
Speaker 2: It's a cohesive sound easier to make a cohesive And

706
00:33:51,000 --> 00:33:52,640
Speaker 2: then so so how do you how do y'all do this?

707
00:33:52,840 --> 00:33:55,120
Speaker 2: Y'all go away or y'all just lock in together.

708
00:33:56,360 --> 00:34:00,240
Speaker 3: We went away for the Firm album with me and Bucknah.

709
00:34:00,240 --> 00:34:02,920
Speaker 3: I just I'm in the zone. Now, I'm in the zone.

710
00:34:03,200 --> 00:34:03,520
Speaker 3: I'm good.

711
00:34:03,560 --> 00:34:05,280
Speaker 2: So he just sending you the records records.

712
00:34:05,320 --> 00:34:08,400
Speaker 3: Yeah, I'm good, I'm good. Money yeah all right?

713
00:34:08,440 --> 00:34:11,000
Speaker 2: Cool? You ready for quick Time on line?

714
00:34:11,239 --> 00:34:11,439
Speaker 6: Yeah?

715
00:34:12,120 --> 00:34:12,640
Speaker 2: Yeah already?

716
00:34:12,680 --> 00:34:16,240
Speaker 4: Yeah, come on, you gotta Harry then up, mother Jesus man, Jesus,

717
00:34:16,520 --> 00:34:19,399
Speaker 4: I can bring it soon. Yeah, oh yeah, we bring

718
00:34:19,440 --> 00:34:21,919
Speaker 4: them quick times line too. Yeah, all right, so let's

719
00:34:21,920 --> 00:34:24,600
Speaker 4: talk about that. We talked about sugarhir already.

720
00:34:25,520 --> 00:34:30,759
Speaker 3: Ah talk about more money, more murder, more money. That's

721
00:34:30,760 --> 00:34:32,920
Speaker 3: a classic too. Yeah that record was that was that?

722
00:34:33,239 --> 00:34:35,280
Speaker 3: That's Iley Brothers sample.

723
00:34:35,320 --> 00:34:39,239
Speaker 2: I think really yeah, that was the Mafia sample. I

724
00:34:39,280 --> 00:34:41,600
Speaker 2: don't know it was, honestly, but that's just like, yeah,

725
00:34:42,120 --> 00:34:45,160
Speaker 2: John Gotti gave you he was was in his zone

726
00:34:45,160 --> 00:34:45,360
Speaker 2: with that.

727
00:34:45,960 --> 00:34:48,560
Speaker 3: We was fresh, right, there was and it was not

728
00:34:48,680 --> 00:34:50,360
Speaker 3: still on the bridge. I don't know, we was fresh

729
00:34:50,440 --> 00:34:53,920
Speaker 3: at that time. That's That's one of the classes off

730
00:34:53,960 --> 00:34:54,640
Speaker 3: my album I Love.

731
00:34:55,560 --> 00:34:57,840
Speaker 2: How did that record come about? The all bought the

732
00:34:58,440 --> 00:35:01,640
Speaker 2: beat to the table and I think Nads had the

733
00:35:01,640 --> 00:35:02,000
Speaker 2: hook of it.

734
00:35:02,200 --> 00:35:04,319
Speaker 3: He said the hook and I reminded him about the hook,

735
00:35:05,360 --> 00:35:07,160
Speaker 3: and then we just went crazy on that one. It

736
00:35:07,239 --> 00:35:09,360
Speaker 3: was just it was that's a lot. I thought Spirits

737
00:35:09,440 --> 00:35:12,200
Speaker 3: was in the room with us. It was nice, nice,

738
00:35:12,360 --> 00:35:15,560
Speaker 3: nice song. Okay, I'm bouncing around a little bit, right, Okay,

739
00:35:16,880 --> 00:35:20,960
Speaker 3: we look at this Jay z uh Dad President's video.

740
00:35:21,280 --> 00:35:26,960
Speaker 4: Right, we see you see Big, you see Emery, we

741
00:35:27,040 --> 00:35:31,640
Speaker 4: see bigs. We see Dame dash Uh, it's real money.

742
00:35:32,400 --> 00:35:36,440
Speaker 4: It looks like it's real money. You guys are shaking.

743
00:35:36,440 --> 00:35:38,680
Speaker 4: I remember you had the toothpick and right right right,

744
00:35:38,760 --> 00:35:42,919
Speaker 4: right right right, you shaking a lot of people say,

745
00:35:44,120 --> 00:35:47,160
Speaker 4: and I know you can answer this whichever way. A

746
00:35:47,200 --> 00:35:49,840
Speaker 4: lot of people say, that's where like the turmoil started

747
00:35:49,920 --> 00:35:54,320
Speaker 4: with Jay and now video Nads was supposed to attend

748
00:35:54,840 --> 00:35:55,640
Speaker 4: that very scene.

749
00:35:57,160 --> 00:35:58,319
Speaker 2: I would not know that right.

750
00:35:58,400 --> 00:35:59,440
Speaker 3: All I know is I knew.

751
00:36:00,920 --> 00:36:03,200
Speaker 2: Me and I came through it right. So I don't know.

752
00:36:04,000 --> 00:36:05,560
Speaker 3: I don't know how the business was, but I was

753
00:36:05,560 --> 00:36:08,520
Speaker 3: being on the hook at that I don't know day

754
00:36:08,600 --> 00:36:12,440
Speaker 3: relationship at the time, which I don't think was a relationship.

755
00:36:12,880 --> 00:36:15,359
Speaker 2: He just I guess he heard it like that. I don't.

756
00:36:15,480 --> 00:36:15,759
Speaker 3: I don't know.

757
00:36:15,800 --> 00:36:17,359
Speaker 2: I can speak for him, but he just got a call.

758
00:36:17,400 --> 00:36:20,640
Speaker 2: I don't think Maybe it did. Maybe I don't know. Honestly,

759
00:36:21,200 --> 00:36:21,839
Speaker 2: keep you one hundred.

760
00:36:21,840 --> 00:36:24,440
Speaker 3: I don't know, should be fine out Let me know,

761
00:36:27,719 --> 00:36:30,080
Speaker 3: Let me let me know, because I don't.

762
00:36:30,080 --> 00:36:30,799
Speaker 2: We know a lot of shit.

763
00:36:30,840 --> 00:36:30,960
Speaker 10: You know.

764
00:36:30,960 --> 00:36:31,759
Speaker 2: I ain't about him.

765
00:36:31,760 --> 00:36:34,439
Speaker 3: I don't believe invest my mind a lot of this ship.

766
00:36:34,920 --> 00:36:37,800
Speaker 3: It's a business, but both against some paper. But I

767
00:36:37,880 --> 00:36:39,319
Speaker 3: guess we was all young, a lot of a lot

768
00:36:39,360 --> 00:36:41,360
Speaker 3: of ego, a lot of personal ship, a lot of

769
00:36:41,680 --> 00:36:43,720
Speaker 3: you know what I mean. Niggas have a dick measuring content.

770
00:36:43,719 --> 00:36:45,920
Speaker 3: I don't know, but it was about paper for me.

771
00:36:45,960 --> 00:36:47,440
Speaker 2: For day one. When I got that check, I was like,

772
00:36:48,320 --> 00:36:49,280
Speaker 2: you got to be in the streets.

773
00:36:50,680 --> 00:36:54,160
Speaker 3: Let's go right, And it's like jumping out the frying

774
00:36:54,200 --> 00:36:56,680
Speaker 3: pan into the fucking fire because it was. It get

775
00:36:56,760 --> 00:37:00,440
Speaker 3: a little worse right because the same shit kind of exist,

776
00:37:01,440 --> 00:37:03,040
Speaker 3: but it's a lot of more talking and it's like,

777
00:37:03,760 --> 00:37:08,279
Speaker 3: what like our face, it's just crazy to me, Like

778
00:37:08,280 --> 00:37:09,960
Speaker 3: I just can't understand it. But then I understand the

779
00:37:10,000 --> 00:37:13,839
Speaker 3: competitiveness of hip hop, which always been And we got

780
00:37:13,920 --> 00:37:16,800
Speaker 3: it from you know, Coolmo D, Busy B.

781
00:37:16,960 --> 00:37:19,960
Speaker 2: We got it from you know, L and Ice T.

782
00:37:20,280 --> 00:37:21,840
Speaker 3: We got it from you know what I'm saying the

783
00:37:21,960 --> 00:37:24,440
Speaker 3: time going with all the beefs with you know, shaying

784
00:37:24,640 --> 00:37:27,560
Speaker 3: and the krs. So it's the nature of it, you

785
00:37:27,640 --> 00:37:30,640
Speaker 3: know what I'm saying. But then they were rapping for real.

786
00:37:31,120 --> 00:37:33,040
Speaker 3: But then when we brought the street element to it,

787
00:37:33,080 --> 00:37:35,960
Speaker 3: the ship just went cool cool man, it just went

788
00:37:36,040 --> 00:37:37,400
Speaker 3: coogle and we sucked it up and we.

789
00:37:37,440 --> 00:37:38,239
Speaker 2: Fucked this ship up.

790
00:37:39,600 --> 00:37:39,959
Speaker 5: It up.

791
00:37:41,640 --> 00:37:44,000
Speaker 2: For me, looking at that video, it's seemed.

792
00:37:49,680 --> 00:37:51,879
Speaker 3: It's gonna sound crazy about the dead president.

793
00:37:52,160 --> 00:37:52,480
Speaker 2: President.

794
00:37:53,000 --> 00:37:56,640
Speaker 4: Shoot, I'm gonna say, I'm gonna say something that's gonna

795
00:37:56,680 --> 00:38:00,399
Speaker 4: sound crazy, but it's not really that. I don't think

796
00:38:00,600 --> 00:38:03,239
Speaker 4: Naves would even fit in that scene had if that was.

797
00:38:03,640 --> 00:38:06,200
Speaker 3: The case, because we're all Brooklyn people there.

798
00:38:06,239 --> 00:38:09,000
Speaker 2: I felt like, yeah, Brooklyn niggas, Yeah, by yourself.

799
00:38:13,400 --> 00:38:15,200
Speaker 3: If it would have been live, doctor been on a

800
00:38:15,280 --> 00:38:17,400
Speaker 3: queenz niggative. Okay, you get it, because that's how I

801
00:38:17,480 --> 00:38:19,839
Speaker 3: felt going quitions. But I'm the only Brooklyn nigga there.

802
00:38:20,320 --> 00:38:23,239
Speaker 3: You're fucking christ looked at it like that. But you know,

803
00:38:23,920 --> 00:38:25,560
Speaker 3: I said, but it would have been fly. It would

804
00:38:25,560 --> 00:38:27,160
Speaker 3: have been fly because it would have been fly, right

805
00:38:27,239 --> 00:38:29,520
Speaker 3: because every time you hear about the top.

806
00:38:29,440 --> 00:38:32,440
Speaker 2: Ten three names come up, it would have been that's monumental, right.

807
00:38:32,480 --> 00:38:34,400
Speaker 5: Right right right?

808
00:38:35,320 --> 00:38:38,280
Speaker 3: Hey, your name come up during the top five too, motherfucker.

809
00:38:38,280 --> 00:38:39,520
Speaker 3: You ain't gonna let you be home like that.

810
00:38:39,960 --> 00:38:43,440
Speaker 2: You do that, ain't gonna let you say that.

811
00:38:44,400 --> 00:38:48,960
Speaker 4: I mean, I mean to be honest with you, I really,

812
00:38:49,160 --> 00:38:52,880
Speaker 4: really I want you to understand your fan base, like

813
00:38:52,960 --> 00:38:54,200
Speaker 4: you know what I'm saying, like that's what we do,

814
00:38:54,600 --> 00:38:57,680
Speaker 4: like when we said our name, like you know, in

815
00:38:57,719 --> 00:38:59,880
Speaker 4: the week off and then I could I can understand,

816
00:39:00,080 --> 00:39:02,479
Speaker 4: like like like Wayne has the nicest fans in the world.

817
00:39:03,280 --> 00:39:05,320
Speaker 4: Like when I say something about Wayne, his fans like,

818
00:39:05,520 --> 00:39:07,000
Speaker 4: can you let us drop it on Friday?

819
00:39:07,200 --> 00:39:17,680
Speaker 2: Like respectful nods? That's real? So you dropped?

820
00:39:17,719 --> 00:39:17,919
Speaker 6: Ready?

821
00:39:18,160 --> 00:39:20,600
Speaker 2: Huh? Quick time is ready? Okay? Cool? You want to

822
00:39:20,600 --> 00:39:23,600
Speaker 2: explain him the rules and we're gonna bring you up.

823
00:39:28,400 --> 00:39:33,439
Speaker 2: We're taking shots, were taking shots, so yeah, you gotta

824
00:39:33,480 --> 00:39:33,839
Speaker 2: set up.

825
00:39:34,520 --> 00:39:36,040
Speaker 3: I feel like this is very racist. You bring the

826
00:39:36,080 --> 00:39:41,960
Speaker 3: Puerto Rican in to drink the shots? Are your wor

827
00:39:42,120 --> 00:39:45,360
Speaker 3: we can do up. Yes, he's cute, l A.

828
00:39:46,200 --> 00:39:47,239
Speaker 2: We got that.

829
00:39:52,600 --> 00:40:00,759
Speaker 3: DJ you smoke, you smoke, you don't smoke. We damn

830
00:40:01,880 --> 00:40:03,319
Speaker 3: all right, we had that gumbo for y'all.

831
00:40:03,360 --> 00:40:03,880
Speaker 2: I guess I got this.

832
00:40:04,000 --> 00:40:12,520
Speaker 3: Wait a minute, a second, because we got your flop.

833
00:40:12,680 --> 00:40:22,520
Speaker 2: You got your floper to.

834
00:40:23,960 --> 00:40:27,120
Speaker 3: Yes, man, he's to sell a lot of cocaine uptown.

835
00:40:29,160 --> 00:40:30,719
Speaker 2: Classic. He said he's mad at.

836
00:40:32,320 --> 00:40:32,480
Speaker 9: All.

837
00:40:33,040 --> 00:40:39,200
Speaker 2: Got me, Sonny got got Okay right now, it is

838
00:40:39,200 --> 00:40:42,640
Speaker 2: a quick time of slim since I started.

839
00:40:42,640 --> 00:40:45,040
Speaker 4: Okay, so this is quick time of slot We're gonna

840
00:40:45,040 --> 00:40:48,280
Speaker 4: give you two asses, right, two choices, two choice choices,

841
00:40:48,880 --> 00:40:52,359
Speaker 4: you pick. You picked one, We don't drink. You picked both.

842
00:40:52,520 --> 00:40:53,320
Speaker 4: We all drink.

843
00:40:53,840 --> 00:40:56,839
Speaker 3: You picked both, politically correct. Let me still take a shot.

844
00:40:57,200 --> 00:40:58,600
Speaker 4: We drink with you, so you don't have to take

845
00:40:58,600 --> 00:41:00,800
Speaker 4: a shot, because the beautiful seemed like you. You're a

846
00:41:00,840 --> 00:41:03,040
Speaker 4: shot god, but you take SIPs off champagne.

847
00:41:03,080 --> 00:41:07,840
Speaker 2: But we're gonna have be a designated drink. Any is

848
00:41:07,880 --> 00:41:10,560
Speaker 2: the same thing. We have a shot, a designated drinker,

849
00:41:10,680 --> 00:41:12,640
Speaker 2: you know what I mean. Gotta go with a doubt.

850
00:41:13,520 --> 00:41:16,400
Speaker 2: We repping Dominicans. We got Mama Horner right here. If

851
00:41:16,400 --> 00:41:20,160
Speaker 2: you want something, I don't want that laid off.

852
00:41:21,480 --> 00:41:23,840
Speaker 4: We giving you your flowers, give you your praises. Okay,

853
00:41:25,480 --> 00:41:29,520
Speaker 4: first first, but we don't write these questions. This is

854
00:41:29,640 --> 00:41:33,000
Speaker 4: the Colombian and Dominican over there that white questions. They

855
00:41:33,080 --> 00:41:38,520
Speaker 4: analyze you when then they yes, this is just a fact. Okay,

856
00:41:38,680 --> 00:41:42,160
Speaker 4: you ready for the first shoot? Oh jam you got

857
00:41:42,200 --> 00:41:44,680
Speaker 4: the shots ready though? Because I feel like he's going

858
00:41:44,719 --> 00:41:46,879
Speaker 4: to answer this predominantly.

859
00:41:47,160 --> 00:41:51,839
Speaker 2: You drink to everybody drinking, got the first one? Yes?

860
00:41:52,719 --> 00:41:56,000
Speaker 3: Nos a jay z, Yes, that's it. Nasa jay Z're

861
00:41:56,000 --> 00:42:04,320
Speaker 3: not doing to pick one, please, I'm picking one for

862
00:42:04,440 --> 00:42:08,080
Speaker 3: what what? I'm picking whatever you want wanted them to say?

863
00:42:08,640 --> 00:42:09,359
Speaker 2: Who's all?

864
00:42:09,640 --> 00:42:11,799
Speaker 5: It's whatever the criteria in your mind, best them, see,

865
00:42:11,920 --> 00:42:14,960
Speaker 5: best friend, best dressed, whatever the fun is.

866
00:42:14,960 --> 00:42:15,439
Speaker 2: In your mind.

867
00:42:15,640 --> 00:42:17,200
Speaker 5: It could be both, it could be neither. It could

868
00:42:17,200 --> 00:42:19,560
Speaker 5: be one of them, and you can tell us the

869
00:42:19,600 --> 00:42:20,480
Speaker 5: story to go with it too.

870
00:42:23,640 --> 00:42:25,440
Speaker 3: I'll funk with both, right, I'm gonna tell you why

871
00:42:25,760 --> 00:42:28,359
Speaker 3: you Okay, you know I love Nah. It's my brother

872
00:42:28,680 --> 00:42:30,480
Speaker 3: and I love Jay because that's my brother too. Of

873
00:42:30,560 --> 00:42:32,280
Speaker 3: what he did for the game, he took him the heights.

874
00:42:32,360 --> 00:42:35,239
Speaker 3: That right, we all dream, you know what I mean.

875
00:42:35,360 --> 00:42:38,520
Speaker 3: So I'm blocking them both. Okay, that's a shot.

876
00:42:38,560 --> 00:42:41,520
Speaker 2: That's a shot. That's a shot. If it's both neither,

877
00:42:44,640 --> 00:42:45,960
Speaker 2: I feel like it's gonna be a lot of both.

878
00:42:47,040 --> 00:42:49,040
Speaker 2: He is too smooth, like I think he could be.

879
00:42:51,160 --> 00:42:56,680
Speaker 3: He's definitely he definitely could be city councilor ready of

880
00:42:56,760 --> 00:43:03,680
Speaker 3: d m X. I'm gonna go with part because Park

881
00:43:03,719 --> 00:43:05,640
Speaker 3: put a lot of work in You got any stories

882
00:43:05,680 --> 00:43:08,160
Speaker 3: of Park or I don't have. I met Park one time.

883
00:43:08,680 --> 00:43:12,279
Speaker 3: The crazy thing is I met pock at I think

884
00:43:12,320 --> 00:43:15,520
Speaker 3: it was a Jay release party. That's some crazy ship.

885
00:43:15,760 --> 00:43:18,880
Speaker 3: I hed our release party. It was one of the

886
00:43:18,960 --> 00:43:24,200
Speaker 3: clubs and it wasn't. It wasn't Pladi Damn. I'm mad

887
00:43:24,280 --> 00:43:25,160
Speaker 3: because but there.

888
00:43:25,080 --> 00:43:25,480
Speaker 7: No, it was.

889
00:43:25,560 --> 00:43:28,719
Speaker 3: It was a vaka fella And as I released, I

890
00:43:28,880 --> 00:43:31,600
Speaker 3: came there and then part came Wong through the door,

891
00:43:33,280 --> 00:43:36,640
Speaker 3: his motherfuckerself and like, what, what's what's up? So yeah,

892
00:43:37,280 --> 00:43:39,320
Speaker 3: so but I fuck with Park because he's got so

893
00:43:39,440 --> 00:43:41,400
Speaker 3: much work about. I fun with ask two though, you

894
00:43:41,440 --> 00:43:45,680
Speaker 3: know you hit me with hard ship, So you're saying both,

895
00:43:46,040 --> 00:43:47,920
Speaker 3: He said, Park had one.

896
00:43:48,520 --> 00:43:51,480
Speaker 2: This is I knew these evil motherfucker's gonna do this. Motherfucker.

897
00:43:51,600 --> 00:43:55,520
Speaker 2: This is not me Mega or Nature.

898
00:43:57,000 --> 00:44:00,479
Speaker 3: I'm going I'm going with Mega, Okay, Mega, don Mega

899
00:44:00,560 --> 00:44:03,560
Speaker 3: Dawn all right, Biggie or big L.

900
00:44:06,320 --> 00:44:06,759
Speaker 6: B I G.

901
00:44:07,360 --> 00:44:09,080
Speaker 2: I love L. I love L too, but b I

902
00:44:09,160 --> 00:44:10,480
Speaker 2: G put that work in, you know what I mean?

903
00:44:13,880 --> 00:44:17,680
Speaker 2: God half a mill or big pun? Oh dirty man,

904
00:44:18,600 --> 00:44:22,120
Speaker 2: dirty yah yah, dirty man.

