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Speaker 1: Hey, I'm Norah Jones and today I'm playing along with

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Speaker 1: Seth McFarlane.

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Speaker 2: I'm just playing.

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Speaker 3: With you.

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Speaker 4: I'm just playing lone with you.

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Speaker 5: Hi.

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Speaker 4: Welcome to the show. I'm Nora. With me is Sarah Oda. Hello, Hi.

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Speaker 5: Hi.

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Speaker 6: Our guest today is the incredibly talented Seth McFarlane. Yes,

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Speaker 6: he's an actor. He's a comedian, a writer, animator, filmmaker, director,

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Speaker 6: And what we dig into on this episode is say

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Speaker 6: that again. What we dig into, dude, is that he

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Speaker 6: is a singer.

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Speaker 4: Yeah, he's a great singer.

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Speaker 6: And many people know him as the creator a family guy,

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Speaker 6: the Orville American Dad show, The Ted Movies Ye, which

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Speaker 6: he directed and starred and also cameoed me Laura Jones.

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Speaker 4: We talk about that, we talk about This episode is

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Speaker 4: fun because we talk about music a lot, and we

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Speaker 4: also talk about his various shows and Ted and they're

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Speaker 4: rebooting a Ted TV show, which is pretty exciting, very exciting.

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Speaker 6: And there's things about him that I learned, like how

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Speaker 6: much he knows about like old jazz tunes and he's

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Speaker 6: kind of got like a vast knowledge of all that.

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Speaker 1: I don't feel like he's someone from the acting world

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Speaker 1: who's just just doing some hobby of singing songs in

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Speaker 1: his spare time. I feel like he's pretty invested in

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Speaker 1: music for sure, And he's really a great singer. I

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Speaker 1: mean you can tell from family guy that's he's got

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Speaker 1: a knack for the vocal, vocal, theatrics.

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Speaker 6: Absolutely, and like it's crazy to think that somebody who's

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Speaker 6: as smart and funny and talented as he is and

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Speaker 6: is working on so many projects all the time constantly,

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Speaker 6: so busy, can also put out a great album of

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Speaker 6: music like every couple of years.

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Speaker 4: Yeah, well he just loves it. Yeah, it's great.

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Speaker 1: It's great to see somebody who's so excited about what

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Speaker 1: they're doing.

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Speaker 6: Yeah, and I like having him around because then I

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Speaker 6: don't feel like the most inappropriate person in the room.

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Speaker 1: We used to hang out with Seth like what twelve

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Speaker 1: years ago. Yeah, we had so much fun, and then

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Speaker 1: we didn't see him for like ten years.

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Speaker 6: Yeah, we're kind of on a tenure hang schedule.

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Speaker 1: Yeah, we talked about all that, and this is a

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Speaker 1: fun episode. I hope you like it.

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Speaker 4: Please enjoy Seth mcfiley.

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Speaker 7: I just love.

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Speaker 3: Audio. When you had kid Rock here on the show,

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Speaker 3: how did you guys do it like that's trying get

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Speaker 3: that vibe.

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Speaker 4: Oh you know who I had on the show, Logic.

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Speaker 3: Oh yeah, I love Logic.

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Speaker 4: So you guys hung out.

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Speaker 1: I think he hadn't met you yet when we probably not. Yeah,

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Speaker 1: he was just telling me about it. And then and

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Speaker 1: then I see you're gonna you sing on his album.

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Speaker 4: Yes, that's so cool.

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Speaker 3: Yeah, it's my first, my first rap album.

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Speaker 4: That's awesome.

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Speaker 3: I mean, very exciting.

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Speaker 4: That is exciting.

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Speaker 1: He was stoked because he loves the way your vibe singing.

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Speaker 3: He's such a nice guy too. It's like really just

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Speaker 3: humble and just just a just a cool, cool vibe

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Speaker 3: to him.

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Speaker 4: Yeah, he's sweet. We had fun, yeah, good, and we

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Speaker 4: talked about you.

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Speaker 3: Oh good. Yeah that's my well, my favorite. Yeah.

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Speaker 4: I think my song with him came out today.

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Speaker 3: Actually, oh you oh really did.

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Speaker 4: A song with him too?

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Speaker 3: You did?

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Speaker 8: Yeah?

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Speaker 3: Well, suddenly I don't feel so special, you know, just

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Speaker 3: so so you know, yeah, okay, all right, he's great.

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Speaker 3: He's like he's he's again like one of those guys

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Speaker 3: just sort of an instant like my cousin Eric, just

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Speaker 3: sort of instantly you just kind of he's he's a

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Speaker 3: cool guy.

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Speaker 1: You should give Eric Bobby's number and then maybe they

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Speaker 1: can start texting.

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Speaker 3: Yeah, yeah, it's good. There you go done. I do

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Speaker 3: it right now. But but you don't no fun, no phones,

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Speaker 3: no fun.

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Speaker 4: Yeah see I thought you were making a joke. Okay,

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Speaker 4: you get it.

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Speaker 3: I don't make jokes off the clock. You want to

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Speaker 3: try a song, sure, absolutely, I'm raspy as fuck. But

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Speaker 3: let's see what comes out?

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Speaker 4: Should we try to? Let's try too sleepy people?

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Speaker 3: Sure?

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Speaker 4: Is that? Okay?

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Speaker 3: Sure?

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Speaker 4: Is this how we met?

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Speaker 3: Yes? This is how we met. It was this. This

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Speaker 3: was the first song.

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Speaker 4: Was this your first Standards album?

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Speaker 3: It was?

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Speaker 4: And you asked me to sing this song on it?

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Speaker 3: Yeah, and I and I remember coming in, first of

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Speaker 3: all being shocked that you said yes, and then coming

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Speaker 3: in just realizing, okay, now I have to Like the

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Speaker 3: second I opened my mouth, she's gonna know I'm a fraud.

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Speaker 3: That was that was That was what was going through

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Speaker 3: my ad.

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Speaker 4: Do you know how I knew you weren't a fraud?

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Speaker 1: How because you wanted to come sing live together.

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Speaker 4: Do you know how many people don't do that?

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Speaker 2: Yeah?

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Speaker 4: Yeah, even great people. I mean people are busy. I

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Speaker 4: get it. It's just easy.

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Speaker 3: But it's it's I guess I sort of feel like

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Speaker 3: it's like when you're shooting a show. If you're shooting

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Speaker 3: one actor's stuff on one day and another actor stuff

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Speaker 3: on another gate, there's no there's no performance there. Yeah,

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Speaker 3: so yeah, there has to be well, I mean.

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Speaker 4: Duh, but guess what a lot of people don't do

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Speaker 4: it that way.

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Speaker 3: Well, that's disappointing. I know, it's disappointing.

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Speaker 4: I was stoked as soon as I heard that, especially.

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Speaker 3: Yeah, yeah, but that was fun. That was a that

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Speaker 3: was a while ago. That was like two thousand and ten,

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Speaker 3: Is that right?

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Speaker 4: Probably?

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Speaker 3: Yeah?

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Speaker 4: Probably? Wait, whendom was the roast of Donald Trump? Because

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Speaker 4: that's how I that's everything that's I feel like it

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Speaker 4: was before that.

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Speaker 1: The only reason you invited me to that is because

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Speaker 1: I sang on your album and we had already met.

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Speaker 3: Yeah, so the roast of Trump was probably I mean

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Speaker 3: I had him been around twenty ten.

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Speaker 1: Yeah, so I we sang and then we hung and

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Speaker 1: we watched you roast Donald Trump.

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Speaker 3: Somebody watching this is going to look it up on

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Speaker 3: their phone and go like, oh no, it's two thousand

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Speaker 3: and five. Yeah, you fucking fossil.

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Speaker 4: Oh my god. No, we feel young. No, we're young.

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Speaker 3: Yeah, yeah, we haven't seen years. No, No, I and I,

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Speaker 3: as I said before, you look you have not. You

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Speaker 3: look exactly the same.

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Speaker 4: Well you like, say it one more time, just in

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Speaker 4: case the cameras. Yeah, time please.

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Speaker 3: You also look any different than when I saw you

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Speaker 3: in twenty ten. It's canny and creepy and bizarre. And

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Speaker 3: it's like maybe you're taking that Death Becomes Her drug

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Speaker 3: that they love that movie.

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Speaker 4: Yeah, yeah, yeah, I forgot about that. I would watch

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Speaker 4: that again. Yeah, so yeah, all right, sure, I'm nervous.

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Speaker 3: Now why I don't know your idea. I know you've

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Speaker 3: done fifteen of these. I always get a little who's

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Speaker 3: the who's the worst guess?

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Speaker 2: You know.

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Speaker 3: I'm not going to ask you that.

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Speaker 4: Honestly. It's been so fun, yeah, so fun to do this.

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Speaker 3: Yeah, yeah, it seems it.

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Speaker 4: Yeah, be flat.

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Speaker 3: Here we are out of cigarettes? Did you I think

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Speaker 3: I fucked No.

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Speaker 4: I think I was gonna let you come in, but

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Speaker 4: I forgot to set up the time, and then I

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Speaker 4: started doing the time.

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Speaker 3: I just yeah, you want me to wait? Is it

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Speaker 3: like a like a four bar? No, you were right,

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Speaker 3: I didn't it was I tell you know you can

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Speaker 3: also do you want to you can throw me.

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Speaker 4: A look or if I know, yeah, that's what I should.

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Speaker 3: Okay, perfect, let's do that.

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Speaker 4: Does it feel too slower? Too fast?

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Speaker 2: You don't know?

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Speaker 3: Can roll with whatever? Man, I got my beverage farm.

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Speaker 4: There how many beverages you have?

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Speaker 3: Looks like there's three. There's the coffee, there's the water

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Speaker 3: I brought, and then there's a water you guys left

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Speaker 3: for me.

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Speaker 4: No whiskey.

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Speaker 3: So it's I feel like Santa coming down there. It's like,

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Speaker 3: look at all the bentages. Yeah, do you drink during

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Speaker 3: this stuff?

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Speaker 4: If I didn't have to play piano, I would be down.

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Speaker 3: It's tough, isn't it to play piano drunk? Is well,

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Speaker 3: I mean not drunk, but like it's it's.

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Speaker 4: It's I don't want to mess it up?

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Speaker 1: Yeah, because I already am like shaky on it and

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Speaker 1: then I have to and also like the singing.

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Speaker 4: Yeah, it's a little like.

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Speaker 3: It's a lot of it's a lot of coordination.

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Speaker 4: Yea. By the end of the session, I could have

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Speaker 4: a drink.

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Speaker 3: You were You were the one that told me at

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Speaker 3: one point that you like I asked you, like, do

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Speaker 3: you ever drink before a show, and you you said, yeah,

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Speaker 3: like sometimes if I have a little bit of whiskey,

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Speaker 3: sometimes it'll like loosen up my and I use that

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Speaker 3: psychologically as an excuse to have like five whiskeys before. Well, Nora, fine,

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Speaker 3: exactly what I'm doing right now, and and that just

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Speaker 3: shuts him up.

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Speaker 4: Well, it's definitely balanced, right, it's a slip pretty slow, my.

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Speaker 3: Friend, It sure is.

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Speaker 4: Yeah, sure, one or two.

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Speaker 1: And then if you bring it on stage and you

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Speaker 1: keep doing it right, you're really screwed.

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Speaker 3: Right, Well, that's why there's rehab.

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Speaker 4: Oh god, okay, it's going to be beautiful.

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Speaker 3: Sure, sure, okay.

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Speaker 4: I just pictured my dad like being like.

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Speaker 3: That's by the way that and you know how that

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Speaker 3: makes me feel like in the middle of this lovely mote,

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Speaker 3: you're picturing your dad, I'm.

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Speaker 4: Featuring my dad that line, father didn't like you at all.

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Speaker 1: I just picturing my dad, like watching Ted and and

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Speaker 1: and that line when when I first come on and

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Speaker 1: you said, hey, thanks for nine to eleven, and I

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Speaker 1: just pictured my my old Indian.

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Speaker 4: Dad being like, I didn't go over well, I don't

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Speaker 4: think it went over right.

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Speaker 3: And he might he probably didn't care that it was

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Speaker 3: a huge laugh, you know from the audience.

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Speaker 4: I can't I think, Yeah, I'm pretty sure he saw

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Speaker 4: it and that's what he was like.

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Speaker 3: I don't know about that line, because what isn't that

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Speaker 3: a line that was that was added after the fact.

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Speaker 1: Right, Yeah, you didn't say that line and we shot it. Yeah,

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Speaker 1: so when I saw it, I was like, oh yeah, and.

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Speaker 3: It's funny because like in my fucked up, like just

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Speaker 3: reverse engineered memory, I remember, God like Nora was such

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Speaker 3: a great sport forgetting that, like, oh yeah, we did

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Speaker 3: a test screening, maybe we need another joke here and.

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Speaker 4: We add that line.

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Speaker 3: Yeah, I guess I should have called you it's okay,

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Speaker 3: but it would probably go over better now though.

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Speaker 4: Yeah not, I don't think you could get away with that.

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Speaker 3: No, No, it's it's I mean damage is done. Yeah,

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Speaker 3: sorry about that.

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Speaker 4: No, no sorries.

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Speaker 2: We are.

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Speaker 9: Out of cigarettes, holding hands and yawning.

239
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Speaker 3: Look how late it gets.

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Speaker 7: Two sleepy People.

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Speaker 10: By danz ely Lie and Too Much in Love to

242
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Speaker 10: Say a night.

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Speaker 7: Here we are in a cozy chair.

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Speaker 3: Picking on a wishbone from the frigid air.

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Speaker 7: Two sleepy people were loving to say and too much

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Speaker 7: in love to break away.

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Speaker 11: Do you remember the nights we used to linger in

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Speaker 11: the hall?

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Speaker 4: Father didn't like you at all.

250
00:12:01,280 --> 00:12:07,439
Speaker 10: Remember the reason why we married in the fall, to.

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Speaker 3: Remp this little nest and get a bit of rest.

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Speaker 10: Where we are, we're just about the same.

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Speaker 12: Foggy little fellow, drowsy little dad, two sleepy people by

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Speaker 12: Down's early life.

255
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Speaker 2: And too much in love to.

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Speaker 13: Say good night.

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Speaker 11: Do you remember the nights we used to cuddle in

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Speaker 11: the car.

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Speaker 3: Watching every last fading star?

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Speaker 10: Remember the doctor said your health was under par.

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Speaker 3: And you, my little snooks, were ruining your looks.

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Speaker 8: Where we are, keeping up the pace, letting each tomorrow,

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Speaker 8: slap us in the fae.

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Speaker 3: Two sleepy people.

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Speaker 4: But.

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Speaker 2: And too much in love to.

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Speaker 13: Say good.

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Speaker 4: Yeah, we got it.

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Speaker 3: Yeah, it's all in there, man, okay, good, all in there.

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Speaker 3: Come on North Saint, my day job.

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Speaker 4: I mean this is you know, well it is mine,

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Speaker 4: I guess.

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Speaker 3: Yeah. You actually have.

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Speaker 4: To sound I actually should sound.

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Speaker 3: That you sound. You sound fabulous. It's just this this velvety, velvety,

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Speaker 3: gorgeous instrument. Yeah oh thanks, yeah.

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Speaker 1: Well I feel like my thing is basically singing and playing.

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Speaker 1: But when I mess up my playing, I sing and

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Speaker 1: I cover it.

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Speaker 4: You know what I mean. Have always kind of been

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Speaker 4: like that.

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Speaker 3: It's equilibrium.

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Speaker 4: Yeah, it works out. I love that line in this song.

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Speaker 1: Remember the doctor said your health was underpart and then

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Speaker 1: and you my little snooks were ruining your looks.

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Speaker 3: It's like, come on, this is totally random, but I

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Speaker 3: had because I have my iPod on shuffle. iPod, that's wow,

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Speaker 3: you're old. Well whatever the fucking thing that's on your phone.

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Speaker 3: You know, your music system on your phone. It's on

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Speaker 3: shuffle in my car, okay, And one of your albums

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Speaker 3: comes up the other day, was that the Little Willie's

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Speaker 3: Oh wow, And there's a there's a song which I

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Speaker 3: thought you guys had written, and I'm almost more impressed

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Speaker 3: that it's something you dug up called foul Owl on

295
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Speaker 3: the prow. Yes, that's an old Quincy Jones tune, right,

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Speaker 3: and it's from a movie.

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Speaker 4: It's from a movie or a TV.

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Speaker 8: Show, so I think it's from a movie right in

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Speaker 8: the heat of it might be yeah.

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Speaker 3: Yeah, but it's wearing an old cop movie. And it

301
00:16:05,520 --> 00:16:08,040
Speaker 3: popped up on because I collect like old soundtracks as well,

302
00:16:08,080 --> 00:16:10,280
Speaker 3: and I was like, wait a minute, that's what it's.

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00:16:10,360 --> 00:16:13,440
Speaker 3: I love when people like dig for that kind of stuff.

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00:16:13,480 --> 00:16:14,000
Speaker 4: That's just.

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00:16:15,800 --> 00:16:16,720
Speaker 3: Yeah.

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00:16:16,160 --> 00:16:21,480
Speaker 1: Yeah, that Richard, Richard Julian, my bandmate. It was his idea,

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00:16:21,680 --> 00:16:24,240
Speaker 1: and I think he was also super excited at how

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00:16:24,400 --> 00:16:27,520
Speaker 1: kind of obscure it was and where he found it.

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Speaker 3: Is he British Richard Julian. What a shame of that name,

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Speaker 3: Richard Julian.

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Speaker 4: His real name is Richard Munzaleski.

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Speaker 3: Okay, well there, yeah, I would do the same thing.

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00:16:37,400 --> 00:16:38,560
Speaker 4: Yeah, he's from Delaware.

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Speaker 3: Munzialeski. That's like a it's like a Woody Allen character.

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Speaker 4: Yeah, yeah, you love I mean you I feel like

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Speaker 4: going through music for this.

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Speaker 1: You have so many songs. You love all these songs.

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Speaker 1: You know, more old standard tunes than I've ever heard of.

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Speaker 4: You probably know that more than most jazz musicians.

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Speaker 3: It's it's well, probably not, but it's like it's fun

321
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Speaker 3: to dig. It's fun to dig for stuff. That's just

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00:17:05,320 --> 00:17:08,359
Speaker 3: because you know, my favorite records that you know of,

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00:17:09,040 --> 00:17:11,679
Speaker 3: you know, Sinatra and Nat King Call and Rosemary Clooney

324
00:17:11,680 --> 00:17:15,919
Speaker 3: and these these great vocalists, they all dug deep, like

325
00:17:15,960 --> 00:17:18,080
Speaker 3: their old songs from like the twenties and thirties that

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00:17:18,080 --> 00:17:21,919
Speaker 3: were just kind of forgotten and they reinvented them, you know,

327
00:17:21,960 --> 00:17:23,840
Speaker 3: made them new again. And it's fun to dig for

328
00:17:23,840 --> 00:17:25,840
Speaker 3: that stuff because there's so much stuff that's never been touched.

329
00:17:26,119 --> 00:17:30,840
Speaker 1: Yeah, there really is, and and sometimes it disappears the

330
00:17:30,880 --> 00:17:34,639
Speaker 1: passage of time because nobody's reissued it or re thought

331
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Speaker 1: about it at all.

332
00:17:36,359 --> 00:17:40,680
Speaker 4: And also the stuff from old musicals and movies.

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00:17:41,040 --> 00:17:43,320
Speaker 3: Yeah, there's a lot of great tunes that. I mean,

334
00:17:43,520 --> 00:17:46,919
Speaker 3: it's a treasure trove out there that's, yeah, just untouched still.

335
00:17:47,040 --> 00:17:49,560
Speaker 4: And it's funny how they they become a little dated.

336
00:17:49,600 --> 00:17:54,240
Speaker 1: Sometimes's certain little lines, yeah, yes, but that classic.

337
00:17:54,080 --> 00:17:56,199
Speaker 4: Sort of feeling through them all. I mean, it's just

338
00:17:56,240 --> 00:17:58,439
Speaker 4: like the human condition. It's all about love and.

339
00:17:58,600 --> 00:18:02,920
Speaker 3: Heartbreak and yeah, really wives and lovers, those lyrics don't yeah,

340
00:18:03,080 --> 00:18:04,800
Speaker 3: don't sustain.

