1 00:00:00,200 --> 00:00:03,080 Speaker 1: Hello the Internet, and welcome to season eighteen, episode three 2 00:00:03,080 --> 00:00:07,240 Speaker 1: of DARE Daily Sights Geist for February four, Team Fountain's 3 00:00:07,280 --> 00:00:09,360 Speaker 1: Day two thousand eight. Team. My name is Jack O'Brien, 4 00:00:09,440 --> 00:00:15,400 Speaker 1: a K Gillac panther courtesy of cub one Fan three. 5 00:00:16,000 --> 00:00:18,920 Speaker 1: Uh pick a number cub one Fan three, and I'm 6 00:00:19,000 --> 00:00:23,040 Speaker 1: joined as always by my co host, Mr Miles Gray. 7 00:00:23,200 --> 00:00:24,479 Speaker 1: You know what, I'm gonna do you one better and 8 00:00:24,480 --> 00:00:27,000 Speaker 1: I'm gonna raise the stakes here because Cuble one Fan 9 00:00:27,080 --> 00:00:29,120 Speaker 1: three also give you with the a K, and I'm 10 00:00:29,160 --> 00:00:31,880 Speaker 1: going with the Gray panther because I'm Miles Gray. Low 11 00:00:31,920 --> 00:00:35,959 Speaker 1: hanging fruit, but an appropriate a K nonetheless, So thank 12 00:00:36,040 --> 00:00:39,000 Speaker 1: you just did the double. Cub one Fan three, Uh, 13 00:00:39,280 --> 00:00:42,520 Speaker 1: get another idea Cup one Fan three. Sorry, I'm being 14 00:00:42,560 --> 00:00:46,360 Speaker 1: so mean. Uh. And we are thrilled to be joined 15 00:00:46,360 --> 00:00:49,600 Speaker 1: in our third seat by the very funny comedian ashling d. 16 00:00:53,720 --> 00:00:57,600 Speaker 1: I'm great. It's Valentine's Day. I'm only be described as 17 00:00:57,600 --> 00:01:02,000 Speaker 1: a date. My describe as a podcast, but I'm taking 18 00:01:02,040 --> 00:01:05,399 Speaker 1: what i can get. To be honest, boys, Jackie, people 19 00:01:05,480 --> 00:01:07,759 Speaker 1: mentioning your child, which I think is odd for a date. 20 00:01:09,280 --> 00:01:12,319 Speaker 1: I'm coming a great day, that's right, we're recording this 21 00:01:12,440 --> 00:01:16,400 Speaker 1: extra early so I can get to my son's Valentine's 22 00:01:16,440 --> 00:01:21,240 Speaker 1: Day party. Said, I appreciate you all being here, and 23 00:01:21,280 --> 00:01:23,560 Speaker 1: you really have it's hard to get on that guest list. Yes, 24 00:01:23,760 --> 00:01:26,880 Speaker 1: that was very tough one. I thought a child marriage 25 00:01:26,920 --> 00:01:29,160 Speaker 1: was outlawded in America. But it's nice to say it's 26 00:01:29,200 --> 00:01:32,360 Speaker 1: still going strong, still having their meat and great, still 27 00:01:32,400 --> 00:01:35,480 Speaker 1: put it out there. Actually, what is something from your 28 00:01:35,520 --> 00:01:38,080 Speaker 1: search history that is revealing about who you are as 29 00:01:38,080 --> 00:01:42,360 Speaker 1: a human? Well, what is interesting is that I delete 30 00:01:42,440 --> 00:01:46,000 Speaker 1: all my search history on the weekly. Yeah, I have 31 00:01:46,200 --> 00:01:49,840 Speaker 1: this feeling I'm just very clumsy, and I know I'm 32 00:01:49,880 --> 00:01:52,240 Speaker 1: like always a day or away or two before someone 33 00:01:52,280 --> 00:01:55,720 Speaker 1: finds my stuff. So I just tend to, rather than 34 00:01:55,760 --> 00:01:58,000 Speaker 1: be more responsible, just to let my search history in 35 00:01:58,000 --> 00:02:01,760 Speaker 1: case someone finds it. But my last one from yesterday 36 00:02:02,120 --> 00:02:08,280 Speaker 1: was Unauthorized Rock Musical of Jurassic Park. And that is 37 00:02:08,520 --> 00:02:11,040 Speaker 1: an authorized musical that my friend is in and I 38 00:02:11,080 --> 00:02:13,800 Speaker 1: was looking for tickets last night to get them, and 39 00:02:13,840 --> 00:02:18,880 Speaker 1: so he's in in l a Jurassic Park musical. Well, 40 00:02:18,960 --> 00:02:22,680 Speaker 1: I'm just interested to know what the authorized Jurassic Park 41 00:02:22,840 --> 00:02:25,360 Speaker 1: musical is. If this is the unauthorized one. They have 42 00:02:25,400 --> 00:02:28,119 Speaker 1: to legally say that. So I'll be interested to see 43 00:02:28,120 --> 00:02:31,880 Speaker 1: what it's like going next Saturday. A very important film 44 00:02:31,919 --> 00:02:36,560 Speaker 1: for me and especially lends itself towards singing and dancing absolutely, 45 00:02:36,720 --> 00:02:39,200 Speaker 1: so I'm interested to see how that will be and 46 00:02:39,520 --> 00:02:41,359 Speaker 1: the twenty five years I think right ninety three is 47 00:02:41,400 --> 00:02:44,400 Speaker 1: when it came out. I just have to see this now. Yeah, 48 00:02:44,480 --> 00:02:47,960 Speaker 1: this sounds amazing, like because I'm picturing that there are 49 00:02:48,040 --> 00:02:51,280 Speaker 1: actors portraying the dinosaurs. What do you think that that 50 00:02:51,320 --> 00:02:53,720 Speaker 1: will be happening or yeah, I hope so I hope 51 00:02:53,760 --> 00:02:56,919 Speaker 1: the raptoring around on the stage. Yeah, the raptors will wrap. 52 00:02:57,080 --> 00:02:59,840 Speaker 1: I hope they haven't like found some amber and put 53 00:02:59,840 --> 00:03:03,000 Speaker 1: an entrough the amber into a mosquito and to recreate that, 54 00:03:03,160 --> 00:03:05,840 Speaker 1: because we also what happened last time when someone did 55 00:03:05,840 --> 00:03:10,520 Speaker 1: that for entertainment. So yeah, Muldoon with the Hunter guy 56 00:03:10,560 --> 00:03:17,920 Speaker 1: will do a number called Clever Girl. Yeah, I mean 57 00:03:17,960 --> 00:03:20,040 Speaker 1: maybe we're writing it right now, but just to know 58 00:03:20,120 --> 00:03:21,560 Speaker 1: for your friend, if he doesn't do that, that's very 59 00:03:21,560 --> 00:03:26,200 Speaker 1: low hanging fruit. What is something you think is underrated? Underrated? 60 00:03:26,639 --> 00:03:31,040 Speaker 1: Sandra Block? Yeah, yeah, I have long thought this. I 61 00:03:31,080 --> 00:03:33,120 Speaker 1: think she does not get what she deserves, and if 62 00:03:33,120 --> 00:03:34,960 Speaker 1: she's listening to the podcast, which I can only seem 63 00:03:35,000 --> 00:03:39,040 Speaker 1: she can because she also lives in America. I think 64 00:03:39,160 --> 00:03:42,560 Speaker 1: that you are an underrated actress and are wonderful and 65 00:03:42,600 --> 00:03:45,400 Speaker 1: can turn your hand to comedy and drama, Sandra, and 66 00:03:45,440 --> 00:03:47,760 Speaker 1: let no one tell you any different. And you're kind, 67 00:03:48,120 --> 00:03:50,880 Speaker 1: and you've aged beautifully without looking like you've got under 68 00:03:50,880 --> 00:03:54,240 Speaker 1: the knife, and you seem to be lovely off camera 69 00:03:54,280 --> 00:03:55,840 Speaker 1: as well, not that I've ever met you, but in 70 00:03:55,960 --> 00:04:00,000 Speaker 1: sort of backstage hangs, Miss congeniality still on my face, 71 00:04:00,000 --> 00:04:04,040 Speaker 1: evorite films. She was being an empowered, funny woman who 72 00:04:04,080 --> 00:04:05,600 Speaker 1: didn't have to be a mess. Was funny on her 73 00:04:05,640 --> 00:04:09,360 Speaker 1: own terms, even back then, and she had to act 74 00:04:10,080 --> 00:04:13,040 Speaker 1: just floating around with George Clooney for ages on her 75 00:04:13,040 --> 00:04:15,880 Speaker 1: own in a silly space suit which like it's harder 76 00:04:15,920 --> 00:04:20,839 Speaker 1: than you think, um in gravity or lack of gravity 77 00:04:20,880 --> 00:04:25,320 Speaker 1: as I called it. I've never heard of her. I'm 78 00:04:25,320 --> 00:04:29,960 Speaker 1: going to play along with your she's an actress, but 79 00:04:30,000 --> 00:04:33,880 Speaker 1: I will check her out. Yeah, she's a really new 80 00:04:33,960 --> 00:04:37,159 Speaker 1: kid on the block. I'm not surprised you haven't heard 81 00:04:37,160 --> 00:04:40,120 Speaker 1: of She was in that documentary you love Jack called speed. Yes, 82 00:04:40,360 --> 00:04:44,039 Speaker 1: yes about that terrible bus accident. That's why I moved 83 00:04:44,080 --> 00:04:49,160 Speaker 1: to l A because of that documentary. L Look what 84 00:04:49,440 --> 00:04:53,160 Speaker 1: does something? He takes the train overrated? I feel like, 85 00:04:53,240 --> 00:04:57,560 Speaker 1: again this might be controversial because I feel like tomorrow 86 00:04:57,600 --> 00:05:00,400 Speaker 1: will bump into him now or something. Tom Hiddleston that 87 00:05:00,640 --> 00:05:03,760 Speaker 1: is yeah, and I just don't get the like for me. 88 00:05:04,120 --> 00:05:07,440 Speaker 1: He A. Of course he's a handsome man, but handsome 89 00:05:07,440 --> 00:05:09,400 Speaker 1: in the same way all men from the town are, 90 00:05:10,000 --> 00:05:15,159 Speaker 1: you know, like, yeah, you've got tet Biologically it seems sound, 91 00:05:16,320 --> 00:05:19,560 Speaker 1: but like not like oh mad days, I'd be late 92 00:05:19,600 --> 00:05:23,680 Speaker 1: for that, like and then I'd be late for that. 93 00:05:23,880 --> 00:05:26,720 Speaker 1: And then when he does anytime he goes in a 94 00:05:26,760 --> 00:05:28,800 Speaker 1: chat show, he does his impressions, or anytime he does 95 00:05:28,800 --> 00:05:30,840 Speaker 1: an interview he does it like seven impressions where it's 96 00:05:31,080 --> 00:05:33,680 Speaker 1: like I'm showing who are you doing and all this 97 00:05:33,760 --> 00:05:37,000 Speaker 1: sort of stuff, and you're like, that's that's that's exactly 98 00:05:37,160 --> 00:05:40,400 Speaker 1: what boring people do on dates, you know, when someone 99 00:05:40,480 --> 00:05:43,560 Speaker 1: goes you know, I can do impressions and you're like, 100 00:05:43,600 --> 00:05:49,440 Speaker 1: O can you're really can you do play? Yeah, that's true, 101 00:05:49,480 --> 00:05:52,920 Speaker 1: that's problem. But also everyone does like if you if 102 00:05:52,960 --> 00:05:57,560 Speaker 1: you can do andy do frain impression. I don't care 103 00:05:57,600 --> 00:05:59,520 Speaker 1: because everyone can do that. That's like being able to 104 00:05:59,600 --> 00:06:03,479 Speaker 1: kind of remark drink water. Yeah, ain't in differing. I'm like, yeah, 105 00:06:03,480 --> 00:06:10,680 Speaker 1: everyone do that. Yeah, it's really good, brilliant. Or Christopher Walking, like, 106 00:06:10,880 --> 00:06:14,080 Speaker 1: I mean that's not yeah, that's not You're not clever. 107 00:06:15,640 --> 00:06:17,680 Speaker 1: So that is my And did you see him sing 108 00:06:17,680 --> 00:06:21,159 Speaker 1: Man in the Mirror and somewhere in Asia Christopher Walk? No, 109 00:06:21,320 --> 00:06:25,080 Speaker 1: not Christopher Walking, Tom Huddleston, Oh no, oh my god, 110 00:06:25,120 --> 00:06:27,520 Speaker 1: do yourselves a favor or actually maybe ruin your day 111 00:06:28,520 --> 00:06:31,240 Speaker 1: by watching He's like, yeah, okay, I suppose I suppose 112 00:06:31,279 --> 00:06:33,320 Speaker 1: I could sing you a song? Yeah, And then they 113 00:06:33,320 --> 00:06:37,240 Speaker 1: started really and then he goes, I'm going to make 114 00:06:37,279 --> 00:06:41,120 Speaker 1: a change, you know, really off like that sort of 115 00:06:43,000 --> 00:06:46,560 Speaker 1: I'm looking at the man in the mirror, you know, 116 00:06:46,720 --> 00:06:50,080 Speaker 1: really just slightly off, which is worse than completely all 117 00:06:50,720 --> 00:06:54,520 Speaker 1: oh is it was real dodgy territory, icy stuff. So 118 00:06:54,640 --> 00:06:59,800 Speaker 1: that's my terrible. But everyone was like, just could couldn't 119 00:07:00,120 --> 00:07:02,320 Speaker 1: And maybe that Taylor Swift co sign did it all. 120 00:07:02,440 --> 00:07:05,760 Speaker 1: Yeah I understand that, do you know what? He doesn't 121 00:07:05,800 --> 00:07:09,840 Speaker 1: come across as a bad man, it's not about his soul, 122 00:07:09,960 --> 00:07:13,840 Speaker 1: which I believe is good. It's just the overrated right. 