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Speaker 1: So I'm there with Obi Trice, Caniva, Swifty, Bizarre, all

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Speaker 1: of the twelve, and they're, you know, filling up. It's

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Speaker 1: to make your own frozy yogurt, and they're filling it

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Speaker 1: up and go to the toppings and get the Graham

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Speaker 1: cracks and the Peenie Butdy cups and Obi Trice, I

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Speaker 1: think he sees a monster and jumps and gets recpc everywhere,

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Speaker 1: and now Bizarre is mad because he's a that's not

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Speaker 1: a monster, it's just a rubber snake. And so he's

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Speaker 1: now pushing Obie, and Obie's pushing back Bizarre. And if

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Speaker 1: you've heard any of his lyrics, you know that Bizarre

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Speaker 1: is not afraid of violence, and even Bizarre vibe strange

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Speaker 1: acts of mutilation and such. And so I'm trying to

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Speaker 1: dissuade it because now Bazaar's got a handful of spoons

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Speaker 1: and he's digging at Obie's ear. And I wind up

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Speaker 1: finally settling it all down by I half to dump

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Speaker 1: my frozen yoga on my head and make myself a

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Speaker 1: conehead clown Sunday.

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Speaker 2: Deflating the situation once again. Yes, with laughter, this is

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Speaker 2: actually making me smile, and I know it is a

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Speaker 2: horrible story, but I think this is pretty funny for

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Speaker 2: a certain reason, which is I remember a certain someone

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Speaker 2: saying he was friends with a monster that's under his bed.

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Speaker 2: And I know that that's not Obie, but it is

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Speaker 2: Obi's friend, who I know does sleep in his room

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Speaker 2: sometimes in the bunk, and so it is technically the

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Speaker 2: same bed, and so how interesting for that guy to

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Speaker 2: be friends with the monster that's under his bed, which

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Speaker 2: and I heard that, I was like, I don't know

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Speaker 2: if that's really true. Okay, yeah, And yet oh, his

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Speaker 2: friend Obi, who sometimes is in the same bed, thinks

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Speaker 2: he sees a monster and he's not friends with it.

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Speaker 1: That is actually funny for that reason, and I think

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Speaker 1: that the good trick I know that Eminem does do

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Speaker 1: because he has friends with the monster who lives under

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Speaker 1: his bed, and he is hanging out with Obi, who's

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Speaker 1: so scared of monsters he throws a pisi everywhere. He

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Speaker 1: gives Obi a bottle of monster spray to keep by

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Speaker 1: his bed at night, and so then when if anything

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Speaker 1: any bumps or noises, Obi just has you know, sort

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Speaker 1: of pistol drawn with the spray bottle of monster spray.

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Speaker 2: Sorry, Roman, can you sleep more loudly?

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Speaker 1: Please?

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Speaker 2: Grumb and be a little more loud while.

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Speaker 1: You when the dog is making earthquake noises and it's

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Speaker 1: not cute to me, it's disturbing me when I'm trying

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Speaker 1: to be in the zone.

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Speaker 2: And can you have less control over your tongue please?

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Speaker 2: Can you just not have so much control over where

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Speaker 2: your tongue goes?

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Speaker 1: Okay? And even as noisier, just trying to move a

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Speaker 1: microphone sounded like reelchair falling down the stairs, And I should.

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Speaker 2: Know where was I?

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Speaker 3: Oh yeah, Welcome to Hollywood Handbook and Insiders Guide to

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Speaker 3: kicking button dropping names of the red carpet line back

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Speaker 3: alleys of the Citi syre we call show biz, and

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Speaker 3: I I did know where I was the whole time

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Speaker 3: weard them up. Play it So the fun thing we

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Speaker 3: have for you today. Get ready for this and you

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Speaker 3: are gonna love it.

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Speaker 2: Last year we had a pilot in contention formally known

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Speaker 2: as Baby Grandpa, formerly known as Whites and Gold's formally

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Speaker 2: known as untitled bat Kid. Project went through a number

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Speaker 2: of phases. We sort of walked through each one in

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Speaker 2: real time. This time we decided to approach it a

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Speaker 2: little differently. We love these shows about science on Discovery

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Speaker 2: Channel where they take you inside a machine and you

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Speaker 2: get to see how all the different parts work, and

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Speaker 2: the engine and the blades.

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Speaker 1: And how they are made and why, and the pieces

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Speaker 1: and the switch and buttons and.

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Speaker 3: The wire like that video of the creole Effectually, were

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Speaker 3: they make the crayon's Childhood for the wind?

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Speaker 2: Have you seen it?

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Speaker 1: Oh? God, I don't know why it makes me cry,

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Speaker 1: but it does. The crayon colors and all of that

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Speaker 1: just bring me back to the barn where I used

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Speaker 1: to be left alone to color the hay. So what

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Speaker 1: are we talking about? Well, what if we showed you

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Speaker 1: the science of how it gets made when you're doing pilot?

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Speaker 2: So we have had a tape recorder and it's been

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Speaker 2: playing all the time as we've been figuring out our pilot,

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Speaker 2: as we've been brainstorming it and writing it and pitching

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Speaker 2: it and shooting it and loving.

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Speaker 1: This is a lot like Startup, isn't it.

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Speaker 3: It is a little bit like Startup, but a lot

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Speaker 3: Explain why to Brett because Brett's over there going huh.

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Speaker 1: Okay, dummy, Well, Startup is another huge podcast. They're doing

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Speaker 1: really cool things over at Gimlet and just exploring you

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Speaker 1: know what if you were in NPR, But you weren't

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Speaker 1: on NPR. So what they're doing is they did a

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Speaker 1: documentary of Okay, I'm going to do a podcast about

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Speaker 1: starting my podcast company. And you heard them brainstorming the name,

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Speaker 1: and you heard him talking to his wife, Am I

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Speaker 1: allowed to do the company? And his wife's like maybe?

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Speaker 1: And we heard him go how much do I own?

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Speaker 1: And his partner has to be like, I'm the math,

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Speaker 1: And so all these moments happen, and he takes you

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Speaker 1: through it in real time with a tape recorder like

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Speaker 1: what me and Hayes used to show you. We brainstorm

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Speaker 1: the name of the pilot, and we ask, you know

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Speaker 1: each other, who really are each other's wives? Am I

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Speaker 1: allowed to do this? And we both say yes.

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Speaker 2: And sorry to our own wives and girlfriends. But it's true.

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Speaker 2: You know it's true, and you say it all the time.

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Speaker 1: Girl, you know it's true.

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Speaker 2: Grett way to get in on that segment, but I

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Speaker 2: gave you an opportunity to get involved, and you hesitated

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Speaker 2: and you ate shit frankly, and I understand you're under

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Speaker 2: a lot of pressure because people lately are like, BRIT's

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Speaker 2: so good. I love I'm just loving what Bread's up

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Speaker 2: to these days.

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Speaker 1: Oh yeah, he's becoming really good to take himself up,

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Speaker 1: starting to be good. Yeah, he's starting to almost figure

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Speaker 1: out how to kind of talk.

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Speaker 2: Yeah.

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Speaker 1: Yeah.

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Speaker 2: But and you're proving now that it's still the same

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Speaker 2: old Brett.

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Speaker 3: Long way when the big moment comes, eats ship, t

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Speaker 3: eat them up. So what we were gonna do withth

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Speaker 3: is we are going to play the from when we

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Speaker 3: were first brainstorming this idea. It's so funny that this

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Speaker 3: was something that at one point we hadn't even come

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Speaker 3: up with yet, something we hadn't even discussed, and that

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Speaker 3: we just sat down with Brett to.

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Speaker 2: Manage the tape recorder to get this idea whipped into shape.

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Speaker 1: So yeah, we're taking you back in time now in

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Speaker 1: the way way back machine, mister Peabody, and we're gonna

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Speaker 1: tell you some of what our thought process was and

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Speaker 1: show you inside our brains when we're coming up with

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Speaker 1: an idea and a title. And this was how long

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Speaker 1: ago did we do this?

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Speaker 2: I believe it was Ganuary January.

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Speaker 1: So let's just go.

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Speaker 2: So, do you have all your stuff?

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Speaker 1: Yeah? I brought just a note pad of ideas. You

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Speaker 1: want me to just rip into it? Well?

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Speaker 2: No, I mean like, do you have your Do you

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Speaker 2: have your snyders of hangover pretzel chunks?

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Speaker 1: Yeah? The holleymustard.

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Speaker 2: Okay, do you have something to dip it in or

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Speaker 2: are you gonna choke on them?

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Speaker 1: No? I have a sprite.

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Speaker 2: Okay. Do you have the tongs?

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Speaker 1: Yeah, but they're all rusty.

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Speaker 2: I just I don't want because I can see you,

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Speaker 2: you know sometimes we like get going on these things.

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Speaker 1: And I sort of stall us out.

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Speaker 2: Yes, because you need to get the tongs or you

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Speaker 2: choke or you know, some part of the process is

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Speaker 2: held up. So I just want everything to be sort

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Speaker 2: of laid out on the table. And the spray can't

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Speaker 2: be in the bottle. You have to pour it into

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Speaker 2: a glass with a wider mouth, yeah, because otherwise you're

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Speaker 2: just dropping the pretzel.

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Speaker 1: It's a sprite remix.

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Speaker 2: Okay, that doesn't change anything. Still the same rules, Yes,

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Speaker 2: the rules are the same. So the rules are not remixed.

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Speaker 1: Okay, Well I'll just use this mug. Okay, Oh, this

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Speaker 1: is a funny mug.

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Speaker 2: What does it say? It just hass It's only funny

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Speaker 2: on your side.

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Speaker 1: You can't see it over there.

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Speaker 2: I can't see it from the side.

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Speaker 1: Oh, well, it's a lady with like a beehive hairdoo

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Speaker 1: mm hmm.

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Speaker 2: And it says, oh, beehive. That's good. It's like Austin powers.

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Speaker 1: Well that gets me into my first sort of ideas.

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Speaker 2: Okay. So also, I didn't know we were I don't

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Speaker 2: have anything. Oh that's okay. I was just going to

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Speaker 2: go off the new I have a newspaper. I was

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Speaker 2: just going to go off the news. Yeah.

