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Speaker 1: The voice of many generations. Wow, Chester Bennington, that is

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Speaker 1: an awesome song. Well, as you know, today we say

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Speaker 1: goodbye to Chester. He was such a great, great, wonderful

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Speaker 1: person and we barely knew him. Yeah, but you know what,

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Speaker 1: that one interview that we did with him, I keep

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Speaker 1: replaying it and how humble the man is and how

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Speaker 1: amazing he was. And everywhere I read yesterday people were

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Speaker 1: saying that he always walked into the room and made

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Speaker 1: you feel special, like you were actually doing him a favor,

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Speaker 1: which doesn't didn't make sense to me. You know, that

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Speaker 1: really is a great way of describing it. Totally. He

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Speaker 1: You know, you meet certain people and they're just a

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Speaker 1: bright light. He was one of those people. He was

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Speaker 1: just there was something about him that you just immediately

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Speaker 1: adored him. Yeah. So sad his light went out yesterday.

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Speaker 1: But you know what, Uh, it's funny. I was talking

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Speaker 1: to a lot of my friends who have interviewed at

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Speaker 1: him and met him along the way, people who knew

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Speaker 1: him much better we knew him, and they said the

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Speaker 1: same thing you just said today, and what you just said,

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Speaker 1: it's just, you know, he's the kind of guy that

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Speaker 1: we can all learn from by making everyone feel special,

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Speaker 1: as if you're doing them a favor by allowing them

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Speaker 1: into your life. Anyway, the music spoke for many generations,

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Speaker 1: many people, and it's not quite as simple as we

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Speaker 1: lost an artist. You know, there's also other things involved here.

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Speaker 1: There's mental health involved here, There's all sorts of things

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Speaker 1: at play, and I'm hoping that it brings up a

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Speaker 1: fantastic discussion with people today. Let's just not let him

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Speaker 1: leave with an incredible legacy of music, but also let's

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Speaker 1: figure out why we lost him too, and let's try

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Speaker 1: not to let any of our friends or anyone we love,

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Speaker 1: make the same mistake. Anyway. Welcome to the day. It

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Speaker 1: is Friday, July twenty one. I am addicted to this show.

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Speaker 1: Oh stop up, Elvis Doran in the morning show. Welcome

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Speaker 1: to the weekend. Feels good, Yeah, feels good. All right,

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Speaker 1: We've got lots to do today. We continue to play

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Speaker 1: some music and hear some words from Chester Bennings, and

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Speaker 1: we also have an interview to do with Harry Styles.

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Speaker 1: It's a mute today, huge day for Harry Styles. You've

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Speaker 1: seen him everywhere, you've heard him everywhere, but you haven't

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Speaker 1: heard him quite like you're going to hear him here today.

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Speaker 1: Does that make sense what I just said? Absolutely? Thank you,

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Speaker 1: that makes sense. He's got a movie out, he's got

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Speaker 1: an album out. You already know that he's got perfect skin,

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Speaker 1: by the way, He's got perfect everything, Harry Styles. Today,

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Speaker 1: we've got lots of stuff to do. First of all,

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Speaker 1: we'll start with our first caller of the day. It's Rebecca.

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Speaker 1: Rebecca is doing something very very interesting today. Are you excited?

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Speaker 1: Are you scared? Rebecca? Hi the morning? Oh my god,

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Speaker 1: I'm so nervous. I'm so excited to tell everyone what

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Speaker 1: you're doing today. Rebecca. Hi, guys, I'm actually meeting my

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Speaker 1: birth family. Um today, it's my birth mother and my

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Speaker 1: birth brother. Yeah. God, Now have you talked to him

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Speaker 1: on the phone? Have you communicated at all with him? Um?

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Speaker 1: With my birth mother, I've communicated over the phone through

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Speaker 1: like talking, but my birth brother to be text. Wow.

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Speaker 1: So I'm gonna ask a few questions. How old are you, Rebecca?

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Speaker 1: I'm twenty three now. I was adapted as an infant

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Speaker 1: and I was told when I was seventeen. Alright, So

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Speaker 1: are you uh, Angelina Julie and Brad Pitt's daughter, by chance,

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Speaker 1: are you meeting with who are you meeting so we

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Speaker 1: don't okay, just making sure are you Are you incredibly

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Speaker 1: nervous or more excited? I guess well, both two emotions

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Speaker 1: are very similar, so I'm not sure if it's nervous

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Speaker 1: or excited, but I guess it's been nervous excited. Yeah,

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Speaker 1: how fun. Good for you. You know what, it's time.

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Speaker 1: Obviously you're ready to meet them and they're ready to

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Speaker 1: meet you. Everyone agreed, Okay, let's do it. So today's

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Speaker 1: the day. We're very excited for you, Rebecca. If you

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Speaker 1: remember Monday, will you call us and tell us how

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Speaker 1: their meeting was? Oh? Yeah, of course. And also guess

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Speaker 1: what I m My brother is having a daughter. You're

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Speaker 1: going to meet your birth brother basically, and then you're

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Speaker 1: going to have a niece like Asaph, all these new

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Speaker 1: family members. This is out comes, This is great. Congratulations,

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Speaker 1: have the most interesting day. You're probably going to have

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Speaker 1: the most interesting day of anyone we've talked to so

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Speaker 1: part today. That's awesome. Rebecca, you're the first call of

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Speaker 1: the day as well. Thank you for getting the show

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Speaker 1: started with such an interesting story. We're gonna send you

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Speaker 1: an Elvis Duran shirt. It's on the way. Okay, thank

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Speaker 1: you so much, thank you. Wow, hold on one second.

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Speaker 1: Can you imagine today's to day. You're twenty three years old.

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Speaker 1: You're meeting your natural birth family. I mean, if I

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Speaker 1: walked through the door, they'd be like, uh, I think

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Speaker 1: you have the wrong family. Sorry, we misjudged. Let's go

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Speaker 1: around the room. Let's get started. We'll start with you,

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Speaker 1: Froggy and beautiful South Florida. How are you doing today?

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Speaker 1: I am doing great, Elvis. Last night I went to

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Speaker 1: dinner with a friend and I didn't do this on purpose,

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Speaker 1: but I ended up upsetting them. I They're asked me,

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Speaker 1: what are you going to order? And I told them,

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Speaker 1: And then when the waitress came, the server comes over,

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Speaker 1: it takes their order. First, I changed my order while

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Speaker 1: they were giving their order, and they're like, wait a second,

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Speaker 1: you lied to me. You got something different than what

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Speaker 1: you said. I wanted to get the same thing you got,

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Speaker 1: So you're sneaky. How dare you? So? I changed my

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Speaker 1: order while they were making their order and they were

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Speaker 1: upset with me because people get that way. Now, are

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Speaker 1: you one of those people? When you go sit down

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Speaker 1: with people, you have to find out what they're ordering

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Speaker 1: before you figure out what? Why is that? Why don't

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Speaker 1: you just order what you want? I've never understood this

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Speaker 1: because maybe you know something that's on the menu better

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Speaker 1: than I do. So then therefore I'll ask you, Hey,

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Speaker 1: what are you getting? This is not a game of chess.

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Speaker 1: We're not countering each other's play. So weird, that's funny,

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Speaker 1: but we all have that weird wave. I'm trying to

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Speaker 1: fight that. I know. I love it when you sit

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Speaker 1: down to order something they order first, and you order

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Speaker 1: the same thing. They look at you go, really, you're

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Speaker 1: gonna order what I ordered? Because then you can't share.

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Speaker 1: Don't order the same thing. I want a little you

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Speaker 1: or do you have a little bit sharing mine with you?

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Speaker 1: Daniel sharing your share? No, I won't back off, Bethany,

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Speaker 1: what's up with you today? So social media can often

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Speaker 1: be really frustrating because people are very mean to each

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Speaker 1: other or just dumb or whatever. But there are times

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Speaker 1: when it is really pretty amazing. So yesterday, you know,

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Speaker 1: after Chester Bennington's suicide, I tweeted some stuff and a

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Speaker 1: woman reached out and said, you know, I'm really struggling

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Speaker 1: right now and I'm going to try to save my

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Speaker 1: own life, and I tweeted back and I said, you're

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Speaker 1: worth it. You absolutely should. And then so many people

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Speaker 1: reached out to her and said, you're worth it, You're amazing,

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Speaker 1: keep going. And I cannot even imagine having all of

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Speaker 1: these strangers say those things to you. It must have

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Speaker 1: just I really hope it really buoyed her up. And

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Speaker 1: I have to thank everybody who reached out to her,

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Speaker 1: because in that moment, I was so proud to everybody

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Speaker 1: on social media for the positive. Those are the moments

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Speaker 1: that it really really works, those moments, Danielle, what's up

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Speaker 1: with you today? So I know this has happened to people.

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Speaker 1: I bought a new shirt and I was trying it

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Speaker 1: on in my closet. I took it off and I

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Speaker 1: cannot find where I put it. It drives you crazy,

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Speaker 1: my gosh. It took me twenty minutes last night. I

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Speaker 1: still still no idea. So if anyone's listening in my house,

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Speaker 1: if there's a new shirt somewhere, do they to your house? Fine?

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Speaker 1: I don't know, probably not, So it's crazy. I cannot

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Speaker 1: find the damn shirt. It was still kidding with some Nike.

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Speaker 1: It's weird. It's like a shirt, or maybe you've been

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Speaker 1: writing with a pen all day. Then you look down

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Speaker 1: it's gone. And even though you have a bucket of pens,

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Speaker 1: you have a closet of shirts. It drives you nuts

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Speaker 1: because that one was right there, and now it the

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Speaker 1: kittens take. You know, I don't I actually did blaming

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Speaker 1: the kittens. I didn't blame the kittens, but then I figured,

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Speaker 1: how did they drag this shirt away? I don't think

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Speaker 1: the kittens. You know I've seen Vin. Let's get into

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Speaker 1: your horoscope. We're kitten shaming. What a way to start

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Speaker 1: a weekend. You're up first, Danielle. Alright, wait, hold on,

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Speaker 1: what don't you think we need straight Night to be

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Speaker 1: a part of the horoscopes today? I think you should

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Speaker 1: do all of them. Yeah, do all of them. He

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Speaker 1: needs to play with someone I know. I have an idea.

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Speaker 1: It'll be Danielle's straight Nate Bethany straight night. Okay, Danielle

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Speaker 1: straight Nate Bethany straight. This is gonna be a three way. Alright,

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Speaker 1: you're up first, Danielle. Alright, Capricorn, unexpected events might throw

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Speaker 1: you off, but don't be discouraged. They focused. You're gonna

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Speaker 1: be sure to stay on course, your day isn't eight

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Speaker 1: aquari Is. Don't get too caught up in trying to

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Speaker 1: please everyone. Your only responsibility is whatever you need to do.

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Speaker 1: Your day is a sevens. You have a great opportunity

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Speaker 1: to accomplish a lot. Get serious about your tasks to

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Speaker 1: make room for some fun in your life. Your day

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Speaker 1: is a ten. No no no, no's n He's every other,

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Speaker 1: he's every other. I know it's a new way is

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Speaker 1: using don't sometimes the one surrounding you just need to listen.

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Speaker 1: A little empathy goes a long way Your day six now, Bethany,

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Speaker 1: No no, no no no, Danielle Tauris, your newfound energy may

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Speaker 1: take you on an unexpected journey. Go with the flow,

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Speaker 1: and you might be surprised with where it takes you.

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Speaker 1: Your days of nine Gemini. The people around you are

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Speaker 1: very supportive. If you are feeling vulnerable, now is the

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Speaker 1: time to express it. Your day nine cancer, it's your

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Speaker 1: time to shine. Be sure to get the credit you deserve.

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Speaker 1: Your day is in eight Leo. Say goodbye to anything

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Speaker 1: holding you down. A fresh cycle is about to start

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Speaker 1: your day. I'm on my cycle. You gotta ten Virgo.

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Speaker 1: A little can go a long way Your ability to

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Speaker 1: keep a situation light helps keep others at ease. Your

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Speaker 1: days of nine. I'm okay, Libra. Life shouldn't always be

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Speaker 1: a struggle. If things don't flow smoothly into place, then

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Speaker 1: they probably weren't meant to be in the first place.

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Speaker 1: Your day is an eight Scorpio. Your independent nature is

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Speaker 1: what keeps your olden balance. Don't give up the fight

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Speaker 1: for the things you care about. Your day is a

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Speaker 1: tent and Sagittarius. Worrying about the future can distract you

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Speaker 1: from the present. Remember to live in the now your

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Speaker 1: day he's a ten, and those are your Friday morning forrescope.

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Speaker 1: All right, I think we could do that more. It

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Speaker 1: just takes a little of practice. Okay, it's a little confusing.

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Speaker 1: You need one extra copy of the Horst. Alright, fantastic,

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Speaker 1: let's n n thank you. It's for Danielle Bethany. Alright,

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Speaker 1: let's get into a headlines. Bethany, what is going on today? Okay,

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Speaker 1: as we've been talking about this morning, music has lost

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Speaker 1: another great artist. Lincoln Park's Chester Bennington took his own life.

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Speaker 1: Housekeeper found his body hanging yesterday morning, the same day

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Speaker 1: as his friend Chris Cornell's birthday. Cornell took his own

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Speaker 1: life back in May. Lincoln Park was scheduled to go

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Speaker 1: on tour in a week, and they released a new

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Speaker 1: video yesterday morning. Bennington leaves behind a wife and six children.

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Speaker 1: O J. Simpson has been granted parole. He was in

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Speaker 1: prison for over eight years for a two thousand eight

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Speaker 1: armed robbery conviction. He could be released as early as

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Speaker 1: October one. In making their decision, the Parole Board sited

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Speaker 1: the low risk that o J would commit another crime,

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Speaker 1: the support he would have from community and family once

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Speaker 1: he was released, and his lack of prior convictions. O

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Speaker 1: j sentence was set to end in twenty two. Here

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Speaker 1: he's going to move in right next door to you.

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Speaker 1: I'm telling you. I watched that yesterday when he said

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Speaker 1: I'm generally a conflict free person, but I have my moment.

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Speaker 1: Thank you, Bethany. Yeah, and now speaking of the Chester

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Speaker 1: Bennington News today, if you're feeling in crisis, if you

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Speaker 1: know somebody who is, there are a lot of options

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Speaker 1: and resources for you. A really good place to start

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Speaker 1: is the Crisis Text Line. People are available to talk

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Speaker 1: text twenty four hours a day. Text them if you

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Speaker 1: feel like you need that help. Seven four one seven

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Speaker 1: for one is their number. This is your hourly reminder

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Speaker 1: to take a deep breath. And if you want some

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Speaker 1: fun news. Regardless of how scary the Tyrannos source Rex

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Speaker 1: was in the Jurassic Park movies, British researchers say now

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Speaker 1: that the t Rex couldn't run and was slower than

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Speaker 1: the average human. I mean it could run faster than

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Speaker 1: scary well probably, you know what. I'll take that. But

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Speaker 1: they both have those alarms. Okay, everyone do the t

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Speaker 1: Rex arm thing. No one can see how everyone knows

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Speaker 1: how to do that. And there you go. Thank you, Bethany.

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Speaker 1: All right, It's Friday. Ready to go, Hashta feeling Elvis

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Speaker 1: Duran in the Morning Show, New trident gum is now

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Speaker 1: bursting with more flavor. There's so much flavor in each

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Speaker 1: piece of trident it will shock your taste buds. New

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Speaker 1: Trident gum now bursting with more flavor. Phone tap play Elvis,

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Speaker 1: Elvis Duran. The Elvis story ran phone right into the

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Speaker 1: phone tap with Garrett. What's it about? All right? So

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Speaker 1: Hunter wants to play a phone tap on his mom Linda.

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Speaker 1: Now the family photo is coming up. All family members

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Speaker 1: are coming in to take a one big group family photo.

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Speaker 1: So Hunter thought, hey, let's up play with mom and

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Speaker 1: say that I'm getting a haircut right now, right before

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Speaker 1: the big family photo. Boy, here we go the phone

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Speaker 1: tap from Garrett. Hello, Hey, well what's up? Getting some

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Speaker 1: stuff together for the week? And I kind of ran

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Speaker 1: into a problem. It's the haircut. Um should be back

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Speaker 1: in about an hour. You went to get a hair guy. Yeah, yeah,

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Speaker 1: but you know I was gonna shoot my head, you know,

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Speaker 1: I just wanting to change. I decided, wait a minute,

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Speaker 1: how do you go for a haircut when we're having

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Speaker 1: a family photograph? What did your hair look like? Well?

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Speaker 1: I mean you only did half of it? Is the thing?

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Speaker 1: Because what do you mean half of it? Well, I

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Speaker 1: really didn't have money. I thought it was for I

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Speaker 1: thought they took credit cards. I don't, So I've got

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Speaker 1: to be kidding me. You gotta get your hair fixed.

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Speaker 1: You don't have money. You left the house to get

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Speaker 1: without money? What you want me to siphon you money

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Speaker 1: for a horrible haircut for a family photo? Put the

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Speaker 1: buy on almost the big deal to shake head and

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Speaker 1: short hair deal. How can you be so idiotic? This

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Speaker 1: is a family photograph. We have people coming from everywhere.

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Speaker 1: Listen to me, one thing at a time. I'm boiling

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Speaker 1: right now. Put that barber on, and you've got to

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Speaker 1: finish that haircut. And I'm getting you a wig. No mom, nothing, mom, nothing? Second?

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Speaker 1: What's up? We're good for a second. Yo. Who's this?

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Speaker 1: You know? Who's this? Who's this? This is Linda. I

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Speaker 1: am Hunter's mother. Oh Linda, what's up? My name is Maclamore.

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Speaker 1: Nice to meet you. Yeah, listen, chill and let me.

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Speaker 1: Let me explain. Let me explain to you. Let me

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Speaker 1: explain to you. How do you do somebody's half and

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Speaker 1: then you find out they don't have the money and

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Speaker 1: you're not gonna finish. You've got to fix my son's hair.

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Speaker 1: What does it look like right now? Okay, chill, chill, chill, chill, chill, chill,

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Speaker 1: chill chill. You're saying to me, I'm not going to

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Speaker 1: cut his hair when he only has twenty dollars in

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Speaker 1: his pocket from twenty bucks, not finish it? Well, you

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Speaker 1: out of your mom. Let me explain to you what happened?

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Speaker 1: All right? Let me explain, Use me explain, explain. You

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Speaker 1: can't talk, but you can do my son's hair. His

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Speaker 1: stupidity is going to shame this family. Do you understand me.

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Speaker 1: That's that's big. That's big, is big it is. I

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Speaker 1: need you to please fix his hair. I'm getting in

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Speaker 1: my car right now. I'm coming over. All right, you

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Speaker 1: got the money, You got the money. They can look

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Speaker 1: after you got the money. Give you. I will bring

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Speaker 1: the money. But right now, why are you chill? Like

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Speaker 1: I said, chill, put him back on the phone. Your son,

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Speaker 1: your mom is back on the phone. I am driving

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Speaker 1: down there with the rest of the cash. Stupid is

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Speaker 1: your middle name? Your brain one to go in for

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Speaker 1: a big I am not even choking. You don't know.

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Speaker 1: We're in a wig. I'm getting in my car and

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Speaker 1: I'm coming down. It's disgusting. It's selfish. Hey, Linda, I

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Speaker 1: told you to get off the phone, Linda, Linda, my

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Speaker 1: name is Gareth and Elvis Duran in the morning show.

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Speaker 1: And you just got phone tapped by your son. You're joking.

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Speaker 1: You're joking in front of a bit Wait a minute,

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Speaker 1: I get right. Why are you getting listen? I have

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Speaker 1: news for you. I don't even want in the phone.

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Speaker 1: After that, I'm gonna tidle you your little have an

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Speaker 1: idea for a phone tab, Go to Elvis Duran dot com,

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Speaker 1: click on the phone tap tab, tell us what you

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Speaker 1: want to do. This phone tab was prerecorded with permission

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Speaker 1: granted by all par two seas the Elvis Duran phone tab.

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Speaker 1: We're on Elvis Duran in the morning show in all

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Speaker 1: least Durand in the morning show. Is this heaven? Yeah,

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Speaker 1: we're in heaven. Hey, if anyone's if anyone's worried about it, don't.

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Speaker 1: Oh J's got money. I'm sure there are a lot

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Speaker 1: of people that are concerned about O J's well being

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Speaker 1: now that he's going to get out of prison. Apparently

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Speaker 1: he's got some cash. Well, the house he was living

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Speaker 1: in here in South Florida was foreclosed on and is

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Speaker 1: now up for sale. Well, bolt your doors and hide

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Speaker 1: your wives. That's uh the That is the cover of

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Speaker 1: today's New York Post. OJ's out. Oh no, he says

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Speaker 1: he's lived there generally quote conflict free life, generally generally speaking.

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Speaker 1: You know, I was watching, Uh it was one o'clock

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Speaker 1: East Coast time yesterday. They said, oh, that's when the

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Speaker 1: hearing begins for O J's hearing, Right, So I quickly

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Speaker 1: I turned it on and as I was watching, that's

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Speaker 1: when the news of about Chester Bennington broke on my phone.

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Speaker 1: Anyone like wait, So I was watching, you know this

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Speaker 1: wall to all coverage on every channel, and I was thinking,

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Speaker 1: how we all have a different priority when it comes

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Speaker 1: to the news. We want every channel on TV? Was

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Speaker 1: o J. I wanted to see Chester Bennington news, So

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Speaker 1: naturally I went to Twitter and Instagram. It was right

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Speaker 1: there for me, you know, and uh, you know TMZ

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Speaker 1: and I was wow, you know, I was thinking, why

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Speaker 1: is there why is there no place to go on TV?

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Speaker 1: That gives me that that is why more and more

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Speaker 1: people are moving away from TV, because it really is

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Speaker 1: not as immediate as you wanted to be. I was

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Speaker 1: heading into a meeting when I heard about Chester, and

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Speaker 1: when I got in, it was one of those buildings

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Speaker 1: that has TVs everywhere and they're all streaming different news

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Speaker 1: networks and everyone was crowding around watching o J. And

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Speaker 1: I'm like, what, none of you this is not what

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Speaker 1: I want right now? The story what I'm yeah, this

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Speaker 1: isn't the story exactly, but the OJ, the o J

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Speaker 1: story is well, either he will be set set looser

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Speaker 1: or he won't you know. But with with Chester, you know,

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Speaker 1: we wanted more information, so it was yeah, so yeah,

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Speaker 1: sure enough. I go onto Twitter and there it is

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Speaker 1: everything I need to know. Uh well, you know, as

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Speaker 1: it came out right. But anyway, so don't worry o J.

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Speaker 1: He's gotten money. Good. Well I lost a lot of

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Speaker 1: sleep last night over that, but now I'll sleep tonight.

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Speaker 1: Speaking of o J. Though for a minute, there's a

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Speaker 1: show on Oxygen called The Jury Speaks, and tomorrow they're

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Speaker 1: doing the one about the O J. Simpson trial, and

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Speaker 1: it's the jury that was on the trial and you

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Speaker 1: see from their perspective what went through their minds when

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Speaker 1: they made the decision about the murders and everything back

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Speaker 1: in the day. So it's it's interesting because it's totally

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Speaker 1: different take on things. You know, it's so strange other

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Speaker 1: than seeing, uh, the O J Trial show with with

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Speaker 1: with John Travolta and you know, it's an incredible yea.

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Speaker 1: Other than that, I'm kind of I'm ready, I'm done. Okay,

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Speaker 1: next we're done. The juices lose, so we move on

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Speaker 1: to make South Floridians feel a little better. The rumor

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Speaker 1: is he's not moving back here to South Florida has

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Speaker 1: gon to move to the St. Peter's Big area where

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Speaker 1: his children are all right, Tampa, St. Pete. He comes, congratulations,

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Speaker 1: you you could have him Red Rover, Red Rover, let

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Speaker 1: O j come over. Many moments defining this decade in

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Speaker 1: music so far. I was reading down this list yesterday.

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Speaker 1: Of course, when when a big event happens, like the

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Speaker 1: loss of a Chester Bennington, which is a major, major

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Speaker 1: musical musical benchmark, you think back at all the things

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Speaker 1: that have happened in some of these we've totally maybe

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Speaker 1: forgotten about, a glossed over you know, things like you know, uh,

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Speaker 1: Lady Gaga wearing a meat dress. You know that was

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Speaker 1: a big moment in music for some reason because she

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Speaker 1: really was kind of defining her her style. Going back

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Speaker 1: to uh The Voice on NBC debuting, and Jay Z

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Speaker 1: and Kanye releasing Watch the Throne at Whitney Houston passing away.

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Speaker 1: That's back in twelve. Then you look at all these

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Speaker 1: things that have happened up to you know, Ariana Grande

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Speaker 1: returning to the UK to headline her One Love Manchester concert.