905
00:44:22,560 --> 00:44:26,359
Speaker 12: I'm going yeah, I'm going with both, with both, man,

906
00:44:27,760 --> 00:44:33,960
Speaker 12: drink drink there's another dirty one.

907
00:44:35,040 --> 00:44:39,080
Speaker 3: Oh d b r buz wow, y'all dirty again, man,

908
00:44:39,120 --> 00:44:39,879
Speaker 3: I'm going with both.

909
00:44:40,120 --> 00:44:41,239
Speaker 2: I can't even both.

910
00:44:41,760 --> 00:44:50,719
Speaker 3: I'm gonna taking it God damn early they know what

911
00:44:50,760 --> 00:44:52,200
Speaker 3: they're doing. You're gonna be drunk.

912
00:44:52,239 --> 00:44:53,359
Speaker 5: We don't.

913
00:44:54,040 --> 00:44:55,600
Speaker 3: This is my favorite question, by the way, one of

914
00:44:55,680 --> 00:44:58,680
Speaker 3: my favorites n w a o Wu tang Wo.

915
00:44:59,400 --> 00:45:03,040
Speaker 2: He was a y'all dirty. I don't want to get drunk.

916
00:45:06,680 --> 00:45:08,520
Speaker 3: It's not about see what it is is you're talking

917
00:45:08,520 --> 00:45:10,840
Speaker 3: about just picking sip. You're talking about what the culture, right,

918
00:45:10,840 --> 00:45:13,040
Speaker 3: I'm thinking worldwide. Both of them did the culture both.

919
00:45:12,920 --> 00:45:13,800
Speaker 2: And he got the shirt on.

920
00:45:13,920 --> 00:45:19,719
Speaker 3: You can't tell me nothing what's going on? But I

921
00:45:19,960 --> 00:45:22,920
Speaker 3: fuck with both. I got both because the Woo no

922
00:45:23,200 --> 00:45:26,480
Speaker 3: just selling. That's what I'm saying. Fuck that both, all right,

923
00:45:26,560 --> 00:45:27,320
Speaker 3: solo solid.

924
00:45:27,719 --> 00:45:28,440
Speaker 2: You ain't wrong for the.

925
00:45:30,640 --> 00:45:32,600
Speaker 3: I always think that is the beston. You should say both.

926
00:45:33,040 --> 00:45:34,200
Speaker 3: I always think that that's.

927
00:45:34,080 --> 00:45:38,359
Speaker 2: Me red Man or styles P. That's a nice one, man,

928
00:45:38,480 --> 00:45:41,680
Speaker 2: that's a nice one. Damn I got you some motherfuckers.

929
00:45:41,719 --> 00:45:41,919
Speaker 10: Man.

930
00:45:42,600 --> 00:45:44,200
Speaker 2: Just think about it. Think about it a little bit.

931
00:45:47,239 --> 00:45:48,239
Speaker 2: That's that's all on.

932
00:45:48,320 --> 00:45:55,160
Speaker 3: Again both, okay, y'all, I keep it. Love my comrades, man,

933
00:45:55,239 --> 00:45:55,560
Speaker 3: Fuck it.

934
00:45:57,400 --> 00:46:00,120
Speaker 2: I think A Z is a blue Switzerland. He is

935
00:46:00,160 --> 00:46:03,560
Speaker 2: taking over. He is politically correct, all right. What they

936
00:46:03,600 --> 00:46:05,560
Speaker 2: said on your Twitter though, they was like yo, he

937
00:46:05,680 --> 00:46:08,320
Speaker 2: don't let him smooth talk you. Somebody said that on

938
00:46:08,440 --> 00:46:15,600
Speaker 2: you and guess what it's happening? Alright, d J clewor

939
00:46:15,760 --> 00:46:32,000
Speaker 2: do wop you said that rare ghosts.

940
00:46:32,719 --> 00:46:33,839
Speaker 3: What are you'all doing? Man?

941
00:46:33,960 --> 00:46:37,680
Speaker 2: Like this is crazy drinking on you? She already know.

942
00:46:37,800 --> 00:46:47,320
Speaker 2: Look you know already around both brothers. Man, brother you

943
00:46:47,400 --> 00:46:50,319
Speaker 2: want to take over you you you in the hot.

944
00:46:50,560 --> 00:46:56,520
Speaker 2: You gotta do the water though, Jamie, you can't water.

945
00:46:58,200 --> 00:47:03,400
Speaker 2: You said boat five times? Oh ship damn you get

946
00:47:03,480 --> 00:47:14,520
Speaker 2: your get your ther d j R Down. How many

947
00:47:14,560 --> 00:47:21,759
Speaker 2: want to more? A couple of more people? Man, yeah,

948
00:47:22,480 --> 00:47:23,759
Speaker 2: care us one O rock him.

949
00:47:26,520 --> 00:47:26,680
Speaker 5: Yeo.

950
00:47:27,080 --> 00:47:30,279
Speaker 2: They know what they're doing. Man that I'm not from

951
00:47:30,320 --> 00:47:32,920
Speaker 2: the Bronx, A love of brons My not form the Bronx.

952
00:47:34,480 --> 00:47:34,840
Speaker 6: Leading you.

953
00:47:35,840 --> 00:47:38,880
Speaker 2: I'm going, okay, I'm going, I'm going about that's all.

954
00:47:39,840 --> 00:47:43,040
Speaker 2: Just one is. Yeah, you want to ask amadic or

955
00:47:43,080 --> 00:47:43,640
Speaker 2: ready to die?

956
00:47:44,600 --> 00:47:45,640
Speaker 3: Oh dirty.

957
00:47:48,880 --> 00:47:51,760
Speaker 5: For you? You could have been like I'm on hmatic.

958
00:47:51,840 --> 00:47:53,680
Speaker 5: So I'm gonna just say amadic. I know that I

959
00:47:53,880 --> 00:47:56,359
Speaker 5: know I can't make listen.

960
00:47:56,480 --> 00:48:00,320
Speaker 4: It's something born in Brooklyn. People that don't get Brooklyn.

961
00:48:01,520 --> 00:48:09,440
Speaker 4: We've been studying this, I mean, had we had this

962
00:48:09,680 --> 00:48:10,360
Speaker 4: ran Western.

963
00:48:11,040 --> 00:48:14,560
Speaker 3: I already took mine, my bad spial and we noticed

964
00:48:15,680 --> 00:48:17,960
Speaker 3: bid can against Brooklyn.

965
00:48:18,160 --> 00:48:23,960
Speaker 2: They cannot. It's something in their system. It's the yall

966
00:48:24,000 --> 00:48:25,440
Speaker 2: when y'all was born with Brooklyn.

967
00:48:26,160 --> 00:48:29,319
Speaker 3: They'll kill each other, but they won't go against each

968
00:48:29,320 --> 00:48:30,520
Speaker 3: other against any other.

969
00:48:30,600 --> 00:48:40,560
Speaker 2: Barrel right, Relax down me and I'm with you. I

970
00:48:40,760 --> 00:48:45,680
Speaker 2: hadji rap or scarface is nice. I'm going wrapped though.

971
00:48:48,160 --> 00:48:51,400
Speaker 2: This is a good one. M O P or mom deep.

972
00:48:52,600 --> 00:48:54,759
Speaker 3: It's a good one. That's a good one. It's a

973
00:48:54,800 --> 00:48:56,279
Speaker 3: good one. It's a good one.

974
00:48:57,400 --> 00:49:03,680
Speaker 2: That's a good one. Will m O P m O P,

975
00:49:04,200 --> 00:49:04,680
Speaker 2: will m O.

976
00:49:04,960 --> 00:49:07,640
Speaker 3: I'm gonna go in brand Nubian or poor Righty's teachers.

977
00:49:07,840 --> 00:49:10,160
Speaker 2: Brand new Bens one for all.

978
00:49:11,880 --> 00:49:14,920
Speaker 3: Off one, I said the bees he even though like

979
00:49:15,000 --> 00:49:17,239
Speaker 3: my name is David Rufford, we toober in seas just

980
00:49:17,239 --> 00:49:17,480
Speaker 3: like an.

981
00:49:17,480 --> 00:49:25,920
Speaker 2: Ingus muffin man him. He just jokes out at me.

982
00:49:25,960 --> 00:49:26,400
Speaker 6: You know what I mean?

983
00:49:27,040 --> 00:49:27,360
Speaker 5: I don't know.

984
00:49:27,480 --> 00:49:30,840
Speaker 2: I think I should say poor. Here's more Brooklyn smoother

985
00:49:30,960 --> 00:49:32,120
Speaker 2: hustler sauce money.

986
00:49:33,920 --> 00:49:36,279
Speaker 3: Go smooth. I know, smooth, but fuck with smooth sauce

987
00:49:36,320 --> 00:49:39,680
Speaker 3: of fuck with you. But I'm gonna go smooth Okay.

988
00:49:40,400 --> 00:49:45,200
Speaker 2: Gumbo or Branson. What the fuck is gumbo? You canna

989
00:49:45,200 --> 00:49:49,719
Speaker 2: find out? Don't go right now. I'm fucking that's my dude,

990
00:49:49,800 --> 00:49:56,439
Speaker 2: Brands and the Prince of Gumbo. He smoked. He said,

991
00:49:56,440 --> 00:49:58,239
Speaker 2: you don't smoke. Damn that that's why you gotta know.

992
00:49:58,280 --> 00:50:00,520
Speaker 2: We gotta here smoke the dead said this broke today.

993
00:50:01,360 --> 00:50:02,879
Speaker 2: Would you be an honorary smoke cutter.

994
00:50:03,760 --> 00:50:04,440
Speaker 3: He's here like.

995
00:50:06,320 --> 00:50:09,640
Speaker 2: Hour the fourth hour hour. All right, you know what

996
00:50:09,960 --> 00:50:12,400
Speaker 2: a lot of happened in the I respect that.

997
00:50:13,440 --> 00:50:19,720
Speaker 4: Okay, push your tear, kiss kiss smoother, hustler, or say.

998
00:50:19,120 --> 00:50:26,759
Speaker 2: That we did that. We did that? Sorry, yes he

999
00:50:26,880 --> 00:50:30,399
Speaker 2: picked Okay, Yeah, queenland Tea for empty light.

1000
00:50:31,320 --> 00:50:33,400
Speaker 3: Wow, fucking wild both.

1001
00:50:34,880 --> 00:50:35,319
Speaker 5: I know, but.

1002
00:50:36,880 --> 00:50:39,440
Speaker 3: I know them, both, them both.

1003
00:50:40,000 --> 00:50:41,560
Speaker 2: And remember any stories. Please.

1004
00:50:41,800 --> 00:50:45,560
Speaker 3: We say these names to bring a light before light

1005
00:50:45,680 --> 00:50:47,960
Speaker 3: got on. One of my peoples knew her. Oh I

1006
00:50:48,000 --> 00:50:51,480
Speaker 3: think she had one song I see from Brooklyn. Uh

1007
00:50:51,719 --> 00:50:54,279
Speaker 3: and my people was introduced back. Actually she wasn't even

1008
00:50:54,320 --> 00:50:56,440
Speaker 3: on she even had a record on buck and get

1009
00:50:56,520 --> 00:50:57,359
Speaker 3: on em Light.

1010
00:50:57,840 --> 00:51:01,759
Speaker 2: I knew her. Uh my homie was I guess he was.

1011
00:51:02,920 --> 00:51:03,719
Speaker 2: Was she gonna sign him?

1012
00:51:03,760 --> 00:51:05,120
Speaker 3: I don't know what it was she was gonna sign

1013
00:51:05,160 --> 00:51:06,840
Speaker 3: them or or there was there was I don't know

1014
00:51:06,880 --> 00:51:07,600
Speaker 3: what was going on.

1015
00:51:07,760 --> 00:51:11,440
Speaker 2: But he rapped, she raps. I met her, I brought

1016
00:51:11,480 --> 00:51:12,080
Speaker 2: her to the East.

1017
00:51:12,280 --> 00:51:15,000
Speaker 3: My man had They was just DJ ship, get me

1018
00:51:15,120 --> 00:51:15,760
Speaker 3: DJ outside.

1019
00:51:15,800 --> 00:51:17,319
Speaker 2: She rapped and it's like, Yo, we're.

1020
00:51:17,200 --> 00:51:20,399
Speaker 3: Gonna gonna politics a and and like light People's Man

1021
00:51:20,440 --> 00:51:23,600
Speaker 3: and then Queen Lost. She always first album, she'll come

1022
00:51:23,640 --> 00:51:25,319
Speaker 3: to the studio and just chill, you know what I mean.

1023
00:51:25,440 --> 00:51:28,040
Speaker 3: She knew my manager. She always showed love when she

1024
00:51:28,080 --> 00:51:30,319
Speaker 3: sees me, like, yeah, they show love.

1025
00:51:30,360 --> 00:51:35,160
Speaker 2: They from that era, you know what I mean. Podcaster Radio,

1026
00:51:38,440 --> 00:51:40,399
Speaker 2: I don't know about this podcast. I'm trying to figure

1027
00:51:40,440 --> 00:51:45,200
Speaker 2: it out. I'm trying it out. Yeah, no I'm not.

1028
00:51:45,560 --> 00:51:47,440
Speaker 2: I'm I'm I'm I'm gonna go. I'm going with the

1029
00:51:47,520 --> 00:51:49,240
Speaker 2: radio right now. I don't know too much about the podcast.

1030
00:51:49,440 --> 00:51:52,480
Speaker 2: That's We Don't Mess.

1031
00:51:53,960 --> 00:51:54,400
Speaker 3: Yankees.

1032
00:51:55,960 --> 00:52:04,239
Speaker 2: That's too Yeah. Ice Cube or ice Tea? Which ice

1033
00:52:04,280 --> 00:52:09,000
Speaker 2: will it be? Oh?

1034
00:52:10,280 --> 00:52:12,080
Speaker 3: And fun with ice Tea smoke that's my dude, you know,

1035
00:52:12,160 --> 00:52:14,720
Speaker 3: he my dude, ice Cube put he kicked the doors

1036
00:52:14,760 --> 00:52:16,680
Speaker 3: down though. He I want to see Ice Cube at

1037
00:52:16,680 --> 00:52:18,040
Speaker 3: the Apollo ninety three.

1038
00:52:18,320 --> 00:52:19,600
Speaker 2: He was at that show. I was there.

1039
00:52:20,000 --> 00:52:22,160
Speaker 3: I was there, changed my life with tennis balls, changed

1040
00:52:22,160 --> 00:52:24,720
Speaker 3: my life there they're doing money off the balcony, changed

1041
00:52:24,760 --> 00:52:29,200
Speaker 3: my life. People in the audience was doing the money

1042
00:52:29,200 --> 00:52:32,480
Speaker 3: of the drug dealers. Yes, and I was there front center.

1043
00:52:32,520 --> 00:52:34,239
Speaker 3: I was probably like a V seven. I remember that

1044
00:52:34,280 --> 00:52:38,319
Speaker 3: ship just oh my god. He tore that motherfucker damn

1045
00:52:38,440 --> 00:52:40,560
Speaker 3: like no other ship.

1046
00:52:42,200 --> 00:52:42,480
Speaker 2: Both.

1047
00:52:46,160 --> 00:52:48,400
Speaker 3: I'm like, y'all, damn, what you're gonna have a heart attack?

1048
00:52:49,640 --> 00:52:54,960
Speaker 2: We got we got certain Come on yo, how many more? No?

1049
00:52:55,080 --> 00:52:55,359
Speaker 6: We got?

1050
00:52:55,640 --> 00:52:58,040
Speaker 2: But we're drinking with them? Was this ship bill for this?

1051
00:52:59,560 --> 00:52:59,600
Speaker 9: So?

1052
00:52:59,840 --> 00:53:02,120
Speaker 2: Was New Jack City or King of New York?

1053
00:53:03,400 --> 00:53:08,319
Speaker 3: He's they're never fucking easy easy, nigga, what which one?

1054
00:53:08,560 --> 00:53:09,840
Speaker 2: I want to hear? What you wanna said? King of

1055
00:53:09,880 --> 00:53:11,239
Speaker 2: New York, that's my ship.

1056
00:53:11,280 --> 00:53:16,839
Speaker 3: But New Jack City was crazy, like motherfucker biggie, like baby.

1057
00:53:17,640 --> 00:53:23,520
Speaker 2: Baby, I'm going King in New York. Okay, I'm saving

1058
00:53:23,719 --> 00:53:29,040
Speaker 2: Thank you, Pete rock or Riz. Wow, I don't wanna

1059
00:53:29,080 --> 00:53:29,600
Speaker 2: do this no more.

1060
00:53:36,080 --> 00:53:42,359
Speaker 3: Almost almost almost Yeah, I'm gonna I'm gonna go with Pete.

1061
00:53:42,360 --> 00:53:45,719
Speaker 3: I'm going Pete. I'm gonna Pete l l or Big

1062
00:53:45,800 --> 00:53:48,279
Speaker 3: Daddy Kinge. And this is clearly light skin against dark skin.

1063
00:53:48,360 --> 00:53:52,000
Speaker 3: Let's see where you. Let's see because you clearly I'm

1064
00:53:52,000 --> 00:53:54,440
Speaker 3: gonna with K because that's one of my that's one

1065
00:53:54,440 --> 00:53:57,080
Speaker 3: of my You have to cut your eyes.

1066
00:53:57,239 --> 00:53:59,200
Speaker 2: I didn't have it, but I would get it. Is

1067
00:53:59,320 --> 00:54:04,560
Speaker 2: Gold Premiere or buck Wild thirty may not. I just

1068
00:54:04,640 --> 00:54:06,120
Speaker 2: did the album buck Wild drinking.

1069
00:54:06,200 --> 00:54:06,799
Speaker 3: That's my boy.

1070
00:54:07,960 --> 00:54:12,080
Speaker 2: Drink up for Premier. I even drink to that. Both

1071
00:54:12,719 --> 00:54:16,680
Speaker 2: Gang Star or I'm gonna e PM. I love Gang Star,

1072
00:54:17,360 --> 00:54:18,080
Speaker 2: you know I love y'all.

1073
00:54:19,560 --> 00:54:23,160
Speaker 3: Yeah, yeah, em fishing hats just because they put that

1074
00:54:23,320 --> 00:54:25,680
Speaker 3: work in and then they they turned up. When I

1075
00:54:25,840 --> 00:54:27,239
Speaker 3: was you know, I mean trying to figure it out,

1076
00:54:27,280 --> 00:54:29,160
Speaker 3: they was turning up. You know what I mean.

1077
00:54:29,320 --> 00:54:29,799
Speaker 2: That's real.

1078
00:54:32,440 --> 00:54:35,520
Speaker 4: Yeah, your TV raps or be their music box, be

1079
00:54:35,680 --> 00:54:39,960
Speaker 4: their music box. Ralph Ralph all days right kick a

1080
00:54:40,040 --> 00:54:41,040
Speaker 4: pre or right alert.

1081
00:54:43,040 --> 00:54:46,560
Speaker 3: Damn that's crazy too. I'm going because he just he

1082
00:54:47,080 --> 00:54:49,279
Speaker 3: he changed the game, did too.

1083
00:54:49,360 --> 00:54:54,200
Speaker 2: But you know, okay a finger get that one. He's

1084
00:54:54,239 --> 00:54:59,240
Speaker 2: more backpack than me. Analog or digital.

1085
00:55:01,880 --> 00:55:04,080
Speaker 3: Analog like analog.

1086
00:55:05,600 --> 00:55:06,560
Speaker 2: Most death are coming.

1087
00:55:07,760 --> 00:55:11,040
Speaker 4: Most death, yeah, the last one based the last one.

1088
00:55:12,840 --> 00:55:20,560
Speaker 4: Loyalty or respect, wow, both. This is the time where

1089
00:55:20,600 --> 00:55:22,000
Speaker 4: we say you're supposed to pick both.

1090
00:55:22,560 --> 00:55:25,839
Speaker 2: Goddamn right. The next game is called quicker Time when

1091
00:55:25,880 --> 00:55:37,560
Speaker 2: slum that's what's up. Let's tell these people, how did

1092
00:55:37,600 --> 00:55:39,960
Speaker 2: you get started in this game? Immediately? How do I

1093
00:55:40,040 --> 00:55:40,640
Speaker 2: get started?

1094
00:55:40,680 --> 00:55:40,759
Speaker 5: Bro?

1095
00:55:40,920 --> 00:55:44,160
Speaker 13: I just I mean, like he said, we you know,

1096
00:55:44,360 --> 00:55:47,640
Speaker 13: we was both born on the West Coast but raised

1097
00:55:47,680 --> 00:55:51,320
Speaker 13: in the east, like Bronx, New York, looking at that

1098
00:55:51,400 --> 00:55:53,160
Speaker 13: ship like right out my window, you know what I mean,

1099
00:55:53,280 --> 00:55:56,160
Speaker 13: Like and my and my parents like even though they

1100
00:55:56,239 --> 00:55:58,440
Speaker 13: wasn't like super strict, they kept me on the long

1101
00:55:58,560 --> 00:56:00,719
Speaker 13: lease so like I could go to the gams and

1102
00:56:00,760 --> 00:56:03,279
Speaker 13: all that, but yo coming by a certain time, you

1103
00:56:03,320 --> 00:56:06,280
Speaker 13: know what I mean, Like shit like that said correct,

1104
00:56:06,680 --> 00:56:08,799
Speaker 13: half Cuban, half Puerto Rican, so.