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Speaker 1: Well, probably what we could do is take some of

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Speaker 1: my ideas, okay, and just jam the news into them,

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Speaker 1: like connect them to the news.

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Speaker 2: Because that is jamming.

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Speaker 1: The news is so huge, slow jamming.

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Speaker 2: It's such a huge thing now, and maybe that is

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Speaker 2: something that we can incorporate into the It's just big,

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Speaker 2: and it's like it could be a show.

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Speaker 1: And then do you have all your stuff with you?

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Speaker 2: By the way, what what? What stuff?

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Speaker 1: Uh? Your hair monsters? I know you say that when

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Speaker 1: your brain really gets cooking, that your head gets hot

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Speaker 1: and you need to put the clips the little hair

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Speaker 1: monsters to sort of give it more space out crop.

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Speaker 2: Yeah, they're not hair monsters. They're hair spirits. But they're

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Speaker 2: not like, they are not monsters. They are helping.

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Speaker 1: Well, they're clips. They're munchy clips. Yeah, it look like jaws.

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Speaker 4: Yes, those don't your hair spirits.

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Speaker 2: Thank you. I appreciate that those don't have to go

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Speaker 2: in until I start to get on comfort. Huh. It

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Speaker 2: actually is better if I wait until I need.

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Speaker 1: No, I just want to make sure they're here because

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Speaker 1: the heat out of my head. Because as much as

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Speaker 1: you like to point sure your fingers, realize that when

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Speaker 1: you point the one finger at you, your thumb's pointing

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Speaker 1: straight at the ceiling and it's going to knock the

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Speaker 1: drywall down on your head because you stall us out

200
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Speaker 1: sometimes and then I would wear my hair thing and my.

201
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Speaker 2: Hair would really be in trouble.

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Speaker 1: So, uh, my first pitch Shwingers. It's Swingers, but it's

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Speaker 1: the Wayne Wayne from Wayne's World.

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Speaker 2: Yeah, okay, I will. I think this is great for

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Speaker 2: the first pitch.

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Speaker 1: There's so money.

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Speaker 2: Maybe for our first patch. That's really really good. It's

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Speaker 2: not really in the news right now, and it's Wayne

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Speaker 2: being horny. But those guys are also already very horny,

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Speaker 2: and they do the same move. They do the thrusty

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Speaker 2: move that they don't go shwing, but they should have

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Speaker 2: at the time. But I just feel like they're already

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Speaker 2: so close in terms of horniness. Do you know what

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Speaker 2: I mean?

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Speaker 1: Okay, yeah, so sorry, I'm just so you want a

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Speaker 1: less horny character.

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Speaker 2: I just I want one of the characters to be

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Speaker 2: less horny. I want one of the Like if we're

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Speaker 2: putting two things together, I want one of them to

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Speaker 2: be horny, and I want the other one to be

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Speaker 2: unexpected for him to become.

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Speaker 1: So we're never gonna see him get horny.

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Speaker 2: No, we will know.

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Speaker 1: I'm just asking.

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Speaker 2: And this is supposed to be like a judge, you know,

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Speaker 2: if one of us isn't okay with something, especially when

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Speaker 2: it's like like horniness levels, we are supposed to just

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Speaker 2: be able to say that without getting any pushback, aren't we?

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Speaker 5: Yeah, Brett getting horny?

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Speaker 1: Guys. See, it's just this is so, this is real.

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Speaker 1: I mean, this is what people are really realizing. You're right,

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Speaker 1: but forget it, we'll put swingers aside.

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Speaker 2: Is this just gonna keep These noises are just gonna

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Speaker 2: keep happening.

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Speaker 4: Yeah, it's just what is going on? Can I use

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Speaker 4: one of your hair spirits?

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Speaker 2: Is it it's your head is getting very hot.

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Speaker 6: I'm just this whole conversation is just horning. This is

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Speaker 6: just driving me. It's driving me crazy.

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Speaker 1: Well, I got a different way I get I can

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Speaker 1: go a different direction. I mean, I don't want I

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Speaker 1: don't want to get bread over over horned.

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Speaker 4: Can I stand up or something?

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Speaker 2: What's gonna happen? Like, I'm worried you're gonna boy, it's really.

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Speaker 1: Really it's geared up.

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Speaker 4: That's my stomach.

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Speaker 1: No, it's not so.

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Speaker 2: Uh.

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Speaker 1: My other idea was Punky Bone. It's monkey Bone, but

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Speaker 1: it's Punky Brewster. Okay, so it's like an orphan who

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Speaker 1: has an animated monkey that there is making powers, okay

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Speaker 1: or something.

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Speaker 2: I'll tell you what I like about that.

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Speaker 1: Okay.

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Speaker 2: Monkey Bone is very horny, Yeah, but Punky's not. Punky

256
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Speaker 2: Brewster is a very sort of withhold. It's actually withholding, right,

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Speaker 2: She's a tease, she's something of an ice queen.

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Speaker 1: Yeah, honestly, she basically never gave it up, yes, through

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Speaker 1: the run of the series, and it was always sort

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Speaker 1: of just out of reach.

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Speaker 2: And so for her to have this animated character that

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Speaker 2: is also trying to get it, yeah, you know. But

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Speaker 2: can't let her know. You know, that is interesting. It's

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Speaker 2: an interesting idea.

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Speaker 1: I see what you're saying. So it's sort of a

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Speaker 1: yin and yang, right, Yes, Oh my god, Brad, why

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Speaker 1: is this making you horny? We're talking about someone who's not.

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Speaker 6: Punky Brewster needed a breast reduction later in life.

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Speaker 2: And I say, you have a yang? Is that now?

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Speaker 2: Brett's yang is kind of all yinged up, acting up. Yeah.

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Speaker 2: We at least summoned it in a way.

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Speaker 1: Yeah, he's over there ying and his yang.

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Speaker 2: Okay, here's my here's my suggestion. I wonder if we

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Speaker 2: can to sort of make this a little more current.

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Speaker 1: What's in the news.

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Speaker 2: Yeah, inject something from the news. Great, So just thinking

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Speaker 2: about what is big today.

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Speaker 1: Right now in January?

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Speaker 2: Yes, photo bombing is huge.

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Speaker 1: Shaby new Year?

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Speaker 2: Baby, yes, baby new Year?

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Speaker 1: I mean does that have legs?

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Speaker 2: That guy die? And everyone is like like why all

284
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Speaker 2: this year is so bad? Already?

285
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Speaker 1: So a dead guy photo bombs baby New Year. At

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Speaker 1: the same time that Punky that's so Leigh Moon from

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Speaker 1: What about this whole.

288
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Speaker 2: Steve Harvey business? Have you heard about this?

289
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Speaker 1: Oh Jesus, have you felt so bad for Steve?

290
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Speaker 2: And I wonder if there's something we could do with it.

291
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Speaker 2: Where is monkey Bone in the competition?

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Speaker 1: So okay, so monkey Bone is competing right to be

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Speaker 1: miss America. Uh huh against Baby new Year Good who's

294
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Speaker 1: photo bombing the dead guy that everyone misses? Yes, Steve

295
00:16:08,520 --> 00:16:15,280
Speaker 1: Harvey accidentally and this is good okay, accidentally announces that

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Speaker 1: monkey Bones the winner. When really Punky Bone with her

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Speaker 1: big titties bread.

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Speaker 2: My stomach very very slowly throwing up.

299
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Speaker 1: It's so you made me lose My train of thought

300
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Speaker 1: that's coming.

301
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Speaker 2: Out is so solid. It's like bread. It's like he's

302
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Speaker 2: a bread machine. Monkey Bone was supposed to be the winner,

303
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Speaker 2: is where I'm at now.

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Speaker 1: So right now, as I'm listening to the story, Monkeybone

305
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Speaker 1: got announced.

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Speaker 2: This is the winter that's but I'm just watching the

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Speaker 2: story play out in my head. So as you're telling

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Speaker 2: me this, all I've heard is a monkey Bone got

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Speaker 2: announced as the winner. So as I'm hearing this haze

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00:17:03,440 --> 00:17:07,040
Speaker 2: right now, I'm saying like, oh, like, congratulations to monkey Bone.

311
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Speaker 2: But now I'm one to Bone. Okay, Well, now I

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00:17:10,040 --> 00:17:14,240
Speaker 2: have a different it's Punky Bone set of information to process. Okay, Punky,

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Speaker 2: So Punky Bone is not is Punky Brewster. Yeah, okay,

314
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Speaker 2: I thought that it was like a play I'm putting

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Speaker 2: both of their names together.

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Speaker 1: I think I did too, but that's not what I'm fine,

317
00:17:29,000 --> 00:17:31,479
Speaker 1: But it could be interesting that monkey bone Punky Brewster.

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00:17:32,080 --> 00:17:37,040
Speaker 2: The show is basically becomes the monkey Boat is trying

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00:17:37,119 --> 00:17:41,639
Speaker 2: to Punk achieve the Punky bone. And we don't have

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00:17:41,680 --> 00:17:43,800
Speaker 2: to spell that out, but it can disorder. Well, that's

321
00:17:43,840 --> 00:17:48,280
Speaker 2: like season and season one textual thing. Yeah, okay, so

322
00:17:49,280 --> 00:17:52,200
Speaker 2: what we have now? And let me can you run

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00:17:52,200 --> 00:17:55,720
Speaker 2: this back for us? Brad? Actually, okay, not just like

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Speaker 2: tell us, because you know, you're supposed to be kind

325
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Speaker 2: of like our archive team recorder. So yeah, so just

326
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Speaker 2: sort of tell us what we have so far, because

327
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Speaker 2: if we have to like hang on to all this information,

328
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Speaker 2: just play you back as well, then there won't be

329
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Speaker 2: any more room for new ideas. No, I much prefer

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Speaker 2: that you tell us where we're at.

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Speaker 6: And if I play you back the tape, it won't

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Speaker 6: be recorded on the tape.

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Speaker 3: So no, and that's why, and that's why, that is

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00:18:18,400 --> 00:18:19,760
Speaker 3: not what I'm asking you to do.

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Speaker 1: And before I forget this, do we want Punky? Oh?

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Speaker 2: And that one was fake?

