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Speaker 1: Hey, discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch to get you through. Yeah, me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland, the after party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party of the bridge to get you from one

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Speaker 1: full episode or disgrace slent to the other the backyard

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Speaker 1: to dig into the dirt. On this episode, we are

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Speaker 1: talking about sly Stone, Brian Jones, succession, my George Benson,

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Speaker 1: Cherry and of course your voicemails, text, dms and more

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Speaker 1: and as always, a whole lot of rosie. All Right, Disco,

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Speaker 1: let's get into it. Yes, yes, yes, yes, yes, thank

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Speaker 1: you for letting me be myself again. It's sly Stone

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Speaker 1: Week here in Disgraceland. Because not to overstate the obvious,

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Speaker 1: but we just released our sly Stone episode in the

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Speaker 1: Disgraceland Feed this week, and I've got sixties crossover funk

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Speaker 1: soul Stylin's ONMBI Brain sly Stone. The question is this,

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Speaker 1: is there a greater waste of raw talent in the

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Speaker 1: history of pop music. I know, we get a lot

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Speaker 1: on of sly Stone, sly and the Family, Stone sly

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Speaker 1: Stone solo, but it just feels like there was so

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Speaker 1: much more to get from this artist, and he could

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Speaker 1: have given us a lot more great music. So I

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Speaker 1: was thinking, you know, excluding artists who have died, which

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Speaker 1: living artists among us has as much talent as sly

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Speaker 1: Stone but is no longer in the game, and who

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Speaker 1: hasn't been in the game for decades since their chart

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Speaker 1: dominance or their cultural relevance or however we want to

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Speaker 1: measure it. Sly Stone's wasted talent for reasons that we

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Speaker 1: document in this episode that we just released is massive.

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Speaker 1: It's like, you know, it'd be like if you know,

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Speaker 1: nineteen seventy two Neil Young was like later, I'm out,

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Speaker 1: or you know, what if Prince just after like you know,

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Speaker 1: the second record stopped making records, or Stevie Wonder went

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Speaker 1: dark after you know, his first few albums. The what

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Speaker 1: if surrounding sly Stone, they're immense. He's still alive, He's somewhere.

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Speaker 1: He's eighty years old, presumably up to something other than

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Speaker 1: making music. I mean, eighty, you know, tough to be active.

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Speaker 1: At eighty. I get that, but there was a lot

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Speaker 1: of years leading up to that eighty year old birth

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Speaker 1: date and sly, you know, he's got issues, wasn't making music,

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Speaker 1: and I feel like he could have been one of

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Speaker 1: the greatest of all time. And I don't know what

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Speaker 1: he's up to. Baby's watching clips of himself on Letterman

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Speaker 1: from back in the day. But whatever he's doing, I

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Speaker 1: hope he's keeping it funky. His music is missed. We

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Speaker 1: still have those great records to go back to. Check

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Speaker 1: out the Size Stone episode in Disgraceland and speaking of

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Speaker 1: wasted talent, over on our YouTube page. This past week,

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Speaker 1: we rebooted our Brian Jones story. This is, of course,

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Speaker 1: the little Brian Jones story inside of the Brian Jones

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Speaker 1: episode story that we released as part of season two

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Speaker 1: of Disgraceland. Back then, when I started the podcast, I

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Speaker 1: had this vision of releasing a Stone's episode in every season,

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Speaker 1: and in season one we did the Keith Richards story

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Speaker 1: about Maggie Trudeau and the heroin Bust, and then in

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Speaker 1: season two we did Brian Jones. And of course you know,

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Speaker 1: we've done altamont egx all on Main Street, a bunch

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Speaker 1: of other Rolling Stone stuff. Not quite every season a

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Speaker 1: Rolling Stones episode, but uh a lot. We've done six

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Speaker 1: episodes on The Stones, and the Brian Jones one was

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Speaker 1: the second one that we did. And when I wrote

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Speaker 1: this episode, there was this this moment I had when

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Speaker 1: I was writing it, trying to to to squish in

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Speaker 1: all the debauchery and all the scandal and all the

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Speaker 1: just insane, insane behavior of Brian Jones. First of all,

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Speaker 1: hot take, not really hot take, you know Mick jaggeran Keith,

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Speaker 1: which has got a lot of shit for kicking Brian

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Speaker 1: Jones out of the band. I mean it was his band,

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Speaker 1: he started the band, but he was just completely dysfunctional,

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Speaker 1: impossible to be in a band with. And of course,

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Speaker 1: you know, I get it, so you know, for all

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Speaker 1: those all the reasons that he was impossible to be

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Speaker 1: in a band with. I tried documenting them in that episode,

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Speaker 1: and as I was writing it and stacking them all

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Speaker 1: up one after another, it just started to remind me

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Speaker 1: of this sort of like relentless, like just boom boom boom,

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Speaker 1: boom boom, just pummeling of events. And I was like,

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Speaker 1: what is this remind me of? And it reminded me

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Speaker 1: of that great Roger Avery movie from the early two thousand.

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Speaker 1: It's called Rules of Attraction, and there's a movie within

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Speaker 1: that movie called Victor Takes a Trip. If you know

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Speaker 1: Rules of Attraction, you know exactly what I'm talking about.

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Speaker 1: So I looked up Victor Takes a Trip. I got

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Speaker 1: the script and I lined it up and I wrote

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Speaker 1: the Brian Jones stuff beat for beat with Victor Takes

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Speaker 1: a Trip, and then we got some cool visuals we

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Speaker 1: put that to it. It's up on YouTube now and

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Speaker 1: it's pretty freaking awesome. I think if you know this episode,

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Speaker 1: the Brian Jones episode of Disgrace Signed, you're definitely gonna

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Speaker 1: know what I'm talking about here, and you're probably gonna

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Speaker 1: be excited to see this video. If you don't know

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Speaker 1: what I'm talking about, check it out and then go

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Speaker 1: watch Rules of Attraction. That's I know, it's not the

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Speaker 1: recommendation's part of the show yet, but that movie is

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Speaker 1: fucking great. To Bertie Stonella's novel that was adapted by

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Speaker 1: Roger Avery. Roger Avery, of course, was quitting Tarantino's co

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Speaker 1: worker back at that movie rental place that they worked

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Speaker 1: at when they were kids, and he co wrote pulp fiction,

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Speaker 1: Just an awesome movie, Rules of Attraction. So the Brian

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Speaker 1: Jones take on Victor Takes a Trip is up on

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Speaker 1: our YouTube channel right now. That is YouTube dot com

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Speaker 1: slash at Disgraceland Pod. If you're not subscribed, I say

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Speaker 1: it every week, get over there, people, subscribe. You're getting

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Speaker 1: a bunch of music and true crime content there that

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Speaker 1: you're not getting here in the podcast feed. We're releasing

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Speaker 1: daily shorts, We've got a bunch of got a bunch

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Speaker 1: of deep dive videos on ancillary music and true crime

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Speaker 1: stories that haven't yet been in the podcast. And of

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Speaker 1: course if you're just YouTube junkies, eventually we'll have the

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Speaker 1: podcast available over there as well, just like we have

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Speaker 1: it available here in the feed. So that is YouTube

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Speaker 1: dot com slash at Disgraceland Pod. That's over on YouTube,

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Speaker 1: but here in the feed. As usual, we are continuing

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Speaker 1: to release previously exclusive content into the disgraced Land feed.