1105
00:56:09,000 --> 00:56:10,000
Speaker 2: I was able to like.

1106
00:56:11,920 --> 00:56:15,399
Speaker 13: Right, so grand Master Kazd, I mean later on in life,

1107
00:56:15,480 --> 00:56:17,960
Speaker 13: I understood it. I mean I realized it later on

1108
00:56:18,000 --> 00:56:20,839
Speaker 13: in life, like Grand Mass Class grandmass Kas live right

1109
00:56:20,920 --> 00:56:24,959
Speaker 13: up the block, got a rock whipped with from Fantastic five,

1110
00:56:25,000 --> 00:56:26,759
Speaker 13: lift that way up the block, you know what I mean,

1111
00:56:26,840 --> 00:56:30,000
Speaker 13: Like you had a lot of those around you right

1112
00:56:30,160 --> 00:56:34,080
Speaker 13: right around. I went to eighty first, between Valentine and Rya.

1113
00:56:34,760 --> 00:56:37,839
Speaker 13: That's where they film Wild Style, you know, what I mean,

1114
00:56:38,000 --> 00:56:39,640
Speaker 13: like all that shit. So I seen that shit right

1115
00:56:39,680 --> 00:56:42,680
Speaker 13: outside my window. Bro, So everybody on my block trying

1116
00:56:42,680 --> 00:56:45,239
Speaker 13: to be a DT at nine years old, like I

1117
00:56:45,280 --> 00:56:47,280
Speaker 13: think it was my tenth birthday or my ninth birthday.

1118
00:56:47,360 --> 00:56:49,239
Speaker 13: My parents gave me like a whole system, like a

1119
00:56:49,320 --> 00:56:53,320
Speaker 13: whole two turned tables, I know you would know, slb ones,

1120
00:56:53,960 --> 00:56:57,960
Speaker 13: a Gemini mixer, Pioneer receiver, some gym sound speakers, like

1121
00:56:58,000 --> 00:57:00,200
Speaker 13: I had the whole shit, you know, so I was

1122
00:57:00,280 --> 00:57:02,560
Speaker 13: able to venture out and do what I do, you know,

1123
00:57:02,719 --> 00:57:04,680
Speaker 13: do what I had to do at the same time,

1124
00:57:04,880 --> 00:57:05,520
Speaker 13: like you know what I mean.

1125
00:57:05,760 --> 00:57:09,600
Speaker 3: So you had the spikes nose spikes.

1126
00:57:09,640 --> 00:57:13,239
Speaker 2: He wasn't that far back, Spike, I was that far back,

1127
00:57:13,480 --> 00:57:14,200
Speaker 2: but he was a kid.

1128
00:57:17,240 --> 00:57:26,640
Speaker 14: I think I see the spikes from your closet. No, Spike,

1129
00:57:27,440 --> 00:57:28,360
Speaker 14: don't break dancing.

1130
00:57:29,360 --> 00:57:32,320
Speaker 13: Didn't break this and hell come on, but we all

1131
00:57:32,400 --> 00:57:34,240
Speaker 13: popped locked a little bit, like tried.

1132
00:57:34,400 --> 00:57:37,520
Speaker 2: But you know what I mean. So, so where did

1133
00:57:37,560 --> 00:57:39,680
Speaker 2: you get the inspiration from? Do mixtapes?

1134
00:57:40,240 --> 00:57:43,320
Speaker 13: I mean obviously the star child Brucey b k Capri

1135
00:57:43,960 --> 00:57:49,000
Speaker 13: hockey inspiration late eighties going into the nineties, and and

1136
00:57:49,600 --> 00:57:51,400
Speaker 13: you know, and I went to school with Capri.

1137
00:57:52,400 --> 00:57:56,000
Speaker 2: So I seen it, you know firsthand. I skin walls

1138
00:57:56,000 --> 00:58:01,480
Speaker 2: that one time. So so you know that's how I

1139
00:58:01,520 --> 00:58:01,880
Speaker 2: went down.

1140
00:58:01,960 --> 00:58:04,000
Speaker 13: Yeah yeah, you know to be for you talking about

1141
00:58:05,440 --> 00:58:08,560
Speaker 13: so we had that and yeah, so I mean, but

1142
00:58:08,680 --> 00:58:12,280
Speaker 13: you know what, but like Capri like he showed us

1143
00:58:12,440 --> 00:58:19,080
Speaker 13: like we can you could be a DJ without having

1144
00:58:19,120 --> 00:58:20,600
Speaker 13: a rapper, like you know what I mean, like right

1145
00:58:20,640 --> 00:58:22,800
Speaker 13: now DJ for my my nigga A but he know,

1146
00:58:22,880 --> 00:58:24,920
Speaker 13: I do my thing on my own too, like like

1147
00:58:25,080 --> 00:58:28,320
Speaker 13: when we was coming up, like that was it right there?

1148
00:58:28,480 --> 00:58:32,920
Speaker 13: Like being yourself, like doing it yourself, like talking on

1149
00:58:33,000 --> 00:58:35,640
Speaker 13: the mic. You didn't need an MC with you like

1150
00:58:35,760 --> 00:58:37,760
Speaker 13: you did it all all on your own and ship.

1151
00:58:37,840 --> 00:58:40,160
Speaker 13: So that's how it went down. So right now they

1152
00:58:40,280 --> 00:58:47,480
Speaker 13: call for a Z to do a versus. Yeah, who

1153
00:58:47,520 --> 00:58:52,440
Speaker 13: do you think a Z versus against? Who's a pastic.

1154
00:58:52,240 --> 00:58:55,840
Speaker 2: Match and the DJ that you wanted to destroy? Nah? Nah,

1155
00:58:56,400 --> 00:58:58,120
Speaker 2: I ain't on that. I ain't on that battle show.

1156
00:58:58,520 --> 00:59:01,880
Speaker 13: I ain't on that battleship outside battleship all right, that

1157
00:59:01,960 --> 00:59:02,800
Speaker 13: battleship all right.

1158
00:59:02,960 --> 00:59:05,520
Speaker 2: But but but but I had enough.

1159
00:59:05,640 --> 00:59:08,080
Speaker 13: I had enough of those bro I had kick a

1160
00:59:08,160 --> 00:59:11,120
Speaker 13: pre me and Kate Slave went at it. Me and

1161
00:59:11,240 --> 00:59:11,960
Speaker 13: Clue went at it.

1162
00:59:13,000 --> 00:59:16,520
Speaker 2: You know what I mean. So you're veteran, We didn't

1163
00:59:16,560 --> 00:59:17,600
Speaker 2: did that. We didn't did that.

1164
00:59:17,920 --> 00:59:26,120
Speaker 4: Yes, survivors were moss, but but they Swiss calls you

1165
00:59:26,240 --> 00:59:28,760
Speaker 4: and says we went the perfect match.

1166
00:59:29,600 --> 00:59:31,560
Speaker 13: Swiss said it on live. He said he wanted me

1167
00:59:31,640 --> 00:59:34,680
Speaker 13: a comprie to do it again. But I'm not for

1168
00:59:34,800 --> 00:59:38,080
Speaker 13: a Z like a rap DJ and you the DJ.

1169
00:59:38,560 --> 00:59:42,080
Speaker 13: She wouldn't pick a rapper, yes, and a DJ.

1170
00:59:45,080 --> 00:59:47,840
Speaker 2: I don't know. I think this nigga to goat my nigga.

1171
00:59:47,960 --> 00:59:52,640
Speaker 2: So I ain't even really absolutely say that. Louder absolutely

1172
00:59:52,840 --> 00:59:54,680
Speaker 2: as is a motherfucking goat.

1173
00:59:58,720 --> 00:59:59,080
Speaker 11: You can know.

1174
00:59:59,360 --> 01:00:01,080
Speaker 2: Even though he want to fight me in the last

1175
01:00:01,160 --> 01:00:05,200
Speaker 2: tour we was on, let's talk about it, talk about it,

1176
01:00:05,600 --> 01:00:08,280
Speaker 2: what happened? What you making before?

1177
01:00:10,960 --> 01:00:15,120
Speaker 13: But you know what, you know what, we've been rocking

1178
01:00:15,240 --> 01:00:18,200
Speaker 13: like I know you since ninety five. We've been rocking

1179
01:00:18,280 --> 01:00:23,320
Speaker 13: on tour since twenty eleven. We had two fights, not

1180
01:00:23,440 --> 01:00:27,439
Speaker 13: even fights, arguments. That shows you his character, bro, because

1181
01:00:27,440 --> 01:00:29,320
Speaker 13: you know rappers, So what is it?

1182
01:00:29,400 --> 01:00:31,680
Speaker 3: What is it because because you're making him perform B

1183
01:00:31,840 --> 01:00:32,640
Speaker 3: side records or what.

1184
01:00:34,520 --> 01:00:36,240
Speaker 6: Is it that show.

1185
01:00:37,640 --> 01:00:40,200
Speaker 13: Just being on tour it's just being on tour too long,

1186
01:00:41,640 --> 01:00:44,200
Speaker 13: you know what I mean, and getting into that bullshit.

1187
01:00:44,320 --> 01:00:47,160
Speaker 2: Man, But you say, you know since ninety fight was it?

1188
01:00:47,240 --> 01:00:48,480
Speaker 2: When did he do ninety five?

1189
01:00:48,880 --> 01:00:49,080
Speaker 5: Yeah?

1190
01:00:49,360 --> 01:00:52,040
Speaker 2: In fact, because he was so he was in and out.

1191
01:00:52,040 --> 01:00:54,720
Speaker 13: When I did ninety five Live, I had Ray Kwan,

1192
01:00:55,360 --> 01:00:58,160
Speaker 13: kr Res, Lost Boys, all the niggas like Keith.

1193
01:00:58,080 --> 01:01:03,040
Speaker 2: Murray, Redman, Yo. This dude, whoever convinced him to come

1194
01:01:03,080 --> 01:01:06,440
Speaker 2: to do ninety five live. They came in with a

1195
01:01:06,480 --> 01:01:06,919
Speaker 2: mink coat.

1196
01:01:07,400 --> 01:01:10,560
Speaker 13: No, he came in and was out twelve bars, not

1197
01:01:10,680 --> 01:01:14,280
Speaker 13: even sixteen, twelve twelve balls in and out?

1198
01:01:14,320 --> 01:01:16,200
Speaker 2: How fast I was in there, in and out?

1199
01:01:16,240 --> 01:01:20,240
Speaker 13: But you did your motherfucker nah round the corner from

1200
01:01:20,280 --> 01:01:21,560
Speaker 13: DNDS called Noison AD.

1201
01:01:21,720 --> 01:01:24,240
Speaker 5: What you need to do is imagine that there's people listening,

1202
01:01:24,320 --> 01:01:25,840
Speaker 5: don't even know what we're talking about, don't know what

1203
01:01:25,880 --> 01:01:29,520
Speaker 5: we're talking about. A mixtape ninety five Lives Everybody did Freestyle.

1204
01:01:29,600 --> 01:01:32,919
Speaker 13: Ninety five Live is the first mixtape ever that had

1205
01:01:33,200 --> 01:01:37,320
Speaker 13: known rappers on it, like known popular popping rappers on.

1206
01:01:37,400 --> 01:01:38,720
Speaker 2: It right at the soul.

1207
01:01:39,120 --> 01:01:43,280
Speaker 13: So for instance, before ninety five, there was there was mixtapes.

1208
01:01:43,280 --> 01:01:46,160
Speaker 13: It was just DJ's doing cuts. And Blends and all

1209
01:01:46,200 --> 01:01:49,640
Speaker 13: that ship. Right, ninety five, I put out a mixtape

1210
01:01:49,720 --> 01:01:57,080
Speaker 13: that had krs Azy, Lost Boys, Ray Kwan on it.

1211
01:01:58,280 --> 01:01:59,440
Speaker 13: Nor Ain't coming coming.

1212
01:01:59,240 --> 01:02:01,760
Speaker 2: To somebody seven, I'm gonna tell you when Nordy came in.

1213
01:02:02,200 --> 01:02:06,400
Speaker 13: But but but you're right, so boom so we had

1214
01:02:06,440 --> 01:02:08,880
Speaker 13: all these rappers on it, and that was the first

1215
01:02:09,000 --> 01:02:10,560
Speaker 13: joint that ever had like you know what I mean,

1216
01:02:10,680 --> 01:02:11,480
Speaker 13: like known rappers.

1217
01:02:11,520 --> 01:02:13,640
Speaker 2: There was a game change, the mixtape game and in

1218
01:02:13,720 --> 01:02:15,960
Speaker 2: the hip hop period. Right. But if I say this

1219
01:02:16,080 --> 01:02:18,720
Speaker 2: sounds crazy, but somebody else got to explain it, like,

1220
01:02:19,280 --> 01:02:21,160
Speaker 2: but yeah, that shit got pressed. I got the vinyl.

1221
01:02:21,200 --> 01:02:23,400
Speaker 2: I think the tape masters of the vinyl. Right. But

1222
01:02:23,600 --> 01:02:24,560
Speaker 2: going back to Nordy.

1223
01:02:24,920 --> 01:02:30,120
Speaker 13: In ninety seven, I woke up around eleven twelve o'clock

1224
01:02:30,240 --> 01:02:33,200
Speaker 13: to a fucking voicemail, not even a voicemail. My ask

1225
01:02:33,240 --> 01:02:39,480
Speaker 13: ma shee it was ninety seven. This nigga said, I

1226
01:02:39,560 --> 01:02:41,560
Speaker 13: didn't give him my number, so I know I had

1227
01:02:41,640 --> 01:02:47,240
Speaker 13: my numbers. What it was in March ninety seven? He

1228
01:02:47,360 --> 01:02:50,040
Speaker 13: was like, yo, do what they just rated left?

1229
01:02:50,160 --> 01:02:50,360
Speaker 2: Right?

1230
01:02:51,440 --> 01:02:54,320
Speaker 13: It took everybody, took like fifty of my niggas. Yo,

1231
01:02:54,440 --> 01:02:55,800
Speaker 13: let me come to your house and do my verse

1232
01:02:55,880 --> 01:02:59,880
Speaker 13: right now, I ain't know what he was talking about. Checked,

1233
01:03:01,720 --> 01:03:04,600
Speaker 13: so I checked the time he left that message, like

1234
01:03:04,720 --> 01:03:06,840
Speaker 13: five fifteen in the morning. You know that he's been

1235
01:03:06,880 --> 01:03:08,000
Speaker 13: awake forty two hours.

1236
01:03:09,120 --> 01:03:14,560
Speaker 2: He was awake because they raided the projected. He was awake.

1237
01:03:14,640 --> 01:03:18,640
Speaker 6: That's read the.

1238
01:03:21,400 --> 01:03:26,240
Speaker 2: It's so right. I want to argue with him, argue

1239
01:03:26,280 --> 01:03:31,320
Speaker 2: with him. But so that's how early in the morning. Yo.

1240
01:03:31,440 --> 01:03:34,080
Speaker 4: But but but this union right here, y'all two together.

1241
01:03:34,400 --> 01:03:37,480
Speaker 4: It's dope, brother, it is super dope to super legends.

1242
01:03:37,840 --> 01:03:38,640
Speaker 2: So what happened?

1243
01:03:38,680 --> 01:03:38,720
Speaker 13: He?

1244
01:03:38,880 --> 01:03:43,360
Speaker 2: How did you getting it? No? I needed it.

1245
01:03:43,480 --> 01:03:45,360
Speaker 3: I needed a DJ at the time, the one I

1246
01:03:45,480 --> 01:03:49,320
Speaker 3: was dealing with, you know whatever whatever. So d O

1247
01:03:49,560 --> 01:03:51,560
Speaker 3: my manager at the time, he was my manager. Then

1248
01:03:52,040 --> 01:03:55,840
Speaker 3: he's like, yo, fuck with do O, Like do wow?

1249
01:03:56,360 --> 01:03:59,040
Speaker 3: Do I mixtape? But then he's like, now do this,

1250
01:03:59,160 --> 01:04:00,280
Speaker 3: do this, that and the third and I was like,

1251
01:04:00,320 --> 01:04:02,200
Speaker 3: all right, fuck, let me do one of two shows

1252
01:04:02,280 --> 01:04:04,080
Speaker 3: with them and that's it and then I'll figured out.

1253
01:04:04,160 --> 01:04:06,880
Speaker 2: But after that show, it was on. After that, where

1254
01:04:07,000 --> 01:04:07,360
Speaker 2: was the show?

1255
01:04:07,440 --> 01:04:08,640
Speaker 10: A ship?

1256
01:04:08,920 --> 01:04:11,040
Speaker 3: We went overseas the first time?

1257
01:04:11,040 --> 01:04:14,680
Speaker 2: The first song first time we went over went over all? Right,

1258
01:04:15,000 --> 01:04:18,840
Speaker 2: you remember where we RESI. It was twenty thirty right now,

1259
01:04:19,080 --> 01:04:20,840
Speaker 2: I tell you, right now. We went to Poland, like

1260
01:04:25,720 --> 01:04:29,040
Speaker 2: tell them about the Poland No, I don't know what

1261
01:04:29,120 --> 01:04:32,200
Speaker 2: that was. Poland ship, you said, Poland castle, the hotel

1262
01:04:32,880 --> 01:04:35,280
Speaker 2: did you say? Whatever you want? So we went to Poland.

1263
01:04:35,360 --> 01:04:38,800
Speaker 13: We went to Warsaw, Warsaw, I don't know, Germany, Poland,

1264
01:04:38,880 --> 01:04:41,600
Speaker 13: Switzerland or like all that ship.

1265
01:04:42,040 --> 01:04:45,400
Speaker 15: When we when we got the Poland And ship, we

1266
01:04:45,520 --> 01:04:50,320
Speaker 15: pulled up at the fucking hotel right obviously supposed.

1267
01:04:50,000 --> 01:04:51,400
Speaker 2: To be a room for me, in room for him.

1268
01:04:52,080 --> 01:04:54,280
Speaker 2: They was like, yo, what we don't have a room for.

1269
01:04:54,360 --> 01:04:54,920
Speaker 5: You right now.

1270
01:04:55,080 --> 01:04:57,400
Speaker 2: They all booked out. We're gonna put a in here

1271
01:04:57,880 --> 01:04:59,919
Speaker 2: and we're gonna take you down the block to another joint.

1272
01:05:00,080 --> 01:05:03,600
Speaker 2: No problem. It was like a castle thover the gate.

1273
01:05:03,640 --> 01:05:05,520
Speaker 3: They put me in a castle, man, they put him

1274
01:05:05,520 --> 01:05:07,320
Speaker 3: in the castle horn the castle by myself.

1275
01:05:07,440 --> 01:05:09,600
Speaker 2: That's what it did. Long long story show.

1276
01:05:09,600 --> 01:05:12,320
Speaker 3: I would think it was, I said, horner, because I'm

1277
01:05:12,320 --> 01:05:18,200
Speaker 3: not on. Even more fucking it ain't. No, there's no made, yo.

1278
01:05:19,040 --> 01:05:20,280
Speaker 2: They said there was no on.

1279
01:05:20,720 --> 01:05:23,200
Speaker 13: They said there was no rooms, but there was nobody

1280
01:05:23,320 --> 01:05:25,080
Speaker 13: at the desk working, like nobody.

1281
01:05:25,160 --> 01:05:27,400
Speaker 2: It was just through this ship, but we didn't. I

1282
01:05:27,440 --> 01:05:30,480
Speaker 2: didn't know that. I went to my ship. He did

1283
01:05:30,560 --> 01:05:30,880
Speaker 2: the show.

1284
01:05:31,520 --> 01:05:34,120
Speaker 13: After the show back then, I don't know what year

1285
01:05:34,120 --> 01:05:36,960
Speaker 13: it was, but I got an email from a for

1286
01:05:37,200 --> 01:05:41,640
Speaker 13: after the show. He was like, Yo, fuck that, I

1287
01:05:41,720 --> 01:05:42,640
Speaker 13: got an extra room on.

1288
01:05:42,680 --> 01:05:45,320
Speaker 2: My joint this ship. Crazy could be in the house.

1289
01:05:47,160 --> 01:05:49,840
Speaker 2: I did the same ship. He was like, Yo. So

1290
01:05:50,080 --> 01:05:52,360
Speaker 2: as I'm reading the email, I get a knock on

1291
01:05:52,440 --> 01:05:55,240
Speaker 2: the fucking door and it's fucking hey. He was like, Yo,

1292
01:05:55,360 --> 01:05:57,640
Speaker 2: come with me to my ship. Shit crazy right now?

1293
01:05:57,920 --> 01:06:01,080
Speaker 2: Can we get over there? It's a whole nother room.

1294
01:06:02,000 --> 01:06:05,320
Speaker 2: Every room is unoccupied. It was just weird ship a

1295
01:06:05,480 --> 01:06:08,600
Speaker 2: castle as a promoter. What the is going on now?

1296
01:06:09,320 --> 01:06:13,320
Speaker 2: He was out the next day. Yeah, it was something.

1297
01:06:13,320 --> 01:06:15,440
Speaker 13: I don't know what it was anyway, that's how far.

1298
01:06:15,560 --> 01:06:18,280
Speaker 13: But it was like two thousand and thirteen, twenty twelve.

1299
01:06:18,360 --> 01:06:22,880
Speaker 13: You got that thousand twelve. That's when we saw the rocket.