337
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Speaker 3: I think as an excuse to not go through the

338
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Speaker 3: information that that that did not seem really.

339
00:18:33,359 --> 00:18:34,160
Speaker 2: Not much came out.

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Speaker 1: Put this on the tape too. Do we want Punky

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Speaker 1: Bone to be feeling the burn? Mmm?

342
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Speaker 2: That could be really nice, yes, And it could be

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Speaker 2: sort of an all in the family style thing where

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Speaker 2: like monkey Bone is ancient h it's like sort of

345
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Speaker 2: an ancient demon, and so he's got a little more

346
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Speaker 2: of these like old world values, you know what I mean,

347
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Speaker 2: And so maybe he's more of like like one of

348
00:19:01,520 --> 00:19:02,720
Speaker 2: these other guys that he likes.

349
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Speaker 1: Yeah, yeah, and we'll look.

350
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Speaker 2: Up who that is. Yes, whoever the other one who's

351
00:19:09,400 --> 00:19:15,399
Speaker 2: who burn is different from this, but Punky is feeling

352
00:19:15,440 --> 00:19:19,080
Speaker 2: the burn and so like as they're having this.

353
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Speaker 1: And so monkey Bone kind of thing and Meathead yes, yes, yes, yes,

354
00:19:25,359 --> 00:19:27,320
Speaker 1: that's very strong because people have.

355
00:19:27,320 --> 00:19:30,040
Speaker 2: Been waiting for a new version that hasn't really been

356
00:19:30,080 --> 00:19:32,119
Speaker 2: tried yet. It's sort of a new all in the

357
00:19:32,160 --> 00:19:35,119
Speaker 2: family set up where these people are disagreeing and the

358
00:19:36,119 --> 00:19:37,520
Speaker 2: I've been epithets are.

359
00:19:37,359 --> 00:19:44,600
Speaker 1: Flying really anxious for it because I got the sound.

360
00:19:45,560 --> 00:19:49,920
Speaker 1: The sound is so crazy and that's coming from under

361
00:19:50,040 --> 00:19:53,480
Speaker 1: Brett's chair somehow. But I know it's him making it,

362
00:19:53,480 --> 00:19:58,720
Speaker 1: it's his body. But what does it do? Oh my god?

363
00:19:59,640 --> 00:20:01,840
Speaker 1: And it's so hard to think when we do this

364
00:20:01,880 --> 00:20:03,920
Speaker 1: and we were onto a really good pilot.

365
00:20:04,600 --> 00:20:07,360
Speaker 2: Well, and I wonder if it actually is helping us

366
00:20:07,400 --> 00:20:10,040
Speaker 2: because this is going much faster than usual in terms

367
00:20:10,080 --> 00:20:14,240
Speaker 2: of like moving as along here, you know, mm hmmm.

368
00:20:16,200 --> 00:20:17,880
Speaker 2: So what do you think? What do you want to do?

369
00:20:19,000 --> 00:20:20,600
Speaker 2: And the question is I think.

370
00:20:21,400 --> 00:20:24,040
Speaker 1: I mean more idea written down? Do we want to

371
00:20:24,040 --> 00:20:26,800
Speaker 1: hear it? We kind of found the one that we had,

372
00:20:27,320 --> 00:20:28,320
Speaker 1: so I'll just throw this one.

373
00:20:28,400 --> 00:20:31,280
Speaker 2: I do want to hear what we have from Brett. Okay,

374
00:20:31,720 --> 00:20:34,240
Speaker 2: I don't want to just like let you know, like

375
00:20:35,440 --> 00:20:37,880
Speaker 2: let all he's contributing here to be his sounds.

376
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Speaker 1: Yeah, Brett, I want him.

377
00:20:39,359 --> 00:20:41,000
Speaker 2: It's also the official archive.

378
00:20:40,760 --> 00:20:42,600
Speaker 1: In Yeah, Brett, why don't you just what is the

379
00:20:42,680 --> 00:20:43,560
Speaker 1: name of the show?

380
00:20:46,000 --> 00:20:52,879
Speaker 6: Monkey Bone, Monkey Bone and Punky Bone. Punky Bone feels

381
00:20:52,880 --> 00:20:54,560
Speaker 6: the burn Monkey.

382
00:20:54,200 --> 00:20:57,280
Speaker 2: Bones starting from the end? Okay, can we actually start

383
00:20:57,320 --> 00:21:01,480
Speaker 2: from the beginning of this? Where do where does the

384
00:21:01,520 --> 00:21:03,119
Speaker 2: action like actually kick off?

385
00:21:05,240 --> 00:21:13,040
Speaker 6: It's one monkey Bone discovers Punky Bone in the garage.

386
00:21:14,440 --> 00:21:16,000
Speaker 4: With this sort of lab.

387
00:21:17,280 --> 00:21:24,760
Speaker 6: And uh, okay, monkey Bone think what Punky Bone, what

388
00:21:24,800 --> 00:21:25,640
Speaker 6: are you doing in there?

389
00:21:25,680 --> 00:21:26,520
Speaker 4: And there's smoke.

390
00:21:26,760 --> 00:21:27,760
Speaker 2: I didn't mean to interrupt you.

391
00:21:28,400 --> 00:21:29,360
Speaker 1: Go ahead, there's.

392
00:21:29,119 --> 00:21:30,880
Speaker 4: Sort of smoke out of all the beakers.

393
00:21:30,880 --> 00:21:32,119
Speaker 1: Sorry, cut you off.

394
00:21:32,640 --> 00:21:35,480
Speaker 2: So so Punky Bone is in the lab doing okay,

395
00:21:36,760 --> 00:21:41,080
Speaker 2: doing an experience. Monkeybone discovers Punky Bone. Okay, what are

396
00:21:41,119 --> 00:21:41,440
Speaker 2: you doing?

397
00:21:41,440 --> 00:21:48,480
Speaker 5: There's smoke, there's smoke and yeah, bubbles flowing out the beakers. Yeah, okay,

398
00:21:49,600 --> 00:21:53,760
Speaker 5: and then uh, Punky Bone turns with the goggles on

399
00:21:55,160 --> 00:21:57,639
Speaker 5: and they're all fogged up, and then she sort of

400
00:21:59,040 --> 00:22:01,160
Speaker 5: wipes off the fog off the goggles.

401
00:22:02,520 --> 00:22:06,440
Speaker 4: It says, h it's just working on my homework.

402
00:22:10,400 --> 00:22:15,040
Speaker 1: That's what That's what we had, Okay, Okay, then my

403
00:22:15,119 --> 00:22:16,440
Speaker 1: other idea doesn't work at all.

404
00:22:18,040 --> 00:22:20,880
Speaker 4: Then they both be really horny and just start doing it.

405
00:22:23,000 --> 00:22:25,919
Speaker 1: That's what we said. I don't remember us saying that.

406
00:22:26,080 --> 00:22:31,000
Speaker 2: Brat, Wait, this version of this thing that we have

407
00:22:31,240 --> 00:22:32,800
Speaker 2: negates your other idea.

408
00:22:33,480 --> 00:22:36,920
Speaker 1: Yeah, what was it? Pack Donald's is just pac Man

409
00:22:36,920 --> 00:22:40,200
Speaker 1: eating fries? Okay, And then I was going to put

410
00:22:40,240 --> 00:22:43,640
Speaker 1: like the news in okay, like maybe pac Man's feeling the.

411
00:22:43,600 --> 00:22:48,800
Speaker 2: Burn, right, or it's if it's packed Donald's, it could

412
00:22:48,840 --> 00:22:54,640
Speaker 2: be super pack. I was gonna say, Manny Pacio.

413
00:22:54,760 --> 00:22:58,160
Speaker 1: Okay, And Manny Pacio is sort of running a fast

414
00:22:58,160 --> 00:23:02,680
Speaker 1: food franchise and he's trying to keep it healthy for boxers.

415
00:23:03,240 --> 00:23:06,879
Speaker 2: Right, and that's why he would hire pac Man to

416
00:23:06,960 --> 00:23:09,800
Speaker 2: come in and eat all the fries, yes, so that

417
00:23:09,840 --> 00:23:11,240
Speaker 2: no one else can get them.

418
00:23:11,520 --> 00:23:14,000
Speaker 1: So it's pac Man and Minnie Paciow. So do we

419
00:23:14,040 --> 00:23:16,840
Speaker 1: do two pilots this year? Because this is feeling like

420
00:23:16,880 --> 00:23:20,600
Speaker 1: a really rich world, is it?

421
00:23:20,640 --> 00:23:23,919
Speaker 2: Is this just the kind of the supporting cast. Is

422
00:23:23,960 --> 00:23:26,840
Speaker 2: it possible that Monkey Bone and Punky Bone working.

423
00:23:26,640 --> 00:23:30,600
Speaker 1: Packy Bone and Punky Bone and Pacow is their mean

424
00:23:30,800 --> 00:23:35,160
Speaker 1: manager at pac Donald's and pac Man is his little

425
00:23:35,240 --> 00:23:37,440
Speaker 1: crony who's maybe sort of a suck up and is

426
00:23:37,480 --> 00:23:40,359
Speaker 1: always ratting them out when they're smoking a cicky in

427
00:23:40,440 --> 00:23:40,840
Speaker 1: the back.

428
00:23:41,400 --> 00:23:45,560
Speaker 2: Yeah, and maybe they uh replaced one of the French

429
00:23:45,600 --> 00:23:49,560
Speaker 2: fries with like a pool noodle or something. Oh, and

430
00:23:49,840 --> 00:23:54,600
Speaker 2: pack Man eat it hard for him to eat. Okay,

431
00:23:54,640 --> 00:23:56,800
Speaker 2: this is really having an effect as well.

432
00:23:56,920 --> 00:24:00,119
Speaker 1: Huh So pac Man eating a pool noodle for you

433
00:24:01,920 --> 00:24:07,720
Speaker 1: is almost more arousing than the idea of like a

434
00:24:07,760 --> 00:24:10,480
Speaker 1: Miss America pageant, which I think we discussed before I.

435
00:24:10,440 --> 00:24:13,440
Speaker 2: Think we need to take bread to a car wash

436
00:24:13,640 --> 00:24:15,280
Speaker 2: and come back.