341
00:18:05,240 --> 00:18:07,680
Speaker 4: Not always, but but it doesn't matter.

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00:18:08,000 --> 00:18:09,960
Speaker 3: I think of the songs that like are that are

343
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Speaker 3: the least palatable. Now that song might be that burke

344
00:18:17,320 --> 00:18:19,040
Speaker 3: backracks on Wives and Lovers.

345
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Speaker 4: I actually don't know that.

346
00:18:19,800 --> 00:18:21,560
Speaker 3: Yeah, go go look it up, listen to the lyrics

347
00:18:22,240 --> 00:18:24,240
Speaker 3: and and see if there's any way to salvage that.

348
00:18:24,320 --> 00:18:27,439
Speaker 1: Oh yeah, yeah, there's some lyrics that just so you

349
00:18:27,440 --> 00:18:30,040
Speaker 1: can't say anyone my little Snooks.

350
00:18:31,000 --> 00:18:32,159
Speaker 3: Yeah, that's pretty benign.

351
00:18:32,240 --> 00:18:33,280
Speaker 4: But oh it's benign.

352
00:18:33,560 --> 00:18:38,040
Speaker 3: It's just kind of right, like the actress from Succession.

353
00:18:39,440 --> 00:18:43,680
Speaker 4: Oh that's right, Yeah, Sarah Snook is that her name name.

354
00:18:43,840 --> 00:18:48,919
Speaker 3: Yeah, I'm like really helping this conversation, aren't I like

355
00:18:49,000 --> 00:18:50,640
Speaker 3: I'm really taking it to some interesting time.

356
00:18:53,760 --> 00:18:53,960
Speaker 13: Yeah.

357
00:18:54,000 --> 00:18:54,920
Speaker 4: No, it's all good.

358
00:18:55,040 --> 00:18:56,200
Speaker 3: This is why I'm alone so much.

359
00:18:57,560 --> 00:19:00,760
Speaker 4: You're not alone so much, You're totally busy always that. Oh,

360
00:19:00,800 --> 00:19:06,320
Speaker 4: actually that song is a Hogey Carmichael Frank Lesser song people. Yeah,

361
00:19:06,400 --> 00:19:09,240
Speaker 4: I think so. I love Hogy Carmichael song.

362
00:19:09,359 --> 00:19:10,199
Speaker 3: Yeah.

363
00:19:11,080 --> 00:19:12,280
Speaker 4: He's my one of my favorites.

364
00:19:12,440 --> 00:19:16,920
Speaker 3: He's got a really interesting just natural quality to his voice.

365
00:19:17,040 --> 00:19:20,200
Speaker 4: Oh yeah, he sang a lot of them. Yeah yeah.

366
00:19:20,320 --> 00:19:22,600
Speaker 3: Did you ever see him on the Flintstones. No, yeah,

367
00:19:22,640 --> 00:19:23,520
Speaker 3: he sings that song.

368
00:19:24,600 --> 00:19:24,840
Speaker 2: Yeah.

369
00:19:24,880 --> 00:19:27,240
Speaker 3: But dad but dab Yeah, but dab dab dab. I

370
00:19:27,680 --> 00:19:28,880
Speaker 3: didn't know that Carmichael.

371
00:19:29,040 --> 00:19:31,600
Speaker 4: Okay, I feel like you're like a wealth of knowledge.

372
00:19:31,600 --> 00:19:33,640
Speaker 3: I don't know how they like, because I know after

373
00:19:33,680 --> 00:19:36,160
Speaker 3: they tweaked his name, like it's probably like Stony Carmichael. Yeah,

374
00:19:36,520 --> 00:19:39,000
Speaker 3: I'm not sure. I don't know exactly what Michael. Yeah,

375
00:19:39,160 --> 00:19:44,760
Speaker 3: you go wow, damn write that down. Yeah, yeah, but

376
00:19:44,840 --> 00:19:46,720
Speaker 3: it's uh no, he was on the Flintstones, his his

377
00:19:47,040 --> 00:19:51,840
Speaker 3: his uh his library is really he wrote Skylark right, Oh.

378
00:19:51,760 --> 00:19:54,840
Speaker 4: Yeah, he wrote The Nearness of You.

379
00:19:55,240 --> 00:19:55,440
Speaker 13: Yeah.

380
00:19:57,400 --> 00:19:59,840
Speaker 4: God, he wrote a lot of really good ones.

381
00:20:01,480 --> 00:20:06,480
Speaker 3: Yeah, like very unique, just unaffected emotional. Yeah.

382
00:20:06,760 --> 00:20:08,679
Speaker 1: I feel like he had he always had like an

383
00:20:08,680 --> 00:20:12,920
Speaker 1: emotional quality. Something about his songs feel more emotional to me.

384
00:20:13,080 --> 00:20:15,840
Speaker 3: Yeah, There's like certain singers that are just they have

385
00:20:16,000 --> 00:20:19,520
Speaker 3: like if you listen to like Betty Hutton m who

386
00:20:19,640 --> 00:20:21,920
Speaker 3: is a vocalist from the forties and fifties, and she's

387
00:20:22,000 --> 00:20:25,320
Speaker 3: just all like, you know, technically good but like all

388
00:20:25,520 --> 00:20:27,040
Speaker 3: just like she sounds like she's got a drink in

389
00:20:27,119 --> 00:20:29,720
Speaker 3: her hand but never misses a note, never misses a beat,

390
00:20:30,480 --> 00:20:33,200
Speaker 3: but almost sounds like she's like shouting to you, but

391
00:20:33,320 --> 00:20:37,400
Speaker 3: it's all very controlled. Yeah, there's some there's some cool,

392
00:20:37,520 --> 00:20:38,240
Speaker 3: cool folks out there.

393
00:20:38,359 --> 00:20:39,119
Speaker 4: You ever heard of her?

394
00:20:39,560 --> 00:20:40,320
Speaker 3: Yeah, Betty Hutton.

395
00:20:40,440 --> 00:20:43,400
Speaker 4: You know a lot of stuff. You know a lot

396
00:20:43,440 --> 00:20:44,440
Speaker 4: of old stuff.

397
00:20:44,359 --> 00:20:46,720
Speaker 3: A lot of stuff about a few things, and then

398
00:20:46,800 --> 00:20:50,160
Speaker 3: other things. I'm absolutely ignorant, Like, yeah, let's talk about

399
00:20:50,160 --> 00:20:50,919
Speaker 3: sports now, and.

400
00:20:51,040 --> 00:20:52,800
Speaker 4: Well I don't know anything about sports, but I do

401
00:20:52,960 --> 00:20:53,119
Speaker 4: know that.

402
00:20:56,080 --> 00:20:58,440
Speaker 3: I think, yeah, I've been making that mistake for years

403
00:20:58,480 --> 00:21:00,960
Speaker 3: though people say, Patrick ewreing, oh, Dallas, I'm sure a

404
00:21:01,000 --> 00:21:01,639
Speaker 3: lot of people make that.

405
00:21:01,720 --> 00:21:03,119
Speaker 4: You know what, I'm probably wrong, and I'm just so

406
00:21:03,280 --> 00:21:05,000
Speaker 4: confident that I'm right that you believe me.

407
00:21:05,280 --> 00:21:06,200
Speaker 3: No, you're right, you're correct.

408
00:21:06,840 --> 00:21:07,879
Speaker 4: Now I'm second guessing it.

409
00:21:08,280 --> 00:21:09,520
Speaker 3: You're right, you're right about Patrick.

410
00:21:16,680 --> 00:21:18,240
Speaker 4: Do you ever sing any Gershwin tunes?

411
00:21:18,400 --> 00:21:18,600
Speaker 3: Yeah?

412
00:21:18,800 --> 00:21:20,240
Speaker 4: What's your favorite Gershwin tune?

413
00:21:21,119 --> 00:21:24,440
Speaker 3: I like loves Here to Stay? That's a great Oh.

414
00:21:24,640 --> 00:21:27,240
Speaker 4: I have a recording of me from high school doing that, yes,

415
00:21:27,359 --> 00:21:29,040
Speaker 4: and scat singing scatsing?

416
00:21:29,240 --> 00:21:31,760
Speaker 3: Yes, Oh that takes that takes some courage.

417
00:21:31,880 --> 00:21:34,359
Speaker 4: Oh I stopped after high school. Yeah, yeah, Yeah. It

418
00:21:34,520 --> 00:21:35,200
Speaker 4: wasn't great at it.

419
00:21:35,880 --> 00:21:39,200
Speaker 3: It's like, can you even can you still scat with?

420
00:21:39,320 --> 00:21:42,200
Speaker 3: People still sit still for scatting, there's still people who

421
00:21:42,280 --> 00:21:42,760
Speaker 3: still do it.

422
00:21:42,960 --> 00:21:44,879
Speaker 4: I don't. There are people who still doing it and

423
00:21:44,920 --> 00:21:45,720
Speaker 4: are really good at it.

424
00:21:45,800 --> 00:21:46,000
Speaker 3: Yeah.

425
00:21:46,320 --> 00:21:48,080
Speaker 4: It's just like one of those things you know where

426
00:21:48,160 --> 00:21:49,840
Speaker 4: it's like it's hard to pull it off, right.

427
00:21:50,840 --> 00:21:53,800
Speaker 3: Scatting is a is a it's like scootly boot and

428
00:21:54,680 --> 00:21:55,800
Speaker 3: and for those.

429
00:21:55,720 --> 00:22:00,800
Speaker 1: Folks, yeah, it's it's unfortunate that the term for scat

430
00:22:00,960 --> 00:22:02,920
Speaker 1: also describes animal poop.

431
00:22:03,400 --> 00:22:04,480
Speaker 3: But oh, yeah, that's true.

432
00:22:04,640 --> 00:22:05,480
Speaker 4: Yeah, I don't like that.

433
00:22:05,880 --> 00:22:09,199
Speaker 3: No, no, that's not fair. Only in the academic community, though,

434
00:22:09,720 --> 00:22:12,040
Speaker 3: that's true. I've never heard like a like a layman's

435
00:22:12,080 --> 00:22:14,679
Speaker 3: tru here's the term. Oh I have to go scat?

436
00:22:15,080 --> 00:22:18,160
Speaker 4: Yeah gat?

437
00:22:18,320 --> 00:22:18,520
Speaker 2: Yeah?

438
00:22:18,680 --> 00:22:22,120
Speaker 3: No, no, that's like biologists use that. You never collected

439
00:22:22,200 --> 00:22:23,840
Speaker 3: the animal's scat for study.

440
00:22:24,000 --> 00:22:25,880
Speaker 4: Yeah, it's all like kids in the park. Oh there's

441
00:22:25,920 --> 00:22:26,680
Speaker 4: some dog scat.

442
00:22:27,560 --> 00:22:29,879
Speaker 3: No, no, never heard it.

443
00:22:31,200 --> 00:22:32,400
Speaker 7: This song you did?

444
00:22:32,800 --> 00:22:34,040
Speaker 4: You put out an album last year?

445
00:22:34,760 --> 00:22:38,600
Speaker 3: Yes, the sky I just yelled, why bark that out?

446
00:22:38,640 --> 00:22:39,840
Speaker 2: It's okay, they're going.

447
00:22:39,760 --> 00:22:40,159
Speaker 13: To mix it.

448
00:22:40,320 --> 00:22:43,119
Speaker 4: God, that was so just need Did we hit the needle?

449
00:22:44,880 --> 00:22:45,800
Speaker 4: Did it go into the red?

450
00:22:45,920 --> 00:22:46,800
Speaker 3: Did you hit the needle?

451
00:22:46,920 --> 00:22:47,399
Speaker 4: It's okay?

452
00:22:48,520 --> 00:22:48,680
Speaker 5: Yes?

453
00:22:48,800 --> 00:22:48,840
Speaker 4: This?

454
00:22:49,119 --> 00:22:50,600
Speaker 3: Uh wait, which one are you talking about?

455
00:22:50,840 --> 00:22:51,520
Speaker 4: Blue Skies?

456
00:22:51,840 --> 00:22:51,919
Speaker 6: Oh?

457
00:22:52,000 --> 00:22:52,640
Speaker 3: Blue Skies?

458
00:22:52,920 --> 00:22:58,800
Speaker 4: Yes, you did this song recently? Yes, I did Irving Berlin,

459
00:22:58,920 --> 00:23:03,360
Speaker 4: moving Berlin beat. That another great. I have a frog

460
00:23:03,400 --> 00:23:04,639
Speaker 4: in my well. I'm not going to I don't have

461
00:23:04,720 --> 00:23:05,440
Speaker 4: to sing on this one.

462
00:23:05,600 --> 00:23:07,840
Speaker 3: I am too. I have a whole swamp in my

463
00:23:07,960 --> 00:23:14,240
Speaker 3: throat actually not just a frog. Yeah, how fast or

464
00:23:14,240 --> 00:23:14,680
Speaker 3: how slow.

465
00:23:15,760 --> 00:23:16,080
Speaker 4: I don't know.

466
00:23:16,200 --> 00:23:17,720
Speaker 3: I want you want to ping pong this?

467
00:23:18,400 --> 00:23:19,160
Speaker 4: You want me to sing?

468
00:23:19,240 --> 00:23:20,879
Speaker 13: So all right?

469
00:23:22,480 --> 00:23:26,159
Speaker 4: I can phrase around it. Just look at me.

470
00:23:26,400 --> 00:23:27,200
Speaker 3: Yeah, you don't have to.

471
00:23:27,320 --> 00:23:28,240
Speaker 4: It's like I'd love to.

472
00:23:43,080 --> 00:23:52,000
Speaker 2: Blue sky smiling at me, nothing but blue sky? Do

473
00:23:52,320 --> 00:23:53,159
Speaker 2: I see.

474
00:23:56,520 --> 00:24:06,800
Speaker 7: Blue bird singing a song? Nothing but blue all day long?

475
00:24:09,920 --> 00:24:15,440
Speaker 14: Never saw the sun shining so bright, Never saw things looking.

476
00:24:15,280 --> 00:24:22,160
Speaker 7: So right, noticing the days high by when you're by,

477
00:24:22,359 --> 00:24:23,360
Speaker 7: how they fly.

478
00:24:24,760 --> 00:24:32,120
Speaker 15: Blue days, all of them gone nothing but blue sky.

479
00:24:33,600 --> 00:24:34,320
Speaker 2: From no on.

480
00:25:05,280 --> 00:25:10,800
Speaker 14: Never saw the sun shining so bright, Never saw things going.

481
00:25:10,680 --> 00:25:14,760
Speaker 10: So right, You're not to sing the days time by,

482
00:25:15,440 --> 00:25:18,639
Speaker 10: when you're in love by, how they flowers?

483
00:25:19,920 --> 00:25:22,040
Speaker 13: Blue day, blue days.

484
00:25:21,840 --> 00:25:23,280
Speaker 8: All of them gone.

485
00:25:25,400 --> 00:25:34,960
Speaker 2: Nothing but blues sky from none, all blue skins.

486
00:25:36,200 --> 00:25:42,120
Speaker 7: Smiling in me, nothing but blue skies.

487
00:25:43,320 --> 00:25:55,840
Speaker 2: Do see blue bird singing a song? Nothing but blue

488
00:25:56,520 --> 00:26:36,040
Speaker 2: bird from now, blue sky smiling at me, nothing but

489
00:26:36,320 --> 00:26:38,000
Speaker 2: blue scar.

490
00:26:41,080 --> 00:26:41,960
Speaker 13: Do I.

491
00:26:43,840 --> 00:26:44,119
Speaker 2: See?

492
00:26:53,240 --> 00:26:55,159
Speaker 4: That was the weirdest, funnest version of.

493
00:26:57,720 --> 00:26:57,920
Speaker 13: God.

494
00:26:58,880 --> 00:27:02,240
Speaker 3: I feel like I'm like sound like Tara Reid after

495
00:27:02,280 --> 00:27:06,159
Speaker 3: a night of drinking. You can bleep that out, you

496
00:27:06,200 --> 00:27:07,400
Speaker 3: can bleep out her name.

497
00:27:07,560 --> 00:27:12,680
Speaker 1: That's he's like fifteen years ago, right, No, because.

498
00:27:12,440 --> 00:27:13,560
Speaker 3: It's probably way better now.

499
00:27:16,640 --> 00:27:18,400
Speaker 4: That was a fun version. I love this song.

500
00:27:20,080 --> 00:27:22,520
Speaker 3: Yeah, this is this is uh, it's funny. This was

501
00:27:22,600 --> 00:27:25,800
Speaker 3: This was one of the more Most of the stuff

502
00:27:25,840 --> 00:27:27,960
Speaker 3: that I do is so goddamn obscure.

503
00:27:28,480 --> 00:27:29,000
Speaker 7: It really is.

504
00:27:29,600 --> 00:27:31,120
Speaker 4: And that's why I picked this one.

505
00:27:31,240 --> 00:27:32,359
Speaker 3: Yeah, people might know.

506
00:27:32,440 --> 00:27:34,879
Speaker 4: It well also I know it. I didn't want to

507
00:27:34,920 --> 00:27:36,600
Speaker 4: mess up a song. I didn't know that well.

508
00:27:37,040 --> 00:27:41,320
Speaker 3: You know some pretty deep cuts too, though, like you

509
00:27:41,800 --> 00:27:44,680
Speaker 3: pretty deep. I do it all owl on the prowl

510
00:27:44,840 --> 00:27:45,720
Speaker 3: Jesus Christ, like I.

511
00:27:45,760 --> 00:27:49,200
Speaker 4: Said, that was Richard's pick, But I do it. I don't.

512
00:27:49,400 --> 00:27:49,760
Speaker 4: I don't.

513
00:27:50,200 --> 00:27:53,680
Speaker 1: I don't seek deep cuts out as much as I

514
00:27:53,840 --> 00:27:55,800
Speaker 1: just you know, if I stumble upon him, I'm excited.

515
00:27:56,160 --> 00:27:59,280
Speaker 1: I feel like you you're like a research machine or

516
00:27:59,320 --> 00:28:01,520
Speaker 1: something I don't know, or you just you just listen

517
00:28:01,560 --> 00:28:03,240
Speaker 1: to a lot of old stuff I do.

518
00:28:03,440 --> 00:28:05,440
Speaker 3: Yeah, it's part of it is that it's fun, and

519
00:28:05,560 --> 00:28:08,120
Speaker 3: part of it is that I can't think of any

520
00:28:08,160 --> 00:28:12,359
Speaker 3: good reason to sing. You know, Lady is a tramp like,

521
00:28:12,400 --> 00:28:15,600
Speaker 3: I'm not gonna I'm just not gonna. The The iconic

522
00:28:15,720 --> 00:28:17,600
Speaker 3: version has been done. I hate that word, and I

523
00:28:17,720 --> 00:28:18,080
Speaker 3: just used it.

524
00:28:18,280 --> 00:28:19,680
Speaker 4: Iconic iconic.

525
00:28:19,880 --> 00:28:21,000
Speaker 3: Yeah, I'm so say, you know.

526
00:28:21,040 --> 00:28:23,960
Speaker 1: What, you could start using it and pronounce it differently iconic. Yeah,

527
00:28:24,040 --> 00:28:26,280
Speaker 1: you could just see the iconic version has already been

528
00:28:26,320 --> 00:28:26,679
Speaker 1: done to.

529
00:28:26,640 --> 00:28:27,480
Speaker 4: See what people do.

530
00:28:28,119 --> 00:28:32,399
Speaker 3: It sounds like like a Canadian tribe hit her in

531
00:28:32,440 --> 00:28:33,440
Speaker 3: the Latin of the iconic.

532
00:28:33,680 --> 00:28:36,320
Speaker 4: Also, the lady is a tramp. Can you explain that

533
00:28:36,400 --> 00:28:36,879
Speaker 4: lyric to me?

534
00:28:37,440 --> 00:28:40,120
Speaker 3: No, because it doesn't the lyrics don't. I have never

535
00:28:40,120 --> 00:28:41,760
Speaker 3: been able to figure out those lyrics. The lady is

536
00:28:41,760 --> 00:28:44,360
Speaker 3: a tramp, and yet all the lyrics are about she's

537
00:28:44,600 --> 00:28:46,360
Speaker 3: actually has pretty refined tastes.

538
00:28:46,880 --> 00:28:49,200
Speaker 4: But what does that mean then, Like how are they

539
00:28:49,320 --> 00:28:51,480
Speaker 4: using that lyric, that word the tramp?