123 00:07:14,640 --> 00:07:17,560 Speaker 1: If him and Sandra could combine their power and just 124 00:07:17,720 --> 00:07:19,600 Speaker 1: do their job, I feel like they both get what 125 00:07:19,640 --> 00:07:22,160 Speaker 1: they deserve. And it made him seem suspicious to me 126 00:07:22,200 --> 00:07:24,680 Speaker 1: that he diated Taylor Swift because I think she's like 127 00:07:24,720 --> 00:07:28,520 Speaker 1: an alien cyborg type thing, right, I don't. I think, 128 00:07:28,560 --> 00:07:31,360 Speaker 1: as she says, she gets all this old Taylor Swift 129 00:07:31,360 --> 00:07:33,800 Speaker 1: and Rex's but Ed Sheeran just talk us through his 130 00:07:33,920 --> 00:07:37,600 Speaker 1: day every single song, and everyone's like, oh, he's just 131 00:07:37,640 --> 00:07:41,240 Speaker 1: got so much rain song walk down the Road. Then 132 00:07:41,240 --> 00:07:43,280 Speaker 1: I met a girl, Yes, another girl and it's a 133 00:07:43,280 --> 00:07:45,440 Speaker 1: different song, but it's the same girl from the other song. 134 00:07:46,000 --> 00:07:48,000 Speaker 1: And then we had a peck are eyes and you're like, 135 00:07:48,000 --> 00:07:52,040 Speaker 1: oh God, but he doesn't get any bad flak. Al Right, Well, 136 00:07:52,160 --> 00:07:55,640 Speaker 1: I now dislike Tom Hilson a little bit more and 137 00:07:56,440 --> 00:08:01,400 Speaker 1: have a greater appreciation for this. And you call Sandral 138 00:08:02,240 --> 00:08:05,280 Speaker 1: have to check out, all right. We're trying to take 139 00:08:05,280 --> 00:08:07,200 Speaker 1: a sample of what people are thinking. You're talking about 140 00:08:07,440 --> 00:08:10,880 Speaker 1: today on Valentine's Day two, And the way we like 141 00:08:10,960 --> 00:08:13,600 Speaker 1: to open things up is by asking our guest, what 142 00:08:13,720 --> 00:08:17,800 Speaker 1: is a myth. What is something that you know that 143 00:08:17,840 --> 00:08:20,880 Speaker 1: people think is true that you know to be false. Well, 144 00:08:21,040 --> 00:08:23,720 Speaker 1: this is actually something that is straight off the press, 145 00:08:23,800 --> 00:08:27,480 Speaker 1: is hot off the pan. Just this morning when I 146 00:08:27,520 --> 00:08:30,280 Speaker 1: came in and I was talking to Miles about America. 147 00:08:31,000 --> 00:08:33,280 Speaker 1: And because it's you have an interesting accent. You're not 148 00:08:33,360 --> 00:08:40,240 Speaker 1: from California. Oh, I think, I am, okay, it's hard 149 00:08:40,240 --> 00:08:42,760 Speaker 1: for me. You are miles from the truth right now 150 00:08:43,200 --> 00:08:46,880 Speaker 1: here we go, my young man, Um, I am actually Irish. Yes, 151 00:08:47,240 --> 00:08:50,280 Speaker 1: And so when one comes to another country, when spots 152 00:08:50,360 --> 00:08:54,160 Speaker 1: the little intricacies of a place. And we were talking 153 00:08:54,200 --> 00:08:57,800 Speaker 1: about red cups at parties, and I always thought everyone 154 00:08:57,800 --> 00:09:00,400 Speaker 1: in America drank from red cups at parties, and it's 155 00:09:00,480 --> 00:09:02,839 Speaker 1: very exciting for foreign people to come here because we 156 00:09:02,920 --> 00:09:05,199 Speaker 1: see in the movies red cups of parties, and that's 157 00:09:05,200 --> 00:09:07,280 Speaker 1: how you know you're having a hashtag good time when 158 00:09:07,280 --> 00:09:12,000 Speaker 1: you have red cups. And you think that actually people 159 00:09:12,040 --> 00:09:14,720 Speaker 1: don't really drink red cups that much at parties, that 160 00:09:14,840 --> 00:09:18,079 Speaker 1: it's probably something movie people like producers are like, guys, 161 00:09:18,160 --> 00:09:21,880 Speaker 1: we need everyone to for continuity reasons, right, Yeah, solo cups, Yeah, 162 00:09:22,240 --> 00:09:27,400 Speaker 1: it's or they called solo cups Bland is called solo 163 00:09:27,679 --> 00:09:29,760 Speaker 1: but it's an odd name because what cups are like 164 00:09:29,800 --> 00:09:32,920 Speaker 1: conjoined cups? Like what you're like, Oh, can I have 165 00:09:33,480 --> 00:09:35,640 Speaker 1: a cup put on its own? Could you not give 166 00:09:35,640 --> 00:09:38,920 Speaker 1: me two cups? Yeah? Like, where does the idea of 167 00:09:39,000 --> 00:09:41,320 Speaker 1: solo cup? It's just I wish you could get to 168 00:09:41,320 --> 00:09:42,800 Speaker 1: the bottom of it. I don't know. It could have 169 00:09:42,840 --> 00:09:48,320 Speaker 1: been a very lonely man. That's like saying, solo hats? 170 00:09:48,800 --> 00:09:50,960 Speaker 1: Can I just have the one hat for my head? Yeah? 171 00:09:51,000 --> 00:09:52,280 Speaker 1: I was only going to give you one hat for 172 00:09:52,320 --> 00:09:53,679 Speaker 1: your head in the first place. Like, I'm not one 173 00:09:53,679 --> 00:09:58,880 Speaker 1: of those fancy cities all three hats. Johnny, I love 174 00:09:58,960 --> 00:10:01,360 Speaker 1: that guy, three man. He's from New York City, can 175 00:10:01,400 --> 00:10:08,800 Speaker 1: you um? I? I So apparently the rumor overseas is 176 00:10:08,840 --> 00:10:11,760 Speaker 1: that you go to any party in America and everybody's 177 00:10:11,760 --> 00:10:15,280 Speaker 1: gonna be holding solo cups. And the truth I'd say 178 00:10:15,440 --> 00:10:17,640 Speaker 1: in my experience is that it's more high school and 179 00:10:17,679 --> 00:10:21,679 Speaker 1: college parties usually sometimes and that's it. Yeah, I mean 180 00:10:22,040 --> 00:10:23,880 Speaker 1: I grew up. Every high school party I want to 181 00:10:23,880 --> 00:10:25,720 Speaker 1: it was probably solo cups or any party that has 182 00:10:25,760 --> 00:10:28,080 Speaker 1: like a keg usually you have, but there's a keg 183 00:10:28,120 --> 00:10:30,520 Speaker 1: of beer then you have the red solo cups or 184 00:10:30,559 --> 00:10:32,920 Speaker 1: you just have them because you go to Costco or wherever, 185 00:10:32,960 --> 00:10:35,600 Speaker 1: and they're typically like the most robust sort of heavy 186 00:10:35,640 --> 00:10:38,680 Speaker 1: duty cup you can use and pour a large quantity 187 00:10:38,679 --> 00:10:41,360 Speaker 1: of alcohol in without going like, but they're all redd. 188 00:10:41,559 --> 00:10:44,320 Speaker 1: Is a thing like blue cups. There are blue ones. 189 00:10:44,880 --> 00:10:46,680 Speaker 1: But for whatever reason I think you have films have 190 00:10:47,960 --> 00:10:51,079 Speaker 1: over many films have just created this shorthand. It's like, 191 00:10:51,559 --> 00:10:55,160 Speaker 1: you know, they just have to spend less time thinking 192 00:10:55,160 --> 00:10:57,360 Speaker 1: about it. It's just like everybody's funny that it becomes 193 00:10:57,480 --> 00:10:59,679 Speaker 1: such a myth that if you see like a party 194 00:10:59,720 --> 00:11:02,480 Speaker 1: in an other film from another country, they're probably just 195 00:11:02,520 --> 00:11:06,360 Speaker 1: drinking out of glasses, right because they're civilized. Yeah, and 196 00:11:06,360 --> 00:11:09,280 Speaker 1: we're wasteful consumers who are going to destroy the earth. 197 00:11:09,440 --> 00:11:12,040 Speaker 1: But I welcome to America. Also, as you were pointing out, Miles, 198 00:11:13,080 --> 00:11:15,960 Speaker 1: red cups means you can just have nothing in the cup. 199 00:11:16,000 --> 00:11:17,520 Speaker 1: If you're shooting a movie, you don't have to be like, hey, 200 00:11:17,559 --> 00:11:19,400 Speaker 1: does there have a liquid in their cup? Don't drink 201 00:11:19,440 --> 00:11:23,720 Speaker 1: it on this take like that. But that's what's interesting, 202 00:11:23,760 --> 00:11:26,280 Speaker 1: the myth of it that it's probably more to do 203 00:11:26,400 --> 00:11:30,640 Speaker 1: with um with with with art department, and so many 204 00:11:30,679 --> 00:11:34,840 Speaker 1: parties are in American movies, like so many teen movies, 205 00:11:35,080 --> 00:11:38,360 Speaker 1: and like frat that's sort of like we don't really have. 206 00:11:38,800 --> 00:11:41,320 Speaker 1: Of course, we have the college culture of going to parties, 207 00:11:41,480 --> 00:11:44,360 Speaker 1: but that sort of frat house fraternities doesn't exist in 208 00:11:45,160 --> 00:11:47,760 Speaker 1: outside of America. What was your experience, Like, what kind 209 00:11:47,760 --> 00:11:49,960 Speaker 1: of cups did you drink out of that party? Oh? Well, 210 00:11:50,000 --> 00:11:52,240 Speaker 1: I've actually trunk out of a numerous different types of 211 00:11:52,280 --> 00:11:55,600 Speaker 1: tips over the years. Guys. Actual, I'm gonna be like 212 00:11:55,600 --> 00:11:59,200 Speaker 1: Bubba Gump and Bubba and Forest Gump. Now, whereas like 213 00:11:59,440 --> 00:12:05,160 Speaker 1: a drawing got a big cups, small cups, plastic cups, glasses. 214 00:12:07,480 --> 00:12:11,400 Speaker 1: There is like kind of white plastic cups maybe, and 215 00:12:11,400 --> 00:12:14,800 Speaker 1: they'd be a lot smaller that sort of big beer cup. 216 00:12:14,880 --> 00:12:18,160 Speaker 1: We wouldn't actually have. But I just really like the 217 00:12:18,200 --> 00:12:20,560 Speaker 1: idea that it's not even just they seldom cheap and 218 00:12:20,559 --> 00:12:23,240 Speaker 1: everyone has the parties. That it's I really like your 219 00:12:23,280 --> 00:12:26,800 Speaker 1: idea Miles that like producers. First of all, it means 220 00:12:26,800 --> 00:12:28,800 Speaker 1: that everyone can drink, but you never have any drink 221 00:12:28,840 --> 00:12:31,400 Speaker 1: in it. You wouldn't see for continuity at going up 222 00:12:31,480 --> 00:12:34,199 Speaker 1: or down. I used to think it was red cups. 223 00:12:34,200 --> 00:12:36,079 Speaker 1: So then if the police came into the fat party, 224 00:12:36,120 --> 00:12:39,199 Speaker 1: we're like, you're all under twenty one, which is strange 225 00:12:39,240 --> 00:12:44,439 Speaker 1: for an age to start drinking at but stop drinking 226 00:12:44,440 --> 00:12:48,320 Speaker 1: and be like, no, my red cups right, well, you 227 00:12:48,360 --> 00:12:50,480 Speaker 1: do that just if you're drinking places you're not supposed to, 228 00:12:50,520 --> 00:12:53,400 Speaker 1: like the beach or whatever, then you have those so 229 00:12:53,800 --> 00:12:56,120 Speaker 1: they can't immediately say you're drinking and when they pull 230 00:12:56,240 --> 00:12:59,880 Speaker 1: up just slam that shs. In Ireland, cans as of 231 00:13:00,160 --> 00:13:02,840 Speaker 1: thing like having a can. Yeah, you wouldn't really get 232 00:13:02,840 --> 00:13:05,200 Speaker 1: a keg, you get a load of cans. So the 233 00:13:05,360 --> 00:13:09,080 Speaker 1: keg idea is quite kind of not again, we're excessive 234 00:13:09,080 --> 00:13:12,000 Speaker 1: and it's like, well we could drink seventy cans of beer, 235 00:13:12,040 --> 00:13:16,240 Speaker 1: which one is more wasteful, one big keg and plastic cups. 236 00:13:16,240 --> 00:13:18,600 Speaker 1: That is probably waste because the plastic or a load 237 00:13:18,640 --> 00:13:21,520 Speaker 1: of recycled the cans. Although I noticed in Ireland when 238 00:13:21,559 --> 00:13:24,640 Speaker 1: I was there that they pay a lot of attention 239 00:13:24,679 --> 00:13:28,760 Speaker 1: to the percentage of alcohol in the beer. Yes, they 240 00:13:28,920 --> 00:13:31,760 Speaker 1: so like that's the thing in America is just incidental, 241 00:13:32,160 --> 00:13:37,720 Speaker 1: but more water in Ireland they like basically if it 242 00:13:37,800 --> 00:13:40,720 Speaker 1: has a higher percentage of alcohol it'll cost a little 243 00:13:40,720 --> 00:13:44,360 Speaker 1: bit more because like it's more efficient at doing its job. 244 00:13:44,440 --> 00:13:48,440 Speaker 1: It's like a very it's not. No, it'll cost the 245 00:13:48,480 --> 00:13:50,760 Speaker 1: same basically like I P s will cost I mean, 246 00:13:50,840 --> 00:13:53,920 Speaker 1: think about malt liquor is cheaper than if you want 247 00:13:53,960 --> 00:13:57,559 Speaker 1: to I mean, which isn't. Technically you're so right though, 248 00:13:57,559 --> 00:14:01,000 Speaker 1: because we're like, oh, the value is the alcohol, right, take. Yeah, 249 00:14:01,400 --> 00:14:06,440 Speaker 1: that's what's getting that's what's doing the work. All right. 