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Speaker 1: Since the last after Party, we've dropped our archive episodes

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Speaker 1: that we've had that we've had sort of like locked

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Speaker 1: up under lock and key. These episodes are on jay

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Speaker 1: Z Little Richard, a two partner on Guns N' Roses

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Speaker 1: our Jim Morrison episode from April first, twenty nineteen, our

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Speaker 1: two partner on the Beach Boys. All of these are

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Speaker 1: available for you now wherever you get your podcasts. If

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Speaker 1: you haven't heard these episodes before, now is your chance.

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Speaker 1: They're available. Like I said, wherever podcasts are available. And

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Speaker 1: we are of course releasing more previously exclusive content in

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Speaker 1: the coming days, with episodes on the Who, Tiger King, Run, DMC,

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Speaker 1: Ozzy Osbourne and Nipsey Hustle, all in the lead up

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Speaker 1: to our next new episode for season eleven, which we

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Speaker 1: are releasing this coming Tuesday on the MC five. So,

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Speaker 1: as usual, lots and lots of disgrace slamed content for

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Speaker 1: you to wrap your ears around in the coming days.

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Speaker 1: All right, so you will be busy. I got to

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Speaker 1: clean something up from the last after party. I was

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Speaker 1: responding to a texter or a voicemail, I can't remember which,

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Speaker 1: and they requested a Joy Division episode, to which I said,

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Speaker 1: there is one coming, have no fear, there's one coming

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Speaker 1: soon in season twelve of Disgracedlam. But I was incorrect.

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Speaker 1: It is a new Order episode, not a Joy Division episode.

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Speaker 1: You can forgive me for the mistake. It's an obvious one.

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Speaker 1: I spoke and I didn't correct myself, so you know

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Speaker 1: I didn't realize the mistake at the time. I got

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Speaker 1: someone flagged before me, my guy Taylor did. We got

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Speaker 1: it cleaned up right now. That's New Order, not Joy Division,

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Speaker 1: but for Joy Division fans, you will be satisfied with

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Speaker 1: the New Order episode. So I am going to take

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Speaker 1: a quick break and I will be back in flash

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Speaker 1: with your voicemails, your texts, and your dms. All right,

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Speaker 1: you guys know the drill. These bonus episodes. There's an

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Speaker 1: ongoing conversation between me and all of you, and I

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Speaker 1: love it. I wish I could do more of it.

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Speaker 1: I want to find a way to do more of it.

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Speaker 1: For right now we get it into these bonus episodes.

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Speaker 1: I'm digging it. Keep it coming. You're hitting me up

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Speaker 1: on Instagram, Twitter, TikTok and Facebook at disgracelam pod. You

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Speaker 1: know that I respond sometime. I respond right in this episode,

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Speaker 1: And of course you can call me and leave me

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Speaker 1: a voicemail or a text at six one seven nine

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Speaker 1: zero six six six three eight, just like this listener

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Speaker 1: from the nine to one four.

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Speaker 2: Hey there, love the show. I'm in the middle of

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Speaker 2: listening to the Beach Boys episodes, and one thing I

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Speaker 2: love so much about it is you're really kind of

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Speaker 2: just exposing this Sixties for what they really were and

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Speaker 2: the junk that we've been said about the sixties it's

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Speaker 2: just not true. So thanks for what you're doing, and

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Speaker 2: I'm going to go back to listening.

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Speaker 3: Bye.

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Speaker 1: All right, thanks for the message. Yes, the myth of

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Speaker 1: the sixties. I had a lot to say about that

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Speaker 1: in the Beach Boys episodes, and just so you know,

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Speaker 1: I go a little deeper with some quantifiable facts about

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Speaker 1: that myth in the two part Woodstock episode Woodstock Episodes

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Speaker 1: that I did back in God, I.

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Speaker 3: Don't even know.

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Speaker 1: I'm not going to pretend to know when I released,

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Speaker 1: so I think it was the end of twenty twenty one.

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Speaker 1: So go back check out those those Woodstock episodes for

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Speaker 1: more on this myth of the sixties. Take that I

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Speaker 1: have that's in your disgrace line feed Those are out now.

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Speaker 1: Thank you for calling, appreciate it leaving a voicemail. Let's

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Speaker 1: do another one. Let's check in with the six four six.

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Speaker 3: Hey man, how you throwing? This is Kevin from New

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Speaker 3: York City periodically to ask you about the Mets and

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Speaker 3: the nickt and or saying bro In, I've said your fitch.

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Speaker 3: It like that. I'm the one that sends you the

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Speaker 3: fitches of the Mobster Grave site. In any event, Man,

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Speaker 3: I just had to call you. Man, this show is amazing.

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Speaker 3: Your content is brilliant. I love history and I love

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Speaker 3: to be entertained, and man, you just rock out. Man,

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Speaker 3: You're awesome. I appreciate you. Thank you, thank you, thank you,

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Speaker 3: and go next.

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Speaker 1: Kevin my Man. Good to hear your voice in the

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Speaker 1: match it up to the text. Thank you for calling in.

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Speaker 1: Thanks for the kind words. Dude, dude, more Mobster Greystone

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Speaker 1: picks might mightily appreciated here. So you know, when you

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Speaker 1: have time, no big deal, get around to it. I

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Speaker 1: can get with the Mets as my national league team.

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Speaker 1: I've liked them since I was a little kid. You know,

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Speaker 1: largely when you're a little kid, you're picking teens beyond

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Speaker 1: your little local team. You sir, you know you go

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Speaker 1: with the uniforms. And I like that blue and that orange.

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Speaker 1: I like those blue pinstripes. I don't know, I don't know,

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Speaker 1: I don't know why. I like Doc Gooden, I like

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Speaker 1: Daryl Strawberry, I Dug Keith Hernandez, that whole thing. I

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Speaker 1: still like those guys, crazy as they are. Anyways, Yeah,

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Speaker 1: the Mets. I can get with the Mets. Like I said,

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Speaker 1: I can get with the Mets, especially because my Red

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Speaker 1: Sox aren't going to crack five hundred this year. I

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Speaker 1: don't think they're gonna be horrible. But dude, I can't

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Speaker 1: get with the Knicks despite the uniform color scheme. So

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Speaker 1: hit me back, Kevin, whenever you get a chance. Talk

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Speaker 1: more sports, more mafia guys, dead mobster's gravestones. All right,

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Speaker 1: thanks for listening, dude. All right, let's uh, let's see

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Speaker 1: what we got here. Let's do you know what? I

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Speaker 1: have not done this before. I don't think I don't

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Speaker 1: think I've I've played a voicemail from the same listener

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Speaker 1: more than once. I'm not going to make a habit

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Speaker 1: of that, but I just do something about this listener.

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Speaker 1: I like her. She's awesome. I like her energy that

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Speaker 1: she brings to these calls. This is Sherry from the

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Speaker 1: two one five. So Sherry, I'll repeat. Let's hear what

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Speaker 1: you get to say.

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Speaker 2: Hey, Jake, goot Sherry over here. It's two one five.

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Speaker 2: First of all, you did honors to me. I asked

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Speaker 2: for Robin Williams, and I boohooed all the way through it.

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Speaker 2: But it was so wonderfully done.

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Speaker 3: You did the damn thing.

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Speaker 2: And now you're releasing Whitney Houston, so let me tell you,

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Speaker 2: I'm excited. Thank you for this good ship as always,

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Speaker 2: keep it rolling, rock and roller.

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Speaker 3: Thank you, Jay.

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Speaker 2: Hearts out to you.