437
00:24:15,600 --> 00:24:21,320
Speaker 6: Okay, I'm sorry that I was embarrassed that day.

438
00:24:21,600 --> 00:24:22,760
Speaker 4: I just want to apologize it.

439
00:24:22,880 --> 00:24:26,040
Speaker 1: Man, that really takes me back to January hearing that.

440
00:24:26,080 --> 00:24:29,359
Speaker 2: Now, it is so crazy that all that happened, that

441
00:24:29,640 --> 00:24:32,120
Speaker 2: this thing is like fully completed now and that's where

442
00:24:32,160 --> 00:24:32,679
Speaker 2: we were.

443
00:24:33,359 --> 00:24:36,040
Speaker 1: Yeah, that we started with such a simple kernel of

444
00:24:36,080 --> 00:24:38,240
Speaker 1: an idea and we were able to grow it into

445
00:24:38,240 --> 00:24:42,480
Speaker 1: this hole universe. Yeah, that's just the process. I mean,

446
00:24:42,520 --> 00:24:45,080
Speaker 1: it's a testament to the process. We've always used the

447
00:24:45,119 --> 00:24:50,359
Speaker 1: same sort of formula for stories and when it works.

448
00:24:50,119 --> 00:24:52,960
Speaker 2: It works. And I guess after that we sort of

449
00:24:53,000 --> 00:24:57,960
Speaker 2: get into blocking out the first episode, the pilot, and

450
00:24:58,000 --> 00:24:58,640
Speaker 2: that's what it's called.

451
00:24:58,760 --> 00:25:01,439
Speaker 1: Then I on the future. But but in terms of

452
00:25:01,480 --> 00:25:03,920
Speaker 1: making the pilot, we did sort of block out that

453
00:25:04,080 --> 00:25:05,000
Speaker 1: first episode.

454
00:25:05,760 --> 00:25:08,760
Speaker 2: We could do that when when we come back play

455
00:25:08,800 --> 00:25:09,240
Speaker 2: that part.

456
00:25:09,400 --> 00:25:10,960
Speaker 4: Why are they called pilots.

457
00:25:10,600 --> 00:25:11,760
Speaker 2: On Hollywood Handbook?

458
00:25:12,760 --> 00:25:18,840
Speaker 1: Hollywood Hambook.

459
00:25:19,359 --> 00:25:25,639
Speaker 2: So Oxana Bayuel is like, I don't want to go

460
00:25:25,840 --> 00:25:31,880
Speaker 2: up there. It's scary, it smells like it's like it's

461
00:25:31,960 --> 00:25:35,560
Speaker 2: too hot, all these things, and I'm like, well, you're

462
00:25:35,600 --> 00:25:39,720
Speaker 2: the only one who's small enough to get into the vent. Okay,

463
00:25:40,000 --> 00:25:44,760
Speaker 2: So unless you're willing to go in there, my jewels

464
00:25:45,800 --> 00:25:48,800
Speaker 2: are just going to be like left up there because

465
00:25:48,840 --> 00:25:55,080
Speaker 2: I put them in there for security. Yeah, from the

466
00:25:56,000 --> 00:26:01,480
Speaker 2: big guy from twenty four Edgar. Okay, I had seen

467
00:26:01,520 --> 00:26:05,360
Speaker 2: him eyeing my jewels in a very lusty way. Put

468
00:26:05,440 --> 00:26:08,480
Speaker 2: him up in this air vent. It's smaller than he is,

469
00:26:09,040 --> 00:26:13,280
Speaker 2: but it's also smaller than me. Okay, and so I

470
00:26:13,320 --> 00:26:15,919
Speaker 2: have Oxanda put them up there. But now when it

471
00:26:15,920 --> 00:26:19,960
Speaker 2: comes time to get them back out, suddenly it's too

472
00:26:20,520 --> 00:26:24,359
Speaker 2: it's too hot, it's too windy, it's too all these things.

473
00:26:24,520 --> 00:26:27,720
Speaker 2: All right, they're still there. There's no that's it, Okay,

474
00:26:28,320 --> 00:26:31,919
Speaker 2: lost jewels. Yeah, okay, Hey, welcome.

475
00:26:31,680 --> 00:26:33,680
Speaker 3: To Hollywood Handbook, and it's I just guide to kicking

476
00:26:33,680 --> 00:26:34,960
Speaker 3: but dropping babes at the red.

477
00:26:34,800 --> 00:26:37,280
Speaker 2: Carpet lineback holls of this industry called showbiz.

478
00:26:37,359 --> 00:26:40,679
Speaker 1: I kind of have. It's not perfect, but I'm in

479
00:26:40,680 --> 00:26:43,760
Speaker 1: the neighborhood of a joke I've been working out since

480
00:26:43,800 --> 00:26:44,560
Speaker 1: you first said.

481
00:26:47,359 --> 00:26:49,679
Speaker 2: I love bile, So it's I love it. I love it.

482
00:26:49,720 --> 00:26:56,720
Speaker 1: So it's uh, what is what does the cartoon character

483
00:26:56,840 --> 00:27:04,600
Speaker 1: Kathy say when she goes to a spot Axpaw Axana Axana.

484
00:27:04,840 --> 00:27:08,159
Speaker 2: Yeah, okay, I wish you had said that sort of

485
00:27:08,160 --> 00:27:09,800
Speaker 2: while I was because I didn't really have a way

486
00:27:09,880 --> 00:27:11,639
Speaker 2: out to that. As I was beginning the story, I

487
00:27:11,680 --> 00:27:13,400
Speaker 2: was like, Oh, this doesn't really end in like any

488
00:27:13,440 --> 00:27:17,600
Speaker 2: interesting places the jewels. She just doesn't go Yeah, Axana,

489
00:27:19,080 --> 00:27:22,840
Speaker 2: why what has happened to your confidence? I just feel

490
00:27:22,840 --> 00:27:27,119
Speaker 2: like I don't know you when you have something like

491
00:27:27,119 --> 00:27:28,399
Speaker 2: that and you don't say it.

492
00:27:29,200 --> 00:27:32,440
Speaker 1: Right when I'm sort of just hiding the ball, like I.

493
00:27:32,520 --> 00:27:39,600
Speaker 2: Just don't it's the hidden ball. Try well remember childhood

494
00:27:39,600 --> 00:27:39,920
Speaker 2: for the win.

495
00:27:43,160 --> 00:27:47,400
Speaker 1: Yeah, I I mean, I'm a nineties kid, so I'll

496
00:27:47,400 --> 00:27:49,879
Speaker 1: definitely remember a lot of the stuff that you're going

497
00:27:49,960 --> 00:27:55,360
Speaker 1: to bring up. I guess that leads me to what's

498
00:27:55,359 --> 00:27:57,760
Speaker 1: happened to my confidence? I feel like buzzfeeds eating my launch.

499
00:27:58,280 --> 00:28:01,040
Speaker 1: I feel like every thought I have gotten there first,

500
00:28:01,560 --> 00:28:03,720
Speaker 1: they've attached a fucking gifts and.

501
00:28:03,720 --> 00:28:08,200
Speaker 2: You don't really know where you end and the BuzzFeed begins.

502
00:28:08,840 --> 00:28:15,080
Speaker 1: Yeah, BuzzFeed has taken up residents. Inside my mind, they're

503
00:28:15,080 --> 00:28:19,960
Speaker 1: renting a big old space out and and there, and

504
00:28:20,000 --> 00:28:22,240
Speaker 1: I you know, I say renting, they're living their rent free.

505
00:28:23,080 --> 00:28:26,560
Speaker 1: They're not paying me a dime. But I can't think

506
00:28:26,560 --> 00:28:29,199
Speaker 1: of anything else. Every time I have an idea, I

507
00:28:29,240 --> 00:28:35,760
Speaker 1: realize it's just something I saw on BuzzFeed. So try

508
00:28:35,840 --> 00:28:40,640
Speaker 1: living with that. I mean, it's pretty painful existence.

509
00:28:40,800 --> 00:28:42,760
Speaker 2: So we do want to talk about the show somewhere.

510
00:28:42,800 --> 00:28:44,920
Speaker 2: We did so as we were listening to the tape,

511
00:28:44,920 --> 00:28:50,800
Speaker 2: Brett did start to get in like a disgusting state. Again.

512
00:28:51,320 --> 00:28:53,560
Speaker 2: We did have to take into the car wash, walking

513
00:28:53,680 --> 00:28:58,440
Speaker 2: through the car wash to be cleaned off. Cool down.

514
00:28:58,840 --> 00:29:01,920
Speaker 1: Yeah, he got slapped around by those fry guy looking things,

515
00:29:01,960 --> 00:29:05,120
Speaker 1: you know, remember the McDonald fry guy looking things.

516
00:29:05,400 --> 00:29:09,360
Speaker 6: Pac donald, right, which got me horny in the first place.

517
00:29:10,560 --> 00:29:15,760
Speaker 2: Yeah, well but you need a sort of overload, you know.

518
00:29:15,960 --> 00:29:19,080
Speaker 4: Right, Well, I got my my jones.

519
00:29:18,760 --> 00:29:20,680
Speaker 2: Out, Yeah, overload.

520
00:29:21,160 --> 00:29:24,240
Speaker 1: He calls it getting his jones out because he masturbates

521
00:29:24,280 --> 00:29:28,760
Speaker 1: to Joan Holloway from mad Men, Gotta get my jones out.

522
00:29:28,800 --> 00:29:32,320
Speaker 1: And he takes out a pick of her in one

523
00:29:32,360 --> 00:29:35,959
Speaker 1: of those form fitting dresses she's so famous for, and

524
00:29:36,000 --> 00:29:39,880
Speaker 1: he just blasts away in the fucking car like in

525
00:29:39,920 --> 00:29:44,040
Speaker 1: the car wash. He so it mixes in with the phone.

526
00:29:44,080 --> 00:29:44,880
Speaker 1: Nobody can tell.