250 00:14:06,720 --> 00:14:09,720 Speaker 1: Because it's Valentine's Day, we wanted to talk real briefly 251 00:14:10,000 --> 00:14:14,880 Speaker 1: about romantic comedies, just about our love lives and just miles, 252 00:14:15,040 --> 00:14:17,800 Speaker 1: what's your favorite man with a lady? You know, you're 253 00:14:17,840 --> 00:14:21,960 Speaker 1: just kissing on your lady. You have a real life 254 00:14:22,000 --> 00:14:26,880 Speaker 1: girlfriend and she's like, I love best. She's like, looks 255 00:14:26,880 --> 00:14:30,960 Speaker 1: in your eyes and it's like I am your girlfriends. Yeah, 256 00:14:30,960 --> 00:14:34,920 Speaker 1: you know, all very believable stuff. So, you know, doing that, 257 00:14:35,000 --> 00:14:37,880 Speaker 1: we wanted to talk about romantic comedies. We wanted to 258 00:14:38,560 --> 00:14:41,800 Speaker 1: name some of our favorites or our favorite and maybe 259 00:14:42,160 --> 00:14:47,200 Speaker 1: least favorite romcom tropes. Uh so favorite romcom go Jack, 260 00:14:47,960 --> 00:14:51,160 Speaker 1: probably notting Hill or something about Mary if you let me, 261 00:14:51,360 --> 00:14:55,880 Speaker 1: if you allow it, it's not really and it's a 262 00:14:55,880 --> 00:14:58,200 Speaker 1: full blown comedy. Yeah, yeah, totally is about a guy 263 00:14:58,280 --> 00:15:01,640 Speaker 1: getting a girl. Yeah. And it's there's something about Mary. Yeah. 264 00:15:02,120 --> 00:15:06,920 Speaker 1: Absolutely a romantic comedy, isn't it. It doesn't mean there's 265 00:15:07,000 --> 00:15:09,320 Speaker 1: yeah see, And I've been saying that the whole time. 266 00:15:11,120 --> 00:15:15,320 Speaker 1: So that's my favorite least favorite love actually, even though 267 00:15:15,320 --> 00:15:17,960 Speaker 1: it's by the same guy, did notting Hill not a 268 00:15:17,960 --> 00:15:21,160 Speaker 1: big fan of love. Actually, what's your pick? What is 269 00:15:21,200 --> 00:15:25,000 Speaker 1: my pick? What is my pick? Oh? I love? I'm 270 00:15:25,000 --> 00:15:26,600 Speaker 1: not sure if you guys ever got it? Here? There's 271 00:15:26,640 --> 00:15:29,240 Speaker 1: an old Pride and Prejudice, not the Cure, A nightly one. 272 00:15:29,560 --> 00:15:33,040 Speaker 1: There's another one. It was the original one Colin Firth 273 00:15:33,120 --> 00:15:36,000 Speaker 1: became famous for. In it, there's a famous scene where 274 00:15:36,000 --> 00:15:37,640 Speaker 1: he gets out of the lake and it's like, oh, 275 00:15:38,080 --> 00:15:42,000 Speaker 1: grumpily shakes some water off of himself. And I always 276 00:15:42,000 --> 00:15:44,720 Speaker 1: like that one because afterwards you can't help but start 277 00:15:44,760 --> 00:15:47,480 Speaker 1: speaking exactly like this a Hill time. It's very hard 278 00:15:47,560 --> 00:15:49,680 Speaker 1: not to start speaking in English, and it's all about 279 00:15:49,760 --> 00:15:53,560 Speaker 1: manners and the sort of like looking at someone across 280 00:15:53,640 --> 00:15:57,000 Speaker 1: the crowded dance hall. But the dancing is really unenergetic 281 00:15:57,040 --> 00:16:00,640 Speaker 1: and sexy. It's just walking up, shaking your shoulders walking back, 282 00:16:01,000 --> 00:16:03,160 Speaker 1: and it's just that sort of like back in the 283 00:16:03,240 --> 00:16:07,239 Speaker 1: day dancing and it's it's all eyes and Mr Darcy, 284 00:16:07,360 --> 00:16:09,120 Speaker 1: do you think that for three pounds a year, I'm 285 00:16:09,160 --> 00:16:11,400 Speaker 1: going to marry someone? Like it's that's sort of yeah, 286 00:16:11,440 --> 00:16:14,120 Speaker 1: And I really like that sort of old They're doing 287 00:16:14,360 --> 00:16:16,840 Speaker 1: a lot with just their eyes and a few manners, 288 00:16:16,840 --> 00:16:18,680 Speaker 1: which I think it's very interesting and you still get 289 00:16:18,680 --> 00:16:25,280 Speaker 1: as much from it. Myles. Oh, I think one fine day? 290 00:16:25,640 --> 00:16:27,840 Speaker 1: What's one fine day again? One fine day is with 291 00:16:27,920 --> 00:16:30,560 Speaker 1: Michelle Peiffer and George Clooney where they're, you know, just 292 00:16:30,600 --> 00:16:33,840 Speaker 1: single parents trying to take their kids to daycare and 293 00:16:34,000 --> 00:16:36,520 Speaker 1: but they're also bouncing their their careers at the same time. 294 00:16:36,600 --> 00:16:39,120 Speaker 1: I don't know why do they do it? I think 295 00:16:39,120 --> 00:16:40,720 Speaker 1: I don't know. It could be nostalgia. Is like one 296 00:16:40,760 --> 00:16:43,000 Speaker 1: of the first dates I went on, like in sixth grade, 297 00:16:43,000 --> 00:16:44,720 Speaker 1: Like I took my sixth grade girlfriend to see and 298 00:16:44,760 --> 00:16:47,720 Speaker 1: I felt like an adult. This is one fine day 299 00:16:48,920 --> 00:16:50,760 Speaker 1: and it also made me think New York was the 300 00:16:50,800 --> 00:16:54,560 Speaker 1: coolest place ever. What is sixth grade? Agewise? What roughly 301 00:16:55,240 --> 00:16:57,160 Speaker 1: ar old twelve? You brought a girl to the cinema 302 00:16:57,680 --> 00:17:01,200 Speaker 1: smiles your little legendet coke and everything. Oh my god, 303 00:17:01,320 --> 00:17:03,440 Speaker 1: that's fairly advantis you know. I took an eighth grader 304 00:17:03,480 --> 00:17:05,600 Speaker 1: once when I was sixth grade to see bas Lerman's 305 00:17:05,640 --> 00:17:09,200 Speaker 1: Romeo and Juliet. Oh my god, so you know I'm 306 00:17:09,200 --> 00:17:12,639 Speaker 1: out here. Yeah, as they would say, that's too advanced. 307 00:17:12,760 --> 00:17:16,879 Speaker 1: That's almost child services, little suspicious of you. You know, 308 00:17:17,600 --> 00:17:20,760 Speaker 1: some say I was the original pickup artist. You know, Yeah, 309 00:17:20,760 --> 00:17:24,480 Speaker 1: who was that? Some who would say, mostly me in 310 00:17:24,960 --> 00:17:28,640 Speaker 1: a sort of drug adult like drug induced psychosis. But yes, 311 00:17:29,040 --> 00:17:31,480 Speaker 1: that is me when Harry met Sally. Can I throw 312 00:17:31,480 --> 00:17:35,119 Speaker 1: that into the mix? Yes? Yeah. Trope wise, though, it 313 00:17:35,160 --> 00:17:37,760 Speaker 1: always starts off with some level of deception, like I'm 314 00:17:37,800 --> 00:17:40,679 Speaker 1: an undercover journalist or like I'm not a ship bag 315 00:17:41,000 --> 00:17:44,760 Speaker 1: or whatever, and then they're like, wait, I'm into deep relationship. 316 00:17:45,480 --> 00:17:51,400 Speaker 1: I guess yeah, that is true. At the beginning, you're like, no, man, well, 317 00:17:51,640 --> 00:17:53,560 Speaker 1: I'm really on top of my shift. In general, I 318 00:17:53,600 --> 00:17:58,280 Speaker 1: think the most misleading it's necessary for the purposes of 319 00:17:58,320 --> 00:18:03,080 Speaker 1: all romantic comedies, but the most misleading trope in romantic 320 00:18:03,080 --> 00:18:07,320 Speaker 1: comedies is that dating is like really hard and like 321 00:18:07,880 --> 00:18:10,840 Speaker 1: because dating is the easy part. If you're like in 322 00:18:10,880 --> 00:18:14,399 Speaker 1: a relationship with somebody who's like the one, whereas like, 323 00:18:14,640 --> 00:18:20,439 Speaker 1: you know, a successful relationship years down the road is difficult, 324 00:18:20,720 --> 00:18:24,360 Speaker 1: but like dating is, they have to like throw all 325 00:18:24,400 --> 00:18:27,120 Speaker 1: these obstacles in the way of like people who are 326 00:18:27,560 --> 00:18:30,639 Speaker 1: in love with each other, like you know, a bet 327 00:18:30,880 --> 00:18:33,480 Speaker 1: or you know one of them being an undercover journalist 328 00:18:33,560 --> 00:18:37,480 Speaker 1: who is just doing research on them, or my other 329 00:18:37,560 --> 00:18:40,960 Speaker 1: least favorite trope is, uh that rape is a funny 330 00:18:41,040 --> 00:18:46,960 Speaker 1: prank like in Revenge of the Nerds and Wedding Crashers 331 00:18:48,000 --> 00:18:49,800 Speaker 1: when he ties him up. Yeah, he ties them up 332 00:18:49,840 --> 00:18:53,400 Speaker 1: and like has like yeah, he's like kissing on Vince Vaughan, 333 00:18:53,520 --> 00:18:57,840 Speaker 1: like the brother, right, isn't that Though there's loads of 334 00:18:57,920 --> 00:18:59,879 Speaker 1: well this is what happens with me to campaign, you go, no, 335 00:19:00,080 --> 00:19:03,479 Speaker 1: it never happened to me. Oh no, it has eighteen times. 336 00:19:04,000 --> 00:19:06,119 Speaker 1: You just sort of tend to go, it's so expected 337 00:19:06,160 --> 00:19:08,560 Speaker 1: this stuff that you andre at the time, it's like, well, 338 00:19:08,640 --> 00:19:10,800 Speaker 1: isn't it funny that a dude like tied up another 339 00:19:10,840 --> 00:19:16,720 Speaker 1: dude and was sort of like the vehicle that powered that, 340 00:19:16,840 --> 00:19:19,400 Speaker 1: And you start don't know it because you're like, oh, yeah, 341 00:19:19,480 --> 00:19:23,760 Speaker 1: this is awful. But the brother is involved at first 342 00:19:23,880 --> 00:19:26,800 Speaker 1: maybe I don't know exactly how it happens. Revenge of 343 00:19:26,840 --> 00:19:30,359 Speaker 1: the Nerds, which is like this beloved eighties movie that 344 00:19:30,359 --> 00:19:34,960 Speaker 1: people have nostalgia for. The main character like misleads a 345 00:19:35,040 --> 00:19:39,480 Speaker 1: woman into thinking that he's her boyfriend and performs oral 346 00:19:39,560 --> 00:19:43,879 Speaker 1: sex on her. Oh my god, And that's like a guest. 347 00:19:44,760 --> 00:19:49,120 Speaker 1: And even the fact that it's called revenge of the yeah, exactly, 348 00:19:49,200 --> 00:19:52,639 Speaker 1: like revenge of any group of people on women is 349 00:19:53,040 --> 00:19:55,800 Speaker 1: not It is not great. When you start looking at 350 00:19:55,840 --> 00:19:58,080 Speaker 1: all these little things, you're like, no, God, we got 351 00:19:58,080 --> 00:20:00,360 Speaker 1: a lot of work to do, guys, we're still there 352 00:20:00,359 --> 00:20:04,080 Speaker 1: because we're living in revenge of the anti feminist internet user, right, 353 00:20:04,240 --> 00:20:08,280 Speaker 1: So that's what I mean. It's almost like that's gone 354 00:20:08,320 --> 00:20:13,199 Speaker 1: like that's gone darker now it's yeah, all right, well 355 00:20:16,320 --> 00:20:29,040 Speaker 1: what a weird All right, we'll be right back and 356 00:20:29,160 --> 00:20:33,280 Speaker 1: we're back. Uh. And So I don't know if you 357 00:20:33,280 --> 00:20:38,000 Speaker 1: guys watched the Olympics last night. I did my homework. 358 00:20:38,040 --> 00:20:41,920 Speaker 1: I tuned in because I wanted to see MICHAELA. Schiffrin. 359 00:20:42,240 --> 00:20:45,800 Speaker 1: She's this US athlete who you know, very young and 360 00:20:45,920 --> 00:20:51,480 Speaker 1: has like one golden slalom. What's her what's her sport? Slalom? Skiing. 361 00:20:52,160 --> 00:20:55,800 Speaker 1: She like, does you know the cutting back and forth? Yes, yes, yes, yes, yes, 362 00:20:55,920 --> 00:20:59,400 Speaker 1: And she's supposedly great. Uh. The New York I did 363 00:20:59,400 --> 00:21:01,879 Speaker 1: a profile of her that was like pretty interesting and 364 00:21:01,920 --> 00:21:05,119 Speaker 1: like makes her seem like this like weird sports cyborg 365 00:21:05,200 --> 00:21:08,280 Speaker 1: who she likes still rooms with her mom when she's 366 00:21:08,320 --> 00:21:11,080 Speaker 1: on the road. Like she's like totally kind of socially 367 00:21:11,840 --> 00:21:16,119 Speaker 1: has has a singular focus, just like so singularly focused 368 00:21:16,280 --> 00:21:18,639 Speaker 1: that it's almost like she's not a full person. So 369 00:21:18,640 --> 00:21:24,040 Speaker 1: she's only seventeen, like dating from twelve. I think she's 370 00:21:24,040 --> 00:21:28,119 Speaker 1: twenty two at this point. MICHAELA. Schiffern She was I 371 00:21:28,119 --> 00:21:30,840 Speaker 1: think eighteen when she won the gold four years ago, 372 00:21:30,880 --> 00:21:33,760 Speaker 1: but I just did that math in my head. But anyways, 373 00:21:34,080 --> 00:21:39,080 Speaker 1: she people keep getting delayed because there's like such strong winds. 374 00:21:39,080 --> 00:21:41,119 Speaker 1: We talked about that before, like they're going to blow 375 00:21:41,160 --> 00:21:43,480 Speaker 1: the people off the side of the mountain, which wouldn't 376 00:21:43,480 --> 00:21:46,640 Speaker 1: be good. So, uh, that got delayed and I ended 377 00:21:46,680 --> 00:21:48,880 Speaker 1: up watching a lot of curling, which is a great 378 00:21:48,920 --> 00:21:51,960 Speaker 1: sport that I still don't know the rules of, but 379 00:21:52,359 --> 00:21:56,439 Speaker 1: it's a lot of fun to watch. Um. But uh 380 00:21:56,520 --> 00:21:59,960 Speaker 1: so before we get into the main event. Last night 381 00:22:00,000 --> 00:22:03,600 Speaker 1: at Shawn White winning the gold and the fallout from that. 382 00:22:04,000 --> 00:22:07,480 Speaker 1: We wanted to talk about a hot take from the 383 00:22:07,520 --> 00:22:15,080 Speaker 1: Barstool Sports guys yesterday responding to the previous night's big event, 384 00:22:15,200 --> 00:22:19,679 Speaker 1: Chloe Kim winning gold. Uh, this guy had an interesting take, right, Miles. 385 00:22:19,800 --> 00:22:23,760 Speaker 1: So the show is called dialed In with Dallas Brandon. Uh, 386 00:22:23,840 --> 00:22:27,120 Speaker 1: so you can imagine this is a safe space. Um 387 00:22:27,760 --> 00:22:31,000 Speaker 1: So anyway, this is them just chatting shit about Chloe 388 00:22:31,080 --> 00:22:34,560 Speaker 1: Kim and just their thoughts on the seventeen year old snowboarder. 