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Speaker 1: Sherry, thanks for spreading the lu v love. Hope we

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Speaker 1: don't disappoint with the Whitney Houston episode. I hope you

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Speaker 1: dug it, and I'm happy to hear that you dug

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Speaker 1: the bad Lands episode on Robin Williams. We should, Sherry

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Speaker 1: and everybody else out there listening, we should have some

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Speaker 1: bad Lands news for all of you guys very shortly

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Speaker 1: that I think you're going to be excited about, all right,

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Speaker 1: lots of text, lots of texts on the top five

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Speaker 1: movie question, which I love. I love this. So we're

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Speaker 1: going to start here at the eight six y four. Jake,

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Speaker 1: it's a lane come to atl even though I'm from

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Speaker 1: Greenville actually small town of Fountain. In my top five

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Speaker 1: Tombstone number one, pulp fiction number two, my cousin Vinnie,

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Speaker 1: number three, Good Fellows number four, Steal Magnolias because I'm

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Speaker 1: Southern and well because Dolly. Also recommend Friday Night Lights

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Speaker 1: on Netflix. Seen it excellent, I know, and Shrinking on

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Speaker 1: Apple TV Jason Sigal and Harrison Ford funnier than you think.

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Speaker 1: I'm sure it is, but it's about loss and grief,

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Speaker 1: and I just you know, I can't. I don't know.

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Speaker 1: I don't get the space for shrinking right now. I

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Speaker 1: watch the trailer maybe sometime soon. If I'm wrong, if

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Speaker 1: it's not a bumb out right back and let me know.

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Speaker 1: Elane Laney, let's see Tombstone number one. God, I need

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Speaker 1: to rewatch Tombstone. I haven't given that it's I haven't

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Speaker 1: given that it's due. You're putting Tombstone above pulp fiction. Really, Lane, Really,

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Speaker 1: my cousin Vinnie, I feel that Goodfellas and Steel Magnolia

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Speaker 1: is good solid listen, Lane, thank you so much. I'm

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Speaker 1: gonna rewatch Humestone. I'll get back to you one of

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Speaker 1: these after parties, all right, from the five to one. Oh,

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Speaker 1: I also struggle with Jimmy Buffett. That's right, guys, I

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Speaker 1: was supposed to listen to early Jimmy Buffett. I said

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Speaker 1: I wouldn't the last after party, and you know what,

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Speaker 1: I didn't do it, but still I want to read

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Speaker 1: this text. So the five to one zero says I

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Speaker 1: also struggle with Jimmy Buffett. One thing made him a

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Speaker 1: teeny bit more palatable to me. I am an og

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Speaker 1: Star Wars fan from way back. Empire Strikes Back came

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Speaker 1: out when I was like six, and I forever changed.

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Speaker 1: So I found out that Harrison Ford was with Jimmy

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Speaker 1: Buffett when he got his ear pierced. There's a story there.

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Speaker 1: Harrison Ford pot Dealer to Michelle Phillips during the whole

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Speaker 1: Laurel Canyon scene. Hans solo Indiana Jones that he's rocking

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Speaker 1: it in the show shrinking, just saying that's another shrinking

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Speaker 1: reference too in a row. I didn't mean to do that.

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Speaker 1: Harrison Ford gives a nod to Jimmy Buffett, so it

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Speaker 1: made me lift my lifelong band of him. I mean,

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Speaker 1: I'm not suddenly a fan, but I let his music

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Speaker 1: play without always changing the channel. That's kind of where

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Speaker 1: I'm at there. Five to one zero five one zero

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Speaker 1: goes on to say, sometimes I still change the channel,

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Speaker 1: but no longer with disdain. Hope. That helps, definitely helps

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Speaker 1: excuse that sign of the background that is the garage downstairs,

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Speaker 1: the garage door opening up and closing. I think it's

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Speaker 1: gone now. Hey, so all right, that's another I don't know. Yeah,

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Speaker 1: that was very much about Hans Solo, but to me,

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Speaker 1: it's really about Jimmy Buffett and I didn't know Han Solo,

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Speaker 1: I didn't know Harrison Ford was dealing dope in Laurel Kenya.

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Speaker 1: But you learn maybe there's a bad Lands episode there

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Speaker 1: on Harrison Ford at some point. Thank you for that

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Speaker 1: awesome text. All right, let's do some more texts. Let's

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Speaker 1: see what we got, all right? From the nine to

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Speaker 1: one nine, Hi Ethan from the nine one nine, I

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Speaker 1: recently discovered and have been binge listening through work days

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Speaker 1: the lou Reed episodes. Holy shit, wild ride man, love

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Speaker 1: your work. Thanks Ethan, I really appreciate it. We took

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Speaker 1: a wild swing with those lou Reed episodes, went adam

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Speaker 1: completely different than we have other episodes in the past.

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Speaker 1: So it makes me very happy to receive some positive

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Speaker 1: feedback there about those low episodes. We've received quite a

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Speaker 1: bit of it, but you know, it's always it's always

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Speaker 1: gratifying when you take a risk and it pays off.

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Speaker 1: So thanks, man, appreciate that. Let's see what else do

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Speaker 1: we have? All right? From the seven to one four.

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Speaker 1: I'm at Barnes and Noble right now, and look what

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Speaker 1: I found. And there's a picture of my book, the

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Speaker 1: Disgraceland book musicians getting away with murder and behaving very badly.

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Speaker 1: And the text goes on to say, real quick, I've

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Speaker 1: always wanted to ask you this. When you do an

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Speaker 1: episode of Disgraceland or The twenty seven Club and you

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Speaker 1: do your research on the artist or band, does your

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Speaker 1: impression of them change it all? Especially the groups are

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Speaker 1: artists you're a big fan of. Do you ever find

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Speaker 1: yourself saying, man, I don't know if I can be

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Speaker 1: a fan of this band slash artist after what I

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Speaker 1: now know. It's a good question, and I don't know.

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Speaker 1: It's a tough one. I still don't have a good

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Speaker 1: answer for it. After five years of being asked this,

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Speaker 1: you know, not really you know, if anything, I know

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Speaker 1: this's gonna sound fucked up. I walk away with more

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Speaker 1: empathy than I had going in, despite whatever horrific behavior

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Speaker 1: has happened. And that's not a blanket statement. It doesn't

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Speaker 1: apply to every single artist that I've covered, obviously, but

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Speaker 1: with a lot of these subjects, you just get into

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Speaker 1: the backstory and you start to see how entirely fucked

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Speaker 1: up their lives were, and how the signs were there,

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Speaker 1: and how they're damaged and how you know, damage begets

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Speaker 1: more damage and it doesn't excuse anything. That's not what

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Speaker 1: I'm saying. You guys are intellectually advanced enough to understand

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Speaker 1: the nuance there. I'm not saying that that excuses anything.

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Speaker 1: I'm just saying that it counts. It counts for something.

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Speaker 1: I am an empathetic person. I can't help that. I

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Speaker 1: think most of us humans are, and I think the

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Speaker 1: older we get, the more we strive to be better

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Speaker 1: versions of ourselves and try to understand people a little

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Speaker 1: bit more than we did when we were younger. And

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Speaker 1: that causes me. All that in totality causes me to

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Speaker 1: sort of look at these artists with a little more

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Speaker 1: flexibility than I did going in. Of course, there are

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Speaker 1: examples where I walk away and I'm just like, fuck

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Speaker 1: this guy. I'm trying to think of one off the

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Speaker 1: top of my head right now, it's it's the usual suspects,

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Speaker 1: it's you know, it's the big lyric one. Of course,

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Speaker 1: I don't know. I don't want to dwell on the negative.