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Speaker 1: These big, huge stories in music news that are so

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Speaker 1: important to all of us who love music. And yesterday,

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Speaker 1: of course, with the announcement of Chester Bennington leaving us

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Speaker 1: way too soon, committing suicide, and then the stories come

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Speaker 1: out about well mental health, and uh, every once in

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Speaker 1: a while I would look down on some of the

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Speaker 1: posts that were coming in and some of the responses

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Speaker 1: to my post about Chester. Why would why would he

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Speaker 1: do this? How selfish to leave, you know, six kids

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Speaker 1: behind and all of his fans. When then comes the

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Speaker 1: conversation about mental health. And if I said right now

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Speaker 1: on our show, hey, if you understand what depression is, uh,

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Speaker 1: if you don't understand what depression is, calling me and

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Speaker 1: the phone would not ring because everyone thinks they know

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Speaker 1: what it is. And I don't think a lot of

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Speaker 1: people do you know. I was talking to Scary during

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Speaker 1: commercial break because we were talking about like, Chester Bennington

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Speaker 1: and Lincoln Park had so many things coming up, They

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Speaker 1: had tours coming up, they had they really just released

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Speaker 1: a new video yesterday morning. How could you feel so

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Speaker 1: sad when you have all of the stuff coming up

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Speaker 1: that you're planning for. And I said, listen, if I

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Speaker 1: came up to you right now, Elvis and I stabbed

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Speaker 1: you in the stomach, you wouldn't be thinking yes, but

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Speaker 1: I at least have a vacation coming up, and I

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Speaker 1: have a tour coming up. You'd be thinking, how this hurts,

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Speaker 1: I need to make the pain stop, and depression. When

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Speaker 1: it's to that point is that it is everything hurts

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Speaker 1: so much. I need to make the pain stop. No

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Speaker 1: amount of upcoming events or my family loves me or

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Speaker 1: money in the bank can necessarily reach you. At that point,

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Speaker 1: you're focused on the pain. That said suicide is not

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00:22:44,400 --> 00:22:48,800
Speaker 1: your option. It isn't because it may be a relief

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Speaker 1: for you, but now you have traumatized everyone who knows

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Speaker 1: you and loves you, and you have destroyed their lives

420
00:22:56,480 --> 00:22:59,560
Speaker 1: for the rest of their lives. So it is not

421
00:22:59,640 --> 00:23:03,639
Speaker 1: an shin it has. There is a light in the

422
00:23:03,680 --> 00:23:05,480
Speaker 1: future that you may not be able to see, but

423
00:23:05,560 --> 00:23:08,200
Speaker 1: it is absolutely there and there are many more options

424
00:23:08,200 --> 00:23:12,080
Speaker 1: to you. So if you were in that place, please

425
00:23:12,160 --> 00:23:15,200
Speaker 1: do not. That's not a suicide off the table. Take

426
00:23:15,240 --> 00:23:17,480
Speaker 1: it off the table. This actually brought up a conversation

427
00:23:17,520 --> 00:23:20,199
Speaker 1: with my l twelve year old yesterday. Did it come

428
00:23:20,240 --> 00:23:22,320
Speaker 1: out well? Because we he was there when I got

429
00:23:22,320 --> 00:23:25,280
Speaker 1: the news um yesterday, so he had all these questions

430
00:23:25,359 --> 00:23:27,480
Speaker 1: and that's one of the things that I said to

431
00:23:27,560 --> 00:23:30,880
Speaker 1: him was this is done, this is permanent, and he said,

432
00:23:30,920 --> 00:23:32,840
Speaker 1: what do you mean. I go, well, he's not coming back.

433
00:23:33,240 --> 00:23:35,360
Speaker 1: I'm like, he had a lot of things going on,

434
00:23:35,400 --> 00:23:36,960
Speaker 1: and he was very sad, and he had a lot

435
00:23:36,960 --> 00:23:40,399
Speaker 1: of other things, but he cannot come back. He's gone now.

436
00:23:40,800 --> 00:23:43,679
Speaker 1: And no matter what you're going through today, you have

437
00:23:43,840 --> 00:23:45,600
Speaker 1: to figure out a way to try and get the

438
00:23:45,600 --> 00:23:48,440
Speaker 1: help so that you are here tomorrow. And it's not

439
00:23:48,840 --> 00:23:51,720
Speaker 1: maybe at the moment it's not easy to understand that.

440
00:23:52,080 --> 00:23:54,520
Speaker 1: But if you ever feel that your loss or that

441
00:23:54,560 --> 00:23:58,119
Speaker 1: you have questions or something's not right, you need to

442
00:23:58,119 --> 00:24:01,520
Speaker 1: talk to me and Daddy. You need to There's phone numbers,

443
00:24:01,520 --> 00:24:03,520
Speaker 1: there's people to talk to all the time, people that

444
00:24:03,560 --> 00:24:06,120
Speaker 1: care about you, because that is not an option. If

445
00:24:06,200 --> 00:24:09,479
Speaker 1: you are gone tomorrow, my life is over, you know.

446
00:24:09,600 --> 00:24:12,040
Speaker 1: And and and not just my life, but your life.

447
00:24:12,040 --> 00:24:15,359
Speaker 1: That's it. It's gone, so you know. And look, I'm

448
00:24:15,400 --> 00:24:18,000
Speaker 1: not trying to be uh the taped answer here and

449
00:24:18,040 --> 00:24:21,320
Speaker 1: go well, here's some fun dudes about depression and suicide.

450
00:24:21,600 --> 00:24:23,960
Speaker 1: But I'll tell you this, the fact that we're talking

451
00:24:23,960 --> 00:24:28,320
Speaker 1: about it is good. Uh. And uh, look, if you

452
00:24:28,359 --> 00:24:31,000
Speaker 1: break your arm, you're not gonna Please don't set your

453
00:24:31,000 --> 00:24:33,760
Speaker 1: own arm. No, you know, if you get a brain tumor,

454
00:24:33,920 --> 00:24:36,000
Speaker 1: please don't dig a spoon into your head and try

455
00:24:36,040 --> 00:24:38,280
Speaker 1: to pull the tumor out. Let's go to people who

456
00:24:38,359 --> 00:24:40,760
Speaker 1: know how to do that. But you've got to understand

457
00:24:41,960 --> 00:24:45,639
Speaker 1: mental health depression. That's like having a tumor. It's like

458
00:24:45,720 --> 00:24:47,920
Speaker 1: having a broken arm. You need to go to someone

459
00:24:47,920 --> 00:24:50,760
Speaker 1: who knows how to dig it out with their their spoon.

460
00:24:51,320 --> 00:24:53,600
Speaker 1: They need you. It may be something that you'll have

461
00:24:53,640 --> 00:24:55,320
Speaker 1: to live with, but you need to talk to someone

462
00:24:55,359 --> 00:24:59,000
Speaker 1: about helping you live with it. So don't sweep it

463
00:24:59,040 --> 00:25:01,159
Speaker 1: under the rug and think I can control this. It's

464
00:25:01,240 --> 00:25:03,800
Speaker 1: just sadness. Well, no, it's not just sadness. And if

465
00:25:03,800 --> 00:25:06,159
Speaker 1: you have a friend who's going through it, let them know. Hey,

466
00:25:06,200 --> 00:25:08,080
Speaker 1: hey man, you need to go see someone. It doesn't

467
00:25:08,119 --> 00:25:11,119
Speaker 1: it doesn't mean anything bad about you. It doesn't make

468
00:25:11,160 --> 00:25:16,440
Speaker 1: you weak, and no one, no one thinks that you're

469
00:25:16,480 --> 00:25:18,639
Speaker 1: you're weak because you fell off a loading dog and

470
00:25:18,640 --> 00:25:21,399
Speaker 1: broke your arm like I did that time. Yeah that

471
00:25:21,440 --> 00:25:24,320
Speaker 1: one time. You know, uh, go get help, Go go

472
00:25:24,440 --> 00:25:27,760
Speaker 1: talk to someone. And and so that is the only

473
00:25:28,200 --> 00:25:31,399
Speaker 1: positive that comes out of something so tragic is people

474
00:25:31,400 --> 00:25:36,560
Speaker 1: are talking about it, and maybe someone's thinking, Okay, that's

475
00:25:36,560 --> 00:25:39,440
Speaker 1: what that is. Maybe this is depression I'm going through.

476
00:25:40,760 --> 00:25:43,560
Speaker 1: And so if you sit there and post online, well,

477
00:25:43,600 --> 00:25:47,320
Speaker 1: how selfish, how selfish You had kids you're leaving behind,

478
00:25:47,520 --> 00:25:50,440
Speaker 1: and he had all the money, that all the money,

479
00:25:50,480 --> 00:25:53,000
Speaker 1: and you wrote these songs and you have sold out

480
00:25:53,040 --> 00:25:57,480
Speaker 1: concerts at City Field. Makes no sense to me. Exactly,

481
00:25:57,800 --> 00:25:59,560
Speaker 1: It makes no sense to you. That's why you should

482
00:25:59,560 --> 00:26:01,040
Speaker 1: try to learn more about it. Let me play a

483
00:26:01,040 --> 00:26:05,720
Speaker 1: song for it. My friend Patty, our friend Patty over

484
00:26:05,760 --> 00:26:07,919
Speaker 1: at Warner Music. I remember he called me one day.

485
00:26:07,920 --> 00:26:11,600
Speaker 1: He said, Elvis, you met you met Chester Bennington in

486
00:26:11,720 --> 00:26:17,200
Speaker 1: Los Angeles at the I Heart Radio Music. Oh yeah,

487
00:26:17,720 --> 00:26:20,639
Speaker 1: with the summit. He wants to come to your show,

488
00:26:20,920 --> 00:26:22,359
Speaker 1: and I want to bring him in. He wants to

489
00:26:22,359 --> 00:26:24,320
Speaker 1: play some new music. He wants to play Heavy for you,

490
00:26:24,600 --> 00:26:27,520
Speaker 1: the song they did with Kiara Right. I said, Okay,

491
00:26:27,640 --> 00:26:29,080
Speaker 1: we didn't know what to expect. I didn't know what

492
00:26:29,119 --> 00:26:32,080
Speaker 1: to expect in this interview. He came into this show

493
00:26:32,080 --> 00:26:34,400
Speaker 1: and we're gonna play this interview interview back for you

494
00:26:34,440 --> 00:26:37,879
Speaker 1: in about can We played at seven in about minutes.

495
00:26:38,680 --> 00:26:40,760
Speaker 1: Thank you we're gonna play this interview back for you.

496
00:26:40,800 --> 00:26:43,359
Speaker 1: It's a great interview. It's very enlightening and very cool.

497
00:26:43,520 --> 00:26:45,639
Speaker 1: You will be so happy to hear him. So he

498
00:26:45,760 --> 00:26:48,719
Speaker 1: came in and he totally totally turned us, turned us

499
00:26:48,720 --> 00:26:52,560
Speaker 1: on this guy, just Chester Bennington guy, as Daniel said,

500
00:26:52,600 --> 00:26:54,840
Speaker 1: he made us all feel like he was doing we

501
00:26:54,840 --> 00:26:57,200
Speaker 1: were doing him a favor by allowing him into our house.

502
00:26:57,560 --> 00:26:59,320
Speaker 1: And then if you see the video at Elvis durand

503
00:26:59,359 --> 00:27:01,359
Speaker 1: dot com, he was talking about how appreciative he was

504
00:27:01,359 --> 00:27:03,720
Speaker 1: that we invited him in. Let me play this song.

505
00:27:04,040 --> 00:27:06,280
Speaker 1: Patty said, you gotta play this song. It's called One

506
00:27:06,320 --> 00:27:32,280
Speaker 1: More Light. This is Lincoln Park. We really want to

507
00:27:32,280 --> 00:27:35,119
Speaker 1: be a band that kind of melts the walls of

508
00:27:35,200 --> 00:27:39,800
Speaker 1: genre and kind of becomes its own thing that can't

509
00:27:39,800 --> 00:27:47,600
Speaker 1: really be explained. Elvis Duran in the Morning Show remembers

510
00:27:47,680 --> 00:27:52,200
Speaker 1: Chester Bennington of Lincoln Park. I love Littote. It's a

511
00:27:52,240 --> 00:27:55,720
Speaker 1: fashion subscription box that sends unlimited brand name clothing and

512
00:27:55,720 --> 00:27:58,680
Speaker 1: accessories right to your door for one low monthly feet.

513
00:27:58,760 --> 00:28:01,000
Speaker 1: Go to latote dot com him to get started for

514
00:28:01,040 --> 00:28:03,560
Speaker 1: his low at thirty nine dollars a month, enter promo

515
00:28:03,600 --> 00:28:14,159
Speaker 1: code Elvis at checkout to get off your first month. So,

516
00:28:14,440 --> 00:28:16,720
Speaker 1: as promised, we're about to play you our interview with

517
00:28:16,800 --> 00:28:19,920
Speaker 1: Chester Bennington and the reason I'm playing this and look,

518
00:28:20,760 --> 00:28:23,000
Speaker 1: I don't want any and I don't want anyone to think, hey,

519
00:28:23,000 --> 00:28:26,679
Speaker 1: well gosh, they're just what are they doing having a memorial?

520
00:28:27,560 --> 00:28:30,560
Speaker 1: Well yeah, we sort of are. But you know when

521
00:28:30,560 --> 00:28:35,160
Speaker 1: when Chester Bennington was on our show, remember we we

522
00:28:35,280 --> 00:28:38,040
Speaker 1: left that day thinking, my god, we just met one

523
00:28:38,040 --> 00:28:40,520
Speaker 1: of the most incredible minds in music, one of the

524
00:28:40,520 --> 00:28:46,320
Speaker 1: most amazing artists, and he acted as if we were

525
00:28:46,360 --> 00:28:48,800
Speaker 1: doing him the favor. I think we also did not

526
00:28:48,960 --> 00:28:52,600
Speaker 1: expect what we got. I think we, in our minds

527
00:28:52,680 --> 00:28:55,640
Speaker 1: had a different view on what this rocker guy was

528
00:28:55,680 --> 00:28:58,000
Speaker 1: gonna be like when he came in and blah blah blah,

529
00:28:58,040 --> 00:29:01,120
Speaker 1: and then he sat here and you're like, oh my gosh,

530
00:29:01,160 --> 00:29:03,760
Speaker 1: he's amazing. This is totally different than what I thought. Yeah,

531
00:29:03,800 --> 00:29:07,440
Speaker 1: gentle and kind and just a light and he was

532
00:29:07,520 --> 00:29:13,000
Speaker 1: so sweet and so lovely and smart and exactly fell

533
00:29:13,040 --> 00:29:14,800
Speaker 1: in love with him in that moment. So as you

534
00:29:14,840 --> 00:29:16,720
Speaker 1: listen to this interview, you'll feel all those things that

535
00:29:16,800 --> 00:29:21,040
Speaker 1: Bethany and Danielle just described, and uh, excuse me. I

536
00:29:21,080 --> 00:29:22,880
Speaker 1: thought it would be great to run this back because

537
00:29:22,920 --> 00:29:26,480
Speaker 1: it is such an uplifting, positive interview, and this is

538
00:29:26,520 --> 00:29:29,160
Speaker 1: just a great way to remember someone who has totally

539
00:29:29,800 --> 00:29:33,360
Speaker 1: not only spoken and performed for an entire generation, but

540
00:29:33,480 --> 00:29:35,240
Speaker 1: actually came back. And when they came out with this

541
00:29:35,320 --> 00:29:37,680
Speaker 1: song Heavy with Kiara, you know you'll hear it in

542
00:29:37,720 --> 00:29:39,480
Speaker 1: the interview. We talked about it. We didn't know who

543
00:29:39,520 --> 00:29:44,000
Speaker 1: it was. I'm like, that's not Lincoln Parkment. This is

544
00:29:44,000 --> 00:29:46,320
Speaker 1: why we had him on. Now, keep in mind this

545
00:29:46,400 --> 00:29:49,280
Speaker 1: may be a little unedited and raw because we're just

546
00:29:49,280 --> 00:29:53,120
Speaker 1: just pumping it through the board out of someone's iPhone.

547
00:29:54,480 --> 00:29:57,120
Speaker 1: So you're going to hear what we have, which is

548
00:29:57,160 --> 00:29:59,239
Speaker 1: exciting because this is like, we don't know what's going

549
00:29:59,280 --> 00:30:01,560
Speaker 1: to happen when we put play on this interview. I

550
00:30:01,600 --> 00:30:05,400
Speaker 1: hope you feel what we felt the same day he

551
00:30:05,480 --> 00:30:08,880
Speaker 1: was here. Chester Benningfield Bennington, you're ready for this, Okay,

552
00:30:09,000 --> 00:30:10,880
Speaker 1: Chester Bennington, here we go rolling. I gotta tell you

553
00:30:11,000 --> 00:30:12,560
Speaker 1: one of the things we love about this job is

554
00:30:12,600 --> 00:30:17,560
Speaker 1: meeting the artists. Meeting the musicians. Not only do they singing, performed,

555
00:30:17,560 --> 00:30:21,880
Speaker 1: they write, but their story explains to you how they

556
00:30:22,000 --> 00:30:23,600
Speaker 1: got where they are and where some of the song

557
00:30:23,880 --> 00:30:27,440
Speaker 1: songs come from. And to see Lincoln Park in concert,

558
00:30:27,480 --> 00:30:30,760
Speaker 1: one of my favorite concerts of all time. Love Lincoln Park. Well,

559
00:30:30,800 --> 00:30:34,960
Speaker 1: now new music. Chester Bennington is here. They have the

560
00:30:35,000 --> 00:30:38,560
Speaker 1: song Heavy that's from there, I think their seventh album

561
00:30:38,560 --> 00:30:41,280
Speaker 1: with Chiara who we Love Too. He's here to talk

562
00:30:41,320 --> 00:30:43,160
Speaker 1: about it and other stuff. Please welcome to the show,

563
00:30:43,240 --> 00:30:48,840
Speaker 1: Chester Bennington. There he is, Hi, Chester, such a pleasure

564
00:30:49,960 --> 00:30:54,840
Speaker 1: in here. This is Daniel and this is this is Bethany.

565
00:30:55,320 --> 00:30:57,360
Speaker 1: You know. I was in the audience in Los Angeles

566
00:30:57,920 --> 00:30:59,080
Speaker 1: a couple of weeks ago when you were at the

567
00:30:59,120 --> 00:31:01,600
Speaker 1: I Heart Radio Music Summit. Yeah, and to see you

568
00:31:01,640 --> 00:31:03,880
Speaker 1: and you and Mike were up on stage and you

569
00:31:03,960 --> 00:31:07,080
Speaker 1: were great. It was awesome to see you. When we

570
00:31:07,120 --> 00:31:09,880
Speaker 1: sat down and heard this single Heavy for the first time,

571
00:31:10,000 --> 00:31:13,120
Speaker 1: they said, you'll never guess who this is. I'm like, well,

572
00:31:13,680 --> 00:31:15,840
Speaker 1: and so we sat around no one could figure it out.

573
00:31:16,080 --> 00:31:19,120
Speaker 1: And when they told us it was you, you like that. Well. Yeah.

574
00:31:19,200 --> 00:31:23,000
Speaker 1: It means that we did something different and new and unexpected,

575
00:31:23,080 --> 00:31:26,400
Speaker 1: and that's what we love to do. So I hate

576
00:31:26,440 --> 00:31:28,600
Speaker 1: to put things in a box, but this is what

577
00:31:28,640 --> 00:31:31,680
Speaker 1: we call pop radio. Yeah, but you guys have been doing,

578
00:31:31,720 --> 00:31:34,480
Speaker 1: you know, the rock radio interviews for years. Have you

579
00:31:34,640 --> 00:31:38,800
Speaker 1: ever had a song like this that was released for

580
00:31:38,840 --> 00:31:41,720
Speaker 1: all of us all formats? Never never happened before, No,

581
00:31:42,000 --> 00:31:44,680
Speaker 1: I think. I mean, you know, when we first came out,

582
00:31:44,720 --> 00:31:47,920
Speaker 1: One Step Closer was the song that got released first,

583
00:31:48,800 --> 00:31:52,720
Speaker 1: um and uh, and then eventually in the end came

584
00:31:52,720 --> 00:31:55,400
Speaker 1: out and crossed over. But that was like a year

585
00:31:55,440 --> 00:31:57,440
Speaker 1: after the record came out. I think it was like

586
00:31:57,560 --> 00:32:01,000
Speaker 1: it that song took us into a different play um.

587
00:32:01,080 --> 00:32:02,560
Speaker 1: And then I think the only other song that kind

588
00:32:02,560 --> 00:32:05,959
Speaker 1: of crossed over would have been Numb, maybe Numb hancore

589
00:32:06,720 --> 00:32:08,800
Speaker 1: As as an artist, did it drive you a little nuts?

590
00:32:08,880 --> 00:32:11,360
Speaker 1: Knowing that we would play numb and then play like

591
00:32:11,400 --> 00:32:16,920
Speaker 1: a Janet Jackson song? Right Janet Jackson? You know? Actually no,

592
00:32:17,000 --> 00:32:20,480
Speaker 1: it doesn't. I mean for me, really, I I texted,

593
00:32:20,680 --> 00:32:23,600
Speaker 1: I tweeted out the other day. Creativity is too big

594
00:32:23,640 --> 00:32:26,720
Speaker 1: to be put in a box, and inspiration is also

595
00:32:26,800 --> 00:32:28,960
Speaker 1: too big to be you know, to come from just

596
00:32:29,080 --> 00:32:33,520
Speaker 1: one source. And when you're in a band like Lincoln Park, Um,

597
00:32:33,680 --> 00:32:35,880
Speaker 1: what I love most about it is it's like being

598
00:32:35,880 --> 00:32:39,160
Speaker 1: in a new band every time we make a record. Um.

599
00:32:39,200 --> 00:32:41,320
Speaker 1: I think like we made. I think the only reason

600
00:32:41,360 --> 00:32:44,120
Speaker 1: why Meteor is so similar to hybrid Theory was because

601
00:32:45,000 --> 00:32:49,000
Speaker 1: we felt kind of pressured too, and and not in

602
00:32:49,040 --> 00:32:52,840
Speaker 1: a bad way, but the successive hybrid theory was so

603
00:32:52,960 --> 00:32:56,720
Speaker 1: big and so quick and like so unexpected, and it

604
00:32:56,760 --> 00:32:58,720
Speaker 1: was it was like, I think we should just do

605
00:32:58,800 --> 00:33:03,200
Speaker 1: that again. Um. It was almost a very like naive

606
00:33:03,560 --> 00:33:07,640
Speaker 1: perspective of what we could do creatively, but we knew.

607
00:33:07,680 --> 00:33:09,040
Speaker 1: I mean, I think if you just listen to those

608
00:33:09,080 --> 00:33:11,120
Speaker 1: first two records, like there's hints of like, you know,

609
00:33:11,160 --> 00:33:15,160
Speaker 1: there's breaking the Habit, there's Summer I Belong, there's pushing

610
00:33:15,160 --> 00:33:19,280
Speaker 1: Me Away, and in the end, all these songs are

611
00:33:19,320 --> 00:33:22,040
Speaker 1: pop songs, you know, and we have that element to

612
00:33:22,080 --> 00:33:25,600
Speaker 1: the band. And so uh and I love Janet Jackson.

613
00:33:25,640 --> 00:33:32,920
Speaker 1: I love Michael Jackson. Yeah you know, yeah exactly circus Jackson.

614
00:33:34,800 --> 00:33:37,200
Speaker 1: I wanted to, like, what's an artist that you love

615
00:33:37,320 --> 00:33:39,360
Speaker 1: that you would be your fans would be surprised that

616
00:33:39,400 --> 00:33:43,080
Speaker 1: you listen to I'm a huge Madonna fan. I've always

617
00:33:43,080 --> 00:33:45,120
Speaker 1: been a Madonna fan. She's also another artist that like

618
00:33:45,880 --> 00:33:49,080
Speaker 1: has made it for me growing up wanting to be

619
00:33:49,360 --> 00:33:53,800
Speaker 1: a musician, going you know, well, look at this really

620
00:33:53,840 --> 00:33:59,560
Speaker 1: strong woman who can like reinvent herself on every single album. Um,

621
00:33:59,600 --> 00:34:03,960
Speaker 1: that's really awesome. What about Shawn Mendez? I love Sean Mendez. Really.

622
00:34:04,760 --> 00:34:06,920
Speaker 1: I just said outside, I swear that's so weird. Did

623
00:34:06,920 --> 00:34:09,799
Speaker 1: you hear me outside? No? I just said outside, you

624
00:34:09,800 --> 00:34:11,560
Speaker 1: guys are just playing that Sheering And I was like, man,

625
00:34:11,640 --> 00:34:13,879
Speaker 1: I I had that song. I was singing that song

626
00:34:13,920 --> 00:34:16,200
Speaker 1: in the bathroom as I was getting ready, and I

627
00:34:16,239 --> 00:34:18,640
Speaker 1: was like, man, between Ed sheer And and and Sean Mendez, like,

628
00:34:18,719 --> 00:34:20,640
Speaker 1: I've got a song in my head literally all day long.

629
00:34:20,760 --> 00:34:24,480
Speaker 1: You're you're a fan. You're a fan of music period.

630
00:34:24,680 --> 00:34:26,839
Speaker 1: I love good songs. I think that's really the key

631
00:34:26,880 --> 00:34:29,960
Speaker 1: for me. I don't really care who writes them. This is,

632
00:34:30,320 --> 00:34:33,239
Speaker 1: of course Chester Bennington from Lincoln Park. Did you know

633
00:34:34,800 --> 00:34:39,200
Speaker 1: I'm sure Chester knows this. No. The it's the biggest

634
00:34:39,480 --> 00:34:48,120
Speaker 1: selling debut album of all time the twenty first century.

635
00:34:46,320 --> 00:34:51,239
Speaker 1: I mean yeah. So so I'm thinking, gosh, you know

636
00:34:51,239 --> 00:34:54,440
Speaker 1: what I'm thinking about the Rock and Roll Hall of Fame.

637
00:34:54,760 --> 00:34:56,440
Speaker 1: I want to see Lincoln Park in there, because you

638
00:34:56,440 --> 00:35:01,120
Speaker 1: guys just tremendous. Your music is just thank you very much, fantastic.

639
00:35:01,600 --> 00:35:05,040
Speaker 1: It's just unbelievable. That means a lot to me. Well, look,

640
00:35:05,040 --> 00:35:07,960
Speaker 1: you know, and look I've been working here at night.

641
00:35:08,920 --> 00:35:11,880
Speaker 1: So I've played a couple of songs and you know

642
00:35:11,880 --> 00:35:15,000
Speaker 1: how we do. We play them over and over, and

643
00:35:15,239 --> 00:35:17,080
Speaker 1: we play them like some for a while. There are

644
00:35:17,160 --> 00:35:20,400
Speaker 1: rotations on our powers were like every one hour and

645
00:35:20,480 --> 00:35:23,600
Speaker 1: twenty minutes we play the same song or heavy in there.

646
00:35:27,320 --> 00:35:33,120
Speaker 1: Listen to some of that. Your voice is just unreal

647
00:35:33,920 --> 00:35:37,840
Speaker 1: and there's no there's no voice like Chester's No, you

648
00:35:37,840 --> 00:35:39,560
Speaker 1: can't hear it anyway, And we have to talk about

649
00:35:39,640 --> 00:35:42,560
Speaker 1: the course you took. You took a class that had

650
00:35:42,600 --> 00:35:49,480
Speaker 1: to do with your voice. Chester really be way back

651
00:35:49,560 --> 00:35:59,680
Speaker 1: when listen to this, so yeah, yeah, it's like when

652
00:35:59,719 --> 00:36:05,280
Speaker 1: I when I would sing, I can Yeah, it's so funny. Dogs.