389 00:22:34,720 --> 00:22:37,840 Speaker 1: I'm inspired by you. Yeah, Chloe Kim famous for writing 390 00:22:37,840 --> 00:22:41,520 Speaker 1: a very different board than Kim Kardashian's, no doubt, and 391 00:22:41,560 --> 00:22:43,239 Speaker 1: in fact, just to keep it on that tip her 392 00:22:43,560 --> 00:22:47,040 Speaker 1: her eighteenth birthday is April, and the countdown is on baby, 393 00:22:47,080 --> 00:22:49,080 Speaker 1: because I got my Waterson going, that's what I like 394 00:22:49,080 --> 00:22:54,800 Speaker 1: about them high school girls. I'm right there with you. 395 00:22:57,119 --> 00:22:59,960 Speaker 1: If she was eighteen, you wouldn't be ashamed to see 396 00:23:00,160 --> 00:23:06,280 Speaker 1: she's a little she's a little hot piece as she is. Yeah. 397 00:23:06,520 --> 00:23:09,240 Speaker 1: And then afterwards, Brodie Stevens is like, did you just 398 00:23:09,280 --> 00:23:13,400 Speaker 1: think a boner pill, peacon, boner pill, pecan pecan. I'm 399 00:23:13,480 --> 00:23:16,640 Speaker 1: right there with you, dude, keep it on that tip Jesus. Yeah. 400 00:23:16,680 --> 00:23:20,000 Speaker 1: So it's a show called Toxic Masculinity. That's the real 401 00:23:20,040 --> 00:23:23,320 Speaker 1: life version. Yeah. So I guess that guy had to 402 00:23:23,400 --> 00:23:25,080 Speaker 1: kind of walk his things back. You could hear the 403 00:23:25,119 --> 00:23:27,040 Speaker 1: actual host be like, all right, that's it, and he 404 00:23:27,080 --> 00:23:30,399 Speaker 1: was sort of like, don't do this on my show. Right, 405 00:23:30,520 --> 00:23:34,199 Speaker 1: So that guy, uh. Dead Spin wrote an article about 406 00:23:34,440 --> 00:23:37,760 Speaker 1: that little segment, and he responded on Twitter dead Spin 407 00:23:37,880 --> 00:23:41,439 Speaker 1: still a thing, and then thirteen hours later was like, 408 00:23:41,600 --> 00:23:45,040 Speaker 1: I deeply regret my comments about Chloe Kim, Chloe, you 409 00:23:45,040 --> 00:23:48,760 Speaker 1: are an inspiration and completely walked it back. But I 410 00:23:48,800 --> 00:23:52,480 Speaker 1: went to his blog and he is just so consistent 411 00:23:52,640 --> 00:23:55,600 Speaker 1: in his voice that I just want to read a 412 00:23:56,200 --> 00:23:59,120 Speaker 1: small part of his blog. So he's talking about how 413 00:23:59,200 --> 00:24:02,280 Speaker 1: he lives in George Town apparently, and he grew up 414 00:24:02,280 --> 00:24:05,320 Speaker 1: close by, and his dad has just asked him, how 415 00:24:05,359 --> 00:24:09,200 Speaker 1: has the neighborhood changed, and he says I thought about it, 416 00:24:09,280 --> 00:24:13,000 Speaker 1: and I told him, yeah, she's good. The neighborhood. Yeah, 417 00:24:13,000 --> 00:24:16,920 Speaker 1: the neighborhood, Yeah, she good. Funny because if you read 418 00:24:16,920 --> 00:24:19,520 Speaker 1: all the fancy editorials in the New York Times and 419 00:24:19,520 --> 00:24:22,760 Speaker 1: watch cable news shows, you think Henny Penny a k 420 00:24:23,119 --> 00:24:26,080 Speaker 1: Chicken Little had taken out a thirty five year mortgage 421 00:24:26,200 --> 00:24:28,520 Speaker 1: on a sweet pad at the corner of Prospect and 422 00:24:28,640 --> 00:24:32,679 Speaker 1: thirty feet. So yeah, d j T kicks it at 423 00:24:32,720 --> 00:24:37,560 Speaker 1: six hundred Pennsylvania and he's a weird mofo. But I 424 00:24:37,600 --> 00:24:41,439 Speaker 1: haven't heard one citizen of the district express fear or 425 00:24:41,480 --> 00:24:46,240 Speaker 1: share apocalyptic testament. Uh yeah, I just love dj T 426 00:24:46,560 --> 00:24:49,560 Speaker 1: kicks it at sixteen hundred, and he's a weird mofo. 427 00:24:50,160 --> 00:24:52,880 Speaker 1: Yeah you mean Donald Trump is the fucking president who's 428 00:24:52,920 --> 00:24:58,280 Speaker 1: a racist, big seen. Yeah whatever, he's a weird I'm 429 00:24:58,280 --> 00:25:00,240 Speaker 1: not really good at calling out other men, so let's 430 00:25:00,240 --> 00:25:03,119 Speaker 1: just leave it a You know what, what's good about 431 00:25:03,119 --> 00:25:07,200 Speaker 1: these situations is that is not some weird, one awful 432 00:25:07,200 --> 00:25:10,840 Speaker 1: little piece of language. And in the current time, if 433 00:25:10,880 --> 00:25:13,680 Speaker 1: what we do is pick up on these things, don't 434 00:25:13,880 --> 00:25:16,119 Speaker 1: hang them out to dry and ruin his life. But 435 00:25:16,240 --> 00:25:18,800 Speaker 1: in those little moments, go do you know what, Yeah, 436 00:25:18,960 --> 00:25:22,160 Speaker 1: stop taking an opportunity to learn. Hopefully other people will learn. 437 00:25:22,240 --> 00:25:24,439 Speaker 1: And now let's move on from this one. You know 438 00:25:24,520 --> 00:25:29,760 Speaker 1: like that that's another tiny microaggression. That's just But actually 439 00:25:29,880 --> 00:25:33,479 Speaker 1: we need to quotaize these situations as they come along. 440 00:25:33,880 --> 00:25:37,760 Speaker 1: Because that's how the world is going to change, I 441 00:25:37,840 --> 00:25:40,400 Speaker 1: think is with each of those situations. But those things 442 00:25:40,440 --> 00:25:43,120 Speaker 1: don't make me. I almost feel tired when I hear 443 00:25:43,160 --> 00:25:46,280 Speaker 1: those things, the reason being that's all the time, every day. 444 00:25:46,359 --> 00:25:48,720 Speaker 1: So for a lot of men hearing these things, you're like, what, 445 00:25:48,920 --> 00:25:51,200 Speaker 1: how could you say that? But you're like, that's walking 446 00:25:51,240 --> 00:25:54,320 Speaker 1: down the road. So I'm really glad someone said it 447 00:25:55,200 --> 00:25:58,800 Speaker 1: out loud and has been loombastad for it, because now 448 00:25:58,800 --> 00:26:00,840 Speaker 1: then other people might go, oh, better not say that. 449 00:26:00,880 --> 00:26:02,720 Speaker 1: Are better try and watch my language when I'm talking 450 00:26:02,760 --> 00:26:05,199 Speaker 1: about a sports person who's a kid, like he's a 451 00:26:05,200 --> 00:26:09,320 Speaker 1: young kid in an inspiration like just it's bordering on 452 00:26:09,359 --> 00:26:13,639 Speaker 1: Pede Felix, And it's like those things are so like 453 00:26:13,720 --> 00:26:16,080 Speaker 1: we were talking earlier on about just not seeing stuff, 454 00:26:16,119 --> 00:26:18,840 Speaker 1: you just get so tight. You just literally forget all 455 00:26:18,880 --> 00:26:20,840 Speaker 1: of those things that happened during the day. But it 456 00:26:20,880 --> 00:26:23,600 Speaker 1: builds up like sort of like if you don't wash 457 00:26:23,640 --> 00:26:26,680 Speaker 1: your hair for a week, but it feels like every 458 00:26:26,760 --> 00:26:28,840 Speaker 1: day with like that sort of stuff happening, You're like, God, 459 00:26:28,920 --> 00:26:31,320 Speaker 1: my hair is so greasy from greasy comments which you 460 00:26:31,359 --> 00:26:34,240 Speaker 1: sort of don't notice. It's slowly getting dirty. Yeah, I 461 00:26:34,280 --> 00:26:36,600 Speaker 1: need to wash. I guess I'm not super surprised by 462 00:26:36,600 --> 00:26:39,600 Speaker 1: this comment, just because I guess, like ten years ago, 463 00:26:39,720 --> 00:26:45,199 Speaker 1: wasn't the Olsen Twins turning eighteen like Britney Spear and 464 00:26:45,280 --> 00:26:48,920 Speaker 1: before it wasn't like yeah, it wasn't like a big whoe. Yeah, 465 00:26:48,960 --> 00:26:51,000 Speaker 1: And that's because that's I think that's where we're at now, 466 00:26:51,080 --> 00:26:53,320 Speaker 1: is like where you know, everyone has to act as 467 00:26:53,320 --> 00:26:56,119 Speaker 1: a collective correcting mechanism, just be like no, no, no, 468 00:26:56,480 --> 00:26:59,560 Speaker 1: but all times about culture makes things sexy or not 469 00:26:59,640 --> 00:27:02,600 Speaker 1: sex So you see that happening with when it used 470 00:27:02,600 --> 00:27:05,640 Speaker 1: to be voluptuous figures and during the nineties the sexy 471 00:27:05,680 --> 00:27:07,720 Speaker 1: gamein look was of figures because that was what we 472 00:27:07,760 --> 00:27:10,280 Speaker 1: put out on magazines and that's what every like, you 473 00:27:10,440 --> 00:27:13,280 Speaker 1: become sexualized by what you see. So my friend, actually 474 00:27:13,320 --> 00:27:15,760 Speaker 1: Sarah Pascoe, has a bit of stand up about how 475 00:27:16,119 --> 00:27:21,080 Speaker 1: you can make you can make people sexually attracted to 476 00:27:21,119 --> 00:27:24,200 Speaker 1: a boot if you constantly show pictures of boots between porn. 477 00:27:24,920 --> 00:27:26,520 Speaker 1: I never time you see a boot, it's like, oh, yeah, 478 00:27:26,560 --> 00:27:31,119 Speaker 1: that's that's all. Yeah, yeah, exactly. We're more Pavlovian than 479 00:27:31,160 --> 00:27:34,440 Speaker 1: we think. And so if we constantly sexualized children and 480 00:27:34,640 --> 00:27:38,240 Speaker 1: high schooled kids, and that sort of idea rather than 481 00:27:38,280 --> 00:27:42,119 Speaker 1: say women women, sexy women, the idea of a full bodied, 482 00:27:42,160 --> 00:27:44,920 Speaker 1: grown ass woman being sexual, rather than kind of trying 483 00:27:44,960 --> 00:27:47,160 Speaker 1: to make everyone look young and like babies, Like even 484 00:27:47,160 --> 00:27:48,959 Speaker 1: a lot of the models we see on TV and 485 00:27:49,600 --> 00:27:53,320 Speaker 1: in magazines they look like babies, and then eventually you 486 00:27:53,359 --> 00:27:56,320 Speaker 1: think babies are sexy. Like that's kind of what we're doing. 487 00:27:56,359 --> 00:27:58,160 Speaker 1: And so what we have to also do is take 488 00:27:58,200 --> 00:28:01,680 Speaker 1: responsibility for our advertising, what we buy, what we sell, 489 00:28:01,760 --> 00:28:04,960 Speaker 1: who we put on, even shows like Riverdale that are 490 00:28:05,000 --> 00:28:08,680 Speaker 1: sort of like glorifying relationships with students, like when do 491 00:28:08,800 --> 00:28:11,360 Speaker 1: we start? Actually also the casting of people like say 492 00:28:11,520 --> 00:28:15,879 Speaker 1: um Kate what's her name, Tom Cruise of the Alien 493 00:28:15,960 --> 00:28:19,720 Speaker 1: Scientology movement, and Katie Holmes. She was one of the 494 00:28:19,760 --> 00:28:22,040 Speaker 1: youngest cast members of Dawson's Creek and everyone else was 495 00:28:22,080 --> 00:28:24,600 Speaker 1: fifty two. But it was actually really important to have 496 00:28:24,600 --> 00:28:27,439 Speaker 1: fifty two year old experienced actors being teenagers because we 497 00:28:27,480 --> 00:28:29,680 Speaker 1: just need to see the story. We don't actually need 498 00:28:29,720 --> 00:28:32,760 Speaker 1: people to be eleven the show. And now you see 499 00:28:32,760 --> 00:28:35,440 Speaker 1: actors getting younger and younger in a lot of those 500 00:28:35,480 --> 00:28:38,600 Speaker 1: teen dramas, and they're being cast at fourteen and you're like, yeah, 501 00:28:38,720 --> 00:28:42,120 Speaker 1: so you're putting teenagers with sexual stories. We're also using 502 00:28:42,160 --> 00:28:44,600 Speaker 1: actors who sort of don't know their own sexuality yet 503 00:28:44,880 --> 00:28:47,800 Speaker 1: in these shows, and it's constantly sexualizing children. When you're like, 504 00:28:47,840 --> 00:28:49,400 Speaker 1: we just need to know the story. It can be 505 00:28:49,400 --> 00:28:52,800 Speaker 1: played by twenty two year old you know. So I 506 00:28:52,800 --> 00:28:55,680 Speaker 1: guess we could view this progress that Yeah, well, I 507 00:28:55,920 --> 00:28:57,960 Speaker 1: think I think you have to. I think you have 508 00:28:58,000 --> 00:28:59,840 Speaker 1: to see all of these moments. Is because it's not 509 00:29:00,200 --> 00:29:03,800 Speaker 1: moving backwards, because that would be absolutely naive because that's 510 00:29:03,920 --> 00:29:07,640 Speaker 1: exactly like, no, no, no no, no. What I mean is 511 00:29:08,040 --> 00:29:10,400 Speaker 1: that would be saying this is already there. This is 512 00:29:10,440 --> 00:29:12,280 Speaker 1: not something coming out. This is probably being said four 513 00:29:12,280 --> 00:29:15,400 Speaker 1: months ago on radio and people would have laughed years ago. 514 00:29:15,560 --> 00:29:17,320 Speaker 1: No, no no, no, but four months ago but before the 515 00:29:17,320 --> 00:29:19,800 Speaker 1: me to campaign, are probably only being woked away and going, oh, 516 00:29:20,040 --> 00:29:22,160 Speaker 1: we should actually say something now where this person can 517 00:29:22,240 --> 00:29:24,920 Speaker 1: lose their job for their words. Yeah. So this is 518 00:29:25,200 --> 00:29:28,320 Speaker 1: very it's new that we are caring so much. It's 519 00:29:28,360 --> 00:29:30,480 Speaker 1: brand new, it's fresh out of the box in the 