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Speaker 1: I do enough of that in these episodes. But you know,

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Speaker 1: to me, a lot of these episodes, a lot of

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Speaker 1: these subjects, a lot of these stories, they're redemption stories

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Speaker 1: in a lot of ways. And of course when you

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Speaker 1: have redemption, a lot of times you have empathy. So

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Speaker 1: that might not be the answer you were looking for,

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Speaker 1: but that's that's the honest answer from my point of view.

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Speaker 1: All Right, we got another wheelchair text from somebody different.

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Speaker 1: This is from the eight to eight saying, oh wow,

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Speaker 1: I literally just got wheeled out of a colonoscopy and

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Speaker 1: I saw this, and I was like, what the fuck

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Speaker 1: am I hallucinating? Either way, something long form and video

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Speaker 1: form would have me captivated. I don't know what the

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Speaker 1: fuck this dude's talking about. And then just goes on

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Speaker 1: to say, top five flicks in my head, Jaws, sling Blade,

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Speaker 1: back to the Future, Magnolia, Rocky twenty eight days later.

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Speaker 1: I know, not the boilerplate top five, but there you go. Crap,

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Speaker 1: that's six kill the last one, the last one being

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Speaker 1: twenty eight days later, and uh, I've never seen that.

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Speaker 1: I get to check that out. I think that's is

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Speaker 1: that the Schwarzenegger one? No, is it? I don't know.

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Speaker 1: Back to the Future solid solid number three. I recently

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Speaker 1: read that script. It's flawless. That movie is flawless. Funny

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Speaker 1: story too. I have a very young son just turned five,

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Speaker 1: but about six months ago, when he was four, we

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Speaker 1: were watching Back to the Future and it was a

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Speaker 1: family movie night. We're sitting there. I'll make this quick.

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Speaker 1: We're sitting there. It's the part where Doc takes off

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Speaker 1: in the in the in the car for the first time. Right,

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Speaker 1: it's like the first time he blasts off into the past,

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Speaker 1: and as he does, my four and a half year

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Speaker 1: old at the time just goes, oh fuck. And it's

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Speaker 1: like this amazing point in a kid's life. Like the

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Speaker 1: parents will know this where the kids know the swear word,

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Speaker 1: but they don't yet know it's a swear So you

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Speaker 1: just kind of look at your your part, your your wife,

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Speaker 1: or you look at your husband, and you're you just

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Speaker 1: kind of like, uh, do we say anything? Of course

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Speaker 1: we didn't say anything. And even my my nine year

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Speaker 1: old was smart enough not to say anything. It was

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Speaker 1: just hysterical. But back to the future. Amazing, amazing movie

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Speaker 1: Top three. I love that Rocky's on here too. You know,

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Speaker 1: Rocky might be in my top five. I've always long

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Speaker 1: I've long thought Rocky is one of the greatest love

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Speaker 1: stories of all time. It's it's just, you know, it

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Speaker 1: doesn't get thought of in that way because of all

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Speaker 1: the machismo attached to it. I'n't believe me here for

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Speaker 1: the machismo. I'm here for the sports movie aspect of it.

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Speaker 1: But there's that just that end scene, man, that end scene.

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Speaker 1: And for the five of you out there who have

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Speaker 1: not yet seen Rocky, I'm not going to spoil it

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Speaker 1: for you. But if you're resisting because you think it's

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Speaker 1: just one big sweaty manifest you should watch it and

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Speaker 1: you'll be in. You might surprise yourself, you might be

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Speaker 1: into it. All right, what else we got? All right? Subject?

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Speaker 1: It's Patrick from the six h seven living in the

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Speaker 1: five to five Love Your podcast and started tooney, don't

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Speaker 1: know what that means. I'm a big true crime documentary

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Speaker 1: and any sort of music history buff. Your knight Stalker

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Speaker 1: recommendation by Tilla Russell have me craving for more any

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Speaker 1: other true crime documentary recommendations. Also top five movies in

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Speaker 1: my lifetime Shoshank Redemption, Jaws, Rocky Again, and Jaws and

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Speaker 1: Shoshank Redemption Again, Forrest Gump and Back to the Future Again.

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Speaker 1: Also not a big pulp fiction fan boo, but loved

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Speaker 1: qts once upon a time in Hollywood, So you know,

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Speaker 1: I think we're getting some consensus here in the top five.

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Speaker 1: Joshank Redemption seems to be on most lists, as does

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Speaker 1: Jaws on my list for sure, a Rocky probably should

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Speaker 1: be on my list, and Back to the Future not

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Speaker 1: on my list, but it's close, close, close close, So

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Speaker 1: uh yeah, man, if I'm gonna recommend another documentary for you,

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Speaker 1: I'm gonna recommend to you Tiler Russell's new doc new

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Speaker 1: doc series called Waco American Apocalypse that's out now on Netflix.

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Speaker 1: Taylor was on the podcast a couple of weeks ago,

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Speaker 1: and check out his new series mini series. I have

422
00:23:32,560 --> 00:23:35,199
Speaker 1: not seen it yet, and when I get into the

423
00:23:35,200 --> 00:23:38,359
Speaker 1: recommendations part, you'll know why. I'm stuck in a different

424
00:23:38,359 --> 00:23:41,520
Speaker 1: TV wormhole at the moment, and I want to create

425
00:23:41,640 --> 00:23:45,320
Speaker 1: space for Taylor's new show. Stoked to see it? All right?

426
00:23:46,119 --> 00:23:50,240
Speaker 1: What else do we got here? Let's do some dms,

427
00:23:50,320 --> 00:23:54,600
Speaker 1: shall we? Because last week I did not do any dms?

428
00:23:54,760 --> 00:24:00,919
Speaker 1: All right? From Fred Noland on Instagram. Hi, please pardon

429
00:24:01,080 --> 00:24:03,159
Speaker 1: my sliding into your dms. Just wanted to say I

430
00:24:03,160 --> 00:24:06,720
Speaker 1: thoroughly enjoyed the Iggy Pop episode of disgrace Land. I'm

431
00:24:06,760 --> 00:24:09,480
Speaker 1: a big fan. You shared a great many things I

432
00:24:09,520 --> 00:24:11,960
Speaker 1: hadn't heard before. Always nice to learn. Also, I did

433
00:24:11,960 --> 00:24:14,240
Speaker 1: a comic about Iggy Pop a few years ago. I

434
00:24:14,280 --> 00:24:15,720
Speaker 1: thought you might enjoy it, so I'm sharing. So I'm

435
00:24:15,720 --> 00:24:18,880
Speaker 1: basically reading this text from Fred here because he sent

436
00:24:18,960 --> 00:24:22,160
Speaker 1: me the comic book, the digital version of it. It's

437
00:24:22,359 --> 00:24:26,160
Speaker 1: a couple pages, and it's fucking awesome. I'm gonna share this.