653
00:36:07,040 --> 00:36:08,600
Speaker 1: That was when everything that came out of my mouth.

654
00:36:08,680 --> 00:36:13,279
Speaker 1: Mike was like harder, harder, singing harder, you know, and

655
00:36:13,280 --> 00:36:16,520
Speaker 1: I was just like, are you exhausted after doing that

656
00:36:17,000 --> 00:36:19,280
Speaker 1: in concert or in a studio over and oh my gosh,

657
00:36:19,320 --> 00:36:22,720
Speaker 1: like the headache afterwards. It's just like it's a vocal

658
00:36:22,760 --> 00:36:24,480
Speaker 1: coach ever called you and said you've got to stop

659
00:36:24,520 --> 00:36:27,000
Speaker 1: that now. No, because I do it properly. There's a ray,

660
00:36:27,080 --> 00:36:29,440
Speaker 1: there's a way to do it properly, and there's a

661
00:36:29,480 --> 00:36:33,480
Speaker 1: way to absolutely destroy your voice here okay, now in heavy,

662
00:36:33,560 --> 00:36:35,600
Speaker 1: but listen to his voice and heavy, this is beautiful.

663
00:36:39,560 --> 00:36:47,200
Speaker 1: Why is everything so happy? So much more than knack?

664
00:36:48,320 --> 00:36:50,920
Speaker 1: I mean, your voice does so much. It's yeah, it's

665
00:36:50,920 --> 00:36:54,320
Speaker 1: all over the place. It's so cool. Okay, So, bethany

666
00:36:54,560 --> 00:36:56,800
Speaker 1: to this course you were taking. It was called Chester

667
00:36:56,880 --> 00:36:59,520
Speaker 1: Bennington's ruining his voice one on one exactly, it was.

668
00:36:59,719 --> 00:37:02,239
Speaker 1: It was it was. It was called vocal violence, and

669
00:37:02,239 --> 00:37:05,480
Speaker 1: it was taught by um doctor Bonnie Raphael, who's like

670
00:37:05,520 --> 00:37:08,319
Speaker 1: a vocal specialist, and it was I was a theater major.

671
00:37:08,360 --> 00:37:11,000
Speaker 1: So it was how to scream properly, how to yell properly,

672
00:37:11,040 --> 00:37:13,440
Speaker 1: and how to be able to do it without destroying

673
00:37:13,480 --> 00:37:16,200
Speaker 1: your vocal cords. And we listened to your voice, and

674
00:37:16,239 --> 00:37:19,360
Speaker 1: she referenced you constantly as one of the only singers,

675
00:37:19,400 --> 00:37:22,359
Speaker 1: like really heavy singers that she has heard who she

676
00:37:22,400 --> 00:37:25,319
Speaker 1: can tell is doing it properly. Thank you very much,

677
00:37:25,400 --> 00:37:29,400
Speaker 1: Dr Bonnie. You learned at an early age how to

678
00:37:29,400 --> 00:37:32,040
Speaker 1: do this, obviously, are you are you self taught to

679
00:37:32,239 --> 00:37:35,440
Speaker 1: be violent with your voice? Totally self taught. Um, you know,

680
00:37:35,520 --> 00:37:37,440
Speaker 1: I mean I was in theater as a as a

681
00:37:37,520 --> 00:37:40,439
Speaker 1: young kid, and my actually, my dream, my original dream

682
00:37:40,480 --> 00:37:43,120
Speaker 1: of life was going to be I wanted to be

683
00:37:43,160 --> 00:37:47,440
Speaker 1: a Broadway theater actor. Um. But in my mind, like

684
00:37:47,480 --> 00:37:50,439
Speaker 1: I've always sang since I was like a little kid,

685
00:37:50,560 --> 00:37:52,799
Speaker 1: and so in my mind, like I didn't realize, like

686
00:37:52,920 --> 00:37:55,120
Speaker 1: I was so young and green, I didn't know that

687
00:37:55,160 --> 00:37:58,440
Speaker 1: like there were like effects for voices other than like

688
00:37:58,640 --> 00:38:01,880
Speaker 1: delay and like reverb. So when I heard you know,

689
00:38:01,920 --> 00:38:04,160
Speaker 1: Depeche Mode saying, I would sing, like, try to try

690
00:38:04,160 --> 00:38:07,400
Speaker 1: to sing like Dave Gohan, right, um. And if I

691
00:38:07,440 --> 00:38:09,880
Speaker 1: heard Heart, I'd try to sing like Nancy, you know.

692
00:38:10,000 --> 00:38:13,600
Speaker 1: If I heard Ministry, I'd try to sing like Al Jurgenson,

693
00:38:13,840 --> 00:38:16,680
Speaker 1: like singing those crazy songs and three amazing examples of

694
00:38:16,800 --> 00:38:19,799
Speaker 1: amazing voices, and I would just do my best to

695
00:38:19,840 --> 00:38:22,439
Speaker 1: try to sound exactly like them. So when I would

696
00:38:22,440 --> 00:38:26,000
Speaker 1: sing a Ministry song, I would just kind of sing

697
00:38:26,040 --> 00:38:28,920
Speaker 1: it like how it sounded, and I would, you know,

698
00:38:28,960 --> 00:38:32,160
Speaker 1: after my voice canna hurt, So I would literally just

699
00:38:32,280 --> 00:38:34,520
Speaker 1: try to do my best to do it in a

700
00:38:34,560 --> 00:38:38,080
Speaker 1: way that it I started paying really very close attention

701
00:38:38,120 --> 00:38:40,880
Speaker 1: to what it was going on in my voice and

702
00:38:40,920 --> 00:38:42,880
Speaker 1: how I was using my muscles and all that kind

703
00:38:42,880 --> 00:38:45,600
Speaker 1: of stuff. So you never destroyed your voice because I

704
00:38:45,640 --> 00:38:46,840
Speaker 1: want you to teach I don't want you to do it.

705
00:38:46,880 --> 00:38:48,000
Speaker 1: I want you to teach me how to do it.

706
00:38:48,800 --> 00:38:51,280
Speaker 1: How do I do? For instance, give me a song scary, scary?

707
00:38:51,320 --> 00:38:58,560
Speaker 1: What would I sing? This is how clang clang clang,

708
00:38:58,600 --> 00:39:03,319
Speaker 1: went the trolley ding ding ding. Okay, now I want

709
00:39:03,320 --> 00:39:05,560
Speaker 1: to do it like you would do it. I'd like

710
00:39:05,560 --> 00:39:06,680
Speaker 1: to said, I'm I don't want to put you on

711
00:39:06,719 --> 00:39:08,200
Speaker 1: the spot. Don't feel like you have to do this,

712
00:39:08,239 --> 00:39:16,120
Speaker 1: but how do I what? No, No, I'm doing it automatically.

713
00:39:16,600 --> 00:39:21,160
Speaker 1: You went from being relaxed and singing with your thinking

714
00:39:21,160 --> 00:39:24,600
Speaker 1: from your diaphragm and your voice being relaxed too, singing

715
00:39:24,840 --> 00:39:27,080
Speaker 1: right from up here and like kind of like your

716
00:39:27,080 --> 00:39:32,919
Speaker 1: face got really red and like yeah, yeah, yeah, yeah,

717
00:39:33,320 --> 00:39:48,480
Speaker 1: hold on, you're awesome. Did that feel better? A lot better?

718
00:39:50,560 --> 00:39:52,520
Speaker 1: Now we just have to work on the actual the

719
00:39:52,840 --> 00:39:56,520
Speaker 1: quality of the sound. So I've got this Chester Bennington

720
00:39:56,600 --> 00:40:02,400
Speaker 1: slash Gay Show Tunes vibe going. It's fantastic. Yeah, you know, hey,

721
00:40:02,680 --> 00:40:04,920
Speaker 1: there's a there's a there's room for all of that stuff.

722
00:40:05,880 --> 00:40:09,000
Speaker 1: Let's talk about the single. Uh, Like I said, if

723
00:40:09,000 --> 00:40:11,720
Speaker 1: you just turn this on Chester Bennington's here of course, Uh,

724
00:40:11,760 --> 00:40:15,239
Speaker 1: Lincoln Park with Kiara the song It's unbelievable. We heard

725
00:40:15,280 --> 00:40:17,399
Speaker 1: you guys play it at our I Heart Radio Music

726
00:40:17,440 --> 00:40:19,239
Speaker 1: sum at Los Angeles. You's got up and spoke. It

727
00:40:19,280 --> 00:40:23,520
Speaker 1: was so great to see you there. Uh. And you

728
00:40:23,520 --> 00:40:26,879
Speaker 1: guys wrote this with Julia Michaels, who we fantastic adore her.

729
00:40:27,040 --> 00:40:29,680
Speaker 1: She's she's the cutest thing in the world. Every song

730
00:40:30,160 --> 00:40:32,480
Speaker 1: has a story about how it was written, How was

731
00:40:32,520 --> 00:40:34,760
Speaker 1: this song written? How do you guys do it? Okay? So,

732
00:40:35,120 --> 00:40:39,040
Speaker 1: for for people who are unfamiliar with Julia, Um, she's

733
00:40:39,080 --> 00:40:41,319
Speaker 1: a great songwriter for a person so young, Like she's

734
00:40:41,360 --> 00:40:44,879
Speaker 1: literally very prolific and she's written some amazing songs. So,

735
00:40:44,920 --> 00:40:48,040
Speaker 1: but my only experience with her was in the studio

736
00:40:48,080 --> 00:40:50,360
Speaker 1: for like a day, right, Okay, So her and Justin

737
00:40:50,480 --> 00:40:53,319
Speaker 1: came in. They're kind of like a duo, you get

738
00:40:53,360 --> 00:40:56,680
Speaker 1: their package deal, right. So she's kind of like a cat,

739
00:40:57,000 --> 00:41:00,600
Speaker 1: if you can imagine. She's very kind of quiet, and

740
00:41:01,040 --> 00:41:04,439
Speaker 1: if she likes you, she's like rubbing up all over

741
00:41:04,520 --> 00:41:06,520
Speaker 1: you and like purring and like happy but like if

742
00:41:06,520 --> 00:41:08,000
Speaker 1: she doesn't know you, she kind of just like sits

743
00:41:08,000 --> 00:41:10,880
Speaker 1: over there. You know. She's very quiet and calm. Justin

744
00:41:11,040 --> 00:41:15,400
Speaker 1: is like the crazy cat owner, Okay, like he's super outgoing,

745
00:41:15,520 --> 00:41:18,440
Speaker 1: really funny, and so like we were literally just like

746
00:41:18,480 --> 00:41:20,360
Speaker 1: kind of hanging out. We talked. The way we started

747
00:41:20,360 --> 00:41:24,279
Speaker 1: all these sessions was from scratch. No music came in.

748
00:41:24,520 --> 00:41:27,480
Speaker 1: We started just with conversations about what was going on

749
00:41:27,480 --> 00:41:30,480
Speaker 1: in our lives. And uh, sometimes they can get deep,

750
00:41:30,520 --> 00:41:34,320
Speaker 1: and sometimes they could be a little bit less deep,

751
00:41:34,480 --> 00:41:38,560
Speaker 1: I guess. And literally like she'd be like laying on

752
00:41:38,640 --> 00:41:42,239
Speaker 1: his lap and he'd be like petting her right and

753
00:41:42,320 --> 00:41:44,320
Speaker 1: she would kind of like whisper out something or seeing

754
00:41:44,320 --> 00:41:49,359
Speaker 1: something really softly, and he's like, you're a genius. Write

755
00:41:49,360 --> 00:41:51,560
Speaker 1: that down, write down, you know. And it was like

756
00:41:51,600 --> 00:41:53,520
Speaker 1: being a part of like a Mike Myers skit for

757
00:41:53,560 --> 00:41:56,960
Speaker 1: like Austin Powers or something and like, um, but we

758
00:41:57,000 --> 00:41:59,680
Speaker 1: started talking and and Mike got up and started playing

759
00:41:59,680 --> 00:42:02,560
Speaker 1: the key board, and it was just like you know,

760
00:42:02,760 --> 00:42:04,440
Speaker 1: Mike does this or Brad does this where they just

761
00:42:04,480 --> 00:42:06,320
Speaker 1: kind of like get like you see like a you

762
00:42:06,360 --> 00:42:08,080
Speaker 1: see them kind of jump really quick and then they

763
00:42:08,120 --> 00:42:11,000
Speaker 1: get up and grab their instrument, and Mike started playing

764
00:42:11,040 --> 00:42:15,320
Speaker 1: the piano part that you hear in the background, and

765
00:42:15,480 --> 00:42:20,440
Speaker 1: immediately Julia gets up and sings that first line and

766
00:42:20,480 --> 00:42:23,000
Speaker 1: we were all just kind of like, yep, let's go

767
00:42:23,040 --> 00:42:26,719
Speaker 1: from here. And it just comes from this place. That's

768
00:42:26,760 --> 00:42:29,160
Speaker 1: the beauty about creativity, and nobody really knows where it

769
00:42:29,160 --> 00:42:31,359
Speaker 1: comes from. No one understand like there is no part

770
00:42:31,400 --> 00:42:33,319
Speaker 1: of the brain that like they can find where like

771
00:42:33,360 --> 00:42:36,160
Speaker 1: a specific idea, you know, creative idea pops up. But

772
00:42:36,600 --> 00:42:40,880
Speaker 1: it's it's just Julie is pretty amazing. I mean, it's

773
00:42:41,000 --> 00:42:47,080
Speaker 1: I'm hoping her therapist. Never her, she's She's just I

774
00:42:47,120 --> 00:42:49,640
Speaker 1: guess in order to be an artist, I've made this.

775
00:42:49,680 --> 00:42:52,840
Speaker 1: I'm making an assumption here. Uh, you do have to

776
00:42:52,920 --> 00:42:56,080
Speaker 1: be from a different planet somewhat. It doesn't matter if

777
00:42:56,080 --> 00:42:59,120
Speaker 1: it's on canvas in a studio, you know, on a stage,

778
00:42:59,560 --> 00:43:02,799
Speaker 1: you deaf only have to be able to communicate with

779
00:43:02,880 --> 00:43:06,200
Speaker 1: aliens from tapping into something that's you know, I think

780
00:43:06,239 --> 00:43:09,440
Speaker 1: Tom Petty said it best. I believe this is his quote,

781
00:43:09,440 --> 00:43:12,359
Speaker 1: but he was like, you know, um, someone asked him

782
00:43:12,360 --> 00:43:14,240
Speaker 1: how he wrote songs, and he's like, I don't write songs,

783
00:43:14,320 --> 00:43:17,560
Speaker 1: I just the all the every song that we hear

784
00:43:18,360 --> 00:43:21,160
Speaker 1: come from artists has already been written. You know, I

785
00:43:21,239 --> 00:43:24,480
Speaker 1: just kind of find him and and that's why I

786
00:43:24,520 --> 00:43:27,160
Speaker 1: do believe that that's in a way that's almost true.

787
00:43:27,320 --> 00:43:30,279
Speaker 1: You know. It feels like when they come for me,

788
00:43:31,200 --> 00:43:33,680
Speaker 1: when I try to force a song out, I feel

789
00:43:33,719 --> 00:43:36,120
Speaker 1: like it's coming from me. When I get like that

790
00:43:36,280 --> 00:43:41,640
Speaker 1: lightning bolt, it's coming from somewhere else because it's like lyrics, melodies,

791
00:43:42,040 --> 00:43:44,879
Speaker 1: core progressions just all come at once in my brain.

792
00:43:45,000 --> 00:43:47,239
Speaker 1: Just the hard part is like trying to slow things

793
00:43:47,280 --> 00:43:50,319
Speaker 1: down enough to capture all of them. So in the

794
00:43:50,440 --> 00:43:55,520
Speaker 1: end it's just hit you that one. Actually Mike wrote

795
00:43:55,520 --> 00:43:58,320
Speaker 1: that sucker, Yeah, and uh, I mean same with breaking

796
00:43:58,320 --> 00:43:59,839
Speaker 1: they have it Like he came in with that song

797
00:44:00,120 --> 00:44:02,399
Speaker 1: and I heard him play it and sing the sing,

798
00:44:02,400 --> 00:44:05,520
Speaker 1: the melody and the words, and I was like, that's

799
00:44:05,520 --> 00:44:06,880
Speaker 1: good enough for me, and let's just go in there

800
00:44:06,920 --> 00:44:09,719
Speaker 1: and cut it, you know. Um. So some songs I'm

801
00:44:09,800 --> 00:44:12,960
Speaker 1: very heavily involved in, and some songs they just they

802
00:44:13,000 --> 00:44:15,360
Speaker 1: come in from the other. Guys. Do you ever find yourself?

803
00:44:15,400 --> 00:44:17,640
Speaker 1: Because I've seen you guys in concert, it's a fantastic show.

804
00:44:17,880 --> 00:44:20,120
Speaker 1: Do you ever just get lost. Do you ever like

805
00:44:20,200 --> 00:44:21,640
Speaker 1: wake up and you realize you're in the middle of

806
00:44:21,680 --> 00:44:23,640
Speaker 1: a show and you're like, where have I been? I mean,

807
00:44:24,160 --> 00:44:27,480
Speaker 1: what is the the performance side for you? Well? I

808
00:44:27,520 --> 00:44:29,400
Speaker 1: always tell people and it kind of and it's kind

809
00:44:29,400 --> 00:44:31,800
Speaker 1: of funny, but it's real. Um. I always kind of

810
00:44:31,840 --> 00:44:33,600
Speaker 1: tell people like, the last thing you want me doing

811
00:44:33,800 --> 00:44:36,439
Speaker 1: on stage is thinking, you know, like you don't want

812
00:44:36,440 --> 00:44:40,279
Speaker 1: me to think about anything. Um. I always feel like

813
00:44:40,360 --> 00:44:43,160
Speaker 1: the best shows are when I am just up there

814
00:44:43,239 --> 00:44:46,080
Speaker 1: and just kind of existing and going through all the

815
00:44:46,120 --> 00:44:48,880
Speaker 1: motions without I know where everybody in the band is,

816
00:44:48,920 --> 00:44:53,000
Speaker 1: like can sense everything, all the movements. Um, every song

817
00:44:53,080 --> 00:44:56,120
Speaker 1: just kind of comes and goes. If I'm distracted at

818
00:44:56,160 --> 00:44:57,959
Speaker 1: all and I have to think about what I'm doing,

819
00:44:58,320 --> 00:45:01,560
Speaker 1: I typically kind of suck in that moment. So it's

820
00:45:01,600 --> 00:45:05,400
Speaker 1: like sex yeah, yeah, like how much they pay me

821
00:45:05,440 --> 00:45:15,319
Speaker 1: to do this to them? If you get paid like

822
00:45:15,440 --> 00:45:18,920
Speaker 1: you get paid for sect. Yeah. I just I'm just

823
00:45:19,120 --> 00:45:21,960
Speaker 1: amazed at your music and just you know, just to

824
00:45:22,080 --> 00:45:25,840
Speaker 1: meet you. I rarely get flustered, but I'm kind of

825
00:45:25,880 --> 00:45:30,640
Speaker 1: flustered here. Well thank you. Well I am flattered, thank you.

826
00:45:31,880 --> 00:45:33,880
Speaker 1: And you know, in Lincoln Park has been around for

827
00:45:33,920 --> 00:45:37,560
Speaker 1: a long time. Uh. Longevity comes from what, in your opinion,

828
00:45:37,640 --> 00:45:40,560
Speaker 1: how come you guys are still around. Uh, Well, I

829
00:45:40,560 --> 00:45:43,080
Speaker 1: mean it comes from loving what you do. Um. And

830
00:45:43,120 --> 00:45:45,920
Speaker 1: also I think for us, the fact that we've always

831
00:45:45,920 --> 00:45:49,080
Speaker 1: been so open to just kind of write whatever we

832
00:45:49,160 --> 00:45:54,520
Speaker 1: feel inspired to write, um, and not really locking ourselves

833
00:45:54,560 --> 00:45:58,759
Speaker 1: into a specific place in terms of genre style. That's

834
00:45:58,800 --> 00:46:01,160
Speaker 1: the thing that I think is is the most exciting

835
00:46:01,200 --> 00:46:03,520
Speaker 1: for us, you know, and we said it from the

836
00:46:03,560 --> 00:46:05,359
Speaker 1: very beginning, but we really want to be a band

837
00:46:05,440 --> 00:46:08,839
Speaker 1: that kind of melts the walls of genre and like

838
00:46:09,040 --> 00:46:13,279
Speaker 1: and kind of becomes its own thing that can't really

839
00:46:13,280 --> 00:46:16,719
Speaker 1: be explained maybe sung by song, but in terms of

840
00:46:16,760 --> 00:46:21,160
Speaker 1: the body of work, by redefining what a band can

841
00:46:21,200 --> 00:46:23,439
Speaker 1: do or what a group of musicians or a single

842
00:46:23,520 --> 00:46:26,400
Speaker 1: artist can do with their own style, as long as

843
00:46:26,440 --> 00:46:29,280
Speaker 1: it comes from the pure place, um, in an honest place.

844
00:46:30,080 --> 00:46:31,840
Speaker 1: You know, you can write whatever you want. See if

845
00:46:31,840 --> 00:46:33,680
Speaker 1: you're driving to work or whatever you're doing right now

846
00:46:33,719 --> 00:46:36,719
Speaker 1: listening to Chester Bennington say this, you can apply this

847
00:46:36,800 --> 00:46:38,560
Speaker 1: to whatever you do in life. It doesn't have to

848
00:46:38,600 --> 00:46:41,000
Speaker 1: be in a studio or on a stage. It can

849
00:46:41,040 --> 00:46:42,719
Speaker 1: be at the insurance office, it can be at the

850
00:46:42,760 --> 00:46:46,040
Speaker 1: restaurant where you're working. Absolutely, you just find that true

851
00:46:46,120 --> 00:46:48,480
Speaker 1: you and apply to whatever you're doing, and at that

852
00:46:48,520 --> 00:46:50,560
Speaker 1: time you'll figure out if that's really for you or

853
00:46:50,560 --> 00:46:52,040
Speaker 1: if you need to be moving on to something else

854
00:46:52,120 --> 00:46:53,799
Speaker 1: or whatever. Yeah, the last thing that we want to

855
00:46:53,800 --> 00:46:56,319
Speaker 1: do in life is like is become subject to the

856
00:46:56,440 --> 00:47:00,000
Speaker 1: roles we place ourselves in. You know, Um, we're all

857
00:47:00,080 --> 00:47:03,120
Speaker 1: so much. Everyone in the world is bigger than the

858
00:47:03,280 --> 00:47:06,400
Speaker 1: role that they think they need to play. And I

859
00:47:06,400 --> 00:47:10,680
Speaker 1: want everyone to hear what you just said. Yeah, of course,

860
00:47:10,920 --> 00:47:13,120
Speaker 1: can you find that brain side? I think I've got

861
00:47:13,200 --> 00:47:16,640
Speaker 1: that one. Unlock do it again. It's basically I think

862
00:47:16,680 --> 00:47:19,560
Speaker 1: that you know, everyone in the world is is capable

863
00:47:19,800 --> 00:47:23,120
Speaker 1: of living outside the role or beyond the rules that

864
00:47:23,160 --> 00:47:26,359
Speaker 1: they place themselves in. Um, no matter what it is,

865
00:47:26,560 --> 00:47:29,560
Speaker 1: you know, Uh, you're not just a dad, You're not

866
00:47:29,680 --> 00:47:32,719
Speaker 1: just a banker. You're not just a brother or a

867
00:47:32,800 --> 00:47:39,000
Speaker 1: son or a convict, it doesn't matter. Like everyone is bigger,

868
00:47:39,520 --> 00:47:42,560
Speaker 1: much bigger, infinitely bigger than the roles they place themselves in,

869
00:47:43,040 --> 00:47:47,160
Speaker 1: and is capable of reaching potential greater than anything they

870
00:47:47,160 --> 00:47:49,560
Speaker 1: could imagine. Most of the time, people sell themselves short

871
00:47:49,600 --> 00:47:53,440
Speaker 1: on their goals if we got down a list like

872
00:47:53,480 --> 00:47:57,279
Speaker 1: every day. That's the human condition, you know. We just

873
00:47:57,440 --> 00:48:00,799
Speaker 1: we think we're we think we have a ceiling um

874
00:48:00,800 --> 00:48:03,960
Speaker 1: when it comes to our potential and the and the

875
00:48:04,040 --> 00:48:07,040
Speaker 1: real and the truth is that there is no ceiling. Wow,

876
00:48:08,040 --> 00:48:10,880
Speaker 1: very very well spoken. I want to hear the whole album.

877
00:48:11,160 --> 00:48:14,239
Speaker 1: It's not out to like May, which pisces me off.

878
00:48:16,360 --> 00:48:18,319
Speaker 1: One more Light is the name of the album. Yeah,

879
00:48:18,400 --> 00:48:21,759
Speaker 1: and that's out May like the middle of So can

880
00:48:21,760 --> 00:48:24,279
Speaker 1: we pre order now? You can pre order now. Yeah.

881
00:48:24,320 --> 00:48:26,759
Speaker 1: And if you do pre order, um, you will get

882
00:48:26,840 --> 00:48:29,760
Speaker 1: music faster. And then also if you join the Lincoln

883
00:48:29,800 --> 00:48:33,240
Speaker 1: Park Underground, um, you get lots of extra goodies too. Excellent.

884
00:48:33,520 --> 00:48:36,560
Speaker 1: Of course the single Heavy with Kiara it's available now,

885
00:48:36,719 --> 00:48:38,200
Speaker 1: so if you need to taste of it immediately you

886
00:48:38,239 --> 00:48:40,279
Speaker 1: can buy it or you know what, don't do that.