520 00:29:30,520 --> 00:29:32,880 Speaker 1: last couple of months that we're caring. So it is 521 00:29:33,040 --> 00:29:36,360 Speaker 1: progress that we go, yes, apologize, now let's move on. 522 00:29:36,400 --> 00:29:38,160 Speaker 1: And focus on the sport that is actually a little 523 00:29:38,200 --> 00:29:40,680 Speaker 1: moment of progress in the tiny way. So let's look 524 00:29:40,680 --> 00:29:43,640 Speaker 1: at the positives of it in a sense, because otherwise 525 00:29:43,680 --> 00:29:48,120 Speaker 1: you'd sort of go ha. So it's good to maybe 526 00:29:48,160 --> 00:29:50,440 Speaker 1: see a positive coming out of it. Yes, apologize, sir, 527 00:29:50,640 --> 00:29:53,080 Speaker 1: Now watch your language and teach other men. Maybe the 528 00:29:53,120 --> 00:29:56,000 Speaker 1: most surprising thing this happened on a serious XM show. 529 00:29:56,040 --> 00:29:59,640 Speaker 1: I didn't know people listened to serious exam who people who? 530 00:30:00,040 --> 00:30:04,480 Speaker 1: That's the biggest You get scammed at the car lot too, 531 00:30:04,680 --> 00:30:08,000 Speaker 1: and you're like everybody listening to fucking like bluetooth over 532 00:30:08,040 --> 00:30:11,800 Speaker 1: their cell phone. There's no need alright. So last night 533 00:30:12,000 --> 00:30:14,480 Speaker 1: the Big Winner and the Big story with Seawan White 534 00:30:14,520 --> 00:30:19,959 Speaker 1: winning the USA is hundred all time Winter Olympic gold medal. Uh. 535 00:30:20,160 --> 00:30:25,720 Speaker 1: The NBC commentator said White is the new gold Boy. 536 00:30:25,880 --> 00:30:29,520 Speaker 1: As his score was broadcasting, NBC was like, keep coming 537 00:30:29,560 --> 00:30:33,680 Speaker 1: with those hits, but yeah, you win. I feel probably 538 00:30:33,680 --> 00:30:35,400 Speaker 1: make that joke myself. I'm like, you know, I was 539 00:30:35,400 --> 00:30:41,560 Speaker 1: not about easily the miracles and the two most iconic 540 00:30:41,920 --> 00:30:45,720 Speaker 1: calls ever. But this has kind of brought attention to 541 00:30:45,760 --> 00:30:50,480 Speaker 1: the fact that NBC and other outlets have been kind 542 00:30:50,520 --> 00:30:55,120 Speaker 1: of ignoring the fact that Sean White was involved in 543 00:30:55,320 --> 00:30:59,680 Speaker 1: a sexual harassment lawsuit a couple of years back and 544 00:31:00,000 --> 00:31:03,240 Speaker 1: a old out of court last year in two thousands seventeen, 545 00:31:03,760 --> 00:31:07,480 Speaker 1: and some outlets are publishing some of the details of that, 546 00:31:07,560 --> 00:31:11,440 Speaker 1: and I don't know, it's pretty gross, like his relationship 547 00:31:11,520 --> 00:31:13,640 Speaker 1: with this woman who he settled out of court with 548 00:31:14,000 --> 00:31:17,680 Speaker 1: as a drummer in his band. First of all, he 549 00:31:17,720 --> 00:31:21,640 Speaker 1: has a band. Every every hallmark of a board, rich dude, right, 550 00:31:22,040 --> 00:31:27,720 Speaker 1: and the like documents detail this relationship where he kind 551 00:31:27,720 --> 00:31:31,560 Speaker 1: of oscillates back and forth between treating her like, you know, 552 00:31:31,880 --> 00:31:36,040 Speaker 1: his little brother, and you know, it reminded me of 553 00:31:36,080 --> 00:31:38,000 Speaker 1: being I. I didn't have brothers growing up, but I 554 00:31:38,000 --> 00:31:41,480 Speaker 1: had you know, cousins, and I'd go to like basketball 555 00:31:41,520 --> 00:31:45,240 Speaker 1: camp and room with older kids and they would, you know, 556 00:31:45,360 --> 00:31:48,719 Speaker 1: put their button my face and fart and you know, 557 00:31:49,400 --> 00:31:52,400 Speaker 1: cut their balls and put their hands in my face 558 00:31:52,520 --> 00:31:56,240 Speaker 1: and you're like, yo, smell that bro uh and that 559 00:31:56,560 --> 00:31:59,160 Speaker 1: and it was fun. I love to know, but that's uh, 560 00:31:59,200 --> 00:32:02,400 Speaker 1: that's the sort of ship that like young adolescent men 561 00:32:02,560 --> 00:32:05,720 Speaker 1: due to each other, and that's what he like does 562 00:32:05,800 --> 00:32:08,640 Speaker 1: to her. And a lot of these uh scenes from 563 00:32:08,680 --> 00:32:12,520 Speaker 1: their relationship, sending her gross porn and like making her 564 00:32:12,560 --> 00:32:18,240 Speaker 1: look at gross stuff, which is you know, really unprofessional. 565 00:32:18,400 --> 00:32:20,840 Speaker 1: And the point is, though, is asking someone to stop. 566 00:32:21,040 --> 00:32:23,960 Speaker 1: I think that's what it is. Because I work in comedy. 567 00:32:23,960 --> 00:32:26,120 Speaker 1: I'm a stand up comedian. I mostly work with men. 568 00:32:26,440 --> 00:32:30,680 Speaker 1: It's a male dominated industry. And you work out your line. 569 00:32:31,080 --> 00:32:35,280 Speaker 1: It's the point, isn't The point is often about not 570 00:32:35,360 --> 00:32:38,840 Speaker 1: listening to stop. And that's with with everything, you know, 571 00:32:38,840 --> 00:32:40,560 Speaker 1: because it's so hard when you're working out do you 572 00:32:40,600 --> 00:32:42,400 Speaker 1: want to kiss someone? Are you having a good time? 573 00:32:42,480 --> 00:32:45,680 Speaker 1: You're like yeah. Then if someone goes stop, yeah, then 574 00:32:45,720 --> 00:32:49,600 Speaker 1: you go, okay, I'm hearing stop with anything with them. 575 00:32:49,680 --> 00:32:52,520 Speaker 1: For example, if I kept on joking with you Miles 576 00:32:52,520 --> 00:32:54,560 Speaker 1: about going on a date as a twelve year old, 577 00:32:54,760 --> 00:32:57,400 Speaker 1: and eventually'd be like, you know what, Ashlyn, stop, I'd 578 00:32:57,400 --> 00:32:59,040 Speaker 1: be like, oh, okay, I've taken the joke too far 579 00:32:59,040 --> 00:33:00,880 Speaker 1: and we're having a good time. I've reached the limit. 580 00:33:00,960 --> 00:33:03,239 Speaker 1: Yeah exactly. Or you might keep laughing and we might 581 00:33:03,240 --> 00:33:05,000 Speaker 1: actually have a good time with it and reach a 582 00:33:05,040 --> 00:33:08,440 Speaker 1: funnier joke. And that's how sometimes you find great fun 583 00:33:08,560 --> 00:33:11,200 Speaker 1: or great jokes are great laughter or whatever it is. Um. 584 00:33:11,520 --> 00:33:14,560 Speaker 1: And the point of everything is when at what point 585 00:33:14,640 --> 00:33:17,320 Speaker 1: someone said stop and you just refused to listen, because 586 00:33:17,360 --> 00:33:19,640 Speaker 1: then it turns into harassment. So, for example, I have 587 00:33:19,720 --> 00:33:21,920 Speaker 1: loads of friends who I make lots of sexual jokes 588 00:33:21,960 --> 00:33:25,360 Speaker 1: with who have a very flirty, silly, stupid relationship with 589 00:33:25,600 --> 00:33:30,280 Speaker 1: women men, gay men, gay women, and like, it's such 590 00:33:30,320 --> 00:33:32,120 Speaker 1: a lovely way to joke. I grew up in a 591 00:33:32,160 --> 00:33:35,120 Speaker 1: family who love euphemisms. Well they don't. My mother doesn't 592 00:33:35,160 --> 00:33:36,880 Speaker 1: really know what euphemisms are. She just kind of puts 593 00:33:36,880 --> 00:33:38,680 Speaker 1: an energy into her voice, like, oh, I'll sit down 594 00:33:38,720 --> 00:33:41,400 Speaker 1: on that chair, all right, that's not a euphemism. But 595 00:33:42,480 --> 00:33:45,320 Speaker 1: you know, to find sexual humor can be really very funny. 596 00:33:45,800 --> 00:33:50,400 Speaker 1: It's it's maybe physically if someone says stop to you 597 00:33:50,560 --> 00:33:53,160 Speaker 1: or can you leave me alone? Or also just looking 598 00:33:53,160 --> 00:33:55,920 Speaker 1: out for the cues. It's so important. The whole, the 599 00:33:55,960 --> 00:33:58,480 Speaker 1: whole point of being a professional comedian is looking for 600 00:33:58,520 --> 00:34:01,600 Speaker 1: the cues from the audience that they're on board or 601 00:34:01,640 --> 00:34:04,920 Speaker 1: you're going in the right direction. And again, if that's 602 00:34:04,920 --> 00:34:06,920 Speaker 1: something you can learn from that. And what I would 603 00:34:06,920 --> 00:34:09,120 Speaker 1: say about this case is two things. First of all, 604 00:34:09,520 --> 00:34:11,960 Speaker 1: it was settled out of court, so if it's settled 605 00:34:12,160 --> 00:34:14,680 Speaker 1: At a certain point, you go, well, at what point 606 00:34:14,680 --> 00:34:17,080 Speaker 1: in the yes, that's part of what he's done, but 607 00:34:17,160 --> 00:34:19,799 Speaker 1: it was settled out of court and the details are 608 00:34:19,800 --> 00:34:22,120 Speaker 1: out there. If she's not coming out saying well, he's 609 00:34:22,120 --> 00:34:26,040 Speaker 1: still never learned then and it's unfortunate that he had 610 00:34:26,080 --> 00:34:29,440 Speaker 1: to go to court for it. But also that's the 611 00:34:29,600 --> 00:34:32,160 Speaker 1: justice system, like he has been punished or whatever has 612 00:34:32,200 --> 00:34:34,319 Speaker 1: happened has happened, and that was how many years ago, 613 00:34:34,920 --> 00:34:38,240 Speaker 1: So you would hope that the whole point of jail 614 00:34:38,400 --> 00:34:40,160 Speaker 1: or or someone going to court, but an thing is 615 00:34:40,200 --> 00:34:43,640 Speaker 1: that they will learn and not do it again, especially 616 00:34:44,280 --> 00:34:48,000 Speaker 1: with something like this when it's something more serious. Of 617 00:34:48,000 --> 00:34:50,320 Speaker 1: course you start when if if it's rape or murder, 618 00:34:50,360 --> 00:34:52,400 Speaker 1: you go. That sort of ship doesn't really wash away. 619 00:34:52,440 --> 00:34:54,719 Speaker 1: That's not something you learned from gold Samie. I won't 620 00:34:54,760 --> 00:34:57,000 Speaker 1: go when they get you know there, But you do 621 00:34:57,080 --> 00:34:59,239 Speaker 1: have to sort of in some way put a bit 622 00:34:59,239 --> 00:35:01,040 Speaker 1: of faith in the just a system that you're you 623 00:35:01,040 --> 00:35:04,360 Speaker 1: should be allowed to move on if you got drunk 624 00:35:04,440 --> 00:35:07,560 Speaker 1: driving when you were twenty one and then people are 625 00:35:07,560 --> 00:35:09,799 Speaker 1: like always doing that podcast, but he was actually done 626 00:35:09,800 --> 00:35:12,040 Speaker 1: for drink driving. He be like, God, that was I'm 627 00:35:12,120 --> 00:35:14,319 Speaker 1: so sorry about that, but I did do my time 628 00:35:14,440 --> 00:35:16,880 Speaker 1: or whatever it was. The other thing on the flip 629 00:35:16,920 --> 00:35:20,560 Speaker 1: side of that is it does make me realize that 630 00:35:20,600 --> 00:35:24,120 Speaker 1: there's never been a code of conduct with talent, So 631 00:35:24,880 --> 00:35:28,960 Speaker 1: with sports or acting or singing, anything that's sort of 632 00:35:29,000 --> 00:35:31,080 Speaker 1: magical to most people, where you have to have in 633 00:35:31,120 --> 00:35:34,440 Speaker 1: any sort of magical talent, which is the same with performing, 634 00:35:34,719 --> 00:35:37,719 Speaker 1: there's never been. But to do that you also need 635 00:35:37,719 --> 00:35:40,239 Speaker 1: to be kind, turn up to work on time you 636 00:35:40,280 --> 00:35:42,080 Speaker 1: know you can. If you're a great sports person, you 637 00:35:42,120 --> 00:35:43,719 Speaker 1: can be like, well I wasn't there for training, but 638 00:35:43,760 --> 00:35:46,200 Speaker 1: I'm still going to do it, or like whether it's football, 639 00:35:46,239 --> 00:35:50,360 Speaker 1: it doesn't matter how how you behave outside of the pitch, 640 00:35:50,400 --> 00:35:53,239 Speaker 1: as long as you're a really good football player. It 641 00:35:53,280 --> 00:35:55,600 Speaker 1: doesn't matter how you behave in your trailer, as long 642 00:35:55,640 --> 00:35:57,440 Speaker 1: as you're a magical actor, or whether you beat your 643 00:35:57,440 --> 00:36:01,240 Speaker 1: wife or whatever it is, or whether you're a sexual predator, 644 00:36:01,280 --> 00:36:03,080 Speaker 1: it doesn't matter. As long as you're really funny and 645 00:36:03,120 --> 00:36:05,080 Speaker 1: on stage, people still want to come and see your shows. 646 00:36:05,520 --> 00:36:09,120 Speaker 1: And maybe we're at the shifting point now where there's 647 00:36:09,160 --> 00:36:11,319 Speaker 1: has to start to be a code of conduct if 648 00:36:11,360 --> 00:36:14,400 Speaker 1: you're not kind to your coworkers are nice, or you 649 00:36:14,440 --> 00:36:17,520 Speaker 1: shout at people behind stage. That doesn't make you able 650 00:36:17,520 --> 00:36:20,960 Speaker 1: to do your job. That doesn't make you the At 651 00:36:20,960 --> 00:36:23,719 Speaker 1: what point I think we allow a lot for creativity 652 00:36:23,719 --> 00:36:26,200 Speaker 1: and talent, Like maybe they needed to do that to 653 00:36:26,239 --> 00:36:27,719 Speaker 1: be able to do a job. And from now on, 654 00:36:27,840 --> 00:36:29,760 Speaker 1: maybe there's there's starting to be a code of conduct. 