1300
01:06:24,280 --> 01:06:25,960
Speaker 3: They see who got the best ways in the game

1301
01:06:27,200 --> 01:06:30,280
Speaker 3: is going now? I don't know. I don't know who ship.

1302
01:06:30,360 --> 01:06:32,360
Speaker 2: I think you was to be cheating because you was Dominican.

1303
01:06:35,040 --> 01:06:37,400
Speaker 3: I know you got you got training this ship no

1304
01:06:37,480 --> 01:06:42,120
Speaker 3: matter what. I got to train him because when we

1305
01:06:42,200 --> 01:06:44,440
Speaker 3: first seen you, I ain't gonna lie. Everybody was sea

1306
01:06:44,480 --> 01:06:47,720
Speaker 3: sick over your ship. Ever, Yeah, coming through that, that

1307
01:06:47,800 --> 01:06:49,920
Speaker 3: was avera man, that was the average. Take him this

1308
01:06:50,000 --> 01:06:51,920
Speaker 3: with him, take it this way. I'm gonna take it

1309
01:06:52,000 --> 01:06:52,480
Speaker 3: back this way.

1310
01:06:52,600 --> 01:06:53,920
Speaker 2: Okay. So how did you keep it?

1311
01:06:53,920 --> 01:06:55,880
Speaker 3: That's how you keep your shit together? You brought Yeah,

1312
01:06:56,200 --> 01:06:58,800
Speaker 3: they say a hundred times a day. I didn't count.

1313
01:06:59,040 --> 01:07:04,000
Speaker 13: You know, count y'all telling my more money, more murder though.

1314
01:07:04,080 --> 01:07:06,400
Speaker 13: You was like you told about some ship. You told

1315
01:07:06,440 --> 01:07:07,760
Speaker 13: me about me.

1316
01:07:07,920 --> 01:07:18,240
Speaker 2: I was like, you saw ghost nothing again, you got

1317
01:07:19,000 --> 01:07:22,440
Speaker 2: do more questions for a while. Yes, so say what

1318
01:07:22,560 --> 01:07:26,760
Speaker 2: you said he said when they made more money, more murder,

1319
01:07:27,000 --> 01:07:27,480
Speaker 2: he told me.

1320
01:07:27,560 --> 01:07:30,560
Speaker 13: He was like, yo, it was like we on we's

1321
01:07:30,600 --> 01:07:34,040
Speaker 13: on another vibe, like we've seen ghosts and spirits and shipp.

1322
01:07:33,960 --> 01:07:34,920
Speaker 2: I said, probably for me.

1323
01:07:35,680 --> 01:07:37,560
Speaker 3: When I do right, I go into my zone and

1324
01:07:37,680 --> 01:07:40,560
Speaker 3: I you know, for my homies that passed, that's what

1325
01:07:40,720 --> 01:07:42,760
Speaker 3: comes to my mom and I do shot anything down,

1326
01:07:42,800 --> 01:07:45,200
Speaker 3: that's that's my energy, my vibe, my vib a' you

1327
01:07:45,280 --> 01:07:49,760
Speaker 3: pus my vib from then anything I do it it's fun,

1328
01:07:50,160 --> 01:07:52,080
Speaker 3: you know. I for the homies is not here, you know,

1329
01:07:52,080 --> 01:07:55,919
Speaker 3: what I mean. And they're my motivation honestly, because let's

1330
01:07:56,080 --> 01:07:56,800
Speaker 3: you know, be clear.

1331
01:07:57,120 --> 01:07:59,680
Speaker 4: I know we're jumping around, but East New York at

1332
01:07:59,680 --> 01:08:03,160
Speaker 4: one point was the murder capital of the world, you

1333
01:08:03,200 --> 01:08:05,680
Speaker 4: know what I mean. So I imagine you grew up

1334
01:08:05,680 --> 01:08:07,960
Speaker 4: with a lot of people that you not there that

1335
01:08:08,440 --> 01:08:12,920
Speaker 4: so is that something that like? Because that's crazy like and.

1336
01:08:12,960 --> 01:08:14,280
Speaker 2: It's you shell shock.

1337
01:08:14,440 --> 01:08:17,479
Speaker 3: Right, it happens at fifteen, you know when the home

1338
01:08:17,520 --> 01:08:20,439
Speaker 3: mee down live right next door, get his face blowing.

1339
01:08:20,439 --> 01:08:22,160
Speaker 3: And we're young, we little boy, we're still in junior

1340
01:08:22,240 --> 01:08:26,680
Speaker 3: high school. Right, you figure out damn tragedy somebody I

1341
01:08:26,720 --> 01:08:29,920
Speaker 3: didn't a week later, the next home a week later,

1342
01:08:30,200 --> 01:08:31,320
Speaker 3: the one down the blot and it's just.

1343
01:08:33,320 --> 01:08:33,720
Speaker 2: You know what I mean.

1344
01:08:33,720 --> 01:08:35,640
Speaker 3: That's how Life's the Bitch came about anyway, you know

1345
01:08:35,680 --> 01:08:36,240
Speaker 3: what I mean from that.

1346
01:08:36,439 --> 01:08:40,080
Speaker 2: Right, because life's a bitch. And then you're done, you die.

1347
01:08:40,960 --> 01:08:42,760
Speaker 3: Let's get to it before we before we go home

1348
01:08:42,840 --> 01:08:45,600
Speaker 3: after mindset, right, get to it. Let's live for the

1349
01:08:45,640 --> 01:08:47,479
Speaker 3: people that's not here, people.

1350
01:08:47,360 --> 01:08:49,560
Speaker 2: Have never made it. Let's let's enjoy it. You enjoying it,

1351
01:08:49,640 --> 01:08:52,160
Speaker 2: you know, got to enjoy we God, we got to

1352
01:08:53,200 --> 01:08:56,479
Speaker 2: I mean, I got a rhyme where I say.

1353
01:08:58,680 --> 01:09:02,760
Speaker 3: The teacher said I wasn't good off words, Well, bitch,

1354
01:09:03,560 --> 01:09:04,960
Speaker 3: I got rich off words.

1355
01:09:08,280 --> 01:09:10,960
Speaker 2: We so especial education. Got love for you.

1356
01:09:11,600 --> 01:09:15,800
Speaker 3: I mean, but hey, man, I'm gonna be honest with you. Man,

1357
01:09:18,439 --> 01:09:19,880
Speaker 3: you're one of the You're one.

1358
01:09:19,880 --> 01:09:20,559
Speaker 2: Of those guys.

1359
01:09:21,160 --> 01:09:21,800
Speaker 3: Appreciate it.

1360
01:09:22,200 --> 01:09:24,559
Speaker 4: No, no, no, no, seriously, you're one of those guys

1361
01:09:24,640 --> 01:09:29,400
Speaker 4: when people speak about hip hops, your name is there. Uh,

1362
01:09:30,080 --> 01:09:31,720
Speaker 4: you're one of the heavy hitters. You're one of the

1363
01:09:31,760 --> 01:09:34,960
Speaker 4: people that are the lyrical greats. Yeah, lyrical greats.

1364
01:09:35,760 --> 01:09:39,640
Speaker 3: And here's the thing, right, I've been through a lot

1365
01:09:39,680 --> 01:09:41,920
Speaker 3: of labels, but I never was dropped. That's a big thing, right,

1366
01:09:42,040 --> 01:09:45,519
Speaker 3: I just was for some reason through the most high

1367
01:09:47,240 --> 01:09:49,519
Speaker 3: They probably realized they wasn't doing the right thing. And

1368
01:09:49,640 --> 01:09:51,280
Speaker 3: when I asked for my walk on papers, I got it.

1369
01:09:51,520 --> 01:09:54,519
Speaker 3: I kept it moving. And you know, I don't I

1370
01:09:54,560 --> 01:09:57,800
Speaker 3: don't blame no circumstances right on nothing, because I'm still grinding.

1371
01:09:57,840 --> 01:10:01,360
Speaker 3: I'm still here, right and it's a beautiful thing, and

1372
01:10:01,439 --> 01:10:04,640
Speaker 3: that's my drive. Just stay focused, stay grinded, you know

1373
01:10:04,640 --> 01:10:07,439
Speaker 3: what I mean. Any blame, I blame myself or anything,

1374
01:10:07,760 --> 01:10:10,439
Speaker 3: but the Johnny is a beautiful one when traded for

1375
01:10:10,479 --> 01:10:13,559
Speaker 3: none in the world. So this is a rumor, right,

1376
01:10:13,760 --> 01:10:15,880
Speaker 3: Foxy Brown coming out with Lola up Brook?

1377
01:10:16,600 --> 01:10:18,280
Speaker 2: Is this some Brooklyn ship you're coming out too.

1378
01:10:20,720 --> 01:10:21,600
Speaker 3: I don't know what's going on.

1379
01:10:22,760 --> 01:10:23,439
Speaker 2: I know about it.

1380
01:10:23,520 --> 01:10:25,559
Speaker 3: It might happen, you know, that'd be a beautiful thing.

1381
01:10:25,600 --> 01:10:28,800
Speaker 2: We haven't seen far yo. Man, you said you went

1382
01:10:28,840 --> 01:10:29,799
Speaker 2: to the cribb Still.

1383
01:10:31,320 --> 01:10:34,800
Speaker 3: That got weird when he said when that stage, you're

1384
01:10:34,800 --> 01:10:35,800
Speaker 3: gonna stop the press, you know.

1385
01:10:35,880 --> 01:10:39,160
Speaker 2: I man, Yeah, I've been waiting to see. Yeah, Fox

1386
01:10:39,240 --> 01:10:41,160
Speaker 2: come every wanted on drink chair. That would be great.

1387
01:10:41,479 --> 01:10:41,760
Speaker 5: You know what.

1388
01:10:42,400 --> 01:10:45,439
Speaker 3: I'm so much not selfish when it comes to Fox that.

1389
01:10:45,760 --> 01:10:47,679
Speaker 2: I just want to have her the best look possible.

1390
01:10:48,200 --> 01:10:50,040
Speaker 2: If she got to go on Gail King because I

1391
01:10:50,120 --> 01:10:54,320
Speaker 2: know I just said Oprah special ship, but we want

1392
01:10:54,360 --> 01:10:55,800
Speaker 2: the best, man.

1393
01:10:56,080 --> 01:10:56,240
Speaker 5: I know.

1394
01:10:56,320 --> 01:10:57,160
Speaker 2: You gotta love for Fox.

1395
01:10:57,439 --> 01:11:00,720
Speaker 3: Yeah, Man, she's she's she got come come on, I

1396
01:11:00,800 --> 01:11:02,599
Speaker 3: tell her, come on, man, go Fox.

1397
01:11:02,920 --> 01:11:05,920
Speaker 2: Yeah for this new album to but this new album

1398
01:11:05,920 --> 01:11:08,639
Speaker 2: once again many buck while he produced the whole joint.

1399
01:11:08,960 --> 01:11:12,720
Speaker 3: I'm excited because you know me putting door dot too

1400
01:11:12,920 --> 01:11:14,160
Speaker 3: and got a lot of love, you know what I mean.

1401
01:11:14,240 --> 01:11:17,280
Speaker 3: So my goals is always trying to top the last

1402
01:11:17,400 --> 01:11:19,479
Speaker 3: album I did and I think I did it.

1403
01:11:20,320 --> 01:11:23,160
Speaker 2: You know, different vibes close different. You know what we

1404
01:11:23,240 --> 01:11:24,960
Speaker 2: do is hip hops. Who's the features on here?

1405
01:11:26,720 --> 01:11:30,120
Speaker 3: I got I got found march on one, I got

1406
01:11:30,280 --> 01:11:31,800
Speaker 3: Fat Joe on the joint.

1407
01:11:32,160 --> 01:11:34,679
Speaker 2: Let's let's pull up that drop and I got.

1408
01:11:37,040 --> 01:11:40,320
Speaker 3: I got more moved fresh on it female m move fresh,

1409
01:11:40,560 --> 01:11:42,800
Speaker 3: she gets busy. Yeah, okay, you.

1410
01:11:42,880 --> 01:11:45,120
Speaker 2: Got, you got, you got the I pads? Are we

1411
01:11:45,160 --> 01:11:48,760
Speaker 2: a little unprofessional age? You know you made us drink?

1412
01:11:48,880 --> 01:11:51,560
Speaker 2: You know what I mean? Everybody, we always hold on

1413
01:11:52,240 --> 01:11:55,080
Speaker 2: the start a Fat Joe because.

1414
01:11:54,840 --> 01:11:57,800
Speaker 3: We we started to a couple of people to make

1415
01:11:57,840 --> 01:12:00,519
Speaker 3: sure you get some love. You ain't come here in

1416
01:12:00,640 --> 01:12:03,360
Speaker 3: eight years, so we want to make sure this is

1417
01:12:03,560 --> 01:12:04,240
Speaker 3: well worth it.

1418
01:12:06,800 --> 01:12:15,960
Speaker 2: Yeah, we can't believe you originated and ship No, not quite.

1419
01:12:16,520 --> 01:12:19,720
Speaker 2: You said it not. Why we can't We can't take

1420
01:12:19,760 --> 01:12:22,880
Speaker 2: that on. You can't. I want app in them and

1421
01:12:23,040 --> 01:12:25,680
Speaker 2: and Combat Jack and iced Tea, and.

1422
01:12:27,160 --> 01:12:29,479
Speaker 5: He was doing internet radio that was like the precursor

1423
01:12:29,479 --> 01:12:31,920
Speaker 5: of the podcast head short.

1424
01:12:37,160 --> 01:12:47,400
Speaker 16: Add great, one of the greatest, doing one of the

1425
01:12:47,520 --> 01:12:49,599
Speaker 16: blue pricks all.

1426
01:12:49,520 --> 01:12:54,040
Speaker 6: Of US rappers done in his life.

1427
01:12:55,920 --> 01:12:58,439
Speaker 16: You know, it's a part of that legendary and you

1428
01:12:58,560 --> 01:13:02,360
Speaker 16: know that's who faded album, never Dave and everything else.

1429
01:13:02,200 --> 01:13:03,160
Speaker 6: You get himself.

1430
01:13:04,200 --> 01:13:04,879
Speaker 3: He see.

1431
01:13:06,200 --> 01:13:08,000
Speaker 6: You deserve all your clows, my brother.

1432
01:13:11,880 --> 01:13:24,040
Speaker 17: Yeah, David bad congratulations, get onto your champs during the

1433
01:13:24,240 --> 01:13:25,400
Speaker 17: ufing family.

1434
01:13:25,479 --> 01:13:36,479
Speaker 6: I love Y'ALLU da better. God appreciate you for still,

1435
01:13:36,640 --> 01:13:38,560
Speaker 6: But lessons with the hits.

1436
01:13:39,120 --> 01:13:46,680
Speaker 2: Easy for me, right right?

1437
01:13:47,240 --> 01:13:47,639
Speaker 7: What else?

1438
01:13:50,479 --> 01:13:50,639
Speaker 2: Yeah?

1439
01:13:50,760 --> 01:13:55,400
Speaker 3: Yeah, alright, we got more, We got more, We got more.

1440
01:13:55,439 --> 01:13:58,559
Speaker 3: We're gonna We're gonna there. Okay, come on, excise us

1441
01:13:58,560 --> 01:14:23,960
Speaker 3: the Conway let's do call. Yes, yeah, Conway salute, Salute salute.

1442
01:14:24,880 --> 01:14:28,800
Speaker 2: We're playing right in. Yeah, yeah, I'll get the far

1443
01:14:28,800 --> 01:14:29,519
Speaker 2: audio treatment.

1444
01:14:29,640 --> 01:14:31,760
Speaker 3: Yeah, because Rod's computer don't work like that.

1445
01:14:35,960 --> 01:14:54,320
Speaker 2: Mm hm mm hm. That's well that's real.

1446
01:14:56,320 --> 01:14:57,479
Speaker 6: You gotta come up more, right.

1447
01:14:57,600 --> 01:15:03,040
Speaker 3: Yeah, because man, it really it really it really it really,

1448
01:15:05,200 --> 01:15:05,839
Speaker 3: I really.

1449
01:15:05,800 --> 01:15:11,040
Speaker 4: Like you know, we waited this long and at the

1450
01:15:11,120 --> 01:15:13,760
Speaker 4: end of the day, I know that you know, you

1451
01:15:13,800 --> 01:15:16,320
Speaker 4: know you're busy, We're busy. But the thing about it,

1452
01:15:16,320 --> 01:15:18,599
Speaker 4: I wanted you to know how much appreciated you are

1453
01:15:19,040 --> 01:15:23,000
Speaker 4: in this world and this life and this thing that

1454
01:15:23,120 --> 01:15:27,439
Speaker 4: we do, because in case you didn't know, I wanted

1455
01:15:27,439 --> 01:15:31,320
Speaker 4: to make sure you he rated that because you know

1456
01:15:31,320 --> 01:15:33,479
Speaker 4: what I mean, like this is just legendary man, like

1457
01:15:33,840 --> 01:15:36,080
Speaker 4: you did, what you being been a part of and

1458
01:15:36,200 --> 01:15:40,840
Speaker 4: what you represent represent is absolutely love.

1459
01:15:46,439 --> 01:15:46,760
Speaker 7: Thank you.

1460
01:15:52,400 --> 01:15:52,599
Speaker 16: God.

1461
01:15:53,880 --> 01:16:14,280
Speaker 2: Yes, yes, lou k yes uh ting d.

1462
01:16:15,920 --> 01:16:24,599
Speaker 6: Yeah yeah yeah that you never do them coming out

1463
01:16:24,680 --> 01:16:28,240
Speaker 6: with the y'all. Man, I got so much to say

1464
01:16:28,280 --> 01:16:28,880
Speaker 6: about ez.

1465
01:16:29,040 --> 01:16:31,880
Speaker 2: Other fucking man we're talking.

1466
01:16:33,479 --> 01:16:37,360
Speaker 6: Nas license bitch that that verse.

1467
01:16:37,400 --> 01:16:39,880
Speaker 10: It's just it's just everything, man. You know, I want

1468
01:16:39,920 --> 01:16:41,400
Speaker 10: to get the acs flowers.

1469
01:16:41,800 --> 01:16:44,920
Speaker 6: You know, it's one of those guys, my brothers, guys

1470
01:16:45,000 --> 01:16:46,559
Speaker 6: that I looked at as.

1471
01:16:48,200 --> 01:16:49,160
Speaker 10: Definitely inspiration.

1472
01:16:49,720 --> 01:16:52,320
Speaker 6: You know, the first time I heard my voice rapping,

1473
01:16:53,000 --> 01:16:53,680
Speaker 6: I felt.

1474
01:16:53,439 --> 01:16:56,160
Speaker 3: Like I set my voice side like a that's crazy,

1475
01:16:56,960 --> 01:16:57,120
Speaker 3: you know.

1476
01:16:57,200 --> 01:16:59,400
Speaker 11: Shout out to him, man, what you loved him with

1477
01:16:59,439 --> 01:17:08,679
Speaker 11: the battles, you know, you know you said every every

1478
01:17:08,880 --> 01:17:11,000
Speaker 11: every good slows everybody.

1479
01:17:11,880 --> 01:17:21,320
Speaker 4: Well with that doggy diamonds. Okay that that rod. Your

1480
01:17:21,360 --> 01:17:22,880
Speaker 4: volume is not looking good at all.

1481
01:17:24,880 --> 01:17:25,479
Speaker 3: You can't hear that.

1482
01:17:27,560 --> 01:17:35,960
Speaker 2: We're gonna make it, okay, search search what is sold

1483
01:17:36,000 --> 01:17:36,320
Speaker 2: me too?

1484
01:17:36,840 --> 01:17:37,280
Speaker 10: Almost like.

1485
01:17:41,000 --> 01:17:45,759
Speaker 2: Don't know it? Yeah you just said that finished.

1486
01:17:48,520 --> 01:17:49,400
Speaker 6: I guess so now.

1487
01:17:50,880 --> 01:17:59,559
Speaker 10: Except for this, that was just uh see sir by

1488
01:17:59,560 --> 01:18:07,519
Speaker 10: the fits and that just depends on Saturday talent. He

1489
01:18:07,720 --> 01:18:12,799
Speaker 10: is say listen to link the movies fo.

1490
01:18:12,720 --> 01:18:16,360
Speaker 9: Paion and I just you know, there's that moment where

1491
01:18:16,360 --> 01:18:19,760
Speaker 9: you you know, nas special because you've hurted them all

1492
01:18:20,680 --> 01:18:22,960
Speaker 9: live to walk to people heard him.

1493
01:18:22,840 --> 01:18:23,400
Speaker 10: All about it.

1494
01:18:25,400 --> 01:18:29,360
Speaker 6: Has easy. I was not familiar with at all.

1495
01:18:29,840 --> 01:18:32,240
Speaker 10: So when I heard it was heard, I mean I

1496
01:18:32,360 --> 01:18:32,959
Speaker 10: was blown.

1497
01:18:32,760 --> 01:18:35,439
Speaker 2: Away because you know, at good time, I always felt

1498
01:18:35,479 --> 01:18:37,719
Speaker 2: that I knew all that sees.

1499
01:18:39,080 --> 01:18:42,280
Speaker 10: I thought I knew everyone that I had never heard

1500
01:18:42,320 --> 01:18:45,639
Speaker 10: of the thing. But the second I heard him wrong,

1501
01:18:45,800 --> 01:18:51,120
Speaker 10: I just knew that beside or see with in my

1502
01:18:51,200 --> 01:18:56,679
Speaker 10: whole life I wanted to work with. Not only did dramatic.