887
00:48:40,360 --> 00:48:42,840
Speaker 1: Let me just play it per place for free. Ye

888
00:48:43,680 --> 00:48:45,520
Speaker 1: you guys, you get here to play it every hour? Right,

889
00:48:47,280 --> 00:48:51,239
Speaker 1: I'm gonna buy it for you. Here's twenty dollars. Here's

890
00:48:51,239 --> 00:48:54,000
Speaker 1: twenty bucks for you, and I'm gonna play that. Put

891
00:48:54,040 --> 00:48:59,719
Speaker 1: it there? Are you wait? I thought you're supposed to

892
00:48:59,719 --> 00:49:03,520
Speaker 1: pay off to play Chester biddings and it's an honor

893
00:49:03,560 --> 00:49:05,600
Speaker 1: to see you, and you please come back anytime you want.

894
00:49:06,120 --> 00:49:08,920
Speaker 1: And again, this is heavy Kiarra available right now and

895
00:49:08,960 --> 00:49:11,359
Speaker 1: you can hear it for free right now. I don't

896
00:49:11,440 --> 00:49:15,759
Speaker 1: like my mind right now stacking up problems. That is

897
00:49:15,800 --> 00:49:30,360
Speaker 1: so unnecessary Lincoln Parking, Kara, that is heavy, you know what? Uh?

898
00:49:30,480 --> 00:49:32,799
Speaker 1: By again, that was an interview heard a few moments

899
00:49:32,840 --> 00:49:36,040
Speaker 1: ago from February one. That entire interview up at Elvis

900
00:49:36,080 --> 00:49:38,600
Speaker 1: duran dot com wherever girl Kathleen and the team have

901
00:49:38,680 --> 00:49:41,120
Speaker 1: worked so hard to get all sorts of incredible things

902
00:49:41,400 --> 00:49:44,840
Speaker 1: up by today and by right now. Not only is

903
00:49:44,880 --> 00:49:48,920
Speaker 1: that interview up there, and uh some great photographs and

904
00:49:48,960 --> 00:49:53,799
Speaker 1: other thoughts, but really wonderful open letter Bethany that you

905
00:49:53,920 --> 00:49:57,160
Speaker 1: posted yesterday. And I think it's so important that people

906
00:49:57,320 --> 00:50:00,759
Speaker 1: take time to read this this letter. What inspired you

907
00:50:00,800 --> 00:50:03,600
Speaker 1: to write that? Um? When I got the news yesterday

908
00:50:03,760 --> 00:50:09,600
Speaker 1: about Chester Bennington, I was piste, uh and not at him,

909
00:50:09,640 --> 00:50:13,480
Speaker 1: but at mental illness. I was pissed that that suicide

910
00:50:13,560 --> 00:50:16,440
Speaker 1: is even a thing. And um, so I was on

911
00:50:16,480 --> 00:50:20,040
Speaker 1: my way to a meeting and I just start started

912
00:50:20,040 --> 00:50:24,359
Speaker 1: typing and I just needed to get out everything that

913
00:50:24,480 --> 00:50:26,920
Speaker 1: I know I have felt in the past, and that

914
00:50:26,960 --> 00:50:29,600
Speaker 1: I needed to hear at times, and I needed other

915
00:50:29,640 --> 00:50:32,840
Speaker 1: people to hear it as well. And so I just

916
00:50:32,880 --> 00:50:36,400
Speaker 1: sort of like word vomited this letter and posted it

917
00:50:36,480 --> 00:50:39,319
Speaker 1: because it needed to get out. I needed. It was

918
00:50:39,400 --> 00:50:41,680
Speaker 1: born from a place of rage, but I needed to

919
00:50:41,680 --> 00:50:43,680
Speaker 1: get it out. It's worth a read and check that

920
00:50:43,719 --> 00:50:46,120
Speaker 1: out and everything that's up right now at Elvis dea

921
00:50:46,200 --> 00:50:47,680
Speaker 1: ran dot com. Thank you guys for getting all this

922
00:50:47,719 --> 00:50:50,800
Speaker 1: stuff up so quickly. Now you you gave us a

923
00:50:50,920 --> 00:50:54,560
Speaker 1: number two text earlier and people are asking for that again.

924
00:50:54,600 --> 00:50:56,799
Speaker 1: Can you remind us of what that is? Yeah, it's

925
00:50:56,840 --> 00:50:59,440
Speaker 1: this great thing called the Crisis text Line. So a

926
00:50:59,520 --> 00:51:01,240
Speaker 1: lot of time, if you're in a place of crisis,

927
00:51:01,280 --> 00:51:02,840
Speaker 1: or even if you're just in a place of feeling

928
00:51:02,840 --> 00:51:05,000
Speaker 1: really down and you need to talk to somebody, the

929
00:51:05,080 --> 00:51:07,520
Speaker 1: idea of actually talking to someone is a little bit

930
00:51:07,560 --> 00:51:11,080
Speaker 1: overwhelming and scary. There's a way to text somebody. So

931
00:51:11,120 --> 00:51:14,840
Speaker 1: the Crisis text line is available to you seven and

932
00:51:14,880 --> 00:51:19,520
Speaker 1: their number is seven four one seven four one. Um,

933
00:51:19,560 --> 00:51:22,600
Speaker 1: and I will also tweet that and UM, it's just

934
00:51:22,800 --> 00:51:24,560
Speaker 1: great if you kind of want to dip your toe

935
00:51:24,600 --> 00:51:26,440
Speaker 1: in that water. Of reaching out to somebody, but you

936
00:51:26,440 --> 00:51:28,719
Speaker 1: don't want to really commit to hearing another person's voice

937
00:51:28,800 --> 00:51:32,000
Speaker 1: quite yet. So again it's seven four one, seven four

938
00:51:32,120 --> 00:51:35,160
Speaker 1: one is that number? Okay, let's move forward. We do

939
00:51:35,280 --> 00:51:37,680
Speaker 1: have a phone tap on the way. We do have

940
00:51:38,120 --> 00:51:42,160
Speaker 1: Harry Styles to talk about his weekend on the big screen.

941
00:51:42,719 --> 00:51:45,879
Speaker 1: So much going on and uh you know what, including

942
00:51:46,160 --> 00:51:49,360
Speaker 1: uh more thoughts and music from Chester, Bennington and of

943
00:51:49,360 --> 00:51:52,080
Speaker 1: course Lincoln Park. You know something that was said earlier

944
00:51:52,400 --> 00:51:55,439
Speaker 1: in the room from Bethany Actually she's like, I hate

945
00:51:55,440 --> 00:51:58,000
Speaker 1: doing these shows, and I'm like, no, these shows are

946
00:51:58,080 --> 00:52:00,480
Speaker 1: very difficult to do. At the same time, tim and

947
00:52:00,840 --> 00:52:02,680
Speaker 1: at the risk of sounding kind of odd, I love

948
00:52:02,760 --> 00:52:05,319
Speaker 1: doing these shows because it really just kind of reaffirms

949
00:52:06,040 --> 00:52:10,400
Speaker 1: the legacies the the artists. It really it really reminds

950
00:52:10,440 --> 00:52:13,200
Speaker 1: us how deep and wonderful and truly gifted they are

951
00:52:13,239 --> 00:52:15,520
Speaker 1: and how they share their gift with us. So yeah,

952
00:52:15,680 --> 00:52:18,480
Speaker 1: it's I don't like the news. The news to me

953
00:52:18,560 --> 00:52:20,839
Speaker 1: is very sad. But being able to come in here

954
00:52:20,840 --> 00:52:25,520
Speaker 1: and use this room and this this piece of equipment

955
00:52:25,520 --> 00:52:27,720
Speaker 1: with all these knobs on it and all this music

956
00:52:27,760 --> 00:52:30,600
Speaker 1: and this computer over here, this is what It's what

957
00:52:30,800 --> 00:52:32,799
Speaker 1: what we're supposed to be doing, so I feel pretty

958
00:52:32,800 --> 00:52:36,200
Speaker 1: good about that. But with that said, a very sad day.

959
00:52:36,680 --> 00:52:39,600
Speaker 1: Now your phone tap on the way Harry Styles in

960
00:52:39,719 --> 00:52:58,080
Speaker 1: thirty minutes Elist ran in the Morning Show remembers Chester

961
00:52:58,200 --> 00:53:01,759
Speaker 1: Bennington of Lincoln Park. Everyone is so surprised when they

962
00:53:01,760 --> 00:53:03,719
Speaker 1: see the pictures on my phone, even the ones I've

963
00:53:03,760 --> 00:53:06,719
Speaker 1: taken low light. Between the excellent camera and the fact

964
00:53:06,719 --> 00:53:09,720
Speaker 1: it's dust and water resistant, I'm capturing all my moments

965
00:53:09,719 --> 00:53:14,640
Speaker 1: this summer with my new Samsung Galaxy S eight. Elvis,

966
00:53:14,640 --> 00:53:19,239
Speaker 1: Elvis durand Elvis Durant phone tap. All right, a little late,

967
00:53:19,440 --> 00:53:22,120
Speaker 1: better late than never. Let's get into your phone tap.

968
00:53:22,160 --> 00:53:24,640
Speaker 1: It's all about Dave Brody today. What do you have

969
00:53:24,880 --> 00:53:28,160
Speaker 1: going on? Dave Brody? Elvis our listener James wanted us

970
00:53:28,200 --> 00:53:31,759
Speaker 1: to phone tap his wife Carolin, so I did. They're

971
00:53:31,800 --> 00:53:36,120
Speaker 1: redoing their entire kitchen. He hired the contractor and the

972
00:53:36,160 --> 00:53:38,439
Speaker 1: contract is supposed to call Hard to go over her

973
00:53:38,520 --> 00:53:41,280
Speaker 1: plans for her new country kitchen. But before that happens,

974
00:53:41,280 --> 00:53:43,440
Speaker 1: I call as the contractor with my thoughts on her

975
00:53:43,440 --> 00:53:46,839
Speaker 1: new country kitchen. A new country kitchen. All right, let's

976
00:53:46,840 --> 00:53:50,479
Speaker 1: see what Rody has in today's phone tap, here we go. Hello, Yeah,

977
00:53:50,480 --> 00:53:55,480
Speaker 1: I'm looking for Caroline. Yeah, Caroly, this is Don from Carnition.

978
00:53:55,520 --> 00:53:58,560
Speaker 1: How are you today? I'm good. So we signed the

979
00:53:58,600 --> 00:54:01,359
Speaker 1: paperwork this morning. After the weekend, we should be able

980
00:54:01,400 --> 00:54:04,920
Speaker 1: to load in. It looks like we're gonna go with uh,

981
00:54:04,960 --> 00:54:08,439
Speaker 1: like a black paint. No no, no, no no, that's

982
00:54:08,440 --> 00:54:12,960
Speaker 1: pretty much gonna be like pink and white. He is

983
00:54:13,000 --> 00:54:16,320
Speaker 1: what I'm thinking. I'm thinking like like a black man.

984
00:54:16,520 --> 00:54:18,520
Speaker 1: No no, no, no, no no no. This is not

985
00:54:18,560 --> 00:54:20,600
Speaker 1: about what you think. This is about what I think.

986
00:54:20,680 --> 00:54:24,560
Speaker 1: I'm no one paying for it, Fanish, your husband's paying

987
00:54:24,600 --> 00:54:26,719
Speaker 1: for it. I mean, it's crazy there. You know, Like

988
00:54:26,800 --> 00:54:29,720
Speaker 1: I said, this is our money and not your money,

989
00:54:29,800 --> 00:54:31,680
Speaker 1: and you're going to do the colors that I want,

990
00:54:32,160 --> 00:54:34,200
Speaker 1: right right right, you are right right right, Okay, So

991
00:54:34,239 --> 00:54:36,600
Speaker 1: I keep going. What else you want? You know? I've

992
00:54:36,600 --> 00:54:42,200
Speaker 1: got that that picture window. Yeah, I already told your

993
00:54:42,320 --> 00:54:44,560
Speaker 1: husband that's already taken care of. What do you mean

994
00:54:44,640 --> 00:54:47,120
Speaker 1: already taken care of? Well, for you know, the style

995
00:54:47,120 --> 00:54:49,319
Speaker 1: we're going for the motif. I can't have a window there,

996
00:54:49,760 --> 00:54:52,600
Speaker 1: so my men already brick that up. That's that's drying

997
00:54:52,680 --> 00:54:57,400
Speaker 1: right now. That's bricked. Wait, the style that the authorization

998
00:54:57,480 --> 00:54:59,200
Speaker 1: to do that? What kind of thing did you say

999
00:54:59,200 --> 00:55:02,359
Speaker 1: you wanted. Let's let's sick to the basics. We're gonna okay, well,

1000
00:55:02,400 --> 00:55:04,920
Speaker 1: I mean I want the double topper farmhouse sink, but

1001
00:55:05,000 --> 00:55:11,200
Speaker 1: that goes voice about the below up. Already paid my

1002
00:55:11,239 --> 00:55:14,239
Speaker 1: designer a game grand up front, because that's how I do.

1003
00:55:14,680 --> 00:55:17,880
Speaker 1: We got a German country in kitchen from black and

1004
00:55:17,920 --> 00:55:20,919
Speaker 1: red shutters. Okay, okay, I'm about to tell you you

1005
00:55:20,960 --> 00:55:24,960
Speaker 1: are off this job, all right. Listen, cocoa puffs. I'm

1006
00:55:25,000 --> 00:55:27,560
Speaker 1: trying to work with you. I'm trying to work with you. Okay,

1007
00:55:27,600 --> 00:55:31,319
Speaker 1: I'm talking about you. Gotta understand something, all right. I've

1008
00:55:31,320 --> 00:55:33,440
Speaker 1: been doing this for thirty two years. I know a

1009
00:55:33,480 --> 00:55:36,160
Speaker 1: little something about it. Doesn't kind of get very good

1010
00:55:36,160 --> 00:55:38,040
Speaker 1: at your job because you don't listen what we did,

1011
00:55:38,040 --> 00:55:40,960
Speaker 1: like an Egyptian theme like Hira glyphic with sand on

1012
00:55:41,000 --> 00:55:44,160
Speaker 1: the floor, talking about countries in general, I'm talking about

1013
00:55:44,360 --> 00:55:47,880
Speaker 1: the country side. Are you stupid? My head is a

1014
00:55:47,960 --> 00:55:58,279
Speaker 1: bad pix blow while don't do not answer, let me

1015
00:55:58,280 --> 00:56:02,000
Speaker 1: go to voice MEI will wait a second. Okay, okay,

1016
00:56:03,080 --> 00:56:06,200
Speaker 1: what is going on? Who is this numb nuts that

1017
00:56:06,320 --> 00:56:08,880
Speaker 1: you hired. I think you're blown it all out of proportion.

1018
00:56:09,000 --> 00:56:11,000
Speaker 1: Just calmed down a little bit. Wait in our house.

1019
00:56:11,000 --> 00:56:13,560
Speaker 1: He already bricked up the window in the kitchen, Like

1020
00:56:13,800 --> 00:56:17,800
Speaker 1: this dude, it is nut. Don't even get back every

1021
00:56:17,880 --> 00:56:20,200
Speaker 1: penny that you gave this guy. We are fighting this

1022
00:56:20,320 --> 00:56:22,759
Speaker 1: dude to the end. He's a professional, he's just trying

1023
00:56:22,800 --> 00:56:24,880
Speaker 1: to give you some mind here. He's a professional idiot.

1024
00:56:25,200 --> 00:56:28,879
Speaker 1: He's calling me sugar pop. He's mad, disrespectful, like he's

1025
00:56:28,920 --> 00:56:32,040
Speaker 1: making this crazy high pitched noise. It's like drag. Like seriously,

1026
00:56:32,280 --> 00:56:37,799
Speaker 1: I'm about to kind of noise you're talking about, like

1027
00:56:37,800 --> 00:56:40,080
Speaker 1: like high pitched thing like he's being strangled like a

1028
00:56:40,120 --> 00:56:43,160
Speaker 1: cat and he's dying when he's thinking. Obviously he's not

1029
00:56:43,200 --> 00:56:47,760
Speaker 1: thinking because his brain doesn't work. But I'm literally about

1030
00:56:47,840 --> 00:56:50,120
Speaker 1: to go down there and kick this dude's ask right now.

1031
00:56:50,800 --> 00:56:53,799
Speaker 1: I think maybe you get a little upset. Are you

1032
00:56:53,840 --> 00:56:58,200
Speaker 1: on the phone right now? He's going on here in

1033
00:56:58,239 --> 00:57:00,960
Speaker 1: the morning show. He is about to give me the

1034
00:57:01,040 --> 00:57:04,200
Speaker 1: streaking heart attack, like James's time, are you talking about

1035
00:57:04,200 --> 00:57:07,600
Speaker 1: your country kitchen? I can't even laugh right now. I'm

1036
00:57:07,600 --> 00:57:10,960
Speaker 1: like just wedding profusely because I'm so mad. You guys

1037
00:57:10,960 --> 00:57:16,800
Speaker 1: are not funny that I'm gonna get a country kitchen.

1038
00:57:16,880 --> 00:57:20,160
Speaker 1: What does that mean, I'm gonna have a cow think

1039
00:57:20,200 --> 00:57:24,480
Speaker 1: it loves a good country kitchen. There you go. It

1040
00:57:24,520 --> 00:57:26,320
Speaker 1: has like a dirt road going through the middle of it.

1041
00:57:26,680 --> 00:57:29,920
Speaker 1: Thank you, Brodie. You're very obnoxious, very mean. He's supposed

1042
00:57:29,920 --> 00:57:31,360
Speaker 1: to be if you have an idea for a phone tap.

1043
00:57:31,360 --> 00:57:32,840
Speaker 1: So when you know it's phone tap, all let us

1044
00:57:32,840 --> 00:57:34,440
Speaker 1: know all about it. Go to Elvis Durand dot com

1045
00:57:34,480 --> 00:57:36,960
Speaker 1: and click on the phone tab link. Fat Table was

1046
00:57:37,000 --> 00:57:41,320
Speaker 1: prerecorded with permission granted by All Party Space Elvis Duran

1047
00:57:41,440 --> 00:57:46,280
Speaker 1: phone tab on Elvis Durand in the Morning show. So

1048
00:57:46,320 --> 00:57:48,280
Speaker 1: here it is. It's Friday. You're like, oh god, if

1049
00:57:48,320 --> 00:57:50,120
Speaker 1: I can just get to this day, I'm done. I

1050
00:57:50,160 --> 00:57:51,960
Speaker 1: said that this morning. Are you looking at your list

1051
00:57:52,000 --> 00:57:54,600
Speaker 1: of stuff to do? Oh my god, I forgot. I

1052
00:57:54,640 --> 00:57:59,400
Speaker 1: have to hire someone today rapping. It's the weekend. Somewhere,

1053
00:57:59,440 --> 00:58:01,520
Speaker 1: it's the weekend. Got ire someone. Look at you. You

1054
00:58:01,600 --> 00:58:04,680
Speaker 1: better think very very carefully before you just go, Okay,

1055
00:58:04,880 --> 00:58:07,240
Speaker 1: throw a dart at them. Boom, I'm hiring them. No,

1056
00:58:07,760 --> 00:58:09,960
Speaker 1: you need the right person for the job because well,

1057
00:58:10,000 --> 00:58:13,320
Speaker 1: if they fail, you fail. Basically, it doesn't matter how

1058
00:58:13,320 --> 00:58:15,280
Speaker 1: big or small your company is. You know what, the

1059
00:58:15,320 --> 00:58:18,000
Speaker 1: next higher you make, it could be the most critical

1060
00:58:18,160 --> 00:58:21,520
Speaker 1: higher you ever make. So zip recruiter is the way

1061
00:58:21,560 --> 00:58:23,840
Speaker 1: to go. Here's how it works. You go online with

1062
00:58:23,880 --> 00:58:26,439
Speaker 1: your ad, you zip it into zip recruiter. They send

1063
00:58:26,480 --> 00:58:29,560
Speaker 1: it out to all the job sites that matter, including

1064
00:58:29,600 --> 00:58:31,960
Speaker 1: social media, and what they do is they get all

1065
00:58:32,000 --> 00:58:35,040
Speaker 1: the applicants coming into them and they sort through the

1066
00:58:35,080 --> 00:58:37,480
Speaker 1: ones that you need to be paying attention to so

1067
00:58:37,520 --> 00:58:39,280
Speaker 1: you don't get calls into the office. You don't have

1068
00:58:39,560 --> 00:58:45,120
Speaker 1: email trails. You're following zip recruiters different. You get a

1069
00:58:45,200 --> 00:58:47,720
Speaker 1: qualified candidate in just twenty four hours. Look at that

1070
00:58:48,440 --> 00:58:51,720
Speaker 1: of jobs posted. A qualified candidate in less than a day.

1071
00:58:51,840 --> 00:58:53,720
Speaker 1: No juggling email, no calls to your office. I want

1072
00:58:53,760 --> 00:58:55,120
Speaker 1: you to use it for free. You know what I'm

1073
00:58:55,120 --> 00:58:59,440
Speaker 1: talking about. Zip recruiter dot com, slash elvis. Try it

1074
00:58:59,480 --> 00:59:01,240
Speaker 1: for free, but you gotta do that. You gotta go

1075
00:59:01,280 --> 00:59:09,600
Speaker 1: to zip recruiter dot com, slash elvis. So creativity is

1076
00:59:09,640 --> 00:59:12,080
Speaker 1: too big to be put in the box, and inspiration

1077
00:59:12,200 --> 00:59:14,440
Speaker 1: is also too big to be you know, to come

1078
00:59:14,480 --> 00:59:17,120
Speaker 1: from just one source. And when you're in a band

1079
00:59:17,160 --> 00:59:20,080
Speaker 1: like Lincoln Park. What I love most about it is

1080
00:59:20,160 --> 00:59:21,800
Speaker 1: it's like being in a new band every time I

1081
00:59:21,880 --> 00:59:30,400
Speaker 1: make a record. Elvis R. Rand in the Morning Show

1082
00:59:30,440 --> 00:59:33,600
Speaker 1: remembers Chester Bennington of Lincoln Park. It felt so good

1083
00:59:33,640 --> 00:59:35,840
Speaker 1: to play our interview with him. The interview happened back

1084
00:59:35,880 --> 00:59:38,680
Speaker 1: in February of this year, and he was so cool,

1085
00:59:39,040 --> 00:59:41,160
Speaker 1: so fun to talk to. We learned so much from him,

1086
00:59:41,200 --> 00:59:42,760
Speaker 1: and it felt good to be in the room with him,

1087
00:59:42,800 --> 00:59:45,760
Speaker 1: Chester Bennington. Of course, that interview available now in its

1088
00:59:45,920 --> 00:59:49,560
Speaker 1: entirety at Elvis dr rand dot com, along with photos. Uh,

1089
00:59:49,800 --> 00:59:55,600
Speaker 1: just incredible, incredible thoughts and music, maybe things you never

1090
00:59:55,680 --> 00:59:58,000
Speaker 1: knew about Chester Bennington up at Elvis dr rand dot com.

1091
00:59:58,240 --> 01:00:00,439
Speaker 1: Check it out. We're gonna play some more mu from

1092
01:00:00,560 --> 01:00:06,080
Speaker 1: Lincoln Park coming up later. Also Harry Styles. Wow, he's

1093
01:00:06,080 --> 01:00:09,760
Speaker 1: got a big weekend this weekend. It's got a movie out. Yeah,

1094
01:00:09,880 --> 01:00:11,640
Speaker 1: you already have his album. What you don't have it,

1095
01:00:11,680 --> 01:00:14,800
Speaker 1: you gotta get it. It's fantastic. Also, he's got a tour.

1096
01:00:15,760 --> 01:00:17,440
Speaker 1: We're gonna talk to him about that. That's coming up

1097
01:00:17,440 --> 01:00:20,720
Speaker 1: in a few minutes. Let's get into the Daniel Report. Hey, Danielle, alright,

1098
01:00:20,760 --> 01:00:22,480
Speaker 1: what do you have first? All right, so we are

1099
01:00:22,560 --> 01:00:25,240
Speaker 1: talking about Chester Bennington all day, of course, and lots

1100
01:00:25,280 --> 01:00:29,320
Speaker 1: of celebrities have come out giving their condolences. Nikki six,

1101
01:00:29,520 --> 01:00:31,680
Speaker 1: I am in tears. Chester just told me how happy

1102
01:00:31,720 --> 01:00:34,240
Speaker 1: he was. He was such a sweet and talented man.

1103
01:00:34,520 --> 01:00:37,480
Speaker 1: Farrell was talking about Chester, saying, you and the guys

1104
01:00:37,520 --> 01:00:40,760
Speaker 1: all influenced an entire generation. You went so hard and

1105
01:00:40,800 --> 01:00:43,560
Speaker 1: said so many kids free of their environments and situations.

1106
01:00:43,760 --> 01:00:46,120
Speaker 1: The last time I saw you, you gave us chills.

1107
01:00:46,520 --> 01:00:50,400
Speaker 1: Now to Linda Bennington, that is his wife, her Twitter

1108
01:00:50,480 --> 01:00:53,560
Speaker 1: account got hacked into, which is so ridiculous, and people

1109
01:00:53,600 --> 01:00:55,959
Speaker 1: were writing the whoever hacked into it wrote some really

1110
01:00:56,040 --> 01:00:58,680
Speaker 1: rude things that had to be taken down. But just

1111
01:00:58,680 --> 01:01:01,160
Speaker 1: just really, I mean, I just can't even imagine somebody

1112
01:01:01,240 --> 01:01:03,320
Speaker 1: doing that, but they did. I know it sounds silly,

1113
01:01:03,400 --> 01:01:06,160
Speaker 1: but I laugh because I laugh at the fact that

1114
01:01:06,160 --> 01:01:09,720
Speaker 1: people can be so evil. Yeah, I can't believe I'm

1115
01:01:09,760 --> 01:01:11,560
Speaker 1: doing it again. I can't believe we live in a

1116
01:01:11,560 --> 01:01:15,280
Speaker 1: world where people are just such evil people. So some

1117
01:01:15,320 --> 01:01:18,720
Speaker 1: people are just so mean, fathomable you could be so

1118
01:01:18,840 --> 01:01:21,600
Speaker 1: mean and so cruel, ridiculous, You know, you go to

1119
01:01:21,640 --> 01:01:24,400
Speaker 1: see like a silly movie like Batman, and you have

1120
01:01:24,440 --> 01:01:27,240
Speaker 1: the joker, You're like, how could anyone ever be that evil?