655 00:36:29,800 --> 00:36:33,239 Speaker 1: If you're a sportsperson, an actor, a comedian, you don't 656 00:36:33,320 --> 00:36:35,839 Speaker 1: just get to be magical. You also have to go 657 00:36:35,920 --> 00:36:38,200 Speaker 1: to work and be kind like everyone else to do 658 00:36:38,200 --> 00:36:40,480 Speaker 1: as well in the normal office. And I mean, this 659 00:36:40,560 --> 00:36:43,040 Speaker 1: is behavior that we saw from Peyton Manning in the 660 00:36:43,080 --> 00:36:47,239 Speaker 1: locker room, sort of this uh like shitty behavior where 661 00:36:47,280 --> 00:36:50,560 Speaker 1: he's it's just clear that he never advanced beyond being 662 00:36:50,560 --> 00:36:53,560 Speaker 1: a twelve year old boy. And but then Sean wants 663 00:36:53,560 --> 00:36:54,880 Speaker 1: to be nipped in the butt a lot of airs 664 00:36:55,160 --> 00:36:57,200 Speaker 1: as well, you know. But so he combined that with 665 00:36:57,280 --> 00:36:59,880 Speaker 1: groping her and trying to kiss her at a party 666 00:37:00,000 --> 00:37:03,839 Speaker 1: well drunk. And there's also this quote from uh they 667 00:37:03,880 --> 00:37:06,600 Speaker 1: quote a text conversation that they had that was basically 668 00:37:06,640 --> 00:37:10,880 Speaker 1: their last text conversation, and the way he treats her 669 00:37:10,920 --> 00:37:14,359 Speaker 1: as like weird and kind of psychologically fucked up where 670 00:37:14,400 --> 00:37:17,400 Speaker 1: he's like, you know, she's the drummer in their band, 671 00:37:17,440 --> 00:37:20,280 Speaker 1: and he's like, I want your hair to be cut 672 00:37:20,320 --> 00:37:24,000 Speaker 1: short but with your bangs long by tomorrow. And she's like, 673 00:37:24,080 --> 00:37:26,600 Speaker 1: I really would rather not. Can we talk about this 674 00:37:26,960 --> 00:37:29,680 Speaker 1: and he's like, no, that's my final decision. That's what 675 00:37:29,719 --> 00:37:32,600 Speaker 1: I want your hair to look like. And she's like, 676 00:37:33,600 --> 00:37:36,760 Speaker 1: i'd rather not, and he's like, is that your final decision? 677 00:37:37,120 --> 00:37:38,839 Speaker 1: So that's what you're telling me. You're telling me you're 678 00:37:38,880 --> 00:37:40,920 Speaker 1: not gonna do it, and then like he fired her 679 00:37:40,960 --> 00:37:44,279 Speaker 1: from the band, which I don't know. It's just like 680 00:37:44,560 --> 00:37:49,080 Speaker 1: it's not criminal behavior, but it uh, it's bullying. Yeah, 681 00:37:49,360 --> 00:37:51,520 Speaker 1: it's true what you're saying. Actually, it's sort of like 682 00:37:51,680 --> 00:37:54,000 Speaker 1: we have a culture here of when you're the talent, 683 00:37:54,160 --> 00:37:56,800 Speaker 1: you're deified. And it's like, well, that's that they're gonna 684 00:37:56,800 --> 00:37:58,760 Speaker 1: do what they do, like, yeah, they're gonna do drugs 685 00:37:58,760 --> 00:38:01,400 Speaker 1: in the studio, they're gonna break rules and we can't 686 00:38:01,400 --> 00:38:03,759 Speaker 1: say anything because they're the talent. And I think, yeah, 687 00:38:03,800 --> 00:38:06,120 Speaker 1: it's also reckoning in general for people to sort of 688 00:38:06,160 --> 00:38:09,640 Speaker 1: reevaluate like yeah, you may be white and you may 689 00:38:09,640 --> 00:38:11,440 Speaker 1: be in a band, but this is an employee at 690 00:38:11,480 --> 00:38:13,880 Speaker 1: the same time, exactly. And that's where this isn't your 691 00:38:13,880 --> 00:38:16,080 Speaker 1: garage band you started with your mates like when you 692 00:38:16,160 --> 00:38:19,160 Speaker 1: were twelve years old in dating all the time. Uh 693 00:38:19,280 --> 00:38:21,560 Speaker 1: you know that where you you have this band are 694 00:38:21,560 --> 00:38:24,120 Speaker 1: already and it's it's there's a it's a different relationship 695 00:38:24,120 --> 00:38:26,680 Speaker 1: than one of someone who holds your sort of financial 696 00:38:26,680 --> 00:38:29,239 Speaker 1: well being. Look how wonderful Bill Cosby is, but I 697 00:38:29,280 --> 00:38:32,279 Speaker 1: know he like really likes having young girls backstage. Look 698 00:38:32,280 --> 00:38:34,360 Speaker 1: how wonderful Louis c k is, But you know what, 699 00:38:34,440 --> 00:38:36,680 Speaker 1: he's a bit creepy, but god, he brings the punters in. 700 00:38:37,000 --> 00:38:39,120 Speaker 1: There are people just as good who you can foster 701 00:38:39,200 --> 00:38:41,560 Speaker 1: and go, but they're also kind. So let's drop the 702 00:38:41,560 --> 00:38:43,560 Speaker 1: people who aren't kind. And I know that might seem 703 00:38:43,560 --> 00:38:45,920 Speaker 1: a bit airy fairy, but just in terms of a 704 00:38:45,960 --> 00:38:48,439 Speaker 1: code of conduct, if someone can still do the job 705 00:38:48,480 --> 00:38:50,880 Speaker 1: as well and start to bring in as much money, 706 00:38:51,040 --> 00:38:54,520 Speaker 1: the employers have to enforce it. The fans and people 707 00:38:54,600 --> 00:38:56,919 Speaker 1: who pay the wages because we go and we watch 708 00:38:57,000 --> 00:39:00,840 Speaker 1: these people. We give over our money to Netflix or whatever, 709 00:39:00,880 --> 00:39:03,680 Speaker 1: and we we add ratings to whatever show we like. 710 00:39:04,080 --> 00:39:05,759 Speaker 1: We have to be careful with where we put our 711 00:39:05,800 --> 00:39:08,040 Speaker 1: cash because that's where our power is. So if a 712 00:39:08,080 --> 00:39:11,800 Speaker 1: company is bad, give your money to another company, because 713 00:39:11,840 --> 00:39:15,280 Speaker 1: that is how they hear. That is how companies enforced 714 00:39:15,320 --> 00:39:19,320 Speaker 1: code of ethics. For example, people boycotting Mirror Max films 715 00:39:19,320 --> 00:39:22,120 Speaker 1: for example. That makes people take women seriously. It's not 716 00:39:22,160 --> 00:39:24,680 Speaker 1: really feeling sorry for women. It's that you go, oh, 717 00:39:24,680 --> 00:39:27,799 Speaker 1: there's a financial risk to this, that our movies will 718 00:39:27,840 --> 00:39:29,920 Speaker 1: people will stop watching our movies and everything like that. 719 00:39:30,000 --> 00:39:32,960 Speaker 1: It isn't really out of a true it's not purely 720 00:39:33,000 --> 00:39:36,960 Speaker 1: altruistic for the cause. And that's not the worst thing 721 00:39:37,000 --> 00:39:39,560 Speaker 1: in the world because it means we as consumers have 722 00:39:39,640 --> 00:39:41,799 Speaker 1: a power with who we decide we want to buy 723 00:39:41,800 --> 00:39:45,719 Speaker 1: our sports drinks from. If someone's attached to a subway sandwich, 724 00:39:45,840 --> 00:39:48,160 Speaker 1: so to speak, not that physically attached to it, but 725 00:39:48,280 --> 00:39:51,239 Speaker 1: the brand of subway sandwiches, don't buy them if you 726 00:39:51,280 --> 00:39:53,200 Speaker 1: don't like that athlete or whether it like. You can 727 00:39:53,280 --> 00:39:56,400 Speaker 1: use your money in quite a positive way if you 728 00:39:56,480 --> 00:39:58,560 Speaker 1: if you feel a little at lost. I mean, I've 729 00:39:58,560 --> 00:40:01,640 Speaker 1: always felt like the way brand is beyond reproach and 730 00:40:01,760 --> 00:40:05,200 Speaker 1: all of their spokespeople are you know, perfect. It was 731 00:40:05,200 --> 00:40:08,160 Speaker 1: already odd example, because I I've never eaten the subways 732 00:40:08,160 --> 00:40:09,520 Speaker 1: on which but it just do you know what I 733 00:40:09,560 --> 00:40:11,680 Speaker 1: was thinking as well? The sports person. I was thinking 734 00:40:11,680 --> 00:40:18,600 Speaker 1: of Happy Gilmore when you like, yeah, exactly, that's the 735 00:40:18,600 --> 00:40:20,839 Speaker 1: only sports person in America. Yeah, I mean I think 736 00:40:20,840 --> 00:40:24,480 Speaker 1: we're seeing this specifically. You're mentioning Weinstein. I mean with 737 00:40:24,520 --> 00:40:29,440 Speaker 1: the Weinstein company. The district attorney in New York ignored 738 00:40:29,520 --> 00:40:33,040 Speaker 1: the ship out of all this evidence or circumstantial evidence 739 00:40:34,120 --> 00:40:38,239 Speaker 1: for many years, and journalists have actually, it doesn't, it 740 00:40:38,239 --> 00:40:41,000 Speaker 1: doesn't work their favor. It doesn't. It will cost them 741 00:40:41,000 --> 00:40:44,240 Speaker 1: more to ignore and not exactly, so now they're bringing 742 00:40:44,440 --> 00:40:47,560 Speaker 1: a case against the Weinstein company for enabling it. No 743 00:40:47,600 --> 00:40:51,120 Speaker 1: one will, for example, recycle if it doesn't make more 744 00:40:51,600 --> 00:40:55,120 Speaker 1: financial sense to recycle, for example, if recycling is cheaper 745 00:40:55,160 --> 00:40:58,640 Speaker 1: than the normal trash collection. So in the UK or 746 00:40:58,680 --> 00:41:01,799 Speaker 1: in Ireland, for example, you have to pay more money 747 00:41:01,920 --> 00:41:05,960 Speaker 1: to recycle general household waste to put those trash guns 748 00:41:05,960 --> 00:41:08,120 Speaker 1: out than you do for your recycling bins. So it 749 00:41:08,200 --> 00:41:10,000 Speaker 1: pays and you're like, no, we should really just do 750 00:41:10,040 --> 00:41:12,560 Speaker 1: it because we should, And you're like no, people are 751 00:41:12,880 --> 00:41:16,600 Speaker 1: incentivized financially generally, and so we as a consumers have 752 00:41:16,640 --> 00:41:18,759 Speaker 1: to show companies in our own little, tiny ways, and 753 00:41:18,760 --> 00:41:21,399 Speaker 1: it's all through micro changes that we make that it 754 00:41:21,480 --> 00:41:25,279 Speaker 1: pays to be ethically good in business. So whether that's 755 00:41:25,280 --> 00:41:27,799 Speaker 1: with the movies you watch, where when a lot of 756 00:41:27,840 --> 00:41:29,960 Speaker 1: companies are now giving say fifty cent off if you 757 00:41:30,000 --> 00:41:32,080 Speaker 1: bring your own cup in to use your coffee, and 758 00:41:32,120 --> 00:41:34,000 Speaker 1: then more people go to those coffee shops. Like that's 759 00:41:34,000 --> 00:41:37,160 Speaker 1: how you show companies that the policies of being good 760 00:41:37,239 --> 00:41:40,560 Speaker 1: or being ethical do pay off. You know, it will 761 00:41:40,600 --> 00:41:42,200 Speaker 1: be tough because some of these companies are just so 762 00:41:42,280 --> 00:41:46,080 Speaker 1: large that yeah, but we people are people are so large. 763 00:41:46,360 --> 00:41:49,440 Speaker 1: We like people move like bees. Look at the me 764 00:41:49,520 --> 00:41:51,880 Speaker 1: too campaign. It started off as one little hashtag on 765 00:41:51,920 --> 00:41:54,040 Speaker 1: Twitter and then it brought in people not just from 766 00:41:54,040 --> 00:41:56,200 Speaker 1: the entertainment industry. And I'm not being naive to say 767 00:41:56,200 --> 00:41:58,200 Speaker 1: everything's fixed for everything's good or you know, it's only 768 00:41:58,239 --> 00:41:59,920 Speaker 1: been a couple of months, but look at the move 769 00:42:00,040 --> 00:42:02,760 Speaker 1: meant that has created from just a little hashtag on Twitter. 770 00:42:03,200 --> 00:42:05,920 Speaker 1: People are very effective at change where bees and we 771 00:42:06,000 --> 00:42:08,680 Speaker 1: moved together as a group. And you know, something that 772 00:42:08,760 --> 00:42:11,120 Speaker 1: happens hits like this is called the daily zeitgeist. That 773 00:42:11,239 --> 00:42:14,799 Speaker 1: the zeitgeist can hit across the world very quickly, you know, 774 00:42:14,880 --> 00:42:16,880 Speaker 1: like the Dorito's campaign. Women go I'm not going to 775 00:42:16,920 --> 00:42:18,880 Speaker 1: put up with that, thank you very much. That was 776 00:42:18,920 --> 00:42:22,120 Speaker 1: just so quick because people move in community, so we 777 00:42:22,239 --> 00:42:26,120 Speaker 1: can do it by just little changes. All right, we're 778 00:42:26,160 --> 00:42:28,839 Speaker 1: gonna take a quick break and we'll be right back. 779 00:42:37,480 --> 00:42:42,680 Speaker 1: And we're back and miles. There's a story about the 780 00:42:42,719 --> 00:42:47,000 Speaker 1: mobile phone numbers market in Iraq. Yes, this so The 781 00:42:47,000 --> 00:42:50,600 Speaker 1: Washington posted a story about how basically sim cards with 782 00:42:50,800 --> 00:42:53,520 Speaker 1: really memorable phone numbers, like ones that have repeated digits 783 00:42:53,520 --> 00:42:57,760 Speaker 1: and things like that are highly sought after. So people 784 00:42:58,000 --> 00:43:01,360 Speaker 1: in Iraq. So I called it you rock Iraq. I 785 00:43:01,440 --> 00:43:07,120 Speaker 1: call it Iraq over. Well, I'm ignorant. So the deal 786 00:43:07,200 --> 00:43:09,840 Speaker 1: is there. Since two thousand seven, this market sort of 787 00:43:09,840 --> 00:43:12,359 Speaker 1: emerged because after all the sanctions that Iraq was hit 788 00:43:12,440 --> 00:43:15,840 Speaker 1: with during the reign of Saddam Hussein, it kept a 789 00:43:15,920 --> 00:43:18,320 Speaker 1: lot of consumer goods and consumer electronics out of the country. 