1503
01:18:57,479 --> 01:19:01,400
Speaker 3: Last success took you like so you know, that's well,

1504
01:19:02,960 --> 01:19:03,839
Speaker 3: it's culture.

1505
01:19:05,760 --> 01:19:07,719
Speaker 10: Very happy that you're having a station.

1506
01:19:08,280 --> 01:19:08,800
Speaker 6: Very happy.

1507
01:19:09,560 --> 01:19:13,000
Speaker 10: You know, it's a great bread and sits down, Get

1508
01:19:13,240 --> 01:19:16,840
Speaker 10: drink chance and tell people about.

1509
01:19:16,560 --> 01:19:18,760
Speaker 9: Who you walk because I don't think you're very had

1510
01:19:19,560 --> 01:19:20,720
Speaker 9: a lot of opportunities.

1511
01:19:21,520 --> 01:19:41,880
Speaker 6: So that's well, give me a flowers Michael Class.

1512
01:19:43,560 --> 01:19:46,320
Speaker 2: Indeed, yes, sirree what to do your.

1513
01:19:48,520 --> 01:19:48,760
Speaker 6: Girl?

1514
01:19:49,720 --> 01:19:57,880
Speaker 1: Oh no, no, for you, I really want to do

1515
01:19:58,760 --> 01:20:01,559
Speaker 1: I really want to because you know you've been trying

1516
01:20:01,600 --> 01:20:03,479
Speaker 1: to do this for so long, and I really wanted

1517
01:20:03,720 --> 01:20:05,440
Speaker 1: I just want no miscommunication.

1518
01:20:05,479 --> 01:20:06,559
Speaker 2: I want all out.

1519
01:20:06,840 --> 01:20:10,680
Speaker 3: I wanted the people to know that it's not us, never,

1520
01:20:10,880 --> 01:20:12,320
Speaker 3: it's not just us, it's the.

1521
01:20:12,520 --> 01:20:14,280
Speaker 2: World who got love as well.

1522
01:20:20,840 --> 01:20:23,200
Speaker 3: And I wanted to motherfucking capture that man, that's real.

1523
01:20:24,080 --> 01:20:26,240
Speaker 2: But by the time the episode come out, I got

1524
01:20:26,680 --> 01:20:27,559
Speaker 2: a couple more.

1525
01:20:27,680 --> 01:20:32,559
Speaker 3: Okay, I wanted, you know what I mean, go all

1526
01:20:32,640 --> 01:20:34,800
Speaker 3: out because you.

1527
01:20:36,680 --> 01:20:39,880
Speaker 4: Really deserve, you know, all the flowers, you really deserve,

1528
01:20:40,000 --> 01:20:41,000
Speaker 4: the love, you really.

1529
01:20:40,920 --> 01:20:42,040
Speaker 6: Deserve all this.

1530
01:20:42,160 --> 01:20:43,599
Speaker 2: And I know you're a smooth guy.

1531
01:20:44,640 --> 01:20:50,800
Speaker 4: And probably don't accept that the love that you you

1532
01:20:50,920 --> 01:20:51,840
Speaker 4: deserve and you get.

1533
01:20:52,960 --> 01:20:56,200
Speaker 2: But I don't want to be humble for you. I

1534
01:20:56,320 --> 01:21:03,880
Speaker 2: want to be talking for you. You know what? That

1535
01:21:04,000 --> 01:21:06,880
Speaker 2: was classic? That's classic.

1536
01:21:07,840 --> 01:21:11,479
Speaker 3: Holy that's the.

1537
01:21:11,520 --> 01:21:15,720
Speaker 4: Fat diamonds are here all right now? Now, now this

1538
01:21:15,840 --> 01:21:21,559
Speaker 4: is one where the'se got diamonds these all right? Hold

1539
01:21:21,600 --> 01:21:26,040
Speaker 4: on common thing. I want diamonds and snowballs.

1540
01:21:28,240 --> 01:21:33,080
Speaker 2: Oh you got hold on all right? Put it together,

1541
01:21:34,600 --> 01:21:38,800
Speaker 2: speat it together. Then give me the diamonds and the snowballs. Yeah,

1542
01:21:40,960 --> 01:21:42,200
Speaker 2: are you ready for quick timmers song?

1543
01:21:42,240 --> 01:21:49,640
Speaker 3: Guys would be laid out on the floor, all right,

1544
01:21:49,720 --> 01:21:52,040
Speaker 3: let's talk about give me yours.

1545
01:21:56,680 --> 01:22:03,880
Speaker 2: I heard give me yours. It was like hearing.

1546
01:22:06,760 --> 01:22:11,600
Speaker 4: Nas mimic almost Teddy picnographs, and I wanted because I

1547
01:22:11,640 --> 01:22:15,840
Speaker 4: heard give me yours, I bitch your style. So I

1548
01:22:16,120 --> 01:22:19,559
Speaker 4: asked Nas to run us to sing on music make

1549
01:22:19,680 --> 01:22:20,600
Speaker 4: these stuff.

1550
01:22:21,920 --> 01:22:24,120
Speaker 3: Because I heard them on that. So what was this

1551
01:22:24,200 --> 01:22:27,600
Speaker 3: session like when y'all did give me yours? Me and

1552
01:22:27,680 --> 01:22:31,200
Speaker 3: Pete vocavit? He did rather unique, So then we wash.

1553
01:22:32,240 --> 01:22:34,360
Speaker 3: He said he had more. So you know, Nas used

1554
01:22:34,360 --> 01:22:37,320
Speaker 3: to come to the studio with me. Uh the fact

1555
01:22:37,320 --> 01:22:38,720
Speaker 3: that you know allmatic diad with the day he was

1556
01:22:38,760 --> 01:22:40,320
Speaker 3: on tour, I was working on my so he always

1557
01:22:40,360 --> 01:22:44,720
Speaker 3: came for support. And then Pete put that on and

1558
01:22:44,880 --> 01:22:47,679
Speaker 3: I guess NAS had I guess one of them life

1559
01:22:47,760 --> 01:22:50,040
Speaker 3: to bitch moment, Like he just started singing that shit

1560
01:22:50,040 --> 01:22:52,479
Speaker 3: and I was like, yo, what is that? I was like,

1561
01:22:52,560 --> 01:22:55,519
Speaker 3: and he did that and it felt like like bitch

1562
01:22:55,520 --> 01:22:57,639
Speaker 3: because I kind of had that same flow on there.

1563
01:22:58,360 --> 01:23:00,400
Speaker 3: And he did the hook this time, and I went

1564
01:23:00,479 --> 01:23:03,680
Speaker 3: in and and did the one too. That's a classic too,

1565
01:23:04,160 --> 01:23:05,479
Speaker 3: or door die.

1566
01:23:06,040 --> 01:23:11,519
Speaker 4: Yeah, we're gonna stop labeling just summer classic.

1567
01:23:12,120 --> 01:23:15,559
Speaker 2: Most of your ship is classic. That's real, that's real.

1568
01:23:15,760 --> 01:23:18,120
Speaker 2: Who were your inspirations growing up?

1569
01:23:18,240 --> 01:23:18,280
Speaker 10: Like?

1570
01:23:18,400 --> 01:23:20,400
Speaker 2: How did how did you formulate your style?

1571
01:23:20,560 --> 01:23:20,680
Speaker 10: Had?

1572
01:23:20,840 --> 01:23:22,400
Speaker 2: You know, everybody has different MC the.

1573
01:23:22,600 --> 01:23:26,040
Speaker 3: Facts of course, Rob him was everybody. Well, I guess

1574
01:23:26,520 --> 01:23:28,480
Speaker 3: those that came out of my error. We all idolized

1575
01:23:28,560 --> 01:23:30,439
Speaker 3: rock because he came through and he switched the style

1576
01:23:30,560 --> 01:23:33,559
Speaker 3: up and he bought some smooth. But it was Rob

1577
01:23:33,680 --> 01:23:34,599
Speaker 3: king g rap.

1578
01:23:36,000 --> 01:23:39,200
Speaker 2: You know, slick Rick, kr r Rest, you know what

1579
01:23:39,240 --> 01:23:39,519
Speaker 2: I mean?

1580
01:23:39,760 --> 01:23:44,680
Speaker 3: To meet them are the greats. That's my soundtrack.

1581
01:23:44,880 --> 01:23:48,320
Speaker 2: I think g rap was your favorite though, right? All

1582
01:23:48,400 --> 01:23:49,960
Speaker 2: three g out the top three.

1583
01:23:51,360 --> 01:23:53,240
Speaker 3: G rap Well no, but they all to me, they

1584
01:23:53,320 --> 01:23:55,120
Speaker 3: all bought something different to the table. You don't mean

1585
01:23:55,240 --> 01:23:56,320
Speaker 3: I had to know the self.

1586
01:23:56,439 --> 01:23:56,600
Speaker 11: You know.

1587
01:23:56,800 --> 01:23:59,040
Speaker 3: G had the world play, came had that fly ship

1588
01:23:59,120 --> 01:24:00,920
Speaker 3: to me, you know what I'm saying. And slick Rick

1589
01:24:01,000 --> 01:24:03,519
Speaker 3: had the storytelling and the Cara re sport, you know

1590
01:24:03,560 --> 01:24:06,599
Speaker 3: what I mean, that other vibe you know. And even

1591
01:24:06,640 --> 01:24:08,880
Speaker 3: I throw Ellen Chunky up in there too, you know

1592
01:24:08,920 --> 01:24:09,200
Speaker 3: what I mean.

1593
01:24:09,280 --> 01:24:12,559
Speaker 2: So yeah, l smooth shit.

1594
01:24:13,360 --> 01:24:17,519
Speaker 3: Frinda got a big old butt. That album was crazy.

1595
01:24:17,920 --> 01:24:22,480
Speaker 3: Black Fanther was a crazy album. Yeah, in Public Enemy, Yeah, incredible.

1596
01:24:23,800 --> 01:24:29,720
Speaker 3: Let's talk about God. Some problems. Yeah, yeah, I had

1597
01:24:29,760 --> 01:24:33,160
Speaker 3: some problems then who bars chick at the bars? But

1598
01:24:34,720 --> 01:24:37,360
Speaker 3: I think I got off the last label that I

1599
01:24:37,520 --> 01:24:39,240
Speaker 3: was on at that time, because I was on a

1600
01:24:39,280 --> 01:24:42,080
Speaker 3: couple of labels I was I was on and the

1601
01:24:42,240 --> 01:24:45,240
Speaker 3: version that I fuck with, Yeah, that's what Janet Jackson

1602
01:24:45,400 --> 01:24:47,640
Speaker 3: was was doing there right because they that was like

1603
01:24:47,960 --> 01:24:50,120
Speaker 3: the parent company to em out. So when they folded,

1604
01:24:50,520 --> 01:24:51,680
Speaker 3: then you know what I mean. Then I went to

1605
01:24:51,800 --> 01:24:53,320
Speaker 3: yab Young believe it or not, that was with a

1606
01:24:53,360 --> 01:24:55,400
Speaker 3: lecture for a minute. It was a quick minute. Nobody

1607
01:24:55,400 --> 01:24:57,720
Speaker 3: never knew because it was like, yeah, Young, that was

1608
01:24:58,640 --> 01:25:02,120
Speaker 3: Tracy Edmonds baby babyface, white baby baby face over there

1609
01:25:02,160 --> 01:25:02,639
Speaker 3: for a minute.

1610
01:25:02,800 --> 01:25:03,360
Speaker 2: That folded.

1611
01:25:03,439 --> 01:25:06,479
Speaker 3: So then then I was like, all right, what the fuck, man,

1612
01:25:06,479 --> 01:25:08,800
Speaker 3: I gotta do something. So I put that soul Side

1613
01:25:08,960 --> 01:25:11,519
Speaker 3: was on that soul Side joint. But then when I

1614
01:25:11,640 --> 01:25:14,799
Speaker 3: put it out, put that CD out, Motown heard it Motown?

1615
01:25:14,840 --> 01:25:19,519
Speaker 3: You fuck with Motown for a minute, and was you

1616
01:25:19,680 --> 01:25:23,719
Speaker 3: like the only rapper on Motown at that time? Ship

1617
01:25:25,560 --> 01:25:27,120
Speaker 3: That's where I fuck up something and I think, but

1618
01:25:27,160 --> 01:25:27,800
Speaker 3: then I don't bite.

1619
01:25:27,840 --> 01:25:29,559
Speaker 2: My thing is like a gamble, like I want to.

1620
01:25:29,560 --> 01:25:32,360
Speaker 3: Be the nucleus where you know if you're on a label,

1621
01:25:32,400 --> 01:25:33,960
Speaker 3: I'm the only artist you'll saw all that love, and

1622
01:25:34,040 --> 01:25:35,760
Speaker 3: then from there I can open up doors for other

1623
01:25:35,840 --> 01:25:38,240
Speaker 3: artists to come. That's my mindset for with my all

1624
01:25:38,280 --> 01:25:40,439
Speaker 3: the legals that fuck with. It's kind of where why

1625
01:25:40,439 --> 01:25:43,200
Speaker 3: do you think about it Motown? But because I know

1626
01:25:43,240 --> 01:25:46,040
Speaker 3: if it worked there, then that could open the floodgates

1627
01:25:46,080 --> 01:25:48,000
Speaker 3: for other artists and then they can know that, you know,

1628
01:25:48,040 --> 01:25:49,200
Speaker 3: the hip hop worked there.

1629
01:25:49,280 --> 01:25:52,559
Speaker 2: But that's when neo soul hit at the time.

1630
01:25:52,640 --> 01:25:54,960
Speaker 3: Same time I was fucking Motown, they put out you know,

1631
01:25:55,160 --> 01:25:59,240
Speaker 3: Ragaba Duo and the other I forgot a name, but

1632
01:25:59,320 --> 01:26:07,400
Speaker 3: anyway in the dir and I was there and and

1633
01:26:07,439 --> 01:26:08,800
Speaker 3: it's like, all right, let's give it another shot. And

1634
01:26:08,840 --> 01:26:10,960
Speaker 3: I did the other album. They had the album and

1635
01:26:11,200 --> 01:26:13,400
Speaker 3: then that didn't work. So that's when I was like,

1636
01:26:13,439 --> 01:26:16,400
Speaker 3: I keep it moving, Yeah, kept it moving.

1637
01:26:16,479 --> 01:26:18,720
Speaker 2: So so to say more or less, I was more

1638
01:26:18,800 --> 01:26:19,280
Speaker 2: or less like.

1639
01:26:21,080 --> 01:26:23,920
Speaker 3: It's like a thinka the streets, but ain't got no family, right,

1640
01:26:24,000 --> 01:26:26,200
Speaker 3: He's moving around trying to figure it out a pose

1641
01:26:26,280 --> 01:26:28,080
Speaker 3: with somebody got a mother fuck. Because a lot of

1642
01:26:28,120 --> 01:26:31,640
Speaker 3: the artists signed one label, they rocked through the contractors up.

1643
01:26:32,200 --> 01:26:34,439
Speaker 3: If you think about it or to their transition something else.

1644
01:26:34,439 --> 01:26:37,080
Speaker 3: But it invades them, you know what I mean. So

1645
01:26:39,000 --> 01:26:41,240
Speaker 3: keep it moving, To keep it moving and keep it

1646
01:26:41,320 --> 01:26:43,080
Speaker 3: going was a great thing for me, right because the

1647
01:26:43,120 --> 01:26:44,840
Speaker 3: avenue from the man hanging on time for the ship.

1648
01:26:44,920 --> 01:26:46,559
Speaker 2: Fuck it, you know, do whatever.

1649
01:26:47,800 --> 01:26:49,400
Speaker 13: But yeah, I kept it going though, But he kept

1650
01:26:49,520 --> 01:26:51,840
Speaker 13: but he kept the newest car every time he pulls

1651
01:26:51,920 --> 01:26:52,719
Speaker 13: up to the crib.

1652
01:26:53,360 --> 01:26:59,240
Speaker 15: Didn't matter, didn't matter the fact you can walk got

1653
01:26:59,320 --> 01:27:02,680
Speaker 15: clean too, independent or major. He pulled up in the

1654
01:27:02,800 --> 01:27:04,880
Speaker 15: newest the car from the next year.

1655
01:27:06,320 --> 01:27:08,519
Speaker 2: Now you got a joint with Ross on his joint

1656
01:27:09,000 --> 01:27:11,760
Speaker 2: Bocharon like fly.

1657
01:27:13,080 --> 01:27:13,519
Speaker 3: That was nice.

1658
01:27:13,600 --> 01:27:17,760
Speaker 2: Yeah, I mean, yo, it's a beautiful thing. Walls get busy.

1659
01:27:17,840 --> 01:27:22,519
Speaker 3: It was good man, So how did this happen? I'm

1660
01:27:22,560 --> 01:27:22,920
Speaker 3: trying to think.

1661
01:27:22,960 --> 01:27:23,920
Speaker 2: I don't even know either either.

1662
01:27:27,160 --> 01:27:29,519
Speaker 3: Oh oh well, I actually get on one of my joint,

1663
01:27:29,720 --> 01:27:33,200
Speaker 3: but the door died too never enough, and then he's like,

1664
01:27:33,240 --> 01:27:36,360
Speaker 3: you know, and then for that hop on his joint.

1665
01:27:36,400 --> 01:27:39,120
Speaker 2: So in fact, Joe also told me he just did

1666
01:27:39,160 --> 01:27:40,000
Speaker 2: a record with you as well.

1667
01:27:40,000 --> 01:27:40,439
Speaker 3: Beautiful.

1668
01:27:41,040 --> 01:27:42,200
Speaker 2: Yeah, tell me about that.

1669
01:27:42,400 --> 01:27:46,000
Speaker 3: Beautiful I mean with Joe, I mean jos jose Ah

1670
01:27:46,000 --> 01:27:49,040
Speaker 3: class Sack himself and he was doing a sneaker thing

1671
01:27:49,320 --> 01:27:51,320
Speaker 3: and I saw him. He gave me one of the

1672
01:27:51,360 --> 01:27:54,679
Speaker 3: sneakers they put out. And ironically, a couple of days

1673
01:27:54,680 --> 01:27:56,320
Speaker 3: after that, he was at the party. You know what

1674
01:27:56,360 --> 01:27:59,439
Speaker 3: I mean, he said, right, there were robbing Hawks wapping

1675
01:27:59,479 --> 01:28:03,640
Speaker 3: the album up. I'm like, keep running the joke, my

1676
01:28:03,720 --> 01:28:07,600
Speaker 3: fucking classics, and hits him, Hold, let's do something, you

1677
01:28:07,640 --> 01:28:10,240
Speaker 3: know what I mean? And Uh, that's the next thing.

1678
01:28:10,280 --> 01:28:13,080
Speaker 3: We're gonna put that out now, this new album. Yeah,

1679
01:28:13,120 --> 01:28:17,880
Speaker 3: it's crazy. Truth be told, Truth be told?

1680
01:28:18,040 --> 01:28:19,240
Speaker 2: Why'd your name me? Truth be told?

1681
01:28:19,479 --> 01:28:21,880
Speaker 3: It's my truth, right, I'm just speaking my truth on

1682
01:28:22,160 --> 01:28:24,400
Speaker 3: on these songs. It's a truth in there, you know

1683
01:28:24,479 --> 01:28:27,120
Speaker 3: what I mean. And one of the songs that really

1684
01:28:27,160 --> 01:28:29,320
Speaker 3: I took the title phone was called one of the

1685
01:28:29,640 --> 01:28:32,000
Speaker 3: I'm one of the greats. And when you hear that song,

1686
01:28:32,040 --> 01:28:36,040
Speaker 3: you'll see why I say truth, because, well, tell us, man,

1687
01:28:36,080 --> 01:28:39,559
Speaker 3: tell us, not just speak up. I never I never

1688
01:28:40,960 --> 01:28:47,640
Speaker 3: spoke about me transitioning into the hip hop and what

1689
01:28:47,800 --> 01:28:49,479
Speaker 3: I've been through and where I'm at now.

1690
01:28:49,560 --> 01:28:52,120
Speaker 2: So that particular song tell you how I got in the.

1691
01:28:52,120 --> 01:28:57,360
Speaker 3: Game before hip hop before, right, Well, it kind of sums.

1692
01:28:57,120 --> 01:28:58,880
Speaker 2: Up you know it's a three minute song, can't you

1693
01:28:58,920 --> 01:29:00,160
Speaker 2: know what I mean? Something up from me?

1694
01:29:00,600 --> 01:29:04,040
Speaker 3: How I got on what my mom said was what

1695
01:29:04,160 --> 01:29:08,600
Speaker 3: I've seen and while I'm here now, So it's a

1696
01:29:08,640 --> 01:29:09,559
Speaker 3: fly fly song.

1697
01:29:09,760 --> 01:29:11,760
Speaker 2: You ever think hip hop get this far?

1698
01:29:12,000 --> 01:29:12,240
Speaker 5: Never?

1699
01:29:12,800 --> 01:29:14,240
Speaker 2: Ever? Ever?

1700
01:29:15,439 --> 01:29:17,040
Speaker 3: I was mad as hell when you see this fucking

1701
01:29:17,080 --> 01:29:19,400
Speaker 3: when it was fucking up, I was like, oh many up,

1702
01:29:20,160 --> 01:29:21,120
Speaker 3: it's gold mine up.