1121
01:01:27,440 --> 01:01:32,880
Speaker 1: And wear makeup? This guy's worse Twitter. I'm I guess,

1122
01:01:32,880 --> 01:01:35,760
Speaker 1: I'm I'm laughing because I'm so naive to think that

1123
01:01:35,760 --> 01:01:39,240
Speaker 1: people like that actually exist. They do unfortunate back, all right,

1124
01:01:39,280 --> 01:01:41,800
Speaker 1: So the lead singers to see there, he lost a

1125
01:01:41,840 --> 01:01:45,120
Speaker 1: brother to suicide, so he started a festival. It's called

1126
01:01:45,280 --> 01:01:48,200
Speaker 1: right Rise Above Festival, and this is the fifth one

1127
01:01:48,240 --> 01:01:51,160
Speaker 1: that they're doing, and it's to build awareness for suicide

1128
01:01:51,160 --> 01:01:54,760
Speaker 1: prevention and it's going on actually very very soon. If

1129
01:01:54,760 --> 01:01:57,640
Speaker 1: you want more information about it, would Rise Above a

1130
01:01:57,720 --> 01:01:59,880
Speaker 1: fest dot com because it might be something you want

1131
01:01:59,880 --> 01:02:02,360
Speaker 1: to attend or somebody else wants to attend. And I

1132
01:02:02,400 --> 01:02:04,720
Speaker 1: think actually might be going on this weekend. It's it's

1133
01:02:04,760 --> 01:02:06,640
Speaker 1: in Maine, so it might be something you want to

1134
01:02:06,720 --> 01:02:09,160
Speaker 1: check out. Maybe you want to attend that one. Uh,

1135
01:02:09,440 --> 01:02:12,760
Speaker 1: let's see American Horror Story. Yesterday. I told you that

1136
01:02:12,800 --> 01:02:15,320
Speaker 1: we were going to find out the new title, and

1137
01:02:15,360 --> 01:02:19,480
Speaker 1: it has been revealed. It's called American Horror Story Cult. Yeah,

1138
01:02:19,520 --> 01:02:21,800
Speaker 1: who doesn't love a good call. Well, it looks like

1139
01:02:21,880 --> 01:02:24,280
Speaker 1: there might be a lot of clown action in this one.

1140
01:02:24,360 --> 01:02:27,040
Speaker 1: So here's what happened. It's a clown call. So there's

1141
01:02:27,080 --> 01:02:31,280
Speaker 1: all these unsettling images of these sinister looking clowns. And

1142
01:02:31,320 --> 01:02:35,400
Speaker 1: then yesterday performers at Comic Con dressed as clowns walked

1143
01:02:35,440 --> 01:02:38,120
Speaker 1: around the crowd giving members of the audience pins that

1144
01:02:38,200 --> 01:02:41,280
Speaker 1: said join us. They said, it also will have an

1145
01:02:41,280 --> 01:02:44,640
Speaker 1: election theme to it, so it'll be interesting to see

1146
01:02:44,680 --> 01:02:48,000
Speaker 1: and it's good clown running in an election. And it's soon,

1147
01:02:48,120 --> 01:02:51,400
Speaker 1: by the way, but we're gonna get some clown on

1148
01:02:51,440 --> 01:02:54,920
Speaker 1: clown actions. September five is when we're gonna get So

1149
01:02:55,440 --> 01:02:59,720
Speaker 1: don't call Metember. I'll be watching very soon. Miley Cyrus

1150
01:02:59,720 --> 01:03:02,600
Speaker 1: said we should be more disturbed about her Hannah Montana

1151
01:03:02,680 --> 01:03:05,640
Speaker 1: days than her tworking days. She says it would be

1152
01:03:05,680 --> 01:03:07,720
Speaker 1: more shocking to know that when I was eleven or twelve,

1153
01:03:07,760 --> 01:03:09,600
Speaker 1: I was putting full hair and makeup, a wig and

1154
01:03:09,640 --> 01:03:12,000
Speaker 1: told what to wear by a group of mostly older men.

1155
01:03:12,320 --> 01:03:15,640
Speaker 1: She's talking to Harper's Bizarre magazine about that. We found

1156
01:03:15,680 --> 01:03:19,000
Speaker 1: out yesterday that Ryan Seacrest is definitely back for the

1157
01:03:19,000 --> 01:03:21,760
Speaker 1: revamped American Idol. Kelly actually made the announcement on Live

1158
01:03:21,760 --> 01:03:24,880
Speaker 1: with Kelley and Ryan. I am happy to confirm confirm.

1159
01:03:24,680 --> 01:03:28,840
Speaker 1: I can confirm with absolute confirmation, absolutely without a doubt,

1160
01:03:29,520 --> 01:03:33,520
Speaker 1: that Ryan Seacrest is returning of the host of American

1161
01:03:35,360 --> 01:03:37,520
Speaker 1: and Rubert has that he's getting about ten million dollars

1162
01:03:37,640 --> 01:03:40,040
Speaker 1: for the gigs. Some people don't even make that in

1163
01:03:40,080 --> 01:03:46,320
Speaker 1: a year. So the Three Little Stooges is in the works.

1164
01:03:46,400 --> 01:03:48,560
Speaker 1: You guys all know more Larry and Curly, I mean,

1165
01:03:48,560 --> 01:03:50,880
Speaker 1: everybody kind of knows who they are. Well, this will

1166
01:03:50,920 --> 01:03:53,000
Speaker 1: be the Three Little Stooges when they were twelve to

1167
01:03:53,080 --> 01:03:56,600
Speaker 1: thirteen year olds coming to a movie. Here. You will

1168
01:03:56,640 --> 01:03:59,520
Speaker 1: see how that does. This weekend is a big weekend

1169
01:03:59,520 --> 01:04:03,360
Speaker 1: for TELEVI Descendants to Tonight on Disney. If you are

1170
01:04:03,400 --> 01:04:06,360
Speaker 1: a Descendants fan, it is going down tonight with Dove,

1171
01:04:06,360 --> 01:04:09,520
Speaker 1: Cameron and everybody else. It's going to be incredible. Oxygen

1172
01:04:09,560 --> 01:04:11,680
Speaker 1: gives you the jury speaks. This weekend, You've got on

1173
01:04:11,760 --> 01:04:14,959
Speaker 1: the O. J. Simpson Triald and Michael Jackson Trial. Don't

1174
01:04:15,000 --> 01:04:17,760
Speaker 1: forget on Discovery, You've got Michael Phelps versus the Shark

1175
01:04:17,840 --> 01:04:21,160
Speaker 1: for Shark Week on Discovery. That's this weekend. That's Sunday

1176
01:04:21,240 --> 01:04:23,120
Speaker 1: Night you can just take bets who's gonna win, Michael

1177
01:04:23,200 --> 01:04:26,720
Speaker 1: Phelps or the Shark. Yeah, I'm gonna say the shark. That'sybody.

1178
01:04:26,760 --> 01:04:28,760
Speaker 1: Go with Michael Phelps on this. You also have Game

1179
01:04:28,840 --> 01:04:31,560
Speaker 1: of Thrones this weekend, and don't forget you have a

1180
01:04:31,600 --> 01:04:33,560
Speaker 1: lot of stuff from Comic Con because that's still going

1181
01:04:33,600 --> 01:04:36,280
Speaker 1: down as well. Thank you, Danielle. My god, you're teeming

1182
01:04:36,320 --> 01:04:41,440
Speaker 1: with all sorts of festivities. Harry Styles. Exactly nine minutes

1183
01:04:41,480 --> 01:04:48,960
Speaker 1: from right now, Elvis Durand in the Morning Show, New

1184
01:04:48,960 --> 01:04:52,360
Speaker 1: Trident gum is now bursting with more flavor. There's so

1185
01:04:52,440 --> 01:04:55,160
Speaker 1: much flavor in each piece of Trident it will shock

1186
01:04:55,240 --> 01:04:59,480
Speaker 1: your taste buds. New Trident gum now bursting with more flavor.

1187
01:05:04,360 --> 01:05:10,360
Speaker 1: I am addicted to. This show is bad. Oh my god,

1188
01:05:10,440 --> 01:05:19,120
Speaker 1: spur you hear that. They just crack me up. As

1189
01:05:19,240 --> 01:05:23,760
Speaker 1: Elvis story in the Morning Show. Finally we give you

1190
01:05:23,800 --> 01:05:30,040
Speaker 1: the one and only Harry Styles. Harry, last year we're here.

1191
01:05:30,280 --> 01:05:33,520
Speaker 1: Uh if you remember it, we crammed your head down

1192
01:05:33,520 --> 01:05:38,360
Speaker 1: into a Union jack cake. Yeah, I appreciate that. Did

1193
01:05:38,400 --> 01:05:40,040
Speaker 1: it take a while to get like the food coloring

1194
01:05:40,080 --> 01:05:42,040
Speaker 1: off your face? Well, the thing was it was an

1195
01:05:42,080 --> 01:05:46,200
Speaker 1: ice cream cake and it was solid, so it actually

1196
01:05:46,320 --> 01:05:50,480
Speaker 1: really hurt my Sorry. Yeah, yeah, how do you tell

1197
01:05:50,480 --> 01:05:51,960
Speaker 1: that story? Why do you have a black eye? When

1198
01:05:51,960 --> 01:05:55,440
Speaker 1: I was slammed into it? You guys should, uh, you

1199
01:05:55,440 --> 01:05:58,400
Speaker 1: should feel bad. I felt awful for most as good.

1200
01:05:59,000 --> 01:06:02,880
Speaker 1: He Let's let's character, let's tell the story back from

1201
01:06:02,920 --> 01:06:06,200
Speaker 1: World War Two and Dunkirk, France. Uh, the Allied forces

1202
01:06:06,400 --> 01:06:10,640
Speaker 1: of Great Britain France, they were surrounded by the Nazis

1203
01:06:10,840 --> 01:06:13,720
Speaker 1: and they needed help. Uh. They put the word out

1204
01:06:13,880 --> 01:06:15,680
Speaker 1: to the bridge, They said, can you get your boats

1205
01:06:15,680 --> 01:06:18,680
Speaker 1: out here and now and help save some of these forces?

1206
01:06:18,920 --> 01:06:23,360
Speaker 1: And three hundred thousand people were surrounded by my god,

1207
01:06:23,400 --> 01:06:28,440
Speaker 1: it's gone up, surrounded by the Germans and Uh. The

1208
01:06:28,480 --> 01:06:30,959
Speaker 1: Brits took their little dinghy boats and their big ships

1209
01:06:31,000 --> 01:06:33,680
Speaker 1: and they came across the channel to save dun Kirk.

1210
01:06:34,160 --> 01:06:37,920
Speaker 1: This is a brilliant moment in British history, and to

1211
01:06:38,040 --> 01:06:40,400
Speaker 1: be in this film must be a supercharge for you.

1212
01:06:40,440 --> 01:06:43,520
Speaker 1: Talk about it, Um, yeah, I think it feels very special.

1213
01:06:43,600 --> 01:06:46,240
Speaker 1: I think for all of us while we were making it,

1214
01:06:46,240 --> 01:06:49,720
Speaker 1: it felt like we wanted to do the history proud

1215
01:06:49,920 --> 01:06:52,000
Speaker 1: and wanted to kind of do it justice and wanted

1216
01:06:52,040 --> 01:06:54,320
Speaker 1: to tell this story the best way we could because

1217
01:06:54,360 --> 01:06:57,480
Speaker 1: it is it is an incredibly important import of you know,

1218
01:06:57,520 --> 01:07:00,560
Speaker 1: the war, and it's not our finest moment um. So

1219
01:07:00,600 --> 01:07:03,080
Speaker 1: I don't think it's something that's kind of talked about

1220
01:07:03,120 --> 01:07:05,400
Speaker 1: that much at school or anything. You don't learn about it.

1221
01:07:05,560 --> 01:07:07,640
Speaker 1: You know, it's not our best time. So they kind

1222
01:07:07,640 --> 01:07:10,000
Speaker 1: of it's kind of washed over the way that it's told.

1223
01:07:10,040 --> 01:07:12,480
Speaker 1: It's like these guys were trapped, they came and got them,

1224
01:07:12,520 --> 01:07:14,800
Speaker 1: took them home, and this, you know, the film is

1225
01:07:14,920 --> 01:07:18,280
Speaker 1: much more of the human aspect of of what that is.

1226
01:07:18,320 --> 01:07:20,880
Speaker 1: It's kind of told us this number of guys got

1227
01:07:20,880 --> 01:07:23,560
Speaker 1: home when they were stranded, and this is obviously about

1228
01:07:23,600 --> 01:07:26,520
Speaker 1: the the individuals and it's kind of telling their stories

1229
01:07:26,560 --> 01:07:28,640
Speaker 1: in a way. So okay, look, you know, you you

1230
01:07:28,680 --> 01:07:30,560
Speaker 1: walk into the set to be a part of this

1231
01:07:30,640 --> 01:07:33,439
Speaker 1: incredible action, a lot of action in this and there's

1232
01:07:33,480 --> 01:07:35,480
Speaker 1: not a ton of dialogue in it. It's it's it's

1233
01:07:35,960 --> 01:07:38,439
Speaker 1: lane script, right, But you walk into be a part

1234
01:07:38,440 --> 01:07:41,120
Speaker 1: of this, you know, this group of very very very

1235
01:07:41,120 --> 01:07:45,200
Speaker 1: seasoned film professionals, and did you did you feel like

1236
01:07:44,920 --> 01:07:47,400
Speaker 1: a like, I don't what am I doing the right thing?

1237
01:07:47,480 --> 01:07:49,400
Speaker 1: Did you feel a little lost or did they just

1238
01:07:49,480 --> 01:07:51,320
Speaker 1: kind of help you along or what? How did you?

1239
01:07:51,360 --> 01:07:54,440
Speaker 1: I mean a little? I think honestly they made the

1240
01:07:54,480 --> 01:07:56,680
Speaker 1: world around you. So it was so intense, Like the

1241
01:07:56,720 --> 01:07:59,960
Speaker 1: filming was was very much reacting to stuff. It require

1242
01:08:00,200 --> 01:08:03,000
Speaker 1: very little acting in the way of imagining. There were

1243
01:08:03,040 --> 01:08:06,000
Speaker 1: planes and imagining all this stuff. So honestly, I didn't

1244
01:08:06,000 --> 01:08:08,400
Speaker 1: have too much time to think about kind of you

1245
01:08:08,520 --> 01:08:11,040
Speaker 1: just like wanted to do your bit towards the project.

1246
01:08:11,320 --> 01:08:13,120
Speaker 1: I didn't kind of have too much time to be

1247
01:08:13,160 --> 01:08:16,800
Speaker 1: worrying about kind of any personal discomfort. Well, Harry, how

1248
01:08:16,800 --> 01:08:19,720
Speaker 1: many people in here. It's great. I don't even know

1249
01:08:19,760 --> 01:08:23,080
Speaker 1: half these people. But Harry, when you walk out on

1250
01:08:23,160 --> 01:08:25,080
Speaker 1: stage and you have a band plan, you have a

1251
01:08:25,160 --> 01:08:27,839
Speaker 1: crowd sharing, you have things to do, words, you remember,

1252
01:08:28,360 --> 01:08:30,400
Speaker 1: Dad's got to be correct me if I'm wrong. A

1253
01:08:30,439 --> 01:08:32,960
Speaker 1: lot more difficult than just pretending an airplane is flying

1254
01:08:33,000 --> 01:08:35,439
Speaker 1: over your head. And to be honest, is acting like

1255
01:08:35,640 --> 01:08:38,960
Speaker 1: way easier than they led us to believe. Um, it's easy.

1256
01:08:39,520 --> 01:08:42,720
Speaker 1: I don't know. I don't know, really, I tried. I

1257
01:08:42,760 --> 01:08:44,559
Speaker 1: tried not to think about it too much. A monkey

1258
01:08:44,600 --> 01:08:47,479
Speaker 1: could do it. I don't know. If I don't know

1259
01:08:47,520 --> 01:08:51,120
Speaker 1: if that's the case. I don't know. Really I can't

1260
01:08:51,120 --> 01:08:54,400
Speaker 1: say that I'm seasoned enough in any way to really say,

1261
01:08:54,520 --> 01:08:57,120
Speaker 1: but to me, they very much feel like opposite things,

1262
01:08:57,240 --> 01:09:00,240
Speaker 1: like totally opposite. Um. I feel like with music, you

1263
01:09:00,280 --> 01:09:02,519
Speaker 1: put so much of yourself into it and the whole

1264
01:09:02,520 --> 01:09:05,000
Speaker 1: point of this is not being yourself. Oh you're trying

1265
01:09:05,040 --> 01:09:08,240
Speaker 1: to you know, completely play someone else. And my guy

1266
01:09:08,280 --> 01:09:11,640
Speaker 1: in the things kind of you know, he's like but

1267
01:09:12,439 --> 01:09:18,600
Speaker 1: not that nice at times. That was fun, like a

1268
01:09:18,680 --> 01:09:21,600
Speaker 1: little bit of an a hell. You like playing an

1269
01:09:21,640 --> 01:09:27,120
Speaker 1: a hole. I didn't mind it. You can't really be

1270
01:09:27,479 --> 01:09:29,920
Speaker 1: an a hole in real life because I really don't

1271
01:09:29,920 --> 01:09:31,240
Speaker 1: want to say a hole. I want to swear, but

1272
01:09:31,280 --> 01:09:32,840
Speaker 1: we're not going to. You don't really get to be

1273
01:09:32,840 --> 01:09:34,320
Speaker 1: an a hole in your life because this is the

1274
01:09:34,400 --> 01:09:38,920
Speaker 1: most anyone's ever sat because people are going to report

1275
01:09:38,920 --> 01:09:40,400
Speaker 1: on it and they're gonna say, oh, Harry Styles is

1276
01:09:40,439 --> 01:09:42,439
Speaker 1: just the biggest story. So this is like your excuse

1277
01:09:42,520 --> 01:09:44,960
Speaker 1: to get all of that out. And finally, like, so

1278
01:09:45,000 --> 01:09:50,200
Speaker 1: I'm releasing my Yes, the only reason I auditioned, just

1279
01:09:50,240 --> 01:09:52,160
Speaker 1: give me the role of any The director look at

1280
01:09:52,200 --> 01:09:55,360
Speaker 1: you and said, Harry, push that a hole out. Absolutely

1281
01:09:57,000 --> 01:09:59,880
Speaker 1: does not sound right that gold Mike should filter things.

1282
01:10:00,840 --> 01:10:03,320
Speaker 1: We're kind of screwing around, but to be perfectly frank,

1283
01:10:03,320 --> 01:10:05,559
Speaker 1: we've heard nothing but great things about not only your

1284
01:10:05,600 --> 01:10:07,760
Speaker 1: part in this, in this this huge film done Kirk.

1285
01:10:07,800 --> 01:10:10,559
Speaker 1: We've heard it's just an incredible, incredible film that has

1286
01:10:10,560 --> 01:10:13,559
Speaker 1: to be witnessed, and congratulations that. But when you were

1287
01:10:13,600 --> 01:10:15,320
Speaker 1: a kid, did you ever play like did you ever

1288
01:10:15,439 --> 01:10:17,600
Speaker 1: pretend I did? I did stuff at school too, and

1289
01:10:17,960 --> 01:10:20,599
Speaker 1: kind of you know, I was a show off and

1290
01:10:20,720 --> 01:10:23,679
Speaker 1: kind of wanted to perform and stuff. But I mean, like,

1291
01:10:23,680 --> 01:10:26,800
Speaker 1: like you said, I think the thing with this film genuinely,

1292
01:10:26,920 --> 01:10:29,599
Speaker 1: well I can say, is it really it almost doesn't

1293
01:10:29,600 --> 01:10:32,439
Speaker 1: matter who's in it, you know, any of us. This

1294
01:10:32,600 --> 01:10:35,960
Speaker 1: this story is incredible and I genuinely think he's made

1295
01:10:36,400 --> 01:10:39,080
Speaker 1: such an incredible film and it's such an amazing experience

1296
01:10:39,120 --> 01:10:42,240
Speaker 1: going to watch it, and it's, uh, yeah, I haven't

1297
01:10:42,280 --> 01:10:44,479
Speaker 1: been like moved like that in the cinema for a

1298
01:10:44,479 --> 01:10:47,240
Speaker 1: long time. You know. I've been watching some interviews with you,

1299
01:10:47,280 --> 01:10:48,880
Speaker 1: and I'm not going to ask the same questions they

1300
01:10:48,880 --> 01:10:51,559
Speaker 1: asked you. I'm not gonna ask about your hair cut, right,

1301
01:10:51,640 --> 01:10:54,040
Speaker 1: I'm not gonna ask about your four nipples. I'm not

1302
01:10:54,080 --> 01:10:56,120
Speaker 1: gonna ask you if you're sexually attracted me, like Chelsea

1303
01:10:56,120 --> 01:11:03,679
Speaker 1: Hammer handled that very well. Sitting down with Chelsea Handler

1304
01:11:03,760 --> 01:11:06,080
Speaker 1: is not easy because she's one of the kind you

1305
01:11:06,120 --> 01:11:08,000
Speaker 1: did very well with. Thank you well. I only had

1306
01:11:08,000 --> 01:11:10,000
Speaker 1: one word to answers that there was only so much

1307
01:11:10,000 --> 01:11:12,040
Speaker 1: trouble I could get in really great. It would it

1308
01:11:12,120 --> 01:11:16,479
Speaker 1: be great that all interviews have one word. Yes, he

1309
01:11:16,600 --> 01:11:19,840
Speaker 1: just did it. Thank you so much. You know what.

1310
01:11:19,920 --> 01:11:23,040
Speaker 1: I don't know if you remember, but when you when

1311
01:11:23,080 --> 01:11:25,040
Speaker 1: you smashed my face into an ice cream, you know,

1312
01:11:25,080 --> 01:11:28,639
Speaker 1: I know after that, when when your music came out

1313
01:11:28,880 --> 01:11:30,120
Speaker 1: and we're going to have you on the show to

1314
01:11:30,160 --> 01:11:32,200
Speaker 1: talk about it, and you revealed it before I did well,

1315
01:11:32,240 --> 01:11:34,360
Speaker 1: I was told not. I was told that. No one

1316
01:11:34,400 --> 01:11:36,680
Speaker 1: told me not to say anything, at least people from

1317
01:11:36,720 --> 01:11:38,680
Speaker 1: the record label here. Hey listen, no one told me

1318
01:11:38,720 --> 01:11:40,840
Speaker 1: not to say anything. So I just wanted to say, hey,

1319
01:11:41,040 --> 01:11:43,840
Speaker 1: Harry Styles his music coming out, He's gonna be on

1320
01:11:43,920 --> 01:11:45,559
Speaker 1: with us. And then I get a phone call, how

1321
01:11:45,720 --> 01:11:48,840
Speaker 1: dare you? How dare you promote our artist? I mean

1322
01:11:49,000 --> 01:11:53,240
Speaker 1: what I got in trouble for saying that. The other

1323
01:11:53,280 --> 01:11:59,160
Speaker 1: ones in the corners with cross Bows. Well, look, I'm

1324
01:11:59,200 --> 01:12:01,320
Speaker 1: not going to apologize. I'm not going to apologize for

1325
01:12:01,320 --> 01:12:03,960
Speaker 1: promoting fantastic music. First of all, I'm not going to

1326
01:12:04,040 --> 01:12:05,679
Speaker 1: do it. I don't get it though, Well I accept

1327
01:12:05,760 --> 01:12:09,599
Speaker 1: whatever that was. Please don't understand why they wouldn't want

1328
01:12:09,640 --> 01:12:12,200
Speaker 1: to get people hyped up and say, Harry's got something

1329
01:12:12,200 --> 01:12:14,040
Speaker 1: coming out. You're gonna love it. Like, why did they?

1330
01:12:14,960 --> 01:12:17,160
Speaker 1: I mean, I think, I think, to be honest, they

1331
01:12:17,320 --> 01:12:20,040
Speaker 1: you know, I had worked you know, I don't know.

1332
01:12:20,160 --> 01:12:22,439
Speaker 1: I wanted to be the first one to tell everyone

1333
01:12:22,479 --> 01:12:24,800
Speaker 1: what's happening. I think that's fair, right, all right, you

1334
01:12:24,800 --> 01:12:27,479
Speaker 1: know they had a plan, I get it, all right,

1335
01:12:27,520 --> 01:12:29,439
Speaker 1: But the music came out and it prevailed, and no

1336
01:12:29,479 --> 01:12:37,800
Speaker 1: one remembers that. When I have to assume from what

1337
01:12:37,880 --> 01:12:40,920
Speaker 1: I've gathered from those in the knowe that with your

1338
01:12:40,960 --> 01:12:45,439
Speaker 1: tour coming up with the band that you're totally totally

1339
01:12:45,520 --> 01:12:48,120
Speaker 1: locked into that you love, you must be pretty excited.

1340
01:12:48,160 --> 01:12:50,360
Speaker 1: And I know here in New York you're playing Radio

1341
01:12:50,400 --> 01:12:55,000
Speaker 1: City Music Hall, very excited that. I'm very excited to

1342
01:12:55,000 --> 01:12:57,519
Speaker 1: be going on the road. Um, I've been on the

1343
01:12:57,600 --> 01:13:01,920
Speaker 1: road for a while. I love playing these songs so much, so, Yeah,

1344
01:13:01,960 --> 01:13:03,519
Speaker 1: I think it's gonna be a lot of fun. I

1345
01:13:03,520 --> 01:13:05,439
Speaker 1: hope people enjoy it, and I want to, you know,

1346
01:13:05,520 --> 01:13:08,200
Speaker 1: put on a good show and stuff and if I don't,

1347
01:13:08,280 --> 01:13:10,760
Speaker 1: then I suck. And I don't know, I think would

1348
01:13:10,760 --> 01:13:13,439
Speaker 1: be fun. What is a good show? I mean, what

1349
01:13:13,560 --> 01:13:15,599
Speaker 1: is it? I think I just want people to come

1350
01:13:15,600 --> 01:13:19,040
Speaker 1: and have a good time. I think everyone always does have.