438
00:24:26,600 --> 00:24:28,679
Speaker 1: When you hear this, you'll be able to see on

439
00:24:28,720 --> 00:24:31,600
Speaker 1: my Instagram stories Fred's work. And if you're an Iggy

440
00:24:31,600 --> 00:24:33,560
Speaker 1: Pop fan, I think you're gonna dig it. So check

441
00:24:33,600 --> 00:24:38,520
Speaker 1: that out. Let's keep moving here. Another DM from Chris

442
00:24:38,680 --> 00:24:42,240
Speaker 1: on it. My old friend Chris here, who I've never

443
00:24:42,320 --> 00:24:46,920
Speaker 1: met but who I converse with quite frequently here has

444
00:24:47,280 --> 00:24:49,960
Speaker 1: made this disgrace Land mix, and by mix, I don't

445
00:24:49,960 --> 00:24:53,440
Speaker 1: mean playlist of songs. I mean an actual fucking DJ

446
00:24:53,640 --> 00:24:57,680
Speaker 1: mix of bangers that's beatmatched, that takes you want to

447
00:24:57,800 --> 00:25:02,399
Speaker 1: ride a roller coaster ride. It's relevant to the Disgraceland artists.

448
00:25:02,400 --> 00:25:05,680
Speaker 1: You're gonna hear little bits and pieces throughout. This mix

449
00:25:05,760 --> 00:25:07,840
Speaker 1: is fucking great. You can tell that Chris worked his

450
00:25:07,920 --> 00:25:10,600
Speaker 1: ass off on it. He's a very talented guy. And

451
00:25:10,840 --> 00:25:13,200
Speaker 1: I'm gonna post this. There's a link to the mix.

452
00:25:13,280 --> 00:25:16,320
Speaker 1: I'll post that, I'll tweet it out, and I'll also

453
00:25:16,480 --> 00:25:19,399
Speaker 1: put it on Instagram. I'm going to do this on

454
00:25:19,480 --> 00:25:21,919
Speaker 1: the day this episode is released, so you should hear it.

455
00:25:21,960 --> 00:25:25,560
Speaker 1: Then let's move on do some more dms. What else

456
00:25:25,600 --> 00:25:28,760
Speaker 1: do we got here? What else? Yep? This is from

457
00:25:28,760 --> 00:25:32,280
Speaker 1: Matthew Eric Jones nineteen eighty. I already responded to this.

458
00:25:33,040 --> 00:25:35,200
Speaker 1: Just a special shout out here in the after party

459
00:25:35,200 --> 00:25:38,640
Speaker 1: to Matthew Eric Jones nineteen eighty on Instagram. He got

460
00:25:38,640 --> 00:25:42,120
Speaker 1: a new zombie Elvis tattoo. Matthew, you're a legend. If

461
00:25:42,160 --> 00:25:44,720
Speaker 1: you any of you guys out there have Disgraceland tattoos,

462
00:25:44,720 --> 00:25:47,760
Speaker 1: I've seen him before, go ahead, obviously hit me up.

463
00:25:47,840 --> 00:25:50,160
Speaker 1: I'm gonna share it. This is one of the cooler ones.

464
00:25:51,720 --> 00:25:56,320
Speaker 1: A couple weeks back, another sort of Disgraceland world tattoo appearance.

465
00:25:57,480 --> 00:26:01,800
Speaker 1: A friend of mine, I should say a puaintance, had

466
00:26:01,920 --> 00:26:06,280
Speaker 1: heard the Disgraceland episode on the Who and wherein I

467
00:26:06,359 --> 00:26:10,120
Speaker 1: described Keith Moon as a jet engine with octopus arms,

468
00:26:10,119 --> 00:26:12,159
Speaker 1: and she went and she actually got a jet engine

469
00:26:12,200 --> 00:26:14,920
Speaker 1: with octopus arms. She's a drummer and a Keith Moon

470
00:26:15,000 --> 00:26:18,919
Speaker 1: fan tattooed on her thigh and we use the image

471
00:26:18,920 --> 00:26:22,879
Speaker 1: of that in our Who video that's over on YouTube.

472
00:26:23,440 --> 00:26:25,800
Speaker 1: You can check that out. Tattoos fucking great. By the way,

473
00:26:25,880 --> 00:26:28,840
Speaker 1: I was like, damn it, why didn't I think of that? Okay,

474
00:26:28,960 --> 00:26:31,800
Speaker 1: let's see what do we got here. So another DM

475
00:26:31,840 --> 00:26:35,120
Speaker 1: from Coco Cookie, Hey Jay Copepol as well on your

476
00:26:35,119 --> 00:26:38,200
Speaker 1: next bonus episode, Can you please explain why Slash How

477
00:26:38,280 --> 00:26:41,240
Speaker 1: Boogie Nights is in so many men's top five films.

478
00:26:41,400 --> 00:26:43,199
Speaker 1: I remember watching and thinking it was good, but not

479
00:26:43,240 --> 00:26:45,760
Speaker 1: all that memorable. I also don't get how The Departed

480
00:26:45,800 --> 00:26:48,200
Speaker 1: doesn't cut it for you. I'm also tempted to rank

481
00:26:48,200 --> 00:26:50,879
Speaker 1: it above Casino my top five all right, pulp fiction,

482
00:26:51,000 --> 00:26:55,440
Speaker 1: Good Fellows, American Pop Heart and Souls and Kill Bill,

483
00:26:55,960 --> 00:26:58,480
Speaker 1: Thank you the four roh three and that is from

484
00:26:58,720 --> 00:27:04,040
Speaker 1: at Coco Cookie on Instagram. Well at Coco Cookie. Not

485
00:27:04,160 --> 00:27:07,200
Speaker 1: to speak for all the men out there. I'm certainly

486
00:27:07,200 --> 00:27:12,199
Speaker 1: not the spokes spokesman for male film watchers. Uh, but

487
00:27:12,960 --> 00:27:18,920
Speaker 1: I don't know. Maybe it's the porn in Boogie Nights.

488
00:27:18,960 --> 00:27:21,680
Speaker 1: Certainly not from my perspective. I mean that movie is

489
00:27:21,960 --> 00:27:24,280
Speaker 1: unlike any movie I'd ever seen. When I went to

490
00:27:24,280 --> 00:27:26,520
Speaker 1: see it, I'd never seen anything like it before. It

491
00:27:26,560 --> 00:27:29,520
Speaker 1: was like now when I watch it, I can tell

492
00:27:29,760 --> 00:27:32,920
Speaker 1: why I responded to it the way I did. It

493
00:27:33,280 --> 00:27:35,679
Speaker 1: wasn't the porn aspect of it. I mean being in

494
00:27:35,760 --> 00:27:39,040
Speaker 1: the world of porn, sure, because we hadn't given we

495
00:27:39,119 --> 00:27:43,200
Speaker 1: hadn't yet been given that that sort of tour in culture.

496
00:27:44,400 --> 00:27:46,960
Speaker 1: The Internet was not here yet like it is now,

497
00:27:48,119 --> 00:27:50,760
Speaker 1: and porn wasn't as ubiquitous as it is now. There

498
00:27:50,800 --> 00:27:53,280
Speaker 1: was no such thing as only fans, and the sex

499
00:27:53,359 --> 00:27:57,359
Speaker 1: work industry was not what it is now. And that

500
00:27:57,560 --> 00:28:00,240
Speaker 1: was a view into it that was heavily stylized and

501
00:28:00,400 --> 00:28:04,320
Speaker 1: romanticized and also kind of raw and real at the

502
00:28:04,359 --> 00:28:08,800
Speaker 1: same time. And I think it was more about the

503
00:28:08,840 --> 00:28:12,960
Speaker 1: world than the actual porn and then Paul Thomas Anderson

504
00:28:12,960 --> 00:28:15,880
Speaker 1: just as a filmmaker, he just does things and did

505
00:28:15,880 --> 00:28:17,800
Speaker 1: things in that movie that hadn't been done before. And

506
00:28:18,359 --> 00:28:22,240
Speaker 1: I'm not smart enough sort of a critic of film

507
00:28:22,320 --> 00:28:25,359
Speaker 1: to really explain what those things are without doing a

508
00:28:25,400 --> 00:28:29,040
Speaker 1: lot of research. But I can't tell you. I felt

509
00:28:29,040 --> 00:28:31,399
Speaker 1: it viscerally and I still feel it when I rewatch it.