540
00:28:52,440 --> 00:28:55,320
Speaker 3: I don't know, like probably not in the way that

541
00:28:55,400 --> 00:28:55,760
Speaker 3: we think.

542
00:28:56,120 --> 00:28:59,240
Speaker 4: Yeah, not back then does she have a stamp you think?

543
00:29:00,240 --> 00:29:06,080
Speaker 3: I don't think character and just above her, just above

544
00:29:06,160 --> 00:29:06,680
Speaker 3: her fanny.

545
00:29:07,120 --> 00:29:07,320
Speaker 4: Yeah.

546
00:29:07,360 --> 00:29:09,440
Speaker 1: Well, it is hard to pick songs from this era

547
00:29:09,600 --> 00:29:12,479
Speaker 1: actually for that reason, Yeah, because so many have been

548
00:29:12,560 --> 00:29:13,600
Speaker 1: done so famously.

549
00:29:13,800 --> 00:29:16,200
Speaker 3: Yeah, it's it's but there's so many out there that

550
00:29:16,400 --> 00:29:19,400
Speaker 3: just haven't been touched that are you know, you can

551
00:29:19,480 --> 00:29:22,240
Speaker 3: make your you can make the definitive version. It's still

552
00:29:22,240 --> 00:29:24,520
Speaker 3: hanging out there. Yeah, that was what was cool about that.

553
00:29:24,800 --> 00:29:26,920
Speaker 3: This is the third time I brought up foul Owl

554
00:29:27,080 --> 00:29:27,640
Speaker 3: on the prowl.

555
00:29:28,200 --> 00:29:29,239
Speaker 4: Everybody go check it out.

556
00:29:31,440 --> 00:29:33,640
Speaker 3: It's like, that's not that's not a like that was

557
00:29:33,680 --> 00:29:34,560
Speaker 3: a that was a find.

558
00:29:34,960 --> 00:29:38,640
Speaker 4: Yeah. Also, just Quincy Jones is cool. It's cool that

559
00:29:38,720 --> 00:29:40,760
Speaker 4: we did it. Yeah, he's on a country record.

560
00:29:40,920 --> 00:29:42,800
Speaker 3: He's just a genius.

561
00:29:43,080 --> 00:29:43,320
Speaker 2: He is.

562
00:29:43,480 --> 00:29:46,320
Speaker 3: It's just when you look at that guy's library, from

563
00:29:46,680 --> 00:29:51,440
Speaker 3: arrangements to film scores to his career as a producer, Like,

564
00:29:51,520 --> 00:29:53,760
Speaker 3: it's just it's kind of incredible.

565
00:29:54,120 --> 00:29:56,800
Speaker 1: He actually wrote a book recently. It's pretty good. It's

566
00:29:56,840 --> 00:30:00,400
Speaker 1: like a it's one of those books that's short and

567
00:30:00,560 --> 00:30:02,680
Speaker 1: easy to read, and it's sort of like a manual

568
00:30:02,800 --> 00:30:05,440
Speaker 1: to life right a little bit, you know, like he's

569
00:30:05,480 --> 00:30:07,520
Speaker 1: telling his story a little but it's also giving a

570
00:30:07,560 --> 00:30:08,280
Speaker 1: lot of good advice.

571
00:30:08,720 --> 00:30:10,880
Speaker 4: Yeah, so it's kind of a cool read. I can't

572
00:30:10,880 --> 00:30:11,520
Speaker 4: remember the name of it.

573
00:30:11,640 --> 00:30:13,760
Speaker 3: Right now, but I remember, yeah, I remember reading. But

574
00:30:13,920 --> 00:30:15,760
Speaker 3: I might have ordered on Amazon.

575
00:30:15,840 --> 00:30:18,719
Speaker 4: But did you read it? No, did you open the package?

576
00:30:20,240 --> 00:30:23,160
Speaker 3: I think I did open the package. And I order

577
00:30:23,200 --> 00:30:24,680
Speaker 3: a lot of books and when I set them aside,

578
00:30:24,760 --> 00:30:25,280
Speaker 3: I'll get to that.

579
00:30:25,680 --> 00:30:28,080
Speaker 4: You don't read a kindle like I don't reader.

580
00:30:28,320 --> 00:30:29,880
Speaker 3: I don't. I can't.

581
00:30:30,440 --> 00:30:31,440
Speaker 4: You're too old school.

582
00:30:31,680 --> 00:30:33,640
Speaker 3: Yeah, I like to like the feel of paper.

583
00:30:33,880 --> 00:30:36,160
Speaker 4: Do you listen a lot of vinyl? I, you know,

584
00:30:36,280 --> 00:30:36,760
Speaker 4: it's funny.

585
00:30:36,920 --> 00:30:40,240
Speaker 3: Just recently, I don't love the set, Like, I don't

586
00:30:40,440 --> 00:30:42,640
Speaker 3: necessarily get the whole Oh my god, vinyl sounds so

587
00:30:42,680 --> 00:30:43,080
Speaker 3: much better.

588
00:30:43,240 --> 00:30:44,720
Speaker 4: AI, it doesn't.

589
00:30:45,360 --> 00:30:47,640
Speaker 3: It doesn't sound better to me. I just love to

590
00:30:47,760 --> 00:30:50,600
Speaker 3: watch the damn thing spinning. Yeah, Like, I'm so fascinated

591
00:30:50,680 --> 00:30:54,760
Speaker 3: by the technology that this little needle is rubbing against

592
00:30:54,800 --> 00:30:58,480
Speaker 3: this vinyl and the sound is coming out. Yeah, yeah,

593
00:30:58,600 --> 00:31:02,400
Speaker 3: she did, but it's yet. Just recently, I bought a

594
00:31:02,400 --> 00:31:04,320
Speaker 3: bunch of records just in the past few weeks, and

595
00:31:04,400 --> 00:31:05,600
Speaker 3: I haven't done so in.

596
00:31:05,720 --> 00:31:07,280
Speaker 4: Years, and it's kind of making a comeback.

597
00:31:07,440 --> 00:31:07,680
Speaker 13: Yeah.

598
00:31:07,840 --> 00:31:10,960
Speaker 4: But also, you don't get that it sounds better. Maybe

599
00:31:11,000 --> 00:31:12,960
Speaker 4: you don't have the right vinyl setup. Do you have

600
00:31:13,040 --> 00:31:16,760
Speaker 4: like a tube thing and you know you must have

601
00:31:16,880 --> 00:31:17,560
Speaker 4: great speakers?

602
00:31:17,760 --> 00:31:18,000
Speaker 2: Yeah?

603
00:31:18,200 --> 00:31:21,280
Speaker 3: I have a really really I mean, this record player

604
00:31:21,320 --> 00:31:23,480
Speaker 3: looks like a Rube Goldberg device, Like it's a real

605
00:31:24,320 --> 00:31:31,040
Speaker 3: gorgeous thing. It's just, you know, it's the the fullness

606
00:31:31,240 --> 00:31:34,680
Speaker 3: isn't always yeah, you know, it's just it's it's a

607
00:31:34,840 --> 00:31:35,840
Speaker 3: it's an old technology.

608
00:31:36,280 --> 00:31:39,840
Speaker 4: It is well, I mean, it should be fuller. Maybe

609
00:31:39,880 --> 00:31:41,520
Speaker 4: you have it. I'm like, let me come.

610
00:31:41,440 --> 00:31:43,480
Speaker 3: Fix your like like if I if I listen to say,

611
00:31:43,760 --> 00:31:46,120
Speaker 3: you know, like okay, let's say I'm listening to like

612
00:31:46,200 --> 00:31:50,080
Speaker 3: the Star Wars soundtrack on an LP as opposed to

613
00:31:50,400 --> 00:31:52,400
Speaker 3: you know, a digital download. The digital download is going

614
00:31:52,440 --> 00:31:54,760
Speaker 3: to sound like the orchestra is right there and it's

615
00:31:54,800 --> 00:31:56,760
Speaker 3: present and the and the vinyl sounds great.

616
00:31:56,880 --> 00:31:59,200
Speaker 1: It's just I think the thing is it's supposed to

617
00:31:59,280 --> 00:32:01,960
Speaker 1: sound like warmer and fatter, yeah, a little bit, and.

618
00:32:02,000 --> 00:32:03,360
Speaker 4: The digital stuff has a little.

619
00:32:03,160 --> 00:32:04,880
Speaker 3: Bit of a sheen on it, this kind of well,

620
00:32:04,920 --> 00:32:06,400
Speaker 3: maybe my record player is a piece of shit.

621
00:32:06,560 --> 00:32:09,920
Speaker 1: Maybe your record player is amazing and it's going through

622
00:32:09,960 --> 00:32:13,200
Speaker 1: some like lay mass digital converter that you don't know.

623
00:32:13,400 --> 00:32:15,320
Speaker 3: Maybe maybe maybe that's yeah.

624
00:32:15,320 --> 00:32:17,040
Speaker 4: Are you technically savvy?

625
00:32:17,680 --> 00:32:17,720
Speaker 13: No?

626
00:32:18,120 --> 00:32:21,040
Speaker 1: Okay, not even a little all right, not even I

627
00:32:21,120 --> 00:32:22,480
Speaker 1: feel like there must be a way.

628
00:32:22,400 --> 00:32:23,040
Speaker 4: To prove it to you.

629
00:32:24,080 --> 00:32:24,960
Speaker 3: I believe you, believe me.

630
00:32:25,160 --> 00:32:27,120
Speaker 4: It's it's but I know what you mean. Sometimes you

631
00:32:27,160 --> 00:32:28,000
Speaker 4: listen stuff digitally.

632
00:32:28,120 --> 00:32:31,160
Speaker 3: It's Patrick Ewing. We're sitting here telling me this. I'd

633
00:32:31,200 --> 00:32:33,400
Speaker 3: be like you don't know what the fuck you're talking about.

634
00:32:33,400 --> 00:32:34,360
Speaker 3: I'm inclined to believe you.

635
00:32:34,680 --> 00:32:37,080
Speaker 4: I'm pretty sure you're right that it's the guy from Dallas.

636
00:32:37,280 --> 00:32:39,600
Speaker 3: No, No, I don't know. I'm pretty sure I'm wrong,

637
00:32:40,920 --> 00:32:41,680
Speaker 3: Pretty sure I'm wrong.

638
00:32:42,680 --> 00:32:42,720
Speaker 6: No.

639
00:32:42,960 --> 00:32:46,720
Speaker 3: No, Patrick Ewing is the athlete, and j R. Ewing

640
00:32:46,760 --> 00:32:49,400
Speaker 3: and Bobby Ewing are are the TV characters. Okay, that's

641
00:32:49,440 --> 00:32:50,040
Speaker 3: pretty simple.

642
00:32:50,560 --> 00:32:53,840
Speaker 4: And who's Pat Conway again? No, I'm I'm just going

643
00:32:54,720 --> 00:32:55,560
Speaker 4: and Conway Twitter?

644
00:32:55,760 --> 00:32:55,960
Speaker 5: Yeah?

645
00:32:56,160 --> 00:33:00,440
Speaker 3: Yeah, yeah, and Twitter? And then Jeff Conaway was on Taxi.

646
00:33:01,000 --> 00:33:01,840
Speaker 4: Are you still on Twitter?

647
00:33:02,720 --> 00:33:03,959
Speaker 3: Unfortunately? Yes I am.

648
00:33:04,800 --> 00:33:06,480
Speaker 4: Oh my god, I bet your fun on Twitter.

649
00:33:06,920 --> 00:33:09,040
Speaker 3: You know I haven't. I haven't been on Twitter in

650
00:33:09,120 --> 00:33:09,520
Speaker 3: a minute.

651
00:33:09,680 --> 00:33:12,200
Speaker 4: If I followed stuff on Twitter, I would follow you.

652
00:33:12,520 --> 00:33:14,480
Speaker 3: Yeah. I used to be really funny on Twitter, and

653
00:33:14,560 --> 00:33:17,120
Speaker 3: then Trump got elected and me, along with every other comedian,

654
00:33:18,000 --> 00:33:21,960
Speaker 3: just got all pissed and self righteous and oh wow, yeah,

655
00:33:22,080 --> 00:33:23,640
Speaker 3: it's it's probably time for me to leave Twitter.

656
00:33:25,960 --> 00:33:29,360
Speaker 4: Do you think that it's harder to make jokes now?

657
00:33:30,400 --> 00:33:32,680
Speaker 4: Or do you not give a crap? Are you grandfathered in?

658
00:33:33,440 --> 00:33:35,360
Speaker 3: I'm grandfathered in a little bit.

659
00:33:35,480 --> 00:33:36,640
Speaker 4: Okay, yeah, a little bit.

660
00:33:36,720 --> 00:33:37,360
Speaker 2: I think.

661
00:33:39,040 --> 00:33:46,720
Speaker 3: I've I've made enough of a public nuisance about the

662
00:33:46,760 --> 00:33:49,600
Speaker 3: fact that my politics are pretty left that that buys

663
00:33:49,680 --> 00:33:51,600
Speaker 3: you a little bit of comedy.

664
00:33:52,400 --> 00:33:53,400
Speaker 4: It's funny, but.

665
00:33:54,880 --> 00:33:57,320
Speaker 3: It depends. It's one thing for me to tweet something,

666
00:33:57,720 --> 00:33:59,480
Speaker 3: and it's one thing for me to tell a joke.

667
00:34:00,520 --> 00:34:04,120
Speaker 3: It's another thing for Stewie or Peter or Brian. Yeah,

668
00:34:04,160 --> 00:34:05,680
Speaker 3: to make it unfamily.

669
00:34:05,240 --> 00:34:06,280
Speaker 4: Guy, that's true.

670
00:34:06,360 --> 00:34:08,840
Speaker 3: Actually, that's still kind of a protected space because it

671
00:34:09,000 --> 00:34:09,960
Speaker 3: just it just is what it is.

672
00:34:10,280 --> 00:34:12,640
Speaker 4: But how cool is that because it's kind of hard

673
00:34:12,680 --> 00:34:13,920
Speaker 4: for people now to navigate.

674
00:34:14,040 --> 00:34:17,080
Speaker 3: Yeah, yeah, it's it's yeah, it's I mean even that

675
00:34:17,160 --> 00:34:21,000
Speaker 3: shows it's a little more it's a little trickier than

676
00:34:21,040 --> 00:34:22,719
Speaker 3: it used to be, but it's it's not that much.

677
00:34:22,880 --> 00:34:24,880
Speaker 3: Like I don't really notice much of a difference, do you.

678
00:34:25,160 --> 00:34:28,000
Speaker 4: I mean, you're pretty you have a lot of sienniority.

679
00:34:28,160 --> 00:34:29,319
Speaker 4: The show's been on for how long?

680
00:34:30,160 --> 00:34:32,319
Speaker 3: Ah, it's nineteen ninety nine.

681
00:34:32,840 --> 00:34:33,480
Speaker 4: That's insane.

682
00:34:33,600 --> 00:34:37,319
Speaker 3: Yeah, yeah, still just as good as as as ever.

683
00:34:37,960 --> 00:34:39,560
Speaker 4: I mean, that's kind of that's insane.

684
00:34:40,320 --> 00:34:43,200
Speaker 3: No, it's still it's still wonderful. Uh yeah, no, it's

685
00:34:43,360 --> 00:34:45,120
Speaker 3: it's it's a lot I never would have thought, ever

686
00:34:45,120 --> 00:34:46,239
Speaker 3: would have thought that's a wrong time.

687
00:34:47,000 --> 00:34:47,879
Speaker 4: Yeah, wrong time.

688
00:34:48,719 --> 00:34:51,560
Speaker 1: I mean, even though you know you have the seniority,

689
00:34:51,600 --> 00:34:55,200
Speaker 1: do you feel like, do people tell you that joke's

690
00:34:55,239 --> 00:34:57,000
Speaker 1: not kind of fly? Do you have people from the

691
00:34:57,080 --> 00:34:59,840
Speaker 1: network that like check your work or anything, or you just.

692
00:34:59,840 --> 00:35:00,560
Speaker 4: Have free range?

693
00:35:00,640 --> 00:35:03,279
Speaker 3: Yeah, No, there's there's the Broadcast Standards Department that that

694
00:35:03,360 --> 00:35:05,919
Speaker 3: will tell you. But they're even they're they're pretty cool.

695
00:35:06,120 --> 00:35:08,560
Speaker 3: I mean, that's those are that's a that's an office

696
00:35:08,640 --> 00:35:11,359
Speaker 3: that will their job is to make sure nothing too

697
00:35:11,440 --> 00:35:15,000
Speaker 3: offensive gets on the air. And I'm gonna say, like

698
00:35:15,040 --> 00:35:17,360
Speaker 3: I got I got a lot of a lot of

699
00:35:17,680 --> 00:35:20,560
Speaker 3: criticisms of of Fox as a company, but that department

700
00:35:20,680 --> 00:35:23,960
Speaker 3: is a pretty cool that's great. Yeah.

701
00:35:24,200 --> 00:35:26,240
Speaker 2: What what year did your.

702
00:35:26,160 --> 00:35:27,040
Speaker 3: First record come out?

703
00:35:27,239 --> 00:35:28,000
Speaker 4: Two thousand and two?

704
00:35:28,480 --> 00:35:32,680
Speaker 3: Yeah, so so family Guys been on roughly. That's kind

705
00:35:32,719 --> 00:35:35,000
Speaker 3: of round when we started. Yeah, that's around when we

706
00:35:35,080 --> 00:35:35,880
Speaker 3: started that.

707
00:35:36,160 --> 00:35:38,960
Speaker 4: That's just insane to me. I mean, I feel like

708
00:35:39,200 --> 00:35:40,960
Speaker 4: I'm twenty five still, I don't I.

709
00:35:40,960 --> 00:35:43,120
Speaker 3: Don't mean too Yeah, it's kind of nuts.

710
00:35:43,360 --> 00:35:44,399
Speaker 4: It's totally nuts.

711
00:35:44,440 --> 00:35:45,400
Speaker 3: Yeah, something's happened.

712
00:35:45,840 --> 00:35:49,279
Speaker 4: Yeah, but I heard you're going to reboot Ted, Yes,

713
00:35:49,680 --> 00:35:50,319
Speaker 4: going to be on TV.

714
00:35:50,600 --> 00:35:55,200
Speaker 3: Yes, what the heck eight episode okay, yeah, but that's awesome. Yeah,

715
00:35:55,440 --> 00:35:56,600
Speaker 3: an eight episode run.

716
00:35:57,560 --> 00:35:58,960
Speaker 4: We'll see on what network?

717
00:35:59,120 --> 00:35:59,880
Speaker 3: On Peacock.

718
00:36:00,480 --> 00:36:04,000
Speaker 4: Poppycock right explained.

719
00:36:04,040 --> 00:36:09,560
Speaker 3: Peacock's a streaming service that as of now exists. I

720
00:36:09,600 --> 00:36:13,840
Speaker 3: don't know when this airs, but you know, as of

721
00:36:14,080 --> 00:36:17,600
Speaker 3: as of this taping, Peacock it exists, is a streaming

722
00:36:17,640 --> 00:36:18,560
Speaker 3: service that exists.

723
00:36:19,920 --> 00:36:21,720
Speaker 4: I believe that's where you can watch The Office.

724
00:36:21,800 --> 00:36:23,560
Speaker 3: Now, you can watch the Office there, you can watch

725
00:36:23,680 --> 00:36:30,359
Speaker 3: Law and Order. Yeah, okay, all on Peacock. But but yeah, yeah,

726
00:36:30,440 --> 00:36:34,160
Speaker 3: we we Yeah, we'll probably use some some version of

727
00:36:34,440 --> 00:36:36,680
Speaker 3: your tune so you'll get some you'll get some fucking

728
00:36:36,719 --> 00:36:37,239
Speaker 3: dough out of this.

729
00:36:37,760 --> 00:36:40,879
Speaker 4: I didn't write it. You get some you wrote, Yeah,

730
00:36:41,480 --> 00:36:44,360
Speaker 4: I don't. Well that's fine. Yeah, that's why I was asking.

731
00:36:44,560 --> 00:36:48,520
Speaker 3: Yes, I figured that's where the right, that's I knew.

732
00:36:48,680 --> 00:36:51,520
Speaker 3: That's why I just just the elephant in the room.