1351
01:13:19,200 --> 01:13:20,800
Speaker 1: When the last time you performed and you looked out

1352
01:13:20,840 --> 01:13:23,200
Speaker 1: in the audience, you said, these people hate me, this

1353
01:13:23,280 --> 01:13:27,080
Speaker 1: is this is not working? When was? When was? I

1354
01:13:27,080 --> 01:13:28,640
Speaker 1: don't know. That's a good thing. If you're having a

1355
01:13:28,680 --> 01:13:31,040
Speaker 1: hard time remembering, if you can't think of something, that's

1356
01:13:31,040 --> 01:13:33,240
Speaker 1: a very good sign. Maybe I just blocked it out.

1357
01:13:33,439 --> 01:13:36,519
Speaker 1: Maybe happens all the time. And when you were filming

1358
01:13:36,520 --> 01:13:38,120
Speaker 1: the movie, did you have to take like a big

1359
01:13:38,160 --> 01:13:40,240
Speaker 1: break on working on the album or because you do

1360
01:13:40,280 --> 01:13:42,960
Speaker 1: this both at the same time. Uh No, I couldn't

1361
01:13:43,000 --> 01:13:46,360
Speaker 1: at all. Really, I kind of I started the album.

1362
01:13:47,360 --> 01:13:50,280
Speaker 1: I've been kind of writing for not very long at all,

1363
01:13:50,400 --> 01:13:52,759
Speaker 1: and then the movie thing happened and I just stopped

1364
01:13:52,800 --> 01:13:56,519
Speaker 1: for five months and took a complete break. So it

1365
01:13:56,560 --> 01:13:58,280
Speaker 1: was a bit weird. I don't know. If I listened

1366
01:13:58,360 --> 01:14:00,280
Speaker 1: to any music while I was in the film really

1367
01:14:00,400 --> 01:14:03,840
Speaker 1: much at all. Do one or the other? You can't

1368
01:14:04,160 --> 01:14:06,360
Speaker 1: they I mean, I think you can. This one was

1369
01:14:06,439 --> 01:14:08,439
Speaker 1: just this one was just very intense. It was a

1370
01:14:08,479 --> 01:14:10,559
Speaker 1: lot of it was a lot. I was just asleep.

1371
01:14:10,640 --> 01:14:12,840
Speaker 1: If I wasn't filming, I was just asleep most of

1372
01:14:12,840 --> 01:14:18,000
Speaker 1: the time. It's no fun. I liked it. Sleep is underrated.

1373
01:14:18,400 --> 01:14:21,360
Speaker 1: He so talk about the importance of a band. Now,

1374
01:14:21,600 --> 01:14:23,439
Speaker 1: we go see shows all the time, and of course

1375
01:14:23,560 --> 01:14:25,840
Speaker 1: our eyes on you, the lights are on you, but

1376
01:14:25,960 --> 01:14:29,640
Speaker 1: with without your connection with this group of artists behind you,

1377
01:14:29,720 --> 01:14:31,840
Speaker 1: it could fall apart. I mean, how important is your

1378
01:14:31,840 --> 01:14:34,720
Speaker 1: band to you? Very much? So um, you know, two

1379
01:14:34,760 --> 01:14:37,000
Speaker 1: of the guys in the band I wrote the album

1380
01:14:37,040 --> 01:14:41,559
Speaker 1: with UM, So, you know, it feels incredibly special to

1381
01:14:41,600 --> 01:14:43,559
Speaker 1: me to kind of have the guys with me who

1382
01:14:43,680 --> 01:14:45,840
Speaker 1: we kind of worked this stuff out and now we're

1383
01:14:45,840 --> 01:14:48,640
Speaker 1: working out for the road, and you know, they're incredible

1384
01:14:48,720 --> 01:14:51,000
Speaker 1: musicians and some of the nicest people I've ever met.

1385
01:14:51,040 --> 01:14:53,479
Speaker 1: So I feel incredibly lucky to get to play with

1386
01:14:53,520 --> 01:14:56,800
Speaker 1: them every day. And uh yeah, I think it's it's

1387
01:14:56,840 --> 01:14:59,880
Speaker 1: the show. It's kind of how it's definitely how I

1388
01:15:00,160 --> 01:15:04,280
Speaker 1: kind of enjoy listening to live music and stuff. So, yeah,

1389
01:15:04,280 --> 01:15:07,040
Speaker 1: you're coming to the I Heart Radio Music Festival. Have

1390
01:15:07,120 --> 01:15:09,000
Speaker 1: you seen the list of everyone on this bill? Do

1391
01:15:09,040 --> 01:15:10,840
Speaker 1: you have one? Yes, I have one. I've seen some.

1392
01:15:11,400 --> 01:15:12,920
Speaker 1: Let me give it to the list. This is the list,

1393
01:15:12,920 --> 01:15:15,320
Speaker 1: because what's what's kind of cool about the saying the list?

1394
01:15:15,439 --> 01:15:18,280
Speaker 1: The I Heart Radio Music Festival is the collaborations between

1395
01:15:18,280 --> 01:15:22,719
Speaker 1: a lot of the Okay, there's Coldplay, there's a DJ Khalid,

1396
01:15:22,760 --> 01:15:26,360
Speaker 1: the Weekend, Chris Stapleton, country music in there, Lord is

1397
01:15:26,360 --> 01:15:29,000
Speaker 1: their Kings of Leon, Big Sean, Pink, Miley Cyrus, thirty

1398
01:15:29,000 --> 01:15:31,639
Speaker 1: Seconds to Mars by the way, have you ever seen them? Unbelieving?

1399
01:15:31,640 --> 01:15:35,639
Speaker 1: I have not seen Jared Leto unreal, uh, David Ghetta,

1400
01:15:35,760 --> 01:15:40,040
Speaker 1: Thomas Rhett, Harry Styles, Kesha, but also Nil Horn and

1401
01:15:40,160 --> 01:15:42,479
Speaker 1: of all these people on this list, if you had

1402
01:15:42,520 --> 01:15:44,640
Speaker 1: to collaborate with one of them, who would you want

1403
01:15:44,640 --> 01:15:47,000
Speaker 1: to collaborate with? You can't say Nile because it's because

1404
01:15:47,000 --> 01:15:51,920
Speaker 1: I've done that. You can fly around with Pink. I

1405
01:15:51,920 --> 01:15:57,120
Speaker 1: would say, I'm a massive fan of Chris Stapleton, um,

1406
01:15:57,240 --> 01:15:59,479
Speaker 1: so I think I'd have to see him country music.

1407
01:15:59,520 --> 01:16:01,600
Speaker 1: That would be a yeah, I love him in his

1408
01:16:01,760 --> 01:16:07,680
Speaker 1: voice over you crossing over into country. Yeah, you have

1409
01:16:07,720 --> 01:16:10,080
Speaker 1: a bit of like you You have just that sort

1410
01:16:10,120 --> 01:16:13,680
Speaker 1: of chill, like chill swagger to you that I think

1411
01:16:13,680 --> 01:16:16,280
Speaker 1: you could do country very easily. Thank you. Yeah, I

1412
01:16:16,320 --> 01:16:18,960
Speaker 1: think it maybe takes a little more than being chilled.

1413
01:16:19,040 --> 01:16:22,439
Speaker 1: It's just chilled. That's all you need. Literally, that's let's

1414
01:16:22,439 --> 01:16:24,439
Speaker 1: go and have to sing about losing your dog and

1415
01:16:24,479 --> 01:16:29,840
Speaker 1: stuff like that. That brings back some memories. Which what's

1416
01:16:29,880 --> 01:16:32,639
Speaker 1: great about your album, Harry, is that you really do

1417
01:16:32,880 --> 01:16:36,120
Speaker 1: show this very very different side of your musical ability

1418
01:16:36,120 --> 01:16:38,559
Speaker 1: that we had never heard before. And I think doing country,

1419
01:16:38,560 --> 01:16:40,040
Speaker 1: doing anything, I mean, why do we have to put

1420
01:16:40,080 --> 01:16:42,760
Speaker 1: ourselves in these these corridors that we have to stay

1421
01:16:42,840 --> 01:16:44,880
Speaker 1: You gotta sound like this? No, I don't think you do.

1422
01:16:45,080 --> 01:16:47,479
Speaker 1: I think that's what's so fun is you know, when

1423
01:16:47,479 --> 01:16:49,880
Speaker 1: I kind of listened to some of my favorite stuff, it's,

1424
01:16:50,160 --> 01:16:52,719
Speaker 1: you know, on one album, there's so many different things,

1425
01:16:52,760 --> 01:16:55,280
Speaker 1: and I think with mine, I kind of didn't want

1426
01:16:55,280 --> 01:16:57,559
Speaker 1: to do one of the same thing. And you know,

1427
01:16:57,680 --> 01:16:59,920
Speaker 1: I was very much working out what my sound was

1428
01:17:00,000 --> 01:17:02,280
Speaker 1: when I was kind of making the record, and I

1429
01:17:02,320 --> 01:17:04,880
Speaker 1: wanted people to go through that with me. I think.

1430
01:17:04,920 --> 01:17:06,439
Speaker 1: I think that's why I kind of ended up with

1431
01:17:06,479 --> 01:17:09,120
Speaker 1: a couple of different types of things on the Really, Harry,

1432
01:17:09,280 --> 01:17:11,000
Speaker 1: I must assume that when you when you're listening to

1433
01:17:11,000 --> 01:17:12,879
Speaker 1: your album, when you're working on it, you're usually surrounded

1434
01:17:12,880 --> 01:17:15,679
Speaker 1: by people. Do you remember how you felt the first

1435
01:17:15,680 --> 01:17:18,920
Speaker 1: time you sat down, put on headphones in a room

1436
01:17:18,920 --> 01:17:21,200
Speaker 1: by yourself and listened to this album from the beginning

1437
01:17:21,240 --> 01:17:24,400
Speaker 1: to end? Remember what was that like? How did that

1438
01:17:24,439 --> 01:17:27,080
Speaker 1: make you feel? Well? At the time, I was stressing

1439
01:17:27,120 --> 01:17:32,040
Speaker 1: over the the track listing, so it was more stressful

1440
01:17:32,280 --> 01:17:36,000
Speaker 1: than enjoyable. But I remember the first time I listened

1441
01:17:36,000 --> 01:17:38,360
Speaker 1: to it kind of finished, when I finished everything, and

1442
01:17:38,400 --> 01:17:39,880
Speaker 1: kind of being like, all right, this is the one.

1443
01:17:40,160 --> 01:17:44,200
Speaker 1: So out of all this making a movie, going on

1444
01:17:44,280 --> 01:17:48,280
Speaker 1: tour with a great band, writing your own stuff, recording

1445
01:17:48,280 --> 01:17:51,840
Speaker 1: an album, what's what's the big payoff for Harry styles? Like?

1446
01:17:51,920 --> 01:17:54,240
Speaker 1: What is it that really charges you up? I mean,

1447
01:17:54,320 --> 01:17:58,520
Speaker 1: I love I've always loved performing, I love touring. Um,

1448
01:17:58,560 --> 01:18:01,880
Speaker 1: I think this time, because I made a record in

1449
01:18:01,960 --> 01:18:04,000
Speaker 1: just a different way, I kind of got to immerse

1450
01:18:04,080 --> 01:18:06,839
Speaker 1: myself in it much more than that before I really

1451
01:18:07,200 --> 01:18:09,600
Speaker 1: really fell in love with the studio side, so I

1452
01:18:09,720 --> 01:18:11,840
Speaker 1: love being in studio now and kind of writing and

1453
01:18:12,000 --> 01:18:15,280
Speaker 1: working stuff out with with everyone. So I I love that.

1454
01:18:15,360 --> 01:18:17,960
Speaker 1: I've always loved performing. I still very much do. But

1455
01:18:18,000 --> 01:18:19,439
Speaker 1: I'd say in the last kind of a year and

1456
01:18:19,479 --> 01:18:22,200
Speaker 1: a half of very much just found a new love

1457
01:18:22,280 --> 01:18:24,960
Speaker 1: for kind of the studio part of it. Excellent. One

1458
01:18:24,960 --> 01:18:27,200
Speaker 1: more thing before we let you go, Let's talk about

1459
01:18:27,439 --> 01:18:31,800
Speaker 1: Mick Jagger. Okay, you doing Mick Jagger on Saturday Night Live? Yeah?

1460
01:18:32,000 --> 01:18:36,320
Speaker 1: Was it fine? It was fine, A lovely show. It's

1461
01:18:36,360 --> 01:18:42,800
Speaker 1: a bit of fun in it. Uh oh man, a

1462
01:18:42,800 --> 01:18:45,800
Speaker 1: love of stones. I even love your latest stuff. When

1463
01:18:45,840 --> 01:18:52,200
Speaker 1: you went solo. Why would anyone in a successful bang

1464
01:18:52,280 --> 01:18:57,519
Speaker 1: go solo? That is it was a lot of fun. Yeah,

1465
01:18:57,520 --> 01:19:00,400
Speaker 1: that that's the cast. There's always so nice and it's

1466
01:19:00,520 --> 01:19:02,719
Speaker 1: uh yeah, it's always so fun. Been on that show.

1467
01:19:02,800 --> 01:19:04,880
Speaker 1: So that was a good time. Did Mick Jagger say

1468
01:19:05,080 --> 01:19:09,320
Speaker 1: how he felt about No, No, it's still good. Harry Styles,

1469
01:19:09,400 --> 01:19:12,720
Speaker 1: let's talk about dun Kirk in theaters tonight. And then

1470
01:19:12,760 --> 01:19:14,360
Speaker 1: of course we've got an album to deal with. And

1471
01:19:14,360 --> 01:19:17,080
Speaker 1: the new single, by the way, is two Ghosts. Play

1472
01:19:17,120 --> 01:19:19,240
Speaker 1: it for you now. This is Harry Style than thank you,

1473
01:19:19,360 --> 01:19:29,240
Speaker 1: thank you, thank you very much. Just trying to remember

1474
01:19:30,400 --> 01:19:37,680
Speaker 1: a hard Elvis Durrand show ning MO, which translates us

1475
01:19:37,760 --> 01:19:43,200
Speaker 1: Morning Show is Elvis Durand in the Morning Show. Dating

1476
01:19:43,320 --> 01:19:45,880
Speaker 1: can be difficult, so if you're not using Match, you're

1477
01:19:45,920 --> 01:19:49,000
Speaker 1: missing out. Search and connect for free today only at

1478
01:19:49,040 --> 01:19:52,920
Speaker 1: match dot com slash Elvis m a t H dot

1479
01:19:52,920 --> 01:20:01,120
Speaker 1: com slash l Everyone in the world is capable of

1480
01:20:01,160 --> 01:20:04,080
Speaker 1: living outside the role or beyond the rules that they

1481
01:20:04,120 --> 01:20:07,080
Speaker 1: placed themselves in. You're not just a dad, You're not

1482
01:20:07,200 --> 01:20:10,240
Speaker 1: just a banker. You're not just a brother or a

1483
01:20:10,320 --> 01:20:14,680
Speaker 1: son or a convict. It doesn't matter. Like everyone is

1484
01:20:14,800 --> 01:20:17,920
Speaker 1: infinitely bigger than the roles they placed themselves in and

1485
01:20:18,200 --> 01:20:25,400
Speaker 1: is capable of reaching potential greater than anything they could imagine.

1486
01:20:22,400 --> 01:20:43,480
Speaker 1: I can't be elvist Ran in the Morning Show remembers

1487
01:20:43,560 --> 01:20:46,640
Speaker 1: Chester Bennington of Lincoln Park. I was by myself in

1488
01:20:46,680 --> 01:20:49,320
Speaker 1: my apartment yesterday after the news broke about Chester Bennington

1489
01:20:49,880 --> 01:20:53,679
Speaker 1: and uh I started processing it thinking about it, turned

1490
01:20:53,680 --> 01:20:57,960
Speaker 1: on some music. Talked to a few friends that knew

1491
01:20:58,040 --> 01:21:01,920
Speaker 1: him really well. Are friend Patty who worked for Warner

1492
01:21:02,000 --> 01:21:04,120
Speaker 1: Music still does who brought him to us that day

1493
01:21:04,560 --> 01:21:06,600
Speaker 1: and after sitting there for a second I started to

1494
01:21:06,680 --> 01:21:09,360
Speaker 1: tear up. I started to cry a little bit, and

1495
01:21:09,400 --> 01:21:11,479
Speaker 1: I saw, you know me, mrs oh my god, let's

1496
01:21:11,520 --> 01:21:13,679
Speaker 1: feel the moment. I was trying to figure out why

1497
01:21:13,680 --> 01:21:16,040
Speaker 1: I was emotional. What was it I was so emotional about,

1498
01:21:16,080 --> 01:21:18,639
Speaker 1: because you know, we really weren't best friends with him,

1499
01:21:18,680 --> 01:21:21,720
Speaker 1: but we did have a very fantastic interview with him

1500
01:21:21,760 --> 01:21:25,439
Speaker 1: and his music, without a doubt touch so many of

1501
01:21:25,479 --> 01:21:30,519
Speaker 1: our friends, and my nephew Andy just said, yeah, Lincoln

1502
01:21:30,520 --> 01:21:32,639
Speaker 1: Park's first album was such a force in my life

1503
01:21:32,640 --> 01:21:35,439
Speaker 1: when it came out, so many, so many memories. How

1504
01:21:35,439 --> 01:21:37,439
Speaker 1: many of your friends have said that to you about

1505
01:21:37,560 --> 01:21:40,840
Speaker 1: how Lincoln Park's music really was such an important part

1506
01:21:40,920 --> 01:21:43,519
Speaker 1: of their growth in their lives. For a lot of

1507
01:21:43,560 --> 01:21:46,360
Speaker 1: my friends, it made them feel very heard, like they

1508
01:21:46,360 --> 01:21:48,120
Speaker 1: weren't the only ones who were going through some pretty

1509
01:21:48,200 --> 01:21:50,880
Speaker 1: dark stuff or really tough stuff, and helped kind of

1510
01:21:50,960 --> 01:21:54,760
Speaker 1: pull them out of that. Uh. And it was definitely

1511
01:21:54,960 --> 01:21:57,559
Speaker 1: a huge part of my life as well. And another

1512
01:21:57,600 --> 01:21:59,760
Speaker 1: thing I noticed is everyone who's talking about how moved

1513
01:21:59,800 --> 01:22:02,720
Speaker 1: they were from Lincoln Park's music different ages, I mean,

1514
01:22:02,880 --> 01:22:06,920
Speaker 1: from young to oh look I'm I'm I was a

1515
01:22:07,000 --> 01:22:08,920
Speaker 1: huge fan and moved by their music and in all

1516
01:22:08,960 --> 01:22:10,320
Speaker 1: when he walked in here, and I'm old enough to

1517
01:22:10,320 --> 01:22:14,080
Speaker 1: be his grandfather. Maybe not, maybe an exaggerated but Chester

1518
01:22:14,240 --> 01:22:16,519
Speaker 1: said that every time they put out something new, it

1519
01:22:16,640 --> 01:22:18,800
Speaker 1: was a different sound for Lincoln Park. And he said

1520
01:22:18,840 --> 01:22:21,800
Speaker 1: that's and that's probably why all different generations enjoy the music,

1521
01:22:21,800 --> 01:22:24,360
Speaker 1: because it's all different kinds of sound. True. Yes, Froggy,

1522
01:22:24,439 --> 01:22:26,680
Speaker 1: I remember getting so excited earlier this year when you

1523
01:22:26,680 --> 01:22:28,320
Speaker 1: had gone to the music summit and you had heard

1524
01:22:28,320 --> 01:22:30,320
Speaker 1: the new stuff, you had heard the new song with Kiara,

1525
01:22:30,439 --> 01:22:32,160
Speaker 1: and heard some stuff they were getting ready to put out.

1526
01:22:32,160 --> 01:22:34,240
Speaker 1: I was so excited we were getting new Lincoln Park

1527
01:22:34,280 --> 01:22:37,599
Speaker 1: again because I loved other old stuff and hadn't heard

1528
01:22:37,640 --> 01:22:39,599
Speaker 1: from them in a while, and was looking very forward

1529
01:22:39,640 --> 01:22:41,200
Speaker 1: to all their new stuff, and loved him being on

1530
01:22:41,200 --> 01:22:44,000
Speaker 1: the show. And he really was just a very kind,

1531
01:22:44,400 --> 01:22:48,360
Speaker 1: welcoming individual. So in trying to figure out why I

1532
01:22:48,439 --> 01:22:52,360
Speaker 1: was in tears, I realized I wasn't in tears and

1533
01:22:52,439 --> 01:23:00,240
Speaker 1: really sad and crying. I was actually happy. I was

1534
01:23:00,280 --> 01:23:03,120
Speaker 1: happy that we had the time we spent with him,

1535
01:23:03,160 --> 01:23:07,760
Speaker 1: and that we actually before he took his life, we

1536
01:23:07,840 --> 01:23:11,439
Speaker 1: had a brush with him, and our listeners had time

1537
01:23:11,479 --> 01:23:15,360
Speaker 1: with him, to talk to him, let him speak his peace,

1538
01:23:16,040 --> 01:23:20,960
Speaker 1: and I was I was actually tearing up because I

1539
01:23:21,000 --> 01:23:26,920
Speaker 1: was grateful that we had an opportunity to have him

1540
01:23:26,920 --> 01:23:33,560
Speaker 1: on our show, shake his hand, take pictures with him,

1541
01:23:33,760 --> 01:23:37,880
Speaker 1: have him explained his music while looking us in the eye.

1542
01:23:39,280 --> 01:23:45,479
Speaker 1: And I realized they were tears of happiness, and at

1543
01:23:45,520 --> 01:23:51,679
Speaker 1: the same time, I was very sad because he was gone.

1544
01:23:52,760 --> 01:23:56,679
Speaker 1: So it's and so then, you know, I started processing

1545
01:23:56,680 --> 01:23:59,400
Speaker 1: and I'm like, wow, should I get high and like

1546
01:23:59,479 --> 01:24:03,320
Speaker 1: really assess this, Like, no, I'll stay sober on this one.

1547
01:24:04,080 --> 01:24:06,280
Speaker 1: I started thinking it through. How you know how I

1548
01:24:06,280 --> 01:24:09,040
Speaker 1: always talk about there's such a thin line between fright

1549
01:24:09,600 --> 01:24:13,320
Speaker 1: and excitement. There can sometimes be such a thin line

1550
01:24:13,400 --> 01:24:19,880
Speaker 1: between grief and joy and happiness and contentment. When you

1551
01:24:19,960 --> 01:24:22,920
Speaker 1: lose a good friend or you make your grandmother passes away,

1552
01:24:23,600 --> 01:24:26,439
Speaker 1: it's sad because you're never going to touch them again.

1553
01:24:27,280 --> 01:24:30,000
Speaker 1: But at the same time, you immediately need to start

1554
01:24:30,000 --> 01:24:32,040
Speaker 1: thinking about all the great things they brought into your life,

1555
01:24:32,080 --> 01:24:34,320
Speaker 1: all the things you learned from them, all the dishes

1556
01:24:34,360 --> 01:24:37,840
Speaker 1: Grandma cooked for you, you know what, all those great memories.

1557
01:24:38,080 --> 01:24:40,679
Speaker 1: There's such a thin line between the sadness of losing

1558
01:24:40,680 --> 01:24:43,719
Speaker 1: her and the happiness of having her in your life.

1559
01:24:44,280 --> 01:24:47,040
Speaker 1: And that was how I was feeling yesterday. So and

1560
01:24:47,040 --> 01:24:49,640
Speaker 1: then you start listening to the music, and then you

1561
01:24:50,240 --> 01:24:53,519
Speaker 1: there's an obsession. There's an obsession with it. And uh,

1562
01:24:53,760 --> 01:24:57,639
Speaker 1: it was a great night by myself making pasta, listening

1563
01:24:57,680 --> 01:25:07,120
Speaker 1: to Lincoln Park. It was great. So anyway i'd show that, UM,

1564
01:25:07,120 --> 01:25:09,040
Speaker 1: gonna play a song. We're gonna play that. In a second.

1565
01:25:09,040 --> 01:25:12,080
Speaker 1: We have sound with Garrett with some words from from

1566
01:25:12,160 --> 01:25:15,840
Speaker 1: Chester coming up. Uh, let's do sound now? Can we

1567
01:25:15,880 --> 01:25:21,080
Speaker 1: do that? Have? I totally bummed everyone out? It was beautiful? Okay, thanks, Well,

1568
01:25:21,120 --> 01:25:23,519
Speaker 1: I just want to say that, you know, God, they're there.

1569
01:25:24,840 --> 01:25:28,200
Speaker 1: Grieving is such a weird thing. It's very uncomfortable. Everybody

1570
01:25:28,240 --> 01:25:31,200
Speaker 1: has their own grieving process, you know. I'm sure someone's

1571
01:25:31,200 --> 01:25:35,600
Speaker 1: going to text and why are you so happy? I'm like,

1572
01:25:33,800 --> 01:25:37,679
Speaker 1: We're like, why aren't you crying? Why aren't you reacting?

1573
01:25:37,680 --> 01:25:39,799
Speaker 1: What's wrong with you? You You don't care? No, I actually

1574
01:25:39,800 --> 01:25:42,320
Speaker 1: do care. I think it's great. Differently, it's great to

1575
01:25:42,360 --> 01:25:44,680
Speaker 1: feel happiness. It's also great to feel sadness without the

1576
01:25:44,720 --> 01:25:46,680
Speaker 1: lows about the highs, you know, where would we be?