510
00:28:32,160 --> 00:28:34,320
Speaker 1: Not sure it's a male female thing, but maybe it is.

511
00:28:34,359 --> 00:28:36,240
Speaker 1: What do I know? I don't have a female perspective.

512
00:28:36,560 --> 00:28:38,520
Speaker 1: Any of the ladies out there have a burning hatred

513
00:28:38,520 --> 00:28:41,520
Speaker 1: for Boogie Nights by all means let me know. But

514
00:28:41,560 --> 00:28:44,440
Speaker 1: I think it's fucking great on your list though this

515
00:28:44,760 --> 00:28:48,240
Speaker 1: saw this especially because it's got one that I don't recognize,

516
00:28:48,280 --> 00:28:50,840
Speaker 1: Heart and Souls. You have ripped Tom Sizemore here. I've

517
00:28:50,880 --> 00:28:52,840
Speaker 1: never seen, nor don't I even know what Heart and

518
00:28:52,840 --> 00:28:54,960
Speaker 1: Souls is. And I'm intrigued and I'm psyched to check

519
00:28:55,000 --> 00:28:57,760
Speaker 1: it out. So thank you for writing all right. So

520
00:28:57,840 --> 00:29:01,480
Speaker 1: those are the DMS. Thank you everyone for writing in.

521
00:29:01,720 --> 00:29:05,640
Speaker 1: Continue to write in at Disgracelain, pod, Facebook, TikTok, Twitter,

522
00:29:05,720 --> 00:29:09,920
Speaker 1: and of course Instagram. You know, I found out a

523
00:29:10,000 --> 00:29:14,640
Speaker 1: couple months ago, about three months ago that we've been

524
00:29:14,800 --> 00:29:18,400
Speaker 1: what's called shadow band on Instagram. All that means is

525
00:29:18,600 --> 00:29:23,640
Speaker 1: our content has not been recommended going back two fucking

526
00:29:23,760 --> 00:29:28,560
Speaker 1: years now. I posted a friend a video from a

527
00:29:28,560 --> 00:29:34,040
Speaker 1: friend's band back in twenty twenty that had Charles Manson

528
00:29:34,080 --> 00:29:37,280
Speaker 1: in it, and I got dinged by the Instagram police

529
00:29:37,600 --> 00:29:43,960
Speaker 1: for the content like being violent content or some such designation.

530
00:29:44,760 --> 00:29:49,040
Speaker 1: Never noticed it, but I did notice that Instagram stopped growing,

531
00:29:49,680 --> 00:29:53,240
Speaker 1: and it was when we were exclusive as a podcast

532
00:29:53,360 --> 00:29:55,440
Speaker 1: on Amazon. So I was kind of like, maybe we're

533
00:29:55,480 --> 00:29:57,560
Speaker 1: just not growing because not as many people can hear

534
00:29:57,600 --> 00:30:00,440
Speaker 1: the podcast as I can otherwise. And when we came

535
00:30:00,440 --> 00:30:05,520
Speaker 1: out of the Amazon exclusivity, I looked into it. Sure enough,

536
00:30:05,560 --> 00:30:07,800
Speaker 1: I noticed, But I also noticed when we released the

537
00:30:07,880 --> 00:30:10,520
Speaker 1: Charles Manson episode of Disgrace and I'm Back in November

538
00:30:10,560 --> 00:30:14,080
Speaker 1: of twenty twenty two, we get dinged again for more

539
00:30:14,200 --> 00:30:20,720
Speaker 1: Charles Manson so called violent content, which is fucking ridiculous.

540
00:30:22,000 --> 00:30:26,560
Speaker 1: So anyways, our content on Instagram has not been being recommended.

541
00:30:26,600 --> 00:30:29,800
Speaker 1: We've not been growing there at all. I spend a

542
00:30:29,840 --> 00:30:33,440
Speaker 1: lot of time there just as a user, but also

543
00:30:33,520 --> 00:30:37,040
Speaker 1: engaging with you guys, and I don't know what's going

544
00:30:37,120 --> 00:30:39,680
Speaker 1: to happen. I got to get this fixed because there

545
00:30:39,680 --> 00:30:42,440
Speaker 1: are other platforms out there that maybe I take the

546
00:30:42,480 --> 00:30:45,160
Speaker 1: conversation there. I don't know, we'll see. We got to

547
00:30:45,200 --> 00:30:47,280
Speaker 1: fix this. We've been trying to get in touch with

548
00:30:47,400 --> 00:30:52,000
Speaker 1: Instagram going on four months now, and we are getting nowhere.

549
00:30:53,280 --> 00:30:58,160
Speaker 1: But yeah, if you're getting our content, congratulations. If you're

550
00:30:58,240 --> 00:31:01,200
Speaker 1: hearing this and you don't engage with us on Instagram,

551
00:31:01,200 --> 00:31:06,560
Speaker 1: but you yourself are on Instagram at disgraceland Pod, find us,

552
00:31:07,160 --> 00:31:13,400
Speaker 1: follow us, like us, comment, dm me whatever. Let's get

553
00:31:13,440 --> 00:31:17,080
Speaker 1: the fucking algorithm churning over there and show these knuckleheads

554
00:31:17,440 --> 00:31:22,280
Speaker 1: that we're not some stupid, like fucking hate mongering violent profile.

555
00:31:22,360 --> 00:31:26,040
Speaker 1: We're not, of course we're not. Anyhow, That's what's going

556
00:31:26,080 --> 00:31:29,400
Speaker 1: on over there. Just let you guys know what's up.

557
00:31:29,640 --> 00:31:33,680
Speaker 1: Hit me up wherever though Facebook, Twitter, Instagram, TikTok at

558
00:31:33,760 --> 00:31:51,320
Speaker 1: Disgraceland Pod. I'm gonna be back right after this. All right,

559
00:31:51,400 --> 00:31:54,520
Speaker 1: it's the recommendations part. This is the recommendation's part, the

560
00:31:54,560 --> 00:31:56,480
Speaker 1: part of the show where we recommend the things that

561
00:31:56,480 --> 00:32:01,640
Speaker 1: are worth recommending, the recommendations Partdtion's bard. Maybe that's what

562
00:32:01,680 --> 00:32:04,280
Speaker 1: I'll do. Maybe I'll punt on the cheesy ninety sitcom

563
00:32:04,320 --> 00:32:06,160
Speaker 1: music that I have planned for this and do a

564
00:32:06,240 --> 00:32:09,320
Speaker 1: death metal vocal numonic instead. I can do that on

565
00:32:09,360 --> 00:32:11,280
Speaker 1: my own. I don't need anyone at all to do that.

566
00:32:11,480 --> 00:32:13,040
Speaker 1: But you don't want to hear that. I don't either.

567
00:32:13,240 --> 00:32:14,640
Speaker 1: All Right, what I'm reading, what I'm watching, and what

568
00:32:14,640 --> 00:32:16,360
Speaker 1: I'm listening to. I'm gonna start this Week's what I'm

569
00:32:16,360 --> 00:32:18,840
Speaker 1: listening to. I'm listening to the Muddy Waters album Hard Again.