733
00:36:51,760 --> 00:36:54,839
Speaker 3: I'll just say, yes, it's you'll we'll work it out,

734
00:36:54,880 --> 00:36:56,640
Speaker 3: the lawyers, the agents will work it out. It'll all

735
00:36:56,719 --> 00:36:57,080
Speaker 3: be fine.

736
00:36:57,880 --> 00:37:00,160
Speaker 4: But so you're gonna you're gonna do a TV an

737
00:37:00,160 --> 00:37:01,120
Speaker 4: eight episode thing.

738
00:37:01,239 --> 00:37:03,319
Speaker 3: Yeah, yeah, we shot it already with the.

739
00:37:03,400 --> 00:37:07,200
Speaker 4: Same like Mark and prequel it's a prequel.

740
00:37:06,840 --> 00:37:08,239
Speaker 3: Takes place in nineteen ninety three.

741
00:37:08,480 --> 00:37:13,400
Speaker 4: What, Yeah, the music's gonna be jamming. That's amazing, is

742
00:37:13,440 --> 00:37:13,759
Speaker 4: that sure?

743
00:37:13,880 --> 00:37:15,799
Speaker 3: That's like the early nineties, is yeah?

744
00:37:15,880 --> 00:37:18,680
Speaker 4: That's my Yeah. I was like, yeah, I was born

745
00:37:18,719 --> 00:37:20,879
Speaker 4: in seventy ninees, early nineties.

746
00:37:20,800 --> 00:37:23,680
Speaker 3: Right, right, So that's your I have like this very

747
00:37:23,800 --> 00:37:25,680
Speaker 3: unpopular opinion you're gonna want to kick me out of

748
00:37:25,680 --> 00:37:29,640
Speaker 3: your studio that the nineties might be the worst era

749
00:37:29,800 --> 00:37:32,759
Speaker 3: for music in the history of pop. I mean, you

750
00:37:32,800 --> 00:37:33,960
Speaker 3: can throw that water in my face.

751
00:37:34,040 --> 00:37:36,520
Speaker 1: No, no, no, I don't necessarily disagree with that, but

752
00:37:36,880 --> 00:37:38,280
Speaker 1: but there's still some great stuff.

753
00:37:38,320 --> 00:37:39,880
Speaker 3: Sure, sure for pop.

754
00:37:40,480 --> 00:37:42,400
Speaker 4: Yeah, you're not talking about like hip hop.

755
00:37:42,320 --> 00:37:44,520
Speaker 3: Well, like the whole brunge thing where it's like, hey,

756
00:37:44,640 --> 00:37:47,880
Speaker 3: we know three chords, let's make a billion dollars.

757
00:37:49,000 --> 00:37:51,840
Speaker 4: Are you eight hundred and fifty seven years old? Fucking

758
00:37:52,040 --> 00:37:54,319
Speaker 4: I swear to god? Absolutely, you look young.

759
00:37:54,480 --> 00:37:55,240
Speaker 3: Where are the Flukees?

760
00:37:55,280 --> 00:37:58,360
Speaker 4: But you're talking like an old man. That's amazing.

761
00:37:58,600 --> 00:38:01,040
Speaker 3: But there's a complexity to like, I mean, you listen

762
00:38:01,120 --> 00:38:03,200
Speaker 3: to your stuff, it's like there's a there's a there's

763
00:38:03,200 --> 00:38:05,319
Speaker 3: a sense that Okay, there's a real musicianship, there's an

764
00:38:05,400 --> 00:38:06,600
Speaker 3: understanding of music.

765
00:38:06,440 --> 00:38:07,040
Speaker 2: Theory and all that.

766
00:38:07,280 --> 00:38:09,440
Speaker 4: You like my stuff because I love the old stuff.

767
00:38:09,560 --> 00:38:11,239
Speaker 3: Well, yeah, but it's but it's but you're not like

768
00:38:11,680 --> 00:38:15,279
Speaker 3: it's because I I it's I can't pick out Oh

769
00:38:15,360 --> 00:38:16,920
Speaker 3: this is how she did this. She did this, and

770
00:38:17,000 --> 00:38:18,399
Speaker 3: then she went to there, and then she went back

771
00:38:18,440 --> 00:38:21,600
Speaker 3: to there, and that's wow. It's like you're writing songs.

772
00:38:22,000 --> 00:38:25,400
Speaker 4: I mean, in terms of the nineties, it holds a

773
00:38:25,400 --> 00:38:26,479
Speaker 4: special place in my heart.

774
00:38:26,560 --> 00:38:29,880
Speaker 1: Yeah, but I will say it's like kind of a

775
00:38:30,080 --> 00:38:34,400
Speaker 1: it was kind of a weird middle area of the eighties.

776
00:38:34,560 --> 00:38:38,360
Speaker 1: Production was so insanely cool and weird, and then the

777
00:38:38,520 --> 00:38:42,120
Speaker 1: nineties got kind of like folked out, but then still

778
00:38:42,160 --> 00:38:45,279
Speaker 1: had really heavy production, which feels weird on folky music

779
00:38:45,360 --> 00:38:46,239
Speaker 1: to me sometimes.

780
00:38:46,920 --> 00:38:47,840
Speaker 4: But now when I.

781
00:38:47,880 --> 00:38:50,919
Speaker 1: Hear it, it's nostalgic. But I think at the time

782
00:38:51,320 --> 00:38:53,759
Speaker 1: I didn't always understand that aspect of it.

783
00:38:54,120 --> 00:38:55,840
Speaker 3: Oh That's how I feel about a lot of eighties music.

784
00:38:56,000 --> 00:38:58,200
Speaker 4: Is that it's it's, Oh, you don't like the eighties either.

785
00:38:58,200 --> 00:39:01,600
Speaker 3: Well, I I it's strange because there's things I love,

786
00:39:01,680 --> 00:39:02,960
Speaker 3: Like there's a lot of music that I love from

787
00:39:03,000 --> 00:39:05,600
Speaker 3: the eighties, but I I'm very aware that it's because

788
00:39:05,840 --> 00:39:07,359
Speaker 3: oh I associate this with my child.

789
00:39:07,640 --> 00:39:08,200
Speaker 4: Yeah, exactly.

790
00:39:08,360 --> 00:39:10,279
Speaker 3: Nostalgic for this, this, This reminds me of this, This

791
00:39:10,400 --> 00:39:12,720
Speaker 3: reminds me of this. I have like a certain box

792
00:39:12,800 --> 00:39:14,680
Speaker 3: for that stuff, and then another box for stuff that.

793
00:39:14,760 --> 00:39:17,800
Speaker 3: Oh that's just great music, and oftentimes there is no

794
00:39:18,120 --> 00:39:22,040
Speaker 3: association for my life. It's just whoa, that's crazy.

795
00:39:22,360 --> 00:39:26,359
Speaker 4: Yeah, so you're you're an old you're an old man.

796
00:39:26,640 --> 00:39:26,839
Speaker 2: Yeah.

797
00:39:27,160 --> 00:39:30,320
Speaker 4: Who's like, Yeah, you have a refined taste.

798
00:39:31,239 --> 00:39:34,560
Speaker 3: That's all I wanted to hear. That's all anybody wants

799
00:39:34,640 --> 00:39:37,880
Speaker 3: to hear. Wow, you have really good taste in music.

800
00:39:37,960 --> 00:39:39,080
Speaker 3: Who doesn't love hearing that?

801
00:39:39,520 --> 00:39:40,840
Speaker 4: Let's do Whip It by Divo?

802
00:39:42,520 --> 00:39:43,120
Speaker 2: Is that what that is?

803
00:39:43,600 --> 00:39:45,680
Speaker 13: I know at all?

804
00:39:48,200 --> 00:39:53,000
Speaker 3: That's that? That's uh say it's your birthday? Right? That

805
00:39:53,120 --> 00:39:53,520
Speaker 3: what that is?

806
00:39:56,040 --> 00:39:56,160
Speaker 13: Oh?

807
00:39:56,200 --> 00:39:56,919
Speaker 3: That's pretty woman.

808
00:39:57,160 --> 00:39:59,239
Speaker 4: Oh yeah, Now I try to say whip it by

809
00:39:59,480 --> 00:40:01,759
Speaker 4: Who's the old? I try to play with it by

810
00:40:01,880 --> 00:40:04,520
Speaker 4: Deevo devoted to play a Roy Orbison strong and.

811
00:40:04,760 --> 00:40:07,959
Speaker 3: Yeah that's fine. Fine, he's not here. Oh my god,

812
00:40:08,840 --> 00:40:09,560
Speaker 3: he can't hurt us.

813
00:40:10,960 --> 00:40:14,840
Speaker 1: Wait, so the Ted when we shot ted in Boston.

814
00:40:15,480 --> 00:40:18,359
Speaker 1: That's probably one of the funnest like things that's ever

815
00:40:18,440 --> 00:40:20,120
Speaker 1: happened to me. I don't know if I've ever told

816
00:40:20,200 --> 00:40:22,879
Speaker 1: you this, because we we hung out for a few

817
00:40:22,920 --> 00:40:24,759
Speaker 1: years and then I had kids and I disappeared and like,

818
00:40:24,760 --> 00:40:28,000
Speaker 1: I haven't seen you in ten years. Yeah, for a

819
00:40:28,160 --> 00:40:32,400
Speaker 1: long time and still today, but definitely for like a

820
00:40:32,480 --> 00:40:36,840
Speaker 1: good eight year period, Ted was all I got recognized for.

821
00:40:37,040 --> 00:40:40,120
Speaker 1: Like I've gone so many years sort of flying under

822
00:40:40,120 --> 00:40:43,279
Speaker 1: the radar and people don't recognize me that much, and

823
00:40:43,640 --> 00:40:45,960
Speaker 1: and all of a sudden, people recognize me for Ted

824
00:40:46,040 --> 00:40:46,400
Speaker 1: because it.

825
00:40:46,440 --> 00:40:49,719
Speaker 4: Was such a huge movie and that's so crazy. And

826
00:40:49,800 --> 00:40:51,560
Speaker 4: then I would be playing shows.

827
00:40:51,320 --> 00:40:53,040
Speaker 3: That doesn't make sense because you have like an arm

828
00:40:53,239 --> 00:40:54,160
Speaker 3: load of Grammys.

829
00:40:54,360 --> 00:40:57,000
Speaker 4: No, but I'm you know, I'm I'm kind of I'm

830
00:40:57,080 --> 00:40:59,440
Speaker 4: not I'm not a huge superstar, you know, I'm like,

831
00:40:59,840 --> 00:41:00,719
Speaker 4: I don't know, man.

832
00:41:00,760 --> 00:41:04,319
Speaker 3: I I the the the half the cast of Ted

833
00:41:04,680 --> 00:41:09,960
Speaker 3: was was very, very excited that we might might be

834
00:41:10,080 --> 00:41:11,080
Speaker 3: revisiting this tune.

835
00:41:11,280 --> 00:41:12,960
Speaker 4: The other half like, who's this?

836
00:41:14,480 --> 00:41:15,160
Speaker 3: Everybody knows you?

837
00:41:15,400 --> 00:41:15,879
Speaker 4: Oh my god.

838
00:41:15,920 --> 00:41:18,680
Speaker 3: It was so fun and and it was at the

839
00:41:18,760 --> 00:41:19,799
Speaker 3: Hatshell too, right, and we.

840
00:41:20,200 --> 00:41:22,799
Speaker 4: All over Boston. Yeah, and I couldn't believe it. They

841
00:41:22,840 --> 00:41:25,160
Speaker 4: were like it looked like five thousand people out there

842
00:41:25,280 --> 00:41:25,920
Speaker 4: for the shoot.

843
00:41:26,400 --> 00:41:28,840
Speaker 3: Yeah, it was like eight probably, Yeah, I don't have

844
00:41:28,960 --> 00:41:30,640
Speaker 3: but they were there. They were They came out just

845
00:41:30,800 --> 00:41:32,640
Speaker 3: because we said, like, hey, Nora Jones going to be

846
00:41:32,680 --> 00:41:34,360
Speaker 3: doing yeah, and we thought we were going to have

847
00:41:34,440 --> 00:41:37,680
Speaker 3: to do that that tiling where like you you shoot

848
00:41:37,719 --> 00:41:41,120
Speaker 3: a certain number of number of crowd people and then

849
00:41:41,160 --> 00:41:43,560
Speaker 3: you kind of shake rubber stamp them into the rest

850
00:41:43,600 --> 00:41:45,799
Speaker 3: of the space. And we didn't have to do any

851
00:41:45,800 --> 00:41:45,920
Speaker 3: of that.

852
00:41:46,080 --> 00:41:46,360
Speaker 2: Really.

853
00:41:46,480 --> 00:41:47,120
Speaker 3: They all showed up.

854
00:41:47,320 --> 00:41:48,560
Speaker 15: Oh my gosh, that all night.

855
00:41:48,880 --> 00:41:50,800
Speaker 4: Yeah, it was like all night and all night I remember,

856
00:41:50,800 --> 00:41:51,520
Speaker 4: I was really tired.

857
00:41:51,640 --> 00:41:51,799
Speaker 3: Yeah.

858
00:41:52,400 --> 00:41:55,759
Speaker 4: And then it was so surreal for me.

859
00:41:55,840 --> 00:41:58,279
Speaker 3: You're playing Come Away with Me over and over again,

860
00:41:58,320 --> 00:41:59,920
Speaker 3: and they were there. They were there for all of it.

861
00:42:00,239 --> 00:42:03,520
Speaker 4: It was so fun. And then Mark Wahlberg, it was

862
00:42:03,560 --> 00:42:05,560
Speaker 4: so fun to meet him, I mean talk about hello

863
00:42:05,840 --> 00:42:06,839
Speaker 4: nineties Hello.

864
00:42:07,160 --> 00:42:07,359
Speaker 5: Yeah.

865
00:42:07,560 --> 00:42:09,520
Speaker 4: I love that. Yeah, I love that I got to

866
00:42:09,600 --> 00:42:10,000
Speaker 4: meet Mark.

867
00:42:10,400 --> 00:42:12,719
Speaker 3: Yeah, and you even there was even a take to

868
00:42:12,880 --> 00:42:15,600
Speaker 3: where I think, as you guys are passing right, you

869
00:42:16,120 --> 00:42:18,399
Speaker 3: gave him a little ass grab I did you did?

870
00:42:18,600 --> 00:42:19,960
Speaker 4: I did my own village?

871
00:42:20,080 --> 00:42:20,279
Speaker 13: Yeah.

872
00:42:20,480 --> 00:42:22,600
Speaker 3: Yeah, that was a bit of improv, but you put

873
00:42:22,640 --> 00:42:23,600
Speaker 3: it in Yeah.

874
00:42:24,280 --> 00:42:25,879
Speaker 4: Yeah, putting in the cut.

875
00:42:25,960 --> 00:42:26,400
Speaker 2: Yeah, that was.

876
00:42:26,800 --> 00:42:28,279
Speaker 3: I don't know if people know that that was. That

877
00:42:28,440 --> 00:42:29,839
Speaker 3: was just a spur of the moment.

878
00:42:29,880 --> 00:42:30,880
Speaker 4: Am I going to get canceled?

879
00:42:30,920 --> 00:42:30,960
Speaker 5: No?

880
00:42:31,760 --> 00:42:33,800
Speaker 3: Come on, I feel like he loved it. He loved it.

881
00:42:34,080 --> 00:42:34,440
Speaker 2: I don't know.

882
00:42:36,080 --> 00:42:39,040
Speaker 4: Well, it was pretty funny. Oh my god. I was like,

883
00:42:39,280 --> 00:42:40,280
Speaker 4: I was like a teenager.

884
00:42:40,760 --> 00:42:41,719
Speaker 3: It was just yeah, that was.

885
00:42:41,960 --> 00:42:43,760
Speaker 4: That was a I couldn't help myself.

886
00:42:44,239 --> 00:42:45,480
Speaker 2: That was. That was a lot of like.

887
00:42:45,800 --> 00:42:46,000
Speaker 4: That was.

888
00:42:46,160 --> 00:42:49,600
Speaker 3: I remember that movie being a lot of guessing, having

889
00:42:49,640 --> 00:42:50,759
Speaker 3: no idea really what I was doing.

890
00:42:50,840 --> 00:42:53,640
Speaker 4: That was your first movie, right that you directed. Yeah,

891
00:42:53,960 --> 00:42:56,000
Speaker 4: but you also wrote it and everything.

892
00:42:56,320 --> 00:43:00,160
Speaker 3: Yeah, with two writers from Family Guy and I. But

893
00:43:00,239 --> 00:43:03,480
Speaker 3: I remember like whispering to my DP, to my director photography, like, so,

894
00:43:03,800 --> 00:43:05,239
Speaker 3: you're gonna have to help me out here, I don't

895
00:43:05,280 --> 00:43:08,399
Speaker 3: really know what I'm doing.

896
00:43:09,400 --> 00:43:10,000
Speaker 4: Oh that's right.

897
00:43:10,320 --> 00:43:10,520
Speaker 3: Yeah.

898
00:43:10,600 --> 00:43:14,680
Speaker 4: But I remember everybody being so happy to be working

899
00:43:14,760 --> 00:43:14,960
Speaker 4: with you.

900
00:43:15,160 --> 00:43:16,000
Speaker 2: I remember this.

901
00:43:16,160 --> 00:43:17,200
Speaker 4: I remember the crew and.

902
00:43:17,200 --> 00:43:19,799
Speaker 1: A bunch of the cast were telling me how how

903
00:43:20,000 --> 00:43:22,520
Speaker 1: sweet you were and kind and how like it was

904
00:43:22,560 --> 00:43:26,319
Speaker 1: your first time but you were super open and just everybody.

905
00:43:26,040 --> 00:43:29,359
Speaker 3: Loved working Oh that's nice, that's nice. Yeah, it's it's yeah.

906
00:43:29,400 --> 00:43:32,640
Speaker 3: I mean I had I Yeah, I needed a lot

907
00:43:32,680 --> 00:43:33,000
Speaker 3: of help.

908
00:43:33,920 --> 00:43:35,319
Speaker 4: Yeah, so you had to be nice.

909
00:43:35,440 --> 00:43:37,319
Speaker 3: I had to be nice. Yeah, you gotta be nice

910
00:43:37,360 --> 00:43:39,279
Speaker 3: when you don't know what you're doing. But it's it's yeah,

911
00:43:39,480 --> 00:43:42,600
Speaker 3: that was a that was a lot of And I

912
00:43:42,640 --> 00:43:46,560
Speaker 3: remember that Bride'smaids came out while we were shooting. Oh yeah,

913
00:43:47,160 --> 00:43:49,560
Speaker 3: and I and I saw that movie and I was like,

914
00:43:49,680 --> 00:43:53,600
Speaker 3: this is hilarious. Oh shit, it's a huge hit. Our

915
00:43:53,680 --> 00:43:56,879
Speaker 3: movie's gonna suck. Why am I doing this? Oh yeah,

916
00:43:57,040 --> 00:44:00,520
Speaker 3: just think yeah, just completely self con just like I'm

917
00:44:00,560 --> 00:44:02,000
Speaker 3: just what am I doing? This is just gonna back.

918
00:44:02,040 --> 00:44:04,759
Speaker 3: I should go back to family guy. But it worked.

919
00:44:04,920 --> 00:44:08,080
Speaker 4: What a leap though, Like it worked well, you'd already

920
00:44:08,160 --> 00:44:10,359
Speaker 4: you're already halfway through production those you can't stop.

921
00:44:11,719 --> 00:44:13,400
Speaker 3: We got you gotta finish, gotta finish.

922
00:44:13,600 --> 00:44:14,200
Speaker 4: But that's great.

923
00:44:14,400 --> 00:44:17,319
Speaker 1: Don't you love those moments in life where you're you're

924
00:44:17,400 --> 00:44:19,240
Speaker 1: halfway through the jump.

925
00:44:19,120 --> 00:44:23,239
Speaker 3: And you're like, oh, crape, Oh yeah, I feel like that.

926
00:44:23,360 --> 00:44:25,279
Speaker 3: I feel like I'm maybe at that point in my

927
00:44:25,480 --> 00:44:26,280
Speaker 3: career overall.

928
00:44:26,840 --> 00:44:29,840
Speaker 4: Yeah, but that's pasfway through and it's like, oh no,

929
00:44:30,480 --> 00:44:31,480
Speaker 4: you're pushing yourself.