527
00:29:44,880 --> 00:29:47,280
Speaker 2: But in my memory of the last time we did

528
00:29:47,280 --> 00:29:49,360
Speaker 2: this when we took Brague of the car wash during

529
00:29:49,440 --> 00:29:56,320
Speaker 2: the episode. Yes, we played the tape and it turned

530
00:29:56,360 --> 00:29:58,560
Speaker 2: out that what he had been describing as the show

531
00:29:58,640 --> 00:30:02,080
Speaker 2: was not actually the show at all, and he totally

532
00:30:02,160 --> 00:30:05,200
Speaker 2: left out the all the Steve Harvey stuff that ended

533
00:30:05,280 --> 00:30:06,160
Speaker 2: up being so essential.

534
00:30:06,320 --> 00:30:08,800
Speaker 1: Yeah, that wound up being kind of the larger piece.

535
00:30:08,520 --> 00:30:12,240
Speaker 2: Of it finished product. So what we did that was

536
00:30:12,400 --> 00:30:13,680
Speaker 2: like we had to go back and we'll play this,

537
00:30:13,760 --> 00:30:16,080
Speaker 2: but like we had to go back and sort of

538
00:30:16,160 --> 00:30:21,720
Speaker 2: put the episode through, put the story through the formula

539
00:30:23,920 --> 00:30:27,720
Speaker 2: It's Shohn's Beard, which I know some people have been

540
00:30:28,240 --> 00:30:34,560
Speaker 2: curious to hear. I like the Ocean.

541
00:30:37,400 --> 00:30:39,160
Speaker 3: We had to put it through the sort of this

542
00:30:39,200 --> 00:30:41,520
Speaker 3: preestablished formula that we have for all stories.

543
00:30:41,600 --> 00:30:47,920
Speaker 2: It's like the it's story math. Honestly, it's it's the algorithm.

544
00:30:48,360 --> 00:30:54,040
Speaker 1: Yes, we've cracked the code, we've solved it, and we

545
00:30:54,120 --> 00:30:58,600
Speaker 1: have this story formula that we use, and it basically

546
00:30:58,800 --> 00:31:02,600
Speaker 1: is an engineering technique through which the end of the

547
00:31:02,680 --> 00:31:06,360
Speaker 1: process you have a very functional story that's very satisfying.

548
00:31:06,400 --> 00:31:09,000
Speaker 1: It's got the correct number of twists, it's got the

549
00:31:09,000 --> 00:31:12,240
Speaker 1: correct number of surprises, it's got the correct number of reversals,

550
00:31:12,320 --> 00:31:15,040
Speaker 1: it's got the correct number of backfires, it's got the

551
00:31:15,080 --> 00:31:18,920
Speaker 1: correct number of solutions and solutions applied. And it's just

552
00:31:19,000 --> 00:31:22,160
Speaker 1: a simple structure that anyone can use at home. If

553
00:31:22,200 --> 00:31:24,680
Speaker 1: you want to make a movie, a book, an album,

554
00:31:24,800 --> 00:31:29,560
Speaker 1: it doesn't matter, and it's just if. Then therefore, how

555
00:31:30,320 --> 00:31:33,080
Speaker 1: why let's go hang on back it up?

556
00:31:33,560 --> 00:31:33,720
Speaker 4: Uh?

557
00:31:33,720 --> 00:31:41,280
Speaker 1: Oh not again, here we go. That's because and now

558
00:31:41,320 --> 00:31:47,280
Speaker 1: we are really doing it the end. So if you

559
00:31:47,320 --> 00:31:49,479
Speaker 1: are able to plug in your story points and have

560
00:31:49,560 --> 00:31:53,120
Speaker 1: your characters satisfy the end of each of those statements,

561
00:31:53,680 --> 00:31:58,120
Speaker 1: you will have some of the funniest, most dramatic shit

562
00:31:58,720 --> 00:31:59,480
Speaker 1: on the planet.

563
00:32:00,120 --> 00:32:02,480
Speaker 2: Can here, Let's just hear you know, they'll just hear it.

564
00:32:02,680 --> 00:32:03,400
Speaker 1: They'll just hear it.

565
00:32:03,440 --> 00:32:04,600
Speaker 2: So they'll just hear it.

566
00:32:04,640 --> 00:32:11,760
Speaker 7: Play the thing, okay, if I okay, if if if

567
00:32:11,960 --> 00:32:15,960
Speaker 7: if if if if Oh, oh.

568
00:32:15,680 --> 00:32:19,960
Speaker 2: Nope, okay, let me do one. If Monkey Bone tried

569
00:32:20,000 --> 00:32:22,360
Speaker 2: to win Miss USA but he doesn't actually win, it's

570
00:32:22,400 --> 00:32:25,120
Speaker 2: a fake one and it goes to Punky Bones.

571
00:32:25,000 --> 00:32:31,840
Speaker 1: Then Steve Harvey would be so embarrassed that he'd probably

572
00:32:31,840 --> 00:32:33,640
Speaker 1: climb on the roof of the building trying to jump off.

573
00:32:34,560 --> 00:32:43,360
Speaker 2: Yes, because he's so embarrassed. So Monkey Bone has to

574
00:32:43,400 --> 00:32:45,680
Speaker 2: go to live in punky Bones house because he had

575
00:32:45,720 --> 00:32:47,959
Speaker 2: to give back the prize money in the house that

576
00:32:48,040 --> 00:32:48,520
Speaker 2: he won.

577
00:32:48,800 --> 00:32:53,120
Speaker 8: Therefore, therefore, in order to come up with half the rent,

578
00:32:53,840 --> 00:32:56,560
Speaker 8: Monkey Bone would have to work at punky bones work,

579
00:32:57,080 --> 00:32:58,800
Speaker 8: which is Pacdonald's.

580
00:33:00,720 --> 00:33:02,640
Speaker 2: So we did so.

581
00:33:02,960 --> 00:33:09,920
Speaker 1: Oh and man at pack Donald's pac Man eating a

582
00:33:09,960 --> 00:33:10,640
Speaker 1: pool noodle.

583
00:33:11,520 --> 00:33:19,520
Speaker 2: Yes, but many Pacio mean to Monkey Bone and Punky

584
00:33:19,520 --> 00:33:22,680
Speaker 2: Bone because they're not eating enough of the fry.

585
00:33:22,520 --> 00:33:26,040
Speaker 1: Because they haven't finished the fries. That's why pac Man's

586
00:33:26,080 --> 00:33:31,480
Speaker 1: the star and hold on back up. Steve Harvey is

587
00:33:31,480 --> 00:33:35,960
Speaker 1: still on that roof. So wait a second, Wait a second.

588
00:33:36,600 --> 00:33:40,080
Speaker 2: Take all the extra fries. Make a trampoline for Steve

589
00:33:40,120 --> 00:33:41,480
Speaker 2: Harvey to bounce off. O.

590
00:33:41,920 --> 00:33:48,920
Speaker 1: Yes, Oh and who would really understand a trampoline? Mani pacyao. Yes,

591
00:33:51,280 --> 00:33:54,920
Speaker 1: so let's go, let's go. Let's get to trampoline and

592
00:33:54,960 --> 00:33:55,880
Speaker 1: really get under there.

593
00:33:56,360 --> 00:33:59,840
Speaker 2: Yes, now we're really doing it.

594
00:34:00,160 --> 00:34:04,520
Speaker 1: Now we're really doing it. Steve's gonna jump.

595
00:34:04,680 --> 00:34:09,000
Speaker 2: Steve jump off the trampoline, bounce off, land on pac

596
00:34:09,120 --> 00:34:12,160
Speaker 2: Man who gets hurt.

597
00:34:12,280 --> 00:34:17,759
Speaker 1: And irma gird dude smashes but could PLoP.

598
00:34:19,160 --> 00:34:24,680
Speaker 2: Is that the end? Yeah, where's act two?

599
00:34:25,360 --> 00:34:29,600
Speaker 1: Oh, that's got to be when they're making the trampoline

600
00:34:29,600 --> 00:34:32,239
Speaker 1: out of fries, right, Yeah, because that's the fun and game.

601
00:34:32,320 --> 00:34:34,440
Speaker 2: We do a triplet. We do a triplet of that

602
00:34:34,520 --> 00:34:38,520
Speaker 2: fun and games of like a couple false starts.

603
00:34:38,600 --> 00:34:44,759
Speaker 1: Yes, they try to make trampoline together, and they try

604
00:34:44,800 --> 00:34:46,360
Speaker 1: to they go, oh, we'll make it out of ketchup

605
00:34:46,360 --> 00:34:48,160
Speaker 1: and they go, we'll make it just out of the salt.

606
00:34:48,239 --> 00:34:50,879
Speaker 2: Right, and then Steve Harvey jumping every time and then

607
00:34:50,920 --> 00:34:54,319
Speaker 2: going back to the top. How do they know that

608
00:34:54,320 --> 00:34:55,800
Speaker 2: the trampolines aren't working?

609
00:34:56,360 --> 00:34:59,040
Speaker 1: Oh, well, what we can do? And this is also

610
00:34:59,120 --> 00:35:01,480
Speaker 1: part of the fun and game, James, is have monkey

611
00:35:01,480 --> 00:35:03,880
Speaker 1: bone tested out just jumping off the counter.

612
00:35:04,800 --> 00:35:05,439
Speaker 2: That's right.

613
00:35:07,320 --> 00:35:10,040
Speaker 1: And maybe some of the customers are going like, but

614
00:35:10,200 --> 00:35:13,320
Speaker 1: can I get a burger? And that's a cool cameo

615
00:35:13,440 --> 00:35:17,400
Speaker 1: for you, as it's a HITCHCOCKI and cameo.

616
00:35:17,560 --> 00:35:20,239
Speaker 2: Oh me saying can I get a burger? Yeah?

617
00:35:20,520 --> 00:35:22,560
Speaker 1: I could love to like in that Will Smith movie

618
00:35:22,640 --> 00:35:24,840
Speaker 1: Hitchcock where he plays superheroes drug.

619
00:35:26,840 --> 00:35:28,839
Speaker 2: Part of the expression. But I would love to eat

620
00:35:28,840 --> 00:35:32,040
Speaker 2: the dough boys's lunch and go into McDonald's and be saying,

621
00:35:32,120 --> 00:35:35,480
Speaker 2: can I eat a burger this time? Oh god, wouldn't

622
00:35:35,520 --> 00:35:38,839
Speaker 2: that be sweet? Oh god, that would honestly be such

623
00:35:39,360 --> 00:35:41,440
Speaker 2: chun sweet lunch?