1703
01:29:21,240 --> 01:29:23,400
Speaker 2: But you know that's what happens.

1704
01:29:23,520 --> 01:29:27,240
Speaker 5: And when you took that break, did you ever in

1705
01:29:27,360 --> 01:29:29,400
Speaker 5: that point of that break say I don't want to

1706
01:29:29,479 --> 01:29:32,280
Speaker 5: go back to this, back to back, back to the music,

1707
01:29:32,520 --> 01:29:33,120
Speaker 5: back to the music.

1708
01:29:34,040 --> 01:29:34,760
Speaker 3: No, no, never.

1709
01:29:35,040 --> 01:29:36,880
Speaker 5: I mean, was it literally that you wanted to sit

1710
01:29:36,960 --> 01:29:39,519
Speaker 5: back and watch and then pick the right time to

1711
01:29:39,600 --> 01:29:40,000
Speaker 5: come back.

1712
01:29:41,280 --> 01:29:42,160
Speaker 2: You can't pick the time.

1713
01:29:42,360 --> 01:29:45,200
Speaker 3: This ship switching like the sound the sonics changed.

1714
01:29:44,920 --> 01:29:46,000
Speaker 2: Like, I don't want to come back now.

1715
01:29:46,080 --> 01:29:50,320
Speaker 3: But if South got it, they got the Atlanta got it,

1716
01:29:50,360 --> 01:29:51,680
Speaker 3: if Midwest got it, you gotta wait.

1717
01:29:51,720 --> 01:29:54,560
Speaker 2: Well, it's it's not rated on controlling, so sonically.

1718
01:29:54,520 --> 01:29:56,920
Speaker 3: That's why I can jump back and I gotta be

1719
01:29:57,040 --> 01:29:58,960
Speaker 3: like this, I gotta wait to bust my gun, right.

1720
01:29:59,320 --> 01:30:00,280
Speaker 2: That's a lot of us.

1721
01:30:00,240 --> 01:30:02,160
Speaker 3: Doing it like you gotta wait to Saint the season,

1722
01:30:02,920 --> 01:30:03,360
Speaker 3: you know what I mean.

1723
01:30:03,479 --> 01:30:06,240
Speaker 5: So yeah, now you monetize your fan base. You don't

1724
01:30:06,280 --> 01:30:07,080
Speaker 5: have to worry about.

1725
01:30:06,920 --> 01:30:09,720
Speaker 2: The radio doing that for you. You can control that.

1726
01:30:09,920 --> 01:30:12,920
Speaker 3: With technology, you know, media, and what you're doing is

1727
01:30:13,280 --> 01:30:14,080
Speaker 3: a beautiful thing.

1728
01:30:14,640 --> 01:30:16,439
Speaker 2: Who's somebody you don't want to work with that you

1729
01:30:16,520 --> 01:30:17,320
Speaker 2: did work with yet?

1730
01:30:22,000 --> 01:30:23,200
Speaker 3: I didn't think about that yet.

1731
01:30:23,640 --> 01:30:24,719
Speaker 2: I woke with a lot of cats.

1732
01:30:24,760 --> 01:30:25,760
Speaker 3: But I'm trying to think who.

1733
01:30:25,960 --> 01:30:32,280
Speaker 5: Well put it like this, who from the older generation

1734
01:30:33,720 --> 01:30:35,559
Speaker 5: that you haven't worked that you want to and someone

1735
01:30:35,600 --> 01:30:36,760
Speaker 5: from the nude from now?

1736
01:30:36,920 --> 01:30:38,479
Speaker 2: Like right now, it's pop. That's good.

1737
01:30:38,640 --> 01:30:40,040
Speaker 3: Well, of course I never did that with one of

1738
01:30:40,080 --> 01:30:42,320
Speaker 3: my idels. Well I did with Givat, but of course

1739
01:30:42,439 --> 01:30:44,560
Speaker 3: more the idols. I would love to anyone, anyone you

1740
01:30:44,600 --> 01:30:46,439
Speaker 3: can pick it, do a name and a hat. Now,

1741
01:30:47,800 --> 01:30:50,120
Speaker 3: you know, I like I like you know j Cole,

1742
01:30:50,200 --> 01:30:53,040
Speaker 3: little baby, I like you and crazy, you know what

1743
01:30:53,080 --> 01:30:57,200
Speaker 3: I mean? Yeah, that's it. I mean, I'm sure it's more,

1744
01:30:57,280 --> 01:31:00,320
Speaker 3: but on the spot, of course. But Jake, I'm talking

1745
01:31:00,360 --> 01:31:02,960
Speaker 3: get my ship right, you know, I really braying. I'm

1746
01:31:02,960 --> 01:31:05,800
Speaker 3: trying to get get the wind back under my feet.

1747
01:31:06,600 --> 01:31:10,599
Speaker 4: The one thing about you and I, particularly if you're

1748
01:31:10,640 --> 01:31:12,640
Speaker 4: both from the ghetto, you're both from the hood, but

1749
01:31:12,760 --> 01:31:14,120
Speaker 4: you have no big words.

1750
01:31:15,360 --> 01:31:26,919
Speaker 2: Jesus Christ, I'm going to like the loss of the realism.

1751
01:31:27,920 --> 01:31:34,160
Speaker 2: I said, what the fuck went to school nineties A lot.

1752
01:31:34,040 --> 01:31:37,000
Speaker 3: Of yo hip hop school, Like that's the teacher, right,

1753
01:31:37,040 --> 01:31:40,160
Speaker 3: the hip hop school that's all man listening and teach

1754
01:31:40,200 --> 01:31:42,240
Speaker 3: you everything. And you want to know, just listen to

1755
01:31:42,360 --> 01:31:45,000
Speaker 3: hip hop and they tell you everything everything.

1756
01:31:45,040 --> 01:31:47,200
Speaker 5: Because when I told people, even some of the mcs

1757
01:31:47,240 --> 01:31:48,880
Speaker 5: that didn't know what they were saying, they were going

1758
01:31:48,880 --> 01:31:51,040
Speaker 5: to encyclopedias and say words that rhymes.

1759
01:31:51,840 --> 01:31:53,800
Speaker 2: The fan was like, I gotta look that word up,

1760
01:31:54,439 --> 01:32:02,439
Speaker 2: like we were all that way, but just a big word. Yeah,

1761
01:32:02,560 --> 01:32:03,840
Speaker 2: I'm not you get away from that.

1762
01:32:10,360 --> 01:32:10,680
Speaker 5: And no.

1763
01:32:10,880 --> 01:32:13,679
Speaker 3: So I was like, damn, these niggas went to school

1764
01:32:14,000 --> 01:32:16,439
Speaker 3: like I likes the bitch. I was like, wait a minute, yeah,

1765
01:32:16,560 --> 01:32:17,000
Speaker 3: big words.

1766
01:32:17,000 --> 01:32:19,120
Speaker 2: When y'all was battling you and your man both, y'all

1767
01:32:19,200 --> 01:32:23,760
Speaker 2: skipped all the big words. Was like, keeping it real,

1768
01:32:23,880 --> 01:32:34,000
Speaker 2: petty still for the big words. Yea, he take another, Yo,

1769
01:32:34,160 --> 01:32:38,160
Speaker 2: you ain't just the second drink? We do? They know

1770
01:32:38,280 --> 01:32:40,000
Speaker 2: they keep feeling up for him. No, he've been drinking

1771
01:32:40,000 --> 01:32:41,160
Speaker 2: the second one. He's been drinking.

1772
01:32:41,520 --> 01:32:43,880
Speaker 3: I just wanted to praise you a because you you

1773
01:32:44,000 --> 01:32:47,320
Speaker 3: you deserve it. Man, do you know how important you

1774
01:32:47,360 --> 01:32:49,080
Speaker 3: are to hip hop? And I said something like that

1775
01:32:49,439 --> 01:32:52,719
Speaker 3: because because I'm right here right and everybody can.

1776
01:32:52,640 --> 01:32:53,519
Speaker 2: Beach out, we don't say that.

1777
01:32:53,680 --> 01:32:55,720
Speaker 3: I appreciate it though, when you I'm here and people

1778
01:32:55,800 --> 01:33:00,280
Speaker 3: do that. But you know, people need to beat something often.

1779
01:33:00,280 --> 01:33:01,479
Speaker 3: That's why I go to the fox. That's why I

1780
01:33:01,560 --> 01:33:03,680
Speaker 3: beat child. You know what I mean, because we hear now,

1781
01:33:03,680 --> 01:33:04,760
Speaker 3: I don't want to you don't want to hear that

1782
01:33:04,840 --> 01:33:08,840
Speaker 3: one after the fact, right, So I appreciate when you

1783
01:33:08,880 --> 01:33:12,240
Speaker 3: showed me that the shout beautiful or keeps going, that's beautiful,

1784
01:33:12,400 --> 01:33:14,920
Speaker 3: just keep going. I'm just that's just the videos that

1785
01:33:15,200 --> 01:33:15,839
Speaker 3: that's beautiful.

1786
01:33:15,920 --> 01:33:16,559
Speaker 2: That's here now.

1787
01:33:17,400 --> 01:33:22,439
Speaker 4: But I wanted to show you, tell you and relate

1788
01:33:22,520 --> 01:33:25,519
Speaker 4: to you how special you are. There's nobody that you know.

1789
01:33:26,200 --> 01:33:28,719
Speaker 4: Everybody that I hit, they just send the video immediately.

1790
01:33:29,000 --> 01:33:29,840
Speaker 2: What the reason why?

1791
01:33:29,920 --> 01:33:30,040
Speaker 3: Though?

1792
01:33:30,160 --> 01:33:31,960
Speaker 2: Let's just say that right, because I got the way.

1793
01:33:32,800 --> 01:33:36,559
Speaker 3: You know, let everybody have their own character visions, do them,

1794
01:33:36,640 --> 01:33:39,280
Speaker 3: you know what I mean? Nobody hold it and down right,

1795
01:33:39,400 --> 01:33:41,479
Speaker 3: I just stay out the way and my goal is

1796
01:33:41,560 --> 01:33:43,479
Speaker 3: just to get to it like I was, and not

1797
01:33:44,240 --> 01:33:48,040
Speaker 3: capitalize on on getting to it. I wouldn't say the

1798
01:33:48,120 --> 01:33:50,080
Speaker 3: wrong way, but just you know, I still live about

1799
01:33:50,120 --> 01:33:52,479
Speaker 3: certain molds and principles and mobiles.

1800
01:33:52,520 --> 01:33:54,040
Speaker 2: So I'm out the way.

1801
01:33:54,200 --> 01:33:58,040
Speaker 3: So anybody hate on me or say anything fucked up.

1802
01:33:58,800 --> 01:34:05,040
Speaker 2: Nobody hate. He said, why you know what man like?

1803
01:34:05,240 --> 01:34:08,280
Speaker 2: And I respect everybody that that that shouted with them

1804
01:34:08,360 --> 01:34:11,800
Speaker 2: just as much. Yeah, and you know, the older you

1805
01:34:11,920 --> 01:34:16,400
Speaker 2: get you more Thanminican. You look Dominican.

1806
01:34:17,680 --> 01:34:21,439
Speaker 5: My moms just black because because Sonny Sonny, he said

1807
01:34:21,479 --> 01:34:23,000
Speaker 5: that the Z is.

1808
01:34:23,080 --> 01:34:44,320
Speaker 2: So he claiming you as a Haitian. Wow, up, I'm talking.

1809
01:34:46,600 --> 01:34:48,400
Speaker 6: I used to be instead of.

1810
01:34:52,280 --> 01:34:52,320
Speaker 3: Z.

1811
01:35:09,920 --> 01:35:13,920
Speaker 2: That was a good one. But let's keep it on

1812
01:35:14,000 --> 01:35:18,160
Speaker 2: the Dominican, right, because so you're dominic. It's a two

1813
01:35:18,240 --> 01:35:18,760
Speaker 2: part question.

1814
01:35:18,880 --> 01:35:21,880
Speaker 3: Right, Because we found out she's Dominican.

1815
01:35:21,520 --> 01:35:22,200
Speaker 2: We love that.

1816
01:35:22,479 --> 01:35:24,960
Speaker 4: Then we always knew he was dominic guests, but then

1817
01:35:25,000 --> 01:35:30,599
Speaker 4: we also your government name is Anthony Cruz. That's crazy,

1818
01:35:30,920 --> 01:35:33,120
Speaker 4: A Anthony Z.

1819
01:35:33,800 --> 01:35:36,320
Speaker 2: That's crazy. Is that how you came up with That's

1820
01:35:36,600 --> 01:35:38,160
Speaker 2: that's not how. But it makes sense.

1821
01:35:39,280 --> 01:35:42,960
Speaker 3: That's some crazy. That's Z on cruise as it makes

1822
01:35:42,960 --> 01:35:44,040
Speaker 3: sense the beginning and end.

1823
01:35:46,000 --> 01:35:48,519
Speaker 2: Okay, Yeah, so that's not how you came up with

1824
01:35:48,560 --> 01:35:48,840
Speaker 2: the name.

1825
01:35:49,160 --> 01:35:50,360
Speaker 3: Now, one of one of the one of the young

1826
01:35:50,439 --> 01:35:53,960
Speaker 3: guys in Brownsville. He was born to the nation, and

1827
01:35:54,040 --> 01:35:55,920
Speaker 3: I guess he was going from hoods to hoods you

1828
01:35:55,960 --> 01:35:58,479
Speaker 3: know everybody in Brooklyn on probably outside of Brooklyn. Now

1829
01:35:58,479 --> 01:36:00,840
Speaker 3: we talking about when he was young, and he was

1830
01:36:01,000 --> 01:36:04,760
Speaker 3: he was speaking in that language, you know what I mean,

1831
01:36:04,840 --> 01:36:07,320
Speaker 3: and and and and it kind of attracted me writing

1832
01:36:07,400 --> 01:36:10,040
Speaker 3: somebody talking big words like you said. And he was

1833
01:36:10,320 --> 01:36:13,760
Speaker 3: my age, probably years so older. And Me's like, yo, man, world,

1834
01:36:13,800 --> 01:36:16,240
Speaker 3: you know you're gone, right, this is what are you

1835
01:36:16,320 --> 01:36:18,120
Speaker 3: talking about? This ain't no mister v God you the

1836
01:36:18,160 --> 01:36:21,439
Speaker 3: original man asiadic man. So you the asiad actually a

1837
01:36:21,760 --> 01:36:24,439
Speaker 3: don't begin No. I was like, Yo, that's ship great,

1838
01:36:24,479 --> 01:36:30,040
Speaker 3: I'm gone gone, I'm gone, just man with it. But

1839
01:36:30,520 --> 01:36:34,200
Speaker 3: but then that makes sense, that makes sense as well.

1840
01:36:34,640 --> 01:36:43,000
Speaker 3: There wasn't another and yeah, okay style, yes, so I've

1841
01:36:43,000 --> 01:36:45,360
Speaker 3: had an as a couple of times. But as as

1842
01:36:45,520 --> 01:36:47,720
Speaker 3: as the game going on, I understand what was going on.

1843
01:36:47,880 --> 01:36:51,120
Speaker 2: You know, he was in the game. He uh it

1844
01:36:51,240 --> 01:36:52,880
Speaker 2: was my mopstyle. I know his name was as I've

1845
01:36:52,880 --> 01:36:54,080
Speaker 2: been from day one.

1846
01:36:54,080 --> 01:36:57,120
Speaker 3: So I guess you saw a land of capitalized, which

1847
01:36:57,160 --> 01:37:01,200
Speaker 3: which was cool right in hindsight, speaks to him a

1848
01:37:01,320 --> 01:37:02,360
Speaker 3: gangster littill be cool.

1849
01:37:02,680 --> 01:37:03,920
Speaker 2: But I would, I would.

1850
01:37:04,280 --> 01:37:07,280
Speaker 3: I'm sure I told him I want to be somebody

1851
01:37:07,600 --> 01:37:10,160
Speaker 3: I wouldn't have been. You don't disrespect because it was

1852
01:37:10,280 --> 01:37:12,840
Speaker 3: it was thre y'all. You know, I like getting fly

1853
01:37:13,520 --> 01:37:17,920
Speaker 3: and fucking bitches and things for that nature. I wouldn't

1854
01:37:18,000 --> 01:37:20,519
Speaker 3: necessarily been him, but I understand what was going on.

1855
01:37:20,680 --> 01:37:22,840
Speaker 3: You know, I don't disrespect him, but I understood what's

1856
01:37:22,840 --> 01:37:23,840
Speaker 3: going on at the time. You know what I mean,

1857
01:37:23,880 --> 01:37:25,560
Speaker 3: I'm green, I'm in the game. Onal what's going on.

1858
01:37:26,040 --> 01:37:28,240
Speaker 3: You know when you when you're coming in the game.

1859
01:37:28,360 --> 01:37:30,719
Speaker 3: You got the Lions there and they gonna, they're gonna,

1860
01:37:30,720 --> 01:37:32,360
Speaker 3: they're gonna buy it, right, is what it is.

1861
01:37:32,520 --> 01:37:34,719
Speaker 2: But it's good money.

1862
01:37:34,760 --> 01:37:34,880
Speaker 5: Man.

1863
01:37:34,920 --> 01:37:37,120
Speaker 3: We good now, We're good. Everybody good like we're all

1864
01:37:37,280 --> 01:37:41,000
Speaker 3: were good. Everybody everybody good now, God damn.

1865
01:37:42,320 --> 01:37:47,920
Speaker 2: So sorry, Sonny, he's not. I mean, he's Jason Dominican

1866
01:37:47,920 --> 01:37:48,720
Speaker 2: Republic right there.

1867
01:37:48,840 --> 01:37:52,439
Speaker 3: It's so about that Affirmative Action session that was crazy.

1868
01:37:54,120 --> 01:37:56,200
Speaker 3: I talked about the four Devils. I think I was

1869
01:37:56,439 --> 01:37:57,920
Speaker 3: your five percent ship for real.

1870
01:37:58,120 --> 01:37:59,880
Speaker 2: I think I was a goal to God for the intro.

1871
01:38:00,360 --> 01:38:01,559
Speaker 2: That's what I think at the end of the.

1872
01:38:01,600 --> 01:38:03,719
Speaker 3: Day, right, because I was always talking on into about

1873
01:38:03,760 --> 01:38:04,519
Speaker 3: figuring it out.

1874
01:38:07,760 --> 01:38:11,280
Speaker 2: Out you get in here, my mom. Think about it now,

1875
01:38:11,520 --> 01:38:13,639
Speaker 2: I'm like, I'm talking all these albums or so, who

1876
01:38:13,720 --> 01:38:15,120
Speaker 2: did that beat? I forgot back?

1877
01:38:15,200 --> 01:38:16,000
Speaker 3: Masters? Did that track?

1878
01:38:16,160 --> 01:38:18,960
Speaker 2: Us? Did that be? Was it dude GOUDI?

1879
01:38:19,520 --> 01:38:20,320
Speaker 5: You know.

1880
01:38:22,320 --> 01:38:23,000
Speaker 2: You remember.

1881
01:38:25,400 --> 01:38:25,680
Speaker 1: It was?

1882
01:38:25,880 --> 01:38:28,320
Speaker 3: I don't know, you know that is consisted of a

1883
01:38:28,479 --> 01:38:31,519
Speaker 3: slut of people. Yeah, but yeah, they did that and

1884
01:38:31,600 --> 01:38:35,880
Speaker 3: I guess that probably wasn't Now I'm laughing thinking about

1885
01:38:35,920 --> 01:38:38,200
Speaker 3: it turned out good.

1886
01:38:38,600 --> 01:38:40,360
Speaker 2: So how did this where yell acted?

1887
01:38:41,320 --> 01:38:44,080
Speaker 3: We were we were recorded that and Hit Factory or

1888
01:38:45,160 --> 01:38:45,960
Speaker 3: it wasn't you know?

1889
01:38:46,040 --> 01:38:50,280
Speaker 2: We did the frombum in Miami, Yes here and in

1890
01:38:50,800 --> 01:38:53,400
Speaker 2: l A too late, the Ladder a little bit.

1891
01:38:53,400 --> 01:38:55,760
Speaker 3: Of law but from the accident was on his album.

1892
01:38:55,800 --> 01:38:58,719
Speaker 3: Second album was So it was in a Hit factory

1893
01:38:58,920 --> 01:39:02,519
Speaker 3: and we always had rooms we had we had and

1894
01:39:02,640 --> 01:39:04,560
Speaker 3: I was always working in one room. I'm working in

1895
01:39:04,680 --> 01:39:08,519
Speaker 3: one room from a track master and they're working in one.

1896
01:39:08,439 --> 01:39:10,400
Speaker 2: Room and we were just bouncing.

1897
01:39:10,640 --> 01:39:11,040
Speaker 5: You know that.

1898
01:39:12,680 --> 01:39:14,120
Speaker 2: The world people don't know that.

1899
01:39:14,280 --> 01:39:17,800
Speaker 3: No, but anyway, so we bost the the world don't know,

1900
01:39:18,720 --> 01:39:23,519
Speaker 3: but yeah, bouncing and then I guess now's in las

1901
01:39:24,200 --> 01:39:28,040
Speaker 3: It was me, and then it was this god man,

1902
01:39:29,160 --> 01:39:30,320
Speaker 3: this god nice guy.