930
00:44:31,880 --> 00:44:34,279
Speaker 1: And I think that's like the most. That's when you

931
00:44:34,360 --> 00:44:36,680
Speaker 1: have the most fun, because otherwise you're going to be

932
00:44:36,760 --> 00:44:38,160
Speaker 1: bored just doing the same thing.

933
00:44:39,360 --> 00:44:42,960
Speaker 3: Yeah, you you, you have to do what makes your

934
00:44:43,040 --> 00:44:46,160
Speaker 3: days seem fun. I I can't recall a point when

935
00:44:46,160 --> 00:44:49,439
Speaker 3: I've ever said, you know what I'm gonna I'm gonna

936
00:44:49,440 --> 00:44:53,000
Speaker 3: win an award with this. Oh yeah, it's more what

937
00:44:53,400 --> 00:44:55,480
Speaker 3: sounds like, it's going to be fun for me to

938
00:44:55,560 --> 00:44:58,560
Speaker 3: get up in the morning and go off to shoot.

939
00:44:59,000 --> 00:45:01,200
Speaker 4: Yeah, that's why I'm doing this.

940
00:45:01,400 --> 00:45:04,520
Speaker 3: Yeah, it's fun with people. Yeah, this seems like the

941
00:45:04,600 --> 00:45:04,920
Speaker 3: kind of thing.

942
00:45:05,120 --> 00:45:05,279
Speaker 4: You know.

943
00:45:05,480 --> 00:45:07,319
Speaker 3: I did Kevin Hart's show, and it's the same thing

944
00:45:07,440 --> 00:45:10,200
Speaker 3: for him that it's just fun for him, it's.

945
00:45:10,200 --> 00:45:13,440
Speaker 1: Fun, and it's just it's actually really fun to play

946
00:45:13,560 --> 00:45:16,560
Speaker 1: music with people and you never know what's gonna happen, and.

947
00:45:16,680 --> 00:45:20,759
Speaker 3: Yeah, yeah, be perfect and yeah, it's it's it's well,

948
00:45:20,800 --> 00:45:23,759
Speaker 3: it's it's working. I'm still here.

949
00:45:23,760 --> 00:45:26,680
Speaker 4: I still here. You haven't bailed on me. I was

950
00:45:26,800 --> 00:45:30,960
Speaker 4: thinking maybe we could try to do well, we'll do

951
00:45:31,080 --> 00:45:33,160
Speaker 4: the Ted song. I want to do the Ted song. Sure,

952
00:45:34,920 --> 00:45:38,279
Speaker 4: but I kinda yeah, let's do it. Let's do it now,

953
00:45:39,280 --> 00:45:41,120
Speaker 4: let's try it. Yeah, let's try it. Because we talked

954
00:45:41,120 --> 00:45:43,600
Speaker 4: about it. You wrote this with.

955
00:45:45,200 --> 00:45:52,040
Speaker 3: Walter Walter Murphy. Yeah, Walter Murphy of a fifth of

956
00:45:52,080 --> 00:45:56,400
Speaker 3: Beethoven fame, what which he hates? Fifth of Beethoven. I

957
00:45:56,480 --> 00:45:58,840
Speaker 3: don't know that Saturday Night Fever, but no, no, no,

958
00:45:59,080 --> 00:46:00,000
Speaker 3: do you.

959
00:46:02,080 --> 00:46:02,600
Speaker 4: He played that?

960
00:46:02,920 --> 00:46:04,800
Speaker 3: That was his hit in the seventies.

961
00:46:05,080 --> 00:46:05,480
Speaker 4: That's hit.

962
00:46:05,680 --> 00:46:08,600
Speaker 3: Yeah, I didn't know that. Yeah, yeah, Walter Murphy, he

963
00:46:08,680 --> 00:46:11,440
Speaker 3: doesn't like, he doesn't. He's real. I think his I

964
00:46:11,560 --> 00:46:13,800
Speaker 3: think his grammy is in his It's either his grammy

965
00:46:13,880 --> 00:46:18,000
Speaker 3: or his gold record is in his bathroom. If you

966
00:46:18,000 --> 00:46:19,640
Speaker 3: go to use his bathroom, it's like that's where all

967
00:46:19,680 --> 00:46:22,480
Speaker 3: the memorabilia is. And he's like, because he's a serious composer.

968
00:46:22,640 --> 00:46:25,120
Speaker 4: Yeah, and he sounds yeah, And I think he's like

969
00:46:25,760 --> 00:46:26,320
Speaker 4: just he's.

970
00:46:26,200 --> 00:46:28,320
Speaker 3: Like, oh, whatever, man, whatever this is. Yeah, yeah, I

971
00:46:28,360 --> 00:46:29,399
Speaker 3: did that. It's a long time ago.

972
00:46:29,560 --> 00:46:30,280
Speaker 4: That's pretty funny.

973
00:46:30,600 --> 00:46:32,480
Speaker 3: It's like it's a big hit. People loved it.

974
00:46:32,880 --> 00:46:35,560
Speaker 4: I didn't know that. Yeah, oh my god, you asked

975
00:46:35,600 --> 00:46:37,200
Speaker 4: me to sing this at the Oscars. That's the only

976
00:46:37,239 --> 00:46:37,799
Speaker 4: time I've ever.

977
00:46:37,760 --> 00:46:40,800
Speaker 3: Been to the that's right, and you right, Yeah, you

978
00:46:40,880 --> 00:46:41,680
Speaker 3: sang it at the Oscars.

979
00:46:41,800 --> 00:46:43,839
Speaker 4: Yeah, yeah, I don't know if I did a good job.

980
00:46:44,200 --> 00:46:46,920
Speaker 3: You did a great job. But I mean we didn't win,

981
00:46:47,040 --> 00:46:49,759
Speaker 3: so whatever. But but you know, he still did a

982
00:46:49,800 --> 00:46:50,160
Speaker 3: good job.

983
00:46:51,840 --> 00:46:52,759
Speaker 4: It wasn't my fault.

984
00:46:54,600 --> 00:46:56,279
Speaker 3: That was pretty cool, though, it's for you know, for me,

985
00:46:56,360 --> 00:47:00,279
Speaker 3: it's Hey, here's Norah Jones singing a song for our

986
00:47:00,360 --> 00:47:01,920
Speaker 3: movie at the Oscars. That's pretty cool.

987
00:47:01,960 --> 00:47:04,000
Speaker 1: Yeah, but you were hosting, so you must have been

988
00:47:04,080 --> 00:47:05,600
Speaker 1: like you couldn't even appreciate anything.

989
00:47:06,080 --> 00:47:07,400
Speaker 4: You probably just as stressed.

990
00:47:07,719 --> 00:47:11,040
Speaker 3: I was pretty by that point in the show. I

991
00:47:11,200 --> 00:47:14,960
Speaker 3: was you were, Yeah, I had. I had about three

992
00:47:15,440 --> 00:47:18,440
Speaker 3: three drinks before I even got on stage. Oh my god,

993
00:47:18,480 --> 00:47:23,719
Speaker 3: live TV. Yeah, forget it doing that? Sobers's crazy. It does?

994
00:47:24,160 --> 00:47:27,279
Speaker 3: It does? Yeah, it was the dance, the dancing. It's like,

995
00:47:27,400 --> 00:47:28,440
Speaker 3: I cannot wait.

996
00:47:28,560 --> 00:47:30,040
Speaker 4: You did dancing in the opening act.

997
00:47:30,160 --> 00:47:31,320
Speaker 3: Yes, and I'm not a dancer.

998
00:47:31,440 --> 00:47:34,719
Speaker 1: So you thought getting drunk would like help you dance better? Yeah, yeah,

999
00:47:34,760 --> 00:47:35,359
Speaker 1: I guess it does.

1000
00:47:35,719 --> 00:47:36,560
Speaker 4: But I was just thinking.

1001
00:47:37,640 --> 00:47:39,720
Speaker 3: You just said that, like it's a thought no one's

1002
00:47:39,760 --> 00:47:42,560
Speaker 3: ever had. You thought getting drunk would help you dance better?

1003
00:47:42,640 --> 00:47:45,239
Speaker 1: Yeah, to me, drunk makes you dance better on the

1004
00:47:45,360 --> 00:47:48,239
Speaker 1: dance floor, But doing choreography, I don't know about that.

1005
00:47:48,640 --> 00:47:51,160
Speaker 3: I just I figured it was going to go south somehow,

1006
00:47:51,200 --> 00:47:52,920
Speaker 3: and I didn't want to have my wits about me

1007
00:47:53,040 --> 00:47:56,160
Speaker 3: when it did. I wanted to be a little toasty

1008
00:47:56,600 --> 00:48:00,960
Speaker 3: when when I ruined everything, you.

1009
00:48:01,000 --> 00:48:04,160
Speaker 4: Did great though, Yeah it's it's fun. Did you do

1010
00:48:04,239 --> 00:48:05,120
Speaker 4: it again after that?

1011
00:48:05,520 --> 00:48:08,759
Speaker 3: I didn't. I didn't they know. They asked me back

1012
00:48:09,000 --> 00:48:11,839
Speaker 3: the following year. Make that clear, Yes, I do want

1013
00:48:11,840 --> 00:48:13,440
Speaker 3: to make that clear. I was asked back and I

1014
00:48:13,520 --> 00:48:16,160
Speaker 3: was shooting my my little western oh yeah point, and

1015
00:48:16,280 --> 00:48:19,680
Speaker 3: I was, and I was deep into it and I

1016
00:48:20,080 --> 00:48:22,960
Speaker 3: and I almost I came close to saying yes, and

1017
00:48:23,000 --> 00:48:26,719
Speaker 3: then I realized I would only be saying yes to

1018
00:48:26,880 --> 00:48:29,640
Speaker 3: kind of show up some of the critics who, you know,

1019
00:48:29,719 --> 00:48:32,040
Speaker 3: the distractors. And I'm like, that's not going to work.

1020
00:48:32,080 --> 00:48:34,719
Speaker 3: Three months out of spite, no.

1021
00:48:38,680 --> 00:48:41,360
Speaker 4: You say that, Like I remember my first album was

1022
00:48:41,600 --> 00:48:44,640
Speaker 4: full of ballads, and you know, everyone's like, yeah, it's.

1023
00:48:44,480 --> 00:48:47,520
Speaker 1: Amazing or oh god, it's so boring. And so for

1024
00:48:47,600 --> 00:48:49,560
Speaker 1: a long time I was like, I'm not boring.

1025
00:48:50,200 --> 00:48:53,360
Speaker 4: I'm going to do like something really fast, and like

1026
00:48:53,440 --> 00:48:54,319
Speaker 4: what am I doing?

1027
00:48:54,640 --> 00:48:55,799
Speaker 7: I just do what I want?

1028
00:48:55,960 --> 00:48:59,680
Speaker 3: Yeah, yeah, yeah, yeah, yeah, I mean it's got It's

1029
00:48:59,760 --> 00:49:02,279
Speaker 3: like you're you're. I mean it's got to be cool, though,

1030
00:49:02,320 --> 00:49:06,640
Speaker 3: to have a repertoire of songs that you've written that

1031
00:49:06,800 --> 00:49:09,239
Speaker 3: are now I mean, what it's like going on two

1032
00:49:09,280 --> 00:49:13,040
Speaker 3: decades that are still their their standards, their modern standards.

1033
00:49:13,200 --> 00:49:15,440
Speaker 4: Well, pretty cool. That first album. I didn't write a

1034
00:49:15,440 --> 00:49:17,400
Speaker 4: lot of songs. I wrote two songs. I wrote come

1035
00:49:17,440 --> 00:49:18,879
Speaker 4: Away with Me, but I didn't write don't know why.

1036
00:49:18,960 --> 00:49:20,400
Speaker 4: My friend Jesse Harris wrote it.

1037
00:49:21,000 --> 00:49:22,839
Speaker 3: But but come Away with Me is I mean, it's

1038
00:49:22,880 --> 00:49:26,000
Speaker 3: just that's that's still used it we did. Yeah, Yeah,

1039
00:49:28,000 --> 00:49:28,759
Speaker 3: that ain't easy.

1040
00:49:28,880 --> 00:49:29,680
Speaker 4: It makes me happy.

1041
00:49:30,800 --> 00:49:34,560
Speaker 3: That ain't easy to create something like that that has

1042
00:49:34,560 --> 00:49:35,400
Speaker 3: staying power.

1043
00:49:35,400 --> 00:49:36,960
Speaker 4: This life, This life is crazy.

1044
00:49:37,200 --> 00:49:40,160
Speaker 3: Yeah, or you're very good, Nora.

1045
00:49:41,000 --> 00:49:45,320
Speaker 4: I'm as my daughter says, my six year old middle

1046
00:49:46,560 --> 00:49:48,600
Speaker 4: really middle Oscar Howard Day's cool?

1047
00:49:48,680 --> 00:49:49,480
Speaker 7: Is middle?

1048
00:49:49,960 --> 00:49:51,080
Speaker 4: How's your how's your pizza?

1049
00:49:51,360 --> 00:49:51,560
Speaker 13: God?

1050
00:49:52,040 --> 00:49:56,520
Speaker 3: Just middle God a negative energy that it's.

1051
00:49:56,480 --> 00:50:00,759
Speaker 4: Very funny to me. Okay, yes that's how I was

1052
00:50:00,840 --> 00:50:01,760
Speaker 4: to really.

1053
00:50:01,719 --> 00:50:07,160
Speaker 3: Yeah, I'll ask Ron, Yeah, yeah, Ron, I'll tell you.

1054
00:50:10,440 --> 00:50:12,360
Speaker 1: I moved it up a step so we do it.

1055
00:50:12,600 --> 00:50:16,759
Speaker 1: Sure it was actually kind of low for me anyway. Yeah, yeah, okay, good,

1056
00:50:16,880 --> 00:50:17,920
Speaker 1: which I remember?

1057
00:50:18,000 --> 00:50:20,520
Speaker 4: Now you should have said something, well, you know you'd

1058
00:50:20,520 --> 00:50:22,200
Speaker 4: already recorded it with a full orchestra.

1059
00:50:22,480 --> 00:50:23,680
Speaker 3: Oh ship, Yeah, there's that.

1060
00:50:24,040 --> 00:50:25,560
Speaker 4: It's all good. It worked out.

1061
00:50:28,200 --> 00:50:28,960
Speaker 3: How do you want to do this?

1062
00:50:29,360 --> 00:50:31,400
Speaker 1: Let's do Let me start it and you take the

1063
00:50:31,480 --> 00:50:34,920
Speaker 1: second verse and then I'll do the bridge.

1064
00:50:34,880 --> 00:50:36,279
Speaker 4: Like like split it up.

1065
00:50:36,320 --> 00:50:38,160
Speaker 3: This should be mostly you because this is your this

1066
00:50:38,320 --> 00:50:42,000
Speaker 3: is your you know. Yeah, but I'll jump in on

1067
00:50:42,040 --> 00:50:42,680
Speaker 3: the second verse.

1068
00:50:42,920 --> 00:50:44,560
Speaker 2: Yeah, and then.

1069
00:50:44,680 --> 00:50:48,480
Speaker 4: Maybe do the let me take the whole cour Well, no,

1070
00:50:49,760 --> 00:50:50,240
Speaker 4: and you're.

1071
00:50:50,120 --> 00:50:52,719
Speaker 3: Okay with that? How did you come to be stuck

1072
00:50:52,760 --> 00:50:53,200
Speaker 3: with a bum like?

1073
00:50:53,239 --> 00:50:54,759
Speaker 4: Yeah, I know that can not play on that part.

1074
00:50:54,880 --> 00:50:57,640
Speaker 3: Okay, okay, okay, I remember getting shipped for that.

1075
00:50:58,120 --> 00:51:00,880
Speaker 4: For me, Yeah, it's like a tongue twist. It's like

1076
00:51:01,000 --> 00:51:03,759
Speaker 4: it's doctor Zeus fast or something. So how do you

1077
00:51:03,840 --> 00:51:04,960
Speaker 4: come to be stuck with a Bama like me?

1078
00:51:05,120 --> 00:51:05,440
Speaker 2: There you go?

1079
00:51:05,760 --> 00:51:06,800
Speaker 4: Yeah, No, I practiced.

1080
00:51:06,880 --> 00:51:09,879
Speaker 3: Oh you're good. Where did you When did you take

1081
00:51:10,280 --> 00:51:11,800
Speaker 3: When did you start studying piano?

1082
00:51:12,400 --> 00:51:16,200
Speaker 4: I was like seven, Oh oh yeah, that's why. Well,

1083
00:51:16,520 --> 00:51:18,279
Speaker 4: that's why I suck, That's why you're good.

1084
00:51:18,480 --> 00:51:22,360
Speaker 1: No, well, I played classical piano until I was sixth grade.

1085
00:51:22,560 --> 00:51:24,879
Speaker 1: Oh my mom said I had to take five years

1086
00:51:24,920 --> 00:51:26,880
Speaker 1: before I could quit, because as soon as we started,

1087
00:51:26,960 --> 00:51:28,160
Speaker 1: I don't want to practice.

1088
00:51:28,400 --> 00:51:30,399
Speaker 3: And did you stick with it after the five years

1089
00:51:30,480 --> 00:51:30,719
Speaker 3: or did.

1090
00:51:30,680 --> 00:51:31,879
Speaker 4: You quit after the five years?

1091
00:51:32,000 --> 00:51:32,600
Speaker 13: On the dot?

1092
00:51:33,000 --> 00:51:34,600
Speaker 1: Oh, I know, I had a very nice teacher. I

1093
00:51:34,680 --> 00:51:36,279
Speaker 1: was just like, I don't want to I don't know,

1094
00:51:36,400 --> 00:51:39,399
Speaker 1: and then she took me to some big band concert. Yeah,

1095
00:51:39,840 --> 00:51:43,439
Speaker 1: and uh, I got into jazz. And then she found

1096
00:51:43,480 --> 00:51:45,880
Speaker 1: this teacher in Dallas named Julie Bank, who is this

1097
00:51:46,120 --> 00:51:49,880
Speaker 1: super cool hippie jazz piano player, and she taught me.

1098
00:51:50,360 --> 00:51:51,120
Speaker 4: Then I was hooked.

1099
00:51:51,280 --> 00:51:54,000
Speaker 3: Yeah. Yeah, so you picked it up again, It's like now, yeah, yeah,

1100
00:51:54,040 --> 00:51:54,520
Speaker 3: I picked it up.

1101
00:51:54,520 --> 00:51:57,520
Speaker 4: I started playing saxophone for a while. Oh really yeah, for.

1102
00:51:57,600 --> 00:51:59,759
Speaker 3: Like a couple of years, and you probably retained and

1103
00:51:59,800 --> 00:52:01,759
Speaker 3: not of your what you had learned as a kid.

1104
00:52:01,840 --> 00:52:04,040
Speaker 4: That your yeah, you're yeah, I think her plan Mark.

1105
00:52:04,320 --> 00:52:04,520
Speaker 13: Yeah.

1106
00:52:04,600 --> 00:52:07,520
Speaker 4: Yeah, like I had enough foundation to where I was great.

1107
00:52:07,800 --> 00:52:10,800
Speaker 4: Continue it's great. Did you ever play an instrument?

1108
00:52:11,239 --> 00:52:13,319
Speaker 3: I played? You know, I took piano for a number

1109
00:52:13,360 --> 00:52:16,719
Speaker 3: of years when I was a kid, and then uh

1110
00:52:18,440 --> 00:52:20,960
Speaker 3: quit and then started up again when I first came

1111
00:52:21,000 --> 00:52:24,320
Speaker 3: out to LA and just kind of taught myself to

1112
00:52:24,520 --> 00:52:26,400
Speaker 3: just play the stuff that I wanted to learn. So,

1113
00:52:26,560 --> 00:52:29,000
Speaker 3: like my site reading is terrible. I don't really have

1114
00:52:29,080 --> 00:52:32,439
Speaker 3: an understanding of you know, music theory when it comes

1115
00:52:32,480 --> 00:52:34,840
Speaker 3: to chord changes and whatnot. But if I, you know,

1116
00:52:35,040 --> 00:52:36,520
Speaker 3: give me a week and there's a piece of music

1117
00:52:36,560 --> 00:52:39,560
Speaker 3: that I like, I can usually you know, learn it

1118
00:52:39,600 --> 00:52:41,719
Speaker 3: well enough to pretend like I can play better than

1119
00:52:41,760 --> 00:52:42,000
Speaker 3: I can.