790 00:43:18,360 --> 00:43:21,440 Speaker 1: So in two thousand seven, as the country started opening up, 791 00:43:21,960 --> 00:43:25,480 Speaker 1: mobile phones became like the hottest item, and your phone 792 00:43:25,520 --> 00:43:28,400 Speaker 1: number was like a real sign of prestige. So people 793 00:43:28,719 --> 00:43:30,839 Speaker 1: like have someone it's like seven seven seven seven seven 794 00:43:30,880 --> 00:43:34,640 Speaker 1: seven seven, that's like a that's like a number. And 795 00:43:34,680 --> 00:43:37,160 Speaker 1: so there are businesses where brokers will have they have 796 00:43:37,200 --> 00:43:39,400 Speaker 1: some cards already, like they'll put it add out, like 797 00:43:39,440 --> 00:43:41,920 Speaker 1: they'll put their menu basically have numbers they have you 798 00:43:41,920 --> 00:43:44,200 Speaker 1: can buy and they can range from you know, ten 799 00:43:44,239 --> 00:43:51,520 Speaker 1: dollars to upwards of must be like one three four x, 800 00:43:51,800 --> 00:43:57,040 Speaker 1: And so they talked about how they're In the article, 801 00:43:57,080 --> 00:43:59,480 Speaker 1: there's one guy who is considering getting a new phone 802 00:43:59,560 --> 00:44:01,520 Speaker 1: number as he thought it was affecting his ability to 803 00:44:01,600 --> 00:44:04,480 Speaker 1: attract a mate. One of the brokers traded him a 804 00:44:04,560 --> 00:44:07,439 Speaker 1: sixty dollar Lexus for a SIM card with a certain 805 00:44:07,560 --> 00:44:10,640 Speaker 1: number on it. Um it's it's really interesting read. But 806 00:44:10,760 --> 00:44:12,120 Speaker 1: by the end of it, like one of the main 807 00:44:12,239 --> 00:44:15,160 Speaker 1: stories is there's this TV producer in the country who 808 00:44:15,239 --> 00:44:17,239 Speaker 1: wants this one number because it has like the most 809 00:44:17,280 --> 00:44:20,640 Speaker 1: consecutive zeros at the end of it. And so he 810 00:44:20,719 --> 00:44:22,479 Speaker 1: goes to the broker and says, I want this number. 811 00:44:22,600 --> 00:44:25,200 Speaker 1: The broker finds the owner of that number, and so 812 00:44:25,520 --> 00:44:28,840 Speaker 1: the TV executive is willing to pay one twenty thousand 813 00:44:28,920 --> 00:44:31,600 Speaker 1: dollars for this SIM card for this phone number, and 814 00:44:31,680 --> 00:44:33,719 Speaker 1: so the broker finds the guy. The guy is a 815 00:44:33,800 --> 00:44:36,960 Speaker 1: police officer, just a regular like local, like works at 816 00:44:36,960 --> 00:44:38,960 Speaker 1: the municipality. He comes up and says, you know, this 817 00:44:39,040 --> 00:44:40,800 Speaker 1: guy is willing to pay you a D twenty k 818 00:44:40,960 --> 00:44:43,600 Speaker 1: straight up for the SIM card right now. What's good? 819 00:44:43,880 --> 00:44:47,279 Speaker 1: And he says absolutely not. Way too low, way too low. 820 00:44:47,640 --> 00:44:50,360 Speaker 1: And he's like, and it just shows you some of 821 00:44:50,440 --> 00:44:53,440 Speaker 1: these things to even life changing amount of Money's like, no, 822 00:44:53,480 --> 00:44:55,560 Speaker 1: I'm not coming up off this phone number. Like with 823 00:44:55,680 --> 00:44:58,319 Speaker 1: the red cups in America? Is it a cultural thing 824 00:44:58,360 --> 00:45:01,240 Speaker 1: that no one has business cards or you can't print 825 00:45:01,320 --> 00:45:05,920 Speaker 1: business cards? So memory remembering numbers is like a really 826 00:45:06,200 --> 00:45:09,120 Speaker 1: important thing. It's really because you know, back in the 827 00:45:09,239 --> 00:45:12,240 Speaker 1: double phones, like you don't need to memorize people's numbers, 828 00:45:12,480 --> 00:45:15,319 Speaker 1: Like I have no idea what anybody except my own 829 00:45:15,400 --> 00:45:18,319 Speaker 1: and my wife's phone number is because I've never had 830 00:45:18,360 --> 00:45:20,600 Speaker 1: to memorize numbers since i was like ten years old. 831 00:45:20,719 --> 00:45:24,279 Speaker 1: I still know my first one, six nine. Wow, that's 832 00:45:24,320 --> 00:45:29,680 Speaker 1: pretty good. Actually, I still remember mine from when I 833 00:45:29,760 --> 00:45:31,880 Speaker 1: was a kid. But I know Chris Flixs number, I 834 00:45:31,920 --> 00:45:35,480 Speaker 1: know Ian McMahon's number number, Christian Goose's number, I know 835 00:45:35,600 --> 00:45:39,080 Speaker 1: Jessica Monday's number, everybody's number, from up until about two 836 00:45:39,120 --> 00:45:43,200 Speaker 1: thousand two, and then nothing, it was gone. I was 837 00:45:43,320 --> 00:45:48,759 Speaker 1: listening to this wonderful book. I was listening to a 838 00:45:48,800 --> 00:45:51,959 Speaker 1: book what how can that be possible? Audiobooks folks reading 839 00:45:52,160 --> 00:45:56,560 Speaker 1: joined the revelation reading my ears and um, it's Malcolm 840 00:45:56,640 --> 00:45:59,840 Speaker 1: Gladwell's book The Outliers, And so a lot of it 841 00:46:00,080 --> 00:46:02,279 Speaker 1: is about, you know, why certain people do well and 842 00:46:02,360 --> 00:46:04,960 Speaker 1: we all, especially in America, that one of the big 843 00:46:05,040 --> 00:46:06,799 Speaker 1: things that you guys have here is like I came 844 00:46:06,840 --> 00:46:08,680 Speaker 1: here with nothing. My family came here with nothing. I 845 00:46:08,760 --> 00:46:12,560 Speaker 1: had nothing, zero, nothing, nothing, and I'm still managed to succeed. Actually, 846 00:46:12,600 --> 00:46:15,000 Speaker 1: no one comes here with nothing, even even if it's 847 00:46:15,040 --> 00:46:16,680 Speaker 1: just the idea that you came from a family that 848 00:46:16,760 --> 00:46:20,200 Speaker 1: would be courageous enough to brave the seas to land here, 849 00:46:20,520 --> 00:46:24,279 Speaker 1: that's still coming with an energy of entrepreneurial hip or 850 00:46:24,320 --> 00:46:26,279 Speaker 1: whatever it is. But one of the things he was 851 00:46:26,320 --> 00:46:29,560 Speaker 1: saying is that, you know, there's that whole thing about 852 00:46:29,640 --> 00:46:33,080 Speaker 1: Asian people being very good at maths, but in our ears, 853 00:46:33,520 --> 00:46:36,520 Speaker 1: the amount of numbers we can retain at any one 854 00:46:36,560 --> 00:46:38,040 Speaker 1: time when we look at something, it's sort of four 855 00:46:38,120 --> 00:46:40,200 Speaker 1: to five numbers. But a lot of it is to 856 00:46:40,280 --> 00:46:45,239 Speaker 1: do with syllables, so one, two, three, four, five takes 857 00:46:45,239 --> 00:46:48,839 Speaker 1: a lot longer to say in English than it does 858 00:46:49,120 --> 00:46:52,640 Speaker 1: in say, for example, Chinese, and so you can actually 859 00:46:52,680 --> 00:46:56,080 Speaker 1: fit maybe but you can maybe fit two more numbers 860 00:46:56,120 --> 00:46:59,680 Speaker 1: in there to memorize because there's just quick Even in Japanese, 861 00:46:59,680 --> 00:47:01,719 Speaker 1: you can and break it down. I'm half Japanese, so 862 00:47:01,840 --> 00:47:04,399 Speaker 1: you can say, for each which is one, you could 863 00:47:04,440 --> 00:47:07,680 Speaker 1: say e, and like you can remember a number, like 864 00:47:07,760 --> 00:47:11,640 Speaker 1: if it's like one, five, three, you could say uh. 865 00:47:11,960 --> 00:47:15,200 Speaker 1: And you can basically use the first syllable or derivations 866 00:47:15,280 --> 00:47:17,520 Speaker 1: of that, so sound could be sa, and you can 867 00:47:17,600 --> 00:47:19,800 Speaker 1: kind of create words out of it. So there's a 868 00:47:19,840 --> 00:47:23,120 Speaker 1: way to sort of memorize more numbers quickly. So again 869 00:47:23,239 --> 00:47:25,880 Speaker 1: what you're bringing to the table is it's just easier 870 00:47:25,920 --> 00:47:28,160 Speaker 1: to memorize more numbers. So from a very young age, 871 00:47:28,480 --> 00:47:31,399 Speaker 1: you're taking in numbers more quickly, which is just sort 872 00:47:31,440 --> 00:47:34,600 Speaker 1: of like really fascinating to me that we can do that, 873 00:47:34,719 --> 00:47:37,280 Speaker 1: because with now we don't have to memorize any numbers 874 00:47:37,280 --> 00:47:39,680 Speaker 1: at all, because like you're saying, with telephone numbers, we don't. 875 00:47:40,000 --> 00:47:42,200 Speaker 1: But I just love that idea that, like so many 876 00:47:42,280 --> 00:47:45,759 Speaker 1: things and can come into play with memory. But in 877 00:47:46,600 --> 00:47:50,280 Speaker 1: numerology is big in in in China as well in Iraq. 878 00:47:50,400 --> 00:47:52,720 Speaker 1: I don't think numerology is a big thing. I wonder 879 00:47:52,840 --> 00:47:55,640 Speaker 1: why for them, it's purely just because that was the 880 00:47:55,760 --> 00:47:59,120 Speaker 1: first way I since mobile phones were a really big 881 00:47:59,360 --> 00:48:01,880 Speaker 1: sort of life item, that the next way to differentiate 882 00:48:01,960 --> 00:48:05,120 Speaker 1: yourself was with the number itself, and if that was stylized, 883 00:48:05,600 --> 00:48:07,319 Speaker 1: then that added a little I have to say, when 884 00:48:07,320 --> 00:48:09,080 Speaker 1: I got my American number here and I went to 885 00:48:09,200 --> 00:48:11,360 Speaker 1: a T and T, I went in and she's like, 886 00:48:11,480 --> 00:48:15,280 Speaker 1: now we have um um numbers available from my Beverly Hills. 887 00:48:15,880 --> 00:48:18,480 Speaker 1: And I just liked the idea that when I arrived 888 00:48:18,920 --> 00:48:21,160 Speaker 1: my mother from my American number, it would come up 889 00:48:21,200 --> 00:48:23,759 Speaker 1: as from Beverly Hill. So I kind of and it 890 00:48:23,920 --> 00:48:26,880 Speaker 1: was just a total status thing. Is a four to 891 00:48:27,040 --> 00:48:30,040 Speaker 1: four number, yes see, and seeing local l a peopill 892 00:48:30,040 --> 00:48:33,640 Speaker 1: be like you're new, you got that expansion area, you 893 00:48:33,760 --> 00:48:39,200 Speaker 1: have that legacy. Um. Yeah. But it's it's just interesting 894 00:48:39,280 --> 00:48:42,880 Speaker 1: because mobile phones are like the first technology that enters 895 00:48:43,360 --> 00:48:47,920 Speaker 1: like these countries like Africa for instance, has had this 896 00:48:48,200 --> 00:48:52,400 Speaker 1: really advanced like mobile phone payment system called m PASA, 897 00:48:52,600 --> 00:48:55,239 Speaker 1: which is just like M for mobile and pasa Swahili 898 00:48:55,360 --> 00:48:58,520 Speaker 1: for money. Uh. Since two thousand seven, America is just 899 00:48:58,600 --> 00:49:01,320 Speaker 1: getting venmo. They've been ven owing each other like on 900 00:49:01,480 --> 00:49:03,840 Speaker 1: mobile phones and like that's been their primary form of 901 00:49:03,920 --> 00:49:07,360 Speaker 1: payments since two thousand seven. This MPASA thing is like 902 00:49:07,520 --> 00:49:11,040 Speaker 1: spread to other countries and they're like way ahead of 903 00:49:11,160 --> 00:49:14,200 Speaker 1: the rest of the world because mobile phones were like 904 00:49:14,480 --> 00:49:16,759 Speaker 1: the first technology to come in and they came in 905 00:49:16,920 --> 00:49:20,680 Speaker 1: before credit cards even so that's like they had this 906 00:49:20,840 --> 00:49:24,920 Speaker 1: really advanced mobile phone payment system. And it's just interesting 907 00:49:25,040 --> 00:49:29,359 Speaker 1: like Iraq having like these numbers be really important. It's 908 00:49:29,440 --> 00:49:32,600 Speaker 1: just like hitting them at a certain time when for 909 00:49:32,840 --> 00:49:36,359 Speaker 1: whatever reason, like that's what. Well, yeah, the article they 910 00:49:36,440 --> 00:49:39,520 Speaker 1: say the topling of Hussein also shattered the type political 911 00:49:39,560 --> 00:49:42,200 Speaker 1: and business class