1903
01:39:31,280 --> 01:39:33,160
Speaker 2: Anyway, don't.

1904
01:39:35,360 --> 01:39:37,240
Speaker 3: I think I did Lady Rose for I laid Miles

1905
01:39:37,400 --> 01:39:41,720
Speaker 3: verse and then the Mega did his and then oh

1906
01:39:41,800 --> 01:39:42,720
Speaker 3: my god, foxing.

1907
01:39:42,840 --> 01:39:45,120
Speaker 5: We're talking affirmative action right that boxing went crazy.

1908
01:39:45,280 --> 01:39:46,080
Speaker 2: I'm not gonna lie to you.

1909
01:39:46,240 --> 01:39:48,200
Speaker 3: Boxing went crazy. And when people say she don't may

1910
01:39:48,280 --> 01:39:49,679
Speaker 3: own ship, she wrote that ship.

1911
01:39:51,040 --> 01:39:53,960
Speaker 2: Over that, No, you know, write that. This is when

1912
01:39:54,000 --> 01:39:56,160
Speaker 2: I knew I wasn't built for mathematics.

1913
01:39:57,640 --> 01:39:58,120
Speaker 7: She went on.

1914
01:39:59,640 --> 01:40:06,360
Speaker 18: She two quarters of key, swimming away trying. You were like,

1915
01:40:06,439 --> 01:40:10,920
Speaker 18: what school did she go to? You think everybody went

1916
01:40:10,960 --> 01:40:13,600
Speaker 18: to a different school. And she did that live in

1917
01:40:13,640 --> 01:40:14,200
Speaker 18: front of y'all.

1918
01:40:14,320 --> 01:40:17,680
Speaker 3: Yeah, yeah, you know back then we can't send verses, Yeah,

1919
01:40:18,240 --> 01:40:19,400
Speaker 3: said no, you gotta be in the studio.

1920
01:40:19,840 --> 01:40:22,880
Speaker 2: Wow. Back then on the versus, everybody was in the studio. Wow.

1921
01:40:23,680 --> 01:40:26,360
Speaker 2: Changed the motherfucking game. Then you said, she wrote it

1922
01:40:26,439 --> 01:40:31,120
Speaker 2: completely herself, completely fast. So do you know, Lulu Kim?

1923
01:40:31,520 --> 01:40:34,800
Speaker 3: Of course, where was you at when you kind of

1924
01:40:34,840 --> 01:40:39,040
Speaker 3: like see Nate turnmoy with the two Brooklyn girls going

1925
01:40:39,040 --> 01:40:39,920
Speaker 3: against each other.

1926
01:40:41,960 --> 01:40:42,120
Speaker 5: Like that.

1927
01:40:43,360 --> 01:40:45,960
Speaker 3: It's sad because if they got together, it'd have.

1928
01:40:45,960 --> 01:40:48,680
Speaker 2: Been that would have been the craziest ship, the cover

1929
01:40:48,720 --> 01:40:50,439
Speaker 2: of the guy. They could have done that and it

1930
01:40:50,479 --> 01:40:51,479
Speaker 2: could have been a powerhouse.

1931
01:40:51,520 --> 01:40:51,960
Speaker 3: It would have been.

1932
01:40:51,960 --> 01:41:00,280
Speaker 2: It had been a problem, but it happens. It happens. Yeah,

1933
01:41:02,520 --> 01:41:03,000
Speaker 2: you like that.

1934
01:41:03,720 --> 01:41:13,840
Speaker 4: God Gumble was serious, man, Yeah, yeah, yeah, damn man,

1935
01:41:14,400 --> 01:41:16,599
Speaker 4: Hey man, you're really one of those guys.

1936
01:41:16,760 --> 01:41:16,920
Speaker 3: Man.

1937
01:41:17,120 --> 01:41:20,320
Speaker 4: I really wanted to We all wanted to give you

1938
01:41:20,640 --> 01:41:23,680
Speaker 4: everybody from Drink Champs. You know what I mean, I

1939
01:41:23,840 --> 01:41:26,120
Speaker 4: want to give your flowers, man, because.

1940
01:41:26,280 --> 01:41:30,200
Speaker 5: From day one, From day one, it's underestimated that how

1941
01:41:30,280 --> 01:41:31,800
Speaker 5: much we were trying to get you. From the first

1942
01:41:31,880 --> 01:41:34,240
Speaker 5: year we started Drink Champs. Well we got rumors that

1943
01:41:34,280 --> 01:41:35,439
Speaker 5: you said, no, I don't really don't want to do

1944
01:41:35,520 --> 01:41:36,000
Speaker 5: Drink Champs.

1945
01:41:36,080 --> 01:41:38,200
Speaker 2: But I didn't want to do no podcast because it

1946
01:41:38,320 --> 01:41:38,519
Speaker 2: was like.

1947
01:41:41,040 --> 01:41:43,240
Speaker 3: It just be too much talking. God's like, yo, you

1948
01:41:43,320 --> 01:41:44,680
Speaker 3: know you got some people that like to be in

1949
01:41:44,760 --> 01:41:47,439
Speaker 3: the front and and and they lot of fame, right.

1950
01:41:47,520 --> 01:41:49,680
Speaker 2: I really didn't beat for the fame. I want the money, right,

1951
01:41:50,520 --> 01:41:51,320
Speaker 2: I do right.

1952
01:41:52,479 --> 01:42:00,840
Speaker 3: And my thing, my thing is my thing is it's

1953
01:42:00,920 --> 01:42:04,840
Speaker 3: just like someone can get a lot of notoriety by

1954
01:42:04,920 --> 01:42:07,320
Speaker 3: being out there. I've learned from the old school, like rodding.

1955
01:42:07,360 --> 01:42:10,479
Speaker 3: They was more laid back, and it bought more mistique. Yeah,

1956
01:42:10,760 --> 01:42:14,000
Speaker 3: kind of that mistake is over though, it is over. No, no, no, no,

1957
01:42:14,120 --> 01:42:16,679
Speaker 3: don't don't. It's not complete. I can't jump out the window.

1958
01:42:16,680 --> 01:42:18,040
Speaker 3: I don't know what he's talking about. I can't jump

1959
01:42:18,040 --> 01:42:18,960
Speaker 3: out the window. But it's over.

1960
01:42:19,040 --> 01:42:20,519
Speaker 2: He's right. It's like a lot of shit is over

1961
01:42:20,520 --> 01:42:22,920
Speaker 2: in the streets. This is over. But you you don't

1962
01:42:22,960 --> 01:42:24,679
Speaker 2: have to be all the way out there. It doesn't

1963
01:42:24,680 --> 01:42:25,880
Speaker 2: it doesn't have to be Oh no, I remember, not

1964
01:42:25,920 --> 01:42:27,040
Speaker 2: gonna do that. I don't know.

1965
01:42:27,200 --> 01:42:30,200
Speaker 3: But what I'm what I'm saying is in this new generation,

1966
01:42:30,760 --> 01:42:34,080
Speaker 3: like you are absolutely right, like we're not heard of,

1967
01:42:34,280 --> 01:42:34,760
Speaker 3: n w A.

1968
01:42:36,920 --> 01:42:40,120
Speaker 2: I didn't know what Compton was. I didn't even kind

1969
01:42:40,120 --> 01:42:42,080
Speaker 2: of when I heard the shot in like, I didn't

1970
01:42:42,120 --> 01:42:44,040
Speaker 2: know cha. Now it took me.

1971
01:42:45,120 --> 01:42:47,920
Speaker 5: Yeah, but that's because the information didn't travel that fast

1972
01:42:48,439 --> 01:42:48,960
Speaker 5: no Internet.

1973
01:42:49,080 --> 01:42:52,400
Speaker 2: No, but I would say that, don't don't get in twisted.

1974
01:42:52,439 --> 01:42:56,160
Speaker 5: I think that especially for the older generation, still does

1975
01:42:56,280 --> 01:42:57,839
Speaker 5: it's still being creative.

1976
01:42:58,439 --> 01:43:01,160
Speaker 2: You can't try to compete with the young guys that are.

1977
01:43:01,040 --> 01:43:03,360
Speaker 5: On social media twenty four to seven, because that's.

1978
01:43:03,280 --> 01:43:06,320
Speaker 2: Not your lane and your fans. Now you understanding your fight,

1979
01:43:06,479 --> 01:43:09,360
Speaker 2: Your fans are still there. They still there.

1980
01:43:09,520 --> 01:43:11,439
Speaker 5: They just didn't you wasn't putting something now or they

1981
01:43:11,439 --> 01:43:13,880
Speaker 5: couldn't didn't know where to find you. Now you're finding

1982
01:43:13,920 --> 01:43:15,680
Speaker 5: your fans again, and they want you to be you.

1983
01:43:15,840 --> 01:43:18,000
Speaker 5: They don't want you to be this young guy. They

1984
01:43:18,040 --> 01:43:20,679
Speaker 5: want you to be you, and they and they respect

1985
01:43:20,760 --> 01:43:21,320
Speaker 5: you for being you.

1986
01:43:21,400 --> 01:43:22,760
Speaker 2: And if you jump out the window and do some

1987
01:43:22,840 --> 01:43:24,519
Speaker 2: other ship you might lose even that.

1988
01:43:25,080 --> 01:43:25,960
Speaker 3: Fuck yourself up.

1989
01:43:25,920 --> 01:43:29,839
Speaker 4: Right, But I mean to me again, being the outside

1990
01:43:29,920 --> 01:43:32,600
Speaker 4: looking in, I never felt like you stepped outside of

1991
01:43:32,680 --> 01:43:33,080
Speaker 4: your zone.

1992
01:43:33,320 --> 01:43:35,439
Speaker 2: No, no, I didn't, that's what he said.

1993
01:43:35,560 --> 01:43:39,360
Speaker 4: Yeah, yeah, hasnt been the opportunity whe people approach you

1994
01:43:39,439 --> 01:43:40,439
Speaker 4: to step outside his own.

1995
01:43:41,000 --> 01:43:41,800
Speaker 3: I don't know what that man.

1996
01:43:41,880 --> 01:43:46,280
Speaker 5: But like through reality or some shit, yeah, fast love it.

1997
01:43:46,400 --> 01:43:47,639
Speaker 5: I could not see you on reality.

1998
01:43:48,320 --> 01:43:48,679
Speaker 2: I can't.

1999
01:43:48,840 --> 01:43:50,400
Speaker 3: Yeah yeah, it's not.

2000
01:43:50,720 --> 01:43:57,400
Speaker 2: Like fret love head. Yeah, exfinitely I can't do it.

2001
01:43:57,479 --> 01:43:58,160
Speaker 2: So that's what I'm saying.

2002
01:43:58,200 --> 01:43:59,960
Speaker 3: So that's why I fall back more because I say

2003
01:44:00,080 --> 01:44:01,920
Speaker 3: the lot like when I sit back watching it, like

2004
01:44:01,960 --> 01:44:04,520
Speaker 3: watching the stair because I be I see the besrip

2005
01:44:04,960 --> 01:44:06,120
Speaker 3: like it's going on.

2006
01:44:06,960 --> 01:44:08,360
Speaker 2: You know, we can play that back in the days.

2007
01:44:08,760 --> 01:44:09,599
Speaker 3: It's just gonna happen.

2008
01:44:10,720 --> 01:44:12,479
Speaker 5: And how far away from the music is that it's

2009
01:44:12,960 --> 01:44:16,080
Speaker 5: over here? Ain't about music and now the culture and

2010
01:44:16,120 --> 01:44:17,719
Speaker 5: the music and this is what's going on here.

2011
01:44:17,840 --> 01:44:20,840
Speaker 3: Right So now that's why I was like, okay, like

2012
01:44:20,920 --> 01:44:22,400
Speaker 3: he said, I can't that that it is over to

2013
01:44:22,439 --> 01:44:24,680
Speaker 3: an extent. So I'm here, you know, I gotta I

2014
01:44:24,760 --> 01:44:27,040
Speaker 3: gotta make my presence spell to an extent. I'm not

2015
01:44:27,120 --> 01:44:29,320
Speaker 3: never jumping out the window. That's never happened, right right,

2016
01:44:29,439 --> 01:44:31,800
Speaker 3: and we respect that seeks the lewis for us.

2017
01:44:31,920 --> 01:44:32,200
Speaker 10: Oh g.

2018
01:44:34,200 --> 01:44:39,000
Speaker 3: O G man, hey man, your class sack brother, thank

2019
01:44:39,040 --> 01:44:40,840
Speaker 3: you man once again, an old man. I appreciate you

2020
01:44:40,960 --> 01:44:43,120
Speaker 3: having me on this platform because because you know, like

2021
01:44:43,200 --> 01:44:44,120
Speaker 3: you said, the world don't know.

2022
01:44:44,479 --> 01:44:45,760
Speaker 2: You always over the door for me.

2023
01:44:45,800 --> 01:44:48,800
Speaker 3: And I was like, no, now now, so you can

2024
01:44:49,040 --> 01:44:50,439
Speaker 3: be like you know what not now keep the mother

2025
01:44:50,479 --> 01:44:52,720
Speaker 3: fucking clothes now you no, no, no, you can.

2026
01:44:52,840 --> 01:44:56,120
Speaker 2: You know he can. He's a good man now. But

2027
01:44:56,920 --> 01:45:00,479
Speaker 2: you know it's some left back, you know, y'all. I

2028
01:45:00,600 --> 01:45:01,800
Speaker 2: appreciate the transition.

2029
01:45:04,360 --> 01:45:07,679
Speaker 3: Let me just tell you that you are a pillar

2030
01:45:07,800 --> 01:45:10,400
Speaker 3: in this community. You are a legend, you are icon,

2031
01:45:10,880 --> 01:45:13,479
Speaker 3: you are one of the people, the reason why all

2032
01:45:13,560 --> 01:45:16,599
Speaker 3: of us is here. But everyone is excited here, people

2033
01:45:17,560 --> 01:45:20,000
Speaker 3: who don't come to drink champs. When I said that,

2034
01:45:20,080 --> 01:45:23,519
Speaker 3: we had as everyone is saying, Yo, man, let's go

2035
01:45:23,720 --> 01:45:26,360
Speaker 3: give him his flowers the correct way, wrop a way,

2036
01:45:26,760 --> 01:45:28,200
Speaker 3: the right way, because.

2037
01:45:29,600 --> 01:45:34,080
Speaker 2: You deserve it. You deserve thank y'all, Thank y'all.

2038
01:45:34,960 --> 01:45:37,560
Speaker 5: When you get mad at us and they would be

2039
01:45:37,640 --> 01:45:40,920
Speaker 5: like you're we would say, nah, it's an open door

2040
01:45:41,040 --> 01:45:44,080
Speaker 5: for him. Whenever Asy is ready, like we got to respect, like,

2041
01:45:44,280 --> 01:45:46,240
Speaker 5: whenever he's ready to come on from here.

2042
01:45:46,320 --> 01:45:48,800
Speaker 3: Man, I'm glad I made it. Man, Yes, yes, beautiful thing.

2043
01:45:49,439 --> 01:45:58,000
Speaker 3: So let's talk about oh on how you living? Oh

2044
01:45:58,160 --> 01:46:01,640
Speaker 3: l AS classic. I still performed that to this day.

2045
01:46:01,680 --> 01:46:05,120
Speaker 3: It's crazy secret we put that on. It's crazy yeah,

2046
01:46:05,200 --> 01:46:07,600
Speaker 3: that's that was the l S classic. That was on

2047
01:46:07,680 --> 01:46:11,960
Speaker 3: the Piece of a Man album. That was us just

2048
01:46:12,040 --> 01:46:12,559
Speaker 3: on our ship.

2049
01:46:13,560 --> 01:46:14,720
Speaker 2: We was it our bag at that time.

2050
01:46:14,920 --> 01:46:17,160
Speaker 19: We could only play that in certain certain cities and

2051
01:46:17,200 --> 01:46:21,519
Speaker 19: ship like when we performed every city, no right, like

2052
01:46:21,680 --> 01:46:25,960
Speaker 19: certain joints we could play that like might like game.

2053
01:46:28,439 --> 01:46:34,480
Speaker 2: Foul a't like nothing, it's something.

2054
01:46:35,200 --> 01:46:37,519
Speaker 3: Listen, man joy everybody enjoyed theself.

2055
01:46:39,520 --> 01:46:44,519
Speaker 13: Okay, No, it's just certain certain certain cities, like when

2056
01:46:44,600 --> 01:46:46,200
Speaker 13: we was in Richmond, Virginia, you know what I mean,

2057
01:46:46,320 --> 01:46:48,800
Speaker 13: Like certain cities that follow the mixtapes.

2058
01:46:48,880 --> 01:46:50,040
Speaker 2: That was a mixtape joint.

2059
01:46:50,400 --> 01:46:53,680
Speaker 5: You feel that the states from all receptive or overseas

2060
01:46:53,720 --> 01:46:55,719
Speaker 5: to to those joints, both.

2061
01:46:55,960 --> 01:46:58,639
Speaker 13: Both when they come to that both but for certain

2062
01:46:58,760 --> 01:47:02,479
Speaker 13: songs though, like how you living? We we we know

2063
01:47:02,560 --> 01:47:04,160
Speaker 13: when to pull that out, Like we know when to

2064
01:47:04,240 --> 01:47:06,439
Speaker 13: pull that joint out, you know, on the set, put

2065
01:47:06,479 --> 01:47:07,000
Speaker 13: it on the set.

2066
01:47:07,720 --> 01:47:09,920
Speaker 5: How do you know by the by the aesthetic of

2067
01:47:10,000 --> 01:47:11,679
Speaker 5: the crowd or what's being.

2068
01:47:11,640 --> 01:47:14,800
Speaker 13: Yeah, as soon as I walk in, and I know,

2069
01:47:15,200 --> 01:47:17,080
Speaker 13: like because I come out before him, So I.

2070
01:47:17,120 --> 01:47:20,160
Speaker 2: Really know by looking at you play for him? No,

2071
01:47:20,400 --> 01:47:22,240
Speaker 2: I mean I play a little set right before he

2072
01:47:22,320 --> 01:47:22,640
Speaker 2: comes home.

2073
01:47:24,360 --> 01:47:28,160
Speaker 13: Absolutely, So what do you do you like? I do

2074
01:47:28,240 --> 01:47:33,960
Speaker 13: a little quick mix, like just to fill out play.

2075
01:47:34,040 --> 01:47:36,080
Speaker 13: I actually played t O N why like damn you

2076
01:47:36,120 --> 01:47:39,200
Speaker 13: should a little two two three bars go into I

2077
01:47:39,400 --> 01:47:42,400
Speaker 13: four and nine broken language, Lucini.

2078
01:47:43,000 --> 01:47:53,960
Speaker 2: Matter what you're doing man, A little broke.

2079
01:47:57,040 --> 01:47:57,280
Speaker 13: Do that.

2080
01:47:59,040 --> 01:48:00,719
Speaker 2: Go into my right come out.

2081
01:48:00,640 --> 01:48:00,880
Speaker 10: And just.

2082
01:48:06,320 --> 01:48:07,320
Speaker 2: If there's anything you.

2083
01:48:07,320 --> 01:48:12,320
Speaker 3: Could do over nothing, nothing, Every lesson is a blessing.

2084
01:48:12,360 --> 01:48:13,120
Speaker 2: I appreciate it. Man.

2085
01:48:13,120 --> 01:48:15,800
Speaker 3: I'm in a good space man, and it's really a

2086
01:48:15,880 --> 01:48:18,240
Speaker 3: mental space and just I'm in a good space.

2087
01:48:18,320 --> 01:48:18,479
Speaker 2: Man.

2088
01:48:18,479 --> 01:48:20,479
Speaker 3: I understand it all. I see it for what it's worth,

2089
01:48:20,560 --> 01:48:23,200
Speaker 3: the good, bad and ugly. Like I get it. I

2090
01:48:23,320 --> 01:48:24,439
Speaker 3: get it, you know what I mean? And I know

2091
01:48:24,479 --> 01:48:27,400
Speaker 3: how to move and it's and it's you know, it's

2092
01:48:27,439 --> 01:48:28,960
Speaker 3: just a great thing. I just want to I can

2093
01:48:29,000 --> 01:48:31,760
Speaker 3: I bottle it and sell it because you gotta have

2094
01:48:31,880 --> 01:48:34,599
Speaker 3: a maneuver. You gotta move maneuver a certain way, man,

2095
01:48:34,680 --> 01:48:37,640
Speaker 3: and you gotta know when when when when the how

2096
01:48:37,680 --> 01:48:42,120
Speaker 3: they say hold them, when to fold them. Gotta know it.

2097
01:48:42,360 --> 01:48:44,880
Speaker 2: You gotta feel it, not just a thought. It's it

2098
01:48:44,960 --> 01:48:47,000
Speaker 2: feels like a vibe. You get it, you know what

2099
01:48:47,000 --> 01:48:47,240
Speaker 2: I mean.

2100
01:48:47,400 --> 01:48:50,679
Speaker 3: Like that vibe saved my life a lot of times.

2101
01:48:50,680 --> 01:48:52,640
Speaker 3: There's so many ways, like even a vibe on me

2102
01:48:53,000 --> 01:48:55,599
Speaker 3: when it gave my first contract and like yo, heavy,

2103
01:48:55,600 --> 01:48:56,559
Speaker 3: it was time to give you this money.

2104
01:48:56,560 --> 01:48:59,439
Speaker 2: I'm like, wait what it says one hundreds in publishing.