624
00:35:41,600 --> 00:35:44,960
Speaker 1: Yeah, yeah, breakfast, lunch and dinner.

625
00:35:46,680 --> 00:35:49,640
Speaker 2: Okay, Brett, can we have that? Please?

626
00:35:49,680 --> 00:35:52,640
Speaker 1: Please run it back, Brett, because when we.

627
00:35:53,000 --> 00:35:55,239
Speaker 2: It's like one thing for us to say it, but

628
00:35:55,520 --> 00:35:56,520
Speaker 2: like it's another thing too.

629
00:35:56,680 --> 00:35:59,200
Speaker 1: It's easier when I hear it, I can really picture it.

630
00:35:59,280 --> 00:36:05,000
Speaker 1: So I'm gonna be watching the show on my TV,

631
00:36:06,320 --> 00:36:10,400
Speaker 1: and so you're the TV. So now Brett's turned to

632
00:36:10,920 --> 00:36:13,600
Speaker 1: run it back, yep, and I turn a little sound

633
00:36:13,600 --> 00:36:15,319
Speaker 1: that you found the channel that I like.

634
00:36:17,200 --> 00:36:21,240
Speaker 2: Mhm, that's so that's not the TV turning on sound?

635
00:36:21,320 --> 00:36:22,520
Speaker 2: You do like your little.

636
00:36:23,640 --> 00:36:25,560
Speaker 4: That's how your TV sounds when you turn it on?

637
00:36:25,719 --> 00:36:26,800
Speaker 2: Yeah, sing me a little.

638
00:36:26,840 --> 00:36:28,840
Speaker 4: Like a minority Report TV.

639
00:36:29,560 --> 00:36:31,239
Speaker 1: What's that's like?

640
00:36:31,360 --> 00:36:33,680
Speaker 4: Future? All right?

641
00:36:33,840 --> 00:36:35,680
Speaker 2: So the rapper.

642
00:36:37,080 --> 00:36:42,879
Speaker 4: Punky, Punky's in our lab. Monkey, Now.

643
00:36:44,640 --> 00:36:46,520
Speaker 2: This is not we will not do this again. And

644
00:36:46,600 --> 00:36:47,600
Speaker 2: I know the.

645
00:36:47,680 --> 00:36:52,680
Speaker 1: Lab part of the show is much more minor than

646
00:36:52,719 --> 00:36:53,719
Speaker 1: you're making it out to be.

647
00:36:54,360 --> 00:36:56,760
Speaker 4: And I know did take that lab scene?

648
00:36:57,000 --> 00:36:59,040
Speaker 2: Well yes, obviously. Why are they gonna make a tripoli

649
00:36:59,040 --> 00:37:01,480
Speaker 2: out of front Friends of the y a lab. I

650
00:37:01,520 --> 00:37:04,800
Speaker 2: honestly think it's just parallel thinking. It's not it's stuff

651
00:37:04,840 --> 00:37:07,000
Speaker 2: that's like in the air, Like making stuff in a

652
00:37:07,080 --> 00:37:09,040
Speaker 2: lab is not something that you like have ownership of.

653
00:37:09,200 --> 00:37:10,680
Speaker 4: So you're not putting me in the credits.

654
00:37:10,760 --> 00:37:14,920
Speaker 2: No, unless you want to be the TV in the credits.

655
00:37:14,960 --> 00:37:16,600
Speaker 2: If you do a good job right now, then we

656
00:37:16,640 --> 00:37:21,560
Speaker 2: can say Brett's the good TV, yes and now. But

657
00:37:21,640 --> 00:37:24,319
Speaker 2: it is troubling me that I realized that rather than

658
00:37:24,360 --> 00:37:26,560
Speaker 2: what I thought originally was that you were making something

659
00:37:26,680 --> 00:37:29,799
Speaker 2: up on the fly because you had not memorized what

660
00:37:29,800 --> 00:37:32,319
Speaker 2: we were talking about. Now I know that this is

661
00:37:32,360 --> 00:37:36,360
Speaker 2: an actual agenda point of yours to get a scene

662
00:37:36,840 --> 00:37:39,640
Speaker 2: into the show where Monkey Bone finds Punky Bone in

663
00:37:39,680 --> 00:37:42,919
Speaker 2: the garage working in a lab and there's smoke, and

664
00:37:43,200 --> 00:37:46,080
Speaker 2: Monkey Bone says, what are you doing? And Punky Bone

665
00:37:46,120 --> 00:37:48,840
Speaker 2: wipes the fog off for glasses it says, I'm doing

666
00:37:49,160 --> 00:37:52,640
Speaker 2: my homework, and then they start failed it, and then

667
00:37:52,680 --> 00:37:56,480
Speaker 2: they start going at it. I really thought that that

668
00:37:56,640 --> 00:38:00,440
Speaker 2: was just like something that you were just scre ambling

669
00:38:00,440 --> 00:38:02,120
Speaker 2: for at the time, but now I know it's that

670
00:38:02,200 --> 00:38:03,839
Speaker 2: you urgently need to put in the show.

671
00:38:03,880 --> 00:38:07,359
Speaker 1: You put that picture. Do not get your jones out

672
00:38:07,440 --> 00:38:11,600
Speaker 1: right now that picture or wedding dress.

673
00:38:14,120 --> 00:38:17,040
Speaker 2: So let's do the real show. If it begins with

674
00:38:17,080 --> 00:38:17,600
Speaker 2: an if?

675
00:38:19,840 --> 00:38:21,239
Speaker 4: Okay, but do you want me to turn on the

676
00:38:21,239 --> 00:38:21,839
Speaker 4: TV or not?

677
00:38:22,080 --> 00:38:24,000
Speaker 2: Yes, Bread, I want you to turn on the TV.

678
00:38:24,120 --> 00:38:37,720
Speaker 2: I'm sorry, no, yes, play, Sorry, I forgot the pressure.

679
00:38:37,840 --> 00:38:39,920
Speaker 2: Play on Bread.

680
00:38:41,520 --> 00:38:47,799
Speaker 6: If Punky Bone and monkey Bone they work and make

681
00:38:47,880 --> 00:38:49,440
Speaker 6: the pac Donald's.

682
00:38:49,800 --> 00:38:52,360
Speaker 2: That that's act two. We're at the beginning. We skipped

683
00:38:52,360 --> 00:38:55,280
Speaker 2: ahead of the beginning of actube. So I go previous scene,

684
00:38:55,560 --> 00:38:58,400
Speaker 2: previous scene, predus scene.

685
00:38:58,239 --> 00:39:05,760
Speaker 4: Right if pack, God, this is really hard.

686
00:39:06,239 --> 00:39:10,880
Speaker 2: If if monkey Bone is supposed to win. Remember if

687
00:39:11,000 --> 00:39:13,200
Speaker 2: monkey Bone is supposed to win, you miss USA competition

688
00:39:13,280 --> 00:39:14,440
Speaker 2: by today? Yes, the wrong.

689
00:39:16,680 --> 00:39:19,520
Speaker 4: One. Yes, Steve Harvey is really sad about it.

690
00:39:19,680 --> 00:39:23,000
Speaker 3: If then Steve Harvey is not sadd he's embarrassed.

691
00:39:24,480 --> 00:39:26,279
Speaker 1: I don't want to sidetrack.

692
00:39:25,800 --> 00:39:29,400
Speaker 3: Us, okay, and just started to get go. We already

693
00:39:29,400 --> 00:39:31,760
Speaker 3: didn't want to get us off the path.

694
00:39:33,200 --> 00:39:35,040
Speaker 1: But whose side was that, Lincoln lawyer on?

695
00:39:35,239 --> 00:39:40,480
Speaker 2: Anyway, Okay, this is gonna take us way off the path.

696
00:39:40,640 --> 00:39:44,920
Speaker 1: You think I will, I will do That is not

697
00:39:45,000 --> 00:39:45,680
Speaker 1: my intention.

698
00:39:46,400 --> 00:39:50,240
Speaker 2: It's gonna I can imagine us having to basically start

699
00:39:50,280 --> 00:39:54,719
Speaker 2: over on the whole thing because figuring out I think

700
00:39:54,719 --> 00:39:59,160
Speaker 2: we can figure this out who side the Lincoln lawyer was, Yeah,

701
00:40:00,080 --> 00:40:01,040
Speaker 2: because I think it was.

702
00:40:01,120 --> 00:40:03,320
Speaker 3: We would just have to figure out who his client

703
00:40:03,560 --> 00:40:06,080
Speaker 3: was and stuff, right, because.

704
00:40:05,800 --> 00:40:07,840
Speaker 2: My memory of it is that he was on the

705
00:40:07,960 --> 00:40:11,239
Speaker 2: side of it was fairly clear. But we would have

706
00:40:11,320 --> 00:40:14,280
Speaker 2: to figure out what happened in the movie.

707
00:40:14,760 --> 00:40:19,319
Speaker 1: Okay, all right, So then that's probably not great for

708
00:40:19,480 --> 00:40:23,520
Speaker 1: right now, just based on what we're already doing, right Yeah,

709
00:40:23,560 --> 00:40:25,520
Speaker 1: because Brett's already going on the story.

710
00:40:25,800 --> 00:40:28,040
Speaker 6: I do not act, but I was coming along and

711
00:40:28,080 --> 00:40:29,960
Speaker 6: you just completely but.

712
00:40:29,840 --> 00:40:32,160
Speaker 1: Well I was I didn't mean to derail it at all.

713
00:40:32,680 --> 00:40:35,799
Speaker 2: And because of the sort of atmosphere that we're cultivating here,

714
00:40:36,400 --> 00:40:39,279
Speaker 2: if you would like to figure out which whose side

715
00:40:39,320 --> 00:40:40,680
Speaker 2: the lincolnlawyer.

716
00:40:40,080 --> 00:40:43,080
Speaker 1: Was on, and we were always allowed to do that.

717
00:40:43,600 --> 00:40:46,000
Speaker 2: We you are, That's what I'm saying, you are allowed.

718
00:40:46,040 --> 00:40:47,839
Speaker 3: I just want to let you know what's at stake here,

719
00:40:48,400 --> 00:40:50,680
Speaker 3: which is us basically having a.