570
00:32:19,120 --> 00:32:20,840
Speaker 1: Who knows this record? Do you know this record? This

571
00:32:20,880 --> 00:32:23,640
Speaker 1: record is fucking incredible. I've known this record for a while,

572
00:32:23,720 --> 00:32:26,560
Speaker 1: note about it, been listening to it for forever. Get

573
00:32:26,560 --> 00:32:28,120
Speaker 1: it on vinyl. I listened to it in the car

574
00:32:28,200 --> 00:32:29,680
Speaker 1: all the time. I was listening to it again this

575
00:32:29,720 --> 00:32:32,120
Speaker 1: past weekend Sunday, I was driving out to my mom's

576
00:32:32,120 --> 00:32:34,400
Speaker 1: house and it just fucking hit me over the head,

577
00:32:34,560 --> 00:32:37,800
Speaker 1: little wallp. It's like, this is a record worth mentioning

578
00:32:37,960 --> 00:32:40,080
Speaker 1: because if I didn't know about this record, I would

579
00:32:40,120 --> 00:32:43,480
Speaker 1: want to know about this record. It is worth recommending.

580
00:32:43,840 --> 00:32:47,400
Speaker 1: It's by far my favorite Muddy Waters recording. You can

581
00:32:47,560 --> 00:32:49,760
Speaker 1: just in this album, man, it just sounds like dudes

582
00:32:49,800 --> 00:32:52,760
Speaker 1: having fun. You know you can hear the joy, the cool,

583
00:32:52,840 --> 00:32:55,760
Speaker 1: the confidence, the awesomeness of everyone who's playing on this album,

584
00:32:55,800 --> 00:32:59,040
Speaker 1: and almost every single note this is from nineteen seventy seven.

585
00:32:59,120 --> 00:33:02,560
Speaker 1: This record, it's it's electric, it's over the top, produced

586
00:33:02,560 --> 00:33:07,000
Speaker 1: by Johnny Winter. It swings fucking hard. You've heard the

587
00:33:07,120 --> 00:33:10,560
Speaker 1: version of Muddy's iconic mannagh boy, Wow Wow Wow from

588
00:33:10,600 --> 00:33:13,560
Speaker 1: this album so many times, so many times before. Even

589
00:33:13,600 --> 00:33:15,160
Speaker 1: if you don't know that you've heard it, you've heard it.

590
00:33:15,200 --> 00:33:18,360
Speaker 1: Trust me. It's been over licensed, overused in films, and

591
00:33:18,360 --> 00:33:21,280
Speaker 1: there's a reason because it's the definition of badass. But

592
00:33:21,320 --> 00:33:22,920
Speaker 1: when you hear it in the context of the full

593
00:33:22,960 --> 00:33:26,640
Speaker 1: album kicks off the album, you're just like, oh fucking a,

594
00:33:27,320 --> 00:33:31,760
Speaker 1: this this is music. But for me, it's less about

595
00:33:31,800 --> 00:33:34,400
Speaker 1: this track, this super famous track, and more about the

596
00:33:34,520 --> 00:33:37,160
Speaker 1: entire record. Not only is there not a bad song

597
00:33:37,200 --> 00:33:39,240
Speaker 1: on this album, there's not a bad moment. It is

598
00:33:39,400 --> 00:33:43,080
Speaker 1: truly great a plus Muddy Waters hard again, go get

599
00:33:43,120 --> 00:33:46,600
Speaker 1: some all right. This past weekend, now, in this past week,

600
00:33:46,680 --> 00:33:48,760
Speaker 1: not this past weekend, this past week and the last

601
00:33:48,800 --> 00:33:53,000
Speaker 1: week I somehow popped my George Benson Cherry, WHOA what

602
00:33:53,040 --> 00:33:57,600
Speaker 1: a monster guitar player? Monster musician. This is exactly, though,

603
00:33:57,640 --> 00:34:00,520
Speaker 1: the type of music that I hated as a kid,

604
00:34:00,720 --> 00:34:03,240
Speaker 1: even before I even really had any sort of musical

605
00:34:03,280 --> 00:34:04,880
Speaker 1: point of view. I would just hear this type of

606
00:34:04,880 --> 00:34:08,719
Speaker 1: shit and be like, stop, mom stop, I fucking hate it.

607
00:34:08,880 --> 00:34:11,759
Speaker 1: This is stuff my mother played in our Ford Explorer.

608
00:34:11,920 --> 00:34:14,800
Speaker 1: Explorer while she's fucking driving me around town the baseball

609
00:34:14,840 --> 00:34:18,480
Speaker 1: practiced chain smoking Winston's and getting attitudey about rolling down

610
00:34:18,520 --> 00:34:23,080
Speaker 1: the windows. This music is like bordering on smooth jazz.

611
00:34:23,440 --> 00:34:26,560
Speaker 1: Dare I say, but holy crap, I do not care.

612
00:34:26,680 --> 00:34:30,080
Speaker 1: It's incredible, and by it, I'm talking about the album

613
00:34:30,160 --> 00:34:34,160
Speaker 1: Breezing by George Benson. Here's what happened. I heard of

614
00:34:34,200 --> 00:34:36,640
Speaker 1: George Benson song last week and I took a picture

615
00:34:36,680 --> 00:34:38,960
Speaker 1: of it on Spotify or something, and I storied it

616
00:34:38,960 --> 00:34:41,919
Speaker 1: and someone hit me up. I don't have your name

617
00:34:42,800 --> 00:34:45,160
Speaker 1: or your Instagram handles, so forgive me. But someone hit

618
00:34:45,200 --> 00:34:49,680
Speaker 1: me up immediately and sent me this album Breezing by

619
00:34:49,680 --> 00:34:53,680
Speaker 1: George Benson. And thank you, because this record is so

620
00:34:53,880 --> 00:34:57,040
Speaker 1: fucking good. There aren't any hits on it. You know,

621
00:34:57,160 --> 00:35:00,200
Speaker 1: he's got hits, but they're not on this record. Maybe

622
00:35:00,239 --> 00:35:02,399
Speaker 1: they were hits and I'm just not aware. I didn't

623
00:35:02,400 --> 00:35:04,759
Speaker 1: recognize any of the actual songs on this album, but

624
00:35:04,840 --> 00:35:07,040
Speaker 1: I did recognize some of the beats, some of the

625
00:35:07,080 --> 00:35:09,239
Speaker 1: grooves because they've been if you're into hip hop, you'll

626
00:35:09,239 --> 00:35:11,719
Speaker 1: hear they've been sampled and repurposed at samples and hip

627
00:35:11,760 --> 00:35:15,840
Speaker 1: hop songs. George Benson, Let's Party Breezin is the album?

628
00:35:15,960 --> 00:35:16,799
Speaker 1: Go check that out?

629
00:35:17,120 --> 00:35:17,360
Speaker 3: All right?

630
00:35:17,440 --> 00:35:19,640
Speaker 1: What I'm reading? What am I reading? I'm you know,

631
00:35:19,719 --> 00:35:22,120
Speaker 1: I'm not really reading anything right now. It's New Testament

632
00:35:22,160 --> 00:35:26,000
Speaker 1: Week here in the Brendan host household, specifically the Gospels

633
00:35:26,120 --> 00:35:29,200
Speaker 1: Holy Week, you Heathen's Easters around the corner. As Tom

634
00:35:29,239 --> 00:35:31,640
Speaker 1: Waite said, Jesus is gonna be here, gonna be here soon.