2105
01:49:00,120 --> 01:49:02,000
Speaker 3: No, No, I'm not doing that. It's a vibe.

2106
01:49:02,040 --> 01:49:03,960
Speaker 2: I don't know what publishing. I was just being asked

2107
01:49:04,000 --> 01:49:06,559
Speaker 2: sole you just didn't like one hundred percent of anything.

2108
01:49:06,600 --> 01:49:09,280
Speaker 3: I don't know I'm publishing. It's a vibe, right, So

2109
01:49:09,479 --> 01:49:10,799
Speaker 3: it's what's.

2110
01:49:10,800 --> 01:49:14,920
Speaker 2: A bottle reading the drink Champs contract earlier. It took

2111
01:49:15,000 --> 01:49:17,160
Speaker 2: like five ten minutes for that ship. I'm like, I'm

2112
01:49:17,200 --> 01:49:22,519
Speaker 2: your brother, You're good, gotcha?

2113
01:49:25,120 --> 01:49:28,240
Speaker 3: Yeah, nonred percent.

2114
01:49:28,400 --> 01:49:36,480
Speaker 2: Motherfucking this is perportuity that you always know me. Perportunity

2115
01:49:36,760 --> 01:49:38,439
Speaker 2: that means life, life time.

2116
01:49:39,280 --> 01:49:39,799
Speaker 3: You never.

2117
01:49:41,400 --> 01:49:46,120
Speaker 2: You still make money off the motherfucker. That's a lot

2118
01:49:46,160 --> 01:49:50,479
Speaker 2: of questions if we asked, oh geez, it's all the

2119
01:49:50,600 --> 01:49:51,479
Speaker 2: masters back.

2120
01:49:53,680 --> 01:49:56,240
Speaker 3: Not even cent of my master. I'm in the box

2121
01:49:56,280 --> 01:49:59,160
Speaker 3: of main for the last two. I get them loves

2122
01:49:59,200 --> 01:50:00,760
Speaker 3: in the and then people be like, what you want

2123
01:50:00,800 --> 01:50:01,360
Speaker 3: your masters for?

2124
01:50:01,520 --> 01:50:01,640
Speaker 5: Right?

2125
01:50:03,320 --> 01:50:05,360
Speaker 3: Just makes sense when your licensing and me doing it,

2126
01:50:05,439 --> 01:50:07,759
Speaker 3: you know what I mean? When it's just ownership is everything,

2127
01:50:08,000 --> 01:50:12,000
Speaker 3: you know, it's everything with technology and things changing.

2128
01:50:12,120 --> 01:50:12,760
Speaker 2: You want to own it.

2129
01:50:12,800 --> 01:50:14,120
Speaker 3: So yeah, I'm on the last two.

2130
01:50:14,600 --> 01:50:17,639
Speaker 2: That's two more to go, two more to go, and everything.

2131
01:50:18,560 --> 01:50:19,400
Speaker 2: Give it to the kids.

2132
01:50:19,680 --> 01:50:21,760
Speaker 3: Given to the kids. They don't They're gonna suck it

2133
01:50:21,800 --> 01:50:30,680
Speaker 3: up anywhere we leave it to the kids. Fuck yeah, kid,

2134
01:50:31,400 --> 01:50:31,680
Speaker 3: you don't.

2135
01:50:32,400 --> 01:50:35,880
Speaker 2: That's the point. They're they're gonna suck it up. That's

2136
01:50:35,960 --> 01:50:42,040
Speaker 2: that's a luxury, right Yeah, yeah, yeah, Man, this is

2137
01:50:42,120 --> 01:50:46,080
Speaker 2: been so fucking fucking fantastic. Man, do what Man? How

2138
01:50:46,120 --> 01:50:49,519
Speaker 2: did did we speak about? How did y'all? Yeah? You

2139
01:50:49,680 --> 01:50:51,960
Speaker 2: just called me one day, like twenty twelve, you just

2140
01:50:52,040 --> 01:50:53,200
Speaker 2: called me. He was like, are you ready?

2141
01:50:53,720 --> 01:50:58,240
Speaker 13: Because I know him since ninety five and ninety five,

2142
01:50:58,320 --> 01:51:03,400
Speaker 13: I know drunk. He called me, called me, he called

2143
01:51:03,479 --> 01:51:04,840
Speaker 13: me d O.

2144
01:51:05,040 --> 01:51:07,519
Speaker 2: Was a connection, d O Damien. He's a connection.

2145
01:51:08,200 --> 01:51:14,200
Speaker 5: But yeah, that's not underestimate how legendary Duop is. The era,

2146
01:51:14,520 --> 01:51:17,519
Speaker 5: the era of mixtape DJs that comes from him and

2147
01:51:17,600 --> 01:51:20,920
Speaker 5: his his caliber of of mixtape DJ and just DJ

2148
01:51:21,040 --> 01:51:25,120
Speaker 5: in general. Like the era the mixtape DJ was controlling

2149
01:51:25,200 --> 01:51:29,360
Speaker 5: everything because commercial radio at least across the nation wasn't

2150
01:51:29,400 --> 01:51:33,600
Speaker 5: doing it. Like all the labels had to adhere to

2151
01:51:33,720 --> 01:51:37,280
Speaker 5: the mixtape DJs and they were given him and me.

2152
01:51:37,400 --> 01:51:39,560
Speaker 2: I was in Miami doing it, but he was. He

2153
01:51:39,720 --> 01:51:40,720
Speaker 2: was the one I was looking up to.

2154
01:51:41,240 --> 01:51:45,320
Speaker 5: They were giving us unprecedented access to artists, to music

2155
01:51:45,520 --> 01:51:46,840
Speaker 5: because they needed us.

2156
01:51:47,439 --> 01:51:50,360
Speaker 2: That was the first bootleggers. No, man, I don't think.

2157
01:51:51,240 --> 01:51:56,439
Speaker 2: I was like, you know what, but you know what

2158
01:51:56,560 --> 01:51:58,719
Speaker 2: they're like, like, I'm gonna give you an example.

2159
01:51:59,640 --> 01:52:04,559
Speaker 13: The album Charis worked for Sony right right, Columbia whatever.

2160
01:52:04,560 --> 01:52:08,280
Speaker 2: It was, no hold on, hold on. She would call me.

2161
01:52:08,520 --> 01:52:10,800
Speaker 13: She called me one day and was like, I'm gonna

2162
01:52:10,800 --> 01:52:12,880
Speaker 13: give you Street Dreams NASR.

2163
01:52:13,040 --> 01:52:15,560
Speaker 2: I'm gonna give Flex rule the world because that's the

2164
01:52:15,840 --> 01:52:19,440
Speaker 2: that's what they were doing. They were doing that ship something.

2165
01:52:20,800 --> 01:52:25,760
Speaker 2: They're the ones doing the bootlegging. I didn't rely I

2166
01:52:25,800 --> 01:52:28,840
Speaker 2: didn't rely on that on that. I'm gonna tell you

2167
01:52:28,880 --> 01:52:29,080
Speaker 2: you know.

2168
01:52:29,200 --> 01:52:31,320
Speaker 5: This is why I have offense to the bootlegging team,

2169
01:52:31,360 --> 01:52:34,360
Speaker 5: because mixtapes is a huge part of the culture, absolutely,

2170
01:52:34,720 --> 01:52:36,920
Speaker 5: and this is the part where where we're getting all

2171
01:52:36,960 --> 01:52:39,479
Speaker 5: of us by the industry, the mainstream industry, they don't

2172
01:52:39,479 --> 01:52:40,320
Speaker 5: give a funk about hip hop.

2173
01:52:41,280 --> 01:52:42,759
Speaker 2: Those A and rs and those.

2174
01:52:42,680 --> 01:52:46,320
Speaker 5: Marketing come those marketing executives were like, we need these

2175
01:52:46,360 --> 01:52:46,920
Speaker 5: mixtape guys.

2176
01:52:46,920 --> 01:52:49,280
Speaker 2: We're gonna give them these exclusives, these leaks. We're gonna lead.

2177
01:52:49,200 --> 01:52:51,519
Speaker 5: Them, and then they would leak the records to us,

2178
01:52:51,600 --> 01:52:53,880
Speaker 5: and then we would get ceased and desist and get

2179
01:52:54,000 --> 01:52:59,280
Speaker 5: sued lawyers trying to funk us up. Same mother label

2180
01:53:00,200 --> 01:53:05,200
Speaker 5: man out of here with that ship. You know what,

2181
01:53:05,240 --> 01:53:07,520
Speaker 5: I'm sorry you got those seasons. This is too absolutely

2182
01:53:07,640 --> 01:53:08,240
Speaker 5: I know you did.

2183
01:53:08,479 --> 01:53:11,520
Speaker 2: But that's why I kind of didn't rely on exclusives.

2184
01:53:11,880 --> 01:53:15,240
Speaker 2: I did that. I had rappers coming to the studio

2185
01:53:16,120 --> 01:53:19,640
Speaker 2: to do like exclusives for me, and we had all

2186
01:53:22,080 --> 01:53:23,439
Speaker 2: well the only thing is we were doing it over

2187
01:53:23,760 --> 01:53:27,080
Speaker 2: other people's beats, so that yeah, but that was later

2188
01:53:27,160 --> 01:53:27,559
Speaker 2: on that.

2189
01:53:29,080 --> 01:53:32,479
Speaker 3: But is this form of true that as from paid

2190
01:53:32,520 --> 01:53:34,840
Speaker 3: and for whatever sues you or tried to sue you.

2191
01:53:34,960 --> 01:53:36,800
Speaker 3: He probably did, I don't know. It wasn't me, but

2192
01:53:37,240 --> 01:53:40,840
Speaker 3: probably record label. I don't know. I'm sure if he did,

2193
01:53:40,920 --> 01:53:41,599
Speaker 3: an't get much.

2194
01:53:41,720 --> 01:53:44,240
Speaker 2: I don't know. You're gonna be honest, but he said

2195
01:53:44,280 --> 01:53:44,519
Speaker 2: that of it.

2196
01:53:44,600 --> 01:53:46,360
Speaker 3: He tried, He tried.

2197
01:53:47,520 --> 01:53:53,360
Speaker 2: They don't have no relationship relationship. I mean he spoke about, Yeah,

2198
01:53:53,560 --> 01:53:55,840
Speaker 2: I'm seeing them. We dialogue. I mean, sue me.

2199
01:53:58,479 --> 01:54:00,880
Speaker 3: Your mom. I'm sure whatever you got good Man for.

2200
01:54:01,240 --> 01:54:03,240
Speaker 3: I mean, you know, it's it's a system, you know

2201
01:54:03,280 --> 01:54:04,880
Speaker 3: what I mean. If you found the loophole and it

2202
01:54:05,040 --> 01:54:07,960
Speaker 3: enjoy But as I said before, I would never you

2203
01:54:08,080 --> 01:54:10,920
Speaker 3: said and you said earlier, like you said that that

2204
01:54:11,120 --> 01:54:15,920
Speaker 3: name wasn't come. It don't even make sense. But if

2205
01:54:15,920 --> 01:54:18,439
Speaker 3: it's loophole and you see loophole, I can fall in

2206
01:54:18,479 --> 01:54:20,479
Speaker 3: here like oh I'm yeah a loophole.

2207
01:54:20,520 --> 01:54:23,320
Speaker 2: I ain't hurt myself loophole. But it was cool.

2208
01:54:23,360 --> 01:54:25,400
Speaker 3: I mean it's oh ship, you know what I mean.

2209
01:54:25,520 --> 01:54:27,280
Speaker 2: It's like suing the insurance company.

2210
01:54:29,920 --> 01:54:32,040
Speaker 3: Soe me, you're gonna smoke nothing.

2211
01:54:39,000 --> 01:54:41,360
Speaker 2: You don't even I don't even dream like that, but drink.

2212
01:54:41,440 --> 01:54:43,400
Speaker 2: So you got sam.

2213
01:54:45,680 --> 01:54:46,000
Speaker 5: M hm.

2214
01:54:47,680 --> 01:54:50,000
Speaker 2: He's a class act. Man, Thank you, man, thank you

2215
01:54:50,040 --> 01:54:50,520
Speaker 2: for having me.

2216
01:54:50,680 --> 01:54:50,840
Speaker 16: Man.

2217
01:54:51,040 --> 01:54:51,720
Speaker 3: I appreciate it.

2218
01:54:52,080 --> 01:54:56,840
Speaker 2: Nah, man, you you deserve everything. Man, Yes, we still

2219
01:54:56,880 --> 01:54:57,640
Speaker 2: got two hours.

2220
01:54:59,320 --> 01:54:59,920
Speaker 3: I want to eat.

2221
01:55:00,000 --> 01:55:02,720
Speaker 13: I'm going, I'm going I'll be watching this on YouTube.

2222
01:55:02,720 --> 01:55:05,760
Speaker 13: It should be like three hours and thirty four minutes.

2223
01:55:06,760 --> 01:55:11,000
Speaker 3: Entertaining a half entertainment.

2224
01:55:11,200 --> 01:55:16,960
Speaker 2: He's like, half good, let's go. No, man's good work.

2225
01:55:16,960 --> 01:55:20,240
Speaker 2: I understand. We did a good run.

2226
01:55:20,680 --> 01:55:20,960
Speaker 6: Listen.

2227
01:55:22,120 --> 01:55:23,640
Speaker 2: Please want to give you a flowers.

2228
01:55:23,360 --> 01:55:24,080
Speaker 3: And I appreciate it.

2229
01:55:24,200 --> 01:55:24,720
Speaker 5: Man. Thanks.

2230
01:55:24,920 --> 01:55:29,560
Speaker 2: Well, I'm out the albums out right. You said, what

2231
01:55:29,840 --> 01:55:30,400
Speaker 2: album out?

2232
01:55:30,880 --> 01:55:34,600
Speaker 3: Album out now December first, But either way album out,

2233
01:55:35,160 --> 01:55:39,000
Speaker 3: truth be told, but wild shout out hip hop.

2234
01:55:39,080 --> 01:55:39,800
Speaker 2: That is finest.

2235
01:55:40,240 --> 01:55:42,120
Speaker 3: I feel great, man, I'm in the dug we hit

2236
01:55:42,320 --> 01:55:44,600
Speaker 3: the album. I'm in my best shape ever. Oh man,

2237
01:55:44,800 --> 01:55:45,600
Speaker 3: so good man.

2238
01:55:46,360 --> 01:55:48,720
Speaker 2: So what's next after this? You can tour the album?

2239
01:55:49,200 --> 01:55:50,040
Speaker 2: Hopefully I tour.

2240
01:55:50,640 --> 01:55:52,840
Speaker 3: If not, I'll work on another album, movie. I'm just

2241
01:55:52,880 --> 01:55:53,560
Speaker 3: trying to do everything.

2242
01:55:53,600 --> 01:55:53,720
Speaker 11: Man.

2243
01:55:54,000 --> 01:55:56,200
Speaker 2: I should go visit that haunted mansion, y'all was.

2244
01:55:57,960 --> 01:55:58,080
Speaker 18: Right?

2245
01:55:58,200 --> 01:56:00,520
Speaker 2: Yeah, and doing reality show We're us. Can we talk

2246
01:56:00,520 --> 01:56:03,800
Speaker 2: about the Flyers yet? Flies Gangs? We talked about that

2247
01:56:03,880 --> 01:56:05,840
Speaker 2: that was out there. Let's talk about that.

2248
01:56:06,160 --> 01:56:09,040
Speaker 3: That was on Still Matter, correct, that's when it that's

2249
01:56:09,040 --> 01:56:10,920
Speaker 3: when when when Esco was going through what he was

2250
01:56:10,960 --> 01:56:12,520
Speaker 3: going through. But it was it was a good look

2251
01:56:13,760 --> 01:56:16,120
Speaker 3: because we always we always made classics. And that's that.

2252
01:56:16,240 --> 01:56:18,760
Speaker 3: I performed that at the shows. That's that's a that's

2253
01:56:18,760 --> 01:56:20,720
Speaker 3: a good song, and that's all the shows.

2254
01:56:20,960 --> 01:56:21,760
Speaker 2: That's a big joint.

2255
01:56:21,960 --> 01:56:26,919
Speaker 3: Yeah, that's one of them classes right there, Man, Flies Gangsters,

2256
01:56:27,600 --> 01:56:28,280
Speaker 3: How did that happen?

2257
01:56:28,720 --> 01:56:29,920
Speaker 2: Where's your studio?

2258
01:56:29,960 --> 01:56:34,440
Speaker 3: Where? What's that? I don't know if that was a

2259
01:56:34,520 --> 01:56:37,760
Speaker 3: hit factory or had to be the hit again or

2260
01:56:39,680 --> 01:56:44,520
Speaker 3: Sony had a studio Sony Street, Yeah, that's where it was.

2261
01:56:44,640 --> 01:56:47,440
Speaker 3: Sony and once again, that's l E s again L

2262
01:56:47,680 --> 01:56:51,160
Speaker 3: had classics. We were there in the studio like at

2263
01:56:51,200 --> 01:56:53,280
Speaker 3: that time. You know it's a time like you said analog.

2264
01:56:54,160 --> 01:56:59,720
Speaker 2: Yeah, okay, so I'm this is the last question. God

2265
01:56:59,800 --> 01:57:02,920
Speaker 2: come down, but I haven't.

2266
01:57:03,240 --> 01:57:09,080
Speaker 3: But he says, A you got one chance to save

2267
01:57:09,120 --> 01:57:15,800
Speaker 3: your life, make one record. Who's the producer you're picking

2268
01:57:16,040 --> 01:57:18,720
Speaker 3: to make that one record? Save you your life?

2269
01:57:19,200 --> 01:57:19,600
Speaker 2: Everyone?

2270
01:57:21,040 --> 01:57:24,880
Speaker 4: The one producer you saving your life to save the

2271
01:57:25,000 --> 01:57:30,360
Speaker 4: life of humanity. Do you want to take a shot?

2272
01:57:32,160 --> 01:57:34,040
Speaker 4: You wanted to take a shot.

2273
01:57:37,200 --> 01:57:37,680
Speaker 2: A little.

2274
01:57:40,840 --> 01:57:41,480
Speaker 3: I got a shot.

2275
01:57:43,600 --> 01:57:47,320
Speaker 2: Let's take a shot. Who would I do one record

2276
01:57:47,400 --> 01:57:48,480
Speaker 2: to save humanity?

2277
01:57:50,360 --> 01:57:50,960
Speaker 3: The producer?

2278
01:57:51,720 --> 01:57:53,160
Speaker 10: Yes? And you.

2279
01:57:54,800 --> 01:58:06,320
Speaker 3: Berry Gordy man Berry, Gordy Jones bad? Either one of them?

2280
01:58:06,920 --> 01:58:07,680
Speaker 3: Wrist bad.

2281
01:58:09,360 --> 01:58:17,960
Speaker 2: Look here's the hip hop see. Thank you so much.

2282
01:58:18,120 --> 01:58:20,280
Speaker 3: The man, I use the bathroom to hold on, don't

2283
01:58:20,320 --> 01:58:22,800
Speaker 3: finish this and then we're gonna use the bathrooms.

2284
01:58:22,840 --> 01:58:26,880
Speaker 2: Then we're gonna part ways. Yes, do wop a Z.

2285
01:58:27,240 --> 01:58:34,640
Speaker 2: Thank you brothers both coming here being exactly who you

2286
01:58:34,720 --> 01:58:35,160
Speaker 2: guys are.

2287
01:58:36,280 --> 01:58:41,400
Speaker 4: Guys are legends, absolutely righticons. We wanted to salute that man.

2288
01:58:41,720 --> 01:58:42,680
Speaker 2: Thank you so much.

2289
01:58:42,760 --> 01:58:49,920
Speaker 5: Man. You show that to toy when you come back

2290
01:58:49,960 --> 01:58:53,600
Speaker 5: and taking pictures and take Pictures and Drink Champs is

2291
01:58:53,680 --> 01:58:59,160
Speaker 5: a Drink Champs LLC production and association with Interval Presents. Hosts,

2292
01:58:59,200 --> 01:59:02,800
Speaker 5: an executive n o r E and dj e FN

2293
01:59:03,720 --> 01:59:08,280
Speaker 5: from Interval Presents executive producers Alan Coy and Jake Kleinberg.

2294
01:59:08,960 --> 01:59:09,760
Speaker 2: Listen to Drink.

2295
01:59:09,640 --> 01:59:13,920
Speaker 5: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

2296
01:59:14,080 --> 01:59:17,839
Speaker 5: get your podcasts. Thanks for joining us for another episode

2297
01:59:17,880 --> 01:59:20,720
Speaker 5: of Drink Champs hosted by Yours Truly, dj e FN

2298
01:59:20,960 --> 01:59:23,080
Speaker 5: and n o r E. Please make sure to follow

2299
01:59:23,160 --> 01:59:25,600
Speaker 5: us on all our socials That's at drink Champs across

2300
01:59:25,720 --> 01:59:30,520
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2301
01:59:30,960 --> 01:59:34,360
Speaker 5: mine is at Who's Crazy on ig at dj e

2302
01:59:34,560 --> 01:59:37,120
Speaker 5: fn on Twitter, and most importantly, stay up to date

2303
01:59:37,160 --> 01:59:40,360
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2304
01:59:40,440 --> 01:59:41,800
Speaker 5: drink Champs dot com