1120
00:52:42,280 --> 00:52:44,640
Speaker 1: But do you ever sit down to write music? Can

1121
00:52:44,680 --> 00:52:46,239
Speaker 1: you pick stuff out to write? Or do you just

1122
00:52:46,320 --> 00:52:47,279
Speaker 1: hear stuff in your head?

1123
00:52:47,680 --> 00:52:50,560
Speaker 3: In in a rudimentary way, not like you're doing.

1124
00:52:50,480 --> 00:52:52,520
Speaker 4: Not like no, but you know you can pick stuff out?

1125
00:52:52,680 --> 00:52:54,600
Speaker 4: Or do you just hear the music in your head?

1126
00:52:54,719 --> 00:52:55,000
Speaker 4: Kind of?

1127
00:52:55,840 --> 00:52:58,960
Speaker 3: Yeah, I mean a little more, a little more along

1128
00:52:59,000 --> 00:52:59,520
Speaker 3: those lines.

1129
00:53:00,320 --> 00:53:01,359
Speaker 4: Yeah, that makes sense.

1130
00:53:01,480 --> 00:53:03,000
Speaker 3: Played the trombone in high school?

1131
00:53:03,000 --> 00:53:03,839
Speaker 13: Oh my god? Yeah?

1132
00:53:04,840 --> 00:53:05,040
Speaker 3: Yeah?

1133
00:53:05,320 --> 00:53:08,680
Speaker 4: Were you a marching band? I was me too on saxophone.

1134
00:53:09,080 --> 00:53:11,360
Speaker 4: I have a pretty great picture of me in my outfit.

1135
00:53:11,520 --> 00:53:12,439
Speaker 4: I'd like to see yours.

1136
00:53:12,760 --> 00:53:15,680
Speaker 3: Marching band is such an interesting experience.

1137
00:53:15,719 --> 00:53:16,440
Speaker 4: It's a religion.

1138
00:53:16,640 --> 00:53:19,680
Speaker 1: Yeah, well in Texas it's a religion because football is

1139
00:53:19,680 --> 00:53:20,560
Speaker 1: a religion.

1140
00:53:20,400 --> 00:53:23,000
Speaker 3: Because it's almost like it shouldn't work, but it does.

1141
00:53:23,120 --> 00:53:26,040
Speaker 3: Like where you're really you're literally reading music. You can't

1142
00:53:26,080 --> 00:53:27,960
Speaker 3: be looking where you're going. Yeah, and you're in this

1143
00:53:28,080 --> 00:53:30,239
Speaker 3: big group. Nobody's looking where they're going because they're all

1144
00:53:30,560 --> 00:53:32,880
Speaker 3: looking at their little sheet music. But yet it works.

1145
00:53:33,160 --> 00:53:33,680
Speaker 2: It works.

1146
00:53:33,800 --> 00:53:35,040
Speaker 4: It's definitely dangerous.

1147
00:53:35,400 --> 00:53:37,759
Speaker 3: It's super dangerous. Be some pile ups, I think. Oh

1148
00:53:37,840 --> 00:53:38,200
Speaker 3: I bet.

1149
00:53:38,960 --> 00:53:40,919
Speaker 1: In Texas it was so hot we had to start

1150
00:53:40,960 --> 00:53:43,319
Speaker 1: our rehearsals at six in the morning because by noon

1151
00:53:43,600 --> 00:53:46,120
Speaker 1: we would have passed out because it's all outside.

1152
00:53:46,200 --> 00:53:46,399
Speaker 13: Yeah.

1153
00:53:46,480 --> 00:53:47,920
Speaker 4: Yeah, yeah, And we did this one.

1154
00:53:48,000 --> 00:53:50,200
Speaker 1: I remember we did this marching band competition once and

1155
00:53:50,280 --> 00:53:51,960
Speaker 1: it was one hundred and ten degrees and.

1156
00:53:52,000 --> 00:53:55,200
Speaker 4: We're all wearing like full wool suits. Oh yeah, and

1157
00:53:55,320 --> 00:53:59,680
Speaker 4: my my section leader was like, just pretend to play.

1158
00:53:59,719 --> 00:54:01,600
Speaker 4: If it's I think you're gonna pass up, go pass

1159
00:54:01,640 --> 00:54:03,560
Speaker 4: out on the side, Go pass out on the side,

1160
00:54:03,560 --> 00:54:07,920
Speaker 4: because nobody wanted to trample situation. It's pretty intense.

1161
00:54:08,239 --> 00:54:10,560
Speaker 3: Section leader, my section leader, what is that? I'm trying

1162
00:54:10,560 --> 00:54:11,320
Speaker 3: to remember what that is.

1163
00:54:11,680 --> 00:54:14,959
Speaker 1: It's like the first chair of the alto saxophone section,

1164
00:54:15,200 --> 00:54:17,719
Speaker 1: like the leader of each instrumental section.

1165
00:54:17,960 --> 00:54:19,320
Speaker 3: Got it, Yeah, got it.

1166
00:54:19,440 --> 00:54:21,120
Speaker 4: He was a senior named Eric and had a crush

1167
00:54:21,160 --> 00:54:21,400
Speaker 4: on him.

1168
00:54:21,480 --> 00:54:25,640
Speaker 3: Okaynna say that's like a you just you describe his

1169
00:54:26,000 --> 00:54:28,879
Speaker 3: his voice as there's a there's a bit of a dictatorial.

1170
00:54:28,400 --> 00:54:29,960
Speaker 4: Kind of Yeah. I don't know why I could.

1171
00:54:29,960 --> 00:54:31,879
Speaker 3: That's not at all have a fucking lead sex.

1172
00:54:45,840 --> 00:54:49,040
Speaker 7: My words are lazy, my thoughts are hazy.

1173
00:54:49,920 --> 00:54:51,800
Speaker 2: But this is one thing. I'm sure.

1174
00:54:53,680 --> 00:54:56,680
Speaker 7: Everybody needs a best friend.

1175
00:54:58,200 --> 00:54:59,719
Speaker 4: I'm happy, I'm you.

1176
00:55:02,080 --> 00:55:06,560
Speaker 9: You got a double who brings your trouble and though

1177
00:55:06,640 --> 00:55:13,520
Speaker 9: you're better without me, everybody needs the best friend.

1178
00:55:14,800 --> 00:55:16,560
Speaker 3: I'm happy, I'm yours.

1179
00:55:18,280 --> 00:55:25,040
Speaker 10: You could see decidedly that's your ten and I'm three.

1180
00:55:26,160 --> 00:55:30,360
Speaker 7: Boy you breed is what's your name? So how do

1181
00:55:30,440 --> 00:55:31,720
Speaker 7: you come to be stuck with Obama?

1182
00:55:31,840 --> 00:55:32,040
Speaker 13: Like me?

1183
00:55:34,120 --> 00:55:38,759
Speaker 15: You got a headful love someone dreadful, But how that

1184
00:55:39,040 --> 00:55:40,080
Speaker 15: someone adores?

1185
00:55:42,680 --> 00:55:48,120
Speaker 7: Everybody needs a best friend. I'm happy, I'm your.

1186
00:56:20,080 --> 00:56:27,120
Speaker 10: A fool could see decidedly that you'll retain, and I'm three.

1187
00:56:29,320 --> 00:56:32,640
Speaker 7: Royal breed is what you need? So how do you

1188
00:56:32,719 --> 00:56:34,279
Speaker 7: come to me stugging with a bummer like me?

1189
00:56:36,280 --> 00:56:41,040
Speaker 14: You've got a headful, i'm someone dreadful, and you had

1190
00:56:41,080 --> 00:56:43,719
Speaker 14: a last that someone adores you.

1191
00:56:46,320 --> 00:56:47,720
Speaker 13: Everybody needs.

1192
00:56:48,080 --> 00:56:52,680
Speaker 2: It's a best friend. I'm happy, I'm yours.

1193
00:56:53,960 --> 00:56:56,160
Speaker 7: I'm just a cloud.

1194
00:56:57,840 --> 00:56:58,840
Speaker 2: And I'll bring you.

1195
00:56:59,080 --> 00:57:07,080
Speaker 7: Down, but you just don't care because your best friend.

1196
00:57:12,640 --> 00:57:17,040
Speaker 4: It's me. It's me.

1197
00:57:28,000 --> 00:57:28,720
Speaker 2: Yes, there you go.

1198
00:57:30,000 --> 00:57:31,560
Speaker 3: Now if you would, now, if you had to sit down,

1199
00:57:31,640 --> 00:57:33,160
Speaker 3: you had to play like some sort of like a

1200
00:57:33,240 --> 00:57:36,760
Speaker 3: classical concerto. No you can't, you know really, I.

1201
00:57:36,840 --> 00:57:40,000
Speaker 4: Stopped doing classical when I was eleven, or.

1202
00:57:40,040 --> 00:57:41,840
Speaker 3: Like you gotta go a little Oscar Peterson on.

1203
00:57:42,800 --> 00:57:45,000
Speaker 4: I don't have a lot of chops. Really, I can't

1204
00:57:45,040 --> 00:57:49,600
Speaker 4: play very fast. I'm good at slow. I'm good at

1205
00:57:49,640 --> 00:57:53,680
Speaker 4: like medium swinging kind of, but like, yeah, I never

1206
00:57:53,760 --> 00:57:56,040
Speaker 4: had a lot of chops. I've always been a bad practicer.

1207
00:57:56,680 --> 00:57:58,560
Speaker 3: Yeah, I guess that's I guess you got a practice.

1208
00:57:58,760 --> 00:58:01,080
Speaker 4: Yeah, that's so. I told this story the other day.

1209
00:58:01,120 --> 00:58:04,200
Speaker 4: But I took classical piano in.

1210
00:58:04,520 --> 00:58:06,680
Speaker 1: College because I was required to for a jazz degree,

1211
00:58:06,720 --> 00:58:08,840
Speaker 1: and I failed my dreury and then I dropped out

1212
00:58:08,840 --> 00:58:11,400
Speaker 1: of school because I couldn't face doing like eight semesters

1213
00:58:11,440 --> 00:58:12,000
Speaker 1: of classical.

1214
00:58:12,320 --> 00:58:13,920
Speaker 4: Wow, I love listening to it.

1215
00:58:14,520 --> 00:58:15,720
Speaker 3: Yeah, yes, I.

1216
00:58:15,720 --> 00:58:17,920
Speaker 4: Don't have the brain to stuck with it.

1217
00:58:18,000 --> 00:58:20,840
Speaker 3: Man, maybe you'd have done something with your life.

1218
00:58:20,960 --> 00:58:24,320
Speaker 4: I know, I could have been playing orchestra hall since Christ.

1219
00:58:25,400 --> 00:58:30,680
Speaker 4: But you know, it's hard for me. I thought that

1220
00:58:30,760 --> 00:58:32,040
Speaker 4: was cool though, right, I think that works?

1221
00:58:32,760 --> 00:58:33,680
Speaker 3: Yeah, beauty?

1222
00:58:34,080 --> 00:58:36,080
Speaker 4: Oh man? All right, so you're doing Orville?

1223
00:58:36,640 --> 00:58:40,040
Speaker 3: Yes, it's yeah, yeah, we're we're.

1224
00:58:40,160 --> 00:58:41,520
Speaker 4: How many seasons has it been.

1225
00:58:41,960 --> 00:58:46,840
Speaker 3: It's been three seasons, fingers crossed for a fourth.

1226
00:58:47,120 --> 00:58:47,600
Speaker 4: That's great.

1227
00:58:47,760 --> 00:58:50,080
Speaker 3: We're sort of awaiting the verdict.

1228
00:58:50,200 --> 00:58:52,680
Speaker 4: Wait what platform is that on now? Because everything it's

1229
00:58:52,720 --> 00:58:53,080
Speaker 4: on Hulu?

1230
00:58:53,120 --> 00:58:56,280
Speaker 3: Okayah, Hulu and then there's a second run on Disney Plus,

1231
00:58:56,320 --> 00:58:57,919
Speaker 3: but its first first run is on Hulu.

1232
00:58:58,200 --> 00:58:59,800
Speaker 4: Okay, cool, I have that?

1233
00:59:00,280 --> 00:59:00,480
Speaker 2: Yeah?

1234
00:59:00,560 --> 00:59:02,800
Speaker 3: Who is great? Who is great? Who's who? I have

1235
00:59:02,800 --> 00:59:04,000
Speaker 3: had a really good experience there.

1236
00:59:04,080 --> 00:59:07,200
Speaker 4: Did you watch pen fifteen? Yes, that's why I got Hulu.

1237
00:59:07,520 --> 00:59:09,520
Speaker 3: Well, you know what's funny penft You know who that that?

1238
00:59:09,680 --> 00:59:14,439
Speaker 3: Maya Erskin is love? Yeah that's Peterskin's Yeah yeah yeah yeah.

1239
00:59:14,600 --> 00:59:15,960
Speaker 3: Do you play with him all the time?

1240
00:59:16,080 --> 00:59:17,000
Speaker 4: Yeah? Yeah, it's awesome.

1241
00:59:17,160 --> 00:59:17,360
Speaker 3: Yeah.

1242
00:59:17,960 --> 00:59:18,120
Speaker 2: Yeah.

1243
00:59:18,240 --> 00:59:21,640
Speaker 3: When we started Orville, Maya and the Pen fifteen bunch

1244
00:59:21,720 --> 00:59:24,240
Speaker 3: sent us a lovely little basket of flowers and candy,

1245
00:59:24,320 --> 00:59:27,160
Speaker 3: saying welcome to the Welcome to Hulu. Yeah. I love

1246
00:59:27,240 --> 00:59:28,280
Speaker 3: that show. I love those guys.

1247
00:59:28,520 --> 00:59:30,160
Speaker 4: I could watch that show forever.

1248
00:59:30,320 --> 00:59:33,680
Speaker 1: Yeah, yeah, the funniest great I mean coming from a

1249
00:59:33,760 --> 00:59:36,080
Speaker 1: teenage girlhood and then it's even funnier.

1250
00:59:36,440 --> 00:59:39,080
Speaker 3: That's that's one of the like that's that's easily like

1251
00:59:39,120 --> 00:59:41,480
Speaker 3: in the top five like single camera comedies out there

1252
00:59:41,560 --> 00:59:43,960
Speaker 3: right now. Yeah, it's it's really they're super talented.

1253
00:59:44,000 --> 00:59:47,440
Speaker 4: I love them so much. That's so exciting. Though. When

1254
00:59:47,520 --> 00:59:52,240
Speaker 4: I when I did the podcast with Logic Bobby Bobby Hall,

1255
00:59:52,640 --> 00:59:54,600
Speaker 4: he was he's obsessed with the Orville.

1256
00:59:55,080 --> 00:59:56,720
Speaker 3: Yeah, I know, yeah, it's kind of nice.

1257
00:59:56,960 --> 00:59:57,440
Speaker 4: It's awesome.

1258
00:59:57,840 --> 00:59:59,520
Speaker 3: Yeah, because we're still kind of we fly into the

1259
00:59:59,600 --> 01:00:02,320
Speaker 3: radar a little bit. But yeah, he has he has

1260
01:00:02,360 --> 01:00:05,360
Speaker 3: a song on his record called Orville, which is kind

1261
01:00:05,400 --> 01:00:05,680
Speaker 3: of cool.

1262
01:00:05,880 --> 01:00:06,040
Speaker 12: Yeah.

1263
01:00:06,120 --> 01:00:07,680
Speaker 3: Yeah, it's like, my god, somebody noticed.

1264
01:00:07,920 --> 01:00:09,360
Speaker 4: Yeah, it's awesome.

1265
01:00:09,640 --> 01:00:11,800
Speaker 3: Somebody noticed now that that was that was very that

1266
01:00:11,920 --> 01:00:18,160
Speaker 3: was very uh gratifying. But yeah, yeah, we're we're plugging

1267
01:00:18,160 --> 01:00:20,320
Speaker 3: away at that and hoping to do more.

1268
01:00:21,200 --> 01:00:23,800
Speaker 4: That's great. And when does the TED thing come out?

1269
01:00:24,360 --> 01:00:26,480
Speaker 3: It looks like Ted is probably going to be fall

1270
01:00:27,000 --> 01:00:31,240
Speaker 3: late summer or early fall of this year of twenty

1271
01:00:31,320 --> 01:00:31,760
Speaker 3: twenty three.

1272
01:00:32,280 --> 01:00:34,280
Speaker 4: So does it get just like released all at once.

1273
01:00:35,000 --> 01:00:35,400
Speaker 2: We don't know.

1274
01:00:35,960 --> 01:00:39,800
Speaker 3: Most I hear I'm a big fan of like the

1275
01:00:39,880 --> 01:00:43,240
Speaker 3: weekly release because you're an old man. Yeah, well it's

1276
01:00:43,240 --> 01:00:46,040
Speaker 3: also but here's why too. It's like, it's because you

1277
01:00:46,160 --> 01:00:50,560
Speaker 3: spend all this time on something and it's cool to

1278
01:00:50,600 --> 01:00:53,440
Speaker 3: see how the audience reacts. Like with Orville, they released

1279
01:00:53,480 --> 01:00:55,440
Speaker 3: him once a week, and you know, it took us

1280
01:00:55,480 --> 01:00:58,400
Speaker 3: a good year and a half with the pandemic break

1281
01:00:59,160 --> 01:01:01,800
Speaker 3: to do the third season, and you know, you get

1282
01:01:01,840 --> 01:01:04,120
Speaker 3: to kind of see how the audience reacts to each show,

1283
01:01:04,280 --> 01:01:07,840
Speaker 3: and it's the pleasure is spread out. When it's all

1284
01:01:07,960 --> 01:01:10,800
Speaker 3: dumped out there at once, it's like they blow through

1285
01:01:10,840 --> 01:01:12,360
Speaker 3: it in a weekend. They're like, all right, what else

1286
01:01:12,400 --> 01:01:15,120
Speaker 3: you got? I'll be like, that's just that was like

1287
01:01:15,320 --> 01:01:17,520
Speaker 3: eighteen months to do what you just blew through on

1288
01:01:17,600 --> 01:01:18,080
Speaker 3: a Saturday.

1289
01:01:18,240 --> 01:01:20,840
Speaker 4: You're right, it must be so much more satisfying, so

1290
01:01:21,040 --> 01:01:21,439
Speaker 4: much better.

1291
01:01:21,520 --> 01:01:25,160
Speaker 3: Yeah, from most most writers and showrunners that I know

1292
01:01:25,320 --> 01:01:30,240
Speaker 3: prefer to not have it dumped out in a heap

1293
01:01:30,280 --> 01:01:32,680
Speaker 3: for that reason. But I think that maybe what they

1294
01:01:32,760 --> 01:01:34,680
Speaker 3: do with Ted. I mean, certainly people like to binge.

1295
01:01:35,400 --> 01:01:38,479
Speaker 1: People like to binge, but does it make you think

1296
01:01:38,640 --> 01:01:41,480
Speaker 1: differently about how you write the ending of each episode?

1297
01:01:42,400 --> 01:01:45,080
Speaker 3: I mean, do you just have a cliffhanger to some degree,

1298
01:01:45,320 --> 01:01:47,440
Speaker 3: I think, you know, if you have something that's a

1299
01:01:47,560 --> 01:01:50,880
Speaker 3: meaningful piece of storytelling in one episode that you'd kind

1300
01:01:50,920 --> 01:01:53,320
Speaker 3: of like people to digest for a little bit before

1301
01:01:53,360 --> 01:01:54,840
Speaker 3: they move on to the next one, it's a little

1302
01:01:55,880 --> 01:01:57,880
Speaker 3: it hurts that a little bit because it's like, oh,

1303
01:01:57,960 --> 01:02:00,520
Speaker 3: bang bang bang bang bang, and then we'll No. Episode

1304
01:02:00,560 --> 01:02:05,120
Speaker 3: four had a really cool little, you know, message that

1305
01:02:05,280 --> 01:02:08,960
Speaker 3: that you may want to sleep on, yeah, but you

1306
01:02:09,040 --> 01:02:10,640
Speaker 3: can't when you're blowing through them all.

1307
01:02:10,680 --> 01:02:16,439
Speaker 4: Yeah, and sometimes half asleep if you're n yeah oh yeah, yeah, yeah.

1308
01:02:16,520 --> 01:02:18,400
Speaker 4: It's such a different way to watch stuff.