1577
01:25:47,040 --> 01:25:49,240
Speaker 1: Some people go to a funeral and laugh because they're

1578
01:25:49,280 --> 01:25:52,720
Speaker 1: uncomfortable and they don't know that would make me uncomfortable laugh,

1579
01:25:52,800 --> 01:25:55,400
Speaker 1: but they do. They like, it's that uncomfortable. I don't

1580
01:25:55,400 --> 01:25:56,880
Speaker 1: know how to act and I don't know how to

1581
01:25:56,920 --> 01:26:00,559
Speaker 1: go through this process right now. You know, you imagine

1582
01:26:00,560 --> 01:26:02,280
Speaker 1: going to a life and not feeling any hides or

1583
01:26:02,280 --> 01:26:05,120
Speaker 1: a load. Now, I am not I am not happy.

1584
01:26:05,200 --> 01:26:11,559
Speaker 1: I am neither. No, it's okay, you're human, you know. Um,

1585
01:26:11,640 --> 01:26:14,920
Speaker 1: let's get into sound yes scary, Yes, let's switch gears

1586
01:26:14,960 --> 01:26:16,519
Speaker 1: just for a second. We're gonna end on playing a

1587
01:26:16,520 --> 01:26:19,160
Speaker 1: clip from Chester Bennington that wasn't on the interview that

1588
01:26:19,200 --> 01:26:22,000
Speaker 1: we played earlier today. But first, Jimmy Kimmel last night

1589
01:26:22,080 --> 01:26:24,880
Speaker 1: took a news all the news anchors talking about O. J.

1590
01:26:25,000 --> 01:26:28,200
Speaker 1: Simpson getting out on parole, moving next to Froggy in October.

1591
01:26:28,920 --> 01:26:31,960
Speaker 1: Listen to this. The juice is loose, The juice is loose,

1592
01:26:32,080 --> 01:26:35,719
Speaker 1: The juice is almost loose. The juice will be set

1593
01:26:35,760 --> 01:26:38,120
Speaker 1: to loose. The juice will soon be on the loose.

1594
01:26:38,240 --> 01:26:42,799
Speaker 1: The juice will be loose, juice will be Juice is loose,

1595
01:26:42,840 --> 01:26:47,000
Speaker 1: The juice is loose, The juice is loose. The juice

1596
01:26:47,120 --> 01:26:49,920
Speaker 1: is loose. The juice is loose. The juice is loose.

1597
01:26:50,000 --> 01:26:53,439
Speaker 1: The juice is loose. The judge let the loose loose

1598
01:26:54,280 --> 01:26:58,280
Speaker 1: for the juice, I should say, Brodie just looked over.

1599
01:26:58,400 --> 01:27:01,360
Speaker 1: What are you talking about? The Jews or loose? You're

1600
01:27:01,360 --> 01:27:06,400
Speaker 1: everywhere but Jews lose. What are you talking about? The

1601
01:27:06,520 --> 01:27:09,280
Speaker 1: juice is loose, Brody? Al Right, Well, the Jews are loose,

1602
01:27:09,360 --> 01:27:11,240
Speaker 1: some of them, not the ones I dated. But anyway,

1603
01:27:13,160 --> 01:27:15,400
Speaker 1: I just want a comment real quick. John Oliver last

1604
01:27:15,400 --> 01:27:17,920
Speaker 1: week did a story about a company and their job

1605
01:27:18,000 --> 01:27:20,679
Speaker 1: is to provide stories and copy to new stations around

1606
01:27:20,720 --> 01:27:23,400
Speaker 1: the country. So there's actually one central company that writes

1607
01:27:23,720 --> 01:27:26,439
Speaker 1: the juices. Yes, so that's why sometimes it's all the

1608
01:27:26,479 --> 01:27:29,320
Speaker 1: same words. Excellent, you got this brilliant idea juice. I

1609
01:27:29,360 --> 01:27:32,400
Speaker 1: know this will be the biggest headline. Alright, So I'm

1610
01:27:32,400 --> 01:27:35,080
Speaker 1: gonna play some clips from the new Kids Bop album

1611
01:27:35,120 --> 01:27:37,600
Speaker 1: that just came out. I gave it a listen. I

1612
01:27:37,640 --> 01:27:39,640
Speaker 1: gave it a listen, Kids BOT thirty five. By the way,

1613
01:27:39,680 --> 01:27:43,720
Speaker 1: they're going to well, here's the reason why to go.

1614
01:27:43,800 --> 01:27:45,960
Speaker 1: So let's get hold on scary. I want you to

1615
01:27:45,960 --> 01:27:48,880
Speaker 1: buy one ticket to the Kids Bop concert and I

1616
01:27:48,920 --> 01:27:50,479
Speaker 1: want you to sit in the second row and I'll

1617
01:27:50,479 --> 01:27:53,639
Speaker 1: watch the kids. Before that's all right, let's start with

1618
01:27:53,720 --> 01:27:56,280
Speaker 1: we know our our friends Z and Unlessia Kara song

1619
01:27:56,400 --> 01:27:59,479
Speaker 1: state It sounds like this, right, but we don't have

1620
01:27:59,560 --> 01:28:06,400
Speaker 1: to go listen? Yeah, drinking rumming cold off right? Yeah?

1621
01:28:06,400 --> 01:28:08,640
Speaker 1: How do the kids? How could kids Bob change it?

1622
01:28:10,680 --> 01:28:15,479
Speaker 1: The winner not to go up living them a sofa

1623
01:28:15,600 --> 01:28:22,200
Speaker 1: drinking Coca cola? There you go? Which one cola with rum? Okay? Alright, alright?

1624
01:28:22,520 --> 01:28:25,760
Speaker 1: Ed sheering Castle on the hill? I mean cheap spirits,

1625
01:28:25,760 --> 01:28:31,920
Speaker 1: spirits and strip my friends growing up? Okay, how would

1626
01:28:32,000 --> 01:28:36,080
Speaker 1: kids Bob take that? So buying spirits turns into buying

1627
01:28:36,080 --> 01:28:40,240
Speaker 1: toys and throwing up with my friends turns into having

1628
01:28:40,400 --> 01:28:44,559
Speaker 1: hung out with my friends in a long time break.

1629
01:28:50,000 --> 01:28:54,400
Speaker 1: How we've grown. I'm sorry, I'm lost in that one.

1630
01:28:54,560 --> 01:28:58,559
Speaker 1: I'm lost in the magic on that one. Um. So

1631
01:28:58,640 --> 01:29:01,120
Speaker 1: let's talk about Chester Bennington for a second. So after

1632
01:29:01,160 --> 01:29:04,479
Speaker 1: the interview, we recorded some stuff for Musicians on Call

1633
01:29:04,600 --> 01:29:07,519
Speaker 1: with him, and even before the interview even started. The

1634
01:29:07,520 --> 01:29:10,320
Speaker 1: post interview, Chester was miked up and he was just

1635
01:29:10,400 --> 01:29:14,160
Speaker 1: talking about how grateful he was for being here and

1636
01:29:14,240 --> 01:29:16,360
Speaker 1: something we haven't played on the show. Are there words

1637
01:29:16,400 --> 01:29:19,720
Speaker 1: that could even explain the gratitude that I have for

1638
01:29:19,800 --> 01:29:21,479
Speaker 1: being able to just come on the show? I mean,

1639
01:29:21,520 --> 01:29:25,280
Speaker 1: it's amazing to be accepted so warmly. See, I didn't

1640
01:29:25,280 --> 01:29:27,439
Speaker 1: know he said that about our show until last night

1641
01:29:27,880 --> 01:29:30,400
Speaker 1: and I saw that video and I and I I called, So,

1642
01:29:30,400 --> 01:29:31,800
Speaker 1: who do I call? I said, is that is he

1643
01:29:31,800 --> 01:29:34,240
Speaker 1: talking about our show? But yeah, he was talking about

1644
01:29:34,240 --> 01:29:37,000
Speaker 1: being in your show? And I'm like, WHOA, Are there

1645
01:29:37,000 --> 01:29:40,240
Speaker 1: words that could even explain the gratitude that I have

1646
01:29:40,520 --> 01:29:42,400
Speaker 1: for being able to just come on the show. I mean,

1647
01:29:42,400 --> 01:29:47,320
Speaker 1: it's amazing to be accepted so warmly. Wow, Okay, I

1648
01:29:47,400 --> 01:29:49,920
Speaker 1: love that Lincoln Park for me in high school was

1649
01:29:51,080 --> 01:29:53,759
Speaker 1: it was really a soundtrack for high school in college

1650
01:29:53,840 --> 01:29:59,320
Speaker 1: because those guys made it, made seem being the outcast normal.

1651
01:30:00,080 --> 01:30:02,000
Speaker 1: So there are a bunch of guys they weren't you know,

1652
01:30:02,080 --> 01:30:05,880
Speaker 1: quote unquote athletes or or rock stars or they made

1653
01:30:06,479 --> 01:30:09,840
Speaker 1: rock and rap one. They made it cool because you

1654
01:30:09,840 --> 01:30:12,840
Speaker 1: you either listen to rock or you listen to rap.

1655
01:30:13,000 --> 01:30:15,280
Speaker 1: You couldn't listen to both at the same time. But

1656
01:30:15,360 --> 01:30:17,719
Speaker 1: with them you could. Yes, So they made that cool.

1657
01:30:17,800 --> 01:30:20,160
Speaker 1: So thank you Lincoln park and thank you Chester, And

1658
01:30:20,160 --> 01:30:27,360
Speaker 1: you're a good American. So this may be abrupt, but

1659
01:30:27,400 --> 01:30:31,639
Speaker 1: here we go. So you're gonna go spend some time

1660
01:30:31,680 --> 01:30:34,840
Speaker 1: in the bathroom, okay, And you want to be on

1661
01:30:34,880 --> 01:30:37,400
Speaker 1: your phone? Are you? Do you ever hold it like

1662
01:30:37,479 --> 01:30:40,519
Speaker 1: way away so you don't drop it in froggy? Yes?

1663
01:30:40,600 --> 01:30:43,840
Speaker 1: And please before before saying something, well, here's the thing

1664
01:30:43,920 --> 01:30:46,680
Speaker 1: is that I have it sometimes in my pocket. If

1665
01:30:46,720 --> 01:30:48,640
Speaker 1: you have a shallow pocket on when you go to like,

1666
01:30:48,720 --> 01:30:52,240
Speaker 1: you know, prepare yourself, it'll fall out of your pocket.

1667
01:30:52,240 --> 01:30:54,960
Speaker 1: It can fall in the bowl, fall on the ground. Well,

1668
01:30:55,160 --> 01:30:59,160
Speaker 1: not worried, my little friend. The Galaxy S eight, the

1669
01:30:59,200 --> 01:31:03,120
Speaker 1: Samsung Galax yes eight. Now I'm not saying you should

1670
01:31:03,120 --> 01:31:08,240
Speaker 1: take your Galaxy essate and just drop it in, but

1671
01:31:08,479 --> 01:31:11,040
Speaker 1: is it true? Like, for instance, if I had my

1672
01:31:11,080 --> 01:31:13,360
Speaker 1: phone in my pocket and Alex wants to push me

1673
01:31:13,400 --> 01:31:15,760
Speaker 1: the pool, I don't do it. I got my phone

1674
01:31:15,760 --> 01:31:19,240
Speaker 1: in my pocket. Now he can and not worry about it. Not.

1675
01:31:19,920 --> 01:31:21,799
Speaker 1: I fell in the pool when we were in Mexico

1676
01:31:21,840 --> 01:31:24,360
Speaker 1: and I had my essay in my pocket. Just jumped

1677
01:31:24,360 --> 01:31:26,200
Speaker 1: it out of the pool, no problem. Everybody was freaking out,

1678
01:31:26,360 --> 01:31:28,800
Speaker 1: like it's fine, it's a Samsung Galaxy s A. It's

1679
01:31:28,800 --> 01:31:31,360
Speaker 1: perfectly okay underwater and when I when you have kids,

1680
01:31:31,439 --> 01:31:33,080
Speaker 1: you get a nervous wreck too because they're always like,

1681
01:31:33,120 --> 01:31:34,840
Speaker 1: can I look at your phone? Mom? And I'm always

1682
01:31:34,840 --> 01:31:36,400
Speaker 1: like no, because you're gonna drop it in the pool

1683
01:31:36,439 --> 01:31:38,400
Speaker 1: and that's going to be it now, Okay, drop it

1684
01:31:38,400 --> 01:31:40,760
Speaker 1: in the pool. What's the difference. So, yeah, we're talking

1685
01:31:40,800 --> 01:31:44,479
Speaker 1: about our partner, Samsung Galaxy say we will appreciate them

1686
01:31:44,520 --> 01:31:49,280
Speaker 1: supporting us. Now we support them even if we're swimming

1687
01:31:49,280 --> 01:31:51,760
Speaker 1: in a pool that looks also look good for those

1688
01:31:51,760 --> 01:31:56,200
Speaker 1: sticky fingers that kids have. Can you just windex on

1689
01:31:56,240 --> 01:31:59,559
Speaker 1: it phone all the time? Okay? You should so the

1690
01:32:00,000 --> 01:32:03,519
Speaker 1: Alexi essay from Samsung Samsung another reason you need to

1691
01:32:03,560 --> 01:32:06,400
Speaker 1: check it out. All right, what are we doing next?

1692
01:32:06,640 --> 01:32:08,200
Speaker 1: What do you want to do next? We take a break.

1693
01:32:09,160 --> 01:32:30,200
Speaker 1: I've been told to take a break and sho Elvis

1694
01:32:30,280 --> 01:32:33,599
Speaker 1: Durand in the Morning Show remembers Chester Beddington of Lincoln Park.

1695
01:32:35,680 --> 01:32:39,679
Speaker 1: You make my morning, Elvis Duran in the Morning Show.

1696
01:32:44,360 --> 01:32:46,479
Speaker 1: A lot of people want to hear the Chester Bennington

1697
01:32:46,720 --> 01:32:49,439
Speaker 1: interview again. You know, we played it this morning and

1698
01:32:49,479 --> 01:32:52,280
Speaker 1: as it was playing, people were saying play it again.

1699
01:32:52,439 --> 01:32:55,840
Speaker 1: I'm like, well, it's playing now, So if we want

1700
01:32:55,840 --> 01:32:58,680
Speaker 1: to hear it again, good news, you can go to

1701
01:32:58,720 --> 01:33:01,960
Speaker 1: Elvis Durand dot com in its entirety. The entire interview

1702
01:33:02,000 --> 01:33:03,920
Speaker 1: is there. It was one of our favorite interviews with

1703
01:33:04,080 --> 01:33:07,439
Speaker 1: one of our favorite performers. We're also talking earlier at

1704
01:33:07,479 --> 01:33:08,760
Speaker 1: the beginning of the show, and in the middle of

1705
01:33:08,760 --> 01:33:12,240
Speaker 1: the show about suicide prevention. You hear the word suicide prevention,

1706
01:33:12,280 --> 01:33:15,080
Speaker 1: You're like, oh, it's it's you know, it's well, I don't.

1707
01:33:15,120 --> 01:33:17,360
Speaker 1: I don't want to deal with that. That's a it is.

1708
01:33:17,400 --> 01:33:20,120
Speaker 1: It's very heavy. It's supposed to be. But also we're

1709
01:33:20,120 --> 01:33:21,960
Speaker 1: at a point now in our lives where we can

1710
01:33:22,000 --> 01:33:24,800
Speaker 1: actually talk about this. It's been under the rug for

1711
01:33:24,840 --> 01:33:27,880
Speaker 1: so long and in the shadows, just like cancer was

1712
01:33:27,920 --> 01:33:29,840
Speaker 1: for many years. I remember when I was a kid,

1713
01:33:30,200 --> 01:33:32,559
Speaker 1: a friend of my mother she she had breast cancer.

1714
01:33:32,960 --> 01:33:36,640
Speaker 1: No one talked about it because it involved breasts and

1715
01:33:36,680 --> 01:33:41,080
Speaker 1: it involved cancer, and so it's like cats, you would

1716
01:33:41,080 --> 01:33:45,240
Speaker 1: whisper it. It's only when people started talking about it

1717
01:33:45,280 --> 01:33:49,360
Speaker 1: that people started finding cures and people started being cured.

1718
01:33:50,040 --> 01:33:52,360
Speaker 1: So let's hope that this is the direction we're going

1719
01:33:52,360 --> 01:33:57,160
Speaker 1: in with mental illness, and also with depression, with suicide,

1720
01:33:57,560 --> 01:34:02,240
Speaker 1: with addict with everything that has to do in our

1721
01:34:02,280 --> 01:34:05,280
Speaker 1: lives that you think you can fix yourself, but you can't.

1722
01:34:05,800 --> 01:34:09,960
Speaker 1: I posted something on instat or on Facebook about suicide prevention,

1723
01:34:09,960 --> 01:34:13,880
Speaker 1: and I had several people lash out and say, we

1724
01:34:13,920 --> 01:34:17,519
Speaker 1: shouldn't be praising celebrities who kill themselves. We shouldn't be

1725
01:34:18,280 --> 01:34:20,840
Speaker 1: trying to help people who kill themselves because shame on

1726
01:34:20,920 --> 01:34:25,320
Speaker 1: them and they're being selfish. And for those people, I

1727
01:34:25,400 --> 01:34:29,200
Speaker 1: know that you feel like you've been through heavy, heavy,

1728
01:34:29,280 --> 01:34:34,880
Speaker 1: dark pain and you didn't make that choice, and so

1729
01:34:35,000 --> 01:34:37,320
Speaker 1: imagine how much pain you would have to be in

1730
01:34:37,640 --> 01:34:41,520
Speaker 1: to make that choice. Try to see it from that perspective.

1731
01:34:42,240 --> 01:34:45,680
Speaker 1: These people who do this horrible act feel like they

1732
01:34:45,680 --> 01:34:48,519
Speaker 1: are doing everyone else a favor. Now that's skewed thinking,

1733
01:34:49,080 --> 01:34:52,160
Speaker 1: and that skewed thinking comes from mental illness. But we

1734
01:34:52,200 --> 01:34:54,800
Speaker 1: shouldn't be putting the shame on them. We should be

1735
01:34:54,800 --> 01:34:57,320
Speaker 1: putting the shame on those of us who are afraid

1736
01:34:57,400 --> 01:34:59,760
Speaker 1: to talk about this stigma, because there doesn't need to

1737
01:34:59,800 --> 01:35:03,240
Speaker 1: be a stigma if you have mental illness, if you

1738
01:35:03,320 --> 01:35:05,759
Speaker 1: feel like you're in crisis, or even if you feel

1739
01:35:05,760 --> 01:35:08,400
Speaker 1: like you know what, I just feel off. I need

1740
01:35:08,439 --> 01:35:11,360
Speaker 1: to reach out to somebody who's qualified to help me.

1741
01:35:11,880 --> 01:35:13,960
Speaker 1: There's a texting line you can reach out to. You

1742
01:35:14,000 --> 01:35:15,559
Speaker 1: don't even have to talk to somebody if you're not

1743
01:35:15,600 --> 01:35:18,519
Speaker 1: ready to take that step. It's the Crisis text Line.

1744
01:35:18,760 --> 01:35:22,519
Speaker 1: They're open to respond to your text messages. That number

1745
01:35:22,640 --> 01:35:28,400
Speaker 1: is seven four one, seven four one, and the key

1746
01:35:28,439 --> 01:35:32,880
Speaker 1: words are qualified people to talk to because you might

1747
01:35:32,920 --> 01:35:34,840
Speaker 1: reach out to your family and that's a great step,

1748
01:35:34,840 --> 01:35:36,680
Speaker 1: but if they're not in a place where they can

1749
01:35:36,720 --> 01:35:39,280
Speaker 1: help you or understand, you have to reach out to

1750
01:35:39,320 --> 01:35:41,799
Speaker 1: somebody else as well. You have to advocate for yourself

1751
01:35:41,800 --> 01:35:43,920
Speaker 1: because there are people out there who can help you

1752
01:35:43,960 --> 01:35:46,719
Speaker 1: and want to help you. So again, the Crisis text Line.

1753
01:35:47,120 --> 01:35:50,880
Speaker 1: The number is seven four one, seven one. In a

1754
01:35:50,960 --> 01:35:54,080
Speaker 1: ladder moment with Chester, you never think about it, but

1755
01:35:54,200 --> 01:35:56,360
Speaker 1: this guy a musician, you know, through and through he

1756
01:35:56,400 --> 01:35:58,360
Speaker 1: loved all sorts of music. And when we found out

1757
01:35:58,400 --> 01:36:03,040
Speaker 1: that he actually appreciated on Mendez, I was like, really,

1758
01:36:03,200 --> 01:36:07,840
Speaker 1: what about Sean Mendez? Mendez? I just said outside, I

1759
01:36:07,840 --> 01:36:10,880
Speaker 1: swear that's so weird. Did you hear me outside? I

1760
01:36:10,920 --> 01:36:12,840
Speaker 1: just said outside, you guys are just playing at sheering

1761
01:36:12,880 --> 01:36:15,240
Speaker 1: and I was like, man, I between Ed sheer And and

1762
01:36:15,160 --> 01:36:17,080
Speaker 1: and Sean Mendez, like I've got a song in my

1763
01:36:17,080 --> 01:36:20,720
Speaker 1: head literally all day long. You're you're a fan. You're

1764
01:36:20,760 --> 01:36:23,360
Speaker 1: a fan of music period. I love good songs. I

1765
01:36:23,360 --> 01:36:25,200
Speaker 1: think that's really the key for me. I don't really

1766
01:36:25,200 --> 01:36:27,439
Speaker 1: care who writes them, and what an amazing artist. Here

1767
01:36:27,479 --> 01:36:29,759
Speaker 1: the entire interview right now, and it's entirety with pictures

1768
01:36:29,760 --> 01:36:33,240
Speaker 1: and stuff. And also this incredible open letter that Bethany

1769
01:36:33,280 --> 01:36:37,120
Speaker 1: published yesterday and she was mad, but you need to

1770
01:36:37,160 --> 01:36:39,439
Speaker 1: read it because it's all from a passionate place. Please

1771
01:36:39,479 --> 01:36:42,160
Speaker 1: check it out now at Elvis Durand dot com. Speaking

1772
01:36:42,200 --> 01:36:45,320
Speaker 1: of a person in a passionate place. No one's more

1773
01:36:45,360 --> 01:36:50,639
Speaker 1: passionate about film in the theater the movie man, Hi,

1774
01:36:52,320 --> 01:36:55,519
Speaker 1: long time, no Chad, guys and Gal Hi darling. Look,

1775
01:36:55,560 --> 01:36:57,599
Speaker 1: I know I have a choice this weekend. I could

1776
01:36:57,600 --> 01:37:00,599
Speaker 1: either walk left at the theater and go see Dune Kirk,

1777
01:37:01,439 --> 01:37:04,639
Speaker 1: or and go right and see what's my movie? Girls, Trip, Girls,

1778
01:37:04,640 --> 01:37:08,519
Speaker 1: Trail about Let's go. We're listening to a commercial on

1779
01:37:08,560 --> 01:37:10,720
Speaker 1: the on the station a few minutes ago, a movie man,

1780
01:37:11,439 --> 01:37:15,040
Speaker 1: and she said, you can't get s TVs in your

1781
01:37:15,040 --> 01:37:17,200
Speaker 1: booty hole. Yeah, something like you gotta get an infection,

1782
01:37:17,320 --> 01:37:20,840
Speaker 1: it's your booty hole. I've got to go see this.

1783
01:37:21,800 --> 01:37:24,639
Speaker 1: You know that's it's a hysterical line. It actually that's

1784
01:37:24,640 --> 01:37:27,439
Speaker 1: one of those trailers that you watch and you go, Okay,

1785
01:37:27,439 --> 01:37:29,880
Speaker 1: this trailer is so funny. And I don't even think

1786
01:37:29,880 --> 01:37:32,760
Speaker 1: they're using the best part and and and you might

1787
01:37:32,800 --> 01:37:35,840
Speaker 1: be right. Uh. We haven't talked in a couple of weeks.

1788
01:37:36,160 --> 01:37:39,320
Speaker 1: And there are so many good movies in theaters right now.

1789
01:37:39,320 --> 01:37:41,200
Speaker 1: I hope you guys have gotten out to see a

1790
01:37:41,200 --> 01:37:43,040
Speaker 1: few of them. How many of them? How many of

1791
01:37:43,040 --> 01:37:46,200
Speaker 1: them do you hate? I don't hate a lot. Here's

1792
01:37:46,400 --> 01:37:48,320
Speaker 1: I hated the movies at the beginning of the summer,

1793
01:37:48,640 --> 01:37:51,080
Speaker 1: but I'm feeling pretty good about what's going on now.

1794
01:37:51,160 --> 01:37:53,040
Speaker 1: War for the Planet of the Apes. I don't know

1795
01:37:53,080 --> 01:37:56,960
Speaker 1: if you saw that. That was freaking awesome. Spider Man,

1796
01:37:57,640 --> 01:38:00,639
Speaker 1: Baby Driver. You gotta see Baby Driver. Oh not yet,

1797
01:38:00,720 --> 01:38:04,400
Speaker 1: but I've heard such great things about it. Fantastic soundtrack,

1798
01:38:04,720 --> 01:38:08,680
Speaker 1: great movie. Uh and and this week we have we

1799
01:38:08,760 --> 01:38:11,760
Speaker 1: have some more good movies hitting theaters. So times are good.

1800
01:38:11,800 --> 01:38:13,880
Speaker 1: That's why I thought i'd come back and chat. Okay, Well,

1801
01:38:13,880 --> 01:38:15,479
Speaker 1: what do you have for this week? Then? What are

1802
01:38:15,479 --> 01:38:18,759
Speaker 1: you hating on this week? Yeah? You want me to hate,

1803
01:38:18,840 --> 01:38:21,000
Speaker 1: I'm not gonna hate today. Okay, No, it's I know

1804
01:38:21,080 --> 01:38:24,000
Speaker 1: it's rare, I know it's outside the box, but I

1805
01:38:24,080 --> 01:38:26,120
Speaker 1: sort of like everything that's going on this week. Let's

1806
01:38:26,160 --> 01:38:29,960
Speaker 1: start with a World War two picture, because I know

1807
01:38:30,000 --> 01:38:33,719
Speaker 1: people they love the war flicks, right, you generally don't

1808
01:38:34,000 --> 01:38:37,280
Speaker 1: what you're gonna like this one from Christopher Nolan. It's uh,

1809
01:38:37,520 --> 01:38:39,840
Speaker 1: it's a movie called don Kirk. You guys probably talked

1810
01:38:39,840 --> 01:38:42,720
Speaker 1: about it, right, Yeah, we had Harry Styles on this

1811
01:38:42,760 --> 01:38:46,920
Speaker 1: morning talking about it. Is that movie? Who'd have thought that, right?