720
00:40:50,800 --> 00:40:52,120
Speaker 1: We could lose a lot of ground.

721
00:40:52,440 --> 00:40:54,040
Speaker 2: Yes, I think a lot of the stuff that we've

722
00:40:54,080 --> 00:40:55,719
Speaker 2: already put together will disappear.

723
00:40:56,040 --> 00:40:56,400
Speaker 6: M hm.

724
00:40:58,040 --> 00:40:59,440
Speaker 2: So you just have to pick that guy.

725
00:40:59,440 --> 00:41:02,000
Speaker 1: Does this have and does this story that Brett's gonna do?

726
00:41:02,320 --> 00:41:04,520
Speaker 1: Because I know this was important to you previously. Does

727
00:41:04,560 --> 00:41:07,439
Speaker 1: this have the ying and the Yang that you wanted? Uh?

728
00:41:07,520 --> 00:41:07,920
Speaker 2: Yeah?

729
00:41:07,960 --> 00:41:09,440
Speaker 1: And you think Alan Yang will like it?

730
00:41:10,520 --> 00:41:12,520
Speaker 2: Yeah? I mean I was not sure whether to mention

731
00:41:12,600 --> 00:41:15,759
Speaker 2: something about him the first time we were talking about it, but.

732
00:41:15,600 --> 00:41:17,319
Speaker 1: On reflection, it feels appropriate.

733
00:41:17,880 --> 00:41:20,240
Speaker 2: Yeah. I think it's great, but I think it's good.

734
00:41:20,680 --> 00:41:22,640
Speaker 1: Okay, so he'll like it, Okay.

735
00:41:23,360 --> 00:41:25,600
Speaker 2: Do you, now that you've had some time to think

736
00:41:25,600 --> 00:41:29,200
Speaker 2: about it, is it important enough to you to figure

737
00:41:29,200 --> 00:41:31,400
Speaker 2: out because we can look at the Wikipedia page, we

738
00:41:31,400 --> 00:41:33,840
Speaker 2: can figure it out right now which side the Licked

739
00:41:33,880 --> 00:41:34,360
Speaker 2: lawyer was on?

740
00:41:34,480 --> 00:41:36,400
Speaker 1: Which side? I don't want to make that call if

741
00:41:36,440 --> 00:41:40,400
Speaker 1: you if you think that we can quickly deduce whose

742
00:41:40,440 --> 00:41:41,839
Speaker 1: side the Lincoln lawyer was on.

743
00:41:41,920 --> 00:41:45,480
Speaker 2: Anyway, I I would just like BRT to sort of

744
00:41:45,520 --> 00:41:47,400
Speaker 2: be kind of quietly keeping track.

745
00:41:48,520 --> 00:41:52,360
Speaker 1: Yeah. Can you be going through what we did discuss

746
00:41:52,440 --> 00:41:55,560
Speaker 1: as the story while we figure out exactly whose side

747
00:41:55,600 --> 00:41:56,960
Speaker 1: that Lincoln lawyer was on?

748
00:41:57,080 --> 00:41:58,919
Speaker 2: Because I can see that being sort of a time

749
00:41:59,000 --> 00:42:00,319
Speaker 2: sensitive issue as well.

750
00:42:01,160 --> 00:42:05,520
Speaker 1: Recording all this as well, Yeah, you're recording yourself. Yeah,

751
00:42:05,560 --> 00:42:08,319
Speaker 1: the saying what the story is, and you were on

752
00:42:08,400 --> 00:42:11,600
Speaker 1: a good track. And remember Steve Harvey sad.

753
00:42:11,680 --> 00:42:13,560
Speaker 2: No no see, And so this is what I don't

754
00:42:13,600 --> 00:42:18,000
Speaker 2: want to lose. Steve Harvey is embarrassed, embarrassed, very when

755
00:42:18,040 --> 00:42:21,680
Speaker 2: you got me confused. No, Steve Harvey isn't embarrassed.

756
00:42:21,480 --> 00:42:23,479
Speaker 1: So embarrassed that part of sad.

757
00:42:25,000 --> 00:42:27,280
Speaker 2: But so, and that's a whole different discussion.

758
00:42:27,360 --> 00:42:29,560
Speaker 1: So whose side was he on? And I and I

759
00:42:29,560 --> 00:42:30,839
Speaker 1: have a question about him?

760
00:42:31,040 --> 00:42:32,919
Speaker 2: Okay, I want Brett to sort of get going first

761
00:42:32,960 --> 00:42:36,680
Speaker 2: with the like and just sort of slowly go through it,

762
00:42:36,719 --> 00:42:39,080
Speaker 2: and then we can sort of get into who side

763
00:42:39,120 --> 00:42:40,040
Speaker 2: only of or what's up?

764
00:42:41,840 --> 00:42:45,920
Speaker 6: Okay, So I was at embarrassed. I'll give you that one.

765
00:42:47,120 --> 00:42:49,520
Speaker 2: You're okay, just be a little bit quieter, but sort

766
00:42:49,560 --> 00:42:53,200
Speaker 2: of be going through it. So Monkey Bone ends up

767
00:42:53,200 --> 00:42:55,080
Speaker 2: having to live with Punky Bone because he lost the

768
00:42:55,120 --> 00:42:57,960
Speaker 2: house that he was supposed to win the prize, and

769
00:42:58,320 --> 00:43:00,840
Speaker 2: then to make friends, to go work at Pac Donald's,

770
00:43:00,840 --> 00:43:02,080
Speaker 2: and just sort of.

771
00:43:02,880 --> 00:43:04,960
Speaker 1: Going I know that the Lincoln Lawyer does exist in

772
00:43:05,000 --> 00:43:09,960
Speaker 1: the same universe as a Yeah, of course, I know

773
00:43:10,000 --> 00:43:12,480
Speaker 1: that Bosh never lets the law get in the way

774
00:43:12,480 --> 00:43:13,120
Speaker 1: of justice.

775
00:43:13,200 --> 00:43:15,400
Speaker 2: Yes, Is that true for.

776
00:43:15,480 --> 00:43:16,719
Speaker 1: The Lincoln Lawyer as well?

777
00:43:17,680 --> 00:43:20,600
Speaker 2: Okay, okay, that's not more.

778
00:43:20,800 --> 00:43:22,680
Speaker 1: Is he more ti on a separate question, but it

779
00:43:23,040 --> 00:43:26,000
Speaker 1: is more, and well it is because he's you know,

780
00:43:26,040 --> 00:43:27,759
Speaker 1: if he's on the side of justice, is he still

781
00:43:27,760 --> 00:43:30,880
Speaker 1: beholden to the laws? Well, okay, because he's in a

782
00:43:30,880 --> 00:43:32,360
Speaker 1: corporal the Lincoln Lawyer.

783
00:43:32,520 --> 00:43:35,200
Speaker 2: The Lincoln Lawyer, of course, is criminal defense attorney Mickey Howard,

784
00:43:35,440 --> 00:43:37,240
Speaker 2: and he operates from the back seat of his Wincoln

785
00:43:37,280 --> 00:43:40,360
Speaker 2: town car in Los Angeles County's he's used to defending

786
00:43:40,400 --> 00:43:41,360
Speaker 2: garden variety criminals.

787
00:43:41,800 --> 00:43:42,439
Speaker 1: Drive the car.

788
00:43:43,160 --> 00:43:46,600
Speaker 2: Earl yes, of course, Earl drives the car, it's not yes,

789
00:43:46,760 --> 00:43:49,680
Speaker 2: and Mickey Holler is in the back. A high profile

790
00:43:49,719 --> 00:43:52,800
Speaker 2: case comes his way. He has the opportunity to represent

791
00:43:52,880 --> 00:43:57,040
Speaker 2: Louis Rouet, who's like a wealthy Beverly Hills playboy and

792
00:43:57,080 --> 00:43:58,680
Speaker 2: the son of local Mary Wins.

793
00:43:58,719 --> 00:44:03,359
Speaker 3: But like the wheel, uh almost, it's not finished. It's

794
00:44:03,400 --> 00:44:04,440
Speaker 3: not quite finished.

795
00:44:06,800 --> 00:44:09,680
Speaker 2: Roulay is accused of brutally beating a prostitute, but he

796
00:44:09,680 --> 00:44:12,120
Speaker 2: in says he's an innocent victim of a frame up. Yeah, okay,

797
00:44:12,360 --> 00:44:14,000
Speaker 2: so right now we're thinking that he might be on

798
00:44:14,040 --> 00:44:15,000
Speaker 2: Louis Roulay side.

799
00:44:14,960 --> 00:44:16,080
Speaker 1: I would assist who he is.

800
00:44:16,360 --> 00:44:18,200
Speaker 2: This is who he's hired to represent.

801
00:44:18,320 --> 00:44:21,360
Speaker 1: Okay, then yeah, then that's whose side he's on anyway, right.

802
00:44:21,719 --> 00:44:24,120
Speaker 2: And so they but he and his investigator, Frank Levin,

803
00:44:24,160 --> 00:44:26,279
Speaker 2: they analyzed photos and evidence. They find it similar to

804
00:44:26,320 --> 00:44:28,600
Speaker 2: one of Heller's past cases that resulted in a life

805
00:44:28,600 --> 00:44:31,399
Speaker 2: sentence for his client, Hajesu's Martinez for murdering a woman,

806
00:44:31,440 --> 00:44:33,279
Speaker 2: despite his repeatedly proclaiming, so.

807
00:44:33,239 --> 00:44:36,080
Speaker 1: What's that scene If I'm picturing it, it's just literally

808
00:44:36,080 --> 00:44:37,960
Speaker 1: a picture of a woman's face beat up. And then

809
00:44:38,000 --> 00:44:41,080
Speaker 1: when they see another woman's face different, the exact same

810
00:44:41,200 --> 00:44:42,040
Speaker 1: bruised structure.

811
00:44:42,160 --> 00:44:43,839
Speaker 3: Yes, And so they hold them up next to each

812
00:44:43,840 --> 00:44:45,400
Speaker 3: other and say, this looks like it's the same.

813
00:44:45,680 --> 00:44:47,480
Speaker 2: I wonder if this is Hazu's Martinez.