1309
01:02:18,640 --> 01:02:21,640
Speaker 3: Yeah, yeah, yeah, I mean it's it's for those kinds

1310
01:02:21,640 --> 01:02:23,240
Speaker 3: of shows. I mean, certainly people say, oh yeah, I

1311
01:02:23,320 --> 01:02:27,960
Speaker 3: fall asleep to Family Guy every night compliment at this point,

1312
01:02:28,000 --> 01:02:29,200
Speaker 3: it kind of is it is.

1313
01:02:30,120 --> 01:02:32,600
Speaker 4: Your initial reaction is like, wait a second.

1314
01:02:32,720 --> 01:02:35,040
Speaker 3: It's like they're either falling asleep or they're getting high.

1315
01:02:35,240 --> 01:02:36,280
Speaker 3: That's when they have the show on.

1316
01:02:36,440 --> 01:02:38,320
Speaker 4: Well, if I had a dollar for every time somebody

1317
01:02:38,400 --> 01:02:40,080
Speaker 4: told me that they put their baby to sleep to

1318
01:02:40,120 --> 01:02:43,560
Speaker 4: come away with me. Yeah yeah, all right, great, yeah

1319
01:02:43,640 --> 01:02:47,240
Speaker 4: sleeping babies. Yeah, it's to annoying, but yeah, but you know,

1320
01:02:47,400 --> 01:02:48,920
Speaker 4: it's it's yeah, it's soothing.

1321
01:02:49,200 --> 01:02:53,840
Speaker 3: Yeah, that's that's I mean, how much soothing music? How

1322
01:02:53,920 --> 01:02:56,520
Speaker 3: much beautiful music is out there now? I mean when

1323
01:02:56,560 --> 01:02:58,880
Speaker 3: you think about it, like, how much of today's music,

1324
01:02:58,960 --> 01:03:02,200
Speaker 3: like what the Grammys just on, how many of these

1325
01:03:02,440 --> 01:03:05,000
Speaker 3: songs would you say, oh, what a what a beautiful

1326
01:03:05,080 --> 01:03:06,400
Speaker 3: melodic piece of music?

1327
01:03:06,960 --> 01:03:08,240
Speaker 4: I think I think not much.

1328
01:03:08,440 --> 01:03:11,880
Speaker 1: I think the popular culture is all about quick and

1329
01:03:12,440 --> 01:03:16,720
Speaker 1: like loud, and everybody's trying to be heard over everyone else.

1330
01:03:16,880 --> 01:03:19,960
Speaker 4: So it's it's kind of difficult.

1331
01:03:19,560 --> 01:03:20,960
Speaker 3: Now, you know.

1332
01:03:21,600 --> 01:03:23,720
Speaker 2: The the real the real uh.

1333
01:03:25,120 --> 01:03:28,960
Speaker 3: Giveaway to me is like when you buy like the

1334
01:03:29,080 --> 01:03:31,760
Speaker 3: piano sheet music for a pop song. Oh yeah, if

1335
01:03:31,800 --> 01:03:35,080
Speaker 3: it works, then I feel like, okay, there's some legitimacy,

1336
01:03:35,080 --> 01:03:39,720
Speaker 3: there's a musical legitimacy. If it doesn't then maybe that's

1337
01:03:39,880 --> 01:03:42,080
Speaker 3: and I'm excluding like rap and hip hop and what that.

1338
01:03:42,200 --> 01:03:45,760
Speaker 3: But like things, things that are kind of meant to

1339
01:03:45,800 --> 01:03:49,960
Speaker 3: be melodic or pop, that's that's when it. You know,

1340
01:03:50,120 --> 01:03:53,080
Speaker 3: you see, the Emperor is close. The Emperor is closed,

1341
01:03:53,240 --> 01:03:53,880
Speaker 3: that right, isn't that?

1342
01:03:53,920 --> 01:03:54,560
Speaker 2: The yeah.

1343
01:03:57,800 --> 01:04:02,600
Speaker 3: Is nude And that's why this song doesn't work well.

1344
01:04:02,600 --> 01:04:03,920
Speaker 4: I guess Adela does ballads.

1345
01:04:04,080 --> 01:04:06,400
Speaker 3: This is mean, this is me when I don't drink,

1346
01:04:07,200 --> 01:04:09,800
Speaker 3: Like most of the time, I have alcohol for these

1347
01:04:10,000 --> 01:04:11,760
Speaker 3: kinds of things, and today I don't.

1348
01:04:11,840 --> 01:04:12,520
Speaker 2: Do we need them?

1349
01:04:12,880 --> 01:04:15,720
Speaker 3: No, No, I'm fine, but I'm it's interesting because I figured,

1350
01:04:15,880 --> 01:04:17,880
Speaker 3: let's just try this once sober.

1351
01:04:18,080 --> 01:04:20,200
Speaker 4: I think we've drank enough together in the past. Yeah,

1352
01:04:20,280 --> 01:04:22,720
Speaker 4: we have a rapport that's already drunk.

1353
01:04:22,640 --> 01:04:26,480
Speaker 3: Right right right. Our brains are telling us, Oh, Nora,

1354
01:04:27,280 --> 01:04:27,800
Speaker 3: me drunk.

1355
01:04:28,320 --> 01:04:29,840
Speaker 4: What's your drink these days?

1356
01:04:31,360 --> 01:04:36,760
Speaker 3: You know, I'm sort of a martini guy these days. Vodka.

1357
01:04:37,520 --> 01:04:38,720
Speaker 4: That's not very old school.

1358
01:04:38,960 --> 01:04:39,960
Speaker 3: No, no, it's not.

1359
01:04:40,200 --> 01:04:41,120
Speaker 4: That's very modern of it.

1360
01:04:41,280 --> 01:04:41,480
Speaker 13: It is.

1361
01:04:41,640 --> 01:04:43,280
Speaker 4: Yeah, I'm a vodka martini.

1362
01:04:43,480 --> 01:04:43,680
Speaker 2: Yeah.

1363
01:04:44,600 --> 01:04:46,800
Speaker 4: I can't have more than one anymore. It hits me

1364
01:04:46,920 --> 01:04:47,560
Speaker 4: way harder.

1365
01:04:47,960 --> 01:04:51,360
Speaker 3: Yeah, I I I empathize.

1366
01:04:52,680 --> 01:04:57,200
Speaker 4: We've already been there, are you? And to Tony Bennett?

1367
01:04:57,880 --> 01:04:58,120
Speaker 3: Yeah?

1368
01:04:58,200 --> 01:04:59,080
Speaker 4: I like Tony Bennett.

1369
01:04:59,120 --> 01:04:59,280
Speaker 2: Yeah?

1370
01:04:59,360 --> 01:04:59,560
Speaker 3: Yeah.

1371
01:04:59,600 --> 01:05:02,960
Speaker 4: Who Who was your main who were like your main

1372
01:05:03,120 --> 01:05:05,240
Speaker 4: singers you grew up? But was your mom the singer?

1373
01:05:06,000 --> 01:05:06,360
Speaker 2: My dad?

1374
01:05:06,400 --> 01:05:08,720
Speaker 3: I mean they both sang. My dad was the serious singer.

1375
01:05:09,360 --> 01:05:09,600
Speaker 13: He was.

1376
01:05:09,760 --> 01:05:13,600
Speaker 3: He was a serious folk singer. He was. He used

1377
01:05:13,600 --> 01:05:17,120
Speaker 3: to perform with his acoustic guitar at a at a

1378
01:05:17,200 --> 01:05:21,560
Speaker 3: couple of clubs and pubs rather in Massachusetts, the Grog,

1379
01:05:22,760 --> 01:05:26,840
Speaker 3: the Thirsty Whale, these kinds of joints and yeah, and

1380
01:05:26,920 --> 01:05:29,720
Speaker 3: my mother saw him came to she was out one

1381
01:05:29,920 --> 01:05:32,360
Speaker 3: with a bunch of her friends at one of these pubs,

1382
01:05:32,480 --> 01:05:35,800
Speaker 3: saw him performing and said, Hey, I want to meet

1383
01:05:35,840 --> 01:05:39,680
Speaker 3: that guy and maybe you know, get him. They met,

1384
01:05:39,800 --> 01:05:45,800
Speaker 3: and so she found out where he lived and went

1385
01:05:45,880 --> 01:05:48,640
Speaker 3: to his apartment, knocked on his door and asked for

1386
01:05:48,720 --> 01:05:52,600
Speaker 3: guitar lessons, and from there on out, she you know,

1387
01:05:52,760 --> 01:05:54,640
Speaker 3: kind of I guess whatever it was she did to

1388
01:05:54,680 --> 01:05:57,760
Speaker 3: make sure that they got married, that is so sweet? Yeah,

1389
01:05:58,280 --> 01:06:01,080
Speaker 3: or or is it crazy? It's a little it's a

1390
01:06:01,120 --> 01:06:03,880
Speaker 3: little predatory, right, my mom was a predator.

1391
01:06:04,320 --> 01:06:06,000
Speaker 4: Well, it depends on if he was into if he

1392
01:06:06,120 --> 01:06:07,800
Speaker 4: wasn't into predatory.

1393
01:06:07,960 --> 01:06:10,240
Speaker 3: He was, he was into it, he was, he was yeah,

1394
01:06:10,560 --> 01:06:13,480
Speaker 3: or he was just like so zonked out on pot

1395
01:06:13,560 --> 01:06:15,080
Speaker 3: and LSD at that point that he was like, you

1396
01:06:15,120 --> 01:06:17,160
Speaker 3: know what, this person's.

1397
01:06:16,840 --> 01:06:19,160
Speaker 4: Here, Why not I could see Ron doing some pot now.

1398
01:06:19,160 --> 01:06:21,640
Speaker 3: Ye oh yeah, oh yeah, he's he's he's got a

1399
01:06:21,680 --> 01:06:25,120
Speaker 3: couple of LSD stories that he's told us over the years.

1400
01:06:25,320 --> 01:06:25,920
Speaker 4: That's amazing.

1401
01:06:27,160 --> 01:06:29,040
Speaker 3: But yeah, you know, he was at Woodstock he did

1402
01:06:29,080 --> 01:06:31,320
Speaker 3: all he was he was my dad was it Woodstock?

1403
01:06:32,400 --> 01:06:33,800
Speaker 4: I mean he played, he played.

1404
01:06:34,200 --> 01:06:35,520
Speaker 3: Yeah, yeah, it's a little different.

1405
01:06:37,760 --> 01:06:39,320
Speaker 4: Yeah, I just see how I just got.

1406
01:06:39,400 --> 01:06:40,800
Speaker 3: Yeah, yeah, that was that was wow.

1407
01:06:40,960 --> 01:06:43,800
Speaker 4: I just went up to you man, just got.

1408
01:06:43,800 --> 01:06:44,280
Speaker 3: Chilly in here.

1409
01:06:44,400 --> 01:06:44,880
Speaker 13: That is cool.

1410
01:06:45,120 --> 01:06:46,040
Speaker 4: They were both at wood Starck.

1411
01:06:46,360 --> 01:06:50,960
Speaker 3: Yeah, it's yeah. My dad was probably watching your dad

1412
01:06:52,160 --> 01:06:56,480
Speaker 3: playing and wondering where he where he was and why

1413
01:06:56,720 --> 01:06:56,840
Speaker 3: you know.

1414
01:07:00,080 --> 01:07:00,280
Speaker 2: Great.

1415
01:07:00,480 --> 01:07:03,320
Speaker 4: Yeah, and so you guys just sang in the house.

1416
01:07:03,640 --> 01:07:04,120
Speaker 1: How did you do?

1417
01:07:04,320 --> 01:07:04,520
Speaker 3: Yeah?

1418
01:07:04,640 --> 01:07:06,320
Speaker 4: And they loved these old songs as well.

1419
01:07:06,840 --> 01:07:08,040
Speaker 2: They yeah, they know.

1420
01:07:08,280 --> 01:07:11,680
Speaker 3: My parents were more they were more folk. They were

1421
01:07:11,720 --> 01:07:14,840
Speaker 3: more into you know, like Peter, Paul and Mary.

1422
01:07:15,280 --> 01:07:16,640
Speaker 4: So where did this part come from?

1423
01:07:17,200 --> 01:07:21,160
Speaker 3: It's it was because I loved I loved film scores,

1424
01:07:21,760 --> 01:07:23,240
Speaker 3: a big film score nerd.

1425
01:07:23,440 --> 01:07:23,680
Speaker 4: Yeah.

1426
01:07:23,840 --> 01:07:29,200
Speaker 3: And when I discovered, you know, the popular jazz vocalists

1427
01:07:29,280 --> 01:07:31,640
Speaker 3: of the of the I mean certainly the forties, but

1428
01:07:31,720 --> 01:07:35,760
Speaker 3: mainly the fifties and the early to mid sixties, that

1429
01:07:35,920 --> 01:07:37,760
Speaker 3: was sort of the sweet spot, Like my God, like

1430
01:07:37,880 --> 01:07:41,439
Speaker 3: this this is these singers that are singing to even

1431
01:07:41,480 --> 01:07:45,360
Speaker 3: if you pull their voices out, these beautifully arranged orchestrations

1432
01:07:45,400 --> 01:07:48,760
Speaker 3: that are that are like stories in and of themselves.

1433
01:07:48,800 --> 01:07:52,400
Speaker 3: I mean those those Sinatra ballad albums like Only the

1434
01:07:52,480 --> 01:07:55,880
Speaker 3: Lonely and We Small Hours and Where Are You and

1435
01:07:56,560 --> 01:07:59,680
Speaker 3: and such, they're they're I mean these it's it's like

1436
01:07:59,760 --> 01:08:02,080
Speaker 3: he's singing to a classical symphony. It's there.

1437
01:08:02,160 --> 01:08:04,320
Speaker 4: They're they are very beautiful.

1438
01:08:04,400 --> 01:08:06,080
Speaker 3: They're really extraordinary.

1439
01:08:06,480 --> 01:08:09,880
Speaker 4: You love orchestras I do, and big bands I do.

1440
01:08:10,240 --> 01:08:10,440
Speaker 13: I do.

1441
01:08:10,800 --> 01:08:16,400
Speaker 1: I'm yeah, you love having that And it's cool because

1442
01:08:17,120 --> 01:08:19,639
Speaker 1: you know the way they used to record that stuff.

1443
01:08:20,240 --> 01:08:22,439
Speaker 4: They'd be in the room with the orchestra. Oh yeah,

1444
01:08:22,640 --> 01:08:25,000
Speaker 4: guess who doesn't do that anymore except for you?

1445
01:08:25,840 --> 01:08:26,680
Speaker 3: Well, you must do it.

1446
01:08:27,080 --> 01:08:29,200
Speaker 4: I never do it with big big No, I don't.

1447
01:08:29,200 --> 01:08:32,800
Speaker 1: I don't do stuff with large bodies of musicians. I

1448
01:08:33,000 --> 01:08:33,960
Speaker 1: like intimate stuff.

1449
01:08:34,160 --> 01:08:35,680
Speaker 4: Oh yeah, I record live with the band, but I

1450
01:08:35,720 --> 01:08:38,200
Speaker 4: don't ever use orchestras or big bands. I'm talking about

1451
01:08:38,320 --> 01:08:40,960
Speaker 4: like right from the big band. You know, I feel

1452
01:08:40,960 --> 01:08:42,960
Speaker 4: like you you all still do it like that.

1453
01:08:43,439 --> 01:08:47,280
Speaker 3: I'm a masochist, but it's so fun that way. It's well,

1454
01:08:47,320 --> 01:08:48,120
Speaker 3: it's you kind of have.

1455
01:08:48,240 --> 01:08:48,519
Speaker 2: To do it.

1456
01:08:48,600 --> 01:08:51,400
Speaker 3: When it's when it's anything that's kind of roboto. When

1457
01:08:51,439 --> 01:08:54,080
Speaker 3: it's when it's like if there's a it's if it's

1458
01:08:54,120 --> 01:08:57,679
Speaker 3: a ballad that's kind of ebbs and flows tempo wise,

1459
01:08:57,720 --> 01:08:59,160
Speaker 3: you just kind of have to do it. There's just

1460
01:08:59,200 --> 01:08:59,920
Speaker 3: no other way around it.

1461
01:09:00,280 --> 01:09:01,880
Speaker 4: Yeah, but I feel like people don't do it that

1462
01:09:01,960 --> 01:09:03,559
Speaker 4: way anymore, That's what I'm saying.

1463
01:09:04,800 --> 01:09:07,519
Speaker 3: I don't know. It's fun and I love being God,

1464
01:09:07,520 --> 01:09:09,400
Speaker 3: It's like, why wouldn't you want to? It's like, what's

1465
01:09:09,400 --> 01:09:12,599
Speaker 3: not to like being in a room with a huge ensemble.

1466
01:09:12,880 --> 01:09:14,920
Speaker 4: It must be so powerful feeling.

1467
01:09:16,000 --> 01:09:18,040
Speaker 3: It's it's it's uplifting as well.

1468
01:09:18,080 --> 01:09:20,840
Speaker 4: It's not. It's it's it's like it must feed you

1469
01:09:21,000 --> 01:09:21,400
Speaker 4: to be good.

1470
01:09:21,560 --> 01:09:23,280
Speaker 3: It does, it does. Yeah, it's like working with like

1471
01:09:23,360 --> 01:09:25,760
Speaker 3: a really great ensemble of actors. You just get it

1472
01:09:25,960 --> 01:09:26,679
Speaker 3: just makes you better.

1473
01:09:26,720 --> 01:09:27,280
Speaker 4: It makes you better.

1474
01:09:27,400 --> 01:09:30,160
Speaker 3: Yeah yeah, Yeah, it's mess yeah, and it's and it's fun.

1475
01:09:30,439 --> 01:09:32,760
Speaker 3: It's just there's a there's a magic to it that's

1476
01:09:32,800 --> 01:09:33,240
Speaker 3: so cool.

1477
01:09:33,800 --> 01:09:36,479
Speaker 1: Yeah. I've never loved singing with a lot of instrument

1478
01:09:36,520 --> 01:09:38,439
Speaker 1: always stripped things down because I feel like I like

1479
01:09:38,520 --> 01:09:40,160
Speaker 1: sings more intimate for my voice.

1480
01:09:40,600 --> 01:09:42,360
Speaker 3: But even if, like I don't know, if you if

1481
01:09:42,400 --> 01:09:45,240
Speaker 3: you sang with like just a you know, it's like

1482
01:09:45,280 --> 01:09:47,600
Speaker 3: a You know, sometimes Nat King Cole would sing with

1483
01:09:47,640 --> 01:09:50,920
Speaker 3: like piano and strings where there's no brass, no woodwinds,

1484
01:09:50,960 --> 01:09:53,959
Speaker 3: it's just piano and and just a really.

1485
01:09:54,920 --> 01:09:57,200
Speaker 4: Mellow large like a quartet or something.

1486
01:09:57,400 --> 01:09:59,360
Speaker 3: Yeah, or even even a full string section that is

1487
01:09:59,400 --> 01:10:03,920
Speaker 3: just playing softly and it's letting the vocal. Uh, you

1488
01:10:04,000 --> 01:10:06,559
Speaker 3: know take that's always a nice see I've never done that. Yeah,

1489
01:10:06,560 --> 01:10:07,800
Speaker 3: it might be cool with your voice.

1490
01:10:08,479 --> 01:10:11,679
Speaker 4: It's interesting. I just don't. I gravitate so far from

1491
01:10:12,160 --> 01:10:14,519
Speaker 4: I like to strip everything away. That's so funny.

1492
01:10:14,640 --> 01:10:16,680
Speaker 3: I should try it, because all in how they play too.

1493
01:10:17,520 --> 01:10:19,320
Speaker 1: Oh No, it's not about the musicians. I just I

1494
01:10:19,439 --> 01:10:23,360
Speaker 1: always feel like I'm good. I always just like the

1495
01:10:23,479 --> 01:10:28,400
Speaker 1: intimacy of it. But yeah, the orchestrations on your albums

1496
01:10:28,439 --> 01:10:32,679
Speaker 1: are so like they go through so many different key changes.

1497
01:10:32,720 --> 01:10:34,920
Speaker 4: When I was trying to listen to one of these things,

1498
01:10:34,960 --> 01:10:37,479
Speaker 4: I was like, what the hell keys the same, Such

1499
01:10:37,479 --> 01:10:41,080
Speaker 4: a beautiful arrangement leading into the beginning of the song.

1500
01:10:41,200 --> 01:10:46,960
Speaker 3: This was Andrew Andrew Cotty which We'll be together again.