1812
01:38:46,960 --> 01:38:49,719
Speaker 1: But it's a World War two pick. It's about about

1813
01:38:49,720 --> 01:38:52,160
Speaker 1: these guys who were trapped on a beach in don Kirk.

1814
01:38:52,200 --> 01:38:55,439
Speaker 1: There's no way out there, surrounded and a group of

1815
01:38:55,479 --> 01:38:57,719
Speaker 1: guys that they have to find the way out using

1816
01:38:57,800 --> 01:39:03,519
Speaker 1: every vessel anyway possible, uh, to escape these horrific events

1817
01:39:03,600 --> 01:39:05,600
Speaker 1: that that are about to take place. Now I know

1818
01:39:05,800 --> 01:39:08,320
Speaker 1: people are going again war flick doesn't sound like my

1819
01:39:08,439 --> 01:39:10,360
Speaker 1: kind of thing, but it might be. Here's your six

1820
01:39:10,400 --> 01:39:14,840
Speaker 1: second reviews. Six second reviews starts. Christopher Nolan's Done Kirk

1821
01:39:14,960 --> 01:39:17,599
Speaker 1: is a riveting, post pounding war flick that will certainly

1822
01:39:17,640 --> 01:39:22,040
Speaker 1: see again an Oscar time. I mean, alright, we're hearing

1823
01:39:22,120 --> 01:39:23,479
Speaker 1: a lot of good things from a lot of people.

1824
01:39:24,080 --> 01:39:25,840
Speaker 1: It's one of the best movies of the year. And

1825
01:39:26,040 --> 01:39:29,920
Speaker 1: Christopher Nolan, Christopher Nolan who did uh, Interstellar, The Dark

1826
01:39:29,960 --> 01:39:34,240
Speaker 1: Knight Movies, Batman Movies, Inception Memento, he puts his own

1827
01:39:34,320 --> 01:39:37,280
Speaker 1: spin on this kind of war flick that that is

1828
01:39:37,680 --> 01:39:41,360
Speaker 1: very different than any other you've ever seen. Uh it is.

1829
01:39:41,520 --> 01:39:45,320
Speaker 1: It's riveting, it's emotional, You're gonna get wrapped up in it,

1830
01:39:45,439 --> 01:39:48,439
Speaker 1: and it's just a great, great film. So you're gonna

1831
01:39:48,520 --> 01:39:51,519
Speaker 1: love dun kirk It's it's well, we're checking out dun

1832
01:39:51,640 --> 01:39:58,559
Speaker 1: kirk My also my favorite brand at Costco Kirker. They

1833
01:39:58,600 --> 01:40:03,000
Speaker 1: should do like Dune kirk Lund. Anyway, what else you got? Okay, alright,

1834
01:40:03,080 --> 01:40:05,160
Speaker 1: there's another movie called it's a sci fi flick called

1835
01:40:05,240 --> 01:40:08,600
Speaker 1: Valerian and the City of a Thousand Planet. Let's just

1836
01:40:08,680 --> 01:40:11,040
Speaker 1: play the six second review. Here we go. Six second

1837
01:40:11,080 --> 01:40:14,559
Speaker 1: reviews starts. Valarian is a spaced out head tripping Although

1838
01:40:14,600 --> 01:40:16,560
Speaker 1: I didn't know what was happening half the time, I

1839
01:40:16,640 --> 01:40:19,760
Speaker 1: think I liked it really so far beyond you you

1840
01:40:19,880 --> 01:40:22,880
Speaker 1: loved it? What's the trailer? If you like the trailer,

1841
01:40:22,880 --> 01:40:26,880
Speaker 1: you're gonna like this. It's it's an alien flick. There

1842
01:40:27,000 --> 01:40:31,240
Speaker 1: are a million different weird characters. It's sci fi. It's

1843
01:40:31,280 --> 01:40:34,160
Speaker 1: not the greatest movie in the world, but it's kind

1844
01:40:34,240 --> 01:40:36,200
Speaker 1: of fun. You need to get do you need to

1845
01:40:36,240 --> 01:40:38,840
Speaker 1: get mind altered before seeing it? Well? You know, a

1846
01:40:38,960 --> 01:40:42,160
Speaker 1: little sticky ikey the Devil's Flower. It made me. I'm

1847
01:40:42,200 --> 01:40:47,599
Speaker 1: not advocating, just saying, you know what I'm saying. Get

1848
01:40:47,640 --> 01:40:49,360
Speaker 1: to Girls Trip. Girls Trip has got to be the

1849
01:40:49,400 --> 01:40:51,960
Speaker 1: Academy Award winner of the weekend. Let's just play your

1850
01:40:51,960 --> 01:40:55,960
Speaker 1: six second review here. Six second reviews starts Girls Trip.

1851
01:40:56,000 --> 01:40:58,679
Speaker 1: Maybe the Foul is Freaky is funniest comedy at summer.

1852
01:40:58,800 --> 01:41:04,439
Speaker 1: So hang with the girls and the Trip. It's just

1853
01:41:04,520 --> 01:41:11,519
Speaker 1: the booty ho you can't get you can't, yeah, not

1854
01:41:11,600 --> 01:41:14,400
Speaker 1: analyze it now you can? All right? Well thank you

1855
01:41:14,520 --> 01:41:18,479
Speaker 1: that I'm just saying. So go right ahead, movie man,

1856
01:41:19,560 --> 01:41:22,240
Speaker 1: here we go. Great cash you got Queen Latifa Jada

1857
01:41:22,240 --> 01:41:26,040
Speaker 1: Pinkett Smith for Gina Hall. I enjoyed that there have

1858
01:41:26,160 --> 01:41:29,000
Speaker 1: been a lot of attempts at comedy this summer with

1859
01:41:29,200 --> 01:41:32,920
Speaker 1: whether it was a girl's party. There's been so many

1860
01:41:33,720 --> 01:41:37,160
Speaker 1: comedies have just fallen flat on their faces. These women

1861
01:41:37,200 --> 01:41:40,519
Speaker 1: are funny. This movie is funny from beginning to end.

1862
01:41:41,320 --> 01:41:43,479
Speaker 1: Probably the best comedy of summer. I'll tell you this,

1863
01:41:43,880 --> 01:41:46,760
Speaker 1: it's foul. You know, we're talking about the hood boody ho.

1864
01:41:47,240 --> 01:41:51,719
Speaker 1: You guys, uh, you guys familiar with the grapefruit trick.

1865
01:41:52,760 --> 01:41:54,760
Speaker 1: You're gonna learn You're gonna learn about that. I know,

1866
01:41:54,920 --> 01:41:56,800
Speaker 1: I know about the grape fruit trick. What's the great

1867
01:41:56,800 --> 01:41:59,160
Speaker 1: fruit trick? Is that the one that involves a microwave oven?

1868
01:42:00,560 --> 01:42:03,120
Speaker 1: Oh god, let's move on, all right? What else you got?

1869
01:42:03,560 --> 01:42:05,760
Speaker 1: It involves a grape fruit? Here? What I cut? I

1870
01:42:05,840 --> 01:42:08,000
Speaker 1: don't think they could find a clean even a clean

1871
01:42:08,120 --> 01:42:10,200
Speaker 1: line to put in the in like the commercials. Because

1872
01:42:10,200 --> 01:42:12,559
Speaker 1: the commercials we run on the radio station talk about

1873
01:42:12,600 --> 01:42:15,000
Speaker 1: your booty hole. I have to lower the commercial in

1874
01:42:15,040 --> 01:42:18,200
Speaker 1: the car with the kids because I'm like, what, Danielle,

1875
01:42:18,240 --> 01:42:19,880
Speaker 1: they know what a booty hole? I know, but I don't.

1876
01:42:20,040 --> 01:42:24,320
Speaker 1: I don't need questions. I don't want questions by hole.

1877
01:42:25,320 --> 01:42:27,200
Speaker 1: You know. And generally when people go for the low

1878
01:42:27,280 --> 01:42:31,599
Speaker 1: brow humor, uh, it just falls flat on its face.

1879
01:42:31,800 --> 01:42:35,640
Speaker 1: Not not this one that these girls deliver it. Yo,

1880
01:42:35,960 --> 01:42:38,880
Speaker 1: So girls trip, We're in. So you're in and done. Kirk,

1881
01:42:38,920 --> 01:42:41,400
Speaker 1: you're in movie man. You know these sex six second

1882
01:42:41,400 --> 01:42:43,719
Speaker 1: reviews you hear. You can hear them on all sorts

1883
01:42:43,760 --> 01:42:46,280
Speaker 1: of films and other things at six second review dot com.

1884
01:42:46,400 --> 01:42:49,439
Speaker 1: Right absolutely at War for the Planet of the Apes.

1885
01:42:49,439 --> 01:42:51,360
Speaker 1: I know you guys haven't been out to see many movies.

1886
01:42:51,640 --> 01:42:53,280
Speaker 1: You got to go see War for the Planet of

1887
01:42:53,320 --> 01:42:55,519
Speaker 1: the Apes. You got to go see Baby Driver. We

1888
01:42:55,600 --> 01:42:58,040
Speaker 1: don't get that many good movies in theaters. When they're

1889
01:42:58,040 --> 01:42:59,840
Speaker 1: out there, you gotta go see them. Let me move

1890
01:42:59,880 --> 01:43:08,400
Speaker 1: him and thank you. Have a great week. We really

1891
01:43:08,479 --> 01:43:10,960
Speaker 1: want to be a band that kind of melts the

1892
01:43:11,080 --> 01:43:14,720
Speaker 1: walls of genre and kind of becomes its own thing

1893
01:43:15,400 --> 01:43:23,200
Speaker 1: that can't really be explained. Elvis Durand in The Morning

1894
01:43:23,240 --> 01:43:27,120
Speaker 1: Show remembers Chester Bennington of Lincoln Park. So you need cash,

1895
01:43:27,320 --> 01:43:29,200
Speaker 1: but you don't have your a t M card, but

1896
01:43:29,360 --> 01:43:31,519
Speaker 1: you do with your Wells Fargo app. They have this

1897
01:43:31,600 --> 01:43:34,120
Speaker 1: new card free access feature that lets you access your

1898
01:43:34,160 --> 01:43:36,200
Speaker 1: money that any Wells Fargo a t M and you

1899
01:43:36,320 --> 01:43:39,120
Speaker 1: get cash. Wells Fargo is building better every day. Will

1900
01:43:39,200 --> 01:43:44,000
Speaker 1: Spargo Bank and a remember FBI c Elvi's Elvis Durant,

1901
01:43:44,200 --> 01:43:47,439
Speaker 1: Elvis Durant phone tap. All right, let's get into your

1902
01:43:47,439 --> 01:43:50,160
Speaker 1: phone tap. It's all about Dave Rody today. What do

1903
01:43:50,240 --> 01:43:53,479
Speaker 1: you have going on day? Brody? Elvis our listener James

1904
01:43:53,520 --> 01:43:56,519
Speaker 1: wanted us to phone tap his wife Caroline, so I did.

1905
01:43:57,040 --> 01:44:00,920
Speaker 1: They're are redoing their entire kitchen. He hired the contractor

1906
01:44:01,720 --> 01:44:03,360
Speaker 1: and the contract is supposed to call her to go

1907
01:44:03,439 --> 01:44:06,599
Speaker 1: over her plans for her new country kitchen. But before

1908
01:44:06,640 --> 01:44:09,000
Speaker 1: that happens, I call as the contractor with my thoughts

1909
01:44:09,040 --> 01:44:12,400
Speaker 1: on the new country kitchen. A new country kitchen. All right,

1910
01:44:12,439 --> 01:44:16,240
Speaker 1: let's see what Roady has in today's photop Here we go. Hello, Yeah,

1911
01:44:16,280 --> 01:44:21,280
Speaker 1: I'm looking for Carolin. Yeah, Carol. This is done from parsicknotion.

1912
01:44:21,320 --> 01:44:24,360
Speaker 1: How are you today? I'm good. So we signed the

1913
01:44:24,400 --> 01:44:27,160
Speaker 1: paperwork this morning. After the weekend, we should be able

1914
01:44:27,160 --> 01:44:30,120
Speaker 1: to load in. It looks like we're gonna go with uh,

1915
01:44:30,760 --> 01:44:34,200
Speaker 1: like a black paint. No no, no, no no, that's

1916
01:44:34,240 --> 01:44:38,760
Speaker 1: pretty much gonna be like pink and white. He is

1917
01:44:38,800 --> 01:44:41,840
Speaker 1: what I'm thinking. I'm thinking like like a black man.

1918
01:44:42,320 --> 01:44:44,200
Speaker 1: No no, no, no, no no no. This is not

1919
01:44:44,320 --> 01:44:46,360
Speaker 1: about what you think this is about what I think.

1920
01:44:46,479 --> 01:44:50,360
Speaker 1: I'm no one paying for it, Fanish, your husband's paying

1921
01:44:50,400 --> 01:44:52,960
Speaker 1: for it. A Million's crazy there, you know, Like I said,

1922
01:44:53,040 --> 01:44:55,880
Speaker 1: this is our money and not your money, and you're

1923
01:44:55,920 --> 01:44:58,200
Speaker 1: going to get the colors that I want right right right,

1924
01:44:58,280 --> 01:45:00,920
Speaker 1: right right right. Okay, so I'll keep going. What else

1925
01:45:00,960 --> 01:45:07,080
Speaker 1: you want? You know, I've got that picture window. Yeah,

1926
01:45:07,280 --> 01:45:09,280
Speaker 1: I already told your husband that's already taken care of.

1927
01:45:09,960 --> 01:45:12,280
Speaker 1: What do you mean already taken care of? Well, for

1928
01:45:12,360 --> 01:45:14,120
Speaker 1: you know, the style we're going for the motif, I

1929
01:45:14,160 --> 01:45:17,080
Speaker 1: can't have a window there, so my men already brick

1930
01:45:17,160 --> 01:45:20,400
Speaker 1: that up. That's that's drying right now, that's bricked. Wait,

1931
01:45:22,120 --> 01:45:24,360
Speaker 1: can you the author bastion to do that? What kind

1932
01:45:24,360 --> 01:45:25,920
Speaker 1: of think did you say you wanted? Let's let's stick

1933
01:45:25,920 --> 01:45:28,439
Speaker 1: to the basics. It's not gonna okay, Well, I mean

1934
01:45:28,520 --> 01:45:31,160
Speaker 1: I want the double topper farmhouse sink, but that goes

1935
01:45:35,040 --> 01:45:37,840
Speaker 1: about below up. Already paid my designer a game of

1936
01:45:37,920 --> 01:45:40,720
Speaker 1: grand up front, because that's how I do. We got

1937
01:45:40,800 --> 01:45:45,479
Speaker 1: a German country kitchen from Black and Red Shutters. Okay, okay,

1938
01:45:45,520 --> 01:45:48,400
Speaker 1: I'm about to tell you you are off this job,

1939
01:45:48,560 --> 01:45:51,519
Speaker 1: all right. Listen, Coca puffs. I'm trying to work with you.

1940
01:45:52,000 --> 01:45:53,800
Speaker 1: I'm trying to work with you. Okay, I'm trying to

1941
01:45:55,160 --> 01:45:57,479
Speaker 1: you gotta understand something, all right, I've been doing this

1942
01:45:57,560 --> 01:46:00,000
Speaker 1: for thirty two years. I know a little something about.

1943
01:46:00,120 --> 01:46:02,360
Speaker 1: It doesn't time to get very good at your job

1944
01:46:02,360 --> 01:46:04,080
Speaker 1: because you don't listen. What do we did? Like an

1945
01:46:04,120 --> 01:46:09,920
Speaker 1: Egyptian theme? Talking about countries in general? I'm talking about

1946
01:46:10,160 --> 01:46:13,680
Speaker 1: the country side. Are you stupid? My head is a

1947
01:46:13,760 --> 01:46:21,360
Speaker 1: bad explode. Oh boy, here she goes. She's calling me,

1948
01:46:21,720 --> 01:46:24,479
Speaker 1: calling me. Do not answer, let it go to voice

1949
01:46:24,479 --> 01:46:30,280
Speaker 1: me will wait a second. Okay, okay, what is going on?

1950
01:46:30,520 --> 01:46:33,240
Speaker 1: Who is this numb nuts that you hired? I think

1951
01:46:33,280 --> 01:46:35,360
Speaker 1: you're blown it all out of proportions. Just calmed down

1952
01:46:35,400 --> 01:46:37,679
Speaker 1: a little bit. Wait in our house. He already bricked

1953
01:46:37,720 --> 01:46:41,240
Speaker 1: up the window in the kitchen, Like this dude, nut,

1954
01:46:42,200 --> 01:46:44,920
Speaker 1: don't even get back every penny that you gave this guy.

1955
01:46:45,240 --> 01:46:48,000
Speaker 1: We are fighting this dude to the end. He's a professional.

1956
01:46:48,080 --> 01:46:49,640
Speaker 1: He's just trying to give you some money. He's a

1957
01:46:49,680 --> 01:46:54,040
Speaker 1: professional idiot. He's calling me sugar pop. He's mad, disrespectful,

1958
01:46:54,120 --> 01:46:57,799
Speaker 1: like he's making this crazy high pitched noise. It's like drag, Like, seriously,

1959
01:46:58,080 --> 01:47:01,000
Speaker 1: I'm about to go nuclear. What kind of noise you're

1960
01:47:01,000 --> 01:47:05,800
Speaker 1: talking about? Like like like he's being strangled like a

1961
01:47:05,920 --> 01:47:08,840
Speaker 1: cat and he's dying when he's thinking. Obviously he's not

1962
01:47:09,000 --> 01:47:13,559
Speaker 1: thinking because his brain doesn't work. But I'm literally about

1963
01:47:13,640 --> 01:47:15,840
Speaker 1: to go down there and kick this dude's ask right now?

1964
01:47:16,600 --> 01:47:19,519
Speaker 1: I think maybe you're get a little upset. Are you

1965
01:47:19,640 --> 01:47:22,559
Speaker 1: on the phone right now? Maybe he's going on here?

1966
01:47:22,840 --> 01:47:24,439
Speaker 1: This is Dave Brody Mellis try in the Morning show.

1967
01:47:24,479 --> 01:47:26,760
Speaker 1: We're tapping you guys are about to give me a

1968
01:47:26,880 --> 01:47:29,720
Speaker 1: breaking heart attack, like James is tied? Are you talking

1969
01:47:29,760 --> 01:47:32,960
Speaker 1: about your country kitchen? I can't even laugh right now.

1970
01:47:33,200 --> 01:47:36,400
Speaker 1: I'm like just wedding profusely because I'm so mad. You

1971
01:47:36,479 --> 01:47:41,080
Speaker 1: guys are not funny. Phone tab have an idea for

1972
01:47:41,160 --> 01:47:43,439
Speaker 1: a phone tab? Go to Elvis Durand dot com. Click

1973
01:47:43,479 --> 01:47:45,360
Speaker 1: on the phone tap tab, tell us what you want

1974
01:47:45,400 --> 01:47:48,559
Speaker 1: to do. This phone tab was prerecorded with permission granted

1975
01:47:48,600 --> 01:47:52,840
Speaker 1: by All Party Space Elvi's Durant phone Tab. We're on

1976
01:47:53,040 --> 01:48:03,439
Speaker 1: Elvis Durand in the Morning Show. So the other night,

1977
01:48:03,520 --> 01:48:06,600
Speaker 1: I I know this sounds so stupid. I made the

1978
01:48:06,920 --> 01:48:10,719
Speaker 1: fish with the crunchy rich cracker topping. Yeah, your recipe

1979
01:48:10,800 --> 01:48:14,479
Speaker 1: of ritz crackers in Mayo this weekend. It's just a

1980
01:48:14,520 --> 01:48:16,840
Speaker 1: little bit of mayo to to coat the fish. It's

1981
01:48:16,880 --> 01:48:19,000
Speaker 1: just a little bit. It's not like Ris, not the mayo.

1982
01:48:19,400 --> 01:48:23,160
Speaker 1: But what I am doing tonight, Jersey corn is really

1983
01:48:23,240 --> 01:48:25,559
Speaker 1: Actually I'm found some really good sweet corn. Maybe it's

1984
01:48:25,560 --> 01:48:28,160
Speaker 1: from Long Island, I don't know, it's local corn. I'm

1985
01:48:28,200 --> 01:48:32,640
Speaker 1: doing a corn pudding with rich crackers all browned on

1986
01:48:32,760 --> 01:48:35,760
Speaker 1: top that has that sound. Oh you know what that

1987
01:48:35,800 --> 01:48:39,080
Speaker 1: would be good with two what's that chicken pop high crust?

1988
01:48:39,840 --> 01:48:45,360
Speaker 1: Maybe when as as you know, there are more ways

1989
01:48:45,400 --> 01:48:47,400
Speaker 1: to enjoy rich servement any You don't even have to

1990
01:48:47,439 --> 01:48:49,559
Speaker 1: put them on a corn pudding. Her own a chicken

1991
01:48:49,640 --> 01:48:52,000
Speaker 1: pot pie. Serve rich at your party. I'm gonna give

1992
01:48:52,000 --> 01:48:55,120
Speaker 1: you a thousand dollars to spend for your own barbecue.

1993
01:48:55,200 --> 01:48:57,200
Speaker 1: Maybe in the backyard, maybe in the kitchen, doesn't matter.

1994
01:48:57,439 --> 01:49:00,040
Speaker 1: Just have ritz crackers there and you can win a

1995
01:49:00,080 --> 01:49:01,960
Speaker 1: thousand dollar cash gift card to pay for all the

1996
01:49:02,000 --> 01:49:05,280
Speaker 1: good stuff. Enter and get the rules at Elvis Duran

1997
01:49:05,360 --> 01:49:09,360
Speaker 1: dot com. Keyword Contests. As you know, we are ending,

1998
01:49:09,439 --> 01:49:12,280
Speaker 1: but it's not over yet. It's National zoo Keeper Week.

1999
01:49:12,360 --> 01:49:14,040
Speaker 1: Make sure you find a zoo keeper and plan a

2000
01:49:14,080 --> 01:49:16,200
Speaker 1: kiss right on their lips. Yeah, tongue kiss your local

2001
01:49:16,280 --> 01:49:22,800
Speaker 1: zoo keepers. Thank you to Leo's Deli on Staten Island.

2002
01:49:22,800 --> 01:49:27,920
Speaker 1: They're delivering zoo Keeper Appreciation Week Leo's Deli stuff to

2003
01:49:28,080 --> 01:49:30,600
Speaker 1: the Staten Island Zoo today. We love Leo's Deli of

2004
01:49:30,600 --> 01:49:36,280
Speaker 1: Staten Island. Uh so, thank you very much. There. Also

2005
01:49:36,400 --> 01:49:41,280
Speaker 1: this weekend, feel free to drop your Samsung Galaxy S

2006
01:49:41,400 --> 01:49:45,280
Speaker 1: eight into into a body of water. Maybe don't, maybe

2007
01:49:45,320 --> 01:49:49,479
Speaker 1: don't try, but if you do, it's don't panic kids safe. Yeah.

2008
01:49:49,560 --> 01:49:51,280
Speaker 1: When they came to us and said, hey, we want

2009
01:49:51,280 --> 01:49:52,680
Speaker 1: to partner up with you, we want to be one

2010
01:49:52,720 --> 01:49:55,280
Speaker 1: of your your sponsors, one of your partners, your marketing partners,

2011
01:49:55,320 --> 01:49:58,200
Speaker 1: and said, yeah, tell me what this Samsung Galaxy S

2012
01:49:58,280 --> 01:50:01,280
Speaker 1: eight can do. And so far I've been blown away. Yeah,

2013
01:50:01,560 --> 01:50:03,560
Speaker 1: it's been a lot of fun playing with it. I

2014
01:50:03,640 --> 01:50:05,720
Speaker 1: can binge my favorite shows on there, I can do

2015
01:50:05,840 --> 01:50:07,439
Speaker 1: anything anything. I want to buy the pool and not

2016
01:50:07,479 --> 01:50:10,519
Speaker 1: worry about my obnoxious friends pushing me in. But now

2017
01:50:10,680 --> 01:50:12,840
Speaker 1: my obnoxious friends can push me in. Look at it's

2018
01:50:12,840 --> 01:50:15,559
Speaker 1: all good because it's all good, Danielle. Take a picture

2019
01:50:15,600 --> 01:50:17,400
Speaker 1: of the friend who pushed you in while you're as

2020
01:50:17,439 --> 01:50:19,479
Speaker 1: I'm following in daniel one headline what do you have

2021
01:50:19,560 --> 01:50:22,680
Speaker 1: for me? So there's a list of seventy moments that

2022
01:50:22,800 --> 01:50:25,479
Speaker 1: to find the decade in music so far from Billboard.

2023
01:50:25,720 --> 01:50:28,640
Speaker 1: It really highlights some things that we probably you may

2024
01:50:28,680 --> 01:50:32,120
Speaker 1: have forgotten, like the Voice debuting on NBC, the Beatles

2025
01:50:32,160 --> 01:50:34,720
Speaker 1: putting their music on iTunes, Lady Gaga remember when she

2026
01:50:34,800 --> 01:50:38,240
Speaker 1: wore that meat dress on the vm as, Adam Lambert

2027
01:50:38,280 --> 01:50:40,880
Speaker 1: becoming the first openly game mail artist to hit number

2028
01:50:40,920 --> 01:50:43,479
Speaker 1: one on the Billboard two charts. Stuff like that. So

2029
01:50:43,520 --> 01:50:45,160
Speaker 1: if you get a chance to read this article, you

2030
01:50:45,280 --> 01:50:51,120
Speaker 1: have to excellent. Thank you, Danielle L. S In The

2031
01:50:51,200 --> 01:50:51,760
Speaker 1: Morning Show