814
00:44:47,600 --> 00:44:51,160
Speaker 1: Guys mo O is a specific like punching him out

815
00:44:52,360 --> 00:44:55,120
Speaker 1: and it creates the same wound essentially.

816
00:44:56,040 --> 00:45:00,200
Speaker 2: So Mickey's ex wife, prosecutor Maggie Macpherson, She's never really

817
00:45:00,239 --> 00:45:04,919
Speaker 2: understood Mickey's willingness to represent guilty clients. In her eyes,

818
00:45:05,160 --> 00:45:08,319
Speaker 2: she's a prosecuted justice above all things. Yeah, you know,

819
00:45:08,400 --> 00:45:09,839
Speaker 2: like she's on the side of justice.

820
00:45:09,960 --> 00:45:11,920
Speaker 1: Does she let the law get in the wave it sometimes.

821
00:45:12,120 --> 00:45:14,000
Speaker 2: I well, I actually think she lets the lot get

822
00:45:14,000 --> 00:45:15,640
Speaker 2: in the way of her justice, getting the way of

823
00:45:15,680 --> 00:45:19,960
Speaker 2: her relationships, because we noticed that separate ways at this point.

824
00:45:20,040 --> 00:45:26,799
Speaker 2: Uh huh. And Mickey Hower persuaded Hazu's Martinez to plead

825
00:45:26,840 --> 00:45:28,960
Speaker 2: guilty back in the day, which and.

826
00:45:29,000 --> 00:45:31,000
Speaker 1: That's the old case that he remembered, and he just

827
00:45:31,160 --> 00:45:36,080
Speaker 1: it's from several years ago. And you just saw the pictures,

828
00:45:36,640 --> 00:45:37,719
Speaker 1: the photos from another case.

829
00:45:37,840 --> 00:45:42,839
Speaker 2: Yes, And Hazu's Martinez becomes agitated when Mickey Hower shows

830
00:45:42,920 --> 00:45:47,080
Speaker 2: him Louis Roulay's photo and so now he's wondering if

831
00:45:47,120 --> 00:45:51,239
Speaker 2: Louis Roulay is the killer in the Hazes Martinez. So

832
00:45:51,360 --> 00:45:53,839
Speaker 2: this question is actually getting much more difficult to answer

833
00:45:53,920 --> 00:45:54,879
Speaker 2: than I anticipated.

834
00:45:55,040 --> 00:45:59,480
Speaker 1: Well, Martinez then is possibly in jail for crime that

835
00:45:59,600 --> 00:46:05,000
Speaker 1: Louie were Ule committed. But we've already determined, at least initially,

836
00:46:05,080 --> 00:46:08,719
Speaker 1: that whose side Mickey Haller is on is Louis Roule.

837
00:46:08,960 --> 00:46:15,080
Speaker 3: Louis Relay is his client now, but he's crime was

838
00:46:15,120 --> 00:46:16,240
Speaker 3: his former client.

839
00:46:16,400 --> 00:46:21,320
Speaker 2: And does that relationship and when the when the trial

840
00:46:21,440 --> 00:46:23,640
Speaker 2: is over, or does Mickey Hower still have a debt

841
00:46:23,640 --> 00:46:25,480
Speaker 2: to his Martinez for sending him to jail for a

842
00:46:25,480 --> 00:46:27,959
Speaker 2: crime he potentially did not commit. I notice it's getting

843
00:46:27,960 --> 00:46:30,600
Speaker 2: pretty quiet over there at the end of the table. Yeah,

844
00:46:31,000 --> 00:46:32,640
Speaker 2: all I'm hearing right now is a beard.

845
00:46:32,680 --> 00:46:34,880
Speaker 3: And it's not the beard I want to be hearing

846
00:46:34,920 --> 00:46:36,680
Speaker 3: on the that's Brett's beard.

847
00:46:36,960 --> 00:46:39,720
Speaker 1: No one get excited about that beard.

848
00:46:39,760 --> 00:46:44,760
Speaker 2: That's at Brett's beard. So Louis Relay ends up breaking

849
00:46:44,760 --> 00:46:47,440
Speaker 2: into Mickey Hower's house. Mickey Hower is the Lincoln lawyer,

850
00:46:47,440 --> 00:46:51,400
Speaker 2: of course. Uh. He nonchalantly admits to committing the murder

851
00:46:51,400 --> 00:46:54,600
Speaker 2: for which Jesus Martinez was convicted. And so this is

852
00:46:54,640 --> 00:46:58,280
Speaker 2: like his whole raised in wealth and privilege, he feels

853
00:46:58,360 --> 00:47:01,799
Speaker 2: like the law can't possibly get to him, and he

854
00:47:02,560 --> 00:47:06,920
Speaker 2: sort of he makes threats against Nicky Holler's ex wife

855
00:47:06,920 --> 00:47:16,120
Speaker 2: and daughter and okay, and so now now we're on

856
00:47:16,160 --> 00:47:19,279
Speaker 2: a different thing, and I'm totally willing to explore this

857
00:47:19,360 --> 00:47:25,960
Speaker 2: as well. And I almost wonder if Brett knew that

858
00:47:26,000 --> 00:47:31,160
Speaker 2: this would that just my whistling this dude was sort.

859
00:47:30,920 --> 00:47:40,640
Speaker 1: Of a way to don't worry, be happy. So the

860
00:47:40,800 --> 00:47:44,560
Speaker 1: formula works again. I mean, it's you know, it's interesting

861
00:47:45,840 --> 00:47:48,360
Speaker 1: that when you have the right structures in place, the

862
00:47:48,480 --> 00:47:51,560
Speaker 1: story just works.

863
00:47:51,400 --> 00:47:54,920
Speaker 2: And you gradually you start with this uncarved block and

864
00:47:54,960 --> 00:47:57,279
Speaker 2: you sort of chip away, You chip away and you see, oh,

865
00:47:57,280 --> 00:48:00,239
Speaker 2: I think that might be the story's arm, and you say, oh,

866
00:48:00,239 --> 00:48:04,400
Speaker 2: that might be its little pinky toe, even that's important.

867
00:48:06,960 --> 00:48:08,320
Speaker 1: Or it might be the story's dick.

868
00:48:08,520 --> 00:48:12,640
Speaker 3: I mean, you do have to find that at some point,

869
00:48:13,280 --> 00:48:18,360
Speaker 3: and gradually you end up with this amazing.

870
00:48:19,000 --> 00:48:24,759
Speaker 1: Incredible story with a really you know, reasonably proportioned dick,

871
00:48:24,880 --> 00:48:33,120
Speaker 1: a clean, like nicely cut dick. Yeah. So I mean

872
00:48:33,200 --> 00:48:35,919
Speaker 1: and what you heard was us sort of like, yeah,

873
00:48:36,040 --> 00:48:38,920
Speaker 1: molding out like where the spot for the dick was

874
00:48:38,960 --> 00:48:40,680
Speaker 1: going to be on this story, and what.

875
00:48:41,560 --> 00:48:44,080
Speaker 2: We will do later we're done with this episode, but

876
00:48:44,120 --> 00:48:46,280
Speaker 2: what we will do later is actually write the script,

877
00:48:46,360 --> 00:48:49,319
Speaker 2: which is basically hanging your Christmas ornament on the dick.

878
00:48:50,280 --> 00:48:53,280
Speaker 2: So that's for the future time.

879
00:48:53,680 --> 00:48:55,439
Speaker 1: Yeah, and you'll hear us do that at some point,

880
00:48:55,520 --> 00:48:57,840
Speaker 1: not next week, but whenever we.

881
00:48:59,840 --> 00:49:01,960
Speaker 2: Like get in the mood, I suppose, yeah.

882
00:49:01,800 --> 00:49:03,960
Speaker 1: Whenever that deadline creeps up on us.

883
00:49:04,760 --> 00:49:07,520
Speaker 2: And we haven't given out the pro version in a

884
00:49:07,560 --> 00:49:09,560
Speaker 2: long time. But there must be all kinds of nice

885
00:49:10,920 --> 00:49:13,480
Speaker 2: people now who are saying me, me, me.

886
00:49:13,920 --> 00:49:15,280
Speaker 4: Oh yeah, well.

887
00:49:16,640 --> 00:49:20,880
Speaker 1: Well okay, so who all right, so I'm the pro version?

888
00:49:20,880 --> 00:49:21,640
Speaker 1: Who do I want to.

889
00:49:21,640 --> 00:49:23,200
Speaker 2: Go home with? Right?

890
00:49:23,360 --> 00:49:23,440
Speaker 4: That?

891
00:49:23,680 --> 00:49:27,719
Speaker 2: This is a good thought experiment. Should we get a

892
00:49:27,840 --> 00:49:30,080
Speaker 2: lot of some people like getting Roman sounds for the

893
00:49:31,040 --> 00:49:35,399
Speaker 2: for the proversion. Should we get should we get? Yes?

894
00:49:36,200 --> 00:49:40,520
Speaker 2: Roman reloaded? Should we do it? Pink Friday? Roman reloaded?

895
00:49:50,320 --> 00:49:52,920
Speaker 2: What's the did you decide who you want to go

896
00:49:52,960 --> 00:49:54,560
Speaker 2: home with? Are you still being the pro version?

897
00:49:54,920 --> 00:49:56,360
Speaker 1: I'm thinking about it.

898
00:49:57,120 --> 00:49:59,359
Speaker 2: And you're not looking at any names. You're just having

899
00:49:59,440 --> 00:50:00,640
Speaker 2: to sort of come up with it.

900
00:50:00,760 --> 00:50:05,040
Speaker 1: I'm just going through it, you know, mm hmmm.

901
00:50:07,560 --> 00:50:09,400
Speaker 2: And don't give those signs out for free.

902
00:50:09,200 --> 00:50:19,600
Speaker 1: Roman and those noises were a gift to uh Pie

903
00:50:19,640 --> 00:50:20,880
Speaker 1: man Pie twenty four.

904
00:50:21,080 --> 00:50:26,480
Speaker 4: All right, Papa bye.

905
00:50:28,880 --> 00:50:32,800
Speaker 8: Hollywood Handbook is brought to you by Wolf Cool Production

906
00:50:32,960 --> 00:50:47,600
Speaker 8: to subsidiary of Calvin unhobbs Ow Baby