that it surrounded him, creating opportunities for 912 00:49:42,239 --> 00:49:45,800 Speaker 1: savvy entrepreneurs and ambitious would be powerbrokers. So to project 913 00:49:45,880 --> 00:49:49,040 Speaker 1: status and sophistication, they needed the right tools, and impressive 914 00:49:49,040 --> 00:49:51,800 Speaker 1: phone number became indispensable. It's so funny though, because I 915 00:49:51,880 --> 00:49:55,000 Speaker 1: don't I understand a phone being is not a symbol 916 00:49:55,360 --> 00:49:58,719 Speaker 1: or a car when you can show it outwardly. It's 917 00:49:58,760 --> 00:50:01,840 Speaker 1: just again numerology. I don't think it's important in Iraq. 918 00:50:02,160 --> 00:50:06,040 Speaker 1: And I don't understand how you show your number is 919 00:50:06,120 --> 00:50:10,040 Speaker 1: really you never say your number loud anymore unless you're 920 00:50:10,040 --> 00:50:11,600 Speaker 1: saying put this into your phone, and then you never 921 00:50:11,640 --> 00:50:13,520 Speaker 1: say it again. But I think that's the thing is like, 922 00:50:13,600 --> 00:50:15,920 Speaker 1: so even when you dictated, someone goes, oh, ship you, 923 00:50:20,400 --> 00:50:27,040 Speaker 1: my number is zero zero zero zero zero zero zero zero. Yeah, 924 00:50:27,440 --> 00:50:31,560 Speaker 1: you will make a good husband. Uh. And then just 925 00:50:31,640 --> 00:50:34,240 Speaker 1: real quick before we go, we wanted to talk about 926 00:50:34,840 --> 00:50:40,160 Speaker 1: so yesterday, I guess Christen Gillibrand announced that she would 927 00:50:40,200 --> 00:50:43,560 Speaker 1: not be taking any pack money corporate PA but corporate 928 00:50:43,600 --> 00:50:47,160 Speaker 1: pac money, right, And then hours later Corey Booker was like, yeah, yeah, 929 00:50:47,239 --> 00:50:50,880 Speaker 1: me too. And it's and apparently Elizabeth Warren and Bernie 930 00:50:50,960 --> 00:50:53,480 Speaker 1: Sanders they've all been doing they've all been doing it. 931 00:50:53,640 --> 00:50:56,800 Speaker 1: So it's it's very clear, like we now know who's 932 00:50:56,840 --> 00:50:59,680 Speaker 1: going to run for president. Why I'm ignoring too this 933 00:50:59,800 --> 00:51:01,320 Speaker 1: to right, could you explain is a bit more so 934 00:51:01,520 --> 00:51:03,600 Speaker 1: like you know the corporate packs that there are ways 935 00:51:03,640 --> 00:51:06,560 Speaker 1: for corporations to to put large sums of money into 936 00:51:06,600 --> 00:51:10,160 Speaker 1: these groups and funnel them into campaigns versus like individual donors. 937 00:51:10,640 --> 00:51:13,600 Speaker 1: The Senate they don't rely as much on corporate packs 938 00:51:13,640 --> 00:51:16,719 Speaker 1: as much as House candidates do. But essentially it's a 939 00:51:16,760 --> 00:51:19,320 Speaker 1: way for them to say, I'm not going to accept 940 00:51:19,520 --> 00:51:21,520 Speaker 1: a T and T S money or I'm not going 941 00:51:21,600 --> 00:51:23,920 Speaker 1: to I'll accept the head of a T and T 942 00:51:24,040 --> 00:51:26,360 Speaker 1: S money, but I will not be getting specifically trade 943 00:51:26,360 --> 00:51:30,560 Speaker 1: from the company I will be taking. Put them together. 944 00:51:30,640 --> 00:51:32,920 Speaker 1: So like if it's the American Medical Association, they have 945 00:51:33,040 --> 00:51:34,800 Speaker 1: a pack that they give money to and things like that. 946 00:51:34,920 --> 00:51:36,480 Speaker 1: So by them doing that, it's a way for them 947 00:51:36,520 --> 00:51:38,719 Speaker 1: to distance themselves by saying, like, financial laws here are 948 00:51:38,760 --> 00:51:41,520 Speaker 1: completely fucked and they've completely destroyed our political system. So 949 00:51:41,640 --> 00:51:43,319 Speaker 1: this is their way of saying, I'm above the fray. 950 00:51:43,560 --> 00:51:45,440 Speaker 1: I'm not going to do that, and look at me, 951 00:51:45,760 --> 00:51:48,520 Speaker 1: I'm woke. So it's it was interesting because yeah, literally 952 00:51:48,600 --> 00:51:51,080 Speaker 1: hours after Cristy Jillibrand said she's not doing Cory Bookers 953 00:51:51,080 --> 00:51:52,920 Speaker 1: like me too, me too, I'm not gonna take it either. 954 00:51:53,040 --> 00:51:55,120 Speaker 1: So you're we're starting to see that where were they 955 00:51:55,160 --> 00:51:57,640 Speaker 1: not going to take money from from corporate packs from 956 00:51:57,719 --> 00:51:59,920 Speaker 1: corporate Yes, so to say that I'm not I'm not 957 00:52:00,160 --> 00:52:05,320 Speaker 1: sullied by corporations. I'm a pure politician interests exactly Bernie 958 00:52:05,320 --> 00:52:06,839 Speaker 1: has been doing that for a while. Elizabeth Warren has 959 00:52:06,840 --> 00:52:08,279 Speaker 1: been doing that for a while, Martha Campbell has been 960 00:52:08,320 --> 00:52:09,960 Speaker 1: doing that for a while. But it's starting to see 961 00:52:10,040 --> 00:52:14,359 Speaker 1: like because Jilli, Brandon, Booker, and Warren, they're all looking 962 00:52:14,440 --> 00:52:17,600 Speaker 1: like sort of potential candidates for twenty So it's it's 963 00:52:17,640 --> 00:52:19,839 Speaker 1: interesting to see people sort of like fall in line out. 964 00:52:19,880 --> 00:52:22,920 Speaker 1: But then again, like if do do we mind? If 965 00:52:22,960 --> 00:52:26,000 Speaker 1: it looks like it pays to be good, it'll be. 966 00:52:26,320 --> 00:52:29,759 Speaker 1: I think that's no problem. I think it's great. It's 967 00:52:29,800 --> 00:52:31,920 Speaker 1: just funny that, like within hours, it just sort of 968 00:52:31,960 --> 00:52:34,879 Speaker 1: shows we're starting to motivations. You want to make sure 969 00:52:34,880 --> 00:52:37,920 Speaker 1: you're on board, getting a little presidential and getting in 970 00:52:38,000 --> 00:52:41,800 Speaker 1: the racing stance. Yeah, I'm not sullied, although you know 971 00:52:42,000 --> 00:52:43,640 Speaker 1: over the years he's taking plenty of money, but I 972 00:52:43,840 --> 00:52:45,800 Speaker 1: have to in this game. Look, there's no way to 973 00:52:45,880 --> 00:52:49,160 Speaker 1: win without sucking taking this money. Whoever, whoever it ends 974 00:52:49,239 --> 00:52:52,640 Speaker 1: up being, I hope they go back to taking corporate 975 00:52:52,719 --> 00:52:57,360 Speaker 1: money once they're in the general election. They can when 976 00:52:57,400 --> 00:53:00,320 Speaker 1: they're going against each other. But it's just weird. Please 977 00:53:00,480 --> 00:53:03,000 Speaker 1: please don't get blown out in an ad spend war 978 00:53:03,120 --> 00:53:06,480 Speaker 1: with the Trump campaign exactly as it has been a 979 00:53:06,600 --> 00:53:09,920 Speaker 1: blast having you. I have enjoyed my data profusely and 980 00:53:10,000 --> 00:53:11,400 Speaker 1: I don't know which of one of you I'm going 981 00:53:11,440 --> 00:53:13,560 Speaker 1: to pick. Well, you're paying either way for both of us. 982 00:53:13,600 --> 00:53:18,360 Speaker 1: Thank you. Yes, I understand that everyone. Where can people 983 00:53:18,520 --> 00:53:20,880 Speaker 1: find you and follow you? Where can people find me 984 00:53:20,960 --> 00:53:23,120 Speaker 1: and follow me? That's a really Again four months ago 985 00:53:23,160 --> 00:53:27,040 Speaker 1: that would have been fined, so creepy. Um, please don't 986 00:53:27,600 --> 00:53:30,719 Speaker 1: will follow? Please don't. I've given you a lot of 987 00:53:30,800 --> 00:53:34,920 Speaker 1: my numbers, my old Irish house phone number and the 988 00:53:35,040 --> 00:53:37,399 Speaker 1: start of my US l So I feel like you've 989 00:53:37,400 --> 00:53:39,200 Speaker 1: got a lot to go on there, guys to start 990 00:53:39,239 --> 00:53:42,680 Speaker 1: sniffing around. And what am I doing? Oh? A drama 991 00:53:42,800 --> 00:53:46,920 Speaker 1: I'm in in the UK called hard Son, which is 992 00:53:47,200 --> 00:53:50,440 Speaker 1: by the guy Neil Cross who created Luther, and that 993 00:53:50,480 --> 00:53:53,440 Speaker 1: will be out on Hulu over here on March the seventh, 994 00:53:53,560 --> 00:53:57,440 Speaker 1: and the whole series drops, do we say drop? It 995 00:53:57,640 --> 00:54:00,919 Speaker 1: drops on March the seventh on Hulu, So that would 996 00:54:00,920 --> 00:54:03,680 Speaker 1: be the next thing maybe that I what about the 997 00:54:03,719 --> 00:54:08,040 Speaker 1: social media? Oh, social media's are big now? Um? My 998 00:54:08,239 --> 00:54:11,400 Speaker 1: Instagram on Twitter? Is we miss b? That's w E 999 00:54:12,160 --> 00:54:18,279 Speaker 1: M I S S B E A wonderful miles Oh 1000 00:54:18,480 --> 00:54:22,720 Speaker 1: me Oh y'all don't, but if we really do, follow 1001 00:54:22,760 --> 00:54:25,560 Speaker 1: me on Twitter and Instagram at Miles of Greg. You 1002 00:54:25,680 --> 00:54:27,920 Speaker 1: follow me on Twitter at Jack Underscore O'Brien. You can 1003 00:54:27,960 --> 00:54:30,719 Speaker 1: follow us on Twitter at Daily See Geist. We are 1004 00:54:30,880 --> 00:54:33,799 Speaker 1: at the Daily Siegeist. On Instagram, we have Facebook fam 1005 00:54:33,880 --> 00:54:37,280 Speaker 1: page to search Daily See Guys. We have a website 1006 00:54:37,400 --> 00:54:40,080 Speaker 1: Daily Zeitgeist dot com where we post our episodes in 1007 00:54:40,200 --> 00:54:46,080 Speaker 1: our port the sources that we used for the articles 1008 00:54:46,160 --> 00:54:49,400 Speaker 1: and stuff that you talked about today. Uh, that is 1009 00:54:49,520 --> 00:54:53,000 Speaker 1: going to do it for today. Miles. Is there the 1010 00:54:53,160 --> 00:54:56,120 Speaker 1: thing that you would like us right out feeling real? 1011 00:54:56,640 --> 00:54:59,920 Speaker 1: You know, it's it's a romantic day, romantic night us. 1012 00:55:00,000 --> 00:55:01,960 Speaker 1: So play this this boy? Yeah, you know, we just 1013 00:55:02,040 --> 00:55:06,200 Speaker 1: want to sound of Miles great. Uh. And we got 1014 00:55:06,440 --> 00:55:09,440 Speaker 1: a remix of a Surge of the Gangs board track 1015 00:55:10,080 --> 00:55:14,439 Speaker 1: the Vali, which is a remix by how We Beat 1016 00:55:14,760 --> 00:55:17,040 Speaker 1: and you know it's just got that little vibe. It's 1017 00:55:17,080 --> 00:55:19,040 Speaker 1: a remix though it's not the original mob. But just 1018 00:55:19,160 --> 00:55:22,320 Speaker 1: relax and uh, but they put the candles on for 1019 00:55:22,480 --> 00:55:26,000 Speaker 1: yourself some bubbly. I just enjoy this Valentine's Day, which 1020 00:55:26,040 --> 00:55:29,040 Speaker 1: your significant other or others. I hate this character by 1021 00:55:29,080 --> 00:55:33,040 Speaker 1: the way it's not a character. Yeah, you know, that's 1022 00:55:33,080 --> 00:55:35,600 Speaker 1: why I hate it. It shows this is me off 1023 00:55:35,640 --> 00:55:37,800 Speaker 1: Mike all the time. But y'all don't really know. But anyway, 1024 00:55:37,880 --> 00:55:40,920 Speaker 1: thank you so much. That's how wild talks around. Uh. 1025 00:55:41,239 --> 00:55:43,600 Speaker 1: Rate and review of the show also, uh that that 1026 00:55:43,640 --> 00:55:46,040 Speaker 1: would be great. Well, well you're listening while you're Miles 1027 00:55:46,080 --> 00:55:49,680 Speaker 1: and the Smooth Jim unless you want to review it 1028 00:55:49,760 --> 00:55:53,920 Speaker 1: poorly and then stay away, stay away, go do something else. Uh. 1029 00:55:54,040 --> 00:55:55,880 Speaker 1: And that's gonna do it for today. We will be 1030 00:55:56,000 --> 00:55:58,120 Speaker 1: back tomorrow because it is a daily podcast. Talk to 1031 00:55:58,160 --> 00:56:35,759 Speaker 1: you then by m hm in a fit mood. I 1032 00:56:35,840 --> 00:56:47,400 Speaker 1: don't know that it's Ashru exacting those that don because 1033 00:56:47,560 --> 00:57:08,680 Speaker 1: it empty because I don't ye see you see then 1034 00:57:08,800 --> 00:57:20,880 Speaker 1: the shoes of phone because you're the new catastone. Oh 1035 00:57:21,000 --> 00:57:35,640 Speaker 1: my amenity, everything in my blood to cut to that 1036 00:57:36,040 --> 00:57:46,720 Speaker 1: are going to shone see the cold, my little my 1037 00:57:47,000 --> 00:58:15,760 Speaker 1: litty Nelson so for on Pty and Elison for one 1038 00:58:20,800 --> 00:58:47,760 Speaker 1: may Elson forte and Si for one belt Nowson for 1039 00:58:48,080 --> 01:01:22,600 Speaker 1: war mmmmm, m Pasty and menitys manity and surgers mate 1040 01:01:23,520 --> 01:02:10,280 Speaker 1: and serve meenity, nelsonssful menity and Melson menity Mensers, Mendy Nelson, 1041 01:02:19,040 --> 01:02:43,640 Speaker 1: Mandy Nelson, Mande A certain melody. Nelson is s