635
00:35:32,200 --> 00:35:36,000
Speaker 1: What I'm watching speaking of the opposite of Holy Yo

636
00:35:36,120 --> 00:35:39,400
Speaker 1: Succession much. Don't mind if I do. The series finale,

637
00:35:39,440 --> 00:35:45,000
Speaker 1: season premiere episode last week thoroughly satisfying. Episode two great

638
00:35:45,120 --> 00:35:48,200
Speaker 1: as well. The battle line's been drawn. Here we fucking go.

639
00:35:48,560 --> 00:35:51,440
Speaker 1: Let's fucking land this plane. Who else is on the

640
00:35:51,480 --> 00:35:55,799
Speaker 1: Succession jet with us? PJ? Who's on it? All of you?

641
00:35:55,920 --> 00:35:58,160
Speaker 1: I know you are. I know you are. Don't don't

642
00:35:58,200 --> 00:36:01,360
Speaker 1: pretend like you're not into the show. You fucking love it,

643
00:36:01,719 --> 00:36:04,040
Speaker 1: just like I love it. Where does it all end? Though?

644
00:36:04,160 --> 00:36:07,280
Speaker 1: That's what I want to know. Who prevails? Does Logan die?

645
00:36:07,400 --> 00:36:10,680
Speaker 1: Does Kendall finally take over? Does Shift best? Tom? Does

646
00:36:10,680 --> 00:36:12,600
Speaker 1: my homie Romy get his tiny little hands all over

647
00:36:12,640 --> 00:36:15,080
Speaker 1: eight and hit me up with your succession predictions. And

648
00:36:15,120 --> 00:36:17,920
Speaker 1: if there are any fellow Watch geeks out there, let's

649
00:36:17,960 --> 00:36:20,480
Speaker 1: get in touch, Let's talk. Let me know what Tom's

650
00:36:20,480 --> 00:36:22,440
Speaker 1: wearing on his wrist. In the first two episodes, I

651
00:36:22,480 --> 00:36:25,080
Speaker 1: gotta know hit me at This Grace laand Pod six

652
00:36:25,200 --> 00:36:29,319
Speaker 1: one seven nine zero six six six three eight text voicemail.

653
00:36:29,640 --> 00:36:33,719
Speaker 1: I also rewatched. I was gonna say, Robin Hitchcock, but

654
00:36:33,880 --> 00:36:38,160
Speaker 1: Alfred Hitchcock's North By Northwest? Is it Hitchcock's best film?

655
00:36:38,239 --> 00:36:40,759
Speaker 1: That's the question I was asking my wife, And you

656
00:36:40,800 --> 00:36:43,080
Speaker 1: know what, it's top two for me, But I don't

657
00:36:43,080 --> 00:36:46,000
Speaker 1: think it's better than Rear Window? Is it is Northwest

658
00:36:46,080 --> 00:36:48,360
Speaker 1: better than Rear Window? I don't think, so what do

659
00:36:48,400 --> 00:36:50,720
Speaker 1: you think? Let me know top five your Hitchcock movies

660
00:36:50,719 --> 00:36:52,839
Speaker 1: for me At This Grace LAMD Pod six one seven

661
00:36:52,920 --> 00:36:55,600
Speaker 1: nine zero six six six three eight on the text

662
00:36:55,640 --> 00:36:58,920
Speaker 1: machine in the voice message box. I'm still here for

663
00:36:59,000 --> 00:37:01,040
Speaker 1: the top five movie debate. You know how to get

664
00:37:01,040 --> 00:37:03,560
Speaker 1: at me? What are you watching? What are you reading?

665
00:37:03,760 --> 00:37:06,520
Speaker 1: What are you listening to? Hit me up, let me know,

666
00:37:06,600 --> 00:37:08,240
Speaker 1: Let me know what you thought of that Muddy Waters album.

667
00:37:08,320 --> 00:37:10,520
Speaker 1: Let me know what you think of George Benson, you know.

668
00:37:10,560 --> 00:37:12,000
Speaker 1: Let me let me know what you think of of

669
00:37:12,320 --> 00:37:14,640
Speaker 1: the Gospels. No, don't let me know. I don't want

670
00:37:14,680 --> 00:37:17,040
Speaker 1: to talk about that. Don't don't let me know. Just

671
00:37:17,120 --> 00:37:19,400
Speaker 1: get in touch, give me your recommendations. I'm gonna be

672
00:37:19,440 --> 00:37:44,600
Speaker 1: back in just a flash. All right, let's do the

673
00:37:44,640 --> 00:37:48,640
Speaker 1: recap thing. Number one slash Stone episode is currently in

674
00:37:48,680 --> 00:37:51,840
Speaker 1: your podcast feed. Number two, we've got a ton of videos,

675
00:37:51,880 --> 00:37:55,239
Speaker 1: including our Brian Jones Rules of Attraction homage video on

676
00:37:55,280 --> 00:37:58,240
Speaker 1: our YouTube channel right now. That's YouTube dot com slash

677
00:37:58,320 --> 00:38:01,279
Speaker 1: at Disgrace slam pod for your visual music and true

678
00:38:01,320 --> 00:38:05,359
Speaker 1: crime storytelling. Number three. Next up in Disgraceland is the

679
00:38:05,760 --> 00:38:10,400
Speaker 1: MC five Number four. Tons of previously exclusive episodes continuing

680
00:38:10,440 --> 00:38:13,319
Speaker 1: to hit your feed, And right now my moment is

681
00:38:13,480 --> 00:38:19,080
Speaker 1: en me reading you the phone book from nineteen forty

682
00:38:19,440 --> 00:38:24,880
Speaker 1: from the three oh four Here we Go Beverages dover

683
00:38:24,960 --> 00:38:30,000
Speaker 1: Coca Cola Bottling Company Lincoln Dover two six two seven

684
00:38:30,160 --> 00:38:35,880
Speaker 1: four Greenberg's Package Store one Clark, Harrington two two three

685
00:38:36,320 --> 00:38:40,640
Speaker 1: Dash one five high Rock ginger Ale Company four oh

686
00:38:40,719 --> 00:38:46,480
Speaker 1: three North Walnut, Milford four seven to two three zero

687
00:38:46,920 --> 00:38:52,200
Speaker 1: four Hubbard Jason Dover, Campden Road Dover two three one

688
00:38:52,560 --> 00:38:57,919
Speaker 1: four six two Milford Liquor Store, North Walnut, Milford two six'

689
00:38:58,000 --> 00:39:02,759
Speaker 1: two one nine Three bicycles repairs and rental if you

690
00:39:02,880 --> 00:39:06,560
Speaker 1: can insert us TWO o nine self governors Have dover

691
00:39:06,960 --> 00:39:11,280
Speaker 1: five seven eight three zero Two Dover, Garage King's highway

692
00:39:11,600 --> 00:39:17,160
Speaker 1: three zero four Three Economy Auto Supply Self Walnut mill

693
00:39:17,239 --> 00:39:24,279
Speaker 1: four six two one five seven three mill bicycles you

694
00:39:24,400 --> 00:39:29,240
Speaker 1: can in service TWO o nine selfs dovers five Seven.

695
00:39:31,120 --> 00:39:31,400
Speaker 2: Dover.

696
00:39:31,480 --> 00:39:35,560
Speaker 1: Garage quit talking and start mixing