1501
01:10:46,800 --> 01:10:49,360
Speaker 4: Again right, Yeah, this is one of my favorite songs

1502
01:10:49,760 --> 01:10:52,320
Speaker 4: from back in when I was a wee.

1503
01:10:53,640 --> 01:10:56,320
Speaker 3: Last little really was who was the was there a

1504
01:10:56,439 --> 01:10:59,679
Speaker 3: vocalist that you particular. There are a lot of people

1505
01:10:59,840 --> 01:11:00,479
Speaker 3: saw this song.

1506
01:11:00,840 --> 01:11:04,920
Speaker 1: I only know that Tony Bennan, Tony Bennan. I love

1507
01:11:05,000 --> 01:11:07,599
Speaker 1: the Bill Evans version of this, and then I later

1508
01:11:07,760 --> 01:11:10,559
Speaker 1: got got into that album he did with Tony Bennett.

1509
01:11:10,600 --> 01:11:13,920
Speaker 1: So it's just Tony Bennett and Bill Evans accompanying him,

1510
01:11:13,920 --> 01:11:17,800
Speaker 1: and it's a really beautiful album, and they crushed the song.

1511
01:11:17,880 --> 01:11:18,679
Speaker 4: It's just so pretty.

1512
01:11:18,800 --> 01:11:20,280
Speaker 3: Yeah, it's it's a nice tune.

1513
01:11:20,720 --> 01:11:23,160
Speaker 4: It's a very I feel like it's a very melancholy.

1514
01:11:23,680 --> 01:11:23,880
Speaker 3: Yeah.

1515
01:11:23,880 --> 01:11:25,200
Speaker 4: I love this lyric too.

1516
01:11:25,360 --> 01:11:25,920
Speaker 13: It's just so.

1517
01:11:27,600 --> 01:11:28,240
Speaker 4: It's so sad.

1518
01:11:28,479 --> 01:11:32,559
Speaker 3: Yeah. Yeah, it's some cool chord changes too.

1519
01:11:32,840 --> 01:11:33,040
Speaker 2: Yeah.

1520
01:11:33,080 --> 01:11:36,280
Speaker 1: And it's like, you know, all those men went off

1521
01:11:36,360 --> 01:11:39,160
Speaker 1: to war and they were all those war songs. You know,

1522
01:11:39,720 --> 01:11:41,800
Speaker 1: we'll be together again, for all we know, we may

1523
01:11:41,920 --> 01:11:46,120
Speaker 1: never meet again. Yeah, yeah, I just yeah, they always.

1524
01:11:45,880 --> 01:11:46,759
Speaker 4: Make me kind of emotional.

1525
01:11:46,800 --> 01:11:49,679
Speaker 3: Oh you have the you have the the verse?

1526
01:11:49,880 --> 01:11:52,880
Speaker 4: I do? I have the verse. I actually didn't know

1527
01:11:53,040 --> 01:11:53,400
Speaker 4: the verse.

1528
01:11:54,240 --> 01:11:56,720
Speaker 3: I didn't either until we recorded this other was one

1529
01:11:56,760 --> 01:11:59,559
Speaker 3: and then we dug up the sheet music and we sound,

1530
01:11:59,560 --> 01:12:02,960
Speaker 3: oh there's a there's a verse that's really pretty.

1531
01:12:04,479 --> 01:12:09,599
Speaker 13: Hyah.

1532
01:12:19,640 --> 01:12:23,520
Speaker 2: Here in our moment of darkness.

1533
01:12:26,200 --> 01:12:30,200
Speaker 3: Remember the sun has shown.

1534
01:12:33,760 --> 01:12:50,360
Speaker 5: Laugh and the world we'll laugh with you. Cry you cry, longe, no.

1535
01:12:52,040 --> 01:12:55,920
Speaker 13: Tears, no.

1536
01:12:57,520 --> 01:12:57,800
Speaker 8: Fear.

1537
01:13:01,880 --> 01:13:06,640
Speaker 15: Remember there's always tomorrow.

1538
01:13:10,280 --> 01:13:11,519
Speaker 2: So what if we.

1539
01:13:13,320 --> 01:13:14,400
Speaker 3: Have to part?

1540
01:13:18,479 --> 01:13:39,080
Speaker 16: Will be twogether again, your key, You're a smile, our.

1541
01:13:39,400 --> 01:13:43,360
Speaker 14: Memorysile, treasure forever.

1542
01:13:46,880 --> 01:13:47,960
Speaker 13: So try.

1543
01:13:50,880 --> 01:14:03,600
Speaker 2: Thinking with your heart will be to get again.

1544
01:14:10,200 --> 01:14:19,639
Speaker 15: Times when I know you'll be lonesome, and times when

1545
01:14:19,720 --> 01:14:30,680
Speaker 15: I know you'll be sad. Don't let temptations surround you.

1546
01:14:34,600 --> 01:14:39,479
Speaker 2: Don't let the blues make you bad.

1547
01:14:43,320 --> 01:14:45,599
Speaker 13: Some day.

1548
01:14:48,479 --> 01:15:03,360
Speaker 2: Some ways we both have a lifetime before for parties

1549
01:15:05,920 --> 01:15:08,000
Speaker 2: is not goodbye.

1550
01:15:12,680 --> 01:15:13,240
Speaker 13: Will be.

1551
01:15:15,560 --> 01:15:22,040
Speaker 2: Together oh again?

1552
01:15:38,120 --> 01:15:39,760
Speaker 3: But the best I can do with my Donald Duck,

1553
01:15:40,280 --> 01:15:45,400
Speaker 3: My Donald Duck vocal chords today. Great, it's a nice tune.

1554
01:15:45,680 --> 01:15:47,000
Speaker 4: I love that song very much.

1555
01:15:47,160 --> 01:15:48,360
Speaker 3: Yeah, it's good. It's good tune.

1556
01:15:48,360 --> 01:15:51,440
Speaker 4: It's emotional, Yeah it's.

1557
01:15:50,720 --> 01:15:52,760
Speaker 3: It's one of those songs you think, like, how what

1558
01:15:53,080 --> 01:15:55,840
Speaker 3: what does it take? Like if you wanted to write

1559
01:15:56,160 --> 01:15:59,519
Speaker 3: a song like this today? What's that X factor that's

1560
01:15:59,600 --> 01:16:03,080
Speaker 3: just kind of of makes it sort of that makes

1561
01:16:03,120 --> 01:16:04,760
Speaker 3: it kind of elusive. Like if I sat down to

1562
01:16:04,840 --> 01:16:06,439
Speaker 3: try and write a tune like this, I would I

1563
01:16:06,439 --> 01:16:12,919
Speaker 3: would be I would, I would walk away feeling inadequate.

1564
01:16:13,640 --> 01:16:16,800
Speaker 1: Well, I think the whole point to me is, I

1565
01:16:16,920 --> 01:16:18,600
Speaker 1: think if you try to write a song like this,

1566
01:16:19,439 --> 01:16:20,320
Speaker 1: you're going to miss.

1567
01:16:20,160 --> 01:16:21,000
Speaker 4: The heart of it.

1568
01:16:21,240 --> 01:16:21,439
Speaker 2: Yeah.

1569
01:16:21,720 --> 01:16:25,400
Speaker 3: But even if you're in like just a trashed emotional state,

1570
01:16:25,479 --> 01:16:26,800
Speaker 3: I think you have to be Yeah.

1571
01:16:27,000 --> 01:16:30,479
Speaker 4: Yeah, but maybe I'm wrong about that. I don't know.

1572
01:16:30,800 --> 01:16:32,240
Speaker 4: This song just has so much heart.

1573
01:16:32,400 --> 01:16:32,639
Speaker 2: Yeah.

1574
01:16:32,680 --> 01:16:35,160
Speaker 4: I feel it must have been they must have been

1575
01:16:35,240 --> 01:16:40,400
Speaker 4: longing for someone. Yeah right, yeah, no tears, no fears.

1576
01:16:40,800 --> 01:16:45,200
Speaker 4: It's so sad. Yeah.

1577
01:16:45,479 --> 01:16:48,000
Speaker 3: My grandfather gave me when he was live, gave me

1578
01:16:48,120 --> 01:16:53,160
Speaker 3: his collection of World War two, had like a time

1579
01:16:53,240 --> 01:16:56,240
Speaker 3: life collection of the great songs of World War two,

1580
01:16:57,520 --> 01:17:00,559
Speaker 3: and and he said, this is not like the music

1581
01:17:00,640 --> 01:17:03,360
Speaker 3: of today. This is these are real songs with real

1582
01:17:03,400 --> 01:17:05,920
Speaker 3: emotion by people who have been hurt.

1583
01:17:06,479 --> 01:17:08,519
Speaker 4: Yeah, that's funny.

1584
01:17:08,680 --> 01:17:10,760
Speaker 3: And it's like and that with that dialect, it just

1585
01:17:12,160 --> 01:17:13,320
Speaker 3: people who have been hurt.

1586
01:17:15,560 --> 01:17:17,160
Speaker 4: Is it a Boston Boston?

1587
01:17:17,400 --> 01:17:20,000
Speaker 3: Yeah, Newburyport, Massachusetts?

1588
01:17:20,280 --> 01:17:23,519
Speaker 4: Right. I wish I could hear you sing this song

1589
01:17:23,640 --> 01:17:24,320
Speaker 4: with that accent.

1590
01:17:25,040 --> 01:17:28,519
Speaker 3: And you're in our moment of darkness, You're in a

1591
01:17:28,640 --> 01:17:34,559
Speaker 3: moment of remember the sun is shown, no teas, no fears.

1592
01:17:37,800 --> 01:17:39,680
Speaker 4: No, I was so excited that you could do this.

1593
01:17:40,200 --> 01:17:42,800
Speaker 3: Yeah, this is this is I wish I'd been able

1594
01:17:42,800 --> 01:17:44,519
Speaker 3: to do it the last time, but I'm glad I finally.

1595
01:17:44,760 --> 01:17:45,479
Speaker 4: No, it doesn't matter.

1596
01:17:45,640 --> 01:17:48,040
Speaker 1: I mean, it's like, you know, like I said, it's

1597
01:17:48,080 --> 01:17:50,400
Speaker 1: sort of an open invite, so I just wanted to

1598
01:17:50,479 --> 01:17:51,840
Speaker 1: check in and see if you were around.

1599
01:17:52,080 --> 01:17:56,120
Speaker 4: Yeah, while I'm here. Yeah, because I miss you.

1600
01:17:56,400 --> 01:17:58,679
Speaker 3: I know, because it's been because it's been a hundred years.

1601
01:17:58,680 --> 01:18:01,560
Speaker 3: I feel like though, when we do get together, it's like,

1602
01:18:01,640 --> 01:18:06,080
Speaker 3: oh the time, just the year is just accordion. Yeah good, Yeah,

1603
01:18:06,320 --> 01:18:09,040
Speaker 3: feel like No, it doesn't feel awkward, not at all. No,

1604
01:18:09,400 --> 01:18:13,240
Speaker 3: maybe at first earlier today, right, that was super awkward

1605
01:18:14,160 --> 01:18:16,120
Speaker 3: as we're just starting out and the cameras are rolling,

1606
01:18:16,200 --> 01:18:21,280
Speaker 3: it's like, oh god. But now it's fine. No, it's okay.

1607
01:18:22,400 --> 01:18:23,600
Speaker 4: Thank you so much for doing this.

1608
01:18:23,760 --> 01:18:25,200
Speaker 3: Yeah, No, this is great. I love you.

1609
01:18:25,400 --> 01:18:25,920
Speaker 2: This is great.

1610
01:18:25,960 --> 01:18:28,800
Speaker 3: I love you too. Thanks for having me. Yeah, they

1611
01:18:28,920 --> 01:18:29,400
Speaker 3: love you too.

1612
01:18:29,720 --> 01:18:31,880
Speaker 4: Tell him, I tell them all, I said, Hi.

1613
01:18:32,000 --> 01:18:33,559
Speaker 3: I will they're hold up there in Maine.

1614
01:18:33,760 --> 01:18:34,200
Speaker 4: I love it.

1615
01:18:34,479 --> 01:18:34,719
Speaker 3: Yeah.

1616
01:18:34,920 --> 01:18:42,200
Speaker 4: Yeah, I'm just oh that was so fun.

1617
01:18:42,360 --> 01:18:44,439
Speaker 6: He's so funny and so sweet.

1618
01:18:44,840 --> 01:18:48,760
Speaker 4: God, it's true. Though, Also hanging out with him just

1619
01:18:48,800 --> 01:18:51,840
Speaker 4: feels I mean, we're all friends. Yeah, so, and it's

1620
01:18:51,880 --> 01:18:53,720
Speaker 4: crazy that we haven't seen him in so long. I know,

1621
01:18:54,080 --> 01:18:56,080
Speaker 4: it felt so good to hang out and spend time.

1622
01:18:56,320 --> 01:18:57,920
Speaker 3: He's a busy, busy dude.

1623
01:18:58,040 --> 01:18:58,639
Speaker 4: He is busy.

1624
01:18:58,760 --> 01:19:01,920
Speaker 6: I like what he said about how well he's always

1625
01:19:01,960 --> 01:19:04,720
Speaker 6: just doing what makes him happy in the moment and

1626
01:19:04,880 --> 01:19:07,679
Speaker 6: how I mean, I guess that's why he's always working

1627
01:19:07,880 --> 01:19:11,320
Speaker 6: on different things and you know, trying new things. And

1628
01:19:12,280 --> 01:19:14,040
Speaker 6: I guess that's how he stays busy and happy.

1629
01:19:15,000 --> 01:19:18,200
Speaker 4: Yeah, I mean, I can really keep it fresh, keep

1630
01:19:18,240 --> 01:19:22,000
Speaker 4: it fresh. I can relate to that though.

1631
01:19:22,240 --> 01:19:24,960
Speaker 1: I mean, that's what that's what the goal is, if

1632
01:19:25,000 --> 01:19:28,000
Speaker 1: you're lucky enough to do things that make you happy.

1633
01:19:28,400 --> 01:19:30,799
Speaker 4: In this episode, we talked about Quincy Jones.

1634
01:19:31,400 --> 01:19:33,160
Speaker 6: Oh yeah, and we couldn't remember the name of the

1635
01:19:33,200 --> 01:19:35,800
Speaker 6: book in the moment, but it is twelve Notes on

1636
01:19:36,000 --> 01:19:37,080
Speaker 6: Life and Creativity.

1637
01:19:37,320 --> 01:19:37,519
Speaker 11: Yeah.

1638
01:19:37,600 --> 01:19:41,479
Speaker 1: I highly recommend it. It's a really beautiful little life manual.

1639
01:19:42,000 --> 01:19:46,040
Speaker 1: Quick correction from the episode from The Little Willies. Actually

1640
01:19:46,080 --> 01:19:48,720
Speaker 1: it wasn't Richard Jillian who told us to.

1641
01:19:48,760 --> 01:19:49,840
Speaker 4: Do foul Ol on the Prowl.

1642
01:19:49,920 --> 01:19:52,519
Speaker 1: It was Jim camp Alongo the guitar player for the

1643
01:19:52,600 --> 01:19:55,000
Speaker 1: Little Willies. So sorry I messed that up, Jim, but

1644
01:19:55,800 --> 01:19:59,280
Speaker 1: it was just you know, on the fly. By the way,

1645
01:19:59,360 --> 01:20:01,320
Speaker 1: how many times did I call him an old man?

1646
01:20:01,640 --> 01:20:03,640
Speaker 4: Several? And how many did you cut out of the

1647
01:20:03,760 --> 01:20:04,120
Speaker 4: I didn't.

1648
01:20:04,280 --> 01:20:05,679
Speaker 6: I maybe twelve.

1649
01:20:07,520 --> 01:20:09,200
Speaker 1: I remember at the end of the episode, I was like,

1650
01:20:09,280 --> 01:20:10,920
Speaker 1: this is going so great, and then I called him

1651
01:20:10,920 --> 01:20:12,200
Speaker 1: an old man one more time, and I was.

1652
01:20:12,200 --> 01:20:15,360
Speaker 4: Like, we're going to cut that one too many. We're

1653
01:20:15,400 --> 01:20:17,080
Speaker 4: just having too much fun drawing the line.

1654
01:20:17,479 --> 01:20:19,560
Speaker 1: If you're curious about the songs from this episode, the

1655
01:20:19,600 --> 01:20:22,560
Speaker 1: first song we did, it's called two Sleepy People. It

1656
01:20:22,720 --> 01:20:26,600
Speaker 1: was written in nineteen thirty eight by Hogy Carmichael and

1657
01:20:26,680 --> 01:20:30,400
Speaker 1: Frank Lesser. Blue Skies written by Irving Berlin in nineteen

1658
01:20:30,560 --> 01:20:33,760
Speaker 1: twenty six. Everybody Needs a Best Friend and that's from

1659
01:20:33,840 --> 01:20:37,240
Speaker 1: the movie Ted from twenty twelve, and the music of

1660
01:20:37,280 --> 01:20:41,800
Speaker 1: that was written by Seth McFarlane and Walter Murphy. And

1661
01:20:41,840 --> 01:20:44,120
Speaker 1: then the last song we did was We'll Be Together Again,

1662
01:20:44,640 --> 01:20:47,280
Speaker 1: written in nineteen forty five by Carl T.

1663
01:20:47,439 --> 01:20:49,160
Speaker 4: Fisher and Frankie Lane.

1664
01:20:49,920 --> 01:20:52,640
Speaker 1: Seth has done albums with all these old standards on

1665
01:20:52,760 --> 01:20:54,960
Speaker 1: him and the Ted song can be found on the

1666
01:20:55,000 --> 01:20:55,800
Speaker 1: Ted soundtrack.

1667
01:20:56,720 --> 01:20:58,360
Speaker 4: I love that we did all these old songs. It

1668
01:20:58,439 --> 01:21:02,640
Speaker 4: was so fun cause he's old man. He is so

1669
01:21:02,920 --> 01:21:05,599
Speaker 4: young looking. I know, he always like, uh so young

1670
01:21:05,680 --> 01:21:06,519
Speaker 4: and atteractive like.

1671
01:21:06,680 --> 01:21:09,599
Speaker 6: He looks exactly like twelve years ago, which is probably

1672
01:21:09,640 --> 01:21:11,240
Speaker 6: exactly what he looked like ten years before that.

1673
01:21:11,760 --> 01:21:13,880
Speaker 4: I looked at old pictures of him and he looks

1674
01:21:13,920 --> 01:21:14,240
Speaker 4: the same.

1675
01:21:14,280 --> 01:21:16,559
Speaker 6: Yeah, we looked at him real close, real up close.

1676
01:21:16,600 --> 01:21:20,799
Speaker 4: He's a great, great looking man. Anyway, thanks for listening.

1677
01:21:21,360 --> 01:21:23,640
Speaker 4: We appreciate you. Have a good day.

1678
01:21:24,240 --> 01:21:24,599
Speaker 3: Tata.

1679
01:21:28,560 --> 01:21:30,760
Speaker 4: I couldn't remember if it was Tatar Tod.

1680
01:21:31,000 --> 01:21:33,080
Speaker 6: I just kind of great, all right.

1681
01:21:33,360 --> 01:21:38,240
Speaker 4: I'm just playing long dude, weezy do do do doude.

1682
01:21:39,280 --> 01:21:42,639
Speaker 6: Thanks for listening. Don't forget to subscribe to Norah Jones

1683
01:21:42,680 --> 01:21:45,160
Speaker 6: as playing along wherever you get your podcasts so you

1684
01:21:45,320 --> 01:21:46,759
Speaker 6: never miss a new episode.

1685
01:21:49,640 --> 01:21:53,080
Speaker 1: This episode was recorded at Sunset Sound in Los Angeles, California,

1686
01:21:53,320 --> 01:21:59,160
Speaker 1: by Clinton Wheelander, assisted by Zach Zadel, edited by Sarah Oda,

1687
01:21:59,640 --> 01:22:00,880
Speaker 1: mixed by Jamie Landry.

1688
01:22:01,240 --> 01:22:03,400
Speaker 4: Additionally engineering by Greg Tobler.

1689
01:22:03,960 --> 01:22:07,320
Speaker 1: Artwork by Eliza Frye, Photography by Shervin Linez.

1690
01:22:07,800 --> 01:22:10,000
Speaker 4: Produced by Me and my Ota